Speaker 1: Around Dodge City and in the territory on West, there
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the Smell of
guns Smoke Gun Will Spoke, starring William Conrad, The story
of the violence that moved west with young American and
the story of a man.
Speaker 2: Who moved with it.
Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful
and a little lonely.
Speaker 4: Well, that's elastic of wood.
Speaker 5: Then ben Wood, holler and maw here you.
Speaker 4: Well, if I'm going to keep this stove going on
in tomorrow.
Speaker 5: Wood, there's some in the wood box.
Speaker 4: No, you didn't fetch any today. Now going out the
wood jet and bring.
Speaker 5: Me something, Ma, I was just fixing to leave for town.
Speaker 4: Then Redgate, you fill my wood box and there'll be
no going to town tonight.
Speaker 2: Ma.
Speaker 5: You can't keep me here like a tethered.
Speaker 4: Calf while you're living in my house. You'll do as
I say.
Speaker 5: I'm a man grown, Ma, Paul says.
Speaker 4: I just says you want to go to town, so
you can be like your paw, Ben, Ben, it's going
to town. That's turned him the way he is.
Speaker 5: He's still my Paul.
Speaker 4: Well you're not going to town. That's the end of it.
One man in this family hanging around saloons is enough.
Speaker 2: Where's the horses? And thought? I told you to get
the horses.
Speaker 1: Ben Moss says I can't go, And I say you
can't go on now, get the horses.
Speaker 4: The boy isn't going, Horacio.
Speaker 6: No dog stand in the way, Livy. He's big enough
to go to town with his Paul.
Speaker 5: Ain't you be now sure? I am Paul.
Speaker 4: He's not to go. You're not to take him in
here and start him on the road you.
Speaker 7: Took will now, Ben, don't think it's such a bad.
Speaker 2: Road out of wager.
Speaker 5: Sure? Not all them sights I've never seen.
Speaker 7: Time you saw him?
Speaker 4: Boy, I mean when I say, Horatio, Ben is not
to go, I can't stop you from going. It's too
late for you anyhow. The whiskey hasn't been off your
breath for five years or month.
Speaker 2: No concern you.
Speaker 4: It's my concern that I had to keep this place going.
So my boy and i'd have a roof over ey.
Speaker 8: Oh eat, you had it hard though, I've done what
had to be done, and I'm not gonna have you
coming back whenever the spirit moves, your stirring up things, filling.
Speaker 4: The boy with wild tas he's my son, he's your
son like I'm your wife. It hasn't meant much for
a long time. You can't come back now and start
taking over the boy's life.
Speaker 2: I should have known you ain't stop reading.
Speaker 6: Me out since the last time. I don't know why
I keep coming back.
Speaker 4: Well, whether you come or go means nothing to me,
but mark.
Speaker 9: My words, you leave that boy alone.
Speaker 6: You mind you said that, Livy, you will have cause
to rule this day.
Speaker 7: Paul where you're going, any son of mine can find me,
and Dodd I won't be hiding.
Speaker 6: He sure don't favor his daddy's standing there doing. Oh,
Sir Horacio Redgate never spells the drunk Why he'd let
it right up off from the barn bad to don't
you leave me be?
Speaker 7: Why?
Speaker 9: Sonny?
Speaker 6: We figure you need somebody to look after you, and
that's all.
Speaker 2: Ain't that right? That's right?
Speaker 5: The way I get it.
Speaker 6: His model like come out of her sight.
Speaker 5: Somebody's gotta watch over. Now leave me Beer, I'll.
Speaker 2: Joy you'll do what sir?
Speaker 4: All right? Boys, all right, you go?
Speaker 7: You? Uh?
Speaker 6: You the red Gate boy, my name's Ben Redgate and
a man grown Sure y'all got your card lying across
the then sure that's him? Well, then why don't you
call it quits for now and going home? Huh?
Speaker 5: You sound like my mam. She don't think I can
get along out of her sight.
Speaker 4: I don't think you're out of her sight right now?
Speaker 5: What do you mean?
Speaker 9: Isn't that your ma standing at the dog.
Speaker 5: Looking she's got no call to follow me? Maybe not,
but you sure done it?
Speaker 4: I like guess. I guess I have to see it
to believe it. Come on home now, then I.
Speaker 5: Ain't gonna go. I ain't gonna listen no more your lectures.
Speaker 4: This is no way for you, Ben. Come home now
and we'll say no more about it.
Speaker 6: We'll see no more about it because I ain't coming
and I ain't gonna listen no more.
Speaker 4: Mind your tongue, Ben, it wasn't easy for me to
come into a place like this. Don't you cause me
trouble now?
Speaker 5: Then don't follow me? And if I'm gonna take a
drink out of this bottle.
Speaker 6: I'm gonna do it, not while I'm here.
Speaker 4: Stop you. You may be too big to whit then,
but I can still knock a bottle out of your hand.
Speaker 5: You can't bust all the balls in the saloon.
Speaker 4: I would if I could, right enough.
Speaker 5: I still ain't coming mornu man?
Speaker 9: What you do?
Speaker 4: All right?
Speaker 5: Then? All right?
Speaker 4: I can't drag you, but I tell you this. If
it'd do, and you could, if it'd keep you from
turning out like your bad as soon as he every
saloon and can't just burn to the ground, I'd even
helped strike the matches.
Speaker 2: Right, You're ma sure speech your mind? Boy? She said
some mean things there, mighty mean.
Speaker 6: She smashed that bottle full of whiskey just like it
was nothing.
Speaker 2: A terrible thing.
Speaker 6: Wasting whiskey like that is terrible. Can we buy your drink?
Speaker 2: Boy?
Speaker 5: Nah, I've had enough of this place. You go in
home like she told you. No, I ain't going home.
Speaker 6: I'm gonna hunt up a place to get drunk where
more can't find me.
Speaker 2: Eh. How about your excuse this time? Chester?
Speaker 3: Oh, I just took all your men.
Speaker 2: The game's over it.
Speaker 5: Oh well, No, mich don't. I don't think Chuckers is
a very good.
Speaker 2: Now does the matter? Can't you keep your eyes open? Most?
Speaker 5: She ain't that.
Speaker 6: Some colors and they get kind of blurried, kind of
hard to tell their red and black?
Speaker 5: Did you ever know?
Speaker 2: The saying that doesn't make much difference to me?
Speaker 3: And I was like, I wind up with all the
checkers anyway, whatever color they are.
Speaker 2: Now, mister done with?
Speaker 5: What in the world's going on?
Speaker 9: Come on?
Speaker 2: Look that was in the street there.
Speaker 7: See.
Speaker 3: Yeah, I don't think they're gonna put that one out either.
Speaker 5: Rules even please? Sure got a whole tall right.
Speaker 2: That's the new solo prairie wagon.
Speaker 7: That is.
Speaker 3: I hope for that place it'll be enough of a
job to keep the fire from spreading. I'll go help
with the buckets, and I go around back to say
which way it is?
Speaker 2: Spreading fire?
Speaker 6: Through?
Speaker 4: Far through?
Speaker 2: Oh?
Speaker 7: What we gotta Marshall caught her red handed.
Speaker 5: I don't know.
Speaker 6: He's done it, Marshall, just as plain as can be.
What's she done?
Speaker 2: Oh, come on quick, mister, we've got a fire to fight.
That's just it, Marshall.
Speaker 5: She set for fire, this red Gato Marsian.
Speaker 4: But you better go fight it before it spreads through
the hotel.
Speaker 6: You can't let her go.
Speaker 4: I'm going any place. I'll wait for you, Marshall.
Speaker 2: Right here, you can no Martin.
Speaker 3: That must get you can pass empty buckets back, all right, job,
let's get to work.
Speaker 2: Were sure lucky. There wasn't no win. Yeah, now you
sit here, Miss Regged.
Speaker 6: Thanks to her, the whole town didn't burn up.
Speaker 2: Your men got facts to back up, and the shore marshal.
Speaker 6: Everybody heard her say she'd like to set a match
to every saloon in Kansas.
Speaker 2: Ain't that right, Jane? Sure is.
Speaker 6: She said it right there in the Long Branch just tonight.
And there she was out back, watching the prairie wagon burn.
Speaker 4: I wasn't watching, Marshall.
Speaker 2: Did you say those things, Miss Regged?
Speaker 4: I said, I'd like to see them burn, Marshall, And
I'm not sorry. This wasn't it either, But I didn't burn.
Speaker 7: You.
Speaker 2: Gotta lock her up, Marshall. I'll take care of her.
I'll lock her up.
Speaker 5: She'd done it plain as day.
Speaker 2: I said I'd take care of her. You men, get out.
I'll send for you tomorrow if I need you. But Marshall,
I way get out, it's red Gate. I think maybe you
better tell me what you were doing out in the alley.
Speaker 4: I didn't set that fire.
Speaker 3: You were heard talking about burning saloons and the saloon burns.
Speaker 2: You were fine right out back.
Speaker 3: Now does that sound very good to you?
Speaker 4: No, Martian, don't.
Speaker 3: And I'm gonna have to hold you to this thing.
Get straightened out what you're doing? I oh, excuse me, that's.
Speaker 2: All right, Chester.
Speaker 5: Oh, mister Dona has fell out here, says he's got
to see you right now.
Speaker 2: I'll bring him in.
Speaker 6: Well, yes, sir, but I just thought maybe it might
be better for you to come out and.
Speaker 2: See him for just a minute. Gift tells oh, alright, alright, Chester,
you stay here with us, Red Kag, Yes, sir.
Speaker 7: I wanted to see you.
Speaker 2: Why sure, Oh it's you, red Ge. What do you want?
Speaker 7: I come to do my duty?
Speaker 2: Is that so that fire?
Speaker 7: That the terrible fire?
Speaker 2: March? What about the fire? I know you know what,
I know who done it?
Speaker 7: I know who burned down that new saloon a.
Speaker 2: Terrible Please all right, tell me who done it.
Speaker 7: You won't believe what you tell me anyway. You're a
hero of a woman too good for her own good.
Speaker 3: Oh, come on, red Gate, tell me you're good for
her own good.
Speaker 2: Redgate.
Speaker 7: Well, that's her name, Marshall, Ruvinia red Gate.
Speaker 2: You saying that she set that fire.
Speaker 7: I seen her, Marshall, I seen her.
Speaker 2: You tell me that you saw your wife start that fire? Sure,
surely shooting? And why didn't you stop her?
Speaker 7: Huh?
Speaker 2: I said, why didn't just stop her? Well, Moschelle, I.
Speaker 7: I couldn't, Uh I, I couldn't get there in time.
I was, uh, Well, I was still across the street
when I seen.
Speaker 2: Her across the street.
Speaker 7: That's it, that's it. I was across there when I
seen her standing in front of.
Speaker 2: The saloon with a big torch.
Speaker 7: Great big torch.
Speaker 3: Did you say in front of the saloon that that's right, Marshall?
Speaker 7: And and she throw the torch?
Speaker 2: Then what did she do?
Speaker 9: Was she?
Speaker 2: Well?
Speaker 7: She just stood there, watch right there. And I want
you to go get her, Marshall, arrest you. He's too
good for her own good.
Speaker 2: Don't have to arrest her, record you don't. Why not?
Speaker 7: Just tell me why not.
Speaker 2: She's already in my office.
Speaker 7: Maybe at jail house. Oh that's good, Marshall, Lie, that's good.
I want to see that, Marshall. I want to go.
Speaker 2: Inside, and I think maybe you'll better come on. What
she locked up with? All, Marshall?
Speaker 7: She's just sitting there? Where's then? Go on? Now, Marshall,
lock her up, Lock.
Speaker 2: Her up on redgates, sit down.
Speaker 7: I just wanted to see her locked up.
Speaker 2: I don't think that's gonna be necessary. Why not, Marshall?
Speaker 7: She done it? She said she was going to I
see her.
Speaker 2: I'm not so sure about.
Speaker 7: Anybody will tell you, she said that she did. Soon
see all the saloons burn. She'll tell there herself, won't you?
Speaker 2: Won't you? Livy?
Speaker 4: What have you done with Ben? You?
Speaker 7: You're in a fixed for sure, ain't you, Livy? Your
boys run off? Ain't he because you didn't want him
to see his Paul?
Speaker 4: Send him home? Rah, You'll give him a chance to
go up.
Speaker 5: You.
Speaker 7: You've been out looking for him, ain't you, Livy? You
couldn't sit there at home and wait for him, could you.
Speaker 4: Yes, I've been looking.
Speaker 2: Is that what you were doing in the allem as
reggaed Yes.
Speaker 4: Martiall eye, I'm ashamed to tell you it was. I
was feared someone and telling me if they saw him
out front. So I was going along the backway. I
got my hindsight now I can see it was wrong.
Speaker 2: Yeah, hear that, Marshoe.
Speaker 7: If any red gator admits she was wrong, lock up, Marshall,
lock her up, let her sit there a spell and repent.
Speaker 3: You got it backwards, reggae. What's that the other one
who's gonna sit there and repent? Well, your wife never
was out on front straight too, witness is Sara around
the back here? Storry doesn't make eight cents at all?
Speaker 2: Marshall. I swear I'll bother.
Speaker 7: You.
Speaker 3: Sure wanted to get at her, didn't you.
Speaker 2: Oh no, wait a minute, I'd watch what I was
saying if I were you. Yeah, Doc, what it?
Speaker 7: Oh?
Speaker 5: Well, i'll come back later.
Speaker 2: No, it's all right. Sorry, what's on your mind?
Speaker 7: Wow, it'd be better if I came back.
Speaker 2: Just speak up, doc. Well now it's uh, it's about
that fire. Somebody hurt, somebody's dead. Oh was it? Well?
Speaker 4: Wow, dog, it's Ben, isn't it?
Speaker 7: Yes?
Speaker 2: Missus? Rickay, it's been.
Speaker 4: I had a feeling about tonight.
Speaker 5: I had a feeling.
Speaker 9: That's why I kept going after him, looking for him.
Speaker 2: You saying, my boy, wishing that soon? Yes, I I
show you. He musta been.
Speaker 7: Uh asleep back of the bar.
Speaker 2: I'm sorry, I'm real sorry. Oh h Ben dead.
Speaker 7: My I didn't mean nothing like this. I didn't mean
to hurt nobody just to get living in the fixed.
Were there too?
Speaker 2: You set the fire to the jim Yes, Mosha, I said,
w h I I I.
Speaker 7: Didn't mean to burn my boat.
Speaker 3: Chester him take him back and lock him up. Yeah, she,
I'm sorry, miss Regget. And let's say it was something
I could do to make it easier for you.
Speaker 2: Uh. If you like, ma'am, I'll have Chester take you home.
Speaker 6: Home.
Speaker 4: I drove then away from home. What did I do wrong?
Speaker 7: Marshall?
Speaker 4: I only wanted him to be a good boy?
Speaker 2: What did I do wrong?
Speaker 9: Uh?
Speaker 2: Maybe it's.
Speaker 3: Not what you're dead wrong, miss reggaeon. Maybe you just
tried too hard to do right.
Speaker 2: Gunsmoke.
Speaker 1: We're used and directed by Norman McDonald, stars William Conrad
as Matt Dylan us Marshall. Featured in the cast were
Parley Bear as Chester, Howard mcneer as Doc, and Georgia
Ellis as Kiddy.