WEBVTT

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<v Speaker 1>There's never a case in which I would take a

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<v Speaker 1>job at a place that exclusively serves rich people, because

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<v Speaker 1>odds are they're a devil worshiping cult, which means that

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<v Speaker 1>they will kill you. I'm Ronald, Young Junior, and I'm

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<v Speaker 1>leaving the theater.

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<v Speaker 2>All right.

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<v Speaker 1>This is Ronald, and I am leaving the theater after seeing.

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<v Speaker 2>They will kill you. They will kill you.

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<v Speaker 1>Written by Carol Sokoloff and Alex Litvak, Directed by Carol Sokoloff,

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<v Speaker 1>starring Zazzie Bates, Mahala Patterson, Joseph tom Felton, Heather Graham,

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<v Speaker 1>and Patricia Arquette, and as usual, for complete listing of

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<v Speaker 1>the cast and crew, you can go to the link

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<v Speaker 1>in our show notes. It is just me, your boy,

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<v Speaker 1>Big Ronald, Today, They Will Kill You follows the story

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<v Speaker 1>of two sisters, one of them older, played by Zazi Bates,

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<v Speaker 1>the other younger, played by Mahaala from Industry. They endured

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<v Speaker 1>abusive childhood. In trying to escape, they are separated for

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<v Speaker 1>ten years until Zazi discovers that her sister is being

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<v Speaker 1>held captive by what amounts to be a satanic cult

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<v Speaker 1>of rich people who, in order to keep their immortality,

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<v Speaker 1>engage in regular human sacrifices. Based on what I just said,

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<v Speaker 1>I'm sure you're listening to this being like Ronald, why

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<v Speaker 1>would you watch this? And the answer to that is

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<v Speaker 1>because I thought this was going to be a much

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<v Speaker 1>different movie than it turned out to be. I thought

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<v Speaker 1>this was going to be a fun romp of killing

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<v Speaker 1>a bunch of Satan worshiping rich people.

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<v Speaker 2>Until the end.

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<v Speaker 1>And while there are aspects of that in the movie,

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<v Speaker 1>and there are swaths of the movie which are indeed that,

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<v Speaker 1>there are others whts of the movie that are not that.

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<v Speaker 2>Indeed.

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<v Speaker 1>First of all, let me just start off by saying

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<v Speaker 1>this movie is it starts off a lot scarier than

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<v Speaker 1>I would like. I'm not really a big fan of

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<v Speaker 1>very scary movies or movies that are two tents, unless

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<v Speaker 1>they're doing it the way Weapons did, which is I mean,

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<v Speaker 1>I knew when to close my eyes, and it was

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<v Speaker 1>enough mystery that I stayed for the terror, if you will.

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<v Speaker 1>Whereas this starts off in a way where I just

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<v Speaker 1>felt uncomfortable for maybe the first ten to fifteen minutes

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<v Speaker 1>of the movie until they got to more of the

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<v Speaker 1>actual lights are on.

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<v Speaker 2>Let's kill some bad guys. Scenes.

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<v Speaker 1>This movie really revels in the big killings and the

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<v Speaker 1>big beheadings. It's almost killed bill level of gore in

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<v Speaker 1>some cases. If you don't like gore, you probably shouldn't

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<v Speaker 1>see this movie because it does gore, and it's not

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<v Speaker 1>necessarily it's comical gore. It's more like Sam Raimi air

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<v Speaker 1>quote fun gore. But if that's not your thing, know

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<v Speaker 1>that there's a lot of it in this movie. And

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<v Speaker 1>it starts early. Blood doesn't spill its sprays, which, again,

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<v Speaker 1>if that's not your thing, this is probably not the

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<v Speaker 1>movie for you. To be honest with you, this review

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<v Speaker 1>for some of you should be as close as you

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<v Speaker 1>get to this movie.

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<v Speaker 2>Now.

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<v Speaker 1>I say that with a deep sense of regret because

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<v Speaker 1>I really enjoyed seeing Mahala, which they didn't give enough

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<v Speaker 1>to do. I don't think and Zazzi bates together. I

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<v Speaker 1>love seeing them together their sisters. I'd love to see

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<v Speaker 1>a movie where they get to be more sisterly and

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<v Speaker 1>do more fun going on a rampage killing stuff. If

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<v Speaker 1>there's a sequel, I'd love to see the two of

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<v Speaker 1>them tearing through a Satanic cult in the name of

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<v Speaker 1>socialism or communism or something. I just I would love

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<v Speaker 1>to see that, but that's not really what we get

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<v Speaker 1>to see. What we get to see here is Zazzi

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<v Speaker 1>Bates just kicking butt all over the film. Just get

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<v Speaker 1>in there, taking names, kicking butt. But the parts that

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<v Speaker 1>I don't like are the satanic elements. They keep referring

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<v Speaker 1>to the devil as Lord. That's not my thing, you know,

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<v Speaker 1>y'all know me, y'all know what I stand for.

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<v Speaker 2>Y'all. No, I'm not down with that. And there's like

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<v Speaker 2>several parts, and then there's the the.

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<v Speaker 1>Cult people are all in pig masks, which I didn't

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<v Speaker 1>understand until one portion where the devil shows up and

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<v Speaker 1>it is personified through a pig's head, and when the

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<v Speaker 1>pig wakes up with the devil inside it, just ahead, y'all.

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<v Speaker 1>It says the unclean spirit entered the swine, which is

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<v Speaker 1>a reference from a time that Jesus in the Bible

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<v Speaker 1>cast out a legion of demons from a man that

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<v Speaker 1>entered or heard of swine, which then ran off a

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<v Speaker 1>cliff and killed themselves. The reason why I'm saying this

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<v Speaker 1>is because they heard that story and said, hey, let's

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<v Speaker 1>make this into a cool movie.

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<v Speaker 2>Bit.

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<v Speaker 1>So now we got to watch a bunch of pigs

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<v Speaker 1>in the movie be embodied by demons, which.

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<v Speaker 2>Not for Ronald, you know what I mean, not for Ronald.

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<v Speaker 1>Like by the time we got to that part in

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<v Speaker 1>the movie, I heard in my head my mom's voice saying,

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<v Speaker 1>what are we watching? And I agree, what are we watching?

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<v Speaker 1>I had no idea, and it's not so bad. I

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<v Speaker 1>don't think it's going to creep me out. I'm not

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<v Speaker 1>gonna think about it later. I'm definitely gonna forget about

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<v Speaker 1>this movie. It's only ninety minutes long and there's not

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<v Speaker 1>much story to tell here. Woman goes into cult under

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<v Speaker 1>the guise of being a maid and tries to escape

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<v Speaker 1>with her sister. That's the movie, So it's not gonna

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<v Speaker 1>stick with me. There's not like symbolism in there that's

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<v Speaker 1>making me gonna freak me out later. My dad always

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<v Speaker 1>says in his sermons, don't play pity pat with the devil.

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<v Speaker 1>I eat you, don't play games with the devil. This

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<v Speaker 1>movie is playing a lot of pity pat with the devil.

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<v Speaker 1>And I'm just no, not my thing. But that being

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<v Speaker 1>said again, Zazzie Bates clocked in Mahala clocked in should

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<v Speaker 1>have been given more to do, but clocked in. Tom

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<v Speaker 1>Felton aka old Boy with the from from the movie series.

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<v Speaker 1>In the book series, you're saying his name right now,

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<v Speaker 1>You're saying you're saying his name right now. He's a

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<v Speaker 1>Slytherin h he always says pata like that. Anyway, that guy,

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<v Speaker 1>he's in it. And Patricia Arquette, Patricia Arquette is brilliant

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<v Speaker 1>in this movie. Well I'm saying she's brilliant in this movie. No,

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<v Speaker 1>Patricia Arquette is just brilliant. I don't think she's any

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<v Speaker 1>more particularly brilliant in this film than she is in

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<v Speaker 1>everything else she's in. But she certainly brings her Patricia

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<v Speaker 1>arquetteiz to this film, which is good.

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<v Speaker 2>I believe her in the role that she's in.

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<v Speaker 1>She's kind of the chief of staff for the cult,

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<v Speaker 1>if you will.

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<v Speaker 2>So yeah, I mean it's not a bad movie.

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<v Speaker 1>I just don't want to watch it again, which I

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<v Speaker 1>know typically and I've been a little bit loose recently

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<v Speaker 1>with what.

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<v Speaker 2>I watch it again? What does that make it as

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<v Speaker 2>a rating? For some people? This movie is gonna be

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<v Speaker 2>a lot of fun.

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<v Speaker 1>I don't think it's enough fun to justify its existence.

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<v Speaker 1>But it's also only an hour and thirty minutes, so

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<v Speaker 1>it certainly is something to watch. This is one of

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<v Speaker 1>those congratulations on your theater run. Maybe this just goes

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<v Speaker 1>straight streaming. You're not gonna make a bunch of money

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<v Speaker 1>in theaters.

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<v Speaker 2>I don't think so.

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<v Speaker 1>So at this point you kind of say, well, what

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<v Speaker 1>is the best that studios can hope for?

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<v Speaker 2>I don't really know. To be honest with you, I

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<v Speaker 2>don't really know.

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<v Speaker 1>With all that being said, I think this movie falls

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<v Speaker 1>right around three stars. It could go as high as

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<v Speaker 1>three point twenty five. It could go as low as

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<v Speaker 1>two point nine to nine. I'm not gonna see it again.

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<v Speaker 1>And the reason why I'm giving you all that range

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<v Speaker 1>because at its best it's an above average movie.

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<v Speaker 2>But at its worse, it's like, man, I don't really

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<v Speaker 2>want to watch it again. I forgot about it. That's

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<v Speaker 2>two point ninet nine.

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<v Speaker 1>But again, I love Zazzie Bates and I love my Halla,

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<v Speaker 1>I love Patricia Arcuatt, and they all did a great

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<v Speaker 1>job in this film. Heather Graham is even a lot

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<v Speaker 1>of fun in this film. It was it was nice

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<v Speaker 1>to see her and I hope she gets more big

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<v Speaker 1>movie roles after this. I'd love to see more of her,

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<v Speaker 1>but other than that, it's just fine, So I'll we'll

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<v Speaker 1>leave it at three stars. Just remember the range. It's

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<v Speaker 1>as good as three point twenty five, as bad as

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<v Speaker 1>two point nine to nine. There's a version of this

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<v Speaker 1>movie that's even better, and that's a cult classic, but

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<v Speaker 1>I don't think it rises quite to that level. And

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<v Speaker 1>also it falls in with I would say it's sister

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<v Speaker 1>movie Ready or Not and Ready or Not to either

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<v Speaker 1>just came out or is about to come out, and

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<v Speaker 1>which is again about a pair of sisters against a

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<v Speaker 1>Satan worshiping group of rich people. So it's not an

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<v Speaker 1>original idea. I'm not sure how both of these got made.

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<v Speaker 1>It actually seems wild that both of these got made,

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<v Speaker 1>and that one of them had a sequel, which leads

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<v Speaker 1>me to believe that if they Will Kill You does

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<v Speaker 1>well enough, then maybe we'll also get a sequel. But

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<v Speaker 1>I don't see how it could. When Ready or Not

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<v Speaker 1>and Ready or Not Too are available for people to watch,

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<v Speaker 1>so why wouldn't they rather watch that? I understand what

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<v Speaker 1>these directors and writers are doing by putting poor people

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<v Speaker 1>against rich people, but give me more of that. I

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<v Speaker 1>don't need to see too much of the origin stories.

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<v Speaker 1>Just get the poor people up here killing the rich

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<v Speaker 1>people and let's call it a day. But it seems

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<v Speaker 1>to be they go a little further than they should

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<v Speaker 1>in most cases.

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<v Speaker 2>And yeah, I'm not.

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<v Speaker 1>Yeah eh with that. Leaving the Theater is a production

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<v Speaker 1>of Oh It's Big Ron Studios. I mixed this episode

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<v Speaker 1>per usual and working hard. This episode is coming out

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<v Speaker 1>on Monday, and I believe this week I'm dropping some

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<v Speaker 1>ex extra material on Patreon. An interview with me and

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<v Speaker 1>Alex Pearlman aka Pearlmania five hundred that will be available

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<v Speaker 1>on the Patreon. Now that has nothing to do with

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<v Speaker 1>leaving a Theater. That has to do with Wait for

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<v Speaker 1>It and the connections I have in the biz, but

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<v Speaker 1>it's still an interview. I had to schedule, edit, put together,

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<v Speaker 1>and put up, recorded an intro all of that for

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<v Speaker 1>you on Patreon. This movie did not have a press screening,

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<v Speaker 1>which means I had to pay for tickets, which means

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<v Speaker 1>I had to coordinate myself getting here all of that.

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<v Speaker 1>There's a lot of work that is going into making

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<v Speaker 1>this podcast, making Wait for It, working on Heartbreaker, and

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<v Speaker 1>working on other things, all of them under the umbrella

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<v Speaker 1>of oh It's Big Ron Studios. This is a hard

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<v Speaker 1>working year for me, but I feel good about it,

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<v Speaker 1>and I'm able to do some of the stuff I'm

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<v Speaker 1>able to do because of the goodness of patrons. So

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<v Speaker 1>if you listen to this show regularly and you think

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<v Speaker 1>to yourself, man, I really want to see Ronald Winn

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<v Speaker 1>in the future, and I want to see this show continue,

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<v Speaker 1>and I want to make it a little bit easier

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<v Speaker 1>on production. The lowest plans we have in Patreon are

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<v Speaker 1>seven bucks a month. Commit to that for one year

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<v Speaker 1>and watch how everything continues to blossom with your help

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<v Speaker 1>and you get all the added bonuses of being a

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<v Speaker 1>part of the Patreon. This is a labor of love

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<v Speaker 1>and I love doing it, but it's still labor. If

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<v Speaker 1>that means something to you, go to patreon dot com

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<v Speaker 1>slash Owitz Big Ron show art from Heather Wilder. Theme

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<v Speaker 1>music by the mysterious Breakmaster Cylinder. For more information about

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<v Speaker 1>they Will Kill You, check out our show notes. You

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<v Speaker 1>can follow me on Instagram, blue Sky, TikTok, threads or

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<v Speaker 1>letterboxed at.

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<v Speaker 2>Ohitz Big Ron. That's at HI T S B I,

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<v Speaker 2>g R O N.

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<v Speaker 1>You can find out more about this show and other

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<v Speaker 1>ODS Big Bron Studio shows by following us on Instagram.

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<v Speaker 1>At otis big Ron Studios leaving the theater. Will be

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<v Speaker 1>back soon. Thanks for listening. I'm Ronald Young Junior and

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<v Speaker 1>I'm tearing through a satanic cult in the name of

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<v Speaker 1>socialism or communism or something