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<v Speaker 1>You're listening to an Airwave Media podcast. Guests lit London

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<v Speaker 1>streets lie shrouded in fog. Eighteen year old Jane alsops

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<v Speaker 1>at her father's house when a loud knocking startles her.

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<v Speaker 1>She goes to the door, and in the darkness, a

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<v Speaker 1>cloaked man says urgently, we've called spring Hill Jack here

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<v Speaker 1>in the lane. Believing he's a policeman, Jane rushes to

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<v Speaker 1>bring him a candle, but when she hands it to him,

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<v Speaker 1>she shocked to see him spit blue fire from his

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<v Speaker 1>mouth before he begins to claw at her with metallic fingers.

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<v Speaker 1>She screams and struggles to escape as he tears at

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<v Speaker 1>her clothing, and finally she's rescued by her sister, who

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<v Speaker 1>pulls her back into the house. The cloak strangers seem

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<v Speaker 1>to bound off across the field. For this was no policeman.

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<v Speaker 1>This was spring Hill Jack himself. It's actually quite unlike

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<v Speaker 1>anything we've ever seen before.

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<v Speaker 2>A giant, hairy creature in part Ape and Party Match

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<v Speaker 2>in Luckness, a twenty four a mile long bottomless lake

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<v Speaker 2>in the Highlands of Scotland.

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<v Speaker 1>It's a creature known as the Luckness Monster. Monster. Welcome

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<v Speaker 1>to Monster talk the Science Show about Monsters. I'm Blake

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<v Speaker 1>Smith and in this episode, doctor Karen stoles Know and

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<v Speaker 1>I will interview Mike Dash about the mysterious figure known

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<v Speaker 1>as spring Hill Jack. This is an enduring legend which

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<v Speaker 1>has been of interest to paranormal investigators and folklorists, as

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<v Speaker 1>well as UFO enthusiasts and skeptics. Mike's research is fantastic

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<v Speaker 1>and while he is compiling it into a book someday,

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<v Speaker 1>be sure to check the show notes for links to

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<v Speaker 1>his website. He loves solving mysteries and it shows in

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<v Speaker 1>his work. More Instrutle, do you want to tell listeners

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<v Speaker 1>about what your latest projects are like, about what you're

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<v Speaker 1>working on. What's been going on with you?

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<v Speaker 3>Oh? Well, I don't know. It feels like it's a

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<v Speaker 3>bit premature at this stage.

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<v Speaker 1>Still, well, you can talk about Swift articles.

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<v Speaker 3>Oh okay, I don't know if you checked out the

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<v Speaker 3>latest article that I did for Swift. It was a

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<v Speaker 3>mini investigation into a place called Silver Cliff Cemetery. Can

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<v Speaker 3>you hear me? I can, okay, because it's just to

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<v Speaker 3>me creepy.

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<v Speaker 1>Because it sounds like you're really close, but I know

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<v Speaker 1>you're really far away ah, silly mood apologize.

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<v Speaker 3>Well, no, that that's good, that's apt for the show.

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<v Speaker 3>But I'll start again. I just did an investigation or

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<v Speaker 3>a mini investigation for SWIFT for the James Randy Educational Foundation,

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<v Speaker 3>and it was into a place called Silver Cliff Cemetery,

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<v Speaker 3>and it's one of the most haunted or the most

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<v Speaker 3>haunted cemetery in America, or one of the most haunted

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<v Speaker 3>cemeteries in America. Because they're all the most haunted.

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<v Speaker 1>Is it egalitarian to believe that they're all equally haunted?

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<v Speaker 3>I think I think it's only the fair thing to say,

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<v Speaker 3>the only fair thing to say. But this place, it's

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<v Speaker 3>a beautiful little cemetery out in the middle of nowhere,

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<v Speaker 3>and they've only got an occupancy rate of about forty percent,

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<v Speaker 3>so very just scattered tombstones. But this place has been

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<v Speaker 3>famous for decades now for dancing blue lights. And actually

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<v Speaker 3>the source of all of the claims, or the main source,

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<v Speaker 3>contemporary source, seems to be an article that appeared in

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<v Speaker 3>National Geographic Magazine back in nineteen sixty nine, and a

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<v Speaker 3>lot of people or what you'll find online if you

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<v Speaker 3>go and google Silver Cliff Cemetery, lots of entries about

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<v Speaker 3>this original article. People claim that the article was an

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<v Speaker 3>investigation or some kind of feature, but really it's just

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<v Speaker 3>an afterthought. It's almost a PostScript. And the author of

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<v Speaker 3>the article, I can't remember his name, Edward Linehm. I

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<v Speaker 3>think it is just in the last paragraph or two

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<v Speaker 3>of the article, and it's a travel journal piece about

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<v Speaker 3>Colorado and the Rockies. And he just mentions these strange

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<v Speaker 3>blue lights that appear in this cemetery, and he goes

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<v Speaker 3>and checks them out, and anyway, he describes them as

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<v Speaker 3>being this dim glow. Yet over the course of decades

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<v Speaker 3>it's become the lights have become very different. Instead, they

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<v Speaker 3>are bright lights there like a lantern light, round lights

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<v Speaker 3>the size of a silver dollar. Sometimes there are one

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<v Speaker 3>or two lights, other times there just spread across the cemetery.

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<v Speaker 3>The original lights were blue, and the lights nowadays can

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<v Speaker 3>be red or green or pink, any color that you like.

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<v Speaker 3>And so the claims have increased over the years, but

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<v Speaker 3>they really have taken on a life of their own.

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<v Speaker 3>And so I went and checked out the cemetery. It

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<v Speaker 3>was actually in the course of going and visiting a

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<v Speaker 3>fundamentalist Mormon compound. But that's another story. Altogether, And so

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<v Speaker 3>I checked out the cemetery and I didn't actually see

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<v Speaker 3>those particular lights myself, but came up with a couple

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<v Speaker 3>of possible explanations for the lights most people. There was

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<v Speaker 3>an investigation done a short article by Skeptical Inquiry magazine

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<v Speaker 3>going back about twenty years ago, and the authors claimed

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<v Speaker 3>that the lights are reflections from the town from passing traffic,

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<v Speaker 3>and that's a possibility. I think that there are lots

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<v Speaker 3>of explanations, not just one explanation.

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<v Speaker 1>Yeah, if you go to a cemetery at night and

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<v Speaker 1>the claim is there are lights, then any light would

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<v Speaker 1>seem to be a hit.

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<v Speaker 3>Right, that's right, And there are lots of natural and

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<v Speaker 3>human made sources for lights. There are stars, there's the moon,

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<v Speaker 3>but people claim that the best time to see these

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<v Speaker 3>lights is on a very dark night when there isn't

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<v Speaker 3>any when it's overcast and there's no moon, and so

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<v Speaker 3>there are just outside of that. I thought one of

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<v Speaker 3>the main things that came to mind were phosphenes, the

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<v Speaker 3>possibility that someone could be sitting out in this dark

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<v Speaker 3>cemetery with no light for hours trying to see something,

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<v Speaker 3>and you know, when you rub your eyes or when

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<v Speaker 3>you sneeze and you see stars, those little lights that

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<v Speaker 3>appear in your eyes when there isn't actually a light source.

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<v Speaker 3>I thought that that could be one potential source for

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<v Speaker 3>these lights in the cemetery, or another could be this

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<v Speaker 3>new receptor that's been found that only sees the color blue,

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<v Speaker 3>only picks up that color. So I think that could

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<v Speaker 3>account for maybe those original sightings of this dim blue glow.

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<v Speaker 3>But if people want to go and check out the

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<v Speaker 3>article on Swift anyway, and there's more information there, and

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<v Speaker 3>go and google it yourself to and see some of

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<v Speaker 3>the other claims that are.

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<v Speaker 1>Out there, put a link to that in the show notes.

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<v Speaker 3>Sounds good, thank you. So yeah, that was a fun

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<v Speaker 3>little diversion looking into that.

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<v Speaker 1>But I think one of the first collaborative skeptical investigations

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<v Speaker 1>every day was with Kylie Surgis for the Pinjara Cemetery.

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<v Speaker 3>That's right, that was in Perth somewhere.

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<v Speaker 1>Yeah, well wherever Pinjari. That was more her, you know,

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<v Speaker 1>she drove a long way to go out there and

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<v Speaker 1>help me, you know, test the hypothesis. It turned out

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<v Speaker 1>to be correct, and in that case, it was a

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<v Speaker 1>passing car had illuminated a stationary tombstone, and on video

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<v Speaker 1>it looked like something just came to life and flew

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<v Speaker 1>across the screen. But I was able to stabilize it

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<v Speaker 1>and show that No, what was actually happening was the

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<v Speaker 1>illumination was passing over the tombstone, but because the camera

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<v Speaker 1>was moving, it created this weird illusion. So kind of

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<v Speaker 1>a funn Yeah.

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<v Speaker 3>Once again, I think that's accounting for a lot of

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<v Speaker 3>the claims in Silver Cliff Cemetery. Though these very shiny marble.

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<v Speaker 1>Yes, they're very reflective.

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<v Speaker 3>Yeah, and people think, oh, the town's too far away.

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<v Speaker 3>It's really only about half a mile away. And there

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<v Speaker 3>are two towns there right next to each other, so

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<v Speaker 3>there are a lot of light sources.

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<v Speaker 1>Well, it's always it's always bugged me that people would

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<v Speaker 1>expect cemeteries and graveyards to be haunted, like the people

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<v Speaker 1>who die have no ties to those places.

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<v Speaker 3>Well, yeah, I think there are two theories. I think

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<v Speaker 3>there's one theory that, of course cemeteries must be haunted

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<v Speaker 3>because there are so many people buried there. And then

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<v Speaker 3>there's another claim that people when they do come back

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<v Speaker 3>and they do haunt, they will haunt the places that

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<v Speaker 3>they visited during their lifetime. They're not going to be

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<v Speaker 3>in a place where they're just the body is buried.

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<v Speaker 1>Right, Like, I can imagine really easily some sort of

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<v Speaker 1>hypothesis that you're tethered to your physical body even after

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<v Speaker 1>you die, but you know, it seems like cremation would

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<v Speaker 1>cure that, or you know, and eventually your body rides away.

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<v Speaker 1>I don't know. I don't think there's much plausibility to that.

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<v Speaker 3>There are both theories there, and I think if you believe,

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<v Speaker 3>then you're going to come up with any any interesting

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<v Speaker 3>theory to explain any any qualms you've got.

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<v Speaker 1>Yeah, And the thing is, though you're probably the same way.

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<v Speaker 1>But I love cemeteries and and people I think forget

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<v Speaker 1>that cemeteries are generally built for the living. You know,

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<v Speaker 1>they're for you to go and reminisce and think about

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<v Speaker 1>the people who've died and spend time.

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<v Speaker 3>That's right. But the memorial parks, so yeah, people in

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<v Speaker 3>previous times would go for strolls through cemeteries and have lunch,

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<v Speaker 3>and they were social places they were.

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<v Speaker 1>And what really bugs me is modern cemeteries. They're so lazy.

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<v Speaker 1>They build like the flat tombstone so they can mow easier,

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<v Speaker 1>and it's like, really, that's what's so great about that.

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<v Speaker 3>It's terrible, Like we want the fancy or nature.

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<v Speaker 1>I do. I love. I love the ones with statues

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<v Speaker 1>and little mausoleums.

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<v Speaker 3>And oh me too. The ones in Lanion's are fantastic.

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<v Speaker 1>Oh yeah, those are really cool. I just there's some

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<v Speaker 1>really nice ones in Atlanta and Savannah. Yeah, gorgeous ones.

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<v Speaker 3>So yeah, I went to the Bonaventure. Yeah cemetery that's

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<v Speaker 3>in Savannah, isn't it. It is the famous one. But

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<v Speaker 3>what's that book in the Garden of Good and Evil?

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<v Speaker 3>Midnight in the Garden of Good and Evil?

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<v Speaker 1>Right with the little crying girl. They've taken her out

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<v Speaker 1>of the cemetery because people get messing with their statue.

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<v Speaker 3>Yeah, that's on display. I think at a local museum instead.

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<v Speaker 3>But I'd love to get to Resurrection Cemetery in Chicago

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<v Speaker 3>sometime and check out the stories about Resurrection Mary.

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<v Speaker 1>Yeah. Well, and don't forget a lot of the voters

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<v Speaker 1>come out of there at election time, so that's a great,

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<v Speaker 1>great time to see ghosts.

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<v Speaker 3>There you go.

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<v Speaker 1>Today, we're talking with Mike dash who is a paranorl investigator, historian, author,

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<v Speaker 1>and former editor of fortyen Times. He's written numerous articles

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<v Speaker 1>in several books, most recently The First Family, Terror, Extortion,

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<v Speaker 1>and the Birth of the American Mafia. He also writes

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<v Speaker 1>the Past and Perfect blog for Smithsonian dot com. Welcome Mike,

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<v Speaker 1>Thank you, Hey Mike. I just just kind of just

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<v Speaker 1>not related to monsters at all, but really enjoyed your

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<v Speaker 1>article about the family in Siberia. That was such a

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<v Speaker 1>cool article.

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<v Speaker 4>Yeah, it's been remarkably successful. I've never quite experienced anything

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<v Speaker 4>like it. Actually, it's had something like two million page views.

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<v Speaker 4>Quite wow generated. Yeah, I mean it's interesting, isn't it

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<v Speaker 4>what gels would be. I've been writing stories I've tried

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<v Speaker 4>to get two million page revies on for years, and

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<v Speaker 4>this is the one that's kind of caught far. It's

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<v Speaker 4>interesting to see what it is that makes people sort

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<v Speaker 4>of trigger those sorts of responses.

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<v Speaker 1>Actually, yeah, and I have no idea because I've read

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<v Speaker 1>a lot of your articles and this was of similar quality,

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<v Speaker 1>which was great, But I know, wow, that's fantastic. Congrats.

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<v Speaker 4>Yeah, I mean I think there's obviously an element of

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<v Speaker 4>you know, what would I do in those situations? How

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<v Speaker 4>would I hope which if you know we'll touch on this,

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<v Speaker 4>not one noteut, I mean there's an element of this

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<v Speaker 4>in why spring Hill Jack is such a memorable figure

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<v Speaker 4>and has survived in people's recollections a lot longer than

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<v Speaker 4>similar bogeymen.

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<v Speaker 1>Well, I tell you one thing it taught me, for

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<v Speaker 1>sure is that before you retreat into the wilderness, makes

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<v Speaker 1>sure you have some basic ceramic skills.

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<v Speaker 4>Yes, that's the one thing they didn't seem to have

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<v Speaker 4>with them. Maybe they couldn't find any clay, but yeah,

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<v Speaker 4>that people.

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<v Speaker 5>Commented on that one.

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<v Speaker 4>Actually all right, But I don't think we're judgement too

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<v Speaker 4>harsh to you, or I would have been dead a

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<v Speaker 4>long time before they were.

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<v Speaker 1>I think I believe you're correct.

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<v Speaker 3>Can we link this one to the show? Notes?

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<v Speaker 1>I get through that the show, that's for sure. Apparently

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<v Speaker 1>it's a great thing to link to. Can you give

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<v Speaker 1>us an overview of the spring Hill Jack's story, the phenomena,

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<v Speaker 1>and why you think he's such an enduring figure?

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<v Speaker 4>Yes, Well, the Springhiel Jack's story, as it is usually told,

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<v Speaker 4>relates to a hideous, demonic bogeyman, as we would say

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<v Speaker 4>in Britain, or boogieman you might prefer to say, who

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<v Speaker 4>turned up in London at the very beginning of Queen

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<v Speaker 4>Victoria's reign. We're talking about eighteen thirty seven thirty eight

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<v Speaker 4>in the winter, then first of all in villages around

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<v Speaker 4>the outskirts of the town, and later on inside London itself.

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<v Speaker 4>What was remarkable about these stories was well, I mean,

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<v Speaker 4>there were a couple of things. Firstly, they were extremely ubiquitous.

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<v Speaker 4>A lot of people had apparently witnessed this strange.

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<v Speaker 5>And terrifying creature.

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<v Speaker 4>Secondly, and perhaps more intriguingly, spring Hill Deck himself was

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<v Speaker 4>some sort of shapeshifter. In the very first sightings referred

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<v Speaker 4>to him in a wide variety of guises, everything from

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<v Speaker 4>a ghost.

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<v Speaker 5>A bear, a devil, a figure.

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<v Speaker 4>Clad in armor, a figure who was a gigantic baboon,

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<v Speaker 4>even in one case. And it's only over a period

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<v Speaker 4>of time period of some weeks that he slowly metamorphosed

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<v Speaker 4>into the figure that we now know from the sort

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<v Speaker 4>of forty and secondary literature, which is very much a

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<v Speaker 4>devil figure. Essentially, he was a tall, thin gentlemanly had

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<v Speaker 4>blazing red eyes, and his sort of signature move essentially

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<v Speaker 4>was that he shot blue and white balls of fire

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<v Speaker 4>out of his mouth when he attacked his victims, who

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<v Speaker 4>are usually helpless young girls.

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<v Speaker 3>I like the descriptions that he usually are vomited blue flames.

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<v Speaker 5>That's correct.

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<v Speaker 4>Yes, well, this is one of the things that's most

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<v Speaker 4>commonly associated with him, although of course, in fact, when

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<v Speaker 4>you go back to the original sources, you discovered that

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<v Speaker 4>it wasn't quite as commonplace as one might be led

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<v Speaker 4>to believe. That there are certainly two or three cases

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<v Speaker 4>of eyewitnesses describing this happening. And one of the things

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<v Speaker 4>I've looked into over the years is to what extent

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<v Speaker 4>one could potentially duplicate this effect in a normal way.

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<v Speaker 4>But the majority of cases certainly later, somealy after eighteen

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<v Speaker 4>thirty eight, the later versions of spring hil Jack for

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<v Speaker 4>one of a better word. We'll go into this later.

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<v Speaker 4>Noteubt didn't exhibit this particular ability. This was unique to

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<v Speaker 4>the spring Hill Jack of London at the beginning of

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<v Speaker 4>Queen Victoria's reign.

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<v Speaker 3>I wish there'd been some evidence of that captured on

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<v Speaker 3>film or something.

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<v Speaker 4>Well, it appeared just at the very beginning of photography.

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<v Speaker 4>I mean, in eighteen thirty seven, photographs have just been invented.

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<v Speaker 4>But you needed an exposure of ten to twelve hours,

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<v Speaker 4>so you weren't going to capture something as fleet of

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<v Speaker 4>foot Jack on an early plate, sadly enough, And he'cently.

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<v Speaker 3>Been appearing even in recent years, hasn't he There have.

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<v Speaker 4>Been some Yeah, absolutely, I mean, and this, of course

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<v Speaker 4>is one of the fascinating things about him and one

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<v Speaker 4>of the things that's kept me researching for very I mean,

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<v Speaker 4>I've never had a research project that's gone on as

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<v Speaker 4>long as my spring Hill Jack project. I began work

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<v Speaker 4>on this in the autumn of nineteen eighty two and

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<v Speaker 4>I'm just about ready to publish my results now. And

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<v Speaker 4>one of the reasons it's taken me so long is

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<v Speaker 4>that he's a figure who crops up in all sorts

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<v Speaker 4>of strange places and times, and even relatively recently, we've

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<v Speaker 4>had very very cases. It was very similar to spring

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<v Speaker 4>Heel Jack in places like Argentina, Somalia, and it's a

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<v Speaker 4>figure which has some sort of hold I think over

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<v Speaker 4>people minds and memories, and I can testify to this person.

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<v Speaker 4>I mean, my own interest in the subject really began

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<v Speaker 4>in the early nineteen seventies when I was a kid

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<v Speaker 4>and I used to get a magazine called World of Wonder,

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<v Speaker 4>which is published in Britain and was sort of an

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<v Speaker 4>educational magazine, but it had a feature in it called

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<v Speaker 4>Strange Stories, and one week the strange story was about

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<v Speaker 4>spring Hill Jack, and it was illustrated by a rather

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<v Speaker 4>dramatic picture of him sort of leaping out of the

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<v Speaker 4>page towards you with his sort of balls of fire

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<v Speaker 4>I was shooting out of his mouth and it completely

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<v Speaker 4>terrified me, and I was about eleven at the time.

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<v Speaker 4>And the thing that was scary about him, I think

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<v Speaker 4>was the way in which two things. Firstly, he was

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<v Speaker 4>described as essentially ageless, I mean, and this goes back

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<v Speaker 4>again to the spring Hill Jack legend. As it's usually

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<v Speaker 4>told he turns up in eighteen thirty seven, but he's

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<v Speaker 4>last seen in his original British Guys at least in Everton,

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<v Speaker 4>which is a suburb of Liverpool, in nineteen oh four,

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<v Speaker 4>which immediately says to you, well, it can't be a

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<v Speaker 4>human being. If this is the same person and he's

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<v Speaker 4>lived that long and he's still agile and still apparently unchanging,

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<v Speaker 4>then there must be something supernatural about him. And the

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<v Speaker 4>second thing, I think, which is particularly terrify fining and

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<v Speaker 4>gets the imagination going about spring Hill Jack, certainly an

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<v Speaker 4>eleven year old boys. Is the agility that's associated with him,

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<v Speaker 4>the fact that he has this name and can leap

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<v Speaker 4>over houses and so on. Of course, of what that

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<v Speaker 4>really means if you're eleven years old, is there's no

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<v Speaker 4>reason he can't appear on your windows cell that night,

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<v Speaker 4>in the middle of the night when your parents are

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<v Speaker 4>estaped tapping on the window to be let in. And

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<v Speaker 4>I think that's essentially what got me going about him,

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<v Speaker 4>and what's that terror? Essentially is what's motivated me over

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<v Speaker 4>the years. I'm sort of trying to defuse that eleven

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<v Speaker 4>year old boy's fear of the of the dark, of

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<v Speaker 4>the unknown, and of course of of devils and demons

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<v Speaker 4>as well. And it's kept me going for you know,

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<v Speaker 4>thirty odd years, this particular project as a result.

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<v Speaker 1>Wow, that is so similar to my background.

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<v Speaker 3>Is that in mind too?

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<v Speaker 1>Yeah, it's the I caught the things that used to

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<v Speaker 1>scare the crap out of me as a child. You

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<v Speaker 1>edits it that it's such a such a driver.

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<v Speaker 5>Well and for and for good.

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<v Speaker 4>I mean, you know a lot of good work has

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<v Speaker 4>come out of it, you know, turning on your part,

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<v Speaker 4>Blake and Hopefully my springhil jackwork will be you know,

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<v Speaker 4>we'll do some good in terms of sort the week

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<v Speaker 4>from the chat essentially, I mean, of all the subjects

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<v Speaker 4>I've studied, and there have been a few over the years,

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<v Speaker 4>I think the spinkle Jacket, the original spinkle Jack, the

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<v Speaker 4>one in the original sources, differs perhaps most dramatically from

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<v Speaker 4>the one who appears in the secondary forty and sources

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<v Speaker 4>in terms of just how unlike the way in which

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<v Speaker 4>is portrayed in the sort of secondary works, the original

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<v Speaker 4>springhil Jack was.

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<v Speaker 1>Let's talk about it just a little deeper. He has

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<v Speaker 1>these powers. He can leap, he can jump, he can

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<v Speaker 1>blow blue flames, he has glowing eyes. He's dressed a

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<v Speaker 1>little bit oddly. Iron claws, Yeah, yeah, he has iron claws.

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<v Speaker 1>I forget about that. And then but somehow in the

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<v Speaker 1>contemporary accounts, I'm not clear on this. It's not that

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<v Speaker 1>he's a rapist. He's kind of a grabbist. Is that

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<v Speaker 1>his things?

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<v Speaker 4>I mean, we were today, I suppose to call it

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<v Speaker 4>sexual assault. Essentially, he leaps out of you know, sort

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<v Speaker 4>of dark corners and grabs young girls, I mean teenage

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<v Speaker 4>girls who are walking by, and well, I mean, this

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<v Speaker 4>is what he did in his two most famous assaults,

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<v Speaker 4>and then had these two assaults and not happen. I

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<v Speaker 4>think we wouldn't remember from el Jack today. I mean

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<v Speaker 4>the main reason for this being that the girls in

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<v Speaker 4>question actually then did report him to the authorities, and

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<v Speaker 4>there was a police investigation as a result, and a

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<v Speaker 4>lot of people, of course naturally assume that, you know,

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<v Speaker 4>if someone who's been has been attacked and goes to

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<v Speaker 4>the authorities and gets the magistrates looking for this person,

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<v Speaker 4>well there must be something in it.

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<v Speaker 5>They're not going to be just lying about something like that. That.

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<v Speaker 4>The first of these cases involved a girl called Jane

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<v Speaker 4>Olsop who lived in a lonely house near Bow, which

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<v Speaker 4>is in East London, but it was on the outskirts

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<v Speaker 4>of London at this time. It was still a sort

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<v Speaker 4>of semi rural area, and her house was on a

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<v Speaker 4>sort of back pathway that was led past some fields essentially,

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<v Speaker 4>and it was several hundred yards at least from the

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<v Speaker 4>sort of nearest other house. And the story goes and

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<v Speaker 4>then this is the sort of that Jane herself told

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<v Speaker 4>that on the twenty second of February eighteen thirty eight,

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<v Speaker 4>at about nine in the evening, there is a violent

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<v Speaker 4>knocking at the gate of this house in Bearbinder Lane

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<v Speaker 4>in East London, and Jane was in the house with

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<v Speaker 4>her elder sister and her two parents, and she went

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<v Speaker 4>out to find out what the problem was. And there

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<v Speaker 4>was a tall, dark figure standing in the shadows. I mean,

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<v Speaker 4>of course, this was before street lights and everything else

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<v Speaker 4>was available in the middle of winter, who said, for

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<v Speaker 4>God's sake, bring me a light, for we've caught spring

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<v Speaker 4>heel jack here in the lane. Jane went back indoors

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<v Speaker 4>and she went to fetch a candle, which she brought

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<v Speaker 4>out to this figure standing by the garden gate, and

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<v Speaker 4>when she gave it to him, he held it up

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<v Speaker 4>underneath his chin, which of course is the sort of

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00:20:32.319 --> 00:20:34.640
<v Speaker 4>classic Halloween posture which you do with a torture in

397
00:20:34.680 --> 00:20:36.880
<v Speaker 4>telling a scary story Halloween. But when she looked at

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00:20:37.079 --> 00:20:39.119
<v Speaker 4>his face in that light, she saw it had a

399
00:20:39.160 --> 00:20:41.720
<v Speaker 4>sort of demonic aspect, and the eyes were glowing like

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<v Speaker 4>red balls of fire, and he then breathed his blue

401
00:20:44.319 --> 00:20:46.640
<v Speaker 4>and white balls a flame into her face and then

402
00:20:46.680 --> 00:20:48.720
<v Speaker 4>grabbed her and he started clawing at her back and

403
00:20:48.759 --> 00:20:53.559
<v Speaker 4>her dress with his iron claws and pinned her head

404
00:20:53.640 --> 00:20:56.640
<v Speaker 4>under his armpit and started raking away at her, and

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00:20:56.759 --> 00:20:58.920
<v Speaker 4>she screamed, of course, and her sister came rushing out

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00:20:58.920 --> 00:21:01.000
<v Speaker 4>to try and help her. Between the two of them,

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00:21:01.000 --> 00:21:04.000
<v Speaker 4>after quite a long struggle that lasted at least a minute, apparently,

408
00:21:04.240 --> 00:21:07.000
<v Speaker 4>she managed to finally to tear herself away with leaving

409
00:21:07.680 --> 00:21:10.119
<v Speaker 4>large chunks of her hair and with scratch marks on

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<v Speaker 4>her as a result of this. In the second case,

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00:21:13.240 --> 00:21:14.799
<v Speaker 4>this was a few days later. I had a week

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00:21:14.880 --> 00:21:17.240
<v Speaker 4>later involving a girl called Lucy Scales. It was a

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<v Speaker 4>butcher's sister from Limehouse, which is a little bit further

414
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<v Speaker 4>into the City of London, so this is the city

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00:21:23.279 --> 00:21:26.000
<v Speaker 4>of London proper, but still in the east end of it.

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<v Speaker 4>She and her sister were walking through a narrow alley

417
00:21:30.839 --> 00:21:34.559
<v Speaker 4>called Green Dragon Alley, just off the Thames, and they

418
00:21:34.839 --> 00:21:37.680
<v Speaker 4>came across a tall figure standing in a corner of

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00:21:37.720 --> 00:21:40.839
<v Speaker 4>this alleyway who stepped forward and breed blue flames into

420
00:21:40.880 --> 00:21:43.480
<v Speaker 4>Lucy's face, leaving her in a fit of hysterics on

421
00:21:43.519 --> 00:21:46.160
<v Speaker 4>the floor. In that particular case, there wasn't an assault

422
00:21:46.240 --> 00:21:49.720
<v Speaker 4>beyond the breathing of the fire, but those two cases

423
00:21:49.759 --> 00:21:52.119
<v Speaker 4>together certainly convinced a lot of Londoners that there was

424
00:21:52.160 --> 00:21:55.839
<v Speaker 4>something more than mere rumor to do with these strange

425
00:21:55.839 --> 00:21:57.720
<v Speaker 4>stories of spring Hill Jack. Until that point, a lot

426
00:21:57.720 --> 00:22:01.480
<v Speaker 4>of people, certainly the newspaper reading class than the middle classes,

427
00:22:01.559 --> 00:22:04.160
<v Speaker 4>essentially thought that spring Hill Jack was essentially just a

428
00:22:04.240 --> 00:22:06.400
<v Speaker 4>room with the sort of thing that servants would gosper about,

429
00:22:06.440 --> 00:22:10.319
<v Speaker 4>but was just a wild tall tale. And suddenly, especially

430
00:22:10.359 --> 00:22:12.200
<v Speaker 4>in the case of Jane Alsop, who was herself from

431
00:22:12.240 --> 00:22:15.279
<v Speaker 4>this sort of educated middle class, you have someone from

432
00:22:15.279 --> 00:22:18.000
<v Speaker 4>that and from your own class who's reporting in fairly

433
00:22:18.039 --> 00:22:20.359
<v Speaker 4>hysterical terms that she's been attacked by a very real

434
00:22:20.440 --> 00:22:22.759
<v Speaker 4>person or a very real creature of some sort, and

435
00:22:22.799 --> 00:22:25.839
<v Speaker 4>that brings the whole thing very firmly into focus and

436
00:22:26.359 --> 00:22:28.799
<v Speaker 4>puts the whole thing into the newspapers in a major

437
00:22:28.799 --> 00:22:30.079
<v Speaker 4>way for the first time as well.

438
00:22:31.279 --> 00:22:34.640
<v Speaker 3>So he was predominantly known for attacking women, but there

439
00:22:34.640 --> 00:22:38.160
<v Speaker 3>were some cases where he reportedly attacked men as well,

440
00:22:38.240 --> 00:22:38.720
<v Speaker 3>weren't there.

441
00:22:38.920 --> 00:22:41.079
<v Speaker 4>Yeah, And this, of course is one of the intriguing

442
00:22:41.119 --> 00:22:42.920
<v Speaker 4>things about it. I mean, I think there's one thing.

443
00:22:43.400 --> 00:22:45.599
<v Speaker 4>It's all very well saying, well, you know, this is

444
00:22:45.640 --> 00:22:47.079
<v Speaker 4>the sort of thing that sort of you know, some

445
00:22:47.079 --> 00:22:49.279
<v Speaker 4>sort of slimy pervert would do essentially. I mean, there

446
00:22:49.359 --> 00:22:51.480
<v Speaker 4>are loads of cases of men attacking young girls. It's

447
00:22:51.519 --> 00:22:53.079
<v Speaker 4>not a very brave thing to do, it's not a

448
00:22:53.119 --> 00:22:56.480
<v Speaker 4>very dangerous thing to do. But spring Hill Jack, according

449
00:22:56.480 --> 00:22:58.279
<v Speaker 4>to the stories that went around at the time, at least,

450
00:22:58.319 --> 00:23:00.880
<v Speaker 4>was a rather more equal opportunity criminal. And he was

451
00:23:00.920 --> 00:23:03.839
<v Speaker 4>also supposed to have beating up a blacksmith, for example,

452
00:23:03.880 --> 00:23:05.759
<v Speaker 4>and a muffin man. You know, to take on a

453
00:23:05.839 --> 00:23:09.200
<v Speaker 4>Victorian area blacksmith, that's quite a lot more challenging than

454
00:23:09.200 --> 00:23:11.200
<v Speaker 4>a teenage girl. These are sort of rough, tough guys,

455
00:23:12.160 --> 00:23:14.240
<v Speaker 4>and so you know, from that point of view, of course,

456
00:23:14.279 --> 00:23:16.119
<v Speaker 4>then that becomes a little bit more difficult to believe

457
00:23:16.119 --> 00:23:19.480
<v Speaker 4>that this is just an ordinary prankster or some drunken yob.

458
00:23:19.519 --> 00:23:22.359
<v Speaker 4>I mean, he's constantly able to do this. I mean

459
00:23:22.599 --> 00:23:25.279
<v Speaker 4>there are again, I mean, this is assuming that all

460
00:23:25.319 --> 00:23:27.119
<v Speaker 4>these early stories are literally true, which of course is

461
00:23:27.240 --> 00:23:30.000
<v Speaker 4>something is very challengeable. But if you read these new

462
00:23:30.000 --> 00:23:32.640
<v Speaker 4>sperper sods, there are probably ten or fifteen of these

463
00:23:32.640 --> 00:23:34.519
<v Speaker 4>assaults and modus. You know, half of them at least

464
00:23:34.519 --> 00:23:38.240
<v Speaker 4>probably are on men. And you do think on that basis,

465
00:23:38.240 --> 00:23:40.240
<v Speaker 4>you know, he's constantly getting away. No one's ever able

466
00:23:40.240 --> 00:23:41.960
<v Speaker 4>to lay a finger on him. What's going on here?

467
00:23:42.000 --> 00:23:44.640
<v Speaker 4>It doesn't sound quite as obvious that it's actually a

468
00:23:44.720 --> 00:23:47.440
<v Speaker 4>sort of genuine human being. And it's those sorts of

469
00:23:47.480 --> 00:23:50.640
<v Speaker 4>suspicions that the power normal authors use when they write

470
00:23:50.640 --> 00:23:52.920
<v Speaker 4>about Springhill got to imply that he's something more than

471
00:23:52.920 --> 00:23:53.200
<v Speaker 4>a man.

472
00:23:53.319 --> 00:23:57.519
<v Speaker 1>Essentially, we'll see. So, can you tell us about some

473
00:23:57.559 --> 00:24:00.160
<v Speaker 1>of the attempts by law enforcement and the public to

474
00:24:00.160 --> 00:24:01.599
<v Speaker 1>actually catch spring Hill Jack?

475
00:24:02.880 --> 00:24:05.640
<v Speaker 4>Well, if we stay in eighteen thirty eight for a minute,

476
00:24:05.640 --> 00:24:08.440
<v Speaker 4>there were a couple of significant things here to say.

477
00:24:09.079 --> 00:24:12.359
<v Speaker 4>The first is that there were significant attempts to try

478
00:24:12.359 --> 00:24:14.680
<v Speaker 4>to catch spring Hill Jack. Jane also and Lucy Scales

479
00:24:14.720 --> 00:24:17.559
<v Speaker 4>both went to the local police office, which is a

480
00:24:17.559 --> 00:24:19.519
<v Speaker 4>sort of magistrate's court that existed. This is in the

481
00:24:19.599 --> 00:24:23.200
<v Speaker 4>very early days of modern law enforcement in London. The Metropolitan,

482
00:24:23.240 --> 00:24:25.279
<v Speaker 4>the police that we know of today has only been

483
00:24:25.319 --> 00:24:28.880
<v Speaker 4>founded in eighteen twenty nine, and it was still rather small,

484
00:24:29.319 --> 00:24:34.119
<v Speaker 4>rather badly regarded in many cases force in this early stage.

485
00:24:34.559 --> 00:24:37.759
<v Speaker 4>And there was a second set of authorities effective that

486
00:24:37.799 --> 00:24:40.079
<v Speaker 4>worked in parallel at this time, so that each of

487
00:24:40.119 --> 00:24:42.759
<v Speaker 4>the magistrates who ran London's police offices, and there were

488
00:24:42.759 --> 00:24:44.640
<v Speaker 4>about ten of these offices had their own force of

489
00:24:44.720 --> 00:24:49.200
<v Speaker 4>detectives who were linked to their court and were paid

490
00:24:49.200 --> 00:24:52.519
<v Speaker 4>by them, and they could assign these people to do

491
00:24:52.559 --> 00:24:55.160
<v Speaker 4>an investigation. So in the case of Jane also there

492
00:24:55.160 --> 00:24:58.039
<v Speaker 4>were two separate investigations. One was by the Metropolitan Police

493
00:24:58.119 --> 00:25:00.799
<v Speaker 4>K Division out in Stepney and East London, and the

494
00:25:00.799 --> 00:25:04.400
<v Speaker 4>other was led by the detective who worked for the

495
00:25:04.480 --> 00:25:07.240
<v Speaker 4>Lambeth Street Police Office, and his name was James Lee,

496
00:25:07.319 --> 00:25:10.200
<v Speaker 4>and he was actually probably the most famous detective in

497
00:25:10.200 --> 00:25:12.359
<v Speaker 4>Britain at this time. It was the sort of Sherlock

498
00:25:12.359 --> 00:25:13.880
<v Speaker 4>Holmes of his day. And he'd been involved in two

499
00:25:13.960 --> 00:25:16.960
<v Speaker 4>or three very notorious murder cases, the most famous of

500
00:25:17.000 --> 00:25:19.079
<v Speaker 4>which is the Mariah Martin case, which is known as

501
00:25:19.599 --> 00:25:22.039
<v Speaker 4>the murder in the Red Barn, which had taken place

502
00:25:22.079 --> 00:25:25.160
<v Speaker 4>out in near Ipswich about seven or eight years earlier,

503
00:25:25.240 --> 00:25:27.200
<v Speaker 4>and even today that's remembered in Britain at least as

504
00:25:27.240 --> 00:25:29.559
<v Speaker 4>one of the most notorious murders of the nineteenth century

505
00:25:29.720 --> 00:25:33.240
<v Speaker 4>and Lee had solved it. So we're not talking about

506
00:25:33.279 --> 00:25:37.119
<v Speaker 4>some useless, incompetant watchmen being put onto this case. This

507
00:25:37.200 --> 00:25:40.599
<v Speaker 4>is a genuine detective who has genuine police skills, and

508
00:25:41.759 --> 00:25:45.240
<v Speaker 4>he and the Metropolitan Police did Paralleln inquiries. And what

509
00:25:45.279 --> 00:25:47.359
<v Speaker 4>was interesting about this was two things. I mean, Firstly,

510
00:25:47.400 --> 00:25:49.839
<v Speaker 4>they did manage to turn up a number of witnesses

511
00:25:49.880 --> 00:25:52.400
<v Speaker 4>who'd been in bear Binder Lane at the time of

512
00:25:53.119 --> 00:25:56.359
<v Speaker 4>the Jane Alsop assault. And the second thing is that

513
00:25:56.480 --> 00:26:00.079
<v Speaker 4>Leed also arranged for some experiments to be done in

514
00:26:00.079 --> 00:26:02.839
<v Speaker 4>the local teaching hospital to see if he could duplicate

515
00:26:02.839 --> 00:26:04.920
<v Speaker 4>the way in which it was possible to produce bursts

516
00:26:04.920 --> 00:26:06.599
<v Speaker 4>of blue and white balls of flame. And I'll go

517
00:26:06.640 --> 00:26:09.839
<v Speaker 4>through those two things one after the other if I can.

518
00:26:09.960 --> 00:26:11.400
<v Speaker 4>I mean, the first thing is to say that the

519
00:26:11.400 --> 00:26:14.920
<v Speaker 4>witnesses in the in bearbind De Lane had a couple

520
00:26:15.000 --> 00:26:16.079
<v Speaker 4>of interesting things to say.

521
00:26:16.519 --> 00:26:18.599
<v Speaker 5>The first was that they would appear to.

522
00:26:18.519 --> 00:26:21.359
<v Speaker 4>Have been at least two people involved, because at the

523
00:26:21.400 --> 00:26:23.680
<v Speaker 4>time that spring Hilda was attacking Jaine, also his cloak

524
00:26:23.680 --> 00:26:26.839
<v Speaker 4>fell to the floor and after he retreated away from

525
00:26:26.839 --> 00:26:29.680
<v Speaker 4>the house, which incidentally, the people in the house saw

526
00:26:29.759 --> 00:26:32.000
<v Speaker 4>him do this and described him as sort of heading

527
00:26:32.039 --> 00:26:34.039
<v Speaker 4>off over the fields, but something not sort of bounding

528
00:26:34.039 --> 00:26:36.200
<v Speaker 4>away with sort of his spring heeled leaps.

529
00:26:36.200 --> 00:26:38.640
<v Speaker 5>He just ran off as an ordinary human being would

530
00:26:38.640 --> 00:26:39.359
<v Speaker 5>have done, but.

531
00:26:39.319 --> 00:26:41.680
<v Speaker 4>He did it without collecting his cloak, and yet somehow

532
00:26:41.720 --> 00:26:44.640
<v Speaker 4>the cloak vanished. So the police sort of and Lee

533
00:26:44.720 --> 00:26:46.960
<v Speaker 4>both concluded that there was an accompass involved who picked

534
00:26:47.039 --> 00:26:50.279
<v Speaker 4>up the cloak and made himself scarce. The second and

535
00:26:50.279 --> 00:26:53.119
<v Speaker 4>perhaps even more revealing thing was that two of the

536
00:26:53.160 --> 00:26:56.440
<v Speaker 4>witnesses in Bearbinder Lane. One was a wheelwright who had

537
00:26:56.799 --> 00:26:58.920
<v Speaker 4>a large wheel actually on his shoulder at the time,

538
00:26:58.960 --> 00:27:00.799
<v Speaker 4>and the other wis his friend, and they were walking

539
00:27:00.839 --> 00:27:03.720
<v Speaker 4>around aboute hundred yards away from the house when this

540
00:27:03.920 --> 00:27:09.079
<v Speaker 4>screaming emerged from it, and they were absolutely adamant that

541
00:27:09.119 --> 00:27:10.960
<v Speaker 4>they could see quite clearly into this garden.

542
00:27:11.039 --> 00:27:13.519
<v Speaker 5>And they said at the police court.

543
00:27:13.759 --> 00:27:16.119
<v Speaker 4>Had the assault on Jaine also been as fierce and

544
00:27:16.359 --> 00:27:19.799
<v Speaker 4>as intensive as she described, you know, they would have

545
00:27:19.839 --> 00:27:20.400
<v Speaker 4>known about it.

546
00:27:20.400 --> 00:27:21.920
<v Speaker 5>And they didn't see this. They didn't see any blue

547
00:27:21.960 --> 00:27:22.880
<v Speaker 5>and white balls of fire.

548
00:27:23.440 --> 00:27:25.920
<v Speaker 4>And at this point the magistrate sort of Injectson says

549
00:27:25.920 --> 00:27:27.599
<v Speaker 4>that it doesn't appear that she's got any very bad

550
00:27:27.680 --> 00:27:30.839
<v Speaker 4>injuries on her either. So there is at least a

551
00:27:30.880 --> 00:27:33.839
<v Speaker 4>suspicion that some of this sort of fierce attack that

552
00:27:34.000 --> 00:27:36.920
<v Speaker 4>so sort of made a mark on the forty in

553
00:27:37.000 --> 00:27:40.440
<v Speaker 4>literature was actually not exactly imagination, but certainly there was

554
00:27:40.480 --> 00:27:43.160
<v Speaker 4>also sort of panic and overstatement. So I think that

555
00:27:43.160 --> 00:27:44.920
<v Speaker 4>there's you know, it's quite a good thing. It's a

556
00:27:45.000 --> 00:27:46.680
<v Speaker 4>very good thing. In this case, there was a proper

557
00:27:46.680 --> 00:27:49.400
<v Speaker 4>police investigation because it has helped us to put things

558
00:27:49.480 --> 00:27:52.799
<v Speaker 4>much more into perspective, you know. And similarly, Lee, when

559
00:27:52.839 --> 00:27:54.599
<v Speaker 4>he went to the teaching hospital, was able to be

560
00:27:54.759 --> 00:27:57.359
<v Speaker 4>used at least blue balls of fire by using a

561
00:27:57.440 --> 00:27:58.799
<v Speaker 4>technique involving.

562
00:27:58.440 --> 00:27:59.480
<v Speaker 5>Spirits of alcohol.

563
00:28:00.279 --> 00:28:02.759
<v Speaker 4>And one of the correspondents I've had over the years

564
00:28:02.759 --> 00:28:05.279
<v Speaker 4>when I've been working on this case tells me that

565
00:28:05.640 --> 00:28:08.200
<v Speaker 4>in magic books in that period there was a technique

566
00:28:08.359 --> 00:28:11.480
<v Speaker 4>producing balls of fire which would involve impregnating a small

567
00:28:11.519 --> 00:28:14.240
<v Speaker 4>sponge with alcohol holding in your mouth, and then if

568
00:28:14.240 --> 00:28:18.039
<v Speaker 4>you breathe out your sort of spiritus vapors near a candle,

569
00:28:19.039 --> 00:28:21.480
<v Speaker 4>you can produce what's in the dark and at very

570
00:28:21.480 --> 00:28:25.400
<v Speaker 4>short range, appears to be quite a surprising ball of fire. Now, now,

571
00:28:25.440 --> 00:28:27.880
<v Speaker 4>this to me seems to tie together quite well with

572
00:28:27.920 --> 00:28:30.119
<v Speaker 4>what the witnesses are saying. In other words, it's entirely

573
00:28:30.119 --> 00:28:33.160
<v Speaker 4>possible given those two statements that Jane also at very

574
00:28:33.160 --> 00:28:35.640
<v Speaker 4>close quarters was stunned by what to her was a

575
00:28:35.720 --> 00:28:37.960
<v Speaker 4>huge burst of blue and white fire, but which would

576
00:28:37.960 --> 00:28:39.880
<v Speaker 4>only been visible from a matter of a few feet away,

577
00:28:39.880 --> 00:28:42.839
<v Speaker 4>in which the witnesses Smith and Richardson the names, who

578
00:28:42.839 --> 00:28:44.880
<v Speaker 4>were on hundred yards away wouldn't have necessarily seen. So

579
00:28:44.920 --> 00:28:48.680
<v Speaker 4>there's not necessarily a huge disconnect between those stories. But

580
00:28:48.759 --> 00:28:50.880
<v Speaker 4>certainly what you don't have to assume is that this

581
00:28:50.960 --> 00:28:54.039
<v Speaker 4>is some sort of know monster with fire breathing dragon

582
00:28:54.119 --> 00:28:55.880
<v Speaker 4>ish type of abilities. I mean, the two things that

583
00:28:55.960 --> 00:28:59.039
<v Speaker 4>strike one most about these accounts of Jane Alsop and

584
00:28:59.119 --> 00:29:01.400
<v Speaker 4>Lucy Scales is that fire was involved in both of them.

585
00:29:01.480 --> 00:29:03.839
<v Speaker 4>Jane also goes to get a candle, and she has

586
00:29:03.880 --> 00:29:05.880
<v Speaker 4>to give the candle to spring Hill Jet before he

587
00:29:05.920 --> 00:29:09.759
<v Speaker 4>breathes blue and white balls of fire. At Lucy Scales

588
00:29:10.279 --> 00:29:12.400
<v Speaker 4>encountered somebody who was holding a lantern and who actually

589
00:29:12.480 --> 00:29:14.559
<v Speaker 4>held it up at sort of head height before he

590
00:29:14.640 --> 00:29:17.279
<v Speaker 4>blew his blue fire into her face. So I think

591
00:29:17.319 --> 00:29:20.880
<v Speaker 4>that the witnesses could quite clearly be describing a genuine

592
00:29:20.880 --> 00:29:23.559
<v Speaker 4>assault here, which involves somebody using effectively a sort of

593
00:29:23.599 --> 00:29:24.519
<v Speaker 4>parlor magic trick.

594
00:29:25.559 --> 00:29:28.200
<v Speaker 1>That is very cool. Have you talked to any magicians

595
00:29:28.519 --> 00:29:29.759
<v Speaker 1>about trying to reproduce this.

596
00:29:30.400 --> 00:29:32.000
<v Speaker 5>I probably need to do that. Yeah, if you know

597
00:29:32.039 --> 00:29:32.519
<v Speaker 5>any good.

598
00:29:32.359 --> 00:29:33.920
<v Speaker 4>Ones to let me know, I have surely do I do,

599
00:29:34.000 --> 00:29:37.680
<v Speaker 4>I do, and I genuinely would like to know, especially

600
00:29:37.759 --> 00:29:39.400
<v Speaker 4>with a god. I need to speak to someone like Ricky

601
00:29:39.480 --> 00:29:41.000
<v Speaker 4>Jay really, I mean somebody who would know a lot

602
00:29:41.000 --> 00:29:44.880
<v Speaker 4>about the contemporary literaly to how widely known this technique

603
00:29:44.960 --> 00:29:47.720
<v Speaker 4>if it existed was because I mean, obviously one of

604
00:29:47.759 --> 00:29:50.200
<v Speaker 4>the key elements of my research has been is this

605
00:29:50.799 --> 00:29:53.720
<v Speaker 4>some sort of fable or is there some genuine assaults

606
00:29:53.720 --> 00:29:56.000
<v Speaker 4>going on? And really outside the Jane all sort of

607
00:29:56.039 --> 00:29:59.000
<v Speaker 4>Lucy Scales assaults, It's pretty hard to be definite that

608
00:29:59.039 --> 00:30:01.160
<v Speaker 4>anybody was ever inuin the attacked. I mean, you can

609
00:30:01.440 --> 00:30:04.599
<v Speaker 4>try and track down some of these witnesses, and in fact,

610
00:30:04.599 --> 00:30:06.160
<v Speaker 4>at the time, people did do this, And there's a

611
00:30:06.240 --> 00:30:08.720
<v Speaker 4>very revealing account in a newspaper called The Morning Herald

612
00:30:09.079 --> 00:30:11.640
<v Speaker 4>dating back to Jenuary the tenth or eleventh to eighteen

613
00:30:11.680 --> 00:30:13.400
<v Speaker 4>thirty eight, which says, you know, we send a reporter

614
00:30:13.440 --> 00:30:15.440
<v Speaker 4>out to look into these stories. This is when spring

615
00:30:15.519 --> 00:30:17.759
<v Speaker 4>Hill Jack was just a rumor around the outside of London,

616
00:30:18.359 --> 00:30:21.599
<v Speaker 4>and he asked people about it, and each person director

617
00:30:21.640 --> 00:30:23.240
<v Speaker 4>you know said I don't know about it, but I

618
00:30:23.240 --> 00:30:24.920
<v Speaker 4>can tell you who does, and send them on to

619
00:30:24.960 --> 00:30:27.160
<v Speaker 4>another person who immediately said, no, I don't know anything

620
00:30:27.160 --> 00:30:29.319
<v Speaker 4>about it in fact, but I've heard that this person knows.

621
00:30:29.480 --> 00:30:30.160
<v Speaker 5>And of course this.

622
00:30:30.079 --> 00:30:33.480
<v Speaker 4>Is classic classic urban legends stuff, isn't it. That it's

623
00:30:33.519 --> 00:30:35.319
<v Speaker 4>a friend of a friend of a friend. And here

624
00:30:35.359 --> 00:30:37.759
<v Speaker 4>we have an eighteen thirty eight before urban legends we've

625
00:30:37.759 --> 00:30:40.119
<v Speaker 4>ever heard of it, you know, a precise description of

626
00:30:40.160 --> 00:30:43.160
<v Speaker 4>the mechanism by which these stories spread, and so you know,

627
00:30:43.200 --> 00:30:45.640
<v Speaker 4>we do have two very distinct sort of paths of

628
00:30:45.680 --> 00:30:48.440
<v Speaker 4>inquiry here in that you know, Springhill Jack is ninety

629
00:30:48.480 --> 00:30:51.680
<v Speaker 4>five percent effectively, you know, a spread of a legend,

630
00:30:51.680 --> 00:30:54.240
<v Speaker 4>which is one type of inquiry, and here we have

631
00:30:54.279 --> 00:30:57.880
<v Speaker 4>two or three very specific cacters are very apparently real,

632
00:30:58.759 --> 00:31:01.799
<v Speaker 4>genuine physical as. So you know that those two things

633
00:31:01.839 --> 00:31:03.400
<v Speaker 4>having how do they tie together? That's one of the

634
00:31:03.960 --> 00:31:06.680
<v Speaker 4>main lines of inquiry I've been pursuing all these years.

635
00:31:07.480 --> 00:31:11.599
<v Speaker 3>So outside of law enforcement attempts, were there any vigilante

636
00:31:11.759 --> 00:31:15.119
<v Speaker 3>attempts to try and capture spring Heel Jack, Well.

637
00:31:14.920 --> 00:31:16.599
<v Speaker 4>There were a number, I mean, and we don't these

638
00:31:16.640 --> 00:31:20.240
<v Speaker 4>are not so well recorded. I mean a reward was

639
00:31:20.279 --> 00:31:22.960
<v Speaker 4>put up for spring eil Jack. Edward Codrington is one

640
00:31:23.000 --> 00:31:24.599
<v Speaker 4>of the most famous famous animals of the day. It

641
00:31:24.599 --> 00:31:29.200
<v Speaker 4>was one of the first subscribers, and so that there

642
00:31:29.319 --> 00:31:33.440
<v Speaker 4>wasn't There were undoubtedly people wandering around London hoping to

643
00:31:33.519 --> 00:31:35.240
<v Speaker 4>lay their hands on spring hild Jack. And we have

644
00:31:35.279 --> 00:31:37.519
<v Speaker 4>two or three cases dating to slightly later in eighteen

645
00:31:37.519 --> 00:31:41.000
<v Speaker 4>thirty eight of you know, these these vigilante attacks having

646
00:31:41.039 --> 00:31:43.559
<v Speaker 4>consequences because you know, unfortunate people who were in mistaken

647
00:31:43.599 --> 00:31:46.160
<v Speaker 4>for Spring heel Jack were beaten up quite badly and

648
00:31:46.279 --> 00:31:48.039
<v Speaker 4>ended up in one or two cases in police courts.

649
00:31:48.079 --> 00:31:50.240
<v Speaker 4>I mean what happened, of course. And again this just

650
00:31:50.359 --> 00:31:52.960
<v Speaker 4>muddies the water even further is as the story spreads

651
00:31:52.960 --> 00:31:56.839
<v Speaker 4>and people start reading these descriptions, there's a definite sort

652
00:31:56.880 --> 00:31:59.240
<v Speaker 4>of subsection society thinks that sounds pretty cool. I wouldn't

653
00:31:59.279 --> 00:32:00.599
<v Speaker 4>mind how many go at that much. It must be

654
00:32:00.640 --> 00:32:03.519
<v Speaker 4>quite fun to fronten some poor kid. And so there

655
00:32:03.519 --> 00:32:05.599
<v Speaker 4>are cases of people, you know, dressing themselves up with

656
00:32:05.640 --> 00:32:07.519
<v Speaker 4>sort of paper masks, and some pretending to be spring

657
00:32:07.599 --> 00:32:10.240
<v Speaker 4>heel Jack being mistaken for Spring heel Jack by the

658
00:32:10.319 --> 00:32:13.160
<v Speaker 4>vigilantes and set upon and beaten up and this does,

659
00:32:13.200 --> 00:32:15.279
<v Speaker 4>as I say, considerably muddy the waters. And of course,

660
00:32:15.440 --> 00:32:17.799
<v Speaker 4>going back in London a few years earlier, and this

661
00:32:17.839 --> 00:32:19.599
<v Speaker 4>is one of the things that maybe we can talk

662
00:32:19.599 --> 00:32:21.599
<v Speaker 4>about later because it does tie in. There had been

663
00:32:21.640 --> 00:32:24.000
<v Speaker 4>a case called the Hammersmith Ghost Scare of eighteen oh four,

664
00:32:24.920 --> 00:32:28.519
<v Speaker 4>where Hammersmith had been infested by reports of ghost dressed

665
00:32:28.559 --> 00:32:31.480
<v Speaker 4>in white. And at the height of this scare, an

666
00:32:31.599 --> 00:32:35.079
<v Speaker 4>unfortunate bricklayer who wore as part of bricks used to

667
00:32:35.160 --> 00:32:37.200
<v Speaker 4>make white dust in those days, and so brick lays

668
00:32:37.200 --> 00:32:39.279
<v Speaker 4>would typically wear white clothes so that the dust wouldn't

669
00:32:39.279 --> 00:32:39.839
<v Speaker 4>show on their clothes.

670
00:32:39.839 --> 00:32:42.720
<v Speaker 5>He was going home, going home.

671
00:32:42.559 --> 00:32:44.440
<v Speaker 4>For the evening, and he was set upon by a

672
00:32:44.480 --> 00:32:47.160
<v Speaker 4>vigil antian with a blunderbus who shot him dead. And

673
00:32:47.200 --> 00:32:49.359
<v Speaker 4>there was a very famous murder case involved in this,

674
00:32:49.400 --> 00:32:52.480
<v Speaker 4>because of course his defense was I genuinely thought this

675
00:32:52.559 --> 00:32:53.079
<v Speaker 4>was a ghost.

676
00:32:53.400 --> 00:32:54.839
<v Speaker 5>And this actually still.

677
00:32:54.559 --> 00:32:58.079
<v Speaker 4>Bears even in British or even today on the justifiable

678
00:32:58.119 --> 00:33:00.960
<v Speaker 4>homicide as you would call it, defense is whether or

679
00:33:00.960 --> 00:33:03.599
<v Speaker 4>not you can actually not be guilty of murder if

680
00:33:03.640 --> 00:33:05.640
<v Speaker 4>you genuinely think you're being attacked by a supernatural being

681
00:33:05.759 --> 00:33:05.920
<v Speaker 4>or not.

682
00:33:06.279 --> 00:33:09.880
<v Speaker 1>Yeah, that's a famous sad case. Yeah. They Brian Dunning

683
00:33:09.920 --> 00:33:12.680
<v Speaker 1>covered that on his Skeptoid podcast a little bit. Considering

684
00:33:12.680 --> 00:33:15.119
<v Speaker 1>how much of this is legend and how much of

685
00:33:15.160 --> 00:33:20.119
<v Speaker 1>this is fact, how did you approach your investigation considering

686
00:33:20.119 --> 00:33:21.720
<v Speaker 1>how much you had to get through? How much material

687
00:33:21.720 --> 00:33:22.440
<v Speaker 1>are its ouf there?

688
00:33:22.920 --> 00:33:25.000
<v Speaker 4>Well, I mean, you know, my background is that I'm

689
00:33:25.039 --> 00:33:29.279
<v Speaker 4>in the story and the historian's tactic here essentially, you know,

690
00:33:29.319 --> 00:33:31.960
<v Speaker 4>you try not to form too much an opinion early on,

691
00:33:32.039 --> 00:33:34.079
<v Speaker 4>and you go and find as much stuff as you can.

692
00:33:34.799 --> 00:33:35.799
<v Speaker 5>So I spend a very.

693
00:33:35.759 --> 00:33:37.680
<v Speaker 4>Large amount of time, particularly in the early days before

694
00:33:37.759 --> 00:33:41.319
<v Speaker 4>newspaper digitization came in, and thank God for that, you know,

695
00:33:41.359 --> 00:33:44.759
<v Speaker 4>going through a large stack of old Victorian Erea newspapers

696
00:33:44.920 --> 00:33:46.640
<v Speaker 4>I don't recommend to anybody because they were you know,

697
00:33:46.680 --> 00:33:49.599
<v Speaker 4>they were all printed in six point type, no illustrations,

698
00:33:49.599 --> 00:33:52.200
<v Speaker 4>no headlines, and you have to sort of scan through

699
00:33:52.200 --> 00:33:54.559
<v Speaker 4>the whole thing looking for mentions of this story, which

700
00:33:54.559 --> 00:33:56.400
<v Speaker 4>can come into a number of different guys is and

701
00:33:56.440 --> 00:33:59.359
<v Speaker 4>it really does, you know, it's instant headache time, essentially.

702
00:33:59.359 --> 00:34:02.680
<v Speaker 4>But I've read through sixty or seventy runs of newspapers

703
00:34:02.720 --> 00:34:04.279
<v Speaker 4>for you know, five or six months at a time,

704
00:34:04.279 --> 00:34:05.920
<v Speaker 4>and it does take a long time to go through

705
00:34:05.920 --> 00:34:08.360
<v Speaker 4>that and over the I mean, but when I first

706
00:34:08.360 --> 00:34:10.679
<v Speaker 4>published this, this is back in nineteen ninety six, as

707
00:34:10.679 --> 00:34:13.559
<v Speaker 4>I said, before modern digitization came in, I'd managed to

708
00:34:13.559 --> 00:34:17.039
<v Speaker 4>find forty five thousand words of original sources in eighty

709
00:34:17.039 --> 00:34:19.760
<v Speaker 4>different newspapers. Since then, I mean, it's just give you

710
00:34:19.760 --> 00:34:23.039
<v Speaker 4>an illustration of how different forty researches these days, now

711
00:34:23.079 --> 00:34:25.679
<v Speaker 4>that we do have these fantastic new techniques available to us.

712
00:34:26.039 --> 00:34:28.199
<v Speaker 4>My current total, you know, on this file is about

713
00:34:28.239 --> 00:34:32.079
<v Speaker 4>nine to two hundred and forty thousand words, so I've

714
00:34:32.199 --> 00:34:34.880
<v Speaker 4>you know, more than I've got about five times as much,

715
00:34:34.920 --> 00:34:36.360
<v Speaker 4>six times as much material.

716
00:34:36.840 --> 00:34:38.480
<v Speaker 5>A lot of it's duplicates essentially, but.

717
00:34:38.440 --> 00:34:40.760
<v Speaker 4>I mean, you know, I'm now reasonably satisfied that I

718
00:34:40.840 --> 00:34:44.239
<v Speaker 4>have pretty much cornered the market essentially in spring Hill

719
00:34:44.280 --> 00:34:46.320
<v Speaker 4>jacktype material, certainly from the nineteenth century. I mean, there

720
00:34:46.360 --> 00:34:48.960
<v Speaker 4>may be some significant other cases there, but given the

721
00:34:48.960 --> 00:34:53.000
<v Speaker 4>way that newspapers tended to copy each other quite dramatically,

722
00:34:53.840 --> 00:34:55.920
<v Speaker 4>you know, they just lift news from one from the other,

723
00:34:55.960 --> 00:34:58.760
<v Speaker 4>and you'd find stories from the Isle of Wight appearing

724
00:34:58.760 --> 00:35:02.000
<v Speaker 4>in Glasgow newspapers and things like that, I'm reasonally confident

725
00:35:02.000 --> 00:35:04.960
<v Speaker 4>that they're probably not any major reports that I have

726
00:35:05.079 --> 00:35:08.519
<v Speaker 4>missed so far. So now that I have that, now

727
00:35:08.559 --> 00:35:12.199
<v Speaker 4>I can start making some theories. And you start by

728
00:35:12.199 --> 00:35:14.119
<v Speaker 4>looking at obviously looking at the material, and as I

729
00:35:14.119 --> 00:35:15.920
<v Speaker 4>was saying, you effectively observe that you know, there are

730
00:35:15.920 --> 00:35:17.840
<v Speaker 4>a number of different strands of this. There is obviously

731
00:35:17.880 --> 00:35:21.000
<v Speaker 4>an element of urban legend and folklore, and all these

732
00:35:21.039 --> 00:35:25.119
<v Speaker 4>shape shifting stories tie into that. And the interesting thing

733
00:35:25.159 --> 00:35:26.760
<v Speaker 4>about them, of course, is that they don't just appear

734
00:35:26.760 --> 00:35:29.079
<v Speaker 4>in newspapers. They appear also in sort of contemporary pamphlet,

735
00:35:29.119 --> 00:35:32.960
<v Speaker 4>which is sort of prototype Penny Dreadfuls or Bloods as

736
00:35:32.960 --> 00:35:34.440
<v Speaker 4>you might know them in the United States, which a

737
00:35:34.480 --> 00:35:38.360
<v Speaker 4>sort of you know, the sort of tabloid literature of

738
00:35:38.360 --> 00:35:42.159
<v Speaker 4>their day, and the more extreme stories appear in those.

739
00:35:42.199 --> 00:35:44.559
<v Speaker 4>I mean, so the story of spring hil Jack appearing

740
00:35:44.559 --> 00:35:46.320
<v Speaker 4>as a lamplight or walking on his hands with his

741
00:35:46.400 --> 00:35:48.199
<v Speaker 4>ladder held between his legs and the big lantern on

742
00:35:48.239 --> 00:35:50.400
<v Speaker 4>top of the ladder, or spring heel Jack is a

743
00:35:50.440 --> 00:35:52.920
<v Speaker 4>sort of giant baboon up in the trees, or spring

744
00:35:52.960 --> 00:35:55.519
<v Speaker 4>hil Jack as a sort of fox like figure dressed

745
00:35:55.519 --> 00:35:58.079
<v Speaker 4>in hunter's uniform, all of those don't appear in newspapers,

746
00:35:58.079 --> 00:36:01.480
<v Speaker 4>but they do appear in contemporar pamphlets, so you can

747
00:36:01.519 --> 00:36:03.519
<v Speaker 4>sort of see that there are, you know, different strands

748
00:36:03.519 --> 00:36:05.920
<v Speaker 4>of evidence depending upon your what sort of educational level,

749
00:36:06.239 --> 00:36:08.119
<v Speaker 4>as what you would be thinking about spring Hill Jack

750
00:36:08.159 --> 00:36:10.119
<v Speaker 4>in eighteen thirty eight, if you were a servant or

751
00:36:10.360 --> 00:36:11.960
<v Speaker 4>reading one of these Penny bloods, you might get a

752
00:36:11.960 --> 00:36:15.440
<v Speaker 4>bit of a thrill. This sort of essentially sort of

753
00:36:15.559 --> 00:36:18.159
<v Speaker 4>earlier ere at sort of eighteenth century type of folklore.

754
00:36:18.159 --> 00:36:20.199
<v Speaker 4>I mean, you know, you can trace these types of

755
00:36:20.440 --> 00:36:22.960
<v Speaker 4>shape shifting figures back to sort of early devil stories,

756
00:36:23.519 --> 00:36:25.719
<v Speaker 4>and then you've got this sort of more modern monster

757
00:36:26.320 --> 00:36:31.000
<v Speaker 4>who is using essentially sort of modern science and mechanics

758
00:36:31.000 --> 00:36:31.599
<v Speaker 4>and all this stuff.

759
00:36:31.920 --> 00:36:34.000
<v Speaker 5>You know. One of the interesting things about and the most.

760
00:36:33.840 --> 00:36:36.000
<v Speaker 4>Striking thing when you actually go through this vast pile

761
00:36:36.039 --> 00:36:38.440
<v Speaker 4>of Victorian ERAa stuff, is that not the single line

762
00:36:38.760 --> 00:36:41.199
<v Speaker 4>in a single story in any of these newspapers say

763
00:36:41.559 --> 00:36:43.519
<v Speaker 4>spring Hil Jack is a supernatural being. I mean, he's

764
00:36:43.559 --> 00:36:46.400
<v Speaker 4>known as the suburban ghost, but people don't literally see

765
00:36:46.440 --> 00:36:48.840
<v Speaker 4>him as a ghost, or certainly not the newspaper writers

766
00:36:48.880 --> 00:36:50.679
<v Speaker 4>were covering the story the newspaper writers were covering the

767
00:36:50.719 --> 00:36:53.119
<v Speaker 4>story see him as a sort of you know, servant's

768
00:36:53.199 --> 00:36:55.639
<v Speaker 4>legend essentially, and they sort of ridicule them, and the

769
00:36:55.679 --> 00:36:59.280
<v Speaker 4>servants themselves largely seem to see him as not as

770
00:36:59.280 --> 00:37:01.599
<v Speaker 4>a ghost, but as as a nobleman in fact, I mean.

771
00:37:01.639 --> 00:37:03.559
<v Speaker 4>And then again, this is a trope which is quite

772
00:37:03.559 --> 00:37:06.119
<v Speaker 4>common in those days. The idea of the sort of

773
00:37:06.159 --> 00:37:07.880
<v Speaker 4>overprivileged buffoonish.

774
00:37:07.360 --> 00:37:09.760
<v Speaker 5>Aristocrat with a lot of spare time in his hands, who.

775
00:37:09.719 --> 00:37:12.119
<v Speaker 4>Is able to get away with anything because he's rich

776
00:37:12.199 --> 00:37:15.119
<v Speaker 4>and well connected, is quite a commonplace in those days.

777
00:37:15.159 --> 00:37:16.840
<v Speaker 4>And spring Hill Jack was seen by a lot of

778
00:37:16.880 --> 00:37:20.719
<v Speaker 4>people as a brutal nobleman who went around with a

779
00:37:20.719 --> 00:37:22.960
<v Speaker 4>gang of other noblemen. And this, of course has explained

780
00:37:23.000 --> 00:37:26.000
<v Speaker 4>a lot of the facts has had emerged. How is

781
00:37:26.039 --> 00:37:28.320
<v Speaker 4>spring Hill Jack able to get from the east end

782
00:37:28.360 --> 00:37:29.960
<v Speaker 4>of London to the West end of London? How is

783
00:37:29.960 --> 00:37:32.960
<v Speaker 4>he able to dress up in all of these remarkable outfits? Well,

784
00:37:32.960 --> 00:37:35.159
<v Speaker 4>who can afford a suit of armor? How can you

785
00:37:35.199 --> 00:37:38.159
<v Speaker 4>afford this amazing spring heel boots that he's got, And

786
00:37:38.199 --> 00:37:40.199
<v Speaker 4>all of those things point to somebody very wealthy. And

787
00:37:40.199 --> 00:37:42.440
<v Speaker 4>in fact, there was a lead suspect even at that

788
00:37:42.480 --> 00:37:44.960
<v Speaker 4>time the Marquess of Waterford, who was one of the

789
00:37:44.960 --> 00:37:47.119
<v Speaker 4>sort of great aristocratic thugs of his day and was

790
00:37:47.360 --> 00:37:49.920
<v Speaker 4>well known for his sort of outrageous behavior and beating

791
00:37:50.000 --> 00:37:53.800
<v Speaker 4>up watchmen and pranking people, and he was quite widely

792
00:37:53.800 --> 00:37:55.760
<v Speaker 4>believed I think at the time to be spring Hill Jack.

793
00:37:56.440 --> 00:37:58.440
<v Speaker 3>That sounds like some of the explanations for Jack the

794
00:37:58.519 --> 00:37:59.360
<v Speaker 3>Ripper as well.

795
00:38:00.119 --> 00:38:01.679
<v Speaker 4>Very true. I mean, you know, this is as I say,

796
00:38:01.679 --> 00:38:03.440
<v Speaker 4>it's a troupe essentially. I mean it does come up

797
00:38:03.480 --> 00:38:06.320
<v Speaker 4>again and again throughout the Nineteenthenturary, not just with this story,

798
00:38:06.360 --> 00:38:08.079
<v Speaker 4>but you know, in a number of other cases, and

799
00:38:08.119 --> 00:38:09.960
<v Speaker 4>you know, and people have pointed out and I think

800
00:38:09.960 --> 00:38:12.199
<v Speaker 4>there's some truth in this that essentially spring hil Jack

801
00:38:12.280 --> 00:38:15.199
<v Speaker 4>is also a prototype Batman. I mean, he's Bruce Wayne

802
00:38:15.199 --> 00:38:17.760
<v Speaker 4>in the early Victorian Bude. He's got money, he's got

803
00:38:17.800 --> 00:38:19.920
<v Speaker 4>a load of high text stuff that nobody else has got,

804
00:38:20.239 --> 00:38:23.400
<v Speaker 4>you know. In some of the springhild Jack Penny dreadfuls,

805
00:38:23.400 --> 00:38:26.559
<v Speaker 4>he actually hides in the cave in a graveyard. So

806
00:38:27.039 --> 00:38:30.480
<v Speaker 4>there are some quite strong connections between Batman and spring

807
00:38:30.559 --> 00:38:31.239
<v Speaker 4>Hiel Jack invent.

808
00:38:31.440 --> 00:38:34.119
<v Speaker 1>But he's also a dressing really fancy and knocking women around.

809
00:38:34.119 --> 00:38:35.920
<v Speaker 1>So he's kind of putting the pimp and pimpernel.

810
00:38:36.679 --> 00:38:43.280
<v Speaker 4>Well, yes, batman esque some of them, of course. I mean,

811
00:38:43.280 --> 00:38:45.159
<v Speaker 4>this is one of the interesting things about this, the

812
00:38:45.159 --> 00:38:48.840
<v Speaker 4>way in which this develops, just to touch on this briefly,

813
00:38:48.920 --> 00:38:50.440
<v Speaker 4>is that you know, by the time the penny dreadfulls

814
00:38:50.480 --> 00:38:52.280
<v Speaker 4>get hold of him, they turn him into a hero.

815
00:38:52.400 --> 00:38:54.320
<v Speaker 4>I mean, he is the sort of if he is

816
00:38:54.320 --> 00:38:56.360
<v Speaker 4>a nobleman, he's a nobleman who's been wrong, you know,

817
00:38:56.440 --> 00:38:58.199
<v Speaker 4>he's been deprived of his inheritance or whatever, and he's

818
00:38:58.199 --> 00:39:00.679
<v Speaker 4>actually out to protect the heroine. And the only people

819
00:39:00.679 --> 00:39:03.280
<v Speaker 4>who get beaten up in the actual in the bloods

820
00:39:03.320 --> 00:39:05.360
<v Speaker 4>are you know, sort of bad guys.

821
00:39:05.119 --> 00:39:06.320
<v Speaker 5>Who deserve it, is actually there.

822
00:39:06.519 --> 00:39:09.719
<v Speaker 4>He backed women in fact, so there's a pretty seismic

823
00:39:09.760 --> 00:39:11.239
<v Speaker 4>shift in the way in which he's portrayed.

824
00:39:12.519 --> 00:39:14.800
<v Speaker 3>So what are some of the other theories about who

825
00:39:14.960 --> 00:39:18.280
<v Speaker 3>or what spring hil Jack was or is. Well.

826
00:39:18.320 --> 00:39:20.880
<v Speaker 4>I mean, over the years, a lot of strange things

827
00:39:20.920 --> 00:39:23.440
<v Speaker 4>have been suggested. I mean, of course, inevitably, in the

828
00:39:23.519 --> 00:39:26.920
<v Speaker 4>nineteen sixties, when Flying Source of Reviews started to be

829
00:39:26.960 --> 00:39:29.199
<v Speaker 4>published and they heard about the story, he got sort

830
00:39:29.199 --> 00:39:31.079
<v Speaker 4>of tied into the hole. Is spining heel Jack some

831
00:39:31.159 --> 00:39:35.280
<v Speaker 4>sort of UFO occupant and rather than an elaborate theory

832
00:39:35.440 --> 00:39:38.679
<v Speaker 4>was proposed in FSR in nineteen sixty two suggesting that

833
00:39:38.719 --> 00:39:41.119
<v Speaker 4>he was actually a sort of a stranded alien. I

834
00:39:41.119 --> 00:39:44.880
<v Speaker 4>mean that this is a theory which which positive that

835
00:39:44.920 --> 00:39:46.519
<v Speaker 4>he was actually looking for a safe house and he

836
00:39:46.559 --> 00:39:48.199
<v Speaker 4>kept knocking on people's doors because he was going to

837
00:39:48.199 --> 00:39:49.960
<v Speaker 4>the wrong place, because he didn't know London very well,

838
00:39:51.000 --> 00:39:53.679
<v Speaker 4>and he was only attacking people when they screamed, essentially,

839
00:39:53.719 --> 00:39:55.000
<v Speaker 4>so he was sort of trying to shut them up

840
00:39:55.000 --> 00:39:58.159
<v Speaker 4>because he was about to be about to be revealed

841
00:39:58.159 --> 00:40:00.679
<v Speaker 4>to the authorities. And you know, this works only in

842
00:40:00.719 --> 00:40:02.199
<v Speaker 4>the sense that, you know, the people who wrote this

843
00:40:02.440 --> 00:40:04.559
<v Speaker 4>by this stage were getting old of a very perverted

844
00:40:04.760 --> 00:40:06.960
<v Speaker 4>version of the spring Hill Jack story and adding some

845
00:40:07.000 --> 00:40:08.719
<v Speaker 4>elements to it themselves, so that you know, they have

846
00:40:08.760 --> 00:40:11.679
<v Speaker 4>Springhill spring Hill Jack was sort of weird cropped ears

847
00:40:11.679 --> 00:40:13.360
<v Speaker 4>a bit, sort of like Spock and Star Trek. They

848
00:40:13.360 --> 00:40:15.679
<v Speaker 4>have a spring hiel Jack who is much more alien

849
00:40:15.679 --> 00:40:18.320
<v Speaker 4>than the original spring hil Jack actually was. So there's

850
00:40:18.320 --> 00:40:20.519
<v Speaker 4>the UFO connection. I mean, there's the whole sort of

851
00:40:21.440 --> 00:40:23.880
<v Speaker 4>escaped from an azerie type of connection, where spring hil

852
00:40:23.920 --> 00:40:26.159
<v Speaker 4>Jack is supposed to be either an escape monkey or

853
00:40:26.159 --> 00:40:30.559
<v Speaker 4>in some cases escape kangaroo even and there are then

854
00:40:30.639 --> 00:40:35.000
<v Speaker 4>you know, there's the sort of more esoteric, sort of

855
00:40:35.000 --> 00:40:38.599
<v Speaker 4>power dimensional type of theory which people like John Keel

856
00:40:38.639 --> 00:40:41.159
<v Speaker 4>would have subscribed to, where spring Hill Jack becomes a

857
00:40:41.159 --> 00:40:44.559
<v Speaker 4>sort of ultra dimensional figure who's come into this universe

858
00:40:44.559 --> 00:40:47.079
<v Speaker 4>from some other universe or from some sort of you know,

859
00:40:47.239 --> 00:40:50.000
<v Speaker 4>high gravity universe somewhere else, which which would allow for

860
00:40:50.000 --> 00:40:53.760
<v Speaker 4>his spectacular leaping ability. Of course, none of which, of course,

861
00:40:53.800 --> 00:40:55.440
<v Speaker 4>you know this is this is the point of my

862
00:40:55.519 --> 00:40:57.679
<v Speaker 4>research in a sense that all of that is only

863
00:40:57.719 --> 00:41:00.239
<v Speaker 4>really you can take it, even remotely seriously and as

864
00:41:00.280 --> 00:41:03.000
<v Speaker 4>a sort of theory if you haven't read all the

865
00:41:03.000 --> 00:41:05.960
<v Speaker 4>original sources, only if you've got the sort of perverted

866
00:41:06.000 --> 00:41:08.960
<v Speaker 4>secondhand let's conflate every room we've heard and then double

867
00:41:09.000 --> 00:41:13.239
<v Speaker 4>it type of forty and pot boiler. Can you actually say, Okay,

868
00:41:13.320 --> 00:41:14.719
<v Speaker 4>if this is the evidence, and this is a theory

869
00:41:14.760 --> 00:41:17.039
<v Speaker 4>that fits the evidence, the real evidence doesn't point to

870
00:41:17.079 --> 00:41:18.840
<v Speaker 4>any of that. The real evidence really only points in

871
00:41:18.880 --> 00:41:21.239
<v Speaker 4>two directions, which is that spring heeld Deck is either

872
00:41:21.280 --> 00:41:25.960
<v Speaker 4>an urban legend or a person who's decided to do

873
00:41:26.000 --> 00:41:28.159
<v Speaker 4>this either because he's drunk or foot prank or both,

874
00:41:28.719 --> 00:41:30.519
<v Speaker 4>and neither of those is really a complete and full

875
00:41:30.559 --> 00:41:31.960
<v Speaker 4>explanation on itself.

876
00:41:32.000 --> 00:41:36.840
<v Speaker 1>In fact, I think it's there's a tendency among modern

877
00:41:36.880 --> 00:41:42.840
<v Speaker 1>readers to sort of attribute a sort of superstitious ignorance

878
00:41:42.880 --> 00:41:45.679
<v Speaker 1>to people from previous centuries. And I know, by itself,

879
00:41:45.719 --> 00:41:49.679
<v Speaker 1>I'd like to believe that this kind of imaginative attribution

880
00:41:49.719 --> 00:41:53.199
<v Speaker 1>by witnesses wouldn't happen now. But I saw that in

881
00:41:53.239 --> 00:41:55.360
<v Speaker 1>your research. You point to the recent child deaths in

882
00:41:55.400 --> 00:41:59.440
<v Speaker 1>the Indian state of Uttar Pradesh being attributed to pig Face,

883
00:41:59.519 --> 00:42:02.760
<v Speaker 1>where all any magic flying van. So I'm guessing people

884
00:42:02.800 --> 00:42:04.480
<v Speaker 1>still report extremely unlikely things.

885
00:42:04.480 --> 00:42:08.239
<v Speaker 4>Now, that's true, and I think I'm not a great

886
00:42:08.440 --> 00:42:11.840
<v Speaker 4>believer in sort of Young's idea of archetypes. But one

887
00:42:11.880 --> 00:42:13.599
<v Speaker 4>of the intriguing things about this is, you know what

888
00:42:13.679 --> 00:42:17.000
<v Speaker 4>causes this this figure, a very similar figure to crop

889
00:42:17.079 --> 00:42:18.840
<v Speaker 4>up in so many different times and places. And this

890
00:42:18.880 --> 00:42:21.239
<v Speaker 4>is something that I've researched long and hard. Yeah, I mean,

891
00:42:21.239 --> 00:42:23.000
<v Speaker 4>to be completely answered, I don't have an answer to

892
00:42:23.039 --> 00:42:24.920
<v Speaker 4>this question yet. I mean a lot of spring heel

893
00:42:24.960 --> 00:42:27.840
<v Speaker 4>Jack stories occur in the sort of places you would expect.

894
00:42:28.039 --> 00:42:30.480
<v Speaker 4>They occur in Newfoundland, they occur in Australia, they occur

895
00:42:30.559 --> 00:42:33.719
<v Speaker 4>in New Zealand, they go in South Africa. In other words,

896
00:42:33.719 --> 00:42:37.719
<v Speaker 4>in places where where you know, people who are emigrating

897
00:42:38.320 --> 00:42:41.239
<v Speaker 4>from written to bits of the British Empire might conceivably

898
00:42:41.239 --> 00:42:43.920
<v Speaker 4>carry these stories. And you know, and they are obviously

899
00:42:44.039 --> 00:42:46.239
<v Speaker 4>very clear links. I mean in Newfound and there's a

900
00:42:46.239 --> 00:42:49.440
<v Speaker 4>figure then as spring Heel Jackson who's very clearly a

901
00:42:49.519 --> 00:42:51.840
<v Speaker 4>sort of perverted version of Springhiel jack There's just been

902
00:42:51.880 --> 00:42:54.039
<v Speaker 4>sort of slightly changing the passages of a bit of

903
00:42:54.079 --> 00:42:56.480
<v Speaker 4>time in a bit of a few miles, and somebody's

904
00:42:56.519 --> 00:42:59.000
<v Speaker 4>taken the story from that they heard, you know, from

905
00:42:59.000 --> 00:43:01.519
<v Speaker 4>their mother's nee or whatever, and told it again to

906
00:43:01.559 --> 00:43:03.639
<v Speaker 4>their kids in Newfound and it sort of spread around

907
00:43:03.679 --> 00:43:07.360
<v Speaker 4>that island. But the interesting thing is that they are

908
00:43:07.400 --> 00:43:10.079
<v Speaker 4>also stories of spring Hill Jacking places where there was

909
00:43:10.119 --> 00:43:12.679
<v Speaker 4>never any British imperial influence, you know, in the in

910
00:43:12.719 --> 00:43:16.239
<v Speaker 4>the nineteen eighties, in Mogadishu, which is in Somalia had

911
00:43:16.280 --> 00:43:18.840
<v Speaker 4>previously been part of Italian Somali that it had never been,

912
00:43:19.159 --> 00:43:20.719
<v Speaker 4>but it had been a British territory for about two

913
00:43:20.800 --> 00:43:24.199
<v Speaker 4>years in World War Two there was this figure the

914
00:43:24.280 --> 00:43:27.760
<v Speaker 4>tall Man, who was supposed to be able to leap

915
00:43:27.800 --> 00:43:30.119
<v Speaker 4>huge distances and would sort of appear at second floor

916
00:43:30.119 --> 00:43:34.079
<v Speaker 4>bedroom windows. And clearly that's a spring Hill jack type

917
00:43:34.079 --> 00:43:36.320
<v Speaker 4>of archetype, but he's not known as spring Hill Jackie's

918
00:43:36.320 --> 00:43:38.920
<v Speaker 4>and as the tall Man. Similarly, in Russia at the

919
00:43:38.920 --> 00:43:41.760
<v Speaker 4>time of the Russian Revolution, in Saint Petersburg, there were

920
00:43:42.119 --> 00:43:45.400
<v Speaker 4>a gang of a gang of criminals called calling themselves

921
00:43:45.480 --> 00:43:48.159
<v Speaker 4>the Leapers, who used to go sort of hopping about

922
00:43:48.199 --> 00:43:50.880
<v Speaker 4>and pretending to be able to leap huge distances and

923
00:43:51.079 --> 00:43:53.599
<v Speaker 4>allegedly actually genuinely wore springs on their feet to terrorize

924
00:43:53.599 --> 00:43:55.440
<v Speaker 4>people so they could rob them. And you know they

925
00:43:55.440 --> 00:43:57.800
<v Speaker 4>were originally they were tracked down by the Checker, the

926
00:43:57.840 --> 00:44:01.320
<v Speaker 4>original KGB and executed, I mean, and again they seemed

927
00:44:01.519 --> 00:44:04.320
<v Speaker 4>there were police reports describing these guys in the Russian archives,

928
00:44:04.760 --> 00:44:06.280
<v Speaker 4>and you know they seem to be in genuine But

929
00:44:06.320 --> 00:44:07.840
<v Speaker 4>where do they get this idea that it would be

930
00:44:07.880 --> 00:44:09.639
<v Speaker 4>a good idea to dress up if it be like

931
00:44:09.679 --> 00:44:12.119
<v Speaker 4>spring Hill jack from There's no obvious way in which

932
00:44:12.119 --> 00:44:14.920
<v Speaker 4>that story could have got there, And the most famous example,

933
00:44:14.960 --> 00:44:19.280
<v Speaker 4>perhaps like this, is Perak, the spring Man of the Prague,

934
00:44:19.559 --> 00:44:22.320
<v Speaker 4>who in the later years of World War Two was

935
00:44:22.400 --> 00:44:23.880
<v Speaker 4>seen by a lot of Czechs as sort of, you know,

936
00:44:23.920 --> 00:44:27.239
<v Speaker 4>a defender of the Czech people against the Nazis.

937
00:44:27.639 --> 00:44:28.320
<v Speaker 5>And there are a.

938
00:44:28.320 --> 00:44:32.159
<v Speaker 4>Lot of urban legends and folklore in Czechoslovakia, in the

939
00:44:32.199 --> 00:44:34.440
<v Speaker 4>Czech Republic as we would now call it, going back

940
00:44:34.440 --> 00:44:36.920
<v Speaker 4>to nineteen forty four to forty five, describing this figure in

941
00:44:37.000 --> 00:44:39.199
<v Speaker 4>exactly the same terms as spring Hill Jack, right down

942
00:44:39.239 --> 00:44:42.440
<v Speaker 4>to the kind of iron claws and business. Where did

943
00:44:42.480 --> 00:44:43.719
<v Speaker 4>it come from? I mean, I've done a lot of

944
00:44:43.719 --> 00:44:46.639
<v Speaker 4>work investigating it. Did any British penny dreadfuls get translated

945
00:44:46.639 --> 00:44:49.480
<v Speaker 4>into Czech in the early ninety hundreds, and in fact

946
00:44:49.519 --> 00:44:51.400
<v Speaker 4>a lot did, but not the spring Hill Jack story.

947
00:44:51.480 --> 00:44:54.079
<v Speaker 4>So I'm still completely at a loss to know how

948
00:44:54.119 --> 00:44:56.920
<v Speaker 4>this story spreads. And it must be to a certain

949
00:44:56.920 --> 00:45:00.920
<v Speaker 4>extent that there's something fativistic about about it whole figure.

950
00:45:00.920 --> 00:45:04.440
<v Speaker 4>I mean, there's something that just grips the human mind

951
00:45:05.000 --> 00:45:06.719
<v Speaker 4>that there could be somebody who has this sort of

952
00:45:06.760 --> 00:45:11.079
<v Speaker 4>leaping ability and this sort of devilish parents that crops

953
00:45:11.159 --> 00:45:12.920
<v Speaker 4>up again and again. This is what folklore is call

954
00:45:13.440 --> 00:45:17.280
<v Speaker 4>a migratory legend, and unfortunately, and I got very excited

955
00:45:17.280 --> 00:45:18.960
<v Speaker 4>when I heard about that they had this concept because

956
00:45:18.960 --> 00:45:21.440
<v Speaker 4>it didn't exactly describe what I was finding in my research.

957
00:45:21.480 --> 00:45:23.880
<v Speaker 4>But when you actually look into it, folklores have no

958
00:45:23.920 --> 00:45:26.639
<v Speaker 4>real explanations to how it works, how this legend migrates.

959
00:45:26.679 --> 00:45:28.920
<v Speaker 4>They just know that it does do. So you get

960
00:45:28.960 --> 00:45:31.599
<v Speaker 4>sort of Jack and the Beanstalk type legends in lots

961
00:45:31.639 --> 00:45:34.519
<v Speaker 4>of different countries that have no apparent connection to each other.

962
00:45:34.800 --> 00:45:36.320
<v Speaker 5>But I still don't know.

963
00:45:36.440 --> 00:45:38.599
<v Speaker 4>I would be very pleased to hear anyone who can

964
00:45:38.639 --> 00:45:41.639
<v Speaker 4>explain exactly why this happens, whether there is some form

965
00:45:41.639 --> 00:45:44.239
<v Speaker 4>of transmission that I'm not aware of, or whether it's

966
00:45:44.320 --> 00:45:47.039
<v Speaker 4>just that the human imagination, because we're all human, works

967
00:45:47.079 --> 00:45:48.039
<v Speaker 4>in very similar ways.

968
00:45:50.119 --> 00:45:55.719
<v Speaker 1>Yeah, that's fascinating question. And those stories, well, you know,

969
00:45:55.760 --> 00:45:59.519
<v Speaker 1>it seems like it ties a little bit into mimetics, right, yeah.

970
00:45:59.559 --> 00:46:02.360
<v Speaker 4>I mean that's another interesting modern theory which I need

971
00:46:02.360 --> 00:46:04.159
<v Speaker 4>to look into maybe a bit more. But I haven't

972
00:46:04.199 --> 00:46:07.199
<v Speaker 4>again heard anything that specifically explains how this work. I mean,

973
00:46:07.280 --> 00:46:09.480
<v Speaker 4>it's people sort of noticing phenomenon, sort of trying to

974
00:46:09.519 --> 00:46:13.000
<v Speaker 4>grow towards an explanation. We really haven't got any firm

975
00:46:13.039 --> 00:46:15.960
<v Speaker 4>answers to it yet, but quite plainly, this goes a

976
00:46:16.000 --> 00:46:17.960
<v Speaker 4>long way beyond spring hiel Jack. I mean it would

977
00:46:18.079 --> 00:46:21.840
<v Speaker 4>explain an awful lot of different forteing phenomena essentially, wouldn't it.

978
00:46:21.840 --> 00:46:25.360
<v Speaker 1>It would, I think, And this is a project you'd

979
00:46:25.360 --> 00:46:29.360
<v Speaker 1>probably appreciate. But I think in some way there ought

980
00:46:29.400 --> 00:46:30.679
<v Speaker 1>to be And I know there are already like a

981
00:46:30.719 --> 00:46:32.719
<v Speaker 1>list of tropes that people track in folk for, but

982
00:46:32.760 --> 00:46:36.239
<v Speaker 1>it seems like these things are almost could be divided

983
00:46:36.280 --> 00:46:42.519
<v Speaker 1>into discrete packets of information that you could measure with

984
00:46:42.599 --> 00:46:44.800
<v Speaker 1>computer software. The reason I say it so like that

985
00:46:44.800 --> 00:46:47.880
<v Speaker 1>there's a genetic piece of the story that's the spring

986
00:46:47.960 --> 00:46:50.880
<v Speaker 1>Hill character, there's a genetic piece that's the fire breathing character,

987
00:46:51.159 --> 00:46:53.360
<v Speaker 1>and that you could look at these legends and just

988
00:46:53.400 --> 00:46:57.119
<v Speaker 1>sort of see where the pieces match up across lots

989
00:46:57.119 --> 00:46:59.840
<v Speaker 1>of different pieces of the literature. It's something that's been

990
00:47:00.480 --> 00:47:03.159
<v Speaker 1>intriguing me for a few years now. I wanted to

991
00:47:03.199 --> 00:47:05.119
<v Speaker 1>know if there was a software solution.

992
00:47:06.760 --> 00:47:09.199
<v Speaker 4>Google then grand Viewer I suppose would allow to track

993
00:47:09.400 --> 00:47:11.280
<v Speaker 4>of mentions of the name and things like that. But yeah,

994
00:47:11.280 --> 00:47:13.679
<v Speaker 4>I mean the actual You're right, I mean folklores of

995
00:47:13.679 --> 00:47:17.239
<v Speaker 4>course have their sort of you know, in fotal index,

996
00:47:17.320 --> 00:47:20.480
<v Speaker 4>you know, they sort of assign numbers and letters to

997
00:47:20.519 --> 00:47:23.639
<v Speaker 4>all of these stories, and spring Jack fits into that category.

998
00:47:24.360 --> 00:47:27.280
<v Speaker 4>But that again just tracks what exists rather than explains

999
00:47:27.320 --> 00:47:29.639
<v Speaker 4>why it exists in the in the strange places.

1000
00:47:29.639 --> 00:47:32.800
<v Speaker 1>Two parts, two parts, at least two parts.

1001
00:47:33.239 --> 00:47:36.119
<v Speaker 3>Yeah, I think the closest theory would be in anthropology

1002
00:47:36.159 --> 00:47:39.159
<v Speaker 3>or linguistics, the idea of diffusion, where you've got some

1003
00:47:39.280 --> 00:47:43.360
<v Speaker 3>kind of whether it's language or whether it's some kind

1004
00:47:43.400 --> 00:47:47.159
<v Speaker 3>of cultural element, and it just diffuses and spreads throughout society,

1005
00:47:47.199 --> 00:47:50.360
<v Speaker 3>and then you know, travels overseas as well, as you

1006
00:47:50.360 --> 00:47:54.079
<v Speaker 3>were saying to other countries that have been influenced by

1007
00:47:54.119 --> 00:47:56.760
<v Speaker 3>Britain in so far as spring heel Jack is concerned

1008
00:47:57.360 --> 00:48:01.360
<v Speaker 3>countries like India and Australia from Singapore, and that would

1009
00:48:01.360 --> 00:48:06.320
<v Speaker 3>explain the claims leaping to those countries as well. That's

1010
00:48:06.360 --> 00:48:08.599
<v Speaker 3>absolutly right to some extent anyway.

1011
00:48:08.920 --> 00:48:12.480
<v Speaker 1>Well, in much like mimetics, the idea would be the

1012
00:48:12.599 --> 00:48:18.159
<v Speaker 1>ideas are transported but also mutated. So and I think

1013
00:48:18.199 --> 00:48:20.199
<v Speaker 1>you've probably covered that to some extent, but maybe we

1014
00:48:20.199 --> 00:48:22.159
<v Speaker 1>could talk about that a little more so, how did

1015
00:48:22.280 --> 00:48:25.400
<v Speaker 1>especially the journalism, how did the news reports, in addition

1016
00:48:25.440 --> 00:48:28.360
<v Speaker 1>to the folklore, shape the way the spring Hill Jack

1017
00:48:28.440 --> 00:48:29.400
<v Speaker 1>story emerged.

1018
00:48:29.599 --> 00:48:32.159
<v Speaker 4>Well, I think this is a very worthwhile point, and

1019
00:48:32.239 --> 00:48:34.519
<v Speaker 4>I mean it does two things. I mean, it helps

1020
00:48:34.519 --> 00:48:38.360
<v Speaker 4>to explain how the story spreads, because you know, stories

1021
00:48:38.360 --> 00:48:41.119
<v Speaker 4>that are cropper in one place get copied in newspapers

1022
00:48:41.360 --> 00:48:43.719
<v Speaker 4>a long way away, and so the story spreads you

1023
00:48:44.000 --> 00:48:46.880
<v Speaker 4>through this through the new newspaper press and to sort

1024
00:48:46.880 --> 00:48:49.840
<v Speaker 4>of newly literate classes in a way that hadn't been

1025
00:48:49.840 --> 00:48:51.119
<v Speaker 4>possible even sort of forty.

1026
00:48:50.960 --> 00:48:53.079
<v Speaker 5>Or fifty years before. And one of the key things

1027
00:48:53.079 --> 00:48:53.920
<v Speaker 5>that happens in this.

1028
00:48:53.880 --> 00:48:57.119
<v Speaker 4>Period is that, you know, the British press, in order

1029
00:48:57.159 --> 00:48:59.280
<v Speaker 4>to control it, pactively sense of it, although I didn't

1030
00:48:59.280 --> 00:49:01.800
<v Speaker 4>like to put it that way, had been subject to

1031
00:49:01.840 --> 00:49:04.960
<v Speaker 4>what we call the stamp tax. So everyone who published

1032
00:49:05.159 --> 00:49:07.440
<v Speaker 4>a newspaper had to have each copy stamped and pay

1033
00:49:07.559 --> 00:49:09.480
<v Speaker 4>tax on it. And this effectively raised the price of

1034
00:49:09.519 --> 00:49:12.519
<v Speaker 4>a newspaper to something like six or seven old pence,

1035
00:49:12.639 --> 00:49:15.480
<v Speaker 4>which at that time was you know, the whole wage

1036
00:49:15.480 --> 00:49:17.280
<v Speaker 4>of a daily labor would be about the same man.

1037
00:49:17.360 --> 00:49:19.199
<v Speaker 4>So it would be like being asked you to part

1038
00:49:19.239 --> 00:49:21.039
<v Speaker 4>with one hundred, one hundred and fifty bucks to a

1039
00:49:21.039 --> 00:49:23.440
<v Speaker 4>newspaper these days. Obviously that meant that only the sort

1040
00:49:23.440 --> 00:49:26.039
<v Speaker 4>of very rich, literate people who could be trusted with

1041
00:49:26.119 --> 00:49:30.119
<v Speaker 4>this new form of communication were actually buying newspapers. And

1042
00:49:30.159 --> 00:49:32.679
<v Speaker 4>it wasn't until the sort of mid eighteen hundreds that

1043
00:49:32.719 --> 00:49:34.920
<v Speaker 4>the stamp tax was abolished, and suddenly you get these

1044
00:49:34.920 --> 00:49:38.440
<v Speaker 4>sort of unstamped papers and this story explodes, and I

1045
00:49:38.480 --> 00:49:42.079
<v Speaker 4>don't think it's a coincidence. And after the original spring

1046
00:49:42.159 --> 00:49:44.079
<v Speaker 4>Hill Jack stories of eighteen thirty eight, there's a sort

1047
00:49:44.079 --> 00:49:46.039
<v Speaker 4>of lull, I mean they gone for a couple of years,

1048
00:49:46.039 --> 00:49:48.440
<v Speaker 4>well after eighteen forty. There was a lull until the

1049
00:49:48.440 --> 00:49:50.679
<v Speaker 4>eighteen sixties where not a lot is happening in spring

1050
00:49:50.719 --> 00:49:54.719
<v Speaker 4>Hill Jack world. And then there's an explosion of springhil

1051
00:49:54.800 --> 00:49:58.079
<v Speaker 4>Jack reports. Again he's seen in place like all the

1052
00:49:58.119 --> 00:50:01.840
<v Speaker 4>Short Army Camp and Culchister Army Camp in the eighteen seventies,

1053
00:50:01.880 --> 00:50:06.119
<v Speaker 4>for example. And this ties in very closely to the

1054
00:50:06.159 --> 00:50:10.599
<v Speaker 4>explosion of publications of penny dreadfuls and understanded newspapers. And

1055
00:50:10.639 --> 00:50:12.920
<v Speaker 4>so I think that quite clearly you could at least

1056
00:50:13.000 --> 00:50:15.880
<v Speaker 4>posit here that you know, the story has been revived

1057
00:50:15.960 --> 00:50:19.400
<v Speaker 4>and been spread by these much more widely circulated newspapers.

1058
00:50:19.400 --> 00:50:21.519
<v Speaker 4>And we're talking about a situation where you know, the

1059
00:50:21.519 --> 00:50:24.679
<v Speaker 4>Times newspaper goes from a circulation of five or six

1060
00:50:24.800 --> 00:50:29.079
<v Speaker 4>or seven thousand to a circulation of six figures. So

1061
00:50:30.480 --> 00:50:32.639
<v Speaker 4>newspapers are being much much more widely read, as indeed

1062
00:50:32.639 --> 00:50:34.480
<v Speaker 4>our penny dreadfulces. And you have this whole new literature,

1063
00:50:34.480 --> 00:50:36.119
<v Speaker 4>and it's a whole new literate class of people who

1064
00:50:36.159 --> 00:50:38.079
<v Speaker 4>are reading them. And it all ties into this sort

1065
00:50:38.119 --> 00:50:42.559
<v Speaker 4>of spreading education in a sort of industrial revolution society,

1066
00:50:43.079 --> 00:50:45.000
<v Speaker 4>which is something the historicals done a lot of study of.

1067
00:50:45.440 --> 00:50:47.840
<v Speaker 4>Now that's one thing. The second thing, and this again

1068
00:50:47.920 --> 00:50:50.559
<v Speaker 4>is something I wasn't aware of when I started my work,

1069
00:50:50.559 --> 00:50:52.960
<v Speaker 4>and it's become much clearer in the last few years

1070
00:50:53.000 --> 00:50:56.760
<v Speaker 4>with newspaper digitization, because you know, you can only search

1071
00:50:56.800 --> 00:51:01.039
<v Speaker 4>so many blank crampieces of paper for things that probably

1072
00:51:01.039 --> 00:51:03.039
<v Speaker 4>aren't there before you get fed up, in my experience,

1073
00:51:03.239 --> 00:51:05.599
<v Speaker 4>But now that we've got this ability to do keyword

1074
00:51:05.639 --> 00:51:07.760
<v Speaker 4>searches and we don't have to search the springhel jackets,

1075
00:51:07.760 --> 00:51:10.920
<v Speaker 4>so you can search for phrases like iron claws or

1076
00:51:10.960 --> 00:51:13.000
<v Speaker 4>you know, red balls of Fire or whatever it's going

1077
00:51:13.079 --> 00:51:16.480
<v Speaker 4>to be or spring Boots is one interesting one. And

1078
00:51:16.480 --> 00:51:18.320
<v Speaker 4>when you start doing that, you discover that there are

1079
00:51:18.800 --> 00:51:21.559
<v Speaker 4>earlier versions of this story in print, which nobody had

1080
00:51:21.559 --> 00:51:23.679
<v Speaker 4>spotted before because nobody had been able to sort of

1081
00:51:23.719 --> 00:51:26.639
<v Speaker 4>go through every newspaper ever published for years and years,

1082
00:51:27.039 --> 00:51:28.960
<v Speaker 4>and the story goes back well, I mean the earliest

1083
00:51:29.000 --> 00:51:32.119
<v Speaker 4>version I've traced actually dates to a pamphlet published in

1084
00:51:32.199 --> 00:51:36.440
<v Speaker 4>London in sixteen seventy seven, which is about a devil

1085
00:51:36.480 --> 00:51:39.800
<v Speaker 4>appearing in Suffolk who has very close similarities to springheel

1086
00:51:39.840 --> 00:51:42.400
<v Speaker 4>Jack and you know, is very ajulant, can leap over

1087
00:51:42.599 --> 00:51:45.559
<v Speaker 4>sort of fifteen foot high walls, but he's in It's real.

1088
00:51:45.719 --> 00:51:47.920
<v Speaker 4>It's a man who's done according this is the story

1089
00:51:47.920 --> 00:51:49.800
<v Speaker 4>anyway at the time. It's a man who's in league

1090
00:51:49.840 --> 00:51:51.880
<v Speaker 4>with the devil. He's signed away his soul in exchange

1091
00:51:51.880 --> 00:51:54.519
<v Speaker 4>with this sort of ability to rob people and get

1092
00:51:54.519 --> 00:51:57.280
<v Speaker 4>away from them for three or four or five years.

1093
00:51:58.360 --> 00:52:00.800
<v Speaker 4>And then there's another gap where something's going on but

1094
00:52:00.840 --> 00:52:02.679
<v Speaker 4>I haven't traced yet, And then we have the Hammersmith

1095
00:52:02.679 --> 00:52:05.920
<v Speaker 4>Ghost Scare of eighteen oh four, where again, yeah, there

1096
00:52:05.960 --> 00:52:08.559
<v Speaker 4>are distinct parallels with the Spring hil Jack story of

1097
00:52:08.599 --> 00:52:11.480
<v Speaker 4>eighteen thirty eight. The Hammersmith ghost is described as wearing

1098
00:52:11.559 --> 00:52:13.960
<v Speaker 4>a cow's hide, for example, which is a phrase which

1099
00:52:14.400 --> 00:52:17.079
<v Speaker 4>is using exactly the same terms in the very earliest

1100
00:52:17.079 --> 00:52:19.679
<v Speaker 4>period of the Springhill Jack stories, when he's still touring

1101
00:52:19.679 --> 00:52:22.480
<v Speaker 4>around the villages outside London, he's and he's in all

1102
00:52:22.480 --> 00:52:24.199
<v Speaker 4>these different guys as one of them is dressed in

1103
00:52:24.239 --> 00:52:27.320
<v Speaker 4>animal hide. And then in eighteen oh nine there's a

1104
00:52:27.320 --> 00:52:30.119
<v Speaker 4>thing called the Croydon Monster, who's a man dressed in

1105
00:52:30.159 --> 00:52:32.280
<v Speaker 4>sort of military style uniform with a long cloak, but

1106
00:52:32.320 --> 00:52:35.880
<v Speaker 4>who can leap about. And in eighteen twenty five, eighteen

1107
00:52:35.880 --> 00:52:37.679
<v Speaker 4>twenty four to twenty five there's a ghost down on

1108
00:52:37.719 --> 00:52:40.000
<v Speaker 4>the South coast and Hampshire and the Isle of Wight

1109
00:52:40.199 --> 00:52:42.400
<v Speaker 4>who is exactly the same as Springhill Jack, down to

1110
00:52:42.639 --> 00:52:46.000
<v Speaker 4>having large claw gloves and wearing wearing a suit of armor.

1111
00:52:46.280 --> 00:52:49.039
<v Speaker 4>And again in Hammersmith in eighteen thirty three. Now, so

1112
00:52:49.199 --> 00:52:50.719
<v Speaker 4>of course, you know, all of this led me to

1113
00:52:50.800 --> 00:52:52.440
<v Speaker 4>ask what the heck is going on here? I mean,

1114
00:52:52.519 --> 00:52:56.679
<v Speaker 4>is this actually some sort of genuine supernatural creature?

1115
00:52:56.679 --> 00:52:57.320
<v Speaker 5>Who's you know?

1116
00:52:57.559 --> 00:52:59.760
<v Speaker 4>I mean, this is obviously what the UFO crowd would

1117
00:52:59.760 --> 00:53:01.519
<v Speaker 4>ten to interpret it as I'm sure I don't want

1118
00:53:01.519 --> 00:53:02.199
<v Speaker 4>to knock them too.

1119
00:53:02.159 --> 00:53:03.760
<v Speaker 5>Much, but they would tend to see this is a

1120
00:53:03.920 --> 00:53:04.639
<v Speaker 5>j real stories.

1121
00:53:04.639 --> 00:53:07.079
<v Speaker 4>It's in the newspaper, it must be real, and therefore

1122
00:53:07.119 --> 00:53:08.639
<v Speaker 4>you know, spring Hill Jack has been around for long

1123
00:53:08.679 --> 00:53:11.440
<v Speaker 4>and wethink. Actually, now this is the key thing. You know,

1124
00:53:11.559 --> 00:53:14.559
<v Speaker 4>you need to study how journalism worked in those days,

1125
00:53:14.559 --> 00:53:18.559
<v Speaker 4>and basically you can't consider that newspapers as they existed

1126
00:53:18.559 --> 00:53:22.000
<v Speaker 4>in eighteen ten eighteen thirty were like newspapers a day

1127
00:53:22.000 --> 00:53:24.239
<v Speaker 4>where the sort of a large staff of experienced reporters

1128
00:53:24.280 --> 00:53:26.119
<v Speaker 4>would be sort of sent out to do to look

1129
00:53:26.159 --> 00:53:29.079
<v Speaker 4>into these stories and come back with a true story

1130
00:53:29.199 --> 00:53:31.400
<v Speaker 4>having interviewed lots of people that just simply did not

1131
00:53:31.480 --> 00:53:34.159
<v Speaker 4>happen in the Victorian period. A newspaper in those periods

1132
00:53:34.199 --> 00:53:36.719
<v Speaker 4>was an editor, and it was a large national newspaper,

1133
00:53:36.760 --> 00:53:38.840
<v Speaker 4>being an editor and a parliamentary staff, so it'd have

1134
00:53:38.880 --> 00:53:41.039
<v Speaker 4>some guys who went along and reported on what was

1135
00:53:41.079 --> 00:53:43.559
<v Speaker 4>going on in parliament and everything else in it, all

1136
00:53:43.559 --> 00:53:45.280
<v Speaker 4>of the sort of sensational and stuff. All the crime

1137
00:53:45.360 --> 00:53:49.199
<v Speaker 4>stories were supplied by freelancers who are called penny aligners

1138
00:53:49.280 --> 00:53:52.039
<v Speaker 4>in those days, and they would live by their wits

1139
00:53:52.039 --> 00:53:54.360
<v Speaker 4>they could only know they could only publish stories if

1140
00:53:54.360 --> 00:53:56.960
<v Speaker 4>they could get them into the newspapers. The newspapers didn't

1141
00:53:57.199 --> 00:53:59.400
<v Speaker 4>there was no retainer. They only earned from the stories

1142
00:53:59.400 --> 00:54:02.639
<v Speaker 4>that were published, and those stories would tend to come

1143
00:54:02.719 --> 00:54:05.960
<v Speaker 4>in parliamentary recesses when because the newspapers in those days

1144
00:54:05.960 --> 00:54:09.239
<v Speaker 4>again we're not like modern newspapers, large with multiple supplements

1145
00:54:09.280 --> 00:54:12.079
<v Speaker 4>and endless space for news, they were very restricted.

1146
00:54:12.159 --> 00:54:13.559
<v Speaker 5>I mean, and this again goes back to the stamp

1147
00:54:13.599 --> 00:54:14.119
<v Speaker 5>tax business.

1148
00:54:14.159 --> 00:54:15.280
<v Speaker 4>And this is one of the reason why they're so

1149
00:54:15.320 --> 00:54:17.679
<v Speaker 4>crammed and there's no headlines is that you want to

1150
00:54:17.679 --> 00:54:19.679
<v Speaker 4>get the maximum amount in this very small space. They're

1151
00:54:19.639 --> 00:54:22.519
<v Speaker 4>normally four pages long, so if you've got something going

1152
00:54:22.519 --> 00:54:24.639
<v Speaker 4>on in parliament then there's no room for these stories.

1153
00:54:24.639 --> 00:54:28.280
<v Speaker 4>But in the parliamentary recesses there's suddenly much less news

1154
00:54:28.280 --> 00:54:30.519
<v Speaker 4>and their penny aligners come alive and they start selling

1155
00:54:30.519 --> 00:54:33.920
<v Speaker 4>all these stories. If you plot the times of which

1156
00:54:33.960 --> 00:54:36.760
<v Speaker 4>Parliament is sitting in England in this period and spring

1157
00:54:36.800 --> 00:54:39.679
<v Speaker 4>Hill Jack stories, there is a direct correlation between when

1158
00:54:39.679 --> 00:54:41.840
<v Speaker 4>the stories appear and when Parliament is not sitting. That's

1159
00:54:41.880 --> 00:54:44.360
<v Speaker 4>one interesting thing that I've discovered. The second thing is

1160
00:54:44.400 --> 00:54:46.559
<v Speaker 4>what do these penny aligners do when there's no sensational

1161
00:54:46.639 --> 00:54:49.639
<v Speaker 4>murders happening. And you know the answer is they copy

1162
00:54:49.679 --> 00:54:52.400
<v Speaker 4>out old stories and they sell them again, and they

1163
00:54:52.960 --> 00:54:56.559
<v Speaker 4>do this repeatedly. So what's happened, almost certainly, is that

1164
00:54:56.599 --> 00:54:58.880
<v Speaker 4>the spring hil Deac of eighteen thirty eight is exactly

1165
00:54:58.920 --> 00:55:00.840
<v Speaker 4>the same as the Springhiel Jack of eighteen thirty three

1166
00:55:00.840 --> 00:55:03.679
<v Speaker 4>and eighteen twenty five and eighteen twenty four and eighteen

1167
00:55:03.679 --> 00:55:06.519
<v Speaker 4>oh nine. He's just got a bit more traction because

1168
00:55:06.559 --> 00:55:10.159
<v Speaker 4>of the Alsop and the scales stories where somebody perhaps

1169
00:55:10.880 --> 00:55:12.719
<v Speaker 4>has gone and actually done us. You know, this is

1170
00:55:12.760 --> 00:55:16.239
<v Speaker 4>a copycat crime essentially, that's all that differed. It distinguishes

1171
00:55:16.280 --> 00:55:18.000
<v Speaker 4>the Spring eil Jack of eating thirty eight from these

1172
00:55:18.119 --> 00:55:20.840
<v Speaker 4>earlier versions. So what's probably happened is that, you know,

1173
00:55:21.480 --> 00:55:24.239
<v Speaker 4>a newspaper journalist down on his luck, needing to earn

1174
00:55:24.239 --> 00:55:26.960
<v Speaker 4>a few pounds for his dinner, has gone through some

1175
00:55:27.039 --> 00:55:29.719
<v Speaker 4>old newspapers and found an earlier version of the story

1176
00:55:29.760 --> 00:55:32.840
<v Speaker 4>and just transposed it to the London of eighteen thirty

1177
00:55:32.840 --> 00:55:35.559
<v Speaker 4>seven thirty eight, and it's just caught on in this

1178
00:55:35.599 --> 00:55:38.559
<v Speaker 4>particular case, and then everyone's forgotten over the years. I

1179
00:55:38.559 --> 00:55:40.000
<v Speaker 4>mean over the years, they forget the eighteen thirty eight

1180
00:55:40.039 --> 00:55:41.679
<v Speaker 4>spring or Jack much. That's the early ones. But even

1181
00:55:41.760 --> 00:55:44.119
<v Speaker 4>in eighteen thirty eight they'd forgotten the early ones because

1182
00:55:44.159 --> 00:55:46.480
<v Speaker 4>it had just been one newspaper story in one newspaper

1183
00:55:46.679 --> 00:55:50.199
<v Speaker 4>ten years earlier. So journalism has a huge amount to

1184
00:55:50.199 --> 00:55:53.440
<v Speaker 4>do with this, and understanding how journalism works explains how

1185
00:55:53.480 --> 00:55:54.360
<v Speaker 4>this story spreads.

1186
00:55:54.920 --> 00:55:58.440
<v Speaker 1>And then the all sub story. He says, I've caught

1187
00:55:58.480 --> 00:56:00.760
<v Speaker 1>spring hil Jack and she goes to get help or

1188
00:56:00.800 --> 00:56:03.400
<v Speaker 1>in like like, so she must have been expected to

1189
00:56:03.440 --> 00:56:05.320
<v Speaker 1>know who the character was, right.

1190
00:56:05.239 --> 00:56:07.440
<v Speaker 4>Sure, absolutely, I mean the early you know, I mean

1191
00:56:08.159 --> 00:56:10.960
<v Speaker 4>the first versions call him steel Jack. I mean this

1192
00:56:11.000 --> 00:56:13.400
<v Speaker 4>is back in December eighteen thirty seven, and it's sort

1193
00:56:13.440 --> 00:56:17.400
<v Speaker 4>of and by by early January with there newspaper stories

1194
00:56:17.400 --> 00:56:19.480
<v Speaker 4>calling him spring Jack, and then you know, springhel Jack

1195
00:56:19.519 --> 00:56:22.880
<v Speaker 4>as a phrase actually first comes up in the Awesop story,

1196
00:56:22.880 --> 00:56:25.320
<v Speaker 4>but as in terms of its publication. But as you say,

1197
00:56:25.440 --> 00:56:29.760
<v Speaker 4>at some point between early January when this phrase spring

1198
00:56:29.840 --> 00:56:32.400
<v Speaker 4>Jack appears in the West Camp Guardian and the twenty

1199
00:56:32.440 --> 00:56:35.239
<v Speaker 4>second of February when spring heel Jack appears in the Times,

1200
00:56:35.400 --> 00:56:38.119
<v Speaker 4>Something's happened in London that we can't now trace and

1201
00:56:38.519 --> 00:56:42.440
<v Speaker 4>you know the phrase has been born, but they're just

1202
00:56:42.480 --> 00:56:44.239
<v Speaker 4>giving a name to a sort of you know, a

1203
00:56:44.239 --> 00:56:47.000
<v Speaker 4>figure who's existed effectively in newspaper stories for some time

1204
00:56:47.400 --> 00:56:49.920
<v Speaker 4>under there, I mean usually before that he's described effectively

1205
00:56:49.960 --> 00:56:52.480
<v Speaker 4>as a ghost. And of course, you know, you don't

1206
00:56:52.480 --> 00:56:54.119
<v Speaker 4>have to know that much about English literature to know

1207
00:56:54.159 --> 00:56:56.119
<v Speaker 4>that there is a bit of a tradition of ghosts

1208
00:56:56.159 --> 00:56:59.039
<v Speaker 4>dress in armor. For example is go back to Hamlet's father.

1209
00:56:59.719 --> 00:57:01.679
<v Speaker 4>So you know, there are lots of places where people

1210
00:57:01.679 --> 00:57:05.840
<v Speaker 4>where imaginative, hard up journalists could have drawn for a

1211
00:57:05.840 --> 00:57:08.159
<v Speaker 4>bit of inspiration in an attempt to sell us a

1212
00:57:08.239 --> 00:57:10.800
<v Speaker 4>sensational story to a newspaper and themselves their supper.

1213
00:57:11.360 --> 00:57:13.199
<v Speaker 3>And so there'd also be the possibility that a lot

1214
00:57:13.239 --> 00:57:17.039
<v Speaker 3>of these stories wouldn't have been reported to I think undoubtedly.

1215
00:57:17.079 --> 00:57:20.480
<v Speaker 4>I mean, you know, the penny a liners had no

1216
00:57:20.559 --> 00:57:22.239
<v Speaker 4>way of knowing which of these stories were going to

1217
00:57:22.239 --> 00:57:24.159
<v Speaker 4>be taken up. And very often they would write stories

1218
00:57:24.199 --> 00:57:26.360
<v Speaker 4>and they wouldn't appear because something would have happened in

1219
00:57:26.360 --> 00:57:29.360
<v Speaker 4>parliament That meant there was no space. So essentially they

1220
00:57:29.360 --> 00:57:32.800
<v Speaker 4>were space fillers. Unless the murder had been particularly sensational.

1221
00:57:32.840 --> 00:57:33.239
<v Speaker 5>The factory.

1222
00:57:33.280 --> 00:57:35.920
<v Speaker 4>They were just kind of the you know, we still

1223
00:57:35.960 --> 00:57:37.480
<v Speaker 4>see this in newspapers a day, don't we. That there

1224
00:57:37.480 --> 00:57:39.679
<v Speaker 4>are a certain sort of categoria story which are the

1225
00:57:39.679 --> 00:57:41.639
<v Speaker 4>sort of the gosh where factor stories that they sort

1226
00:57:41.639 --> 00:57:44.039
<v Speaker 4>of squeeze into corners to fill a bit of space

1227
00:57:44.119 --> 00:57:45.960
<v Speaker 4>in between the quote serious news.

1228
00:57:46.079 --> 00:57:47.639
<v Speaker 5>And of course, one of the interesting things about it

1229
00:57:47.639 --> 00:57:47.880
<v Speaker 5>from a.

1230
00:57:47.880 --> 00:57:49.880
<v Speaker 4>Journalists point of view I know a bit about it

1231
00:57:49.880 --> 00:57:52.559
<v Speaker 4>because I was a professional journalist for six years earlier

1232
00:57:52.599 --> 00:57:55.239
<v Speaker 4>on in my career, is that the standards that are

1233
00:57:55.280 --> 00:57:57.719
<v Speaker 4>applied to those stories are a lot lower than the

1234
00:57:57.719 --> 00:58:02.039
<v Speaker 4>standards are applied to the proper hard news you know, revolution, volcanoes,

1235
00:58:02.079 --> 00:58:05.880
<v Speaker 4>parliamentary reporting type stuff. So again, you know, one has

1236
00:58:05.920 --> 00:58:08.360
<v Speaker 4>to bear in mind how journalists think and how journalists

1237
00:58:08.400 --> 00:58:10.800
<v Speaker 4>work in assessing all of these accounts.

1238
00:58:11.000 --> 00:58:12.719
<v Speaker 1>Well, I think it's wonderful we live in a time

1239
00:58:12.760 --> 00:58:17.960
<v Speaker 1>now where papers like the Daily Mail have higher standards.

1240
00:58:18.440 --> 00:58:20.719
<v Speaker 5>Reporting standards.

1241
00:58:20.719 --> 00:58:21.119
<v Speaker 2>Debate that.

1242
00:58:22.760 --> 00:58:26.360
<v Speaker 3>You've referred to the replication of the blue flames a

1243
00:58:26.400 --> 00:58:29.960
<v Speaker 3>couple of times, and I think I've heard correct me

1244
00:58:29.960 --> 00:58:32.199
<v Speaker 3>if I'm wrong, that there were some attempts to replicate

1245
00:58:32.239 --> 00:58:33.559
<v Speaker 3>the spring heels.

1246
00:58:34.079 --> 00:58:38.039
<v Speaker 4>Yes, well, I mean again, we have. We have rumors

1247
00:58:38.079 --> 00:58:42.159
<v Speaker 4>about this, but they're not very reliable rumors. But one

1248
00:58:42.239 --> 00:58:43.719
<v Speaker 4>name that I mean, I can't really go an entour

1249
00:58:43.760 --> 00:58:47.039
<v Speaker 4>podcast worn't mentioning the name Peter Hayning. He wrote the

1250
00:58:47.039 --> 00:58:49.840
<v Speaker 4>only book that was until this year that's been published

1251
00:58:49.840 --> 00:58:50.559
<v Speaker 4>on spring hill Jack.

1252
00:58:50.599 --> 00:58:53.760
<v Speaker 5>He's a British writer, a hack writer, essentially him.

1253
00:58:53.800 --> 00:58:55.280
<v Speaker 4>He's dead now, so I can probably get away with

1254
00:58:55.280 --> 00:59:02.039
<v Speaker 4>saying that who anthologized nineteenth century sensation of literature for

1255
00:59:02.119 --> 00:59:05.440
<v Speaker 4>a living, And he alleged in his book on springhil Jack,

1256
00:59:05.480 --> 00:59:08.639
<v Speaker 4>which is full of highly unverified, made up stuff, as

1257
00:59:08.679 --> 00:59:12.960
<v Speaker 4>it turns out that in the nineteen forties thirties forties,

1258
00:59:12.960 --> 00:59:16.079
<v Speaker 4>the Germans had tried experiments with paratroops equipped with spring

1259
00:59:16.159 --> 00:59:18.760
<v Speaker 4>heels and had a ninety five percent incidence of broken ankles.

1260
00:59:19.280 --> 00:59:21.559
<v Speaker 5>I've never found any really, you know, sort.

1261
00:59:21.360 --> 00:59:25.360
<v Speaker 4>Of verifiable source for that story, and I've wasted quite

1262
00:59:25.400 --> 00:59:26.960
<v Speaker 4>a large number of weeks of my life. This is

1263
00:59:27.000 --> 00:59:28.679
<v Speaker 4>why I have a bit of a down on Peter Hayning.

1264
00:59:28.719 --> 00:59:31.639
<v Speaker 4>Really try and track down some of his more implausible

1265
00:59:31.679 --> 00:59:34.239
<v Speaker 4>stories to some sort of contemporary source, and it's just

1266
00:59:34.239 --> 00:59:37.079
<v Speaker 4>not possible. I mean, most notoristic Peter Hayning is the

1267
00:59:37.079 --> 00:59:40.280
<v Speaker 4>source of perhaps the most sensational attack that springhild Deck

1268
00:59:40.320 --> 00:59:44.320
<v Speaker 4>is ever supposed to have committed, which is in Jacob's Island,

1269
00:59:44.320 --> 00:59:46.320
<v Speaker 4>which is in a slub in London in eighteen forty

1270
00:59:46.480 --> 00:59:49.320
<v Speaker 4>four to forty five. Springhill Deck is supposed have appeared

1271
00:59:49.599 --> 00:59:52.559
<v Speaker 4>bounding over these sort of rickardy houses and the rickety

1272
00:59:52.639 --> 00:59:55.800
<v Speaker 4>bridges connecting them, and he comes across his teenage prostitute

1273
00:59:55.840 --> 00:59:59.880
<v Speaker 4>called Maria Davis Sandy on the bridge, grabs her, holds

1274
00:59:59.880 --> 01:00:01.679
<v Speaker 4>a holds her up over his head, and throws her

1275
01:00:01.679 --> 01:00:04.400
<v Speaker 4>into the muddy ditch where she drowns. And Haining publishes

1276
01:00:04.400 --> 01:00:08.000
<v Speaker 4>the story and also an illustration that's supposed to show

1277
01:00:08.079 --> 01:00:13.320
<v Speaker 4>the recovery of the body of Maria Davis from this ditch. Now,

1278
01:00:13.320 --> 01:00:15.159
<v Speaker 4>when I first published my Spring here that research back

1279
01:00:15.199 --> 01:00:18.920
<v Speaker 4>in nineteen ninety six, in forteen studies, I managed to

1280
01:00:18.920 --> 01:00:22.599
<v Speaker 4>track down the source of the illustration to the Getty

1281
01:00:22.639 --> 01:00:25.920
<v Speaker 4>Picture Library and it was just you know, it's actually

1282
01:00:26.000 --> 01:00:29.039
<v Speaker 4>labeled when you pull it from the library, it's labeled

1283
01:00:29.079 --> 01:00:33.239
<v Speaker 4>on the back. It comes from a publication called Old

1284
01:00:33.280 --> 01:00:35.239
<v Speaker 4>London or something that I can't remember the exact title,

1285
01:00:35.280 --> 01:00:36.199
<v Speaker 4>but it's a part work.

1286
01:00:36.280 --> 01:00:36.599
<v Speaker 5>Essentially.

1287
01:00:36.599 --> 01:00:38.480
<v Speaker 4>It was published in London in the eighteen seventies, Old

1288
01:00:38.519 --> 01:00:41.079
<v Speaker 4>and New London. It was called so and it was

1289
01:00:41.119 --> 01:00:43.920
<v Speaker 4>an engraving gest of Jacob's Island then showing some poor

1290
01:00:43.920 --> 01:00:48.000
<v Speaker 4>hatless Jacob's lander getting his water from this sewage filled ditch.

1291
01:00:48.119 --> 01:00:50.559
<v Speaker 4>And what's supposed to be the body of Maria Davis

1292
01:00:50.719 --> 01:00:53.719
<v Speaker 4>is actually this person leaning over with a saucepan to

1293
01:00:53.719 --> 01:00:57.079
<v Speaker 4>scoop up water. So you know, Hayning had just found

1294
01:00:57.119 --> 01:00:59.840
<v Speaker 4>this picture and used it in a completely false way.

1295
01:01:00.159 --> 01:01:03.519
<v Speaker 4>And when you actually search the death registers in London

1296
01:01:03.639 --> 01:01:07.039
<v Speaker 4>for the name Maria Davis, nobody of that name died

1297
01:01:07.239 --> 01:01:08.920
<v Speaker 4>in London in eighteen.

1298
01:01:08.719 --> 01:01:10.639
<v Speaker 5>Forty forty five. At all.

1299
01:01:10.840 --> 01:01:13.480
<v Speaker 4>Henning has simply made this story up to make his

1300
01:01:13.519 --> 01:01:16.280
<v Speaker 4>book a bit fatter and make it a bit more sensational.

1301
01:01:16.320 --> 01:01:18.400
<v Speaker 4>And you know he's only court now that you know,

1302
01:01:18.440 --> 01:01:20.639
<v Speaker 4>it's easy to track him that his stuff down now

1303
01:01:20.639 --> 01:01:22.400
<v Speaker 4>that it was in in nineteen seventies. But he got

1304
01:01:22.440 --> 01:01:24.280
<v Speaker 4>away with this for years and years. And there are

1305
01:01:24.360 --> 01:01:27.800
<v Speaker 4>several other examples of this sort. I mean, there's a

1306
01:01:27.800 --> 01:01:29.679
<v Speaker 4>whole section in the book I'm writing about Smith or

1307
01:01:29.760 --> 01:01:32.480
<v Speaker 4>Jack on Peter Haynes's sort of fakes and frauds. And

1308
01:01:32.760 --> 01:01:35.840
<v Speaker 4>we cannot underestimate how much impact Haning in particular has

1309
01:01:35.880 --> 01:01:39.679
<v Speaker 4>had on the modern fourteen literature, because the large majority

1310
01:01:39.719 --> 01:01:42.599
<v Speaker 4>of the more sensational stories about Springing or Jack the

1311
01:01:42.679 --> 01:01:46.079
<v Speaker 4>data after the ulcub account are essentially inventions.

1312
01:01:46.440 --> 01:01:47.880
<v Speaker 5>Don't you hate, one man?

1313
01:01:47.960 --> 01:01:49.960
<v Speaker 1>Don't you hate when your research takes you do having

1314
01:01:50.000 --> 01:01:52.079
<v Speaker 1>to try to find negative evidence?

1315
01:01:52.480 --> 01:01:56.519
<v Speaker 4>Well, it's impossible, isn't it hard? Because I mean, you know,

1316
01:01:56.559 --> 01:01:58.440
<v Speaker 4>you have to look at every newspaper published in London

1317
01:01:58.480 --> 01:02:01.079
<v Speaker 4>and every death record. Even then someone could say, oh, well,

1318
01:02:01.119 --> 01:02:03.039
<v Speaker 4>you know, she's just a prostitute and the you know,

1319
01:02:03.079 --> 01:02:04.239
<v Speaker 4>and the worst slum in London.

1320
01:02:04.280 --> 01:02:05.719
<v Speaker 5>The course her death wouldn't be registered.

1321
01:02:05.719 --> 01:02:08.519
<v Speaker 4>So you know, I mean it is tremendously difficult to

1322
01:02:08.559 --> 01:02:11.760
<v Speaker 4>do this, and you know you can, you can, And

1323
01:02:12.159 --> 01:02:13.960
<v Speaker 4>I mean one of one of the more the greater

1324
01:02:14.079 --> 01:02:16.440
<v Speaker 4>triumphs I suppose that I've managed to have here is

1325
01:02:16.440 --> 01:02:18.280
<v Speaker 4>that the other thing that Hayning does, you know, he

1326
01:02:18.360 --> 01:02:20.679
<v Speaker 4>tries to pin this on the markers of Waterford, and

1327
01:02:20.719 --> 01:02:22.840
<v Speaker 4>the main bit of evidence he uses for this is

1328
01:02:24.480 --> 01:02:27.000
<v Speaker 4>he alleges that water well, this is a true story

1329
01:02:27.039 --> 01:02:30.159
<v Speaker 4>this part is true. In the earlier in the summer

1330
01:02:30.159 --> 01:02:32.119
<v Speaker 4>of eighteen thirty seven, just before the spring hil Jack

1331
01:02:32.360 --> 01:02:35.320
<v Speaker 4>story happened, Waterford gone off to Norway on a bit

1332
01:02:35.320 --> 01:02:37.400
<v Speaker 4>of a jolly with some pluggish friends of his, and

1333
01:02:37.440 --> 01:02:42.199
<v Speaker 4>they've been involved in an altercation involving a prostitute from

1334
01:02:42.199 --> 01:02:45.079
<v Speaker 4>a local whorehouse and a night watchman from the city

1335
01:02:45.119 --> 01:02:47.000
<v Speaker 4>of Bergen, and the night watchmen it hit Waterford over

1336
01:02:47.039 --> 01:02:49.760
<v Speaker 4>the head with a mace and nearly killed him. And

1337
01:02:49.800 --> 01:02:52.400
<v Speaker 4>that's I mean, that definitely did happen. And Haining sort

1338
01:02:52.400 --> 01:02:54.119
<v Speaker 4>of picks up the story and uses it. I mean,

1339
01:02:54.119 --> 01:02:55.800
<v Speaker 4>he's obviously looking for something to say, you know, he

1340
01:02:55.840 --> 01:02:57.519
<v Speaker 4>wants to be able to show Waterford could have done it,

1341
01:02:57.760 --> 01:02:59.320
<v Speaker 4>and to do that he needs to prove that Watford

1342
01:02:59.320 --> 01:03:01.440
<v Speaker 4>would have had something against the police, because his theory

1343
01:03:01.480 --> 01:03:03.599
<v Speaker 4>is that springhil Jack is the sort of taunt of

1344
01:03:03.639 --> 01:03:06.000
<v Speaker 4>the police that Watford came up with. And so he

1345
01:03:06.400 --> 01:03:11.079
<v Speaker 4>suggests that that spring Hill, that springhild Jack comes from

1346
01:03:11.119 --> 01:03:13.800
<v Speaker 4>this animus, and that Waterford was really angry about the

1347
01:03:13.800 --> 01:03:16.320
<v Speaker 4>policeman in Bergen who hit him over the head. And

1348
01:03:16.360 --> 01:03:18.639
<v Speaker 4>he does this by printing an extract from the Memoirs

1349
01:03:18.639 --> 01:03:21.760
<v Speaker 4>and Correspondence of Sir Frederick Johnson, who was one of

1350
01:03:21.760 --> 01:03:24.199
<v Speaker 4>Watford's friends at the times, and he relates how they

1351
01:03:24.199 --> 01:03:26.599
<v Speaker 4>were on this stage coach back from you know, the

1352
01:03:26.719 --> 01:03:29.679
<v Speaker 4>land in Aberdeen. They traveled down to London the stage coach, plotting,

1353
01:03:30.280 --> 01:03:32.239
<v Speaker 4>you know, some some practs. He doesn't act, I mean,

1354
01:03:32.239 --> 01:03:34.079
<v Speaker 4>he's Haining is clever enough not to literally say we're

1355
01:03:34.079 --> 01:03:36.400
<v Speaker 4>going to invent this character called Springhill Jack, but he

1356
01:03:36.480 --> 01:03:38.679
<v Speaker 4>quotes Johnson saying, you know, we're going to come up

1357
01:03:38.719 --> 01:03:41.119
<v Speaker 4>with this sort of you know, this prank for the police.

1358
01:03:41.360 --> 01:03:43.599
<v Speaker 4>And this is like three or four weeks before Springhil

1359
01:03:43.679 --> 01:03:46.159
<v Speaker 4>Jack appears for the first time in the outcouts for London,

1360
01:03:46.199 --> 01:03:49.960
<v Speaker 4>So it's kind of the smoking gun effectively in Haining's account. Now,

1361
01:03:50.000 --> 01:03:52.199
<v Speaker 4>when you look into Sir Frederick Johnson, you discover a

1362
01:03:52.239 --> 01:03:54.599
<v Speaker 4>couple of interesting things about him. The first thing is

1363
01:03:54.599 --> 01:03:57.239
<v Speaker 4>that Haning depicts him writing this book in his old age,

1364
01:03:57.239 --> 01:03:59.679
<v Speaker 4>sort of looking back form on the indiscretions of his youth.

1365
01:04:00.039 --> 01:04:02.360
<v Speaker 4>In fact, Frederick Johnson died in a riding accident in

1366
01:04:02.400 --> 01:04:04.400
<v Speaker 4>eighteen forty two at the age of only thirty five,

1367
01:04:04.920 --> 01:04:07.159
<v Speaker 4>so he wasn't around right, and the memoirs and caused

1368
01:04:07.159 --> 01:04:10.679
<v Speaker 4>bonsors of Frederick Johnson, and so you know, you can

1369
01:04:11.199 --> 01:04:13.400
<v Speaker 4>point to these types of sort of huge howler that

1370
01:04:13.440 --> 01:04:15.840
<v Speaker 4>Ainy commits, not thinking that people are going to be

1371
01:04:15.840 --> 01:04:18.079
<v Speaker 4>easy to be able to check this in later years

1372
01:04:18.400 --> 01:04:20.119
<v Speaker 4>to sort of show that some of his evidence is

1373
01:04:20.119 --> 01:04:20.920
<v Speaker 4>obviously made up.

1374
01:04:20.960 --> 01:04:23.039
<v Speaker 5>But it's a lot easier had it was.

1375
01:04:23.079 --> 01:04:25.519
<v Speaker 4>And for years people just looked at Haymling's book and

1376
01:04:25.639 --> 01:04:29.239
<v Speaker 4>essentially that you would have seen this obviously in other cases,

1377
01:04:29.239 --> 01:04:31.880
<v Speaker 4>you know, and I as a child and an early

1378
01:04:31.920 --> 01:04:35.239
<v Speaker 4>teenager had this in space. If somebody's published a book

1379
01:04:35.320 --> 01:04:38.199
<v Speaker 4>on it, surely they've done the work. They must have

1380
01:04:38.239 --> 01:04:40.199
<v Speaker 4>done the serious research. They wouldn't have put it into

1381
01:04:40.239 --> 01:04:42.400
<v Speaker 4>print if they didn't believe it. Now obviously, you know,

1382
01:04:43.159 --> 01:04:46.960
<v Speaker 4>you mature eventually you realize that maybe there's another motive

1383
01:04:46.960 --> 01:04:49.760
<v Speaker 4>of publishing the sensational stuff like money. But you know,

1384
01:04:49.840 --> 01:04:51.519
<v Speaker 4>when you're a kid, you're not thinking about this sort

1385
01:04:51.519 --> 01:04:53.719
<v Speaker 4>of thing. And Haming got away with this four years

1386
01:04:53.800 --> 01:04:55.800
<v Speaker 4>because people, you know, he had a reputation of someone

1387
01:04:55.920 --> 01:04:57.960
<v Speaker 4>who'd read a lot of you know, old Victorian books,

1388
01:04:57.960 --> 01:04:59.679
<v Speaker 4>and so if he's citing that no one else has.

1389
01:04:59.639 --> 01:05:01.440
<v Speaker 5>Heard of it, probably because you know, he's read more

1390
01:05:01.440 --> 01:05:02.400
<v Speaker 5>books than anybody else.

1391
01:05:02.639 --> 01:05:05.280
<v Speaker 4>Of course, now we can use computerized catalogs to say

1392
01:05:05.480 --> 01:05:08.199
<v Speaker 4>there is no trace in any news, in any catalog,

1393
01:05:08.239 --> 01:05:11.920
<v Speaker 4>the British Museum, Library, the Library, Congress, you know, the

1394
01:05:11.960 --> 01:05:17.119
<v Speaker 4>WorldCat this book as Frederick Johnston at all, and so

1395
01:05:17.199 --> 01:05:19.440
<v Speaker 4>we can in a matter of seconds sort of expose him.

1396
01:05:19.440 --> 01:05:21.920
<v Speaker 4>But that just wasn't possible in nineteen seventies when he

1397
01:05:21.920 --> 01:05:23.880
<v Speaker 4>wrote his book, and he got away with an awful lot.

1398
01:05:24.679 --> 01:05:28.880
<v Speaker 1>It's an incredibly powerful tool, this whole digital transformation. I mean,

1399
01:05:28.920 --> 01:05:32.960
<v Speaker 1>it's totally changed, uh, the way I do research, and

1400
01:05:33.000 --> 01:05:35.000
<v Speaker 1>it's made it much more pleasant because I could do

1401
01:05:35.000 --> 01:05:36.000
<v Speaker 1>a lot of it from my house.

1402
01:05:36.440 --> 01:05:38.880
<v Speaker 4>Well, it certainly doesn't give you a headache quite in

1403
01:05:38.920 --> 01:05:42.320
<v Speaker 4>the same way as pouring over those old Victorian newspapers too.

1404
01:05:42.440 --> 01:05:45.320
<v Speaker 1>Well, I would love to I would love to pour

1405
01:05:45.480 --> 01:05:48.360
<v Speaker 1>for old newspapers, but like.

1406
01:05:48.440 --> 01:05:50.719
<v Speaker 5>In short bursts, right right, right, But I mean, just

1407
01:05:50.760 --> 01:05:52.039
<v Speaker 5>so you know there's something there.

1408
01:05:52.159 --> 01:05:54.559
<v Speaker 4>Yes, when you it's what you say about the negative evidence,

1409
01:05:54.719 --> 01:05:56.000
<v Speaker 4>When you just think I've got to go to this

1410
01:05:56.119 --> 01:05:58.719
<v Speaker 4>run just in case as a store, that's.

1411
01:05:58.320 --> 01:06:00.000
<v Speaker 3>When it gets the needle in a haystyle.

1412
01:06:00.840 --> 01:06:02.960
<v Speaker 4>Yeah, but you know it's a historian. One has to

1413
01:06:03.039 --> 01:06:04.679
<v Speaker 4>do it. But you know it's with you, as I say,

1414
01:06:04.719 --> 01:06:07.039
<v Speaker 4>with a heavy heart. And this is why I'm happy

1415
01:06:07.039 --> 01:06:08.960
<v Speaker 4>to expose Haining now because he caused me to waste

1416
01:06:09.039 --> 01:06:11.840
<v Speaker 4>quite a few weeks of my life in the stuff

1417
01:06:11.880 --> 01:06:12.599
<v Speaker 4>that doesn't exist.

1418
01:06:12.880 --> 01:06:15.239
<v Speaker 1>Yeah, yeah, fish shaking is like enough sometimes.

1419
01:06:15.320 --> 01:06:18.800
<v Speaker 4>Yeah, he's possibly getting in the neck from me.

1420
01:06:19.039 --> 01:06:22.280
<v Speaker 1>So why has there been such an enduring interest in

1421
01:06:22.320 --> 01:06:23.679
<v Speaker 1>spring Hill Jack? In your opinion?

1422
01:06:25.000 --> 01:06:27.239
<v Speaker 5>It obviously goes back to what we were talking about earlier.

1423
01:06:27.320 --> 01:06:30.920
<v Speaker 4>This is a figure who vividly captures people's imagination. He's

1424
01:06:31.000 --> 01:06:34.119
<v Speaker 4>quite unique from that perspective. I think he has a

1425
01:06:34.119 --> 01:06:41.440
<v Speaker 4>whole set of talents and powers are essentially folkloreic fairy tale.

1426
01:06:41.519 --> 01:06:42.840
<v Speaker 4>It's like the sort of you know, the guy in

1427
01:06:42.880 --> 01:06:46.840
<v Speaker 4>the Seven League boots essentially is the nearest fairy tale power. Perhaps,

1428
01:06:46.920 --> 01:06:51.039
<v Speaker 4>and this, this attracts people's imaginations in a way that

1429
01:06:51.400 --> 01:06:55.480
<v Speaker 4>you know, just doesn't. You can't underestimate, sorry, is what

1430
01:06:55.519 --> 01:06:58.800
<v Speaker 4>I'm trying to say. How much of an impact this

1431
01:06:59.119 --> 01:07:01.719
<v Speaker 4>remarkable thing has. And I mean there were two things

1432
01:07:01.719 --> 01:07:03.000
<v Speaker 4>to say. I mean, we recovered some of this already,

1433
01:07:03.000 --> 01:07:04.480
<v Speaker 4>but I'll say two more things. And firstly, you know

1434
01:07:04.519 --> 01:07:08.039
<v Speaker 4>he's apparently never caught, so that means, you know, the

1435
01:07:08.079 --> 01:07:12.280
<v Speaker 4>mystery is never sold. And secondly, he is you know,

1436
01:07:12.320 --> 01:07:14.920
<v Speaker 4>as I mentioned earlier, I think, you know, he's so ubiquitous,

1437
01:07:14.920 --> 01:07:17.519
<v Speaker 4>and he goes on and on, never apparently changing, and

1438
01:07:17.559 --> 01:07:20.119
<v Speaker 4>that has to imply until you start applying a bit

1439
01:07:20.159 --> 01:07:23.039
<v Speaker 4>of skepticism at least, that that he's not an ordinary

1440
01:07:23.119 --> 01:07:25.760
<v Speaker 4>human being. And those two things together kind of you know,

1441
01:07:25.920 --> 01:07:28.920
<v Speaker 4>form the core of the spring hil Jack and mythoss.

1442
01:07:29.079 --> 01:07:31.639
<v Speaker 4>One very interesting thing I did discover in the course

1443
01:07:31.639 --> 01:07:33.840
<v Speaker 4>of searching Google books. In fact, I think it was

1444
01:07:34.800 --> 01:07:36.639
<v Speaker 4>there was a spring Hill Jack scare in the eighteen

1445
01:07:36.639 --> 01:07:38.559
<v Speaker 4>seventies and Kensington, which is the part of London, the

1446
01:07:38.599 --> 01:07:41.639
<v Speaker 4>posh part of Western and wha I actually now work where.

1447
01:07:41.679 --> 01:07:43.679
<v Speaker 5>And it was written in the memoirs.

1448
01:07:43.199 --> 01:07:45.559
<v Speaker 4>Of this elderly actor who was looking back on his

1449
01:07:45.559 --> 01:07:48.280
<v Speaker 4>boyhood and recounted this sort of and they hadn't even

1450
01:07:48.320 --> 01:07:51.000
<v Speaker 4>apparently got into the newspapers actually, but you know in Kensington,

1451
01:07:51.039 --> 01:07:53.159
<v Speaker 4>at least amongst boys of his age, there had been

1452
01:07:53.199 --> 01:07:55.159
<v Speaker 4>this huge scare, you know, spring Hill Jack was breaking

1453
01:07:55.199 --> 01:07:58.960
<v Speaker 4>into their houses and you know, committing all sorts of mayhem,

1454
01:07:59.440 --> 01:08:01.960
<v Speaker 4>and all these tall stories arose about it. You know,

1455
01:08:02.000 --> 01:08:04.320
<v Speaker 4>he'd been seen leaping over this wall that was subsequently

1456
01:08:04.320 --> 01:08:06.719
<v Speaker 4>measured to be fifteen feet high. Now, the interesting thing

1457
01:08:06.719 --> 01:08:09.039
<v Speaker 4>about that is, in this one case, spring Hill Jack

1458
01:08:09.079 --> 01:08:13.119
<v Speaker 4>was actually caught. The police caught a burglar, and the

1459
01:08:13.159 --> 01:08:15.400
<v Speaker 4>guy says, you know, the remarkable thing was he wasn't

1460
01:08:15.400 --> 01:08:18.039
<v Speaker 4>anything like Springfield Jack. He was short and not very

1461
01:08:18.560 --> 01:08:20.680
<v Speaker 4>not very agile at all, and he hadn't been leaping

1462
01:08:20.720 --> 01:08:23.479
<v Speaker 4>over these walls. He'd been kind of laboriously scrambling over them.

1463
01:08:24.000 --> 01:08:26.840
<v Speaker 4>And so in this you suddenly get this, this is

1464
01:08:26.840 --> 01:08:28.840
<v Speaker 4>what's happening all the time, you know, except that the

1465
01:08:28.840 --> 01:08:30.760
<v Speaker 4>guy isn't being caught. You know, this is a there's

1466
01:08:30.800 --> 01:08:33.960
<v Speaker 4>a sort of elaboration element to spring heel Jack that's

1467
01:08:34.000 --> 01:08:36.359
<v Speaker 4>going on, and here, in this one instance, we finally

1468
01:08:36.399 --> 01:08:39.039
<v Speaker 4>got you know, that he's unmasked. You know, there's a

1469
01:08:39.079 --> 01:08:41.680
<v Speaker 4>real figure behind it. He's not trying to be springhil Jack.

1470
01:08:41.680 --> 01:08:44.359
<v Speaker 4>He's just an ordinary burglar. People are talking about it,

1471
01:08:44.399 --> 01:08:47.239
<v Speaker 4>they're sort of elaborating the stories, and you know, they

1472
01:08:47.319 --> 01:08:49.520
<v Speaker 4>associate springhil Jack with it because he's not being caught

1473
01:08:49.560 --> 01:08:51.079
<v Speaker 4>and he seems to be quite agile, and those are

1474
01:08:51.119 --> 01:08:53.000
<v Speaker 4>two things that spring hil Jack does. So the spring

1475
01:08:53.039 --> 01:08:57.039
<v Speaker 4>hid Jack name comes in and it's just built out

1476
01:08:57.079 --> 01:08:59.319
<v Speaker 4>of nothing, and you just look at that and you think, well,

1477
01:08:59.359 --> 01:09:02.399
<v Speaker 4>this is obviously probably what's happening in most of these

1478
01:09:02.399 --> 01:09:04.880
<v Speaker 4>other cases. I don't have this solution because the guy

1479
01:09:04.920 --> 01:09:07.560
<v Speaker 4>hasn't been caught or you know, nobody's written about it

1480
01:09:07.640 --> 01:09:09.920
<v Speaker 4>and made the connection, because nobody thought to ask these

1481
01:09:09.920 --> 01:09:12.000
<v Speaker 4>ten year old boys what they were calling this character.

1482
01:09:12.760 --> 01:09:16.800
<v Speaker 4>And there's an element that says this is probably happening

1483
01:09:16.840 --> 01:09:18.800
<v Speaker 4>a lot, and not just in the case of spring

1484
01:09:18.880 --> 01:09:21.159
<v Speaker 4>Hill Jack. But again, you know UFOs late months is

1485
01:09:21.199 --> 01:09:24.760
<v Speaker 4>all the great fourteenth phenomena are probably to a quite

1486
01:09:24.800 --> 01:09:26.840
<v Speaker 4>significant extent. You know, this is one of the great

1487
01:09:26.880 --> 01:09:29.119
<v Speaker 4>moments in my career, actually discovery of this, because it's

1488
01:09:29.159 --> 01:09:31.800
<v Speaker 4>so applicable, you know, once you realize this is how

1489
01:09:31.840 --> 01:09:34.479
<v Speaker 4>it happens to the vast majority of what we study.

1490
01:09:34.600 --> 01:09:40.520
<v Speaker 3>Really, Yeah, and I think with Jack the Ripper, there

1491
01:09:40.520 --> 01:09:43.760
<v Speaker 3>are a number of cases of people who made false admissions.

1492
01:09:44.039 --> 01:09:46.520
<v Speaker 3>Was there anyone who did that with spring Hill Jack

1493
01:09:46.600 --> 01:09:48.640
<v Speaker 3>to say that they were spring Heel Jack?

1494
01:09:49.239 --> 01:09:49.760
<v Speaker 5>Well, they were.

1495
01:09:49.760 --> 01:09:52.920
<v Speaker 4>In the eighteen thirty seven thirty eight scare, there were

1496
01:09:52.960 --> 01:09:54.840
<v Speaker 4>four or five people who were caught pretending to be

1497
01:09:54.880 --> 01:09:56.840
<v Speaker 4>Spring hil Jack. I mentioned one of them earlier on

1498
01:09:57.359 --> 01:10:00.279
<v Speaker 4>being beaten up by vigilantes. So I don't think they

1499
01:10:00.319 --> 01:10:03.760
<v Speaker 4>were claiming to be springkingiled Jack in the sense of actually,

1500
01:10:04.199 --> 01:10:06.000
<v Speaker 4>you know, wanting people to believe they're some sort of

1501
01:10:06.039 --> 01:10:09.159
<v Speaker 4>supernatural demon. But they were imitating him. That would seem

1502
01:10:09.199 --> 01:10:11.680
<v Speaker 4>to be the more common thing. I mean again, one

1503
01:10:11.720 --> 01:10:13.359
<v Speaker 4>of the things that you have to bear in mind here,

1504
01:10:13.399 --> 01:10:15.279
<v Speaker 4>and it comes as a revelation I think to a

1505
01:10:15.279 --> 01:10:17.680
<v Speaker 4>lot of to me, I mean, because this isn't the

1506
01:10:17.760 --> 01:10:21.399
<v Speaker 4>bid of history that I normally specialize in. Actually is

1507
01:10:21.920 --> 01:10:24.119
<v Speaker 4>you know, you tend to look back on these people

1508
01:10:24.159 --> 01:10:26.359
<v Speaker 4>as they're like, you know, they're like us, only with

1509
01:10:26.840 --> 01:10:28.279
<v Speaker 4>gas light instead of electric light.

1510
01:10:28.560 --> 01:10:30.960
<v Speaker 5>But otherwise they're basically like us. That is simply not true.

1511
01:10:31.279 --> 01:10:33.960
<v Speaker 4>You have to understand how different it was then, and

1512
01:10:34.039 --> 01:10:36.439
<v Speaker 4>particularly in terms of you know, say, the entertainment factor,

1513
01:10:36.439 --> 01:10:38.880
<v Speaker 4>and I hear today we spend all one time complaining. Certainly,

1514
01:10:38.880 --> 01:10:40.760
<v Speaker 4>if you've got a daughter like me, why you're on Facebook?

1515
01:10:40.760 --> 01:10:42.920
<v Speaker 4>Why it was on that computer? You go and read

1516
01:10:42.920 --> 01:10:45.600
<v Speaker 4>a book. You know, but you people are sort of

1517
01:10:45.640 --> 01:10:47.199
<v Speaker 4>saturated with entertainment.

1518
01:10:47.319 --> 01:10:47.640
<v Speaker 5>Essentially.

1519
01:10:47.720 --> 01:10:49.520
<v Speaker 4>That was not the case in Victory in England. And

1520
01:10:49.640 --> 01:10:51.760
<v Speaker 4>as you read these old news films you realize the

1521
01:10:51.840 --> 01:10:53.760
<v Speaker 4>hell I mean there are you know a lot of

1522
01:10:53.760 --> 01:10:56.399
<v Speaker 4>people's idea of fun in the long dark winters and

1523
01:10:56.479 --> 01:10:58.000
<v Speaker 4>Victori Ingland was to go out and but tend to

1524
01:10:58.000 --> 01:10:59.640
<v Speaker 4>be a ghost and scare for you of their neighbors.

1525
01:11:00.279 --> 01:11:03.640
<v Speaker 4>That was high entertainment for a certain parts of you know,

1526
01:11:03.680 --> 01:11:06.880
<v Speaker 4>sort of Victorian working class England. And they are they're

1527
01:11:06.880 --> 01:11:08.720
<v Speaker 4>not all, not just spring Hill Jacksonville. But you know,

1528
01:11:09.000 --> 01:11:12.640
<v Speaker 4>fake ghost stories are a staple of the press in

1529
01:11:12.680 --> 01:11:15.720
<v Speaker 4>this time. There are dozens of people going out putting

1530
01:11:15.720 --> 01:11:18.079
<v Speaker 4>themselves in a sheet, you know, maybe not quite maybe

1531
01:11:18.119 --> 01:11:19.680
<v Speaker 4>not for a bid after the Hamisoneth Coast was shot,

1532
01:11:19.720 --> 01:11:21.840
<v Speaker 4>but you know when that gets you will start doing

1533
01:11:21.840 --> 01:11:23.760
<v Speaker 4>it again. They get dressed up in a sheet and

1534
01:11:23.800 --> 01:11:26.319
<v Speaker 4>they go and jump out going boo hoo, you know,

1535
01:11:26.359 --> 01:11:28.800
<v Speaker 4>from behind the wall. And a lot of these stories

1536
01:11:28.800 --> 01:11:30.960
<v Speaker 4>get confeted into spring Hill jacks stories when spring Hill

1537
01:11:31.000 --> 01:11:33.199
<v Speaker 4>Jackie is the big bogey figure. There's a case in

1538
01:11:33.239 --> 01:11:35.680
<v Speaker 4>Peckham which is a part of South London in eighteen

1539
01:11:35.800 --> 01:11:39.399
<v Speaker 4>seventy two, where you know, if you look at them

1540
01:11:39.439 --> 01:11:42.640
<v Speaker 4>in this again is a very very interesting discovery when

1541
01:11:42.640 --> 01:11:44.680
<v Speaker 4>you look at I mean, Haining mentioned the Peckham case,

1542
01:11:44.680 --> 01:11:46.479
<v Speaker 4>so I went looking for it in the News of

1543
01:11:46.520 --> 01:11:48.039
<v Speaker 4>the World, which is, you know, one of the worst

1544
01:11:48.239 --> 01:11:50.359
<v Speaker 4>style of the British tabloids. I mean you've probably heard

1545
01:11:50.359 --> 01:11:52.159
<v Speaker 4>of it even in the States because there was there

1546
01:11:52.199 --> 01:11:53.880
<v Speaker 4>was a huge scanner. It's been shut down literally in

1547
01:11:53.880 --> 01:11:56.760
<v Speaker 4>the last couple of years forgetting involved all sorts of naughties.

1548
01:11:57.000 --> 01:11:59.479
<v Speaker 4>But you know it existed in the eighteen hundreds as well.

1549
01:12:00.000 --> 01:12:02.600
<v Speaker 4>Refer to this case in Peckham and called it called

1550
01:12:02.640 --> 01:12:05.319
<v Speaker 4>the ghost there spring heel Jack. When I went to

1551
01:12:05.359 --> 01:12:08.159
<v Speaker 4>the local newspapers from Peckham in that period, they were

1552
01:12:08.159 --> 01:12:10.199
<v Speaker 4>full of stories of a ghost, but none of them

1553
01:12:10.239 --> 01:12:12.439
<v Speaker 4>mentioned springhil Jack at all. But what they all all

1554
01:12:12.439 --> 01:12:14.399
<v Speaker 4>made it pretty clear was it was some local guy

1555
01:12:14.640 --> 01:12:17.359
<v Speaker 4>quite literally with a sheet over his head. Now again,

1556
01:12:18.439 --> 01:12:20.920
<v Speaker 4>if you read Peter Hayning, well, if you are reasonably

1557
01:12:20.960 --> 01:12:22.439
<v Speaker 4>conscientious and go and look at the News of the

1558
01:12:22.479 --> 01:12:24.279
<v Speaker 4>World for the eighteen seventy two, you think this is

1559
01:12:24.279 --> 01:12:25.960
<v Speaker 4>a spring hill Jack story. It must be linked to

1560
01:12:26.560 --> 01:12:28.880
<v Speaker 4>the eighteen thirty seventy thirty eight they're calling in spring

1561
01:12:28.920 --> 01:12:31.000
<v Speaker 4>hill Jack, you know, therefore it must be linked.

1562
01:12:31.399 --> 01:12:32.880
<v Speaker 5>In fact, they're not linked at all.

1563
01:12:32.960 --> 01:12:35.680
<v Speaker 4>I mean, it's just a name, it's a label and

1564
01:12:36.119 --> 01:12:38.600
<v Speaker 4>it's only being applied by some lazy journalists in the

1565
01:12:38.600 --> 01:12:40.920
<v Speaker 4>News of the World office in London, and the locals

1566
01:12:40.920 --> 01:12:42.239
<v Speaker 4>see it completely differently.

1567
01:12:42.239 --> 01:12:43.680
<v Speaker 5>They don't see it as a spring hil Jack type

1568
01:12:43.680 --> 01:12:44.079
<v Speaker 5>case at all.

1569
01:12:44.079 --> 01:12:45.800
<v Speaker 4>It's a bloke in a sheet who's pretending to be

1570
01:12:45.840 --> 01:12:48.119
<v Speaker 4>a ghost and they call it the Peckham Ghost and

1571
01:12:48.119 --> 01:12:50.720
<v Speaker 4>there is no connection whatsoever to springhil Jack. So again,

1572
01:12:50.760 --> 01:12:52.560
<v Speaker 4>you know, this is this is another element of how

1573
01:12:52.600 --> 01:12:56.279
<v Speaker 4>the newspapers and lazy labeling particularly work, and the word

1574
01:12:56.359 --> 01:12:59.640
<v Speaker 4>spring hill Jack, the phrase it's applied throughout this period.

1575
01:12:59.840 --> 01:13:03.000
<v Speaker 4>If you read the secondary sources, you invode, you get

1576
01:13:03.039 --> 01:13:06.760
<v Speaker 4>the information from them. This is springhiel Jack appeared in

1577
01:13:06.800 --> 01:13:08.680
<v Speaker 4>London in nineteen thirty seven, then in all the Shots

1578
01:13:08.680 --> 01:13:10.800
<v Speaker 4>in nineteen seventy seven, and in Everton in nineteen eight four.

1579
01:13:11.199 --> 01:13:14.840
<v Speaker 4>And it's by just saying it's spring heel Jack singular,

1580
01:13:15.279 --> 01:13:16.840
<v Speaker 4>it's the same figure. And this is one of the

1581
01:13:16.880 --> 01:13:18.680
<v Speaker 4>scary things about it. If your ten year old boy,

1582
01:13:18.720 --> 01:13:21.119
<v Speaker 4>you know, somebody's identified this is the same figure. When

1583
01:13:21.159 --> 01:13:22.399
<v Speaker 4>you go back and look at it, this isn't the

1584
01:13:22.399 --> 01:13:24.359
<v Speaker 4>case at all. Spring hil Jack is a word, a

1585
01:13:24.359 --> 01:13:27.960
<v Speaker 4>phrase which is applied to any burglar who can't be caught.

1586
01:13:28.000 --> 01:13:30.800
<v Speaker 4>Any agile criminal gets called a spring heel jack. You

1587
01:13:30.880 --> 01:13:32.359
<v Speaker 4>go back to the newspapers at the time and they're

1588
01:13:32.399 --> 01:13:34.199
<v Speaker 4>full of phrases like there are a lot of these

1589
01:13:34.199 --> 01:13:35.600
<v Speaker 4>spring heel Jacks about.

1590
01:13:36.600 --> 01:13:40.720
<v Speaker 1>So when studying spring hill Jack, before attributing him to

1591
01:13:40.800 --> 01:13:46.520
<v Speaker 1>all these cases, be careful to not leap to conclusions.

1592
01:13:46.640 --> 01:13:48.600
<v Speaker 4>I've got a word to say off of that appalling

1593
01:13:48.680 --> 01:13:51.279
<v Speaker 4>pan out you lost me?

1594
01:13:52.720 --> 01:13:55.319
<v Speaker 3>How will you? Mike? You mentioned that you're working on

1595
01:13:55.359 --> 01:13:57.439
<v Speaker 3>a book about spring heel Jack, So can you tell

1596
01:13:57.520 --> 01:14:00.479
<v Speaker 3>us about some of the projects that you're working on

1597
01:14:00.600 --> 01:14:00.920
<v Speaker 3>right now.

1598
01:14:01.119 --> 01:14:01.319
<v Speaker 1>Yeah.

1599
01:14:01.520 --> 01:14:03.840
<v Speaker 4>I'm rather guilty about this because I promised. I've promised

1600
01:14:03.840 --> 01:14:06.680
<v Speaker 4>this for quite a few years, and it's kind of

1601
01:14:06.720 --> 01:14:08.119
<v Speaker 4>my life's work and I don't want it to come

1602
01:14:08.119 --> 01:14:10.439
<v Speaker 4>out prematurely. And it's one of those sort of never

1603
01:14:10.520 --> 01:14:12.439
<v Speaker 4>ending projects where there's always some other thing that you

1604
01:14:12.439 --> 01:14:15.880
<v Speaker 4>could potentially do to link it together. But I really

1605
01:14:16.039 --> 01:14:17.520
<v Speaker 4>need to draw a line under this, because I think,

1606
01:14:17.560 --> 01:14:19.520
<v Speaker 4>as I say that with the digitalization, I can now

1607
01:14:19.520 --> 01:14:22.640
<v Speaker 4>at least be reasonably sure that all undoubtedly missing a

1608
01:14:22.680 --> 01:14:25.760
<v Speaker 4>ton of stuff. It's probably not vastly going to change

1609
01:14:25.760 --> 01:14:27.840
<v Speaker 4>my conclusions. So I'm going to make an attempt to

1610
01:14:27.840 --> 01:14:30.319
<v Speaker 4>try and get it out. What I've done here, I've

1611
01:14:30.359 --> 01:14:33.119
<v Speaker 4>basically brought in a bunch of friends and colleagues who

1612
01:14:33.199 --> 01:14:34.760
<v Speaker 4>know a lot more about some of these elements than

1613
01:14:34.760 --> 01:14:38.039
<v Speaker 4>I do, and I've used them to help me investigate

1614
01:14:38.079 --> 01:14:40.319
<v Speaker 4>some of the elements I had not previously been able

1615
01:14:40.359 --> 01:14:42.720
<v Speaker 4>to comprehend. So I've got a friend of mine called

1616
01:14:42.760 --> 01:14:47.239
<v Speaker 4>John Adcock, who's a Canadian specialist in penny dreadfuls and

1617
01:14:47.239 --> 01:14:49.680
<v Speaker 4>sensation literally in the nineteenth century, who understands the way

1618
01:14:49.680 --> 01:14:53.239
<v Speaker 4>in which the Victorian journalism worked far better than I do.

1619
01:14:53.279 --> 01:14:56.920
<v Speaker 4>And he's written an essay which explains how Victorian journalists

1620
01:14:56.920 --> 01:14:59.119
<v Speaker 4>got their story. And I've just summarized before you earlier,

1621
01:14:59.159 --> 01:15:02.079
<v Speaker 4>and you were very excited by this. The discovery it's

1622
01:15:02.079 --> 01:15:03.840
<v Speaker 4>really John's and not mine. I should give him full

1623
01:15:03.840 --> 01:15:06.319
<v Speaker 4>credit for it. I've worked with Dave Clark, who's well

1624
01:15:06.359 --> 01:15:10.039
<v Speaker 4>known as a UFO writer sort of respectable one. He

1625
01:15:10.279 --> 01:15:14.000
<v Speaker 4>works with the British National Archives and putting out their

1626
01:15:14.119 --> 01:15:17.159
<v Speaker 4>UFO farts for example, and he's written as a folk lows.

1627
01:15:17.159 --> 01:15:19.039
<v Speaker 4>He has a PhD in folklore and he's written the

1628
01:15:19.039 --> 01:15:23.239
<v Speaker 4>Folklore at Background. And I've written also with a couple

1629
01:15:23.279 --> 01:15:27.159
<v Speaker 4>of guys, Paul Chambers and his colleague Mike Davis, and

1630
01:15:27.199 --> 01:15:30.199
<v Speaker 4>they've done some genealogical research actually, which is actually also

1631
01:15:30.239 --> 01:15:34.560
<v Speaker 4>getting quite fascinating because you know, and he's an experienced genealogist,

1632
01:15:35.760 --> 01:15:38.640
<v Speaker 4>Paul Chambers is. And he took all of the names

1633
01:15:38.680 --> 01:15:41.680
<v Speaker 4>I discovered in the eighteen thirty seven, thirty eight newspapers

1634
01:15:41.720 --> 01:15:44.880
<v Speaker 4>and trapped them down in the birth, marriage and death records.

1635
01:15:45.279 --> 01:15:47.000
<v Speaker 4>And this was very interesting indeed, because what he was

1636
01:15:47.000 --> 01:15:49.960
<v Speaker 4>able to do was show that the the ones who

1637
01:15:49.960 --> 01:15:52.960
<v Speaker 4>are typically associated with the more sensational stories didn't exist.

1638
01:15:53.840 --> 01:15:56.840
<v Speaker 4>You know, all these names come out. He's saw spring

1639
01:15:56.920 --> 01:15:58.880
<v Speaker 4>heel Jack where he his daughter was attacked by spring

1640
01:15:58.960 --> 01:16:01.319
<v Speaker 4>heel Jack, and these are the people don't exist, and

1641
01:16:01.560 --> 01:16:05.399
<v Speaker 4>hence they must be inventions of the local newspaper newspaper man.

1642
01:16:06.199 --> 01:16:08.199
<v Speaker 4>So there are all sorts of elements in here. I

1643
01:16:08.279 --> 01:16:11.319
<v Speaker 4>tried to make it a multifaceted book which I couldn't

1644
01:16:11.319 --> 01:16:13.199
<v Speaker 4>have done by myself, and which sort of I hope,

1645
01:16:13.239 --> 01:16:15.640
<v Speaker 4>give the picture of the whole case in the round.

1646
01:16:15.840 --> 01:16:17.760
<v Speaker 5>So I hope it's going to be.

1647
01:16:17.680 --> 01:16:21.640
<v Speaker 4>A fairly worthwhile book, and certainly I think I can

1648
01:16:21.680 --> 01:16:23.399
<v Speaker 4>safely sathing it's going to be well over seven hundred

1649
01:16:23.399 --> 01:16:26.239
<v Speaker 4>pages long. They've probably never been such an intensive study

1650
01:16:26.239 --> 01:16:30.079
<v Speaker 4>of one smallish fourteenth phenomenon, you know, which is going

1651
01:16:30.119 --> 01:16:32.000
<v Speaker 4>to We're going to republish all of the original sources,

1652
01:16:32.119 --> 01:16:34.680
<v Speaker 4>fully footnoted, and it's going to be kind of the Bible,

1653
01:16:34.760 --> 01:16:36.640
<v Speaker 4>I hope, and I will continue to update it because

1654
01:16:36.680 --> 01:16:39.239
<v Speaker 4>I mean, with modern print on demand technology, I mean,

1655
01:16:39.279 --> 01:16:41.880
<v Speaker 4>I'm publishing this myself, I can just go on producing

1656
01:16:41.880 --> 01:16:44.439
<v Speaker 4>new editions as I find new material and updating it.

1657
01:16:44.439 --> 01:16:46.760
<v Speaker 5>And that's the plan essentially as long as I last,

1658
01:16:46.960 --> 01:16:47.399
<v Speaker 5>so that it.

1659
01:16:47.319 --> 01:16:49.159
<v Speaker 4>Will become a sort of resource that, you know, I

1660
01:16:49.199 --> 01:16:51.039
<v Speaker 4>mean again, I'm hoping it will become a resource that

1661
01:16:51.039 --> 01:16:53.279
<v Speaker 4>won't just be of interest people who wented in spring

1662
01:16:53.359 --> 01:16:56.159
<v Speaker 4>Hill Jack, but also might teach a few possible answers

1663
01:16:56.319 --> 01:16:59.720
<v Speaker 4>to people who are interested in other strange phenomena and

1664
01:16:59.760 --> 01:17:01.600
<v Speaker 4>have looked into him in quite the same way as

1665
01:17:01.640 --> 01:17:02.000
<v Speaker 4>we've done.

1666
01:17:02.279 --> 01:17:06.960
<v Speaker 1>Yeah, that's great, exciting. Yeah, the historical context would be there,

1667
01:17:07.359 --> 01:17:11.159
<v Speaker 1>and I'm doing that, giving it a much more full

1668
01:17:11.199 --> 01:17:15.000
<v Speaker 1>picture than any of the literature so far. That's fantastic. Plus,

1669
01:17:15.039 --> 01:17:17.680
<v Speaker 1>you know it does, really it should. I don't know

1670
01:17:17.760 --> 01:17:19.920
<v Speaker 1>if it will, but it should tie into that whole

1671
01:17:20.520 --> 01:17:25.079
<v Speaker 1>steampunk aesthetic that's going around these days. This whole spring

1672
01:17:25.159 --> 01:17:28.560
<v Speaker 1>Hill Jack character fits right into that, you know.

1673
01:17:28.600 --> 01:17:29.920
<v Speaker 5>So it does.

1674
01:17:30.119 --> 01:17:33.720
<v Speaker 4>I mean Parak the spring Man of Prague is another example.

1675
01:17:33.720 --> 01:17:35.920
<v Speaker 4>I mean there are a lot of check steampunky tyb

1676
01:17:36.000 --> 01:17:38.159
<v Speaker 4>of interpretations of him, actually, and we've got a guy

1677
01:17:38.199 --> 01:17:41.520
<v Speaker 4>called Patriyannachak who's a check folk lord who's written two

1678
01:17:41.600 --> 01:17:44.159
<v Speaker 4>very very good papers on spring Man the Prague is

1679
01:17:44.159 --> 01:17:47.239
<v Speaker 4>a very little understood character. So there's lots of good stuff.

1680
01:17:47.239 --> 01:17:48.680
<v Speaker 4>I mean, it is worth waiting for one. I'm going

1681
01:17:48.720 --> 01:17:50.039
<v Speaker 4>to try and keep the price down as low as

1682
01:17:50.079 --> 01:17:52.039
<v Speaker 4>I can as well. But I've just got everyone else

1683
01:17:52.039 --> 01:17:54.000
<v Speaker 4>has finished their stuff except for me. But my my

1684
01:17:54.119 --> 01:17:56.520
<v Speaker 4>material is about seventy eighty thousand words long, which is

1685
01:17:56.920 --> 01:17:58.560
<v Speaker 4>kind of a small book in itself, and I'm only

1686
01:17:58.600 --> 01:18:00.520
<v Speaker 4>about halfway through writing it, so I need a few

1687
01:18:00.560 --> 01:18:04.960
<v Speaker 4>more weeks three time, which doesn't really exist for me

1688
01:18:04.960 --> 01:18:05.359
<v Speaker 4>at the moment.

1689
01:18:05.520 --> 01:18:11.800
<v Speaker 1>Now I get the same problem. So we've on Monster Talk.

1690
01:18:11.880 --> 01:18:15.159
<v Speaker 1>We try to finish our interviews by asking guests to

1691
01:18:15.239 --> 01:18:18.279
<v Speaker 1>name their favorite monster. So, Mike Dash, what's your favorite monster?

1692
01:18:18.560 --> 01:18:20.840
<v Speaker 5>Well, I'm not allowed to name spring hiel Jack? Sure?

1693
01:18:20.960 --> 01:18:21.239
<v Speaker 1>Why not?

1694
01:18:22.000 --> 01:18:22.399
<v Speaker 5>Essentially?

1695
01:18:22.439 --> 01:18:23.560
<v Speaker 4>What I mean, I have to wade it half of

1696
01:18:23.560 --> 01:18:25.319
<v Speaker 4>my life to it now. I mean the other one

1697
01:18:25.359 --> 01:18:29.760
<v Speaker 4>I guess would be Morag, the monster of Lochmore. I mean,

1698
01:18:29.800 --> 01:18:31.840
<v Speaker 4>one of the things that characterizes me as a historian

1699
01:18:31.840 --> 01:18:34.800
<v Speaker 4>and as a Fortean is that I shy away from

1700
01:18:34.560 --> 01:18:37.640
<v Speaker 4>the mainstream as far as I possibly can. And as

1701
01:18:37.680 --> 01:18:40.439
<v Speaker 4>a historian, the thing that would bore me almost to

1702
01:18:40.560 --> 01:18:42.199
<v Speaker 4>tears would be the idea of spending three years in

1703
01:18:42.239 --> 01:18:45.079
<v Speaker 4>my life writing a biography of Henry the Eighth or Hitler,

1704
01:18:45.119 --> 01:18:47.920
<v Speaker 4>because everyone does it. So my career has been blighted

1705
01:18:47.920 --> 01:18:49.479
<v Speaker 4>by this in the sense, although there are lots of

1706
01:18:49.560 --> 01:18:52.239
<v Speaker 4>very interesting stories, they're not really sort of best seller

1707
01:18:52.279 --> 01:18:55.479
<v Speaker 4>type things because they're so obscure. And similarly, Morag, who's

1708
01:18:55.520 --> 01:18:58.319
<v Speaker 4>the monster Lochmoer, is a very interesting lake monster because

1709
01:18:59.079 --> 01:19:01.399
<v Speaker 4>it's the one lake essentially where there is a monster

1710
01:19:01.439 --> 01:19:03.359
<v Speaker 4>tradition that goes back well before the tradition of the

1711
01:19:03.399 --> 01:19:07.399
<v Speaker 4>Locknest monster, which it interrupts in nineteen thirty three and

1712
01:19:07.479 --> 01:19:10.560
<v Speaker 4>perverts the whole course of lake monster studies because all

1713
01:19:10.640 --> 01:19:13.920
<v Speaker 4>monsters there after are interpreted in the sense of being

1714
01:19:14.119 --> 01:19:18.680
<v Speaker 4>versions of the Locknest monster Maag. There are reports from

1715
01:19:18.760 --> 01:19:21.279
<v Speaker 4>Lockmore which date back to the late nineteenth century. I mean,

1716
01:19:21.279 --> 01:19:23.800
<v Speaker 4>I'm not suggesting, necessarily for a second that there's a genuine,

1717
01:19:24.319 --> 01:19:27.119
<v Speaker 4>living and breathing monster there, but there's a tradition of

1718
01:19:27.199 --> 01:19:30.159
<v Speaker 4>monster reports from Lockmore that is completely independent from Lockness

1719
01:19:30.680 --> 01:19:34.079
<v Speaker 4>and which I've spent a long time studying because of that,

1720
01:19:34.159 --> 01:19:36.840
<v Speaker 4>and again I'm hoping to eventually publish something on this.

1721
01:19:36.960 --> 01:19:39.359
<v Speaker 4>But I mean, I also recommend to anybody who is

1722
01:19:39.359 --> 01:19:41.760
<v Speaker 4>touring the Highlands of Scotland that Lockomar is considerably more

1723
01:19:41.760 --> 01:19:44.680
<v Speaker 4>beautiful than Lockness. It's a much more remote place, it's

1724
01:19:44.720 --> 01:19:47.000
<v Speaker 4>only got a few people living on it, It's got

1725
01:19:46.840 --> 01:19:50.319
<v Speaker 4>sort of wonderful, beautiful softer hills, and the water itself

1726
01:19:50.359 --> 01:19:52.359
<v Speaker 4>is very clear, unlike Lockness. And some of the interesting

1727
01:19:52.359 --> 01:19:54.680
<v Speaker 4>things that come out of Lockmore are reports or sort

1728
01:19:54.680 --> 01:19:56.960
<v Speaker 4>of things seen on the bottom of the lake, which

1729
01:19:57.000 --> 01:19:59.159
<v Speaker 4>you can't do in lockness where you can't see your

1730
01:19:59.199 --> 01:20:00.880
<v Speaker 4>hand in front of your face two foot depth because

1731
01:20:00.880 --> 01:20:02.920
<v Speaker 4>of so much pete in the water there. So Locke

1732
01:20:03.000 --> 01:20:05.159
<v Speaker 4>Moore is a is a very interesting and beautiful place

1733
01:20:05.199 --> 01:20:06.800
<v Speaker 4>and well worth a visit and well worth studying.

1734
01:20:06.840 --> 01:20:09.520
<v Speaker 1>In my opinion, it sounds like a great overview more

1735
01:20:09.560 --> 01:20:21.199
<v Speaker 1>and s Yeah.

1736
01:20:11.479 --> 01:20:11.560
<v Speaker 5>I.

1737
01:20:16.439 --> 01:20:18.000
<v Speaker 3>Think we're gonna have to have Mike back to talk

1738
01:20:18.039 --> 01:20:18.680
<v Speaker 3>about that too.

1739
01:20:18.840 --> 01:20:21.640
<v Speaker 1>That's sounded great. Yeah, So thank you for coming here

1740
01:20:21.720 --> 01:20:24.199
<v Speaker 1>today and talking with us. Mike. This was a great

1741
01:20:24.640 --> 01:20:26.560
<v Speaker 1>episode of I'm super excited about.

1742
01:20:26.399 --> 01:20:28.399
<v Speaker 3>Putting this very fascinating Thank you.

1743
01:20:29.600 --> 01:20:34.319
<v Speaker 1>I enjoyed it more obstrut, thanks for listening to another

1744
01:20:34.359 --> 01:20:37.000
<v Speaker 1>episode of Monster Talk today. You heard Karen Stalls knowing

1745
01:20:37.079 --> 01:20:40.520
<v Speaker 1>Blake Smith interview Mike Dash about the Victorian figure known

1746
01:20:40.520 --> 01:20:43.359
<v Speaker 1>as spring Hill Jack. Be sure and check the show

1747
01:20:43.399 --> 01:20:46.000
<v Speaker 1>notes for links that will give you even more info

1748
01:20:46.079 --> 01:20:49.960
<v Speaker 1>about Mike Dash and this fascinating topic. Monster Talks produced

1749
01:20:49.960 --> 01:20:53.800
<v Speaker 1>with the assistance of Skeptic Magazine. However, the opinions and

1750
01:20:53.880 --> 01:20:57.359
<v Speaker 1>ideas and terrible puns heard here do not necessarily reflect

1751
01:20:57.359 --> 01:21:00.159
<v Speaker 1>the opinions or sensibilities or a sense of humor of

1752
01:21:00.199 --> 01:21:04.279
<v Speaker 1>Skeptic Magazine or the Skeptic Society. If you enjoy monster Talk,

1753
01:21:04.319 --> 01:21:07.159
<v Speaker 1>you might consider donating to our transcript project. There are

1754
01:21:07.199 --> 01:21:09.760
<v Speaker 1>links at MonsterTalk dot org, and the transcripts help us

1755
01:21:09.760 --> 01:21:12.520
<v Speaker 1>make monster Talk easier to find and easier to reference

1756
01:21:12.520 --> 01:21:15.279
<v Speaker 1>on Wikipedia. I'm doing my best to get more episodes

1757
01:21:15.279 --> 01:21:17.479
<v Speaker 1>out in twenty thirteen and on behalf of all of

1758
01:21:17.520 --> 01:21:20.119
<v Speaker 1>us here at monster Talk. We appreciate your devotion and

1759
01:21:20.199 --> 01:21:23.199
<v Speaker 1>your patience. Do you want to talk with other monster

1760
01:21:23.239 --> 01:21:26.319
<v Speaker 1>Talk listeners and have fun discussions about monsters and monster news,

1761
01:21:26.680 --> 01:21:29.000
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1762
01:21:29.039 --> 01:21:31.279
<v Speaker 1>on Facebook or use the link at monster talk dot org.

1763
01:21:31.279 --> 01:21:33.359
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1764
01:21:33.399 --> 01:21:36.720
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1765
01:21:36.840 --> 01:21:59.439
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1766
01:22:15.079 --> 01:22:18.119
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1767
01:22:18.279 --> 01:22:22.680
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1768
01:22:22.720 --> 01:22:27.680
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01:22:28.159 --> 01:22:32.399
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1770
01:22:32.560 --> 01:22:34.079
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1771
01:22:34.760 --> 01:22:39.119
<v Speaker 1>Hello, Hello, Welcome to munster Talk. The science cheese show

1772
01:22:39.159 --> 01:22:40.039
<v Speaker 1>about cheese.

1773
01:22:40.800 --> 01:22:44.159
<v Speaker 3>Are you gonna do the scary voice wah,
