WEBVTT

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<v Speaker 1>Tired of the everyday routine, ever dream of a life

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<v Speaker 1>of romantic adventure, want to get away from it all.

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<v Speaker 2>Escape designed to free you from the four walls of

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<v Speaker 2>today for a half hour of high adventure.

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<v Speaker 1>Tonight we escaped to a lonely schooner sailing through the

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<v Speaker 1>hot Caribbean night, carrying a fortune and the heedless passions

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<v Speaker 1>of reckless men. As John and gwyn Bag may tell

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<v Speaker 1>it in their exciting tale The Sure Thing, Oh this way.

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<v Speaker 3>Senor, thank you, if you would please wait in here

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<v Speaker 3>in the sign you understand, Senor, I have not the

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<v Speaker 3>authority to handle the matter myself.

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<v Speaker 4>Yes, of course I understand. You see a bank craft

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<v Speaker 4>of two million dollars. It is a matter of such importance.

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<v Speaker 4>Senor jose peris the president of the bank. He is

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<v Speaker 4>the only one that's perfectly all right. Our wait for

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<v Speaker 4>Senor Peri's gracious wait. Yes, I could wait. I'd come

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<v Speaker 4>this far. I could afford a few more minutes, and

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<v Speaker 4>I wanted to think about it, to roll it over

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<v Speaker 4>in my mind, just as your roller finally cur over

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<v Speaker 4>your tongue, to enjoy the full realization of it. It

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<v Speaker 4>was hard to believe just a short while ago. I

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<v Speaker 4>had been ship's doctor on the SS Martina, the gilded

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<v Speaker 4>ferry boat of the Caribbean. And now I sat back

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<v Speaker 4>in a comfortable chair and went over the whole thing

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<v Speaker 4>again in my mind, just the way it happened from

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<v Speaker 4>the beginning. We had just cleared the Straits of Yucatan

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<v Speaker 4>on our way to Havana when the twenty three way

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<v Speaker 4>message came that started the whole thing.

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<v Speaker 5>Same thing, Doc s sos slanted to twenty three flung

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<v Speaker 5>and eighty five west accident case on board schooner SID

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<v Speaker 5>on our tana urgently naded doctor, can you.

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<v Speaker 6>Board us?

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<v Speaker 4>Is that all the answer as to the type of injury?

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<v Speaker 6>I don't get it, Jack.

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<v Speaker 5>She's laying to just after starve and they still keep

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<v Speaker 5>sending the same message.

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<v Speaker 6>Life was ready, doctor.

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<v Speaker 4>Coming, All set, let's go. As a rule, I don't

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<v Speaker 4>excite easily, but I was hanging onto my little black

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<v Speaker 4>bag like an intern on his first ambulance case. Maybe

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<v Speaker 4>it was the hour, the gray hour at sea that

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<v Speaker 4>is suspended between day and night. As we pulled away

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<v Speaker 4>from our ship, I could just barely make out the

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<v Speaker 4>schooner healing to a wandering current. She was a forty

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<v Speaker 4>two footer, and from her high bow she sloped away

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<v Speaker 4>neatly in a sweeping sheer line to a trim square

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<v Speaker 4>stir in the siddon. The name seemed a fitter aloof

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<v Speaker 4>and aristocratic. We pulled alongside that.

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<v Speaker 6>The docname.

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<v Speaker 4>Yes, give us a hand, William, all right, man, ship

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<v Speaker 4>your oars, steady you on board? Here, take my bag, Olsen,

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<v Speaker 4>give me a hand with a stretcher.

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<v Speaker 6>Right, watch your step there is eight.

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<v Speaker 4>Thanks, Well, there we are. Now where's the patient?

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<v Speaker 6>He's below? What'd you bring the stretcher for?

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<v Speaker 4>Who are you?

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<v Speaker 6>And the owner?

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<v Speaker 1>Felix Arosee is the name? You can't take him off

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<v Speaker 1>this boat. He's till weak.

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<v Speaker 4>I'll decide that. Come on, Olsen, coman back We went below.

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<v Speaker 4>The main cabin was lined in Hondura's mahogany. Everything was

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<v Speaker 4>custom built, even the galley that we passed through on

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<v Speaker 4>our way to the stateroom forward, where I found my patient,

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<v Speaker 4>an old man and with him a girl.

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<v Speaker 7>Oh, Doc, rh, I'm so glad you're here. Joseph. Joseph, hmmm, Joseph,

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<v Speaker 7>the doctor he's here.

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<v Speaker 4>Oh doctor, easy, now easy, you'll be all right.

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<v Speaker 7>Doctor. He had an accident. He's terribly ill. I've been

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<v Speaker 7>so worried.

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<v Speaker 4>Please mumm, bad shock, pulse pretty low.

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<v Speaker 7>You're not going to take away, are you?

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<v Speaker 4>Easy? Now? Have you enough oil a boy to reach

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<v Speaker 4>Havana if the wind doesn't hold yes, I think so. Okay, Ulson,

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<v Speaker 4>you go on back. This man's in no condition to

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<v Speaker 4>be moved.

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<v Speaker 6>What about you.

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<v Speaker 4>I'll meet the ship in Havana. We ought to be

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<v Speaker 4>in there sometime tomorrow. But the skipper I'll take the responsibility.

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<v Speaker 6>Okay, you're the doctor.

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<v Speaker 4>All right, let's have a look here, easy now. Who

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<v Speaker 4>bandaged him?

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<v Speaker 7>I did?

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<v Speaker 4>You did a good job. Don't try to talk. How

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<v Speaker 4>long has he been this way?

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<v Speaker 7>Two days?

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<v Speaker 4>Two days?

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<v Speaker 7>The wound doctor, I'm afraid.

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<v Speaker 4>Yes, it's a nasty one, deep and infected. Who did

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<v Speaker 4>the surgery on him? Surgery probed for the bullets?

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<v Speaker 6>Bullet?

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<v Speaker 7>There was no bullet. He was injured while splicing a

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<v Speaker 7>backstay with a marlin spike. He was what you see.

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<v Speaker 7>He was carrying the marlin spike in his hand when

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<v Speaker 7>Felix had to come about unexpectedly. It threw them off

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<v Speaker 7>balance and he fell.

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<v Speaker 4>Hand me, my bag, what's the matter. You're like a parrot.

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<v Speaker 4>I used to own your seat. Talk is too glib.

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<v Speaker 7>It's the truth.

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<v Speaker 4>I've dug out too many bullets not to recognize the

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<v Speaker 4>kind of mess they make.

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<v Speaker 7>It was a Marlin spike.

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<v Speaker 4>Yes, well you can yell Marlin Spike all the way

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<v Speaker 4>to Havana, but it isn't going to change my report. Report. No,

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<v Speaker 4>no bullet, Marlin spike back. This won't hurt. Just a

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<v Speaker 4>hypodermy no, no, no, no, dop on it. But I've

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<v Speaker 4>got to probe. You can't take it if you're conscious.

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<v Speaker 4>No anesthetic, honey, Randy, doctor, give him the anesthetic you'd like,

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<v Speaker 4>That wouldn't just if you're.

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<v Speaker 7>Out of your mind, Joseph. I just want to save

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<v Speaker 7>you the pain in the doc.

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<v Speaker 4>Get him, brandy, doctor, it's his body. If that's what

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<v Speaker 4>he wants, that's the way he'll have it. Now get

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<v Speaker 4>the brandy, Thank you, and doctor.

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<v Speaker 8>Yes, send Stephanie away, don't honor around me.

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<v Speaker 4>She went away, but she didn't like it, and I

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<v Speaker 4>got to work. The old man didn't say a word

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<v Speaker 4>all the time I probed. He just moaned and gritted

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<v Speaker 4>his teeth. I found the bullet, all right, and then

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<v Speaker 4>I powdered the wound with sulfur and bandaged it. I

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<v Speaker 4>could see I'd have my hands full just to keep

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<v Speaker 4>him together until we got to Havana. For the next

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<v Speaker 4>couple of hours, I was pretty busy, and it was

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<v Speaker 4>well after ten o'clock when I thought it was safe

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<v Speaker 4>to leave him and go up on deck to catch

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<v Speaker 4>a smoke. Halfway up the companion way, I ran into

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<v Speaker 4>Felix Rouge on his way down. I hadn't got a

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<v Speaker 4>good look at him when I first came aboard, but

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<v Speaker 4>now I did heavy, dark, bony face with a black

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<v Speaker 4>mole on his cheek, fine flannel slacks rolled to his knees,

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<v Speaker 4>and for a belt a gaudy nectar. Against the polished

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<v Speaker 4>brass antique deck of the schooner, he was as incongruous

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<v Speaker 4>as a herring and caviare.

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<v Speaker 6>Oh, doc has the old boys. They're gonna kick off.

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<v Speaker 4>I'm sorry to disappoint you, but I think he's gonna

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<v Speaker 4>be all right.

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<v Speaker 6>You think, or do you know?

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<v Speaker 4>I'm only a doctor. I've done everything I can for it. Yeah,

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<v Speaker 4>wait a minute, where are you going?

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<v Speaker 6>I want to say him, I gotta talk to it.

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<v Speaker 4>I wouldn't advise it.

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<v Speaker 1>That's one of you giving the orders around he since

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<v Speaker 1>I came aboard.

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<v Speaker 4>I don't want him disturbed. He needs to rest.

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<v Speaker 1>You've got any objections if I get myself a cup of.

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<v Speaker 4>Coffee, No, so long as you stay away from my patient.

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<v Speaker 7>Oh, I didn't hear you come up.

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<v Speaker 4>You handle a wheel like an old saw.

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<v Speaker 7>I don't know much about it. I just do what

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<v Speaker 7>feel it tells me. How's Joseph. You've been down there

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<v Speaker 7>such a long time. I thought that many that he died.

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<v Speaker 7>What a horrible thing to say, of course, not.

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<v Speaker 4>Oh it's Joseph, your husband.

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<v Speaker 7>No, I'm his secretary.

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<v Speaker 4>Oh, then this is a business trip.

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<v Speaker 7>In a way, doctor, What are you getting at?

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<v Speaker 4>Did you shoot him?

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<v Speaker 7>Why would I shoot him and then call for a

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<v Speaker 7>doctor out here in the middle of the ocean.

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<v Speaker 4>I don't know, And after tomorrow I won't care. You realize.

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<v Speaker 4>Of course my report to the authorities in Havana will

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<v Speaker 4>be according to my own findings.

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<v Speaker 7>I suppose. So may I have a cigarette?

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<v Speaker 4>Oh? Certainly here you are.

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<v Speaker 7>Thank you. I have a life. I don't imagine there's

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<v Speaker 7>any way of changing your mind, is there, doctor?

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<v Speaker 4>This is a beautiful schooner belong to your boss. Yes,

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<v Speaker 4>I wonder, uh, you mind if I take the wheel

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<v Speaker 4>for a while. It's been a long time, so you

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<v Speaker 4>know how Yeah, I used to back in Maine. All right,

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<v Speaker 4>go ahead, Hm feels good. She sure handles like a

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<v Speaker 4>dream mum humhm.

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<v Speaker 7>Just as I thought, what's wrong, doctor.

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<v Speaker 4>We're not headed for Havana. We're headed in the opposite direction.

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<v Speaker 4>The sedan was racing along with sails full, but she

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<v Speaker 4>wasn't sailing due east to Havana. The compass said she

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<v Speaker 4>was sailing southwest, away from Havana, as fast as wind

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<v Speaker 4>and sail could take her. I laid her on the

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<v Speaker 4>starboard tack and started to bring her about. The sails

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<v Speaker 4>bellied out, catching the wind as it shifted across the bow,

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<v Speaker 4>and then as they started to fill away, the mainmast

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<v Speaker 4>boom swung over. Just as I ducked to a bullet,

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<v Speaker 4>A shot rang up. I put up my hand to

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<v Speaker 4>steady myself against the main boom, and there in the wood,

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<v Speaker 4>right where my head would have been if I hadn't ducked,

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<v Speaker 4>was the bullet. Across the deck. Silhouetted in the light

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<v Speaker 4>of the companion way, stood Felix, polishing his gun with

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<v Speaker 4>a handkerchief.

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<v Speaker 1>You shudn't tack doctor. When a man's cleaning his gun, cleaning.

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<v Speaker 4>Your gun the dark in the middle of the night.

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<v Speaker 6>I suppose it is dangerous. I say, you don't like

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<v Speaker 6>our course.

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<v Speaker 4>I was under the impression this craft was bound for

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<v Speaker 4>a banner.

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<v Speaker 6>That's right, dark way.

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<v Speaker 4>And why are we sailing southwest?

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<v Speaker 6>Southwest? That's a woman for you.

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<v Speaker 1>I can't trust them behind the wheel of a car,

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<v Speaker 1>and they're no better behind the wheel of a boat.

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<v Speaker 7>Oh no, Felix, you don't blame me for that. I

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<v Speaker 7>don't know anything about a course. I did what you

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<v Speaker 7>told me.

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<v Speaker 6>Why didn't you do it right?

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<v Speaker 7>If I'm so incompetent, maybe you'd better handle it yourself.

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<v Speaker 7>Maybe I will.

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<v Speaker 4>As the Sidung pushed its way through the serenity of

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<v Speaker 4>the night, carrying with it an incredible tension, I didn't

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<v Speaker 4>know what their game was, the lies, the marlin spike,

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<v Speaker 4>nocturnal gun cleaning, change of course, who they were, or

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<v Speaker 4>what they meant to each other. But one thing was certain.

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<v Speaker 4>I intended to get to Havana if it was the

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<v Speaker 4>last thing I ever did, And to make sure it

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<v Speaker 4>wasn't last thing. This was one night I wouldn't sleep.

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<v Speaker 4>I went down to the old man's stateroom, where I'd

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<v Speaker 4>left my bag to get some benzitory. While I was there,

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<v Speaker 4>I checked on him, considering his age, he had a

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<v Speaker 4>lot of stamina. He was sleeping quietly. He wouldn't need me.

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<v Speaker 4>I opened the bag, took the tablets, and suddenly my

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<v Speaker 4>hands stopped in mid air. My hypodermic needle, loaded with

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<v Speaker 4>the anesthetic that Joseph had refused, was gone.

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<v Speaker 2>In just a moment. We will return to escape, but

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<v Speaker 2>first we keep reminding you that this fall you'll hear

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<v Speaker 2>them all on CBS. But there's one Sunday night show

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<v Speaker 2>that makes you think constantly that it's spring. It's the

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<v Speaker 2>show that brings you the hilarious adventures of that capricious

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<v Speaker 2>teenage charmer, Carlis Archer. Youth and love for the definite

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<v Speaker 2>spring time madness well up in Carlus's adventures every Sunday night, bewitching,

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<v Speaker 2>bothering and bewildering her parents, the neighbors, her teachers, and

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<v Speaker 2>her boyfriends. For a show that's filled to the brim

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<v Speaker 2>with charm and good humor and very funny adventure. Meet

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<v Speaker 2>Carlis Archer every Sunday night on most of these same

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<v Speaker 2>CBS Network stations to.

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<v Speaker 6>Tune in this fall all the shows that.

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<v Speaker 4>You love best of all.

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<v Speaker 6>Listen carefully, here's the address.

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<v Speaker 4>It's ees B.

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<v Speaker 2>And now back to Escape and the second act of

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<v Speaker 2>The Sure Thing.

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<v Speaker 4>My hypodermic needle, loaded with the anesthetic that Joseph had refused,

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<v Speaker 4>was gone. I try the bag apart, took everything out,

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<v Speaker 4>but it wasn't there. It wasn't anywhere in the stateroom.

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<v Speaker 4>One of them had stolen. Why do you use on

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<v Speaker 4>the old man on me? I went back up on deck.

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<v Speaker 4>Felix was at the wheel. I knew it was futile

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<v Speaker 4>to ask him if he'd taken my leedle.

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<v Speaker 1>What's the matter? Can't you sleep? Or are you're still

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<v Speaker 1>worried about the course? He was sailing due east.

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<v Speaker 4>Very commendable, mind if I take the wheel awhile.

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<v Speaker 1>Now I don't mind at all, but keep a due

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<v Speaker 1>east doctor. I want to get to Havana. I watched

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<v Speaker 1>his truculent broad back as he moved across the deck

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<v Speaker 1>and disappeared below. The moon was as bright as day

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<v Speaker 1>and as reassuring. It drove the worry of the missing

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<v Speaker 1>hypodermic needle away from the front of my mind. It

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<v Speaker 1>was good to be alone, to feel the sure, swiftness

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<v Speaker 1>of the boat under my feet.

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<v Speaker 4>This was something to cling to. This was reality. Every

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<v Speaker 4>knot closer to Havannah. The sail swung out, covering the moon,

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<v Speaker 4>throwing everything into blackness. That's why I didn't realize at

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<v Speaker 4>first any one was approaching. Until I saw the glow

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<v Speaker 4>of the cigarette. I tensed myself. My hand clutched at

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<v Speaker 4>something in the cockpit was a wrench. The cigarette moved closer.

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<v Speaker 4>I waited, The sail bellowed back, and I saw her

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<v Speaker 4>full in the moonlight. There was strength and defiance, and

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<v Speaker 4>the way she held her footing against the wind, but

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<v Speaker 4>there was no defiance in her voice.

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<v Speaker 7>I have to talk to you.

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<v Speaker 4>Don't go ahead, talk.

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<v Speaker 7>I'm afraid I haven't been very honest with you.

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<v Speaker 4>N I'm afraid you haven't.

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<v Speaker 7>I lied to you, and I realize now how foolish

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<v Speaker 7>it was. But doctor, I'm afraid of Felix.

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<v Speaker 4>Are you trying to tell me it was Felix who

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<v Speaker 4>shot the old man?

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<v Speaker 7>Yes, and he made me lie about it like.

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<v Speaker 4>You lied about the course.

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<v Speaker 7>You'll never get to Havannah. He's letting you think that

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<v Speaker 7>you're getting there now. But he'll figure out something.

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<v Speaker 4>I'm sure he will if that target practice a few

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<v Speaker 4>moments ago was any simple.

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<v Speaker 7>Oh, he wasn't trying to kill you. Felix wouldn't kill

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<v Speaker 7>you now, not as long as Joseph needs you. Uh,

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<v Speaker 7>I mean, you know.

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<v Speaker 4>You're not making sense again. Felix wants me to keep

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<v Speaker 4>Joseph alive, And yet Felix shot Joseph.

285
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<v Speaker 7>It was just in a fit of anger, an argument.

286
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<v Speaker 7>Felix has a terrible temper. Why he'd be a fool

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<v Speaker 7>to kill Joseph?

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<v Speaker 4>What makes Joseph so valuable? Hm?

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<v Speaker 7>I suppose I should tell you all of it.

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00:15:31.879 --> 00:15:33.120
<v Speaker 4>It might be a good idea.

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<v Speaker 7>I told you the truth about one thing. At least

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<v Speaker 7>I am his secretary. Only his name isn't just Joseph.

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<v Speaker 7>It's Joseph Ingram.

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<v Speaker 4>Ingram, No wonder his face was familiar. He's he's the

295
00:15:45.919 --> 00:15:48.559
<v Speaker 4>big aviation tycoon. Yet but look Ingram was killed two

296
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<v Speaker 4>weeks ago. I read about it in the papers. A

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00:15:50.799 --> 00:15:52.919
<v Speaker 4>transcontinental airplane crashed into a mountain.

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<v Speaker 7>Yes, even fate works for him. We were on our

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<v Speaker 7>way to Washington, he'd been subpoena to have his war

300
00:15:58.519 --> 00:16:02.440
<v Speaker 7>contracts investigated. All the public was really worked up about it.

301
00:16:02.759 --> 00:16:05.159
<v Speaker 7>He was a cinch to be indicted. Why even his

302
00:16:05.240 --> 00:16:08.200
<v Speaker 7>own wife left him after twenty years of marriage. But

303
00:16:08.279 --> 00:16:10.879
<v Speaker 7>as luck would have it, we got off the plane

304
00:16:10.879 --> 00:16:13.759
<v Speaker 7>at Albuquerque to hands raw wire from his attorneys.

305
00:16:13.279 --> 00:16:16.960
<v Speaker 4>But the radio and the newspapers obituaried him. Today, I know.

306
00:16:17.000 --> 00:16:20.600
<v Speaker 7>That's how things happened for him. Apparently there there was

307
00:16:20.720 --> 00:16:23.000
<v Speaker 7>just no record of us leaving the plane, and they

308
00:16:23.039 --> 00:16:26.480
<v Speaker 7>only found half the survivors, and some of those they

309
00:16:26.639 --> 00:16:30.919
<v Speaker 7>couldn't identify him. Now go on, Well, when Joseph realized

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00:16:30.960 --> 00:16:34.240
<v Speaker 7>that he was officially dead, he saw the way out.

311
00:16:34.399 --> 00:16:36.720
<v Speaker 7>He phoned Felix in Florida to have the sitting ready,

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00:16:36.759 --> 00:16:38.840
<v Speaker 7>and we took a train down and border her there.

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00:16:38.879 --> 00:16:40.240
<v Speaker 4>Yeah, I see, but I don't want.

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00:16:40.200 --> 00:16:42.840
<v Speaker 7>Why do you think I'm on this boat? Do you

315
00:16:42.919 --> 00:16:45.080
<v Speaker 7>think I wanted to come? Do you think I wanted

316
00:16:45.120 --> 00:16:49.200
<v Speaker 7>to leave my whole life behind? I was forced to come.

317
00:16:50.000 --> 00:16:52.639
<v Speaker 7>I was the only one who knew that Joseph was

318
00:16:52.679 --> 00:16:53.279
<v Speaker 7>still alive.

319
00:16:54.120 --> 00:16:57.879
<v Speaker 4>And now you know what about Felix or Felix.

320
00:16:58.559 --> 00:17:03.279
<v Speaker 7>Does odd job as it were, for Joseph. Joseph owns

321
00:17:03.399 --> 00:17:07.240
<v Speaker 7>Felix's body and soul, just as he owns everyone.

322
00:17:06.920 --> 00:17:10.839
<v Speaker 4>Who works for him, and you. I was ambitious.

323
00:17:12.039 --> 00:17:16.119
<v Speaker 7>I order hate Joseph, but it's not his fault. I

324
00:17:16.240 --> 00:17:18.400
<v Speaker 7>saw a chance to go further with him than with

325
00:17:18.519 --> 00:17:23.279
<v Speaker 7>any other man. Only i'd known how it would end,

326
00:17:24.599 --> 00:17:28.000
<v Speaker 7>running away from everything, always to be afraid.

327
00:17:28.519 --> 00:17:31.519
<v Speaker 4>Well, if that's it, then I was wrong. Then maybe

328
00:17:31.559 --> 00:17:36.359
<v Speaker 4>the needle isn't meant for Joseph. Needle What needle? The

329
00:17:36.440 --> 00:17:39.759
<v Speaker 4>hypodermic needle loaded with anesthetic? It's missing from my bag.

330
00:17:40.319 --> 00:17:43.839
<v Speaker 4>If it isn't meant for Joseph, for me, it's meant

331
00:17:43.839 --> 00:17:44.119
<v Speaker 4>for you.

332
00:17:44.400 --> 00:17:47.880
<v Speaker 7>No, oh, no, he can't.

333
00:17:48.119 --> 00:17:50.640
<v Speaker 4>He wouldn't be afraid. We'll have to be more realistic,

334
00:17:51.480 --> 00:17:54.240
<v Speaker 4>if you'll forgive the pun. I'm afraid we're both in

335
00:17:54.319 --> 00:17:55.359
<v Speaker 4>the same boat.

336
00:17:55.799 --> 00:17:56.079
<v Speaker 6>Wow.

337
00:17:58.799 --> 00:18:01.720
<v Speaker 4>There was desperation on her face, and I felt sorry

338
00:18:01.759 --> 00:18:03.799
<v Speaker 4>for her. She was in this mess up to her neck,

339
00:18:03.839 --> 00:18:06.920
<v Speaker 4>and she was afraid, And yet it was good having

340
00:18:06.960 --> 00:18:10.359
<v Speaker 4>her beside me there in the cockpit. It was pleasant

341
00:18:10.359 --> 00:18:12.960
<v Speaker 4>to be with her, just the two of us, and

342
00:18:13.000 --> 00:18:16.960
<v Speaker 4>the moon and the sea. Well, anyway, the hypodermic needle

343
00:18:17.039 --> 00:18:18.960
<v Speaker 4>was the farthest thing from my mind when I took

344
00:18:19.000 --> 00:18:22.359
<v Speaker 4>her in my arms, and then it happened. I felt

345
00:18:22.359 --> 00:18:25.400
<v Speaker 4>the stinger that pierced my flesh. The needle.

346
00:18:25.759 --> 00:18:26.680
<v Speaker 7>What are you talking about?

347
00:18:26.880 --> 00:18:28.000
<v Speaker 4>The needle? You stuck me with it?

348
00:18:29.440 --> 00:18:37.559
<v Speaker 7>Oh, I'm sorry. It was just my broach. It's always coming.

349
00:18:37.359 --> 00:18:40.400
<v Speaker 4>Open and broachure, I thought.

350
00:18:40.759 --> 00:18:43.319
<v Speaker 7>Silly the fashment volume, Will you please?

351
00:18:44.200 --> 00:18:48.400
<v Speaker 4>Sure? Yes, of course, Well your shake looks that missing hypodermic.

352
00:18:48.440 --> 00:18:50.880
<v Speaker 4>It tas me rattled. I've got to get it back.

353
00:18:51.039 --> 00:18:53.160
<v Speaker 4>You'll get it back, yes, but when?

354
00:18:53.480 --> 00:18:53.720
<v Speaker 6>How?

355
00:18:54.240 --> 00:18:56.559
<v Speaker 7>Right? Now? Doctor? Like this?

356
00:18:58.480 --> 00:19:01.400
<v Speaker 4>She used the needle defintely and one motion plunged it

357
00:19:01.400 --> 00:19:03.880
<v Speaker 4>in my arm. I tried to struggle to my feet.

358
00:19:04.000 --> 00:19:06.839
<v Speaker 4>Her face was mocking me. I grabbed for her, but

359
00:19:06.960 --> 00:19:11.279
<v Speaker 4>the drug was warm and deadening, and after a blurred moment,

360
00:19:11.839 --> 00:19:19.359
<v Speaker 4>I was gone.

361
00:19:19.400 --> 00:19:21.319
<v Speaker 7>You me.

362
00:19:21.759 --> 00:19:24.920
<v Speaker 4>I could hear them from a long ways off. I

363
00:19:25.039 --> 00:19:28.119
<v Speaker 4>came too slowly, and I lay there listening.

364
00:19:30.079 --> 00:19:31.279
<v Speaker 7>I only did what you told.

365
00:19:31.119 --> 00:19:31.480
<v Speaker 4>Me to do.

366
00:19:32.039 --> 00:19:34.240
<v Speaker 7>You're the one who's blunkled you.

367
00:19:34.279 --> 00:19:36.559
<v Speaker 4>But you were both standing over me, working on me,

368
00:19:36.720 --> 00:19:38.519
<v Speaker 4>doing everything they could to bring.

369
00:19:38.400 --> 00:19:42.279
<v Speaker 7>Me to Now you've spoiled everything. Why did you have

370
00:19:42.359 --> 00:19:43.119
<v Speaker 7>to rush things.

371
00:19:43.279 --> 00:19:44.640
<v Speaker 6>You want to know where the money is, don't you.

372
00:19:44.720 --> 00:19:46.960
<v Speaker 7>Well you haven't found out now, Maybe you won't if

373
00:19:47.000 --> 00:19:50.920
<v Speaker 7>you'd left Joseph alone. But no, no, you couldn't wait

374
00:19:51.200 --> 00:19:53.319
<v Speaker 7>as soon as the doctor was unconscious of how to

375
00:19:53.359 --> 00:19:56.599
<v Speaker 7>work him over. If Joseph dies out, we'll never find

376
00:19:56.599 --> 00:19:57.440
<v Speaker 7>out where he hit it.

377
00:19:57.440 --> 00:19:59.519
<v Speaker 6>It's on this boat. I know that. And I didn't

378
00:19:59.599 --> 00:20:01.279
<v Speaker 6>hurt him, just pushed him around a little.

379
00:20:01.480 --> 00:20:05.359
<v Speaker 7>Oh that's you for temper of yours, that awful impatience.

380
00:20:06.119 --> 00:20:08.559
<v Speaker 7>You'd think you could have waited for two million dollars.

381
00:20:10.119 --> 00:20:14.440
<v Speaker 4>Two million dollars. Now it began to make some sense.

382
00:20:14.519 --> 00:20:17.480
<v Speaker 4>Now everything made sense. As long as Joseph needed a

383
00:20:17.559 --> 00:20:20.000
<v Speaker 4>doctor and wouldn't tell where the money was, we both lived.

384
00:20:20.400 --> 00:20:22.119
<v Speaker 4>But if I couldn't keep him alive.

385
00:20:22.400 --> 00:20:25.440
<v Speaker 1>Get on your feet, duck, Come on, come on, doc,

386
00:20:25.480 --> 00:20:28.759
<v Speaker 1>get on your feet. Since what are you getting so touching?

387
00:20:28.799 --> 00:20:28.920
<v Speaker 8>Now?

388
00:20:28.920 --> 00:20:30.720
<v Speaker 4>Come on, come on, all right, all right, I'm on

389
00:20:30.759 --> 00:20:31.279
<v Speaker 4>my feet.

390
00:20:31.640 --> 00:20:34.559
<v Speaker 1>Welcome back, Doc. Now get below the old man Major.

391
00:20:34.599 --> 00:20:38.519
<v Speaker 1>He's had a relapse. Stephanie, take the wheel, I said,

392
00:20:38.559 --> 00:20:39.279
<v Speaker 1>get below.

393
00:20:39.519 --> 00:20:39.759
<v Speaker 6>Doc.

394
00:20:39.920 --> 00:20:41.599
<v Speaker 4>Not in the mood to take orders.

395
00:20:41.720 --> 00:20:43.240
<v Speaker 6>Maybe this will put you in the mood.

396
00:20:46.480 --> 00:20:49.440
<v Speaker 4>Creased my chin with a short jab. My knees buckled.

397
00:20:49.839 --> 00:20:52.400
<v Speaker 4>I swung at him and missed. I saw another one coming,

398
00:20:52.599 --> 00:20:54.680
<v Speaker 4>and this time I ducked and connected with a round

399
00:20:54.680 --> 00:20:56.359
<v Speaker 4>house on the side of his head that sent him

400
00:20:56.400 --> 00:20:59.559
<v Speaker 4>reeling along the wet narrow deck. I started after him,

401
00:20:59.799 --> 00:21:02.160
<v Speaker 4>just as the boat came about, violently heeling over with

402
00:21:02.240 --> 00:21:05.400
<v Speaker 4>her scuppers a watch. I wildly grabbed a guyline, just

403
00:21:05.440 --> 00:21:09.640
<v Speaker 4>in time to see Felix lying backwards into the sea.

404
00:21:10.559 --> 00:21:12.960
<v Speaker 4>I whipped around. The girl had done it, spinning the

405
00:21:12.960 --> 00:21:15.400
<v Speaker 4>wheel like crazy. I dashed back to the cuckpit and

406
00:21:15.400 --> 00:21:17.160
<v Speaker 4>tried to grab it away from it. She fought me

407
00:21:17.240 --> 00:21:19.240
<v Speaker 4>like a tiger, but I finally pushed her off right

408
00:21:19.279 --> 00:21:22.359
<v Speaker 4>at the boat and put her about. But Felix was

409
00:21:22.400 --> 00:21:25.839
<v Speaker 4>nowhere in sight. We tacked around searching for him, but

410
00:21:26.039 --> 00:21:29.400
<v Speaker 4>it was useless. Hell, he's gone. You killed him.

411
00:21:29.440 --> 00:21:35.039
<v Speaker 7>It was an accident. You ought to be glad he's gone. Why, Well,

412
00:21:35.079 --> 00:21:38.240
<v Speaker 7>it was either him or you.

413
00:21:38.240 --> 00:21:39.759
<v Speaker 4>Your concern touches me.

414
00:21:39.920 --> 00:21:42.799
<v Speaker 7>Besides, we don't need him, don't you see. You know

415
00:21:42.839 --> 00:21:45.519
<v Speaker 7>how to handle a boat, and you're a doctor. You

416
00:21:45.599 --> 00:21:49.640
<v Speaker 7>can keep Joseph alive until we make him talk. And

417
00:21:49.680 --> 00:21:52.559
<v Speaker 7>when we find out where his money is. We can

418
00:21:52.599 --> 00:21:53.400
<v Speaker 7>get rid of him.

419
00:21:53.359 --> 00:21:55.519
<v Speaker 4>And sail away into the sunset.

420
00:21:56.160 --> 00:21:58.720
<v Speaker 7>That's right, just you and me.

421
00:21:59.200 --> 00:22:04.440
<v Speaker 4>Yeah, no thanks, I'll play out the original hand in Havana.

422
00:22:05.160 --> 00:22:07.640
<v Speaker 7>I don't think so, doctor. I'm setting the course now,

423
00:22:08.519 --> 00:22:11.519
<v Speaker 7>and if you're interested, I'm a much better shot than Felix.

424
00:22:12.799 --> 00:22:16.839
<v Speaker 7>I won't hit the boom.

425
00:22:17.200 --> 00:22:20.480
<v Speaker 4>The gun glittered in the moonlight, and she was smiling

426
00:22:20.519 --> 00:22:23.720
<v Speaker 4>at me. But I wasn't looking at her, but beyond her.

427
00:22:24.200 --> 00:22:26.799
<v Speaker 4>At first I wasn't sure. I just sensed the movement,

428
00:22:27.200 --> 00:22:31.960
<v Speaker 4>and then I saw him, Joseph Ingram, barefooted and in pajamas,

429
00:22:31.960 --> 00:22:36.400
<v Speaker 4>pulling himself painfully up the companionway, forcing his body to

430
00:22:36.440 --> 00:22:37.079
<v Speaker 4>make the effort.

431
00:22:37.240 --> 00:22:42.680
<v Speaker 8>Joseph, you you wanted too much stuff me my money,

432
00:22:43.039 --> 00:22:44.000
<v Speaker 8>and Felix is you.

433
00:22:44.720 --> 00:22:49.000
<v Speaker 7>Felix is gone. He had an accident like mine.

434
00:22:49.000 --> 00:22:49.480
<v Speaker 4>I saw.

435
00:22:50.480 --> 00:22:53.759
<v Speaker 8>If p only I hadn't been so greedy, if only

436
00:22:53.880 --> 00:22:56.599
<v Speaker 8>had waited, you'd have gotten your share.

437
00:22:57.119 --> 00:22:58.119
<v Speaker 7>Joseph, you're sick.

438
00:22:58.240 --> 00:23:00.920
<v Speaker 4>You are such fools.

439
00:23:01.240 --> 00:23:04.400
<v Speaker 8>In the heel of my shoe, there's a draft on

440
00:23:04.480 --> 00:23:09.799
<v Speaker 8>the national Bank in Venezuela for two million dollars payable

441
00:23:10.200 --> 00:23:10.680
<v Speaker 8>to bear.

442
00:23:11.160 --> 00:23:17.279
<v Speaker 7>So that's where it is thank you, Joseph. That's very

443
00:23:18.000 --> 00:23:18.799
<v Speaker 7>generous of you.

444
00:23:21.319 --> 00:23:23.640
<v Speaker 4>I wouldn't have believed it if I hadn't been watching

445
00:23:24.000 --> 00:23:26.559
<v Speaker 4>a bullet in the stomach. Yet he kept coming at her,

446
00:23:26.880 --> 00:23:30.319
<v Speaker 4>lumbering barefooted across the deck like a wounded bear and

447
00:23:30.440 --> 00:23:35.680
<v Speaker 4>blue silk pajamas. Hack so easy, backed the way everything's done.

448
00:23:36.319 --> 00:23:40.759
<v Speaker 4>He kept coming, Hack Try. She was at the edge

449
00:23:40.759 --> 00:23:43.119
<v Speaker 4>of the deck as he clapsed against her, his heavy

450
00:23:43.240 --> 00:23:45.519
<v Speaker 4>arms and a death grip around her, and like a

451
00:23:45.680 --> 00:23:49.279
<v Speaker 4>cartwheel they spun together over the side into.

452
00:23:49.039 --> 00:23:55.720
<v Speaker 7>The inky blackness of the sea.

453
00:23:58.599 --> 00:24:03.119
<v Speaker 4>Two million dollars in the heel of a shoe. It

454
00:24:03.200 --> 00:24:05.279
<v Speaker 4>was in the heel of the shoe, all right. I

455
00:24:05.359 --> 00:24:08.440
<v Speaker 4>went below and found it just a piece of paper

456
00:24:08.480 --> 00:24:13.680
<v Speaker 4>that three people had died over, two million dollars, satified

457
00:24:13.839 --> 00:24:21.599
<v Speaker 4>backwards and forwards, payable to bearer. In just a few

458
00:24:21.640 --> 00:24:25.119
<v Speaker 4>hours it would be daylight. I could be in Havana

459
00:24:25.240 --> 00:24:30.039
<v Speaker 4>by noon, Back to the martina, back to the dispensary,

460
00:24:30.720 --> 00:24:35.440
<v Speaker 4>back to the endless round of seasick pills, hangover remedies,

461
00:24:35.480 --> 00:24:40.480
<v Speaker 4>and when I'm lucky, maybe a sprained ankle or venezuela.

462
00:24:41.319 --> 00:24:44.720
<v Speaker 4>The choice was simple. There was no risk at tall,

463
00:24:45.000 --> 00:24:48.279
<v Speaker 4>twas a cinch. It was a sure thing. It was

464
00:24:49.039 --> 00:24:50.720
<v Speaker 4>payable to bearer.

465
00:25:01.839 --> 00:25:04.839
<v Speaker 3>Good afternoon, Senor. I'm sorry I have kept you waiting.

466
00:25:05.880 --> 00:25:08.400
<v Speaker 3>You presented this bank draft for payments in.

467
00:25:08.319 --> 00:25:12.000
<v Speaker 4>Your yes, are you, Senor parents That is right. I'm

468
00:25:12.039 --> 00:25:15.599
<v Speaker 4>the president of the bank. This draft. It is quite

469
00:25:15.599 --> 00:25:19.839
<v Speaker 4>a large sum. There's nothing wrong with the draft, is there? No, Senor,

470
00:25:19.920 --> 00:25:21.119
<v Speaker 4>it is not good.

471
00:25:21.599 --> 00:25:24.039
<v Speaker 3>And you wish us to transfer this money to your

472
00:25:24.039 --> 00:25:25.160
<v Speaker 3>bank in the United States.

473
00:25:25.200 --> 00:25:27.400
<v Speaker 4>No, No, As a matter of fact, I wish to

474
00:25:27.440 --> 00:25:30.240
<v Speaker 4>open an account here. But certainly come as you will

475
00:25:30.279 --> 00:25:33.000
<v Speaker 4>make the arrangements for the senor. Senor Perris at once.

476
00:25:33.039 --> 00:25:36.720
<v Speaker 3>And now there is a lady, a country woman of yours,

477
00:25:36.799 --> 00:25:37.599
<v Speaker 3>waiting to see you.

478
00:25:37.720 --> 00:25:41.759
<v Speaker 4>Please step this way, Senor, to see me. But who Joseph?

479
00:25:41.799 --> 00:25:46.720
<v Speaker 9>I've been waiting solo, Senor Perez. Is this the man

480
00:25:46.720 --> 00:25:51.200
<v Speaker 9>who presented the draft for payment? But he isn't. Then

481
00:25:51.240 --> 00:25:52.240
<v Speaker 9>what's happened to Joseph?

482
00:25:52.720 --> 00:25:56.960
<v Speaker 4>Who Joseph Ingram? Of course, sen Your Perez. Who is

483
00:25:57.000 --> 00:25:58.599
<v Speaker 4>this woman? What is she doing here?

484
00:25:58.759 --> 00:26:00.680
<v Speaker 9>I heard the Sidnate come in this morning with only

485
00:26:00.680 --> 00:26:03.400
<v Speaker 9>one person aboard, so I rushed right here to the bank.

486
00:26:04.000 --> 00:26:05.519
<v Speaker 9>But you've cashed the draft.

487
00:26:06.359 --> 00:26:07.000
<v Speaker 4>What have you done?

488
00:26:07.160 --> 00:26:08.319
<v Speaker 7>Killed Joseph for it?

489
00:26:08.480 --> 00:26:10.960
<v Speaker 4>Look, madam, I I don't know what you're talking about.

490
00:26:11.200 --> 00:26:13.000
<v Speaker 4>Just who are you anyway?

491
00:26:13.240 --> 00:26:14.799
<v Speaker 9>I'm Joseph Ingram's wife.

492
00:26:14.920 --> 00:26:19.359
<v Speaker 4>This is Ingram. But then, surely you know he died

493
00:26:19.440 --> 00:26:21.480
<v Speaker 4>in that plane crash back in the States.

494
00:26:21.519 --> 00:26:21.920
<v Speaker 6>He didn't.

495
00:26:21.960 --> 00:26:22.559
<v Speaker 4>And you know it.

496
00:26:23.079 --> 00:26:24.319
<v Speaker 9>Joseph wasn't on that plane.

497
00:26:24.319 --> 00:26:25.559
<v Speaker 7>He bought the Sydnon in Florida.

498
00:26:25.759 --> 00:26:27.599
<v Speaker 4>Now look, madam, all the news.

499
00:26:27.480 --> 00:26:31.440
<v Speaker 9>Joseph and I planned the whole thing. Those highly publicized

500
00:26:31.440 --> 00:26:33.839
<v Speaker 9>statements about our divorce were just to cover up. He

501
00:26:33.920 --> 00:26:36.039
<v Speaker 9>was to meet me here with the money, and I

502
00:26:36.119 --> 00:26:39.960
<v Speaker 9>know he would have if he were still alive. Senor Praiers, will.

503
00:26:39.759 --> 00:26:42.480
<v Speaker 7>You call the police. I accuse this man of murdering

504
00:26:42.519 --> 00:26:42.960
<v Speaker 7>my husband.

505
00:26:43.559 --> 00:26:47.279
<v Speaker 4>I didn't kill him. She killed him. She Stephanie, his secretary.

506
00:26:47.359 --> 00:26:48.039
<v Speaker 7>And where is she?

507
00:26:48.039 --> 00:26:49.559
<v Speaker 4>She's dead too, he killed her.

508
00:26:49.799 --> 00:26:51.039
<v Speaker 9>That doesn't make any sense.

509
00:26:51.599 --> 00:26:52.759
<v Speaker 7>Where's Felix Rouge?

510
00:26:52.920 --> 00:26:56.559
<v Speaker 4>You see Felix? He was killed when he yes? Well,

511
00:26:56.599 --> 00:27:01.079
<v Speaker 4>you see, it was like I stopped. They were staring

512
00:27:01.119 --> 00:27:05.480
<v Speaker 4>at me. They didn't believe me. Of course, who would

513
00:27:05.480 --> 00:27:10.480
<v Speaker 4>ever believe me? But it seemed like such a sure thing,

514
00:27:10.960 --> 00:27:15.880
<v Speaker 4>and it was murder Payable to Bearer.

515
00:27:28.720 --> 00:27:32.480
<v Speaker 2>Escape is produced and directed by William N. Robeson to night,

516
00:27:32.519 --> 00:27:35.440
<v Speaker 2>we have presented The Sure Thing by John and Gwen Magny.

517
00:27:35.880 --> 00:27:37.920
<v Speaker 2>Featured in the cast were John Hoyt is the Doctor,

518
00:27:38.000 --> 00:27:41.240
<v Speaker 2>Bill Conrad is Filix Rouge, Fay Baker as Stephanie, and

519
00:27:41.319 --> 00:27:44.880
<v Speaker 2>Ian Wolfe as Joseph Ingram. Also heard were Don Diamond,

520
00:27:44.880 --> 00:27:48.359
<v Speaker 2>Ted Decarcia and Sarah Selby. Special music was arranged and

521
00:27:48.400 --> 00:27:50.039
<v Speaker 2>conducted by Del Castillo.

522
00:27:51.039 --> 00:27:51.920
<v Speaker 6>Next week.

523
00:27:53.359 --> 00:27:56.079
<v Speaker 1>You within a few days of your release after eight

524
00:27:56.200 --> 00:27:59.480
<v Speaker 1>years of horror on the prison island of New Caledonia.

525
00:28:00.319 --> 00:28:03.599
<v Speaker 1>But between you and final freedom stands the love of

526
00:28:03.640 --> 00:28:07.920
<v Speaker 1>a beautiful girl and the monstrous figure of Monsieur Danieux,

527
00:28:08.720 --> 00:28:10.839
<v Speaker 1>the official executioner.

528
00:28:14.440 --> 00:28:17.759
<v Speaker 2>Next week we Escape with John Russell's terrifying story The

529
00:28:17.839 --> 00:28:18.400
<v Speaker 2>Red Mark.

530
00:28:18.799 --> 00:28:19.200
<v Speaker 6>Good Night.

531
00:28:19.279 --> 00:28:22.119
<v Speaker 2>Then until the same time next week, when once again

532
00:28:22.160 --> 00:28:39.039
<v Speaker 2>we offer you Escape. A whole family of top Hollywood

533
00:28:39.079 --> 00:28:42.480
<v Speaker 2>stars waits to entertain your family. Every Sunday on CBS.

534
00:28:43.000 --> 00:28:45.359
<v Speaker 2>It's on the Family Hour of Stars. Heard over most

535
00:28:45.359 --> 00:28:49.559
<v Speaker 2>of these same CBS stations, a half hour of top entertainment, romance,

536
00:28:49.640 --> 00:28:53.960
<v Speaker 2>comedy or drama starring Irene Dunn, Ronald Coleman, Loretta Young,

537
00:28:54.079 --> 00:28:57.920
<v Speaker 2>Dana Andrews, Kirk Douglas, and Jane Wyman. In turn, your

538
00:28:57.960 --> 00:29:02.440
<v Speaker 2>whole family will enjoy the Family Hour of Stars Sunday

539
00:29:02.759 --> 00:29:07.960
<v Speaker 2>on CBS, where this fall you'll hear them all. Stay

540
00:29:07.960 --> 00:29:11.200
<v Speaker 2>tuned now for Sing It Again, which follows immediately over

541
00:29:11.279 --> 00:29:15.000
<v Speaker 2>most of the same CBS stations. This is CBS, the

542
00:29:15.000 --> 00:29:30.880
<v Speaker 2>Columbia Broadcasting System
