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<v Speaker 1>Welcome friends, Jacky.

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<v Speaker 2>Welcome to Movie Film. It's episode three forty two. I

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<v Speaker 2>am Zaki Hassan. I'm here with Brian Holp. Hey. How's

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<v Speaker 2>it going, Zachi? Hey man? Hi Ben? You know I'm

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<v Speaker 2>getting by, Like all of us are doing it the

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<v Speaker 2>best we can. To quote Just the Ten of Us?

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<v Speaker 2>Was that the theme song? Doing it the best stock can.

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<v Speaker 2>It's the great theme song that works for any show

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<v Speaker 2>because it's just general enough. It's right exactly like there's

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<v Speaker 2>a whole there's a whole YouTube channel that's just the

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<v Speaker 2>just the Ten of Us theme appended to like Perfect

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<v Speaker 2>Strangers and you know, Breaking Bad and you know Zack

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<v Speaker 2>Snyder's Justice League, like and it all works.

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<v Speaker 3>That's like ringing a bell. Now that you say it,

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<v Speaker 3>I feel like I kind of remember that.

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<v Speaker 2>Yeah, I'm pretty sure, pretty sure we've discussed it.

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<v Speaker 3>Yeah, uh real quick? Is there like some screaming going

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<v Speaker 3>on in the background.

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<v Speaker 2>Yes, there is. That's that's my that's my two year old. Almost.

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<v Speaker 3>Ah okay, so this is happy I'm alive screaming, not

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<v Speaker 3>like my brother has got me on a headlock.

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<v Speaker 2>And well, I suspect you know, last night I ordered

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<v Speaker 2>some I was feeling this urge for Chicago style deep dish.

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<v Speaker 2>Oh okay, And then completely by chance, my brother was like, hey,

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<v Speaker 2>I'm he and his wife. Oh, we're gonna go have

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<v Speaker 2>some Chicago style deep dish. What And I said, well,

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<v Speaker 2>clearly the stars have a line. So I like placed

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<v Speaker 2>an online order and I was like, hey, pick this

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<v Speaker 2>up and ring it back. So so I love that

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<v Speaker 2>they brought it to you.

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<v Speaker 3>They brought din't he didn't like door dash it or anything.

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<v Speaker 3>You're like, hey pick this up for me.

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<v Speaker 2>I was like, you're there anyway? You know, did you

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<v Speaker 2>tip him? I did not tip my brother, and and

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<v Speaker 2>I didn't. I don't. I don't feel like I need

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<v Speaker 2>to tip my brother because he gets to come over

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<v Speaker 2>and hang out whenever he wants. I make him some

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<v Speaker 2>nice coffee. That's true.

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<v Speaker 3>What's the place I mean is it? Do you have

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<v Speaker 3>good Chicago deep dish up there?

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<v Speaker 2>Yeah? Yeah, it's called Zachary's. Oh okay, yeah, they got

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<v Speaker 2>they got a few, And I was I was just

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<v Speaker 2>like Jones and for some for some Chicago style you know,

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<v Speaker 2>hm and and so anyway, the screaming you heard, I

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<v Speaker 2>suspect was it was him want wanting more want more

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<v Speaker 2>than pizza. We're raising him right.

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<v Speaker 3>Yeah, we actually have a Gino's East that opened up

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<v Speaker 3>uh in Sherman Oaks and Uh, which you know, that

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<v Speaker 3>was like where I liked to go whenever i'd visit Chicago.

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<v Speaker 3>So it was really cool that that opened up down

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<v Speaker 3>the road. And the pizza's good and the Italian beefs

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<v Speaker 3>are good, and so that's kind of nice.

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<v Speaker 2>There you go. Here's our unpaid promo for Zachary's and

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<v Speaker 2>Geno's East. Yeah, exactly, So that's what's going on there.

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<v Speaker 2>And before we get started, I just want to remind

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<v Speaker 2>everybody if you want to hear this episode ad free

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<v Speaker 2>and also support the work that we're doing. We do

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<v Speaker 2>have a Patreon page, right, Brian.

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<v Speaker 3>Yes, If you head over to patreon dot com Slash

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<v Speaker 3>Movie Film Podcast hit subscribe only five dollars a month,

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<v Speaker 3>you'll find all our commentaries and episodes without ads or interruptions,

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<v Speaker 3>butting in and bonus conversations. Recently, we had a fun

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<v Speaker 3>time talking about Disney kind of creating their own version

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<v Speaker 3>of IMAX, right, and what that means for the upcoming

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<v Speaker 3>Avengers movie. I talked about my gig that I've been

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<v Speaker 3>working on for the past several weeks.

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<v Speaker 2>And if you want to know what that gig is,

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<v Speaker 2>you know you want to yea, only hear it at Patreon. Yeah,

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<v Speaker 2>that's right, that's right. Anyway, what else have you seen,

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<v Speaker 2>Brian oh Man, I've seen a slew of things, actually

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<v Speaker 2>a slew of older.

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<v Speaker 3>Which I'll just go through quick because there's not much

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<v Speaker 3>I need to say about them. But they were really

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<v Speaker 3>cool experiences. And as I've said a lot on this show,

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<v Speaker 3>speaking of plugs. At the Regal Theater, you know, just

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<v Speaker 3>down the road from me, they always have these like series.

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<v Speaker 2>Where they'll show older.

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<v Speaker 3>Films like every day, and usually there's a theme for

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<v Speaker 3>the month. So one month was Masterpieces, one month was

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<v Speaker 3>Horror coming up in May now it's musicals, and in

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<v Speaker 3>April it was lols and so they were showing a

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<v Speaker 3>bunch of comedies. And then also nationwide theaters have been

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<v Speaker 3>showing a lot of older movies for their anniversaries. And

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<v Speaker 3>so anyway, I went and saw Farrispeeler's.

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<v Speaker 2>Day Off Nice that's an lol.

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<v Speaker 3>Yeah, yeah, and that I'd never seen it in a

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<v Speaker 3>theater before. I've seen it tons of times, but I

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<v Speaker 3>just thought it would be worth seeing Chicago on the

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<v Speaker 3>big screen, and I mostly bring it up because we

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<v Speaker 3>watched it. I sat next to a stranger and when

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<v Speaker 3>it was over, he looked at me and he just

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<v Speaker 3>it's as good as it ever was, and I was like, yeah,

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<v Speaker 3>it really is, isn't it? Like it just really holds up.

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<v Speaker 3>And so you know, they have that scene on the

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<v Speaker 3>bus with the principal and he's like got to sit

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<v Speaker 3>with all the students, which kind of keeps you through

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<v Speaker 3>the credits.

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<v Speaker 2>And I have to admit I.

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<v Speaker 3>Completely forgot about the little tag at the end where

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<v Speaker 3>funny right where Ferris is in the hallway and he's like.

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<v Speaker 2>You're still here. Yeah, it's over, go home.

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<v Speaker 3>And you could sense this collective feeling in the theater

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<v Speaker 3>like we all were like oh yeah, and we never

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<v Speaker 3>thought we'd get to see that moment in a theater

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<v Speaker 3>and have Farris tell us to go home. And so

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<v Speaker 3>I was like, man, that was worth it just for that.

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<v Speaker 2>That was a good one.

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<v Speaker 3>Saw Jerry Maguire, which I think was celebrating his thirtieth anniversary,

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<v Speaker 3>and that's a lol. That was I think just an

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<v Speaker 3>anniversary screen. Okay, yeah, good movie, No, but it's really

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<v Speaker 3>really good and I hadn't seen it, I don't think

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<v Speaker 3>since the nineties, and it was really interesting. I took

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<v Speaker 3>my high school girlfriend to see that movie, you know,

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<v Speaker 3>when I was like sixteen years old or something, and

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<v Speaker 3>so it's one thing, you know, you see it as

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<v Speaker 3>a teenager, and then you watch it as like a

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<v Speaker 3>middle aged man and you're like, oh wow, it's really

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<v Speaker 3>it's a whole different experience, and you also just appreciate,

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<v Speaker 3>you know, this movie from the nineties and you know

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<v Speaker 3>Cameron Crowe, James L. Brooks, and it just has a

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<v Speaker 3>different tempo than movies have now. It has a lot

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<v Speaker 3>of great side characters that are allowed to have moments

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<v Speaker 3>and feel like fully fleshed out people even though they

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<v Speaker 3>really kind of aren't, but they just everyone feels like

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<v Speaker 3>a realized human being, which is kind of cool. Like

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<v Speaker 3>the movie just it allows the story and the characters

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<v Speaker 3>to breathe in a way that feels different than movies today.

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<v Speaker 2>But it was just a.

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<v Speaker 3>Really nice experience just watching a story about adults and

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<v Speaker 3>taking its time and it's a messier relationship than I remembered,

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<v Speaker 3>and maybe I even realized when I was younger, and

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<v Speaker 3>I kind of appreciated that.

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<v Speaker 2>It's really cool.

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<v Speaker 3>It was a an unexpected one. I didn't think I'd

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<v Speaker 3>be watching anytime again, and going into the theater and

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<v Speaker 3>watching it giving it my full attention. It was a

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<v Speaker 3>really nice experience. And then let's see, I saw Death

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<v Speaker 3>Becomser That was one of the LOL ones, which was

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<v Speaker 3>like so much fun.

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<v Speaker 2>I hadn't watched that in a while.

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<v Speaker 3>You know, zamechis kind of like, I think he's coming

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<v Speaker 3>right off the Back to the Future three about to

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<v Speaker 3>go into Forrest Gump, and this is just like basically

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<v Speaker 3>a ninety minute tails from the Crypt episode he makes right,

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<v Speaker 3>you know, it's so fun. Meryl Streep and Goldiehn and

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<v Speaker 3>Bruce Willis. It's just so you know, special effects extravaganza,

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<v Speaker 3>just such a funny, you know, snarky tale. That was

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<v Speaker 3>like really cool to watch on the big screen again.

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<v Speaker 3>And then Tumar saw a Fight Club and that was

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<v Speaker 3>an anniversary one, I guess twenty fifth anniversary, which makes

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<v Speaker 3>me think of you because that was one of the

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<v Speaker 3>first movies you and I saw together in the theater, right,

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<v Speaker 3>nineteen ninety nine.

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<v Speaker 2>Yep, that's right. Isn't that crazy amazing?

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<v Speaker 3>It was weird to that was I hadn't seen it

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<v Speaker 3>on a big screen since then, really, and yeah, I

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<v Speaker 3>don't think so, or maybe like at an outdoor screening

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<v Speaker 3>or something. But man, that movie is just mesmerizing. I mean,

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<v Speaker 3>I know it's it's often misinterpreted and maybe disliked by

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<v Speaker 3>some people, but it's just as dizzying and hypnotic as

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<v Speaker 3>it ever was. Like it's just Fincher's exacting filmmaking is

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<v Speaker 3>just sumptuous on the big screen.

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<v Speaker 2>It was very cool to watch, you know What's funny.

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<v Speaker 4>I don't.

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<v Speaker 2>I don't think I have seen it since the theater

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<v Speaker 2>at all at all. Wow. Okay, and not because I've

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<v Speaker 2>avoided or anything. It's just a kind of just the

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<v Speaker 2>just I've somehow not seen it. Yeah.

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<v Speaker 3>Interesting, Do you have any interest or is it like yeah, yeah, yeah,

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<v Speaker 3>Well because the thing is like I don't, I don't

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<v Speaker 3>think I'm gonna wants to watch it, sure, although I

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<v Speaker 3>feel like she's seen it too, but it's like, you know,

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<v Speaker 3>and then it's not something you can really watch with kids. No,

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<v Speaker 3>it's still is grimy and unpleasant as you remember, like

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<v Speaker 3>it's you know, sometimes we talk about like the needle

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<v Speaker 3>being pushed a Little Bit or The Bar or whatever,

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<v Speaker 3>you know, like Game of Thrones made extreme violence a

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<v Speaker 3>little bit more acceptable in the mainstream, and then movies

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<v Speaker 3>followed suit, like this movie doesn't feel like, oh that's funny.

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<v Speaker 3>We thought this used to be nasty. It's like, no,

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<v Speaker 3>it's still nasty, right, you know.

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<v Speaker 2>But it's crazy because like my oldest is now about

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<v Speaker 2>the same age I was when I when it came out. Wow,

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<v Speaker 2>yeah right, so I mean I could conceivably watch it

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<v Speaker 2>with him, you know, but that's weird to like, that's

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<v Speaker 2>just crazy all by itself. Yeah, yeah, you know.

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<v Speaker 3>Maybe there are just some movies it's better for people

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<v Speaker 3>to watch on their own, like it doesn't need to

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<v Speaker 3>be a shared experience with your your parents.

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<v Speaker 2>That might be one of them. Yeah.

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<v Speaker 3>And then last night there's a screening series out here

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<v Speaker 3>in Los Angeles called Street Food Cinema where they have

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<v Speaker 3>a bunch of food trucks and set.

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<v Speaker 2>Up at different locations.

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<v Speaker 3>And last night my friends and I saw the movie Carrie,

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<v Speaker 3>the Brian DePalma movie from seventy six. Yeah, I'd never

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<v Speaker 3>seen it before. And have you seen Carrie the og one?

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<v Speaker 2>Yeah, I'm sure on like WGN or something totally right.

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<v Speaker 3>Yeah, I mean, you know, the basically the poor girl

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<v Speaker 3>who has no friends and gets picked on, gets asked

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<v Speaker 3>to prom.

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<v Speaker 2>I mean everybody knows the ending.

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<v Speaker 3>You know, she gets dumped with pig's blood and she

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<v Speaker 3>has telekinesis and basically kills everybody. That's all I knew

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<v Speaker 3>about it, and so it was it was cool to watch,

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<v Speaker 3>and it was cool to watch with the crowd. It

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<v Speaker 3>was outdoors under the stars, and Sissy's spacek is really

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<v Speaker 3>good in it and just really sympathetic. I really cared

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<v Speaker 3>about her. And I was also really blown away by

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<v Speaker 3>the camera work. There's a lot of really speaking of Zemechis,

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<v Speaker 3>and we like his long shots where he continues to

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<v Speaker 3>reframe and you know, kind of uses the camera as narrator.

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<v Speaker 3>I mean, De Palma was doing that a lot in this,

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<v Speaker 3>and it was really technical, amazing stuff, you know, going

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<v Speaker 3>over huge crowds and over beams in a gymnasium, and

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<v Speaker 3>I was noticing that a lot. And the ending, I mean,

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<v Speaker 3>I know, the ending, I know, we're you know, everything

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<v Speaker 3>goes hey, why are at the prom? But it's really

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<v Speaker 3>to this day, the tension, the build up to it

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<v Speaker 3>is the editing the camera work, the score, the use

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<v Speaker 3>of slow motion, and someone trying to shut it down.

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<v Speaker 2>But it's too late. It's really packs a punch.

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<v Speaker 3>I mean, all these years later, it is really haunting

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<v Speaker 3>and powerful, and so that was like a cool I'm glad.

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<v Speaker 3>I'm glad I got to see it, and I'm glad

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<v Speaker 3>I got to see it projected with a crowd.

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<v Speaker 2>That was kind of expect I have a clear memory

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<v Speaker 2>of the remake from like twenty thirteen. Do you remember that?

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<v Speaker 2>I remember it existing. I didn't see it. It's Kimberly

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<v Speaker 2>Pierce directed it. Okay, boys don't cry and Cloy Morett's

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<v Speaker 2>Grace plays Carrie. Okay, isn't any good? Or I think

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<v Speaker 2>it's fine? You know, I I I you know, it's

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<v Speaker 2>just one of those IP for Ip's Sake type type remakes.

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<v Speaker 2>But I mean it's got a great cast. You know,

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<v Speaker 2>Julianne Moore plays Carrie's mom, and Judy I can see that, right,

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<v Speaker 2>Anseel el gort is, you know the guy that Carrie likes. Yeah,

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<v Speaker 2>it's fine, you know, I like, I don't. I don't

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<v Speaker 2>think it touches the original, but I mean Kimberly Pierce

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<v Speaker 2>is an interesting director for.

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<v Speaker 3>It, Yeah, you know, And it's it's funny because sometimes

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<v Speaker 3>you watch movies from a different era and they can

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<v Speaker 3>feel a little scrappy, right, you know, to our sensibilities

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<v Speaker 3>in the way things have just evolved. And so I

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<v Speaker 3>could see someone feeling like maybe they could also do

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<v Speaker 3>a take on it. But there's just something like when

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<v Speaker 3>she is in there in the gym and she kind

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<v Speaker 3>of goes bug eyed, you know, it's like she's sort

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<v Speaker 3>of taken over and the doors or like there's just

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<v Speaker 3>something I don't know, you could recreate that, Like there's

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<v Speaker 3>just something about it, I don't know, from that time period,

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<v Speaker 3>the way that they captured it originally, Like that's the

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<v Speaker 3>most visceral first impression of that sort of horrifying event, right,

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<v Speaker 3>And it's like anything else would just feel like it's

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<v Speaker 3>recreating that, So it feel a little bit lesser than

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<v Speaker 3>or something.

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<v Speaker 2>That's well, it's funny. I interviewed Kimberly Pierce about the

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<v Speaker 2>film and my recollection is one of the things I

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<v Speaker 2>discussed with her was how that scene it plays differently

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<v Speaker 2>because it's the way the blood spatters on her face,

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<v Speaker 2>it almost feels like like a mask. Mmmm. And I

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<v Speaker 2>was like, it feels like it's framing it very differently.

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<v Speaker 2>You know, it becomes like like like a superhero identity

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<v Speaker 2>almost you know. Oh interesting the way the mask play,

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<v Speaker 2>you know. And and and I think I think she

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<v Speaker 2>said something to the effect of, you know, having to

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<v Speaker 2>do something different, you know, because the diploma one is

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<v Speaker 2>so iconic, uh you know that said I I don't.

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<v Speaker 2>I mean they've tried, They've done multiple like a new

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<v Speaker 2>attempt at Carrie. It's weird how they keep going back

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<v Speaker 2>to that because they did a like a TV remake, right,

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<v Speaker 2>they did the Kimberly Pearce remake. They did a sequel.

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<v Speaker 2>I mean, they keep going back to that. Well, and

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<v Speaker 2>I think partly it's because MGM, they you know, they

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<v Speaker 2>have like like eight ips that they just keep keep

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<v Speaker 2>digging up, you.

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<v Speaker 3>Know, yeah, right right, And it is a compelling idea. Yeah,

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<v Speaker 3>you know, this this poor you know, high school student

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<v Speaker 3>and then she's got this secret rage inside. And you know,

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<v Speaker 3>I can see why that's so compelling. But that was

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<v Speaker 3>the sequel, The Rage Carrie too.

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<v Speaker 2>Do you remember that?

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<v Speaker 3>Oh that's right, Yeah, I remember the like the video

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<v Speaker 3>store box of it.

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<v Speaker 2>Yeah, yeah, I've not seen the movie, but I remember

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<v Speaker 2>it existing.

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<v Speaker 3>Yeah, I would be kind of curious to watch the

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<v Speaker 3>remake just to because it's fresh in my mind and

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<v Speaker 3>just sort of see a later interpretation of it.

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<v Speaker 2>Yeah. I mean it doesn't embarrass itself, I would say,

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<v Speaker 2>but it doesn't make itself essential either, Like doesn't in

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<v Speaker 2>my opinion, it doesn't say anything new that that absolutely

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<v Speaker 2>was was just you know, desperate to be said, you know, interesting.

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<v Speaker 2>I guess that's kind of rare, right when that does happen,

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<v Speaker 2>when the remake improves it or it takes over the Yeah,

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<v Speaker 2>it's a short list.

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<v Speaker 3>Yeah, well one more and then the next thing I

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<v Speaker 3>saw we have overlap. But I just wanted to throw

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<v Speaker 3>out that I saw the movie The Housemaid, Ah, yes,

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<v Speaker 3>which was kind of a hit. I think around the holidays.

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<v Speaker 2>Aren't they doing a sequel now? I think so.

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<v Speaker 3>I guess it's a book series following the adventures of

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<v Speaker 3>this character. So this is the Electric Boogaloo, Yes happening.

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<v Speaker 2>I'm excited.

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<v Speaker 3>Yeah, but yeah, this is with Sydney Sweeney, Amanda Seyfried

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<v Speaker 3>and Brandon's glinn r.

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<v Speaker 2>Is that say his last name? Yeah? That guy man,

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<v Speaker 2>he's he's all over these movies. Right, He's in the

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<v Speaker 2>the It Ends with Us too.

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<v Speaker 3>Right, Oh, okay, I didn't see that, but he I

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<v Speaker 3>know he was in the One Shoe. I already forgot

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<v Speaker 3>the title about the girl who's on the date and

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<v Speaker 3>she's getting the phone calls, you know, like the text

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<v Speaker 3>saying that she has to like kill her date.

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<v Speaker 2>Didn't we talk about this? I can't. I can't remember

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<v Speaker 2>if it was on the Bonus Show.

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<v Speaker 3>Or This makes me sad because I want to say trap,

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00:16:21.840 --> 00:16:24.519
<v Speaker 3>which it isn't, and I also want to say fall,

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<v Speaker 3>which it isn't.

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<v Speaker 2>There you go, it's drop drop.

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<v Speaker 3>That could be like a fun sort of programming at

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<v Speaker 3>a theater, like these single you know, verbs or whatever.

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<v Speaker 2>You know. Of course, well, and he was in nineteen

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<v Speaker 2>twenty three. He was great at exactly which that.

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<v Speaker 3>It was the first time I saw him, and I

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<v Speaker 3>was like, oh, I like this guy. Yeah, And so

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<v Speaker 3>when he pops up, I'm immediately like, oh, I'm into this,

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<v Speaker 3>like I want to I like seeing him do his thing.

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<v Speaker 2>But so this this was.

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<v Speaker 3>A I don't know, it was just like in the

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<v Speaker 3>mood for this, like kind of like an airport novel

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<v Speaker 3>of a movie, you know, kind of pulpy sort of thing.

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<v Speaker 2>And basically it's kind of.

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<v Speaker 3>And that rocks the cradle type deal right one. And

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<v Speaker 3>she plays Sweeney plays like a housemaid desperate for work.

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<v Speaker 3>She has a secret pass she needs to hide, so

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<v Speaker 3>she's hard to hire, and she becomes like a living

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00:17:14.279 --> 00:17:17.359
<v Speaker 3>housemaid for this family that it first seems polished, but

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<v Speaker 3>then there's some mystery, mysterious things going on in there

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00:17:20.599 --> 00:17:25.920
<v Speaker 3>and row but everybody's worlds turned upside down, and yeah,

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00:17:25.960 --> 00:17:31.160
<v Speaker 3>it's it's it's a total like Friday night pulpy entertaining,

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00:17:31.960 --> 00:17:36.319
<v Speaker 3>you know, kind of sexy, little violent fun Okay, And

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<v Speaker 3>I was I was just totally in the mood for

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<v Speaker 3>this and it delivered exactly what I like clicked on

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<v Speaker 3>it for. So just throwing that out there for anyone

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<v Speaker 3>who had some interest in it, well.

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<v Speaker 2>There we go. Yeah, all I I saw the ads

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<v Speaker 2>for this and I was like, oh, I was like,

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<v Speaker 2>I don't feel like going to the theater watch it, but like,

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<v Speaker 2>if it turns up on streaming, I might check it out.

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<v Speaker 2>But I just remember when it came out, it was

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<v Speaker 2>in the context of all all the the articles and stuff,

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<v Speaker 2>was like, you know, the Sydney Sweeney controversy, I should

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<v Speaker 2>put that in in air quotes. And I was like,

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<v Speaker 2>what Sydney Sweeney controversy? Like this is? This was kind

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<v Speaker 2>of reassuring to me that I'm not as very online

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<v Speaker 2>as I thought. Oh okay, yeah yeah yeah, because and

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<v Speaker 2>literally I was I was teaching this is because it

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<v Speaker 2>came out last fall, right, yeah maybe the holidays, I think, okay, yeah,

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<v Speaker 2>that's that's right. But like in that in that arena,

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<v Speaker 2>so I was teaching you know, media and society class.

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<v Speaker 2>So I'm like, can y'all explain the the what Sydney Sweeny?

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<v Speaker 2>I was like, I don't. I don't have the energy

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<v Speaker 2>to look this up. Y'all tell me what's going on.

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<v Speaker 3>And I love the idea of you occasionally being like, guys,

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<v Speaker 3>I need you to teach me today.

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<v Speaker 2>I don't have the time for this.

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<v Speaker 3>And you like they get up, you know, to the

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<v Speaker 3>front and you take a seat, and they explained the Sydney.

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<v Speaker 2>Swee I mean basically, and it's all relevant given everything

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<v Speaker 2>that we talk about, you know, and and I It's

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<v Speaker 2>it's a lot. I'm not even gonna get into it,

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<v Speaker 2>but I'm just like, god, I'm like, everybody got too

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<v Speaker 2>much time on their hands. That's my that's my takeaway,

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<v Speaker 2>right right. Wait, actually I have a question.

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<v Speaker 3>So when you ask your students about this sort of thing,

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<v Speaker 3>what is their attitude about it? Are they a little like, ugh, okay,

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<v Speaker 3>so basically people have been talking about this.

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<v Speaker 2>Or are they like, oh, you won't believe it?

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<v Speaker 3>Like okay, hold on, and they draw you a diagram

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<v Speaker 3>on the chalkboard, you know, like, what's what's their sort

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<v Speaker 3>of ten?

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<v Speaker 2>It's a little both, to be honest, it's a little

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<v Speaker 2>and and just to be clear, I will never dismiss

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<v Speaker 2>or condescend towards whatever things that they feel very exercised about,

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<v Speaker 2>because I want to hear it. I'm genuinely interested. But

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<v Speaker 2>a lot of this, definitely, I feel like, you know,

387
00:19:50.119 --> 00:19:53.200
<v Speaker 2>this is very much an online furor that has no

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<v Speaker 2>bearing on any aspect of reality, you know, sure, sure,

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<v Speaker 2>And so you know, all of this comes down to

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<v Speaker 2>basically basically boiled down, it's Sydney Sweeney is maybe question

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<v Speaker 2>Mark a Trump supporter mm hmm. And that's what it

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<v Speaker 2>all comes down to, okay. And and so you've got

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<v Speaker 2>online people who are who are reading tea leaves and

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<v Speaker 2>you know, Charlie Day meming their way to trying to

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<v Speaker 2>find you know, connections, right.

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<v Speaker 3>Right, right, right, right right, referring to the meme of

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<v Speaker 3>Charlie Day with the strings and.

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<v Speaker 2>With the strings and the big peg board and stuff,

399
00:20:33.599 --> 00:20:36.559
<v Speaker 2>and and you know, at some level, I'm like, man, like,

400
00:20:37.799 --> 00:20:40.920
<v Speaker 2>I don't. I don't Sidney Sweeney has she doesn't affect

401
00:20:40.960 --> 00:20:43.720
<v Speaker 2>my life at all. I don't really care one way

402
00:20:43.799 --> 00:20:46.519
<v Speaker 2>or the other. I don't watch euphoria. I really truly

403
00:20:46.519 --> 00:20:48.480
<v Speaker 2>don't care about her political views one or the other,

404
00:20:48.640 --> 00:20:53.119
<v Speaker 2>you know, right, And it feels like there is sort

405
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<v Speaker 2>of uh, you know, it's it's weaponized outrage for the

406
00:20:58.599 --> 00:21:06.279
<v Speaker 2>sake of clicks that burnish uh, these these websites. Uh,

407
00:21:06.400 --> 00:21:10.240
<v Speaker 2>you know bottom dollar right, Sure, it's it's all. It's

408
00:21:10.279 --> 00:21:12.640
<v Speaker 2>a little bit of like, man, I'm not I'm not

409
00:21:12.720 --> 00:21:16.160
<v Speaker 2>playing this game, you know, sure, totally like I gotta

410
00:21:16.200 --> 00:21:17.960
<v Speaker 2>know about it. You know, I'll give you another example,

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00:21:18.039 --> 00:21:20.880
<v Speaker 2>right I I I just yesterday, I don't know if

412
00:21:20.880 --> 00:21:24.480
<v Speaker 2>you saw this, h New York Magazine had a whole

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<v Speaker 2>long ass thing about speaking of it and so with us,

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<v Speaker 2>the whole the whole blake lively justin Baldoni thing mm hmm.

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<v Speaker 2>And I this is yesterday morning. I'm sitting here in

416
00:21:35.200 --> 00:21:38.400
<v Speaker 2>my cave drinking my chai and this article comes up,

417
00:21:38.440 --> 00:21:40.799
<v Speaker 2>and I'm like, okay, well, I'm I'm gonna be I'm

418
00:21:40.799 --> 00:21:45.440
<v Speaker 2>literally sipping the tea while I'm drinking. Yeah. It's a

419
00:21:45.559 --> 00:21:49.799
<v Speaker 2>it's a long thing, you know. And and my takeaway is,

420
00:21:49.880 --> 00:21:56.440
<v Speaker 2>like I I do think Justin baldoni is is a

421
00:21:56.680 --> 00:22:01.119
<v Speaker 2>strange guy. And I think that that's my that's my

422
00:22:01.279 --> 00:22:05.559
<v Speaker 2>overall view. But I also don't think Blake Lively distinguished herself,

423
00:22:05.640 --> 00:22:10.400
<v Speaker 2>particularly in how this all has been going down, you know, sure,

424
00:22:10.759 --> 00:22:12.759
<v Speaker 2>And so it is a little bit to me. I

425
00:22:12.839 --> 00:22:16.160
<v Speaker 2>read this article and and you know, I have It's

426
00:22:16.240 --> 00:22:18.559
<v Speaker 2>like watching an episode of Dynasty or something. It's just

427
00:22:18.640 --> 00:22:22.599
<v Speaker 2>rich people right rush at each other and pulling their

428
00:22:22.599 --> 00:22:27.920
<v Speaker 2>hair and stuff, you know, right, But you know, I

429
00:22:28.000 --> 00:22:30.799
<v Speaker 2>remember when all of that was happening. This was Fall

430
00:22:30.880 --> 00:22:35.759
<v Speaker 2>of twenty four and again far it goes back that far.

431
00:22:35.759 --> 00:22:38.200
<v Speaker 2>I guess when the movie came out, right, okay, and

432
00:22:38.279 --> 00:22:40.039
<v Speaker 2>it was the same thing. People like again, I was

433
00:22:40.079 --> 00:22:41.960
<v Speaker 2>getting a lot of this from my students. Oh did

434
00:22:42.000 --> 00:22:43.920
<v Speaker 2>you hear Blake Lively? Blah blah blah. Oh, you know,

435
00:22:43.920 --> 00:22:46.240
<v Speaker 2>but justin Baldoni blah blah blah. And so for me,

436
00:22:46.359 --> 00:22:49.920
<v Speaker 2>that was very revelatory because it's not a story I

437
00:22:50.000 --> 00:22:52.880
<v Speaker 2>was following to any with any great interest, but just

438
00:22:53.839 --> 00:22:56.400
<v Speaker 2>from the folks who are who are living online and

439
00:22:56.440 --> 00:23:00.680
<v Speaker 2>how how they're interacting with this news and information and

440
00:23:00.720 --> 00:23:02.880
<v Speaker 2>how they're processing and how they're already choosing upsides, all

441
00:23:02.920 --> 00:23:06.559
<v Speaker 2>of that is very interesting to me, you know. But

442
00:23:06.640 --> 00:23:09.400
<v Speaker 2>it's a lot I would recommend reading that article though,

443
00:23:10.039 --> 00:23:10.359
<v Speaker 2>you know.

444
00:23:11.160 --> 00:23:13.599
<v Speaker 3>Yeah, that was a story I kind of hit the

445
00:23:13.599 --> 00:23:16.000
<v Speaker 3>eject button on because I think at first I was

446
00:23:16.599 --> 00:23:19.119
<v Speaker 3>following it a little bit, and then I was seeing

447
00:23:19.119 --> 00:23:21.640
<v Speaker 3>people who were very much on Baldoni's side, and then

448
00:23:21.640 --> 00:23:25.440
<v Speaker 3>I was seeing people who are very much against you know, him,

449
00:23:25.559 --> 00:23:28.640
<v Speaker 3>And it was and people were so sure of their

450
00:23:28.680 --> 00:23:31.000
<v Speaker 3>opinions on all of this that I was like, I don't,

451
00:23:31.200 --> 00:23:35.839
<v Speaker 3>I don't. I hit the button and I popped out

452
00:23:35.839 --> 00:23:36.480
<v Speaker 3>of my jet.

453
00:23:36.640 --> 00:23:38.559
<v Speaker 2>I think that's smart. I mean, that is in fact

454
00:23:38.599 --> 00:23:45.079
<v Speaker 2>the smartest approach. But he's definitely he seems really there's

455
00:23:45.119 --> 00:23:49.960
<v Speaker 2>just something off in terms of the way he interacted

456
00:23:50.119 --> 00:23:52.480
<v Speaker 2>with her. Because all of the text messages, all this

457
00:23:52.839 --> 00:23:55.359
<v Speaker 2>laundry is just out there right, So the way he's

458
00:23:55.400 --> 00:23:57.200
<v Speaker 2>texting with her, I'm like, that's a weird way to

459
00:23:57.279 --> 00:24:01.160
<v Speaker 2>text somebody, see and got that deep You can read

460
00:24:01.200 --> 00:24:03.799
<v Speaker 2>all that and then and it talks about how the

461
00:24:03.920 --> 00:24:09.680
<v Speaker 2>nice Pool character in Deadpool and Wolverine was basically Ryan

462
00:24:09.720 --> 00:24:13.599
<v Speaker 2>Reynolds making fun of Justin Baldoni. I kind of remember

463
00:24:13.680 --> 00:24:18.160
<v Speaker 2>that reading about that, but I didn't like get it. Yeah, Well,

464
00:24:18.200 --> 00:24:21.400
<v Speaker 2>it's funny because because you go through this article and

465
00:24:21.240 --> 00:24:24.759
<v Speaker 2>it uses these specific data points and I was like, wow,

466
00:24:24.759 --> 00:24:32.319
<v Speaker 2>holy shit, that's like kind of hilarious, you know, But well,

467
00:24:32.359 --> 00:24:35.319
<v Speaker 2>I guess that's that thing Dan fun what's that?

468
00:24:35.519 --> 00:24:35.680
<v Speaker 1>Yeah?

469
00:24:35.759 --> 00:24:38.519
<v Speaker 3>Yeah, yeah, I was gonna say, I guess it's that

470
00:24:38.640 --> 00:24:42.359
<v Speaker 3>thing done well, because if you get what he's doing specifically,

471
00:24:42.440 --> 00:24:44.359
<v Speaker 3>it's funny on a whole other level. But for me,

472
00:24:44.480 --> 00:24:46.759
<v Speaker 3>I didn't know what it was referring to, but it

473
00:24:46.839 --> 00:24:49.000
<v Speaker 3>still was a funny character.

474
00:24:49.640 --> 00:24:54.000
<v Speaker 2>Yeah, And knowing that it was, there was specific dialogue

475
00:24:54.000 --> 00:24:58.880
<v Speaker 2>he was given just to the you know, drive the

476
00:24:59.240 --> 00:25:02.480
<v Speaker 2>screw in a little like extra you know. Interesting anyway,

477
00:25:02.559 --> 00:25:04.839
<v Speaker 2>that's a lot. That's all of that is to say,

478
00:25:05.200 --> 00:25:07.319
<v Speaker 2>I have no you know, I don't really care about

479
00:25:07.319 --> 00:25:09.000
<v Speaker 2>that movie. I haven't seen it, and apparently they're doing

480
00:25:09.000 --> 00:25:11.319
<v Speaker 2>a sequel or good luck with that, as you know,

481
00:25:11.519 --> 00:25:15.240
<v Speaker 2>but just seeing the way these people because again it's

482
00:25:15.279 --> 00:25:17.359
<v Speaker 2>all in these text messages. So you have this very

483
00:25:17.440 --> 00:25:20.799
<v Speaker 2>expansive article that's that's doing a basically a TikTok of

484
00:25:20.880 --> 00:25:24.200
<v Speaker 2>the whole the whole drama from when it started up

485
00:25:24.240 --> 00:25:29.839
<v Speaker 2>to now, and it's like, man, rich people problems, right right, glad, glad.

486
00:25:29.880 --> 00:25:33.240
<v Speaker 2>I don't I don't move in those worlds, you know, Yeah, definitely.

487
00:25:33.680 --> 00:25:37.559
<v Speaker 2>So anyway, you didn't tell me what you thought of Housemaid, right, Oh, no,

488
00:25:37.640 --> 00:25:38.079
<v Speaker 2>I liked it.

489
00:25:38.160 --> 00:25:40.880
<v Speaker 3>Yeah, I just was in the mood for a I

490
00:25:40.880 --> 00:25:42.559
<v Speaker 3>don't even know how to describe it, Like I just

491
00:25:42.599 --> 00:25:45.880
<v Speaker 3>always think of like, yeah, like Airport novel, you know.

492
00:25:46.279 --> 00:25:50.640
<v Speaker 2>Or like Lifetime movie energy Yeah, yeah, a little more.

493
00:25:52.160 --> 00:25:55.119
<v Speaker 3>Sophisticated in that, but like budget but you know, yeah,

494
00:25:55.200 --> 00:25:57.440
<v Speaker 3>like hand the Rocks the Cradle. You said that was

495
00:25:57.480 --> 00:25:59.720
<v Speaker 3>the perfect cop I think when you said that, like

496
00:25:59.799 --> 00:26:03.640
<v Speaker 3>just that kind of domestic something weird is going on,

497
00:26:04.920 --> 00:26:08.960
<v Speaker 3>escalating tension, you know, what's the mystery that we don't

498
00:26:09.079 --> 00:26:10.119
<v Speaker 3>you know, it's.

499
00:26:09.960 --> 00:26:12.480
<v Speaker 2>Gonna be the big blow up at the end. Yeah,

500
00:26:12.759 --> 00:26:14.880
<v Speaker 2>and by the way. I don't even mean Lifetime movie

501
00:26:14.920 --> 00:26:18.200
<v Speaker 2>as a pejorative because my feeling is once you start

502
00:26:18.200 --> 00:26:22.400
<v Speaker 2>watching one of them, you will finish it. Oh sure, yeah. Yeah.

503
00:26:22.519 --> 00:26:24.480
<v Speaker 2>I've used this example many a time where I was

504
00:26:24.559 --> 00:26:27.119
<v Speaker 2>channel surfing past Lifetime and they had this. It was

505
00:26:27.160 --> 00:26:32.160
<v Speaker 2>called The Wife He Met Online? Right, And I remember

506
00:26:32.160 --> 00:26:34.000
<v Speaker 2>I'm sitting there and Amina was in the kitchen. I'm like,

507
00:26:34.400 --> 00:26:38.279
<v Speaker 2>this the Wife he Met Online? Too. I'm gonna watch

508
00:26:38.279 --> 00:26:40.640
<v Speaker 2>a few minutes of this, and then like ninety minutes later,

509
00:26:40.640 --> 00:26:44.680
<v Speaker 2>I'm like, what's gonna happen to the wife you met online? Yeah? Right, right, right,

510
00:26:44.759 --> 00:26:47.519
<v Speaker 2>she's gonna do you know? Well, by the way, it

511
00:26:47.559 --> 00:26:50.599
<v Speaker 2>was directed by Paul fig Yeah, that's that's kind of

512
00:26:50.599 --> 00:26:53.519
<v Speaker 2>a switch, right, right. He's had a very interesting career.

513
00:26:53.559 --> 00:26:58.720
<v Speaker 3>I mean he went from being Sabrina's high school teacher

514
00:26:59.799 --> 00:27:05.240
<v Speaker 3>to directing the Ghostbuster's remake and The Housemaid and Bridesmaids

515
00:27:05.359 --> 00:27:10.440
<v Speaker 3>and you know, Spy and The Heat, The Heat, yeah yeah,

516
00:27:10.480 --> 00:27:13.160
<v Speaker 3>and then the Simple Favor movies.

517
00:27:12.880 --> 00:27:15.640
<v Speaker 2>And yeah, it's it's it's.

518
00:27:15.640 --> 00:27:17.960
<v Speaker 3>Kind of cool, like he's carved out, like I like,

519
00:27:18.839 --> 00:27:20.920
<v Speaker 3>it's always a bummer when people get like boxed in,

520
00:27:21.359 --> 00:27:23.160
<v Speaker 3>like oh, you're the comedy guy, so you can't do

521
00:27:23.200 --> 00:27:25.359
<v Speaker 3>a thriller, but then it can. It makes me think

522
00:27:25.359 --> 00:27:27.400
<v Speaker 3>of Jordan Peel a little bit right where he's the

523
00:27:27.440 --> 00:27:30.839
<v Speaker 3>comedy guy Kem Peel and now he's he got to

524
00:27:30.839 --> 00:27:32.559
<v Speaker 3>make his horror movie and right out of the gate

525
00:27:32.599 --> 00:27:34.799
<v Speaker 3>he gets nominated for an Oscar and now he gets

526
00:27:34.839 --> 00:27:36.400
<v Speaker 3>to be comedy guy when he wants.

527
00:27:36.400 --> 00:27:37.759
<v Speaker 2>He gets to be horror guy when he wants.

528
00:27:37.799 --> 00:27:40.559
<v Speaker 3>And it seems like the kind of likes these thrillers,

529
00:27:40.640 --> 00:27:42.359
<v Speaker 3>but he also does comedy really well.

530
00:27:42.920 --> 00:27:45.440
<v Speaker 2>So yeah, but yeah, what about you? Well, speaking of

531
00:27:45.480 --> 00:27:47.200
<v Speaker 2>comedy real quick, I wanted to mention just a couple

532
00:27:47.240 --> 00:27:50.000
<v Speaker 2>of days ago, Aman and I we went to San

533
00:27:50.119 --> 00:27:54.400
<v Speaker 2>Jose and we saw Josh Johnson perform oh at the

534
00:27:54.400 --> 00:27:57.079
<v Speaker 2>San Jose Improv So Josh Johnson, he's kind of he's

535
00:27:57.119 --> 00:27:59.039
<v Speaker 2>like he's on the rise. He's one of these up

536
00:27:59.079 --> 00:28:02.200
<v Speaker 2>and coming comedians. He's one of the Daily Show crew.

537
00:28:02.319 --> 00:28:04.720
<v Speaker 2>So he'll be hosting that show one, you know, a

538
00:28:04.720 --> 00:28:07.359
<v Speaker 2>week a month. Okay, I just looked him up. I yeah,

539
00:28:07.400 --> 00:28:11.160
<v Speaker 2>I recognize him. He's hilarious and every week on his

540
00:28:11.240 --> 00:28:13.799
<v Speaker 2>YouTube channel he has a brand new hour long set

541
00:28:13.960 --> 00:28:17.200
<v Speaker 2>that drops every week. Oh wow, it's extraordinary. I mean,

542
00:28:17.440 --> 00:28:20.079
<v Speaker 2>you know, the level of hustle it takes to coming up,

543
00:28:20.240 --> 00:28:24.039
<v Speaker 2>be coming up with material, and and you know, I

544
00:28:24.079 --> 00:28:26.799
<v Speaker 2>was this is like last fall. I'm and I was like, oh,

545
00:28:26.799 --> 00:28:28.359
<v Speaker 2>we should we should try to see him, you know.

546
00:28:28.480 --> 00:28:29.880
<v Speaker 2>And I just happened to look up. I was like, hey,

547
00:28:30.119 --> 00:28:33.240
<v Speaker 2>he's coming in May. Let's you know, and I'm locked

548
00:28:33.279 --> 00:28:35.400
<v Speaker 2>in the ticket. That was very grateful for that. It's

549
00:28:35.400 --> 00:28:38.079
<v Speaker 2>just he's hilarious and so I I want to like

550
00:28:38.119 --> 00:28:40.039
<v Speaker 2>put the word out. Check out his YouTube channel as

551
00:28:40.119 --> 00:28:45.200
<v Speaker 2>Josh Johnson h hour long set drops usually I think

552
00:28:45.240 --> 00:28:49.599
<v Speaker 2>it's like every Tuesday night, okay. And and he's very funny,

553
00:28:49.759 --> 00:28:52.519
<v Speaker 2>very smart, you know. It's it's a it's a very

554
00:28:52.559 --> 00:28:56.319
<v Speaker 2>different style of comedy that I I really enjoy quite

555
00:28:56.319 --> 00:29:00.200
<v Speaker 2>a bit. You know. He talks about current events, but

556
00:29:00.319 --> 00:29:03.039
<v Speaker 2>he does it in a very wise way, very funny,

557
00:29:03.160 --> 00:29:08.519
<v Speaker 2>but with a lot of sophistication. Okay, you know, definitely

558
00:29:09.000 --> 00:29:13.680
<v Speaker 2>worth a look. I've also just recently, kind of on

559
00:29:13.759 --> 00:29:18.160
<v Speaker 2>a lark, I've started watching the show Gotham.

560
00:29:18.279 --> 00:29:21.839
<v Speaker 3>Yeah, it was on Fox, right, it was on Fox like.

561
00:29:21.880 --> 00:29:26.359
<v Speaker 2>Twelve years ago. That's when it started. And we watched.

562
00:29:26.400 --> 00:29:28.160
<v Speaker 2>I remember we talked about it on this show when

563
00:29:28.160 --> 00:29:31.079
<v Speaker 2>it first started. We both kind of dipped after the

564
00:29:31.119 --> 00:29:36.920
<v Speaker 2>first few episodes. Yeah, and you know what I watched,

565
00:29:37.079 --> 00:29:38.880
<v Speaker 2>So Ben mackenzie, who stars on the show, he plays

566
00:29:38.960 --> 00:29:43.720
<v Speaker 2>Jim Gordon. I watched the documentary that he directed and

567
00:29:43.799 --> 00:29:46.039
<v Speaker 2>appears in called Everyone Is Lying to You for Money,

568
00:29:47.400 --> 00:29:50.039
<v Speaker 2>which is about crypto. Yeah.

569
00:29:50.039 --> 00:29:53.720
<v Speaker 3>I've read that he's outspoken about that, but I haven't

570
00:29:53.720 --> 00:29:54.400
<v Speaker 3>seen anything.

571
00:29:54.920 --> 00:29:58.240
<v Speaker 2>Yeah. Well, he's like before he got into acting, he

572
00:29:58.279 --> 00:30:01.400
<v Speaker 2>studied economics, so you know, he's got the cred for that.

573
00:30:02.359 --> 00:30:06.319
<v Speaker 2>And so I saw that movie last in the last

574
00:30:06.319 --> 00:30:09.160
<v Speaker 2>summer because I was coming here for the Mill Valley

575
00:30:09.160 --> 00:30:11.079
<v Speaker 2>Film Festival and I do I do show notes for

576
00:30:11.119 --> 00:30:14.160
<v Speaker 2>that and I loved it. And so now it's the

577
00:30:14.160 --> 00:30:15.720
<v Speaker 2>movie is getting ready to come out. So he's been

578
00:30:15.799 --> 00:30:17.759
<v Speaker 2>all over the place just making the rounds. I'm like,

579
00:30:17.799 --> 00:30:19.720
<v Speaker 2>you know, I mean, I just I like, I've always

580
00:30:19.759 --> 00:30:21.839
<v Speaker 2>liked Ben McKenzie, even on The O C which is

581
00:30:22.000 --> 00:30:24.519
<v Speaker 2>trash TV. He was good on it, you know. Yeah,

582
00:30:24.559 --> 00:30:27.519
<v Speaker 2>and on Southland, which is terrific, a terrific cop show.

583
00:30:27.960 --> 00:30:29.480
<v Speaker 2>And so I was like, I was just kind of

584
00:30:29.519 --> 00:30:33.319
<v Speaker 2>in the mood for something Batman related that I haven't seen,

585
00:30:33.400 --> 00:30:35.079
<v Speaker 2>and I was like, I'm you know, and I'm liking

586
00:30:35.079 --> 00:30:36.559
<v Speaker 2>Ben Mackenzie. I was like, let me give this show

587
00:30:36.599 --> 00:30:40.160
<v Speaker 2>a shot, you know, and and I'm like five episodes

588
00:30:40.240 --> 00:30:43.599
<v Speaker 2>deep and and so far, I have to admit, I am.

589
00:30:43.640 --> 00:30:46.720
<v Speaker 2>I am enjoying it as just kind of a crazy,

590
00:30:46.880 --> 00:30:53.240
<v Speaker 2>weird take on the whole Batman universe that's just doing

591
00:30:53.279 --> 00:30:58.559
<v Speaker 2>its own thing. It's it's it's fun. I've been enjoying it,

592
00:30:58.559 --> 00:30:59.960
<v Speaker 2>that's all. Isn't that funny?

593
00:31:00.039 --> 00:31:03.839
<v Speaker 3>Like sometimes it takes some distance maybe, right, Like I

594
00:31:03.839 --> 00:31:07.400
<v Speaker 3>mean I had that with The Terminator Sarah Connor Chronicles,

595
00:31:07.559 --> 00:31:10.079
<v Speaker 3>Yeah right, yeah, where when it aired. I watched the

596
00:31:10.160 --> 00:31:13.200
<v Speaker 3>pilot and I just I don't know what it was,

597
00:31:13.279 --> 00:31:17.799
<v Speaker 3>but my brain rejected this network television take on the

598
00:31:17.920 --> 00:31:21.720
<v Speaker 3>Terminator story, right yeah. But then I mean mine was

599
00:31:21.759 --> 00:31:25.079
<v Speaker 3>like decades later. I was just really thirsty for some

600
00:31:25.119 --> 00:31:27.799
<v Speaker 3>more Terminator stories and I watched it and it took

601
00:31:27.799 --> 00:31:31.279
<v Speaker 3>a second to calibrate to you know, it's what it

602
00:31:31.359 --> 00:31:34.400
<v Speaker 3>was able to do with a network TV budget and whatever.

603
00:31:34.160 --> 00:31:36.440
<v Speaker 2>And it's what it was crying to do and what

604
00:31:36.480 --> 00:31:37.200
<v Speaker 2>it was trying to do.

605
00:31:37.279 --> 00:31:38.960
<v Speaker 3>But then I got really into it, and then I

606
00:31:39.039 --> 00:31:40.960
<v Speaker 3>was sad that it was only like a season and

607
00:31:40.960 --> 00:31:41.599
<v Speaker 3>a half.

608
00:31:41.400 --> 00:31:42.200
<v Speaker 2>Or whatever it was.

609
00:31:42.279 --> 00:31:46.079
<v Speaker 3>So yeah, yeah, sometimes it just takes a little distance

610
00:31:46.119 --> 00:31:47.799
<v Speaker 3>and then you can appreciate it for what it is.

611
00:31:48.359 --> 00:31:50.680
<v Speaker 2>That that was literally me where I was sitting there.

612
00:31:50.680 --> 00:31:52.680
<v Speaker 2>I was like, you know, here's like a hundred episodes

613
00:31:52.680 --> 00:31:55.720
<v Speaker 2>of this Batman thing that I've never seen. Mm hm,

614
00:31:56.319 --> 00:31:59.920
<v Speaker 2>you know. And so all that is to say, Mackenzie

615
00:32:00.039 --> 00:32:04.599
<v Speaker 2>as great as Jim Gordon, you know. And and in

616
00:32:04.759 --> 00:32:08.079
<v Speaker 2>my head canon, I see him as becoming the pat

617
00:32:08.160 --> 00:32:15.359
<v Speaker 2>Hingle Jim Gordon, and that makes me laugh. It's just

618
00:32:15.400 --> 00:32:17.920
<v Speaker 2>so hard to you know, because now we think of

619
00:32:18.000 --> 00:32:19.799
<v Speaker 2>Jim Gordon as kind of this badass cop and I

620
00:32:19.799 --> 00:32:22.559
<v Speaker 2>would say Gary, yeah, yeah, you know so, but but

621
00:32:22.960 --> 00:32:24.839
<v Speaker 2>I see it as no, no, that's that's the pat

622
00:32:24.880 --> 00:32:27.519
<v Speaker 2>Hingele Gordon. And so the journey and I guess there

623
00:32:27.720 --> 00:32:31.720
<v Speaker 2>is going to be fascinating, you know, it's really funny.

624
00:32:34.000 --> 00:32:36.000
<v Speaker 2>And then and then I here's something we both saw

625
00:32:36.079 --> 00:32:43.000
<v Speaker 2>a little documentary about Lorne Michaels called appropriately Enough Lorne. Yeah,

626
00:32:43.039 --> 00:32:44.839
<v Speaker 2>and and I was watching this and and I was

627
00:32:44.920 --> 00:32:46.680
<v Speaker 2>as I was watching it, I was thinking of you

628
00:32:46.720 --> 00:32:48.359
<v Speaker 2>to some extent because I was like, I, I know,

629
00:32:48.839 --> 00:32:50.599
<v Speaker 2>we plug into this stuff in the same way in

630
00:32:50.640 --> 00:32:55.759
<v Speaker 2>that we are we are we are SNL aficionados mm hmmmmm,

631
00:32:56.200 --> 00:32:59.279
<v Speaker 2>total nerds for it, very very much so, right, And

632
00:32:59.279 --> 00:33:03.519
<v Speaker 2>And one thing I do think about is I don't

633
00:33:03.519 --> 00:33:05.720
<v Speaker 2>know how big of a demographic that is, Like I

634
00:33:05.759 --> 00:33:10.200
<v Speaker 2>don't know the cultural weight that SNL has with like

635
00:33:10.599 --> 00:33:14.440
<v Speaker 2>kids these days, you know, right, right, And I do

636
00:33:14.559 --> 00:33:16.960
<v Speaker 2>I do think about that, and so so for for

637
00:33:17.039 --> 00:33:22.599
<v Speaker 2>a documentary like this, it it and I want to

638
00:33:22.640 --> 00:33:24.440
<v Speaker 2>hear your thoughts. I was like, a lot of this

639
00:33:24.799 --> 00:33:28.640
<v Speaker 2>I already know because I've imbibed so much SNL history,

640
00:33:28.839 --> 00:33:32.400
<v Speaker 2>But I was delighted by the new nuances that were

641
00:33:32.400 --> 00:33:36.119
<v Speaker 2>illuminated and just seeing all the people that are interviewed,

642
00:33:36.359 --> 00:33:39.480
<v Speaker 2>and really painting a portrait of a guy who who,

643
00:33:39.519 --> 00:33:43.720
<v Speaker 2>I think, just in terms of what this show represents,

644
00:33:44.599 --> 00:33:48.559
<v Speaker 2>is a very seminal important figure in TV history, you know.

645
00:33:49.640 --> 00:33:54.279
<v Speaker 3>Yeah, and who's still somehow kind of mysterious exactly yeah,

646
00:33:54.319 --> 00:33:57.680
<v Speaker 3>you know, even seemingly to the people who are work

647
00:33:57.839 --> 00:34:02.119
<v Speaker 3>very closely with him. Right, So, any new information you

648
00:34:02.160 --> 00:34:04.880
<v Speaker 3>get about this guy is always kind of fascinating because,

649
00:34:04.880 --> 00:34:06.319
<v Speaker 3>like you said, I mean, he is just like a

650
00:34:06.359 --> 00:34:10.679
<v Speaker 3>seminal figure in comedy for like fifty plus years or

651
00:34:10.719 --> 00:34:15.360
<v Speaker 3>whatever it is, you know, so it's he remains intriguing,

652
00:34:15.400 --> 00:34:18.599
<v Speaker 3>I know, certainly to us, and I agree with you.

653
00:34:18.679 --> 00:34:19.159
<v Speaker 2>This was.

654
00:34:20.880 --> 00:34:23.679
<v Speaker 3>A documentary. They showed it in theaters. You and I

655
00:34:23.719 --> 00:34:26.920
<v Speaker 3>both saw it in a theater about thirty or forty

656
00:34:26.920 --> 00:34:28.880
<v Speaker 3>minutes in. I actually thought like, oh, this could have

657
00:34:28.920 --> 00:34:31.559
<v Speaker 3>been like a peacock. Absolutely sort of.

658
00:34:31.599 --> 00:34:34.599
<v Speaker 2>It feels like, just as a courtesy to Lorne, they

659
00:34:34.599 --> 00:34:35.679
<v Speaker 2>put it in theaters.

660
00:34:36.760 --> 00:34:40.840
<v Speaker 3>Yes, so you know, I actually I don't think it's

661
00:34:40.880 --> 00:34:44.480
<v Speaker 3>out anymore. So I'm just what I'm saying is, if

662
00:34:44.519 --> 00:34:47.119
<v Speaker 3>you did wait for it to stream somewhere, you know,

663
00:34:47.480 --> 00:34:49.960
<v Speaker 3>that would be just fine. But at the same time,

664
00:34:50.440 --> 00:34:54.639
<v Speaker 3>I would say past the halfway mark, even though it

665
00:34:54.639 --> 00:34:56.360
<v Speaker 3>did cover a lot of ground that you and I

666
00:34:56.440 --> 00:35:01.440
<v Speaker 3>already know, then they give you a really great behind

667
00:35:01.480 --> 00:35:05.679
<v Speaker 3>the scenes glimpse of Lorne overseeing an episode.

668
00:35:05.960 --> 00:35:08.800
<v Speaker 2>That was my favorite portion of that.

669
00:35:08.039 --> 00:35:10.719
<v Speaker 3>That's what made it all worth it to me, because

670
00:35:11.599 --> 00:35:13.440
<v Speaker 3>we don't have a lot of that. I mean, one

671
00:35:13.440 --> 00:35:17.199
<v Speaker 3>of the best examples we have so far is that

672
00:35:17.360 --> 00:35:20.880
<v Speaker 3>James Franco directed documentary that he.

673
00:35:20.840 --> 00:35:22.119
<v Speaker 2>Made, right, that's right.

674
00:35:22.280 --> 00:35:25.239
<v Speaker 3>Yeah, where he literally just had like a cam quarter

675
00:35:25.480 --> 00:35:29.360
<v Speaker 3>and he filmed a week of SNL and he got

676
00:35:29.400 --> 00:35:31.679
<v Speaker 3>to wander into the writer's rooms and see what they're

677
00:35:31.760 --> 00:35:36.400
<v Speaker 3>up to and the table. Thanks thanks to that documentary,

678
00:35:36.400 --> 00:35:40.480
<v Speaker 3>we have some record of the great never Filmed Empire

679
00:35:40.559 --> 00:35:45.400
<v Speaker 3>carpet sketch with John Malkovich. Yeah, he's playing or he's

680
00:35:45.400 --> 00:35:47.800
<v Speaker 3>singing the five eight eight two three hundred.

681
00:35:47.679 --> 00:35:52.280
<v Speaker 2>Like over and over and over again the director.

682
00:35:54.719 --> 00:35:59.559
<v Speaker 3>Yeah, but like that kind of intimate behind the scenes stuff. Surprisingly,

683
00:35:59.559 --> 00:36:01.880
<v Speaker 3>we don't have a ton of it. Yeah, right, And

684
00:36:01.960 --> 00:36:05.800
<v Speaker 3>so this documentary Lorne I thought was really valuable because

685
00:36:05.800 --> 00:36:08.000
<v Speaker 3>it gave us more of that and then a better

686
00:36:08.599 --> 00:36:11.440
<v Speaker 3>you know, video quality, you know, right, And so we

687
00:36:11.480 --> 00:36:14.800
<v Speaker 3>actually get to see a Ryan Gosling episode behind the

688
00:36:14.840 --> 00:36:18.079
<v Speaker 3>scenes of it, and we see Lorne, you know, you

689
00:36:18.079 --> 00:36:22.000
<v Speaker 3>always hear he watches the episodes under the Bleachers, and

690
00:36:22.079 --> 00:36:24.639
<v Speaker 3>so I knew that that happened, and sometimes he was

691
00:36:24.639 --> 00:36:27.159
<v Speaker 3>happy and sometimes he was frustrated. But we actually get

692
00:36:27.199 --> 00:36:29.519
<v Speaker 3>to see it now and you hear I don't remember

693
00:36:29.519 --> 00:36:31.320
<v Speaker 3>who it is, but one of the cast or someone

694
00:36:31.440 --> 00:36:33.800
<v Speaker 3>is like, yeah, when he's frustrated, he starts. He's next

695
00:36:33.800 --> 00:36:35.719
<v Speaker 3>to like an ice bucket with with drinks in it,

696
00:36:35.719 --> 00:36:37.079
<v Speaker 3>and if he gets mad, he.

697
00:36:37.000 --> 00:36:37.800
<v Speaker 2>Throws the ice.

698
00:36:38.239 --> 00:36:40.199
<v Speaker 3>And so hearing that, I was like, oh, that's fascinating.

699
00:36:40.320 --> 00:36:43.400
<v Speaker 3>But then they actually show it, like you see him

700
00:36:43.440 --> 00:36:45.920
<v Speaker 3>watching something and people are either flubbing lines or the

701
00:36:45.960 --> 00:36:48.000
<v Speaker 3>timing's not working, and he picks up the ice and

702
00:36:48.039 --> 00:36:50.679
<v Speaker 3>just throws it, and you're like, oh, like well.

703
00:36:50.559 --> 00:36:52.880
<v Speaker 2>And yeah, and Seth Myers talks about how like you

704
00:36:52.920 --> 00:36:56.960
<v Speaker 2>knows he's upset when he goes yeah, and we just

705
00:36:57.039 --> 00:37:00.400
<v Speaker 2>we just have this montage of him doing that. Yeah.

706
00:37:00.400 --> 00:37:04.280
<v Speaker 3>And so then seeing him which is we know that

707
00:37:04.320 --> 00:37:06.960
<v Speaker 3>any Gosling episode is a good one, right, Like these

708
00:37:07.000 --> 00:37:11.000
<v Speaker 3>are like beloved, right, But it's fascinating watching he's we

709
00:37:11.039 --> 00:37:14.079
<v Speaker 3>should say, he's watching the dress rehearsal, not the actual

710
00:37:14.119 --> 00:37:16.800
<v Speaker 3>episode that aired, but he's frustrated and it's not going

711
00:37:16.800 --> 00:37:18.480
<v Speaker 3>the way that he'd like it to go. And so

712
00:37:18.599 --> 00:37:21.719
<v Speaker 3>then after the dress rehearsal, we get to see him

713
00:37:21.800 --> 00:37:26.159
<v Speaker 3>sit on the stage and like address the troops basically,

714
00:37:26.559 --> 00:37:30.119
<v Speaker 3>which was interesting to me because these are you know,

715
00:37:30.280 --> 00:37:35.280
<v Speaker 3>big comedy superstars of this moment, right, Like, so we

716
00:37:35.400 --> 00:37:37.599
<v Speaker 3>think of them as these big like titans of comedy

717
00:37:37.599 --> 00:37:38.920
<v Speaker 3>in a certain sort of way, or at least in

718
00:37:38.960 --> 00:37:42.559
<v Speaker 3>their arena. And they look like high school students that

719
00:37:42.599 --> 00:37:46.480
<v Speaker 3>are being like lectured by their principal because they've let

720
00:37:46.559 --> 00:37:50.159
<v Speaker 3>him down, right, And it was really interesting to see.

721
00:37:50.199 --> 00:37:53.039
<v Speaker 3>I almost felt myself kind of cowering also, just sort

722
00:37:53.079 --> 00:37:55.760
<v Speaker 3>of like, oh, this is an uncomfortable feeling. But then

723
00:37:56.000 --> 00:37:59.559
<v Speaker 3>he lets them know he's disappointed. But then he rallies

724
00:37:59.559 --> 00:38:02.719
<v Speaker 3>the troops and he's like, but you're the you're the best,

725
00:38:02.960 --> 00:38:03.159
<v Speaker 3>you know.

726
00:38:03.400 --> 00:38:05.400
<v Speaker 2>Yeah, yeah, it was.

727
00:38:05.440 --> 00:38:08.400
<v Speaker 3>It was a fascinating glimpse and I for me, that

728
00:38:08.559 --> 00:38:11.400
<v Speaker 3>made it completely worth it. And all the stuff that

729
00:38:11.400 --> 00:38:13.360
<v Speaker 3>they retread a little bit is still great.

730
00:38:13.840 --> 00:38:16.280
<v Speaker 2>It is and and you know the thought I had

731
00:38:16.320 --> 00:38:18.440
<v Speaker 2>watching it, I well, well, two thoughts. Number one, you

732
00:38:18.800 --> 00:38:23.559
<v Speaker 2>get you see all these people interviewed from across the

733
00:38:23.639 --> 00:38:26.920
<v Speaker 2>last fifty years, right yeah, so you get your your

734
00:38:26.960 --> 00:38:29.719
<v Speaker 2>Mike Myers, and then you get your you know, Chevy's

735
00:38:29.760 --> 00:38:32.800
<v Speaker 2>and Chevy's interviewed in there, right yep, you know, and

736
00:38:33.119 --> 00:38:35.360
<v Speaker 2>then up to now and recent you know, and you

737
00:38:35.519 --> 00:38:38.320
<v Speaker 2>at one point you've got you know, Mulaney and Bill

738
00:38:38.360 --> 00:38:41.159
<v Speaker 2>Hayter and Fed Armisen sitting around a table, and first

739
00:38:41.159 --> 00:38:42.920
<v Speaker 2>of all, I'm like, what, man, I'd love to just

740
00:38:42.960 --> 00:38:46.039
<v Speaker 2>be sitting at that table, right, yep. Ye A Conan

741
00:38:46.119 --> 00:38:48.400
<v Speaker 2>is interviewed, and you're like, every single one of these

742
00:38:48.440 --> 00:38:52.280
<v Speaker 2>people Lorne Michael sprinkled fairy dust on their life. Yeah,

743
00:38:52.480 --> 00:38:55.239
<v Speaker 2>you know, and and like and Conan has said as much, right,

744
00:38:55.280 --> 00:38:58.320
<v Speaker 2>I mean, I mean, like, here's a guy literally think

745
00:38:58.320 --> 00:39:02.000
<v Speaker 2>about that one. One day he's he's one of a

746
00:39:02.039 --> 00:39:06.679
<v Speaker 2>dozen Simpsons writers, having briefly worked at SNL, and then

747
00:39:06.800 --> 00:39:11.719
<v Speaker 2>and then he's hosting you know, he's replacing Letterman and

748
00:39:11.719 --> 00:39:16.119
<v Speaker 2>and and here's a career that is still going, you know. Yeah, yeah,

749
00:39:16.559 --> 00:39:18.960
<v Speaker 2>and where would he be if not for Loren Michaels

750
00:39:19.000 --> 00:39:21.719
<v Speaker 2>When it came to the Late Late Night Show? He

751
00:39:21.840 --> 00:39:24.719
<v Speaker 2>was like, how about Conan? Mm hmm. And that's it,

752
00:39:24.840 --> 00:39:28.360
<v Speaker 2>you know, so all of these people he's affected, and

753
00:39:28.400 --> 00:39:31.199
<v Speaker 2>so he has he has shaped a a half century

754
00:39:31.559 --> 00:39:33.599
<v Speaker 2>of comedy, and as a result, he will shape the

755
00:39:33.599 --> 00:39:36.719
<v Speaker 2>next half century, even if he's not around for it. Yeah,

756
00:39:36.840 --> 00:39:39.599
<v Speaker 2>that's a good point. And then that made me, you know,

757
00:39:39.599 --> 00:39:43.400
<v Speaker 2>and mulaney has has an interview where he talks about

758
00:39:43.920 --> 00:39:47.719
<v Speaker 2>that realization of like like Lauren's not going to be

759
00:39:47.760 --> 00:39:51.639
<v Speaker 2>around forever, you know. And and I had that realization

760
00:39:51.800 --> 00:39:54.599
<v Speaker 2>earlier in the film where you see him as you know,

761
00:39:55.440 --> 00:39:59.000
<v Speaker 2>you know, we contrast his his earlier era, his pre

762
00:39:59.159 --> 00:40:02.039
<v Speaker 2>SNL era. But he even like during the early days

763
00:40:02.039 --> 00:40:04.280
<v Speaker 2>of SNL where he's the young guy, he's the you know,

764
00:40:04.360 --> 00:40:08.880
<v Speaker 2>Gabriel LaBelle and in that Rightman movie, right m And

765
00:40:08.920 --> 00:40:11.039
<v Speaker 2>then now he's you know, he's an eighty year old man.

766
00:40:11.079 --> 00:40:13.840
<v Speaker 2>He's shuffling around and you're like, man, you know, time

767
00:40:13.960 --> 00:40:17.760
<v Speaker 2>comes for us all, you know, yep, And and and

768
00:40:17.800 --> 00:40:21.480
<v Speaker 2>what what is SNL without Lorne Michaels what you know?

769
00:40:21.559 --> 00:40:26.000
<v Speaker 2>We we they've they tried that before, yes, and it

770
00:40:26.039 --> 00:40:28.840
<v Speaker 2>didn't work, you know. Yeah, And you know, I don't

771
00:40:28.880 --> 00:40:30.719
<v Speaker 2>remember who says it. It may have been Milleni.

772
00:40:32.199 --> 00:40:36.039
<v Speaker 3>People are always wondering if he'll retire, and someone says, no,

773
00:40:36.119 --> 00:40:41.199
<v Speaker 3>he won't leave because he's from another time. This SNL,

774
00:40:41.280 --> 00:40:43.559
<v Speaker 3>what they do, how they do it is from another time,

775
00:40:43.639 --> 00:40:44.679
<v Speaker 3>and he's the protector.

776
00:40:45.239 --> 00:40:47.840
<v Speaker 2>Yeah of that. And I thought that was kind of fascinating,

777
00:40:47.960 --> 00:40:53.679
<v Speaker 2>like yeah, I mean, it's it's I mean, there is

778
00:40:53.800 --> 00:40:57.559
<v Speaker 2>that Like I had that that realization, like, well, he's

779
00:40:57.639 --> 00:41:01.239
<v Speaker 2>gonna be gone at some point and and whatever happens,

780
00:41:01.440 --> 00:41:02.199
<v Speaker 2>it's going to be different.

781
00:41:02.239 --> 00:41:02.320
<v Speaker 1>Right.

782
00:41:02.639 --> 00:41:05.760
<v Speaker 2>It's a bit like like there's going to be more

783
00:41:05.840 --> 00:41:10.320
<v Speaker 2>James Bond movies, right, But what those movies were and

784
00:41:10.360 --> 00:41:15.119
<v Speaker 2>what they represented is over forever, sure, and that makes

785
00:41:15.159 --> 00:41:17.440
<v Speaker 2>me sad. And SNL post Lorne Michaels is going to

786
00:41:17.480 --> 00:41:18.280
<v Speaker 2>be the same, you know.

787
00:41:19.400 --> 00:41:21.239
<v Speaker 3>Yeah, And I think that's what I love about what

788
00:41:21.360 --> 00:41:24.599
<v Speaker 3>it is now is they find ways to have the

789
00:41:24.679 --> 00:41:28.440
<v Speaker 3>humor represent the moment and find cast members who represent

790
00:41:28.480 --> 00:41:31.199
<v Speaker 3>the moment. But there's still that sort of old school

791
00:41:31.320 --> 00:41:35.400
<v Speaker 3>variety show charm that's never gone away from it, that

792
00:41:35.559 --> 00:41:40.360
<v Speaker 3>keeps it from being like the hip modern show. But

793
00:41:40.440 --> 00:41:43.639
<v Speaker 3>that's what makes it so special. I agree, Yeah, you know,

794
00:41:43.679 --> 00:41:45.159
<v Speaker 3>the combination of all those things.

795
00:41:45.480 --> 00:41:48.960
<v Speaker 2>Last night's episode, first of two things, I didn't know

796
00:41:48.960 --> 00:41:50.480
<v Speaker 2>who was hosting it, and I happened to turn to

797
00:41:50.559 --> 00:41:52.159
<v Speaker 2>tune in. They do like a live stream of the

798
00:41:52.159 --> 00:41:54.480
<v Speaker 2>monologue on YouTube, and I reached that point where I'm like,

799
00:41:55.159 --> 00:41:58.039
<v Speaker 2>I don't know who that is Olivia Rodriguez. It was

800
00:41:58.039 --> 00:42:01.679
<v Speaker 2>Olivia rodrigu Yeah, yeah, no idea who she was. But

801
00:42:02.159 --> 00:42:04.440
<v Speaker 2>SNL did give me the thing I've been waiting more

802
00:42:04.440 --> 00:42:06.440
<v Speaker 2>than a year for which was as He's I'm sorry,

803
00:42:06.480 --> 00:42:10.039
<v Speaker 2>as Cash Battel. Yes, that's all. I've only seen the

804
00:42:10.079 --> 00:42:15.119
<v Speaker 2>opening sketch so far. I was like, if SNL does

805
00:42:15.159 --> 00:42:19.719
<v Speaker 2>not get Tom Haverford to play Cash Battel, that will

806
00:42:19.760 --> 00:42:23.639
<v Speaker 2>be malpractice. So I was very happy about that. There's

807
00:42:24.000 --> 00:42:26.880
<v Speaker 2>a very funny sketch. It's another Ashley Padilla showcase. You

808
00:42:26.920 --> 00:42:29.760
<v Speaker 2>got to check it out. It's it's called like the

809
00:42:30.000 --> 00:42:30.920
<v Speaker 2>X or something like that.

810
00:42:31.519 --> 00:42:34.840
<v Speaker 3>Okay, yeah, I mean that's my plan. Later today, I'll

811
00:42:35.280 --> 00:42:38.519
<v Speaker 3>have my coffee and watch that. And by the way,

812
00:42:38.599 --> 00:42:42.519
<v Speaker 3>I caught a little bit of the movie Good Fortune Again,

813
00:42:42.559 --> 00:42:45.440
<v Speaker 3>which was written directed by Azi's and stars him and

814
00:42:45.440 --> 00:42:49.440
<v Speaker 3>Seth Rogan and Kanu Reeves. That's just a fun, charming

815
00:42:49.519 --> 00:42:52.079
<v Speaker 3>little movie. And so I know I talked about it

816
00:42:52.119 --> 00:42:54.079
<v Speaker 3>before and said that it was good, but I'm just

817
00:42:54.119 --> 00:42:56.199
<v Speaker 3>reminding people, like, if you haven't seen that, that is

818
00:42:56.239 --> 00:42:59.599
<v Speaker 3>a great little rental. I think they just don't make

819
00:42:59.639 --> 00:43:03.199
<v Speaker 3>them like it is streaming at this point. Yeah, I

820
00:43:03.199 --> 00:43:05.239
<v Speaker 3>think sadly. I saw it in the theater and by

821
00:43:05.280 --> 00:43:06.719
<v Speaker 3>the time I talked about it on the show, it

822
00:43:06.760 --> 00:43:07.559
<v Speaker 3>was already streaming.

823
00:43:07.559 --> 00:43:09.199
<v Speaker 2>It was one of those that was what happened.

824
00:43:09.280 --> 00:43:11.880
<v Speaker 3>Yeah, yeah, but that's just a it just feels kind

825
00:43:11.880 --> 00:43:16.239
<v Speaker 3>of like an old school wish fulfillment comedy and Counta

826
00:43:16.280 --> 00:43:20.920
<v Speaker 3>Reeves is so perfectly utilized in that movie.

827
00:43:21.719 --> 00:43:23.480
<v Speaker 2>It's just it. I liked that movie a lot, So

828
00:43:23.880 --> 00:43:27.400
<v Speaker 2>just re recommending that there we go, moving on. Hey,

829
00:43:27.440 --> 00:43:37.480
<v Speaker 2>we got some headlines Brian extract of a little bit

830
00:43:37.480 --> 00:43:39.079
<v Speaker 2>of sad news just to start things off. But I

831
00:43:39.079 --> 00:43:41.840
<v Speaker 2>did want to mention that Jerry Conway has passed away

832
00:43:41.960 --> 00:43:47.079
<v Speaker 2>legendary comic book and television writer. Certainly as far as

833
00:43:47.199 --> 00:43:51.679
<v Speaker 2>my life growing up as a comic book fan and

834
00:43:51.840 --> 00:43:57.320
<v Speaker 2>a procedural television fan, my many fandoms have been touched

835
00:43:57.360 --> 00:44:01.360
<v Speaker 2>by his work. He had legendary on The Amazing Spider Man.

836
00:44:01.400 --> 00:44:05.679
<v Speaker 2>He actually after stan Lee, he was he had the

837
00:44:05.719 --> 00:44:08.760
<v Speaker 2>longest run after stan Lee during that initial era. He

838
00:44:08.840 --> 00:44:12.000
<v Speaker 2>broke into comics at age nineteen, if you can Wow,

839
00:44:12.760 --> 00:44:15.360
<v Speaker 2>and by the time he was in his early twenties

840
00:44:15.440 --> 00:44:19.400
<v Speaker 2>he had created The Punisher, Oh Wow. And he wrote

841
00:44:19.559 --> 00:44:25.119
<v Speaker 2>the story that saw Gwen Stacy killed off, one of

842
00:44:25.159 --> 00:44:27.440
<v Speaker 2>the most iconic Spider Man stories, and it was adapted

843
00:44:28.840 --> 00:44:32.559
<v Speaker 2>on the screen in Amazing Spider Man two, and in

844
00:44:32.559 --> 00:44:36.760
<v Speaker 2>addition to that, he created a character called Firestorm from DC,

845
00:44:36.920 --> 00:44:40.079
<v Speaker 2>which I'm sure you can picture him in your head,

846
00:44:41.199 --> 00:44:46.760
<v Speaker 2>and just really an incredibly diverse body of work at

847
00:44:46.760 --> 00:44:49.119
<v Speaker 2>both DC and Marvel, and then later he wrote for

848
00:44:49.239 --> 00:44:51.719
<v Speaker 2>the Transformers animated television series. He wrote for Law and

849
00:44:51.800 --> 00:44:54.960
<v Speaker 2>Order in television, he wrote for Criminal Intent. He was

850
00:44:54.960 --> 00:44:59.079
<v Speaker 2>seventy three years old, died of paint creatic cancer. Seventy

851
00:44:59.159 --> 00:45:06.239
<v Speaker 2>three is to yeah, and what what really, you know,

852
00:45:06.280 --> 00:45:07.960
<v Speaker 2>it really gets to me is that just a few

853
00:45:07.960 --> 00:45:10.920
<v Speaker 2>months ago, I was down in LA visiting you, and

854
00:45:10.960 --> 00:45:15.199
<v Speaker 2>I happened to see a notification that there was he

855
00:45:15.280 --> 00:45:20.519
<v Speaker 2>was doing a signing right, you know, maybe maybe about

856
00:45:20.519 --> 00:45:22.800
<v Speaker 2>an hour or so from where you live, and they

857
00:45:23.400 --> 00:45:26.320
<v Speaker 2>build it as his last signing. And I didn't give

858
00:45:26.360 --> 00:45:27.840
<v Speaker 2>too much thought about it, but I was like, oh,

859
00:45:27.880 --> 00:45:30.199
<v Speaker 2>I wish I had brought something. It would have been cool,

860
00:45:30.400 --> 00:45:32.760
<v Speaker 2>you know, to have that opportunity, and then just kind

861
00:45:32.760 --> 00:45:34.800
<v Speaker 2>of left it at that. And then you know a

862
00:45:34.800 --> 00:45:40.280
<v Speaker 2>few months later, we get this news. Yeah, you know

863
00:45:40.960 --> 00:45:43.159
<v Speaker 2>this is you know, I was having this discussion with

864
00:45:43.199 --> 00:45:48.719
<v Speaker 2>my brother just yesterday that the comic book creators the

865
00:45:48.840 --> 00:45:53.760
<v Speaker 2>Legends of our lifetime are slowly but surely leaving us,

866
00:45:55.199 --> 00:45:58.159
<v Speaker 2>and that that's very much the case when you look at,

867
00:45:58.320 --> 00:46:00.360
<v Speaker 2>you know, somebody like Jerry Conway, who was you know,

868
00:46:00.440 --> 00:46:04.119
<v Speaker 2>kind of a boy wonder and so you know, he

869
00:46:04.280 --> 00:46:08.840
<v Speaker 2>was relatively young while producing just just a mammoth body

870
00:46:08.880 --> 00:46:11.599
<v Speaker 2>of work. And it makes me deeply sad not only

871
00:46:11.679 --> 00:46:13.880
<v Speaker 2>to see him gone, not only to know that he

872
00:46:13.920 --> 00:46:15.880
<v Speaker 2>will no longer be creating work, but also what it

873
00:46:15.920 --> 00:46:20.079
<v Speaker 2>represents in terms of, you know, these these legends who

874
00:46:20.079 --> 00:46:20.639
<v Speaker 2>are leaving.

875
00:46:21.159 --> 00:46:26.840
<v Speaker 3>Yeah, yeah, man, I mean, it's it's funny. I had

876
00:46:27.000 --> 00:46:29.440
<v Speaker 3>so many thoughts as you were talking about him. One

877
00:46:29.559 --> 00:46:31.199
<v Speaker 3>brought me back to what we were saying about Paul

878
00:46:31.280 --> 00:46:34.280
<v Speaker 3>fig where it's like he gets to do the comedy thing,

879
00:46:34.320 --> 00:46:36.119
<v Speaker 3>he gets to do the sort of thriller thing he

880
00:46:36.159 --> 00:46:37.719
<v Speaker 3>gets to It's kind of nice how.

881
00:46:37.519 --> 00:46:39.239
<v Speaker 2>He hasn't been put into a box.

882
00:46:39.280 --> 00:46:44.159
<v Speaker 3>And it's amazing that Conway like got to do these

883
00:46:44.360 --> 00:46:47.519
<v Speaker 3>iconic comic book stories, but he also wrote for procedurals

884
00:46:47.519 --> 00:46:49.840
<v Speaker 3>in law and order, and like he just all the

885
00:46:50.119 --> 00:46:52.199
<v Speaker 3>things in his imagination. The way that he got to

886
00:46:52.360 --> 00:46:55.239
<v Speaker 3>express them and let them out, that's really awesome.

887
00:46:56.000 --> 00:47:00.000
<v Speaker 2>Yeah. And and as I sit here recording with you

888
00:47:00.119 --> 00:47:02.239
<v Speaker 2>glance to my right and I look at my shelf

889
00:47:02.239 --> 00:47:05.360
<v Speaker 2>and there's just a shelf full of Spider Man comic

890
00:47:05.360 --> 00:47:07.639
<v Speaker 2>books that he wrote. And you know, there is something

891
00:47:08.280 --> 00:47:10.719
<v Speaker 2>to be said for the idea that his work will

892
00:47:10.960 --> 00:47:13.800
<v Speaker 2>live on as long as these characters exist. You know,

893
00:47:13.880 --> 00:47:18.760
<v Speaker 2>the Disney Plus has a brand new Punisher special dropping

894
00:47:19.760 --> 00:47:22.199
<v Speaker 2>in just a few weeks as we're recording this, and

895
00:47:22.280 --> 00:47:26.840
<v Speaker 2>you know that character is certainly as iconic as the

896
00:47:26.840 --> 00:47:30.159
<v Speaker 2>top tier Marvel characters. And he sprang from from Jerry

897
00:47:30.199 --> 00:47:34.280
<v Speaker 2>Conway's imagination, right, he will be missed. A true, a

898
00:47:34.320 --> 00:47:40.239
<v Speaker 2>true legend. Yeah, here's some other news, Brian, while we're

899
00:47:40.239 --> 00:47:42.960
<v Speaker 2>talking about comic books. It's a story that began its

900
00:47:43.039 --> 00:47:47.519
<v Speaker 2>life as a comic book, right, and it might just

901
00:47:47.559 --> 00:47:50.239
<v Speaker 2>be comingto the screen. This felt like a prank to

902
00:47:50.280 --> 00:47:52.119
<v Speaker 2>me almost. It hasn't.

903
00:47:52.280 --> 00:47:55.679
<v Speaker 3>The most recent Quentin Tarantino news in the last year

904
00:47:55.760 --> 00:48:00.760
<v Speaker 3>or so. All felt like April Fool's Day sorts of jokes.

905
00:48:01.119 --> 00:48:06.480
<v Speaker 2>Well, any Tarantino news that doesn't involve him running roughshod

906
00:48:06.599 --> 00:48:12.679
<v Speaker 2>over random character actor, Yeah, random actors he despises is

907
00:48:12.719 --> 00:48:18.360
<v Speaker 2>a win. So this is reported by Deadline last week,

908
00:48:18.440 --> 00:48:20.519
<v Speaker 2>and it says that Sony Pictures moving forward with a

909
00:48:20.599 --> 00:48:24.400
<v Speaker 2>most intriguing movie mashup. The studio has set Academy Award

910
00:48:24.440 --> 00:48:28.480
<v Speaker 2>winner Brian Helgeland, he of La Confidential Fame, to write

911
00:48:28.559 --> 00:48:31.960
<v Speaker 2>Django Zoro for a big screen continuation of a story

912
00:48:31.960 --> 00:48:34.559
<v Speaker 2>that was hatched in a seven issue crossover comic book

913
00:48:34.599 --> 00:48:37.519
<v Speaker 2>series co written by Quentin Tarantino and Matt Wagner published

914
00:48:37.519 --> 00:48:40.719
<v Speaker 2>by Dynamite Entertainment. The comic was published back in twenty

915
00:48:40.719 --> 00:48:43.199
<v Speaker 2>fourteen is considered maybe the closest Tarantino might come to

916
00:48:43.239 --> 00:48:45.599
<v Speaker 2>a sequel in the continuation of the adventures of the

917
00:48:45.639 --> 00:48:48.239
<v Speaker 2>slave turned bounty hunter played by Jamie Fox in the

918
00:48:48.239 --> 00:48:51.639
<v Speaker 2>twenty twelve film Jango and Change. Tarantino directed that film

919
00:48:51.679 --> 00:48:53.360
<v Speaker 2>but won't helm this one, though. I understand that this

920
00:48:53.360 --> 00:48:55.920
<v Speaker 2>film has his blessing to move forward at Sony, where

921
00:48:55.920 --> 00:48:58.800
<v Speaker 2>he's expected to make his final film as a director.

922
00:49:00.320 --> 00:49:02.119
<v Speaker 3>And you know what I mean with the April fools

923
00:49:02.199 --> 00:49:04.119
<v Speaker 3>Day thing, because the last thing I'm thinking of is

924
00:49:04.159 --> 00:49:06.679
<v Speaker 3>the Adventures of Cliff Booth.

925
00:49:07.079 --> 00:49:08.880
<v Speaker 2>That certainly felt like an April fools thing.

926
00:49:08.960 --> 00:49:10.119
<v Speaker 3>Right where it's like, oh, there's going to be a

927
00:49:10.159 --> 00:49:12.719
<v Speaker 3>sequel to Once upon a time in Hollywood, and Tarantino's

928
00:49:12.719 --> 00:49:14.800
<v Speaker 3>gonna write it, but David Fincher's going to direct it,

929
00:49:14.840 --> 00:49:17.159
<v Speaker 3>and it's going to be on Netflix, and like what

930
00:49:17.559 --> 00:49:22.039
<v Speaker 3>like I just did not compute, but in that news

931
00:49:22.079 --> 00:49:24.159
<v Speaker 3>did drop on April Fool's Day, I think because everyone

932
00:49:24.199 --> 00:49:26.639
<v Speaker 3>thought it was a joke, it turns out it was real.

933
00:49:26.719 --> 00:49:28.679
<v Speaker 3>Then here we go, We're getting a Django sequel that

934
00:49:28.719 --> 00:49:31.440
<v Speaker 3>he is not going to even participate in but has

935
00:49:31.480 --> 00:49:34.920
<v Speaker 3>his blessing. That just feels, I don't know, it seems

936
00:49:34.920 --> 00:49:37.280
<v Speaker 3>like he is very precious.

937
00:49:36.960 --> 00:49:37.920
<v Speaker 2>About his world.

938
00:49:38.559 --> 00:49:40.639
<v Speaker 3>Yeah, you know that he's created, and so it's interesting

939
00:49:40.639 --> 00:49:44.760
<v Speaker 3>that he's allowing these other people to create stories in them.

940
00:49:44.960 --> 00:49:48.159
<v Speaker 3>I guess just to keep him away from making accidentally

941
00:49:48.199 --> 00:49:49.880
<v Speaker 3>making movie number eleven or something.

942
00:49:50.000 --> 00:49:55.239
<v Speaker 2>I were weirdly benefiting from that. Yeah, yeah, right, which

943
00:49:55.320 --> 00:49:57.280
<v Speaker 2>I've been saying for a while. He needs He is

944
00:49:57.320 --> 00:49:59.320
<v Speaker 2>so far up his own asshole when it comes to that.

945
00:50:00.440 --> 00:50:02.800
<v Speaker 2>I like, oh, no, I'm on the making ten all right,

946
00:50:03.000 --> 00:50:07.440
<v Speaker 2>really stop. But but you know, for for years and years,

947
00:50:07.480 --> 00:50:10.519
<v Speaker 2>for decades, they had talked about doing the Vega Brothers.

948
00:50:10.559 --> 00:50:13.039
<v Speaker 2>Do you remember that m m Yeah, which would have

949
00:50:13.079 --> 00:50:17.039
<v Speaker 2>teamed Michael madd since Vic Vega with John Travolta's Vincent Vega,

950
00:50:17.119 --> 00:50:21.400
<v Speaker 2>but of course even before Michael Madson passed away. I mean,

951
00:50:21.559 --> 00:50:26.880
<v Speaker 2>just time had worked against that movie existing because Vincent dies.

952
00:50:27.000 --> 00:50:30.800
<v Speaker 2>You know, yeah, right right, you know that's a problem,

953
00:50:31.840 --> 00:50:33.440
<v Speaker 2>so you had to do it within a certain amount

954
00:50:33.480 --> 00:50:38.159
<v Speaker 2>of time. I forget what happens to Vic? Is he

955
00:50:38.199 --> 00:50:40.880
<v Speaker 2>alive at the Reservoir Ducks. I have not watched that

956
00:50:40.960 --> 00:50:43.480
<v Speaker 2>in so long, That's what I'm saying. It's been it's

957
00:50:43.480 --> 00:50:44.239
<v Speaker 2>been decades since.

958
00:50:44.239 --> 00:50:46.239
<v Speaker 3>I think most people do not make it out alive

959
00:50:46.360 --> 00:50:46.960
<v Speaker 3>of that movie.

960
00:50:47.360 --> 00:50:49.400
<v Speaker 2>That's my memory. It's it's been a very long time.

961
00:50:51.159 --> 00:50:55.320
<v Speaker 2>But regardless, the window closed on that. And I think

962
00:50:55.639 --> 00:50:58.159
<v Speaker 2>to your point, like he's so like, no, I have

963
00:50:58.239 --> 00:51:00.840
<v Speaker 2>to be very specific about my projects. So I think,

964
00:51:01.760 --> 00:51:04.840
<v Speaker 2>you know, had had the timing been different, the Vega

965
00:51:04.880 --> 00:51:07.960
<v Speaker 2>Brothers would have been made by somebody else with his blessing.

966
00:51:08.280 --> 00:51:11.039
<v Speaker 2>That's kind of my point. And that's what it feels

967
00:51:11.079 --> 00:51:14.280
<v Speaker 2>like the Cliff Booth, which I am super excited to

968
00:51:14.280 --> 00:51:17.000
<v Speaker 2>see me too, Yeah, I love that world, all right,

969
00:51:18.039 --> 00:51:21.519
<v Speaker 2>So this I'm like, man pour it into my veins?

970
00:51:21.519 --> 00:51:22.239
<v Speaker 2>Are you kidding me?

971
00:51:23.000 --> 00:51:25.840
<v Speaker 3>I mean, not only did I ever think we'd get

972
00:51:25.880 --> 00:51:30.079
<v Speaker 3>a Django sequel, period, a Jangle sequel, not even from

973
00:51:30.280 --> 00:51:33.800
<v Speaker 3>Tarantino himself, period, but Django teaming up.

974
00:51:33.760 --> 00:51:36.280
<v Speaker 2>With Zoro, Like I just knocked me up.

975
00:51:36.760 --> 00:51:39.079
<v Speaker 3>Yeah, it was not on my bingo card, but that

976
00:51:39.239 --> 00:51:41.480
<v Speaker 3>is exactly the kind of thing I'd like to watch.

977
00:51:43.000 --> 00:51:46.880
<v Speaker 2>Yeah, and Helgelind, who is a very talented director in

978
00:51:46.960 --> 00:51:50.159
<v Speaker 2>his own right, I would love to see him take

979
00:51:50.199 --> 00:51:52.320
<v Speaker 2>it on. I mean he's writing it at the moment,

980
00:51:53.840 --> 00:51:58.079
<v Speaker 2>but you know he did Payback, which is terrific. Did

981
00:51:58.159 --> 00:52:05.039
<v Speaker 2>Payback run Away? Did Braveheart run Away? Did Payback run Away?

982
00:52:06.079 --> 00:52:06.800
<v Speaker 2>You know? It's funny.

983
00:52:06.840 --> 00:52:10.000
<v Speaker 3>This just makes sense to me and feels like the

984
00:52:10.119 --> 00:52:14.639
<v Speaker 3>natural next evolution where how many more things can we remake?

985
00:52:15.639 --> 00:52:16.239
<v Speaker 2>You know what I mean?

986
00:52:16.320 --> 00:52:19.719
<v Speaker 3>Like, how many times can we keep remaking certain movies

987
00:52:19.760 --> 00:52:21.559
<v Speaker 3>over and over again? So at this point, I think

988
00:52:21.599 --> 00:52:24.039
<v Speaker 3>we're entering the like, Okay, I think everything that can

989
00:52:24.159 --> 00:52:26.559
<v Speaker 3>exist already exists now, so let's just throw it in

990
00:52:26.599 --> 00:52:28.480
<v Speaker 3>a blender together and see what happens.

991
00:52:29.199 --> 00:52:32.599
<v Speaker 2>You know what I mean? Man, So like me, give

992
00:52:32.599 --> 00:52:36.719
<v Speaker 2>me Jango Transformers next exactly. That's exactly what I mean.

993
00:52:36.800 --> 00:52:39.079
<v Speaker 2>And it's funny because I mean this reminds me.

994
00:52:39.159 --> 00:52:41.400
<v Speaker 3>It feels like speaking of Sony, Actually, maybe they were

995
00:52:41.400 --> 00:52:43.960
<v Speaker 3>ahead of the curve several years back when they were

996
00:52:44.000 --> 00:52:46.559
<v Speaker 3>going to make the twenty one Jump Street meets Men

997
00:52:46.599 --> 00:52:50.280
<v Speaker 3>in Black movie. Yeah, that's right, which sounded crazy at

998
00:52:50.280 --> 00:52:55.480
<v Speaker 3>the time but also intriguing to me. And now I

999
00:52:55.519 --> 00:52:59.400
<v Speaker 3>feel like that seems less crazy and more likely we're

1000
00:52:59.400 --> 00:53:02.079
<v Speaker 3>more likely to see something like that happened, you know,

1001
00:53:02.119 --> 00:53:03.920
<v Speaker 3>because they've tried to reboot Men in Black and it

1002
00:53:03.920 --> 00:53:07.480
<v Speaker 3>didn't work. So just why not just then take Men

1003
00:53:07.519 --> 00:53:08.360
<v Speaker 3>in Black and then.

1004
00:53:08.599 --> 00:53:11.119
<v Speaker 2>Stick it awkwardly.

1005
00:53:10.679 --> 00:53:13.079
<v Speaker 3>To some other property that Sony owns, you know, like

1006
00:53:13.159 --> 00:53:15.000
<v Speaker 3>let's I don't know, let's see how that goes.

1007
00:53:16.119 --> 00:53:19.079
<v Speaker 2>So I mean, there is a very long way before

1008
00:53:19.159 --> 00:53:24.400
<v Speaker 2>this goes, you know, it gets to anywhere shooting ready,

1009
00:53:24.599 --> 00:53:28.920
<v Speaker 2>but I will certainly be monitoring this. Yeah, no, I'm

1010
00:53:28.960 --> 00:53:29.519
<v Speaker 2>totally into it.

1011
00:53:29.559 --> 00:53:32.480
<v Speaker 3>I mean, we've been watching the Zoro movies for our

1012
00:53:32.519 --> 00:53:36.000
<v Speaker 3>commentaries in the past couple of years, and revisiting them

1013
00:53:36.079 --> 00:53:38.960
<v Speaker 3>is really you know, made me want to watch more Zoro.

1014
00:53:39.159 --> 00:53:43.119
<v Speaker 2>So what I'm saying, bring it, bring it on, totally,

1015
00:53:44.199 --> 00:53:46.400
<v Speaker 2>bring it on. What can we bring what can we

1016
00:53:46.679 --> 00:53:54.519
<v Speaker 2>bring it on? Maybe seven I'm definitely down for that. Yeah.

1017
00:53:54.760 --> 00:53:56.679
<v Speaker 3>Yeah, they have to track down a serial killer before

1018
00:53:56.679 --> 00:53:58.199
<v Speaker 3>they get to their cheerleading competition.

1019
00:53:58.840 --> 00:54:04.639
<v Speaker 2>You know what pitch it. It seems like they're they're

1020
00:54:04.719 --> 00:54:08.719
<v Speaker 2>up for anything these days. Yeah, this is Sony in

1021
00:54:08.760 --> 00:54:11.559
<v Speaker 2>the aftermath of all those Spider Man spin offs not

1022
00:54:11.559 --> 00:54:14.760
<v Speaker 2>not doing anything. This is this is sort of their

1023
00:54:14.880 --> 00:54:17.760
<v Speaker 2>their desperation turned. They're like, Okay, well what what what

1024
00:54:17.960 --> 00:54:25.039
<v Speaker 2>cinematic universe can we build? Yeah, some somehow, somehow we're

1025
00:54:25.039 --> 00:54:30.199
<v Speaker 2>gonna end up getting Django Zoro because Madam Webb tanked. Yes, yeah,

1026
00:54:30.239 --> 00:54:32.840
<v Speaker 2>you can trace it back. That's Those are the multiversal

1027
00:54:32.920 --> 00:54:35.840
<v Speaker 2>strands that we're living living in right now.

1028
00:54:36.079 --> 00:54:38.400
<v Speaker 3>You know we we used to like kind of dunk

1029
00:54:38.400 --> 00:54:41.920
<v Speaker 3>a little bit on Sony for a time, but like

1030
00:54:41.960 --> 00:54:46.079
<v Speaker 3>they really are in this moment where we're thinking about

1031
00:54:46.639 --> 00:54:50.159
<v Speaker 3>the importance of theater going. Yeah, you know, that has

1032
00:54:50.280 --> 00:54:53.920
<v Speaker 3>been a big priority for them, and so I think

1033
00:54:53.960 --> 00:54:55.480
<v Speaker 3>that's commendable.

1034
00:54:56.440 --> 00:54:58.920
<v Speaker 2>Well, a couple things when it comes to Sony Number one,

1035
00:54:59.119 --> 00:55:03.920
<v Speaker 2>you know, the head headed by Tom Rothman who was

1036
00:55:04.079 --> 00:55:09.039
<v Speaker 2>at Fox right before and and he was sort of

1037
00:55:09.079 --> 00:55:13.239
<v Speaker 2>notorious during his Fox era for being really stingy with

1038
00:55:13.280 --> 00:55:19.559
<v Speaker 2>the budgets, and that mentality may have ended up benefiting

1039
00:55:19.639 --> 00:55:23.119
<v Speaker 2>him more at Sony m M. Yeah, you know, sort

1040
00:55:23.159 --> 00:55:27.320
<v Speaker 2>of keeping the budgets tight and diversifying your portfolio so

1041
00:55:27.400 --> 00:55:31.000
<v Speaker 2>to speak, allows for you able to take more swings

1042
00:55:31.039 --> 00:55:37.320
<v Speaker 2>with less, like you know, do or Die releases, you know, right.

1043
00:55:37.440 --> 00:55:39.679
<v Speaker 2>And the other thing is that in the streaming wars,

1044
00:55:39.760 --> 00:55:42.960
<v Speaker 2>Sony very smartly said, we're just going to be an

1045
00:55:43.039 --> 00:55:47.800
<v Speaker 2>arms dealer rather than trying to start our own thing up.

1046
00:55:47.840 --> 00:55:49.960
<v Speaker 2>And so I think that, I mean, I mean, look

1047
00:55:49.960 --> 00:55:51.920
<v Speaker 2>at the it's it's I mean, we're headed towards a

1048
00:55:51.920 --> 00:55:55.079
<v Speaker 2>bloodbath when it comes to streaming services, just dropping left

1049
00:55:55.079 --> 00:55:58.360
<v Speaker 2>and right, you know, I know, I know, I think

1050
00:55:58.400 --> 00:56:00.280
<v Speaker 2>that's just a matter of time. We're gonna have a

1051
00:56:00.320 --> 00:56:03.559
<v Speaker 2>Spirit Airlines situation where people are just gonna log into

1052
00:56:03.599 --> 00:56:07.679
<v Speaker 2>Peacock and be like, sorry, Peacock doesn't exist anymore. Yeah. Yeah,

1053
00:56:07.719 --> 00:56:10.360
<v Speaker 2>it wouldn't be surprised. At some point Peacock is losing

1054
00:56:10.440 --> 00:56:12.880
<v Speaker 2>like half a billion dollars a year.

1055
00:56:13.920 --> 00:56:17.000
<v Speaker 3>Yeah, I remember hearing that like years back. I mean,

1056
00:56:17.360 --> 00:56:21.679
<v Speaker 3>it hasn't improved, you know. Yeah, And it's tough because

1057
00:56:21.719 --> 00:56:24.239
<v Speaker 3>I know, you know, they have that Ted show and

1058
00:56:24.280 --> 00:56:26.840
<v Speaker 3>it's funny. It's this weird double edged sword where they

1059
00:56:26.920 --> 00:56:28.159
<v Speaker 3>have Ted and I like Ted.

1060
00:56:28.159 --> 00:56:29.159
<v Speaker 2>I've talked about it on here.

1061
00:56:30.199 --> 00:56:34.800
<v Speaker 3>But that show is so expensive to produce because Ted

1062
00:56:34.920 --> 00:56:37.519
<v Speaker 3>is a special effect in every episode, right, I think

1063
00:56:37.599 --> 00:56:40.679
<v Speaker 3>each episode costs around eight million dollars to produce, and

1064
00:56:40.679 --> 00:56:44.159
<v Speaker 3>that's just not sustainable for them. However, it has been

1065
00:56:44.239 --> 00:56:47.760
<v Speaker 3>one of their most popular shows. It's garnered the most

1066
00:56:48.440 --> 00:56:52.960
<v Speaker 3>minutes viewed for them. So what do you do? You know,

1067
00:56:53.079 --> 00:56:56.639
<v Speaker 3>like if you're bleeding money, but that's the show people

1068
00:56:56.639 --> 00:56:58.719
<v Speaker 3>are showing up for, but you can't afford to do it.

1069
00:56:58.840 --> 00:57:01.440
<v Speaker 3>I don't know it Just you're right, like Sony's playing

1070
00:57:01.440 --> 00:57:03.039
<v Speaker 3>the smart game right to just be like, hey, we

1071
00:57:03.079 --> 00:57:05.559
<v Speaker 3>make this stuff, you deal, you know, we'll license it

1072
00:57:05.559 --> 00:57:07.559
<v Speaker 3>out to you and we don't have to worry about

1073
00:57:07.639 --> 00:57:09.679
<v Speaker 3>running and programming a whole streamer.

1074
00:57:11.159 --> 00:57:15.599
<v Speaker 2>Fundamentally, what this all illustrates is it's I mean, it's

1075
00:57:15.639 --> 00:57:19.239
<v Speaker 2>what I've been saying for goddamn more than ten years

1076
00:57:19.679 --> 00:57:26.000
<v Speaker 2>that the streaming arms race is not sustainable. Yeah, because

1077
00:57:26.039 --> 00:57:29.280
<v Speaker 2>at some point you run out of potential subscribers and

1078
00:57:29.320 --> 00:57:32.719
<v Speaker 2>then how do you monetize, right, Right, So, looking at

1079
00:57:32.760 --> 00:57:36.119
<v Speaker 2>Ted as one example, at some point you're going to

1080
00:57:36.199 --> 00:57:39.360
<v Speaker 2>get all the Peacock subscribers you're gonna get, right, and

1081
00:57:39.519 --> 00:57:44.199
<v Speaker 2>that show just sits there and you have no way

1082
00:57:44.239 --> 00:57:46.760
<v Speaker 2>to make money off of it because it's too raunchy

1083
00:57:46.960 --> 00:57:50.960
<v Speaker 2>for network. And even if it weren't, there's not enough

1084
00:57:50.960 --> 00:57:56.199
<v Speaker 2>episodes to syndicate, right, you're actively choosing not to release

1085
00:57:56.239 --> 00:57:59.519
<v Speaker 2>things on physical media. Yeah, I mean, I mean, you

1086
00:57:59.559 --> 00:58:03.079
<v Speaker 2>know what I mean. It's just the whole point, the

1087
00:58:03.119 --> 00:58:07.559
<v Speaker 2>whole point of the TV economy was always we create

1088
00:58:07.679 --> 00:58:11.199
<v Speaker 2>the product and we allow for multiple revenue streams to

1089
00:58:11.239 --> 00:58:14.320
<v Speaker 2>continue making money off of it. And that's the system.

1090
00:58:14.360 --> 00:58:17.519
<v Speaker 2>That was the network model that's worked for decades, and

1091
00:58:17.559 --> 00:58:20.760
<v Speaker 2>it worked just fine. It worked for everybody. Maybe not perfectly,

1092
00:58:20.800 --> 00:58:26.000
<v Speaker 2>but it worked, right, What do you do here? You know,

1093
00:58:26.320 --> 00:58:30.400
<v Speaker 2>like Paramount has something similar going on, where, you know,

1094
00:58:32.199 --> 00:58:34.679
<v Speaker 2>they've got all these Star Trek shows that they made

1095
00:58:34.719 --> 00:58:38.760
<v Speaker 2>are now gradually ending, you know, and at most they've

1096
00:58:38.760 --> 00:58:45.119
<v Speaker 2>made sixty episodes and at least twenty episodes. What do

1097
00:58:45.119 --> 00:58:49.480
<v Speaker 2>you do with those? You know? Right? Right? And those

1098
00:58:49.519 --> 00:58:51.639
<v Speaker 2>shows at least you have the opportunity to put it

1099
00:58:51.719 --> 00:58:54.360
<v Speaker 2>on physical because presumably you're going to get the Trek

1100
00:58:54.360 --> 00:58:58.159
<v Speaker 2>Collectors or whatever. But again, their episodes are too long

1101
00:58:58.760 --> 00:59:04.239
<v Speaker 2>to cut down for network or or linear airing. I'm

1102
00:59:04.280 --> 00:59:06.960
<v Speaker 2>just how do you make like just just dollars and cents?

1103
00:59:07.000 --> 00:59:09.760
<v Speaker 2>How do you make money off of this stuff? License

1104
00:59:09.800 --> 00:59:13.679
<v Speaker 2>it to Netflix? Ultimately, that's what is going to come

1105
00:59:13.719 --> 00:59:17.400
<v Speaker 2>down to for a lot of this stuff, I think. Yeah, yes,

1106
00:59:17.480 --> 00:59:20.920
<v Speaker 2>I mean Sony has the Spider Noir television show.

1107
00:59:22.000 --> 00:59:24.599
<v Speaker 3>Yes, I'm looking forward to that. Yeah, very my friends

1108
00:59:24.599 --> 00:59:26.880
<v Speaker 3>worked on that, had a vote worked on that really?

1109
00:59:26.960 --> 00:59:33.400
<v Speaker 2>Okay, Yeah, yeah, that's of course the Nicholas Cage Spider

1110
00:59:33.440 --> 00:59:36.760
<v Speaker 2>Man character. This is a variant of him, but they're

1111
00:59:36.800 --> 00:59:40.000
<v Speaker 2>doing in live action. Yeah, but it's it's all stylish

1112
00:59:40.119 --> 00:59:43.840
<v Speaker 2>sin City looking. Yeah, it would be interesting, you know.

1113
00:59:43.960 --> 00:59:47.880
<v Speaker 2>But again, so Sony licensed it to a prime video

1114
00:59:48.039 --> 00:59:50.360
<v Speaker 2>that's where it will be, you know. Yeah, smart way

1115
00:59:50.360 --> 00:59:55.599
<v Speaker 2>to approach it. Speaking of making money, though, I thought

1116
00:59:55.599 --> 00:59:58.880
<v Speaker 2>this was worth having a conversation about. But I feel

1117
00:59:58.880 --> 01:00:03.440
<v Speaker 2>like some music should be playing ran just for old

1118
01:00:03.480 --> 01:00:08.559
<v Speaker 2>time sake. So The Mandalorian and Grogu is very shortly

1119
01:00:08.719 --> 01:00:12.280
<v Speaker 2>due to hit theaters less than a month. Wow, Okay,

1120
01:00:12.760 --> 01:00:15.280
<v Speaker 2>we're like we're like sixteen days away as we record.

1121
01:00:15.320 --> 01:00:18.960
<v Speaker 2>This the first Star Wars movie in theaters since Rise

1122
01:00:19.039 --> 01:00:24.079
<v Speaker 2>of Skywalker Wow, twenty nineteen, which is yeah, that's pretty banana.

1123
01:00:24.159 --> 01:00:31.079
<v Speaker 2>So that is what are we looking at seven years? Yeah, right,

1124
01:00:31.199 --> 01:00:37.639
<v Speaker 2>just about right, it's just about yeah, pre pandemic, pre pandemic. Obviously,

1125
01:00:37.639 --> 01:00:42.199
<v Speaker 2>there have been you know, just several several seasons of

1126
01:00:42.280 --> 01:00:46.159
<v Speaker 2>television dropped on Disney Plus since then, all of which

1127
01:00:46.199 --> 01:00:49.880
<v Speaker 2>have have certainly impacted the brand value of Star Wars

1128
01:00:49.880 --> 01:00:52.880
<v Speaker 2>to varying extents. But here we go. Now we're testing

1129
01:00:52.880 --> 01:00:55.760
<v Speaker 2>the proposition that Star Wars is still bulletproof at the

1130
01:00:55.800 --> 01:01:00.119
<v Speaker 2>box office. Yeah, it's going to be interesting. So this

1131
01:01:00.199 --> 01:01:03.320
<v Speaker 2>is a courtesy of Hollywood Reporter. If pre release tracking

1132
01:01:03.360 --> 01:01:05.760
<v Speaker 2>is right, the John Favora directed movie, a continuation of

1133
01:01:05.760 --> 01:01:07.960
<v Speaker 2>his Disney Plus series The Mandalorian, will open in the

1134
01:01:08.079 --> 01:01:11.480
<v Speaker 2>eighty million dollar range at the domestic box office over

1135
01:01:11.519 --> 01:01:14.320
<v Speaker 2>the long forty Memorialty weekend, according one source with access

1136
01:01:14.360 --> 01:01:16.559
<v Speaker 2>to the data. That's in line with the expectations from

1137
01:01:16.599 --> 01:01:21.440
<v Speaker 2>Lucasfilm and Disney. According to insiders, so eighty million dollars

1138
01:01:22.800 --> 01:01:26.519
<v Speaker 2>for a Star Wars movie. Now, first of all, I

1139
01:01:26.519 --> 01:01:32.000
<v Speaker 2>should say that that eighty million could grow. Oh, absolutely sure,

1140
01:01:32.239 --> 01:01:35.119
<v Speaker 2>you know, and I suspect that this is This is

1141
01:01:35.119 --> 01:01:37.360
<v Speaker 2>why I suspect that it will grow because I think

1142
01:01:37.559 --> 01:01:39.840
<v Speaker 2>I think once the marketing campaign kicks in, there's going

1143
01:01:39.880 --> 01:01:42.000
<v Speaker 2>to be a lit of like, I want to watch

1144
01:01:42.000 --> 01:01:45.760
<v Speaker 2>Star Wars in the theater again, totally, you know, and

1145
01:01:46.039 --> 01:01:48.280
<v Speaker 2>they're obviously going to lean hard into all the all

1146
01:01:48.320 --> 01:01:52.119
<v Speaker 2>the nostalgic you know, Oh, there's an atst and here's

1147
01:01:52.159 --> 01:01:54.199
<v Speaker 2>a here's an X wing or whatever, you know, whatever,

1148
01:01:54.199 --> 01:01:57.079
<v Speaker 2>that's the stuff that's getting me. Yeah, well, exactly right.

1149
01:01:58.199 --> 01:02:01.239
<v Speaker 2>And so my question to you you can look at

1150
01:02:01.239 --> 01:02:03.159
<v Speaker 2>that number and be like, hey, all right, or you

1151
01:02:03.159 --> 01:02:04.880
<v Speaker 2>can look at it and be like, well, stick a

1152
01:02:04.880 --> 01:02:05.719
<v Speaker 2>fork in this thing.

1153
01:02:07.760 --> 01:02:12.840
<v Speaker 3>I think you have to realize that this isn't twenty

1154
01:02:12.920 --> 01:02:20.239
<v Speaker 3>nineteen anymore. You know, A lot has changed. And Okay, actually,

1155
01:02:20.239 --> 01:02:22.119
<v Speaker 3>just out of curiosity, I was like, what's the closest

1156
01:02:22.119 --> 01:02:26.079
<v Speaker 3>Star Wars comp for this right theatrically, which would be Solo?

1157
01:02:26.159 --> 01:02:26.320
<v Speaker 2>Right?

1158
01:02:26.480 --> 01:02:29.360
<v Speaker 3>So I googled what did Solo open to at the

1159
01:02:29.360 --> 01:02:32.199
<v Speaker 3>box office? And what comes up this is Google AI

1160
01:02:32.320 --> 01:02:36.199
<v Speaker 3>Overview Solo open to a disappointing eighty four million.

1161
01:02:37.360 --> 01:02:40.480
<v Speaker 2>Yeah, that's kind. I was like, here's me pulling my collar.

1162
01:02:41.519 --> 01:02:45.920
<v Speaker 2>I know, but this is in twenty eighteen, right when

1163
01:02:45.960 --> 01:02:50.920
<v Speaker 2>Star Wars was also solo, cost eleventy b jillion dollars.

1164
01:02:51.239 --> 01:02:54.599
<v Speaker 3>Yes, they had a lot of crazy circumstances going on. Yeah,

1165
01:02:54.960 --> 01:02:57.400
<v Speaker 3>I don't know what the budget is of Mandalorian and Grogu.

1166
01:02:57.559 --> 01:03:01.599
<v Speaker 3>Hopefully they had expectations in mind a little bit, kept

1167
01:03:01.599 --> 01:03:06.159
<v Speaker 3>things in check, but I don't know. I mean in

1168
01:03:06.199 --> 01:03:09.079
<v Speaker 3>this day and age, I mean, what did Mario open to.

1169
01:03:11.199 --> 01:03:12.119
<v Speaker 2>Oh, that's a good question.

1170
01:03:12.599 --> 01:03:22.079
<v Speaker 3>Galaxy opening box office? Oh well, this is worldwide. Okay,

1171
01:03:22.239 --> 01:03:26.639
<v Speaker 3>well it's probably not the best three Okay, well, one

1172
01:03:26.679 --> 01:03:29.199
<v Speaker 3>hundred and thirty one million three day weekend in the

1173
01:03:29.280 --> 01:03:33.760
<v Speaker 3>US domestic, domestic, worldwide, it's like almost like a third

1174
01:03:33.760 --> 01:03:34.320
<v Speaker 3>of a billion.

1175
01:03:35.719 --> 01:03:37.719
<v Speaker 2>Yeah, yeah, I don't know. I don't know.

1176
01:03:37.760 --> 01:03:40.159
<v Speaker 3>It's it's a It's an interesting thing to think about

1177
01:03:40.199 --> 01:03:45.119
<v Speaker 3>because if there was any sort of guarantee twenty nineteen

1178
01:03:45.159 --> 01:03:47.039
<v Speaker 3>and before, it was that Star Wars was going to

1179
01:03:47.079 --> 01:03:51.480
<v Speaker 3>be a gargantuan opening. So now, no matter what on paper,

1180
01:03:51.519 --> 01:03:54.559
<v Speaker 3>it's going to look disappointing. However, in the land, you know,

1181
01:03:54.639 --> 01:03:59.199
<v Speaker 3>this changed landscape, maybe it will be a success.

1182
01:03:59.400 --> 01:04:03.360
<v Speaker 2>It just looks different. Now right, So it has a

1183
01:04:03.440 --> 01:04:06.760
<v Speaker 2>budget of one hundred and sixty five million dollars. Okay,

1184
01:04:07.519 --> 01:04:08.039
<v Speaker 2>I'm sure.

1185
01:04:07.920 --> 01:04:11.840
<v Speaker 3>The others probably cost like two hundred plus three hundred

1186
01:04:12.239 --> 01:04:13.880
<v Speaker 3>probably more, right.

1187
01:04:14.000 --> 01:04:17.400
<v Speaker 2>Well, I mean, the and the mindset was like, you know,

1188
01:04:17.719 --> 01:04:20.119
<v Speaker 2>Star Wars is a license to print money, so just whatever,

1189
01:04:20.159 --> 01:04:22.840
<v Speaker 2>spend whatever you want to spend, which you know, we're

1190
01:04:23.199 --> 01:04:29.440
<v Speaker 2>we're not living in that reality anymore. So yeah, I mean,

1191
01:04:29.719 --> 01:04:31.920
<v Speaker 2>obviously this is going to come down to reviews and

1192
01:04:31.960 --> 01:04:36.679
<v Speaker 2>word of mouth and all of those things. But eighty again,

1193
01:04:36.719 --> 01:04:41.679
<v Speaker 2>I suspect that the projections will grow as the movie

1194
01:04:41.719 --> 01:04:44.480
<v Speaker 2>gets closer. That's kind of where I'm at. I wouldn't

1195
01:04:44.480 --> 01:04:46.559
<v Speaker 2>be surprised if it landed somewhere in the hundred million

1196
01:04:46.559 --> 01:04:49.320
<v Speaker 2>dollar range when all of a sudden done, Okay, domestic

1197
01:04:50.159 --> 01:04:54.599
<v Speaker 2>domestically opening weekend, and just for reference, Devilwar's product too

1198
01:04:54.639 --> 01:04:58.159
<v Speaker 2>opened this weekend, and that opened at seventy seven million domestics,

1199
01:04:58.360 --> 01:05:03.039
<v Speaker 2>which not bad. Yeah, but I don't think Devil is

1200
01:05:03.039 --> 01:05:05.199
<v Speaker 2>product to cost one hundred and sixty five million dollars.

1201
01:05:05.559 --> 01:05:07.960
<v Speaker 3>True, but just in terms of how many people are

1202
01:05:07.960 --> 01:05:12.400
<v Speaker 3>showing up. Yeah, not thinking about company's bottom lines or anything,

1203
01:05:12.400 --> 01:05:16.239
<v Speaker 3>but like yeah, audience.

1204
01:05:15.360 --> 01:05:21.760
<v Speaker 2>Anticipation, whatever, interest. These big brands aren't a sure thing anymore.

1205
01:05:23.079 --> 01:05:25.960
<v Speaker 2>I don't even think Avengers Doomsday is going to open

1206
01:05:26.000 --> 01:05:30.880
<v Speaker 2>anywhere near end game levels. Sure, sure, right, so it

1207
01:05:30.920 --> 01:05:33.960
<v Speaker 2>is kind of a different reality. I'm curious though, And look,

1208
01:05:34.000 --> 01:05:35.280
<v Speaker 2>at the end of the day, I mean, I want

1209
01:05:35.320 --> 01:05:39.039
<v Speaker 2>Star Wars to do well, So I'm hoping. I'm hoping

1210
01:05:39.079 --> 01:05:43.719
<v Speaker 2>it's good more than anything, you know. And if it's good,

1211
01:05:43.719 --> 01:05:45.119
<v Speaker 2>I wanted to do well. If it's not good, I

1212
01:05:45.159 --> 01:05:45.719
<v Speaker 2>don't really care.

1213
01:05:45.760 --> 01:05:51.800
<v Speaker 3>But you know, true because I but I do want

1214
01:05:51.840 --> 01:05:54.920
<v Speaker 3>Star Wars to endure. Yeah, you know, so, yeah, I

1215
01:05:54.920 --> 01:05:58.280
<v Speaker 3>don't want to see this be a thing where we

1216
01:05:58.320 --> 01:06:00.280
<v Speaker 3>see less of it moving forward.

1217
01:06:00.320 --> 01:06:01.920
<v Speaker 2>I'm with you. I'm rooting for it to be good

1218
01:06:02.039 --> 01:06:07.159
<v Speaker 2>and then I want more. Weirdly, though, I think Star

1219
01:06:07.199 --> 01:06:09.480
<v Speaker 2>Wars would benefit from seeing less of it.

1220
01:06:10.440 --> 01:06:12.920
<v Speaker 3>Yeah, and I think it has in some ways. I

1221
01:06:12.920 --> 01:06:18.199
<v Speaker 3>guess the streaming has overpopulated a little bit.

1222
01:06:18.360 --> 01:06:19.039
<v Speaker 2>Yeah, but.

1223
01:06:21.400 --> 01:06:23.000
<v Speaker 3>In the theaters, I mean, yeah, it's been a really

1224
01:06:23.000 --> 01:06:24.719
<v Speaker 3>long time, and I'm excited to go to a theater

1225
01:06:24.840 --> 01:06:25.880
<v Speaker 3>to watch Star Wars again.

1226
01:06:26.119 --> 01:06:29.320
<v Speaker 2>It's it's also very interesting, right, just from from like

1227
01:06:29.400 --> 01:06:32.559
<v Speaker 2>a merch point of view. I don't know if you've

1228
01:06:32.719 --> 01:06:37.880
<v Speaker 2>you've noticed this, but there's been a pronounced pause on

1229
01:06:38.079 --> 01:06:41.840
<v Speaker 2>anything Seql era related. Interesting.

1230
01:06:41.920 --> 01:06:44.480
<v Speaker 3>I haven't, but what do you mean, Like, like, if

1231
01:06:44.559 --> 01:06:48.840
<v Speaker 3>there's a Star Wars display somewhere, they are now focusing

1232
01:06:48.920 --> 01:06:52.760
<v Speaker 3>on other things. I'm seeing certainly more of a concentration

1233
01:06:52.960 --> 01:06:55.159
<v Speaker 3>of original trilogy. And I suspect part of that is

1234
01:06:55.159 --> 01:06:58.280
<v Speaker 3>because next year is the fiftieth anniversary, right A right

1235
01:06:58.400 --> 01:07:00.440
<v Speaker 3>really drilled down on that, and I'll be said, there

1236
01:07:00.480 --> 01:07:03.920
<v Speaker 3>has been this reclamation of the prequels, right, and so

1237
01:07:04.440 --> 01:07:07.320
<v Speaker 3>I'm starting to see a little bit of like, hey,

1238
01:07:07.360 --> 01:07:08.840
<v Speaker 3>what about the sequels.

1239
01:07:08.320 --> 01:07:11.840
<v Speaker 2>You know? And I'm like, man, you live long enough,

1240
01:07:12.440 --> 01:07:20.440
<v Speaker 2>everything repeats itself, right, because the sequel era began with

1241
01:07:20.800 --> 01:07:22.639
<v Speaker 2>trying to put as much distance between them and the

1242
01:07:22.639 --> 01:07:27.199
<v Speaker 2>prequels as possible, you know, and all of this stuff. Yeah, yes, yesterday,

1243
01:07:27.320 --> 01:07:31.719
<v Speaker 2>just last night at random, my daughter she's like, oh,

1244
01:07:31.760 --> 01:07:35.079
<v Speaker 2>put on the end of Revenge of the Syth. She

1245
01:07:35.239 --> 01:07:38.639
<v Speaker 2>just loves that final fight between Anakin and Obi Wan,

1246
01:07:39.719 --> 01:07:41.760
<v Speaker 2>and Revenge of the Sith is her favorite Star Wars.

1247
01:07:41.880 --> 01:07:44.840
<v Speaker 2>That's the first one she saw in the theater. And

1248
01:07:44.880 --> 01:07:46.800
<v Speaker 2>I was thinking about how well there's plenty of kids

1249
01:07:46.840 --> 01:07:48.480
<v Speaker 2>who the sequels is going to be their first Star

1250
01:07:48.480 --> 01:07:51.639
<v Speaker 2>Wars is and that's going to be their relationship. And

1251
01:07:51.719 --> 01:07:54.039
<v Speaker 2>so you know, all of this stuff eventually is it's

1252
01:07:54.079 --> 01:07:55.239
<v Speaker 2>all going to come out in the wash, you know

1253
01:07:55.239 --> 01:07:59.400
<v Speaker 2>what I mean, everybody's going to have theirs. However, what

1254
01:07:59.519 --> 01:08:01.440
<v Speaker 2>I see a lot of right now is all these

1255
01:08:01.559 --> 01:08:06.599
<v Speaker 2>various factions tossing shit at each other. Right, so it's

1256
01:08:06.639 --> 01:08:08.760
<v Speaker 2>fun to just sit back and be like, let's wait

1257
01:08:08.800 --> 01:08:12.119
<v Speaker 2>for the dust to settle here. I'm not rooting for

1258
01:08:12.159 --> 01:08:14.559
<v Speaker 2>any of it to fail because no, like he was saying,

1259
01:08:15.239 --> 01:08:17.159
<v Speaker 2>at the end of the day, it's Star Wars. I

1260
01:08:17.199 --> 01:08:21.039
<v Speaker 2>enjoy it. But but man, uh, I think Disney's paying

1261
01:08:21.079 --> 01:08:23.720
<v Speaker 2>the price right now for having just left that spigot

1262
01:08:23.760 --> 01:08:27.600
<v Speaker 2>on for so long with all those streaming shows which

1263
01:08:27.760 --> 01:08:31.279
<v Speaker 2>just diluted the brand, like like like you wouldn't believe.

1264
01:08:31.680 --> 01:08:35.039
<v Speaker 3>Well, and now that you know, with Kathleen Kennedy stepping

1265
01:08:35.079 --> 01:08:37.760
<v Speaker 3>down and Floony and you know, sort of taking over

1266
01:08:37.800 --> 01:08:44.439
<v Speaker 3>the creative reins, I'm wondering what their ten year plan is, right,

1267
01:08:44.800 --> 01:08:48.319
<v Speaker 3>you know, I mean, this is interesting. We're basically getting

1268
01:08:48.319 --> 01:08:52.720
<v Speaker 3>a TV movie, you know, in theaters, but right, But

1269
01:08:52.800 --> 01:08:57.159
<v Speaker 3>I mean, do they have a new trilogy in mind?

1270
01:08:57.279 --> 01:09:01.119
<v Speaker 3>Do they have like some sort of big epic saga

1271
01:09:01.479 --> 01:09:04.640
<v Speaker 3>that they're cooking up, and where would that take place?

1272
01:09:04.680 --> 01:09:05.600
<v Speaker 2>Who would it involve?

1273
01:09:06.239 --> 01:09:08.840
<v Speaker 3>Do you just try to start something completely fresh because

1274
01:09:10.319 --> 01:09:15.119
<v Speaker 3>everything before theater wise has been you know, Skywalker adjacent, right,

1275
01:09:15.199 --> 01:09:17.600
<v Speaker 3>So do you try to like continue to have some

1276
01:09:17.640 --> 01:09:20.640
<v Speaker 3>sort of tether connected to that? Do you just do

1277
01:09:20.800 --> 01:09:23.279
<v Speaker 3>like the wasn't it Mangold was going to do some

1278
01:09:23.319 --> 01:09:25.199
<v Speaker 3>sort of like ancient Jedi story.

1279
01:09:25.399 --> 01:09:28.720
<v Speaker 2>Yeah, I mean that's a that's a that's a negatory

1280
01:09:28.760 --> 01:09:29.960
<v Speaker 2>on that one. That's not happening.

1281
01:09:30.399 --> 01:09:33.359
<v Speaker 3>Yeah, So I don't know, I mean it's I don't know.

1282
01:09:33.560 --> 01:09:35.760
<v Speaker 3>I don't know, Like, I mean, all those stories could

1283
01:09:35.760 --> 01:09:39.119
<v Speaker 3>be amazing, but it doesn't guarantee that people are going

1284
01:09:39.159 --> 01:09:41.640
<v Speaker 3>to get lit up about it and show up.

1285
01:09:41.520 --> 01:09:43.880
<v Speaker 2>You know, like what do what do you want?

1286
01:09:44.000 --> 01:09:46.800
<v Speaker 3>It's like that the guy the test screening in the Simpsons,

1287
01:09:46.840 --> 01:09:48.479
<v Speaker 3>you know, when you showing the gene sketchy thing.

1288
01:09:48.520 --> 01:09:53.479
<v Speaker 2>What do you kids want? You don't even know? Yeah, yes,

1289
01:09:54.079 --> 01:09:59.880
<v Speaker 2>me crying, don't yell at us? I think you know,

1290
01:10:00.039 --> 01:10:01.800
<v Speaker 2>you know, who needs to ride to the rescue right now?

1291
01:10:02.840 --> 01:10:07.960
<v Speaker 2>Obviously Ryan Johnson, right, that will go over like a

1292
01:10:08.039 --> 01:10:12.199
<v Speaker 2>lead balloon, right right, right is his trilogy, remember, which

1293
01:10:12.239 --> 01:10:16.800
<v Speaker 2>is like that, you know, one of many announced. That's

1294
01:10:16.840 --> 01:10:19.239
<v Speaker 2>the other thing Star Wars, Like, god damn, how many

1295
01:10:19.279 --> 01:10:21.399
<v Speaker 2>friggin things did they announce? Oh?

1296
01:10:21.439 --> 01:10:25.319
<v Speaker 3>I know, the Game of Thrones. Guys, dude, man Gold Johnson.

1297
01:10:25.880 --> 01:10:27.039
<v Speaker 2>It's like, why did they do that?

1298
01:10:28.039 --> 01:10:30.760
<v Speaker 3>Remember, there's going to be a Lando something with Donald

1299
01:10:31.199 --> 01:10:33.640
<v Speaker 3>Donald Glover, which apparently was written at some point, but

1300
01:10:34.520 --> 01:10:34.960
<v Speaker 3>I mean.

1301
01:10:35.279 --> 01:10:41.000
<v Speaker 2>It became a joke, you know, but then it not

1302
01:10:41.079 --> 01:10:44.880
<v Speaker 2>that it couldn't be good. But again, like, what's the

1303
01:10:44.960 --> 01:10:45.760
<v Speaker 2>ten year plan?

1304
01:10:46.000 --> 01:10:46.159
<v Speaker 5>Is it?

1305
01:10:46.199 --> 01:10:49.800
<v Speaker 3>We're just going to do random stories that take place

1306
01:10:49.880 --> 01:10:52.279
<v Speaker 3>in the Star Wars universe that are not necessarily connected

1307
01:10:52.319 --> 01:10:56.399
<v Speaker 3>in different time periods, or do we try to focus

1308
01:10:56.479 --> 01:10:59.680
<v Speaker 3>on I mean, with Starfighter, I wonder if that with

1309
01:10:59.760 --> 01:11:02.520
<v Speaker 3>right now Gossling starring in it. I'm sure they weren't like, oh,

1310
01:11:02.600 --> 01:11:05.159
<v Speaker 3>we'll make one of these and see what happens. It's like, no, no,

1311
01:11:05.000 --> 01:11:06.039
<v Speaker 3>I got a plan with Ryan.

1312
01:11:06.119 --> 01:11:09.319
<v Speaker 2>Guy was about to say, I have a feeling that

1313
01:11:09.399 --> 01:11:14.720
<v Speaker 2>there are a lot of franchise hopes hanging around his shoulders, right,

1314
01:11:15.479 --> 01:11:18.039
<v Speaker 2>especially in the aftermath of Project Hill Mary doing what

1315
01:11:18.079 --> 01:11:22.119
<v Speaker 2>it did. Yeah, obviously that Ray movie, which I am,

1316
01:11:22.319 --> 01:11:24.439
<v Speaker 2>I am looking forward to. I hope it happens.

1317
01:11:24.840 --> 01:11:29.560
<v Speaker 3>I think it's a good idea. Yeah, Personally, I don't

1318
01:11:29.560 --> 01:11:33.319
<v Speaker 3>know when I think those characters Oh sorry, sorry, not good,

1319
01:11:33.560 --> 01:11:37.079
<v Speaker 3>No go ahead. I just think those characters got kind

1320
01:11:37.079 --> 01:11:40.159
<v Speaker 3>of underserved, and I think there's more you could do

1321
01:11:40.199 --> 01:11:42.119
<v Speaker 3>with those characters, and hopefully they can come up with

1322
01:11:42.199 --> 01:11:45.039
<v Speaker 3>something interesting and fresh and different.

1323
01:11:45.640 --> 01:11:48.359
<v Speaker 2>Right. Yeah, so a couple points right. Number one. The

1324
01:11:48.399 --> 01:11:51.720
<v Speaker 2>thing with Star Wars that's great is that even if

1325
01:11:51.840 --> 01:11:55.680
<v Speaker 2>the movie or the whatever it is that you've made

1326
01:11:55.760 --> 01:11:59.760
<v Speaker 2>is not great, you have the opportunity to tweak it later.

1327
01:11:59.800 --> 01:12:01.760
<v Speaker 2>And I don't mean tweak it like George Lucas tweaking

1328
01:12:01.760 --> 01:12:03.359
<v Speaker 2>with the Special Atistance. I mean you just do another

1329
01:12:03.439 --> 01:12:07.600
<v Speaker 2>story that adds context. Right, So the Clone Wars and

1330
01:12:07.760 --> 01:12:15.279
<v Speaker 2>bad Batch added greater context to you know, the prequels, right,

1331
01:12:16.439 --> 01:12:20.840
<v Speaker 2>the Mandalorian has set some things up that adds greater

1332
01:12:20.880 --> 01:12:27.000
<v Speaker 2>context to the sequels. You can do a new movie

1333
01:12:27.079 --> 01:12:29.119
<v Speaker 2>or series of movies with Ray and maybe the other

1334
01:12:29.239 --> 01:12:33.520
<v Speaker 2>characters that allow, you know, things that felt undercooked in

1335
01:12:33.840 --> 01:12:38.079
<v Speaker 2>those three movies to feel more resonant or revelatory later, right,

1336
01:12:38.159 --> 01:12:41.159
<v Speaker 2>So you always have that opportunity. That's the great thing

1337
01:12:41.199 --> 01:12:43.560
<v Speaker 2>about a tapestry, that's always unfolding. So I'm like take

1338
01:12:43.560 --> 01:12:47.239
<v Speaker 2>advantage of that. Now that being said, I think that

1339
01:12:47.399 --> 01:12:52.680
<v Speaker 2>both Marvel and Star Wars have been severely diluted because

1340
01:12:52.680 --> 01:12:57.279
<v Speaker 2>of just all these streaming shows, right. And my feeling is,

1341
01:12:57.319 --> 01:12:59.760
<v Speaker 2>if you're doing a streaming series, it has to be

1342
01:12:59.800 --> 01:13:04.000
<v Speaker 2>something distinct from what we expect out of a movie. Right.

1343
01:13:04.000 --> 01:13:07.600
<v Speaker 2>The whole selling point initially was, hey, you stream them,

1344
01:13:07.960 --> 01:13:10.039
<v Speaker 2>you turn on your Disney Plus, It's like you're getting

1345
01:13:10.039 --> 01:13:16.640
<v Speaker 2>something right out of the theater. Right. But that's bad actually, Right,

1346
01:13:17.000 --> 01:13:21.960
<v Speaker 2>So Marvel is not helped by the Falcon and the

1347
01:13:22.000 --> 01:13:25.760
<v Speaker 2>Winter Soldier streaming series, you get my point totally, Yeah,

1348
01:13:25.800 --> 01:13:31.279
<v Speaker 2>Marvel is helped by wonder Man. Wonder Man. I think

1349
01:13:31.279 --> 01:13:36.359
<v Speaker 2>the WandaVision show was a perfect is different something. And

1350
01:13:36.439 --> 01:13:38.439
<v Speaker 2>by the way, even WandaVision they kind of shit the

1351
01:13:38.439 --> 01:13:42.239
<v Speaker 2>bed at the very ending where it became just exploding,

1352
01:13:42.680 --> 01:13:46.039
<v Speaker 2>you know, throwing colored lights at each other. Right. Yeah, yeah,

1353
01:13:46.199 --> 01:13:49.000
<v Speaker 2>so like but WandaVision conceptually, yeah, that's not something you're

1354
01:13:49.000 --> 01:13:54.039
<v Speaker 2>gonna get in a movie. Right, Star Wars and or right. Yeah,

1355
01:13:54.279 --> 01:13:57.600
<v Speaker 2>that's something distinct and specific, and you would not do

1356
01:13:57.680 --> 01:13:59.279
<v Speaker 2>that as a movie. So my point is you have

1357
01:13:59.319 --> 01:14:02.880
<v Speaker 2>to serve different audiences. Yeah, that's the trick. And hope,

1358
01:14:02.920 --> 01:14:04.840
<v Speaker 2>hopefully these guys are figuring this out. I shud say,

1359
01:14:04.880 --> 01:14:07.720
<v Speaker 2>by the way, this Darth Maul series. Have you been

1360
01:14:07.720 --> 01:14:10.880
<v Speaker 2>watching this? No, My brother was just telling me about it.

1361
01:14:10.920 --> 01:14:13.960
<v Speaker 2>He started it. It is really good. Yeah, that's what

1362
01:14:13.960 --> 01:14:17.560
<v Speaker 2>he was saying. Yeah, you will like it. It's very

1363
01:14:17.680 --> 01:14:21.960
<v Speaker 2>very good. Okay, cool, Yeah, anyway, moving on.

1364
01:14:22.640 --> 01:14:24.560
<v Speaker 3>Yeah, well, actually real quick, just as long as we're

1365
01:14:24.560 --> 01:14:27.039
<v Speaker 3>talking about box office and that sort of thing and

1366
01:14:27.079 --> 01:14:28.600
<v Speaker 3>how things have changed.

1367
01:14:28.640 --> 01:14:32.119
<v Speaker 2>It's also way real quick as we're recording this, it's

1368
01:14:32.159 --> 01:14:34.720
<v Speaker 2>already a year ago that Thunderbolts was in theaters. And

1369
01:14:34.760 --> 01:14:38.119
<v Speaker 2>then wow, that is health right.

1370
01:14:39.479 --> 01:14:41.319
<v Speaker 3>In my mind the way that I think of that

1371
01:14:41.359 --> 01:14:45.760
<v Speaker 3>movie and remember it, it feels sort of like Black Widow,

1372
01:14:45.800 --> 01:14:47.840
<v Speaker 3>where it was like maybe something that dropped on Disney

1373
01:14:47.880 --> 01:14:50.199
<v Speaker 3>Plus or something that I watched and was pretty good,

1374
01:14:50.880 --> 01:14:52.880
<v Speaker 3>but like I've kind of forgotten it, like it's it's

1375
01:14:52.880 --> 01:14:57.800
<v Speaker 3>been lost to culture. You know, just kind of said anyway, sorry,

1376
01:14:57.840 --> 01:15:00.920
<v Speaker 3>go on, No, but I was just looking at box

1377
01:15:00.960 --> 01:15:02.920
<v Speaker 3>office as they tend to do on Sunday mornings, and

1378
01:15:02.920 --> 01:15:04.880
<v Speaker 3>then I was just noticing, I mean, so many things

1379
01:15:04.880 --> 01:15:07.840
<v Speaker 3>are doing really well this year. I mean, Devil War's

1380
01:15:07.880 --> 01:15:11.000
<v Speaker 3>Prada open to two hundred and thirty three million worldwide

1381
01:15:11.439 --> 01:15:12.399
<v Speaker 3>opening weekend.

1382
01:15:13.199 --> 01:15:14.039
<v Speaker 2>That's huge.

1383
01:15:14.479 --> 01:15:18.840
<v Speaker 3>Michael is almost at half a billion in its second week,

1384
01:15:19.039 --> 01:15:22.520
<v Speaker 3>Mario Galaxy is at eight hundred million worldwide, Project tail

1385
01:15:22.560 --> 01:15:25.760
<v Speaker 3>Mary six hundred thirty eight million worldwide. Even smaller movies

1386
01:15:25.800 --> 01:15:29.840
<v Speaker 3>like the Drama are at one hundred million worldwide. Like

1387
01:15:29.880 --> 01:15:34.239
<v Speaker 3>that's it feels like it's getting a little healthier. Box

1388
01:15:34.279 --> 01:15:36.039
<v Speaker 3>office is getting a little healthier out there than from

1389
01:15:36.239 --> 01:15:37.640
<v Speaker 3>you know what it was a couple of years ago.

1390
01:15:38.439 --> 01:15:42.119
<v Speaker 2>That's good. I think this is all encouraging stuff. I agree.

1391
01:15:42.239 --> 01:15:44.680
<v Speaker 2>I think to some extent, nature is healing when it

1392
01:15:44.720 --> 01:15:49.560
<v Speaker 2>comes to people's relationship with theatrical I hope that continues. Yeah, yeah,

1393
01:15:49.560 --> 01:15:52.239
<v Speaker 2>it's nice. I think if we're not relying solely on

1394
01:15:52.279 --> 01:15:56.880
<v Speaker 2>superheroes to save the day, that's that's all. That's all

1395
01:15:56.920 --> 01:15:58.279
<v Speaker 2>well and good totally.

1396
01:15:58.319 --> 01:16:02.359
<v Speaker 3>I mean I still enjoy though, and but I like

1397
01:16:02.439 --> 01:16:04.479
<v Speaker 3>seeing all of it succeed. I mean, these all these

1398
01:16:04.479 --> 01:16:07.520
<v Speaker 3>movies I listed are so different. Like I'm shocked that

1399
01:16:07.600 --> 01:16:09.439
<v Speaker 3>the drama is over one hundred million. I think that's

1400
01:16:09.479 --> 01:16:12.439
<v Speaker 3>amazing and really speaks to what a great story it is,

1401
01:16:12.439 --> 01:16:13.920
<v Speaker 3>and like a movie worth discussing.

1402
01:16:14.199 --> 01:16:16.359
<v Speaker 2>And then Project til Mary, which comes from a book.

1403
01:16:16.439 --> 01:16:20.640
<v Speaker 3>You know, it's not like based on some ip necessarily,

1404
01:16:20.680 --> 01:16:22.079
<v Speaker 3>I mean, you know the book, but like you know

1405
01:16:22.119 --> 01:16:24.880
<v Speaker 3>what I'm saying, Like it's not based on some video

1406
01:16:24.920 --> 01:16:26.600
<v Speaker 3>game or whatever that everybody already knows.

1407
01:16:26.640 --> 01:16:31.000
<v Speaker 2>That's amazing, almost seven hundred million, and it's.

1408
01:16:30.840 --> 01:16:33.279
<v Speaker 3>Something like Devil Ward's proud Oft too, like a legacyquel

1409
01:16:33.560 --> 01:16:36.560
<v Speaker 3>opening up to two hundred and thirty three million. That's

1410
01:16:37.079 --> 01:16:38.840
<v Speaker 3>I don't know. I just find it all encouraging, and

1411
01:16:38.880 --> 01:16:40.520
<v Speaker 3>I like the variety of all of it.

1412
01:16:41.119 --> 01:16:45.760
<v Speaker 2>I agree. I'm with you. Yeah, but hey, speaking of

1413
01:16:46.159 --> 01:16:53.479
<v Speaker 2>the stuff that's in theaters right now and now, we're

1414
01:16:53.520 --> 01:17:00.680
<v Speaker 2>pleased to bring you our features and we are back.

1415
01:17:00.840 --> 01:17:03.600
<v Speaker 2>And you know who else is back? Brian? Who's that? Zechi?

1416
01:17:04.239 --> 01:17:10.720
<v Speaker 2>Why it's Miranda Priestley and Andy Sachs together again, together

1417
01:17:10.840 --> 01:17:16.239
<v Speaker 2>again after twenty long years, a desert without the Devil

1418
01:17:16.239 --> 01:17:19.399
<v Speaker 2>wears Prada. Wow, you put it that way. Twenty year

1419
01:17:19.479 --> 01:17:21.800
<v Speaker 2>nuts twenty years. That's nuts. That like to me, I

1420
01:17:21.840 --> 01:17:24.199
<v Speaker 2>think of like speaking of Star Wars, when you know

1421
01:17:24.239 --> 01:17:28.920
<v Speaker 2>when the re release of Star Wars for the special editions, Yeah,

1422
01:17:29.000 --> 01:17:34.760
<v Speaker 2>that was twenty years, So that's that's how long you know. Wow, anyway,

1423
01:17:35.600 --> 01:17:38.520
<v Speaker 2>you saw this, you just got out of the theater.

1424
01:17:39.039 --> 01:17:42.359
<v Speaker 3>Actually, yeah, through some editing magic. I saw this. I

1425
01:17:42.399 --> 01:17:43.960
<v Speaker 3>walked out about like thirty minutes ago.

1426
01:17:44.079 --> 01:17:48.960
<v Speaker 2>So well, I have not seen it. Ah, And so

1427
01:17:49.159 --> 01:17:52.720
<v Speaker 2>rather than attempt to bullshit my way through a review

1428
01:17:52.720 --> 01:17:55.000
<v Speaker 2>with you, I thought, you know, you should talk to

1429
01:17:55.199 --> 01:17:57.199
<v Speaker 2>my wife Amina, because she just saw it last night

1430
01:17:57.199 --> 01:17:58.560
<v Speaker 2>and she's a big fan of the first one. I

1431
01:17:58.560 --> 01:18:00.880
<v Speaker 2>thought you guys could have a good conversation. I'd love it.

1432
01:18:01.159 --> 01:18:03.800
<v Speaker 2>All right, here's Amna. Okay, I'm gonna.

1433
01:18:03.560 --> 01:18:06.119
<v Speaker 3>Welcome to the Movie Film Podcast. You know, do you

1434
01:18:06.159 --> 01:18:08.039
<v Speaker 3>remember the last time you were on the podcast.

1435
01:18:08.600 --> 01:18:11.359
<v Speaker 4>It's been a while. We were talking about Superman.

1436
01:18:11.479 --> 01:18:12.479
<v Speaker 2>I think that's right.

1437
01:18:12.760 --> 01:18:15.520
<v Speaker 3>I think Zachie he needed to take a restroom break,

1438
01:18:15.560 --> 01:18:17.600
<v Speaker 3>but we were doing a commentary so we couldn't pause,

1439
01:18:17.640 --> 01:18:19.239
<v Speaker 3>and then he had you fill in.

1440
01:18:19.359 --> 01:18:20.239
<v Speaker 4>That was so funny.

1441
01:18:20.800 --> 01:18:21.720
<v Speaker 2>That was very funny.

1442
01:18:22.079 --> 01:18:25.560
<v Speaker 3>Yeah, So, okay, you watched The Devil Wars Product two

1443
01:18:26.159 --> 01:18:30.720
<v Speaker 3>last night, I guess to begin, tell me about The

1444
01:18:30.760 --> 01:18:32.359
<v Speaker 3>Devil War's product one.

1445
01:18:32.439 --> 01:18:35.119
<v Speaker 2>So are you a fan of that movie? Have you

1446
01:18:35.159 --> 01:18:35.640
<v Speaker 2>been that?

1447
01:18:35.800 --> 01:18:37.399
<v Speaker 4>I was a fan. I'm a fan. I'm a big

1448
01:18:37.399 --> 01:18:40.840
<v Speaker 4>fan still actually, So when I heard that they were

1449
01:18:40.840 --> 01:18:43.760
<v Speaker 4>going to be bringing these characters back, I was really

1450
01:18:43.760 --> 01:18:47.359
<v Speaker 4>excited actually, but of course I was wondering, how are

1451
01:18:47.359 --> 01:18:49.000
<v Speaker 4>they going to pull that off? Like, how are they

1452
01:18:49.039 --> 01:18:52.239
<v Speaker 4>going to bring these people back? You know, because you

1453
01:18:52.279 --> 01:18:55.520
<v Speaker 4>know she left, she left and just walked away from

1454
01:18:55.520 --> 01:18:58.520
<v Speaker 4>that world. So so I was I was curious. I

1455
01:18:58.560 --> 01:19:00.279
<v Speaker 4>was like, Okay, let me see what they have, Let's

1456
01:19:00.279 --> 01:19:01.000
<v Speaker 4>see how they do this.

1457
01:19:02.119 --> 01:19:03.560
<v Speaker 2>So then, what did you think?

1458
01:19:05.359 --> 01:19:08.840
<v Speaker 4>I liked it? It worked for me. Actually, I was surprised.

1459
01:19:09.560 --> 01:19:12.479
<v Speaker 4>I was like, yeah, just seeing the back on screen,

1460
01:19:13.359 --> 01:19:18.600
<v Speaker 4>seeing those core characters again, Andy, Emily, Miranda. There are

1461
01:19:18.760 --> 01:19:22.920
<v Speaker 4>iconic characters. And Meryl Streep is just amazing. She steals

1462
01:19:22.920 --> 01:19:24.840
<v Speaker 4>every scene.

1463
01:19:25.479 --> 01:19:28.159
<v Speaker 2>She's just as witty and devastating as she ever was.

1464
01:19:28.920 --> 01:19:32.920
<v Speaker 4>She is. There's that tension, that tension is still there.

1465
01:19:32.960 --> 01:19:34.560
<v Speaker 4>It is scary. I'm like, I would never want to

1466
01:19:34.600 --> 01:19:38.760
<v Speaker 4>work for her ever, so oh she's still scary to me.

1467
01:19:39.399 --> 01:19:39.760
<v Speaker 2>Yeah.

1468
01:19:39.840 --> 01:19:43.520
<v Speaker 3>Yeah, Well so I guess, I mean, we can without

1469
01:19:43.520 --> 01:19:47.239
<v Speaker 3>getting into spoilers, we can talk about sort of how

1470
01:19:47.840 --> 01:19:48.880
<v Speaker 3>they bring.

1471
01:19:48.720 --> 01:19:49.760
<v Speaker 2>Everybody back together.

1472
01:19:50.439 --> 01:19:54.359
<v Speaker 3>Yeah, which, like you were saying, I mean Andy and

1473
01:19:54.520 --> 01:19:57.119
<v Speaker 3>Hathaway's character, like you said, she kind of walks away

1474
01:19:57.159 --> 01:20:00.920
<v Speaker 3>from that Runway Magazine world to the first movie, and

1475
01:20:00.960 --> 01:20:05.239
<v Speaker 3>now she is a journalist, yeah right, and she works

1476
01:20:05.239 --> 01:20:07.680
<v Speaker 3>at some publication I don't remember what it was, but

1477
01:20:08.640 --> 01:20:11.960
<v Speaker 3>basically her and her the other journalists are fired immediately

1478
01:20:12.960 --> 01:20:16.279
<v Speaker 3>right at the beginning, and she's without work and she needs,

1479
01:20:16.760 --> 01:20:17.720
<v Speaker 3>you know, to find.

1480
01:20:17.439 --> 01:20:18.439
<v Speaker 4>Something the money.

1481
01:20:18.680 --> 01:20:20.239
<v Speaker 2>Yeah, yeah, and she wants.

1482
01:20:20.079 --> 01:20:22.840
<v Speaker 3>To write things that have like integrity, right, Like she's

1483
01:20:22.880 --> 01:20:27.359
<v Speaker 3>really about like journalism going on at the same time, Basically,

1484
01:20:27.399 --> 01:20:30.239
<v Speaker 3>Miranda Priestley is going through a scandal right.

1485
01:20:30.199 --> 01:20:33.680
<v Speaker 4>Right right where they're bringing in like relevant topics. They're

1486
01:20:33.720 --> 01:20:38.399
<v Speaker 4>bringing in like fast fashion, they're bringing in how print

1487
01:20:38.439 --> 01:20:41.600
<v Speaker 4>is declining, you know, how journalism is kind of evolving,

1488
01:20:41.640 --> 01:20:44.760
<v Speaker 4>how fashion is evolving, and you know how these changes

1489
01:20:44.760 --> 01:20:46.560
<v Speaker 4>are kind of affecting these people.

1490
01:20:47.319 --> 01:20:47.520
<v Speaker 2>Yeah.

1491
01:20:47.560 --> 01:20:49.560
<v Speaker 3>And if I remember this correctly, because I just watched

1492
01:20:49.560 --> 01:20:55.199
<v Speaker 3>this like like two hours ago, but the company that

1493
01:20:55.399 --> 01:21:00.520
<v Speaker 3>owns Runway Magazine basically was doing some nefarious stuff, right,

1494
01:21:00.560 --> 01:21:04.000
<v Speaker 3>and that was like trickling down and Priestley and her

1495
01:21:04.079 --> 01:21:07.800
<v Speaker 3>magazine were sort of getting sucked into that controversy.

1496
01:21:08.199 --> 01:21:08.920
<v Speaker 2>Yeah, exactly.

1497
01:21:09.039 --> 01:21:12.359
<v Speaker 4>Yeah, they're trying to taper that down, and so say

1498
01:21:12.399 --> 01:21:14.239
<v Speaker 4>they need like a journalist to come in and kind

1499
01:21:14.279 --> 01:21:17.119
<v Speaker 4>of have a different angle and kind of talk about

1500
01:21:17.119 --> 01:21:20.640
<v Speaker 4>something else kind of and take away from their involvement

1501
01:21:20.720 --> 01:21:22.039
<v Speaker 4>with fast fashion.

1502
01:21:22.279 --> 01:21:24.039
<v Speaker 3>Right, do in sort of like a like a clever

1503
01:21:24.159 --> 01:21:26.800
<v Speaker 3>mea culpa right where it's like, we acknowledge this, but

1504
01:21:27.960 --> 01:21:31.000
<v Speaker 3>you know, also sort of re reframed themselves and.

1505
01:21:30.960 --> 01:21:34.359
<v Speaker 4>Separate themselves telling their side of the story, I guess.

1506
01:21:34.800 --> 01:21:36.399
<v Speaker 3>And so that led to what I thought was one

1507
01:21:36.399 --> 01:21:40.000
<v Speaker 3>of the most clever parts of this was, you know,

1508
01:21:40.079 --> 01:21:44.880
<v Speaker 3>they Miranda and Andy have their complicated relationship in the

1509
01:21:44.920 --> 01:21:50.239
<v Speaker 3>first movie, but they also have a little bit of a.

1510
01:21:49.039 --> 01:21:51.560
<v Speaker 2>You know, they bond in their own unique sort of way.

1511
01:21:52.000 --> 01:21:54.800
<v Speaker 4>Yeah. I think she sees herself in her a little

1512
01:21:54.840 --> 01:21:59.640
<v Speaker 4>bit like that rebellious or like, you know, the success,

1513
01:22:00.319 --> 01:22:02.239
<v Speaker 4>she sees it in her totally.

1514
01:22:02.319 --> 01:22:05.560
<v Speaker 3>So, and what I thought was clever was it the

1515
01:22:05.600 --> 01:22:08.600
<v Speaker 3>beginning of this one. How do you bring them back

1516
01:22:08.600 --> 01:22:11.159
<v Speaker 3>together and still make it fun and fresh and let

1517
01:22:11.199 --> 01:22:14.119
<v Speaker 3>Miranda sort of cut her down in like the you know,

1518
01:22:14.600 --> 01:22:16.600
<v Speaker 3>the witty and fun way that we enjoy, and it's

1519
01:22:16.640 --> 01:22:18.600
<v Speaker 3>basically she doesn't remember her.

1520
01:22:19.199 --> 01:22:21.479
<v Speaker 4>Yeah, I thought that was a great way. She comes in.

1521
01:22:21.560 --> 01:22:24.800
<v Speaker 4>I think Handy comes in thinking that she's been hired

1522
01:22:24.920 --> 01:22:28.199
<v Speaker 4>by Miranda, like personal invite back to the company. Yeah,

1523
01:22:28.199 --> 01:22:30.880
<v Speaker 4>and she walks in all excited, like giddy, you know,

1524
01:22:30.920 --> 01:22:33.800
<v Speaker 4>with excitement, and she's like, who are you? Like, do

1525
01:22:33.880 --> 01:22:37.720
<v Speaker 4>I know you? Like, what does she not remember? They

1526
01:22:37.720 --> 01:22:39.720
<v Speaker 4>spend all this time? But if you think about it,

1527
01:22:39.760 --> 01:22:42.359
<v Speaker 4>like from Miranda, it's just maybe one year or summer

1528
01:22:42.439 --> 01:22:43.600
<v Speaker 4>that she spent with this girl.

1529
01:22:43.800 --> 01:22:44.520
<v Speaker 2>Mm hm.

1530
01:22:44.560 --> 01:22:46.479
<v Speaker 4>And but for Andy, it was like her whole life

1531
01:22:46.640 --> 01:22:51.079
<v Speaker 4>revolved around this time working for this company that shaped

1532
01:22:51.119 --> 01:22:54.640
<v Speaker 4>her future. But you know, you're wondering also, is like

1533
01:22:54.720 --> 01:22:56.560
<v Speaker 4>is she joking and she is just real that she

1534
01:22:56.680 --> 01:22:57.600
<v Speaker 4>not really remember her?

1535
01:22:58.760 --> 01:23:03.439
<v Speaker 2>Yeah? Yeah, if it was something she was keeping, yeah yeah. Yeah.

1536
01:23:03.479 --> 01:23:06.079
<v Speaker 4>It's like that feeling like is she is she friendly

1537
01:23:06.119 --> 01:23:09.279
<v Speaker 4>with her? Or she really you know, are they are

1538
01:23:09.279 --> 01:23:11.600
<v Speaker 4>they on the same page? Are they are they really

1539
01:23:11.600 --> 01:23:13.319
<v Speaker 4>friendly or not? Or is she joking?

1540
01:23:13.800 --> 01:23:14.159
<v Speaker 2>Mm hmm.

1541
01:23:14.840 --> 01:23:17.279
<v Speaker 4>So that was funny. Is that power dynamic kind of like,

1542
01:23:17.359 --> 01:23:18.920
<v Speaker 4>you know, I don't really need you, but you're here

1543
01:23:19.079 --> 01:23:19.880
<v Speaker 4>final work with you.

1544
01:23:20.359 --> 01:23:23.039
<v Speaker 2>M deep down maybe she remembers.

1545
01:23:23.199 --> 01:23:25.079
<v Speaker 4>Yeah, yeah, I think deep down she did. She was

1546
01:23:25.159 --> 01:23:28.399
<v Speaker 4>just probably playing with her Yeah yeah.

1547
01:23:28.439 --> 01:23:30.960
<v Speaker 3>But so then, yeah, what did you think of the story?

1548
01:23:31.000 --> 01:23:33.159
<v Speaker 3>I mean a lot of times with sequels, especially these

1549
01:23:33.239 --> 01:23:34.880
<v Speaker 3>legas sequels, I mean I think of something like The

1550
01:23:34.920 --> 01:23:39.199
<v Speaker 3>Force Awakens, Yeah, where they one of the criticisms is

1551
01:23:40.319 --> 01:23:43.079
<v Speaker 3>trying to give people what they want. They basically change

1552
01:23:43.720 --> 01:23:47.439
<v Speaker 3>things enough, but tell the same story again because they

1553
01:23:47.439 --> 01:23:49.920
<v Speaker 3>know it works. Like do you feel like this was

1554
01:23:49.920 --> 01:23:51.039
<v Speaker 3>a different enough story.

1555
01:23:52.119 --> 01:23:55.319
<v Speaker 4>Yeah, So they played into the nostalgia definitely, the giving

1556
01:23:55.439 --> 01:23:58.439
<v Speaker 4>the fans what they want, but it is tricky having

1557
01:23:58.479 --> 01:24:02.880
<v Speaker 4>something new. Also, they found a good balance between the two,

1558
01:24:03.600 --> 01:24:07.560
<v Speaker 4>bringing in different ideas, different people come in. They had

1559
01:24:08.119 --> 01:24:12.039
<v Speaker 4>the same characters but also new characters, which was nice

1560
01:24:12.039 --> 01:24:17.119
<v Speaker 4>to see. So definitely, I think they balanced it pretty well.

1561
01:24:18.359 --> 01:24:21.119
<v Speaker 2>Yeah. I was surprised to see bj Novak from the

1562
01:24:21.159 --> 01:24:21.800
<v Speaker 2>opposite of this.

1563
01:24:22.119 --> 01:24:24.479
<v Speaker 3>I like him, but he has an interesting character and

1564
01:24:24.560 --> 01:24:27.239
<v Speaker 3>something that feels very of this moment exactly.

1565
01:24:27.399 --> 01:24:30.279
<v Speaker 4>Yeah right, Yeah, and we see that a lot with companies, right,

1566
01:24:30.319 --> 01:24:31.920
<v Speaker 4>with new people comeing in and they just want to

1567
01:24:31.920 --> 01:24:35.800
<v Speaker 4>revamp it alls a little way downsize, keep it, you know,

1568
01:24:35.920 --> 01:24:38.800
<v Speaker 4>cash coming in without spending that kind of thing. So

1569
01:24:39.079 --> 01:24:41.439
<v Speaker 4>it is something they tried to update it to the

1570
01:24:41.439 --> 01:24:42.960
<v Speaker 4>world we're in now, and I think they did a

1571
01:24:43.000 --> 01:24:44.680
<v Speaker 4>pretty good job reflecting those changes.

1572
01:24:45.680 --> 01:24:49.760
<v Speaker 3>I thought so too, because I sometimes when I watch

1573
01:24:49.800 --> 01:24:53.800
<v Speaker 3>movies and people are dealing with these sort of champagne problems,

1574
01:24:53.800 --> 01:24:57.119
<v Speaker 3>it's hard to relate or even care because you're like,

1575
01:24:57.159 --> 01:24:59.279
<v Speaker 3>I would love to have your problem, you.

1576
01:24:59.239 --> 01:24:59.720
<v Speaker 2>Know what I mean.

1577
01:25:00.199 --> 01:25:02.399
<v Speaker 3>You know, like, because Miranda is like her magazine they

1578
01:25:02.439 --> 01:25:07.439
<v Speaker 3>fall apart, but she's like mourning this in this gorgeous

1579
01:25:07.479 --> 01:25:09.840
<v Speaker 3>hotel room in like Milan, you know what I mean.

1580
01:25:09.880 --> 01:25:12.399
<v Speaker 3>It's like, oh no, But what I think the movie

1581
01:25:12.399 --> 01:25:18.000
<v Speaker 3>does a good job of is for her, it wasn't

1582
01:25:18.039 --> 01:25:23.920
<v Speaker 3>necessarily about money. It was about the death of the

1583
01:25:23.960 --> 01:25:27.880
<v Speaker 3>appreciation of art, right like in her speech when she's saying,

1584
01:25:27.920 --> 01:25:30.279
<v Speaker 3>like if this, you know, if someone else comes in

1585
01:25:30.319 --> 01:25:34.000
<v Speaker 3>and turns this magazine into something else like it will

1586
01:25:34.319 --> 01:25:36.319
<v Speaker 3>it would be sad to her that there would be

1587
01:25:36.840 --> 01:25:39.720
<v Speaker 3>it would no longer be a celebration of beauty and artistry,

1588
01:25:40.840 --> 01:25:43.119
<v Speaker 3>you know, and things that are special and hard work

1589
01:25:43.199 --> 01:25:44.960
<v Speaker 3>and all that sort of thing. And I thought that

1590
01:25:45.039 --> 01:25:47.600
<v Speaker 3>was a really brilliant way to make you care about

1591
01:25:47.640 --> 01:25:51.399
<v Speaker 3>this magazine that could otherwise maybe feel a little frivolous, right.

1592
01:25:51.359 --> 01:25:54.159
<v Speaker 4>Right, Why do I care about these people who have everything?

1593
01:25:54.640 --> 01:25:59.520
<v Speaker 4>You know? But yeah, there is that compassion that you

1594
01:25:59.560 --> 01:26:01.920
<v Speaker 4>feel for She's human, you know, in the end, and

1595
01:26:02.159 --> 01:26:05.479
<v Speaker 4>you feel for her because she could lose everything and

1596
01:26:05.520 --> 01:26:09.000
<v Speaker 4>those relationships at what cost. Right, She's lost you know her.

1597
01:26:09.119 --> 01:26:11.760
<v Speaker 4>I think her first husband's a different husband this time. Yeah,

1598
01:26:11.760 --> 01:26:13.960
<v Speaker 4>and her kids have grown up kind of not knowing her.

1599
01:26:14.079 --> 01:26:17.920
<v Speaker 4>So you know, success comes at a price. She paid

1600
01:26:17.920 --> 01:26:19.840
<v Speaker 4>the price, you know, to get where she is and

1601
01:26:19.880 --> 01:26:22.560
<v Speaker 4>to lose it all at that point it is devastating.

1602
01:26:23.960 --> 01:26:24.199
<v Speaker 2>Yeah.

1603
01:26:24.199 --> 01:26:26.239
<v Speaker 3>I sorry, this is getting a little into spoilery stuff

1604
01:26:26.239 --> 01:26:28.880
<v Speaker 3>for people who are listening, but if they want to

1605
01:26:28.880 --> 01:26:31.039
<v Speaker 3>skip ahead just a little bit, they can't. But I

1606
01:26:31.079 --> 01:26:33.119
<v Speaker 3>did like that she got into that, you know, where

1607
01:26:33.159 --> 01:26:35.880
<v Speaker 3>she Those are like the best moments in both movies,

1608
01:26:35.880 --> 01:26:38.199
<v Speaker 3>I think is when Miranda gets vulnerable.

1609
01:26:38.680 --> 01:26:39.920
<v Speaker 2>M h you know, like when you.

1610
01:26:39.920 --> 01:26:43.479
<v Speaker 3>See her with her makeup off, Yeah, you know, learning

1611
01:26:43.520 --> 01:26:45.239
<v Speaker 3>she's going to get a divorce in the first movie,

1612
01:26:45.439 --> 01:26:47.640
<v Speaker 3>and then in this one, I really liked that moment

1613
01:26:47.680 --> 01:26:51.199
<v Speaker 3>with her in the Hamptons and she's giddy and you've

1614
01:26:51.199 --> 01:26:52.399
<v Speaker 3>never seen that side of her.

1615
01:26:53.000 --> 01:26:55.479
<v Speaker 4>Yeah. It's funny because in the in the last movie,

1616
01:26:55.840 --> 01:26:57.760
<v Speaker 4>you know, Andy has to know all the background for

1617
01:26:57.800 --> 01:27:00.840
<v Speaker 4>all the people, and she's introducing, you know, Miranda to

1618
01:27:00.880 --> 01:27:03.920
<v Speaker 4>all these Oh, and it's the opposite this time. This

1619
01:27:03.960 --> 01:27:06.359
<v Speaker 4>time Miranda is like, handy, look who this is? This

1620
01:27:06.399 --> 01:27:08.880
<v Speaker 4>is this person? This is that person? How Andy meet

1621
01:27:08.920 --> 01:27:11.920
<v Speaker 4>this person? And it's the roles have kind of switched

1622
01:27:11.920 --> 01:27:15.560
<v Speaker 4>in a sense, like you feel the shift a little bit. Again,

1623
01:27:15.600 --> 01:27:20.520
<v Speaker 4>they're still not equals. They're not equals yet, right, but

1624
01:27:20.520 --> 01:27:23.239
<v Speaker 4>but yeah, she's doing the introductions and she's saying, Hey,

1625
01:27:23.239 --> 01:27:24.800
<v Speaker 4>these are my friends. I want you to meet them

1626
01:27:24.840 --> 01:27:28.399
<v Speaker 4>in her inner circle of you know, family and friends, right.

1627
01:27:28.239 --> 01:27:32.039
<v Speaker 3>Which feels like an enormous deal for this person whos

1628
01:27:32.079 --> 01:27:32.880
<v Speaker 3>a huge and.

1629
01:27:33.039 --> 01:27:36.079
<v Speaker 4>Remember you right, Yeah, I thought you didn't know who

1630
01:27:36.119 --> 01:27:39.399
<v Speaker 4>I was. Why am I invited you to your Hampton house?

1631
01:27:39.960 --> 01:27:40.279
<v Speaker 2>Yeah?

1632
01:27:40.399 --> 01:27:42.520
<v Speaker 3>Yeah, And again this is a little spoilery, so people

1633
01:27:42.520 --> 01:27:44.239
<v Speaker 3>want to click ahead just a little bit. But I

1634
01:27:44.279 --> 01:27:46.479
<v Speaker 3>also loved that moment when they were sharing the car

1635
01:27:47.319 --> 01:27:51.319
<v Speaker 3>and she learns about the book that's going to be written, right, and.

1636
01:27:51.239 --> 01:27:52.239
<v Speaker 4>She's like, feel about it.

1637
01:27:52.399 --> 01:27:54.720
<v Speaker 2>She knew about it, a she knew about it.

1638
01:27:54.760 --> 01:27:58.560
<v Speaker 3>And also she's like do it, yeah, like you should

1639
01:27:58.600 --> 01:28:03.720
<v Speaker 3>do it, and frankly like people should know that all

1640
01:28:03.760 --> 01:28:05.920
<v Speaker 3>of these things that I work hard for do come

1641
01:28:05.960 --> 01:28:06.600
<v Speaker 3>at a cost.

1642
01:28:07.359 --> 01:28:08.720
<v Speaker 2>You know what you say.

1643
01:28:08.800 --> 01:28:10.720
<v Speaker 3>You reminded me of it when you were talking about,

1644
01:28:10.720 --> 01:28:14.239
<v Speaker 3>you know, her relationship with her children suffered for all

1645
01:28:14.239 --> 01:28:16.359
<v Speaker 3>the things that she did, and I just, yeah, the

1646
01:28:16.439 --> 01:28:20.239
<v Speaker 3>vulnerability whenever she gets has these little brief moments of

1647
01:28:20.319 --> 01:28:22.920
<v Speaker 3>vulnerability with Andy especially, it's always kind of nice. And

1648
01:28:22.920 --> 01:28:24.800
<v Speaker 3>she has a nice moment with Nigel also.

1649
01:28:25.199 --> 01:28:25.680
<v Speaker 2>That's right.

1650
01:28:25.920 --> 01:28:29.279
<v Speaker 4>She didn't know all this time how much Nigel wanted

1651
01:28:29.840 --> 01:28:32.600
<v Speaker 4>that position or that part of the job. And she's like, oh,

1652
01:28:32.640 --> 01:28:35.039
<v Speaker 4>I didn't know. He never told me, you know, And

1653
01:28:35.119 --> 01:28:38.439
<v Speaker 4>so that was interesting too, like she just sometimes you're oblivious,

1654
01:28:38.479 --> 01:28:40.479
<v Speaker 4>like you just take people for granted because they're there

1655
01:28:40.520 --> 01:28:43.840
<v Speaker 4>and they do the job. They don't complain, and so

1656
01:28:43.920 --> 01:28:45.840
<v Speaker 4>that was nice moment where she's like, wait a second,

1657
01:28:45.840 --> 01:28:47.600
<v Speaker 4>I think he really wants this, and she lets him

1658
01:28:47.600 --> 01:28:50.560
<v Speaker 4>speak at the end because now he owns it. Kind

1659
01:28:50.560 --> 01:28:52.039
<v Speaker 4>of that part m hm.

1660
01:28:52.800 --> 01:28:57.439
<v Speaker 3>So yeah, how great is Stanley Tucci. He's great, right,

1661
01:28:57.560 --> 01:28:59.239
<v Speaker 3>He's just like I like, I want him to be

1662
01:28:59.319 --> 01:29:01.880
<v Speaker 3>my friend. I know, you know, you know, he's like

1663
01:29:01.920 --> 01:29:03.680
<v Speaker 3>a little sassy. He'll cut you down, but.

1664
01:29:03.640 --> 01:29:05.159
<v Speaker 2>Like you know, he takes care of you.

1665
01:29:05.199 --> 01:29:06.840
<v Speaker 4>He's like, I'm wear of this, I got you, you know,

1666
01:29:06.960 --> 01:29:08.680
<v Speaker 4>just take care of it and bring it back. But yeah,

1667
01:29:08.760 --> 01:29:09.960
<v Speaker 4>he's looking out for everybody.

1668
01:29:10.479 --> 01:29:12.000
<v Speaker 2>Yeah, and he doesn't ask.

1669
01:29:12.079 --> 01:29:14.119
<v Speaker 4>He doesn't ask. That's the thing. That's why I think

1670
01:29:14.159 --> 01:29:17.199
<v Speaker 4>she didn't know mm hm, because he never complained about it.

1671
01:29:18.359 --> 01:29:22.239
<v Speaker 3>By the way, you brought up Miranda's new husband or boyfriends,

1672
01:29:22.319 --> 01:29:23.560
<v Speaker 3>and it's Kenneth Branaf.

1673
01:29:24.000 --> 01:29:27.039
<v Speaker 4>I know he's an icon himself.

1674
01:29:27.239 --> 01:29:29.359
<v Speaker 2>Yeah, well yeah, and it's not a very big role.

1675
01:29:29.399 --> 01:29:31.079
<v Speaker 3>But what made me laugh was he had the beard

1676
01:29:31.119 --> 01:29:33.760
<v Speaker 3>and everything, and it reminded me of exactly how he

1677
01:29:33.800 --> 01:29:36.920
<v Speaker 3>looked when he was that villain in the movie Tenant.

1678
01:29:37.600 --> 01:29:39.479
<v Speaker 4>See I haven't seen Tenant. It's like he's been telling

1679
01:29:39.479 --> 01:29:40.000
<v Speaker 4>me to see it.

1680
01:29:40.479 --> 01:29:40.960
<v Speaker 2>Okay.

1681
01:29:41.439 --> 01:29:43.239
<v Speaker 3>I was like, I'd love to think because we're not

1682
01:29:43.279 --> 01:29:45.199
<v Speaker 3>seeing a lot of screen time with him. When Miranda's

1683
01:29:45.199 --> 01:29:47.840
<v Speaker 3>off doing her things, he's off on the boat fighting

1684
01:29:47.880 --> 01:29:49.159
<v Speaker 3>some sort of time war.

1685
01:29:51.359 --> 01:29:52.560
<v Speaker 2>In reverse having the.

1686
01:29:52.520 --> 01:29:54.760
<v Speaker 4>Tendancy multiverse ordering a multiverse.

1687
01:29:55.159 --> 01:29:57.640
<v Speaker 3>Yeah, basically time folding in on itself. Kind of war

1688
01:29:58.319 --> 01:29:59.960
<v Speaker 3>nice anyway, that made me laugh.

1689
01:30:01.159 --> 01:30:02.600
<v Speaker 4>He was great in it though. I'm like, he's a

1690
01:30:02.680 --> 01:30:06.560
<v Speaker 4>nice little like big name, but not a big character really.

1691
01:30:06.720 --> 01:30:09.079
<v Speaker 4>But he was nice to her and he appreciated her,

1692
01:30:09.119 --> 01:30:10.239
<v Speaker 4>I think, which was nice.

1693
01:30:10.439 --> 01:30:14.479
<v Speaker 2>That was nice to seem. Yeah. Yeah. Also, well, speaking

1694
01:30:14.520 --> 01:30:16.760
<v Speaker 2>of what did you think of Andy's love interest?

1695
01:30:17.640 --> 01:30:19.399
<v Speaker 4>I liked him. I mean he was he was nice.

1696
01:30:19.439 --> 01:30:21.039
<v Speaker 4>We're like, okay, I didn't want it to be the

1697
01:30:21.079 --> 01:30:23.319
<v Speaker 4>same exact story that was last time, where she's ignoring

1698
01:30:23.399 --> 01:30:25.159
<v Speaker 4>him and he's like, you don't give me enough time.

1699
01:30:25.359 --> 01:30:27.000
<v Speaker 4>He's like, okay, you do your thing when you're ready.

1700
01:30:27.319 --> 01:30:30.439
<v Speaker 4>You know. That was kind of sweet. It's like they

1701
01:30:30.439 --> 01:30:32.399
<v Speaker 4>didn't have the perfect start. I like to show what

1702
01:30:32.439 --> 01:30:33.840
<v Speaker 4>she said, she like, wedt have the perfect start or

1703
01:30:33.840 --> 01:30:37.560
<v Speaker 4>the perfect ending, but we can kind of be imperfect together. Jet.

1704
01:30:37.600 --> 01:30:39.119
<v Speaker 4>That was kind of sweet.

1705
01:30:39.359 --> 01:30:39.560
<v Speaker 1>You know.

1706
01:30:39.640 --> 01:30:42.279
<v Speaker 3>I had seen some people like online and then when

1707
01:30:42.319 --> 01:30:44.920
<v Speaker 3>my friends and I walked out, my friends were saying

1708
01:30:44.920 --> 01:30:46.199
<v Speaker 3>that he felt a little pointless.

1709
01:30:47.720 --> 01:30:49.920
<v Speaker 4>Yeah, I could see that. I could see that. But

1710
01:30:50.119 --> 01:30:53.199
<v Speaker 4>she needed something because like again, we're talking twenty years later,

1711
01:30:53.279 --> 01:30:55.279
<v Speaker 4>where you kind of expect the character to kind of

1712
01:30:55.319 --> 01:30:57.560
<v Speaker 4>be a little bit you know, settled or maybe have

1713
01:30:57.640 --> 01:31:02.159
<v Speaker 4>a relationship with somebody. So she didn't really have that

1714
01:31:02.359 --> 01:31:04.600
<v Speaker 4>all these years, or they didn't really talk about it,

1715
01:31:05.119 --> 01:31:08.439
<v Speaker 4>you know. With Emily's character, she has kids, she's divorced,

1716
01:31:08.479 --> 01:31:10.760
<v Speaker 4>she's kind of moved on, but we didn't really see

1717
01:31:10.760 --> 01:31:12.239
<v Speaker 4>that with Andy's characters. So I think they were trying

1718
01:31:12.279 --> 01:31:14.920
<v Speaker 4>to show like, hey, you know, she's still, you know,

1719
01:31:14.960 --> 01:31:18.199
<v Speaker 4>out there trying to find the right person. But he

1720
01:31:18.199 --> 01:31:19.800
<v Speaker 4>didn't have a huge he didn't have a huge role,

1721
01:31:19.840 --> 01:31:21.239
<v Speaker 4>but I think he was kind of needed just for

1722
01:31:21.520 --> 01:31:23.560
<v Speaker 4>some kind of like stability, for her.

1723
01:31:24.119 --> 01:31:27.279
<v Speaker 3>Stability, and he almost works as a barometer also for

1724
01:31:27.359 --> 01:31:30.479
<v Speaker 3>like where she is, you know, when she's kind of

1725
01:31:30.479 --> 01:31:32.720
<v Speaker 3>at her best, and where she's when she's at her worst.

1726
01:31:33.760 --> 01:31:37.880
<v Speaker 3>So I yeah, I can understand that feeling. But he

1727
01:31:37.960 --> 01:31:40.279
<v Speaker 3>kind of worked for me. He was interesting too because

1728
01:31:40.279 --> 01:31:42.399
<v Speaker 3>he wasn't super dynamic.

1729
01:31:43.239 --> 01:31:45.279
<v Speaker 4>I wasn't sure who the actor was. Actually, I'm like,

1730
01:31:45.359 --> 01:31:46.640
<v Speaker 4>am I supposed to know who he is?

1731
01:31:46.680 --> 01:31:46.760
<v Speaker 1>Like?

1732
01:31:47.000 --> 01:31:49.479
<v Speaker 4>Because with Kenneth Branag, like we knew, like he's this

1733
01:31:49.840 --> 01:31:52.640
<v Speaker 4>big actor, but with her love interest. It wasn't I

1734
01:31:52.680 --> 01:31:54.800
<v Speaker 4>don't feel like he was a huge actor. Maybe that

1735
01:31:54.840 --> 01:31:57.479
<v Speaker 4>wasn't the point, but yeah, it could have been maybe

1736
01:31:57.479 --> 01:31:58.520
<v Speaker 4>another actor. I don't know.

1737
01:31:59.000 --> 01:32:01.359
<v Speaker 3>Well, I mean I I actually kind of liked the guy,

1738
01:32:01.640 --> 01:32:04.680
<v Speaker 3>and for that reason, I liked that he wasn't unlike

1739
01:32:04.920 --> 01:32:06.600
<v Speaker 3>was it Simon Baker in the first movie?

1740
01:32:07.760 --> 01:32:08.920
<v Speaker 2>You know, he's like a bit of a lot.

1741
01:32:09.079 --> 01:32:10.760
<v Speaker 4>He was a bigger yeah, kind of a bigger name.

1742
01:32:11.000 --> 01:32:11.199
<v Speaker 2>Yeah.

1743
01:32:11.359 --> 01:32:13.760
<v Speaker 3>But also that character is a little more larger than life,

1744
01:32:14.439 --> 01:32:17.079
<v Speaker 3>you know, And I liked that this guy felt, I

1745
01:32:17.119 --> 01:32:18.920
<v Speaker 3>don't know, just more like a real person. So it

1746
01:32:18.960 --> 01:32:22.640
<v Speaker 3>was kind of interesting seeing Andy, you know, one foot

1747
01:32:22.680 --> 01:32:25.640
<v Speaker 3>in that glamorous world and then one foot with this

1748
01:32:26.199 --> 01:32:29.439
<v Speaker 3>nice guy you know, who's yeah, it looks like he's

1749
01:32:29.439 --> 01:32:32.239
<v Speaker 3>composed and got it together, but he's also very much

1750
01:32:32.279 --> 01:32:34.600
<v Speaker 3>not a part of that world. And so it's you know,

1751
01:32:34.640 --> 01:32:38.159
<v Speaker 3>it's a little rote and maybe you know, a small

1752
01:32:38.199 --> 01:32:40.359
<v Speaker 3>part of the movie. But I didn't dislike it as

1753
01:32:40.439 --> 01:32:41.239
<v Speaker 3>much as I've heard.

1754
01:32:41.119 --> 01:32:44.560
<v Speaker 4>Other people's yeah yeah, it worked for me, it was okay,

1755
01:32:44.640 --> 01:32:46.439
<v Speaker 4>Like I think it was all right. He think she

1756
01:32:46.520 --> 01:32:50.359
<v Speaker 4>needed some kind of relationship with someone to just to

1757
01:32:50.399 --> 01:32:52.079
<v Speaker 4>ground her I think a little bit.

1758
01:32:52.560 --> 01:32:53.880
<v Speaker 2>Totally totally.

1759
01:32:54.039 --> 01:32:55.800
<v Speaker 3>Were there any other things that sort of stood out

1760
01:32:55.800 --> 01:32:58.960
<v Speaker 3>to you or moments he liked or Oh I.

1761
01:32:59.279 --> 01:33:02.319
<v Speaker 4>Love Emily Blunt. I do love her, and I love

1762
01:33:02.359 --> 01:33:05.199
<v Speaker 4>the riff between the two of them. They still have

1763
01:33:05.279 --> 01:33:08.319
<v Speaker 4>that like banter, which is really funny. You know, she

1764
01:33:08.439 --> 01:33:10.560
<v Speaker 4>still kind of puts her down like, oh my gosh,

1765
01:33:10.640 --> 01:33:14.119
<v Speaker 4>your eyebrows putting down although she is dressed, just like

1766
01:33:14.159 --> 01:33:17.239
<v Speaker 4>what what is wrong with this? You know, oh my gosh.

1767
01:33:17.239 --> 01:33:22.319
<v Speaker 4>And it's just funny seeing that relationship too, but very

1768
01:33:22.359 --> 01:33:25.119
<v Speaker 4>sweet where they are in the end. They're like kind

1769
01:33:25.119 --> 01:33:27.439
<v Speaker 4>of having you know, lunch together and they're friendly, but

1770
01:33:27.479 --> 01:33:30.520
<v Speaker 4>she's still not like calling her a friend, so it's

1771
01:33:30.520 --> 01:33:32.439
<v Speaker 4>going to continue. I think that's just how she is,

1772
01:33:32.600 --> 01:33:35.439
<v Speaker 4>you know, So it's just funny. I love it.

1773
01:33:36.039 --> 01:33:37.600
<v Speaker 2>Yeah, yeah, I mean.

1774
01:33:37.600 --> 01:33:39.880
<v Speaker 3>That's like a perfect example also where I feel like

1775
01:33:40.279 --> 01:33:41.279
<v Speaker 3>I really like this way.

1776
01:33:41.279 --> 01:33:42.760
<v Speaker 2>I don't know if I said it outright, but I

1777
01:33:42.800 --> 01:33:43.520
<v Speaker 2>really enjoyed it.

1778
01:33:43.640 --> 01:33:45.600
<v Speaker 3>I thought it was a perfect sequel because you don't

1779
01:33:45.600 --> 01:33:48.479
<v Speaker 3>want to do all the same beats again. Yeah, you

1780
01:33:48.560 --> 01:33:50.600
<v Speaker 3>want to revisit these characters, but you want to see

1781
01:33:50.640 --> 01:33:54.800
<v Speaker 3>them doing something different but still acting like themselves. And

1782
01:33:54.840 --> 01:33:56.760
<v Speaker 3>I think she's the perfect example where she's doing a

1783
01:33:56.840 --> 01:33:59.199
<v Speaker 3>very different thing in this movie, but she's still very

1784
01:33:59.239 --> 01:34:01.600
<v Speaker 3>much felt like herself. Yeah, and so it was fun

1785
01:34:01.600 --> 01:34:02.159
<v Speaker 3>to revisit.

1786
01:34:02.800 --> 01:34:04.039
<v Speaker 4>Yeah. I felt the same way.

1787
01:34:04.079 --> 01:34:04.239
<v Speaker 2>Yeah.

1788
01:34:04.279 --> 01:34:05.600
<v Speaker 4>I have to say, if you love the first one,

1789
01:34:05.600 --> 01:34:07.720
<v Speaker 4>you're gonna definitely love this one. I think this is

1790
01:34:07.720 --> 01:34:10.520
<v Speaker 4>definitely the same bea same, same type of feelings that

1791
01:34:10.600 --> 01:34:13.680
<v Speaker 4>feel good. Some some parts are a little sad, You're like,

1792
01:34:13.720 --> 01:34:15.039
<v Speaker 4>and then you go through it, you work with it,

1793
01:34:15.079 --> 01:34:17.000
<v Speaker 4>and then you feel good in the end.

1794
01:34:17.479 --> 01:34:20.079
<v Speaker 2>Yeah. Well, thank you for talking about this with me.

1795
01:34:20.680 --> 01:34:22.840
<v Speaker 4>Thank you so much. This was fun for me. I

1796
01:34:22.840 --> 01:34:24.760
<v Speaker 4>know Zackie gets to do this all the time, but

1797
01:34:24.840 --> 01:34:28.039
<v Speaker 4>this is like a new adventure for me. I love

1798
01:34:28.159 --> 01:34:30.600
<v Speaker 4>love talking about things that I enjoy too, so this

1799
01:34:30.640 --> 01:34:31.439
<v Speaker 4>has been fun for me.

1800
01:34:31.880 --> 01:34:32.680
<v Speaker 2>Oh, this is perfect.

1801
01:34:32.840 --> 01:34:34.399
<v Speaker 3>I was really excited to talk about it as soon

1802
01:34:34.439 --> 01:34:36.039
<v Speaker 3>as I got out of it, and I was excited

1803
01:34:36.079 --> 01:34:37.319
<v Speaker 3>I was gonna get to talk about it with you.

1804
01:34:37.800 --> 01:34:40.399
<v Speaker 4>Ah, thanks, Bryan. I hope we get to talk again.

1805
01:34:40.760 --> 01:34:45.159
<v Speaker 2>Definitely, definitely. Okay, Well I'm back. I hope that went well.

1806
01:34:46.079 --> 01:34:49.079
<v Speaker 3>Yes, we had a lovely conversation. Thank you, Thank you

1807
01:34:49.119 --> 01:34:49.840
<v Speaker 3>for rejoining.

1808
01:34:51.000 --> 01:34:54.279
<v Speaker 2>Well, now the situation is reversed because she has not

1809
01:34:54.439 --> 01:34:58.880
<v Speaker 2>seen Michael. Uh huh. I, on the other hand, have yes,

1810
01:34:59.359 --> 01:35:03.760
<v Speaker 2>as have you. I have. So, you know, here's a

1811
01:35:03.760 --> 01:35:06.039
<v Speaker 2>movie that's burning up the box office, doing pretty well.

1812
01:35:06.560 --> 01:35:13.600
<v Speaker 2>Absolutely yeah, it's making a Hunger Games money for lions Gate. Yeah, right,

1813
01:35:14.079 --> 01:35:16.479
<v Speaker 2>which they're happy about it. I mean, this movie is

1814
01:35:16.640 --> 01:35:23.199
<v Speaker 2>looking to end up as like, definitely the biggest music

1815
01:35:23.239 --> 01:35:26.119
<v Speaker 2>bio pick of all time. But I think it's gonna

1816
01:35:26.199 --> 01:35:28.239
<v Speaker 2>end up, you know, checking off a lot of other

1817
01:35:28.279 --> 01:35:29.720
<v Speaker 2>boxes too before all astenden.

1818
01:35:29.720 --> 01:35:32.880
<v Speaker 3>Then, yes, I was just about to say, that's unsurprising

1819
01:35:33.439 --> 01:35:38.800
<v Speaker 3>thinking about Michael Jackson and his worldwide you know, stardom

1820
01:35:39.079 --> 01:35:41.960
<v Speaker 3>and how hubble loved he's been and stuff. But it

1821
01:35:42.319 --> 01:35:48.359
<v Speaker 3>really isn't a guaranteed thing necessarily. I mean, his who

1822
01:35:48.399 --> 01:35:51.520
<v Speaker 3>he was in the eighties and nineties is obviously very

1823
01:35:51.520 --> 01:35:55.640
<v Speaker 3>different now in the twenty twenties. For starters, he's people

1824
01:35:55.720 --> 01:35:58.119
<v Speaker 3>have a lot of different opinions about him. But also

1825
01:35:58.199 --> 01:36:01.279
<v Speaker 3>this movie went through a lot of turmoil, right. They

1826
01:36:01.319 --> 01:36:03.439
<v Speaker 3>probably thought they had like something in the bag at

1827
01:36:03.439 --> 01:36:06.960
<v Speaker 3>one point, but when they had this movie all shot

1828
01:36:07.039 --> 01:36:10.199
<v Speaker 3>and we're editing, they realized that they suddenly were gonna

1829
01:36:10.199 --> 01:36:13.079
<v Speaker 3>have to get rid of the third act of this movie,

1830
01:36:13.439 --> 01:36:15.560
<v Speaker 3>and like, what the heck do we do now that

1831
01:36:15.600 --> 01:36:19.039
<v Speaker 3>a third of our movie is gone? So, I mean,

1832
01:36:19.079 --> 01:36:21.640
<v Speaker 3>I'm sure they had a lot of you know, panic

1833
01:36:21.680 --> 01:36:25.439
<v Speaker 3>attacks over there, and for this to come out as

1834
01:36:25.479 --> 01:36:28.039
<v Speaker 3>successful as it has must they must just be like

1835
01:36:28.079 --> 01:36:31.720
<v Speaker 3>sitting back in their chairs, exhaling, wiping the sweat from

1836
01:36:31.720 --> 01:36:32.239
<v Speaker 3>their brows.

1837
01:36:32.960 --> 01:36:37.199
<v Speaker 2>Dodged a bullet. Yeah yeah. So just just looking at

1838
01:36:37.279 --> 01:36:40.479
<v Speaker 2>the box office of this overall. So this this is

1839
01:36:40.560 --> 01:36:45.439
<v Speaker 2>via Scott Mendelssohn and his box office analysis. He says,

1840
01:36:45.880 --> 01:36:48.920
<v Speaker 2>Michael continues to glide to Gloria, earning another fifty four

1841
01:36:48.960 --> 01:36:51.520
<v Speaker 2>million over the weekend for a one hundred and eighty

1842
01:36:51.520 --> 01:36:54.279
<v Speaker 2>four million ten day total. In terms of second weekend holds,

1843
01:36:54.359 --> 01:36:58.079
<v Speaker 2>that's just a shade worse quote unquote than Elvis and

1844
01:36:58.199 --> 01:37:01.359
<v Speaker 2>Bohemian Rhapsody. But it opened bigger, so I'd end up

1845
01:37:01.640 --> 01:37:06.920
<v Speaker 2>doing a lot more. Uh, And presumably there's going to

1846
01:37:06.960 --> 01:37:08.640
<v Speaker 2>be a sequel that I guess we can have that conversation.

1847
01:37:08.720 --> 01:37:11.359
<v Speaker 2>So I I just saw this movie yesterday. I spent

1848
01:37:11.399 --> 01:37:15.399
<v Speaker 2>a week trying to watch it, and then I have

1849
01:37:15.520 --> 01:37:17.760
<v Speaker 2>not seen the drama yet, but I went endured my

1850
01:37:17.800 --> 01:37:19.680
<v Speaker 2>own drama just trying to get to the theater to

1851
01:37:19.680 --> 01:37:24.039
<v Speaker 2>watch Michael. So I'm glad finally we were able to

1852
01:37:24.079 --> 01:37:27.239
<v Speaker 2>make it work. And obviously the most important question when

1853
01:37:27.239 --> 01:37:31.000
<v Speaker 2>we watch music bio pic is does it does it

1854
01:37:31.039 --> 01:37:35.000
<v Speaker 2>pass the dewey Cox test right? And by that we

1855
01:37:35.079 --> 01:37:39.319
<v Speaker 2>mean does it stick to those beats that are the

1856
01:37:39.680 --> 01:37:42.479
<v Speaker 2>tropes that that walk hard the dewey Cox story established,

1857
01:37:42.560 --> 01:37:44.039
<v Speaker 2>or does it does it break away and do its

1858
01:37:44.079 --> 01:37:50.680
<v Speaker 2>own thing? And it does not break away and do it. No,

1859
01:37:50.920 --> 01:37:55.119
<v Speaker 2>it's very much, very very strenuously to the dewey Cox

1860
01:37:55.159 --> 01:37:58.920
<v Speaker 2>template up to it, including dewey Cox says to remember

1861
01:37:58.920 --> 01:38:02.439
<v Speaker 2>his whole life. Yes, forums yep. I was like, really

1862
01:38:02.520 --> 01:38:08.880
<v Speaker 2>we doing this? Yep? Now, I said, either in our

1863
01:38:08.960 --> 01:38:11.520
<v Speaker 2>Dude Cox commentary or at some other point, I was like,

1864
01:38:11.760 --> 01:38:14.319
<v Speaker 2>I know is going to be a toe tapper of

1865
01:38:14.359 --> 01:38:18.439
<v Speaker 2>a movie. And like I was sitting there watching this thing,

1866
01:38:18.439 --> 01:38:19.920
<v Speaker 2>and I had my feet up on the you know

1867
01:38:19.920 --> 01:38:24.880
<v Speaker 2>how you recline, and unconsciously I glanced down at my

1868
01:38:24.920 --> 01:38:27.439
<v Speaker 2>feet and they're like tapping against each other.

1869
01:38:28.119 --> 01:38:30.239
<v Speaker 3>Zachie, I'll bring it up now because you did. But

1870
01:38:30.359 --> 01:38:33.119
<v Speaker 3>there was a moment where I was literally shimming in

1871
01:38:33.199 --> 01:38:36.319
<v Speaker 3>my seat and I got self conscious and I looked

1872
01:38:36.319 --> 01:38:37.720
<v Speaker 3>over and the guy next to me was doing the

1873
01:38:37.720 --> 01:38:40.159
<v Speaker 3>same thing. And then I looked down the aisle because

1874
01:38:40.159 --> 01:38:44.479
<v Speaker 3>everyone had their recliner seats up. Every foot was moving,

1875
01:38:44.840 --> 01:38:47.880
<v Speaker 3>every foot, and I actually wanted to take a video

1876
01:38:47.920 --> 01:38:52.319
<v Speaker 3>because it was so funny. But yeah, like, did they

1877
01:38:52.439 --> 01:38:56.920
<v Speaker 3>succeed in, you know, making everybody enjoy like Michael Jackson's

1878
01:38:56.960 --> 01:38:59.439
<v Speaker 3>music again and feel it all over again.

1879
01:38:59.560 --> 01:39:05.039
<v Speaker 2>Absolute Now insofar as did they make a v yes

1880
01:39:05.479 --> 01:39:14.720
<v Speaker 2>that is compelling, Yes, in my opinion, they did not. Yeah,

1881
01:39:14.760 --> 01:39:19.600
<v Speaker 2>I think it. It's so it's so tropy. Yeah, and

1882
01:39:19.680 --> 01:39:23.279
<v Speaker 2>it's so like hopscotches over these chunks of time that

1883
01:39:23.399 --> 01:39:27.439
<v Speaker 2>it I couldn't I couldn't find my way into any

1884
01:39:27.520 --> 01:39:33.560
<v Speaker 2>of the emotional moments. And there's a couple of reasons. Actually,

1885
01:39:34.359 --> 01:39:37.920
<v Speaker 2>Partly I think that obviously the whole legal business about

1886
01:39:37.960 --> 01:39:42.479
<v Speaker 2>like there there's okay, so step backward. I happened to

1887
01:39:42.479 --> 01:39:46.520
<v Speaker 2>glance at the Rot Tomatoes number and I saw that

1888
01:39:46.560 --> 01:39:50.239
<v Speaker 2>the critic you know, appraisal is not great. And you know,

1889
01:39:51.920 --> 01:39:56.319
<v Speaker 2>there are there are Michael Jackson fans on the internet

1890
01:39:56.840 --> 01:40:04.239
<v Speaker 2>who I would say are a little aggressive, you know,

1891
01:40:04.720 --> 01:40:09.880
<v Speaker 2>And and their whole contention is that you know that

1892
01:40:10.239 --> 01:40:15.159
<v Speaker 2>he's just a sanctified person, right, And I'm like, well, nobody,

1893
01:40:15.359 --> 01:40:19.680
<v Speaker 2>nobody is that. And I'm not even saying that. I'm

1894
01:40:19.720 --> 01:40:21.600
<v Speaker 2>not coming at it from the perspective of the things

1895
01:40:21.600 --> 01:40:26.399
<v Speaker 2>he was accused of, right, you know, because obviously there's like, oh, well,

1896
01:40:26.880 --> 01:40:30.640
<v Speaker 2>there's there's enough of a shadow of a doubt over

1897
01:40:30.680 --> 01:40:32.479
<v Speaker 2>that we say, okay, let's just put that to one side, right,

1898
01:40:32.840 --> 01:40:36.119
<v Speaker 2>But I am saying like he was a human being,

1899
01:40:38.279 --> 01:40:41.720
<v Speaker 2>and and I think that there was an opportunity to

1900
01:40:41.880 --> 01:40:47.479
<v Speaker 2>delve into his inner life far more than this movie does.

1901
01:40:47.600 --> 01:40:51.279
<v Speaker 2>It feels he feels very reactive, and he feels very

1902
01:40:51.319 --> 01:40:55.760
<v Speaker 2>he feels like like I just want to bring light

1903
01:40:55.840 --> 01:40:59.199
<v Speaker 2>to the world and all this, right, and and so

1904
01:41:00.079 --> 01:41:05.079
<v Speaker 2>there there there was something frustratingly arms length that made

1905
01:41:05.079 --> 01:41:10.600
<v Speaker 2>it feel like an exercise in brand management. Right. And

1906
01:41:10.640 --> 01:41:14.159
<v Speaker 2>it's funny because there's one thing we'll talk more about

1907
01:41:14.319 --> 01:41:16.600
<v Speaker 2>various other things, but there's one scene where it's it's

1908
01:41:16.640 --> 01:41:20.479
<v Speaker 2>where Michael's meeting with his attorneys and they got all

1909
01:41:20.520 --> 01:41:23.119
<v Speaker 2>these guys. They're all sitting at the long table like well,

1910
01:41:23.239 --> 01:41:26.079
<v Speaker 2>mister Jackson, we think we should do this, Well, maybe

1911
01:41:26.079 --> 01:41:28.079
<v Speaker 2>you can do this, you know, all these and then

1912
01:41:28.479 --> 01:41:31.319
<v Speaker 2>and then one guy, here's what I think you should do.

1913
01:41:31.760 --> 01:41:35.359
<v Speaker 2>Nobody kind of glances over, and there's Miles Teller. You know,

1914
01:41:35.680 --> 01:41:38.359
<v Speaker 2>you're you're gonna be the greatest or whatever he says.

1915
01:41:38.399 --> 01:41:42.880
<v Speaker 2>You know, he's he's Tony Danza. Yeah yeah. And then

1916
01:41:42.960 --> 01:41:45.319
<v Speaker 2>and then he's the guy who you know, he he

1917
01:41:45.319 --> 01:41:48.640
<v Speaker 2>he separates Michael from from his father, which, holy shit,

1918
01:41:48.760 --> 01:41:50.960
<v Speaker 2>we need to talk about Coleman Domingo's performance in a second.

1919
01:41:51.039 --> 01:41:54.600
<v Speaker 2>There's so much to talk about. But I was like,

1920
01:41:54.960 --> 01:41:57.920
<v Speaker 2>what a weirdly prominent role to give this random guy.

1921
01:41:57.920 --> 01:42:00.560
<v Speaker 2>And it turns out he's a producer on the movie. Yeah,

1922
01:42:00.680 --> 01:42:02.600
<v Speaker 2>I was like, holy shit, Okay.

1923
01:42:02.399 --> 01:42:05.640
<v Speaker 3>Yeah, made himself one of the like foremost important people

1924
01:42:05.680 --> 01:42:09.479
<v Speaker 3>in this decade spanning story.

1925
01:42:10.119 --> 01:42:13.279
<v Speaker 2>I know. So now that's it. I want to say

1926
01:42:13.319 --> 01:42:18.399
<v Speaker 2>Jaffar Jackson, who plays Michael, there are times, and I

1927
01:42:18.439 --> 01:42:20.520
<v Speaker 2>don't mean this as an insult, there are times he

1928
01:42:20.560 --> 01:42:24.479
<v Speaker 2>looks like a deep fake of Michael Jackson. Yeah.

1929
01:42:24.800 --> 01:42:29.000
<v Speaker 3>You know, it's interesting when he first shows up and

1930
01:42:29.079 --> 01:42:30.920
<v Speaker 3>he does the voice, you know, the.

1931
01:42:31.039 --> 01:42:33.239
<v Speaker 2>You know, I just want to make you know, good music,

1932
01:42:33.600 --> 01:42:38.239
<v Speaker 2>like we our entire lives.

1933
01:42:38.800 --> 01:42:42.399
<v Speaker 3>Michael Jackson has been parodied, Yeah, you know what I mean,

1934
01:42:42.720 --> 01:42:46.920
<v Speaker 3>like the Tonight Show, the Las Vegas whatever, you know,

1935
01:42:47.479 --> 01:42:52.520
<v Speaker 3>Saturday Night Live. We've seen his look parodied and his

1936
01:42:52.640 --> 01:42:56.239
<v Speaker 3>voice certainly parodied. So like, this guy has a lot

1937
01:42:56.279 --> 01:42:58.439
<v Speaker 3>working against him trying to come up with a take

1938
01:42:58.640 --> 01:43:05.279
<v Speaker 3>on Michael Jackson and now having us instinctively snicker that's right, right,

1939
01:43:05.399 --> 01:43:07.560
<v Speaker 3>And so it did. There was a moment when he

1940
01:43:07.600 --> 01:43:08.800
<v Speaker 3>kind of did the voice. I was like, Oh, I

1941
01:43:08.840 --> 01:43:10.279
<v Speaker 3>don't know, I don't know. I don't know if I

1942
01:43:10.319 --> 01:43:16.279
<v Speaker 3>can like get lose myself to that. But to his credit,

1943
01:43:16.359 --> 01:43:17.039
<v Speaker 3>I did.

1944
01:43:17.760 --> 01:43:21.359
<v Speaker 2>I agree, Yeah, I agree. I think he's good. However,

1945
01:43:21.560 --> 01:43:24.119
<v Speaker 2>I have seen people say this is a star making

1946
01:43:24.199 --> 01:43:27.800
<v Speaker 2>turn from Jafar Jackson, and to that, I say, well

1947
01:43:28.000 --> 01:43:32.199
<v Speaker 2>is it? Though? He is an excellent Michael Jackson impersonator.

1948
01:43:32.279 --> 01:43:36.079
<v Speaker 2>That's my point, right, I'm like, what other roles like

1949
01:43:36.159 --> 01:43:39.159
<v Speaker 2>he could go on tour playing Michael Jackson. Yeah, And

1950
01:43:39.159 --> 01:43:39.399
<v Speaker 2>by the.

1951
01:43:39.359 --> 01:43:42.319
<v Speaker 3>Way I feel immediately I want to say that I

1952
01:43:42.640 --> 01:43:45.399
<v Speaker 3>don't know because I don't feel like I've seen him

1953
01:43:45.680 --> 01:43:49.800
<v Speaker 3>do anything else. Like not a lot of people could

1954
01:43:49.800 --> 01:43:52.000
<v Speaker 3>do what he did in this movie. He does it right,

1955
01:43:52.199 --> 01:43:53.600
<v Speaker 3>really really means he's.

1956
01:43:53.520 --> 01:43:55.920
<v Speaker 2>Star making I don't know, because I mean he could

1957
01:43:55.920 --> 01:43:58.159
<v Speaker 2>play a lot of other people, know, right, So so

1958
01:43:58.520 --> 01:44:00.399
<v Speaker 2>you know, the hyperbole gets a little much.

1959
01:44:00.560 --> 01:44:05.359
<v Speaker 3>Okay, yeah, but that's like, well, going to what you

1960
01:44:05.359 --> 01:44:06.279
<v Speaker 3>were saying, I mean, yeah, the.

1961
01:44:08.479 --> 01:44:11.920
<v Speaker 2>The fandom online has been pretty intense with this movie.

1962
01:44:12.039 --> 01:44:16.600
<v Speaker 2>It's it's a lot. It's a lot, you know. And

1963
01:44:16.640 --> 01:44:18.720
<v Speaker 2>this is not something I've engaged with directly. This is

1964
01:44:18.760 --> 01:44:22.199
<v Speaker 2>just purely observational from you know, our friend Paul Shiy

1965
01:44:22.319 --> 01:44:27.319
<v Speaker 2>wrote a review which I read as mostly mixed. I

1966
01:44:28.319 --> 01:44:30.399
<v Speaker 2>didn't even read the review. I read his review after

1967
01:44:30.439 --> 01:44:33.319
<v Speaker 2>I watched the movie, but I saw Edie had posted

1968
01:44:33.319 --> 01:44:35.319
<v Speaker 2>his review on social media, and then just you know,

1969
01:44:35.680 --> 01:44:37.960
<v Speaker 2>I saw like just a shit ton of comments under

1970
01:44:38.000 --> 01:44:39.720
<v Speaker 2>I'm like, oh, let's see this, and it's just man,

1971
01:44:39.720 --> 01:44:42.199
<v Speaker 2>people coming out of the woodworks, you know. Yeah.

1972
01:44:42.239 --> 01:44:45.399
<v Speaker 3>Well, like we talked about in our bonus episode over

1973
01:44:45.399 --> 01:44:49.800
<v Speaker 3>at Patreon, I started watching The Pit and I was

1974
01:44:49.880 --> 01:44:54.680
<v Speaker 3>shocked to find that The Pit has this crazy intense

1975
01:44:54.800 --> 01:44:57.560
<v Speaker 3>online fandom. So, I mean, it's just it's just in

1976
01:44:57.600 --> 01:44:58.560
<v Speaker 3>the air these.

1977
01:44:58.399 --> 01:45:04.119
<v Speaker 2>Days, there's something something broken Yeah. Anyway, Now, now I

1978
01:45:04.159 --> 01:45:07.880
<v Speaker 2>think by virtue of having to sanctify Michael to what

1979
01:45:08.000 --> 01:45:10.600
<v Speaker 2>I would say is, I don't know about realistic or

1980
01:45:10.680 --> 01:45:12.720
<v Speaker 2>unrealistic in terms of what actually happened, but I think

1981
01:45:12.760 --> 01:45:19.800
<v Speaker 2>in terms of drama, it's a drama killer because he's

1982
01:45:19.880 --> 01:45:24.279
<v Speaker 2>so good instead of being complicated. Does that make sense?

1983
01:45:24.560 --> 01:45:24.720
<v Speaker 5>You know?

1984
01:45:24.800 --> 01:45:27.600
<v Speaker 3>As a perfect moment that like sums that up for

1985
01:45:27.720 --> 01:45:31.319
<v Speaker 3>me is when he gets Bubbles the chimp.

1986
01:45:31.359 --> 01:45:32.640
<v Speaker 2>I was about to bring this up.

1987
01:45:32.680 --> 01:45:35.920
<v Speaker 3>Okay, go ahead, Well, so he's basically you know, he

1988
01:45:36.800 --> 01:45:40.920
<v Speaker 3>this rescues the Bubbles and he's brought to his mansion

1989
01:45:40.960 --> 01:45:45.399
<v Speaker 3>where the whole family lives. And now, after watching the movie, Nope,

1990
01:45:45.880 --> 01:45:47.399
<v Speaker 3>I think we've all learned that maybe it's not a

1991
01:45:47.439 --> 01:45:50.800
<v Speaker 3>good idea to use real animals in movies, just.

1992
01:45:50.760 --> 01:45:54.800
<v Speaker 2>Having lived on this earth and knowing what tends to happen. Yeah,

1993
01:45:54.800 --> 01:45:55.720
<v Speaker 2>they're wild animals.

1994
01:45:55.880 --> 01:45:58.079
<v Speaker 3>Maybe now that we have the technology, we should use

1995
01:45:58.439 --> 01:46:01.119
<v Speaker 3>you know, CGI to recreate animals.

1996
01:46:01.119 --> 01:46:02.399
<v Speaker 2>It's safer, it's it's better.

1997
01:46:02.439 --> 01:46:04.319
<v Speaker 3>It doesn't look always that great, but it is what

1998
01:46:04.399 --> 01:46:07.479
<v Speaker 3>it is, right, So I wasn't surprised that Bubbles was.

1999
01:46:07.399 --> 01:46:12.760
<v Speaker 2>A CGI creation. Yeah, However, when.

2000
01:46:12.600 --> 01:46:17.800
<v Speaker 5>The Bubbles meets Michael, he basically looks into Michael's eyes

2001
01:46:18.119 --> 01:46:21.800
<v Speaker 5>and smiles as if he's some sort of like Disney

2002
01:46:22.199 --> 01:46:24.279
<v Speaker 5>like snow White, you know, animal.

2003
01:46:24.600 --> 01:46:27.880
<v Speaker 2>I expected Andy Serkus's voice to come out and say,

2004
01:46:27.920 --> 01:46:29.640
<v Speaker 2>Bubbles is home.

2005
01:46:30.319 --> 01:46:32.079
<v Speaker 3>Yes, yes, well, I mean it's like he almost looks

2006
01:46:32.119 --> 01:46:33.720
<v Speaker 3>at him like he's like Jesus or something like in

2007
01:46:33.760 --> 01:46:36.159
<v Speaker 3>a movie where you'd see someone like like an animal

2008
01:46:36.399 --> 01:46:38.760
<v Speaker 3>looking at Jesus and then they smile because they know

2009
01:46:39.279 --> 01:46:40.359
<v Speaker 3>that's their creator, you.

2010
01:46:40.279 --> 01:46:42.560
<v Speaker 2>Know, or something like. It's like this weird.

2011
01:46:43.279 --> 01:46:45.359
<v Speaker 3>I was like, that's odd, Like they're really trying to

2012
01:46:45.479 --> 01:46:48.680
<v Speaker 3>like deify.

2013
01:46:47.199 --> 01:46:49.000
<v Speaker 2>Well, and so let me let me add to that.

2014
01:46:49.039 --> 01:46:52.720
<v Speaker 2>See this this gets to something, right, Like, let's put

2015
01:46:52.800 --> 01:46:56.520
<v Speaker 2>all of the accusations to one side. Yeah, yeah, what

2016
01:46:56.560 --> 01:47:00.880
<v Speaker 2>we can say is that Michael was, and not necessarily

2017
01:47:00.880 --> 01:47:02.359
<v Speaker 2>through any fault of his own, he was kind of

2018
01:47:02.359 --> 01:47:06.520
<v Speaker 2>an odd guy, right, and and things like I want

2019
01:47:06.520 --> 01:47:09.079
<v Speaker 2>a lama, I want a chimpanzee. I'm sorry, but that's

2020
01:47:09.159 --> 01:47:12.439
<v Speaker 2>a little odd, right yeah yeah yeah yeah. And and

2021
01:47:12.520 --> 01:47:17.680
<v Speaker 2>so to me, fundamentally, there's here like the movie sort

2022
01:47:17.680 --> 01:47:22.199
<v Speaker 2>of broadly acknowledged this idea that he didn't feel like

2023
01:47:22.199 --> 01:47:23.920
<v Speaker 2>he had a childhood, right, But I'm like, well, what

2024
01:47:24.000 --> 01:47:28.520
<v Speaker 2>does like look at how that manifests Like that's interesting

2025
01:47:28.560 --> 01:47:30.600
<v Speaker 2>to me and I want more of that. He's the

2026
01:47:30.600 --> 01:47:32.479
<v Speaker 2>biggest star in the world. He can have whatever he wants.

2027
01:47:32.520 --> 01:47:34.479
<v Speaker 2>And what does he do? He goes to a toy store, right,

2028
01:47:35.479 --> 01:47:37.640
<v Speaker 2>And I'm not saying we we be like, look at

2029
01:47:37.640 --> 01:47:42.600
<v Speaker 2>this weirdo. No, that's let's get into that. Yes, let's

2030
01:47:42.640 --> 01:47:45.640
<v Speaker 2>get into that, right, And instead it's kind of we

2031
01:47:45.720 --> 01:47:50.720
<v Speaker 2>got Coleman Domingo just hamming it up as just the

2032
01:47:50.760 --> 01:47:54.840
<v Speaker 2>worst piece of shit father on Earth. I haven't had

2033
01:47:54.840 --> 01:47:58.800
<v Speaker 2>thought he is too. Actually, he's very watchable. I will

2034
01:47:58.800 --> 01:48:02.600
<v Speaker 2>say that for sure. I mean, but I just have

2035
01:48:02.680 --> 01:48:04.479
<v Speaker 2>so much I want to say, but yeah, yeah, sorry,

2036
01:48:04.960 --> 01:48:10.119
<v Speaker 2>Coleman Domingo is one step away from no wire hangers.

2037
01:48:10.199 --> 01:48:14.520
<v Speaker 2>You know he's doing he's doing that. You know what's interesting?

2038
01:48:14.720 --> 01:48:16.039
<v Speaker 2>I actually.

2039
01:48:17.079 --> 01:48:20.399
<v Speaker 3>Just look, I mean I only know things I've read

2040
01:48:20.520 --> 01:48:23.119
<v Speaker 3>and past things I've watched, like The Jackson five, the

2041
01:48:23.159 --> 01:48:23.800
<v Speaker 3>American Dream.

2042
01:48:23.840 --> 01:48:28.359
<v Speaker 2>I think it was the Jackson. Yeah, that's I've learned.

2043
01:48:28.560 --> 01:48:32.840
<v Speaker 3>You know, what a monster Joe Jackson was, right, And

2044
01:48:32.880 --> 01:48:35.039
<v Speaker 3>so in this movie there's a scene where he uses

2045
01:48:35.079 --> 01:48:37.479
<v Speaker 3>his belt on Young Michael, and I almost started crying.

2046
01:48:37.520 --> 01:48:40.760
<v Speaker 3>It was so upsetting, like that that little actor playing

2047
01:48:40.920 --> 01:48:45.880
<v Speaker 3>young Michael, this is incredible. And but that's kind of

2048
01:48:45.960 --> 01:48:49.520
<v Speaker 3>as far as it goes with him. And you know,

2049
01:48:49.560 --> 01:48:52.880
<v Speaker 3>he says things about Michael's nose, which we know happened,

2050
01:48:53.840 --> 01:48:56.199
<v Speaker 3>but other than that, he comes across mostly as like

2051
01:48:56.520 --> 01:49:00.000
<v Speaker 3>stern And I was like, that's interesting because this is

2052
01:49:00.079 --> 01:49:02.000
<v Speaker 3>being produced by the family and it almost feels like

2053
01:49:02.000 --> 01:49:05.159
<v Speaker 3>they're like pushing him up a little bit too, Like, yeah,

2054
01:49:05.199 --> 01:49:07.520
<v Speaker 3>he did some things that we don't agree with, but

2055
01:49:07.720 --> 01:49:10.600
<v Speaker 3>like he kept it all together, you know, like he

2056
01:49:10.680 --> 01:49:13.439
<v Speaker 3>made it happen like that. That was how I took

2057
01:49:13.479 --> 01:49:17.600
<v Speaker 3>it because well, I mean, don't get me wrong, I'm

2058
01:49:17.600 --> 01:49:20.359
<v Speaker 3>not saying what I didn't see was disturbing, but like

2059
01:49:21.039 --> 01:49:25.520
<v Speaker 3>we know that he relentlessly bullied Michael and made fun

2060
01:49:25.520 --> 01:49:27.279
<v Speaker 3>of his acne. He made fun of his nose to

2061
01:49:27.319 --> 01:49:30.960
<v Speaker 3>the point that when Michael Jackson died and was on

2062
01:49:31.039 --> 01:49:33.399
<v Speaker 3>like a slab in a corner's office, he had a

2063
01:49:33.479 --> 01:49:37.399
<v Speaker 3>hole in his face, no nose because of that friggin

2064
01:49:37.479 --> 01:49:42.319
<v Speaker 3>monster of a father, right, And I thought, if you

2065
01:49:42.439 --> 01:49:45.439
<v Speaker 3>really did a movie that like got into it, I

2066
01:49:45.439 --> 01:49:46.720
<v Speaker 3>think he would have been even worse.

2067
01:49:49.359 --> 01:49:52.319
<v Speaker 2>I think it gets to like, what's the threshold for

2068
01:49:52.359 --> 01:49:54.640
<v Speaker 2>how much of this do people want to you know what?

2069
01:49:54.720 --> 01:49:56.960
<v Speaker 3>And I agree with that. I agree with that because

2070
01:49:57.000 --> 01:49:58.640
<v Speaker 3>I don't think people want to see that. They want

2071
01:49:58.680 --> 01:49:59.960
<v Speaker 3>to bop when they start playing thrill.

2072
01:50:00.640 --> 01:50:03.399
<v Speaker 2>That's the problem, right, Yeah, And so so there is

2073
01:50:03.439 --> 01:50:09.239
<v Speaker 2>some there is that complexity of Joe Jackson's piece of shit.

2074
01:50:09.720 --> 01:50:13.760
<v Speaker 2>Mm hmm. We don't get Michael Jackson without Joe Jackson, yes,

2075
01:50:14.399 --> 01:50:21.479
<v Speaker 2>and that's an uncomfortable truth, yeah, yeah, And obviously the

2076
01:50:21.520 --> 01:50:24.439
<v Speaker 2>movie is not gonna want to do with that. Yeah. Yeah.

2077
01:50:24.479 --> 01:50:27.800
<v Speaker 2>But but again it's like there there is a legitimate

2078
01:50:27.840 --> 01:50:32.119
<v Speaker 2>horror movie jump scare scene, yes, where Michael is at

2079
01:50:32.159 --> 01:50:35.399
<v Speaker 2>the fridge. He opens the fridge door and then he

2080
01:50:35.479 --> 01:50:39.640
<v Speaker 2>closes it and there's Joe Jackson standing there. Yeah. Right,

2081
01:50:39.720 --> 01:50:42.439
<v Speaker 2>so he's like he's like the ghostface of this movie.

2082
01:50:42.600 --> 01:50:46.039
<v Speaker 2>You know, it's right right. There is a scene by

2083
01:50:46.079 --> 01:50:50.920
<v Speaker 2>the way where it's it's Joe Jackson played by Coleman

2084
01:50:50.960 --> 01:50:54.760
<v Speaker 2>Domingo and and he's sitting with Don King who plays

2085
01:50:54.840 --> 01:50:57.039
<v Speaker 2>him who plays him, I don't know, but he's very good.

2086
01:50:58.000 --> 01:51:01.640
<v Speaker 2>Uh that It felt like a like a key and

2087
01:51:01.680 --> 01:51:04.640
<v Speaker 2>peel sketch. That was sure. Yeah, I mean, well, Don

2088
01:51:04.760 --> 01:51:08.640
<v Speaker 2>King feels like a cartoon character. It was Dion Cole.

2089
01:51:08.680 --> 01:51:11.279
<v Speaker 2>I knew he looked familiar. It was the uncle. Oh wow,

2090
01:51:11.359 --> 01:51:14.479
<v Speaker 2>I didn't. I knew he looked familiar. That's funny, right,

2091
01:51:14.680 --> 01:51:17.840
<v Speaker 2>But it's literally like they're like lighting their cigars like

2092
01:51:18.760 --> 01:51:23.439
<v Speaker 2>we're you know, I mean, it's so like comically, you know,

2093
01:51:24.319 --> 01:51:30.279
<v Speaker 2>it's it's so broad. Oh, absolutely, yeah. You know we're

2094
01:51:30.279 --> 01:51:33.159
<v Speaker 2>gonna go on this tour and make sure Michael's gonna

2095
01:51:33.199 --> 01:51:34.760
<v Speaker 2>be there to puff puff you know.

2096
01:51:35.520 --> 01:51:38.760
<v Speaker 3>Yeah, can you guarantee it, Joe, because if you don't,

2097
01:51:39.319 --> 01:51:42.319
<v Speaker 3>you know, there'll be a price to pay.

2098
01:51:42.520 --> 01:51:44.640
<v Speaker 2>Yeah, but you know, it's funny.

2099
01:51:45.520 --> 01:51:48.520
<v Speaker 3>I was telling people, I feel like this movie is

2100
01:51:48.600 --> 01:51:52.000
<v Speaker 3>less deep than a Wikipedia article, you know what I mean.

2101
01:51:53.279 --> 01:51:55.000
<v Speaker 3>Like usually that's the thing where you're like, oh, it's

2102
01:51:55.000 --> 01:51:58.359
<v Speaker 3>like they filmed a Wikipedia article. This has less like

2103
01:51:58.680 --> 01:52:02.680
<v Speaker 3>insight than Wikipedia articles, and like one of my favorite

2104
01:52:02.680 --> 01:52:04.640
<v Speaker 3>I maybe this is a spoiler.

2105
01:52:05.479 --> 01:52:06.000
<v Speaker 2>I'll say this.

2106
01:52:07.880 --> 01:52:12.479
<v Speaker 3>The scenes aren't very long, and they're not very deep.

2107
01:52:12.880 --> 01:52:15.800
<v Speaker 3>They're just connective tissue to the next musical.

2108
01:52:15.479 --> 01:52:18.880
<v Speaker 2>Number, and those are all fricking great.

2109
01:52:18.920 --> 01:52:20.960
<v Speaker 3>And they're great and their full length, you know what

2110
01:52:21.000 --> 01:52:23.199
<v Speaker 3>I mean. And I've been telling people like, if I

2111
01:52:23.239 --> 01:52:25.199
<v Speaker 3>have a review for this movie, it would have to

2112
01:52:25.199 --> 01:52:28.600
<v Speaker 3>have a title called a Tale of two Brian's because

2113
01:52:32.199 --> 01:52:37.239
<v Speaker 3>is this a good biography of an incredibly complex superstar,

2114
01:52:37.359 --> 01:52:39.960
<v Speaker 3>like a once in a century superstar, and like a

2115
01:52:40.000 --> 01:52:42.399
<v Speaker 3>little bit of digging into who he was and why

2116
01:52:43.239 --> 01:52:44.479
<v Speaker 3>not even remotely?

2117
01:52:45.039 --> 01:52:45.319
<v Speaker 2>Right?

2118
01:52:46.359 --> 01:52:50.560
<v Speaker 3>Did I enjoy every performance and find myself moving in

2119
01:52:50.600 --> 01:52:53.079
<v Speaker 3>my chair? And if someone asked me, do you want

2120
01:52:53.119 --> 01:52:56.920
<v Speaker 3>to see it again? I'd say yes, like because I

2121
01:52:57.039 --> 01:53:01.520
<v Speaker 3>enjoyed myself. So it's a it's it's such a strange

2122
01:53:01.560 --> 01:53:02.239
<v Speaker 3>movie in a way.

2123
01:53:02.319 --> 01:53:06.039
<v Speaker 2>Right, Well, so here here's where I'm at, right, because

2124
01:53:06.119 --> 01:53:10.239
<v Speaker 2>because I think the most apt comp is Bohemian Rhapsody

2125
01:53:10.319 --> 01:53:15.479
<v Speaker 2>for Me, Yeah, which and apparently one of the same producers, right, Yeah,

2126
01:53:15.520 --> 01:53:19.079
<v Speaker 2>And Mike Myers is in both. Mike Myers is in

2127
01:53:19.199 --> 01:53:24.239
<v Speaker 2>both OLDO remember, well, I know he's in boheman, who

2128
01:53:24.279 --> 01:53:25.800
<v Speaker 2>is he in this? Oh?

2129
01:53:25.840 --> 01:53:30.000
<v Speaker 3>He's the guy who Uh Miles Teller is like you

2130
01:53:30.039 --> 01:53:32.760
<v Speaker 3>got to get Michael on MTV or we walk or no,

2131
01:53:32.840 --> 01:53:34.600
<v Speaker 3>He's like, are we pull all the CBS catalog?

2132
01:53:35.000 --> 01:53:38.359
<v Speaker 2>Okay? So that's actually pretty brilliant because I was like,

2133
01:53:38.520 --> 01:53:40.079
<v Speaker 2>I know this is a guy. I should know who

2134
01:53:40.159 --> 01:53:42.640
<v Speaker 2>it is. Oh funny, yeah yeah, you did not recognize

2135
01:53:42.640 --> 01:53:45.039
<v Speaker 2>that it was Mike Myer. Mike Myers, So is this

2136
01:53:45.159 --> 01:53:48.119
<v Speaker 2>just Mike Myers? Like career third act? He just plays

2137
01:53:48.640 --> 01:53:49.880
<v Speaker 2>music executives.

2138
01:53:50.439 --> 01:53:52.520
<v Speaker 3>He's just going to be in that great what's his name,

2139
01:53:52.560 --> 01:53:55.960
<v Speaker 3>Graham the producer? I don't know, but U in his

2140
01:53:56.039 --> 01:53:59.800
<v Speaker 3>cinematic universe of musicians, he's always going to play some

2141
01:54:00.239 --> 01:54:00.920
<v Speaker 3>music producer.

2142
01:54:01.640 --> 01:54:03.680
<v Speaker 2>Now, that was a true thing that happened, which I

2143
01:54:03.680 --> 01:54:07.199
<v Speaker 2>thought was pretty cool about MTV being like, oh, we

2144
01:54:07.239 --> 01:54:11.159
<v Speaker 2>don't play black artists, which is so aft up. Yeah yeah,

2145
01:54:11.880 --> 01:54:15.880
<v Speaker 2>so yeah. So that being said, so Bohemian Rhapsody, I

2146
01:54:15.920 --> 01:54:19.600
<v Speaker 2>had very much the same response where my toes were tapping.

2147
01:54:20.640 --> 01:54:25.000
<v Speaker 2>I thought it was historical nonsense. It felt like brand management.

2148
01:54:25.039 --> 01:54:28.920
<v Speaker 2>Even when I was watching it and as I was

2149
01:54:28.960 --> 01:54:31.159
<v Speaker 2>walking out of the theater, I downloaded the soundtrack to

2150
01:54:31.199 --> 01:54:36.760
<v Speaker 2>my phone. Yeah, absolutely right, So same sequence in this.

2151
01:54:38.520 --> 01:54:41.960
<v Speaker 2>I had the exact same responses tapping my toes, being like,

2152
01:54:42.000 --> 01:54:44.800
<v Speaker 2>this is pretty clearly brand management, up to and including

2153
01:54:45.159 --> 01:54:50.439
<v Speaker 2>all the family members being producers except Janet, who Janet

2154
01:54:50.479 --> 01:54:52.520
<v Speaker 2>Jackson doesn't exist in this dojo.

2155
01:54:52.560 --> 01:54:54.600
<v Speaker 3>Yes, I know, which I thought would have been funny

2156
01:54:54.600 --> 01:54:56.199
<v Speaker 3>if they had like sort of kept her. But she

2157
01:54:56.239 --> 01:54:58.159
<v Speaker 3>was always in shadow or something. You'd never see her.

2158
01:55:01.600 --> 01:55:03.479
<v Speaker 2>She's like Wilson and Home improvis.

2159
01:55:03.199 --> 01:55:06.199
<v Speaker 3>Yes, yes, exactly, or it's like always her shoulder or something.

2160
01:55:06.279 --> 01:55:08.760
<v Speaker 2>But like and then guess what I get in my

2161
01:55:08.840 --> 01:55:12.119
<v Speaker 2>car and I put on Michael Jackson, right, Yeah, So

2162
01:55:12.720 --> 01:55:16.800
<v Speaker 2>that's my point. I think it goes through the paces

2163
01:55:16.880 --> 01:55:19.039
<v Speaker 2>of these music biopics. And by the way, this is

2164
01:55:19.079 --> 01:55:20.960
<v Speaker 2>something we talked about when we were watching Dewey Cox.

2165
01:55:21.000 --> 01:55:25.000
<v Speaker 2>It's like, why do this template because guess what, it works,

2166
01:55:25.439 --> 01:55:27.760
<v Speaker 2>because that's what audiences want. And when you when you

2167
01:55:28.000 --> 01:55:30.840
<v Speaker 2>when you go off roading, people don't show up, Like

2168
01:55:30.840 --> 01:55:33.039
<v Speaker 2>like the Springsteen movie. People didn't show up for that,

2169
01:55:33.399 --> 01:55:36.399
<v Speaker 2>I know, because it was trying not to do that. Yep.

2170
01:55:36.920 --> 01:55:39.199
<v Speaker 2>So it's like I can't even fault them for making

2171
01:55:39.199 --> 01:55:41.479
<v Speaker 2>the movie they made. I think. I think you go

2172
01:55:41.560 --> 01:55:45.359
<v Speaker 2>where the money is. But let's be very clear, this

2173
01:55:45.439 --> 01:55:48.119
<v Speaker 2>is an exercise in brand management and you should just

2174
01:55:48.199 --> 01:55:49.079
<v Speaker 2>know that going.

2175
01:55:48.800 --> 01:55:53.479
<v Speaker 3>In, yes, and leave it up to yourself if you

2176
01:55:53.560 --> 01:55:56.159
<v Speaker 3>feel okay about that. I mean, that's the thing he is,

2177
01:55:57.359 --> 01:55:59.399
<v Speaker 3>regardless of what you believe about all.

2178
01:55:59.199 --> 01:56:01.000
<v Speaker 2>Of the tales surrounding him.

2179
01:56:02.079 --> 01:56:07.600
<v Speaker 3>He is a controversial person, right, you know, And there's many,

2180
01:56:07.600 --> 01:56:11.199
<v Speaker 3>many layers of this person. And I wish the movie

2181
01:56:11.239 --> 01:56:15.720
<v Speaker 3>had dug into that because I'm interested. And also, is

2182
01:56:15.720 --> 01:56:20.479
<v Speaker 3>it irresponsible not to, you know, just to I don't know,

2183
01:56:20.520 --> 01:56:24.720
<v Speaker 3>turn him into this saintly figure that he he wasn't

2184
01:56:24.760 --> 01:56:28.239
<v Speaker 3>nobody is, you know, And so is that kind of.

2185
01:56:29.680 --> 01:56:32.920
<v Speaker 2>I don't know, just kind of I would say yes,

2186
01:56:32.960 --> 01:56:38.640
<v Speaker 2>I would say yes, it is irresponsible because that's not real. Yeah, apparently.

2187
01:56:38.680 --> 01:56:41.800
<v Speaker 2>I mean the you know, the first cut, the Antoine

2188
01:56:41.800 --> 01:56:45.079
<v Speaker 2>Fuqua submitted, you know, the way they shot it, it

2189
01:56:45.159 --> 01:56:53.640
<v Speaker 2>was the flashback situated around Michael dealing with the first

2190
01:56:53.720 --> 01:56:55.479
<v Speaker 2>of the accusations. Yeah.

2191
01:56:55.479 --> 01:56:58.760
<v Speaker 3>Well, because this begins full on Dewey Cox, right where

2192
01:56:58.800 --> 01:57:01.159
<v Speaker 3>he's about to go on stage for the Bad Tour

2193
01:57:01.199 --> 01:57:02.840
<v Speaker 3>and it's like the back of his head thinking about

2194
01:57:02.840 --> 01:57:05.760
<v Speaker 3>his life. The original version was him at Neverland Ranch

2195
01:57:05.960 --> 01:57:09.880
<v Speaker 3>looking in a mirror and police lights suddenly appear all around.

2196
01:57:10.239 --> 01:57:16.720
<v Speaker 2>Holy shit, Like how did you think that? Like that?

2197
01:57:16.720 --> 01:57:19.159
<v Speaker 2>That's such a complete one to eighty from the movie.

2198
01:57:19.199 --> 01:57:22.319
<v Speaker 3>They made right, you know what actually, and maybe that

2199
01:57:22.760 --> 01:57:24.760
<v Speaker 3>is why we got the movie we got, you know,

2200
01:57:24.800 --> 01:57:28.279
<v Speaker 3>and we might not have even agreed with their take

2201
01:57:29.119 --> 01:57:31.600
<v Speaker 3>on everything, but at least it sounds like they were

2202
01:57:31.800 --> 01:57:33.000
<v Speaker 3>going to try to go there.

2203
01:57:34.039 --> 01:57:35.000
<v Speaker 2>And maybe.

2204
01:57:36.279 --> 01:57:38.920
<v Speaker 3>When they lost a huge portion of this movie and

2205
01:57:38.920 --> 01:57:41.199
<v Speaker 3>they had to like fill in the gaps and shoot

2206
01:57:41.199 --> 01:57:45.640
<v Speaker 3>new things and pad it out, maybe they lost a

2207
01:57:45.680 --> 01:57:46.840
<v Speaker 3>lot of grit along the way.

2208
01:57:47.399 --> 01:57:50.319
<v Speaker 2>Yeah. Well, no, I I think that's exactly what happened.

2209
01:57:50.359 --> 01:57:53.800
<v Speaker 2>I mean, you ended up sanding it down to just

2210
01:57:53.960 --> 01:57:57.119
<v Speaker 2>I mean that there's there's no texture at all, you know.

2211
01:57:58.720 --> 01:58:00.920
<v Speaker 2>The other thing is it with you know, and the

2212
01:58:01.000 --> 01:58:03.960
<v Speaker 2>story continued or something like whatever it says at the end, right, yeah,

2213
01:58:04.000 --> 01:58:06.039
<v Speaker 2>And I'm like, so are you what are you going

2214
01:58:06.159 --> 01:58:08.520
<v Speaker 2>to do the last twenty years of his life? What

2215
01:58:08.560 --> 01:58:10.920
<v Speaker 2>does that movie look like? You know?

2216
01:58:11.079 --> 01:58:13.880
<v Speaker 3>From interviews and things that I've read, it sounds like

2217
01:58:13.960 --> 01:58:16.560
<v Speaker 3>they could sidestep some of that stuff. I mean, you

2218
01:58:16.880 --> 01:58:18.680
<v Speaker 3>have to address it to some degree, but it sounds

2219
01:58:18.680 --> 01:58:20.399
<v Speaker 3>like they could do what they did here and just

2220
01:58:20.439 --> 01:58:23.720
<v Speaker 3>basically make a concert film and do you know whatever

2221
01:58:23.840 --> 01:58:29.359
<v Speaker 3>bad dangerous history history, right, you know, I don't know.

2222
01:58:29.439 --> 01:58:31.920
<v Speaker 3>By the way, speaking of controversial figures. Did you notice

2223
01:58:31.920 --> 01:58:35.880
<v Speaker 3>the guy cast as John Landis during the Thriller video?

2224
01:58:36.159 --> 01:58:37.680
<v Speaker 2>I don't know, but like I.

2225
01:58:37.600 --> 01:58:40.600
<v Speaker 3>Was looking for him, yeah, because I knew Landis had

2226
01:58:40.640 --> 01:58:42.239
<v Speaker 3>directed it and I was curious if they'd show him,

2227
01:58:42.319 --> 01:58:43.399
<v Speaker 3>and they perfectly.

2228
01:58:43.399 --> 01:58:44.319
<v Speaker 2>They cast this guy.

2229
01:58:44.840 --> 01:58:46.920
<v Speaker 3>Yeah, Oh he's good. He's got a beard in the glasses.

2230
01:58:46.920 --> 01:58:50.439
<v Speaker 3>He totally looks like nineteen eighty three John Landis. But

2231
01:58:50.520 --> 01:58:52.359
<v Speaker 3>it's funny that they they do the thing I said

2232
01:58:52.359 --> 01:58:54.119
<v Speaker 3>they should have done with Janet, like they keep him

2233
01:58:54.119 --> 01:58:57.600
<v Speaker 3>in shadow and he is never because they're like, look, man,

2234
01:58:57.600 --> 01:59:00.600
<v Speaker 3>we're not even we don't need these towing frame together. Look,

2235
01:59:02.159 --> 01:59:03.479
<v Speaker 3>there's just so much to ignore.

2236
01:59:03.520 --> 01:59:07.920
<v Speaker 2>It's deafening. Yeah. But but Thriller was the one where

2237
01:59:07.920 --> 01:59:08.359
<v Speaker 2>I noticed.

2238
01:59:08.399 --> 01:59:11.199
<v Speaker 3>I was like totally moving in my seat and everybody

2239
01:59:11.239 --> 01:59:13.479
<v Speaker 3>in the theater was bopping' and it was really fun

2240
01:59:13.520 --> 01:59:14.000
<v Speaker 3>to watch.

2241
01:59:14.359 --> 01:59:17.720
<v Speaker 2>I mean, they basically show the whole music video recreated. Yeah. That,

2242
01:59:18.039 --> 01:59:23.119
<v Speaker 2>and I loved the scene where he's doing a beat

2243
01:59:23.159 --> 01:59:25.399
<v Speaker 2>it with the Crips and the Bloods. Yeah, that was

2244
01:59:25.439 --> 01:59:28.039
<v Speaker 2>cool and a true story, I guess. Yeah, you know,

2245
01:59:28.600 --> 01:59:31.479
<v Speaker 2>I think I think performing Billy Jean at the Awards show,

2246
01:59:31.560 --> 01:59:34.359
<v Speaker 2>like I mean, this is see, this is the thing right,

2247
01:59:34.439 --> 01:59:39.000
<v Speaker 2>Like to me, I'm able to hold these two thoughts

2248
01:59:39.079 --> 01:59:42.159
<v Speaker 2>in my mind. Michael Jackson was a complicated guy and

2249
01:59:42.399 --> 01:59:44.640
<v Speaker 2>one of the greatest musicians of all time. He has

2250
01:59:44.680 --> 01:59:47.720
<v Speaker 2>made some of the greatest songs ever made, full stop, right,

2251
01:59:48.439 --> 01:59:51.439
<v Speaker 2>And I think people are sophisticated enough to be able

2252
01:59:51.439 --> 01:59:54.880
<v Speaker 2>to hold both those thoughts. And so I don't see

2253
01:59:54.920 --> 02:00:01.159
<v Speaker 2>the the I don't see the value of of making

2254
02:00:01.359 --> 02:00:06.399
<v Speaker 2>a two hour promo reel for performances that you can

2255
02:00:06.479 --> 02:00:07.600
<v Speaker 2>just watch on YouTube.

2256
02:00:10.159 --> 02:00:13.600
<v Speaker 3>I'd agree with you, except I'm looking at the box office.

2257
02:00:14.640 --> 02:00:17.720
<v Speaker 2>Yeah, so clearly I'm wrong on that regard, But I'm like,

2258
02:00:17.800 --> 02:00:21.039
<v Speaker 2>you have an opportunity here to go deep instead of wide.

2259
02:00:21.159 --> 02:00:24.640
<v Speaker 3>And even if they still tried to whitewash everything and

2260
02:00:24.680 --> 02:00:27.520
<v Speaker 3>they didn't go into the things that make it a

2261
02:00:27.560 --> 02:00:32.800
<v Speaker 3>little murkier, but they like, you know, in the eighties,

2262
02:00:32.840 --> 02:00:34.880
<v Speaker 3>there were so many rumors about him that he slept

2263
02:00:34.920 --> 02:00:36.079
<v Speaker 3>in a hyperbaric chamber.

2264
02:00:36.640 --> 02:00:38.920
<v Speaker 2>Yeah, you know, he was dating Brooks Shields for a while.

2265
02:00:38.960 --> 02:00:42.279
<v Speaker 3>What was that about, Like his complicated relationship with Paul

2266
02:00:42.359 --> 02:00:45.239
<v Speaker 3>McCartney and you know, buying the Beatles music, you know,

2267
02:00:45.279 --> 02:00:48.399
<v Speaker 3>and all that stuff, Like, there's just so many interesting

2268
02:00:48.560 --> 02:00:50.840
<v Speaker 3>little things you could sort of dig into that might

2269
02:00:50.920 --> 02:00:54.199
<v Speaker 3>give you some more insight into who he was. Or

2270
02:00:54.279 --> 02:00:56.760
<v Speaker 3>how did he feel that he was very talented and

2271
02:00:56.800 --> 02:00:59.199
<v Speaker 3>beloved by a lot of people, but also a big

2272
02:00:59.239 --> 02:01:02.199
<v Speaker 3>portion of the world he's a weirdo, right, how did

2273
02:01:02.199 --> 02:01:04.720
<v Speaker 3>that feel? You know, like those are the things I

2274
02:01:04.760 --> 02:01:08.279
<v Speaker 3>wish And that's not even like going into like the deeper, darker.

2275
02:01:07.960 --> 02:01:12.199
<v Speaker 2>Waters that you know, like I don't know, you know

2276
02:01:12.239 --> 02:01:12.880
<v Speaker 2>what I'm saying.

2277
02:01:12.760 --> 02:01:17.760
<v Speaker 3>Like they just turn him into this saintly happy, go

2278
02:01:17.840 --> 02:01:19.920
<v Speaker 3>lucky kind of guy. Or I'm not happy, go lucky,

2279
02:01:19.920 --> 02:01:21.720
<v Speaker 3>but you know what I'm saying, like, right, well, they

2280
02:01:21.760 --> 02:01:24.800
<v Speaker 3>make him completely uninteresting and it's just everyone is always

2281
02:01:24.800 --> 02:01:26.199
<v Speaker 3>telling him how special he is.

2282
02:01:26.560 --> 02:01:30.319
<v Speaker 2>That's right. So I was thinking about how like, you know,

2283
02:01:31.199 --> 02:01:33.239
<v Speaker 2>you know, if you will you know, the the Dewey

2284
02:01:33.239 --> 02:01:40.239
<v Speaker 2>cox uh throwing a tearing the sinks out of the wall, right, yeah,

2285
02:01:40.239 --> 02:01:42.439
<v Speaker 2>like yeah, there's no see him lose it. There's no

2286
02:01:42.560 --> 02:01:46.119
<v Speaker 2>equivalent of that, right, And and you know, the equivalent

2287
02:01:46.239 --> 02:01:49.199
<v Speaker 2>of the rehab scenes in like all of these movies

2288
02:01:49.319 --> 02:01:52.960
<v Speaker 2>is when he's recovering from you know, the Pepsi commercial accident, right,

2289
02:01:53.920 --> 02:01:57.600
<v Speaker 2>And and again it's one of those things where it's like, yeah,

2290
02:01:57.640 --> 02:01:59.359
<v Speaker 2>but he's in so much pain, but here he is

2291
02:02:00.640 --> 02:02:02.880
<v Speaker 2>going and talking to other burn victims.

2292
02:02:02.920 --> 02:02:03.039
<v Speaker 4>Right.

2293
02:02:03.239 --> 02:02:05.640
<v Speaker 2>I don't doubt that he did all that totally. I'm

2294
02:02:05.680 --> 02:02:11.079
<v Speaker 2>not saying he didn't. I'm saying, like, why are you

2295
02:02:11.159 --> 02:02:14.000
<v Speaker 2>using all of these things as an opportunity to burnish

2296
02:02:14.039 --> 02:02:19.279
<v Speaker 2>the legend instead of take us inside him? Right, Like,

2297
02:02:19.479 --> 02:02:24.159
<v Speaker 2>even because that all happens because he's like, I'm gonna

2298
02:02:24.199 --> 02:02:27.600
<v Speaker 2>do the tour for my family, even though Joseph piece

2299
02:02:27.600 --> 02:02:29.520
<v Speaker 2>of shit and whatever. Right, and by the way, his

2300
02:02:29.600 --> 02:02:32.479
<v Speaker 2>brothers weren't very nice to him either in real life,

2301
02:02:32.600 --> 02:02:34.680
<v Speaker 2>but you wouldn't know that from the movie, no, because

2302
02:02:34.680 --> 02:02:38.039
<v Speaker 2>they produced it exactly right. Yeah, and then here's the

2303
02:02:38.079 --> 02:02:43.680
<v Speaker 2>thing what essentially becomes the cathartic moment is where it's

2304
02:02:43.720 --> 02:02:45.880
<v Speaker 2>the end of the Jackson's Tour, the Victory tour, and

2305
02:02:45.920 --> 02:02:49.199
<v Speaker 2>he's like, by the way, this is our farewell. I

2306
02:02:49.199 --> 02:02:53.640
<v Speaker 2>think it's a great moment. Me too, but I would

2307
02:02:53.640 --> 02:02:56.880
<v Speaker 2>have liked it to mean more. But you know, we

2308
02:02:56.920 --> 02:02:59.399
<v Speaker 2>don't get into the anguish of why he's on this tour,

2309
02:02:59.399 --> 02:03:01.159
<v Speaker 2>And yeah, you get what I'm saying.

2310
02:03:01.079 --> 02:03:04.000
<v Speaker 3>And like you would imagine some shot where maybe he's

2311
02:03:04.039 --> 02:03:07.199
<v Speaker 3>even we know he wants to say it, and he's

2312
02:03:07.239 --> 02:03:09.560
<v Speaker 3>looking over at his brothers on the stage next to him,

2313
02:03:09.560 --> 02:03:11.960
<v Speaker 3>and like, in a way they kind of need him, right,

2314
02:03:12.039 --> 02:03:14.960
<v Speaker 3>and so there's a little bit of a hugh, but

2315
02:03:15.000 --> 02:03:16.640
<v Speaker 3>I gotta do this for me, you know, And maybe

2316
02:03:16.640 --> 02:03:19.279
<v Speaker 3>some conversation he had with someone in another scene that

2317
02:03:19.600 --> 02:03:21.960
<v Speaker 3>doesn't exist in this movie, like what's going on in

2318
02:03:22.000 --> 02:03:23.800
<v Speaker 3>his head? And yeah, that moment could have meant ten

2319
02:03:23.840 --> 02:03:29.840
<v Speaker 3>times more, but it's the Wikipedia version, you know. You

2320
02:03:29.880 --> 02:03:31.560
<v Speaker 3>know what those scenes. I've been bringing this up a

2321
02:03:31.560 --> 02:03:33.119
<v Speaker 3>lot when people ask me about the movie. I'm like,

2322
02:03:33.359 --> 02:03:35.560
<v Speaker 3>that scene actually encapsulates a lot for me in another way,

2323
02:03:35.600 --> 02:03:39.279
<v Speaker 3>which is you see him perform like a full song

2324
02:03:39.319 --> 02:03:43.359
<v Speaker 3>with the Jackson five on stage, and you know, it's

2325
02:03:43.399 --> 02:03:46.279
<v Speaker 3>like five six, maybe seven minutes of music and performance,

2326
02:03:46.359 --> 02:03:49.439
<v Speaker 3>which is great and I enjoyed it. Then he basically

2327
02:03:49.560 --> 02:03:51.399
<v Speaker 3>quits the Jackson five and says he's going to go

2328
02:03:51.399 --> 02:03:54.319
<v Speaker 3>out in his own and then we immediately go to

2329
02:03:54.399 --> 02:03:56.039
<v Speaker 3>him on tour. We don't really see a lot of

2330
02:03:56.039 --> 02:03:58.359
<v Speaker 3>the fallout. We just immediately see him on the bad

2331
02:03:58.399 --> 02:04:02.319
<v Speaker 3>tour next and I thought was, Oh, bummer, it's gonna

2332
02:04:02.359 --> 02:04:02.720
<v Speaker 3>end here.

2333
02:04:02.760 --> 02:04:04.359
<v Speaker 2>We just had all that music. I would really like

2334
02:04:04.399 --> 02:04:07.359
<v Speaker 2>to see him sing bad. But then he does. He

2335
02:04:07.399 --> 02:04:09.359
<v Speaker 2>goes on and sings bad for like five minutes. So

2336
02:04:09.399 --> 02:04:11.039
<v Speaker 2>I was like, that's what the movie is.

2337
02:04:11.079 --> 02:04:16.479
<v Speaker 3>It's music with like little interstitials in between of story.

2338
02:04:16.840 --> 02:04:21.800
<v Speaker 2>And and I will say, he Jeffari Jackson. Who is

2339
02:04:21.840 --> 02:04:23.960
<v Speaker 2>Michael's nephew. I don't care. I can't remember if we

2340
02:04:24.039 --> 02:04:27.479
<v Speaker 2>mentioned that, right, right, He's He's whose son is he?

2341
02:04:28.560 --> 02:04:34.119
<v Speaker 2>I don't remember, one of the brothers, and yeah, yeah, yeah, yeah,

2342
02:04:34.239 --> 02:04:37.000
<v Speaker 2>but he, I mean, he became Michael in terms of

2343
02:04:37.039 --> 02:04:40.399
<v Speaker 2>the moves. I think I think it's it's worth recognizing

2344
02:04:40.439 --> 02:04:42.720
<v Speaker 2>that that that's not easy to do. There's plenty of

2345
02:04:43.000 --> 02:04:48.000
<v Speaker 2>Michael Jackson impersonators, but you know the way he because

2346
02:04:48.079 --> 02:04:52.560
<v Speaker 2>I've seen, you know, the Billy Jean Award Show performance.

2347
02:04:52.600 --> 02:04:54.680
<v Speaker 2>I mean, I I know that very very well. And

2348
02:04:54.720 --> 02:04:57.960
<v Speaker 2>I mean it's like he just embodied it, you know,

2349
02:05:00.279 --> 02:05:02.640
<v Speaker 2>And you know that's where he's Germane's son by the way,

2350
02:05:02.720 --> 02:05:06.239
<v Speaker 2>just okash for the sake of clarity, people like shouting

2351
02:05:06.279 --> 02:05:07.680
<v Speaker 2>it at their at their.

2352
02:05:08.600 --> 02:05:11.960
<v Speaker 3>Theirmain himself and Germaine it's like, come on, man, yeah,

2353
02:05:12.000 --> 02:05:12.560
<v Speaker 3>come on guys.

2354
02:05:14.560 --> 02:05:18.600
<v Speaker 2>So look it's a toe tapper. I think if that's

2355
02:05:18.640 --> 02:05:20.279
<v Speaker 2>what you expect going and you're gonna get it, And

2356
02:05:20.399 --> 02:05:24.000
<v Speaker 2>clearly that's something audience is like, and I want to look.

2357
02:05:24.960 --> 02:05:27.359
<v Speaker 2>I think there is it's good to have a movie like,

2358
02:05:27.359 --> 02:05:29.520
<v Speaker 2>it's good to have movie people show up, they're bopping

2359
02:05:29.560 --> 02:05:34.279
<v Speaker 2>their head, you know what. Good? Yeah, I I I

2360
02:05:34.319 --> 02:05:36.960
<v Speaker 2>don't think it's It didn't do much more for me

2361
02:05:37.079 --> 02:05:38.680
<v Speaker 2>than that. But I would also say, I g I

2362
02:05:38.680 --> 02:05:41.800
<v Speaker 2>guess it didn't really need to. You know, I'm kind

2363
02:05:41.800 --> 02:05:42.279
<v Speaker 2>of with you.

2364
02:05:42.399 --> 02:05:45.439
<v Speaker 3>I mean, like I said, Tailor two, Brian's like, I

2365
02:05:45.520 --> 02:05:49.000
<v Speaker 3>really enjoyed watching this, and I would watch it again

2366
02:05:49.279 --> 02:05:51.119
<v Speaker 3>because I know I would have a good time listening

2367
02:05:51.159 --> 02:05:53.920
<v Speaker 3>to some great music. But I am very disappointed that

2368
02:05:53.960 --> 02:06:00.720
<v Speaker 3>we didn't get a better look at this real complicated,

2369
02:06:00.840 --> 02:06:04.079
<v Speaker 3>interesting guy. And I would say that about any figure,

2370
02:06:04.159 --> 02:06:08.000
<v Speaker 3>but he is so complicated and controversial that I wonder

2371
02:06:08.039 --> 02:06:12.039
<v Speaker 3>if it almost borders on irresponsibility. Yeah, so I have

2372
02:06:12.199 --> 02:06:14.800
<v Speaker 3>very complicated feelings about it, and I talk about it

2373
02:06:14.840 --> 02:06:18.760
<v Speaker 3>probably differently with different people, you know, knowing.

2374
02:06:18.479 --> 02:06:20.640
<v Speaker 2>What they are looking for out of this.

2375
02:06:20.920 --> 02:06:22.800
<v Speaker 3>And I would completely respect. Also, I mentioned it to

2376
02:06:22.840 --> 02:06:25.920
<v Speaker 3>two friends I was with last night, and they're still

2377
02:06:26.000 --> 02:06:28.760
<v Speaker 3>just because they have complicated feelings about Jackson in the

2378
02:06:28.760 --> 02:06:31.119
<v Speaker 3>first place, they're still weighing whether or.

2379
02:06:31.119 --> 02:06:33.920
<v Speaker 2>Not they want to see it. Oh interesting, okay, yeah,

2380
02:06:34.079 --> 02:06:35.680
<v Speaker 2>but they love his music. They're like, I kind of

2381
02:06:35.720 --> 02:06:36.199
<v Speaker 2>want to watch it.

2382
02:06:36.199 --> 02:06:38.920
<v Speaker 3>But I just after watching Leaving Neverland, I just have

2383
02:06:39.159 --> 02:06:41.159
<v Speaker 3>I wrestle with it, and I was like, I get it.

2384
02:06:41.680 --> 02:06:45.840
<v Speaker 3>I get it, so like it's I think it's all up.

2385
02:06:45.680 --> 02:06:46.760
<v Speaker 2>To you, you know.

2386
02:06:46.840 --> 02:06:50.680
<v Speaker 3>Yeah, but you know, I did have an interesting experience

2387
02:06:50.720 --> 02:06:53.720
<v Speaker 3>watching this. I watched it at the Sherman Oas Galleria,

2388
02:06:54.399 --> 02:06:58.520
<v Speaker 3>and when they show the Michael Jackson mansion the Chiron,

2389
02:06:59.479 --> 02:07:01.920
<v Speaker 3>it doesn't just say in Sino California. It says haven

2390
02:07:02.000 --> 02:07:05.800
<v Speaker 3>Hurst in Sino California. And I was like, wait, Havenhurst

2391
02:07:05.880 --> 02:07:07.439
<v Speaker 3>is the next major road over.

2392
02:07:07.920 --> 02:07:10.840
<v Speaker 2>Oh wow. Yeah. So I put it into ways and

2393
02:07:10.880 --> 02:07:13.640
<v Speaker 2>it was a mile and a half away. Amazing. Yeah.

2394
02:07:13.680 --> 02:07:16.119
<v Speaker 3>So I actually after the movie, I drove over and

2395
02:07:16.199 --> 02:07:18.439
<v Speaker 3>I went to the gate and I saw the house.

2396
02:07:18.479 --> 02:07:20.319
<v Speaker 2>I was like, well, I'll be darn. I had no idea.

2397
02:07:20.640 --> 02:07:24.680
<v Speaker 2>It's just empty, I guess. I mean, there's like hedges

2398
02:07:24.800 --> 02:07:27.720
<v Speaker 2>and right, but you know it's just like like you know,

2399
02:07:27.840 --> 02:07:29.880
<v Speaker 2>time moves on, you know, oh sure, yeah.

2400
02:07:29.880 --> 02:07:32.840
<v Speaker 3>At one point there was drafts and bubbles of the

2401
02:07:32.920 --> 02:07:34.079
<v Speaker 3>chimp walking around behind.

2402
02:07:33.840 --> 02:07:37.840
<v Speaker 2>That game and just throngs of people, yes, yeah, which

2403
02:07:37.840 --> 02:07:39.720
<v Speaker 2>they show in the movie, right, yeah, all the people.

2404
02:07:40.319 --> 02:07:42.239
<v Speaker 2>One thing I will say real quick, Brian is is

2405
02:07:42.960 --> 02:07:49.520
<v Speaker 2>for for as as comically super villain esque Coleman, Domingo's

2406
02:07:49.520 --> 02:07:52.359
<v Speaker 2>performance was, as I said, I found him very watchable.

2407
02:07:52.760 --> 02:07:55.279
<v Speaker 2>But the you know, it definitely made me think, certainly

2408
02:07:55.319 --> 02:07:58.239
<v Speaker 2>as a parent, you know, what what do I owe

2409
02:07:58.279 --> 02:08:02.800
<v Speaker 2>my kids and what do they owe me? You know,

2410
02:08:02.840 --> 02:08:06.800
<v Speaker 2>it really made me sit with that, you know, yeah,

2411
02:08:07.359 --> 02:08:10.720
<v Speaker 2>because I'll be goddamn if I would ever do that

2412
02:08:10.760 --> 02:08:14.760
<v Speaker 2>to my kids, you know yeah. And I kept like,

2413
02:08:14.800 --> 02:08:18.399
<v Speaker 2>what is the psychology that would make someone do that

2414
02:08:18.439 --> 02:08:20.720
<v Speaker 2>to their kids? And he, you know, he's sitting there,

2415
02:08:20.760 --> 02:08:24.399
<v Speaker 2>He's like, look, if it wasn't for me, we'd still

2416
02:08:24.439 --> 02:08:27.399
<v Speaker 2>be a poor black family in Gary, Indiana. You know.

2417
02:08:29.159 --> 02:08:33.560
<v Speaker 2>But you know, without getting into the economic aspect of it,

2418
02:08:33.600 --> 02:08:36.000
<v Speaker 2>I think your kids would like to play outside, you know,

2419
02:08:36.199 --> 02:08:40.119
<v Speaker 2>like I think kids would like to be kids, you know, yeah, yeah,

2420
02:08:40.199 --> 02:08:44.279
<v Speaker 2>and it's like, is it worth it. You know, Joe

2421
02:08:44.359 --> 02:08:48.119
<v Speaker 2>Jackson outlived Michael by almost ten years. Did he wrestle

2422
02:08:48.159 --> 02:08:49.880
<v Speaker 2>with that. Did he wrestle with the idea that his

2423
02:08:49.920 --> 02:08:52.199
<v Speaker 2>son died at least partly because of him?

2424
02:08:54.000 --> 02:08:56.479
<v Speaker 3>I don't know, you know, And just a lot of

2425
02:08:56.520 --> 02:08:58.359
<v Speaker 3>the things that I felt about this movie, I wanted

2426
02:08:58.399 --> 02:09:00.600
<v Speaker 3>to be able to back it up and like make

2427
02:09:00.600 --> 02:09:03.000
<v Speaker 3>sure that I was remembering things that were actual facts.

2428
02:09:03.000 --> 02:09:05.840
<v Speaker 3>And I found this quote from Joe Jackson when he

2429
02:09:05.880 --> 02:09:10.479
<v Speaker 3>was interviewed by Louis Thureaux and asked about if he

2430
02:09:10.600 --> 02:09:13.640
<v Speaker 3>beat him. Okay, and this is a quote from Joe Jackson.

2431
02:09:13.640 --> 02:09:15.720
<v Speaker 3>He said, I never beat him. I whipped him with

2432
02:09:15.760 --> 02:09:17.720
<v Speaker 3>a switch and a belt. I never beat him. You

2433
02:09:17.720 --> 02:09:21.840
<v Speaker 3>beat someone with a stick. So that's there we go.

2434
02:09:21.960 --> 02:09:24.880
<v Speaker 3>There's a glimpse into the mind of Joe Jackson. Wow,

2435
02:09:25.600 --> 02:09:29.279
<v Speaker 3>So in those ten years post Michael's death, did he

2436
02:09:29.479 --> 02:09:30.359
<v Speaker 3>think any differently?

2437
02:09:31.600 --> 02:09:36.279
<v Speaker 2>I don't know. I don't know. It doesn't look like

2438
02:09:36.760 --> 02:09:39.000
<v Speaker 2>you know, it's it's like, wouldn't you rather have just

2439
02:09:39.079 --> 02:09:44.119
<v Speaker 2>had a healthy relationship with your kids? I don't know

2440
02:09:44.199 --> 02:09:44.960
<v Speaker 2>that's the best what.

2441
02:09:44.960 --> 02:09:47.920
<v Speaker 3>You hope you hope for parents, But you know, I

2442
02:09:47.920 --> 02:09:51.800
<v Speaker 3>want to say, because I was saying about scenes and

2443
02:09:51.880 --> 02:09:54.479
<v Speaker 3>just how thin they were, and but I did want

2444
02:09:54.479 --> 02:09:54.880
<v Speaker 3>to call out.

2445
02:09:54.880 --> 02:09:55.920
<v Speaker 2>I thought the first half of.

2446
02:09:55.880 --> 02:09:57.880
<v Speaker 3>The movie was actually very strong with all the Jackson

2447
02:09:57.920 --> 02:10:02.079
<v Speaker 3>five stuff I and I thought my favorite scene maybe

2448
02:10:02.079 --> 02:10:06.199
<v Speaker 3>in the movie was when young Michael is with that

2449
02:10:06.279 --> 02:10:12.880
<v Speaker 3>producer Yes, at the board and and he's just like,

2450
02:10:14.000 --> 02:10:16.239
<v Speaker 3>Michael doesn't get to do anything fun. All he has,

2451
02:10:16.359 --> 02:10:18.319
<v Speaker 3>you know, he he's got to practice day and night.

2452
02:10:18.359 --> 02:10:21.399
<v Speaker 3>When he comes home from gigs and he's tired, he's

2453
02:10:21.439 --> 02:10:23.960
<v Speaker 3>got to practice some more. And he has this moment

2454
02:10:24.039 --> 02:10:26.319
<v Speaker 3>with yeah Gordy, and Gordy's like, hey, you want to

2455
02:10:26.319 --> 02:10:28.000
<v Speaker 3>see how this works. Look, you know, you move these

2456
02:10:28.000 --> 02:10:29.960
<v Speaker 3>switches and the volume goes up, and you do, and

2457
02:10:29.960 --> 02:10:32.239
<v Speaker 3>and Michael's like completely into it. But then Joe comes

2458
02:10:32.279 --> 02:10:34.560
<v Speaker 3>in a is like, you know, get out here, stop

2459
02:10:34.560 --> 02:10:38.279
<v Speaker 3>bothering this guy, right, And I love then when Gordy

2460
02:10:38.399 --> 02:10:41.319
<v Speaker 3>is like, hey, anytime you have a question or you're

2461
02:10:41.359 --> 02:10:44.399
<v Speaker 3>interested in this, you can always ask me, right, And

2462
02:10:44.439 --> 02:10:47.239
<v Speaker 3>then when Michael like takes a step away and then

2463
02:10:47.279 --> 02:10:48.399
<v Speaker 3>goes back and hugs him.

2464
02:10:48.840 --> 02:10:51.560
<v Speaker 2>Yep, Oh my heart was great.

2465
02:10:51.640 --> 02:10:53.560
<v Speaker 3>Yeah that was good. I actually was like, oh, we're

2466
02:10:53.560 --> 02:10:56.359
<v Speaker 3>in for something good. Here, And I just wish that

2467
02:10:56.520 --> 02:10:59.039
<v Speaker 3>when they got into his adult life, those scenes had

2468
02:10:59.079 --> 02:11:02.680
<v Speaker 3>at least even if they are interstitial, like like we're

2469
02:11:02.680 --> 02:11:04.520
<v Speaker 3>just gonna touch on this beat when he's in a

2470
02:11:04.520 --> 02:11:06.520
<v Speaker 3>toy story, because explains this little part of him. This

2471
02:11:06.560 --> 02:11:08.479
<v Speaker 3>beat when he's in a hospital talking to burn victims,

2472
02:11:08.479 --> 02:11:10.479
<v Speaker 3>because that explains a little part of him. I wish

2473
02:11:10.560 --> 02:11:14.640
<v Speaker 3>they had at least been as textured as that scene

2474
02:11:14.680 --> 02:11:15.399
<v Speaker 3>was in the beginning.

2475
02:11:15.800 --> 02:11:19.199
<v Speaker 2>That's terrific. Yeah. Well, and what that scene really illustrates

2476
02:11:19.319 --> 02:11:23.399
<v Speaker 2>is how you know, Barry Gordy was interfacing with him

2477
02:11:23.479 --> 02:11:28.279
<v Speaker 2>on a talent level, like you know, yes, it was it.

2478
02:11:28.359 --> 02:11:31.319
<v Speaker 2>You know, he was talking to him as an artist, right,

2479
02:11:31.359 --> 02:11:34.399
<v Speaker 2>So it's showing like there's another way Joe could have

2480
02:11:34.479 --> 02:11:41.239
<v Speaker 2>gone that would have been just as meaningful. And you know,

2481
02:11:41.319 --> 02:11:46.720
<v Speaker 2>it's like pad's not taken, you know. Yeah, yeah, oh,

2482
02:11:46.720 --> 02:11:49.800
<v Speaker 2>there we go. Hey, we had lots of thoughts, lots

2483
02:11:49.840 --> 02:11:51.760
<v Speaker 2>of complicated thoughts about a complicated dude.

2484
02:11:52.640 --> 02:11:55.000
<v Speaker 3>Yeah, yeah, this is great. I was really looking forward

2485
02:11:55.039 --> 02:11:56.399
<v Speaker 3>to talking about this with you. I think it is

2486
02:11:57.039 --> 02:11:59.079
<v Speaker 3>a movie that provokes a lot of discussion, for sure.

2487
02:11:59.560 --> 02:12:02.680
<v Speaker 2>Well, let us know your thoughts. I'm sure, I'm sure

2488
02:12:02.720 --> 02:12:05.479
<v Speaker 2>y'all listening. You have some about the film and about

2489
02:12:05.479 --> 02:12:07.039
<v Speaker 2>what we have to say, so you can email us

2490
02:12:07.039 --> 02:12:10.399
<v Speaker 2>at moviefilmpodcast at gmail dot com. You can also like

2491
02:12:10.399 --> 02:12:12.880
<v Speaker 2>on our Facebook page Facebook dot com slash movie Film

2492
02:12:12.920 --> 02:12:15.039
<v Speaker 2>Podcast and message us there. As always, please go to

2493
02:12:15.079 --> 02:12:17.319
<v Speaker 2>Apple Podcast lead reviewer leave a star rating. Every little

2494
02:12:17.359 --> 02:12:19.960
<v Speaker 2>bit helps. If you're listening to the show on YouTube,

2495
02:12:20.000 --> 02:12:23.239
<v Speaker 2>please hit like, hit subscribe, and comment. We do read

2496
02:12:23.279 --> 02:12:25.920
<v Speaker 2>the comments that we get on the show, and of

2497
02:12:25.960 --> 02:12:29.319
<v Speaker 2>course Brian as mentioned way up top, we also have

2498
02:12:29.399 --> 02:12:31.960
<v Speaker 2>a Patreon page. Yes, if you head over to patreon

2499
02:12:32.000 --> 02:12:35.199
<v Speaker 2>dot com slash moviefilm Podcast and hit subscribe for only

2500
02:12:35.279 --> 02:12:38.399
<v Speaker 2>five dollars a month, you'll find every commentary we've ever done,

2501
02:12:38.560 --> 02:12:42.079
<v Speaker 2>every episode moving forward, absolutely ad free.

2502
02:12:42.840 --> 02:12:46.920
<v Speaker 3>You also find bonus conversations that we drop about twice

2503
02:12:46.960 --> 02:12:50.479
<v Speaker 3>a month over there, and recently we talked about everything

2504
02:12:50.560 --> 02:12:54.319
<v Speaker 3>from Disney inventing their own version of IMAX for theaters,

2505
02:12:54.359 --> 02:12:56.760
<v Speaker 3>which was kind of interesting. We went over CinemaCon, we

2506
02:12:56.800 --> 02:12:59.319
<v Speaker 3>talked about the gig that I'd been working on and

2507
02:12:59.319 --> 02:13:01.840
<v Speaker 3>that's been keeping me busy the past month and a half.

2508
02:13:03.039 --> 02:13:05.039
<v Speaker 3>All that stuff's dropping over there, and it's a really

2509
02:13:05.079 --> 02:13:07.920
<v Speaker 3>fun time. Our free feed wi always be available, but

2510
02:13:08.039 --> 02:13:09.760
<v Speaker 3>this is our way of providing what we believe is

2511
02:13:09.760 --> 02:13:12.520
<v Speaker 3>the most satisfying way to enjoy the show. So no

2512
02:13:12.640 --> 02:13:16.199
<v Speaker 3>ads or interruptions, butting into the conversation. Plus, your subscription

2513
02:13:16.239 --> 02:13:18.239
<v Speaker 3>goes a long way and helping to support us and

2514
02:13:18.359 --> 02:13:21.359
<v Speaker 3>helping to sustain producing the show. So if you're interested

2515
02:13:21.359 --> 02:13:23.600
<v Speaker 3>in able, please head over to patreon dot com slash

2516
02:13:23.640 --> 02:13:25.560
<v Speaker 3>Movie Film Podcast and subscribe.

2517
02:13:25.640 --> 02:13:28.119
<v Speaker 2>We'd be very grateful. And if you're looking for me

2518
02:13:28.159 --> 02:13:30.399
<v Speaker 2>on social media, you can find me at Zakie's Corner,

2519
02:13:30.399 --> 02:13:33.239
<v Speaker 2>that c Akis Corner. You can also find my reviews

2520
02:13:33.279 --> 02:13:35.720
<v Speaker 2>and writing at the San Francisco Chronicle and also at

2521
02:13:35.760 --> 02:13:38.560
<v Speaker 2>IGN and The Rap What About You Brian, You can.

2522
02:13:38.479 --> 02:13:40.600
<v Speaker 3>Find episodes I've written of Puppy Dog Pals and Young

2523
02:13:40.720 --> 02:13:42.720
<v Speaker 3>Jedi Adventures streaming on Disney Plus.

2524
02:13:43.399 --> 02:13:46.000
<v Speaker 2>There we go, And with that on behalf of my

2525
02:13:46.079 --> 02:13:48.279
<v Speaker 2>partner Brian Hall. My name is Zachie has On. This

2526
02:13:48.359 --> 02:13:50.720
<v Speaker 2>has been episode three forty two of The Movie Film Show.

2527
02:13:50.720 --> 02:13:54.239
<v Speaker 2>We'll catch you next time. Thanks everybody, Welcome.

2528
02:13:54.399 --> 02:14:03.880
<v Speaker 1>Bird Tacking came right over the tops bathroom, Amos Mom

2529
02:14:03.960 --> 02:14:06.399
<v Speaker 1>and the blackests on the bread windows
