1 00:00:00,120 --> 00:00:02,799 Speaker 1: So right now we've got so first of all, King 2 00:00:02,839 --> 00:00:03,480 Polo is here. 3 00:00:03,560 --> 00:00:05,440 Speaker 2: Welcome. Yeah, thank you for having me. 4 00:00:05,440 --> 00:00:07,360 Speaker 1: Man, and you have an associate with you. 5 00:00:07,599 --> 00:00:10,039 Speaker 3: Yeah, I got my boy, MVP Mayo here with me, 6 00:00:10,080 --> 00:00:13,439 about to introduce y'all to him MBP may welcome. 7 00:00:13,119 --> 00:00:14,759 Speaker 2: To thank you, thank you. 8 00:00:14,960 --> 00:00:16,519 Speaker 1: What does that? What does MBP stand for? 9 00:00:17,440 --> 00:00:20,000 Speaker 2: It's kind of a long story. You want to hear it? 10 00:00:20,320 --> 00:00:20,559 I do. 11 00:00:20,640 --> 00:00:22,719 Speaker 1: I'm always very curious about this kind of thing. 12 00:00:22,960 --> 00:00:25,920 Speaker 4: So my first kind of foray into music was when 13 00:00:25,920 --> 00:00:29,480 I was twelve years old and I was watching an 14 00:00:29,519 --> 00:00:33,840 episode of SpongeBob and it's Bang Geeks. So Patrick has 15 00:00:33,840 --> 00:00:36,119 a line in there that says, is mayonnaise an instrument? 16 00:00:36,920 --> 00:00:39,719 So my first beat that I made, I got started 17 00:00:39,719 --> 00:00:42,799 making beats. Yeah, and uh, my first beat that I made, 18 00:00:42,840 --> 00:00:46,640 I sampled sounds that were made using mayonnaise and I 19 00:00:46,960 --> 00:00:49,679 posted it online. Really yes, And I was looking for 20 00:00:49,679 --> 00:00:52,200 a YouTube channel name and my mom suggested Mayo Beats. 21 00:00:52,359 --> 00:00:55,000 And then I started rapping kind of evolved, and then 22 00:00:55,560 --> 00:00:58,439 then like the I was releasing my music, there was 23 00:00:58,479 --> 00:01:00,840 a label line on my district beater. I always put 24 00:01:00,880 --> 00:01:04,159 Mayo Beats Productions. Yeah, MVP Mayo Beats Productions. 25 00:01:04,200 --> 00:01:06,680 Speaker 1: Okay, oh very cool, all right, cool cool. That's not 26 00:01:06,760 --> 00:01:08,680 as a long story. I'm glad you told it. 27 00:01:08,719 --> 00:01:11,400 Speaker 4: I shortened it a little bit. A lot of steffs 28 00:01:11,400 --> 00:01:13,159 that wasn't always MVP male And. 29 00:01:13,599 --> 00:01:15,640 Speaker 1: How are you guys associated together? Do you work together 30 00:01:15,680 --> 00:01:16,079 on music? 31 00:01:16,359 --> 00:01:16,560 Speaker 2: Yeah? 32 00:01:16,680 --> 00:01:19,319 Speaker 3: Well, actually I met him through an event I did 33 00:01:19,359 --> 00:01:21,120 last year at Charlie's Hill out in Lebanon. 34 00:01:21,560 --> 00:01:22,280 Speaker 2: The venue. 35 00:01:22,319 --> 00:01:23,840 Speaker 3: Told him to reach out to me because I was 36 00:01:23,840 --> 00:01:26,239 doing a holiday party. Yeah, and it was actually his 37 00:01:26,239 --> 00:01:27,920 first ever show that he did, and I was still 38 00:01:27,920 --> 00:01:29,719 to this day think that he's lined to me because 39 00:01:29,719 --> 00:01:32,560 he came and destroyed that. Everybody loved it and the 40 00:01:32,599 --> 00:01:35,120 whole crowd went crazy, and ever since then, just took 41 00:01:35,159 --> 00:01:38,439 him under my wing. Nice trying to do what I 42 00:01:38,480 --> 00:01:40,920 wish I had someone do for me, not only as 43 00:01:40,920 --> 00:01:42,840 an artist. But this is like a mentor type of thing, 44 00:01:42,840 --> 00:01:43,400 you feel me. 45 00:01:43,400 --> 00:01:46,879 Speaker 1: So yeah, yeah, mentorship is important, there really is, you know, 46 00:01:46,959 --> 00:01:50,200 because it's you know, if you're trying to do anything 47 00:01:50,200 --> 00:01:53,200 creative and you don't have someone to kind of sometimes 48 00:01:53,200 --> 00:01:55,599 people get discouraged and they give up very early because 49 00:01:55,640 --> 00:01:57,439 if they don't have anyone who can give them advice 50 00:01:57,480 --> 00:02:00,000 and guide them while also you know, not taking advance 51 00:02:00,040 --> 00:02:05,280 to them because they absolutely absolutely so. So if you 52 00:02:05,280 --> 00:02:06,799 can find someone who can kind of mentor you and 53 00:02:06,840 --> 00:02:09,599 help you and and collaborate with you, that's that's fantastic. 54 00:02:10,840 --> 00:02:12,680 What I think we should do is let's play a 55 00:02:12,800 --> 00:02:14,719 track and then we'll come back and we'll talk for 56 00:02:14,759 --> 00:02:17,280 a bit, and uh, should we do See You Fly? 57 00:02:17,759 --> 00:02:19,719 Speaker 3: Yeah, let's do that. It's probably good best one to 58 00:02:19,759 --> 00:02:21,000 start with, honestly, Yeah. 59 00:02:20,879 --> 00:02:22,759 Speaker 1: Because we were talking off air when you guys got here. 60 00:02:22,800 --> 00:02:24,400 This is my personal favorite of the ones you sent. 61 00:02:24,439 --> 00:02:27,400 I love this What what what should we know about this? 62 00:02:27,879 --> 00:02:31,280 Speaker 3: So this song actually talks a lot about drug addiction, 63 00:02:31,520 --> 00:02:35,120 getting clean, about a lot of the stuff that happens 64 00:02:35,240 --> 00:02:38,280 and within the drug culture, and then the lifestyle of that, 65 00:02:38,599 --> 00:02:42,360 a lot of the mental illnesses and then demons that 66 00:02:42,439 --> 00:02:45,560 we face, and the coping mechanisms, and then the trials 67 00:02:45,599 --> 00:02:49,319 and tripulations of hitting rock bottom pretty much just restarting 68 00:02:49,360 --> 00:02:50,719 yourself and reinventing. 69 00:02:50,960 --> 00:02:53,719 Speaker 1: Yeah, yeah, absolutely, all right, excellent, Let's give this a 70 00:02:53,759 --> 00:02:55,000 spin and then we're going to come back and talk 71 00:02:55,000 --> 00:02:56,919 to these guys. This is called to See You Fly. 72 00:02:57,520 --> 00:03:02,479 Speaker 5: And I've can not come run anymore because sometimes, buddy, 73 00:03:03,479 --> 00:03:07,039 when you're doing bad things, people do bad things too, 74 00:03:07,080 --> 00:03:08,159 and that's all they want to do. 75 00:03:09,360 --> 00:03:09,840 Speaker 2: And when you. 76 00:03:09,840 --> 00:03:12,080 Speaker 3: Start to realize that you don't want to do that anymore, 77 00:03:12,400 --> 00:03:13,439 any better your life. 78 00:03:14,039 --> 00:03:16,919 Speaker 2: People don't want to see good for you, so they 79 00:03:16,919 --> 00:03:18,280 can't be around to see you do that. 80 00:03:20,919 --> 00:03:22,759 Speaker 5: I want to shut you down when they see you 81 00:03:22,879 --> 00:03:26,039 fly fly every when your friend when you get high. 82 00:03:26,919 --> 00:03:29,759 Now it ain't around, and you want to why why 83 00:03:29,800 --> 00:03:32,039 they just swan a party? It ain't done a ride 84 00:03:32,039 --> 00:03:33,960 and no ride. I want to shoot you down when 85 00:03:33,960 --> 00:03:36,840 they see you fly fly every when your friend when 86 00:03:36,919 --> 00:03:40,159 you get high. Now it ain't around, and you want 87 00:03:40,199 --> 00:03:43,039 to why they just swan a party. It ain't down 88 00:03:43,120 --> 00:03:45,439 a ride and they talk bad when you win and 89 00:03:45,479 --> 00:03:48,479 got a better life, being focused on my kids and 90 00:03:48,560 --> 00:03:51,199 my ches to right and thank God every time I 91 00:03:51,240 --> 00:03:54,039 took them in the night, got stars from the war. 92 00:03:54,199 --> 00:03:56,919 But I want to life and my babies even once 93 00:03:56,960 --> 00:03:59,199 without my DNA right to die. 94 00:03:59,280 --> 00:04:01,000 Speaker 2: It don't matter at the time of day. 95 00:04:01,479 --> 00:04:04,639 Speaker 5: All the money, y'all many miles fall away, say the 96 00:04:04,719 --> 00:04:06,800 word and I'm coming up the bottom away. 97 00:04:07,280 --> 00:04:09,439 Speaker 2: If you know me, then you know that's a fact 98 00:04:09,479 --> 00:04:10,680 though when I'm not. 99 00:04:10,840 --> 00:04:14,000 Speaker 5: When my kids I'm stack though they laid up when 100 00:04:14,000 --> 00:04:16,839 I walk through the dough life break me down, but 101 00:04:16,879 --> 00:04:20,160 they got my hot fall. Snakes in the grassdroud cut 102 00:04:20,199 --> 00:04:22,519 your wings of everything hard. 103 00:04:22,600 --> 00:04:24,360 Speaker 2: Even when I wrap soft. 104 00:04:24,279 --> 00:04:26,480 Speaker 5: I got to keep the hunger even when you want 105 00:04:26,600 --> 00:04:28,879 timesone as you stop, that's. 106 00:04:28,720 --> 00:04:30,519 Speaker 2: When you start to fly acts. 107 00:04:30,800 --> 00:04:32,600 Speaker 5: I want to shoot you down when they see you 108 00:04:32,680 --> 00:04:35,879 fly fly every when your friend when you get high. 109 00:04:36,759 --> 00:04:39,399 Now it ain't around, and you wonder why the wh 110 00:04:39,639 --> 00:04:41,800 they just sworn a party? It ain't done a ride 111 00:04:41,879 --> 00:04:43,800 and the ride. I want to shoot you down when 112 00:04:43,800 --> 00:04:46,720 they see you fly fly every when your friend when 113 00:04:46,759 --> 00:04:47,480 you get high. 114 00:04:48,399 --> 00:04:49,959 Speaker 2: Now it ain't around, and you. 115 00:04:49,839 --> 00:04:52,279 Speaker 5: Wonder why they just sworing a party? 116 00:04:52,319 --> 00:04:53,439 Speaker 2: It ain't done a ride. 117 00:04:53,720 --> 00:04:56,680 Speaker 6: Aside from Polo though, none of y'all wherever there we 118 00:04:56,879 --> 00:04:59,399 always able to get wavy your surf everywhere at your 119 00:04:59,399 --> 00:05:00,519 bone crush impression. 120 00:05:00,720 --> 00:05:02,560 Speaker 2: It's still we never skip hear it? 121 00:05:02,680 --> 00:05:04,920 Speaker 6: And why a couple of times you mess your legends 122 00:05:04,920 --> 00:05:07,199 then we're talking. You're on the sprind I put together 123 00:05:07,360 --> 00:05:10,079 better he is to buy the Gemini, But that chemistry 124 00:05:10,120 --> 00:05:10,800 forever there. 125 00:05:10,839 --> 00:05:13,160 Speaker 2: I love the world. That's waking up. But we've been 126 00:05:13,160 --> 00:05:13,839 well aware that. 127 00:05:13,920 --> 00:05:16,680 Speaker 6: Damn can my eyeballs shut now while you're living there? 128 00:05:16,879 --> 00:05:19,079 I got sober good the kids homing. You know what 129 00:05:19,199 --> 00:05:21,240 it is, but it's by rolling with the click. I 130 00:05:21,240 --> 00:05:24,279 ain't talking about the connection. Speak loud of the worst. 131 00:05:24,160 --> 00:05:25,399 Speaker 2: All my emotions, all that shit. 132 00:05:25,560 --> 00:05:26,920 Speaker 7: It's also my nobra matter. 133 00:05:27,079 --> 00:05:28,319 Speaker 2: I think, what get my wits? 134 00:05:28,519 --> 00:05:30,120 Speaker 7: I a live real good potments. He let it sok. 135 00:05:30,160 --> 00:05:32,279 Speaker 6: It just a bit spin up moments since I notice, 136 00:05:32,360 --> 00:05:34,199 but no one know that I'm the issue. It's just 137 00:05:34,319 --> 00:05:37,000 something you know when you know where you commit. It's 138 00:05:37,040 --> 00:05:39,079 the one that me and Paula always know how to do. 139 00:05:39,199 --> 00:05:40,560 We did little shit. 140 00:05:40,680 --> 00:05:42,680 Speaker 2: I want to shut you down when they see you fly. 141 00:05:43,120 --> 00:05:46,680 Speaker 5: You fly everyone your friend when you get out now 142 00:05:46,720 --> 00:05:49,600 that ain't around, and you wonder why, wander why they 143 00:05:49,680 --> 00:05:50,480 just want to party. 144 00:05:50,560 --> 00:05:51,079 Speaker 2: It ain't down. 145 00:05:51,160 --> 00:05:53,360 Speaker 5: The ride and the ride want to shut you down 146 00:05:53,439 --> 00:05:56,279 when they see you fly. You fly everyone your friend 147 00:05:56,360 --> 00:05:59,800 when you get now that ain't around, and you want 148 00:05:59,839 --> 00:06:04,519 to why they just want to, Oh. 149 00:06:04,439 --> 00:06:06,519 Speaker 1: That is so good that I'll see you fly. King 150 00:06:06,600 --> 00:06:11,279 Polo and MBK the right MVP, MVP. Why do I 151 00:06:11,439 --> 00:06:11,879 what did I say? 152 00:06:12,000 --> 00:06:12,240 Speaker 2: MBK? 153 00:06:12,600 --> 00:06:14,720 Speaker 1: MVP. I'll get it before well before the end of 154 00:06:14,759 --> 00:06:19,199 the show. I got these guys in studio with us 155 00:06:19,199 --> 00:06:19,480 and out. 156 00:06:19,519 --> 00:06:19,680 Speaker 2: Yeah. 157 00:06:19,680 --> 00:06:21,600 Speaker 1: I do love that track, and I think that's probably 158 00:06:21,639 --> 00:06:23,720 pretty relatable for a lot of people. I don't like 159 00:06:23,759 --> 00:06:25,800 you were saying, you know, if you're dealing with addiction 160 00:06:25,879 --> 00:06:27,519 and whatnot, then you make the you decide to make 161 00:06:27,519 --> 00:06:30,319 the changes to get clean, and then exactly, you know, 162 00:06:30,439 --> 00:06:32,360 people for their own reasons, they don't want you to 163 00:06:32,439 --> 00:06:33,680 do that. They want you to stay with. 164 00:06:33,759 --> 00:06:36,240 Speaker 3: Them exactly because they can't. They just they can't do 165 00:06:36,319 --> 00:06:39,079 it themselves, so they don't want to see anybody else do. 166 00:06:39,240 --> 00:06:40,519 Is really what it comes down to a lot of 167 00:06:40,600 --> 00:06:41,480 internal things too. 168 00:06:41,800 --> 00:06:44,199 Speaker 1: Yeah, Yeah, I think what makes that relatable too is 169 00:06:44,240 --> 00:06:46,240 it's not it's not just you know, you can apply 170 00:06:46,360 --> 00:06:46,839 that to not just. 171 00:06:46,839 --> 00:06:50,879 Speaker 2: Addiction, exactly, all. 172 00:06:49,480 --> 00:06:53,240 Speaker 1: Kinds of absolutely. Absolutely. How long have you been at this, 173 00:06:53,360 --> 00:06:53,839 King Polo? 174 00:06:54,279 --> 00:06:56,759 Speaker 3: So, I've been doing music since I was about like 175 00:06:57,079 --> 00:07:00,399 twelve or thirteen. I started taking it more serious probably 176 00:07:00,439 --> 00:07:03,199 like eighteen nineteen, when I could actually get into venues 177 00:07:03,240 --> 00:07:03,639 and stuff. 178 00:07:03,639 --> 00:07:04,800 Speaker 2: Because of the ages. 179 00:07:05,879 --> 00:07:07,720 Speaker 3: Took a few years off, you know, I kind of 180 00:07:07,759 --> 00:07:10,879 made some life choices that caught up to me et cetera. 181 00:07:11,800 --> 00:07:13,079 Speaker 2: But music always was there. 182 00:07:13,240 --> 00:07:16,040 Speaker 3: So I used that as my coping mechanism and my 183 00:07:16,160 --> 00:07:18,959 way to like like communicate stuff and not be stuck 184 00:07:19,000 --> 00:07:21,319 into my own box, into my own thoughts and feelings. 185 00:07:22,720 --> 00:07:24,720 Realized I had a craft for it, and then being 186 00:07:24,800 --> 00:07:26,959 in out of the studios, I've actually kind of learned 187 00:07:27,000 --> 00:07:30,600 how to produce an engineer myself. So I've been doing 188 00:07:30,680 --> 00:07:33,360 that for some time now, and then all the time 189 00:07:33,439 --> 00:07:35,439 I like took off, I'm kind of really doing anything 190 00:07:35,519 --> 00:07:37,120 and having to sit there and do with my own 191 00:07:37,720 --> 00:07:40,439 my own actions. I learned a lot of the business 192 00:07:40,519 --> 00:07:42,959 aspect of stuff because I realized a lot of this 193 00:07:43,040 --> 00:07:46,120 business stuff is pretty much it's it's the smaller things 194 00:07:46,199 --> 00:07:48,480 that make the bigger picture, and that's where everybody is 195 00:07:48,600 --> 00:07:51,360 trying to make the money off of you, and it's like, oh, 196 00:07:51,480 --> 00:07:52,920 realistic I got to do is just know how to 197 00:07:52,959 --> 00:07:56,360 present yourself and communicate and do all these things. And 198 00:07:56,519 --> 00:07:58,519 so I just learned all those small things, and that's 199 00:07:58,639 --> 00:08:01,079 kind of what I've been doing with the platform, the 200 00:08:01,160 --> 00:08:03,920 wave that I created, and just kind of teaching everybody 201 00:08:04,360 --> 00:08:06,680 and putting everybody onto stuff that I know, but also 202 00:08:06,800 --> 00:08:08,199 learning stuff while doing it too. 203 00:08:08,800 --> 00:08:10,360 Speaker 1: Yeah, we were talking about that off air a little 204 00:08:10,399 --> 00:08:13,360 bit too, about your your commitment to sharing knowledge and 205 00:08:13,519 --> 00:08:16,399 to and to you know, helping helping people and and 206 00:08:17,160 --> 00:08:20,680 and helping people to not only be able to learn 207 00:08:20,759 --> 00:08:22,759 things about the business, but take the business seriously. You know, 208 00:08:22,800 --> 00:08:25,319 it's it's the music business. It's not the music. I mean, 209 00:08:25,639 --> 00:08:27,120 not that there's anything wrong with doing it for a 210 00:08:27,160 --> 00:08:28,639 hobby or whatever, but if you're but if you want 211 00:08:28,680 --> 00:08:31,199 to have a career, like a real career and and 212 00:08:32,080 --> 00:08:33,519 you know, and have it last, then you got to 213 00:08:33,559 --> 00:08:34,840 take it seriously, and you got to take it like 214 00:08:34,879 --> 00:08:40,080 a business. Yeah, one hundred. When did now the tracks 215 00:08:40,120 --> 00:08:41,919 that you sent us, these are are these all singles? 216 00:08:41,960 --> 00:08:42,919 Are these part of an album? 217 00:08:43,080 --> 00:08:46,639 Speaker 2: Right? So? All of them are off of projects. 218 00:08:47,039 --> 00:08:49,440 Speaker 3: See Flies off a project from a couple of years ago, 219 00:08:50,440 --> 00:08:53,480 Outside is off a project from last year, And a 220 00:08:53,559 --> 00:08:56,399 few of them are just single singles right now that 221 00:08:56,440 --> 00:08:59,279 I've been releasing to promote the couple of projects from 222 00:08:59,360 --> 00:09:02,240 dropping this year. Yeah, I'm dropping a collaborative album with 223 00:09:02,320 --> 00:09:06,279 the whole collective, and then I have a single like 224 00:09:06,360 --> 00:09:10,200 a single album I'm dropping, and then another collaborative album 225 00:09:10,240 --> 00:09:11,600 with my buddy Domination Jay. 226 00:09:13,200 --> 00:09:15,679 Speaker 1: I've heard of Domination Jay. Yeah, that's a cool name too. 227 00:09:17,720 --> 00:09:19,759 Where do you you know, because you you talked about 228 00:09:20,240 --> 00:09:23,080 recording and producing? Do you is everything self produced? 229 00:09:23,120 --> 00:09:23,399 Speaker 2: Sure? 230 00:09:23,720 --> 00:09:26,080 Speaker 3: So I do pretty much all the production, the beats. 231 00:09:26,200 --> 00:09:27,879 Some of the beats I usually just buy or get 232 00:09:27,919 --> 00:09:30,960 from other producers. There is I have some beats that 233 00:09:31,000 --> 00:09:33,960 I've done myself because I do make beats as well. Yeah, 234 00:09:34,120 --> 00:09:36,080 but a lot of stuff Right now, I'm kind of 235 00:09:36,200 --> 00:09:39,639 just getting more on the production side and kind of 236 00:09:39,720 --> 00:09:41,480 doing more features where I'm like, all right, let me 237 00:09:41,519 --> 00:09:43,559 branch chat with people that I've grown up with and 238 00:09:43,639 --> 00:09:45,639 done music with or other artists and kind of like 239 00:09:46,360 --> 00:09:49,120 do my little thing, but like let them really kind 240 00:09:49,120 --> 00:09:50,879 of take control of the song and then put that 241 00:09:50,960 --> 00:09:53,720 onto my stuff and kind of let them use my network, 242 00:09:53,759 --> 00:09:55,360 you know what I'm saying, like as their as their 243 00:09:55,399 --> 00:09:56,399 platform in a sense. 244 00:09:56,720 --> 00:10:00,399 Speaker 1: Right right? Do you do you have like a studio, 245 00:10:00,840 --> 00:10:01,639 like a home studio. 246 00:10:01,799 --> 00:10:03,480 Speaker 2: I got a home studio with all that stuff. 247 00:10:03,559 --> 00:10:05,600 Speaker 3: Actually, right now, I hat in the car because we're 248 00:10:05,600 --> 00:10:07,480 about to go up and do this DJing event for 249 00:10:07,559 --> 00:10:10,120 this boxing event on Laconia right after this nice so 250 00:10:10,279 --> 00:10:12,000 pretty much. I got a home studio, and I got 251 00:10:12,039 --> 00:10:14,399 stuff to run indoor and outdoor venues. 252 00:10:14,759 --> 00:10:18,000 Speaker 2: Yeah. I got to host my first festival this summer. Really. Yeah. 253 00:10:18,159 --> 00:10:20,240 Speaker 1: Oh congratulations. Yeah that's a big deal. 254 00:10:20,360 --> 00:10:20,799 Speaker 2: Yeah, yop. 255 00:10:21,279 --> 00:10:22,799 Speaker 3: So I do all this, Like I said, I've been 256 00:10:22,840 --> 00:10:24,960 doing it for years, and all these studios I've gone to, 257 00:10:25,039 --> 00:10:27,320 I've kind of learned just watching a lot of this 258 00:10:27,360 --> 00:10:28,879 stuff is kind of the same stuff, you know what 259 00:10:28,919 --> 00:10:31,679 I'm saying. Yeah, and then it's really just adding your own, 260 00:10:32,360 --> 00:10:34,200 your own float to it because everybody you can go 261 00:10:34,279 --> 00:10:36,600 to thirty different studios, but if they don't hear what 262 00:10:36,759 --> 00:10:38,679 you're trying to do, all they're going to really do 263 00:10:38,879 --> 00:10:41,200 is like, Okay, do it this way. It may sound better, 264 00:10:41,279 --> 00:10:42,360 but that's probably because that's what. 265 00:10:42,360 --> 00:10:43,440 Speaker 2: They're used to for production. 266 00:10:43,679 --> 00:10:44,080 Speaker 1: Oh yeah. 267 00:10:44,159 --> 00:10:46,840 Speaker 3: So I'll take that constructive criticism and add it to stuff, 268 00:10:46,879 --> 00:10:49,960 but I'm very kind of locked down on what sound 269 00:10:50,039 --> 00:10:52,399 I'm going for and trying to push off as well. 270 00:10:53,480 --> 00:10:56,200 Speaker 1: We've got some getting some love in the chat room here. 271 00:10:56,440 --> 00:11:00,799 Joshua Hernandez domination j J cool. Yeah, we gotta get 272 00:11:00,879 --> 00:11:03,399 him on the show. He says, uh, oh, where did 273 00:11:03,519 --> 00:11:07,759 comment go? I'm trying to forgive me trying to back up. 274 00:11:07,759 --> 00:11:10,000 I didn't want to miss his comment. Oh, King Polo 275 00:11:10,120 --> 00:11:14,720 and MBP Mayo in the building. Yes, he said something 276 00:11:14,759 --> 00:11:18,320 too about the wave NonStop grind or something. I lost 277 00:11:18,360 --> 00:11:22,440 his comment now disappeared, but welcome. Domination Jay also a 278 00:11:22,600 --> 00:11:31,919 Zachary Broder say Beast Mode. Yes that Nathan Hill. Ye, yeah, 279 00:11:31,960 --> 00:11:32,919 he was on the show recently. 280 00:11:32,960 --> 00:11:33,480 Speaker 2: He's awesome. 281 00:11:33,759 --> 00:11:36,759 Speaker 1: Yeah, he said. Melissa and I are watching and listening. 282 00:11:37,000 --> 00:11:40,200 Speaker 2: Excellent, excellent, appreciate you'll. I hope you're having a great weekend. 283 00:11:40,559 --> 00:11:47,000 Speaker 1: Domination Jay said bangers Only. Yes, absolutely, absolutely, Yeah, It's 284 00:11:47,000 --> 00:11:49,039 cool that we live in a time too where you know, 285 00:11:49,120 --> 00:11:51,080 you have a lot of different options as far as 286 00:11:51,159 --> 00:11:53,360 how you record and where you record and different approaches. 287 00:11:53,440 --> 00:11:56,879 And you know, I'm older, so when I was growing up, 288 00:11:56,919 --> 00:11:58,799 it was like you either you either went to a 289 00:11:58,840 --> 00:12:01,440 studio and spent a time of money or you you know, 290 00:12:01,559 --> 00:12:03,159 or if you had a one of those old task 291 00:12:03,240 --> 00:12:04,399 him for track reporters. 292 00:12:04,480 --> 00:12:05,600 Speaker 2: You know, you can do stuff at home. 293 00:12:05,679 --> 00:12:07,720 Speaker 1: And of course today you've got all kinds of options, 294 00:12:07,759 --> 00:12:09,240 and I mean you can still go to a studio 295 00:12:09,279 --> 00:12:12,120 and spend that money, and there's some great studios around. Yeah, definitely, 296 00:12:12,399 --> 00:12:15,480 Like we have Eric Sotter from Blackhart Sound. His name 297 00:12:15,559 --> 00:12:18,399 comes up all the time on the show. But but 298 00:12:18,840 --> 00:12:20,600 the advantage of being able to do it yourself too is, 299 00:12:20,679 --> 00:12:22,799 you know, you've got maximum control over what you're there, 300 00:12:23,120 --> 00:12:26,799 you know, And so that's really cool. I'm curious to 301 00:12:26,840 --> 00:12:28,759 know more about that. You mentioned a festival you're doing 302 00:12:28,799 --> 00:12:29,200 the summer. 303 00:12:29,320 --> 00:12:29,519 Speaker 2: Yeah. 304 00:12:29,679 --> 00:12:32,360 Speaker 3: So it's gonna be out of Charlie's Hill in Lemonon, Maine. 305 00:12:32,399 --> 00:12:35,799 It's a two day festival. There's an indoor and outdoor stage. 306 00:12:36,080 --> 00:12:40,240 We're gonna do camping, bonfire. We got so the thirteenth 307 00:12:40,639 --> 00:12:43,200 is June thirteenth is the first day. It's my actually 308 00:12:43,399 --> 00:12:45,639 my birthday. So we're gonna do all like the rap 309 00:12:45,720 --> 00:12:48,879 performances and kind of like the big like hype like parties, 310 00:12:48,960 --> 00:12:49,559 so to speak. 311 00:12:50,000 --> 00:12:51,919 Speaker 2: And then the next day we're gonna kind of do 312 00:12:52,080 --> 00:12:52,960 like low key vibes. 313 00:12:52,960 --> 00:12:55,519 Speaker 3: We'll have some rap performances still too, but there's gonna 314 00:12:55,559 --> 00:12:57,919 be more kind of like acoustic and singers and kind 315 00:12:57,960 --> 00:13:00,600 of like the next day kind of everyone gets situated, 316 00:13:00,679 --> 00:13:02,600 clean up and kind of vibe and then go home 317 00:13:02,679 --> 00:13:05,720 type deal. Nice, but it's it's pretty cool. Charlie's Hill 318 00:13:05,799 --> 00:13:08,360 is definitely shout out to them out lemon and Maine. 319 00:13:08,399 --> 00:13:11,600 That's one of the venues that is always doing everything 320 00:13:11,759 --> 00:13:15,360 for local artists and his artists in general. So if anybody, 321 00:13:15,399 --> 00:13:17,759 any artists listening ever get a chance to go check 322 00:13:17,799 --> 00:13:20,240 out Charlie's Hill in Elemonon, Maine, definitely go out there. 323 00:13:20,720 --> 00:13:22,960 Terry and Mike and Lloyd are always doing the best 324 00:13:23,000 --> 00:13:26,240 that they can to provide a great platform with love 325 00:13:26,320 --> 00:13:28,600 and respect for us. So if you guys ever looking 326 00:13:28,639 --> 00:13:30,679 for somewhere cool to go, tap in, go tap in there. 327 00:13:31,559 --> 00:13:33,840 Speaker 1: That Yeah, Charlie Silt that comes up on the show 328 00:13:33,879 --> 00:13:35,519 all the time too. I've yet to be there, but 329 00:13:35,679 --> 00:13:37,279 I've got to go there, but for the past, for 330 00:13:37,360 --> 00:13:40,320 the past however long two or three years now I 331 00:13:40,440 --> 00:13:41,360 hear about Charlie Shilton. 332 00:13:41,919 --> 00:13:43,840 Speaker 2: Love it over there. I love it over there always. 333 00:13:44,159 --> 00:13:46,039 Speaker 3: That's one of those places like if I ever do, 334 00:13:46,279 --> 00:13:48,360 when I ever do get like big and doing all 335 00:13:48,399 --> 00:13:50,720 this stuff, that's one place I'm always gonna go all 336 00:13:50,759 --> 00:13:52,879 the time. Yeah, just to show love because they that's 337 00:13:52,919 --> 00:13:54,639 what they do for everybody, So why not give them, 338 00:13:54,639 --> 00:13:55,240 you know what I'm saying. 339 00:13:55,480 --> 00:14:00,240 Speaker 1: Yeah, Yeah, absolutely you've been at this. You know your man, 340 00:14:00,320 --> 00:14:02,480 but you've been at this a little while. And actually, well, 341 00:14:02,559 --> 00:14:04,240 this question really for both of you guys, like what's 342 00:14:04,320 --> 00:14:07,200 changed from your because I feel like the music industry 343 00:14:07,279 --> 00:14:10,759 is constantly changing and evolving so much, and and you 344 00:14:10,840 --> 00:14:13,720 know you're you're someone who really pays attention to what's 345 00:14:13,759 --> 00:14:16,240 going on, Like, like, what is what has changed about 346 00:14:16,320 --> 00:14:18,679 or maybe maybe even not so much changed about the business, 347 00:14:18,720 --> 00:14:20,039 but about your approach to the business. 348 00:14:20,480 --> 00:14:22,639 Speaker 3: So my approach to the business has definitely changed a 349 00:14:22,679 --> 00:14:25,440 lot from when I first started, because when I first started, 350 00:14:25,480 --> 00:14:28,080 obviously coming to something young, new and like all this 351 00:14:28,360 --> 00:14:31,080 energy and kind of like cockiness and not confidence in 352 00:14:31,159 --> 00:14:34,080 a sense. Yeah, so and then being the young guy, 353 00:14:34,360 --> 00:14:37,320 like there's a lot of times where you've been misleaded, 354 00:14:37,399 --> 00:14:39,279 Like that's where I was. I was misled with a 355 00:14:39,320 --> 00:14:41,440 lot of the teams or groups that I got with 356 00:14:41,639 --> 00:14:43,960 growing up. So they'll use me as like stepping stones 357 00:14:44,000 --> 00:14:46,240 in a sense of like oh yeah, sure, come to 358 00:14:46,320 --> 00:14:48,240 this venue or come to this event, and we'll definitely 359 00:14:48,279 --> 00:14:50,200 get you on stage, where realistically they just wanted to 360 00:14:50,240 --> 00:14:51,960 get more people in the door to make more money. 361 00:14:52,159 --> 00:14:53,639 Speaker 2: Yep, things of that nature. 362 00:14:54,519 --> 00:14:57,399 Speaker 3: I started to realize that, and then as technology and 363 00:14:57,440 --> 00:14:59,840 social media and all this growth, not too many people 364 00:15:00,120 --> 00:15:03,159 do as much door to door face to face promotion anymore. 365 00:15:03,200 --> 00:15:06,120 So I've been trying to to come and do it 366 00:15:06,240 --> 00:15:08,159 on both ends, with just like the social stuff, but 367 00:15:08,240 --> 00:15:10,639 also getting face to face. Like we did a show 368 00:15:10,679 --> 00:15:13,399 in Rochester at the Performance Art at Center back in April. 369 00:15:13,720 --> 00:15:15,840 I printed off flyers and went to pretty much every 370 00:15:15,879 --> 00:15:18,759 business downtown Rochester and put flyers up talk to the 371 00:15:18,799 --> 00:15:21,000 owners of the businesses. You know what I'm saying, Like 372 00:15:21,279 --> 00:15:23,919 the face to face built the actual interaction with the 373 00:15:24,000 --> 00:15:26,919 customers they not customers, but with the with the city. 374 00:15:26,960 --> 00:15:29,320 You know what I'm saying, People around absolutely, because too 375 00:15:29,320 --> 00:15:31,200 many people don't do that anymore. And like I've even 376 00:15:31,240 --> 00:15:33,919 felt like I've even I can even call myself on 377 00:15:34,039 --> 00:15:36,480 doing that in the past, with like spam sending messages 378 00:15:36,519 --> 00:15:38,360 and like, oh here's a new song, you guys should 379 00:15:38,360 --> 00:15:39,200 go watch this video. 380 00:15:39,600 --> 00:15:40,559 Speaker 2: It's like, who the hell am I. 381 00:15:40,720 --> 00:15:42,519 Speaker 3: You have never had a conversation with me before in 382 00:15:42,600 --> 00:15:44,679 the past, and I'm expecting you to do something for me. 383 00:15:45,039 --> 00:15:50,000 Speaker 1: Right right? Yeah, now what about you, MVP? Let's say, right, 384 00:15:50,120 --> 00:15:55,960 MVP okay, good, Like how is how's things changed for 385 00:15:56,039 --> 00:15:58,000 you over the years too, I mean maybe it's maybe 386 00:15:58,000 --> 00:15:59,639 it's similar to King Polo. I don't know, but I mean, 387 00:15:59,679 --> 00:16:00,639 what's been your experience. 388 00:16:00,919 --> 00:16:06,120 Speaker 4: So when I when I first started rappings, probably about 389 00:16:06,679 --> 00:16:09,639 seven years ago. I'm only nineteen, by the way, I know, 390 00:16:09,840 --> 00:16:11,320 I know I look look a little older. 391 00:16:11,440 --> 00:16:12,200 Speaker 2: But so. 392 00:16:14,159 --> 00:16:16,200 Speaker 4: It's it hasn't changed as much for me because I 393 00:16:16,240 --> 00:16:18,840 grew up with this social media, with this everybody stuck 394 00:16:18,879 --> 00:16:20,679 in their phone, yep, you know, so. 395 00:16:22,440 --> 00:16:24,200 Speaker 2: Not a lot has changed. 396 00:16:24,279 --> 00:16:27,720 Speaker 4: I mean when I first started, you know, I was 397 00:16:27,799 --> 00:16:30,399 in the wave of like people like Little Pump like 398 00:16:30,480 --> 00:16:32,759 Smoke Part, you know, that whole SoundCloud. 399 00:16:32,960 --> 00:16:34,840 Speaker 1: Wave, and those were all the people that. 400 00:16:34,840 --> 00:16:36,879 Speaker 2: Were blowing up online. So that was my mo is. 401 00:16:36,919 --> 00:16:38,399 Speaker 4: I got to try and blow up online. 402 00:16:38,559 --> 00:16:38,759 Speaker 1: Yep. 403 00:16:39,240 --> 00:16:41,320 Speaker 4: But now now that I've seen some of the face 404 00:16:41,360 --> 00:16:44,080 to face stuff, I like the I like being personal, 405 00:16:44,559 --> 00:16:47,440 you know, you know through a screen. You know, it's 406 00:16:47,480 --> 00:16:49,360 like texting somebody ain't the same as talking to somebody 407 00:16:49,440 --> 00:16:52,240 face to face. You know, you ain't seeing their facial expressions, 408 00:16:52,279 --> 00:16:53,759 their body language, you went't hear in the tone of 409 00:16:53,759 --> 00:16:54,519 their voice in a text. 410 00:16:54,600 --> 00:16:56,000 Speaker 2: Contact can change so much. 411 00:16:56,120 --> 00:16:57,960 Speaker 1: Oh yeah, yeah, yeah, yeah, yeah, yep. 412 00:16:58,440 --> 00:17:00,519 Speaker 4: And uh, you know, people try and a tone in 413 00:17:00,559 --> 00:17:02,960 the text now, but it's you know whatever, it's hard. 414 00:17:03,080 --> 00:17:03,279 Speaker 2: Yeah. 415 00:17:03,600 --> 00:17:07,799 Speaker 4: But a personal change for me is as I've gotten 416 00:17:07,920 --> 00:17:11,200 older is I've realized I got to stop trying to 417 00:17:11,279 --> 00:17:13,240 be a persona because, like I said, I grew up 418 00:17:13,279 --> 00:17:15,720 with those you know SoundCloud rap. Yeah, I didn't grow 419 00:17:15,799 --> 00:17:17,319 up with them, but that's that's when I got into 420 00:17:17,400 --> 00:17:17,720 hip hop. 421 00:17:17,839 --> 00:17:18,039 Speaker 2: Yeah. 422 00:17:18,079 --> 00:17:21,400 Speaker 4: Yeah, so that that was kind of like my the 423 00:17:21,440 --> 00:17:23,680 big thing was like flexing at the time. So I 424 00:17:23,759 --> 00:17:25,680 was just trying to be that. I realized it's not me. 425 00:17:26,079 --> 00:17:26,279 Speaker 1: Yeah. 426 00:17:26,960 --> 00:17:29,319 Speaker 4: Now I'm just I'm doing what I think is the 427 00:17:29,359 --> 00:17:31,119 best representation of myself as a human. 428 00:17:31,880 --> 00:17:33,960 Speaker 2: And uh, I'm having a lot more fun with it. 429 00:17:34,079 --> 00:17:37,920 Speaker 1: Yeah that's good. Yeah, that's very positive. I like that. Yeah, 430 00:17:38,039 --> 00:17:38,799 you're only nineteen. 431 00:17:39,000 --> 00:17:40,160 Speaker 2: Yep, only nineteen. 432 00:17:40,359 --> 00:17:41,359 Speaker 1: It's the facial hair. 433 00:17:42,519 --> 00:17:44,200 Speaker 2: This man's work ethic too, though. 434 00:17:44,480 --> 00:17:44,680 Speaker 1: Yeah. 435 00:17:44,960 --> 00:17:46,519 Speaker 2: He make me proud every damn day. 436 00:17:46,640 --> 00:17:49,559 Speaker 1: That's a fact, that too, right, because you'll be a 437 00:17:49,599 --> 00:17:52,079 lot of nineteen year olds like that. That's awesome. 438 00:17:52,160 --> 00:17:52,559 Speaker 2: Good me. You. 439 00:17:52,920 --> 00:17:54,559 Speaker 4: I think I think part of it, part of the 440 00:17:54,640 --> 00:17:56,640 work ethic, part of the You know a lot of 441 00:17:56,680 --> 00:17:59,920 people say I'm more mature than other people my age. Yeah, 442 00:18:00,000 --> 00:18:02,599 I think part of it. It was like the pandemic. Right, 443 00:18:02,720 --> 00:18:04,759 I was in ninth grade when that happened. That was 444 00:18:05,200 --> 00:18:10,119 probably peak sociality for me, right, and then suddenly gone 445 00:18:10,480 --> 00:18:11,799 breath like that. So I had to grow up. I 446 00:18:11,799 --> 00:18:13,880 had to learn a lot of lessons quickly. Yeah, and 447 00:18:14,559 --> 00:18:16,480 you know, here we are today. I'm the man I 448 00:18:16,559 --> 00:18:18,000 am today from the experiences I have. 449 00:18:18,279 --> 00:18:19,960 Speaker 1: Yeah, that's awesome. That's awesome. 450 00:18:20,440 --> 00:18:20,839 Speaker 2: Good for you. 451 00:18:21,519 --> 00:18:23,000 Speaker 1: We should play another track. What do you guys? 452 00:18:23,480 --> 00:18:26,359 Speaker 3: Yeah, I'm with it. Home improvement if you can. That's 453 00:18:26,400 --> 00:18:30,240 got me MVP, MAO, domination J and then my boys 454 00:18:30,319 --> 00:18:31,599 though to rap. That was the one that was just 455 00:18:31,680 --> 00:18:34,039 on that cu fly along with me. Oh nice, these 456 00:18:34,039 --> 00:18:36,319 they are all really really close people to me. Right here, man, 457 00:18:36,440 --> 00:18:37,359 we killed this track. 458 00:18:37,599 --> 00:18:40,039 Speaker 1: Excellent, excellent. All right, we'll give this a spend. This 459 00:18:40,240 --> 00:18:41,000 is home improvement. 460 00:18:44,039 --> 00:18:48,880 Speaker 2: Hey what let's go. 461 00:18:51,880 --> 00:18:55,720 Speaker 8: Hey hey hey they ain't near Detroit, but we're still 462 00:18:55,759 --> 00:18:56,920 doing home improvement. 463 00:18:57,160 --> 00:18:59,839 Speaker 2: If you ain't had foundation, how you gonna make some move? 464 00:19:00,279 --> 00:19:03,200 But that was sitting at the crib. He was steady buzing. 465 00:19:03,440 --> 00:19:05,039 And now the both of us is winning. 466 00:19:05,119 --> 00:19:06,279 Speaker 5: We is never losing. 467 00:19:06,680 --> 00:19:09,440 Speaker 8: Me and Polo though, we in the for the amusement, 468 00:19:09,640 --> 00:19:11,640 and we gonna head down to the student work and 469 00:19:11,759 --> 00:19:13,599 make some music because never get me. 470 00:19:13,680 --> 00:19:15,640 Speaker 2: Wrong, we know we're gonna move here and lose it. 471 00:19:15,880 --> 00:19:18,720 Speaker 8: And what we look like sitting home when everything translves 472 00:19:18,759 --> 00:19:23,319 to the clutch. It go first redline, switch off lallana 473 00:19:23,640 --> 00:19:25,799 and that on the beach, on that on hop out 474 00:19:26,000 --> 00:19:26,559 the wagon. 475 00:19:26,759 --> 00:19:29,519 Speaker 2: We pull up and switch off the function, me in it. 476 00:19:29,839 --> 00:19:31,160 If they hate, they get. 477 00:19:31,079 --> 00:19:34,920 Speaker 5: Gone diamonds on my body, flashing and add it to 478 00:19:35,000 --> 00:19:39,440 the faship on live purpose with passion and whatever lights 479 00:19:39,480 --> 00:19:43,599 came reaction. I never answer what they ask in their 480 00:19:43,759 --> 00:19:48,279 facetame maassket not then litle stack gigs as because we 481 00:19:48,359 --> 00:19:51,880 shouldn't win, nag gag I need it now now winging 482 00:19:51,960 --> 00:19:54,559 on the bad game, the mad for biddings. So you 483 00:19:54,680 --> 00:19:58,000 know they lived fraen in this place. They know when 484 00:19:58,079 --> 00:20:00,720 that they ain't safe Stephani point go by by your place. 485 00:20:00,839 --> 00:20:03,640 Speaker 2: Any morning can break. They got myself onto these takes. 486 00:20:03,680 --> 00:20:05,000 How many times when you hate? 487 00:20:05,039 --> 00:20:07,359 Speaker 9: I know behind my back and flake you can never 488 00:20:07,480 --> 00:20:10,279 trust a snake when they pop off that tall grass more. 489 00:20:10,319 --> 00:20:13,000 I'm down than escape, poking in and now every day. 490 00:20:13,240 --> 00:20:14,400 Speaker 2: But it's been my way. 491 00:20:14,759 --> 00:20:17,319 Speaker 9: That's why I'm stuck in my waist and stay puffing. 492 00:20:17,160 --> 00:20:18,000 Speaker 2: This Hags crime. 493 00:20:18,119 --> 00:20:20,680 Speaker 9: Seeing at my age that's thirty four on the game. 494 00:20:20,880 --> 00:20:24,599 I creeping slow because I'm high that high gread quality. 495 00:20:24,759 --> 00:20:27,799 You over quantity, You better getting gigs that attracts. A 496 00:20:27,880 --> 00:20:31,039 documentary just whipping through my story, don't miss the page, 497 00:20:31,359 --> 00:20:34,279 the repressing counsel and looking at my rage from the 498 00:20:34,359 --> 00:20:36,680 thought of my mind, I was battering the plane. 499 00:20:36,880 --> 00:20:38,000 Speaker 2: I don't stick in my head. 500 00:20:38,200 --> 00:20:40,920 Speaker 9: That's why I always got a blaze. I ain't myself 501 00:20:41,000 --> 00:20:42,880 to the way I was. Braves did a lot of 502 00:20:42,920 --> 00:20:45,079 the dirty. Y'all can throw that right on my grave. 503 00:20:52,680 --> 00:20:53,759 Speaker 2: Timon's on my body. 504 00:20:53,839 --> 00:20:57,720 Speaker 5: Flash shit and add it to the fast ship lived 505 00:20:57,759 --> 00:21:02,000 purpose with a passion, the late skin reaction shit. I 506 00:21:02,160 --> 00:21:06,480 never answered what they ask fair face. They basket the 507 00:21:06,839 --> 00:21:11,720 black dead, little stacks hillard lag and I need. 508 00:21:11,720 --> 00:21:12,799 Speaker 2: It now and out weigh. 509 00:21:12,880 --> 00:21:15,799 Speaker 5: You know the badaeel bad for goodness, so you know 510 00:21:16,319 --> 00:21:17,119 your bad friend. 511 00:21:17,480 --> 00:21:20,680 Speaker 7: I'm more inclined to say forty five forty five, staying 512 00:21:20,680 --> 00:21:24,240 away from five over on my pup shows five got fine, 513 00:21:24,359 --> 00:21:26,599 just some time wrest some bugs, throw some ROMs. Not 514 00:21:26,720 --> 00:21:28,839 even trying to get my license back. I'm just trying 515 00:21:28,880 --> 00:21:30,839 to show that you're hide. I see the try and 516 00:21:30,960 --> 00:21:34,359 trip relations can't then know the size. It's myself and eye. 517 00:21:34,599 --> 00:21:38,039 I'm reckongn mortified, progressing and fortified. You move the way 518 00:21:38,079 --> 00:21:40,640 your toiter, slide your girl. Let me slap up the 519 00:21:40,680 --> 00:21:43,440 shutting you a word of mine. You see my Turko's 520 00:21:43,519 --> 00:21:45,640 eyes hit to say the all ring blind. I was 521 00:21:45,759 --> 00:21:47,839 running short and time of set. I wrote the song 522 00:21:47,920 --> 00:21:49,960 for four to five a mile from my life. You 523 00:21:50,039 --> 00:21:53,039 know the chump in every other recept from her to 524 00:21:53,200 --> 00:21:55,039 know the five, the shrimming. 525 00:21:54,720 --> 00:21:55,599 Speaker 1: Egos and subs. 526 00:21:55,920 --> 00:21:58,039 Speaker 2: I just sure to dry you get ride. I was. 527 00:21:58,839 --> 00:22:01,559 Speaker 7: You can't ignore these round camps and Google priests can't 528 00:22:01,559 --> 00:22:04,119 sit Bob with me, and so my Bob you could find. 529 00:22:03,960 --> 00:22:06,559 Speaker 1: His friends my ways that they washed up on the show. 530 00:22:17,519 --> 00:22:17,920 Speaker 2: I love it. 531 00:22:18,319 --> 00:22:21,160 Speaker 1: That is really good home improvement. That is King Polo, 532 00:22:21,519 --> 00:22:27,839 m B P Mayo, Domination J and who else? Very cool, 533 00:22:27,960 --> 00:22:28,279 very cool. 534 00:22:28,319 --> 00:22:28,680 Speaker 8: I love that. 535 00:22:28,799 --> 00:22:31,039 Speaker 1: I love that excellent? Are these all? These are all 536 00:22:31,079 --> 00:22:32,440 available on the streaming platforms. 537 00:22:33,000 --> 00:22:34,960 Speaker 2: Everything on all streaming platforms. 538 00:22:35,079 --> 00:22:37,839 Speaker 1: Yeah, outstanding, outstanding. Uh so if you are just joining 539 00:22:37,920 --> 00:22:39,599 us out, we have a King Polo and m b 540 00:22:39,759 --> 00:22:43,519 P man, I get it, Okay. Sometimes I think I'm 541 00:22:43,519 --> 00:22:47,319 suffering from adult onset dyslexia. I'll listen. It happens all 542 00:22:47,359 --> 00:22:49,319 the time, Like I'll listen because sometimes I don't catch it, 543 00:22:49,400 --> 00:22:52,680 Like I'll listen back to the show later and uh, 544 00:22:52,839 --> 00:22:56,599 and I'll use like completely the wrong word. I don't 545 00:22:56,640 --> 00:22:58,160 catch it in the moment, you know, And then I'm like, 546 00:22:58,279 --> 00:23:01,880 oh no, I can't believe i' that wrong. I there 547 00:23:01,920 --> 00:23:04,559 was a band on recently. I I totally batched the 548 00:23:04,920 --> 00:23:08,079 As I'm introducing the song, I watched the the title, 549 00:23:08,160 --> 00:23:10,200 Oh no, it's coming back out of the song. I 550 00:23:10,480 --> 00:23:12,400 I said the right band name, but I said the 551 00:23:12,440 --> 00:23:15,240 wrong song title. They were too polite to correct me. 552 00:23:15,319 --> 00:23:16,960 But then I but I didn't realized, and I listen 553 00:23:17,000 --> 00:23:18,559 back to it later, I'm like, where did I get 554 00:23:18,640 --> 00:23:21,519 that from? The name that I said was totally different 555 00:23:21,519 --> 00:23:22,440 than the actual title of the. 556 00:23:24,000 --> 00:23:24,200 Speaker 2: Yeah. 557 00:23:24,839 --> 00:23:28,599 Speaker 1: Oh yeah, yeah, you get a little brain foggy. But uh, 558 00:23:28,880 --> 00:23:32,359 We've got King Polo and uh MBP mao here with 559 00:23:32,480 --> 00:23:35,680 us live in studio and uh, having a great time. 560 00:23:36,519 --> 00:23:38,240 Love these tracks. Yeah, that's a really good one too, 561 00:23:38,319 --> 00:23:39,039 really really catchy. 562 00:23:39,079 --> 00:23:39,519 Speaker 2: I can uh. 563 00:23:39,799 --> 00:23:41,279 Speaker 1: I mean that's I think you got to hit there, 564 00:23:41,319 --> 00:23:45,799 I really do. That's that's outstanding. Outstanding. So what have 565 00:23:45,880 --> 00:23:48,039 you got for those listening live on Saturday? 566 00:23:48,079 --> 00:23:48,839 Speaker 2: What is it that? Uh? 567 00:23:49,119 --> 00:23:50,160 Speaker 1: Where are you guys going after this? 568 00:23:50,240 --> 00:23:51,519 Speaker 2: You got up so after this? 569 00:23:52,279 --> 00:23:56,759 Speaker 3: So my buddy Jared Marshall, owner of the Battlezone boxing 570 00:23:56,799 --> 00:23:57,559 out in Laconia. 571 00:23:58,000 --> 00:24:01,880 Speaker 2: They just opened up there last year. Today they are 572 00:24:02,039 --> 00:24:04,000 having a what is it called the. 573 00:24:06,119 --> 00:24:08,079 Speaker 3: No It's like a moral Day event pretty much, but 574 00:24:08,160 --> 00:24:11,480 they're doing a bunch of matches today, hosted by USA 575 00:24:11,599 --> 00:24:14,079 Boxing as well. So I'll get up there djaying the 576 00:24:14,119 --> 00:24:16,759 event for him. This is there's gonna be at Laconia 577 00:24:16,960 --> 00:24:21,640 Community Center. It starts at two pm. It's gonna I 578 00:24:21,680 --> 00:24:24,240 think it's like thirty five or forty dollars for general admission. 579 00:24:24,279 --> 00:24:26,799 I think there's a few tickets left. Yeah, it's just 580 00:24:26,839 --> 00:24:30,559 pretty much bringing boxing to the community, which is pretty cool. 581 00:24:30,559 --> 00:24:32,920 I did the grand opening for him back in November, 582 00:24:33,480 --> 00:24:36,240 which was a really good, good party, and then this 583 00:24:36,400 --> 00:24:38,960 time we're doing this event, so I'm kind of locking 584 00:24:38,960 --> 00:24:40,519 it into him. He's kind of doing the same thing 585 00:24:40,559 --> 00:24:42,960 that I'm doing this music stuff, but with boxing, trying 586 00:24:43,039 --> 00:24:46,119 to give people an outlet and give the youth something 587 00:24:46,200 --> 00:24:48,240 to look forward to and get him out the streets 588 00:24:48,279 --> 00:24:51,079 and stuff. So I'm really really honored and like proud 589 00:24:51,119 --> 00:24:52,319 to be a part of this cause that's kind of 590 00:24:52,319 --> 00:24:54,680 all I'm trying to do myself too. So you know 591 00:24:54,720 --> 00:24:56,279 how it goes, Man, when you link up with stuff 592 00:24:56,319 --> 00:24:58,480 like this, it's just only supposed to multiply and get better. 593 00:24:58,599 --> 00:25:02,880 Speaker 1: So yeah, yeah, absolutely absolutely, if you guys, if either 594 00:25:02,920 --> 00:25:04,319 of you or both of you had an opportunity to 595 00:25:04,680 --> 00:25:06,920 open for any national acts coming through the area or 596 00:25:06,920 --> 00:25:08,440 anything like that, or so. 597 00:25:09,599 --> 00:25:12,200 Speaker 3: I'll be opening up for Chanel West Coast again this year. 598 00:25:12,279 --> 00:25:14,240 She's coming back out to Laconia for the third time 599 00:25:14,319 --> 00:25:16,880 this year excellent, well the third time over the past 600 00:25:16,920 --> 00:25:19,000 couple of years. But the really good friends with there, 601 00:25:19,039 --> 00:25:21,240 so pretty much anytime she comes out here, she's always 602 00:25:21,279 --> 00:25:22,640 going there, so she hits me up and I go 603 00:25:22,759 --> 00:25:23,279 hang out with her. 604 00:25:23,519 --> 00:25:24,000 Speaker 2: That's great. 605 00:25:24,480 --> 00:25:27,359 Speaker 3: The last like big national act or anything like that 606 00:25:27,440 --> 00:25:29,680 that I did besides that, though, was back in December 607 00:25:29,759 --> 00:25:32,359 with Domination Jay. We opened up for the locks Out 608 00:25:32,400 --> 00:25:34,960 in Portland Theater, Okay theater in Portland. Yeah, that was 609 00:25:35,000 --> 00:25:36,920 a dope event, very shout the domination. 610 00:25:37,119 --> 00:25:38,640 Speaker 2: Jay plugged that right in. 611 00:25:38,960 --> 00:25:42,720 Speaker 1: Yeah, yeah, excellent, excellent. What about influences, like, who do 612 00:25:42,759 --> 00:25:45,839 you guys? Who are some some influences that you I'm 613 00:25:45,880 --> 00:25:50,000 really curious music wise, I don't really have. I mean, 614 00:25:50,160 --> 00:25:52,319 I listened to all types of music. Yeah, so it 615 00:25:52,400 --> 00:25:54,920 could go from anything. But my biggest thing is anybody 616 00:25:54,960 --> 00:25:57,640 who is honestly trying to overcome and become better than 617 00:25:57,680 --> 00:26:01,160 what they were yesterday. And just anybody who's trying to 618 00:26:01,519 --> 00:26:04,279 push your positive message and you know what I mean, 619 00:26:04,440 --> 00:26:07,519 longevity and change the facades and narratives that the world's 620 00:26:07,559 --> 00:26:11,279 created nowadays. Yeah, yeah, yeah, that's that's who My influences are. 621 00:26:11,480 --> 00:26:12,039 Speaker 2: What you mean. 622 00:26:12,720 --> 00:26:15,160 Speaker 4: So as far as far as music goes, it's funny, 623 00:26:15,160 --> 00:26:18,559 I actually did not grow up on hip hop kind of. 624 00:26:20,279 --> 00:26:21,279 Speaker 2: Like I try and. 625 00:26:23,440 --> 00:26:25,480 Speaker 4: I don't even know because I also listen to everything 626 00:26:25,559 --> 00:26:28,000 to like I'll even bump some mariachi if I'm feeling right, 627 00:26:28,079 --> 00:26:28,200 you know. 628 00:26:29,839 --> 00:26:33,319 Speaker 2: But but yeah, I just I take notes when I 629 00:26:33,359 --> 00:26:33,960 listen to music. 630 00:26:34,000 --> 00:26:35,400 Speaker 4: I listen to music very analytically. 631 00:26:35,640 --> 00:26:37,599 Speaker 2: Yeah, and I see things that I like. I try. 632 00:26:38,079 --> 00:26:40,079 That's that's all it is. It's trial and error. 633 00:26:40,119 --> 00:26:44,079 Speaker 1: Yeah, yeah, yeah, exactly absolutely, do you guys want to? 634 00:26:44,200 --> 00:26:45,319 I want to make sure we get at least a 635 00:26:45,319 --> 00:26:46,440 couple more and you want to you want to pick 636 00:26:46,440 --> 00:26:47,559 another track? Will play another? 637 00:26:48,440 --> 00:26:50,240 Speaker 2: Yeah? What else we got left up on there? 638 00:26:50,319 --> 00:26:56,799 Speaker 1: I think we have sent me Celebrate Outside featuring good Bars. Oh, 639 00:26:56,839 --> 00:26:57,279 good Bars. 640 00:26:57,400 --> 00:26:58,799 Speaker 2: Yeah, let's play. Yeah. 641 00:26:58,960 --> 00:27:00,240 Speaker 1: We love mister good Bars. 642 00:27:00,640 --> 00:27:01,160 Speaker 2: That's my guy. 643 00:27:01,640 --> 00:27:04,680 Speaker 1: He's such an interesting guy too. His background is interesting 644 00:27:04,759 --> 00:27:06,359 and you know, and of course he works with all 645 00:27:06,480 --> 00:27:09,680 different genres of music and so talented. 646 00:27:09,799 --> 00:27:11,599 Speaker 2: Yes, my guy, I've been locked in with like ten 647 00:27:11,640 --> 00:27:13,240 plus years just about at this point. 648 00:27:13,279 --> 00:27:15,319 Speaker 1: No kidding, Yeah, yeah, you might be a way back man, 649 00:27:15,720 --> 00:27:17,640 you might be listening. Yeah, all right, let's give this 650 00:27:17,720 --> 00:27:20,839 a spin. So this is uh, let's see who else 651 00:27:20,920 --> 00:27:22,119 is on this anybody or just you and. 652 00:27:22,119 --> 00:27:23,799 Speaker 2: God, just me and good Bars on this one. 653 00:27:24,000 --> 00:27:26,200 Speaker 1: Okay, very cool, and this is called Outside. We'll give 654 00:27:26,240 --> 00:27:27,519 this a spin. Check it out. 655 00:27:48,240 --> 00:27:51,640 Speaker 5: Catch me outside with my food thing locked there for life, 656 00:27:51,759 --> 00:27:53,880 no new flame even in the. 657 00:27:53,920 --> 00:27:55,079 Speaker 2: Balance of a moose swing. 658 00:27:55,480 --> 00:27:58,759 Speaker 5: Veteran in the game like to chain Waby baby become 659 00:27:58,839 --> 00:28:01,880 alive and something of Drop Top Cruise, Big Rims on 660 00:28:01,920 --> 00:28:02,519 the arm up. 661 00:28:02,920 --> 00:28:05,160 Speaker 2: They just mad. I just hit him with another. 662 00:28:05,119 --> 00:28:07,319 Speaker 5: Put the hate the rest with the pillow in the cover, 663 00:28:07,960 --> 00:28:10,519 going hall back to back with the team connected to 664 00:28:10,640 --> 00:28:13,519 the wool, because I'm really about to create Donna Killer. 665 00:28:13,599 --> 00:28:16,039 Speaker 2: When I spit at sixteen thirty two, win the chamber 666 00:28:16,039 --> 00:28:16,880 away before. 667 00:28:16,759 --> 00:28:20,319 Speaker 5: Sixteen, I really do the same, drop the producer, see 668 00:28:20,400 --> 00:28:23,480 me in the face station stolen the producer any better? 669 00:28:23,599 --> 00:28:25,680 Speaker 2: That don't make you and should well. Most of these 670 00:28:25,759 --> 00:28:26,920 sous is really. 671 00:28:26,839 --> 00:28:29,680 Speaker 5: Some looser our feelings when I rap because I call 672 00:28:29,759 --> 00:28:31,920 him out and when got caught it? Yo, How you 673 00:28:32,039 --> 00:28:34,240 falling out? How to say you want to grind what 674 00:28:34,359 --> 00:28:37,559 you're calling out? If everything super tent? While falling out, 675 00:28:37,680 --> 00:28:40,359 I spit flaming the booth and they so fan play 676 00:28:40,799 --> 00:28:44,039 heavy weight flow wing back tad did easy to hate 677 00:28:44,160 --> 00:28:46,640 when you've been pretending to try to teach game. 678 00:28:46,720 --> 00:28:50,039 Speaker 2: Put the entertained, catch me outside with my bull thing, 679 00:28:50,799 --> 00:28:51,839 lock them for life, No. 680 00:28:52,039 --> 00:28:55,079 Speaker 5: New flame even af the balance of a moose wing 681 00:28:55,480 --> 00:28:58,759 veteran to the game like two chains, Wavy Baby become 682 00:28:58,839 --> 00:29:01,839 alive in the summer, Drop Top Cruise, Big rims on 683 00:29:01,920 --> 00:29:04,240 the arm of the just man at his hit him 684 00:29:04,279 --> 00:29:06,240 with another, put the hand to rest. 685 00:29:06,119 --> 00:29:09,480 Speaker 2: With Just bounce with it. Just bounce with it. 686 00:29:09,960 --> 00:29:12,480 Speaker 10: Dyo up a body moving, Just bounce with it. It's 687 00:29:12,519 --> 00:29:15,400 the music video, gonna bounce wood. It got the money 688 00:29:15,440 --> 00:29:18,480 from the venue. Gotta bounce with it. Make your music 689 00:29:18,559 --> 00:29:21,359 so the people wouldn't enjoy it. I'd be flessing looking 690 00:29:21,440 --> 00:29:24,200 good and white force nip puts me to the edge. 691 00:29:24,240 --> 00:29:24,839 Speaker 2: Never forced it. 692 00:29:25,440 --> 00:29:27,240 Speaker 10: If you want to quit the game better four or 693 00:29:27,279 --> 00:29:29,720 five infected the craft and it's money about to take 694 00:29:29,759 --> 00:29:31,680 a bath, and this got it some on my next 695 00:29:31,759 --> 00:29:34,319 You're gonna get half the process. I clean the builds 696 00:29:34,359 --> 00:29:36,559 up and progress money foot tapping in the desk. 697 00:29:36,599 --> 00:29:37,559 Speaker 2: I wrap the conquests. 698 00:29:37,599 --> 00:29:39,759 Speaker 10: People always say, my prapper kicking me in your dumb 699 00:29:39,799 --> 00:29:41,960 showers flow so perscription and it's the perks that it 700 00:29:42,039 --> 00:29:44,359 comes with, up the bumping in the book. Line around 701 00:29:44,400 --> 00:29:45,119 at Clifford somewhere. 702 00:29:45,440 --> 00:29:45,880 Speaker 2: It's the fun. 703 00:29:46,039 --> 00:29:48,799 Speaker 10: I'm you' smoking with You're slipping for real, shit issesting, 704 00:29:48,880 --> 00:29:51,599 wrapping space, crackdown scenes at rock bottom to they things. 705 00:29:51,599 --> 00:29:53,720 They laid a smack down nothing that you want, your man, 706 00:29:53,799 --> 00:29:56,079 This is money. How you act that I with aggression? 707 00:29:56,119 --> 00:29:59,839 For all I hear is the caps sound chin to 708 00:30:00,160 --> 00:30:04,960 bounce with it? Bounced with it? So fire bro, tell 709 00:30:05,039 --> 00:30:06,400 him bounce with tell. 710 00:30:07,440 --> 00:30:10,039 Speaker 2: Yeah, catch me outside with my bull thing. 711 00:30:10,799 --> 00:30:14,279 Speaker 5: Locked for life, no new flame even at the battles 712 00:30:14,319 --> 00:30:17,799 of a moose swing veteraned A game like two chains 713 00:30:17,960 --> 00:30:21,079 Wavy may become alive on the summer trap top cruise, 714 00:30:21,119 --> 00:30:23,240 big rims on the hum of Ladies. 715 00:30:23,359 --> 00:30:25,680 Speaker 2: Man, I just hit him with another. Put the hate 716 00:30:25,720 --> 00:30:27,319 to rest with the pillow when the cover. 717 00:30:37,599 --> 00:30:40,279 Speaker 1: Hey, hey, welcome back everybody. We were so into the 718 00:30:40,359 --> 00:30:42,559 track there. That's really good. 719 00:30:43,200 --> 00:30:45,039 Speaker 2: That was really good. One of my favorites for sure. 720 00:30:45,119 --> 00:30:48,400 Speaker 1: Yeah, absolutely, I love that King Polo featuring mister Goodbars 721 00:30:48,440 --> 00:30:51,279 on that one outside you know, man, really really good. 722 00:30:52,839 --> 00:30:55,319 So where where's the best place for people to go 723 00:30:55,400 --> 00:30:57,440 online to keep up with everything that that you're doing 724 00:30:57,480 --> 00:30:58,960 that both of you guys are doing so. 725 00:30:59,200 --> 00:30:59,920 Speaker 2: The easiest way. 726 00:30:59,920 --> 00:31:03,079 Speaker 3: I mean King Polo six o three from my Instagram 727 00:31:03,200 --> 00:31:06,319 and stuff like that. But if you want to type 728 00:31:06,359 --> 00:31:08,799 in King Polo to your internet browser, whether it be 729 00:31:08,960 --> 00:31:12,000 Google or whatever, my I'll pop right up, which you'll 730 00:31:12,039 --> 00:31:15,400 come with all my socials, all my streaming platforms, videos, 731 00:31:15,559 --> 00:31:19,759 merch shows things of that nature. Yeah, and then yeah, 732 00:31:20,240 --> 00:31:22,039 just to make it easy, King Polo or King Polo 733 00:31:22,079 --> 00:31:23,880 six o three and whatever and I'll pop up. 734 00:31:24,119 --> 00:31:28,480 Speaker 1: Yeah. Yeah, you guys are very googleable. Yeah, how about you, MVP. 735 00:31:29,000 --> 00:31:31,799 Speaker 4: You can find me uh everywhere pretty much under the 736 00:31:32,799 --> 00:31:36,200 same username. It's MBP underscore mayo. 737 00:31:36,559 --> 00:31:37,880 Speaker 1: Okay, find me. 738 00:31:38,480 --> 00:31:39,880 Speaker 4: Instagram is the best way to keep up with my 739 00:31:40,000 --> 00:31:44,000 daily happenings. Yea, and Facebook two cool. I also have Snapchat. 740 00:31:44,160 --> 00:31:46,000 You can have me on Snapchat. You see my see 741 00:31:46,079 --> 00:31:47,400 my public story there. 742 00:31:47,480 --> 00:31:49,920 Speaker 1: Okay, okay, very good. Oh by the way, where where's 743 00:31:49,920 --> 00:31:51,440 the name King Polo come from? 744 00:31:51,480 --> 00:31:54,559 Speaker 2: I never so so Originally it started. 745 00:31:54,279 --> 00:31:57,680 Speaker 3: A while ago as y B Polo, young boy, young 746 00:31:57,720 --> 00:32:00,000 blood because I was young, the young kid hanging out 747 00:32:00,000 --> 00:32:02,640 with all the older kids in Dorchester forever ago. Yeah, 748 00:32:02,799 --> 00:32:04,839 and Polo, which was I used to wear a lot 749 00:32:04,839 --> 00:32:06,640 of polo back in the day. Oh so I was 750 00:32:06,720 --> 00:32:10,000 like when wearing polo and like snapbacks is cool back 751 00:32:10,000 --> 00:32:11,960 And then you know I'm saying forever agos so ye. 752 00:32:12,200 --> 00:32:14,119 I kind of got it from there. And then as 753 00:32:14,200 --> 00:32:15,319 I grew up, you know what I mean, I was 754 00:32:15,319 --> 00:32:17,000 like I'm not going to always want to be referred 755 00:32:17,000 --> 00:32:19,279 to as young boy because I'm not a young boy anymore, 756 00:32:19,559 --> 00:32:21,799 a grown man eventually. Yeah, So I kind of got 757 00:32:21,839 --> 00:32:23,599 in my own bag and got a little conceited in 758 00:32:23,720 --> 00:32:25,799 like cocky with this when I was like, oh, I'm 759 00:32:25,799 --> 00:32:29,240 gonna call myself King. But then as over time I've changed, 760 00:32:29,319 --> 00:32:31,279 Like I still kept the name, but the meaning and 761 00:32:31,359 --> 00:32:33,640 like the acronym behind it is now it's keep improving 762 00:32:33,680 --> 00:32:36,359 the next generation, proudly overcoming limited opportunity. 763 00:32:36,799 --> 00:32:37,359 Speaker 2: I love that. 764 00:32:37,960 --> 00:32:40,319 Speaker 3: So trying to, you know, trying to change the facade 765 00:32:40,359 --> 00:32:42,599 that hip hop has been given, the narrative that people 766 00:32:42,640 --> 00:32:45,799 are trying to create with it. Yeah, and just also 767 00:32:46,039 --> 00:32:48,559 being biracial and growing up in New Hampshire and New England, 768 00:32:48,599 --> 00:32:51,240 I've had a lot of diversity and obstacles to overcome 769 00:32:51,319 --> 00:32:53,039 as this. So I'm pretty much just trying to be 770 00:32:53,200 --> 00:32:56,799 like they like, obstacles are everywhere, but it shouldn't be 771 00:32:56,880 --> 00:32:58,359 because of what I like to listen to or how 772 00:32:58,400 --> 00:32:58,680 I look. 773 00:32:58,799 --> 00:33:02,440 Speaker 1: Yeah exactly, exactly, Yeah, yeah, well said, well said, And 774 00:33:02,559 --> 00:33:04,279 I love that. Tell us that one more time, what 775 00:33:04,319 --> 00:33:05,279 what King Paula stands for? 776 00:33:05,359 --> 00:33:10,200 Speaker 2: The acronym keep improving the next generation, proudly overcoming limited opportunities. 777 00:33:10,400 --> 00:33:10,839 I love that. 778 00:33:11,119 --> 00:33:13,680 Speaker 1: I love that. That is that is fantastic. Well we 779 00:33:13,799 --> 00:33:16,559 will Yeah, the time does go so quickly. We'll we'll 780 00:33:16,559 --> 00:33:18,119 close out with the track in a moment. We probably 781 00:33:18,119 --> 00:33:20,400 shouldn't play the one because apparently I missed something on 782 00:33:20,480 --> 00:33:23,359 the uh show me love? Uh so what uh? 783 00:33:24,640 --> 00:33:26,119 Speaker 2: What should we? I think that? 784 00:33:26,640 --> 00:33:28,599 Speaker 3: And then the other one I think was a performance 785 00:33:28,720 --> 00:33:31,799 track that celebrate one so it doesn't even have my 786 00:33:31,920 --> 00:33:32,480 verse on there. 787 00:33:32,680 --> 00:33:35,000 Speaker 1: Oh your vers isn't in there? Oh oh okay, I 788 00:33:35,039 --> 00:33:36,480 was gonna say I made a radio edit of that one. 789 00:33:36,519 --> 00:33:40,200 Speaker 3: But what about two w Oh yeah, let's play that one. 790 00:33:40,240 --> 00:33:42,319 That'll be a perfect one to end the song with. 791 00:33:42,720 --> 00:33:46,880 That's feature an Arabian queen and brother Blue Summer bang 792 00:33:47,039 --> 00:33:48,440 right here. Y'all gonna love this one. 793 00:33:48,599 --> 00:33:52,720 Speaker 1: I didn't edit anything on that one. That's fine, okay, Yeah, yeah, 794 00:33:52,759 --> 00:33:54,960 this this is a this is a really great track. Hey, 795 00:33:55,000 --> 00:33:59,359 thank you guys both so much. The second absolutely absolutely 796 00:33:59,480 --> 00:34:01,480 and you will here it is. 797 00:34:01,519 --> 00:34:04,480 Speaker 3: This is you two w and this is it's Coast 798 00:34:04,559 --> 00:34:06,559 to Coast. My bad, it's just oh okay, So it 799 00:34:06,680 --> 00:34:08,760 was called Coast to Coast. I should have corrected everything 800 00:34:08,800 --> 00:34:09,400 on the sendover. 801 00:34:09,480 --> 00:34:11,880 Speaker 1: That was my bag, gotch that's all right, that's all right, 802 00:34:11,920 --> 00:34:13,679 all right. Coast to Coast? Was that you two w 803 00:34:13,880 --> 00:34:14,519 the working title? 804 00:34:14,639 --> 00:34:14,800 Speaker 2: Yep? 805 00:34:14,880 --> 00:34:17,559 Speaker 1: Yeah, I gotcha. So this is Coast to Coast and 806 00:34:17,679 --> 00:34:22,639 this is King Polo featuring m v P. No, he's 807 00:34:22,679 --> 00:34:23,639 not on this one. I'm sorry. 808 00:34:23,880 --> 00:34:26,760 Speaker 2: It's a brother blue and a q Arabian queen. 809 00:34:26,880 --> 00:34:28,559 Speaker 1: I finally figured out how to say his name, and 810 00:34:29,880 --> 00:34:31,800 I'm just looking for an excuse to say it. All right, 811 00:34:32,000 --> 00:34:35,079 very good, we'll wrap up with this. This is another 812 00:34:35,119 --> 00:34:36,559 great track. This is Coast to Coast. 813 00:34:52,599 --> 00:34:54,519 Speaker 2: It's easy run that bad. 814 00:34:57,679 --> 00:34:59,400 Speaker 11: What what sign? 815 00:35:02,159 --> 00:35:10,679 Speaker 2: Stack up? What side? What side? What side? Stuck up? 816 00:35:14,199 --> 00:35:17,360 Speaker 5: From the east to the west side. Yeah, it's the 817 00:35:17,400 --> 00:35:21,920 best vide. We're just stacking money up. Never with the 818 00:35:21,960 --> 00:35:22,519 funny stuff. 819 00:35:23,360 --> 00:35:28,440 Speaker 2: From the east to the west side we stack yep, Yeah, 820 00:35:28,519 --> 00:35:31,760 that's the best vibe. Never with the funnised stuff in 821 00:35:31,880 --> 00:35:34,000 the front door. Because I done came up the back street. 822 00:35:34,159 --> 00:35:36,239 I want to go for disguis just the black sheet. 823 00:35:36,519 --> 00:35:38,840 I'm still keeping solid on the bad week. You know that. 824 00:35:38,960 --> 00:35:41,320 Speaker 5: Can hear it from the world, don't ask me ain't 825 00:35:41,320 --> 00:35:43,920 a raptist because I got a rap sheet the game. 826 00:35:44,000 --> 00:35:45,239 Speaker 2: You will never run the past me. 827 00:35:45,559 --> 00:35:47,400 Speaker 5: I've been a coach that some ghosts for the past 828 00:35:47,440 --> 00:35:49,800 three years running, and I hope it sir past me. 829 00:35:50,280 --> 00:35:52,239 Y'all know, I really missed it from my city, y'all. 830 00:35:52,840 --> 00:35:55,039 Even when I'm gonna let you living on we y'all 831 00:35:55,119 --> 00:35:57,880 humors and sometimes we don't get along, we always work 832 00:35:57,920 --> 00:36:00,440 it out because the love strong. What's something in the air, 833 00:36:00,519 --> 00:36:03,039 pop up bottle to it. So the world goods being 834 00:36:03,119 --> 00:36:05,280 money to it. It ain't easy, but you know somebody 835 00:36:05,440 --> 00:36:07,360 got to do it. So I'm making all this pain 836 00:36:07,440 --> 00:36:30,199 and the good music. From the East to the West side. Yeah, 837 00:36:30,280 --> 00:36:34,719 that's the best vibe. We just stacking money up, never 838 00:36:34,880 --> 00:36:38,119 with the funny stuff. From the East to the West side. 839 00:36:38,760 --> 00:36:42,679 Were just stacking money yup. Yeah that's the best vibe. 840 00:36:43,639 --> 00:36:44,840 Never with the funny stuff. 841 00:36:50,280 --> 00:36:52,599 Speaker 11: So you focused on your dreams, don't you waste no time? 842 00:36:54,840 --> 00:36:57,400 Phys because jewelry, we're looking right, Yes. 843 00:36:57,360 --> 00:36:58,440 Speaker 2: The big time energy. 844 00:36:59,239 --> 00:37:03,199 Speaker 11: It's sunshine and living right, loving ourselves, get a mental right. 845 00:37:04,000 --> 00:37:07,199 The old time for hate and jealousy and a life. 846 00:37:08,599 --> 00:37:10,679 Life's too short to be wasting time. 847 00:37:11,119 --> 00:37:13,719 Speaker 2: Was time, live and love. 848 00:37:13,800 --> 00:37:22,599 Speaker 11: As you know, I goals, everyone's motivated. Percussion shows yeah, shoes, 849 00:37:22,639 --> 00:37:24,039 piece over everything. 850 00:37:23,800 --> 00:37:24,760 Speaker 2: Everything, everything. 851 00:37:26,039 --> 00:37:32,559 Speaker 11: Yeah, that's how you'll know, even when they try to 852 00:37:32,599 --> 00:37:39,440 knock at night, pick your heart up and get movies. 853 00:37:41,280 --> 00:37:42,079 Speaker 2: The side. 854 00:37:43,159 --> 00:37:46,519 Speaker 5: Yeah, it's the best vibe. We just stacking money, yup, 855 00:37:47,679 --> 00:37:50,480 never with the funny stuff. From the East to the 856 00:37:50,559 --> 00:37:55,039 West side, were just stacking money yop. Yeah, that's the 857 00:37:55,159 --> 00:37:58,000 best vibe. Never with the funny stuff.