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Speaker 1: Said the story walking.

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Speaker 2: To someone who kids.

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Speaker 3: Save.

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Speaker 1: You're preaching.

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Speaker 2: Your rock adoptees.

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Speaker 4: You come any way to say, Maybe I'm not the

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work you need to say, so keep my man. I'm

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never change.

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Speaker 2: From cradle.

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Speaker 1: On your knees.

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Speaker 4: It's nothing to me. So see you're heaven and hell.

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Speaker 2: For the wishing.

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Speaker 4: Well you you know my time?

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Speaker 3: Well well.

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Speaker 4: The world you need to say, so keep you blind man.

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I'm never change from cradle.

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Speaker 3: Back back.

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Speaker 4: Back, no way, said Mane. Not the world you need

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to say, he laughing down. The change.

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Speaker 2: From cradle.

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Speaker 1: That is cradle to grave. The band is Lone Wolf James.

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And we have Lone Wolf James here with us in studio,

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and she's not on a mic, but Echo Ray is here.

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She was on the show with us recently and first

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introduced us to the band well technically, although well she

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brought that track. But and we will play some more

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from Lone Wolf James later in the show. But Jenny

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and I had seen Lone Wolf James live and I

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don't know if you guys realize this, but we'll talk

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about it. And we really enjoyed your set. But let's

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get into it. So we've got the guys here Gary James,

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of course, lone Wolf James yourself. How are you, sir,

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Welcome to the show.

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Speaker 2: Good, thank you for having me.

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Speaker 1: And you are you singing? And you play guitar? Correct?

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Speaker 5: Yes?

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Speaker 1: Okay? And what do uh? We'll get actually here, let's

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start with you over here in the corner, sir. Tell

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us what you do and I'm sorry, tell us who

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you are rather than what you do in the band.

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My name is Jeff Holmes from the bass player and

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do backup vocals, all right, Jeff, welcome and you, sir.

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Speaker 6: My name's Tim Evans, and I'm the lead guitarist.

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Speaker 1: Lead guitarist. Okay, and you sir, oh, Sherman, I can't

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hear you, and I apologize. Let me you know what,

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I got to really crank that up here. All right,

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let's trade that again. There we go.

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Speaker 7: I'm Sherman Wilson and I'm the drummer.

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Speaker 1: All right, Sorry, Sherman, you're in you're in the microphone

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that we don't we'll use that one if we need

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an extra mic. And but we did get it plugged in,

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so we got that much figured out.

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Speaker 2: Always the drummer, it's always the drummer.

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Speaker 1: Yeah, So yeah, so, guys, welcome to the show. Jenny

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and I saw you live at Swarmyfest. Oh okay, yep, yep,

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that was and and I'll tell you I so, I

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had not heard Lone Wolf James prior to that, and

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I saw you on the schedule because we were there.

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We were there as a sponsors and representing the radio show.

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And I remember saying to Jenny after or during your set,

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I said, they sound like a band named Lone Wolf James,

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Like like you sounded like I expected you to sound

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based on the name. And please take that as a

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compliment because I think the name is really cool and

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I really like your sound. But yeah, so have you

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guys been around a while? Has the band been around

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for a long time? That's my impression that I actually

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I started it years ago and I was like playing

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acoustic on a stool doing open mic. Oh really yeah yeah,

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And that's how it all started.

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Speaker 8: I had left the band and the whole I think

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Echo told you this before, but when I left the band,

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I was leaving all the crap behind.

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Speaker 1: Yeah yeah.

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Speaker 8: And the guy went, well, there goes Lone Wolf, and

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I was like, I'm going to use that. Oh yeah,

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So I use that my last name, James. I put

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them together and there was the lone Wolf James. Yeah,

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and the fact that I'm Partneredive American kind of fit

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into so I was like, all right, I'm gonna use that.

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But yeah, So I started it then, and there's been

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you know, over over the years, you add people and

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you do this and that. But I was I was

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trying to find like the right lineup because I was

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getting to the point where the band is starting to

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go from regional crossing into the national border, and we'll get.

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Speaker 2: Into that, you know.

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Speaker 8: But as I did it, it was just like, you know,

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this is this is not the lineup that is gonna

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do it. So we kind of like just been with

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me eleven years. So he's like my right hand guy,

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and and we've all I've known Tim. We've known each

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other since we were fourteen, you know what I mean.

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Speaker 2: So we were in our very.

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Speaker 8: First band together. I was a drummer back then. Yeah,

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so it all kind of came together, you know. I

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would would fight and phone.

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Speaker 2: Calls, you know what I mean, and all kind of felt.

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Speaker 8: Jeff and Sherman had gone and tried out for the

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same band at one time, and then they were both

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like and nope, but they were friends. And then when

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I told Jeff that I was going to have Sherman

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come in audition, He's like, hire that guy, you know

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and whatever. So it was just like it was kind

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of it was faded. Yeah, but this particular lineup now

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has been You've been a couple of years now, right,

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and uh, we've were's like gone from the local to

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the regional and now we're tipping our hat into the national.

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We're playing with all national bands. Yeah yeah, because of

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certain deals and connections and stuff.

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Speaker 1: Oh yeah, yeah, So is the band I mean, are

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you the only original member technically.

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Speaker 2: Or yes, from the original a yeah, because it started

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with me. Yeah, and like my.

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Speaker 8: First record, my first two first records were acoustic and

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I added like drums and stuff to it. But I mean,

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the first couple of EPs are sold out, so that

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one that you played cradle off of is actually my

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was like the second full album, and that's the only

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one still available really other other than you know, I

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have like a few of the one before that. But

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but we've I've been in the studio for the last

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couple of years now recording this new EP with the

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guy from that works for Sony and Capital and.

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Speaker 1: Oh very nice.

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Speaker 8: And you know everybody has except for Sherman because it

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happened right before he joined the band. But yeah, but

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so he's the only one doesn't have to get yelled

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at in the studio, right, But other than that, yeah,

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I mean it all everybody here is.

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Speaker 2: The long Wold James.

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Speaker 8: Well, everybody brings something to the table, but it's it's

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like you have to have the head of the the

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the artpus so of course just kind of that, but yeah,

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I have to do the like the business part of

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it too. Yeah, you know, I take care of like

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the contracts and that kind of stuff. And then as

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far as like the songwriting goes. You know, I come

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up with an idea and I go, I like this,

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and I sometimes I just go to his house and say, hey,

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this is what I got. Yeah, and he'll go, let's

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do this or whatever, you know, or I just bring

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it to the table and go, okay, this is like

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here's the pizza dough at the topping right right, And

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everybody kind of puts in their stuff and then you know,

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you get ideas as it goes.

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Speaker 1: But you know, is the original material that you did.

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Is that available online?

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Speaker 3: Some of it?

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Speaker 2: I mean, I think you had to like have been around.

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Speaker 8: I released the first EP in two thousand, okay, so

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it was twenty five years ago.

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Speaker 2: I mean, I was just just coming out, just you know,

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just getting out of like.

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Speaker 8: The cover band situation and a couple of a couple

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of local bands that weren't doing anything but garage, you know,

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local maybe you know, once in a while a rock

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pile or something, sure, sure, but other than that, it

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was and I just wanted to get serious.

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Speaker 2: And they were all about drugs and and I was

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just like, I'm done with this, you know. And and

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that's why he was.

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Speaker 8: He was trying to chafe me by saying, oh, that

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goes lone Wolf, like I'm gonna go off of my

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and I was like, you know what, I'm gonna use that.

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Speaker 1: That's you know, that's pretty cool, you know that. You know,

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somebody threw that at you, trying to insult you, and

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you you took that and said, oh yeah.

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Speaker 8: And now they're going, oh Jesus, guys are playing with

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this guys and these guys and he's really.

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Speaker 2: And you know, and the like, yeah, who's laughing now?

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Speaker 1: Yeah, you know.

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Speaker 8: Yeah, but that's that's really the way, and it's it's

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it's about the hard work that you put in and stuff,

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and it's about the loyalty too, you know, Like these

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guys have played some I don't know, I'm surprised they

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didn't and all you crazy, right, you know, but some

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of the places that we've done and some of the things.

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Sherman's first gig with us was in this It was

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a it was a biker fast thing, but it was

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in somebody's yard and it was all it rained so bad,

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it was like mudfest two thousand and nine.

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Speaker 2: I was like, oh my god. And he pulled in.

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Speaker 8: I'm thinking, this kid is never coming back. Yeah, you know,

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and whatever and uh and we you know, we go

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from those to what we're doing now. Yeah, yeah, you know,

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very cool.

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Speaker 1: Yeah. I saw pictures that you mentioned Ace Frehley, and

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I saw pictures of you guys online with Ace. Kiss

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is my favorite band, So I saw those. I was like, oh,

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that's pretty cool.

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Speaker 2: He was awesome, was he?

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Speaker 1: Yeah, I've heard I've heard yeah, day to attend, Who've Jeff?

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Yeah you know Jeff, Yeah, oh yeah, those guys are

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great and uh yeah they played with a set the Aura,

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I think in Portland, but I heard that Ace went on.

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I haven't seen Ace solo live for a very long time,

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but I've heard they went on that He went on

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very very late really that night. Yeah, I know, I

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guess it's kind of but your experience with him was positive.

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Speaker 2: Yeah. And the funny thing is, and this, I love

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days to attend. They're great guys.

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Speaker 1: Oh yeah.

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Speaker 8: We were supposed to play that show and I had

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prior engagement, so I turned it down. And then I

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found out that they got the opening slots. I was like,

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oh great, Yeah, that's great for them. And the manager

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of Ace called my agent and came back and said,

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can they play the Blue Ocean since they can't.

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Speaker 1: Do the Ore?

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Speaker 2: Oh yeah, And I was like, yeah, we can do that.

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But no, we didn't have any any any at all.

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Speaker 8: In fact, that's you know, we had played with some

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other nationals, big nationals before that, and we didn't really

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get them. With the exception of like a couple, we

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didn't really get to meet anybody, all kind of hid

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away in the so I never went into it thinking

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we were going to meet Ace, you know. And we

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did our show and the and the crowd loved us.

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And it was a line at our echoes booth, you

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know for the merch and all that stuff, and uh,

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the guy come. We're doing our meet and greet because

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we do what every show, signing autographs and you know,

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take a pictures some stuff. And one of the guys

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that owns the Blue Ocean came running up to me.

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He looked kind of frazzled, really, and he's like, is

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your whole band here? And I'm like yeah, I'm like

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they're over there doing the met and greets.

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Speaker 3: Right.

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Speaker 1: Yeah.

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Speaker 2: He's like, okay, you gotta come out back. Ace wants

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to see you.

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Speaker 8: So now I'm thinking, yeah, well, I didn't know if

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it was nice or he was gonna rip us. I

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didn't know if we did something wrong.

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Speaker 2: So I was like, uh sure, So I go on

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and grab the guys and I'm like, let's just go

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out back.

239
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Speaker 1: Yeah.

240
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Speaker 2: We passed all these VIP guys, you know, people with

241
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VIP passes and stuff.

242
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Speaker 8: I still don't know what's going on. And then we

243
00:13:33,480 --> 00:13:36,240
get to the wall and he goes, you know, hold on,

244
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I'm going to take a picture of you. So I'm thinking, oh,

245
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maybe Ace takes a picture of all the opening acts

246
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and he gets you know, for whatever reason.

247
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Speaker 1: Yeah.

248
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Speaker 8: So I'm still thinking this is why we're back here.

249
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And then this door opens and here he comes at

250
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six foot five or whatever.

251
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Speaker 2: He's huge. He's so tall.

252
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Speaker 1: Guy, he is he must have been wearing he was

253
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wearing cowboy budes. Really, yeah, because I noticed in the

254
00:13:57,399 --> 00:13:59,240
pictures he's towering over you guys, and I'm like, this,

255
00:13:59,440 --> 00:13:59,960
isn't that tall?

256
00:14:00,159 --> 00:14:00,360
Speaker 9: Yeah?

257
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Speaker 8: He is five eight, you know, so he but he

258
00:14:04,720 --> 00:14:06,919
came out, shook our hands, said you know, he loved

259
00:14:07,000 --> 00:14:09,320
what we played and thanked us. We thanked him, and

260
00:14:09,360 --> 00:14:11,399
he put his arms around us, took some pictures. Yeah,

261
00:14:11,480 --> 00:14:12,679
and then we went back to the things. So we

262
00:14:12,720 --> 00:14:15,120
weren't expecting that. Yeah, you know, so that was very

263
00:14:15,200 --> 00:14:17,559
cool of him, that is, you know, that's extremely cool.

264
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Speaker 9: Yeah.

265
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Speaker 1: Yeah, who else have you? Who else have you opened for.

266
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Speaker 8: As far as far as legends, Like, I, uh was

267
00:14:26,080 --> 00:14:27,600
it with this present lineup?

268
00:14:27,639 --> 00:14:30,799
Speaker 2: But I did ZZ Top and Skinned on the same bill.

269
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Speaker 8: Yeah, but we've done everything from It's funny because we're

270
00:14:34,879 --> 00:14:37,320
my agent now. The one thing he loves about us

271
00:14:37,440 --> 00:14:40,320
is he can put us in any category from seventies

272
00:14:40,840 --> 00:14:43,039
to the two thousands to whatever. So yeah, we have

273
00:14:43,240 --> 00:14:47,440
literally done like eighties bands where we're playing with like

274
00:14:47,600 --> 00:14:51,080
enough's enough. We've played with Jackal, I've done Cinderella, you know,

275
00:14:51,360 --> 00:14:53,679
Faster pussy Cat. Then you turn around and they put

276
00:14:53,759 --> 00:14:55,840
us with all the Bridge, Theory of a Dead Man,

277
00:14:55,879 --> 00:14:59,279
Blackstone Cherry, Yep, you know, Buck Cherry, all these other bands,

278
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and then you go to bands like Edema and head

279
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Pe and you know when we played with Saliva and

280
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so Powerman five thousand is coming up, you know what

281
00:15:08,799 --> 00:15:11,639
I mean. So he loves the fact that he yeah,

282
00:15:11,679 --> 00:15:13,360
we did with Lynch Bomb. So it's like nice, we

283
00:15:13,480 --> 00:15:15,440
have all these different He loves the fact that we

284
00:15:15,480 --> 00:15:17,039
don't have to just go hey, it can only put

285
00:15:17,080 --> 00:15:19,759
you guys with this type of music, like we have

286
00:15:19,879 --> 00:15:24,120
done everything from the seventies, eighties, nineties and thousands, you know.

287
00:15:24,360 --> 00:15:26,799
And the good thing about that is he's just like, well,

288
00:15:26,919 --> 00:15:29,960
your branch of music can go from a twenty five

289
00:15:30,039 --> 00:15:31,960
year old to a seventy five year old, you know

290
00:15:32,000 --> 00:15:33,759
what I mean, So you have a fifty year gap,

291
00:15:33,799 --> 00:15:36,360
which a lot of bands don't have, and especially for

292
00:15:36,440 --> 00:15:39,200
a younger act like us. You know, these bands that

293
00:15:39,240 --> 00:15:41,440
we're playing with are all fifteen twenty years older than

294
00:15:41,519 --> 00:15:45,039
we are. So it's kind of like, well, we kind

295
00:15:45,080 --> 00:15:47,720
of got into a niche where it fit for us. Yeah,

296
00:15:47,919 --> 00:15:49,799
you know, but a lot a lot of those bands.

297
00:15:49,840 --> 00:15:52,320
I mean we've we've done a lot of nationals, from

298
00:15:53,000 --> 00:15:56,320
lower nationals that like the like you know, something that

299
00:15:56,679 --> 00:16:00,360
was around in the eighties, to legends like Case.

300
00:16:00,600 --> 00:16:02,480
Speaker 1: Yeah that's fantastic.

301
00:16:02,639 --> 00:16:02,840
Speaker 9: Yeah.

302
00:16:03,960 --> 00:16:06,080
Speaker 1: Have you in terms of I mean, do you get

303
00:16:06,120 --> 00:16:08,200
out of New England to watch for those kind of shows?

304
00:16:08,279 --> 00:16:10,679
Speaker 2: Yeah, I mean I did a couple of stints myself

305
00:16:10,720 --> 00:16:11,879
in Nashville. Nice.

306
00:16:12,000 --> 00:16:13,840
Speaker 8: Yeah, I think I played the Bluebird and stuff like that.

307
00:16:14,120 --> 00:16:17,200
But the band right now, the core of us is

308
00:16:17,799 --> 00:16:19,080
I mean usually I hate to say it, but it

309
00:16:19,159 --> 00:16:21,559
usually comes down to money and things like that. And

310
00:16:21,679 --> 00:16:24,639
I mean everybody here has got you know, I'm the

311
00:16:24,679 --> 00:16:27,120
only one that's really not married, you know what I mean. Yeah,

312
00:16:27,240 --> 00:16:29,159
So it's just kind of like one of those type

313
00:16:29,159 --> 00:16:30,840
of deals. So I what I do is I keep

314
00:16:30,879 --> 00:16:34,720
it enough for everybody to go. Look, I made a

315
00:16:34,759 --> 00:16:38,120
deal with them and I said we'll start We'll go

316
00:16:38,240 --> 00:16:41,600
from Maine to Jersey. Yeah, you know, and I go

317
00:16:41,720 --> 00:16:44,240
and anything past that, I mean, obviously I'll give plenty

318
00:16:44,240 --> 00:16:46,759
of notice and all that stuff, but this way, everything's

319
00:16:46,799 --> 00:16:48,639
a day away, you know, a few.

320
00:16:48,559 --> 00:16:49,559
Speaker 1: Hours that makes sense, you know.

321
00:16:49,679 --> 00:16:50,919
Speaker 2: That way, it's like, okay, you know.

322
00:16:51,000 --> 00:16:53,440
Speaker 8: If we're playing I'm telling you in two months, we're

323
00:16:53,480 --> 00:16:55,799
playing four shows and we're going from Maine to Rhode

324
00:16:55,840 --> 00:16:58,639
Island at Connecticut, the to Jersey to back to I mean,

325
00:16:59,159 --> 00:17:00,879
then no, you know what I mean, and they can

326
00:17:00,919 --> 00:17:02,600
put in for and in that way, it's not like

327
00:17:02,679 --> 00:17:05,119
I'm calling them, Hey, we're leaving for New York tomorrow, right,

328
00:17:05,440 --> 00:17:08,359
you know, so we kind of you kind of have

329
00:17:08,559 --> 00:17:11,160
to deal with the pros and cons of it. But

330
00:17:11,359 --> 00:17:14,720
if I want the lineup that we got, you know,

331
00:17:14,960 --> 00:17:17,319
and which I don't want them stuck sticking me with

332
00:17:17,359 --> 00:17:19,720
people that I don't know, you know, so it's just

333
00:17:19,799 --> 00:17:21,599
kind of like, all right, this is what we'll do

334
00:17:21,680 --> 00:17:24,319
and and be honest with you until the gigs are

335
00:17:24,400 --> 00:17:28,319
worth going past that it's it's you know what I mean, like,

336
00:17:28,400 --> 00:17:30,359
unless they're gonna give me a lot of money to

337
00:17:30,440 --> 00:17:34,160
go play for somebody that's in California, I mean, we'd.

338
00:17:34,039 --> 00:17:35,880
Speaker 2: Love to go play the Whiskey, but how are we

339
00:17:35,920 --> 00:17:36,799
going to do it, you know.

340
00:17:37,799 --> 00:17:40,720
Speaker 8: You know, I'm not spending seven grand to get to California,

341
00:17:40,799 --> 00:17:44,599
you know. So, I mean he's asked us, the guy

342
00:17:44,640 --> 00:17:46,119
that books the whiskey's asked because twice.

343
00:17:46,160 --> 00:17:51,000
Speaker 2: All right, yeah, so I just it's all in time. Yeah,

344
00:17:51,160 --> 00:17:51,720
it'll happen.

345
00:17:51,920 --> 00:17:53,759
Speaker 8: Yeah, you know, it's just gonna be when it's a

346
00:17:53,799 --> 00:17:56,720
little bit more efficient to everybody, you know.

347
00:17:56,960 --> 00:18:01,400
Speaker 1: Yeah, I'm curious to if anybody has any other projects

348
00:18:01,440 --> 00:18:04,400
that you're involved in, because I'm thinking of you Sherman specifically,

349
00:18:04,480 --> 00:18:07,519
because every drummer that we have on the show, almost

350
00:18:07,559 --> 00:18:10,079
every drummer, although Space Casino our guests in the last

351
00:18:10,119 --> 00:18:12,400
hour were a rare exception, but almost every drummer we

352
00:18:12,440 --> 00:18:14,079
have on the show is in like ten different bands.

353
00:18:15,400 --> 00:18:19,119
Speaker 7: Nope, I I spend all my time strictly with these guys.

354
00:18:19,160 --> 00:18:21,920
Speaker 1: No kidding, that's awesome. Well it's cool that you know.

355
00:18:22,039 --> 00:18:24,160
I mean, you guys play enough that, you know, to

356
00:18:24,440 --> 00:18:25,279
keep you busy.

357
00:18:25,200 --> 00:18:26,680
Speaker 10: Right Yeah.

358
00:18:27,119 --> 00:18:29,559
Speaker 5: One of the things that you know, I dabble in recording,

359
00:18:29,720 --> 00:18:32,519
and because I don't have my studio set up right now.

360
00:18:32,640 --> 00:18:36,400
We moved here from Houston, and once I get my

361
00:18:36,480 --> 00:18:39,559
studio set up, then we can start recording our stuff

362
00:18:39,599 --> 00:18:42,920
right now, I'm just recording our rehearsals. Okay, so we

363
00:18:43,039 --> 00:18:45,359
kind of flushed things out and yeah, it's kind of

364
00:18:45,400 --> 00:18:46,160
experiment there.

365
00:18:46,440 --> 00:18:46,640
Speaker 1: Yeah.

366
00:18:46,960 --> 00:18:51,839
Speaker 5: But but as far as you know, I'm not opposed

367
00:18:51,839 --> 00:18:56,880
to getting involved with a recording project. Yeah, but performing no, Okay,

368
00:18:57,160 --> 00:18:59,559
because I've and I've been approached a few times.

369
00:18:59,759 --> 00:19:02,680
Speaker 7: Yeah, just I tell them, you know, Okay, but you

370
00:19:02,759 --> 00:19:05,519
know my priorities with Lone Wolf James.

371
00:19:05,640 --> 00:19:08,960
Speaker 5: Yeah, yeah, so that's even on my my band Mixed

372
00:19:09,000 --> 00:19:11,400
Photo is Yeah, Yeah, that's cool.

373
00:19:11,400 --> 00:19:14,000
Speaker 7: I'm the drummer for Lone Wolf James. Yeah, this was

374
00:19:14,039 --> 00:19:15,000
my first priority.

375
00:19:15,480 --> 00:19:17,119
Speaker 1: I have a I have a theory that you know,

376
00:19:17,200 --> 00:19:18,680
when you're when you're growing up and you first get

377
00:19:18,720 --> 00:19:20,519
interested in playing a musical instrument, you got to have

378
00:19:20,599 --> 00:19:23,079
the conversation with the parents. If you approach them with

379
00:19:23,200 --> 00:19:27,599
either the drums or maybe the tuba, they're they're trying

380
00:19:27,640 --> 00:19:29,400
to talk you out of it. And that's why drummers

381
00:19:29,440 --> 00:19:31,640
are in such high demand, I think, because a lot

382
00:19:31,680 --> 00:19:33,359
of parents try to talk their kids out of Now,

383
00:19:33,400 --> 00:19:34,160
you don't want to play My.

384
00:19:34,279 --> 00:19:37,400
Speaker 2: Parents, man, they had the trumpet and then the drums.

385
00:19:38,119 --> 00:19:38,440
Speaker 4: Because you.

386
00:19:40,240 --> 00:19:44,319
Speaker 1: Were a drummer. First, yeah, wow, but oh boy, you

387
00:19:44,400 --> 00:19:45,160
played the trumpet.

388
00:19:45,839 --> 00:19:48,400
Speaker 2: It started off. We ain't even getting into that story.

389
00:19:48,400 --> 00:19:49,799
Go ahead, and Truman keep talking.

390
00:19:49,640 --> 00:19:52,799
Speaker 7: About that's funny. I started on the vio did you.

391
00:19:53,000 --> 00:19:57,960
Speaker 1: Yeah, yeah, Oh that's cool. That's cool. Now, how many

392
00:19:58,079 --> 00:20:00,599
how many songs do you have as a band, because

393
00:20:00,640 --> 00:20:04,039
you've got you've got one full length album, right, but

394
00:20:04,160 --> 00:20:06,680
you've got others have two full length albums, two full length.

395
00:20:06,640 --> 00:20:09,880
Speaker 2: And there's two before that, there's three EPs.

396
00:20:10,039 --> 00:20:12,160
Speaker 1: Oh okay, we're a lot of material now.

397
00:20:12,319 --> 00:20:15,119
Speaker 8: Yeah, yeah, but we're we I mean unfortunately, on stage

398
00:20:15,119 --> 00:20:16,440
you only get about forty five minutes.

399
00:20:16,920 --> 00:20:22,440
Speaker 2: So we're taking with Sherman. Now we know probably let's.

400
00:20:22,200 --> 00:20:25,440
Speaker 8: Say fifteen sixteen songs, okay, and we dabble in twelve

401
00:20:25,480 --> 00:20:26,720
of them for the shows.

402
00:20:26,759 --> 00:20:28,839
Speaker 2: We switched stuff in and out and whatever.

403
00:20:29,519 --> 00:20:32,559
Speaker 8: But as a unit, like they're still Like the other day,

404
00:20:32,599 --> 00:20:34,720
we were bringing up songs that I hadn't played in

405
00:20:34,799 --> 00:20:37,240
fifteen years, you know, and they were just like, hey,

406
00:20:37,279 --> 00:20:38,839
you know, what if what if we do this? You know,

407
00:20:39,319 --> 00:20:41,319
and or hey I haven't heard that one or whatever.

408
00:20:41,440 --> 00:20:43,720
So my old stuff is still brand new to them.

409
00:20:44,039 --> 00:20:46,480
It's like saying, I came in with a new record, right, So,

410
00:20:46,960 --> 00:20:48,640
and the good thing is is, like I said, the

411
00:20:48,680 --> 00:20:51,640
first couple were acoustics. They were drums and stuff, but

412
00:20:51,720 --> 00:20:54,400
there were acoustic versions of the songs. Yeah, So to

413
00:20:54,440 --> 00:20:56,599
bring it in with a massive band and have that

414
00:20:56,759 --> 00:20:59,200
full band sound now, I mean when I traded my

415
00:20:59,279 --> 00:21:02,599
acoustic in for a marginal and Les Paul, I was like, Okay,

416
00:21:02,880 --> 00:21:06,200
this is serious. We're moving forward. And and then you

417
00:21:06,319 --> 00:21:08,319
add everybody and the next thing, you know, it's like, gee,

418
00:21:08,319 --> 00:21:10,400
what would this like. Guess there's a song that we're

419
00:21:10,440 --> 00:21:12,359
doing now that I want to record that I only

420
00:21:12,400 --> 00:21:14,000
have an acoustic version of and we do play it

421
00:21:14,039 --> 00:21:16,200
once in a while called Native Groove, and it's one

422
00:21:16,200 --> 00:21:20,759
of my favorites. And that was strictly mean acoustic with

423
00:21:20,880 --> 00:21:22,079
some drums and a little bass.

424
00:21:22,240 --> 00:21:24,799
Speaker 2: That's all it was. It was. It was big sounded,

425
00:21:25,000 --> 00:21:26,920
you know, and I was like, man, imagine what this

426
00:21:26,960 --> 00:21:28,119
would sound like with a band.

427
00:21:28,680 --> 00:21:30,759
Speaker 8: So we brought it in and now you add Sherman,

428
00:21:31,440 --> 00:21:33,839
you had Jeff, you know, and you had Tim with

429
00:21:34,079 --> 00:21:36,799
my guitar, and it's like, wow, this is just like

430
00:21:36,880 --> 00:21:39,680
a wall of sound, you know. So this is that's

431
00:21:39,759 --> 00:21:41,799
one of the first tracks I want to record after

432
00:21:41,920 --> 00:21:44,319
we'd get done with this one, you know, like when

433
00:21:44,359 --> 00:21:45,160
they come to us.

434
00:21:45,160 --> 00:21:48,000
Speaker 2: And say, hey, I need more material, you bet write

435
00:21:48,000 --> 00:21:49,839
in the studio. Because we got a couple of songs

436
00:21:49,880 --> 00:21:52,279
written that we want to do, and that's high on

437
00:21:52,359 --> 00:21:52,720
my list.

438
00:21:53,839 --> 00:21:55,359
Speaker 1: I mean, it's good to have things that are ready

439
00:21:55,400 --> 00:21:59,000
to ready to work on, you know, you know, uh,

440
00:21:59,160 --> 00:22:00,440
trying to come up with that, you know.

441
00:22:00,559 --> 00:22:02,319
Speaker 8: And we've written some new ones, like there's a song

442
00:22:02,400 --> 00:22:04,599
that we're dabbling on right now that Jeff and I

443
00:22:04,839 --> 00:22:06,960
kind of we're trying to put together. And then it

444
00:22:07,079 --> 00:22:10,440
was called Showtime, and and another one I want to

445
00:22:10,480 --> 00:22:12,880
Be Bad, we wrote. I wanted to do like an

446
00:22:12,920 --> 00:22:16,880
a c DC bass groove, like like the Jack, you know,

447
00:22:17,359 --> 00:22:18,799
and I kind of wanted to do something like that

448
00:22:18,839 --> 00:22:21,960
where it's all like sexual talking instead of singing and

449
00:22:22,119 --> 00:22:24,039
it's and I said, but I needed this certain.

450
00:22:24,160 --> 00:22:24,519
Speaker 1: So I went.

451
00:22:24,799 --> 00:22:26,519
Speaker 8: I went to his house and he's like, what do

452
00:22:26,519 --> 00:22:27,680
you want me to play? And I'm like, just go

453
00:22:27,880 --> 00:22:30,640
bom bom, think of like running with the Devil, you

454
00:22:30,799 --> 00:22:32,640
know what I mean, you know, like type type thing,

455
00:22:32,720 --> 00:22:34,759
and he did that, and uh, we kind of put

456
00:22:34,799 --> 00:22:36,440
this stuff in together and Tim came in is like,

457
00:22:36,480 --> 00:22:38,079
you know, what'd be great there some of this wah

458
00:22:38,160 --> 00:22:41,519
guitar and all that stuff. And then you know, Sherman's

459
00:22:41,559 --> 00:22:43,720
just looking at us. I'm like, just play a beat.

460
00:22:43,839 --> 00:22:43,960
Speaker 3: You know.

461
00:22:45,039 --> 00:22:47,079
Speaker 2: He finitely gets in figure out what he wants to do.

462
00:22:47,240 --> 00:22:48,960
Speaker 8: But they came together and I was like wow, and

463
00:22:49,000 --> 00:22:50,880
then we were actually going to play that on these

464
00:22:50,960 --> 00:22:51,759
upcoming shows.

465
00:22:52,079 --> 00:22:52,440
Speaker 1: Very cool.

466
00:22:52,480 --> 00:22:54,200
Speaker 2: I want to be bad. It's going to be played

467
00:22:54,240 --> 00:22:54,519
on those.

468
00:22:54,640 --> 00:22:57,480
Speaker 1: So, yeah, you've got enoughs enough coming up. You said

469
00:22:57,519 --> 00:22:59,119
you're gonna be opening for them.

470
00:22:59,200 --> 00:23:01,759
Speaker 8: Yes, yeah, yeah, we're doing a tour leg of a

471
00:23:01,839 --> 00:23:05,079
tour with them, you are, Yeah, we're doing it doing

472
00:23:05,160 --> 00:23:07,359
I think it's Manchester, Connecticut and Rhode Island.

473
00:23:08,160 --> 00:23:10,640
Speaker 2: Yeah, yeah, we're doing three nights in a row with them, Okay.

474
00:23:11,240 --> 00:23:14,759
Speaker 1: In June, I always said they were underrated. Fly High, Michelle,

475
00:23:14,799 --> 00:23:16,559
I think is such a great song. And it's one

476
00:23:16,599 --> 00:23:18,039
of those songs you mentioned it to people now and

477
00:23:18,039 --> 00:23:18,880
they don't even remember it.

478
00:23:18,960 --> 00:23:19,079
Speaker 4: You know.

479
00:23:19,279 --> 00:23:21,799
Speaker 8: It's funny toocause Chip is singing. I think now I

480
00:23:21,839 --> 00:23:24,200
don't think it's the it's the original singer anymore. I

481
00:23:24,279 --> 00:23:26,920
think Chip's enough to the bass player. Yeah, I think

482
00:23:27,039 --> 00:23:29,680
he's the original member obviously, but I think I think

483
00:23:29,920 --> 00:23:33,039
I could be wrong, but I think he's singing. Oh okay, yeah,

484
00:23:33,079 --> 00:23:34,880
I think he's a singer, but he kept the name.

485
00:23:35,079 --> 00:23:37,720
Speaker 1: Okay, but you mentioned lynch Mob too, You open for

486
00:23:37,799 --> 00:23:38,200
lynch Mob.

487
00:23:38,400 --> 00:23:39,839
Speaker 2: Yeah, we're done down to Webster.

488
00:23:40,079 --> 00:23:43,599
Speaker 1: Oh that must have been cool. Yeah, that first Lynch

489
00:23:43,640 --> 00:23:46,319
Mob album. Again, this is no one, no one even remembers,

490
00:23:46,440 --> 00:23:49,440
but Wicked Sensation. Yeah, this is one of my that

491
00:23:49,519 --> 00:23:52,480
would be in my top ten all time, just so

492
00:23:53,039 --> 00:23:53,519
so good.

493
00:23:53,640 --> 00:23:55,200
Speaker 8: Well, it was funny because this was this is where

494
00:23:55,200 --> 00:23:58,359
I bring Tim in for that show. Yeah, because I

495
00:23:58,599 --> 00:24:01,279
you know, George Lynch. Hello, Yeah, he's a league guitar player,

496
00:24:01,319 --> 00:24:03,680
So I told I kept busting his chops. I kept saying,

497
00:24:04,000 --> 00:24:05,680
do you realize in the same month you have to

498
00:24:05,759 --> 00:24:08,519
open for for you know, for basically George Lynch, and

499
00:24:08,640 --> 00:24:10,440
a's freely and he's just.

500
00:24:10,480 --> 00:24:13,920
Speaker 2: Like, shut up. So we were going over playing.

501
00:24:14,279 --> 00:24:16,000
Speaker 8: We did our set and we played Linch and then

502
00:24:16,240 --> 00:24:17,839
Tim and I are on the side of the stage

503
00:24:18,240 --> 00:24:21,000
and George Lynch is right there and he's just playing,

504
00:24:21,039 --> 00:24:22,440
and I look over at Tim and he's just looking

505
00:24:22,519 --> 00:24:24,039
up at Georgie looks at me. He's got this like

506
00:24:24,480 --> 00:24:29,279
kid a Christmas look, So I'll let him take it.

507
00:24:30,160 --> 00:24:33,039
Speaker 6: He even gave me a little nod because like I

508
00:24:33,200 --> 00:24:36,160
tried to squeeze in just a little piece of mister,

509
00:24:36,680 --> 00:24:40,200
but I didn't think he noticed. But he barely looked

510
00:24:40,200 --> 00:24:42,440
at me. Off stage, but I was side stage and

511
00:24:42,519 --> 00:24:45,799
he turned around and he did like a little rift

512
00:24:45,839 --> 00:24:46,240
that I do.

513
00:24:46,720 --> 00:24:52,559
Speaker 1: No kidding, And then I was like, cool, what was

514
00:24:52,640 --> 00:24:56,319
he all buff? Too? Was his big body building phase?

515
00:24:56,400 --> 00:24:56,559
Speaker 3: Yeah?

516
00:24:56,920 --> 00:24:58,480
Speaker 2: He wasn't like that super buff?

517
00:24:58,640 --> 00:24:58,799
Speaker 4: Yeah?

518
00:24:59,200 --> 00:25:01,200
Speaker 6: Really yeah, concentrating all the time.

519
00:25:01,400 --> 00:25:04,960
Speaker 1: Yeah, yeah, so but you've got enough enough coming up.

520
00:25:04,960 --> 00:25:06,359
But what was yeah, there was there was another.

521
00:25:06,119 --> 00:25:08,839
Speaker 2: One power Man five thousands coming. Yeah.

522
00:25:09,119 --> 00:25:11,039
Speaker 8: We got a leg of a tour with them, and

523
00:25:11,160 --> 00:25:14,119
it's it's them and head Pe and things like that,

524
00:25:14,279 --> 00:25:16,119
and we just got off the road head Pe because

525
00:25:16,160 --> 00:25:18,599
they were on the Saliva leg that we did.

526
00:25:18,680 --> 00:25:22,240
Speaker 2: We did a Saliva and you know Josie Scott.

527
00:25:22,279 --> 00:25:25,839
Speaker 1: And what about what are we doing Nazareth?

528
00:25:25,960 --> 00:25:26,640
Speaker 2: Oh Nazareth.

529
00:25:26,759 --> 00:25:28,240
Speaker 1: Yeah that's a big.

530
00:25:30,720 --> 00:25:33,039
Speaker 2: H So that's what I mean.

531
00:25:33,079 --> 00:25:35,480
Speaker 8: They got legends like Ace and Nazareth and then we

532
00:25:35,640 --> 00:25:38,799
have you know, the power Man five thousands the Saliva's

533
00:25:39,039 --> 00:25:43,079
you know. You know, we're trying to get hooked up

534
00:25:43,200 --> 00:25:45,119
with a couple of things that you know, I really

535
00:25:45,440 --> 00:25:48,000
I can't say any of who they are yet because

536
00:25:48,079 --> 00:25:50,920
until the ink as dry as they say. But I

537
00:25:51,000 --> 00:25:54,240
think this summer, later in the summer, we're gonna get

538
00:25:54,279 --> 00:25:57,039
some bigger you know. The whole point if it was

539
00:25:57,079 --> 00:25:58,480
to try to get in with a lot of these

540
00:25:58,559 --> 00:26:01,519
bands that and in order. What people don't get is

541
00:26:01,640 --> 00:26:04,079
like the management companies and the agents.

542
00:26:04,440 --> 00:26:05,400
Speaker 2: Are all interacting.

543
00:26:06,079 --> 00:26:08,799
Speaker 8: So if you're playing with this band, they're the same

544
00:26:08,880 --> 00:26:10,759
agent as this band, and you ain't gonna play with

545
00:26:10,839 --> 00:26:12,359
that band? Do you play with this band? You know,

546
00:26:12,759 --> 00:26:15,480
like the or this venue without that venue and that

547
00:26:15,640 --> 00:26:16,160
kind of stuff.

548
00:26:16,720 --> 00:26:20,480
Speaker 2: So the right now the contracts I'm doing the bands.

549
00:26:20,559 --> 00:26:23,000
Speaker 8: It's great because you get to have a colectic of

550
00:26:23,079 --> 00:26:25,119
all these Like we opened the first tour we did

551
00:26:25,519 --> 00:26:28,680
was Tantric. Okay, I only knew one song from Tantric. Yeah,

552
00:26:29,119 --> 00:26:31,799
you know, and now they're like the coolest guys, you

553
00:26:31,839 --> 00:26:32,359
know what I mean.

554
00:26:32,319 --> 00:26:35,279
Speaker 2: Like we hung out every night all weekend. We hung

555
00:26:35,319 --> 00:26:37,559
out with them every night backstage or real good to us,

556
00:26:38,200 --> 00:26:38,359
you know.

557
00:26:39,519 --> 00:26:42,839
Speaker 8: In fact, Hugo even approached me about, you know, maybe

558
00:26:42,880 --> 00:26:45,160
producing one of my next songs or something like that.

559
00:26:45,319 --> 00:26:45,440
Speaker 9: OK.

560
00:26:45,640 --> 00:26:48,160
Speaker 8: So we'll see what happens with that. But but you know,

561
00:26:48,400 --> 00:26:50,799
in general, they were just cool guys. Yeah, they were

562
00:26:50,839 --> 00:26:52,599
really you know, we were and we're looking forward to

563
00:26:52,759 --> 00:26:53,599
to tour with them again.

564
00:26:53,640 --> 00:26:54,599
Speaker 2: But we did that tour.

565
00:26:54,640 --> 00:26:57,119
Speaker 8: I didn't know who they were other than you know,

566
00:26:57,240 --> 00:26:59,039
that one song or whatever. But but then it came

567
00:26:59,079 --> 00:27:00,640
out and you're like, wow, these are really good.

568
00:27:00,720 --> 00:27:03,680
Speaker 1: Yeah, you know, they had a few hits. Yeah, Morning

569
00:27:03,880 --> 00:27:06,640
was the big ballad, which I really like that song.

570
00:27:06,680 --> 00:27:07,759
I can't remember what else, but.

571
00:27:08,119 --> 00:27:10,200
Speaker 2: No breakdown was that breakthrough breakdown?

572
00:27:10,279 --> 00:27:11,680
Speaker 1: Yeah, but there was.

573
00:27:12,160 --> 00:27:14,279
Speaker 8: But I mean, you know, it's it's so rare that

574
00:27:14,319 --> 00:27:17,640
you see because there's always an interconnection to like a

575
00:27:17,680 --> 00:27:20,000
lot of people don't know that who goes connected into

576
00:27:20,000 --> 00:27:22,000
the Betton Court family, you know and all that. So

577
00:27:22,480 --> 00:27:25,079
and it's funny because I knew all those guys, so

578
00:27:25,240 --> 00:27:27,440
it was kind of like, oh, okay, so we kind

579
00:27:27,480 --> 00:27:28,880
of know the thame like, we're going we're going to

580
00:27:28,960 --> 00:27:31,640
play a local show. We're not doing too many local shows, yeah,

581
00:27:31,759 --> 00:27:34,079
and we're playing a local show at the Raven, which

582
00:27:34,160 --> 00:27:37,559
is Chris Betton, Courts Club, who's Nudo's cousins.

583
00:27:37,279 --> 00:27:40,759
Speaker 2: No brother, It's all connected, you know what I mean,

584
00:27:40,839 --> 00:27:43,960
It's all connected. So yeah, it's you just have you

585
00:27:44,079 --> 00:27:46,039
make the right friends, right places.

586
00:27:46,160 --> 00:27:46,319
Speaker 4: You know.

587
00:27:46,759 --> 00:27:48,519
Speaker 1: I'm curious because a lot of you know, a lot

588
00:27:48,559 --> 00:27:50,599
of music industry people listen to the show. Do you

589
00:27:51,839 --> 00:27:54,599
do you enjoy the business side of it? It seems

590
00:27:54,720 --> 00:27:56,799
like you do the way that you talk about it.

591
00:27:56,920 --> 00:28:01,759
But I know, but but maybe not the truth. I mean,

592
00:28:02,920 --> 00:28:05,599
I know, I mean, obviously you'd rather not have to

593
00:28:05,680 --> 00:28:07,839
do that part and focus on the creative part. I know,

594
00:28:08,039 --> 00:28:10,200
But but it seems like you or you or you

595
00:28:10,240 --> 00:28:12,119
seem like you understand the business part of it at least,

596
00:28:12,160 --> 00:28:15,160
which is puts you ahead of a lot of musicians.

597
00:28:15,759 --> 00:28:18,839
Speaker 8: Used to be very overwhelming y now it makes you

598
00:28:19,000 --> 00:28:22,480
kind of a hole. But you have to be because

599
00:28:22,920 --> 00:28:24,920
if you're not, they're gonna walk all over you.

600
00:28:25,119 --> 00:28:27,000
Speaker 1: You know, absolutely, So like.

601
00:28:27,079 --> 00:28:29,559
Speaker 8: The biggest thing I do, Like a lot of people like, oh,

602
00:28:29,640 --> 00:28:31,440
you know Loan James, he named the band after him

603
00:28:31,480 --> 00:28:33,720
and he's a singer. Yeah, I wish that was the case.

604
00:28:33,799 --> 00:28:36,559
That would be so much easier, right, But it's like,

605
00:28:36,960 --> 00:28:38,680
but I tell people all the time, and I say

606
00:28:38,720 --> 00:28:40,920
this to even these guys, and it's not a downshoot

607
00:28:40,920 --> 00:28:43,640
because I love them. Yeah, I said this is you

608
00:28:43,720 --> 00:28:45,519
guys are part of it, and you get to walk

609
00:28:45,559 --> 00:28:46,319
away and go home.

610
00:28:46,640 --> 00:28:46,759
Speaker 1: Right.

611
00:28:47,000 --> 00:28:48,720
Speaker 8: I don't get to lead Lone Wolf James because I

612
00:28:48,759 --> 00:28:52,160
am him. Right, So while everybody else is doing whatever

613
00:28:52,200 --> 00:28:55,720
they're doing, I'm handling contracts and phone calls and you know,

614
00:28:55,839 --> 00:28:57,960
and all this venue change this or this guy's been

615
00:28:58,160 --> 00:28:59,960
like we just we were supposed to play with La

616
00:29:00,119 --> 00:29:04,599
Guns right here in Manchester in October and because they

617
00:29:04,640 --> 00:29:07,440
played the Tupelo last night, which Tim went to, you know,

618
00:29:08,319 --> 00:29:10,960
you know when they went last night, I didn't even know. Yeah,

619
00:29:13,440 --> 00:29:17,440
they pulled the show I was already contracted for. So

620
00:29:17,519 --> 00:29:19,480
it's kind of like one of those like okay, well

621
00:29:19,799 --> 00:29:21,039
you know, what are you gonna do? You know it

622
00:29:21,119 --> 00:29:23,720
has nothing to do with me personally, right, so now

623
00:29:23,759 --> 00:29:25,480
I have to wait we do it. But it's like

624
00:29:25,599 --> 00:29:27,920
little things like that, or you know, you don't get

625
00:29:28,000 --> 00:29:31,160
you get to a you have everything in your contract

626
00:29:31,920 --> 00:29:33,839
about a venue and you get to the venue and

627
00:29:33,880 --> 00:29:35,720
there's no place for the band to change or park,

628
00:29:36,039 --> 00:29:37,359
and they want you to pay the park, like you

629
00:29:37,400 --> 00:29:37,960
want me to pay the.

630
00:29:37,960 --> 00:29:39,799
Speaker 2: Park I'm playing, you know what I mean.

631
00:29:39,920 --> 00:29:42,960
Speaker 8: So it's kind of like that's where you go, okay,

632
00:29:43,400 --> 00:29:46,559
because only so far you're gonna go, even just yourself,

633
00:29:47,200 --> 00:29:49,079
you have to get an agent, you have to get

634
00:29:49,279 --> 00:29:51,640
So what I did was I had an agent from

635
00:29:51,759 --> 00:29:55,480
years ago, and he hooked us up like Jeff's first

636
00:29:55,480 --> 00:29:57,680
show with us, like it was Jackal you know what

637
00:29:57,720 --> 00:30:02,119
I mean. He put us right here at Jewels and yeah,

638
00:30:02,359 --> 00:30:05,319
and it was like, you know, he booked us with that,

639
00:30:05,440 --> 00:30:09,240
and so I knew him for years, and but basically

640
00:30:09,359 --> 00:30:11,480
I ended up calling him and saying, how much to

641
00:30:11,599 --> 00:30:15,079
hire you want as a consultant just for us, just

642
00:30:15,160 --> 00:30:16,960
to do this blah blah blah, because I said, I'm

643
00:30:16,960 --> 00:30:18,880
getting calls and I'm doing these things, and I'm like,

644
00:30:19,440 --> 00:30:22,240
I need somebody who can haggle for me, that can

645
00:30:22,319 --> 00:30:24,799
talk contracts with these people and then gives me the

646
00:30:24,880 --> 00:30:28,119
contract so I understand it, you know, without all the

647
00:30:28,240 --> 00:30:30,920
bull you know. So that's basically all I did. And

648
00:30:31,000 --> 00:30:35,039
then with the fact that I've in the studio recording

649
00:30:35,160 --> 00:30:38,039
right now, and the and the producer that is recording

650
00:30:38,160 --> 00:30:43,000
us is he was huge. He he did stuff with

651
00:30:43,079 --> 00:30:46,920
Ray Charles, you know, Elton John, the Franklin Guns and

652
00:30:47,039 --> 00:30:50,559
Roses ac DC. So he yeah, he's he's worked with

653
00:30:50,640 --> 00:30:54,279
them all and he's in the studio producing this next record.

654
00:30:54,720 --> 00:30:58,359
So he's got us working on a deal, whether it's

655
00:30:58,920 --> 00:31:03,039
Sony or whatever. Yea, So hopefully that comes through. But

656
00:31:03,160 --> 00:31:07,279
with that happening, you get a buzz. People see who

657
00:31:07,359 --> 00:31:09,680
you were recording with, See what's going on. Well, these

658
00:31:09,880 --> 00:31:12,480
these guys aren't kidding you know, they're in Like you

659
00:31:12,559 --> 00:31:14,880
see the studio on Man, you know, and that kind

660
00:31:14,880 --> 00:31:17,079
of stuff, and people are like wow. Then you go

661
00:31:17,200 --> 00:31:19,960
from that and you get the right consultant who knows

662
00:31:20,039 --> 00:31:23,839
you and knows you're not just talking. And next thing

663
00:31:23,880 --> 00:31:25,279
you know, he's like, well, I'll give you a chance

664
00:31:25,400 --> 00:31:28,680
like his are are put our toes in the water

665
00:31:28,799 --> 00:31:29,160
for him?

666
00:31:29,920 --> 00:31:31,920
Speaker 2: Was I know you can play a one off. I'm

667
00:31:31,920 --> 00:31:33,200
gonna put you on toe with Tan Trick.

668
00:31:33,400 --> 00:31:35,759
Speaker 8: Yeah, don't disappoint us, you know what I mean, because

669
00:31:35,759 --> 00:31:37,480
if it comes back and you hear all this noise,

670
00:31:37,480 --> 00:31:42,839
he's gonna go any booking these guys with Sherman broke

671
00:31:42,920 --> 00:31:45,799
his foot right before the tour and he looked at

672
00:31:45,839 --> 00:31:48,319
me right after it happened, he goes, do not cancel

673
00:31:48,440 --> 00:31:49,039
those shows?

674
00:31:49,119 --> 00:31:52,799
Speaker 2: Oh wow, yeah, so it.

675
00:31:54,960 --> 00:31:59,440
Speaker 1: Was my fault. Oh my god, So you have how

676
00:31:59,480 --> 00:32:01,160
many show those did you have to play that way?

677
00:32:01,440 --> 00:32:01,680
Speaker 9: We did?

678
00:32:01,799 --> 00:32:03,160
Speaker 2: We did three or four of them.

679
00:32:03,240 --> 00:32:03,400
Speaker 4: Yeah.

680
00:32:05,000 --> 00:32:06,880
Speaker 5: As a matter of fact, I think I took the

681
00:32:06,960 --> 00:32:12,880
boot off when we did Lyunch Mob because we were

682
00:32:12,880 --> 00:32:17,079
shooting the video. Because I took the boot off for

683
00:32:17,200 --> 00:32:19,880
that seconds. I didn't want to have this gigantic Yeah.

684
00:32:20,559 --> 00:32:23,440
Speaker 8: We were like the second night in on the Tantric Show.

685
00:32:23,599 --> 00:32:25,920
Oh wow, he's back there and he's you know, he's

686
00:32:25,960 --> 00:32:28,640
got this big boot and all. And I'm just like,

687
00:32:29,559 --> 00:32:31,559
I'm looking back at him on stage and he's playing

688
00:32:31,599 --> 00:32:33,880
his heart out right. And then in the Alchemy, we

689
00:32:33,960 --> 00:32:34,359
were playing this.

690
00:32:34,359 --> 00:32:36,480
Speaker 2: Place called the Alchemy is a great, great venue down

691
00:32:36,680 --> 00:32:39,079
in Providence, right, and it was pretty packed.

692
00:32:39,119 --> 00:32:41,160
Speaker 8: I mean it was ocean all the way all the

693
00:32:41,160 --> 00:32:43,519
way back for a small club. And I finally look

694
00:32:43,519 --> 00:32:44,839
at him and I look at the crowd. I looked

695
00:32:44,839 --> 00:32:46,599
back at him and I go and look at this,

696
00:32:46,720 --> 00:32:48,839
you know, And I said, whatever I said, And I'm like,

697
00:32:48,920 --> 00:32:50,720
and he said, he's played with one leg right the

698
00:32:50,759 --> 00:32:53,480
whole and he lifts his foot up and the whole

699
00:32:53,519 --> 00:32:56,400
place went not you know, and I was just like, wow,

700
00:32:56,480 --> 00:32:59,759
that's great, you know, but that is rocket up you know.

701
00:33:00,519 --> 00:33:05,079
Speaker 1: Wow, No, good for you? Wait, maybe said how many

702
00:33:05,119 --> 00:33:06,400
shows did you play with?

703
00:33:06,559 --> 00:33:07,759
Speaker 7: At least at least?

704
00:33:08,319 --> 00:33:13,000
Speaker 1: Yeah, I assume you didn't tell your doctor about it.

705
00:33:14,359 --> 00:33:15,480
Speaker 7: No, he actually knew.

706
00:33:16,920 --> 00:33:17,920
Speaker 1: Yeah, he was all right with it.

707
00:33:18,240 --> 00:33:18,519
Speaker 2: Luckily.

708
00:33:18,519 --> 00:33:19,440
Speaker 7: I'm a double bass.

709
00:33:19,319 --> 00:33:23,000
Speaker 5: Drummer, so it was just my high hat. Okay, but

710
00:33:23,119 --> 00:33:26,640
I couldn't do I do do some sparse double bass

711
00:33:26,680 --> 00:33:27,400
in our songs.

712
00:33:27,640 --> 00:33:33,960
Speaker 1: Yeah, yeah, wouldn't. Oh wow, oh wow jo Yeah wow,

713
00:33:34,359 --> 00:33:38,599
definitely pulled it off. If you're just joining us, we've

714
00:33:38,640 --> 00:33:41,079
got the band Lone Wolf James here with us. Uh,

715
00:33:41,319 --> 00:33:43,519
live in studio. You want to play another we can

716
00:33:43,799 --> 00:33:47,480
play another track from the album. Yeah, I'll let you. Uh,

717
00:33:47,599 --> 00:33:52,119
I'll let you pick. Try first brop, Jeff, I.

718
00:33:52,279 --> 00:33:57,720
Speaker 2: Like that one ahead. Yeah, he's trying to get me

719
00:33:57,799 --> 00:33:59,319
to bring this back into the set list.

720
00:34:00,039 --> 00:34:03,839
Speaker 1: It's funny, it's a good track. Yeah, all right here

721
00:34:03,880 --> 00:34:05,640
it is. This is his first breath and the band

722
00:34:05,799 --> 00:34:06,799
is a Lone Wolf James.

723
00:34:08,320 --> 00:35:11,880
Speaker 4: Okay, yes, so lo to my say me everything go be.

724
00:35:17,280 --> 00:35:18,599
Speaker 2: Just the first off.

725
00:35:19,960 --> 00:35:31,440
Speaker 4: Trying to make hey me all about it is that

726
00:35:31,880 --> 00:36:29,119
way of you take the first, will me?

727
00:36:31,840 --> 00:36:41,320
Speaker 3: Yesterday's lover.

728
00:36:39,880 --> 00:36:52,119
Speaker 4: Swears that you're not You're not the first. I guarantee

729
00:36:54,199 --> 00:36:55,760
you won't be the.

730
00:36:59,760 --> 00:37:01,039
Speaker 9: Some Oh, come.

731
00:37:02,840 --> 00:37:06,519
Speaker 4: Now the day we'll take.

732
00:37:22,800 --> 00:38:43,119
Speaker 10: First first?

733
00:39:56,920 --> 00:39:59,679
Speaker 1: All right? That is uh first breath that the band

734
00:39:59,800 --> 00:40:02,440
is Lone Wolf James. We've got the guys from Lone

735
00:40:02,440 --> 00:40:04,639
Wolf James here in studio with us. If you are

736
00:40:05,159 --> 00:40:08,719
listening live, you guys are all uh, you're you're pretty scattered.

737
00:40:08,760 --> 00:40:10,199
I know we were talking about it, off are you

738
00:40:10,239 --> 00:40:12,440
guys are pretty scattered right in terms of where you

739
00:40:12,519 --> 00:40:12,880
all live?

740
00:40:13,119 --> 00:40:13,280
Speaker 4: Right?

741
00:40:13,519 --> 00:40:17,559
Speaker 1: Yeah? Does that make it well? Actually though, although I

742
00:40:17,559 --> 00:40:19,400
think you had said earlier too, you're playing so many shows,

743
00:40:19,440 --> 00:40:22,840
you don't necessarily need to get together for too many rehearsals, right,

744
00:40:22,880 --> 00:40:24,679
But but it must make it a little challenging, right,

745
00:40:24,719 --> 00:40:26,920
But it shows It shows a level of commitment too

746
00:40:27,000 --> 00:40:29,119
that you have that you're able to be be kind

747
00:40:29,119 --> 00:40:32,440
of scattered and you know, live far away from each other,

748
00:40:32,519 --> 00:40:35,239
but still you know, put in the time to get

749
00:40:35,280 --> 00:40:36,719
together and work on the band.

750
00:40:36,920 --> 00:40:38,840
Speaker 8: Sureman, actually kind of came to the rescue one that

751
00:40:38,960 --> 00:40:42,760
one when when I had my studio. My dad died

752
00:40:42,880 --> 00:40:45,519
years ago, and I had put built a studio, rehearsal

753
00:40:45,599 --> 00:40:49,119
studio downstairs my mom. My mom lived upstairs and I

754
00:40:49,159 --> 00:40:51,840
had my studio downstairs, so the band would always just

755
00:40:51,880 --> 00:40:53,800
come there, and I was down a mass yeah yeah,

756
00:40:53,920 --> 00:40:57,960
And unfortunately this passed Octoba she passed away. So when

757
00:40:58,039 --> 00:41:00,679
she passed away, you know, I had to sell her

758
00:41:00,719 --> 00:41:02,480
house and all that. Yeah, we were looking around for

759
00:41:02,840 --> 00:41:04,960
places to go blah blah, and Sherman was just kind

760
00:41:04,960 --> 00:41:06,800
of like, just bring it to my house, Oh okay,

761
00:41:06,880 --> 00:41:08,840
And then we went up there and we you know,

762
00:41:08,920 --> 00:41:10,840
he has a he has a bunch of gear and studio,

763
00:41:11,039 --> 00:41:13,400
so he cleared out one of his rooms at his house.

764
00:41:13,639 --> 00:41:15,599
Speaker 2: Yeah, and up in Wakefield, so that's where.

765
00:41:15,440 --> 00:41:17,199
Speaker 1: We rehearsed now, so excellent.

766
00:41:17,320 --> 00:41:19,119
Speaker 8: And so he kind of came to the rescue on

767
00:41:19,199 --> 00:41:22,320
that one because yeah, it's private and we can get there,

768
00:41:22,440 --> 00:41:24,559
we can play when we want to, you know. And

769
00:41:25,639 --> 00:41:28,000
but yeah, my goal was to keep us so busy.

770
00:41:28,480 --> 00:41:30,800
We're not just sitting in our rehearsal room concert, right,

771
00:41:30,960 --> 00:41:33,280
I mean, if we have something we want to work on, great, yeah,

772
00:41:33,440 --> 00:41:36,559
you know, but like we took April off and I

773
00:41:36,599 --> 00:41:38,320
think this is the most we've rehearsed, we've had like

774
00:41:38,639 --> 00:41:40,679
we got today, so it'll be like the third.

775
00:41:40,519 --> 00:41:42,719
Speaker 2: One in a row, you know. But then after that

776
00:41:42,880 --> 00:41:45,039
we hit May and we probably won't be back in

777
00:41:45,079 --> 00:41:48,800
that room till August. Yeah, so who knows, you know.

778
00:41:49,079 --> 00:41:53,519
Speaker 1: Yeah, but it's good to be busy. Yep, excellent, excellent?

779
00:41:54,639 --> 00:41:56,880
What do you oh? Jeezu? The time goes so quick?

780
00:41:56,960 --> 00:41:58,480
So I want to make sure well a couple of things.

781
00:41:58,599 --> 00:41:59,920
So I want to make sure people know where to

782
00:41:59,960 --> 00:42:01,719
go online to keep up with everything that you guys

783
00:42:01,760 --> 00:42:02,800
are doing. Where's the best place?

784
00:42:03,159 --> 00:42:06,079
Speaker 2: Reverb Nation is our main like our main page.

785
00:42:06,480 --> 00:42:08,480
Speaker 8: So if you go to reverb nation dot com, slash

786
00:42:08,559 --> 00:42:12,000
Lonel James, it brings up pictures, our tour dates, all

787
00:42:12,280 --> 00:42:14,599
up live events, things like that. Plus each one of

788
00:42:14,719 --> 00:42:17,159
us has our own Facebook page. Okay, so if you

789
00:42:17,239 --> 00:42:19,880
go to Gary James or or there's a Lone Wolf

790
00:42:19,960 --> 00:42:21,920
James Facebook page. Yeah yeah, but that's more of a

791
00:42:21,960 --> 00:42:24,199
bulletin page. It just kind of shows the posters where

792
00:42:24,199 --> 00:42:27,000
we're playing and things like that. But individually, you can

793
00:42:27,079 --> 00:42:31,239
contact any of us on Facebook individually and then go

794
00:42:31,519 --> 00:42:32,639
ask any questions or what do.

795
00:42:32,679 --> 00:42:36,119
Speaker 1: You want okay, okay, and oh you have a couple

796
00:42:36,119 --> 00:42:38,159
of videos to right or do you or maybe just one?

797
00:42:38,199 --> 00:42:39,920
Do you have you have a music video?

798
00:42:40,000 --> 00:42:40,079
Speaker 6: Right?

799
00:42:40,159 --> 00:42:44,480
Speaker 8: Cradle was the professional videos. Cradle was the professional video

800
00:42:44,559 --> 00:42:47,239
we shot years ago. And as of right now, we're

801
00:42:47,440 --> 00:42:51,119
we're going to start soon production on a song called

802
00:42:51,159 --> 00:42:54,559
Freaks that we're recording in the studio and we're we're

803
00:42:54,599 --> 00:42:57,719
doing that. Plus Sherman had mentioned off air in your

804
00:42:57,800 --> 00:43:00,199
mind to me, thank you that when we played thench

805
00:43:00,239 --> 00:43:05,239
Mob show, our engineer from the studio, Jay had come

806
00:43:05,320 --> 00:43:08,119
down and brought he works for Metronome, and he had

807
00:43:08,159 --> 00:43:10,719
come down with all his cameras and everything and shot

808
00:43:10,840 --> 00:43:14,960
a live video of us that night opening for Lynch Mob.

809
00:43:15,079 --> 00:43:16,719
So it was a huge crowd at the website there,

810
00:43:17,119 --> 00:43:19,559
cool and all that. So we have the live footage,

811
00:43:20,039 --> 00:43:23,039
we just don't have the concept footage yet, gotcha. So

812
00:43:23,119 --> 00:43:25,079
we're going to be doing that over the summer and

813
00:43:25,119 --> 00:43:27,039
then when it gets all it's called. And in fact,

814
00:43:27,079 --> 00:43:29,800
I got in touch. I don't know who we're gonna

815
00:43:29,840 --> 00:43:32,880
use yet, but one of the guys that contacted me

816
00:43:34,000 --> 00:43:38,079
off he contacted me. He did all the Saliva videos. Yeah,

817
00:43:38,480 --> 00:43:41,480
So I was like well, that's a good rep, you know,

818
00:43:41,760 --> 00:43:44,639
if he's doing Salivas click click hoom and always.

819
00:43:44,920 --> 00:43:46,360
Speaker 2: So I was like, that's a good guy to have

820
00:43:46,440 --> 00:43:48,960
in your pocket. So I've been going back and forth

821
00:43:49,000 --> 00:43:51,280
with him, and now we're discussing contract about it. So

822
00:43:51,880 --> 00:43:52,679
we'll see what happens.

823
00:43:52,719 --> 00:43:55,559
Speaker 8: Because you know the live footage from Jay and the

824
00:43:55,639 --> 00:43:57,679
concept stuff that this guy's going, he's talking about me

825
00:43:57,880 --> 00:44:01,880
like having some kind of weird circus tent tight looking thing.

826
00:44:02,079 --> 00:44:02,239
Speaker 4: Yeah.

827
00:44:02,280 --> 00:44:04,239
Speaker 8: Yeah, So we've already kind of gone back and forth

828
00:44:04,239 --> 00:44:06,840
and I'm gonna get everybody's input on what we're gonna do. Yeah,

829
00:44:06,960 --> 00:44:10,000
but so it'll you know, that'll come out after the record,

830
00:44:10,239 --> 00:44:11,360
after the song comes out.

831
00:44:11,519 --> 00:44:14,960
Speaker 1: Okay, but okay, very cool. And what's the next show

832
00:44:15,000 --> 00:44:15,719
you've got coming up?

833
00:44:15,719 --> 00:44:18,079
Speaker 8: The next one is going to be the next national

834
00:44:18,159 --> 00:44:22,639
show is May seventeenth, May ninth at the Blue Ocean

835
00:44:22,760 --> 00:44:23,440
with Nazareth.

836
00:44:23,679 --> 00:44:24,320
Speaker 1: Oh very cool.

837
00:44:24,400 --> 00:44:26,360
Speaker 2: Yeah cool, that's the next one. And then May seventeenth

838
00:44:26,480 --> 00:44:27,960
is at Hartford with.

839
00:44:28,400 --> 00:44:32,119
Speaker 1: Tim Montana outstanding, outstanding, very good, very good. Well, guys,

840
00:44:32,159 --> 00:44:33,760
thank you so much for coming in, all four of you.

841
00:44:33,880 --> 00:44:36,199
This has been wonderful. I really appreciate your being here.

842
00:44:36,920 --> 00:44:39,000
We're gonna wrap up in a moment because we are

843
00:44:39,000 --> 00:44:41,360
approaching the top of the hour, but we will. We'll

844
00:44:41,360 --> 00:44:43,679
play one more track to end the show today. What

845
00:44:43,960 --> 00:44:44,559
what should we play?

846
00:44:44,639 --> 00:44:46,840
Speaker 2: Wickhaman. We'll end it up with Wickaman wick am Man.

847
00:44:47,079 --> 00:44:47,679
Speaker 1: Okay, cool?

848
00:44:47,760 --> 00:44:48,119
Speaker 4: I like that.

849
00:44:48,239 --> 00:44:51,039
Speaker 1: Any kind of a story behind the song, not everyone knows,

850
00:44:52,159 --> 00:44:52,639
not really.

851
00:44:52,679 --> 00:44:55,559
Speaker 2: It's just the fact that I'm wicking, okay.

852
00:44:55,599 --> 00:44:57,760
Speaker 8: And somebody once said, you know, oh my god, you're

853
00:44:57,800 --> 00:44:59,960
evil and blah blah blah blah. So I kind of

854
00:45:00,000 --> 00:45:01,719
I did a tongue in cheek song about you know,

855
00:45:01,880 --> 00:45:05,400
the wicked man being evil, but it's kind of it's eerie,

856
00:45:05,559 --> 00:45:06,599
but it's eerie in my.

857
00:45:06,679 --> 00:45:08,360
Speaker 2: Book because I joked about it.

858
00:45:08,480 --> 00:45:08,639
Speaker 7: Yeah.

859
00:45:08,679 --> 00:45:11,639
Speaker 2: Yeah, but that's that's There's really no like deep subject

860
00:45:11,719 --> 00:45:12,440
to it or anything.

861
00:45:14,760 --> 00:45:16,719
Speaker 1: No, that's a that's a perfect way to end the show.

862
00:45:16,760 --> 00:45:45,639
Speaker 3: That h.

863
00:46:32,880 --> 00:46:35,159
Speaker 4: Will. Then you heard the story.

864
00:46:36,519 --> 00:46:42,880
Speaker 2: I'm about a place no out in Swampland.

865
00:46:43,679 --> 00:46:45,239
Speaker 4: Under the moon's gloom.

866
00:46:47,280 --> 00:46:49,039
Speaker 2: Well then it is restless.

867
00:46:50,639 --> 00:46:52,480
Speaker 4: A town lives a fire.

868
00:46:54,320 --> 00:46:59,760
Speaker 1: From a dry o women where the dams glear.

869
00:47:03,719 --> 00:47:09,880
Speaker 4: You can you can side, it's just forget your can

870
00:47:11,519 --> 00:47:41,079
time the side bringing get a there's no way to

871
00:47:41,280 --> 00:47:49,000
find him. You can't make a stand. Nothing's gonna stop him.

872
00:47:50,559 --> 00:47:59,360
Speaker 9: It's insane hands, no shaman fooddoo, no gypsy cristal ball,

873
00:48:01,480 --> 00:48:03,119
no motile magic.

874
00:48:04,719 --> 00:48:06,519
Speaker 2: It's gonna make a fall.

875
00:48:10,880 --> 00:48:16,599
Speaker 4: You can run, you can side. Is this what gets

876
00:48:16,639 --> 00:48:25,159
you can no more in the side? Wing you get

877
00:48:25,519 --> 00:48:29,239
run when you get side?

878
00:48:29,679 --> 00:48:33,519
Speaker 1: Is this waget You can no moti on.

879
00:48:33,639 --> 00:49:15,760
Speaker 4: The side winging in You can get side. That's quick

880
00:49:15,800 --> 00:49:20,599
as you can. The side way

881
00:49:25,800 --> 00:49:31,039
Speaker 3: You can, Yes, it's a quick as you can the

882
00:49:31,239 --> 00:50:00,400
bus the side way, yeah,