1 00:00:00,320 --> 00:00:18,960 Speaker 1: Now mystery, come in. 2 00:00:21,480 --> 00:00:26,079 Speaker 2: Welcome. I'm e. G. Marshall Chamberlain. In this court of 3 00:00:26,120 --> 00:00:30,640 the mysterious and the macabre, the act of trust seems 4 00:00:30,679 --> 00:00:34,399 to get short shrift from the poets, the husiphers. 5 00:00:33,759 --> 00:00:34,679 Speaker 3: And even the prophets. 6 00:00:35,280 --> 00:00:39,359 Speaker 2: An early American sage warns us to trust everybody, but 7 00:00:40,000 --> 00:00:44,039 cut the cards. The book tells us put not your 8 00:00:44,079 --> 00:00:48,479 trust in princes. Very well and very good, but you 9 00:00:48,600 --> 00:00:52,280 have to trust somebody. Can anyone go all the way 10 00:00:52,320 --> 00:00:55,399 through this life without trusting another human being? 11 00:00:55,799 --> 00:00:56,960 Speaker 3: What is it you want me to do? 12 00:00:57,640 --> 00:00:58,520 Speaker 4: Tell me how to use this? 13 00:01:00,000 --> 00:01:03,039 Speaker 2: It's a revolver. Exactly where did. 14 00:01:02,880 --> 00:01:04,840 Speaker 4: You get it? I don't think that's important. 15 00:01:04,959 --> 00:01:06,599 Speaker 2: Why I don't think I should help you. 16 00:01:06,560 --> 00:01:08,840 Speaker 4: To Well, if you don't, I'll probably kill myself trying 17 00:01:08,840 --> 00:01:09,519 to figure it out. 18 00:01:09,599 --> 00:01:10,680 Speaker 2: But you don't need a rip. 19 00:01:10,879 --> 00:01:13,040 Speaker 4: I I feel safer with it in the house in 20 00:01:13,159 --> 00:01:14,359 ten is away so much? 21 00:01:15,640 --> 00:01:15,959 Speaker 3: Well? 22 00:01:16,879 --> 00:01:21,760 Speaker 5: You, uh, you flick out the soldier and you insert 23 00:01:21,840 --> 00:01:26,599 the shells into these chambers. I see, And now you 24 00:01:27,200 --> 00:01:30,560 flick back the cylinder, and I hope you never have 25 00:01:30,680 --> 00:01:31,120 to use it. 26 00:01:32,200 --> 00:01:33,400 Speaker 3: But the gun is ready to fire. 27 00:01:33,439 --> 00:01:35,840 Speaker 2: You just point it and pull the try. 28 00:01:37,280 --> 00:01:41,519 Speaker 4: Like so like something, but not at me, Why not 29 00:01:41,599 --> 00:01:44,719 at you? Why I intend to kill you? 30 00:01:53,599 --> 00:01:57,599 Speaker 2: Our mystery drama Can You Trust Your Husband? Was written 31 00:01:57,719 --> 00:02:01,079 especially for the Mystery Theater by Sam M Dan and 32 00:02:01,239 --> 00:02:17,680 stars Joan Lovejoy and Mandel Kramer. Somehow, love seems to 33 00:02:17,759 --> 00:02:21,520 have become the province of the young. Ask almost anyone 34 00:02:21,599 --> 00:02:23,960 to name two people who were deeply in love, and 35 00:02:24,000 --> 00:02:28,639 the answer almost automatically is Romeo and Juliet. Well, let's 36 00:02:28,639 --> 00:02:31,719 face it, Romeo and Juliet were a couple of teenagers 37 00:02:31,919 --> 00:02:35,080 who only knew each other for a brief interval. They 38 00:02:35,159 --> 00:02:38,199 conveniently died before they would have to weather the storms 39 00:02:38,240 --> 00:02:43,039 of marriage and responsibility. The lovers of record should be 40 00:02:43,120 --> 00:02:47,400 Philammon and bouss or Darby and Joan, couples who lived 41 00:02:47,400 --> 00:02:49,199 with each other and put up with each other for 42 00:02:49,280 --> 00:02:53,840 fifty and sixty years. That, dear friends, is love. All. 43 00:02:53,919 --> 00:02:56,759 This is by way of introduction to the Mallards. Ted 44 00:02:56,800 --> 00:03:00,599 and Myra married twenty five years. Far as we know, 45 00:03:01,039 --> 00:03:03,879 there's never been an argument or even a harsh word. 46 00:03:04,400 --> 00:03:08,479 It's all been one long, beautiful honeymoon as far as 47 00:03:08,599 --> 00:03:12,759 we know. Let our story begin late one autumn evening, 48 00:03:13,120 --> 00:03:16,319 as the doorbell rings and they're comfortable, well appointed apartment. 49 00:03:18,159 --> 00:03:23,800 Speaker 4: Just a minute, you'll have to wait ed next time. 50 00:03:23,879 --> 00:03:25,159 Carry your keys. 51 00:03:28,199 --> 00:03:30,639 Speaker 2: Oh, Bert, did I awake you Myra? 52 00:03:31,120 --> 00:03:34,520 Speaker 4: No? No, I I never can sleep weaken. Come on in. 53 00:03:35,360 --> 00:03:38,639 Ted isn't known yet. I guess his plane was late. 54 00:03:38,800 --> 00:03:40,159 Speaker 3: Well, yes it was. 55 00:03:40,360 --> 00:03:46,879 Speaker 4: Oh I knew it. But but what well, I I well, 56 00:03:48,039 --> 00:03:50,840 I something's wrong, Bert, what are you trying to tell me? 57 00:03:50,919 --> 00:03:52,520 Speaker 5: Well, whatever it is, like I said, I'm not doing 58 00:03:52,520 --> 00:03:53,439 a very good job of it. 59 00:03:53,439 --> 00:03:55,479 Speaker 2: Instead, Yes, it's. 60 00:03:55,280 --> 00:03:56,800 Speaker 4: About something's happened to him. 61 00:03:57,039 --> 00:03:57,719 Speaker 2: The plane. 62 00:03:58,280 --> 00:04:00,039 Speaker 4: Just a minute, I've been listening to the radio. I 63 00:04:00,240 --> 00:04:01,439 haven't heard anything about a plane. 64 00:04:01,479 --> 00:04:02,719 Speaker 2: No, it isn't the plane. 65 00:04:02,759 --> 00:04:03,400 Speaker 4: Then what is it? 66 00:04:03,520 --> 00:04:05,719 Speaker 2: The plane landed more than three hours ago. 67 00:04:06,080 --> 00:04:07,520 Speaker 4: Berry, tell me what's happened to Ted? 68 00:04:07,560 --> 00:04:09,599 Speaker 2: Well, I'm trying to it. It's not easy. 69 00:04:09,639 --> 00:04:10,360 Speaker 4: You know where he is. 70 00:04:11,599 --> 00:04:12,319 Speaker 3: He's in jail. 71 00:04:14,039 --> 00:04:17,040 Speaker 4: Jail, Why what for? 72 00:04:17,519 --> 00:04:19,120 Speaker 2: I said, it's not easy. 73 00:04:18,800 --> 00:04:22,519 Speaker 5: I'm not sure he was arrested as he came through customs. 74 00:04:23,560 --> 00:04:26,560 Speaker 3: Tell me why, Well, I suppose for smuggling. 75 00:04:27,720 --> 00:04:34,759 Speaker 4: Smuggling. That's impossible that it has been a mistake. 76 00:04:35,000 --> 00:04:35,959 Speaker 3: I'm sure of it. 77 00:04:36,560 --> 00:04:39,399 Speaker 4: We have to get hold of Arthur Kremin. I doesn't 78 00:04:39,439 --> 00:04:40,639 he practice that kind of law. 79 00:04:40,720 --> 00:04:42,600 Speaker 3: You'll get someone else if he can't handle it. 80 00:04:43,319 --> 00:04:44,920 Speaker 4: Handle Why all I know. 81 00:04:45,000 --> 00:04:47,399 Speaker 5: Is Ted called me and they allowed them one phone. 82 00:04:47,439 --> 00:04:48,720 Speaker 4: Please Bert get to it. 83 00:04:48,759 --> 00:04:51,279 Speaker 5: Well, he said, Bert, I'm being accused of smuggling, called 84 00:04:51,439 --> 00:04:52,560 Arthur and then tell Myra. 85 00:04:53,279 --> 00:04:55,720 Speaker 4: But what is he accused of smuggling. 86 00:04:55,439 --> 00:05:01,600 Speaker 5: Heroine or cocaine? I'm not sure, but that's ridiculous. 87 00:05:02,120 --> 00:05:05,560 Speaker 4: Ah, How could Ted possibly be involved in anything like that? 88 00:05:06,439 --> 00:05:08,639 Speaker 3: They followed in his atash Here case. 89 00:05:09,480 --> 00:05:14,800 Speaker 4: But it's all a mistake, a terrible mistake, or else 90 00:05:14,839 --> 00:05:20,319 it's it's a joke, a very bad joke. 91 00:05:26,959 --> 00:05:29,959 Speaker 2: Ted, Darling, I didn't want you to come here. 92 00:05:30,000 --> 00:05:30,399 Speaker 4: Why not? 93 00:05:30,800 --> 00:05:32,199 Speaker 2: Because it's a prison zone. 94 00:05:32,279 --> 00:05:33,000 Speaker 4: Are you all right? 95 00:05:33,399 --> 00:05:35,199 Speaker 2: I don't know I'm in prison, my right. 96 00:05:35,240 --> 00:05:38,600 Speaker 4: Well, it's not exactly prison, You're you're just being held 97 00:05:38,600 --> 00:05:41,639 here because of some awful misunderstandable Darling. 98 00:05:41,800 --> 00:05:45,680 Speaker 2: It's prison people like me, like us, We only read 99 00:05:45,680 --> 00:05:46,519 about these things. 100 00:05:46,639 --> 00:05:48,720 Speaker 4: But I just says he'll go before a judge in 101 00:05:48,800 --> 00:05:51,000 the morning and and see about setting bail. 102 00:05:51,120 --> 00:05:53,839 Speaker 2: That's another word, bail. Do you realize I'm gonna be 103 00:05:53,839 --> 00:05:54,439 out on bail? 104 00:05:54,480 --> 00:05:54,759 Speaker 4: As if? 105 00:05:54,759 --> 00:05:56,720 Speaker 2: As if? I were some common criminal. 106 00:05:56,439 --> 00:05:59,800 Speaker 4: Darling, ted, tell me what happened? I simply couldn't get 107 00:05:59,800 --> 00:06:01,199 a war it out of bird? What happened? 108 00:06:01,199 --> 00:06:03,639 Speaker 2: How many times have I done this? I got off 109 00:06:03,680 --> 00:06:06,680 the plane, picked up my luggage, walked through customs except 110 00:06:07,399 --> 00:06:11,839 except except this time I didn't walk through this time. 111 00:06:12,839 --> 00:06:15,879 When they searched my head a shaycase, they found a 112 00:06:15,879 --> 00:06:18,720 packet they say, a first grade cocaine. 113 00:06:19,480 --> 00:06:21,959 Speaker 4: Well, then it couldn't have been your attash shaking. 114 00:06:22,120 --> 00:06:24,360 Speaker 2: This was wow. 115 00:06:25,319 --> 00:06:29,600 Speaker 4: How did the cocaine get that? Don't know? Couldn't you 116 00:06:29,639 --> 00:06:30,439 have seen it? 117 00:06:30,519 --> 00:06:33,839 Speaker 2: No? Because it was concealed in a secret compartment. 118 00:06:34,639 --> 00:06:35,360 Speaker 4: What secret? 119 00:06:35,480 --> 00:06:37,480 Speaker 2: I don't know, Darling. I didn't know I had one. 120 00:06:37,600 --> 00:06:41,040 Speaker 4: Surely surely what? Surely nothing? 121 00:06:41,120 --> 00:06:41,439 Speaker 2: Darling? 122 00:06:42,720 --> 00:06:44,519 Speaker 4: I know how upset you are. You don't need me 123 00:06:44,600 --> 00:06:45,600 giving you a third degree. 124 00:06:45,639 --> 00:06:49,879 Speaker 2: They were waiting for me, Mara. Yes, ordinarily customs is 125 00:06:49,920 --> 00:06:52,680 just a routine. This time there were three or four 126 00:06:52,720 --> 00:06:54,279 of them out there. They emptied the papers out of 127 00:06:54,319 --> 00:06:56,000 my case. One of them had some kind of a screw. 128 00:06:55,879 --> 00:06:59,040 Speaker 4: Driver and he you mean that they actually expected to 129 00:06:59,079 --> 00:06:59,639 find something? 130 00:06:59,720 --> 00:07:02,839 Speaker 2: Yes, And then there was this this cellophane or I 131 00:07:02,839 --> 00:07:05,720 think they call a glass scene, a packet just filled 132 00:07:05,759 --> 00:07:06,360 with powder. 133 00:07:06,839 --> 00:07:09,720 Speaker 4: Well it's a mistake. Well, of course, obviously it couldn't 134 00:07:09,720 --> 00:07:12,279 have been your attache case. You see that. That's the 135 00:07:12,360 --> 00:07:17,120 answer I told you it was had you. You're being framed. 136 00:07:17,920 --> 00:07:21,519 Speaker 2: That's the only thing that makes any sense. But what 137 00:07:21,800 --> 00:07:24,079 because I travel regularly between New York and London on 138 00:07:24,199 --> 00:07:26,560 legitimate business, I'd make an ideal courier. 139 00:07:27,720 --> 00:07:32,240 Speaker 4: Somebody's been using you. People a gang that's involved in 140 00:07:32,279 --> 00:07:35,800 smuggling that they watch for regular travelers. I know it 141 00:07:35,839 --> 00:07:39,079 sounds crazy, but they managed to get hold of your 142 00:07:39,160 --> 00:07:39,920 bag somehow. 143 00:07:39,920 --> 00:07:41,079 Speaker 2: I don't know what's going to happen now. 144 00:07:41,560 --> 00:07:45,560 Speaker 4: Well, I know what's going to happen tomorrow. The mistake 145 00:07:45,680 --> 00:07:47,480 or whatever it is will be straightened out. 146 00:07:47,560 --> 00:07:49,639 Speaker 2: I don't know if it ever can be straightened out completely. 147 00:07:50,240 --> 00:07:52,720 Speaker 4: Hey, what are you saying? You're innocent? 148 00:07:53,040 --> 00:07:55,680 Speaker 2: Am I innocent? You know it and I know it. 149 00:07:55,680 --> 00:07:57,800 But what about the rest of the world. Don't forget 150 00:07:57,800 --> 00:07:58,759 this will be in all the papers. 151 00:07:58,920 --> 00:08:00,920 Speaker 4: It's so obviously frame after. 152 00:08:00,759 --> 00:08:04,120 Speaker 2: Whom my brother are people who actually believe that if 153 00:08:04,120 --> 00:08:06,480 a person isn't guilty, he'd never have been arrested in 154 00:08:06,519 --> 00:08:07,160 the first place. 155 00:08:08,040 --> 00:08:09,040 Speaker 4: Ted that's crazy. 156 00:08:09,079 --> 00:08:10,720 Speaker 2: Of course it is, but that's what's out there. 157 00:08:10,759 --> 00:08:13,800 Speaker 4: But everyone knows that you're an honest, hard working at the. 158 00:08:14,040 --> 00:08:16,800 Speaker 2: Mass, so many people there will be a nagging, little 159 00:08:16,879 --> 00:08:19,199 nasty suspicion, could you really have been involved? 160 00:08:22,959 --> 00:08:24,759 Speaker 4: Well, this is going to be a good way of 161 00:08:24,759 --> 00:08:26,800 finding out who your friends really are. 162 00:08:26,920 --> 00:08:29,319 Speaker 2: Certainly, I feel as if I'm part of another world, Myra, world, 163 00:08:29,360 --> 00:08:33,799 you and I never knew. It's no longer our logical, 164 00:08:33,960 --> 00:08:37,279 well ordered universe. All of a sudden, I'm a criminal, Darling. 165 00:08:37,360 --> 00:08:37,679 Speaker 4: You are not. 166 00:08:37,840 --> 00:08:41,720 Speaker 2: I'm a cage deprived of my freedom. Look at them, 167 00:08:41,759 --> 00:08:43,600 the rest of them, as you leave here, the thugs, 168 00:08:43,639 --> 00:08:46,279 the hoodlums, the fees. I'm one of them. Look at 169 00:08:46,320 --> 00:08:48,320 them as you leave. Because I can't leave. I have 170 00:08:48,399 --> 00:08:51,200 to stay, darling, not for long. You've got to get 171 00:08:51,200 --> 00:08:56,159 me out. The shame of this, the disgrace. I can't 172 00:08:56,240 --> 00:08:56,720 stand it. 173 00:09:06,360 --> 00:09:09,600 Speaker 6: Hello, Myra, Burt, where are you courthouse? 174 00:09:09,919 --> 00:09:11,200 Speaker 4: Was Arthur able to get bail? Set? 175 00:09:11,279 --> 00:09:11,399 Speaker 6: Oh? 176 00:09:11,480 --> 00:09:13,879 Speaker 4: That's what I'm calling you, very Please just tell me. 177 00:09:14,159 --> 00:09:16,840 Speaker 6: There's a problem, Myra, and Arthur's going to be tied 178 00:09:16,919 --> 00:09:18,519 up with it. So he asked me to call you. 179 00:09:18,759 --> 00:09:19,639 Speaker 4: Will you please tell me? 180 00:09:19,879 --> 00:09:22,240 Speaker 6: Well, it looks like, Arthur can't get bail. 181 00:09:23,679 --> 00:09:26,879 Speaker 4: What do you mean he can't get bail? Well, it's 182 00:09:26,960 --> 00:09:29,320 the law. A person isn't titled to bail. 183 00:09:29,600 --> 00:09:30,960 Speaker 6: He is and he isn't. 184 00:09:31,679 --> 00:09:33,080 Speaker 4: I'm going right down, man, Myra. 185 00:09:33,159 --> 00:09:35,360 Speaker 6: It won't do you any good, you see, because of 186 00:09:35,399 --> 00:09:38,519 the size of the package, the fact that they've had 187 00:09:38,559 --> 00:09:40,320 their eye on Ted for a long Now. 188 00:09:40,360 --> 00:09:43,279 Speaker 4: You just stopped there, You stopped right there, Myra. 189 00:09:43,480 --> 00:09:47,519 Speaker 6: I'm only reporting the facts. The federal prosecutor moved for 190 00:09:47,600 --> 00:09:51,399 suspension of bail, but that's not legal in some cases. 191 00:09:52,120 --> 00:09:53,759 Speaker 4: Well, there has to be someone I can talk to. 192 00:09:54,000 --> 00:09:57,120 Speaker 6: They claim Ted is so important to this narcotics ring? 193 00:09:57,240 --> 00:09:59,120 Speaker 4: What ring that he? 194 00:09:59,360 --> 00:10:02,039 Speaker 6: What's simply lead? Jump bail and leave the country. 195 00:10:02,879 --> 00:10:04,759 Speaker 4: Where do you know what you're saying? 196 00:10:05,200 --> 00:10:07,840 Speaker 6: Or else his life would be in danger. So what 197 00:10:07,879 --> 00:10:10,320 this amounts to is his protective custody. 198 00:10:11,879 --> 00:10:15,759 Speaker 4: And Arthur, our fine attorney, Arthur, to whom we pay 199 00:10:15,840 --> 00:10:18,759 a fortune every year as a retainer, is just standing 200 00:10:18,799 --> 00:10:20,279 there and taking it. Almira. 201 00:10:20,919 --> 00:10:22,039 Speaker 6: You must be fair to Arthur. 202 00:10:22,159 --> 00:10:23,240 Speaker 4: Be fair to Arthur. 203 00:10:23,360 --> 00:10:26,519 Speaker 6: First fighting it. He's filing an appeal. He's going to 204 00:10:26,559 --> 00:10:28,440 a higher court. But it has to take time. 205 00:10:28,720 --> 00:10:29,039 Speaker 2: Time. 206 00:10:29,200 --> 00:10:31,039 Speaker 6: A couple of days a week. 207 00:10:31,879 --> 00:10:33,480 Speaker 4: Great, I have to hang up now. 208 00:10:33,600 --> 00:10:37,120 Speaker 6: Now you just relaxed, My right, everyone's doing their absolute best. 209 00:10:37,559 --> 00:10:42,559 Speaker 4: I'll talk to you soon, okay, goodbye? All right? 210 00:10:47,799 --> 00:10:52,799 Speaker 3: Yes, missus Mallick, who are you? I'm Lieutenant Jack Dnson 211 00:10:52,840 --> 00:10:56,279 of the Narcotic Squad. We're cooperating with the federal authorities. 212 00:10:56,919 --> 00:10:58,120 And you're micro dentils. 213 00:10:58,240 --> 00:10:58,879 Speaker 4: I see them. 214 00:10:59,480 --> 00:11:03,279 Speaker 3: Yeah, why to discuss your husband's case. 215 00:11:03,399 --> 00:11:05,960 Speaker 4: My husband doesn't have a case. He's a victim of 216 00:11:05,960 --> 00:11:08,000 a of a frame up, of of some sort of 217 00:11:08,039 --> 00:11:11,399 ghastly mistake. There's nothing you can gain from talking to me. 218 00:11:11,759 --> 00:11:14,879 Speaker 3: I'm here to help you, Missus Mallard, help you and 219 00:11:15,000 --> 00:11:15,639 your husband. 220 00:11:16,759 --> 00:11:17,840 Speaker 4: Help us in what way? 221 00:11:19,080 --> 00:11:21,399 Speaker 3: Well, I'd rather not discuss that in the hallway of 222 00:11:21,440 --> 00:11:22,399 your apartment building. 223 00:11:24,480 --> 00:11:25,000 Speaker 2: Very welcome. 224 00:11:25,039 --> 00:11:29,720 Speaker 4: In the only way you can help us is to 225 00:11:29,759 --> 00:11:32,480 clear up this terrible mistake and get ted out of 226 00:11:32,480 --> 00:11:33,000 that jail. 227 00:11:33,320 --> 00:11:34,639 Speaker 3: What makes you think it's a mistake? 228 00:11:35,240 --> 00:11:39,159 Speaker 4: What makes me my husband is innocent? 229 00:11:39,480 --> 00:11:40,320 Speaker 3: What makes you think so? 230 00:11:40,960 --> 00:11:43,559 Speaker 4: I'm gonna have to ask you to leave this house first. 231 00:11:43,759 --> 00:11:47,519 Speaker 3: Answer my question. What makes you think your husband is innocent? 232 00:11:48,200 --> 00:11:49,159 Fact that you love him? 233 00:11:49,200 --> 00:11:51,720 Speaker 4: Of course I love him? Has that become a crime. 234 00:11:51,919 --> 00:11:54,279 Speaker 3: Your entire attitude towards your husband is based on the 235 00:11:54,320 --> 00:11:57,159 fact that you love him, and love happens to be blad. 236 00:11:57,200 --> 00:12:01,679 Speaker 4: Please spare me your dime store philosophy. You don't live 237 00:12:01,720 --> 00:12:03,600 with a man for twenty five years without getting to 238 00:12:03,600 --> 00:12:07,320 know him. Ours was no ordinary marriage, or maybe it was. 239 00:12:07,399 --> 00:12:10,600 Maybe all marriages are the same. I wouldn't know. But 240 00:12:10,679 --> 00:12:15,120 we were together in everything. We had no secrets. I 241 00:12:15,120 --> 00:12:18,600 don't believe we even had separate faults. We lived with 242 00:12:19,000 --> 00:12:22,639 and for each other. So he couldn't have been doing 243 00:12:22,679 --> 00:12:26,200 anything wrong because I would have known it. 244 00:12:26,960 --> 00:12:28,320 Speaker 3: Oh would you have known it? 245 00:12:28,559 --> 00:12:31,120 Speaker 4: Evidently you're not married, or if you are, it's not 246 00:12:31,120 --> 00:12:35,240 what I would call a marriage. I would know. He 247 00:12:35,279 --> 00:12:37,840 wouldn't have to say a word or leave a clue, 248 00:12:39,399 --> 00:12:42,320 but I would know if he were doing anything wrong. 249 00:12:45,399 --> 00:12:46,399 So what do you say to that? 250 00:12:47,279 --> 00:12:50,600 Speaker 3: HM? I wish I knew what the same, Missus Mallard, 251 00:12:51,759 --> 00:12:54,519 And wish I knew how to say what I have 252 00:12:54,600 --> 00:12:54,879 to say. 253 00:12:54,960 --> 00:12:57,000 Speaker 4: And please stop beating around the bush. 254 00:12:57,639 --> 00:12:59,080 Speaker 3: You're a fine woman, Missus Melin. 255 00:12:59,200 --> 00:13:01,360 Speaker 4: I'm in no mood for flattery. Lieutenants. Say what you 256 00:13:01,399 --> 00:13:03,480 have to say and get out I'm. 257 00:13:03,279 --> 00:13:07,240 Speaker 3: Sorry, I'm forced to tell you this, but your husband, 258 00:13:08,000 --> 00:13:13,600 whom you love and with whom you're so close, has 259 00:13:13,639 --> 00:13:17,440 been leading a double life. 260 00:13:17,919 --> 00:13:24,000 Speaker 4: I I don't believe that it. It can't be true. 261 00:13:24,279 --> 00:13:27,799 Speaker 3: I'm sorry, missus mallick. We have proof. 262 00:13:35,080 --> 00:13:37,399 Speaker 2: There are parts of the world where it never rains. 263 00:13:38,080 --> 00:13:41,480 The bright golden sun shines in a deep blue sky, 264 00:13:42,279 --> 00:13:45,759 and all is beautiful and cheerful and gay, and after 265 00:13:45,799 --> 00:13:49,000 a while you accept it as something that will last forever. 266 00:13:49,679 --> 00:13:53,480 But as the song says, into each life, some rain 267 00:13:53,679 --> 00:13:57,559 must fall, and when it does, those who have never 268 00:13:57,639 --> 00:14:01,960 known what it is to be drenched usually suffer the most. 269 00:14:02,360 --> 00:14:06,399 I shall return shortly with that too, to the Mystery 270 00:14:06,480 --> 00:14:21,600 Theater on WABC. For twenty five years, Myra and Ted 271 00:14:21,679 --> 00:14:25,720 Mallard have had a wonderful marriage. Myyra and Ted could 272 00:14:25,799 --> 00:14:32,840 communicate without speaking, read each other's thoughts, share each other's feelings. Well, 273 00:14:33,480 --> 00:14:37,240 possibly this hasn't been completely so, for here is Meyra 274 00:14:37,399 --> 00:14:39,840 being confronted with the charge that Ted has been living 275 00:14:39,840 --> 00:14:43,519 a complete life away from her, a life that is 276 00:14:43,559 --> 00:14:45,200 of interest to the police. 277 00:14:45,759 --> 00:14:50,440 Speaker 4: I I I challenge you to present your proof, Lieutenant. 278 00:14:50,679 --> 00:14:53,360 Speaker 3: We've been watching Ted for a long time. He makes 279 00:14:53,440 --> 00:14:54,200 regular trips. 280 00:14:54,320 --> 00:14:57,639 Speaker 4: He makes regular trips to London on legitimate business. Of course, 281 00:14:58,000 --> 00:15:00,480 Ted had an opportunity to open a branch office in London, 282 00:15:01,000 --> 00:15:02,519 and he goes there to supervise him. 283 00:15:02,519 --> 00:15:04,919 Speaker 3: And it's an excellent cover cover. 284 00:15:06,320 --> 00:15:08,080 Speaker 4: His presence is necessary. 285 00:15:08,320 --> 00:15:11,480 Speaker 3: According to the annual report of your husband's company, that 286 00:15:11,679 --> 00:15:13,399 London operation is losing money. 287 00:15:13,679 --> 00:15:14,919 Speaker 4: Ted has faith in it. 288 00:15:15,120 --> 00:15:17,320 Speaker 3: But you can excuse our being skeptical. 289 00:15:17,639 --> 00:15:19,559 Speaker 4: And what right do you have to arrest a man 290 00:15:19,639 --> 00:15:20,600 on skepticism? 291 00:15:20,679 --> 00:15:22,519 Speaker 3: None at all? But it goes deeper. 292 00:15:22,559 --> 00:15:26,320 Speaker 4: I'm not interested. I can see the nature of your 293 00:15:26,399 --> 00:15:27,480 so called proof. 294 00:15:27,799 --> 00:15:30,000 Speaker 3: I want you to help your husband. 295 00:15:30,600 --> 00:15:31,559 Speaker 4: Why should you care? 296 00:15:31,799 --> 00:15:37,039 Speaker 3: By helping him, you help us, missus Mallard. He won't talk. 297 00:15:37,279 --> 00:15:38,720 Speaker 4: What does he have to talk about? 298 00:15:38,879 --> 00:15:42,840 Speaker 3: Everything? Who his associates are, where they buy the drugs, 299 00:15:42,879 --> 00:15:45,840 where and whom they sell? Who is protecting them? But 300 00:15:46,000 --> 00:15:50,240 please let me finish. You must convince him to talk. 301 00:15:50,840 --> 00:15:53,720 If he remains silent, he'll spend the rest of his 302 00:15:53,919 --> 00:15:54,879 life in jail. 303 00:15:55,000 --> 00:15:57,279 Speaker 4: But he hasn't done anything. 304 00:15:57,120 --> 00:16:01,679 Speaker 3: Missus Mallard. W We're beyond all that now. You must 305 00:16:01,759 --> 00:16:03,919 convince him to cooperate. That way he can get a 306 00:16:03,919 --> 00:16:05,519 substantial reduction in his sentence. 307 00:16:06,360 --> 00:16:07,519 Speaker 4: What sentence. 308 00:16:07,720 --> 00:16:11,399 Speaker 3: He'll be tried, and he'll be sentenced. We have proof. 309 00:16:11,399 --> 00:16:14,759 Speaker 4: You'll keep saying you have proof, and all you've got 310 00:16:14,799 --> 00:16:17,720 is the packet you found in his attache case. And 311 00:16:17,840 --> 00:16:19,559 that could have been planted there. 312 00:16:19,720 --> 00:16:21,759 Speaker 3: It could have been, but it wasn't. 313 00:16:21,759 --> 00:16:24,720 Speaker 4: Well, I won't be intimidated. If we have to fight, 314 00:16:24,759 --> 00:16:28,440 we'll fight. Ted is forty seven years old. He has 315 00:16:28,480 --> 00:16:31,960 a spotless reputation. He's never done anything wrong. The jury 316 00:16:32,000 --> 00:16:34,159 will simply refuse to believe that he could be m 317 00:16:34,159 --> 00:16:35,960 a member of a don't bring. 318 00:16:39,519 --> 00:16:42,960 Speaker 3: Did you ever hear of a woman named Jenny Saunders? 319 00:16:43,600 --> 00:16:45,840 Speaker 4: Jenny Saunders? I don't believe. 320 00:16:45,840 --> 00:16:48,360 Speaker 3: So I'll do some things that are not exactly in 321 00:16:48,399 --> 00:16:51,639 the book. If you promise to say nothing, I'll take 322 00:16:51,679 --> 00:16:52,600 you to her apartment. 323 00:16:53,240 --> 00:16:54,279 Speaker 4: Well, why would I want to go. 324 00:16:54,279 --> 00:16:58,720 Speaker 3: There because the two of you have something in common. 325 00:17:07,640 --> 00:17:09,400 Speaker 4: How does it happen that you have a key to 326 00:17:09,559 --> 00:17:10,640 this woman's apartment. 327 00:17:10,839 --> 00:17:14,920 Speaker 3: Well, you see, she's cooperating with us, and uh, when 328 00:17:14,920 --> 00:17:18,559 I said I might wanna bring you here, she felt 329 00:17:18,559 --> 00:17:22,720 it best not to be present. Why, out of respect, 330 00:17:22,759 --> 00:17:26,599 I suppose for your feelings? What do you think of 331 00:17:26,640 --> 00:17:26,960 the place. 332 00:17:27,920 --> 00:17:33,039 Speaker 4: Well, it it's nice enough, but why do wait a minute, 333 00:17:33,519 --> 00:17:36,519 that that's Ted's picture? 334 00:17:37,720 --> 00:17:39,759 Speaker 3: Yep, that's Ted's picture. 335 00:17:41,559 --> 00:17:44,400 Speaker 4: Uh, what's Ted's picture doing here? 336 00:17:45,079 --> 00:17:47,480 Speaker 3: You'll find some of Ted's clothing in the closet. 337 00:17:47,519 --> 00:17:51,720 Speaker 4: Also, oh oh no, oh no, you won't get away 338 00:17:51,720 --> 00:17:54,039 with this. I see what this is for. It's a 339 00:17:54,079 --> 00:17:57,119 frame up to build your case. You're planting his things 340 00:17:57,160 --> 00:17:58,119 in this apartment. 341 00:17:58,319 --> 00:18:01,319 Speaker 3: You're making serious charges, missus Mallard. And I can understand 342 00:18:01,319 --> 00:18:06,680 how you feel. But Ted was here, he spent time here. 343 00:18:06,960 --> 00:18:08,400 Speaker 4: I defy you to prove that. 344 00:18:08,519 --> 00:18:11,640 Speaker 3: We have witnesses people have seen him here, well they can. 345 00:18:11,759 --> 00:18:14,039 Speaker 4: They can all be part of this plot? 346 00:18:14,119 --> 00:18:16,359 Speaker 2: Which plot this is? 347 00:18:16,400 --> 00:18:16,759 Speaker 3: Mallard? 348 00:18:16,799 --> 00:18:18,599 Speaker 2: Why should we want to frame your husband. 349 00:18:18,400 --> 00:18:21,039 Speaker 4: I don't know, to make an arrest, to create an 350 00:18:21,039 --> 00:18:23,200 impression you're cracking down on drugs? 351 00:18:23,200 --> 00:18:27,119 Speaker 3: Why pick on Ted? Mallard? Why construct this elaborate framework. 352 00:18:27,279 --> 00:18:28,240 Speaker 4: I won't believe it. 353 00:18:28,319 --> 00:18:33,880 Speaker 3: That means you refuse to believe it, Missus Millard. Let's 354 00:18:33,880 --> 00:18:37,480 accept your argument for a moment. The drugs could have 355 00:18:37,519 --> 00:18:39,119 been planted in the it's a shay case. 356 00:18:39,240 --> 00:18:41,079 Speaker 2: Then you admit the sake of argument. 357 00:18:41,319 --> 00:18:44,240 Speaker 3: Okay, then we could have gone to the trouble of 358 00:18:44,319 --> 00:18:48,519 setting up the apartment, the witness, the girl. But you 359 00:18:48,599 --> 00:18:53,039 tell me one thing. How do you explain your husband's fingerprints? 360 00:18:54,839 --> 00:18:55,960 Speaker 4: What fingerprints? 361 00:18:56,039 --> 00:19:03,160 Speaker 3: His fingerprints are all over the place. U. I know 362 00:19:03,599 --> 00:19:07,960 it's very hard for you, missus Mallard. I suppose you 363 00:19:08,000 --> 00:19:11,480 have to look at your whole life now from from 364 00:19:11,519 --> 00:19:17,160 another perspective, and maybe faced with all this, you won't 365 00:19:17,200 --> 00:19:20,319 even wanna help him. 366 00:19:20,400 --> 00:19:24,759 Speaker 4: Please let me out of here, ah. 367 00:19:30,799 --> 00:19:33,640 Speaker 2: Tira, where were you thought you be here earlier? Arthur 368 00:19:33,680 --> 00:19:35,720 hasn't been able to do a thing. Now should we 369 00:19:35,759 --> 00:19:37,279 get another lawyer? I can't believe a thing like this. 370 00:19:37,400 --> 00:19:42,640 Speaker 4: Cad tell me about Jenny Saunders. Who Jenny Saunders? 371 00:19:43,079 --> 00:19:45,480 Speaker 2: Jenny? What about? What about Jenny Sonders? 372 00:19:45,519 --> 00:19:46,559 Speaker 4: That's what I'm asking. 373 00:19:46,599 --> 00:19:49,559 Speaker 2: You don't know any Jenny Saunders. You don't, no, of course, 374 00:19:49,640 --> 00:19:51,920 not mcdonnie. We've got a million and one important things 375 00:19:51,960 --> 00:19:52,519 to worry about. 376 00:19:52,640 --> 00:19:55,119 Speaker 4: You don't know a Jenny Saunders. 377 00:19:55,799 --> 00:19:59,160 Speaker 2: Mayra is somebody named Jenny Saunders somehow involved in everything 378 00:19:59,160 --> 00:19:59,680 that's happening. 379 00:20:00,039 --> 00:20:03,759 Speaker 4: There's an apartment at two ninety one Fenamore Place, So 380 00:20:03,960 --> 00:20:06,640 what about it? I was hoping you'd tell me what 381 00:20:06,759 --> 00:20:07,200 about it? 382 00:20:08,599 --> 00:20:11,599 Speaker 2: Mara, what's wrong? Don't say nothing, because I can tell 383 00:20:11,640 --> 00:20:12,559 when something's bothering. 384 00:20:12,720 --> 00:20:15,480 Speaker 4: I didn't say nothing was wrong. Tell me about two 385 00:20:15,559 --> 00:20:16,680 ninety one Fenamore place. 386 00:20:16,759 --> 00:20:17,480 Speaker 2: I never heard of it. 387 00:20:17,559 --> 00:20:20,680 Speaker 4: The police say they found your fingerprints all over it. 388 00:20:22,400 --> 00:20:26,240 Oh well, I guess they would. Then you do know 389 00:20:26,319 --> 00:20:27,319 about ninety one. 390 00:20:27,240 --> 00:20:30,640 Speaker 2: Thing, thinking, Darling, I have been there. Let me see often, well, 391 00:20:30,720 --> 00:20:33,720 twice twice to install, and then I wants it? Was 392 00:20:33,720 --> 00:20:36,759 it three times? Anyway? I installed and then went back 393 00:20:36,759 --> 00:20:38,559 for some repairs. I guess, And I guess the police 394 00:20:38,599 --> 00:20:40,279 were checking every place that I ever visited. 395 00:20:41,200 --> 00:20:43,279 Speaker 4: Or why would you have been to two ninety one Fenamore. 396 00:20:43,359 --> 00:20:47,440 Speaker 2: It's a favorite to Bert Bert. Yes, he's got a. 397 00:20:47,400 --> 00:20:49,799 Speaker 4: Friend, Jenny Saunders. 398 00:20:49,839 --> 00:20:51,599 Speaker 2: I do maybe that's her name. I never saw. I 399 00:20:51,640 --> 00:20:52,880 never saw anyone in the apartment. 400 00:20:53,440 --> 00:20:54,920 Speaker 4: Oh why did you go there in the first place? 401 00:20:55,079 --> 00:20:57,000 Speaker 2: Telling you, darling, Bert asked me to install one of 402 00:20:57,000 --> 00:20:58,960 our special stereos for this good friend of his. 403 00:20:59,480 --> 00:21:03,880 Speaker 4: You don't you have servicemen and technicians new things? 404 00:21:03,920 --> 00:21:05,720 Speaker 2: And Bert said that it would be a big favor. 405 00:21:06,480 --> 00:21:08,720 Speaker 4: And that's the only reason you ever went to to 406 00:21:08,759 --> 00:21:09,960 a ninety one for any more place? 407 00:21:10,279 --> 00:21:13,480 Speaker 2: Well, of course, what other reason would I have? 408 00:21:21,839 --> 00:21:22,119 Speaker 6: Oh? 409 00:21:22,240 --> 00:21:26,519 Speaker 4: Hello, missus Mallard. Hello, Harriet? Is is Bert Hollison? Yeah? 410 00:21:26,559 --> 00:21:28,160 He sure he is, but he he's on the phone. 411 00:21:28,279 --> 00:21:31,880 That's all right. I'll wait. I look, I don't believe 412 00:21:31,880 --> 00:21:34,480 it about mister Mallard. I mean, what wall He's just 413 00:21:34,519 --> 00:21:38,000 about the straightest guy there is, Harriet, tell me something. 414 00:21:38,960 --> 00:21:42,880 Does the name Jenny Saunders mean anything to you? 415 00:21:43,079 --> 00:21:43,119 Speaker 2: Er? 416 00:21:43,279 --> 00:21:46,359 Speaker 4: Uh say it again, Missus Mallard, Jenny Saunders? Does it 417 00:21:46,400 --> 00:21:51,319 mean anything? Yeah? What w I? I? I don't know. 418 00:21:51,680 --> 00:21:55,759 I mean, oh gosh, who is it? Look? Does this 419 00:21:55,799 --> 00:21:58,799 ever happen to you? You know you've heard something somewhere, 420 00:21:58,799 --> 00:22:01,640 but you can't a life if you remember when away? 421 00:22:02,000 --> 00:22:06,000 Now this name Jenny Sonderes? I did hear it? Apropos? 422 00:22:06,039 --> 00:22:10,319 Of what? Apropos? I can't remember? Please, Harriet try to recall. No, no, no, 423 00:22:10,359 --> 00:22:13,559 it doesn't do me any good. It's very important. I mean, 424 00:22:13,799 --> 00:22:17,880 it's it's all just slashing around somewhere in my subconscious 425 00:22:17,880 --> 00:22:23,640 and it'll come to the surface when it wants to. Well, 426 00:22:23,680 --> 00:22:26,920 you will let me know, won't you? If you should 427 00:22:26,960 --> 00:22:30,240 happen to remember, Oh, sure. Oh, mister Hollis's light is out. 428 00:22:30,279 --> 00:22:32,920 Now say he's off the phone. Why don't you just 429 00:22:33,079 --> 00:22:41,519 go in? Thank you? Bert, Myrah, come in, come in, 430 00:22:42,000 --> 00:22:43,000 sit down, thank you? 431 00:22:43,720 --> 00:22:46,160 Speaker 2: Is there something new? I know? Arthur is still waiting 432 00:22:46,200 --> 00:22:47,039 for the court of a pier. 433 00:22:47,079 --> 00:22:49,640 Speaker 4: Bert. Who is Jenny Saunders? 434 00:22:51,039 --> 00:22:52,240 Speaker 2: I'd never heard of her. Now. 435 00:22:52,240 --> 00:22:54,279 Speaker 4: Look, I know how long you and Ted have been friends, 436 00:22:54,960 --> 00:22:57,400 and of course your your instinct is to protect him. 437 00:22:57,400 --> 00:22:59,920 But Bert, oh, Bert, I have to know. 438 00:23:00,519 --> 00:23:01,480 Speaker 3: What do you have to. 439 00:23:01,480 --> 00:23:06,079 Speaker 4: Know if my husband has been has been having an 440 00:23:06,079 --> 00:23:09,640 affair with a woman named Jenny Saunders? Ted? An affair? 441 00:23:09,839 --> 00:23:12,759 Speaker 2: Oh? No, never, It's impossible. 442 00:23:13,039 --> 00:23:18,000 Speaker 4: I looked in the mirror today and I see that 443 00:23:18,079 --> 00:23:23,680 it could be possible. Myra, I know Ted, I say no, please. 444 00:23:25,440 --> 00:23:29,200 When I think of Ted and me and our marriage, 445 00:23:29,400 --> 00:23:33,440 I believe I'm still twenty and he's still twenty two. 446 00:23:35,079 --> 00:23:39,079 But I'm not and he's not, and I have wrinkles, 447 00:23:39,720 --> 00:23:42,839 and a girl named Jenny Saunders is probably quite young. 448 00:23:42,640 --> 00:23:44,599 Speaker 2: And you're being quite silly, Ted. 449 00:23:44,359 --> 00:23:47,000 Speaker 4: Wood, are you familiar with an apartment at two ninety 450 00:23:47,039 --> 00:23:48,119 one Fenimore. 451 00:23:47,720 --> 00:23:49,759 Speaker 6: Place to ninety one? 452 00:23:51,240 --> 00:23:51,960 Speaker 2: No? No? 453 00:23:51,960 --> 00:23:52,039 Speaker 3: No? 454 00:23:52,119 --> 00:23:53,000 Speaker 2: Should I be yes? 455 00:23:53,079 --> 00:23:54,640 Speaker 4: If you have a friend who lives there. 456 00:23:55,440 --> 00:23:56,920 Speaker 3: No, I don't know anyone who would be. 457 00:23:57,000 --> 00:23:59,559 Speaker 4: Well, since you have never heard of the place and 458 00:23:59,599 --> 00:24:03,039 you don't know anyone who lives there, then you couldn't 459 00:24:03,160 --> 00:24:08,359 possibly have asked Ted to personally install a special super stereo. 460 00:24:09,039 --> 00:24:11,599 Ask Ted to what you heard? What I said? 461 00:24:12,119 --> 00:24:13,920 Speaker 2: Why I heard it? But I can't believe it? 462 00:24:14,000 --> 00:24:15,279 Speaker 4: Well? Why why would I ask Ted? 463 00:24:17,240 --> 00:24:20,519 Speaker 5: I see myrah Myra? 464 00:24:20,680 --> 00:24:23,960 Speaker 2: Please? Why did you ask me such a question? 465 00:24:25,119 --> 00:24:26,119 Speaker 3: What are you driving at? 466 00:24:27,000 --> 00:24:27,720 Speaker 2: What's happened? 467 00:24:29,000 --> 00:24:33,200 Speaker 4: I'm not sure. When Ted was arrested at the airport 468 00:24:33,200 --> 00:24:35,880 the other night, I thought that was the end of 469 00:24:35,880 --> 00:24:42,119 the world. Now I see that that may have just 470 00:24:42,200 --> 00:24:59,799 been m calme before the storm. Ah, yes, you're Jenny Saunders. 471 00:25:00,039 --> 00:25:02,000 Speaker 2: Yeah, okay, where do we go from here? 472 00:25:02,640 --> 00:25:08,759 Speaker 4: I'm Mara Mallard. Oh well, come on in, said an 473 00:25:10,039 --> 00:25:16,079 thank you drink. I don't believe so. Well, what are 474 00:25:16,079 --> 00:25:23,240 we gonna talk about? Is it true? That's true? I 475 00:25:23,279 --> 00:25:27,200 didn't think you'd be his type when they started hit fifty? 476 00:25:27,279 --> 00:25:28,279 Speaker 2: What's a type? 477 00:25:29,160 --> 00:25:32,640 Speaker 4: Although you are quite pretty? If it makes you feel 478 00:25:32,640 --> 00:25:36,960 any better, he's uh, he's still in love with you? Really? 479 00:25:38,279 --> 00:25:38,440 Speaker 6: Then? 480 00:25:38,480 --> 00:25:42,160 Speaker 4: What was he doing here? I guess these fellas need excitement. 481 00:25:43,799 --> 00:25:47,359 He's in a jam. I hear, yes, I will say 482 00:25:47,400 --> 00:25:50,200 he was fast with a dollar. He was good to 483 00:25:50,240 --> 00:25:53,559 me and round here goes for almost three hundred. And 484 00:25:53,599 --> 00:25:56,880 then he uh liked to go to the track. I 485 00:25:56,960 --> 00:25:59,440 never knew he had the slightest interest. And he liked 486 00:25:59,440 --> 00:26:02,160 a game of cards. I told him the stakes were 487 00:26:02,160 --> 00:26:05,359 a little high. I never knew he could even play cards. 488 00:26:05,960 --> 00:26:06,160 Speaker 2: Well. 489 00:26:06,200 --> 00:26:10,400 Speaker 4: I I tried to steer him clear of it, thank you. 490 00:26:10,720 --> 00:26:13,799 But men they do what they wanna do. And so, 491 00:26:14,680 --> 00:26:16,680 by the way I see it, he got in very 492 00:26:16,720 --> 00:26:19,880 deep to the loan sharks, and it's all tied into 493 00:26:19,880 --> 00:26:24,240 the rackets, you understand. So they said, look, here's how 494 00:26:24,279 --> 00:26:29,240 you can pay his back. And so he became a courier. 495 00:26:29,680 --> 00:26:32,480 And you see it happen all the time. Legit business 496 00:26:32,519 --> 00:26:35,640 guys get themselves in hot and the mob moves in. 497 00:26:37,119 --> 00:26:41,839 What are you looking for? Uh? You were? You wouldn't 498 00:26:42,000 --> 00:26:46,039 happen to have a specially installed stereo, would you? Oh? No, 499 00:26:46,640 --> 00:26:52,680 I wish I did. I thank you, Miss Saunders. Yeah, 500 00:26:52,880 --> 00:26:56,359 I'm glad you're uh friendly, missus mallet. A lot of 501 00:26:56,400 --> 00:27:00,519 wives they'd throw a fit, but in the better to 502 00:27:00,559 --> 00:27:02,119 act civilized. 503 00:27:07,079 --> 00:27:08,119 Speaker 2: Mara, what are you saying to me? 504 00:27:08,400 --> 00:27:09,519 Speaker 4: What are you saying to me? 505 00:27:09,680 --> 00:27:12,319 Speaker 2: Ted, I'm saying that I don't know. A girl named Jenny. 506 00:27:12,079 --> 00:27:15,160 Speaker 4: Songer lives at two ninety one Fenamore Place. You admit 507 00:27:15,240 --> 00:27:15,799 you went. 508 00:27:15,640 --> 00:27:17,400 Speaker 2: There as a favorite to Bert. 509 00:27:17,480 --> 00:27:18,960 Speaker 4: Bert knows nothing about it. 510 00:27:19,000 --> 00:27:22,160 Speaker 2: You mean he knows nothing about it? He asked me specifically, 511 00:27:22,319 --> 00:27:25,720 asked Mara. Bert came into my office a couple of 512 00:27:25,759 --> 00:27:28,279 months ago and asked me to do him this favor. 513 00:27:28,359 --> 00:27:30,960 Speaker 4: But he didn't ask him. I did ask him. He 514 00:27:31,039 --> 00:27:34,559 knows nothing about it. And furthermore, I just had a 515 00:27:34,680 --> 00:27:38,319 visit with Jenny Saunders. I can see where she might 516 00:27:38,359 --> 00:27:42,599 be very exciting. No, you listen to me. Call Lieutenant 517 00:27:42,599 --> 00:27:45,319 Denson so you can make a deal and be out 518 00:27:45,319 --> 00:27:47,880 of here in a few years or maybe even months. 519 00:27:48,759 --> 00:27:50,240 Speaker 2: What you're talking, I'm talking. 520 00:27:49,920 --> 00:27:51,759 Speaker 4: About a man who fell in love with a woman 521 00:27:51,839 --> 00:27:56,720 half his aide. All right, Let's say he became infatuated 522 00:27:57,880 --> 00:28:00,839 and so he went through all of his money, got 523 00:28:00,880 --> 00:28:03,640 into debt, and was of it a way out, an 524 00:28:03,640 --> 00:28:04,960 illegal way out. 525 00:28:05,079 --> 00:28:09,279 Speaker 2: And he was caught moral. Do you believe this, yes, said. 526 00:28:09,160 --> 00:28:11,839 Speaker 4: I believe it. I don't see how it's possible not 527 00:28:11,920 --> 00:28:12,559 to believe it? 528 00:28:20,039 --> 00:28:24,079 Speaker 2: How is it possible, indeed, not to believe it? How 529 00:28:24,119 --> 00:28:28,799 can one doubt the evidence evidence based on the reasonable, logical, 530 00:28:28,880 --> 00:28:33,720 and sensible interpretation of the facts that exist. Certainly a 531 00:28:33,720 --> 00:28:36,920 man must be proven guilty beyond the shadow of a doubt? 532 00:28:38,000 --> 00:28:39,200 Is there even a shadow? 533 00:28:39,279 --> 00:28:39,599 Speaker 4: Here? 534 00:28:40,359 --> 00:28:44,440 Speaker 2: Everything seems so clear cut. I'll be back shortly with 535 00:28:44,559 --> 00:28:45,039 Act three. 536 00:28:45,880 --> 00:28:48,799 Speaker 3: Oh, the Mystery Theater returns. 537 00:28:48,759 --> 00:29:04,400 Speaker 2: On w a BC. Sometimes if you repeat a story 538 00:29:04,440 --> 00:29:09,079 often enough, you'll come to believe it. For instance, for 539 00:29:09,160 --> 00:29:12,759 twenty five years, Myra Mallard has been telling herself that 540 00:29:12,880 --> 00:29:16,079 she has a perfect marriage, a union that was made 541 00:29:16,119 --> 00:29:20,240 in heaven, as they say. And perhaps she has been 542 00:29:20,279 --> 00:29:24,720 so taken by the idea that she refuses to accept reality. 543 00:29:25,759 --> 00:29:30,599 And reality seems to be another woman and a prison 544 00:29:30,680 --> 00:29:35,200 cell and a narcotics carrying charge. You're telling me I've 545 00:29:35,200 --> 00:29:37,319 been having an affair with another woman. I have met her, 546 00:29:37,319 --> 00:29:41,079 and I've been maintaining yes. And the drain on my 547 00:29:41,160 --> 00:29:43,119 finances has driven me into becoming a member of a 548 00:29:43,240 --> 00:29:44,039 narcotics ring. 549 00:29:44,119 --> 00:29:45,400 Speaker 4: Head these are facts. 550 00:29:46,039 --> 00:29:47,680 Speaker 2: Well, I deny every one of them, but. 551 00:29:47,680 --> 00:29:50,039 Speaker 4: Your finger prints are all over that apartment. 552 00:29:50,079 --> 00:29:52,119 Speaker 2: I told you how they got through, Ted, I also 553 00:29:52,200 --> 00:29:54,759 told you something else. I told you this would never 554 00:29:54,799 --> 00:29:57,279 be straightened out. At the very fact I've been arrested 555 00:29:57,279 --> 00:29:59,160 would scar me for the rest of my life. Ted 556 00:29:59,240 --> 00:30:03,880 will always be imagining doubt in people's minds. Well, what 557 00:30:03,880 --> 00:30:06,319 can I expect from strangers when my own wife believes 558 00:30:06,359 --> 00:30:06,880 I'm guilty? 559 00:30:08,480 --> 00:30:11,000 Speaker 4: Ted, I don't know what to believed. 560 00:30:11,039 --> 00:30:12,440 Speaker 2: I'd know what to believe if you were the one 561 00:30:12,440 --> 00:30:15,279 who was sitting in jail. I believe what you told me. 562 00:30:15,440 --> 00:30:17,799 Speaker 4: I'm trying to, but only evidence. 563 00:30:17,799 --> 00:30:21,039 Speaker 2: Wouldn't care for evidence, I'd know that the person I 564 00:30:21,079 --> 00:30:24,680 loved would tell me the truth. I don't think we 565 00:30:24,720 --> 00:30:26,279 have the kind of marriage that we thought we did, 566 00:30:26,519 --> 00:30:28,000 or at least that I thought I did. 567 00:30:28,480 --> 00:30:30,200 Speaker 4: Ted, what do you want me to do? 568 00:30:30,680 --> 00:30:32,119 Speaker 2: What do I want you to do? If you have 569 00:30:32,200 --> 00:30:34,799 to ask, I'm all mixed up. We had a paradise. 570 00:30:34,799 --> 00:30:37,400 I see you and I'm Marrah, But at the first storm, 571 00:30:37,440 --> 00:30:38,359 look what happens to it? 572 00:30:38,480 --> 00:30:38,759 Speaker 4: Darling. 573 00:30:38,799 --> 00:30:40,119 Speaker 2: The other night you said to me, this would be 574 00:30:40,160 --> 00:30:41,759 a good way to find out who my friends are. 575 00:30:42,720 --> 00:30:45,440 That's better than that. It's a good way for me 576 00:30:45,480 --> 00:30:46,599 to find out who my wife is. 577 00:30:53,759 --> 00:30:54,640 Speaker 3: Well, missus Mallick. 578 00:30:55,440 --> 00:30:58,720 Speaker 4: Have you thought it over, Yes, Lieutenant Danson. 579 00:30:58,480 --> 00:31:01,039 Speaker 3: I have and dec to help your husband. 580 00:31:01,240 --> 00:31:04,400 Speaker 4: Yes, I'm going to do everything I can fine. 581 00:31:04,559 --> 00:31:06,559 Speaker 3: And I can expect you to cooperate with us. 582 00:31:06,559 --> 00:31:10,039 Speaker 4: So I will, that is, if you agree to cooperate 583 00:31:10,079 --> 00:31:10,319 with me. 584 00:31:10,799 --> 00:31:12,359 Speaker 3: Certainly, what would you like me to do? 585 00:31:13,119 --> 00:31:14,640 Speaker 4: Find the man who's really guilty? 586 00:31:16,000 --> 00:31:19,559 Speaker 3: Missus Mallard. Is it possible we are back to ground 587 00:31:19,680 --> 00:31:20,519 zero on this thing? 588 00:31:20,640 --> 00:31:24,480 Speaker 4: We never left it. Ted is innocent in the. 589 00:31:24,440 --> 00:31:27,319 Speaker 3: Face of all the evidence. Can you really believe that? 590 00:31:27,599 --> 00:31:30,920 Speaker 4: Yes? I believe he is innocent, and I believe it 591 00:31:30,960 --> 00:31:34,519 because he says so. Ted Mallard cannot lie to me 592 00:31:35,359 --> 00:31:36,960 any more than I can lie to him. 593 00:31:37,160 --> 00:31:39,279 Speaker 3: Missus Mallard, I would like. 594 00:31:39,279 --> 00:31:42,200 Speaker 4: You, I know what you'd like. You'd like me to 595 00:31:42,240 --> 00:31:47,000 look at the facts. But there are all kinds of facts, Lieutenant. 596 00:31:47,880 --> 00:31:51,440 You have yours and I have mine. And what are 597 00:31:51,480 --> 00:31:54,599 yours mine is the fact that Ted and I are 598 00:31:54,640 --> 00:31:57,519 in love. Yes, for a moment I panicked. 599 00:31:58,359 --> 00:31:59,759 Speaker 3: I was frightened, Missus Mallard. 600 00:31:59,799 --> 00:32:04,839 Speaker 4: It's no good, Lieutenant. I have twenty five years supporting me. 601 00:32:05,160 --> 00:32:07,359 Speaker 3: I know this is a blow to your pride. 602 00:32:07,440 --> 00:32:12,240 Speaker 4: Let me tell you whom you should investigate. My husband's partner, 603 00:32:12,440 --> 00:32:13,279 Bert Hollis. 604 00:32:13,599 --> 00:32:15,359 Speaker 3: Please, Missle is lying. 605 00:32:16,319 --> 00:32:18,799 Speaker 4: He said he didn't ask Ted to install the stereo 606 00:32:18,839 --> 00:32:20,319 set at two ninety one, Fenomon. 607 00:32:20,079 --> 00:32:22,480 Speaker 3: Missus Mallard, you can't shift the blame convenient. 608 00:32:22,720 --> 00:32:26,519 Speaker 4: I is Bert lying. That's the crux of the entire case. 609 00:32:26,759 --> 00:32:29,640 Speaker 3: Bert was not caught with the narcotics. Bert was not 610 00:32:29,759 --> 00:32:31,279 maintaining a girl in that apot. 611 00:32:31,319 --> 00:32:36,039 Speaker 4: Please, lieutenant, don't give me facts your facts for once. 612 00:32:36,720 --> 00:32:43,160 Try something else, something else, faith, believe somebody take a 613 00:32:43,200 --> 00:32:47,960 person's word. You once said I was a very fine woman. 614 00:32:49,119 --> 00:32:49,559 Speaker 3: All right? 615 00:32:50,480 --> 00:32:54,279 Speaker 4: Would I lie? Isn't it possible that I'm telling the truth. 616 00:32:55,759 --> 00:32:59,240 I know you have a case, it's well constructed, but 617 00:32:59,480 --> 00:33:01,119 it's Missus Ballard. 618 00:33:02,039 --> 00:33:03,359 Speaker 3: We know Ted is. 619 00:33:03,359 --> 00:33:06,720 Speaker 4: Guilty, and I know Bert is lying, And I'm asking 620 00:33:06,759 --> 00:33:08,759 you to find out why we have. 621 00:33:08,799 --> 00:33:10,720 Speaker 3: No reason to pursue that line of investment. 622 00:33:10,839 --> 00:33:13,680 Speaker 4: Perhaps you don't, but I do, and I'm going to 623 00:33:13,680 --> 00:33:17,359 pursue it. Oh, I don't know what do I know 624 00:33:17,400 --> 00:33:20,960 about these kinds of things? But somebody has. 625 00:33:20,720 --> 00:33:24,920 Speaker 3: To help Ted, who must be wonderful to have a 626 00:33:24,960 --> 00:33:26,759 wife who simply won't face the facts. 627 00:33:27,440 --> 00:33:38,200 Speaker 4: Oh, you're wrong, Lieutenant. I'm facing all the facts. Why 628 00:33:38,240 --> 00:33:39,039 would Bert. 629 00:33:38,799 --> 00:33:41,319 Speaker 2: Lie I don't know think I told you. I don't 630 00:33:41,319 --> 00:33:41,720 know how. 631 00:33:41,640 --> 00:33:44,400 Speaker 4: You had any differences of opinion about the business. Is 632 00:33:44,480 --> 00:33:45,039 he in debt? 633 00:33:45,400 --> 00:33:45,920 Speaker 2: Not that I know. 634 00:33:46,160 --> 00:33:48,839 Speaker 4: Can you think of anything, anything, any reason why he 635 00:33:48,880 --> 00:33:49,759 would do this to you? 636 00:33:49,799 --> 00:33:51,319 Speaker 2: Bert been friends since college? 637 00:33:51,400 --> 00:33:54,559 Speaker 4: All right, the attach case? How could the cocaine have 638 00:33:54,599 --> 00:33:55,160 gotten in there? 639 00:33:55,200 --> 00:33:55,759 Speaker 2: Let's beyond me. 640 00:33:56,079 --> 00:33:57,640 Speaker 4: Oh, Ted, you're not being very helpful. 641 00:33:57,880 --> 00:33:58,799 Speaker 2: I befriend. 642 00:33:59,559 --> 00:34:01,200 Speaker 4: It's it has to be Burt. 643 00:34:01,279 --> 00:34:04,839 Speaker 2: But why, I don't know. I'd have been willing to 644 00:34:04,839 --> 00:34:07,759 bet my life on Bert, just as i'd be willing 645 00:34:07,759 --> 00:34:08,760 to bet my life on you. 646 00:34:15,920 --> 00:34:20,239 Speaker 4: Oh hi, missus Mallard. Hello, Harriet. Anything new with mister Mallard. 647 00:34:20,880 --> 00:34:23,760 We're hoping. Yeah, I've just gone by to get some 648 00:34:23,800 --> 00:34:28,119 of Ted stays. Oh, that's mister Hollis's ring. He wants 649 00:34:28,159 --> 00:34:30,239 to give me some dictation. Look, if you will be 650 00:34:30,280 --> 00:34:32,679 in mister Mallard's office for a few minutes, would you 651 00:34:32,719 --> 00:34:35,159 mind answering the phone? No, not at all. It's just 652 00:34:35,199 --> 00:34:38,000 that when mister Hollis dictates, he gets all confused. If 653 00:34:38,039 --> 00:34:39,639 I have to stop and pick up the phone, well, 654 00:34:39,719 --> 00:34:48,960 I'll be here for a while. Thanks, Yes, that's but there. 655 00:34:50,079 --> 00:34:57,000 Uh no, supposed he just stepped up for a moment. 656 00:34:59,039 --> 00:35:04,159 Oh well, yes, what are you a man? Oh? Yes, well 657 00:35:04,199 --> 00:35:08,039 I I've I've heard Bert mention your name. Uh, Brit 658 00:35:08,039 --> 00:35:11,760 and I are rough. Oh it, we're very close you are. 659 00:35:13,159 --> 00:35:14,639 Speaker 2: What about the suns then? 660 00:35:15,400 --> 00:35:17,800 Speaker 4: Oh that that's all over. Uh. 661 00:35:18,440 --> 00:35:20,719 Speaker 6: It's a lot of dough and it's a doe. 662 00:35:22,039 --> 00:35:23,840 Speaker 2: He knows how and where to bring it. 663 00:35:25,639 --> 00:35:29,159 Speaker 4: Oh my ruh. 664 00:35:29,920 --> 00:35:30,960 Speaker 2: Harriet said you were here? 665 00:35:31,440 --> 00:35:34,119 Speaker 4: Oh I I uh I I. I just wanted to 666 00:35:34,119 --> 00:35:36,639 get some of Ted's things. Why he'll be out of 667 00:35:36,719 --> 00:35:38,760 jail soon, and I feel it in my ball y 668 00:35:39,320 --> 00:35:40,920 do you I know Ted? 669 00:35:41,480 --> 00:35:42,800 Speaker 2: He couldn't do anything wrong. 670 00:35:43,840 --> 00:35:46,239 Speaker 4: You're a good friend to him. 671 00:35:46,360 --> 00:35:53,199 Speaker 5: I don't care what anyone says. I'll stick by him. 672 00:35:53,239 --> 00:35:56,039 Speaker 4: Thanks for covering the phone. I heard it ring. Oh 673 00:35:56,079 --> 00:35:59,159 it it it was around them though. Well, I hope 674 00:35:59,159 --> 00:36:02,039 everything will be okay with mister Mallard. Thank you, Harriet. 675 00:36:02,480 --> 00:36:05,280 If you're throwing mister Mallard's office, maybe i'd better lock it. 676 00:36:06,360 --> 00:36:08,800 Why does mister Mallard usually keep it locked? Oh no, 677 00:36:09,280 --> 00:36:12,800 that's his problem. He leaves everything lying around. Anybody could 678 00:36:12,840 --> 00:36:16,480 walk into his office and walk off with anything, even 679 00:36:17,679 --> 00:36:21,840 I even his attache case. Oh sure, Oh why would 680 00:36:21,880 --> 00:36:24,679 anyone want to take his attache case? Or did you 681 00:36:24,719 --> 00:36:27,360 ever see anyone carrying his case? Did? I? 682 00:36:28,360 --> 00:36:28,559 Speaker 2: Well? 683 00:36:28,599 --> 00:36:33,480 Speaker 4: I I never thought to watch. Try to think, Hey, 684 00:36:33,679 --> 00:36:36,639 how did you mention it? It's funny now. When he 685 00:36:36,719 --> 00:36:40,039 left for London last week, I saw mister Hollis bring 686 00:36:40,079 --> 00:36:42,559 him the case and mister Hollis said, hey, Ted, you 687 00:36:42,639 --> 00:36:45,719 left this in my office. Uh th that's what mister 688 00:36:45,760 --> 00:36:48,599 Hollis said. Huh what did mister mallard An say? I 689 00:36:48,639 --> 00:36:54,079 think he said, uh uh, thanks Bert and that was all. Yeah. 690 00:36:54,079 --> 00:36:57,079 Oh you'd hearing to me Westmon. Did I know where 691 00:36:57,199 --> 00:37:00,519 Jenny Saunders? Yes, so that's where I heard her name. 692 00:37:01,440 --> 00:37:04,840 As they were saying goodbye, mister Holliw said, let me see. 693 00:37:05,039 --> 00:37:08,239 Uh did you get everything squared away from my friend 694 00:37:08,360 --> 00:37:12,519 Jenny Saunders? And mister Mallett answered the Uh, the stereo 695 00:37:12,679 --> 00:37:18,639 works just fine. There you are. Did you really forget nothing? If? 696 00:37:19,239 --> 00:37:21,199 If you know how to make it come back? 697 00:37:30,559 --> 00:37:36,360 Speaker 2: Hell, but I'm on time. You got it? Yeah, hand 698 00:37:36,400 --> 00:37:44,280 it over? I know fifty grand here, I know. Look 699 00:37:44,360 --> 00:37:47,400 the agreement was ten payments fifty grand each fifty is 700 00:37:47,480 --> 00:37:50,079 too big a sum to hide, adreamm and uh. 701 00:37:50,119 --> 00:37:52,920 Speaker 5: I can fix the books for twenty five maybe each month, 702 00:37:52,920 --> 00:37:53,719 but not for fifty. 703 00:37:53,760 --> 00:37:57,440 Speaker 2: Who cares about the books. That's why we got Mallet 704 00:37:57,480 --> 00:37:59,599 out of the way, so you could have an open run. 705 00:37:59,760 --> 00:38:02,519 His wife was there today, Why, I don't know why. 706 00:38:02,559 --> 00:38:05,639 Maybe she suspects something. Why should she suspect me? I 707 00:38:05,639 --> 00:38:08,199 don't know why. I said maybe. Look, you're the one 708 00:38:08,239 --> 00:38:10,480 who said, oh, you needed was to get Mallin out 709 00:38:10,480 --> 00:38:13,360 of there and the tilt would be wide open. Okay, 710 00:38:13,440 --> 00:38:18,159 but you have to be cautious, cautious the way you 711 00:38:18,199 --> 00:38:20,800 drop money in the ponies, the cards, the dames. Look, 712 00:38:20,920 --> 00:38:23,719 look it'll just take a little bit longer, but i'll 713 00:38:23,719 --> 00:38:24,760 pay you fellas back. 714 00:38:25,400 --> 00:38:25,679 Speaker 4: What's that? 715 00:38:26,599 --> 00:38:30,280 Speaker 2: I don't know. Nobody's supposed to be here. Oh maybe 716 00:38:30,320 --> 00:38:32,280 it's Jenny. I could have been Jenny. How would you 717 00:38:32,360 --> 00:38:33,920 do it? Cou it sits? 718 00:38:34,280 --> 00:38:34,920 Speaker 4: What did you hear that? 719 00:38:35,119 --> 00:38:38,039 Speaker 2: Yes, secretary told me she doesn't know anything about Jenny. 720 00:38:38,159 --> 00:38:40,960 In a minute, what are you gonna do with that 721 00:38:41,039 --> 00:38:43,440 kind of somebody's in that closet? Are you trying to 722 00:38:43,480 --> 00:38:45,920 do Bert set me up? No? No, I don't alright, 723 00:38:45,960 --> 00:38:47,360 whoever you walk, come on out of there. 724 00:38:48,960 --> 00:38:49,239 Speaker 3: Myra. 725 00:38:50,079 --> 00:38:52,559 Speaker 2: You notice then it's Ted's wife? 726 00:38:52,760 --> 00:38:55,559 Speaker 4: Hello, Bert, who is your friend? 727 00:38:55,800 --> 00:38:58,559 Speaker 2: Myra? I? I I couldn't help myself, so. 728 00:38:58,679 --> 00:38:59,920 Speaker 4: You did frame Ted after? 729 00:39:00,320 --> 00:39:00,920 Speaker 2: Please my red. 730 00:39:01,000 --> 00:39:01,719 Speaker 3: You don't understand. 731 00:39:02,519 --> 00:39:06,079 Speaker 2: It was Jenny, Jenny Saunders. I I couldn't keep away 732 00:39:06,079 --> 00:39:08,199 from her. Alright, we can't hang around here. 733 00:39:08,639 --> 00:39:09,559 Speaker 3: What are you gonna do with her? 734 00:39:09,599 --> 00:39:11,960 Speaker 2: I don't know, but something will occur to me? 735 00:39:12,159 --> 00:39:12,800 Speaker 3: Move sister. 736 00:39:13,599 --> 00:39:16,360 Speaker 2: Why what are you gonna do to her? She has 737 00:39:16,400 --> 00:39:18,239 to disappear, let her alone. 738 00:39:18,880 --> 00:39:20,199 Speaker 3: Murder was no part of the deal. 739 00:39:20,360 --> 00:39:23,960 Speaker 2: Look, but people do what they have to do. I said, no, please, 740 00:39:24,039 --> 00:39:26,920 please my r r if you promise? Not what can 741 00:39:26,960 --> 00:39:28,639 she promise? 742 00:39:28,239 --> 00:39:29,719 Speaker 5: Poor girt? 743 00:39:30,639 --> 00:39:35,920 Speaker 4: This this character makes you betray your friend, loot your company, 744 00:39:36,360 --> 00:39:39,519 and now he'll kill you. Shut up, lady, Well how 745 00:39:39,559 --> 00:39:40,360 else can it end? 746 00:39:40,480 --> 00:39:42,360 Speaker 2: I think we'd better go for a little ride. No, 747 00:39:42,679 --> 00:39:43,280 I won't let you go. 748 00:39:51,480 --> 00:39:59,440 Speaker 3: You okay, mister Hollis me? Yes, yes, I have yo 749 00:40:00,000 --> 00:40:02,280 to be able to save this other one's life. Tenant, 750 00:40:03,000 --> 00:40:04,280 what what am I doing here? 751 00:40:04,480 --> 00:40:04,719 Speaker 4: Yeah? 752 00:40:05,519 --> 00:40:05,920 Speaker 5: Well? 753 00:40:06,039 --> 00:40:08,840 Speaker 3: You can say whatever you like about science and facts 754 00:40:08,840 --> 00:40:13,480 and clues and evidence, but sometimes a good hunch has 755 00:40:13,559 --> 00:40:16,280 'em all beat you. 756 00:40:16,280 --> 00:40:17,360 Speaker 4: You heard what they said. 757 00:40:17,559 --> 00:40:22,840 Speaker 3: Yep, everything I followed you, because if it didn't happen 758 00:40:22,880 --> 00:40:25,199 to be right, you'd need help. I didn't mean to. 759 00:40:26,119 --> 00:40:29,360 Speaker 5: I just well, I just kept getting in deeper and deeper. 760 00:40:30,559 --> 00:40:35,280 Speaker 3: Thank you, lieutenant, No, thank you for showing me what 761 00:40:35,320 --> 00:40:35,840 it can be like? 762 00:40:36,920 --> 00:40:38,199 Speaker 4: What what can be like? 763 00:40:39,039 --> 00:40:40,239 Speaker 3: Marriage? 764 00:40:40,559 --> 00:40:52,840 Speaker 2: I may even try it myself, and he did or 765 00:40:53,000 --> 00:40:57,079 so we are told, well, what is the model here? 766 00:40:58,079 --> 00:41:01,559 You may be sure that faith can overcome any difficulty. 767 00:41:02,360 --> 00:41:05,320 And as the Persian poet said, the sweet breath of 768 00:41:05,400 --> 00:41:11,719 love can blow away the mightiest mountains. So you have faith, 769 00:41:12,480 --> 00:41:24,920 for I shall return in just a few moments. Love, 770 00:41:25,559 --> 00:41:31,800 like wine, they say, grows mellower, finer, tastier as time 771 00:41:31,920 --> 00:41:35,599 goes on. Just as youth is wasted on the young, 772 00:41:36,440 --> 00:41:40,400 so is love. The heart has its reasons, and the 773 00:41:40,400 --> 00:41:44,159 more we attempt to probe and pry and weigh and analyze, 774 00:41:44,840 --> 00:41:47,800 the more we come to nought. Love is one of 775 00:41:47,840 --> 00:41:52,559 the two supreme passions. The other, of course, is murder, 776 00:41:53,079 --> 00:41:55,840 which is why we always try to give you liberal 777 00:41:55,880 --> 00:42:00,920 amounts of each seven times each week. Our cast included 778 00:42:01,000 --> 00:42:05,679 Joan Lovejoy, Mandel Kramer, Rna Raeburn, Ken Harvey and Sam Gray. 779 00:42:06,480 --> 00:42:09,559 The entire production was under the direction of Hyman Brown. 780 00:42:10,800 --> 00:42:13,480 This is E. G. Marshall inviting you to return to 781 00:42:13,559 --> 00:42:18,719 our Mystery Theater for another adventure in the macabre. Until 782 00:42:18,960 --> 00:42:25,599 next time, pleasant dreams.