Speaker 1: We're heading to the Middle East again this week. We're
Speaker 1: talking Egypt, but not just the Egypt that we see
Speaker 1: in the museums and we see in the pyramids. We're
Speaker 1: talking about megalithic Egypt. And this is becoming a very
Speaker 1: important distinction from the Pharonic period and later periods when
Speaker 1: the Romans took over Egypt. And what I'm trying to
Speaker 1: get at here is that there is a great deal
Speaker 1: of evidence for a very sophisticated earlier people of advanced
Speaker 1: technological abilities. Hey, this is Cliff, your host of Earth Ancients,
Speaker 1: and today we are taking you to Egypt to look
Speaker 1: at a lot of evidence from the locals standpoint, and
Speaker 1: that would be Mohammed Embraheem, who is an archaeologist who
Speaker 1: is also a tour guide, one of the best in
Speaker 1: the entire country. And we are highlighting our tour that's
Speaker 1: coming up April twenty eighth through May tenth, starting in Cairo.
Speaker 1: It's a tour that focuses on the great advancements that
Speaker 1: have been that have taken place over the centuries and
Speaker 1: new evidence that is coming to light that the Pharaohs
Speaker 1: had nothing to do with not only the pyramids, but
Speaker 1: if you remember when we had Ben VN. Kirkwick on
Speaker 1: the program, there is evidence of high technology and stone cutting,
Speaker 1: unusual stone, balls, plates, vases, and what I've come to
Speaker 1: see and we've seen it when we had Chris Dunna
Speaker 1: on the program, is that there's what I call signatures,
Speaker 1: the signatures of megalithic buildings. Most notably, and we'll see
Speaker 1: this when we're on this tour. At the Grand Egyptian Museum,
Speaker 1: there are some of the largest, if not the largest
Speaker 1: sculptures in the world in Egypt, and until very recently,
Speaker 1: we took it upon ourselves to think that we believe
Speaker 1: that the that the explanation were was that these are
Speaker 1: just fantastic artists, that they were amazing sculptors. And for
Speaker 1: the most part that is true. Because when you're cutting
Speaker 1: into granite are some of the hardest stone in the world,
Speaker 1: and coming up with elegant sculptures of people, that is
Speaker 1: a challenge. And to do it with with realism, that's
Speaker 1: a that's another challenge that we can say that is
Speaker 1: coming from the dynastics. But what we're gonna be looking
Speaker 1: at today is these massive sculptures. There's one at Memphis
Speaker 1: that I talk about all the time, and it is
Speaker 1: reclining Ramsey Ramsey, the second sculpture. It is so elegant
Speaker 1: and so beautifully carved that there's no real evidence of
Speaker 1: human touch. There's no I see this every week. There
Speaker 1: is very little that looks human in terms of it's
Speaker 1: it's how it was rendered in stone. And it's like
Speaker 1: fifty feet high, fifty feet tall. It was probably cut
Speaker 1: from a block of granite weighing anywhere between five hundred
Speaker 1: and six hundred tons. There is evidence and we will
Speaker 1: hear from Chris Dunn again in a couple of weeks
Speaker 1: about this. But he made a developed a very interesting
Speaker 1: system of taking a mirror and placing it on one
Speaker 1: side of the face, or placing it down the middle
Speaker 1: of a sculpture, photographing that and then flipping that image
Speaker 1: over so it's a mirror image of one side, so
Speaker 1: you get a complete face. And what it looks like
Speaker 1: is that there is a machine system or a cutting system,
Speaker 1: a computerized guide system. We call it computer We don't
Speaker 1: have we have no idea what it could have been
Speaker 1: in that previous epoch. But the precision, and this is
Speaker 1: the big part of Chris Dunn's book on the Giza
Speaker 1: power Plant. The precision level of carving is such that
Speaker 1: it's not human, has nothing to do with human intervention.
Speaker 1: It is machine cut. And I always like to it's
Speaker 1: kind of like you know when you go to a
Speaker 1: garden store and you see a little gnomes and elves,
Speaker 1: how perfectly cut they are. Or some people might want
Speaker 1: a Greek sculpture or Roman sculpture. Those are all done
Speaker 1: by either their poored cement or mortar or some composite,
Speaker 1: or they're stone. They're cut in stone through some kind
Speaker 1: of machinery. And we're seeing this in Egypt on a
Speaker 1: massive scale. Now. When we go to the Grand Egyptian Museum,
Speaker 1: if you ever get a chance to go there, when
Speaker 1: you walk into the lobby, there is the largest free
Speaker 1: some of the largest free standing sculptures in the world,
Speaker 1: and they are all cut with such a level of
Speaker 1: precision it's crazy. You go to Zakara, the largest sarcophagus
Speaker 1: in the world are carved there. I mentioned Memphis. When
Speaker 1: you go to Luxar, the Colossus of Memnon, they are
Speaker 1: the largest sculptures that have ever been conceived. And it's
Speaker 1: just out of context to consider and expect that the
Speaker 1: pharaohs had those kinds of resources. Now I'm even I'm
Speaker 1: even taking this theme further. If you go to Abu Sabel,
Speaker 1: those are the largest reliefs that have ever been carved
Speaker 1: on the earth. They are attributed to Ramsey's a second,
Speaker 1: and I now believe that they were there before Ramsey's.
Speaker 1: I think Ramseys enhanced them. This is a theme we
Speaker 1: see in Maya Land, we see it in China, we
Speaker 1: see it in Egypt, where a building complex or a
Speaker 1: sculpture was discovered and reused or modified. And this is
Speaker 1: a theme with Ramsey's and it's a theme with a
Speaker 1: lot of other a lot of other pharaohs as well.
Speaker 1: And these guys have such massive eagles. Instead of saying, hey,
Speaker 1: we found this, wouldn't it been a wouldn't have been
Speaker 1: great if they had left a carve note on the
Speaker 1: back of these legs of the sculptures or somewhere close
Speaker 1: that said we found these. We believe there are five, six, seven,
Speaker 1: eight thousand years in the past, and we are now
Speaker 1: going to incorporate them into our buildings. That would be
Speaker 1: so helpful, because what we're dealing with now is a
Speaker 1: simple acceptance by the Egyptological community that ramses. The second
Speaker 1: was the big Usuper was noted for placing his cartoushe
Speaker 1: his signature on buildings, statuary, and who knows what else.
Speaker 1: You know, I'm mentioning Abu Sabil, but there's other possibilities
Speaker 1: that he's out there placing his cartousho all over the place.
Speaker 1: So this is a strange period we're in right now.
Speaker 1: You know, it's unfortunate that we have the so called
Speaker 1: spokesman for egypt history as Zahi Juas, who just is
Speaker 1: a problem. They don't admit there's underground tunnels in the
Speaker 1: Giza Plateau. They don't admit there's any anything inside the
Speaker 1: Great Sphinx at Giza. So this goes on and on
Speaker 1: and on, and we just don't know how to believe anymore.
Speaker 1: And I think Zahi needs to retire. He's on a
Speaker 1: national tour right now, coming to your neighborhood to tell
Speaker 1: you all about the Egyptian history, and it's not reliable,
Speaker 1: he's not valid, he's out of touch. So anyhow, again,
Speaker 1: this program today focuses on the Megalists of Egypt, but
Speaker 1: also seventh Annual Grand Egyptian Tour April twenty eighth through
Speaker 1: May tenth. So today's program is the Megalists of Egypt
Speaker 1: and my guest is Mohammad Imbrahem. It's always fascinating to
Speaker 1: travel to Egypt. I've been traveling there for now eight
Speaker 1: different years, and we have an upcoming tour. It's our
Speaker 1: seventh annual Grand Egyptian Tour with our friends Mohammed Imbraheem
Speaker 1: and the Saba Tour team. And I tell you, if
Speaker 1: you want to come to Egypt, it's the greatest group
Speaker 1: to come with, because not only do they know the
Speaker 1: great hotels, the great restaurants and the best sites to visit,
Speaker 1: they take extremely good care of everyone who's on these
Speaker 1: tours and I am a real stickler for comfort and
Speaker 1: so the buses are great, the Nile river boats are great,
Speaker 1: the plain rides are fantastic. It's a fantastic tour. Again,
Speaker 1: it is the Great Egyptian Tour. It's going to be
Speaker 1: April twenty eight through March no excuse me, yeah, April
Speaker 1: twenty eight through May tenth of twenty twenty six US
Speaker 1: next year, and I have the host with us. Mohammed
Speaker 1: Ambrihem is with me today to talk about this tour
Speaker 1: and what he has added to the tour to make
Speaker 1: it an outstanding tour. Now, one of the things I
Speaker 1: want to mention is I am all about the pre
Speaker 1: flood or the prediluvian period of ancient Egypt, because I believe,
Speaker 1: and we'll talk to Muhammad about this, that many of
Speaker 1: the sites that we go to were there prior to
Speaker 1: the Pharaohs and they were just inherited. We talk about
Speaker 1: this a lot, so we're gonna learn more about it today.
Speaker 1: So hey, welcome back, Muhammad. Great to see you and
Speaker 1: thanks for joining me.
Speaker 2: Of course, I'm great to see you. It's always an
Speaker 2: owner and pleasure to be hosted by you and Zenschi.
Speaker 1: Let's talk a little bit about this itinerary because I
Speaker 1: know that you believe that it's great to show not
Speaker 1: only the pyramids and the Sphinx, which we will see,
Speaker 1: but you designed this tour itinerary to capture the oldest
Speaker 1: parts of the Egypt sites, but not only that, the
Speaker 1: pre devi and signatures and these are cut marks, huge megalithics,
Speaker 1: sculptures and temples and pyramids. Talk a little bit about
Speaker 1: what inspires you to create these tours.
Speaker 2: Yes, as you said, this is an idea, so it's
Speaker 2: not just a tour being designed by any tour company,
Speaker 2: which is okay. Like for many travelers, they can design
Speaker 2: a tour, they can come and visit various locations in
Speaker 2: Egypt and believe. But the tour we do is different.
Speaker 2: The tour is based on an idea, and the main
Speaker 2: idea of our tour is to talk about the preed
Speaker 2: A Luthrian civilizations, the people who existed before ten thousand,
Speaker 2: five hundred PC. And I'm very conservative. I mentioned this,
Speaker 2: it's the latest date we can talk about, but we
Speaker 2: can talk about twenty thousand and fifty thousand, one hundred thousand,
Speaker 2: and maybe seven hundred thousand and older and older. And
Speaker 2: by the way, recently in the academic level, in the
Speaker 2: mainstream level, the Egyptian antiquitous department, they started to speak
Speaker 2: about flint tools made by smart humans seven hundred thousand
Speaker 2: years old. Wow, in the last two months they are
Speaker 2: talking about this. Of course I was I was very
Speaker 2: happy to hear this. I didn't call it very late news,
Speaker 2: but I said, this is a good it is not
Speaker 2: too late to talk about it. Now. We are in
Speaker 2: the beginning of accepting the ideas that there were people
Speaker 2: existed a long time ago. But the question is these
Speaker 2: people were smart. People are also primitive, like cave men
Speaker 2: and like Neante drals. Okay, so that is the second
Speaker 2: idea of the tour. So we're going to prove to
Speaker 2: the participants of our tour and show them that yes,
Speaker 2: there are Preedolivian Egyptians existed in Egypt, and not only
Speaker 2: asypt but I believe all over the world. But because
Speaker 2: the tour is in Egypt, and the Egypt was lucky
Speaker 2: to have more than any other country from these ancient sites.
Speaker 2: And the second part of the idea is to explain
Speaker 2: to them or to show them the evidence that they
Speaker 2: were more advanced than us. So not only like they
Speaker 2: got some tools, some techniques, now, they were way advanced
Speaker 2: than the technology we have nowadays. So this is the
Speaker 2: main concept of the tour, right And.
Speaker 1: Would you say that we're when we go to these
Speaker 1: places like Hathor Temple Dindera, the Giza plateau with the
Speaker 1: pyramids and places like that, that the Pharaohs inherited these
Speaker 1: places and because they were so sophisticated, they made them
Speaker 1: toobs because they didn't know how the machinery worked anymore.
Speaker 1: Or as an example, whenever we go to hath Or,
Speaker 1: there's certain frequencies that are emitting from different parts of
Speaker 1: the temple. And I mean it seems to me that
Speaker 1: they didn't understand how how these places work. Right.
Speaker 2: Yes, the ancient Egyptians or what we call them the Dynasties,
Speaker 2: they inherited so many from the Bridolophan buildings, like the
Speaker 2: main example the Pyramids. And why we are very sure
Speaker 2: because when we designed this tour. The good thing about
Speaker 2: this tour that it is designed by u qualified tour guide.
Speaker 2: Most of the tours are being designed by a good
Speaker 2: tour operator or travel agent. They focus more and care
Speaker 2: about nice hotels, They focus about food, good pass which
Speaker 2: is fair. Okay, we do the same, but I am
Speaker 2: the tour guide. I am the one who explained the history.
Speaker 2: So also I add my touch. So we don't only
Speaker 2: take people to the site, but we explain everything about
Speaker 2: the site, especially these un explained and unexplored sites, to
Speaker 2: show them some hidden secrets in these places and teaching
Speaker 2: them some of the techniques they used in construction and
Speaker 2: explain how so how these techniques are very sophisticated. If
Speaker 2: we talk about the size, the megalthic size, like some
Speaker 2: buildings like in Karnak Tembile and in apple symbol and
Speaker 2: in other places, and of course the pyramids. We talk
Speaker 2: about some very little tiny details in statues, sometimes a
Speaker 2: giant status, sometimes very small statues like only five centimeters
Speaker 2: or seven centimeters. We talk about the challenges of dealing
Speaker 2: with different types of stones, from soft to harvestones. So yes,
Speaker 2: So the technique of this tour is not just taking
Speaker 2: people to see nice places and listen to a nicer story.
Speaker 2: No it is. It is nicer story, but there's a
Speaker 2: big part of the story education. So people are going
Speaker 2: to not just see the beauty of Egypt, but also
Speaker 2: see the secrets of these.
Speaker 1: Which is why I'm helping Muhammad with this tour. Let's
Speaker 1: talk about the pre Deluvium people. Do we have a
Speaker 1: name for them? Do the Egyptians have I mean other
Speaker 1: than the gods because they were so powerful and so
Speaker 1: highly advanced. But is there names for these people that
Speaker 1: were the early sellers?
Speaker 2: This is very good question. In the beginning, it was
Speaker 2: one idea that or it was just one idea about
Speaker 2: the existence of one race or one group of people.
Speaker 2: We can call them the bridal of But what I
Speaker 2: found in my research that there were many and lived
Speaker 2: in uh Or during hundreds of thousands of years, maybe more. No,
Speaker 2: every time I expand my research, I go and keep
Speaker 2: going older and older and older. So I continue something
Speaker 2: which is in my opinion, it is very interesting. And
Speaker 2: unfortunately many people don't pay attention to us that the
Speaker 2: ancient Egyptians, the Dynastics, they left so many stories for us.
Speaker 2: But we if we pay attention to these stories, we
Speaker 2: would gather and collect so much information about the Bridle
Speaker 2: of Indied. But unfortunately in the mainstream studies they think
Speaker 2: that this is a kind of a myth. Or the
Speaker 2: priest was exaggorating, like what in one of the stories
Speaker 2: about Blato Blato and he was talking in behalf of
Speaker 2: the Egyptian priest told him solon, the Greek nation is young,
Speaker 2: or it's like a baby in compared with the history,
Speaker 2: and the ancient Egyptian history is way older than what
Speaker 2: do you think it is around thirty six thousand BC.
Speaker 2: And he told him that there was advanced civilization and
Speaker 2: when the sun started to rise from the west and
Speaker 2: that and he said didn't happen one time, it happened twice,
Speaker 2: So changing larities Okay, so he was talking about the
Speaker 2: disaster happened ten thousand, five hundred BC, and maybe because
Speaker 2: he said twice, so he was talking about an earlier
Speaker 2: disaster around forty thousand BC. But back to their question, Yes,
Speaker 2: there were some names and they were given to us
Speaker 2: by the ancient Egyptians. Because of the disaster, there were
Speaker 2: some survivors, so we can call them seafaring people. Okay,
Speaker 2: but this is what we can understand from the story.
Speaker 2: But the Egyptians, the anncient Egyptians give us a name
Speaker 2: for people who lived six sixteen thousand BC. They called
Speaker 2: them Shimsuhor.
Speaker 1: Shim so Horr. Yes, what does that mean?
Speaker 2: Followers of horse of follows of horror and hims Hor
Speaker 2: are considered as the leaders or the the royal personnels. Okay.
Speaker 2: They were under the label Shimsho. That is an official
Speaker 2: name given to them by the Egyptian priest, the ancient
Speaker 2: Egyptian priests. Okay, and there are so many before them.
Speaker 2: But these are the two names we can understand from
Speaker 2: the ancient Egyptian texts. But I can say that if
Speaker 2: we keep searching, if we keep doing deep analysis, we
Speaker 2: will find more and more of these secrets and unexplained
Speaker 2: the stories of ancient.
Speaker 1: I want to talk a little bit about part of
Speaker 1: the tour where you show evidence of power tools. And
Speaker 1: one of the most starling examples is of a sarcophacus
Speaker 1: in the museum where a huge saw blade was passed
Speaker 1: to the back of it or on the side of it,
Speaker 1: and then they pulled it out and left a huge cut.
Speaker 1: This is the evidence of powers tools, isn't it exactly?
Speaker 2: Because when engineers examine the tool mark, they came up
Speaker 2: with so many ideas. Okay, and according to the tool mark,
Speaker 2: they managed to give us some pictures about the or
Speaker 2: like possibilities about the tool it was used. So the
Speaker 2: first thing they told us that the tool or that
Speaker 2: the blade was round a disc, so it was not
Speaker 2: a left or a flat, so it was a disc
Speaker 2: because the cut is round cut. And then they told
Speaker 2: us it's supposed to be diamond blade or something harder
Speaker 2: than diamond, because the cut was going into the granite
Speaker 2: very smooth and as if there was no challenge. It
Speaker 2: is similar or even better than our modern diamond discs.
Speaker 2: And they told us it was giant disc. The diamemeter
Speaker 2: about at least two meters to make this cut, because
Speaker 2: it's big Sarco figures. I think the backside of it
Speaker 2: is around one point six centimeters. Okay, so that is
Speaker 2: not short, that is not a small one. And then
Speaker 2: these lines arranged behind each other, what to call it,
Speaker 2: these stariations, They are perfectly aligned behind each other. So
Speaker 2: it seemed that it was not just a tool, not
Speaker 2: a power tool, but very efficient tool was spinning in
Speaker 2: a good speed. None how they call it a continuance feeding.
Speaker 1: Continual rate of speed and feed right.
Speaker 2: Okay, So it was a machine, yeah, it was and
Speaker 2: and a machine. And this is what I can add
Speaker 2: to the story. A machine was run by another machine
Speaker 2: or a computer program. So it was not a power
Speaker 2: tool hold by a man or an artist or a
Speaker 2: kind of a stonemason. No, it was a system. So
Speaker 2: it was a big machine in a kind of a
Speaker 2: factory or a huge workshop doing this.
Speaker 1: So it's a guided machine of some kind, kind of
Speaker 1: like what we have today in with a computer guided
Speaker 1: sar or some kind.
Speaker 2: This is what I can see because the as I say,
Speaker 2: and it's not my opinion, it is again the engineers.
Speaker 2: Every tool can leave a certain mark and the shape
Speaker 2: or the sequence of the mark depends on who is
Speaker 2: controlling or what is controlling the tool. If the tool
Speaker 2: is being controlled by human hand, the sequence will be
Speaker 2: different rather than being controlled by a that's amazing. The
Speaker 2: second to be restricted and very stable. If if there
Speaker 2: was a machine or a computer system, it will not
Speaker 2: be stable if it is a human hand.
Speaker 1: We're going to take a short commercial break to allow
Speaker 1: our sponsors to identify themselves, and we will return shortly
Speaker 1: with my guest today, Mohammed Ambraheim, discussing the Megalists of Egypt.
Speaker 1: Will be right back. My guest today is Mohammed Imbrahem.
Speaker 1: He's coming to us from Cairo. We're discussing the Megaliths,
Speaker 1: the Megalithic culture whose handiwork we see in temples, the pyramids,
Speaker 1: and many of the statuary that are part of ancient Egypt.
Speaker 1: You know, it's funny. Years ago Chris Dunn wrote about
Speaker 1: the sculptures and his belief that many of them were
Speaker 1: created artificially, they weren't human created, and part of our toures.
Speaker 1: We go to Memphis and we're going to see this
Speaker 1: Ramsey two sculpture, which is just so amazing and I
Speaker 1: am of a firm belief now that that thing was
Speaker 1: cut with a machine. It's just too perfect exactly.
Speaker 2: And the size is a big problem. You know, I
Speaker 2: always say and I tell my people my opinion may
Speaker 2: be not correct. But as an example, if we are
Speaker 2: doing a sculpture like life size and it is perfect,
Speaker 2: maybe it can be done by a qualified talented artist,
Speaker 2: someone an experience maybe thirty years, can do this. But
Speaker 2: when the size is giant, like a statue you mentioned
Speaker 2: in the Open Air Museum of Memphis, who can do this?
Speaker 2: Who can move like that face is bigger than the
Speaker 2: human size? So who can hold the power tool and
Speaker 2: move from the right side to the left side and
Speaker 2: then the news the eyebrows, the eye that the lips
Speaker 2: and make sure that this is perfect match to the
Speaker 2: other side. This is impossible. This is absolutely impossible. Okay.
Speaker 2: So the only thing again can do this is another machine,
Speaker 2: or a guidance from another machine or a computer system. Yeah,
Speaker 2: but the size of the statue is adding another problem
Speaker 2: to the story. So we are talking about again a
Speaker 2: giant machine. So the statue giant, and the machine is
Speaker 2: a giant also.
Speaker 1: And one of the things that you have pointed out
Speaker 1: to me in our tour guests many many times, is
Speaker 1: the original block of granite is huge. You could weigh
Speaker 1: eight hundred tons or five hundred tons, and then they
Speaker 1: cut it down in three hundred tons. You know, So
Speaker 1: just the size of the block alone, quarrying it and
Speaker 1: then cutting it is just out of our perception. We
Speaker 1: can't think of how that would be done.
Speaker 2: Yes, and I always say it is not. The problem
Speaker 2: is not just that the size, okay, but because the
Speaker 2: problem is how they decided to choose the size and why.
Speaker 2: Because this size will pring hundreds of challenges. So if
Speaker 2: they were not aware with all the solutions to handle
Speaker 2: this size, they will not choose this big block. Because
Speaker 2: this big block need to be cut from under the quarry,
Speaker 2: under the ground gliver, not from above the ground lever.
Speaker 2: So they need to do a tunnel first, deep tunnel
Speaker 2: under the ground okay, bigger, then the block itself and
Speaker 2: then cut the block. Then take the block out from
Speaker 2: this tunnel. You know what, any in any second, the
Speaker 2: blog can correct, can be correct. Because it's a stone.
Speaker 2: There is potential gas gaps or hidden cracks, and then
Speaker 2: the same story, there is high risk during sculpturing the statue.
Speaker 2: It can be broken. They can make a mistake broke
Speaker 2: that knows the ear a finger, so that will cause
Speaker 2: that they will leave the statue and bring anozar clock
Speaker 2: an as a three hundred ton. And in other statues
Speaker 2: like the one in lockso Tembil, you're going to see
Speaker 2: it also five hundred ton, and that the one we
Speaker 2: call it Memnon statue in the West Bank of Locks
Speaker 2: for seven hundred ton s one piece two. Okay, So
Speaker 2: this is the story that the size of the of
Speaker 2: the statues is leading us for this fact that yes,
Speaker 2: they had also very high advanced technology.
Speaker 1: I haven't talked to you in about a year, Muhammad,
Speaker 1: and I'm curious. Christan theorizes that they used heizoelectric energy
Speaker 1: and it was created in the Great Pyramids. The pyramids
Speaker 1: were power generators, h and perhaps the smaller pyramids were
Speaker 1: powering the tools and the living lifestyle these early people.
Speaker 1: But what's the latest theory on what was powering these
Speaker 1: power tool tools? Was it? You know what you're what
Speaker 1: you're thinking of? Is there any new thinking on it?
Speaker 2: Of course I agree with chrisdan One, but also I
Speaker 2: did believe a long time ago that not only the pyramits,
Speaker 2: but so many structures in ancient Egypt. From ancient Egypt,
Speaker 2: and so many symbols are serving in UH in many
Speaker 2: ways according to the time, so as if there's a
Speaker 2: function for these sites. Every civilization, So these sites were
Speaker 2: there for hundreds of thousands of weeks. But let's say
Speaker 2: in one civilization, the part the perramit was a power plant.
Speaker 2: In another civilization, the power the permit was a healing center.
Speaker 2: In another sevilization, the perramit could be something related to
Speaker 2: the stars, could be a star date or and you're
Speaker 2: going to read this in my next book. We're going
Speaker 2: to talk.
Speaker 1: We're going to ask you about your upcoming book in
Speaker 1: a minute here. But uh yeah, go ahead.
Speaker 2: Every civilization UH used these sites in a different way
Speaker 2: based on what based on the technology they have and
Speaker 2: also according to some Bully Meth friends, I know, the
Speaker 2: permit is hiding the numbers of the universe, the equations
Speaker 2: and the correlations of numbers between each other, and so
Speaker 2: like the I'm not very good in excelling this, but
Speaker 2: I will try help that the space or the distance
Speaker 2: from the top to the base equivalent to the volume
Speaker 2: and the wits that will give us a number, this
Speaker 2: number and multiply by certain number will give us the
Speaker 2: distance between Earth and the Sun, or can be a
Speaker 2: reason to understand how we place or how to square
Speaker 2: the circle, or how to circle the square. It's all
Speaker 2: about mathematics. Like as if this permit is all the
Speaker 2: mathematical theories together in one sheet, that's like everything.
Speaker 1: With geometry, right, sacred geometry?
Speaker 2: Yes, yeah, okay, And I believe I agree with this
Speaker 2: because I think what we call it hol of records,
Speaker 2: if we find it, or if we find something similar,
Speaker 2: we will not find written secrets. Now I think we're
Speaker 2: going to find again designs secret geometry again. So we
Speaker 2: need to do our homework and we need to understand
Speaker 2: how this was made so to be able to figure
Speaker 2: out how we can use it and how we kind
Speaker 2: of understand.
Speaker 1: One of the absolute amazing parts of Saba tours is
Speaker 1: the fact that Mohammed is able to get special permission
Speaker 1: to sacred areas of these sites. And one of the
Speaker 1: outstanding parts of the tour is when we get to
Speaker 1: go into the Great Kufu Pyramid and you can spend
Speaker 1: I think we get a couple of hours in there,
Speaker 1: is it that right? We get two hours? Yeah? And
Speaker 1: I'm curious about your opinion of this new SARS technology
Speaker 1: Mohammed synthetic aperture radar which pierced the ground, the soil
Speaker 1: underneath these great pyramids and has found amazing structures. Do
Speaker 1: you think it's a valid discovery? Talk a little bit
Speaker 1: about your opinion of the SARS technology, and again for
Speaker 1: the olse of you listening, we will spend a great
Speaker 1: amount of time in these pyramids. You can go to
Speaker 1: the kings, the Queen's chamber, and the subterranean chamber, and
Speaker 1: the Grand Gallery, which is just a phenomenal part of
Speaker 1: the tour.
Speaker 2: Yes, you're right, it's I call it always that the
Speaker 2: magical part of the trip, the Grand the great permit
Speaker 2: private visit. And when Naha, my wife, they joined the business,
Speaker 2: she made sure to upgrade the level of quality and
Speaker 2: then she moved from quality living to make sure that
Speaker 2: we get the right permissions and the right time. Also
Speaker 2: because by doing this many many years, we figure out
Speaker 2: which time is better than the other time. So you
Speaker 2: can visit the place in a certain time, but it
Speaker 2: won't be very good. Okay, to visit it later at
Speaker 2: night may be better, or sometimes earlier Okay. A long
Speaker 2: time ago. As a local lived very close to the pyramids,
Speaker 2: we had local stories. One of the local stories that
Speaker 2: there are series or a huge network of tunnels under
Speaker 2: Giza Pyramids and Sakara, which can be a local story,
Speaker 2: may be true, maybe not true. But then when I
Speaker 2: started to study Gyptology, I found that even the ancient
Speaker 2: Egyptians they were talking about this and they call Disablato
Speaker 2: the Rostele rose tele okay rose Teu can simply being
Speaker 2: explained as the land of tunnels under the pyramids. Not
Speaker 2: only this, but there's one of the stories about one
Speaker 2: of the villagers who went into a tunnel from Sakara.
Speaker 2: The entrance was Sakara and ended up at Disablatoo. So
Speaker 2: we took about twenty six kilometers around twenty nineteen miles
Speaker 2: or eighteen miles. I think, okay, maybe someone can say no,
Speaker 2: this is not real, this is fake. I can say okay,
Speaker 2: But every site in Egypt there is a story about
Speaker 2: tunnels and a huge tunnel. Okay. And there is a
Speaker 2: place in Elminia, an area in middleg called Dominion. There
Speaker 2: is a huge location like the Syrupium, but it is
Speaker 2: like twenty times bigger than the serrupium. Every branch is
Speaker 2: one syrupium. Wow, remember syrub Zakara. Yeah, it is one
Speaker 2: branch of that place in Elminia. So when I saw
Speaker 2: the news about this shafts or the design under different permit,
Speaker 2: I know many people will consider this as too much.
Speaker 2: Maybe it's not like this, maybe not deep. But I think,
Speaker 2: you know, it is real, and I think there is
Speaker 2: there are more to be discovered, not under the Khafra permit,
Speaker 2: but under the Great Pyramid. For many years I was
Speaker 2: listening to my tours or my clients talking about a
Speaker 2: lake of water under the Greek permit. But I kept saying, guys, know,
Speaker 2: there's something not correct here. There is no water under
Speaker 2: the Greek permit, because during the private visit we can
Speaker 2: go to the subterranean shift Subtrnian rule and it is
Speaker 2: empty dry. There is no water. So I was telling them,
Speaker 2: you are confused between the Great Pyramid and what we
Speaker 2: call it the Osiris Shift in front of the second permit.
Speaker 2: There is water on the third delivered there at the
Speaker 2: depths of thirty five meters. But when I started to
Speaker 2: check this kind of rumor, as I called it, it, Herodotus,
Speaker 2: the Greek history who was talking about the lake of
Speaker 2: water under the Great Permit. He made sure to excellent
Speaker 2: this way. So now I can agree with this story
Speaker 2: because of what they discovered under the second permit. But
Speaker 2: there is no access now to this lake. The access
Speaker 2: disappeared hundreds of years ago, but it seemed that Herodotus
Speaker 2: maybe had an access or he was told by the
Speaker 2: locals about this lake under the Great Permit. So yes,
Speaker 2: the size of these two rooms and the very deep
Speaker 2: spirals or spiral shafts six hundred and forty five or
Speaker 2: forty or fifty eight meters, I agree with this one
Speaker 2: hundred percent.
Speaker 1: Why do you think zaihel Was denies any of this material?
Speaker 1: I mean he's not really the spokesman for the antiquities department,
Speaker 1: but when he speaks up, he represents them, doesn't he.
Speaker 1: I mean he got under Joe Rogan and he basically said, no,
Speaker 1: that's all crap. I mean, what's he thinking?
Speaker 2: Look, doctor zachy is a is a man with great experience,
Speaker 2: of course, okay, and that can he represents the manstream zyptologists, okay,
Speaker 2: But their studies and their information based on the dynastics
Speaker 2: stores and based on what they can see on stone.
Speaker 2: So if they don't see something written in hieroglyphics written
Speaker 2: above the walls, it will be very difficult to accept it.
Speaker 2: Let metereally something quick when geologists more than one hundred
Speaker 2: and fifty years ago started to interfere in ancient civilization's
Speaker 2: work and they started to come up with what we
Speaker 2: call it prehistoric or pre dynastic uh information objects, especially
Speaker 2: in egipt we'll talk about easier. When they started to
Speaker 2: talk about pre dynastic cultures, you know what, most of
Speaker 2: the famous Egyptologists at the time, including Flinders Petrie, they said, no,
Speaker 2: this is not right, this is not good. There is
Speaker 2: nothing called pre dynastic. And they did these old buttery
Speaker 2: jars and and the other stuff. It's a bore quality
Speaker 2: of all the Kingdom or Middle Kingdom. But by time
Speaker 2: and after many many evidence, they started to accept the
Speaker 2: story and they approved and Flinders pe Tree himself became
Speaker 2: one of the pioneers of digging and finding pre dynastic cultures.
Speaker 2: So that's the case. So this is this is much
Speaker 2: forists and archaeologists also, but by it will not be
Speaker 2: unique or will not be something surprising for them. With
Speaker 2: the amount of data we are expecting in the near future.
Speaker 2: I think this is what will be accepted.
Speaker 1: We're going to take a short commercial break to allow
Speaker 1: our sponsors to identify themselves, and we will return shortly
Speaker 1: with my guest today, Mohammed Ambrahem, coming to us from Cairo, Egypt.
Speaker 1: We will be right back today. We're presenting Megalithic Egypt,
Speaker 1: and we have to wonder how this new SAR technology
Speaker 1: is affecting our understanding of the past. Synthetic aperture radio
Speaker 1: apparently has been used by the military for decades to
Speaker 1: pierce under the ground to see enemy fortifications. It's recently
Speaker 1: been used to look at the pyramids, and we have
Speaker 1: to wonder if this is something to be considered all
Speaker 1: ancient buildings, all ancient construction, to see if there's earlier
Speaker 1: design features. I guess the reason I'm saying this, Muhammed,
Speaker 1: is that using the SAR satellite technology is one way
Speaker 1: to verify that these anomalies right. The only other way
Speaker 1: is that for the Antiqua the Department to grant permission
Speaker 1: to do other testing so they can validate these underground chafts.
Speaker 1: So if they deny it, it's going to be a problem,
Speaker 1: and it's going to be like the Scan Pyramid group
Speaker 1: that we're only allowed to release a little bit of data.
Speaker 1: But there was that void above the King's Chamber that
Speaker 1: they never were able to talk about because the Antiquities
Speaker 1: Department is controlling the release of data and information, so.
Speaker 2: It's not a void. But recently we know now there
Speaker 2: is another terance above the original entance. Oh yeah, I said, yes, Okay.
Speaker 2: We were told that by the end of this year
Speaker 2: they're going to announce more and give us more data
Speaker 2: about it. But as I told you, it's a matter
Speaker 2: of time. It won't be the case all the time. No,
Speaker 2: I think maybe a couple of years, many things will change.
Speaker 1: So they're going to be pressured, is what you're saying.
Speaker 2: Media pressure, social pressure, and and new techniques because no
Speaker 2: one ever used this technique. That's our technique. So now
Speaker 2: we know that we can use this technique to find
Speaker 2: underground designs.
Speaker 1: Yeah, exactly. I want to move quickly to some of
Speaker 1: the areas. There's a lot of new places that you've
Speaker 1: added to this tour that I haven't been to, and
Speaker 1: one of them is uh you mentioned Herodotus and the
Speaker 1: Labyrinth which is in Hawara, part of the Hawara pyramid.
Speaker 1: Talk a little bit about what we see there. Obviously,
Speaker 1: the the there's a great deal that's under the ground.
Speaker 1: The labyrinth. You can't see any parts of it, but
Speaker 1: there's some some things to see. Talk about that.
Speaker 2: Heridotas mentioned something unbelievable about this place. He was talking
Speaker 2: about the Hawada permit, and then he said that in
Speaker 2: front of the permit there's a super giant structure and
Speaker 2: he give it a name, the Labyrens, And he made
Speaker 2: a very strange statement. He said that the whole thing
Speaker 2: was being built of one piece of a stone. So, okay,
Speaker 2: maybe people don't under understand how big it was. Okay,
Speaker 2: to make sure we understand how big it was. It
Speaker 2: was consist of three hundred rooms in two floors. Three
Speaker 2: hundred rooms. If the smallest of the the average size
Speaker 2: of the room like maybe four meters two by two.
Speaker 2: I think it was bigger than this. So we talk
Speaker 2: about truly a giant building from one piece of a stone.
Speaker 2: This is too much. Okay, maybe true, but my own opinion.
Speaker 2: Herodotus couldn't see or the one who told him the story.
Speaker 2: He was deceived by the superior technique and talent and machinery.
Speaker 2: Like when we go to the valley temble, we we
Speaker 2: don't see even the cut. You cannot put a razor
Speaker 2: or a sheet in the cut. Okay, it is completely closed.
Speaker 2: We see it because of erosions and because of some
Speaker 2: kind of humid effect. Okay, but if it was polished
Speaker 2: in a good way, we won't see these joints or lines.
Speaker 2: So he was looking up on this huge granite building.
Speaker 2: And when we say granite, we immediately expect rose granite
Speaker 2: of us one which is full of quartz. Quartz when
Speaker 2: you talk about bees electricity, this is one of the
Speaker 2: main things or or pieces okay, can be used to
Speaker 2: produce by zoo electric This place was being destroyed. We
Speaker 2: when exactly, but I'm not sure. But when we go
Speaker 2: there we will be able to see the foundation under
Speaker 2: the ground, and there are so many scattered pieces from granite,
Speaker 2: from quartzite, which is also another important source for selica
Speaker 2: high quality silica. We're going to see limestone and we
Speaker 2: will talk about what I call it the conspiracy that
Speaker 2: a long time ago there was no canal. It was
Speaker 2: a huge field. But two hundred years ago, the Egyptian
Speaker 2: government at the time, or one of the rich people
Speaker 2: who owned the land decided to dig a canal just
Speaker 2: beside the pyramid, and it went through or goes through
Speaker 2: the Labyrins. Yeah, the Lebyns now divided into two pieces
Speaker 2: or two sections the base of the Lebrens okay, eastern west.
Speaker 2: But I can tell you yes, there is no much
Speaker 2: to see except the pyramid and the foundation of the Lebrens.
Speaker 2: But the energy level there is very very strong. Oh
Speaker 2: really you go there? Because Number one, this place is
Speaker 2: not very popular. I don't know why. Like millions of
Speaker 2: tourists they visit Egypt, but they don't go there. Only
Speaker 2: maybe a couple of two thousand, three thousand maximum every
Speaker 2: year they visit this place, if not less so as
Speaker 2: if places still keep this clean energy. Okay. Number two,
Speaker 2: the scattered pieces of rose granite and the pyramid itself,
Speaker 2: because this one is still not explored from inside the passage,
Speaker 2: the messages and the so called the chamber chamber are
Speaker 2: drowned by underground water.
Speaker 1: Wow.
Speaker 2: And and the very interesting statement Flinders Petrie. He said
Speaker 2: that he was able to go in it was not
Speaker 2: flooded yet. And he said that the sarcophagus, which I
Speaker 2: don't agree with this word, so I call it the
Speaker 2: box is made from and and this is unique. I
Speaker 2: never heard about this material. Okay, he said quartuzide. I
Speaker 2: know qurtuzis, but he said yellow transiparent quartuzide. Really, I
Speaker 2: don't know it's what does it mean, yellow cortezite. I
Speaker 2: understand this one, but yellow transparent quartuzide. In my opinion,
Speaker 2: maybe he was talking about a huge piece of quartz.
Speaker 1: Sure was an alabaster. No, he knows Alabast, Yeah, because
Speaker 1: it's in his museum.
Speaker 2: You're right, But he said yellow transparent cortuzide.
Speaker 1: Well, I'm looking forward to that list. As we come
Speaker 1: to the conclusion, I want you to mention a couple
Speaker 1: of other things, and I want to talk about your
Speaker 1: book real quickly, the one that's coming up. We I
Speaker 1: added Tennis, which I've been wanting to go to, which
Speaker 1: is just a megalithic site. And is Tennis Old Kingdom?
Speaker 1: I remember being all the figure out is it it's
Speaker 1: or is it before Old Kingdom?
Speaker 2: The famous story about Tennis is New Kingdom, New Kingdom.
Speaker 2: But when we go there, we will see that Tennis
Speaker 2: is also breed Alovian.
Speaker 1: There's there's monster sculptures, there.
Speaker 2: I mean exactly. We have Tennis is the only city
Speaker 2: all over the world which had more than ten opulists
Speaker 2: together in one place obblis yes. And and the one
Speaker 2: in front of the Grand Museum from Tennis, the one
Speaker 2: in the Harrier Square downtown also from Tennis. And it's
Speaker 2: not only Tennis. Where to visit two ancient sites, Tellabasta
Speaker 2: or the mountain of past It past It is a
Speaker 2: lioness uh knitter equivalent to segment. Also busted is sometimes
Speaker 2: a lioness or a cat goddess. Okay, we're gonna see
Speaker 2: a giant sculpture for a lady about five or six
Speaker 2: meters tall, maybe eight meters a giant was a giant
Speaker 2: hair wig. Okay, we're gonna see giant ruins of a timbil.
Speaker 2: The whole timbile was granite for Hatur. Really, this is
Speaker 2: the one of the unique timbles. We can see Fortur
Speaker 2: at the north of Egypt, not the south of Egypt.
Speaker 2: M hm. So truly, this visit to U Sharkeya, Tennis
Speaker 2: and Telabasta is very very special in this tour. Also again, yeah,
Speaker 2: the tourists, they don't go to these places when we
Speaker 2: why don't they.
Speaker 1: Go to tennis. Tennis is got so many anomalies, it's
Speaker 1: just huge.
Speaker 2: Okay. I will be very clear with you. Many of
Speaker 2: the tour companies they don't want to add this because
Speaker 2: of the drive and because they don't have their own cars, okay.
Speaker 2: And also sometimes maybe tour guide they don't know what
Speaker 2: to say exactly there because they can repeat stories they
Speaker 2: already told you at losore As one. Oh, so it is.
Speaker 2: It is maybe off the tourist plan Tennis and Fayoum,
Speaker 2: but we do this, We don't we don't want to
Speaker 2: be able to miss some of these secrets. As you said, yes,
Speaker 2: we take people to places nobody else have seen.
Speaker 1: I thought you were going to say something like the
Speaker 1: antiquities department doesn't like people go out to these anomalist
Speaker 1: sites because they can't answer questions about agolithic monster colossal
Speaker 1: size sculptures and how they were cut.
Speaker 2: No. Absolutely the opposite. That the places open, they have
Speaker 2: like nice dates, and they welcome people to come because
Speaker 2: the income when they sell tickets, it's good for the economy.
Speaker 2: But as I told you, it is the tourists who
Speaker 2: don't want to. Like in Sakkara, many people who visit Sakara.
Speaker 2: They don't go to the Serubium, okay, because it's another
Speaker 2: place away from the tourist man. But we do the
Speaker 2: Serrubium because we value the importance of Sakkara.
Speaker 1: Yeah, it's amazing of the Serubium. It's the Earthly Agents.
Speaker 1: Grant Egyptian tour. The dates are April twenty eighth through
Speaker 1: May tenth, twenty twenty six. Our host will be Mohammad
Speaker 1: and his lovely wife nohah Embyhem and it's Sabaturs. And
Speaker 1: before we leave, I want to talk a little bit
Speaker 1: about your upcoming stargate book. Now, you've pointed out stargates
Speaker 1: at Hathorpe Temple almost every place we've gone to. You've
Speaker 1: mentioned something about signatures hieroglyphs that are related to stargates.
Speaker 1: What can you tell us about this upcoming book that
Speaker 1: you have uncovered in terms of what powers, how are
Speaker 1: these stargates energized? And the other thing real quickly, because
Speaker 1: we had Mike Ricziker on a couple of weeks ago
Speaker 1: and he mentioned that you had found some hieroglyphs that
Speaker 1: said people could go to the Moon or other planets,
Speaker 1: which I thought was hilarious. Talk a little bit about that,
Speaker 1: because that's I mean, I'm really looking forward to that
Speaker 1: book if that's what's in there, but any talk about it.
Speaker 2: You know, what is very interesting that this story and
Speaker 2: this book is coming from my mouse, Mohammed mouse, and
Speaker 2: myself was not a big one of this story at all. Okay,
Speaker 2: Like in the beginning of my career, I was more
Speaker 2: interested in ancient technology, and I was like trying to
Speaker 2: get more involved with geology and this kind of teaching.
Speaker 2: One of my friends was teasing with me all the time.
Speaker 2: Every time I explained something, he used to say, aliens.
Speaker 2: Who did that? Aliens? Aliens space technology. So I didn't
Speaker 2: pay attention. And one day I saw the glyph, which
Speaker 2: is it was in front of my eyes. For years,
Speaker 2: I used to see it every time, but I was
Speaker 2: not ready yet to understand or to observe this symbol,
Speaker 2: which is Saba, the symbol of stargate. Okay, but the
Speaker 2: moment I started to see it as if it was
Speaker 2: a kind of a system of steps or levels for me.
Speaker 2: So I saw the symbol and then I saw the
Speaker 2: many or the various styles of the same symbol, but
Speaker 2: sometimes short short like like how they call it short symbol,
Speaker 2: full full word full word?
Speaker 1: Oh, I mean like an abbreviation.
Speaker 2: Ah, yes, exactly abbreviation sometimes different direction. But I was
Speaker 2: not also, let's say I was not attracted one hundred percent.
Speaker 2: I was okay, something nice, I maybe check it later
Speaker 2: until I found the one in Dundara. The one in Dondara,
Speaker 2: when I saw real gate and stars and then some
Speaker 2: kind of definitions and they give numbers to the gate.
Speaker 2: Then I started to be interested. And then I started
Speaker 2: to see it in many timbers like Karnac Temple, look
Speaker 2: sort temple, and in each temple there is always something extra.
Speaker 2: But I'll tell you my like, how do you call
Speaker 2: it hidden part? Okay, people will read it in the book,
Speaker 2: but I will give you a hint. That again in
Speaker 2: aby Distember so aberdust the beginning Again in Aberde Symbol,
Speaker 2: I saw very small writings under the big writings I
Speaker 2: will air last year, and I was able to see
Speaker 2: smaller size writings, okay, like like maybe one tenths of
Speaker 2: the size of normal writings. And these writings are talking
Speaker 2: about stargates and its material and location and where it
Speaker 2: leads to. It's a full information about it's no longer
Speaker 2: just a war the stargate like the one I used
Speaker 2: to see. And then in then Door Attemper, I started
Speaker 2: to understand some of the information about the deacons. The
Speaker 2: deacons are groups of stars, three hundred and sixty groups
Speaker 2: group okay, each group ten stars. So I started to
Speaker 2: know better about because to be able to write my
Speaker 2: book in a good way, I did very good research
Speaker 2: because unfortunately there is no good sources for the Egyptian astronomy.
Speaker 2: That is a kind of very difficult task to do.
Speaker 2: So I think my book is going to be very
Speaker 2: important in this subject. Yes, there are so many, so
Speaker 2: many but scattered bdfs in many places, there are so
Speaker 2: many scattered information, like there are some information scattered in
Speaker 2: like five hundred books. So you need to gather them
Speaker 2: all to just read about one or two things. Yeah, okay,
Speaker 2: it's not easy to do this. And I found a
Speaker 2: kind of a title. This title led me to know
Speaker 2: that the ancient Egyptian had a colony in outside Earth.
Speaker 2: Oh my god, yes, okay, what planet. Uh, it doesn't
Speaker 2: say which planet exactly, but it is part or or
Speaker 2: the system of the northern stars, the ursa major Oh
Speaker 2: my god. Of course, when we see it, I will
Speaker 2: show you and well I will explain it in a
Speaker 2: good way and about the moon. Yes, and we will
Speaker 2: see this in Dandra Tempe.
Speaker 1: Fantastic, Yeah, fantastic.
Speaker 2: So this is what and why I'm very confident because
Speaker 2: as I told you, I came to this part without
Speaker 2: any preyer uh foundation or preparation. So everything I'm talking
Speaker 2: about is based on how I can read the thickest
Speaker 2: and what I can see in the symbols I discovered
Speaker 2: on the walls of the Egyptian temples.
Speaker 1: Amazing. Thank you for that. Again. It's the Grand Egyptian Tours,
Speaker 1: our seventh annual April twenty eighth through May tenth. You've
Speaker 1: heard it from our host himself, Mohammed am Raheem, and
Speaker 1: he will be with us for the full tour. If
Speaker 1: you want more information and all the itinerarydetails, go to
Speaker 1: earth Ancients dot com forward slash tours you get all
Speaker 1: the details. And of course if you have any questions
Speaker 1: what whoever, send me an email senter to Earth Ancients
Speaker 1: to the number for the letter you at gmail dot
Speaker 1: com and I will get right back to you. Mohammed. Wonderful,
Speaker 1: Thank you very much for the insight and we're looking
Speaker 1: forward to seeing you next April.
Speaker 2: Thank you, and as usual, this show is one of
Speaker 2: the best, if not the best.
Speaker 1: Obviously, we're describing the various sites of Egypt, various anomalies
Speaker 1: as well as the artifacts that are there. If you
Speaker 1: get your reservation in before the end of the year,
Speaker 1: you will get the discounts across the board, and there's
Speaker 1: also additional discounts after this year. It fills up quickly.
Speaker 1: We only take twenty people, but if you wait till
Speaker 1: after the year, then the price goes up. So if
Speaker 1: you have any questions at all about the tour, send
Speaker 1: me an email senter to Earth Ancients to the number
Speaker 1: four the letter you at gmail dot com and I'll
Speaker 1: get right back to you. Remember, the tour is April
Speaker 1: twenty eight through May tenth, twenty twenty six. We all
Speaker 1: meet in Cairo and it is just a total blast.
Speaker 1: I want to also mention that on the Facebook page
Speaker 1: there will be a gallery of some of these megalists
Speaker 1: that we talked about today to check out. So go
Speaker 1: to Earth Ancients Facebook page public page or join the
Speaker 1: private page. Over one hundred thousand strong and growing, and
Speaker 1: that's private because we don't want any people that are
Speaker 1: making out of character comments and all the other craziness.
Speaker 1: So go to Facebook and go to Earth Ancients. All right,
Speaker 1: that's it for this program. I want to think my
Speaker 1: guest today Muhammad Imbry him coming to us from Egypt.
Speaker 1: As always, the team of Gael Tour, Mark Foster and
Speaker 1: Fasil in Pakistan. You guys rock all right, take care
Speaker 1: of every well and we will talk to you next time.
Speaker 1: Anything