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Speaker 1: The CBS Radio Mystery Theater presents.

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Speaker 2: Come in.

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Speaker 3: Welcome. I'm e. G. Marshall. What is terror?

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Speaker 1: It's really only a word unless you've experienced it, And

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once you've experienced it, there's no word for it. It

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defies description. There are all forms of terror, extreme fear

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of physical.

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Speaker 3: Injury for one.

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Speaker 1: Paralyzing fear of insupportable pain physical.

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Speaker 3: Or mental, mental.

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Speaker 1: This, I'm told, can be the most horrifying form of

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terror of them all.

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Speaker 4: You're trying to terrify me, mister Staves.

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Speaker 5: Terrify Miss Meade. You've got me all wrong. We here

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at the Bureau of Human Affairs don't terrify people.

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Speaker 4: Then why don't you tell me what it is you

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want to know?

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Speaker 3: Why don't you tell me? After all, you are the

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one who knows, But.

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Speaker 4: I know nothing. That's what's terrifying. You want me to

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tell you something, but I don't know what it is,

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but you do.

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Speaker 3: You simply haven't thought about it enough.

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Speaker 4: I have thought and food.

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Speaker 5: No, no, you only think you thought. Go home, Now,

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go home, Missmead, and think some more.

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Speaker 1: Our mystery drama, A Small Question of Terror was written

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especially for the Mystery Theater by George Loather and Stars

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Terry Keane. It is sponsored in part by Buick Motor

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Division and Uncle Ben's Long Grain and Wild Rice. I'll

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be back shortly with at one And as I said

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at the outset, terror can take many forms disguises. Consider

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the case of Alexis Mead, a young woman, intelligent, attractive,

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occupation sales clerk, engaged to be married, lives with her

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widowed mother Emily, whom she supports. The place an apartment

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in well a city, a city in well a country.

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Time could be today, could be tomorrow, not important. What's important?

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Is it happened and it could happen again.

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Speaker 4: But mother, what does the Bureau of Human Affairs want

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with me? What could this? What's his name? Where's the letter? Here?

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It is Gilbert? What could he possibly want with me? Now?

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If you ask me, Alexis, If you ask me, it's

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probably nothing at all, some little unimportant matter about Oh,

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I don't know nothing to get upset about, Dear Ala.

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This is from the Bureau of Human Affairs, which is

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just a cover for the secret police. And this man

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Stainer is titles here under the signature the Director of

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Interrogation in Heaven's name. What could he want to interrogate

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me about well, I can't imagine. I really can't unless

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you did something you shouldn't have done, did you, Alexis like, oh,

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I don't know. Complain to someone maybe at the office,

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that we haven't enough to eat, that the protector of

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glorious Protector has called for austerity measure of at least

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stop running on. I'm sorry, dear, I do talk too much.

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I know, Mother, you didn't complain about something anything. Did

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you me complain say anything that somebody might might have reported?

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Not really, Alexis, Oh, I do talk too much. I do,

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I know, But my dear, you know better than to

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ask me that. Oh you know better than to even

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think I be foolish not to say anything critical of

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our protecture or the government or anything. Mother. I'm sorry, dear.

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The letter gives no reason why this mister Sturmer was

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to see you, sier No, it just says I'm to

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appear at his office Monday at three pm. Well, you'll

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find out then what it is he was when you

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get there. That's four days from now, mother, I've got

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to wait and worry for four solid days to say

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nothing of night worry. Oh my dear, I certainly wouldn't worry. Mother.

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Some people who have gone into the Human Affairs building.

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In fact, a good many people have never been seen

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or heard of again. Oh, I've heard that. Well, you

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can believe it. H I'll get it. Hello Eric, Honey, Oh, Eric,

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how are you darling? Well, I'm not sure.

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Speaker 1: I just got home and found a letter waiting for

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me from the Bureau of Human Affairs.

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Speaker 4: You too, you Yes, I'm ordered to appear at three

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o'clock next Monday. I've been told to be there too.

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Speaker 1: Who signed your letter was somebody named Stainer? Gilbert Stainer.

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Speaker 3: What do you suppose this is all about?

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Speaker 4: I wish I knew. I wish I knew now instead

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of having to wait until Monday.

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Speaker 1: Yeah, me too.

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Speaker 4: It kind of worries me, Alexis it scares me, Eric,

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It scares me half to death. Yes, my name is

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Alexis Mead and I. Oh, yes, you're here to see

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mister Stayner at three o'clock. Yes, you're early. Oh I

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was afraid of being late. Afraid What would you be

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afraid of, Miss Mead? Well, I didn't mean afraid, except

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that's what you said. There's nothing to be afraid of

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Miss Need. If you have nothing to fear. I haven't

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well then Eric Alexis what did he want? Stainer? What

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did he ask you? You're next, Miss Mead? Uh, I'll

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see you later, Alexis come to dinner tonight. Okay, Miss

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Need is here, mister Stainer, thank you.

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Speaker 5: Miss Peters do come in, Miss Mead, thank you and

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sit down please that chair in front of my desk. Well, now,

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Miss Mead, first, let me say I'm sorry if you've

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been put to any inconvenience.

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Speaker 4: Oh no, no, but you did.

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Speaker 5: Have to take off from your job early. I'm told

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you lose two hours pay.

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Speaker 4: Who told you it's so, isn't it? Yes?

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Speaker 5: But bureau will see that you're reimbursed for any loss

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of pay.

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Speaker 3: You incurred today or may incur in the future.

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Speaker 4: The future, I'll be coming her again.

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Speaker 3: That will depend entirely on you. How is your mother?

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Speaker 4: My mother is fine? Thank you fine.

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Speaker 5: That arthrit is flare up she suffered last week. That's

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over with, Yes, delighted.

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Speaker 3: To hear it. A cup of coffee.

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Speaker 4: No, thank you, mister Stanner. I'd like to know whygarette?

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Thank you.

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Speaker 5: I'm oh, that's right. You gave up cigarette several months ago.

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Too expensive, what with the tax, the SYURRT tax and all.

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Speaker 3: I believe you said.

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Speaker 4: I don't recall saying anything like that.

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Speaker 3: No, no, but that is why you quit.

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Speaker 4: Yes, mister Stanner, you certainly didn't ask me here to

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discuss my reasons for giving up smoking.

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Speaker 3: No goodness me, No.

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Speaker 4: Then why am I here?

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Speaker 5: It could be that I just like to talk and

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look at pretty women.

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Speaker 4: I beg your pardon a.

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Speaker 5: Joke, because it's a joke, although you are extremely attractive,

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you know.

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Speaker 4: Thank you?

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Speaker 3: Well. Now, I asked you to come here today because.

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Speaker 4: Because I thought there might be something you cared to

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tell me, something I cared to tell.

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Speaker 5: You, something you might care to tell.

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Speaker 4: Me, such as I don't know. Well, if you don't know,

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I'm sure I don't. I mean, what could I know?

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If you could give me some idea, some idea of

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what it is you're after, not after.

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Speaker 5: Anything, mismade the way you put it, what is it

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you're after? You make it sound as if I'm pursuing you.

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Speaker 4: Trying to No, I didn't mean it that way.

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Speaker 3: No, No, of course you didn't.

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Speaker 5: Well, well, is there something you might care to tell

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the bureau?

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Speaker 3: Tell me.

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Speaker 4: I can't think of anything, mister Stana.

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Speaker 3: Are you sure?

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Speaker 4: I'm positive?

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Speaker 5: Perhaps if you gave us some thought?

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Speaker 4: What thought? How can I think about something when I

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don't know what to think about?

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Speaker 3: It will come to you.

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Speaker 5: Think about it long enough, and it'll come. It might

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be in the morning when you're at work, or or

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during meal time, or in the.

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Speaker 3: Middle of the night in bed.

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Speaker 5: You'll suddenly say to yourself, that's it.

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Speaker 3: That's what I have to tell the bureau.

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Speaker 4: Mister Stana. I'm sorry, but I can't imagine.

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Speaker 3: You'll see.

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Speaker 5: You'll see now you just go away and think about

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it a while and you'll see.

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Speaker 3: And let me escort you to the door.

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Speaker 4: Mister Tanner, please, I assure you believe me. There is

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nothing I know of can think of your hand, mister.

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Speaker 5: Stanner, Sorry your coat. I was only admiring the cloth.

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I like the h feel of cloth like this, so soft,

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so pleasurable to the touch. Soft is a woman's skin.

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Good day, mister Stanna, good dame, is mead? Do some

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thinking now, see what you can come up with before.

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Speaker 3: Our next meeting.

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Speaker 4: Before our next meeting. Last thing, he said, just as

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I laught, Oh, stop worrying and eat your dinner, Alexis,

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what there is of it, and you Eric.

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Speaker 1: Those were his last words to me too. That means

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he's going to call us in again.

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Speaker 4: Obviously have my meat to let mother. No, No, you

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finished the meat. I don't want anymore. You don't want

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it anymore because you think I haven't had enough. Well

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you haven't, none of us has, none of us ever does.

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Speaker 1: Everything's in short supply.

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Speaker 4: Oh and the prices. I was saying to Maggie Norton

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known it the other day. I'd never been the supermarket,

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you know. We hadn't seen each other in Mom. You

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didn't say anything to Maggie anything that might be misconstrued,

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what anything she could have reported to the Bureau of

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Human Affairs. No, what do you take me for, Alexis,

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I'm only trying to find out, searching for whatever it is.

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Stainer knows, didn't he say he doesn't? No, Mother, he knows.

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Eric and I wouldn't have been order to appear if

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he didn't know. He's just playing cat and mouse, That's

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what he's doing. He's trying to get me, get us

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to confess to something. We confessed of.

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Speaker 1: What I'm telling you, I'm so on edge, even now,

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even after just one meeting with him, I tell him

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what he wants to know if I knew what it is?

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Speaker 4: Eric, are you sure you don't don't know?

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Speaker 1: Yes, I don't get your alexis is there?

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Speaker 4: Could it be that you may be said something sometime

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to someone that might have been better left unset?

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Speaker 1: Sometimes I'm gonna not, of course not, but but what.

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Speaker 4: Don't be so touchy?

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Speaker 6: Eric?

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Speaker 4: You could have said something? I could, mother cry, not a.

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Speaker 1: Word, not an full alexis not me. You just don't

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know who you can trust anymore. I guess there wouldn't

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be any more coffee, missus need would.

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Speaker 4: Maybe a few drops? Eric, give me your cup. Well,

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something has been said, and if we're smart you are,

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we'll find out what it was. Because one thing is sure.

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What happened with mister Gilbert Stainer today is only the beginning.

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Speaker 1: I think I know what you mean?

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Speaker 4: You know what I mean? What do you mean? Nothing?

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Speaker 3: Mother?

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Speaker 4: Oh? Mother?

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Speaker 3: Mother? Please?

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Speaker 4: Please what you don't start crying? What you mean even me?

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Be dad? Oh? Why so you're afraid to say have

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a good day to someone, or keep well or anything well?

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I said to Maggie Norton. We hadn't seen each other

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in months, and we were talking about the scarcities and

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the high prices, and she said not to worry because

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the Protector would take care of things eventually. And I said,

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I could have bit my tongue. I said, you know,

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Joe Kith, I said some day he would protect us

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to dance. Eric, I dropped your cup. I'm sorry, mother,

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you didn't say that to Maggie Norton. Oh. I could

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have bit my tongue. But I told you. You said

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it to me once, and I told you then to

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never say it again. Eric, what is it?

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Speaker 3: It's nothing?

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Speaker 4: Why did you drop the cap? Was it what mother

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just said? No?

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Speaker 1: No, honestly, is that.

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Speaker 4: What Stainer is after?

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Speaker 3: Is it?

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Speaker 4: Wow? How do I know it's is after? You do

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know what mother said about the Protector protecting us to death?

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Is that it? Eric, for Heaven's sake, tell me. I

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can't stand not knowing. I can't stand it.

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Speaker 1: So terror, like a stain, is already spreading through Alexis

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mead to know the truth will be.

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Speaker 3: Bad, but not knowing is even worse.

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Speaker 1: As Gilbert Stainer is well aware, a human being can

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face what he knows, but fear of the unknown is

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the most corrosive destroyer of the.

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Speaker 3: Human spirit yet discovered.

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Speaker 5: I'll return shortly with that too.

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Speaker 1: A small question, A simple, seemingly innocent question. Is there

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anything you'd care to tell me? A small, simple question, yes,

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but one fraught with terror for those who were asked

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by Gilbert Stainer of the Bureau of Human Affairs. For

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Alexis mead of whom he has asked it. In the

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apartment she shares with her mother, Alexis faces her fiance

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Eric and.

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Speaker 4: Cries, Eric, you know you do know, For Heaven's sake,

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tell me. I can't stand not knowing.

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Speaker 3: All right, I'll tell you. I didn't want to.

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Speaker 1: I was afraid it would make things worse for you, Eric,

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tell me. This afternoon, Stayner asked me if I had

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ever heard anyone make that remark about the Protector. Of

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course I lied. I said no, you had heard it?

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Speaker 4: Where? Who said it?

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Speaker 1: Honey?

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Speaker 3: You did?

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Speaker 1: I don't you remember? We were sitting in the park

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and you said, well, I don't remember the exact words,

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but something like mother said, the funniest thing today could

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be a dangerous thing if she ever repeated it. And

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I warned her not to but you just had to

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tell me you said, and you told me you don't remember.

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Speaker 4: Yes, sir, I'd forgotten about it. It didn't seem important.

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Then there was no one around. No one could have overheard,

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was there.

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Speaker 3: I don't remember.

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Speaker 4: You know.

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Speaker 1: We had a little laugh over it, and then I

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guess we both forgot it.

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Speaker 4: And he did ask you, stayner, if.

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Speaker 1: I'd ever heard that remark made by someone, And like

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I said, I said, no.

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Speaker 4: Well is it? Is it such a terrible thing to say.

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I said it as a joke. You said it as

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a joke.

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Speaker 1: Mother.

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Speaker 4: The trouble is, the world we live in is no joke.

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I meant nothing. You meant nothing when you said what

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you said about protecting us to death, that they can

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take a thing like that and build it and build

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it Alexis I'm sorry. So that's what he's after. He

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wanted me, wants me to say, perhaps you mean a

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remark my mother once made about the protector protecting us

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to death? Would they torture me then kill me? They'll

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never torture you, mother, because they're never going to find out.

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Eric didn't tell Staner where he'd heard it, and I'll

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certainly never tell him under torture. Not under the worst

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torture they can think of.

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Speaker 1: Eric, don't worry, missus Mead. They'll get nothing out of me.

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I promise you that.

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Speaker 4: Oh, thank you.

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Speaker 3: Eric, thank you.

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Speaker 4: Make a little more coffee, not much, we can have

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a little well, Eric, yes, keep that promise. My mother.

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She's old and she's sick and I love her. Keep

303
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your promise. Eric. Well, don't stand there staring at me

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as if you'd seen a ghost, Miss Mead, sit down.

305
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There is something wrong. I uh. I was asked to

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come and see mister Stainer again. I didn't expect to

307
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find you behind his desk, miss or is it Miss Peters?

308
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Miss Peters, and mister Stayner was called away unexpectedly. I'm

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taking over for him temporarily. I am his assistant. You know,

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I didn't know he is. And perhaps it's just as

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well his being needed elsewhere. At the moment he himself thought,

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00:19:02,200 --> 00:19:05,640
he mentioned that you might speak more openly to me,

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you know, woman to woman, Miss Peters. Let's get something straight.

314
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I didn't know then and I don't know now what

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00:19:14,680 --> 00:19:16,799
it is he wanted me to tell him, But of

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00:19:16,880 --> 00:19:24,920
course you do. I do not Who was that? What

317
00:19:25,119 --> 00:19:29,880
was what that scream? Dream? You heard a scream? You

318
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know I heard a scream. It came from the torture

319
00:19:32,720 --> 00:19:35,160
chambers in the cellar. How don't tell me you believe

320
00:19:35,200 --> 00:19:38,160
the stories you've heard in his need you know about

321
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the hideous tortures that go on in this place if

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we are not in the habit of torturing people here now,

323
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don't look so frightened, my dear. My goodness, the color

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has drained out of your face here let me Oh,

325
00:19:52,720 --> 00:19:55,160
what are you doing, my dear? I'm sorry? Did I

326
00:19:55,240 --> 00:19:59,079
hurt you? I only pinched your cheeks just a little

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to bring the color back. Oh, I am sorry if

328
00:20:02,759 --> 00:20:09,759
I hurt you, I didn't really did I. No, Well,

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00:20:09,799 --> 00:20:13,640
I'm glad to hear that. My good heavens. I wouldn't

330
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hurt you for the world, my dear, none of us would.

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Gilbert Stainer, there isn't a gently more sympathetic man on

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this earth. Any woman will tell you that, any woman

333
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who gets to know him that is. Yes, yes, I'm

334
00:20:31,440 --> 00:20:34,640
sure you'll see when you get to know him better.

335
00:20:35,319 --> 00:20:37,960
But he is a man, you know. By that, I

336
00:20:38,039 --> 00:20:41,559
mean he can be well brutal too. He has that

337
00:20:41,680 --> 00:20:45,359
other side to him. A side that shows when he, well,

338
00:20:45,400 --> 00:20:49,759
you might say, loses patience. Take a tip from me, Alexis,

339
00:20:50,000 --> 00:20:54,039
don't make Gilbert lose his patience. Thank you for the advice.

340
00:20:55,680 --> 00:20:58,359
But is it now, Alexis, you know what it is

341
00:20:59,079 --> 00:21:03,440
that scream letting your imagination run away with you? Don't

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00:21:03,440 --> 00:21:06,720
you start imagining things like frightful tortures and slow deaths.

343
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All you have to do, my dear, is tell us

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00:21:11,000 --> 00:21:14,119
if there's anything you would care to tell us, if

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you would tell me what it is you want to know?

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But how could we know what it is you'd care

347
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to tell us? Oh, this is impossible. It's just playing

348
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simply and Parnana. You're tired, my dear, and those screams

349
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you thought you heard are still bothering you. I tell

350
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you what, you go home and think things over. I

351
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don't have, but you do. Gilbert and I have been

352
00:21:39,440 --> 00:21:42,599
through this many times before, Alexis, Believe me, we have.

353
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And always people come back and say, is this what

354
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you wanted to know? And it always is. You'll remember,

355
00:21:52,920 --> 00:22:10,759
I know you will. You'll remember Eric, Eric, are you hung? Eric?

356
00:22:13,400 --> 00:22:17,640
What took you so long? I was a ah for

357
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three days in night? I tell them for you again

358
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and again you haven't come to I've been very busy

359
00:22:29,759 --> 00:22:33,920
while you're limping. Or I hurt my back? You did?

360
00:22:34,920 --> 00:22:39,200
Or they did? They? You know who I mean? He

361
00:22:39,279 --> 00:22:43,079
had your torture, didn't he? Stainer? What gave you that idea?

362
00:22:43,200 --> 00:22:47,680
The way you're limping and your jaw still swollen? Eric,

363
00:22:49,799 --> 00:22:53,400
they tortured me? Oh yes, oh my darling, my.

364
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Speaker 7: Poor don't don't what, don't touch me, don't even come

365
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near me. I, oh, my.

366
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Speaker 4: God, darling.

367
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Speaker 6: What I told them?

368
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Speaker 7: I told them I couldn't help myself, the pain impossible,

369
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not to tell, not to dream at all as long

370
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as I could.

371
00:23:16,799 --> 00:23:19,200
Speaker 4: What? What did you tell them?

372
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Speaker 1: You know?

373
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Speaker 4: Tell me anyhow? I'm not sure.

374
00:23:22,000 --> 00:23:26,039
Speaker 1: I told them, yes, I'd heard someone make that remark,

375
00:23:26,799 --> 00:23:29,000
our protector will protect us to death.

376
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Speaker 3: And then I told him.

377
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Speaker 7: I told them, Alexis forgive me, forgive me.

378
00:23:38,079 --> 00:23:40,400
Speaker 3: I told them it was you.

379
00:23:42,839 --> 00:23:47,839
Speaker 4: It's all right, It's going to be all right. The

380
00:23:47,880 --> 00:23:49,960
first thing we must do is keep her head's not panised.

381
00:23:50,119 --> 00:23:51,359
Speaker 1: But she don't understand.

382
00:23:51,839 --> 00:23:52,799
Speaker 4: I'm in no danger.

383
00:23:52,839 --> 00:23:53,279
Speaker 3: You are.

384
00:23:54,359 --> 00:23:56,640
Speaker 1: I saved my own neck by sacrificing you.

385
00:23:56,839 --> 00:24:00,240
Speaker 4: Don't you realize you're in as much danger as I

386
00:24:00,519 --> 00:24:04,319
you are involved. Now you're an accessory to the clime crime.

387
00:24:04,359 --> 00:24:05,119
Speaker 3: What crime?

388
00:24:05,640 --> 00:24:09,160
Speaker 4: A harmless remarked Eric, don't you understand it's what the

389
00:24:09,200 --> 00:24:12,279
stainers of this world feed on, turning the innocent into

390
00:24:12,319 --> 00:24:15,839
the guilty. It's their business, it's what they live for.

391
00:24:16,319 --> 00:24:19,240
What can we do? The first thing I must do

392
00:24:19,960 --> 00:24:23,279
is protect mother? Or did you tell them that too?

393
00:24:23,440 --> 00:24:25,839
That mother was the first time? No? All right, then

394
00:24:26,000 --> 00:24:29,839
then at least she's safe. But they'll question me again

395
00:24:29,880 --> 00:24:34,319
now and torture is more than likely. I could kill

396
00:24:34,400 --> 00:24:36,319
my So none of that. Now, we've got to keep

397
00:24:36,359 --> 00:24:44,000
our heads. Think. Let me see, uh, Luke, Luke Stephens.

398
00:24:44,400 --> 00:24:46,160
Speaker 3: Luke Stephens. What about him?

399
00:24:46,279 --> 00:24:48,000
Speaker 4: That place of his in the mountains. It's not too

400
00:24:48,079 --> 00:24:48,960
far from the border.

401
00:24:50,119 --> 00:24:50,920
Speaker 1: What are you talking about?

402
00:24:50,960 --> 00:24:51,519
Speaker 3: The border.

403
00:24:51,559 --> 00:24:53,799
Speaker 4: It's got to escape, leave the country. There's no other way.

404
00:24:54,200 --> 00:24:54,440
Speaker 3: Now.

405
00:24:54,519 --> 00:24:57,519
Speaker 4: If we could get to Luke's place, we could hide

406
00:24:57,519 --> 00:25:00,720
there for a few days, then slip over the border.

407
00:25:00,680 --> 00:25:01,599
Speaker 3: It's impossible.

408
00:25:02,000 --> 00:25:04,279
Speaker 1: I'm being watched now, you're being watched.

409
00:25:04,519 --> 00:25:06,400
Speaker 4: We must be, I'm sure of that. But we've got

410
00:25:06,440 --> 00:25:08,960
to try. We can't be any worse off than we

411
00:25:09,000 --> 00:25:11,279
are now, So listen to me. Yes, I'm going to

412
00:25:11,319 --> 00:25:15,000
go home. I will get mother in an hour. Let's

413
00:25:15,000 --> 00:25:17,720
say an hour. You go down, get in your car

414
00:25:17,880 --> 00:25:19,920
and drive to that favorite spot of oars in the park.

415
00:25:20,799 --> 00:25:23,880
Mother and I will meet you there, and then we'll

416
00:25:23,880 --> 00:25:25,839
get in your car and head for Luke's place in

417
00:25:25,839 --> 00:25:26,400
the mountains.

418
00:25:26,680 --> 00:25:28,279
Speaker 3: But if we're being watched.

419
00:25:27,960 --> 00:25:30,880
Speaker 4: We'll have to take the only chance we've got got

420
00:25:31,039 --> 00:25:31,799
to give them a slip.

421
00:25:32,319 --> 00:25:35,440
Speaker 1: Not much chance of that, no, but.

422
00:25:35,480 --> 00:25:44,400
Speaker 4: It is the only chance we've got. I don't understand, Alexis.

423
00:25:45,119 --> 00:25:47,519
Why suddenly do you want to go for a walk

424
00:25:47,519 --> 00:25:51,000
in the park. I don't feel like going for a walk, Mother,

425
00:25:51,119 --> 00:25:53,119
Please don't argue. I want to go for a walk,

426
00:25:53,160 --> 00:25:54,960
and I want you to come with me. Will you're

427
00:25:55,000 --> 00:25:59,160
acting very strangely, Alexis. And here, what are you stuffing

428
00:25:59,160 --> 00:26:03,160
in your handbag? They please have qushus have a candy bar,

429
00:26:03,839 --> 00:26:07,119
the candy we've been saving for a special treat, Alexis,

430
00:26:07,160 --> 00:26:09,720
what is this? I will tell you later. Will tell

431
00:26:09,799 --> 00:26:12,680
me now, or I will not step one foot out

432
00:26:12,680 --> 00:26:16,240
of this apartment. Mother, Please trust me. Oh my goodness

433
00:26:16,279 --> 00:26:23,359
of teens, we have visitors. I'm afraid we do. Yes,

434
00:26:23,960 --> 00:26:24,759
are you, Alexis?

435
00:26:24,880 --> 00:26:32,200
Speaker 5: Maid, Yes, set your mother there, Yes, Bolsavia to come

436
00:26:32,240 --> 00:26:33,000
and may please?

437
00:26:33,440 --> 00:26:36,000
Speaker 4: Where and why are we to come with you?

438
00:26:36,440 --> 00:26:37,519
Speaker 3: I can't answer that.

439
00:26:38,920 --> 00:26:50,319
Speaker 4: You don't have to. I know where and why.

440
00:26:50,519 --> 00:26:54,079
Speaker 1: Alexis Mead fights the terror that tries to surge through

441
00:26:54,079 --> 00:26:56,839
her as she and her mother go with the agent

442
00:26:56,880 --> 00:26:57,880
from the Secret.

443
00:26:57,519 --> 00:27:02,039
Speaker 3: Police to what torture death?

444
00:27:03,400 --> 00:27:16,599
Speaker 1: We'll find out when I returned shortly with Act three,

445
00:27:17,039 --> 00:27:21,200
an innocent remark has brought Alexis Mead, her mother, and

446
00:27:21,279 --> 00:27:27,200
her fiance Eric to the brink of torture and possible death. Eric,

447
00:27:27,440 --> 00:27:31,039
breaking under the torture's exquisite pain, revealed he'd heard the

448
00:27:31,079 --> 00:27:35,119
remark from Alexis, but Alexis has not yet divulged that

449
00:27:35,200 --> 00:27:38,039
her mother, Emily, first made the remark to her.

450
00:27:39,200 --> 00:27:40,160
Speaker 3: Not yet.

451
00:27:40,880 --> 00:27:43,440
Speaker 1: Now, as all three sit and wait in a small

452
00:27:43,519 --> 00:27:47,200
room at the Bureau of Human Affairs, a fourth presence

453
00:27:47,319 --> 00:27:52,799
waits with them, an invisible but palpable presence whose name

454
00:27:53,000 --> 00:27:54,079
is terror.

455
00:27:55,240 --> 00:28:02,160
Speaker 4: Two hours they've kept us waiting two hours? Why? Why?

456
00:28:02,400 --> 00:28:04,599
For the same reason they picked you up and brought

457
00:28:04,599 --> 00:28:07,440
you here with mother and me so we could break

458
00:28:07,480 --> 00:28:10,519
each other down with our personal fears and tension. Alexis

459
00:28:10,680 --> 00:28:13,319
I want you to be honest with me. All this

460
00:28:14,519 --> 00:28:18,039
it's because of that remark. That's silly, joking remark. I

461
00:28:18,160 --> 00:28:22,680
may know, I'm sure it is. What else? I don't

462
00:28:22,720 --> 00:28:25,279
know what remark you're talking about. Mother. You never made

463
00:28:25,279 --> 00:28:32,680
any remark. I know I'm the one about the problem.

464
00:28:33,200 --> 00:28:35,559
To me, I am trying to silence you, mother, But

465
00:28:35,599 --> 00:28:36,880
I might have known that's impossible.

466
00:28:37,039 --> 00:28:39,000
Speaker 3: Room could be bugged, bugs.

467
00:28:39,000 --> 00:28:42,559
Speaker 4: Bugs, hidden microphones. Mother. Now, please, please don't say another word.

468
00:28:43,759 --> 00:28:46,359
Speaker 1: You come with me me.

469
00:28:47,160 --> 00:28:48,039
Speaker 4: Where are you taking her?

470
00:28:48,119 --> 00:28:48,559
Speaker 3: Come along?

471
00:28:48,759 --> 00:28:52,599
Speaker 4: But I wait a minute. Please? My mother is old,

472
00:28:52,720 --> 00:28:59,599
she's old, and she's sick. Wait, please wait, Eric, what

473
00:29:00,240 --> 00:29:00,759
to do to work?

474
00:29:01,680 --> 00:29:02,680
Speaker 1: I don't like to think.

475
00:29:03,119 --> 00:29:06,240
Speaker 4: I can't stand it not to know what they're going

476
00:29:06,319 --> 00:29:10,160
to do to work. They're doing this to break me down.

477
00:29:11,720 --> 00:29:14,519
They know what my mother means to me. They're using fear,

478
00:29:14,759 --> 00:29:17,599
my fear of what they may do to her to

479
00:29:17,680 --> 00:29:18,119
break me.

480
00:29:18,559 --> 00:29:23,559
Speaker 1: You can't be sure of that, yo, that's why what for?

481
00:29:23,920 --> 00:29:24,079
Speaker 3: Yes?

482
00:29:24,200 --> 00:29:26,640
Speaker 5: Come along, please, they're.

483
00:29:26,440 --> 00:29:27,480
Speaker 1: Going to tort to me again.

484
00:29:28,160 --> 00:29:29,359
Speaker 3: I won't be able to stand it.

485
00:29:29,880 --> 00:29:33,480
Speaker 4: I let's come along now, Alexis.

486
00:29:34,119 --> 00:29:43,880
Speaker 6: Oh my god, oh god, yes god, Oh, I go

487
00:29:43,960 --> 00:29:45,640
on my knees, and I beg you to help me.

488
00:29:47,119 --> 00:29:49,000
I've never had help of you in the past, but

489
00:29:49,119 --> 00:29:52,640
I need you now me with me. I beg you,

490
00:29:54,039 --> 00:29:56,039
if there's a way out of way to escape, show

491
00:29:56,079 --> 00:29:58,599
it to me. Not for my sake, but there's mothers

492
00:29:58,599 --> 00:30:02,119
and Eric. I'm not begging for myself, but remember because

493
00:30:02,160 --> 00:30:03,000
I love them with.

494
00:30:03,279 --> 00:30:06,759
Speaker 4: Fine, Miss need What on earth are you doing on

495
00:30:06,799 --> 00:30:13,200
your knees praying? Miss Peters? Oh?

496
00:30:13,240 --> 00:30:14,000
Speaker 3: Come now?

497
00:30:14,400 --> 00:30:19,160
Speaker 4: You don't really believe in God, do you? I don't know.

498
00:30:20,240 --> 00:30:25,279
Come along, Gilbert. Mister Stainer is ready to see you.

499
00:30:25,319 --> 00:30:25,519
Speaker 3: Now.

500
00:30:26,240 --> 00:30:29,279
Speaker 4: I've told him all I know, which was that you

501
00:30:29,400 --> 00:30:33,799
knew nothing a lie, of course, But never mind. He

502
00:30:33,920 --> 00:30:37,799
has something to tell you. What Come along, my dear,

503
00:30:38,920 --> 00:30:40,039
find out for yourself.

504
00:30:47,279 --> 00:30:51,319
Speaker 5: Sit down, Miss Mead Alexis, if I may sit down? No, no,

505
00:30:51,359 --> 00:30:54,519
don't leave us, Miss Peters. Alexis won't mind if you stay.

506
00:30:54,559 --> 00:30:58,200
I'm sure you're all friends by this time, though you

507
00:30:58,440 --> 00:31:04,079
certainly don't look very friendly, Alexis, mister Stainer, Hilbert, Please,

508
00:31:05,039 --> 00:31:07,200
I do want to be your friend, Alexis. I've wanted

509
00:31:07,200 --> 00:31:09,400
to be from the first, and I must say that

510
00:31:09,440 --> 00:31:12,880
I'm puzzled by your attitude. You have nothing to gain

511
00:31:12,960 --> 00:31:16,599
by being unfriendly toward me, and much to gain by

512
00:31:16,640 --> 00:31:18,279
being otherwise.

513
00:31:19,279 --> 00:31:20,720
Speaker 3: And Miss Peters will tell you.

514
00:31:20,680 --> 00:31:22,559
Speaker 4: That it's true, Alexis.

515
00:31:22,680 --> 00:31:25,880
Speaker 5: I know that once Alexis realizes I want to be

516
00:31:25,920 --> 00:31:29,880
her friend, she'll be amenable to my wishes. You will

517
00:31:29,880 --> 00:31:31,400
now want you, Alexis.

518
00:31:32,359 --> 00:31:39,799
Speaker 4: That depends mister Stainer, the Gilbert, Mister Stainer. That depends

519
00:31:40,279 --> 00:31:41,119
on your wishes.

520
00:31:42,079 --> 00:31:45,079
Speaker 5: My only wish at the moment is for you to

521
00:31:45,079 --> 00:31:49,160
tell me the truth about what. When I first asked

522
00:31:49,160 --> 00:31:51,640
you here, I made clear to you that I simply

523
00:31:51,720 --> 00:31:55,880
wanted you to tell me anything you thought the Bureau

524
00:31:55,880 --> 00:31:56,359
ought to know.

525
00:31:56,480 --> 00:31:58,119
Speaker 4: And I made it clear to you that I knew

526
00:31:58,119 --> 00:32:00,200
of nothing, could think of nothing.

527
00:32:00,359 --> 00:32:02,720
Speaker 3: But of course you know now that you were wrong.

528
00:32:02,960 --> 00:32:05,920
Speaker 5: I know nothing of the soil very well, Alexis, Sir,

529
00:32:07,039 --> 00:32:12,599
Miss Meade, I'll be plain with you. I first asked

530
00:32:13,000 --> 00:32:16,039
ordered you to come and see me because I learned

531
00:32:16,079 --> 00:32:19,039
of a remark that had been made, a treasonous remark.

532
00:32:19,599 --> 00:32:21,039
When I asked you to tell me about it, you

533
00:32:21,079 --> 00:32:22,200
denied all knowledge.

534
00:32:21,920 --> 00:32:24,160
Speaker 4: Of You never asked me about a treasonous remark. You

535
00:32:24,240 --> 00:32:26,480
asked me if there was anything I cared to tell you.

536
00:32:26,759 --> 00:32:30,160
Speaker 5: Certainly, a treasonous remark or remark punishable by death, my

537
00:32:30,279 --> 00:32:34,680
dear slow death says you know, would be something you

538
00:32:35,160 --> 00:32:36,160
cared to tell.

539
00:32:36,319 --> 00:32:39,240
Speaker 4: If I'd known about the remark, I didn't, and I

540
00:32:39,400 --> 00:32:40,240
don't curious.

541
00:32:40,880 --> 00:32:42,319
Speaker 3: After all, you made it.

542
00:32:43,519 --> 00:32:46,240
Speaker 4: I I made it.

543
00:32:46,440 --> 00:32:49,240
Speaker 5: Your fiance Eric didn't tell you when you visited him

544
00:32:49,279 --> 00:32:52,559
late this afternoon. I can have him brought here to

545
00:32:52,559 --> 00:32:55,319
this office in minutes. He didn't tell you.

546
00:32:56,519 --> 00:33:04,200
Speaker 4: He said something about my having said something about our

547
00:33:04,240 --> 00:33:05,559
protector's hand.

548
00:33:06,720 --> 00:33:09,000
Speaker 3: What did you say about our protector?

549
00:33:09,440 --> 00:33:13,920
Speaker 4: If we said jokingly, I meant nothing by it, perhaps,

550
00:33:13,920 --> 00:33:17,720
But what did you say I said, if Steve kept on,

551
00:33:19,119 --> 00:33:22,720
our protector would protect us to death.

552
00:33:23,839 --> 00:33:29,559
Speaker 5: Well, at last, at last, Peter's she has admitted, well,

553
00:33:29,599 --> 00:33:30,400
of course.

554
00:33:30,119 --> 00:33:33,680
Speaker 4: We knew she would. Gilbert, you never fail. You always

555
00:33:33,720 --> 00:33:35,240
have a way with women.

556
00:33:35,880 --> 00:33:36,240
Speaker 3: Thank you.

557
00:33:37,279 --> 00:33:39,440
Speaker 5: So, then, miss Mead, you admit you said this to

558
00:33:39,480 --> 00:33:43,599
your fiancee yes, knowing that treason is punishable by death.

559
00:33:43,599 --> 00:33:46,039
Speaker 4: I've told you we said it's a joke, a joke.

560
00:33:47,000 --> 00:33:50,039
Speaker 5: Unfortunately I failed to see the joke. If there is

561
00:33:50,079 --> 00:33:52,680
something funny in the thought that our protector will protect

562
00:33:52,799 --> 00:33:55,640
us to death, no, I simply don't see it.

563
00:33:56,640 --> 00:33:59,079
Speaker 3: Perhaps you would explain it, miss.

564
00:33:58,759 --> 00:34:03,039
Speaker 4: Meave, if it has to be explained. Yeah, just can't

565
00:34:03,200 --> 00:34:07,759
be explained. I've admitted I said it. What more do

566
00:34:07,839 --> 00:34:10,960
you want? What more? If I'm guilty of treason? I'm

567
00:34:10,960 --> 00:34:14,679
guilty of treason, then torture me, kill me, But let

568
00:34:14,719 --> 00:34:16,760
my mother and Eric go happily.

569
00:34:16,559 --> 00:34:19,639
Speaker 5: If it's possible, if it's at all possible, After you

570
00:34:19,800 --> 00:34:23,199
tell me who first made the remark to you?

571
00:34:25,039 --> 00:34:25,400
Speaker 3: Who?

572
00:34:27,559 --> 00:34:28,760
Speaker 4: No one?

573
00:34:29,039 --> 00:34:31,039
Speaker 3: There was someone?

574
00:34:31,320 --> 00:34:32,280
Speaker 4: There was no one?

575
00:34:32,400 --> 00:34:35,360
Speaker 3: We know there was someone? Who was it?

576
00:34:35,440 --> 00:34:36,960
Speaker 4: If you know? Why do you ask me?

577
00:34:37,280 --> 00:34:41,519
Speaker 5: Oh? First, we're unfriendly. Now we're arrogant and not being hurt.

578
00:34:41,639 --> 00:34:43,559
Speaker 3: You are what I say you are.

579
00:34:45,559 --> 00:34:50,039
Speaker 5: Now let me tell you something, my independent, arrogant little wendset,

580
00:34:52,599 --> 00:34:58,360
and you will be my witch before runs through you.

581
00:34:58,360 --> 00:35:00,280
Now you can make it easy on yourself for a

582
00:35:00,360 --> 00:35:02,920
hard which shall it be? The easy way is to

583
00:35:03,000 --> 00:35:05,039
admit to me here and now who made the remark

584
00:35:05,119 --> 00:35:10,880
to you? Hard way? I shall simply hand you over

585
00:35:10,960 --> 00:35:17,199
to Miss Peters Well the easy way, the hard way?

586
00:35:17,239 --> 00:35:22,880
Speaker 4: Which the easy way?

587
00:35:24,840 --> 00:35:28,360
Speaker 3: You're being wise? Who said to you?

588
00:35:29,360 --> 00:35:32,360
Speaker 5: Our protector will protect us to death?

589
00:35:33,800 --> 00:35:36,480
Speaker 3: Oh?

590
00:35:36,599 --> 00:35:40,480
Speaker 4: You want me to tell you in front of miss Peters.

591
00:35:41,079 --> 00:35:47,719
Well you don't, do you? Why shouldn't you? Oh? I

592
00:35:47,719 --> 00:35:50,360
guess I said the wrong what wrong thing? Oh?

593
00:35:50,760 --> 00:35:51,840
Speaker 3: What are you saying?

594
00:35:53,800 --> 00:35:59,039
Speaker 4: Oh, Gilbert, Gilbert Darling, I can't tell you with her here?

595
00:36:00,000 --> 00:36:00,840
Speaker 3: Well is she saying?

596
00:36:01,639 --> 00:36:04,159
Speaker 4: What the devil is she saying? Gilbert?

597
00:36:04,719 --> 00:36:07,239
Speaker 3: I don't know. I don't know what Smith.

598
00:36:07,039 --> 00:36:12,679
Speaker 4: Meade, I I can't tell you that, Gilbert, Please ask

599
00:36:12,719 --> 00:36:13,400
her to lease.

600
00:36:13,440 --> 00:36:18,440
Speaker 3: Ask her to Let's see, I see a little game.

601
00:36:19,559 --> 00:36:22,519
Speaker 5: You're trying, some little game you're trying to suggest in

602
00:36:22,559 --> 00:36:26,320
front of Miss Peters, trying to suggest that somehow, in

603
00:36:26,360 --> 00:36:30,519
some way, there's there's something between us, between you and me.

604
00:36:30,840 --> 00:36:35,400
Speaker 4: No, no, there's nothing between you and me. Nothing one moment.

605
00:36:35,719 --> 00:36:38,320
If there is something, there's nothing.

606
00:36:38,119 --> 00:36:39,440
Speaker 3: There is nothing.

607
00:36:40,559 --> 00:36:45,159
Speaker 5: Now don't look at me like that. Peters, there is nothing. Now,

608
00:36:45,199 --> 00:36:49,440
you'll little you'll you answer me in front of Peter's

609
00:36:49,480 --> 00:36:49,920
answer me?

610
00:36:50,559 --> 00:36:53,159
Speaker 3: Who said it to you first? Who?

611
00:36:54,199 --> 00:36:59,119
Speaker 4: All right? Gilbert? I see you trust miss Peters, though

612
00:36:59,159 --> 00:37:03,960
I certainly wouldn't that if she was my assistant. I

613
00:37:03,960 --> 00:37:07,280
mean not with all the suspicion, the mistrust, the doubt

614
00:37:07,519 --> 00:37:11,960
we all live with these days. Why she could have

615
00:37:12,119 --> 00:37:16,599
your job ten minutes after you were executed. She'd snap

616
00:37:16,639 --> 00:37:19,679
it up too. You know that for the last time.

617
00:37:19,840 --> 00:37:20,800
Speaker 3: Who told you?

618
00:37:22,000 --> 00:37:30,400
Speaker 4: Well, if you insist you did, of course I I, Gilbert,

619
00:37:30,440 --> 00:37:34,760
have you forgotten that night, oh, that first night together,

620
00:37:34,840 --> 00:37:37,239
that gloriously rapturous.

621
00:37:36,719 --> 00:37:38,480
Speaker 3: Night in the name.

622
00:37:38,639 --> 00:37:41,280
Speaker 4: But I know you were well, you weren't drunk, but

623
00:37:41,360 --> 00:37:44,559
you know you talked a little too much, maybe said

624
00:37:44,800 --> 00:37:46,280
some things you'd not have said.

625
00:37:46,320 --> 00:37:50,800
Speaker 5: If no, no, she's lying, Peters, I swear she's.

626
00:37:50,679 --> 00:37:53,960
Speaker 4: Lying, you say so. I suppose she is. But it's

627
00:37:54,079 --> 00:37:57,960
well known, Gilbert, mister Stana that you have a way

628
00:37:58,039 --> 00:37:58,440
with women.

629
00:37:58,920 --> 00:38:05,320
Speaker 5: Not this woman, not this little conniving rob. Believe me, Peters,

630
00:38:05,320 --> 00:38:06,280
now believe me.

631
00:38:06,519 --> 00:38:11,719
Speaker 4: I believe you, mister Stainer, And I'm sure our protector

632
00:38:11,800 --> 00:38:16,920
will too. What do you mean, our protector will? He'll

633
00:38:17,000 --> 00:38:21,000
believe that everything I say in my letter is a lie,

634
00:38:21,280 --> 00:38:23,280
nothing but a lie.

635
00:38:23,719 --> 00:38:26,199
Speaker 3: Say what in your letter?

636
00:38:27,280 --> 00:38:33,000
Speaker 4: What letter? Gilbert Darling? I'm sorry, I'm really sorry, but

637
00:38:33,079 --> 00:38:35,920
we do live in an age of terrible mistrust and suspicion,

638
00:38:36,000 --> 00:38:39,400
and well, a girl has to protect yourself. And so

639
00:38:40,519 --> 00:38:44,599
I wrote a letter to our protector telling him all

640
00:38:44,639 --> 00:38:46,519
about us.

641
00:38:47,000 --> 00:38:50,199
Speaker 5: There is nothing to tell about us. If you said

642
00:38:50,239 --> 00:38:52,000
there was, you lied, You lied.

643
00:38:52,039 --> 00:38:53,880
Speaker 4: No darling, But let's hope he thinks. So?

644
00:38:54,760 --> 00:38:57,480
Speaker 5: Oh, and when did you.

645
00:38:57,599 --> 00:38:58,519
Speaker 3: Send this letter?

646
00:38:59,239 --> 00:39:04,199
Speaker 4: Oh? I didn't you? You didn't send it, Gilbert? Of

647
00:39:04,320 --> 00:39:07,840
course not. Would I want any harm to come to you,

648
00:39:07,960 --> 00:39:12,920
after what we've been to each other, weeks of torture,

649
00:39:14,079 --> 00:39:17,320
flow death? Would I want that for you?

650
00:39:17,800 --> 00:39:19,920
Speaker 3: Where is this letter?

651
00:39:20,639 --> 00:39:23,920
Speaker 4: I have it? Or I mean a friend of mine

652
00:39:23,960 --> 00:39:27,840
has it? My friend, Gilbert, if I told you that,

653
00:39:30,320 --> 00:39:33,679
of course I can't. But you needn't worry about it.

654
00:39:33,719 --> 00:39:39,119
My friend won't send it unless well unless something happens to.

655
00:39:39,039 --> 00:39:46,920
Speaker 5: Me, unless a shrewd little wench feeders a very shrewd

656
00:39:47,039 --> 00:39:52,559
little wench. There was, there is nothing between us, and

657
00:39:52,639 --> 00:39:53,599
there is no letter.

658
00:39:53,760 --> 00:39:56,199
Speaker 3: I'm sure of that, are.

659
00:39:56,039 --> 00:39:57,360
Speaker 4: You, mister Stayner?

660
00:39:57,840 --> 00:40:00,159
Speaker 3: Of course, of course yes.

661
00:40:01,760 --> 00:40:05,199
Speaker 5: Still well there, Well, this has all been a it's

662
00:40:05,239 --> 00:40:08,360
crossed my mind more than once, the tempest in the

663
00:40:08,360 --> 00:40:12,440
Teapot Mountains, out of Mole Hills, the remark that was made.

664
00:40:12,239 --> 00:40:19,000
Speaker 3: We've we've taken it too seriously. We well you will lie?

665
00:40:19,039 --> 00:40:19,199
Speaker 4: Then?

666
00:40:20,800 --> 00:40:26,519
Speaker 3: Oh, no, handan none, you may go.

667
00:40:26,679 --> 00:40:31,039
Speaker 4: Mismead and my mother and my fiance.

668
00:40:31,239 --> 00:40:33,880
Speaker 3: They can go too, Thank you.

669
00:40:34,719 --> 00:40:38,119
Speaker 4: Thank you very much. But I want a safe conduct

670
00:40:38,199 --> 00:40:38,599
out of.

671
00:40:38,559 --> 00:40:40,719
Speaker 3: The country, for safe conduct for.

672
00:40:40,719 --> 00:40:46,239
Speaker 4: All three of us, my mother, my fiance, and myself.

673
00:40:47,000 --> 00:40:50,599
Speaker 3: I er, I'll see it's arranged.

674
00:40:51,599 --> 00:40:58,039
Speaker 4: Good day, goodbye, goodbye. Oh And to you, Miss Peters.

675
00:40:59,000 --> 00:41:02,559
I think I said to you a little earlier. I

676
00:41:02,599 --> 00:41:05,960
think I said I didn't know whether I believed in

677
00:41:06,079 --> 00:41:11,880
God or not. Yes, I believe in him now, Miss Peters,

678
00:41:12,920 --> 00:41:18,880
I believe in him now.

679
00:41:20,320 --> 00:41:22,679
Speaker 1: I don't recall Alexis writing a letter.

680
00:41:22,760 --> 00:41:27,719
Speaker 3: Deal could have though not important. I mean, whether there

681
00:41:27,840 --> 00:41:28,920
was a letter or wasn't.

682
00:41:29,199 --> 00:41:32,039
Speaker 1: What strikes me as important is that she called on

683
00:41:32,199 --> 00:41:36,800
God for help only in extremity. Seems to me we

684
00:41:36,880 --> 00:41:40,679
all of us make that same mistake. Sure, call on

685
00:41:40,719 --> 00:41:43,320
him when you need help, but call on him when

686
00:41:43,320 --> 00:41:44,360
you don't need anything.

687
00:41:44,639 --> 00:41:45,360
Speaker 3: Just call.

688
00:41:46,440 --> 00:41:49,599
Speaker 1: Doors always open twenty four hours a day.

689
00:41:50,599 --> 00:42:03,719
Speaker 3: I'll be back shortly. All is well.

690
00:42:04,199 --> 00:42:08,519
Speaker 1: Alexis and Eric are married now, living contented lives in

691
00:42:08,559 --> 00:42:12,840
this country. Alexis mother's well too. Talking of Blue Streak.

692
00:42:12,880 --> 00:42:16,480
As always, there's a difference, though, in this country. She

693
00:42:16,480 --> 00:42:19,880
can say what she wants to say and does without

694
00:42:19,920 --> 00:42:24,440
worrying about it. Our cast included Terry Keene, Gordon Gould,

695
00:42:24,719 --> 00:42:28,760
Joan Shay and Leon Jenny. The entire production was under

696
00:42:28,760 --> 00:42:35,559
the direction of Hyman Brown. And now a preview of

697
00:42:35,599 --> 00:42:36,800
our next tale.

698
00:42:37,639 --> 00:42:42,239
Speaker 8: I stepped out just before sunset, choosing my footing carefully,

699
00:42:42,920 --> 00:42:49,519
watching the sitting sun and thinking of Anne. And suddenly, yes,

700
00:42:51,000 --> 00:42:55,400
standing in front of me, beyond the battlements in midair

701
00:42:57,960 --> 00:43:05,360
was the figure of Alfred Monked, faintly luminous as he

702
00:43:05,599 --> 00:43:07,119
stands behind you.

703
00:43:07,480 --> 00:43:12,719
Speaker 1: Now was this before the news of the duel reached

704
00:43:12,719 --> 00:43:15,440
Wincott two weeks.

705
00:43:15,760 --> 00:43:17,079
Speaker 8: I didn't know the date of it then as I

706
00:43:17,079 --> 00:43:22,760
do now. It was March fourteenth, the same day as

707
00:43:22,760 --> 00:43:27,119
I stood on the battlement a very moment the bullet

708
00:43:27,280 --> 00:43:29,480
entered his side and killed him.

709
00:43:29,719 --> 00:43:32,840
Speaker 1: Radio Mystery Theater were sponsored in part by Uncle Ben's

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00:43:32,880 --> 00:43:36,719
Long Grain and Wild Rice and Berwick Motor Division. This

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00:43:36,920 --> 00:43:39,719
is Aj Marshall inviting you to return to our Mystery

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00:43:39,760 --> 00:43:43,039
Theater for another adventure in the macabre.

