WEBVTT

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<v Speaker 1>You were trapped in the native quarter of Mozambique, two

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<v Speaker 1>dead men, ature feet, the police closing in on you,

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<v Speaker 1>and besides you a sultry girl who offers you escape.

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<v Speaker 2>Escape produced and directed by William N. Robson and carefully

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<v Speaker 2>contrived to free you from the four walls of today

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<v Speaker 2>for a half hour of high adventure.

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<v Speaker 1>Tonight we escaped to Portuguese East Africa, to the fetid

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<v Speaker 1>alleys and dangerous rooftops of Mozambique. In the highly incredible

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<v Speaker 1>yet somehow thoroughly plowed adventure by first of all Gibbon

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<v Speaker 1>entitled the Second Class Passenger.

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<v Speaker 3>That's me Ronald A. Dawson's second class passenger. Oh I

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<v Speaker 3>could have afforded first class by pinching a little here

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<v Speaker 3>and there, But nobody back at Rawson's department store in

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<v Speaker 3>Cedar Rapids will ever know. The important thing is they're saying,

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<v Speaker 3>Ronald Dawson in Drapery is taking a cruise around the world.

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<v Speaker 3>And then there's really very little difference in the accommodations,

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<v Speaker 3>and the second class passengers are every bit as interesting

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<v Speaker 3>as the first class crowd. Take Miss Patterson, for instance,

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<v Speaker 3>You'd look far to find a more charming, likable altogether,

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<v Speaker 3>a desirable young lady, just the life of the party.

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<v Speaker 3>We've gotten to be quite good friends by the time

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<v Speaker 3>our crews put in at Mozambique. Although the competition was

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<v Speaker 3>always stiff, I can tell you there were times I

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<v Speaker 3>wish those other two Jones and Twitchell had missed the

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<v Speaker 3>boat somewhere along the line.

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<v Speaker 1>Well, we're still a good couple of hours before we say,

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<v Speaker 1>oh about a ride one of these native carriages, Miss Patterson.

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<v Speaker 4>Oh dear, do you think they'd be clean personally? I don't,

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<v Speaker 4>although I don't know as I should care too much.

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<v Speaker 4>Now that Woozo made me so woozy, great.

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<v Speaker 1>Stuff, So it would take a Greek to think up

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<v Speaker 1>a drink like that.

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<v Speaker 5>Oh you drinking.

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<v Speaker 6>Making Gentlemen like to buy pictures, no very interesting pictures.

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<v Speaker 3>Take a look, Oh no, go away?

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<v Speaker 1>You know we might do the fort, though the guide

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<v Speaker 1>book says it's the main point of interest. Now let's

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<v Speaker 1>see built by the Portuguese and sixteen hundred.

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<v Speaker 4>Do you never mind the statistics? I dare say the

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<v Speaker 4>fort would be as dreary as the rest of the place.

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<v Speaker 2>Oh, yes, bozam Beak's not at all like what you

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<v Speaker 2>would imagine bozam Beak to be.

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<v Speaker 1>Lying, that's a one horse down all right, main street

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<v Speaker 1>in a couple of valleys, and.

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<v Speaker 4>It's so dirty, you know, you think they do something

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<v Speaker 4>about it in this day and age.

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<v Speaker 7>No field point look called fine work. Him belonged to

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<v Speaker 7>Big Tanguan.

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<v Speaker 5>You a chief?

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<v Speaker 7>I said, no, maybe someday, wanna need fine job knife?

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<v Speaker 3>No, now get out, what did I need a knife

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<v Speaker 3>for it?

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<v Speaker 1>To protect yourself from the savage natives?

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<v Speaker 8>Oh?

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<v Speaker 4>Man, all you'd have to do is call a policeman.

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<v Speaker 4>He isn't doing anything else. You see him. Look at

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<v Speaker 4>him out in the center of the street, directing traffic

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<v Speaker 4>like he was at the corner of State and Madison.

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<v Speaker 2>And the traffic consists of two donkeys and an ox car.

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<v Speaker 3>It will be a relief to get back on board

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<v Speaker 3>ship and have a nice hot bath.

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<v Speaker 1>Yes, and real American food instead of that greasy fried

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<v Speaker 1>octopus we had for lunch at that Greek place.

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<v Speaker 4>Oh my, weren't they off.

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<v Speaker 2>That's part of the broadening experience of travel.

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<v Speaker 4>Yes, yes, I suppose so. Like that cute idol that

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<v Speaker 4>I bought. I can't wait to show that the girls

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<v Speaker 4>at the bank you know. Oh you're miss Dawson.

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<v Speaker 3>Yes, Patterson, where's my idol? Why? I thought Jones had

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<v Speaker 3>twitch or not me?

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<v Speaker 1>Old man?

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<v Speaker 2>You insisted on carrying it for miss Patterson, don't you remember?

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<v Speaker 3>Oh, dear, I must have left it back at the

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<v Speaker 3>Greek restaurant. I'm so sorry.

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<v Speaker 4>Oh I did so want that idol. Don't you think

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<v Speaker 4>you could go back for it, mister Dawson.

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<v Speaker 3>Whoa, Yes, of course, But I wonder if i'll have

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<v Speaker 3>time before the boat.

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<v Speaker 4>Say, I'm sure you will if you heard it, certainly.

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<v Speaker 3>Oh man, you've got more than an hour yet you're sure?

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<v Speaker 4>Oh?

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<v Speaker 1>Yes, Steward told me.

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<v Speaker 3>Then I'll go at once.

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<v Speaker 4>Oh that's kind of you, my dear, mister Dawson. Now

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<v Speaker 4>mind you don't miss the boat.

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<v Speaker 3>Well, I'll try not to. Why chances are i'll catch

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<v Speaker 3>up with you before you've reached the landing stone mine.

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<v Speaker 4>We'll wait for you till the very last.

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<v Speaker 3>I could have throttled that super sillious Jones insisting I

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<v Speaker 3>had time. I knew there was time, but I had

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<v Speaker 3>no desire to run off after a heavy bronze curio

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<v Speaker 3>and leave Jones and Twitchell alone withiness Patterson. She was

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<v Speaker 3>too nice a person. And oh they were such dreadful boores. Yes,

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<v Speaker 3>and I suspected them of being phonies too, But there

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<v Speaker 3>was no helping it now, so I made my way

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<v Speaker 3>back up the main street toward Lazarus Restaurant, where we'd

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<v Speaker 3>had our indigestible Greek lunch. Somehow, this main street of

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<v Speaker 3>Mozambique looked different now, in the quick African twilight. The

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<v Speaker 3>little saloons in the sidewalks were filling with men of

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<v Speaker 3>every nationality and color. Many of them wore knives thrust

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<v Speaker 3>through the belts of their thin white suits, knives that

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<v Speaker 3>looked as sharp as the glances they threw at me.

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<v Speaker 3>I must confess I felt a little strange and unwonted. Then,

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<v Speaker 3>lounging towards me in the crowd, I saw a large

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<v Speaker 3>woman clad in a sort of burnoose, but her brown

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<v Speaker 3>face unveiled. She had very wide lips and they were

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<v Speaker 3>painted scarlet, and from the corner of her mouth she

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<v Speaker 3>dangled a cigarette. Her eyes were heavily mascarried, and when

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<v Speaker 3>she looked down at me, terror seized me. I was

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<v Speaker 3>afraid she would speak to me. I didn't know what

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<v Speaker 3>I should do or say, but she didn't. Instead, she laughed,

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<v Speaker 3>and the way the lawyer was responded, I was convinced

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<v Speaker 3>that they were laughing with her at me, I must say.

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<v Speaker 3>I was relieved to reach the entrance of Lazarus restaurant.

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<v Speaker 3>Good evening, sir, little dinner for the gentleman. No, no,

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<v Speaker 3>thank you. As a matter of fact, I just lunched

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<v Speaker 3>here today. Very good, excellent mail, Thank you, sir. I

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<v Speaker 3>left a curio here, probably under the table. Have you

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<v Speaker 3>found it? A curio? Yes, some sort of a brass god.

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<v Speaker 3>It was wrapped in newspaper. Oh yes, so we got

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<v Speaker 3>him right here. Oh that's good. That's fine. I'm in

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<v Speaker 3>a hurry to get back to the boat. Yes, you

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<v Speaker 3>better hurry pretty soon.

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<v Speaker 1>She rained, rain.

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<v Speaker 3>Why there's not a cloud in.

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<v Speaker 1>The sky every night she rain in Mozambique.

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<v Speaker 3>Well you ought to know, but I still doted. Oh

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<v Speaker 3>here by yourself as a guy.

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<v Speaker 5>Thank you, sir, Thank you.

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<v Speaker 3>Very quick before she rained, don't worry about me. I'm

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<v Speaker 3>not made of sugar, you know. In just the few

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<v Speaker 3>moments I'd been inside the restaurant, night had fallen, that

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<v Speaker 3>sudden nightfall of the tropics. I looked overhead and clearly

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<v Speaker 3>saw the stars. Thinking what a bad weather forecast of

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<v Speaker 3>the Grak was. I tucked Miss Patterson's silly bronze idol

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<v Speaker 3>under my arm and started off with the waterfront. I

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<v Speaker 3>hadn't gone two hundred yards when a large, warm drop

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<v Speaker 3>of rain splattered on the back of my neck, then

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<v Speaker 3>two more on my hat, and before I could take

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<v Speaker 3>cover under an arch. It was raining like Iowa and April.

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<v Speaker 3>It didn't look like it let up soon, and I

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<v Speaker 3>wondered if there might not be a shorter way to

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<v Speaker 3>the water front, then the long walk down the main street,

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<v Speaker 3>and then the long way to the left along the docks.

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<v Speaker 3>Surely one of these alleys that turned off to the

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<v Speaker 3>left would lead me directly to the harbor and the

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<v Speaker 3>landing stage. So I left the protection of the archway

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<v Speaker 3>and turned into the alley at my left, four steps

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<v Speaker 3>from the main street, and I was engulfed in darkness,

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<v Speaker 3>wading through filth and mud over my ankles. But I

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<v Speaker 3>was certain that I was on the right track, so

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<v Speaker 3>I walked on and went straight into a blank wall.

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<v Speaker 3>I turned to retrace my steps, but I could see

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<v Speaker 3>no lights anywhere. I felt along the wall and until

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<v Speaker 3>it gave into another alley, followed it to another blank wall,

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<v Speaker 3>and thence into another one, And now I knew I

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<v Speaker 3>was lost. And now it had began to rain in earnest.

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<v Speaker 3>It pelted, it stamped, it whipped, it stung, it clashed.

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<v Speaker 3>In a moment, I was drenched to the skin. If

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<v Speaker 3>it was dark before, it was now black as a tomb.

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<v Speaker 3>I struggled onward because it was too terrible to stand

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<v Speaker 3>still and feel myself being beaten to the earth by

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<v Speaker 3>the sheer weight of the rain. I don't know how

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<v Speaker 3>far I walked through those fall and fettered passageways, nor

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<v Speaker 3>for ha long, but at last, feeling my way around

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<v Speaker 3>the corner, I saw a slit of light, a horizontal flicker,

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<v Speaker 3>beckoning beneath the door, and I heard voices. I lifted

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<v Speaker 3>the bronze idol and rapped on the door with it,

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<v Speaker 3>and the voices stopped.

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<v Speaker 2>What do you want?

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<v Speaker 3>I'd lost my way, I'm went through and I don't

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<v Speaker 3>know where I am. Please let me in, Please let

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<v Speaker 3>me in.

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<v Speaker 2>Of course you may come in.

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<v Speaker 1>Yeah, I'm exactly who we expected, But come in, come in.

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<v Speaker 3>I walked into a room that was unfurnished save for

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<v Speaker 3>a littered table and some chairs, and a gaudy picture

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<v Speaker 3>of the Virgin that hung on the wall. On each

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<v Speaker 3>side of it was a skuns in which is slovenly

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<v Speaker 3>candle guttered. A woman was perched on the corner of

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<v Speaker 3>the table, a heavy shawl over her head under it.

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<v Speaker 3>The dark face propped in the fork of her hand

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<v Speaker 3>glowed solemnly, and her bare white arm was like a

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<v Speaker 3>menacing thing. In a chair near her, a grossly fat

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<v Speaker 3>man was huddled scowling heavily under thick fair brows, while

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<v Speaker 3>the other man, he who had opened the door, stood smiling.

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<v Speaker 3>The woman laughed softly and pointed to the image dangling

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<v Speaker 3>in my hand.

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<v Speaker 5>What is that?

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<v Speaker 3>I beg your pardon?

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<v Speaker 5>That parcel you are carrying purse?

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<v Speaker 3>Oh, it's a curio and idol of some sort. A

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<v Speaker 3>friend of mine.

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<v Speaker 9>Left the restaurant, and you're at your list with.

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<v Speaker 3>Both Yes, yes, that's right. How did you know?

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<v Speaker 9>What are you doing here?

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<v Speaker 2>So late and so wet?

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<v Speaker 1>The boat sailed.

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<v Speaker 3>Soon I know I was trying to take a shortcut

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<v Speaker 3>to the landing stage. I got lost somehow. I came

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<v Speaker 3>ashore with some friends from the second class. I left

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<v Speaker 3>them to come back and fetch this idle and here I.

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<v Speaker 9>Am give the young man a chair agon.

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<v Speaker 3>Oh oh, thank you, thank you very much. But I

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<v Speaker 3>must go on as soon as the rain stops. If

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<v Speaker 3>you can direct me for.

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<v Speaker 2>A while, yet, you may as well wait here.

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<v Speaker 9>Yes, we may be able to provide some entertainment for

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<v Speaker 9>our second class tourist as soon as your friends arrived.

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<v Speaker 5>My dear friends, the police are not my friends.

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<v Speaker 3>You led them to us.

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<v Speaker 5>Would you walk about with your knives forever? While I

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<v Speaker 5>take all the risks risks?

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<v Speaker 8>Seven months, you have done what you willed, untouched. I

215
00:12:02.840 --> 00:12:07.600
<v Speaker 8>bought your freedom for seven months with smiles and love.

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<v Speaker 5>Now you take your turn.

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<v Speaker 8>One uses a knife, one goes to prison one month,

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00:12:13.799 --> 00:12:15.399
<v Speaker 8>three months, six months.

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00:12:15.759 --> 00:12:16.600
<v Speaker 5>Who knows?

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<v Speaker 3>You could have talked with the prefect of police.

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00:12:20.039 --> 00:12:24.799
<v Speaker 8>Again, again and again, and for what life is not

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00:12:25.279 --> 00:12:30.080
<v Speaker 8>spending money one pays for leaving my friend with work,

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<v Speaker 8>sometimes with jail.

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<v Speaker 5>I have paid. Now is your turn.

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<v Speaker 9>You could have helped us once more, only once more,

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00:12:40.320 --> 00:12:42.480
<v Speaker 9>and we could have been out of the store and

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<v Speaker 9>on the coastal Lorenzo Marks so kept down.

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00:12:44.799 --> 00:12:45.480
<v Speaker 4>Why didn't you?

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<v Speaker 3>Why didn't you help us once more?

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<v Speaker 8>Why always you say once more, once more. Now there

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<v Speaker 8>is no more.

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<v Speaker 1>You are a sheepig, the filed in the box.

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<v Speaker 3>I beg your pardons. Well that's no way to speak

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<v Speaker 3>to a lady. Well, I'm serious. I don't like to

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00:13:05.159 --> 00:13:07.720
<v Speaker 3>hear such language used to a lady. I must ask you

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<v Speaker 3>to apologize the devil.

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<v Speaker 2>Have you got this?

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00:13:10.600 --> 00:13:12.279
<v Speaker 3>You just came in out of the rain from the

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<v Speaker 3>second place.

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<v Speaker 5>Please don't fight with him. They're troubling enough already.

241
00:13:16.960 --> 00:13:18.480
<v Speaker 2>But what the double light is? You got to come

242
00:13:18.519 --> 00:13:19.360
<v Speaker 2>in here today?

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00:13:19.480 --> 00:13:24.960
<v Speaker 8>You stab the Egyptian, don't stab this one. You want

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00:13:25.000 --> 00:13:27.440
<v Speaker 8>the police to find you here with the corpse?

245
00:13:27.600 --> 00:13:30.200
<v Speaker 3>A corpse? What does it matter how the police find us?

246
00:13:30.440 --> 00:13:32.519
<v Speaker 2>We wait for them because we have no choice. You

247
00:13:32.559 --> 00:13:33.480
<v Speaker 2>put them on us.

248
00:13:34.039 --> 00:13:35.480
<v Speaker 3>We should do away with you.

249
00:13:35.519 --> 00:13:38.519
<v Speaker 5>Why do you lie even to yourself?

250
00:13:39.240 --> 00:13:42.360
<v Speaker 8>Why must you hide your own blame behind my skirts?

251
00:13:42.759 --> 00:13:45.559
<v Speaker 8>Great Mother of Heaven, you are neither man nor beast?

252
00:13:45.919 --> 00:13:46.320
<v Speaker 5>You are.

253
00:13:46.440 --> 00:13:49.000
<v Speaker 3>Don't go on, don't you dare say it?

254
00:13:51.120 --> 00:13:55.919
<v Speaker 5>There? You are just the salmac.

255
00:13:56.919 --> 00:13:58.879
<v Speaker 3>No one says that to me? And leave this got

256
00:13:58.879 --> 00:14:08.480
<v Speaker 3>a knife sick simak, No, you don't stand back or

257
00:14:08.639 --> 00:14:09.559
<v Speaker 3>brain you with the sidle.

258
00:14:10.480 --> 00:14:12.919
<v Speaker 9>You'll think I carry only a knife.

259
00:14:13.399 --> 00:14:23.200
<v Speaker 5>Dog he forgot I carry a knife.

260
00:14:23.720 --> 00:14:28.279
<v Speaker 3>Oh, oh, look what I did to him with this

261
00:14:28.480 --> 00:14:32.000
<v Speaker 3>bronze idle. Horrible, horrible.

262
00:14:32.399 --> 00:14:37.000
<v Speaker 8>It makes a good weapon, you idle. It was a

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00:14:37.080 --> 00:14:41.720
<v Speaker 8>grand blow, the King's blow. You cannot help him.

264
00:14:41.720 --> 00:14:46.879
<v Speaker 3>Now I've killed a man with this little curio, and

265
00:14:47.360 --> 00:14:52.080
<v Speaker 3>you've killed another with your knife. Two men murdered. Oh,

266
00:14:52.120 --> 00:14:55.080
<v Speaker 3>I must get back to the ship. You must come

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00:14:55.080 --> 00:14:55.360
<v Speaker 3>with me.

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00:14:57.399 --> 00:14:58.000
<v Speaker 10>To the ship.

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00:14:58.159 --> 00:15:00.480
<v Speaker 5>Olah. You think i'd be well you come in the

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<v Speaker 5>second class.

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00:15:01.679 --> 00:15:02.840
<v Speaker 3>Well, I don't know.

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00:15:02.879 --> 00:15:05.320
<v Speaker 5>We must go somewhere. The police will be here any minute.

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00:15:05.399 --> 00:15:05.919
<v Speaker 3>The police.

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00:15:06.039 --> 00:15:13.799
<v Speaker 8>Yes, come, Ah, he's not ringing so hard now, just

275
00:15:13.840 --> 00:15:16.519
<v Speaker 8>the police. They have come for those two. They will

276
00:15:16.519 --> 00:15:18.960
<v Speaker 8>be on both sides of us. Here, all my hands

277
00:15:19.720 --> 00:15:23.000
<v Speaker 8>stand perfectly still. I will tell you when it's safe

278
00:15:23.039 --> 00:15:31.080
<v Speaker 8>to move. Now they are all around, so they won't

279
00:15:31.159 --> 00:15:31.519
<v Speaker 8>hear us.

280
00:15:32.200 --> 00:15:36.600
<v Speaker 3>Come now, where are we going?

281
00:15:37.320 --> 00:15:40.080
<v Speaker 8>We are escaping, But if you know from what we

282
00:15:40.120 --> 00:15:44.159
<v Speaker 8>are escaping, we will not care where. Hurry, hang onto

283
00:15:44.200 --> 00:15:49.799
<v Speaker 8>my hand and hurry.

284
00:15:51.879 --> 00:15:54.279
<v Speaker 5>They have on the bodies. Now they are after us.

285
00:15:54.360 --> 00:15:55.039
<v Speaker 3>What would we do?

286
00:15:55.600 --> 00:15:56.600
<v Speaker 5>There is a door nearby.

287
00:15:57.080 --> 00:16:00.799
<v Speaker 10>We must find it or you feel feel along the

288
00:16:00.840 --> 00:16:07.320
<v Speaker 10>wall here, father, father.

289
00:16:08.519 --> 00:16:09.679
<v Speaker 5>It must be here.

290
00:16:11.120 --> 00:16:12.159
<v Speaker 3>Yes, cool, here it is.

291
00:16:12.960 --> 00:16:14.679
<v Speaker 5>Push push it in.

292
00:16:15.399 --> 00:16:18.720
<v Speaker 3>Oh, but that's bought it from inside.

293
00:16:18.759 --> 00:16:19.759
<v Speaker 5>You must push it in.

294
00:16:19.799 --> 00:16:22.480
<v Speaker 3>It is the only way here, a whole the side

295
00:16:22.480 --> 00:16:23.879
<v Speaker 3>of No.

296
00:16:25.919 --> 00:16:27.480
<v Speaker 5>Not yet, need it again.

297
00:16:29.320 --> 00:16:30.519
<v Speaker 3>It's giving once more.

298
00:16:32.279 --> 00:16:36.200
<v Speaker 8>Gord, my friend, my great strong friend, up the stairs.

299
00:16:36.200 --> 00:16:44.279
<v Speaker 3>Now quickly, where are we going? Now to the roof? Wait?

300
00:16:44.480 --> 00:16:50.679
<v Speaker 5>Huh the rain has stopped.

301
00:16:51.559 --> 00:16:54.399
<v Speaker 3>Yes, the stars are coming out.

302
00:16:55.759 --> 00:16:58.600
<v Speaker 5>Where is your ship out in the harbor?

303
00:16:59.120 --> 00:17:00.000
<v Speaker 3>I must get to it.

304
00:17:00.960 --> 00:17:05.160
<v Speaker 5>Listen you hear them. We are not safe yet.

305
00:17:05.960 --> 00:17:07.200
<v Speaker 3>Over the world to the next roof.

306
00:17:07.359 --> 00:17:14.680
<v Speaker 8>Hurry now, over to the next.

307
00:17:18.480 --> 00:17:22.359
<v Speaker 3>Abut are you all right?

308
00:17:22.759 --> 00:17:24.079
<v Speaker 10>Come up quietly?

309
00:17:24.240 --> 00:17:29.559
<v Speaker 3>Yes? What's that down there? A tend?

310
00:17:29.759 --> 00:17:35.240
<v Speaker 8>Yes, people are asleep. You must walk like a rat.

311
00:17:36.519 --> 00:17:40.839
<v Speaker 8>Who knows if they see us, they will think you

312
00:17:41.000 --> 00:17:42.559
<v Speaker 8>have come after the women.

313
00:17:43.039 --> 00:17:45.200
<v Speaker 3>But we could say there would be nothing to say.

314
00:17:46.799 --> 00:17:52.519
<v Speaker 8>Sh someone's crawling out of the tent, a man with

315
00:17:52.640 --> 00:17:54.880
<v Speaker 8>a sheet raped round him.

316
00:17:54.920 --> 00:17:58.839
<v Speaker 3>He's coming this way. Why doesn't he see us?

317
00:17:59.440 --> 00:18:02.799
<v Speaker 5>His eyes are clouded with sleep. Perhaps if he sees

318
00:18:02.839 --> 00:18:05.240
<v Speaker 5>us it will be too late.

319
00:18:06.000 --> 00:18:14.799
<v Speaker 3>Then he won't there and there, Well, that took the

320
00:18:14.799 --> 00:18:15.440
<v Speaker 3>fight out of him.

321
00:18:15.759 --> 00:18:19.160
<v Speaker 5>Take this, my little knife, just a prick, and he

322
00:18:19.359 --> 00:18:20.480
<v Speaker 5>is quite safe.

323
00:18:20.519 --> 00:18:22.599
<v Speaker 3>Oh no, he's still enough. Now, he won't harm us.

324
00:18:22.640 --> 00:18:26.359
<v Speaker 3>I really did demand, didn't I.

325
00:18:26.519 --> 00:18:30.880
<v Speaker 8>It was splendid with only the bare hands to take

326
00:18:30.960 --> 00:18:33.640
<v Speaker 8>an armed man armed.

327
00:18:34.799 --> 00:18:37.160
<v Speaker 3>I didn't know he was armed, of course.

328
00:18:37.119 --> 00:18:39.799
<v Speaker 5>Of that you may always be sure. Look they're in his.

329
00:18:39.799 --> 00:18:43.799
<v Speaker 3>Loin cloth a dagger at least six inches.

330
00:18:44.200 --> 00:18:48.440
<v Speaker 5>Yes, you are truly magnificent, my friend.

331
00:18:50.119 --> 00:18:52.680
<v Speaker 7>You are a man.

332
00:18:54.319 --> 00:19:01.119
<v Speaker 3>You are a woman, then, wonderful woman.

333
00:19:09.880 --> 00:19:10.400
<v Speaker 5>I was.

334
00:19:12.039 --> 00:19:17.200
<v Speaker 8>Wondering when you would kiss me, when you too convince

335
00:19:17.240 --> 00:19:21.359
<v Speaker 8>it with the Russian said to me. I knew you would,

336
00:19:23.200 --> 00:19:25.599
<v Speaker 8>but I wonder how soon.

337
00:19:26.160 --> 00:19:28.880
<v Speaker 3>Yes, yes, I suppose I knew too, in a way,

338
00:19:29.720 --> 00:19:31.960
<v Speaker 3>at least I thought how much I'd like to. But

339
00:19:32.160 --> 00:19:34.720
<v Speaker 3>I wouldn't have had the courage before all this. I

340
00:19:34.720 --> 00:19:35.880
<v Speaker 3>suppose courage.

341
00:19:36.359 --> 00:19:42.119
<v Speaker 8>Your courage is of the lion, your strength, he's of

342
00:19:42.240 --> 00:19:44.759
<v Speaker 8>the great bull of Swahili.

343
00:19:47.039 --> 00:19:50.960
<v Speaker 3>Thank you, thank you. I wonder if we're far from

344
00:19:51.000 --> 00:19:53.440
<v Speaker 3>the landing stage now. I mustn't miss my boat.

345
00:19:53.480 --> 00:19:57.119
<v Speaker 5>You know you want to go back to this second class.

346
00:19:57.599 --> 00:20:00.720
<v Speaker 3>Well, naturally, that's what I was trying to do when

347
00:20:00.720 --> 00:20:04.400
<v Speaker 3>I knocked on your door. Goodness, i've missed my dinner

348
00:20:04.400 --> 00:20:04.960
<v Speaker 3>as it is.

349
00:20:06.640 --> 00:20:07.400
<v Speaker 5>Missed your dinner?

350
00:20:08.279 --> 00:20:13.839
<v Speaker 8>Yes, that is so, but haven't you gained something else?

351
00:20:14.680 --> 00:20:25.960
<v Speaker 5>What me? Look? Look at me? Is it nothing? Friend?

352
00:20:26.759 --> 00:20:33.599
<v Speaker 8>That you have saved me for yourself, but you can't

353
00:20:33.839 --> 00:20:36.519
<v Speaker 8>manage do your bread on the roofs of Mozambique.

354
00:20:36.680 --> 00:20:39.799
<v Speaker 5>You fight like a hero a Russia blow a tumble

355
00:20:39.880 --> 00:20:43.680
<v Speaker 5>and you had them lying at your feet. Are you're

356
00:20:43.720 --> 00:20:49.440
<v Speaker 5>not glad that it was all for this?

357
00:20:51.680 --> 00:21:11.720
<v Speaker 3>For me? Kiss me, I'd fight. I'd fight for you

358
00:21:11.759 --> 00:21:15.039
<v Speaker 3>as long as as long as there was anyone to fight.

359
00:21:15.400 --> 00:21:18.359
<v Speaker 5>You would, I know you would?

360
00:21:23.319 --> 00:21:27.960
<v Speaker 3>You lead on wherever you will.

361
00:21:30.039 --> 00:21:30.400
<v Speaker 5>Come.

362
00:21:39.720 --> 00:21:43.480
<v Speaker 3>Of course, I don't expect you to believe it. Looking back,

363
00:21:43.519 --> 00:21:47.359
<v Speaker 3>I'm still unsure it really happened to me. It's as

364
00:21:47.400 --> 00:21:48.160
<v Speaker 3>though I dreamed it.

365
00:21:49.680 --> 00:21:49.920
<v Speaker 1>Well.

366
00:21:50.000 --> 00:21:52.680
<v Speaker 3>I don't know how many roofs we crossed after that,

367
00:21:53.160 --> 00:21:57.200
<v Speaker 3>A dozen't perhaps maybe twenty. It was mad, I know,

368
00:21:57.359 --> 00:22:01.039
<v Speaker 3>but I must have surrendered completely to the wild spirit

369
00:22:01.119 --> 00:22:04.359
<v Speaker 3>of the African coast. I didn't seem to see the

370
00:22:04.400 --> 00:22:07.359
<v Speaker 3>great ship lying out in the harbor, her lights blinking

371
00:22:07.359 --> 00:22:11.279
<v Speaker 3>with the comforts of civilization. All my senses were focused

372
00:22:11.319 --> 00:22:14.880
<v Speaker 3>on this slim, breathtaking figure leading me across the rooftops

373
00:22:14.920 --> 00:22:18.480
<v Speaker 3>to a shadowy destination in which only one thing was

374
00:22:18.480 --> 00:22:24.079
<v Speaker 3>certain she would be there. I suppose, in that moment,

375
00:22:24.720 --> 00:22:28.480
<v Speaker 3>armed only with the bloody bronze Idol, I was invincible.

376
00:22:28.880 --> 00:22:37.599
<v Speaker 3>At last she led me down a creaking wooden stair

377
00:22:37.680 --> 00:22:40.240
<v Speaker 3>that hung precariously on the sheer side of a house,

378
00:22:40.799 --> 00:22:42.720
<v Speaker 3>and once more we were in the mud of a

379
00:22:42.759 --> 00:22:46.039
<v Speaker 3>gloomy alley. Even the way she slid her arm along

380
00:22:46.119 --> 00:22:49.599
<v Speaker 3>mine and softly grasped my hand filled me with greater

381
00:22:49.759 --> 00:22:53.000
<v Speaker 3>power than I had ever known. Hand in hand, we

382
00:22:53.039 --> 00:22:54.920
<v Speaker 3>made our way down the alley and out into a

383
00:22:54.920 --> 00:22:58.480
<v Speaker 3>little square, where a night breeze rustled in the palms

384
00:22:58.519 --> 00:23:01.759
<v Speaker 3>and smelled of the sea. And across the way a

385
00:23:01.799 --> 00:23:06.039
<v Speaker 3>dim light showed through a big open door, the little.

386
00:23:05.880 --> 00:23:07.240
<v Speaker 5>Church of San Sebastian.

387
00:23:10.200 --> 00:23:20.720
<v Speaker 6>The police after all this, okay, your the prendella porque.

388
00:23:23.319 --> 00:23:27.759
<v Speaker 9>Musa company one was one.

389
00:23:27.799 --> 00:23:30.880
<v Speaker 8>Was capitao diva vero tramanida.

390
00:23:30.960 --> 00:23:36.400
<v Speaker 3>The resolve is ishta vesna pegamau present. What's the matter

391
00:23:36.440 --> 00:23:37.319
<v Speaker 3>with him? What's he want?

392
00:23:37.759 --> 00:23:38.920
<v Speaker 5>He says, he want to let me go.

393
00:23:39.799 --> 00:23:41.839
<v Speaker 3>The devil he want? What's he want you for?

394
00:23:43.000 --> 00:23:47.759
<v Speaker 5>Oh, my friend, this little policeman. They always arrest me

395
00:23:47.759 --> 00:23:50.240
<v Speaker 5>when they get a chance. It is tiresome.

396
00:23:51.759 --> 00:23:58.599
<v Speaker 3>Cons companion, listen, copper, scam see take it on the lamb.

397
00:23:59.160 --> 00:24:05.240
<v Speaker 3>Take a power, guysy, do contray yourself press, I said, square.

398
00:24:06.839 --> 00:24:09.839
<v Speaker 5>Run run before I can get to his feet. No,

399
00:24:09.880 --> 00:24:12.799
<v Speaker 5>not a way into the church to send.

400
00:24:12.599 --> 00:24:22.200
<v Speaker 8>You, Aya, my magnificent one.

401
00:24:23.240 --> 00:24:24.480
<v Speaker 5>You fear no one.

402
00:24:25.240 --> 00:24:28.680
<v Speaker 8>You fight for me so long as there is anyone

403
00:24:28.720 --> 00:24:32.400
<v Speaker 8>to fight. Yes, there will always be someone to fight.

404
00:24:33.000 --> 00:24:34.359
<v Speaker 8>They will never leave us alone.

405
00:24:34.519 --> 00:24:35.799
<v Speaker 3>Well, they follow us in here.

406
00:24:36.279 --> 00:24:40.160
<v Speaker 8>These police might do anything, but I know one door.

407
00:24:40.160 --> 00:24:42.799
<v Speaker 8>They will not there follow us through. Where's that came

408
00:24:43.559 --> 00:24:46.319
<v Speaker 8>this way?

409
00:24:49.119 --> 00:24:49.440
<v Speaker 5>Here?

410
00:24:50.519 --> 00:24:56.440
<v Speaker 8>This door Hurst, I must run my skirts clothes now,

411
00:24:57.759 --> 00:24:59.319
<v Speaker 8>come cleanly.

412
00:24:59.000 --> 00:25:02.640
<v Speaker 5>Through the middle. Do not please do not rub the

413
00:25:02.680 --> 00:25:03.440
<v Speaker 5>walls as.

414
00:25:03.319 --> 00:25:03.880
<v Speaker 3>You come.

415
00:25:09.000 --> 00:25:09.279
<v Speaker 10>There.

416
00:25:10.240 --> 00:25:13.279
<v Speaker 5>We are safe for a while. They will not follow

417
00:25:13.400 --> 00:25:14.240
<v Speaker 5>us through that door.

418
00:25:14.480 --> 00:25:18.160
<v Speaker 3>Why not? It was the door of the lepers, the

419
00:25:18.200 --> 00:25:18.839
<v Speaker 3>door of the.

420
00:25:18.920 --> 00:25:19.599
<v Speaker 5>This is all right.

421
00:25:19.920 --> 00:25:24.039
<v Speaker 8>We didn't touch the portles. See down the alley are

422
00:25:24.079 --> 00:25:25.119
<v Speaker 8>the lights of the waterfront.

423
00:25:25.359 --> 00:25:27.359
<v Speaker 3>Yes, where do we go now?

424
00:25:28.359 --> 00:25:31.279
<v Speaker 8>We have a little time now to breathe the clean

425
00:25:31.319 --> 00:25:32.240
<v Speaker 8>air of the harbor.

426
00:25:33.680 --> 00:25:39.880
<v Speaker 5>And then I know a little place where someone is coming.

427
00:25:40.359 --> 00:25:42.160
<v Speaker 5>Step back in the shadow until they have passed.

428
00:25:46.480 --> 00:25:47.160
<v Speaker 1>What is it.

429
00:25:52.720 --> 00:25:54.880
<v Speaker 3>The idol? I must return the idol.

430
00:25:54.960 --> 00:26:00.799
<v Speaker 8>No, don't, my friend, this is the greatest danger of all. Goodbye,

431
00:26:01.920 --> 00:26:06.119
<v Speaker 8>don't go, magnificent one, don't go.

432
00:26:07.519 --> 00:26:17.759
<v Speaker 3>I must goodbye. Hello there, I got here before you

433
00:26:17.839 --> 00:26:18.359
<v Speaker 3>had appeared.

434
00:26:18.880 --> 00:26:20.039
<v Speaker 4>Did you find the idol?

435
00:26:20.480 --> 00:26:22.519
<v Speaker 3>Yes? But for a moment there I was afraid I

436
00:26:22.519 --> 00:26:24.000
<v Speaker 3>should miss the boat or.

437
00:26:23.839 --> 00:26:26.359
<v Speaker 2>I say, oh, man, you're a bit of shovel.

438
00:26:26.839 --> 00:26:28.599
<v Speaker 3>Yes, I got caught in the rain.

439
00:26:29.039 --> 00:26:33.160
<v Speaker 4>And my idol. Oh, mister Dawson, you've got it all dirty.

440
00:26:33.440 --> 00:26:35.519
<v Speaker 3>Yes, it is a bit must I dropped it once

441
00:26:35.599 --> 00:26:36.119
<v Speaker 3>or twice, I.

442
00:26:36.039 --> 00:26:37.720
<v Speaker 4>Feel I think that was clumsy of you.

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00:26:37.880 --> 00:26:39.880
<v Speaker 3>Oh nothing, A little soap and water won't put the

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00:26:39.960 --> 00:26:41.000
<v Speaker 3>right side there, say.

445
00:26:40.920 --> 00:26:43.519
<v Speaker 4>Well, maybe, Well we'd better hurry along. I'd hate to

446
00:26:43.559 --> 00:26:48.279
<v Speaker 4>have to spend any more time in this dreadful place. Yes, there, there,

447
00:26:48.319 --> 00:26:50.759
<v Speaker 4>there's the whistle, and that's the last morning, no doubt.

448
00:26:50.880 --> 00:26:55.519
<v Speaker 2>Come on, come on, everybody, Oh Dawson, don't stand there mooning.

449
00:26:55.519 --> 00:26:56.279
<v Speaker 2>We'll miss the boat.

450
00:26:57.559 --> 00:27:02.319
<v Speaker 3>Yes, yes, And just a moment there's someone standing there

451
00:27:02.359 --> 00:27:06.799
<v Speaker 3>in the shadow of the alley. I'm not sure. I

452
00:27:06.799 --> 00:27:07.359
<v Speaker 3>thought for a.

453
00:27:07.319 --> 00:27:09.440
<v Speaker 2>Moment, funny, I could have sworn I saw you wave

454
00:27:09.519 --> 00:27:10.640
<v Speaker 2>goodbye to someone.

455
00:27:11.400 --> 00:27:19.960
<v Speaker 3>Perhaps I did goodbye to Mozambique. To adventure in romance.

456
00:27:20.279 --> 00:27:21.039
<v Speaker 3>Oh that's good.

457
00:27:21.079 --> 00:27:21.880
<v Speaker 2>That's very good.

458
00:27:22.319 --> 00:27:27.480
<v Speaker 3>Adventure romance in this past hole, Twitchell, What would you

459
00:27:27.519 --> 00:27:29.839
<v Speaker 3>say if I told you I had just killed a man,

460
00:27:30.119 --> 00:27:32.799
<v Speaker 3>fled over the rooftops of the city, made love to

461
00:27:32.880 --> 00:27:37.480
<v Speaker 3>a beautiful woman, fought the police, escaped through the leper's gates.

462
00:27:37.920 --> 00:27:40.680
<v Speaker 2>I'd say the wildest imagination I'd ever heard of.

463
00:27:41.400 --> 00:27:48.720
<v Speaker 3>Nothing like that ever happens to a second class passenger. No, no,

464
00:27:48.880 --> 00:27:53.599
<v Speaker 3>I suppose you're right. Nothing like that ever happens to

465
00:27:53.640 --> 00:28:02.480
<v Speaker 3>it second class passenger, except in dreams. Come on, Twitchel,

466
00:28:03.119 --> 00:28:04.039
<v Speaker 3>we missed the bog.

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00:28:23.880 --> 00:28:27.160
<v Speaker 2>Escape. Produced and directed by William N. Robson. Has Tonight

468
00:28:27.200 --> 00:28:30.519
<v Speaker 2>Brought You The Second Class Passenger by Percival Gibbon, Adapted

469
00:28:30.559 --> 00:28:33.519
<v Speaker 2>for radio by mister Robson, with Harry Bartel as Dawson,

470
00:28:33.559 --> 00:28:36.680
<v Speaker 2>Jeanette Nolan as the Woman, and Kathy Lewis as Miss Patterson.

471
00:28:36.960 --> 00:28:39.519
<v Speaker 2>Original music conceived and conducted by cy Fure.

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00:28:42.160 --> 00:28:46.920
<v Speaker 1>Next week, you are isolated on a remote plantation in

473
00:28:46.960 --> 00:28:51.039
<v Speaker 1>the crawling Amazon jungle, and an immense army of bravenous

474
00:28:51.119 --> 00:28:54.240
<v Speaker 1>ants is closing in on you, swarming in to eat

475
00:28:54.319 --> 00:28:57.720
<v Speaker 1>you alive, a deadly black army from which there is

476
00:28:58.319 --> 00:29:00.200
<v Speaker 1>no escape.

477
00:29:02.319 --> 00:29:05.720
<v Speaker 2>Next week we escape with Carl Stephenson's terrifying story line

478
00:29:05.720 --> 00:29:08.720
<v Speaker 2>Engine versus the Ads. Good night, then, until this same

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00:29:08.799 --> 00:29:13.240
<v Speaker 2>time next week, when again we offer you escape. This

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00:29:13.400 --> 00:29:35.359
<v Speaker 2>is CBS, the Columbia Broadcasting System.
