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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the Smell of

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guns Smoke Gun Will Spoke, starring William Conrad, The story

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of the violence that moved west with young American and

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the story of a man.

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Speaker 2: Who moved with it.

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Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chancy job, and it makes a man watchful

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and a little lonely.

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Speaker 4: Well, that's elastic of wood.

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Speaker 5: Then ben Wood, holler and maw here you.

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Speaker 4: Well, if I'm going to keep this stove going on

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in tomorrow.

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Speaker 5: Wood, there's some in the wood box.

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Speaker 4: No, you didn't fetch any today. Now going out the

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wood jet and bring.

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Speaker 5: Me something, Ma, I was just fixing to leave for town.

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Speaker 4: Then Redgate, you fill my wood box and there'll be

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no going to town tonight.

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Speaker 2: Ma.

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Speaker 5: You can't keep me here like a tethered.

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Speaker 4: Calf while you're living in my house. You'll do as

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I say.

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Speaker 5: I'm a man grown, Ma, Paul says.

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Speaker 4: I just says you want to go to town, so

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you can be like your paw, Ben, Ben, it's going

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to town. That's turned him the way he is.

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Speaker 5: He's still my Paul.

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Speaker 4: Well you're not going to town. That's the end of it.

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One man in this family hanging around saloons is enough.

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Speaker 2: Where's the horses? And thought? I told you to get

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the horses.

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Speaker 1: Ben Moss says I can't go, And I say you

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can't go on now, get the horses.

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Speaker 4: The boy isn't going, Horacio.

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Speaker 6: No dog stand in the way, Livy. He's big enough

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to go to town with his Paul.

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Speaker 5: Ain't you be now sure? I am Paul.

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Speaker 4: He's not to go. You're not to take him in

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here and start him on the road you.

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Speaker 7: Took will now, Ben, don't think it's such a bad.

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Speaker 2: Road out of wager.

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Speaker 5: Sure? Not all them sights I've never seen.

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Speaker 7: Time you saw him?

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Speaker 4: Boy, I mean when I say, Horatio, Ben is not

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to go, I can't stop you from going. It's too

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late for you anyhow. The whiskey hasn't been off your

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breath for five years or month.

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Speaker 2: No concern you.

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Speaker 4: It's my concern that I had to keep this place going.

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So my boy and i'd have a roof over ey.

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Speaker 8: Oh eat, you had it hard though, I've done what

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had to be done, and I'm not gonna have you

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coming back whenever the spirit moves, your stirring up things, filling.

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Speaker 4: The boy with wild tas he's my son, he's your

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son like I'm your wife. It hasn't meant much for

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a long time. You can't come back now and start

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taking over the boy's life.

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Speaker 2: I should have known you ain't stop reading.

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Speaker 6: Me out since the last time. I don't know why

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I keep coming back.

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Speaker 4: Well, whether you come or go means nothing to me,

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but mark.

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Speaker 9: My words, you leave that boy alone.

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Speaker 6: You mind you said that, Livy, you will have cause

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to rule this day.

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Speaker 7: Paul where you're going, any son of mine can find me,

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and Dodd I won't be hiding.

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Speaker 6: He sure don't favor his daddy's standing there doing. Oh,

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Sir Horacio Redgate never spells the drunk Why he'd let

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it right up off from the barn bad to don't

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you leave me be?

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Speaker 7: Why?

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Speaker 9: Sonny?

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Speaker 6: We figure you need somebody to look after you, and

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that's all.

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Speaker 2: Ain't that right? That's right?

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Speaker 5: The way I get it.

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Speaker 6: His model like come out of her sight.

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Speaker 5: Somebody's gotta watch over. Now leave me Beer, I'll.

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Speaker 2: Joy you'll do what sir?

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Speaker 4: All right? Boys, all right, you go?

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Speaker 7: You? Uh?

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Speaker 6: You the red Gate boy, my name's Ben Redgate and

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a man grown Sure y'all got your card lying across

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the then sure that's him? Well, then why don't you

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call it quits for now and going home? Huh?

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Speaker 5: You sound like my mam. She don't think I can

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get along out of her sight.

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Speaker 4: I don't think you're out of her sight right now?

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Speaker 5: What do you mean?

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Speaker 9: Isn't that your ma standing at the dog.

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Speaker 5: Looking she's got no call to follow me? Maybe not,

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but you sure done it?

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Speaker 4: I like guess. I guess I have to see it

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to believe it. Come on home now, then I.

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Speaker 5: Ain't gonna go. I ain't gonna listen no more your lectures.

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Speaker 4: This is no way for you, Ben. Come home now

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and we'll say no more about it.

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Speaker 6: We'll see no more about it because I ain't coming

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and I ain't gonna listen no more.

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Speaker 4: Mind your tongue, Ben, it wasn't easy for me to

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come into a place like this. Don't you cause me

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trouble now?

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Speaker 5: Then don't follow me? And if I'm gonna take a

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drink out of this bottle.

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Speaker 6: I'm gonna do it, not while I'm here.

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Speaker 4: Stop you. You may be too big to whit then,

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but I can still knock a bottle out of your hand.

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Speaker 5: You can't bust all the balls in the saloon.

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Speaker 4: I would if I could, right enough.

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Speaker 5: I still ain't coming mornu man?

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Speaker 9: What you do?

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Speaker 4: All right?

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Speaker 5: Then? All right?

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Speaker 4: I can't drag you, but I tell you this. If

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it'd do, and you could, if it'd keep you from

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turning out like your bad as soon as he every

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saloon and can't just burn to the ground, I'd even

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helped strike the matches.

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Speaker 2: Right, You're ma sure speech your mind? Boy? She said

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some mean things there, mighty mean.

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Speaker 6: She smashed that bottle full of whiskey just like it

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was nothing.

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Speaker 2: A terrible thing.

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Speaker 6: Wasting whiskey like that is terrible. Can we buy your drink?

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Speaker 2: Boy?

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Speaker 5: Nah, I've had enough of this place. You go in

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home like she told you. No, I ain't going home.

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Speaker 6: I'm gonna hunt up a place to get drunk where

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more can't find me.

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Speaker 2: Eh. How about your excuse this time? Chester?

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Speaker 3: Oh, I just took all your men.

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Speaker 2: The game's over it.

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Speaker 5: Oh well, No, mich don't. I don't think Chuckers is

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a very good.

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Speaker 2: Now does the matter? Can't you keep your eyes open? Most?

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Speaker 5: She ain't that.

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Speaker 6: Some colors and they get kind of blurried, kind of

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hard to tell their red and black?

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Speaker 5: Did you ever know?

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Speaker 2: The saying that doesn't make much difference to me?

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Speaker 3: And I was like, I wind up with all the

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checkers anyway, whatever color they are.

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Speaker 2: Now, mister done with?

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Speaker 5: What in the world's going on?

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Speaker 9: Come on?

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Speaker 2: Look that was in the street there.

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Speaker 7: See.

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Speaker 3: Yeah, I don't think they're gonna put that one out either.

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Speaker 5: Rules even please? Sure got a whole tall right.

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Speaker 2: That's the new solo prairie wagon.

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Speaker 7: That is.

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Speaker 3: I hope for that place it'll be enough of a

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job to keep the fire from spreading. I'll go help

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with the buckets, and I go around back to say

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which way it is?

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Speaker 2: Spreading fire?

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Speaker 6: Through?

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Speaker 4: Far through?

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Speaker 2: Oh?

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Speaker 7: What we gotta Marshall caught her red handed.

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Speaker 5: I don't know.

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Speaker 6: He's done it, Marshall, just as plain as can be.

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What's she done?

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Speaker 2: Oh, come on quick, mister, we've got a fire to fight.

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That's just it, Marshall.

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Speaker 5: She set for fire, this red Gato Marsian.

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Speaker 4: But you better go fight it before it spreads through

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the hotel.

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Speaker 6: You can't let her go.

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Speaker 4: I'm going any place. I'll wait for you, Marshall.

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Speaker 2: Right here, you can no Martin.

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Speaker 3: That must get you can pass empty buckets back, all right, job,

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let's get to work.

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Speaker 2: Were sure lucky. There wasn't no win. Yeah, now you

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sit here, Miss Regged.

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Speaker 6: Thanks to her, the whole town didn't burn up.

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Speaker 2: Your men got facts to back up, and the shore marshal.

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Speaker 6: Everybody heard her say she'd like to set a match

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to every saloon in Kansas.

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Speaker 2: Ain't that right, Jane? Sure is.

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Speaker 6: She said it right there in the Long Branch just tonight.

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And there she was out back, watching the prairie wagon burn.

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Speaker 4: I wasn't watching, Marshall.

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Speaker 2: Did you say those things, Miss Regged?

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Speaker 4: I said, I'd like to see them burn, Marshall, And

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I'm not sorry. This wasn't it either, But I didn't burn.

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Speaker 7: You.

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Speaker 2: Gotta lock her up, Marshall. I'll take care of her.

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I'll lock her up.

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Speaker 5: She'd done it plain as day.

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Speaker 2: I said I'd take care of her. You men, get out.

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I'll send for you tomorrow if I need you. But Marshall,

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I way get out, it's red Gate. I think maybe you

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better tell me what you were doing out in the alley.

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Speaker 4: I didn't set that fire.

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Speaker 3: You were heard talking about burning saloons and the saloon burns.

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Speaker 2: You were fine right out back.

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Speaker 3: Now does that sound very good to you?

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Speaker 4: No, Martian, don't.

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Speaker 3: And I'm gonna have to hold you to this thing.

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Get straightened out what you're doing? I oh, excuse me, that's.

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Speaker 2: All right, Chester.

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Speaker 5: Oh, mister Dona has fell out here, says he's got

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to see you right now.

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Speaker 2: I'll bring him in.

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Speaker 6: Well, yes, sir, but I just thought maybe it might

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be better for you to come out and.

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Speaker 2: See him for just a minute. Gift tells oh, alright, alright, Chester,

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you stay here with us, Red Kag, Yes, sir.

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Speaker 7: I wanted to see you.

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Speaker 2: Why sure, Oh it's you, red Ge. What do you want?

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Speaker 7: I come to do my duty?

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Speaker 2: Is that so that fire?

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Speaker 7: That the terrible fire?

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Speaker 2: March? What about the fire? I know you know what,

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I know who done it?

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Speaker 7: I know who burned down that new saloon a.

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Speaker 2: Terrible Please all right, tell me who done it.

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Speaker 7: You won't believe what you tell me anyway. You're a

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hero of a woman too good for her own good.

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Speaker 3: Oh, come on, red Gate, tell me you're good for

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her own good.

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Speaker 2: Redgate.

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Speaker 7: Well, that's her name, Marshall, Ruvinia red Gate.

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Speaker 2: You saying that she set that fire.

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Speaker 7: I seen her, Marshall, I seen her.

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Speaker 2: You tell me that you saw your wife start that fire? Sure,

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surely shooting? And why didn't you stop her?

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Speaker 7: Huh?

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Speaker 2: I said, why didn't just stop her? Well, Moschelle, I.

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Speaker 7: I couldn't, Uh I, I couldn't get there in time.

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I was, uh, Well, I was still across the street

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when I seen.

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Speaker 2: Her across the street.

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Speaker 7: That's it, that's it. I was across there when I

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seen her standing in front of.

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Speaker 2: The saloon with a big torch.

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Speaker 7: Great big torch.

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Speaker 3: Did you say in front of the saloon that that's right, Marshall?

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Speaker 7: And and she throw the torch?

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Speaker 2: Then what did she do?

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Speaker 9: Was she?

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Speaker 2: Well?

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Speaker 7: She just stood there, watch right there. And I want

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you to go get her, Marshall, arrest you. He's too

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good for her own good.

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Speaker 2: Don't have to arrest her, record you don't. Why not?

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Speaker 7: Just tell me why not.

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Speaker 2: She's already in my office.

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Speaker 7: Maybe at jail house. Oh that's good, Marshall, Lie, that's good.

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I want to see that, Marshall. I want to go.

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Speaker 2: Inside, and I think maybe you'll better come on. What

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she locked up with? All, Marshall?

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Speaker 7: She's just sitting there? Where's then? Go on? Now, Marshall,

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lock her up, Lock.

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Speaker 2: Her up on redgates, sit down.

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Speaker 7: I just wanted to see her locked up.

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Speaker 2: I don't think that's gonna be necessary. Why not, Marshall?

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Speaker 7: She done it? She said she was going to I

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see her.

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Speaker 2: I'm not so sure about.

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Speaker 7: Anybody will tell you, she said that she did. Soon

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see all the saloons burn. She'll tell there herself, won't you?

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Speaker 2: Won't you? Livy?

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Speaker 4: What have you done with Ben? You?

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Speaker 7: You're in a fixed for sure, ain't you, Livy? Your

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boys run off? Ain't he because you didn't want him

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to see his Paul?

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Speaker 4: Send him home? Rah, You'll give him a chance to

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go up.

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Speaker 5: You.

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Speaker 7: You've been out looking for him, ain't you, Livy? You

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couldn't sit there at home and wait for him, could you.

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Speaker 4: Yes, I've been looking.

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Speaker 2: Is that what you were doing in the allem as

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reggaed Yes.

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Speaker 4: Martiall eye, I'm ashamed to tell you it was. I

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was feared someone and telling me if they saw him

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out front. So I was going along the backway. I

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got my hindsight now I can see it was wrong.

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Speaker 2: Yeah, hear that, Marshoe.

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Speaker 7: If any red gator admits she was wrong, lock up, Marshall,

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lock her up, let her sit there a spell and repent.

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Speaker 3: You got it backwards, reggae. What's that the other one

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who's gonna sit there and repent? Well, your wife never

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was out on front straight too, witness is Sara around

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the back here? Storry doesn't make eight cents at all?

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Speaker 2: Marshall. I swear I'll bother.

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Speaker 7: You.

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Speaker 3: Sure wanted to get at her, didn't you.

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Speaker 2: Oh no, wait a minute, I'd watch what I was

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saying if I were you. Yeah, Doc, what it?

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Speaker 7: Oh?

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Speaker 5: Well, i'll come back later.

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Speaker 2: No, it's all right. Sorry, what's on your mind?

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Speaker 7: Wow, it'd be better if I came back.

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Speaker 2: Just speak up, doc. Well now it's uh, it's about

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that fire. Somebody hurt, somebody's dead. Oh was it? Well?

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Speaker 4: Wow, dog, it's Ben, isn't it?

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Speaker 7: Yes?

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Speaker 2: Missus? Rickay, it's been.

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Speaker 4: I had a feeling about tonight.

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Speaker 5: I had a feeling.

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Speaker 9: That's why I kept going after him, looking for him.

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Speaker 2: You saying, my boy, wishing that soon? Yes, I I

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show you. He musta been.

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Speaker 7: Uh asleep back of the bar.

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Speaker 2: I'm sorry, I'm real sorry. Oh h Ben dead.

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Speaker 7: My I didn't mean nothing like this. I didn't mean

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to hurt nobody just to get living in the fixed.

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Were there too?

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Speaker 2: You set the fire to the jim Yes, Mosha, I said,

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w h I I I.

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Speaker 7: Didn't mean to burn my boat.

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Speaker 3: Chester him take him back and lock him up. Yeah, she,

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I'm sorry, miss Regget. And let's say it was something

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I could do to make it easier for you.

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Speaker 2: Uh. If you like, ma'am, I'll have Chester take you home.

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Speaker 6: Home.

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Speaker 4: I drove then away from home. What did I do wrong?

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Speaker 7: Marshall?

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Speaker 4: I only wanted him to be a good boy?

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Speaker 2: What did I do wrong?

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Speaker 9: Uh?

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Speaker 2: Maybe it's.

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Speaker 3: Not what you're dead wrong, miss reggaeon. Maybe you just

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tried too hard to do right.

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Speaker 2: Gunsmoke.

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Speaker 1: We're used and directed by Norman McDonald, stars William Conrad

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as Matt Dylan us Marshall. Featured in the cast were

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Parley Bear as Chester, Howard mcneer as Doc, and Georgia

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Ellis as Kiddy.