WEBVTT

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<v Speaker 1>You know, speaking of like trinkets and movie going and everything,

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<v Speaker 1>I'm just curious to ask you about popcorn buckets, these

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<v Speaker 1>like movie themed popcorn corn buckets, because like when I

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<v Speaker 1>go to my theater, they now have like a huge display.

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<v Speaker 1>It's like when you're you know, like a target or whatever.

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<v Speaker 1>You know, how they make it so when you're walking

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<v Speaker 1>to the register, you have to pass all these sort

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<v Speaker 1>of little odds and ends that you think, oh, that'd

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<v Speaker 1>be fun, I'll buy that, you know, that sort of gimmick.

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<v Speaker 1>So when you go to the concession stand, now you

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<v Speaker 1>sneak through this area where they have all these shelves

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<v Speaker 1>of popcorn buckets. Yeah, and I mean they've had these

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<v Speaker 1>for a long time. I think the Dune popcorn bucket

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<v Speaker 1>was the one that really brought a lot of people's

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<v Speaker 1>attention to it for the first time. But I mean

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<v Speaker 1>every movie since, like I have, there was an Andrea

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<v Speaker 1>Bocelli movie that showed for like a week, but they

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<v Speaker 1>made a popcorn bucket for that really, yeah, which I

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<v Speaker 1>have because I thought it was so funny. And so

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<v Speaker 1>you know, you have certain ones that are just regular tins.

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<v Speaker 1>So I remember ferm Mission Impossible. It was just like

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<v Speaker 1>a red bucket with an image of Ethan Hunt dangling

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<v Speaker 1>from a mountain or something. Right, But then some of

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<v Speaker 1>the others get really really elaborate. And the one that

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<v Speaker 1>really stood out to me when I went to the

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<v Speaker 1>movies the other night was they had this tron arcade

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<v Speaker 1>cabinet popcorn bucket. So look, it looks cool, like it

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<v Speaker 1>looks like a mini arcade cabinet, and you know, but

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<v Speaker 1>that movie just didn't perform like I think people expected.

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<v Speaker 1>People weren't interested in buying merch for that film. And

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<v Speaker 1>they still have those tron arcade things every time you

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<v Speaker 1>walk up to the register, and it's like, you know,

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<v Speaker 1>I think when they came out, they're probably like sixty bucks,

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<v Speaker 1>and then it's like thirty bucks, and now it's like

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<v Speaker 1>two for fifteen dollars. I mean, yeah, yeah, well, and

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<v Speaker 1>then I still pass like wicked stuff. But then there's

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<v Speaker 1>new things, you know, like Michael and it looks like

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<v Speaker 1>it's like a bucket, but it looks like there's a

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<v Speaker 1>gold record on top. But anyway, with Mandalorian.

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<v Speaker 2>One battle after another where it's just Colonel Lockjaw's head

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<v Speaker 2>that you eat popcorn out of.

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<v Speaker 1>Yeah, or it's like the paternity test machine, you know,

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<v Speaker 1>like the two levels. You just like open that up

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<v Speaker 1>and eat the popcorn out of it. He may not

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<v Speaker 1>be her father, DiCaprio, but you know he is her

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<v Speaker 1>dad eating out of that machine. So but Mandalorian and Grogu,

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<v Speaker 1>I saw that they have this big, elaborate, freaking at

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<v Speaker 1>at Walker. Okay, popcorn bucket quote unquote bucket. Yeah, and

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<v Speaker 1>it looks like something I would have wanted as a kid,

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<v Speaker 1>just like a toy, right right, But it costs I

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<v Speaker 1>want to say, it costs eighty dollars.

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<v Speaker 3>What the Okay?

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<v Speaker 1>Yeah, and I remember the Avatar thing also, I don't

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<v Speaker 1>remember the creature's name, but whatever, those you know, the

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<v Speaker 1>sky dragon things that they fly, They had those and

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<v Speaker 1>they lit up and they were like eighty dollars or something.

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<v Speaker 1>And I don't know, I mean, I don't have a

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<v Speaker 1>point to all this. I just think it's kind of

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<v Speaker 1>fascinating that they are investing so much in these things. Yeah,

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<v Speaker 1>and some of them become collector's items. I think the

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<v Speaker 1>Yoshi popcorn bucket from Super Mario Galaxy, right, you know,

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<v Speaker 1>probably sold for like sixty dollars or something. And now

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<v Speaker 1>you can go on eBay and see them for who

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<v Speaker 1>knows one hundred plus. But then it's interesting seeing you've

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<v Speaker 1>got all these leftovers, and I just wonder, I don't

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<v Speaker 1>know how this is like netting out for them, if

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<v Speaker 1>it's maybe they only cost five dollars to make, you know,

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<v Speaker 1>so not much as lost. But I just find it fascinating.

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<v Speaker 1>I'm curious how much longer it'll go for. And I'm

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<v Speaker 1>kind of curious what your experience with these is at

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<v Speaker 1>your theater. I mean, do you see a lot of these?

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<v Speaker 1>Do you see a lot of leftovers?

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<v Speaker 2>I see ye, I mean, now that you mentioned it,

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<v Speaker 2>I mean I don't. I guess I don't spend a

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<v Speaker 2>lot of time glancing at things in the in the

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<v Speaker 2>the concessions area.

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<v Speaker 1>So you don't have to like pass them, right, Okay.

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<v Speaker 2>So I have not seen like the more elaborate ones,

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<v Speaker 2>but I see I not in person, but I see

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<v Speaker 2>pictures online and and for me, there's just a practicality

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<v Speaker 2>aspect of it where I mean that it's like taking

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<v Speaker 2>up space forever, you know, like yeah, in a collection.

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<v Speaker 2>So I'm kind of like for some of these, I

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<v Speaker 2>mean I can see Star Wars fans obviously buying the

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<v Speaker 2>Star Wars ones, right, But you know with.

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<v Speaker 3>You know, some of this other stuff.

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<v Speaker 2>It's so it's so transient that I wonder about, Like,

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<v Speaker 2>I I think that, what was it like two years

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<v Speaker 2>ago there was like the Deadpool and Wolverine one, right,

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<v Speaker 2>and there was like a like people were lining up

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<v Speaker 2>to get them.

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<v Speaker 3>I think it's dead Pool and Wolverine.

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<v Speaker 1>Yeah, I kind of remember that.

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<v Speaker 2>I forget, I forget even what it was. I just

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<v Speaker 2>remember there was like a limit one per customer thing,

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<v Speaker 2>and I'm like, Okay, I can kind of see somebody

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<v Speaker 2>wanting that. But not all movies are going to have

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<v Speaker 2>sort of that toy ettek or collectible adjacent you know, yeah,

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<v Speaker 2>or like an event.

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<v Speaker 1>It's like when you go to a concert and you

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<v Speaker 1>want to sort of memorialize it in sort of a

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<v Speaker 1>way and you can put it on your shelf like

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<v Speaker 1>a shirt or whatever you get. So I can see

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<v Speaker 1>that maybe with a certain movie that's like an event

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<v Speaker 1>and you go with a big group of friends and whatever.

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<v Speaker 2>But like even Dune, right, it was just hey, it

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<v Speaker 2>looks like a butthole, Like that was the whole.

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<v Speaker 1>That was the novelty of it.

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<v Speaker 2>The novelty of it, hey butt hoole bucket. Okay, I

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<v Speaker 2>would imagine that wears off too after a while.

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<v Speaker 1>Yeah, I mean it's it's funny for a week or

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<v Speaker 1>a couple of days. But then I mean, is that

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<v Speaker 1>thing still sitting on your shelf the in a proud spot?

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<v Speaker 2>I don't know, leave it there as a conversation starter

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<v Speaker 2>on Thanksgiving?

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<v Speaker 3>Well, I think for.

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<v Speaker 1>You know, Billy, I've been meaning to ask you taking

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<v Speaker 1>a bite of turkey. But for me, I've been kind

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<v Speaker 1>of lucky where you know, my friend works at a

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<v Speaker 1>studio and so I've gone to a couple of screenings

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<v Speaker 1>there that they host, and they've given out their buckets

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<v Speaker 1>there for free. Oh interesting, and so I have like

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<v Speaker 1>a mission impossible bucket and whatever. Well, like I said,

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<v Speaker 1>the simple ones, it's just a popcorn bucket, right, but

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<v Speaker 1>it's branded right right, and I do love it like

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<v Speaker 1>I do use it. It's it's fun and it because

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<v Speaker 1>it works as a popcorn bucket, right, you know. But

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<v Speaker 1>sometimes I'll see certain ones that look cool, like if

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<v Speaker 1>I saw a well, I think AMC had Deloreans. Okay,

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<v Speaker 1>you know, for when the anniversary.

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<v Speaker 3>That's the teacher that's cool. You know, yeah, it's cool.

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<v Speaker 1>I can understand that sort of thing, but some of

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<v Speaker 1>them are just so elaborate. And also for a movie

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<v Speaker 1>that like I'm catching because I have the time and

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<v Speaker 1>not because it's something that I'm really thinking much about.

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<v Speaker 1>I just think it's interesting that they just went all

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<v Speaker 1>in on that and making this really expensive merch for it.

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<v Speaker 2>And you know, this feels like a ramp like a

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<v Speaker 2>ramp up from we're talking twenty years ago. I remember

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<v Speaker 2>Slurpy Cups used to be very elaborate.

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<v Speaker 1>Oh yeah, yeah.

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<v Speaker 2>I remember going to seven eleven when Revenge of the

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<v Speaker 2>Sith came out and there were like four different Slurpy

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<v Speaker 2>cups all with the Darth Vader topper.

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<v Speaker 3>I was like, these are cool, and then I got them.

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<v Speaker 2>I had four of them, and then at some point,

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<v Speaker 2>you know, when I moved or whatever, I'm like, Man,

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<v Speaker 2>what am.

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<v Speaker 3>I supposed to do with these?

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<v Speaker 1>Yeah?

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<v Speaker 3>Sure, sure, and in.

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<v Speaker 2>The trash they went. I probably could have put them

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<v Speaker 2>on eBay now that I think about it. But anyway,

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<v Speaker 2>this is like exponentially more in terms of the sort

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<v Speaker 2>of the logistical hassle factor, the func stue of it all,

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<v Speaker 2>you know.

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<v Speaker 1>Yeah, and when you're like pricing the average person out

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<v Speaker 1>of a popcorn bucket. Yeah, it's just like, I don't know,

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<v Speaker 1>it's just the natural evolution of things. I guess, I

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<v Speaker 1>don't know.

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<v Speaker 2>It's sort of you know, you know comic books used

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<v Speaker 2>to do this where in this is in the nineties,

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<v Speaker 2>at the height of the speculator era, so we're talking

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<v Speaker 2>early nineties and the and you may even have memory

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<v Speaker 2>of this, like the were trying to out gimmick each other.

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<v Speaker 1>Yeah, I kind of remember this.

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<v Speaker 2>So you had like, yeah, you had like glowing the

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<v Speaker 2>dark cover and yeah, you know, hologram cover, and then

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<v Speaker 2>it became like pop up cover and color forms cover

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<v Speaker 2>and and it became it eventually became such a pain

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<v Speaker 2>in the ass because you're paying extra for literally there

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<v Speaker 2>was a there was a Superman cover that was it

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<v Speaker 2>came with those those plastic clings and you could make

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<v Speaker 2>a little color form scene interesting, and it's like, you know,

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<v Speaker 2>there again, there is a novelty, a brief novelty, but

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<v Speaker 2>then when it comes to storage and everything.

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<v Speaker 1>It's a big hassle, right yeah, yeah, yeah.

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<v Speaker 2>So all of this is to say, like when I

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<v Speaker 2>was doing my bindings, I realized that like, if you're

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<v Speaker 2>trying to flip through a book, a big, heavy cardboard

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<v Speaker 2>hologram thing is makes it hard. Right, So I, even

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<v Speaker 2>though I owned the like the the the Gimmick covers,

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<v Speaker 2>I went back in and purchased the like the normal

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<v Speaker 2>version of those issues.

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<v Speaker 1>Yep.

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<v Speaker 2>So right, eventually it's like, well the gimmick becomes a pain, yeah,

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<v Speaker 2>and it's like, just give me the normal thing, and

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<v Speaker 2>I feel like just to transfer the analogy. At some point,

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<v Speaker 2>you just want a thing to eat popcorn out of

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<v Speaker 2>that you throw away?

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<v Speaker 1>Yeah right right, right right now, or like it's cool

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<v Speaker 1>to take something home and I can use it because

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<v Speaker 1>it's actually useful, but I don't need like twenty of them.

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<v Speaker 2>Yeah, like how much popcorn it does one intend to eat?

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<v Speaker 1>Yeah? Yeah, but although I do, I am susceptible sometimes

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<v Speaker 1>to the shiny thing. You know, when you're in the

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<v Speaker 1>moment you're going to see a certain thing and then

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<v Speaker 1>you see like a little thing that you can hold

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<v Speaker 1>in your hand, like I get the draw.

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<v Speaker 2>Well sure, but like okay, so you use the ad

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<v Speaker 2>at as an example, Yeah, it's just kind of yeah,

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<v Speaker 2>that's a neat thing. I wouldn't pay eighty dollars for it.

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<v Speaker 1>No very cool though, I mean I just always love

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<v Speaker 1>ad at Walker, sure.

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<v Speaker 2>Right, or the DeLorean or like, give me an anton

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<v Speaker 2>first Batmobile popcorn holder. Well, I would just put that

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<v Speaker 2>on my shelf.

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<v Speaker 1>Yeah, so I just instinctively held up my hand with

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<v Speaker 1>cash in it when you said that.

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<v Speaker 2>See, yeah, right, but yeah, I mean at some point

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<v Speaker 2>again and actually, you know, if you give me the

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<v Speaker 2>Colonel lockjaw head, put that next to the butthole thing

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<v Speaker 2>and just let people have their own conversations.

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<v Speaker 1>Excuse me. Yeah. Wait, by the way, this is completely random,

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<v Speaker 1>but have you this is Sunday, May seventeenth. Have you

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<v Speaker 1>seen last night's SNL.

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<v Speaker 3>I've only seen a couple of sketches. I fell asleep.

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<v Speaker 1>Did you see the opening with the Jeffrey Epstein. Yeah,

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<v Speaker 1>Will Ferrell played Jeffrey Epstein and you know the talking

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<v Speaker 1>to Donald Trump.

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<v Speaker 3>I did.

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<v Speaker 1>Did you think that Will Ferrell with his wig and

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<v Speaker 1>his sweater and everything looked like Harrison Ford from The

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<v Speaker 1>Fugitive when he steals that old man's clothes from the hospital.

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<v Speaker 3>That's funny. Wow, right, He's.

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<v Speaker 1>Got that like gray grandpa sweater and I couldn't stop

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<v Speaker 1>thinking about it. And then I wanted to make sure

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<v Speaker 1>to tell you. And then this morning on Instagram or something,

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<v Speaker 1>I saw someone say is it just me or did

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<v Speaker 1>well Phair look like Harrison Ford in that opening sketch

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<v Speaker 1>last night? And I was like, wow, yeah, there you go.

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<v Speaker 3>You keet in on something, you know, I The Fugitive.

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<v Speaker 2>It's so funny that you mentioned that, because, like, you know,

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<v Speaker 2>I screened that in my class, and you know, I

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<v Speaker 2>teach a class clued Cultural Expression in Media, and I

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<v Speaker 2>try to culminate the course by talking about film itself

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<v Speaker 2>as culture, like the experience of watching a movie with

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<v Speaker 2>an audience that that becomes a shared cultural moment, you know.

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<v Speaker 2>And so I like using The Fugitive as an example

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<v Speaker 2>because it's a great Obviously it was a huge blockbuster,

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<v Speaker 2>but also it was a critical and you know, Awards favorite,

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<v Speaker 2>and so it has that dual layers of credibility and

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<v Speaker 2>plus for most you know, we're talking about pop culture

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<v Speaker 2>half life. I mean, gosh, well, overwhelmingly students have not

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<v Speaker 2>seen this in a movie they enjoy. And in my

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<v Speaker 2>my final one one question that I close out with

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<v Speaker 2>is what was your favorite movie that we watched this semester?

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<v Speaker 2>And it gratifies me so much that so many of

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<v Speaker 2>them are like, well, I know it's the last one,

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<v Speaker 2>but manned, I love The Fugitive really, you know, and

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<v Speaker 2>it just makes me happy because I'm like, this is

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<v Speaker 2>a movie that in terms of the situation that it presents,

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<v Speaker 2>it's it's so technologically removed from where we are now, right.

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<v Speaker 3>Like.

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<v Speaker 2>Richard Kimball in twenty six has a whole he runs

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<v Speaker 2>a very different gauntlet, you know what I'm saying, And

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<v Speaker 2>that would be an interesting story. But in that sense,

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<v Speaker 2>this is very it's very out of date, right, Yeah,

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<v Speaker 2>the idea that Kimball can just sort of disappear into

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<v Speaker 2>a maze of humanity and sort of function with a

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<v Speaker 2>certain level of anonymity, it feels very very quaint.

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<v Speaker 1>I mean, like every movie now is like, you know,

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<v Speaker 1>check the CCTV and people.

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<v Speaker 3>Pulling out their phones and recording whatever.

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<v Speaker 1>Yeah, like Running Man, which I know is supposed to

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<v Speaker 1>be slightly futuristic, but it's not that far off where

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<v Speaker 1>everyone can just pull out their phones and find that

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<v Speaker 1>person exactly. So that's a great point.

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<v Speaker 2>Yeah, you know, it's very different, but yet they plug

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<v Speaker 2>into the the character drama and the performances and that,

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<v Speaker 2>you know, like the stuff that the same stuff that

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<v Speaker 2>you and I have loved about that movie for decades

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<v Speaker 2>that makes it so so utterly rewatchable.

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<v Speaker 1>You know.

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<v Speaker 2>I saw somebody online say once that that's that's a

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<v Speaker 2>finish watching from wherever you happen to channel surf across

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<v Speaker 2>it movie completely. Yeah, it's so true, right, And you

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<v Speaker 2>know I always say what was favorite movie and why?

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<v Speaker 2>And the responses were great where it was like I

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<v Speaker 2>was glad that the deputy came around to his side,

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<v Speaker 2>or that that he believed him, you know, like in

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<v Speaker 2>other words, sort of reckon, like liking both characters, yeah, or.

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<v Speaker 3>One one comment I loved.

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<v Speaker 2>I loved how doctor Kimball went out of his way

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<v Speaker 2>to help others when it.

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<v Speaker 3>Would have been easier not to.

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<v Speaker 1>Wow.

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<v Speaker 2>And I'm like, man, if those are the responses, I

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<v Speaker 2>feel like I'm doing something right.

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<v Speaker 1>Is that funny They're not talking about action sequences exactly. Yeah,

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<v Speaker 1>Like they really locked into the characters and who they are,

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<v Speaker 1>and that's that's amazing. That's that makes me so happy.

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<v Speaker 2>It really does, you know, because because I try to

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<v Speaker 2>frame it, I'm like, you know, what is the shorthand

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<v Speaker 2>that films give us. How do we know instinctively when

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<v Speaker 2>a character is a bad guy good guy? To talk

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<v Speaker 2>about save the cat and things like that. In The Fugitive,

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<v Speaker 2>one of the first instances we first indications we get

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<v Speaker 2>that Kimball is a good guy is after the train

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<v Speaker 2>crash he's the only one who helps the cop who's

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<v Speaker 2>been stabbed. Yeah, yep, and like right away you're like, okay,

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<v Speaker 2>good guy, you know. And so I try to walk

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<v Speaker 2>them through what a movie is doing to make them

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<v Speaker 2>better aware of, like this is everything that's in the

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<v Speaker 2>film is there intentionally and there it's trying to make

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<v Speaker 2>you feel a certain way. So interrogate your your feelings.

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<v Speaker 2>Why are you why do you feel this way or that?

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<v Speaker 3>You know?

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<v Speaker 2>And I use the same thing about Gerard. I'm like,

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<v Speaker 2>what how do we know he's not a bad guy?

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<v Speaker 2>You know? And I talk about protagonists versus antagonist, and

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<v Speaker 2>I'm like, you know, a protagonist is not a good guy.

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<v Speaker 2>Antagonist is not a bad guy. It's protagonist is who

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<v Speaker 2>we spend the most time with. Antagonist is whoever's trying

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<v Speaker 2>to stop our protagonists from achieving their goal, you know.

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<v Speaker 2>And I try I walk them through this where I'm like,

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<v Speaker 2>the more time you spend with the character, the more

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<v Speaker 2>you feel invested in them. And I'm like Girard and Kimball,

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<v Speaker 2>we spend the equal time. We like them both, you know.

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<v Speaker 2>So it's fun to me when they are picking out

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<v Speaker 2>this stuff.

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<v Speaker 3>You know, I just.

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<v Speaker 1>I wish you could almost take this like your your

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<v Speaker 1>students and use this as a study to show studios

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<v Speaker 1>what resonates. Yeah, right, you know what I mean. It

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<v Speaker 1>isn't trying to top yourself with visual effects. It isn't

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<v Speaker 1>you know, any of that sort of thing. It's if

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<v Speaker 1>the characters resonate and their journey resonates, people walk away satisfied.

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<v Speaker 1>So like, that's what you should be working on first.

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<v Speaker 2>Yeah, you know, And I think it gets to like,

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<v Speaker 2>what are the movies that that outlive their moment and

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<v Speaker 2>what are the ones that maybe burn white hot for

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<v Speaker 2>a second but are utterly forgotten.

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<v Speaker 1>You know what's funny. This reminds me. I rewatched the

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<v Speaker 1>movie Splash recently, and that was a huge hit when

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<v Speaker 1>it came out in nineteen eighty four, and it was

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<v Speaker 1>in the top ten box office of the year. And

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<v Speaker 1>I was listening to a podcast and they were interviewing

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<v Speaker 1>Ron Howard just reflecting about Splash being this big breakout

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<v Speaker 1>moment for him and Tom Hanks and everybody, and so

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<v Speaker 1>it's like, oh, I want to it's on Disney Plus

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<v Speaker 1>I've rewatch that.

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<v Speaker 3>Yeah.

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<v Speaker 1>And it's funny because it opens with he and Tom

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<v Speaker 1>Hanks and John Candy are brothers, and it shows a

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<v Speaker 1>flashback with their little boys, and you see the John

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<v Speaker 1>Candy boy basically throwing change on the ground and picking

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<v Speaker 1>it up, but it's just an excuse so he can

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<v Speaker 1>look up women's skirts, gotcha. And so then it you know,

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<v Speaker 1>shows them in the present and John Candy is still

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<v Speaker 1>throwing stuff on the ground so he can look up

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<v Speaker 1>women's dresses.

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<v Speaker 2>I believe that's what you were doing the first time

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<v Speaker 2>you and I met.

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<v Speaker 1>That's how we met. Yeah, actually, yeah, that's right. But

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<v Speaker 1>I was like, wow, that is so funny that this

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<v Speaker 1>like really creepy thing, Like in eighty four everyone was like, yes, yes,

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<v Speaker 1>that's our guy, you know what I mean. And and

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<v Speaker 1>even that's one example, but then Tom Hanks and Darryl

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<v Speaker 1>Hannah's relationship is just so empty, you know what I mean.

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<v Speaker 1>It's like she's she saw him once and now she's

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<v Speaker 1>obsessed with him, and as soon as they see each

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<v Speaker 1>other they have sex like immediately, and then they want

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<v Speaker 1>to get married. And I'm like what what like what? Yeah,

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<v Speaker 1>you know what I mean. And it's like she's the

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<v Speaker 1>love of his life. I'm like, she hasn't spoken a

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<v Speaker 1>word to you yet, you know what I mean. So

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<v Speaker 1>I just feel like a movie like that would not,

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<v Speaker 1>you know, hold up to today's audiences for many reasons.

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<v Speaker 1>Yeah yeah, but in the moment it worked, you know.

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<v Speaker 1>But we're talking about there are just certain movies where

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<v Speaker 1>they do like a great job, you know, with like

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<v Speaker 1>the human condition and characters and what they want and

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<v Speaker 1>what they need and making them relatable or at least understandable.

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<v Speaker 1>And those are the movies where maybe culturally we don't

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<v Speaker 1>talk about the Fugitive as much, but if you show

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<v Speaker 1>it to a group of younger people who might never

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<v Speaker 1>have put it on themselves, it holds up just as

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<v Speaker 1>well as it did thirty some years ago.

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<v Speaker 3>Yeah. It's gratifying.

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<v Speaker 1>Yeah, yeah, so that's I think that's really cool your class,

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<v Speaker 1>just that it exists. I mean, that's such an amazing thing,

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<v Speaker 1>not only to show exposed kids to like amazing movies

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<v Speaker 1>they may have missed, but also to give them like

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<v Speaker 1>a kind of a literacy or get them into a

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<v Speaker 1>dialogue about like not just watching a movie, but thinking

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<v Speaker 1>about a movie and digging in the way that you

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<v Speaker 1>guys do. I think that's awesome.

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<v Speaker 3>Yeah, well I hope.

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<v Speaker 2>So you know, I saw a thing online and maybe

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<v Speaker 2>this was bait to some extent, but it was somebody

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<v Speaker 2>responding to the question of like, what is a good

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<v Speaker 2>age to show your kids the Lord of the Rings films,

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<v Speaker 2>And this person says, well, if your kids are a

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<v Speaker 2>little like five, that's probably too young. So another five

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<v Speaker 2>years then they're ten ish. But at that point the

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<v Speaker 2>movies are going to be more than thirty years old,

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<v Speaker 2>and no kid is going to watch a movie that's

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<v Speaker 2>more than thirty years old.

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<v Speaker 1>Hey, this is Brian. And that was a preview of

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<v Speaker 1>an hour long bonus conversation Zachi and I had where

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<v Speaker 1>we talked about everything from novelty popcorn buckets to Masters

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<v Speaker 1>of the Universe, tracking and tie in toys, and we

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00:20:41.720 --> 00:20:44.359
<v Speaker 1>also had a surprisingly in depth conversation about the two

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<v Speaker 1>thousand and one John Travolta, Hugh Jackman, Halle Berry movie

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00:20:48.400 --> 00:20:51.920
<v Speaker 1>Swordfish You can find this conversation in its entirety over

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00:20:52.000 --> 00:20:55.519
<v Speaker 1>on our Patreon feed, along with other bonus conversations we've

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00:20:55.559 --> 00:20:59.279
<v Speaker 1>previously dropped, which usually happens about twice a month, as

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00:20:59.319 --> 00:21:02.480
<v Speaker 1>well as ad free versions of all our commentaries and

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00:21:02.640 --> 00:21:05.880
<v Speaker 1>regular episodes. Just head over to patreon dot com slash

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00:21:05.960 --> 00:21:09.680
<v Speaker 1>moviefilm Podcast, hit subscribe, and for only five dollars a month,

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00:21:09.720 --> 00:21:11.839
<v Speaker 1>you can get in on all this ad free fun

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00:21:12.279 --> 00:21:15.480
<v Speaker 1>that's patreon dot com slash moviefilm Podcast
