WEBVTT

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<v Speaker 1>Missus Orton Wells speaking from London. The Black Museums through

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<v Speaker 1>a positary of death. Yeah, it's here in the Grimstone

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<v Speaker 1>start Armatam which houses Scotland Yard, is a warehouse of homicide.

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<v Speaker 2>For everyday objects.

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<v Speaker 1>A glass, ash tray, porcelain face, an electric fan, all

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<v Speaker 1>are touched by merger.

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<v Speaker 2>There's a piece of an iron chain.

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<v Speaker 1>It's a familiar object, might be a bar on a

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<v Speaker 1>gravel driveway. It might rest in an emergency truck, a

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<v Speaker 1>use and throwing an automobile mid mice.

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<v Speaker 2>So in this case, the cause of says, remember this.

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<v Speaker 3>Was this hey, of course inspection You knew, didn't you.

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<v Speaker 1>We just about then closed the file on the tail

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<v Speaker 1>killing this you told me. It's just as well as

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<v Speaker 1>those statutes.

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<v Speaker 2>Of limitations on murder. And today that shain can be

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<v Speaker 2>seen in its place in the Black Museum.

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<v Speaker 4>From the annals of the Criminal Investigation Department of the

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<v Speaker 4>London Police, we bring you the dramatic stories of the

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<v Speaker 4>crimes recorded by the objects in Scotland Yards Gallery of Death,

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<v Speaker 4>the Black Museum.

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<v Speaker 2>Oh here we are a Black Museum's couple of yards.

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<v Speaker 2>Museum of murder. Hairline is that.

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<v Speaker 1>It is different quite different from 'em. Yeah, him stones

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<v Speaker 1>marked only the mons beneath which dust has returned to dust.

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<v Speaker 3>But these white cars with the neat.

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<v Speaker 2>Black lettering designates the means of death. And in every

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<v Speaker 2>case it can ulu a hu chane.

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<v Speaker 5>Chaine.

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<v Speaker 2>I want you associated with the woods with the sound

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<v Speaker 2>shade shift, some angers, slavery, fires and prisons, maybe, oh

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<v Speaker 2>finny with the younger of twenty.

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<v Speaker 1>Three seated in the hide share of their officers. How

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<v Speaker 1>Scott from the eye. I'm sorry to ask you to

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<v Speaker 1>repeat that statement, Miss Tomlinson. You'll understand that I find

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<v Speaker 1>brother hard to believe you feel the same way, don't.

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<v Speaker 3>You sudden I did that, no doubt about it.

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<v Speaker 1>I do.

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<v Speaker 3>I rather expected your rooms in modern time. If I do,

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<v Speaker 3>and you have no explanation of these uh phenomenon. If

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<v Speaker 3>I heard, I wouldn't be here, inspector. You must believe

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<v Speaker 3>me that it ghost. And I think you don't.

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<v Speaker 2>Mean, Miss Thomlinson.

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<v Speaker 3>But I'm noises in the night, and they fight UNEs

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<v Speaker 3>and the voice, my father's voice. He wants me out

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<v Speaker 3>of the house.

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<v Speaker 6>Well, why should you want me out when you missed

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<v Speaker 6>it to me, when you were so happy there together,

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<v Speaker 6>just you and my father.

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<v Speaker 3>Mother died when I was very little.

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<v Speaker 6>I hardly knew her mother, only.

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<v Speaker 3>Myself in the house.

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<v Speaker 1>Answered, I see does this.

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<v Speaker 2>Goest by any jus recal chabins.

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<v Speaker 3>It's a super son.

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<v Speaker 1>And kind did a good inspect at his own ideas

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<v Speaker 1>about this ghost. In fact, after John Thominson left his office,

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<v Speaker 1>interesting person in ghosts littles out hair in good looking

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<v Speaker 1>air as a sagan.

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<v Speaker 2>All that death naga.

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<v Speaker 3>But it might be possible that someone else is or

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<v Speaker 3>in their.

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<v Speaker 1>Property, perhaps well looking to a person. If we don't,

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<v Speaker 1>we all got the young lady will get back.

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<v Speaker 2>Until we do. Let me have another person of morning.

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<v Speaker 2>The morning was eight hours away.

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<v Speaker 1>Sudge and Preston walked up the christ Street in the

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<v Speaker 1>London suburb where he child stood alone in his own

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<v Speaker 1>plot of ground.

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<v Speaker 2>Even in the innattequate.

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<v Speaker 1>Light in the streets anser side, you could see something

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<v Speaker 1>of well kept.

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<v Speaker 2>Laws and sis.

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<v Speaker 1>He turned into the concrete driveway, studied two garages and

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<v Speaker 1>tens of back gardens, hiding his way to a screen

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<v Speaker 1>back porch or a light show.

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<v Speaker 3>Briefly she changed SERGEANTY, thank you for the light my torch.

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<v Speaker 6>I didn't want you to try the home house this way,

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<v Speaker 6>I don't we'd ringing outstairs room.

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<v Speaker 2>Whatever you seek business, it's your guys.

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<v Speaker 1>Yes, and.

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<v Speaker 3>What's stairs this way?

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<v Speaker 1>The sergeant himself rather than saw in the darkness, and

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<v Speaker 1>it was a large house. Seeing these several rooms on

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<v Speaker 1>the ground floor and upstairs. They passed three closed doors

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<v Speaker 1>before they end up the sitting room, which kind they

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<v Speaker 1>extended before went to the building.

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<v Speaker 6>That's the comfortable chair with the father.

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<v Speaker 2>Thank you, miss, did you?

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<v Speaker 3>Uh?

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<v Speaker 6>No?

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<v Speaker 2>Thank you at all? Smooth?

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<v Speaker 3>Your fine man was of course, when does he come midnight?

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<v Speaker 6>Any time after?

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<v Speaker 3>I understand it? He really? I know it? Now wait wait.

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<v Speaker 2>Nothing, think he'll come to.

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<v Speaker 5>Night, miss, I'll say he starting juty starting.

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<v Speaker 2>Non believe h.

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<v Speaker 3>Hear me?

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<v Speaker 5>Start how can I help you?

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<v Speaker 3>Miss?

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<v Speaker 1>Oh?

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<v Speaker 6>So me.

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<v Speaker 3>Okay, and you hear me. It's just it's something slash.

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<v Speaker 2>Joy.

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<v Speaker 3>I can't dress, I can't.

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<v Speaker 1>Not dwaving.

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<v Speaker 6>I know.

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<v Speaker 1>In a.

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<v Speaker 3>Oh, it's human, it's gootably.

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<v Speaker 2>That the sergeant really, because it has to be human.

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<v Speaker 1>Does into a sound, Sergeant, have you ever heard of

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<v Speaker 1>the researchers of colon oil and dozens of others?

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<v Speaker 3>No, you'll believe me, sergeant there's something like my father,

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<v Speaker 3>who oh.

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<v Speaker 1>What call me?

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<v Speaker 3>Tell me? All right?

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<v Speaker 1>Then?

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<v Speaker 3>I don't looking right now?

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<v Speaker 6>She will it won't come back until tomorrow night.

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<v Speaker 2>I see only once to night.

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<v Speaker 6>Yes, don't you want to watch the house or anything?

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<v Speaker 2>Well, surgin, don't you? If this thing is human?

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<v Speaker 3>And after this entry, sergeant.

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<v Speaker 2>Wasn't it.

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<v Speaker 3>That is?

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<v Speaker 2>Whoever, whatever it is will be gone.

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<v Speaker 3>Maybe tomorrow night you can report this to the instructor.

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<v Speaker 2>Please, yes, yes, of course. Uh shouldn't you go to

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<v Speaker 2>a hotel for a whileness? Still?

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<v Speaker 3>This is good enough. I thought it did a way

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<v Speaker 3>to go stargeant. But well, unlike my own moment, and

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<v Speaker 3>if it is my father, she will hun me. She'll

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<v Speaker 3>never do that. You know very certain of that, aren't you?

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<v Speaker 2>Young lady? Andrew? Get confused? If you believe that, why worry?

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<v Speaker 3>Why go to the police in the yard?

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<v Speaker 2>Why be frightened of a fatherly ghosts?

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<v Speaker 3>And under?

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<v Speaker 2>Sergeantists said?

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<v Speaker 3>I knew, I knew, but I wanted someone else to

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<v Speaker 3>hear him. I was scared.

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<v Speaker 6>Maybe I was imagining things I didn't like, Sergeant, I

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<v Speaker 6>expect unceased in my own house.

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<v Speaker 1>And so you send the sergeant on his way to

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<v Speaker 1>sergeant who walked to a stretch the house you're taking

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<v Speaker 1>down the backstairs and out the back door. Jone, you

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<v Speaker 1>go upstairs alone to your own room, decided to undress.

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<v Speaker 2>Talk to yourself, give yourself courage.

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<v Speaker 3>Stop it.

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<v Speaker 6>You don't Tom stop it here something you get a

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<v Speaker 6>praid of.

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<v Speaker 3>You're not great crazy the night coolo, So go let

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<v Speaker 3>me m always on. Go away.

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<v Speaker 6>It's f I have to hid to.

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<v Speaker 7>I don't want to its spots pards some my honest month,

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<v Speaker 7>I have to a hid to.

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<v Speaker 5>Lease bars.

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<v Speaker 3>Away, queezy, don't get me back.

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<v Speaker 2>You comme comme. Yeah, I'm John down sticks.

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<v Speaker 3>Somebody else. I waited about this, thought he might come next.

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<v Speaker 3>Let's just slee now, see miss you don't.

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<v Speaker 5>Getting straight on a stick, and I'm going straight to

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<v Speaker 5>the ins like I.

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<v Speaker 2>Looks at it.

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<v Speaker 5>It's not a bit.

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<v Speaker 3>Who would like the looks of it?

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<v Speaker 1>Say he didn't believe in ghosts. Of course, Inspector Or

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<v Speaker 1>didn't believe in ghosts. Standing designed Joan in her room

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<v Speaker 1>at the hospital. He was quite explicit. It's a mighty

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<v Speaker 1>corporeal Ghostmas, you're twist his ankle.

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<v Speaker 2>That was no accident.

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<v Speaker 3>A stare traid was formed through I understand how.

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<v Speaker 2>Difficulty with cross cut sous ms Tyson.

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<v Speaker 1>Do you have any next with Kim, that is, anyone

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<v Speaker 1>who might benefit if anything happened to you?

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<v Speaker 3>Hm hm Ely was some second company I haven't seen

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<v Speaker 3>any years in London.

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<v Speaker 6>And there was Larry Coke, he lived in in Manchester.

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<v Speaker 6>I had a note after father died. And Jenny Hennessy

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<v Speaker 6>she lived in Norwich. Yes, I think and hear this

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<v Speaker 6>cost on costs. How to speak of her?

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<v Speaker 3>She's a school teacher.

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<v Speaker 6>Agnowledged a school in brisk But protection possibly said, want to.

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<v Speaker 5>Ask the way of course?

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<v Speaker 1>Not?

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<v Speaker 2>I see?

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<v Speaker 3>Then how do you account for this? Miss Rogers?

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<v Speaker 5>Yes, here it is.

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<v Speaker 1>It's sweet in the cellar of your house, under some

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<v Speaker 1>brea bags, right near.

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<v Speaker 2>The furnace, Miss summonson the furnace.

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<v Speaker 3>With its tin ducks to the registers in the bouse.

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<v Speaker 1>Many a youngster use these echoing ducks to imitate a ghost,

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<v Speaker 1>or to overhear what was going on in another room.

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<v Speaker 2>Right in the forms Thominson, this is a mighty corporeal

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<v Speaker 2>ghost he saw through stairs. He uses hot air ducks

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<v Speaker 2>to amplify his voice, and he carries his own founder kicks,

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<v Speaker 2>I don't like.

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<v Speaker 3>This any more than certain Prestons does this.

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<v Speaker 2>I don't like it at fall.

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<v Speaker 1>And today that same change can be seen in the

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<v Speaker 1>Black Museum, a piece of iron chain, the how the

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<v Speaker 1>adducts to carry a voice through a lonely house. No

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<v Speaker 1>ghost this but someone of the plans and the motive.

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<v Speaker 1>Specterno had no illusions about ghosts, and certain on about

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<v Speaker 1>the dangers to John Thomlinson.

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<v Speaker 2>All right, pressed them, let's get to work on this.

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<v Speaker 2>That's very god in the sight. The girl says, there's

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<v Speaker 2>no possibility. Where was a will?

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<v Speaker 1>Sergeant there's a way to start someone thinking the girl

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<v Speaker 1>was wrong about her ghost, so he can be wrong.

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<v Speaker 2>About her Coppins. Get the wires out.

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<v Speaker 1>Of prisonm and I want an unobclusive guard on the

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<v Speaker 1>house twenty four hours a day.

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<v Speaker 3>You've got the names of those people you mentioned.

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<v Speaker 1>Simple routine telo type messages, advis earliest convenience, and the

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<v Speaker 1>advice came so conveniently early that inspector how who sat

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<v Speaker 1>at his desk with the three of city out paper

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<v Speaker 1>before him, the marxistargeant Preston, it's unbelievable.

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<v Speaker 3>Sergeant Coincidencer coincidence my foot. All three dead, there are

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<v Speaker 3>a few days of each other.

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<v Speaker 1>All three filed unresolved. Help July six, Hennessey July eighth.

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<v Speaker 1>Can't say July twelve, such undone, No circumstancesy that girl.

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<v Speaker 2>To be permitted to leave the hospital.

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<v Speaker 3>That's in order to say, sir, how long inspect June?

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<v Speaker 2>Shall I get back?

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<v Speaker 5>Master?

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<v Speaker 2>Don't look blank, Preston.

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<v Speaker 3>Just look at these telegraph replies.

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<v Speaker 1>I'm making a cooked two of these three cities, Manchester,

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<v Speaker 1>Knowledge and Bristol.

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<v Speaker 2>Obviously I need facts there seem to be quite a fuel.

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<v Speaker 1>Facts in Manchester, Knowledge and Bristol, England isn't so very large,

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<v Speaker 1>you see in the trains of facts in Manchester.

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<v Speaker 3>I understand, Buzz visit the pilk case was in your hem?

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<v Speaker 2>Islt's correct?

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<v Speaker 1>Her?

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<v Speaker 2>How far did you get? No motive?

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<v Speaker 1>Nothing, Just this man telt walking home alone on a

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<v Speaker 1>July night toward eleven, a dark street, a carving knife

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<v Speaker 1>in his back.

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<v Speaker 5>That's all.

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<v Speaker 2>A night trains and knowledge.

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<v Speaker 1>Another police headquarter is another detective anxious to cooperate.

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<v Speaker 5>Henrices in sector.

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<v Speaker 3>All we have on the Hennessy case sell there.

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<v Speaker 2>Busses was some hit and rum driver.

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<v Speaker 3>I kicked the scene myself.

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<v Speaker 2>Hennessy was hit on the sidewalk. Looked as if some drunk.

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<v Speaker 3>Had driven right up on the walk and pressed the man.

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<v Speaker 2>Against the building wall. And saw a pattern emerges.

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<v Speaker 1>Two men die quite unexpectedly, but in this case no clues,

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<v Speaker 1>no indication that there was purpose or motive. After the

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<v Speaker 1>third man died quite naturally in London, and his daughter

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<v Speaker 1>was a victim of deliberate fights, and all those involved

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<v Speaker 1>were related to each other.

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<v Speaker 2>Where as a pattern emerges continued in Bristol.

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<v Speaker 3>All right, half of it?

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<v Speaker 1>What have you won?

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<v Speaker 2>The castairs woman a school teacher.

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<v Speaker 1>I believe he was yes, retired, quiet as the usual

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00:17:26.160 --> 00:17:28.480
<v Speaker 1>until he took some headache craimative and I sae July

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<v Speaker 1>the twelve.

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<v Speaker 5>Unfortunately for her.

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<v Speaker 2>Someone who put stick thing in the bottle.

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<v Speaker 1>I know that kind of death master him anything else.

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<v Speaker 1>Some prints on the bottle, not hers.

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<v Speaker 2>She has matched them with her own when she took

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<v Speaker 2>the bottle out of the Midston cabinet.

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<v Speaker 1>Her landladies said she had a visitor the day before,

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<v Speaker 1>but she usually did former students.

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<v Speaker 3>All that sort of thing. Mind, If I go over

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<v Speaker 3>and see that lam lady and not at all.

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<v Speaker 2>The name is Ross.

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<v Speaker 3>I helped yourself quite at thought.

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<v Speaker 1>Of that woman was a semi detached villa with a

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<v Speaker 1>vacancy sign on the door. Missus Ross was indeed quite

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<v Speaker 1>as talking and inspect.

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<v Speaker 3>The whole leave talk at least fifteen years of a

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<v Speaker 3>wonderful woman.

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<v Speaker 6>Inspected, So many of our students come to see it,

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<v Speaker 6>even after she retired. The kind of teacher at those

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<v Speaker 6>times nowadays.

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<v Speaker 2>Exactly what you mean.

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<v Speaker 6>And she was so happy that day, what with her

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<v Speaker 6>cousin being here the day before and all the cousins years.

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<v Speaker 2>I remember it clearly.

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<v Speaker 6>She called she was going out for a bit of

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<v Speaker 6>cakes for tea, now that her cousin Michael Staud had

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<v Speaker 6>comes to see her.

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<v Speaker 1>A new name, another cousin, one Michael Stroud, Catherine inspector

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<v Speaker 1>def Ley.

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<v Speaker 2>You don't happen to know where.

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<v Speaker 3>He was from now I'm from London. I have the

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00:18:44.400 --> 00:18:46.319
<v Speaker 3>address found an envelope in.

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<v Speaker 6>The waist paperbaster while I was cheering.

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00:18:48.359 --> 00:18:51.720
<v Speaker 3>Out the poor Things room and the proof slow shirt

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00:18:51.839 --> 00:18:54.400
<v Speaker 3>that was so busy with their bustle and dusting everything

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<v Speaker 3>for fingerprint station.

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<v Speaker 2>Yes, yes, yes, of course, sir. Now Missus Ross may

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<v Speaker 2>I have that address, Priest.

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00:19:00.400 --> 00:19:04.599
<v Speaker 1>That is a tematite message travels much faster than a

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00:19:04.680 --> 00:19:06.960
<v Speaker 1>train from Bristol to London. By the time the Inspector

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00:19:07.000 --> 00:19:10.160
<v Speaker 1>reached his office, Sergeant Preston was waiting with the answer

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00:19:10.799 --> 00:19:13.599
<v Speaker 1>where you've been there, sir? A Michael Stard had a

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00:19:13.640 --> 00:19:15.759
<v Speaker 1>flat at the address, but he's moved and left no

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00:19:15.920 --> 00:19:16.680
<v Speaker 1>forward in address.

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00:19:17.880 --> 00:19:18.720
<v Speaker 3>When did he move out?

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00:19:19.000 --> 00:19:23.559
<v Speaker 1>July thirteen, Sir, the day after the Carstairs woman died.

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<v Speaker 3>When mcquarre is escaping.

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<v Speaker 2>What do you do w reach your candor? Its close

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00:19:32.559 --> 00:19:33.680
<v Speaker 2>up as the gaps in the situation.

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00:19:33.799 --> 00:19:38.640
<v Speaker 1>Trying to develop motives and opportunity, the Inspector permented Johan

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<v Speaker 1>Thomlinson to leave the hospital and to proceed in his

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<v Speaker 1>company to the office of the Solicitor.

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<v Speaker 2>Now sit down, Joan and you, Inspector.

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<v Speaker 3>Mister Tommy dam.

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00:19:52.640 --> 00:19:55.680
<v Speaker 1>I gotta something as a mess, mister Thomas, we have

319
00:19:55.839 --> 00:19:58.599
<v Speaker 1>reason to believe that three people have died because of

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00:19:58.640 --> 00:20:02.319
<v Speaker 1>Miss Thomlinson's intellison, and that her own life is.

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<v Speaker 2>In danger, and that unbelievable, Sir.

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00:20:04.720 --> 00:20:07.759
<v Speaker 1>It usually is. However, the three who are dead all

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00:20:08.279 --> 00:20:10.559
<v Speaker 1>were all second cousins, and Miss.

324
00:20:10.519 --> 00:20:15.359
<v Speaker 3>Thomason her next to Tim what fear here to find out?

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00:20:15.480 --> 00:20:19.160
<v Speaker 1>He is does the will under which he inherits her property,

326
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<v Speaker 1>state of whom.

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00:20:20.960 --> 00:20:24.799
<v Speaker 2>That property divides in the event of her death, m

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00:20:25.160 --> 00:20:28.680
<v Speaker 2>not exactly. That is, if he dies in tested, the

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00:20:28.960 --> 00:20:29.920
<v Speaker 2>property under.

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00:20:29.759 --> 00:20:32.039
<v Speaker 1>The law would pass to a next of kin an

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00:20:32.079 --> 00:20:36.119
<v Speaker 1>equal shares, of course, and mister Thomas, with all her

332
00:20:36.319 --> 00:20:40.039
<v Speaker 1>second cousin dead, a third cousin.

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<v Speaker 2>Would be next in line. Correct, absolutely, of course, nor

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00:20:44.960 --> 00:20:48.160
<v Speaker 2>of no such relatives, sir, unfortunately say we do.

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00:20:49.039 --> 00:20:52.680
<v Speaker 3>His name is Michael Stroud. He's say about the presence.

336
00:20:52.720 --> 00:20:59.720
<v Speaker 2>Are unknown and motive presence very definitely present.

337
00:21:00.759 --> 00:21:06.119
<v Speaker 1>Opportunity obvious and seized at least three times in Manchester,

338
00:21:06.319 --> 00:21:10.039
<v Speaker 1>Nut and Bristol. As to the next morn, the inspector

339
00:21:10.119 --> 00:21:10.960
<v Speaker 1>outlined a plan.

340
00:21:11.440 --> 00:21:16.240
<v Speaker 2>Briefly, Miss Tomlinson, do you still believe in ghosts?

341
00:21:16.920 --> 00:21:17.559
<v Speaker 3>Not anymore?

342
00:21:17.839 --> 00:21:22.440
<v Speaker 2>Very well? Would you be afraid to stay in your

343
00:21:22.599 --> 00:21:24.599
<v Speaker 2>house alone?

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<v Speaker 6>I see, I'm to be the biggest cheese in the.

345
00:21:29.400 --> 00:21:33.279
<v Speaker 2>Tread corect Absolutely correct.

346
00:21:34.240 --> 00:21:36.759
<v Speaker 3>Very well? Where do we begin?

347
00:21:38.799 --> 00:21:42.200
<v Speaker 1>When they began that night, Joan left the hospital, return

348
00:21:42.279 --> 00:21:47.319
<v Speaker 1>to her house, to the memories, to the now silent doubts,

349
00:21:48.359 --> 00:21:48.640
<v Speaker 1>to the.

350
00:21:48.680 --> 00:21:59.000
<v Speaker 2>Still chiming clock. The first night was uneventful. Others followed

351
00:22:00.640 --> 00:22:03.920
<v Speaker 2>by dead Jones, slip back into a normal everyday routine.

352
00:22:03.640 --> 00:22:05.519
<v Speaker 1>And a girl in her home with a servant during

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00:22:05.559 --> 00:22:10.759
<v Speaker 1>the day alone at night, a ghost, the three deaths

354
00:22:10.960 --> 00:22:15.759
<v Speaker 1>and three cities. The inspects her began to take on aspects.

355
00:22:15.279 --> 00:22:15.799
<v Speaker 2>Of a dream.

356
00:22:17.400 --> 00:22:20.400
<v Speaker 1>Reality was coming home after leaving the city, going upstairs,

357
00:22:21.599 --> 00:22:29.119
<v Speaker 1>listening to the little clock, protecting to sleep, indulging a

358
00:22:29.160 --> 00:22:30.920
<v Speaker 1>little habit of talking of the silver.

359
00:22:33.839 --> 00:22:39.920
<v Speaker 2>There's nothing to worry about, weirdly nothing. He's gone away.

360
00:22:41.200 --> 00:22:47.000
<v Speaker 3>H the country. Maybe I forget Michael strut Joy, forget

361
00:22:47.160 --> 00:22:48.839
<v Speaker 3>the whole sne.

362
00:22:55.279 --> 00:22:59.240
<v Speaker 2>Oh Joan healing well and.

363
00:23:00.759 --> 00:23:01.160
<v Speaker 3>Get out.

364
00:23:03.079 --> 00:23:06.759
<v Speaker 1>That won't work, Jenny, you know I'm your cousin.

365
00:23:06.880 --> 00:23:09.480
<v Speaker 2>I come to call.

366
00:23:09.599 --> 00:23:13.440
<v Speaker 3>Okay, I've never sung before in my life.

367
00:23:15.640 --> 00:23:18.720
<v Speaker 2>And now that you have seen me, what else is

368
00:23:18.799 --> 00:23:19.640
<v Speaker 2>there to live for?

369
00:23:21.079 --> 00:23:23.039
<v Speaker 3>You couldn't live away?

370
00:23:23.559 --> 00:23:26.039
<v Speaker 2>Oh yes I could, I can.

371
00:23:27.319 --> 00:23:30.640
<v Speaker 3>I will. You'll be a lovely.

372
00:23:30.519 --> 00:23:34.839
<v Speaker 1>Suici idea carbon monoxide from the register, from the furnace

373
00:23:35.160 --> 00:23:39.400
<v Speaker 1>or maybe yes, maybe they'll call it accidental, you.

374
00:23:39.519 --> 00:23:44.519
<v Speaker 3>Say, if he wasn't around to seize me tonight?

375
00:23:44.759 --> 00:23:44.920
<v Speaker 6>Was he?

376
00:23:45.160 --> 00:23:45.640
<v Speaker 2>And I did he?

377
00:23:45.720 --> 00:23:45.839
<v Speaker 3>Good?

378
00:23:45.880 --> 00:23:47.519
<v Speaker 2>At hidies more.

379
00:23:47.960 --> 00:23:50.599
<v Speaker 3>I'll never tie me to cousin Laddie or cousin Jerry

380
00:23:50.960 --> 00:23:51.920
<v Speaker 3>or cousin.

381
00:23:55.559 --> 00:23:56.920
<v Speaker 2>Then now that's their.

382
00:23:56.880 --> 00:23:59.160
<v Speaker 3>Worry, not mine, I said John.

383
00:24:00.039 --> 00:24:01.759
<v Speaker 2>In that chair, I will sit.

384
00:24:01.640 --> 00:24:06.559
<v Speaker 1>Down and have it planned that the kit CHOHn, you'll

385
00:24:06.680 --> 00:24:09.720
<v Speaker 1>sit down, I'll tie you in that chair, shut the windows,

386
00:24:09.839 --> 00:24:13.000
<v Speaker 1>the ball, turn on the heap. You'll be gagged too.

387
00:24:13.279 --> 00:24:18.000
<v Speaker 3>I forgot to mention that you'll die. I'll come back,

388
00:24:18.160 --> 00:24:26.559
<v Speaker 3>put you on the ball. You can't take him in

389
00:24:26.640 --> 00:24:27.920
<v Speaker 3>chard sidebody, han't up.

390
00:24:29.640 --> 00:24:30.079
<v Speaker 5>On the beach.

391
00:24:30.279 --> 00:24:31.599
<v Speaker 3>I don't forgot your.

392
00:24:40.039 --> 00:24:44.400
<v Speaker 1>Thanks yourself forgetting his gunaways nice three angle, Sargeant. You

393
00:24:44.519 --> 00:24:53.480
<v Speaker 1>are right the Summerson. He is a very corporeal ghost, jeez, definitely,

394
00:24:53.839 --> 00:24:57.160
<v Speaker 1>and I believe his corporeal fingerprints will match those in

395
00:24:57.240 --> 00:25:00.200
<v Speaker 1>the handle of a very corporeal life in Manchester, a

396
00:25:00.680 --> 00:25:04.680
<v Speaker 1>stealing wheeling knowledge, a buckle in Bristol, and a certain

397
00:25:05.039 --> 00:25:06.160
<v Speaker 1>shame in the.

398
00:25:06.200 --> 00:25:12.640
<v Speaker 2>Position of Scotland. John, have you ever heard of a

399
00:25:12.880 --> 00:25:20.119
<v Speaker 2>ghost fingerprints? No, neither of I. But that chain isn't ghostly.

400
00:25:21.599 --> 00:25:24.440
<v Speaker 2>You can see it today in the Black Museum.

401
00:25:29.759 --> 00:25:32.720
<v Speaker 3>Orson Welles will be back with you in just a moment.

402
00:25:33.759 --> 00:25:35.920
<v Speaker 2>It was close a traditional time. One morning, in the

403
00:25:36.000 --> 00:25:36.960
<v Speaker 2>usual manner.

404
00:25:38.160 --> 00:25:40.920
<v Speaker 1>Michael Stroud, at the hands of the Crown, became forever

405
00:25:41.960 --> 00:25:46.599
<v Speaker 1>an incorporeal ghost, and the chain remains in a.

406
00:25:46.720 --> 00:25:54.200
<v Speaker 2>Usual place in Scottland. And now I'm going I'll tell

407
00:25:54.240 --> 00:25:58.039
<v Speaker 2>you another story of the Black Museum. I think it's

408
00:25:58.079 --> 00:25:59.640
<v Speaker 2>always the
