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Speaker 1: Hey, everybody, welcome back. We have entered our number three

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New Marrow trace of Matt Connorton Unleashed and we are

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live from the studios of w m n H ninety

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five point three FM and Glorious Manchester, New Hampshire. And

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of course you can stream the show from anywhere. Go

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to Matt connorton dot com slash live for all your

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live streaming options, social media links, contact info, show archives,

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et cetera, et cetera. Today is Saturday, October eleventh, twenty

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twenty five, and we have Benthic Realm here live in

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studio with us. And what we're gonna do now, They're

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gonna play live. They're gonna do a few songs live,

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and then we're gonna we're gonna talk a little bit afterward,

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which will be cool, very interesting to learn more about

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their music. But I'm gonna start. Let's see, let's get

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these mics up here. We have one person with a

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vocal mic, so tell us, uh if you could, who

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you are, what you do in the band, and then

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I'll let you introduce the other two members.

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Speaker 2: For having us, We're super stoked to be here. So

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I'm Krista. I am the guitar player and singer in

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Benthic Realm, and we also have Maureen here on bass

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and Dan on drums. Today he's actually gonna be playing

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the cajone okay, as we're doing an acoustic set. Very cool,

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and a tambourine, and he's pointing out that she wants

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everyone to know there's a tambourine in the room.

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Speaker 1: Oh wonderful, wonderful. Uh so, Christ can you play the

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guitar a little bit, just want to make sure we

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can hear Oh that sounds nice, That sounds nice, okay,

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And then Maureen, can you play that bass a little bit?

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Sounds really good, sounds really good. And then uh yeah,

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can let's hear something something that that go home. I'm

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gonna pull this mic up a little bit, make sure,

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oh yeah that sounds good. That sounds really good. And

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then can you all just kind of play a little

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bit of something together, and before before you jump into

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an actual full song, I just want to make sure

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we're sounding good here. Can you sing a little something?

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Speaker 3: Christa cheer less to control the John takes me where

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it wants to go.

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Speaker 1: Manama, Hi, sounds good, sounds good. I think we're ready.

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I think we're ready, all right, So if you're just

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joining us, Benthic Realm is here live in studio, and

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you're gonna do three songs, three songs, three songs, all right,

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and then we're gonna talk. And I'm really looking forward

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to this, looking forward to hearing you live. So yeah,

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whenever you're ready, just go for it.

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Speaker 4: Awesome.

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Speaker 2: So this is an acoustic version of our song Vessel

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that it's on our last release.

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Speaker 3: How let's do control the tactics freewhere it.

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Speaker 5: Once to go, but I'm aloud.

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Speaker 6: Been straining out of Bota. Not sure there was any way,

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But as.

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Speaker 3: Have believe my body is a vesc speaks to me,

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caves me for gave.

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Speaker 7: Have believe.

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Speaker 6: My body is a ves caves me saved, caives me.

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Speaker 8: Cold.

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Speaker 3: It wasn't easy, scared when they listen, made a ship

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to take, but a SI.

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Speaker 9: Has chaos come to the night, a car escaped without.

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Speaker 5: A FI and I'm have believe.

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Speaker 2: My body is a.

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Speaker 3: Vensel speaks to me cause me, folks.

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Speaker 8: Have believe.

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Speaker 3: My body is a vesser, cares me, saved, kiss me cold.

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Speaker 8: I believe.

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Speaker 3: My body isn't that so speaks to me cause me pocus.

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I believe my body is of that sol.

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Speaker 10: Keis me saved?

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Speaker 3: Kiuse mecause keeps me.

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Speaker 1: Cause nice if you're just joining us. We have benthic

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realm here live in studio, sounding great, good job. Everybody

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can't wait to hear the next one. Whenever you're ready.

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Speaker 2: All right, this next one is as it burns.

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Speaker 11: Never has the wound closed off? Never have nine duties tragedies.

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Speaker 12: We wriittness, hover redo more century.

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Speaker 3: We build up for watches. We built up rom me.

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Speaker 6: To w lea shaw the fory a set.

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Speaker 3: People rely has it watch you? Has it?

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Speaker 13: Watch you? Money and vowela.

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Speaker 6: Drive the Auntisi shows.

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Speaker 3: Sending a coming.

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Speaker 6: Man dime on the bridges, they hold open brandera they stop,

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also place.

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Speaker 11: Please stay, say that stayed while they sign the check

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you and drive?

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Speaker 3: Has it wat true? How's you bad? Wat true? Bad thing?

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Speaker 14: Labo, the doomed to make the same mistakes.

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Speaker 3: No big toy, the side.

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Speaker 11: Casualties they had all called draining halls.

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Speaker 3: Up, has it watch you? Has it bad? Watch has.

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Speaker 1: Wow? What what's that one called?

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Speaker 2: That's as it burns?

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Speaker 1: As it burns?

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Speaker 3: Love you do your work?

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Speaker 2: They're working that mic.

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Speaker 1: Yeah, no, that was great. That was great, really good.

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If you're just joining us, we have benthic realm here

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with us live in studio, and uh no, that's intense.

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I like the lyrics. I think I think I know

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what that what's about? That's for sure? Yeah, yeah, really good,

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really good. And then you can play you can play

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one more for us, that is correct? Is this unusual?

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By the way, doing an acoustic set on a Saturday

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morning at eleven am?

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Speaker 3: Very different.

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Speaker 2: We have played acoustic live once earlier in February at

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Americ Old Theater.

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Speaker 1: Oh excellent.

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Speaker 2: That was the first time that we played that live.

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So with a full set, Yeah, this is definitely an

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experience on a Saturday morning.

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Speaker 1: Yeah, good, all right, whenever you're ready, all.

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Speaker 2: Right, you're good, all right. So this, this next song

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is called fade Away. This is a song that we've

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performed live a couple of different times, and we have

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done this acoustically before. But it's not recorded live yet

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anywhere on any album, so you'll have to stay tuned

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for recording maybe next year.

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Speaker 1: All right.

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Speaker 2: This is fade Away, a fake.

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Speaker 3: Away into.

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Speaker 8: The Dog.

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Speaker 3: What's smell to me?

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Speaker 4: It's just a memo.

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Speaker 3: A sweet boy win no sound.

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Speaker 4: Well, I'm no longer to to.

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Speaker 15: Grow where.

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Speaker 3: Befold can never be found. That head on this battle

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ground stay for years, had hang it on, finds smells suit.

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Speaker 4: It could only get better, So.

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Speaker 8: Moved on with that.

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Speaker 3: Thes a make a decision. What wilds before can never

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bear found? That proba homeless battle round.

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Speaker 8: M h m hm m m.

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Speaker 3: Why before the double bear bound m word trying head.

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Speaker 16: Homeless battle ground, homeless battle ground.

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Speaker 1: I love it, I love it, Benthic Realm live in studio.

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We're going to need to play a studio track. This

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is called course correct here on Matt Connorton unleashed. Let's

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give this to spend and then we're gonna we're gonna

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talk to these fine folks really looking forward to that

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plenty more to come. Stick around here. It is course

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correct by Benthic Realm. Oh man, I don't hear anything,

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and I apologize, Let me fix that, let me back

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that up. Here we go this time, I promise.

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Speaker 3: Well said a cool.

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Speaker 17: Don't know where you girls got the bun shown?

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Speaker 8: No way will be well.

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Speaker 3: Oh guys, I haven't abled.

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Speaker 18: So bad over talk.

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Speaker 8: Coming of.

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Speaker 18: So you take a ball to four year long So.

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Speaker 8: How'm trying m M.

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Speaker 18: Excite mats to the rude.

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Speaker 14: Just spell I haven't.

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Speaker 3: No one was move once?

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Speaker 14: When were we to got bad word Compson bout tell.

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Speaker 17: Real, don't sensitize, don't no man's man?

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Speaker 3: Then to wool.

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Speaker 15: Were the outcomes were taken A long.

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Speaker 8: Three lolls always runner, How well time m we've been

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in Uh well uh it time.

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Speaker 1: H oh that is so good. We just heard course correct.

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The band is benthic realm and we've got let's see

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so we have Dan, Christa and Maureen here with us

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live in studio. If you missed it, they displayed live,

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so if you did miss it, you'll have to go

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back and uh and give it a listen. It sounded great.

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But and I love that studio track to course crek

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really good. So welcome everybody? Is it always the three

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of you? Are there any other members of the band

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who aren't here?

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Speaker 2: Just the three of us?

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Speaker 1: You got a big sound for three people. That's really cool.

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That's really cool. And how do you describe? I mean,

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is what do you call it? Doom? I mean, what

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do you call how do you Everyone always hates this question,

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but in terms of genre, how do you describe.

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Speaker 3: What you do.

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Speaker 2: Yeah, we call it melodic doom metal.

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Speaker 1: Melodic doom metal, yeah, because we're not.

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Speaker 2: The classic just you know, just kind of drony, kind

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of you know, always at one rhythm, you know, or

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one beast for a minute, I guess. Yeah, we kind

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of like to try to mix it up. So we

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all listen to heavy metal as well, so there's going

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to be a little bit of that influence in it.

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Speaker 1: Yeah. And how long has Benthic Ground existed? How long

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have you been a band?

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Speaker 2: So we started this band in twenty sixteen, okay, and

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we actually started with a different drummer. He was in

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the Brian was in the band with us for I

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think about two years, and then he and his wife

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actually moved out to California.

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Speaker 1: Oh.

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Speaker 2: So, Dan, who has been a friend for quite some time,

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also plays in the band Conclave with a bunch of

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other friends of ours.

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Speaker 1: Oh okay, I'm familiar with conc Yeah, yeah, yeah, okay.

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Speaker 2: So he like raised his hand and said, I'd love

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to come play with you guys, and we.

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Speaker 1: Said, yeah, sure, okay.

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Speaker 2: So we had a rehearsal and we knew we knew

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about three minutes.

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Speaker 1: In excellent excellent. And then Maureen, have you been here

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from the beginning?

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Speaker 7: Are you?

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Speaker 1: Are you an original member or oh you gotta pull

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it mic right up to you. Yeah, okay, okay, very good.

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So I'm curious about well, actually, let me ask you this.

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I'm sure you get this question all the time, but

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not to be cliche, but what does benthic realm mean?

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Speaker 2: So, for all of you oceanographers and people who love

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the sea, the benthic realm is actually the lowest area

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in the ocean or the bottom of the ocean where

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all of those crazy sea creatures live that have like

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like glowing tentacles and that kind of stuff. Okay, And

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when we were trying to come up with a name,

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we had a bunch of ones that we were tossing around.

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We really liked this concept because we knew, okay, if

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we call the band benthic Realm, there's a lot of

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material we can pull out of this from also underwater

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adventures to adventures above the ocean. On top of it

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different you know, pirate ships and all sorts of stuff.

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So it really lent itself to being able to just

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really experiment with with you know, what we wanted to

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do in terms of different material, Yeah, all of our songs.

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Speaker 1: And what in terms of who writes the lyrics? You

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write the lyrics? Yes, oh, what can you talk a

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little bit about the lyrical content and some of the themes?

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I mean one of them and I made the comment

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on the Arsid I don't know what that's about. There's

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obviously about war. Yeah, which one was that? So that's

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as it burns, as it burns? Yeah, I like that

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00:34:44,880 --> 00:34:48,119
one a lot. I like them all, but like, are

238
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those kinds of I mean, that's probably a bit. You

239
00:34:51,679 --> 00:34:53,760
probably have more than one song about that, right, because

240
00:34:53,800 --> 00:34:57,719
it's it's something that's at the forefront of our minds. Uh,

241
00:34:57,960 --> 00:34:59,760
But I mean what else? What are some of the

242
00:34:59,800 --> 00:35:00,639
things right about?

243
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Speaker 4: Sure?

244
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Speaker 2: So yeah, so that song is about war that I

245
00:35:04,039 --> 00:35:07,039
actually wrote that right after Russia had invaded Ukraine. Okay,

246
00:35:07,320 --> 00:35:10,199
so it's an anti war song. Obviously war is bad,

247
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so we are we're not for war, we're against it. Yeah,

248
00:35:12,559 --> 00:35:14,119
and try to talk about, you know, all the bad

249
00:35:14,159 --> 00:35:17,000
things that happened, you know, because of it. Yeah, but

250
00:35:17,159 --> 00:35:19,159
that's not the only topic that we talk about. So

251
00:35:19,480 --> 00:35:20,800
a lot of stuff that might be in the news,

252
00:35:20,880 --> 00:35:23,679
I might get inspiration from a news story something something

253
00:35:23,719 --> 00:35:26,880
that had happened. Sometimes we just write about, you know,

254
00:35:27,199 --> 00:35:30,920
just fictitious stories. So Vessel is I was kind of

255
00:35:30,960 --> 00:35:33,239
thinking about, you know, somebody who had been taken captive

256
00:35:33,320 --> 00:35:35,760
on a ship after they had been flowing in the

257
00:35:35,840 --> 00:35:38,159
ocean kind of like you know, their ship had had

258
00:35:38,280 --> 00:35:40,840
blown up or whatever, and so they were trying to

259
00:35:41,000 --> 00:35:43,719
you know, save themselves and then they get taken into

260
00:35:43,760 --> 00:35:46,360
custody by like another ship, and then a fight ensues

261
00:35:46,400 --> 00:35:48,400
and they are able to escape again. And the whole

262
00:35:48,440 --> 00:35:50,840
point is like they have what they need, the inner

263
00:35:50,880 --> 00:35:53,400
strength in order to survive every single one of these

264
00:35:53,480 --> 00:35:55,920
obstacles that keeps coming in front of them. So there

265
00:35:55,960 --> 00:35:58,599
might be something like that with Fade Away. It is

266
00:35:58,639 --> 00:36:02,599
actually inspired by a book that I recently read, Norwegian Wood,

267
00:36:03,039 --> 00:36:07,159
by this Japanese writer if somebody at work had given

268
00:36:07,199 --> 00:36:09,360
me the book, and it was inspired by that, so

269
00:36:09,440 --> 00:36:12,239
it is it's a bit of a sad song. Suicide

270
00:36:12,320 --> 00:36:15,440
is one of the it's a hard term to talk

271
00:36:15,480 --> 00:36:18,159
about sometimes, but that is one of the prominent things

272
00:36:18,159 --> 00:36:20,480
about the book as these people are coming of age,

273
00:36:20,559 --> 00:36:22,599
and I was inspired by the book to write a

274
00:36:22,679 --> 00:36:25,559
song to try to kind of tap into the feelings

275
00:36:25,559 --> 00:36:28,480
that somebody might be having from actually both sides. The

276
00:36:28,719 --> 00:36:32,039
person who you know makes that decision, and then the

277
00:36:32,079 --> 00:36:34,440
people who are left to you know, kind of pick

278
00:36:34,519 --> 00:36:37,199
up the pieces afterwards. So it kind of is just

279
00:36:37,280 --> 00:36:40,800
a mix of things. It's whatever I get inspired by. Typically,

280
00:36:40,840 --> 00:36:43,760
I'll write the riffs first for the song, and then

281
00:36:43,840 --> 00:36:48,400
the lyrics will come afterwards, and so the music, the cadence,

282
00:36:48,480 --> 00:36:50,639
the way I'm feeling is going to influence what I'm

283
00:36:50,679 --> 00:36:51,840
going to be singing about as well.

284
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Speaker 1: Okay, so you probably have riffs. You probably have a

285
00:36:54,719 --> 00:36:56,719
lot of ideas that you just don't have lyrics for yet. Right,

286
00:36:56,800 --> 00:37:00,840
Oh yeah, yeah, I would imagine. Yeah, you're all on

287
00:37:00,960 --> 00:37:03,559
my phone. I do have to record them so I

288
00:37:03,599 --> 00:37:06,400
don't forget them. Yes, Now, Dan made a comment to

289
00:37:06,800 --> 00:37:09,320
off air that you're the best cap you're as a vocalist.

290
00:37:09,360 --> 00:37:11,519
You're like the best kept secret in Doom, and you

291
00:37:11,599 --> 00:37:13,880
do have a great voice. I love your voice. Thank you.

292
00:37:14,119 --> 00:37:15,519
Speaker 3: I was really shy about it.

293
00:37:15,760 --> 00:37:17,719
Speaker 1: Yeah, how did you learn to sing like that? Did

294
00:37:17,760 --> 00:37:20,159
you take any lessons or did you just are you

295
00:37:20,239 --> 00:37:20,719
self taught?

296
00:37:21,079 --> 00:37:23,360
Speaker 2: Pretty much just self taught. I took a handful of

297
00:37:23,440 --> 00:37:26,559
lessons several years ago, but I didn't really it was

298
00:37:26,599 --> 00:37:29,400
more about like breathing control and that kind of stuff. Yeah,

299
00:37:30,639 --> 00:37:32,280
I think I took like four or five lessons and

300
00:37:32,440 --> 00:37:34,840
that was about it. So wolst Of is just self taught.

301
00:37:35,079 --> 00:37:37,400
But I come from a family of musicians. My mother sings,

302
00:37:37,480 --> 00:37:40,920
she plays acoustic guitar. Her brother played guitar and sang

303
00:37:41,000 --> 00:37:43,079
in a band as well, So it's a part of

304
00:37:43,119 --> 00:37:43,639
our family.

305
00:37:43,840 --> 00:37:46,119
Speaker 1: Okay. So it's probably a foregone conclusion from a young

306
00:37:46,159 --> 00:37:49,239
age that you're going to be a musician pretty much.

307
00:37:49,400 --> 00:37:50,320
Speaker 2: I started pretty young.

308
00:37:50,639 --> 00:37:54,599
Speaker 1: Yeah, yeah, when did you, like, when did you start

309
00:37:54,639 --> 00:37:56,480
writing in this this genre?

310
00:37:57,639 --> 00:37:59,719
Speaker 2: So I started playing guitar when I was twelve, and

311
00:37:59,800 --> 00:38:02,840
I my first song at thirteen, Okay. And when I

312
00:38:02,880 --> 00:38:05,039
think back to what that first song was in the lyrics,

313
00:38:05,760 --> 00:38:08,599
they there's they, it kind of has stayed the same. Yeah,

314
00:38:09,320 --> 00:38:11,679
I'm a little doomy, A little gloomy, you know, that

315
00:38:11,880 --> 00:38:15,880
just part of my nature, sure, but specifically with doom,

316
00:38:16,960 --> 00:38:19,920
I've just sort of gravitated towards that. So way back

317
00:38:19,960 --> 00:38:22,280
in the mid nineties, I was in a band called Warhorse,

318
00:38:22,840 --> 00:38:25,920
uh and we were a traditional, more traditional doom I

319
00:38:26,000 --> 00:38:29,400
guess really slow, really heavy kind of stuff, and it

320
00:38:29,760 --> 00:38:32,199
like you can hear the common thread. Marena said this

321
00:38:32,320 --> 00:38:34,519
about all the different releases I've put out with different

322
00:38:34,559 --> 00:38:36,320
bands over the years, Like you do you hear that

323
00:38:36,400 --> 00:38:38,440
common thread of Christa. You know that it's in there

324
00:38:38,480 --> 00:38:41,400
regardless of whether she's playing guitar or just singing or whatnot.

325
00:38:41,800 --> 00:38:43,360
So it's just sort of I guess at this point,

326
00:38:43,440 --> 00:38:45,679
like just built into my DNA right right.

327
00:38:46,360 --> 00:38:49,519
Speaker 1: And then on the uh when I hear layered vocals

328
00:38:49,519 --> 00:38:53,000
and some of the songs, is that all you Yeah? Okay, yeah, okay, Yeah.

329
00:38:53,039 --> 00:38:55,360
Speaker 2: The downside is like we can't pull that off live. Yeah,

330
00:38:55,400 --> 00:38:58,320
plus we start using backing tracks. But yeah, so we

331
00:38:58,559 --> 00:39:02,400
definitely play in the studio, will layer guitars, we layer vocals.

332
00:39:02,960 --> 00:39:05,480
So it's a it's a it's just another way to really,

333
00:39:05,840 --> 00:39:08,159
you know, beef up the songs, bring it to life, really,

334
00:39:08,320 --> 00:39:10,199
you know, share the vision that we had for it.

335
00:39:10,400 --> 00:39:12,159
Speaker 1: Okay are you all from around here? Are you all

336
00:39:12,159 --> 00:39:13,159
from New Hampshire or.

337
00:39:14,119 --> 00:39:18,000
Speaker 2: We're from Massachusetts, Massachusetts from Massachusetts wester based band.

338
00:39:18,159 --> 00:39:21,119
Speaker 1: Okay, okay, excellent, Well thanks for making the trip up.

339
00:39:21,159 --> 00:39:23,559
Speaker 2: I know that's uh happy happy to be here.

340
00:39:23,679 --> 00:39:26,079
Speaker 1: This is not a terrible drive, No, not at all.

341
00:39:26,320 --> 00:39:27,400
Speaker 2: They're sailing the whole way.

342
00:39:28,400 --> 00:39:29,960
Speaker 1: Do you play a lot of shows in Wister because

343
00:39:29,960 --> 00:39:32,519
I used to so not recently. I'm a musician, but

344
00:39:32,519 --> 00:39:33,960
I haven't played in a long time, but I used to.

345
00:39:34,360 --> 00:39:35,719
I was in bands that we used to play a

346
00:39:35,760 --> 00:39:37,320
lot of shows in Wister, just because there are always

347
00:39:37,320 --> 00:39:39,599
a few. Like is the Atrium still there? That's probably

348
00:39:39,639 --> 00:39:41,840
long gone because I've mentioned it to people, And do

349
00:39:41,880 --> 00:39:44,920
you all remember the atrium that was in Okay? Yeah,

350
00:39:45,000 --> 00:39:46,800
well yeah, that actually does go back a long way

351
00:39:46,800 --> 00:39:48,079
and now that I'm thinking about it, But but like,

352
00:39:48,119 --> 00:39:49,599
what's the scene, Like there are there are a lot

353
00:39:49,639 --> 00:39:51,679
of a lot of good places to play and other

354
00:39:51,840 --> 00:39:52,960
bands that you kind of team up with.

355
00:39:53,400 --> 00:39:56,960
Speaker 2: Yeah, so it's Ralph's is the main, main place, the

356
00:39:57,639 --> 00:40:00,440
main place to play. There's a lot of other bands

357
00:40:00,440 --> 00:40:06,239
that play faces a bay on Evil eighty Conclave. We

358
00:40:06,320 --> 00:40:08,320
all have to share a rehearsal space as well.

359
00:40:08,719 --> 00:40:09,920
Speaker 1: Well, that's convenient, right.

360
00:40:10,360 --> 00:40:10,559
Speaker 4: I know.

361
00:40:10,639 --> 00:40:12,760
Speaker 2: We've talked about like just taking the Temple of Doom

362
00:40:12,920 --> 00:40:15,239
room and just turning that into a show. We still

363
00:40:15,280 --> 00:40:15,920
have yet to do that.

364
00:40:16,280 --> 00:40:17,960
Speaker 1: By the way, every drummer we have on the show

365
00:40:18,079 --> 00:40:19,639
is in like ten Are you just in two, Dan

366
00:40:20,000 --> 00:40:22,239
or do you have like okay, because most most drummers

367
00:40:22,239 --> 00:40:29,000
are in like ten different bands. Okay, No, but that's

368
00:40:29,039 --> 00:40:33,599
convenient though, right to just share the space. Yeah, So

369
00:40:34,800 --> 00:40:37,599
where do you record? Because the production on the studio

370
00:40:37,719 --> 00:40:40,639
tracks is amazing and I would imagine you have to

371
00:40:40,719 --> 00:40:44,239
work with somebody who really understands the genre right to

372
00:40:44,599 --> 00:40:47,280
capture that sound, I would think. So I'm curious about

373
00:40:47,280 --> 00:40:49,480
what the recording process is like for the band.

374
00:40:49,840 --> 00:40:52,960
Speaker 19: So this last album, Vessel.

375
00:40:53,280 --> 00:40:58,800
Speaker 2: Was shoving the microphone space that you can hear him.

376
00:40:58,880 --> 00:40:59,079
Speaker 8: Yeah.

377
00:41:00,079 --> 00:41:03,679
Speaker 19: It was done out in western Massachusetts with a place

378
00:41:03,760 --> 00:41:08,559
called Sonic Titan Studios, who has kind of given up

379
00:41:08,639 --> 00:41:12,360
their space that they had, but they'll still do mobile production,

380
00:41:12,559 --> 00:41:16,760
mobile recording events, all kinds of stuff. And Anthony, who

381
00:41:16,840 --> 00:41:20,519
was partners with Brian, was the master of the helm

382
00:41:20,599 --> 00:41:26,599
for this recording. He's a monster musician, an absolutely incredible drummer.

383
00:41:26,760 --> 00:41:29,840
So I was I was very well taken care of

384
00:41:30,519 --> 00:41:33,920
for this one. Yeah, he kind of guided me through

385
00:41:33,960 --> 00:41:36,800
a lot of setup. He even changed out some heads

386
00:41:36,840 --> 00:41:39,599
and whatnot when we got into studio instead of playing

387
00:41:39,679 --> 00:41:41,880
on it, stuff that he had that he thought would sound,

388
00:41:41,920 --> 00:41:43,800
you know, sonically, sound much better, and he was right.

389
00:41:44,320 --> 00:41:48,000
Came out beautiful. We were extremely happy with the process

390
00:41:48,079 --> 00:41:53,480
for him working with him. Hopefully, maybe there's a potential that,

391
00:41:53,679 --> 00:41:55,840
you know, we can still get him involved in the future.

392
00:41:55,920 --> 00:41:59,840
I don't know where it'll be, how it would happen. Yeah, Yeah,

393
00:41:59,880 --> 00:42:02,280
he's touring all the time. He's a guest, but he's

394
00:42:02,280 --> 00:42:05,800
been playing with Jamie Josta recently and all the kind

395
00:42:05,800 --> 00:42:08,960
of individual Jasta stuff that he's been doing. Great dude too.

396
00:42:09,000 --> 00:42:12,920
He's just just a great person. The album before Vessel

397
00:42:13,840 --> 00:42:19,360
with the EP was done with Benny Grotto at Maddoak

398
00:42:20,079 --> 00:42:27,119
Studios in Cambridge also, which he's still functioning. As far

399
00:42:27,199 --> 00:42:29,119
as I know, their studio is going to stay intact.

400
00:42:29,159 --> 00:42:31,159
They've been hearing a lot of rumors about that whole

401
00:42:31,239 --> 00:42:35,239
block kind of transforming into something brand new, and they're

402
00:42:35,440 --> 00:42:38,159
they're actually located right behind us at Harvard Square.

403
00:42:39,000 --> 00:42:41,159
Speaker 2: Not Harvard Square, it's I don't know what the square

404
00:42:41,280 --> 00:42:44,440
is where that is, but it's it's the whole area

405
00:42:44,480 --> 00:42:47,119
has been undergoing development that they've been knocking down buildings

406
00:42:47,159 --> 00:42:50,960
and putting up fancy high rises and fancy bars and

407
00:42:51,000 --> 00:42:53,679
that sort of stuff. So, yeah, so there's been talk

408
00:42:53,760 --> 00:42:56,280
for quite some time about O'Brien's, that whole area that

409
00:42:56,320 --> 00:42:59,079
O'Brien's pub is going to get knocked down and the

410
00:42:59,480 --> 00:43:02,199
rebuild so thing. Yeah, with Benny being right behind it,

411
00:43:02,559 --> 00:43:04,079
I'm not sure what's going to happen.

412
00:43:04,440 --> 00:43:07,199
Speaker 19: Buying any houses or in additional real estate. And we're

413
00:43:07,239 --> 00:43:09,840
also supposed to have in that building when it gets

414
00:43:09,840 --> 00:43:12,440
built back up. Supposedly it's going to have O'Brien's will

415
00:43:12,480 --> 00:43:16,760
be revived and brought back, but also great Scott. Oh okay,

416
00:43:16,920 --> 00:43:19,639
well we lost in Boston. I think that was prior

417
00:43:19,719 --> 00:43:20,440
to COVID.

418
00:43:20,239 --> 00:43:22,440
Speaker 2: Or right around I think it was, yeah, during COVID

419
00:43:22,519 --> 00:43:22,920
during ye.

420
00:43:23,320 --> 00:43:24,840
Speaker 19: So the rumor is is that they're supposed to have

421
00:43:24,840 --> 00:43:27,360
a twin venue there plus probably some mixture space, maybe

422
00:43:27,400 --> 00:43:28,360
residential or something.

423
00:43:28,480 --> 00:43:30,400
Speaker 1: Okay, okay, but there there are.

424
00:43:30,320 --> 00:43:32,039
Speaker 19: Another great studio, and you know, we may be able

425
00:43:32,039 --> 00:43:32,679
to work with them.

426
00:43:33,480 --> 00:43:36,039
Speaker 1: Yeah, there's so many different options and different ways to

427
00:43:36,119 --> 00:43:40,000
record now, you know, now more than ever, I'm curious.

428
00:43:40,119 --> 00:43:42,239
You know, COVID came up. Do you have songs about

429
00:43:42,239 --> 00:43:42,760
the pandemic?

430
00:43:44,440 --> 00:43:47,960
Speaker 2: No, songs about the Pandemics.

431
00:43:48,320 --> 00:43:51,920
Speaker 19: At Bow the time everyone wants to forget.

432
00:43:52,159 --> 00:43:57,599
Speaker 2: Yeah, okidding, interesting, we are writing for the new album.

433
00:43:57,719 --> 00:44:01,239
So perhaps now that you've just planted a seedy you could.

434
00:44:01,119 --> 00:44:01,920
Speaker 1: You could still do that?

435
00:44:02,159 --> 00:44:02,360
Speaker 8: Yeah?

436
00:44:02,559 --> 00:44:07,800
Speaker 1: Yeah, yeah, when it when you play live, because again

437
00:44:07,840 --> 00:44:09,400
it's only the three of you, is it? Is it

438
00:44:09,920 --> 00:44:13,079
challenging it at all to duplicate or maybe maybe you

439
00:44:13,119 --> 00:44:15,519
can't duplicate it perfectly. But but I mean, you know,

440
00:44:15,599 --> 00:44:17,840
you've got a big sound for for a three piece.

441
00:44:17,880 --> 00:44:20,280
You know, there's a that maybe a little cliche, but

442
00:44:20,360 --> 00:44:23,760
you know the term power trio it but uh good good?

443
00:44:24,880 --> 00:44:26,639
But I mean, is that is that hard to pull

444
00:44:26,679 --> 00:44:27,800
off live at all?

445
00:44:27,960 --> 00:44:28,360
Speaker 10: Or is it?

446
00:44:28,880 --> 00:44:29,039
Speaker 13: Is it?

447
00:44:29,599 --> 00:44:31,480
Speaker 1: Does it come naturally? I mean, at this point you've

448
00:44:31,519 --> 00:44:33,280
been around a while, it probably is pretty easy. But

449
00:44:33,679 --> 00:44:36,360
maybe not. I don't know. I don't find it challenging.

450
00:44:36,679 --> 00:44:40,000
Speaker 2: I do miss having the backing vocals. Yeah, but the

451
00:44:40,079 --> 00:44:43,480
other piece of it is it we also recorded most.

452
00:44:43,360 --> 00:44:43,840
Speaker 3: Of it live?

453
00:44:44,199 --> 00:44:47,320
Speaker 1: Oh okay, oh okay, well that helps right.

454
00:44:48,960 --> 00:44:51,239
Speaker 19: Yeah, we don't like do separate tracking to a click

455
00:44:51,320 --> 00:44:51,960
or anything like that.

456
00:44:52,280 --> 00:44:53,199
Speaker 1: Okay, okay, go.

457
00:44:53,239 --> 00:44:55,559
Speaker 19: Into the space and do a live track, which usually

458
00:44:55,639 --> 00:44:58,519
will grab the drums out of okay, and then they

459
00:44:58,559 --> 00:45:01,519
can go back and either redo or fixed or they

460
00:45:01,559 --> 00:45:02,840
want to actually.

461
00:45:02,760 --> 00:45:04,599
Speaker 2: And then just layer on top of it. So usually

462
00:45:04,960 --> 00:45:08,079
the my scratch track that we'd be recording when we're

463
00:45:08,079 --> 00:45:09,960
doing the live and we're all in the room together,

464
00:45:10,159 --> 00:45:12,760
that's we can keep it. And then I'll just you know,

465
00:45:12,840 --> 00:45:14,320
punch in here or there just to fix a couple

466
00:45:14,320 --> 00:45:16,280
of loops that I had, Yeah, and then I'll just

467
00:45:16,480 --> 00:45:18,400
go back and replay through the whole entire thing with

468
00:45:18,519 --> 00:45:20,840
just a different rig a different guitar, just to get another,

469
00:45:21,039 --> 00:45:23,280
you know, more fuller sound. Yeah, but I think, you know,

470
00:45:23,320 --> 00:45:25,559
we play pretty loud, so I'd like to think that

471
00:45:25,639 --> 00:45:27,320
we fill up the fill up the space.

472
00:45:27,639 --> 00:45:31,000
Speaker 1: Yeah, yeah, yeah, that advantage right, Yeah.

473
00:45:31,679 --> 00:45:32,840
Speaker 2: My amp goes to eleven.

474
00:45:33,079 --> 00:45:33,960
Speaker 1: Yeah, there you go.

475
00:45:34,119 --> 00:45:36,480
Speaker 19: We play with a lot of passion live, so I

476
00:45:36,559 --> 00:45:39,239
think that comes through, yeah, and it helps fill out.

477
00:45:39,559 --> 00:45:41,280
Speaker 1: Are there other bands in the area that you you know,

478
00:45:41,360 --> 00:45:43,639
it kind of happens organically that that you've kind of

479
00:45:43,679 --> 00:45:45,440
teamed up with that you play a lot of shows with,

480
00:45:45,639 --> 00:45:47,960
probably or have you ever done a show where you're

481
00:45:48,159 --> 00:45:51,199
playing with Conclave and spent the realm the same night? Yeah?

482
00:45:51,480 --> 00:45:53,039
Speaker 19: We've had a couple of those with Double Duty.

483
00:45:53,280 --> 00:45:53,480
Speaker 1: Yeah.

484
00:45:54,159 --> 00:45:57,119
Speaker 19: Local bands that we've been spending more time with lately

485
00:45:57,159 --> 00:45:58,400
would be Able Blood Yep.

486
00:45:58,679 --> 00:46:00,800
Speaker 1: I love Able Blood. They've been on show a few times.

487
00:46:00,960 --> 00:46:03,920
Love them great, great people. Yeah, absolutely, a lot of

488
00:46:03,920 --> 00:46:08,519
fun to play with, great musicians. Yeah, a lot of

489
00:46:08,559 --> 00:46:12,000
the local scene, they all we all kind of migrate together.

490
00:46:12,199 --> 00:46:13,719
Speaker 19: Yeah, in and out and whatnot. But I'd say in

491
00:46:13,800 --> 00:46:16,119
recent time we've spent a lot of shows with it.

492
00:46:17,760 --> 00:46:18,199
Speaker 1: That's great.

493
00:46:18,280 --> 00:46:20,280
Speaker 19: Yeah, we have another one coming up with them in

494
00:46:20,440 --> 00:46:21,960
November at Quoto and Salem.

495
00:46:22,199 --> 00:46:25,599
Speaker 1: Okay, excellent, it'll be cool. Excellent, Yeah them Dost Profits

496
00:46:25,639 --> 00:46:28,079
also on the bill. Does Profits great. I used to

497
00:46:28,079 --> 00:46:29,679
be in a band with Auto Kinzell a lot of time.

498
00:46:30,679 --> 00:46:33,280
We were in a band called Chemical Distance together. That

499
00:46:33,519 --> 00:46:36,679
was when Otto was you know, every project he did,

500
00:46:36,920 --> 00:46:38,760
you know it would only last for you know, because

501
00:46:38,760 --> 00:46:40,880
he'd want to do something else. It would only last

502
00:46:40,920 --> 00:46:43,280
a short time. But does Profits he's had for for

503
00:46:43,440 --> 00:46:45,400
quite a while now. That seems to be found something

504
00:46:45,440 --> 00:46:48,920
he can really stick with that fulfills him and he's incredible. Well.

505
00:46:49,039 --> 00:46:50,800
I love Auto absolutely great guy.

506
00:46:51,039 --> 00:46:52,760
Speaker 19: They're on the bill as well. There's a Bill a

507
00:46:52,840 --> 00:46:55,760
band coming I think from New York, Black Tongue, Reverend

508
00:46:57,199 --> 00:47:00,760
Name and of course Able Blood. They're the ones that

509
00:47:00,840 --> 00:47:01,599
put the show together.

510
00:47:01,679 --> 00:47:05,079
Speaker 1: Oh okay, fantastic. And where is that want to get quota?

511
00:47:05,159 --> 00:47:07,719
And okay, I haven't been to that venue, but I've

512
00:47:07,760 --> 00:47:08,559
heard about it. Yeah.

513
00:47:08,719 --> 00:47:12,800
Speaker 2: Yeah, Salem, Massachusetts, Massachusetts.

514
00:47:13,119 --> 00:47:16,679
Speaker 1: Yeah, yeah, which is oh yes, yeah, oh yeah. Is

515
00:47:16,719 --> 00:47:17,800
that that time of year?

516
00:47:18,320 --> 00:47:20,800
Speaker 2: Well, fortunately it's right afterwards. We don't have to deal

517
00:47:20,840 --> 00:47:25,119
with all the crazy traffic, insane during October. You need

518
00:47:25,199 --> 00:47:27,800
to stay away from it. Anybody who lives in Salem, like,

519
00:47:28,239 --> 00:47:29,880
I don't know how you do it, because I would

520
00:47:29,920 --> 00:47:31,360
just would be enough to make me move.

521
00:47:31,480 --> 00:47:33,559
Speaker 1: Yeah, oh yeah, no doubt.

522
00:47:34,000 --> 00:47:34,039
Speaker 13: So.

523
00:47:34,119 --> 00:47:36,960
Speaker 19: The show's on November eighth, she said, it just passed

524
00:47:37,000 --> 00:47:39,639
the whole Yeah, you know wild Halloween time.

525
00:47:39,760 --> 00:47:40,559
Speaker 1: Well that's good.

526
00:47:41,800 --> 00:47:43,440
Speaker 2: When is the October one?

527
00:47:44,480 --> 00:47:48,400
Speaker 19: It's next weekend, yeah, next week, no Saturday.

528
00:47:48,880 --> 00:47:53,599
Speaker 2: It's in two weeks so October twenty fifth, right, October,

529
00:47:54,159 --> 00:47:57,840
I'm saying that right. We are playing at Terminus Underground.

530
00:47:58,039 --> 00:47:58,280
Speaker 1: Nice.

531
00:47:58,719 --> 00:48:01,679
Speaker 2: Yeah, so that is a new Nationale New Hampshire.

532
00:48:01,760 --> 00:48:04,519
Speaker 1: Yep, yeah, love Terminus. Andrea and Eleanor are great people

533
00:48:05,159 --> 00:48:05,960
have you been there yet?

534
00:48:06,039 --> 00:48:09,159
Speaker 19: If we have not, I did, oh you okay, because

535
00:48:09,159 --> 00:48:14,960
I'm not Vigil. His other band the World Burns World

536
00:48:15,079 --> 00:48:16,519
Worth Burning, World Worth Burning.

537
00:48:16,639 --> 00:48:19,639
Speaker 1: Oh oh yeah, okay, that's a great name, but I'm

538
00:48:19,639 --> 00:48:21,440
not familiar with that. I am familiar with Vigil, but

539
00:48:21,519 --> 00:48:23,880
not World Worth Worth Burning. But no, I tell everyone

540
00:48:23,960 --> 00:48:25,679
the same thing about who hasn't been in Terminius yet?

541
00:48:25,679 --> 00:48:27,280
And you'll probably agree. It's like when you walk into

542
00:48:27,280 --> 00:48:29,880
that room, it's like walking into another world. It's really cool. Yeah,

543
00:48:30,199 --> 00:48:33,559
really cool. It's incredible. Yeah, very nice, very nice. Well,

544
00:48:33,599 --> 00:48:35,679
we do have one more studio track that we're gonna play.

545
00:48:35,679 --> 00:48:36,920
I want to make sure we don't run out of time,

546
00:48:36,960 --> 00:48:38,159
so we'll get to that in a moment. But I

547
00:48:38,239 --> 00:48:39,800
really want to thank all three of you for joining

548
00:48:39,880 --> 00:48:42,679
us today us absolutely and thank you for coming and

549
00:48:42,719 --> 00:48:46,800
playing live. Very cool. Where should people go? Like so

550
00:48:46,920 --> 00:48:49,039
our listeners know where's the best place to go online

551
00:48:49,079 --> 00:48:51,280
to keep up with everything that Benthic Realm is doing.

552
00:48:52,079 --> 00:48:55,559
Speaker 2: So Benthikrealm dot com has has it everything that are

553
00:48:55,679 --> 00:48:57,920
all our upcoming shows. Whove got links to all the

554
00:48:58,000 --> 00:49:00,760
merch from band camp. We're on face but we're on Instagram,

555
00:49:00,760 --> 00:49:02,480
so you can find us on all the social media platforms.

556
00:49:02,519 --> 00:49:05,280
On YouTube, we've got a YouTube channel too, But if

557
00:49:05,280 --> 00:49:07,639
you go to the website Benthickgroalm dot com, then that'll

558
00:49:07,679 --> 00:49:09,880
get your pointers to go to all the other places

559
00:49:09,920 --> 00:49:10,400
that we live.

560
00:49:10,679 --> 00:49:13,840
Speaker 19: Okay, excellent, screaming wise, we're on every platform.

561
00:49:13,559 --> 00:49:17,440
Speaker 2: Yeaheah, Spotify, Apple, you know, Amazon, everything?

562
00:49:17,840 --> 00:49:19,800
Speaker 1: Very good, very good. Oh way, does anybody ever mess

563
00:49:19,840 --> 00:49:22,079
up your name on a flyer? Because benthic is not

564
00:49:22,159 --> 00:49:24,760
a word that you hear every day. I'm just curious,

565
00:49:24,880 --> 00:49:27,480
does anybody ever you ever see it misspelled on a

566
00:49:27,519 --> 00:49:28,159
flyer or anything?

567
00:49:28,280 --> 00:49:29,320
Speaker 2: We actually have not.

568
00:49:29,679 --> 00:49:30,719
Speaker 1: That's good, that's good.

569
00:49:31,000 --> 00:49:34,519
Speaker 2: Yeah, we're lucky. Yeah, but a lot of people do

570
00:49:34,639 --> 00:49:37,360
say wait, say that again. So yeah, it's definitely not

571
00:49:37,440 --> 00:49:38,519
a word that gets used a lot.

572
00:49:40,000 --> 00:49:42,280
Speaker 1: So we're going to close out in a moment with

573
00:49:43,079 --> 00:49:46,559
Summon the Tide. What should we know about this song?

574
00:49:46,679 --> 00:49:47,480
What's this one about?

575
00:49:49,440 --> 00:49:52,480
Speaker 2: So there's a lot of death and destruction that makes

576
00:49:52,519 --> 00:49:54,960
its way into what I write. Yeah, so this song

577
00:49:55,280 --> 00:49:57,400
is a fictitious thing. I was kind of envisioning like

578
00:49:57,519 --> 00:50:01,039
a goddess who has you know, the control of the

579
00:50:01,119 --> 00:50:03,039
seas and of the water and all of that sort

580
00:50:03,079 --> 00:50:05,840
of thing, and she has gotten really depressed. He's kind of,

581
00:50:05,960 --> 00:50:08,800
you know, coming at the end of questioning her own

582
00:50:08,880 --> 00:50:12,360
existence and everything, and in the in the means of

583
00:50:12,599 --> 00:50:15,480
kind of taking herself out of the picture, she ends up,

584
00:50:15,719 --> 00:50:19,239
unfortunately taking everybody else out with her. Yeah, as she

585
00:50:19,519 --> 00:50:21,360
is summoning the tide. So it's a bit of a

586
00:50:22,559 --> 00:50:26,440
kind of a dark dark song, have you Yeah, Yeah,

587
00:50:26,960 --> 00:50:28,639
but I could envision, you know, all of that, a

588
00:50:28,679 --> 00:50:30,519
lot of that. I'm I'm also a designer, so like I,

589
00:50:30,679 --> 00:50:32,199
you know, have the visual is big for me, So

590
00:50:32,239 --> 00:50:35,239
I could typically will envision, you know, the story that's

591
00:50:35,280 --> 00:50:36,880
happening in front of me, and then I'm just sort

592
00:50:36,920 --> 00:50:39,000
of writing about what it is that I'm seeing in

593
00:50:39,119 --> 00:50:39,440
my in.

594
00:50:39,519 --> 00:50:43,119
Speaker 1: My in my vision. Yeah, ah, wonderful, wonderful. So we're

595
00:50:43,119 --> 00:50:45,400
going to play this and uh again, thank you to

596
00:50:45,440 --> 00:50:47,599
everybody who joined us today. Of course we had let's see,

597
00:50:47,599 --> 00:50:50,920
we had Kyle Gordon, we had Jack from Pacific A's

598
00:50:51,079 --> 00:50:54,199
in the first hour. By the way, keeping eye what

599
00:50:54,280 --> 00:50:56,199
Jenny is doing jen coffee dot com. She had a

600
00:50:56,280 --> 00:50:59,039
very big week and follow her on social media if

601
00:50:59,079 --> 00:51:00,320
you want to know more about me and what I

602
00:51:00,440 --> 00:51:03,239
do Matt Connorton dot com, and uh, if you miss

603
00:51:03,320 --> 00:51:04,760
any part of today's show, it will be up in

604
00:51:04,880 --> 00:51:06,639
just a little bit at w m n H Radio

605
00:51:06,719 --> 00:51:09,599
dot orgon at my website Matt Connorton dot com. And

606
00:51:09,679 --> 00:51:12,159
we will close out with this and again, uh benthic realm.

607
00:51:12,320 --> 00:51:15,119
Thank you all three of you so much. You got it,

608
00:51:15,320 --> 00:51:17,280
you got it, and here it is. This is called

609
00:51:17,559 --> 00:51:18,639
summon the tide.

610
00:51:58,440 --> 00:52:10,639
Speaker 10: God from the MS mass.

611
00:52:16,199 --> 00:52:30,159
Speaker 17: No things seas to cry the bound to the coming control.

612
00:52:44,400 --> 00:52:46,960
Speaker 10: Answer myself.

613
00:52:48,360 --> 00:52:54,519
Speaker 8: Time to a.

614
00:53:00,559 --> 00:53:18,559
Speaker 15: S beside on the bill is born, but love th dill.

615
00:53:42,639 --> 00:53:53,719
Speaker 7: I know the long literally from school, Oh guns, and.

616
00:53:56,159 --> 00:54:07,159
Speaker 18: There my mind cleans his old don't juice.

617
00:54:08,760 --> 00:54:15,920
Speaker 3: Say oh bell wiss.

618
00:54:15,000 --> 00:54:31,840
Speaker 8: Man on them.

619
00:54:32,000 --> 00:54:36,280
Speaker 3: So also the mote.

620
00:54:41,400 --> 00:54:46,480
Speaker 8: To band.

621
00:54:48,079 --> 00:55:05,199
Speaker 15: So we brings go Bill is all were bad than not.

622
00:56:46,719 --> 00:56:49,920
Speaker 18: A fool, so bow a fool.

623
00:56:53,199 --> 00:57:02,679
Speaker 15: So it's all just mom to bring them to the.

624
00:57:06,800 --> 00:57:08,840
Speaker 8: Dawn the straight.

625
00:57:11,599 --> 00:57:13,719
Speaker 14: Z change.

626
00:57:16,039 --> 00:57:16,840
Speaker 8: The wheel.

627
00:57:19,719 --> 00:57:23,280
Speaker 10: Strand going.

628
00:57:35,599 --> 00:57:37,719
Speaker 18: And so sad.

629
00:57:39,199 --> 00:57:45,400
Speaker 3: Not to.

630
00:57:55,079 --> 00:57:59,119
Speaker 8: Baby had gone.

631
00:58:05,320 --> 00:58:06,840
Speaker 3: Well is small

632
00:58:08,440 --> 00:58:09,039
Speaker 8: And di