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<v Speaker 1>You see somethings going to happen.

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<v Speaker 2>What what's gonna happen?

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<v Speaker 1>I'll take one?

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<v Speaker 2>What help?

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<v Speaker 1>Well? What's up? Everybody? Back again with another mail bag.

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<v Speaker 1>I got my partner Nick here.

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<v Speaker 2>Nick.

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<v Speaker 1>Tell them how you doing? Tell them what's going on?

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<v Speaker 1>Tell them what's what's happening in your world?

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<v Speaker 2>What is going on? How are you well?

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<v Speaker 3>First off, thank you for thank you for having me on.

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<v Speaker 3>What was love doing the show?

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<v Speaker 2>I guess some new things. We have got free stickers.

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<v Speaker 2>There we go.

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<v Speaker 3>Guys want stickers, got free ones. Sorry, the light's kind

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<v Speaker 3>of fucking it up. I got free stickers. Anybody wants

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<v Speaker 3>free stickers, email me or hit me up on Twitter

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<v Speaker 3>and or Instagram. We also got t shirts now one

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<v Speaker 3>of these, one of the shirt like that and the

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<v Speaker 3>one with that silent rainbow was the twenty five dollars

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<v Speaker 3>each shipped.

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<v Speaker 2>And there is events that the.

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<v Speaker 3>Occult Rejects will be at, and I do have some

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<v Speaker 3>that are finally confirmed.

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<v Speaker 2>I had a bunch of women.

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<v Speaker 3>One of them got canceled, so I'm glad I wasn't

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<v Speaker 3>telling everybody about that. One October fourth, there's a bigfoot

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<v Speaker 3>thing and that's at the factory in Franklin, North Carolina.

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<v Speaker 3>It's like amusement park actually inside and you did things

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<v Speaker 3>gonna be inside, there'd be pretty Yeah, they have rooms

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<v Speaker 3>that think are rent them stuf. It should be pretty interesting.

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<v Speaker 3>Then October eighteenth, Charlie's Beyond Belief at the Tropical Lodge

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<v Speaker 3>and Fort Myers. They'll be at the Masonic Lodge out there,

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<v Speaker 3>and we got booth thirty three just to go along

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<v Speaker 3>with the Masonic Lodge, you know, of course we have to.

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<v Speaker 3>And Brook from Dark Florida, who's part of the Occult Rejects,

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<v Speaker 3>will be there and she's one of the speakers and

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<v Speaker 3>hopefully hopefully Thinker's Crossed I will be able to record her,

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<v Speaker 3>uh you know, her whatever, her lecture and hopefully put

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<v Speaker 3>it up online for everybody as well. Then October twenty

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<v Speaker 3>fifth to the twenty sixth we got at Arkansas Paranormal

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<v Speaker 3>Expo and that is in Little Rock, Arkansas.

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<v Speaker 2>We will have a booth deaf for two days.

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<v Speaker 3>And then there's another one that's for sure that's at

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<v Speaker 3>November twenty second, that is a UFO thing and that

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<v Speaker 3>is in Mooresville and North Carolina. Basically Charlotte and will

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<v Speaker 3>be at the Army National Guard, so interesting.

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<v Speaker 2>Yeah, maybe they got some UFOs over there they go

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<v Speaker 2>in the shows.

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<v Speaker 3>But uh yeah, yeah, that's the new new shit. Uh

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<v Speaker 3>free free stickers. We got T shirts and events, so

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<v Speaker 3>that's what's up.

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<v Speaker 1>How could they get the free stickers?

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<v Speaker 3>They just got to hit me up, hit me up,

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<v Speaker 3>send me their info and yeah on Instagram, Twitter, or

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<v Speaker 3>I mean, somebody wants to send me an email. I

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<v Speaker 3>check my emails on Ny Patriot nineteen seventy eight at

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<v Speaker 3>gmail dot com.

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<v Speaker 1>Yes, right, well, I don't know about the audience, but

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<v Speaker 1>my town is fully tagged up everybody.

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<v Speaker 3>Yeah, I sent you a lot of them. Actually, did

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<v Speaker 3>I send you them a few times? Because I think

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<v Speaker 3>you're like, yeah, I'll take some more. And I was like,

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<v Speaker 3>fuck the them on your OUTE when you're out driving.

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<v Speaker 1>Right, there's a lot of esoteric stickers in places that

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<v Speaker 1>maybe people shouldn't go. But those are the people we

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<v Speaker 1>weren't watching this show. So I was in bed. It's

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<v Speaker 1>been a while. My cell phone service went out and

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<v Speaker 1>the Wi Fi here is total garbage. So I had

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<v Speaker 1>to go back to the cell of the store and

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<v Speaker 1>get that all fixed. And that's why we're doing a

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<v Speaker 1>late show a day early.

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<v Speaker 3>Oh yeah, yeah, you're right, A late show a day early?

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<v Speaker 2>Yeah? Fuck? How do we fuck that up? Actually? Yeah, shouldn't.

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<v Speaker 2>I should have done it tomorrow. Sorry, we will do

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<v Speaker 2>one Sunday to catch up with something I don't know.

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<v Speaker 1>Yeah, well I gotta trialogue, I gotta make up and

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<v Speaker 1>everything else. And I missed all those great shows this week.

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<v Speaker 3>I actually checked for your try dialogue. I was like, yo,

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<v Speaker 3>let me see if my boys, and I was like, fuck,

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<v Speaker 3>I didn't even do his trialog today. It was like

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<v Speaker 3>something else to be up with that Internet, But I

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<v Speaker 3>actually checked.

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<v Speaker 1>Yeah, so, hey, did you happen to uh notice that

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<v Speaker 1>the hand episode is dropped on audio, So now we've

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<v Speaker 1>got the symbolic hand episode that people can go listen to.

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<v Speaker 1>It's still banger, It's so it's so great how all

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<v Speaker 1>these different pieces come together while we're doing that episode.

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<v Speaker 1>I think it was.

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<v Speaker 3>Yeah, no, I really enjoyed that. Actually, yeah, we got

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<v Speaker 3>into another another episode. We got to get the feet yo.

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<v Speaker 3>That is actually that is a thing. I remember. I've

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<v Speaker 3>even brought that up. What's up with them always sticking

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<v Speaker 3>their foot out underneath this ship?

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<v Speaker 2>Doing that on purpose? That isn't like you know, I

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<v Speaker 2>don't know.

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<v Speaker 1>Right, they're not for this, but yeah, we gotta do

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<v Speaker 1>symbolic of the feet and maybe legs too, because there's

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<v Speaker 1>so much in Greek pathology about the legs. Uh, do

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<v Speaker 1>you have your.

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<v Speaker 3>Yeah? Yeah, if you want to pull it up, I have.

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<v Speaker 3>Oh you know what, I gotta present my present. I'm

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<v Speaker 3>slipping here, I'm slipping. Yeah, you saw that. What's up

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<v Speaker 3>with the feet? What's in the box. Let's start with

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<v Speaker 3>the feet, all right? So that is the hexafoil aka

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<v Speaker 3>the disney wheel or daisy wheels or a daisy wheel

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<v Speaker 3>and his compress drawn a rosette of six interlocking lenses,

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<v Speaker 3>a six pedaled flower, often inscribed on stone, timber, and plaster,

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<v Speaker 3>and it's a It shows up in medieval contexts in

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<v Speaker 3>a few ways. One is a Gothic architectural motif, and

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<v Speaker 3>windows and tracery, and as a appo troupe. I don't

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<v Speaker 3>even know if I'm saying that right, A protective mark

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<v Speaker 3>scratched by masons and householders at doors, fireplaces, and vulnerable

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<v Speaker 3>spot to turn away harm. When do they think it

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<v Speaker 3>first showed up? They think antiquity. The six pedal rosette

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<v Speaker 3>is documented as a decorative motif since at least the

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<v Speaker 3>Late Bronze Age and reappears through the Iron Age and

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<v Speaker 3>Roman periods geometric and that's the geometric patterns for that one.

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<v Speaker 3>The medieval adoption by the twelfth to sixteenth centuries, hexafoil

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<v Speaker 3>is a standard of vocabulary in Gothic architecture. Again it's

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<v Speaker 3>on stone, tracery, cloister, stained glass framing. You can literally

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<v Speaker 3>find hexafoil panels and frames in major medieval churches and manuscripts,

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<v Speaker 3>for example, the Italian church facades. You'll see them San

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<v Speaker 3>Dominico whatever at Lucera around the thirteen hundreds, that has

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<v Speaker 3>it all over it. Yeah, it has preserved cut stone

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<v Speaker 3>hexafoils in it. It also used as protective ritual mark

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<v Speaker 3>in Britain. In parts of Europe, compass drawing hexafoils, often

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<v Speaker 3>called witch marks today are wildly recorded on late medieval

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<v Speaker 3>and especially Tudor or early Modern fabric around the sixteenth

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<v Speaker 3>and seventeenth centuries frequently, and they're frequently on buildings that

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<v Speaker 3>themselves are medieval. Whereas it has been been seen and

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<v Speaker 3>used again in churches and kind of medieval sites. It's

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<v Speaker 3>been seen in Portuguese cathedrals also as well, again on fabric,

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<v Speaker 3>and what does it mean. It's kind of a protective thing. Again,

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<v Speaker 3>they describe hexofoils as marks toward off evil or demons.

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<v Speaker 3>It's kind of, you know, sometimes associated with witchcraft or

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<v Speaker 3>even considered almost like a like goes along with the

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<v Speaker 3>evil eye, something kind of like that to get rid

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<v Speaker 3>of spirits, cosmological or solar or storm associations. Some scholars

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<v Speaker 3>read that rosette as they read the rosette as a

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<v Speaker 3>solar emblem or a thunderwheel linked to Indo European storm gods.

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<v Speaker 2>This is a.

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<v Speaker 3>Scholarleer to interpretation rather than a single medieval doction, just

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<v Speaker 3>to let people know that. And there's in Britain the

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<v Speaker 3>hexafoil often appears alongside Marian monograms, so something maybe up

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<v Speaker 3>with that too, And h yeah, I think that's a

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<v Speaker 3>pretty much enough.

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<v Speaker 1>That flower of life type motif really picked up from

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<v Speaker 1>the hexafoil, right, so, yes, right, So they kind of

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<v Speaker 1>rebranded and relabeled the hexafoil as this flower of life

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<v Speaker 1>thing in the nineteen seventies because this guy went over

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<v Speaker 1>to Egypt and he found it one of these ruined

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<v Speaker 1>Egyptian temples and he brought it back and he's like,

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<v Speaker 1>this is the flower of life. He could be found

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<v Speaker 1>all over the world, and he starts naming him off

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<v Speaker 1>and this is where we have that mythology today. But

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<v Speaker 1>the hexafoil in that case, they went to the place

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<v Speaker 1>he was talking about and they found it. It was

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<v Speaker 1>actually graffiti, Christian graffiti over top of the hieroglyphics that

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<v Speaker 1>were there originally. So what the guy was seeing was

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<v Speaker 1>actually a heck sign and so sincofoil, heck sigde. It's

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<v Speaker 1>all sort of in that same male u. So it

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<v Speaker 1>really is you know, Late Bronze Age originated, but it

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<v Speaker 1>was done by the Christians on the temples of the

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<v Speaker 1>Late Bronze Age.

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<v Speaker 2>Yeah, it was.

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<v Speaker 3>Even people are even saying in the chat this stuff.

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<v Speaker 3>I'm even thinking about it now. Even when I went

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<v Speaker 3>to fuck I think DC in Nashville, those scenes were

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<v Speaker 3>on like, oh you remember, I think those scenes were

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<v Speaker 3>on a lot of buildings that I filmed, just like

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<v Speaker 3>you know, it looked a little bit more artistic, but yeah,

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<v Speaker 3>those things are on everything.

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<v Speaker 2>If you think about it, a lot of shit, they

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<v Speaker 2>aren't a lot of shit.

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<v Speaker 1>Well, i'd have to measure it. But I think I'm

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<v Speaker 1>seeing ratios there that can be used in architecture. So

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<v Speaker 1>they said it can be drawn with the compass. I

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<v Speaker 1>wonder if this is like at the basis of how

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<v Speaker 1>they measure out and create the beams for the structure.

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<v Speaker 1>So as you would connect those lines on the inside,

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<v Speaker 1>you would also be calculating the archways and things like that,

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<v Speaker 1>using this sort of symbol as the basis point for

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<v Speaker 1>what your measurement should be when you're making these fantastic things.

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<v Speaker 1>Because I didn't think they were working off blueprints, you know,

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<v Speaker 1>the same way we do. They had to kind of

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<v Speaker 1>wing it and understand what the ratios would be so

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<v Speaker 1>that the structure sticks together and actually resonates at a

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<v Speaker 1>certain frequency. So using rosette like that or some other

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<v Speaker 1>geometric figures and using the interior line work, I guess

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<v Speaker 1>you could actually calculate the width and depth and height

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<v Speaker 1>of the structure. So there's a lot that you know.

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<v Speaker 1>I mean, I think it goes goes into the whole

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<v Speaker 1>fractal idea. You could turn that into sort of like

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<v Speaker 1>the basis point, and then all of the things off

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<v Speaker 1>of it are like fractals kind of like the pentagram.

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<v Speaker 3>Yeah, yeah, you know it's another thing too, Like even

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<v Speaker 3>like you were saying before, when I saw that that image, well,

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<v Speaker 3>when I first like went to start looking for images,

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<v Speaker 3>obviously a Wikipedia just seems so we show up a lot,

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<v Speaker 3>you know, images on things if they have them. So

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<v Speaker 3>when I clicked on the image, it brought me there

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<v Speaker 3>and I noticed that, like what you were saying down

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<v Speaker 3>below it, it was showing how you got into like almost

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<v Speaker 3>that sacred geomedy geometry fractal shit from that, right, yeah,

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<v Speaker 3>and like same exact thing that you said.

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<v Speaker 2>You'll see it.

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<v Speaker 3>Actually done on Wikipedia, showing you how I went from

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<v Speaker 3>there to there.

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<v Speaker 1>Right. So, Candice Owen's has a kind of cemented a

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<v Speaker 1>phrase that helped her to understand what was happening within

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<v Speaker 1>the conspiracy world, which is the Midas touch. So I

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<v Speaker 1>thought I would bring up King Midas, right, nice, the

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<v Speaker 1>guy who turned everything to gold with the touch. Now

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<v Speaker 1>it's so common the way she uses it. She says

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<v Speaker 1>that the elites will pick somebody and then they'll just

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<v Speaker 1>have a free ride all the way up to the top,

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<v Speaker 1>kind of like Ammanu Macron. He didn't really have to

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<v Speaker 1>go to school. He didn't really have any qualifications for

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<v Speaker 1>the jobs that he had. You know, he was like

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<v Speaker 1>the head central banker for the Rothschilds and all the

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<v Speaker 1>rest of this. So she refers to him as being

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<v Speaker 1>one of these individuals blessed with the Midas touch. So

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<v Speaker 1>there are probably lots of other ones in that same situation,

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<v Speaker 1>and when you're looking in the background, they don't really

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<v Speaker 1>have anything to back up their credentials, but somehow they

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<v Speaker 1>make it to the top. And so King Midas is

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<v Speaker 1>king of Phrygia, right, So you've heard us talk over

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<v Speaker 1>and over and over again about the Phrygian cap, right,

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<v Speaker 1>So this is in three kind of south of Thrace,

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<v Speaker 1>and so this is the king over there, right. So

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<v Speaker 1>there's a lot of mythology attached to this guy and

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<v Speaker 1>that region specifically, especially the Phrygian cap. Many myths came

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<v Speaker 1>to be associateated about it. Members of the Phrygian royal house.

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<v Speaker 1>So his father was Gordius from the Gordian Knot idea,

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<v Speaker 1>and that was one of the trials of Alexander the Great.

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<v Speaker 1>He has to get through the Gordian Knot and he

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<v Speaker 1>decides he's just gonna fucking cut it. So his mother

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<v Speaker 1>was Kibali. The most famous king Midas. Yeah, so he's

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<v Speaker 1>like right in the middle of all that stuff. Is

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<v Speaker 1>remembered in Greek mythology for his ability to turn everything

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<v Speaker 1>he touched into pure gold, and this came to be

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<v Speaker 1>called the Golden touch or the Midas touch. Legends told

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<v Speaker 1>about this. Midas as A and his adopted father Gordius

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<v Speaker 1>credited with founding the Phrygian capital city of Gordium and

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<v Speaker 1>tying the Gordian knot. And so actually that kind of

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<v Speaker 1>goes into your symbol too, right, So the flower of

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<v Speaker 1>life is supposed to be kind of like this not

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<v Speaker 1>work as well. There's several symbols, including the Norse symbol

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<v Speaker 1>that I keep bringing up with the three triangles that

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<v Speaker 1>are sort of like these not work ideas. This was

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<v Speaker 1>in the second millennium BCE, before the Trojan War. Homer

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<v Speaker 1>does not mention Midas or Gordius, while instead mentioning two

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<v Speaker 1>other Phrygian kings, Migdun and Otreus. My DM was presumably

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<v Speaker 1>named after him, and this probably also Midas. According to

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<v Speaker 1>the Pausanaeus founded Ankrea today known as Ankara. Another king, Midas,

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<v Speaker 1>ruled Phrygia in the late eighth century BCE. Most historians

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<v Speaker 1>believe this might as to be the same person as Mita,

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<v Speaker 1>called King of the Mushki in Assyrian text, who ward

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<v Speaker 1>with the with Assyria and it's Anatolian provinces. If you

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<v Speaker 1>think about the differences in how the Neo Assyrian saw

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<v Speaker 1>the world versus how the Greeks saw the world, and

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<v Speaker 1>how they interpret the same characters, and the Greeks give

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<v Speaker 1>you stuff like this, whereas the Neo Assyrians give you

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<v Speaker 1>like stick figures with strange bug eyes. It's like, it's

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<v Speaker 1>so interesting how these two different cultures are depicting the

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<v Speaker 1>same area and the same events in totally different ways.

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<v Speaker 2>It's funny, you said the bug eyes, You're right, right, right, Yeah.

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<v Speaker 1>They've got the Sumerian bug eyes where it just seems

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<v Speaker 1>like their eyes are too big for their face. Oh yeah, retillion, right,

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<v Speaker 1>And so that was kind of the Neo Assyrian style,

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<v Speaker 1>and they they basically kept a continuity with the motifs

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<v Speaker 1>coming through the Samerians, right, and so you see this

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<v Speaker 1>a lot with the what do you call them Canaanite Phoenicians.

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<v Speaker 1>They keep so they've got more advanced art styles, but

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<v Speaker 1>they keep the eye style of the Samarans, which is

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<v Speaker 1>really interesting to me. It's like you're claiming ancestry in

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<v Speaker 1>how you make these different figures. There's more to it

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<v Speaker 1>than just, you know, simple shapes. These are actually a

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<v Speaker 1>continuity that stay throughout the century. So there's a Midas

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<v Speaker 1>monument in Phrygia that dates back to about seven hundred BCE,

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<v Speaker 1>and many contradictory legends about the most ancient king Midas.

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<v Speaker 1>In one, Midas was king of Pessanists, a city of Phrygia,

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<v Speaker 1>who as a child who was adopted by King Gordias

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<v Speaker 1>and Kaibali, the goddess whose consort was and who by

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<v Speaker 1>some accounts was the goddess mother of Midas himself. Again,

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<v Speaker 1>this ky belief figure almost creates people out of nothing.

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<v Speaker 1>It's a parthenogenesis. So in Thracius Migdonia, Herotodas referred to

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<v Speaker 1>a wild rose garden at the foot of Mount Bermion

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<v Speaker 1>as the garden of Midas, son of Gordius, where roses

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<v Speaker 1>grew of themselves and each bearing sixty blossoms and surpassing

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<v Speaker 1>in fragrance. So apparently there's mystic bushes associated with him

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<v Speaker 1>as well.

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<v Speaker 2>That's great.

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<v Speaker 1>Well, I mean the mystic bush motif you see happening

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<v Speaker 1>over and over again, and lots of different cultures around

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<v Speaker 1>the area, and the Phrygian culture was sort of like

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<v Speaker 1>the bridge or the crossway between the east and the west,

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<v Speaker 1>you know, Greece being in the west, and then all

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<v Speaker 1>the rest of this off is down south and east

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<v Speaker 1>of that point. And so Phrygia really did become one

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<v Speaker 1>of these crossover hubs for a lot of different cultures

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<v Speaker 1>and a lot of different happenings. And what Herodia, Now,

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00:18:13.079 --> 00:18:16.279
<v Speaker 1>it wasn't herodidas I believe it was Plato that said

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<v Speaker 1>that the Phrygians and the Egyptians had a contest of

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<v Speaker 1>which society was ancient, and instead of the Egyptians even

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00:18:25.119 --> 00:18:26.880
<v Speaker 1>putting up a fight, they just gave up there like

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<v Speaker 1>you guys beat us. The Phrygians are the oldest in

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<v Speaker 1>the world. And so that was the idea back then.

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<v Speaker 1>And you see Kaibli as this figure that's sort of

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<v Speaker 1>a constant all throughout the most ancient times in Phrygia.

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<v Speaker 1>So this ancient goddess worship really did influence everything else.

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<v Speaker 1>That was one of the most primary things. And so

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<v Speaker 1>people get all freaked out with the addas worship and

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00:18:52.359 --> 00:18:55.079
<v Speaker 1>the self castration and all the rest of that stuff,

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00:18:55.079 --> 00:18:58.119
<v Speaker 1>which did come out of Phrygia, right, didn't come out

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00:18:58.119 --> 00:19:00.839
<v Speaker 1>of Thrace. It didn't come out of this region. But

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<v Speaker 1>you have to go back and say, yeah, that's that's

319
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<v Speaker 1>actually super super like forty five thousand years ancient. Like

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<v Speaker 1>stop going on. You know a lot of people, right,

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<v Speaker 1>A lot of people don't give Phrygia their due. But like,

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<v Speaker 1>we even have the Frygian cap on our seal for

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<v Speaker 1>the army today.

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<v Speaker 2>I was gonna say, I've heard you and other people

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00:19:26.079 --> 00:19:27.079
<v Speaker 2>even bring that word up.

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<v Speaker 1>It's okay, you know the smurf hat.

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00:19:31.160 --> 00:19:33.160
<v Speaker 2>Yeah, yeah, yeah, you told me that I had no

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<v Speaker 2>idea when you told me that shit.

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<v Speaker 3>No, I had no idea that Gargamel made that blonde

330
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<v Speaker 3>bitch right to infiltrate the Smurfs.

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<v Speaker 2>I had no idea until recently.

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<v Speaker 1>And like so, there was there was no females in

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<v Speaker 1>Smurf society until this wizard created one out of the

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00:19:50.359 --> 00:19:53.240
<v Speaker 1>dust and then put her there to take them down.

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00:19:53.440 --> 00:19:56.559
<v Speaker 1>But think about the other creation bets right, who's the

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00:19:56.599 --> 00:20:01.200
<v Speaker 1>first woman in Greek mythology? First two minute women.

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<v Speaker 2>Oh, actually, now you're close.

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<v Speaker 1>She's got a box. We thought they all do, Yeah,

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00:20:10.839 --> 00:20:13.279
<v Speaker 1>they do, but this one was the first. This was

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00:20:13.359 --> 00:20:16.640
<v Speaker 1>Pandora's box.

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<v Speaker 2>Sorry, I was thinking of something else.

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00:20:18.920 --> 00:20:21.519
<v Speaker 1>Yeah, I know what you that that was the call.

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<v Speaker 1>So yeah, she was the first woman, and she was

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<v Speaker 1>made as a punishment to man. She's created her as

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00:20:34.480 --> 00:20:36.880
<v Speaker 1>a punishment and then gave her the box and said,

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<v Speaker 1>don't open it.

347
00:20:37.920 --> 00:20:39.920
<v Speaker 2>Oh you really how to do it too?

348
00:20:41.480 --> 00:20:41.640
<v Speaker 3>With you?

349
00:20:41.640 --> 00:20:42.920
<v Speaker 2>I'm going to create woman.

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<v Speaker 1>Right, that's exactly. And then Gardener me, same idea. I'm

351
00:20:47.599 --> 00:20:50.240
<v Speaker 1>gonna create a woman that's gonna fuck with you. And

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00:20:50.279 --> 00:20:51.680
<v Speaker 1>she's the first one to take the bite of the

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00:20:51.680 --> 00:20:55.160
<v Speaker 1>apple too. It's it's really interesting how they you know,

354
00:20:55.200 --> 00:20:57.039
<v Speaker 1>they viewed women as a punishment a lot of times.

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00:20:57.160 --> 00:20:58.960
<v Speaker 3>How do you know Adam didn't bite the apple just

356
00:20:59.000 --> 00:21:00.400
<v Speaker 3>to get the fuck out of the gar and away

357
00:21:00.440 --> 00:21:05.960
<v Speaker 3>from even right, it gets away from you, lady.

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<v Speaker 1>That whole situation is just so bizarre. It's like, if

359
00:21:09.839 --> 00:21:14.039
<v Speaker 1>you go back to the root histories of that that mythology,

360
00:21:14.319 --> 00:21:16.759
<v Speaker 1>it sounds nothing like it. It's like this space tail

361
00:21:16.839 --> 00:21:21.200
<v Speaker 1>between this crazy uh chaos dragon who gets forgiven by

362
00:21:21.240 --> 00:21:23.519
<v Speaker 1>the way. So at the end of the story, in

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00:21:23.599 --> 00:21:29.400
<v Speaker 1>the original mythology, this viper causes them to become mortals, right,

364
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<v Speaker 1>So he's sort of guarding the tree, and as they

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00:21:31.640 --> 00:21:33.759
<v Speaker 1>take a bite from the tree, he bites them and

366
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<v Speaker 1>then they become mortals. Before that, they were immortal. And

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<v Speaker 1>so it's like the Fall in the Garden. There's so

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<v Speaker 1>many crossovers between the original myth and what they have

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00:21:42.759 --> 00:21:44.759
<v Speaker 1>in the Bible. But it's like they perverted it in

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00:21:44.839 --> 00:21:51.039
<v Speaker 1>ways that make it really like guilt driven and everything else.

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00:21:51.079 --> 00:21:54.400
<v Speaker 1>So it's they changed the original mythology to make it

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<v Speaker 1>more guilt which I think is kind of interesting. They're

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<v Speaker 1>kind of making an admission there without saying it. It's like,

374
00:22:00.839 --> 00:22:05.319
<v Speaker 1>we use this as a weapon. But uh, let's see

375
00:22:05.359 --> 00:22:08.319
<v Speaker 1>we got emails hopefully.

376
00:22:08.599 --> 00:22:15.160
<v Speaker 2>Oh shit, yo, check this out.

377
00:22:15.200 --> 00:22:18.119
<v Speaker 3>You know what if people send in, if people send

378
00:22:18.160 --> 00:22:20.920
<v Speaker 3>in a story, send in your address and I'll send

379
00:22:20.920 --> 00:22:23.200
<v Speaker 3>you free stickers to there you.

380
00:22:23.160 --> 00:22:26.119
<v Speaker 1>Go, Yo, did you hear that? Guys?

381
00:22:26.799 --> 00:22:29.519
<v Speaker 3>So and I send out any keep it to keep

382
00:22:29.519 --> 00:22:31.839
<v Speaker 3>it magically, you know the magician eight.

383
00:22:32.039 --> 00:22:33.880
<v Speaker 2>So you'll get eight free stickers.

384
00:22:37.039 --> 00:22:41.200
<v Speaker 1>You got it, So you got to get those emails

385
00:22:41.240 --> 00:22:45.319
<v Speaker 1>out about your weird. God damn it. Why does it

386
00:22:45.400 --> 00:22:46.400
<v Speaker 1>have to be so autistic?

387
00:22:47.000 --> 00:22:49.440
<v Speaker 2>He's so, he's like, I got you, Dick. I was

388
00:22:49.440 --> 00:22:51.200
<v Speaker 2>gonna send it the stickers anyway. But he's like, all right,

389
00:22:51.240 --> 00:22:52.119
<v Speaker 2>I'll give you a story too.

390
00:22:53.319 --> 00:22:54.680
<v Speaker 1>No, I'm talking about my email.

391
00:22:54.839 --> 00:22:57.160
<v Speaker 2>No, no, somebody knows somebody in the kid figure. He says,

392
00:22:57.160 --> 00:22:57.759
<v Speaker 2>I got you, Dick.

393
00:22:58.480 --> 00:23:01.440
<v Speaker 1>Oh yeah, well you know where to send it. It's

394
00:23:01.480 --> 00:23:03.920
<v Speaker 1>the Headless Giant podcast at gmail dot com.

395
00:23:04.000 --> 00:23:05.960
<v Speaker 2>Yeah, send the story there and send me the address.

396
00:23:06.519 --> 00:23:17.799
<v Speaker 2>I got you. We got that, uh infuriating. Got that

397
00:23:17.880 --> 00:23:21.240
<v Speaker 2>kid Alexander coming back on this Saturday. That's something upcoming.

398
00:23:22.039 --> 00:23:22.680
<v Speaker 1>Oh what's that?

399
00:23:23.680 --> 00:23:23.799
<v Speaker 3>Uh?

400
00:23:23.839 --> 00:23:25.599
<v Speaker 2>Were you want with him the first time? Maybe not?

401
00:23:26.079 --> 00:23:28.960
<v Speaker 2>He was that smart Polish kid. He like wrote a book.

402
00:23:29.039 --> 00:23:32.319
<v Speaker 3>Yeah, he's uh really good with like megalithic stuff and

403
00:23:32.440 --> 00:23:35.640
<v Speaker 3>science and the spirituality, like mixing both. Yeah, he's got

404
00:23:35.720 --> 00:23:38.000
<v Speaker 3>my I think two o'clock. I think this Saturday.

405
00:23:38.000 --> 00:23:40.880
<v Speaker 1>We got very nice.

406
00:23:41.079 --> 00:23:42.920
<v Speaker 3>Yeah, yeah cool dude. Yeah, he send me a book

407
00:23:42.920 --> 00:23:44.359
<v Speaker 3>and everything. I haven't got it yet, but he did

408
00:23:44.440 --> 00:23:47.240
<v Speaker 3>send it to me. Really nice, really nice dude. Yoh,

409
00:23:47.359 --> 00:23:50.880
<v Speaker 3>he's mad young too, dude. I think he's only like

410
00:23:50.880 --> 00:23:53.079
<v Speaker 3>in his early twenties. I had asked him when I was.

411
00:23:53.000 --> 00:23:54.200
<v Speaker 2>Like, Yo, what the fuck?

412
00:23:55.400 --> 00:23:57.200
<v Speaker 3>Yeah, yeah, when you see, you're gonna be like, holy shit,

413
00:23:57.240 --> 00:23:58.680
<v Speaker 3>this kid is smart for like, you're gonna be like

414
00:23:58.680 --> 00:24:00.200
<v Speaker 3>I wish it was like fucking like that.

415
00:24:00.279 --> 00:24:01.319
<v Speaker 2>I hit his age.

416
00:24:04.000 --> 00:24:08.279
<v Speaker 1>All right, So this is one I have from I

417
00:24:08.279 --> 00:24:13.640
<v Speaker 1>guess we're gonna call her bad hat Harriet. Oh alright,

418
00:24:13.880 --> 00:24:16.400
<v Speaker 1>listens tomorrow. Ah, she's in the chat.

419
00:24:16.480 --> 00:24:18.920
<v Speaker 2>Oh yeah, yeah, we see her a lot. I like it.

420
00:24:18.920 --> 00:24:20.799
<v Speaker 2>She's supposed to be star on her own podcast too.

421
00:24:21.039 --> 00:24:21.960
<v Speaker 2>Let's go, let's go.

422
00:24:21.920 --> 00:24:27.559
<v Speaker 1>L let's freaking go. High head listens tomorrow. I hope

423
00:24:27.559 --> 00:24:29.799
<v Speaker 1>you are well and enjoying your summer. At one point

424
00:24:29.799 --> 00:24:32.160
<v Speaker 1>a few years back, twenty fifteen ish, I was deep

425
00:24:32.200 --> 00:24:37.000
<v Speaker 1>into studying root work and herbs. After reading mugwort Tea

426
00:24:37.119 --> 00:24:40.480
<v Speaker 1>was known for aiding with lucid dreaming. I bought some

427
00:24:40.680 --> 00:24:45.279
<v Speaker 1>to try. Here are two dreams I experienced after drinking mugwort.

428
00:24:45.359 --> 00:24:46.680
<v Speaker 1>Have you ever had mugwort?

429
00:24:47.359 --> 00:24:48.440
<v Speaker 2>Yeah, it tastes like shit.

430
00:24:50.000 --> 00:24:53.640
<v Speaker 1>Well, I don't like Yeah, it's not good. It's kind

431
00:24:53.640 --> 00:24:55.720
<v Speaker 1>of like musty a little bit, you know what I mean.

432
00:24:55.880 --> 00:24:57.200
<v Speaker 1>It tastes like dust.

433
00:24:57.279 --> 00:25:00.400
<v Speaker 3>Yeah, I've tried like making tea with it. I've also

434
00:25:00.519 --> 00:25:03.279
<v Speaker 3>tried smoking it. Well, I tried to smoking it with

435
00:25:03.319 --> 00:25:06.960
<v Speaker 3>all the ship right, Yeah, I don't know. I wasn't

436
00:25:06.960 --> 00:25:07.519
<v Speaker 3>a fan of it.

437
00:25:09.000 --> 00:25:11.839
<v Speaker 1>Well I used to. I used to have accult club

438
00:25:12.359 --> 00:25:15.559
<v Speaker 1>at the college I was going to, and I would

439
00:25:15.599 --> 00:25:18.640
<v Speaker 1>just brew up a thing of mugwort tea and bring

440
00:25:18.680 --> 00:25:22.119
<v Speaker 1>it with me and everybody would drink the mug wort

441
00:25:22.160 --> 00:25:26.039
<v Speaker 1>at the school library is awesome?

442
00:25:26.240 --> 00:25:30.000
<v Speaker 3>Is that where it's supposed to like, uh, it's supposed

443
00:25:30.000 --> 00:25:32.480
<v Speaker 3>to be like a natural like not it's a dead sedative,

444
00:25:32.480 --> 00:25:34.559
<v Speaker 3>but you aren't. You supposed to catch like a slight

445
00:25:34.640 --> 00:25:35.440
<v Speaker 3>buzz from it too.

446
00:25:36.319 --> 00:25:39.599
<v Speaker 1>Yeah, it's it's a really interesting high. It's not like

447
00:25:40.440 --> 00:25:43.440
<v Speaker 1>you know, smoking weed or anything that extreme. It's just

448
00:25:43.519 --> 00:25:46.359
<v Speaker 1>like a relax levels at your yeah, it levels at

449
00:25:46.359 --> 00:25:49.119
<v Speaker 1>your vegas nerve. It it's a really easy way to relax.

450
00:25:49.160 --> 00:25:51.839
<v Speaker 1>And it's nothing like uh, it's not even like cradle

451
00:25:52.440 --> 00:25:55.759
<v Speaker 1>like I've had cretem tea before that's more extreme than mugwart.

452
00:25:55.799 --> 00:25:59.079
<v Speaker 1>Mug worts far more gentle. And so when you when

453
00:25:59.119 --> 00:26:01.400
<v Speaker 1>you can actually brew it up with other flavors that

454
00:26:01.440 --> 00:26:04.640
<v Speaker 1>are actually good, So I would do mugwort hibiscus tea,

455
00:26:05.599 --> 00:26:08.680
<v Speaker 1>and once you've got those flavors interacting, it's actually quite decent.

456
00:26:10.480 --> 00:26:13.920
<v Speaker 3>That is interesting. You said it helps relax, like through

457
00:26:13.920 --> 00:26:15.880
<v Speaker 3>the vegas nerve, right.

458
00:26:16.079 --> 00:26:20.720
<v Speaker 1>Yeah, it just sort of calms the body down, all right.

459
00:26:20.759 --> 00:26:23.319
<v Speaker 1>So this is the first dream. After hiking up a

460
00:26:23.359 --> 00:26:26.400
<v Speaker 1>winding trail up a mountain that seemed more like a

461
00:26:26.440 --> 00:26:30.079
<v Speaker 1>twisty grinch who stole Christmas Christmas tree, I was met

462
00:26:30.240 --> 00:26:33.400
<v Speaker 1>midway by a faceless, cloaked man who had come out

463
00:26:33.480 --> 00:26:37.160
<v Speaker 1>of a small crystal grotto or cave. Without talking. He

464
00:26:37.319 --> 00:26:41.319
<v Speaker 1>handed me an old pink vinyl binder with my masking

465
00:26:41.400 --> 00:26:43.720
<v Speaker 1>tape label on the front of it, with my name

466
00:26:43.759 --> 00:26:47.200
<v Speaker 1>written in capital letters in a black marker. It looked

467
00:26:47.240 --> 00:26:51.279
<v Speaker 1>like a binder I might have had in Grade four

468
00:26:52.000 --> 00:26:56.559
<v Speaker 1>under my name. Also in marker was written a Kashik record.

469
00:26:57.000 --> 00:26:59.319
<v Speaker 1>I rushed to open it and see the contents, but

470
00:26:59.359 --> 00:27:02.960
<v Speaker 1>a last sealed shut. He shook his head and took

471
00:27:03.079 --> 00:27:05.920
<v Speaker 1>my pointer finger in his hand and pushed it far

472
00:27:06.079 --> 00:27:06.839
<v Speaker 1>up my nose.

473
00:27:07.279 --> 00:27:08.559
<v Speaker 2>It was weird, but.

474
00:27:08.559 --> 00:27:11.920
<v Speaker 1>I trusted him. I felt something hard and cold, and

475
00:27:11.960 --> 00:27:14.880
<v Speaker 1>when I pulled it out, it was a long quartz,

476
00:27:15.039 --> 00:27:19.839
<v Speaker 1>clear crystal. I felt very vulnerable, yet better and clearer

477
00:27:20.039 --> 00:27:23.440
<v Speaker 1>without it plugged up. There, I wish I could remember more.

478
00:27:24.359 --> 00:27:28.480
<v Speaker 1>That's awesome. That's the first dream. Oh wow, this is

479
00:27:28.480 --> 00:27:32.279
<v Speaker 1>the second dream mission dream. Flying dreams are my favorite dreams.

480
00:27:32.319 --> 00:27:36.359
<v Speaker 1>Even before the Mugwort tea, I would dream of squatting

481
00:27:36.400 --> 00:27:39.039
<v Speaker 1>down in a corner of a room and lift off.

482
00:27:39.079 --> 00:27:41.440
<v Speaker 1>I would float up into the ceiling, or sometimes go

483
00:27:41.480 --> 00:27:44.440
<v Speaker 1>fly in a park or forest. These dreams would be

484
00:27:44.480 --> 00:27:47.440
<v Speaker 1>so joyful, I almost would say a spiritual, wet dream.

485
00:27:47.839 --> 00:27:50.720
<v Speaker 1>I would wake up in such bliss, tears of joy flowing.

486
00:27:51.400 --> 00:27:54.119
<v Speaker 1>This time was different. After drinking the tea, I went

487
00:27:54.160 --> 00:27:57.279
<v Speaker 1>to bed and fell asleep. The dream started in the

488
00:27:57.440 --> 00:28:00.640
<v Speaker 1>usual manner of me going to the corner of my bedroom,

489
00:28:00.720 --> 00:28:03.599
<v Speaker 1>going into a deep squat and leaping, arms raised above

490
00:28:03.640 --> 00:28:07.559
<v Speaker 1>my head, hands clasp. I flew straight up and kept

491
00:28:07.599 --> 00:28:10.400
<v Speaker 1>going up through the ceiling, up through the treetops and

492
00:28:10.480 --> 00:28:14.559
<v Speaker 1>skies darkness, And then then I was in what I

493
00:28:14.559 --> 00:28:18.880
<v Speaker 1>would describe as a bright white chrome oval room. Taking

494
00:28:18.960 --> 00:28:21.440
<v Speaker 1>up most of the room was a white oval conference

495
00:28:21.519 --> 00:28:25.440
<v Speaker 1>table and chairs. The walls had chrome countertops, and above

496
00:28:25.480 --> 00:28:29.799
<v Speaker 1>the small rectangular windows, little blue and red lights in

497
00:28:29.839 --> 00:28:33.799
<v Speaker 1>a meeting. A meeting had just ended, chairs were not

498
00:28:33.880 --> 00:28:36.200
<v Speaker 1>pushed in all the way into the table, and there

499
00:28:36.279 --> 00:28:39.799
<v Speaker 1>was a person at one of the counters shuffling and

500
00:28:39.839 --> 00:28:45.519
<v Speaker 1>stacking up papers as she was just had taught class

501
00:28:45.559 --> 00:28:48.000
<v Speaker 1>and was tidying up for the next group. She didn't

502
00:28:48.039 --> 00:28:51.319
<v Speaker 1>notice me at first. She was very tall and beautiful,

503
00:28:51.400 --> 00:28:55.200
<v Speaker 1>wearing a tight white spicy jumpsuit. She had short black hair,

504
00:28:55.279 --> 00:28:59.240
<v Speaker 1>high cheekbones, blue eyes, red lips. She moved like a cat.

505
00:29:00.000 --> 00:29:03.279
<v Speaker 1>Seemed to my presence, and she sends my presence and

506
00:29:03.359 --> 00:29:06.359
<v Speaker 1>looked up from her work. There was recognition in her eyes.

507
00:29:07.079 --> 00:29:10.119
<v Speaker 1>We were friends, I sensed, but she was annoyed at

508
00:29:10.160 --> 00:29:12.880
<v Speaker 1>me and scared. She said, what are you doing here?

509
00:29:13.000 --> 00:29:17.480
<v Speaker 1>She looked at my disheveled hair, beige T shirt, khaki sweatshorts,

510
00:29:17.599 --> 00:29:22.079
<v Speaker 1>rolling her eyes. I look dirty and sweaty, earthy. I

511
00:29:22.119 --> 00:29:25.000
<v Speaker 1>guess what if someone sees you in that? She said,

512
00:29:25.480 --> 00:29:27.519
<v Speaker 1>you are not supposed to be here. You need to

513
00:29:27.559 --> 00:29:30.559
<v Speaker 1>go back to your mission. That's all I remember. My

514
00:29:30.680 --> 00:29:34.200
<v Speaker 1>takes on this dream have changed over the years. Was

515
00:29:34.279 --> 00:29:37.559
<v Speaker 1>this police or government agency? I was doing undercover work

516
00:29:37.599 --> 00:29:42.599
<v Speaker 1>for some galactic space cop operation? Or something deeper. I

517
00:29:42.599 --> 00:29:45.200
<v Speaker 1>have no clue. I think I need to order some

518
00:29:45.240 --> 00:29:48.000
<v Speaker 1>more Mugwort tea and see if I go back. Well,

519
00:29:48.039 --> 00:29:50.559
<v Speaker 1>it sounds like I've got a mission too. I need

520
00:29:50.559 --> 00:29:54.039
<v Speaker 1>to order some more Mugwort tea and see what was

521
00:29:54.079 --> 00:29:56.000
<v Speaker 1>going on there. But now it's kind of interesting that

522
00:29:56.680 --> 00:30:00.759
<v Speaker 1>a Kashak record and the other one seemed kind of related,

523
00:30:00.839 --> 00:30:05.559
<v Speaker 1>Like what if this is the pre uh incarnation phase?

524
00:30:06.559 --> 00:30:09.039
<v Speaker 1>And so she's she's back into the board room where

525
00:30:09.079 --> 00:30:11.799
<v Speaker 1>she had just you know, gotten out and then into

526
00:30:12.119 --> 00:30:15.319
<v Speaker 1>the earthly realm, and now she's visiting again, but she's

527
00:30:15.319 --> 00:30:17.440
<v Speaker 1>not supposed to be there. She still has a mission

528
00:30:17.519 --> 00:30:25.160
<v Speaker 1>on earth, almost astra projection.

529
00:30:25.319 --> 00:30:28.079
<v Speaker 2>Yeah, I like that. Fucking I like these dreams.

530
00:30:29.440 --> 00:30:33.200
<v Speaker 1>Right, what's your interpretation? Do you have anything that's said

531
00:30:33.240 --> 00:30:33.559
<v Speaker 1>out to you?

532
00:30:34.279 --> 00:30:35.359
<v Speaker 2>Uh?

533
00:30:35.400 --> 00:30:38.079
<v Speaker 3>Hell no, I mean I honestly thought the crystal up

534
00:30:38.079 --> 00:30:39.359
<v Speaker 3>the nose was really good.

535
00:30:41.799 --> 00:30:45.440
<v Speaker 1>Right, I think that's funny. So she was being guided

536
00:30:45.680 --> 00:30:50.079
<v Speaker 1>to remove like crystallized energy or something out of the

537
00:30:50.119 --> 00:30:53.279
<v Speaker 1>head so that she could access things like the Akasha record.

538
00:30:53.319 --> 00:30:57.119
<v Speaker 1>It was almost like instructive or healing dream. Right. You

539
00:30:57.160 --> 00:31:00.160
<v Speaker 1>have that sort of angle you've you've been instructed on

540
00:31:00.200 --> 00:31:02.400
<v Speaker 1>how to clear your your senses.

541
00:31:03.440 --> 00:31:07.440
<v Speaker 3>Right, yeah, interesting, I got dogs like crystal meth. That

542
00:31:07.599 --> 00:31:09.640
<v Speaker 3>makes sense, pull some crystal meth out to those.

543
00:31:10.559 --> 00:31:13.880
<v Speaker 1>Right, well normally, actually you're going to reverse. Instead of

544
00:31:13.880 --> 00:31:15.680
<v Speaker 1>pulling the crystals out, you putting the crystal.

545
00:31:18.240 --> 00:31:23.960
<v Speaker 2>That's true reverse, right, With enough.

546
00:31:23.759 --> 00:31:26.400
<v Speaker 1>Pressure and heat, you could actually probably turn it into

547
00:31:26.400 --> 00:31:27.440
<v Speaker 1>a much bigger crystal.

548
00:31:29.240 --> 00:31:29.799
<v Speaker 2>Oh man.

549
00:31:32.039 --> 00:31:34.359
<v Speaker 3>But yeah, people, you hear that. If you got any stories,

550
00:31:34.400 --> 00:31:36.200
<v Speaker 3>just to you know, help sweeten the deal here, I mean,

551
00:31:36.200 --> 00:31:38.039
<v Speaker 3>because you know we're asking so much for an email,

552
00:31:38.480 --> 00:31:41.319
<v Speaker 3>I'll send I'll send some stickers to you if you

553
00:31:41.400 --> 00:31:44.599
<v Speaker 3>send in a story, Uh, leave the email, leave the

554
00:31:44.640 --> 00:31:47.839
<v Speaker 3>address with the address with Headless and he'll show forward

555
00:31:47.839 --> 00:31:49.720
<v Speaker 3>it over to me and they'll send out the stickers.

556
00:31:49.799 --> 00:31:53.680
<v Speaker 1>So right, So, if if you want, if you want

557
00:31:53.680 --> 00:31:56.359
<v Speaker 1>to be a real you know, Headless fan, what you

558
00:31:56.400 --> 00:31:59.400
<v Speaker 1>gotta do is you got to get mug wort. You

559
00:31:59.480 --> 00:32:02.000
<v Speaker 1>have to get hibiscus, and you have to get like

560
00:32:02.039 --> 00:32:05.519
<v Speaker 1>maybe orange peels. Orange peels work well, but like you

561
00:32:05.599 --> 00:32:08.319
<v Speaker 1>mix those together and then drink that tea before bed,

562
00:32:09.519 --> 00:32:12.160
<v Speaker 1>and then you write the emails to me about what

563
00:32:12.200 --> 00:32:21.039
<v Speaker 1>happens next. Right on factory farming these emails for the show.

564
00:32:21.240 --> 00:32:23.759
<v Speaker 1>You've got to drink the Mugwort tea and then go

565
00:32:23.799 --> 00:32:25.480
<v Speaker 1>to bed and then write me an email and that

566
00:32:25.559 --> 00:32:28.839
<v Speaker 1>will be the next show is everybody go out there,

567
00:32:28.920 --> 00:32:31.400
<v Speaker 1>gets a mugwort tea, mix it up, see if you

568
00:32:31.400 --> 00:32:33.759
<v Speaker 1>can make something you like. And the best recipes too.

569
00:32:34.200 --> 00:32:36.319
<v Speaker 1>If you've got a really good recipe for mugwort team,

570
00:32:36.440 --> 00:32:38.359
<v Speaker 1>just go ahead and send that to me as well,

571
00:32:39.160 --> 00:32:43.039
<v Speaker 1>because recipes are always enjoyed. If you have any magical

572
00:32:43.079 --> 00:32:52.319
<v Speaker 1>formulas maybe that you use. Right, Hey, do you remember

573
00:32:52.400 --> 00:32:55.319
<v Speaker 1>the game that we would play as like kids, where

574
00:32:55.319 --> 00:32:57.480
<v Speaker 1>you would like take a deep breath and then stand

575
00:32:57.559 --> 00:32:58.799
<v Speaker 1>up against the wall real fast.

576
00:33:00.240 --> 00:33:03.599
<v Speaker 2>Yeah, I've never seen people do that.

577
00:33:03.640 --> 00:33:08.279
<v Speaker 1>Ship that was big in the army. You know, they

578
00:33:08.359 --> 00:33:10.400
<v Speaker 1>can't get high, they can't get drunk, so they're out

579
00:33:10.440 --> 00:33:11.359
<v Speaker 1>there passing out.

580
00:33:12.440 --> 00:33:13.759
<v Speaker 2>Oh that's crazy.

581
00:33:14.920 --> 00:33:17.240
<v Speaker 1>It was like I was gone for years and then

582
00:33:17.279 --> 00:33:18.279
<v Speaker 1>I just came back.

583
00:33:19.200 --> 00:33:19.799
<v Speaker 2>That's wow.

584
00:33:21.400 --> 00:33:24.240
<v Speaker 1>Yeah, absolutely, So.

585
00:33:24.559 --> 00:33:26.079
<v Speaker 2>Have any of those experiences send them in.

586
00:33:27.279 --> 00:33:34.200
<v Speaker 1>Yeah, we don't. We don't recommend it. So many people

587
00:33:34.240 --> 00:33:37.640
<v Speaker 1>fucking die playing that game. Mostly it's because people are

588
00:33:37.640 --> 00:33:39.759
<v Speaker 1>paying attention to where they're standing, so they'll just fall

589
00:33:39.799 --> 00:33:43.839
<v Speaker 1>down and like stab themselves fucking nuts.

590
00:33:44.599 --> 00:33:50.839
<v Speaker 3>Oh Euros is asking hellas was in the army. Yes, yeah, yeah,

591
00:33:50.839 --> 00:33:52.799
<v Speaker 3>eros yours. We got to hit you Yes, sorry sorry

592
00:33:52.799 --> 00:33:54.160
<v Speaker 3>it's row. We got to hit you up, Euros. I

593
00:33:54.200 --> 00:33:56.000
<v Speaker 3>wanted to get you. I was actually thinking about earlier

594
00:33:56.039 --> 00:33:57.880
<v Speaker 3>today when I have her wrung for like the indeads,

595
00:33:58.319 --> 00:33:59.880
<v Speaker 3>she's been covering them with the pultinis.

596
00:34:00.599 --> 00:34:02.400
<v Speaker 2>Yeah, we got to get around for this. Yeah. Yeah,

597
00:34:02.400 --> 00:34:04.359
<v Speaker 2>I've been really on it on that guy's stuff. Man,

598
00:34:04.519 --> 00:34:05.519
<v Speaker 2>I really, I really think.

599
00:34:05.400 --> 00:34:10.440
<v Speaker 1>That dude, Platinus is awesome. Like there's so much crossover

600
00:34:10.559 --> 00:34:14.480
<v Speaker 1>between your episode and what I'm studying when it comes

601
00:34:14.480 --> 00:34:17.880
<v Speaker 1>to early Christianity and all the rest of these influences.

602
00:34:18.519 --> 00:34:21.559
<v Speaker 1>He's so in there like that that is like neo

603
00:34:21.639 --> 00:34:23.039
<v Speaker 1>Platinism is Platinas.

604
00:34:23.079 --> 00:34:28.800
<v Speaker 2>Oh yeah, basically yeah, they'll even say that basically from him. Yeah.

605
00:34:28.880 --> 00:34:31.679
<v Speaker 1>And so you're talking about all these magical traditions of

606
00:34:32.239 --> 00:34:35.320
<v Speaker 1>you know, uh, theurgy and all these other things that

607
00:34:35.400 --> 00:34:39.280
<v Speaker 1>come through that whole circle of Neoplatinism during the second

608
00:34:39.280 --> 00:34:41.960
<v Speaker 1>century a d. And a lot of people just sleep

609
00:34:42.000 --> 00:34:44.360
<v Speaker 1>on it. They're just like, Oh, I read Plato, you know,

610
00:34:44.400 --> 00:34:46.280
<v Speaker 1>I read Aristotle, oh.

611
00:34:46.159 --> 00:34:47.960
<v Speaker 2>Yeah, yeah for sure.

612
00:34:48.440 --> 00:34:50.800
<v Speaker 3>I mean he even covers stuff, he's got stuff on site.

613
00:34:50.880 --> 00:34:54.679
<v Speaker 3>He even gets into the eyeballs too, and in heads. Yeah,

614
00:34:54.719 --> 00:34:56.280
<v Speaker 3>pretty interesting stuff, that dude.

615
00:34:56.519 --> 00:34:58.320
<v Speaker 2>Yeah, that was impressed.

616
00:34:58.480 --> 00:35:02.679
<v Speaker 1>Right. It's funny all these philosophers have their own opinions

617
00:35:02.840 --> 00:35:05.800
<v Speaker 1>on things like site and like the senses and stuff,

618
00:35:05.800 --> 00:35:08.199
<v Speaker 1>and they include that in their work. And it's funny

619
00:35:08.199 --> 00:35:10.800
<v Speaker 1>because you could see all the cultural influences and how

620
00:35:10.840 --> 00:35:14.440
<v Speaker 1>they see the world because they're literally telling you how

621
00:35:14.519 --> 00:35:18.960
<v Speaker 1>they think you see the world. Yeah, yeah, yeah, which

622
00:35:19.000 --> 00:35:21.639
<v Speaker 1>is fun. But this has been a great episode. So

623
00:35:24.079 --> 00:35:26.599
<v Speaker 1>we'll see you again next time. I don't know. Do

624
00:35:26.599 --> 00:35:27.840
<v Speaker 1>you want to do another one tomorrow?

625
00:35:28.639 --> 00:35:31.079
<v Speaker 2>Oh yeah, well we'll see. Actually I might be able

626
00:35:31.119 --> 00:35:32.039
<v Speaker 2>to yeah, yeah, if you want.

627
00:35:32.119 --> 00:35:35.280
<v Speaker 1>Yeah, all right, we'll fit it in there about thirty minutes.

628
00:35:35.320 --> 00:35:37.599
<v Speaker 1>It's not that bad. I was thinking maybe we should

629
00:35:37.599 --> 00:35:39.480
<v Speaker 1>do like a thirty minute show a day, you know,

630
00:35:40.119 --> 00:35:41.519
<v Speaker 1>maybe not me and you, but.

631
00:35:41.599 --> 00:35:44.880
<v Speaker 2>Just oh no, no, yeah, I have thought about yeah,

632
00:35:44.960 --> 00:35:45.599
<v Speaker 2>doing it like well.

633
00:35:45.599 --> 00:35:47.239
<v Speaker 3>That's why I had said I wanted to continue this

634
00:35:47.280 --> 00:35:48.880
<v Speaker 3>and actually make this a thing, is because I do

635
00:35:48.920 --> 00:35:51.679
<v Speaker 3>actually think these are good ideas. So yeah, no, no,

636
00:35:51.840 --> 00:35:54.280
<v Speaker 3>especially if it's like actually has information and it's something

637
00:35:54.280 --> 00:35:56.199
<v Speaker 3>small and short like this. I think people love that

638
00:35:56.239 --> 00:36:01.079
<v Speaker 3>stuff absolutely. Yeah, all right, we will see you again

639
00:36:01.119 --> 00:36:03.559
<v Speaker 3>tomorrow around the same time.

640
00:36:03.679 --> 00:36:03.920
<v Speaker 2>Later
