WEBVTT

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<v Speaker 1>How spirits materialize? Reader, have you ever attended a seance

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<v Speaker 1>for full form materialization? Have you ever thought you had

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<v Speaker 1>met your dead relatives spirit at these seances? If you

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<v Speaker 1>have never had the pleasure of attending a seance of

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<v Speaker 1>this phase, you have missed a rare treat. The writer

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<v Speaker 1>has assisted at many a one and will relate to

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<v Speaker 1>you some of the wonderful phenomena occurring at them and

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<v Speaker 1>the means used to produce them. There are hundreds of

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<v Speaker 1>materializing mediums doing business in this country who are swelling

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<v Speaker 1>a good sized bank account. Their business sometimes runs into

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<v Speaker 1>the hundreds of dollars in a single week. This phase

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<v Speaker 1>of mediumship is considered by the spiritualists as the highest

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<v Speaker 1>possible attainment, and if you are a clever full form medium,

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<v Speaker 1>your financial welfare is assured. Many and various are the

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<v Speaker 1>methods employed by the different mediums to produce this phase.

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<v Speaker 1>It is in Boston, New York, and San Francisco that

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<v Speaker 1>it has worked the finest. The full form seances most

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<v Speaker 1>often met with are very simply worked and easy of

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<v Speaker 1>performance by the medium. You are usually given a seat

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<v Speaker 1>and a circle of chairs about the front of a

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<v Speaker 1>cabinet made by hanging heavy curtains across the corner of

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<v Speaker 1>the room. If you are a stranger or one who

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<v Speaker 1>looks or acts as though he would grab the spirits,

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<v Speaker 1>you are seated at the farthest point from the cabinet,

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<v Speaker 1>or if there are two rows of seats, you will

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<v Speaker 1>be given a seat at the back row. I made

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<v Speaker 1>my way to the materializing seance at which my friends

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<v Speaker 1>hoped to materialize. I was admitted to the seance room

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<v Speaker 1>and found about twenty persons already assembled. I was seated

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<v Speaker 1>in the front row of chairs. The cabinet used was

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<v Speaker 1>a closet about six feet long and four feet wide.

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<v Speaker 1>The ceiling of both the room and the cabinet was

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<v Speaker 1>of wood. After a thorough examination had been made of

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<v Speaker 1>the cabinet by all those who cared to do so,

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<v Speaker 1>the sitters were rearranged to suit medium. There were present

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<v Speaker 1>now thirty five persons. The seance room was very large.

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<v Speaker 1>The door had been taken off the closet that served

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<v Speaker 1>as a cabinet, and in its stead were hung heavy curtains.

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<v Speaker 1>The floor of the room was carpeted with a dark carpet,

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<v Speaker 1>as was the cabinet. The light was furnished by a

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<v Speaker 1>lamp placed in a box that was fastened to the

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<v Speaker 1>wall some eight feet from the floor. This box had

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<v Speaker 1>a sliding lid in front, controlled by a cord passing

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<v Speaker 1>into the cabinet. By this means, the spirits could regulate

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<v Speaker 1>the light to suit themselves, without any movement on the

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<v Speaker 1>part of any of those in the seance room being necessary.

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<v Speaker 1>When everything was in readiness, the medium entered the cabinet,

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<v Speaker 1>seated himself and was tied and so secured to his

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<v Speaker 1>chair that it was impossible that he could have any

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<v Speaker 1>use of himself. He was most thoroughly secure to his chair,

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<v Speaker 1>and his chair nailed fast to the floor by passing

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<v Speaker 1>leather straps over the rounds in the side and kneeling

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<v Speaker 1>the ends to the floor. After it was shown to

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<v Speaker 1>the sitters that he was utterly helpless, the curtain was drawn.

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<v Speaker 1>The manager now placed an ordinary kitchen table in front

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<v Speaker 1>of the door of the cabinet, so that it stood

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<v Speaker 1>away from it about two feet. The table contained no drawing.

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<v Speaker 1>On the table was laid writing materials, a guitar, and

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<v Speaker 1>small bell. The manager seated himself close to one side

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<v Speaker 1>of the cabinet entrance and started a large Swiss music box.

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<v Speaker 1>Before it had finished the first air, the lamp was

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<v Speaker 1>shut entirely off, making the room achy dark. An illuminated

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<v Speaker 1>hand and arm was now seen to come from behind

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<v Speaker 1>the curtain and play an accompaniment to the music box

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<v Speaker 1>on the guitar. We could see plainly the movement of

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<v Speaker 1>the hand, arm and fingers as it manipulated the strings

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<v Speaker 1>of the instrument. It did not appear necessary to finger

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<v Speaker 1>the strings on the keyboard, although the air was in

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<v Speaker 1>a key that made it impossible to tune the guitar

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<v Speaker 1>so that an accompaniment could be performed without fingering. However,

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<v Speaker 1>but one hand was visible and it was picking the strings.

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<v Speaker 1>After the tune was finished, the hand left the instrument

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<v Speaker 1>and moved out into the room to the front of

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<v Speaker 1>the table, and from the sound we knew it was

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<v Speaker 1>writing on the tablet that had been placed there. The

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<v Speaker 1>arm was of bluish light and appeared to end just

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<v Speaker 1>above the elbow and to have no connection with the body.

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<v Speaker 1>It finished writing and seemed to float into the cabinet

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<v Speaker 1>near the top. The light was opened, and the manager

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<v Speaker 1>requested those who had tied the medium to examine his

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<v Speaker 1>condition and see if the ropes had been tampered with.

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<v Speaker 1>The examination was made and it was evident that the

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<v Speaker 1>fastenings were undisturbed. The communication was read aloud to those

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<v Speaker 1>present and contain the following quote. We are pleased to

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<v Speaker 1>beat so many seecerts after light and truth here this evening,

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<v Speaker 1>and from the conditions as we sense them, we will

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<v Speaker 1>have a satisfactory and pleasant seance. The way to obtain

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<v Speaker 1>the best results is for each person to maintain a

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<v Speaker 1>passive condition and take what we have to give. You

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<v Speaker 1>may rest assured that our best efforts will be put

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<v Speaker 1>forth to give you entire satisfaction. The control close quote.

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<v Speaker 1>The writing was exactly on the rule of the lines.

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<v Speaker 1>Although written in absolute darkness. The hand and arm, although luminous,

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<v Speaker 1>did not give out a particle of light. The arm

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<v Speaker 1>had been at least five feet from the cabinet opening

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<v Speaker 1>and seven feet from the medium. Surely it was not

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<v Speaker 1>he the message read. The light was again shut down,

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<v Speaker 1>and the music again started. Once more. A hand appeared,

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<v Speaker 1>and floating out to the table again began writing. Of

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<v Speaker 1>a sudden the hand disappeared, and after a few seconds

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<v Speaker 1>I was astonished to feel a hand thrusting a paper

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<v Speaker 1>into my top coat. Pocket. Now appeared two hands, and

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<v Speaker 1>they played an air on the guitar. Now came three,

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<v Speaker 1>then four hands were visible, bright as the day. Two

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<v Speaker 1>of them began writing again, and when they had finished,

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<v Speaker 1>two more sitters with the recipients of sheets of paper.

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<v Speaker 1>Soon the light was opened for an inspection of the cabinet,

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<v Speaker 1>which was made with the conclusion that the medium had

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<v Speaker 1>not moved. Those of us receiving communications were afforded an

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<v Speaker 1>opportunity to read them. We found them nicely written as before,

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<v Speaker 1>and all contained tests. After the light went out again,

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<v Speaker 1>more hands were seen. The table was floated about over

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<v Speaker 1>the heads of the circle, as was the music box,

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<v Speaker 1>which weighed at least fifty pounds. Another examination of the

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<v Speaker 1>cabinet was made, and everything found satisfactory. This time the

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<v Speaker 1>light was not put entirely out, but a very dim

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<v Speaker 1>light was allowed. The music box was again set playing,

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<v Speaker 1>and while yet it was played the first tune, a

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<v Speaker 1>tall figure robed in creamy white, with gleaming sparks in

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<v Speaker 1>her hair and on her head a sort of crown

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<v Speaker 1>issued from the cabinet. She was recognized by a gentleman present,

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<v Speaker 1>a spiritualist, whose spirit guide she was and who addressed

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<v Speaker 1>her as my queen. She stood a few seconds behind

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<v Speaker 1>the table, and then stepped out in the open space

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<v Speaker 1>between the sitters and the table. The gentleman now arose

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<v Speaker 1>from his seat, and standing beside her, holding her hand,

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<v Speaker 1>conversed in a whisper with her for some seconds. This

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<v Speaker 1>was most assuredly a lady if appearisons go for anything.

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<v Speaker 1>Her hands were quite small and were warm and lifelike,

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<v Speaker 1>as several including myself, can testify, having been permitted to

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<v Speaker 1>shake hands with her. At last she started to the cabinet,

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<v Speaker 1>and as she went appeared to grow shorter, until as

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<v Speaker 1>she disappeared between the curtains, she was not much taller

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<v Speaker 1>than the table. The manner now explained that the spirit

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<v Speaker 1>had remained out rather too long and came near dematerializing

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<v Speaker 1>before she reached the cabinet. Now came the spirit of

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<v Speaker 1>a young man dressed in a light suit of clothes,

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<v Speaker 1>who gave his name and said his mother was present.

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<v Speaker 1>She was, and had a few words of conversation with him.

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<v Speaker 1>When he disappeared into the cabinet. The lady said that

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<v Speaker 1>it was unmistakably her son, but there was something that

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<v Speaker 1>was not as he had been but what it was

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<v Speaker 1>she was unable to describe. The next spirit to present

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<v Speaker 1>itself was my son Eddie. He came out from the cabinet,

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<v Speaker 1>calling Papa, Papa. The manager asked, who is your papa,

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<v Speaker 1>and he replied mister Smith. All this time he stood

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<v Speaker 1>between the table and the cabinet, and only his head

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<v Speaker 1>and shoulders could be seen. The manager told him to

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<v Speaker 1>step out where he could be seen. When he came

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<v Speaker 1>round to the front of the table, it was rather dark,

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<v Speaker 1>but I could swear it was my son. He was

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<v Speaker 1>just the right size, with long flaxen hair and a

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<v Speaker 1>very pale face. He wore a light colored waist and

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<v Speaker 1>darker knee breeches and stockings, with a large black bow

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<v Speaker 1>at his throat, just as I remembered seeing him last

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<v Speaker 1>in health. While Eddie was still standing in front of

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<v Speaker 1>the table, a large man came out and shook him

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<v Speaker 1>by the hand. Eddie spoke, saying, must I go back? Grandpa?

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<v Speaker 1>The farm turned toward me, saying, my son, this is

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<v Speaker 1>a great pleasure to us, but we must not long remain,

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<v Speaker 1>as it is our first attempt at materializing. He turned

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<v Speaker 1>to go when the manager said to him, if the gentleman,

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<v Speaker 1>is your son, you are to give him your name.

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<v Speaker 1>The name of the child is Eddie. In my own

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<v Speaker 1>is j a smith, replied the farm. As they vanished

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<v Speaker 1>into the cabinet, the manager suggested that it would be

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<v Speaker 1>well to examine and see whether the medium had been

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<v Speaker 1>out or not. The cabinet was examined, and everything found satisfactory.

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<v Speaker 1>Spirit after spirit came from the cabinet, one or two

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<v Speaker 1>at a time for an hour. Some of them came

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<v Speaker 1>to friends, and others were controls of the medium. Many

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<v Speaker 1>of them were recognized by different ones of the sitters

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<v Speaker 1>in the room. I, for one, could swear to the

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<v Speaker 1>identity of my own son, Eddie, while my father was

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<v Speaker 1>plainly recognizable. The room was again made dark. Suddenly there

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<v Speaker 1>appeared on the floor in front of the table a

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<v Speaker 1>light about as large as a baseball. It moved about

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<v Speaker 1>in a circle of perhaps a foot in diameter and

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<v Speaker 1>grew larger. It soon lost the shape of a ball

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<v Speaker 1>and appeared to be a luminous cloud. Seemingly we could

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<v Speaker 1>see into and through it. In the course of thirty seconds,

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<v Speaker 1>it had become as large as a six year old child.

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<v Speaker 1>Still there was no definite shape, only a fleecy cloud

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<v Speaker 1>like mass, turning, twisting and rolling. At the end of

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<v Speaker 1>perhaps a minute, it was the size and shape of

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<v Speaker 1>an adult person. The face could not be seen, but

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<v Speaker 1>light luminous spots visible, as though the hairs and ears

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<v Speaker 1>were decorated with gems. The shape spoke and requested light.

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<v Speaker 1>As the light was turned on, the luminousness disappeared, and

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<v Speaker 1>we beheld a beautiful young lady clothed in a dazzling

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<v Speaker 1>white costume. Her arms and shoulders were bare, and about

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<v Speaker 1>her neck there was a necklace of what appeared to

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<v Speaker 1>be very brilliant diamonds. Her feet were encased in white

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<v Speaker 1>slippers with straps across the inn step in. Her ears

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<v Speaker 1>and hair glistened and shimmered beautiful diamonds. Her face and

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<v Speaker 1>arms were as alabaster, and altogether she was one of

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<v Speaker 1>the most beautiful women I had ever beheld. She was

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<v Speaker 1>recognized by a lady and gentlemen present as their daughter.

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<v Speaker 1>They had met her here before. They were from the

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<v Speaker 1>east and were wealthy. The spirit requested that they come

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<v Speaker 1>to her, which they did, and were each kissed and

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<v Speaker 1>embraced by it. They held a moment's conversation with her

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<v Speaker 1>and resumed their seats. When the lamp was slowly turned down.

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<v Speaker 1>As the light became dim, the spirit became luminous, The

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<v Speaker 1>face and arms disappeared, and the body became as a cloud, again,

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<v Speaker 1>turning and twisting and growing smaller, until it was nothing

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<v Speaker 1>but a small light spot on the carpet, which of

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<v Speaker 1>a sudden disappeared entirely. Immediately after this manifestation, an examination

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<v Speaker 1>of the medium and cabinet was made, and it was

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<v Speaker 1>certain the medium had not been away from his chair.

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<v Speaker 1>The light was again turned out and the music box started.

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<v Speaker 1>When two bright spots appeared on the carpet, one at

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00:12:36.159 --> 00:12:39.000
<v Speaker 1>either end of the table. These went through the same

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00:12:39.080 --> 00:12:42.480
<v Speaker 1>process of development, until when the light was turned on

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00:12:43.120 --> 00:12:46.440
<v Speaker 1>there was another beautiful female spirit at one end of

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00:12:46.440 --> 00:12:49.440
<v Speaker 1>the table, and a child of perhaps eight years of

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00:12:49.480 --> 00:12:52.679
<v Speaker 1>age at the other. The child was recognized by a

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00:12:52.759 --> 00:12:55.679
<v Speaker 1>lady present as her daughter, while the adult spirit was

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00:12:55.759 --> 00:12:59.799
<v Speaker 1>recognized and rapturously greeted by a gentleman who sat near

220
00:12:59.840 --> 00:13:03.799
<v Speaker 1>me on my left as his darling angel Guardian. They

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00:13:03.799 --> 00:13:06.879
<v Speaker 1>had quite a long conversation in which they made use

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00:13:06.919 --> 00:13:10.840
<v Speaker 1>of very endearing language, each to the other. I supposed

223
00:13:11.000 --> 00:13:14.200
<v Speaker 1>it was the gentleman's wife. The spirits did not disappear

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<v Speaker 1>as the first one had, but when the light had

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00:13:16.399 --> 00:13:19.840
<v Speaker 1>been turned off, the luminous shape revolved a few times,

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00:13:20.240 --> 00:13:24.039
<v Speaker 1>and on two occasions assumed the garb in shape of men.

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00:13:24.360 --> 00:13:27.200
<v Speaker 1>And when the light was turned on again there stood

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<v Speaker 1>the men with beards and men's forms. After some eight

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00:13:31.440 --> 00:13:36.159
<v Speaker 1>or ten of these materializations and d materializations before our eyes,

230
00:13:36.519 --> 00:13:40.679
<v Speaker 1>the last couple completely disappeared. The light was again turned down,

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00:13:40.799 --> 00:13:44.320
<v Speaker 1>and a luminous shape came from the cabinet, followed by others,

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00:13:44.399 --> 00:13:47.679
<v Speaker 1>until seven of them stood on the floor. The light

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00:13:47.799 --> 00:13:50.200
<v Speaker 1>was turned up until we could see the seven spirits.

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00:13:50.600 --> 00:13:54.559
<v Speaker 1>Five were females and two males. They were of different sizes.

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<v Speaker 1>The curtain at the door of the cabinet had been

236
00:13:57.720 --> 00:14:01.399
<v Speaker 1>pulled aside, and we could see the medium sitting in

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00:14:01.399 --> 00:14:04.600
<v Speaker 1>the chair in which he was bound. The farms now

238
00:14:04.679 --> 00:14:08.440
<v Speaker 1>filed into the cabinet again while the music box played.

239
00:14:08.840 --> 00:14:11.759
<v Speaker 1>After they had disappeared, the light was turned up, an

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00:14:11.799 --> 00:14:15.399
<v Speaker 1>investigation made of the cabinet, and the seance was over.

241
00:14:16.159 --> 00:14:18.879
<v Speaker 1>Their reader is a truthful description of what can be

242
00:14:18.919 --> 00:14:22.879
<v Speaker 1>witnessed at the seances of mediums who are artists. None

243
00:14:22.919 --> 00:14:25.919
<v Speaker 1>of your bungling amateur work here. The work of such

244
00:14:25.960 --> 00:14:29.159
<v Speaker 1>a medium is always satisfactory, for the reason that if

245
00:14:29.200 --> 00:14:31.960
<v Speaker 1>a man feels sure that the medium is a fraud,

246
00:14:32.480 --> 00:14:35.000
<v Speaker 1>he has been so well entertained that he does not

247
00:14:35.120 --> 00:14:37.919
<v Speaker 1>regret the money paid for the opportunity to witness him.

248
00:14:38.519 --> 00:14:42.000
<v Speaker 1>This is the class of medium also, who frequently succeed

249
00:14:42.080 --> 00:14:45.279
<v Speaker 1>in getting large sums of money from wealthy persons they

250
00:14:45.279 --> 00:14:49.000
<v Speaker 1>have converted to spiritualism. Did the writer not give you

251
00:14:49.080 --> 00:14:51.919
<v Speaker 1>the true explanation of the matter in which these things

252
00:14:51.919 --> 00:14:55.440
<v Speaker 1>were produced, You would probably say it was conceived by

253
00:14:55.440 --> 00:14:58.879
<v Speaker 1>a very fertile imagination. If you believed that he saw

254
00:14:58.960 --> 00:15:02.759
<v Speaker 1>these things, you perhaps offer the preacher's explanation by saying

255
00:15:03.200 --> 00:15:05.279
<v Speaker 1>it is the work of the devil, or that of

256
00:15:05.320 --> 00:15:08.759
<v Speaker 1>the scientists by asserting that it is the mesmerist power

257
00:15:08.879 --> 00:15:13.480
<v Speaker 1>over your mind, or the operator has discovered an odd

258
00:15:13.559 --> 00:15:16.720
<v Speaker 1>force in nature, or go off on a long dissertation

259
00:15:16.840 --> 00:15:21.240
<v Speaker 1>on hypnotism and fourth dimension of space problems. However, it

260
00:15:21.320 --> 00:15:23.679
<v Speaker 1>is not the work of the devil, neither are there

261
00:15:23.720 --> 00:15:28.399
<v Speaker 1>any but natural laws necessary to its production. The seance

262
00:15:28.480 --> 00:15:33.480
<v Speaker 1>described actually occurred and was described in writing by mister

263
00:15:33.559 --> 00:15:36.919
<v Speaker 1>smith in the language used, although it was not printed,

264
00:15:37.360 --> 00:15:39.639
<v Speaker 1>and the writer was one of those who assisted in

265
00:15:39.679 --> 00:15:44.519
<v Speaker 1>its production. We will now proceed to explain this particular seance.

266
00:15:45.240 --> 00:15:48.039
<v Speaker 1>It will be remembered that the room and cabinet were

267
00:15:48.039 --> 00:15:51.399
<v Speaker 1>carpeted with a dark carpet, and that the ceilings were

268
00:15:51.440 --> 00:15:54.840
<v Speaker 1>of wood. The ceilings were decorated by being put on

269
00:15:55.080 --> 00:15:58.720
<v Speaker 1>in panels. The ceilings of the cabinet would not have

270
00:15:58.799 --> 00:16:01.279
<v Speaker 1>been like those of the room had the closet been

271
00:16:01.320 --> 00:16:03.960
<v Speaker 1>a part of the architect's plans of the house. It

272
00:16:04.080 --> 00:16:07.399
<v Speaker 1>was not, but was made by the medium. He simply

273
00:16:07.399 --> 00:16:10.519
<v Speaker 1>built a lath and plaster partition from the corner of

274
00:16:10.600 --> 00:16:13.960
<v Speaker 1>a wide chimney to the wall, thus enclosing a space

275
00:16:14.000 --> 00:16:16.879
<v Speaker 1>of six by four feet. The panel in the ceiling

276
00:16:16.919 --> 00:16:20.320
<v Speaker 1>of the closet was twenty inches square. This panel was

277
00:16:20.360 --> 00:16:24.200
<v Speaker 1>doctored and could be displaced, leaving an aperture large enough

278
00:16:24.200 --> 00:16:27.559
<v Speaker 1>for the spooks to get through with perfect ease. A

279
00:16:27.639 --> 00:16:30.440
<v Speaker 1>light ladder, which reached within three feet of the floor

280
00:16:30.440 --> 00:16:34.080
<v Speaker 1>of the cabinet, was hooked fast above and furnished the

281
00:16:34.120 --> 00:16:37.639
<v Speaker 1>means of getting down and up again. There were eight

282
00:16:37.679 --> 00:16:42.159
<v Speaker 1>persons connected with the sails described by mister Smith seven upstairs,

283
00:16:42.159 --> 00:16:44.679
<v Speaker 1>and the medium in the cabinet. Of course, it was

284
00:16:44.720 --> 00:16:47.480
<v Speaker 1>not necessary that the medium get out of his fastenings,

285
00:16:47.639 --> 00:16:50.000
<v Speaker 1>and the facts are that he did not. The table

286
00:16:50.080 --> 00:16:53.039
<v Speaker 1>was placed across the cabinet door, not to lay the

287
00:16:53.120 --> 00:16:55.879
<v Speaker 1>instruments on, but to be very much in the way

288
00:16:55.960 --> 00:16:59.759
<v Speaker 1>should anyone make a rush and grab for the materialized forms.

289
00:17:00.279 --> 00:17:03.960
<v Speaker 1>In case this occurred, the spooks above would close the light,

290
00:17:04.119 --> 00:17:07.079
<v Speaker 1>making the room perfectly dark, and the manager would do

291
00:17:07.160 --> 00:17:09.960
<v Speaker 1>his utmost to turn the table on end or side

292
00:17:10.240 --> 00:17:13.440
<v Speaker 1>with the legs out in the room. Before the grabber

293
00:17:13.440 --> 00:17:15.480
<v Speaker 1>could get the lay of things and get past it.

294
00:17:15.720 --> 00:17:18.160
<v Speaker 1>The spooks would have gone through the trap, closed it,

295
00:17:18.279 --> 00:17:20.759
<v Speaker 1>pulled up the ladder, and the grabber would have found

296
00:17:20.799 --> 00:17:24.000
<v Speaker 1>the medium writhing and groaning and bleeding from the mouth.

297
00:17:24.519 --> 00:17:27.200
<v Speaker 1>The bleeding was for effect and was caused by sucking

298
00:17:27.359 --> 00:17:30.559
<v Speaker 1>very hard on his teeth and gums. The table also

299
00:17:30.759 --> 00:17:35.440
<v Speaker 1>served a convenient purpose in the materialization and de materialization

300
00:17:35.559 --> 00:17:38.480
<v Speaker 1>through the floor. You now know where the spooks came

301
00:17:38.519 --> 00:17:41.400
<v Speaker 1>from in this particular house, and how they got in

302
00:17:41.519 --> 00:17:43.960
<v Speaker 1>and out. Now let us see how they managed the

303
00:17:44.039 --> 00:17:48.799
<v Speaker 1>materializations and the properties used to produce them. The trap

304
00:17:48.880 --> 00:17:52.640
<v Speaker 1>and ladder were practically noiseless in their operations, but the

305
00:17:52.759 --> 00:17:56.519
<v Speaker 1>music box made assurance doubly sure that the least sound

306
00:17:56.519 --> 00:17:59.359
<v Speaker 1>from the cabinet should not be heard in the seance room.

307
00:18:00.200 --> 00:18:03.519
<v Speaker 1>When the box began its first air, the trap door

308
00:18:03.680 --> 00:18:06.279
<v Speaker 1>was opened, and down the ladder came a young man

309
00:18:06.720 --> 00:18:10.480
<v Speaker 1>clad in a suit of black tights. He was entirely

310
00:18:10.519 --> 00:18:13.640
<v Speaker 1>covered with black, with the exception of his right arm,

311
00:18:13.799 --> 00:18:16.160
<v Speaker 1>which was bare to a point a little more than

312
00:18:16.240 --> 00:18:19.240
<v Speaker 1>half way from the elbow to his shoulder. The bare

313
00:18:19.400 --> 00:18:23.440
<v Speaker 1>arm glowed with a luminous bluish light. This condition of

314
00:18:23.480 --> 00:18:27.200
<v Speaker 1>things was brought about by powdering his arm with pulverized

315
00:18:27.359 --> 00:18:30.359
<v Speaker 1>luminous paint. If you are not told the method of

316
00:18:30.400 --> 00:18:33.680
<v Speaker 1>transforming the sticky paint to powder, you will not be

317
00:18:33.759 --> 00:18:37.039
<v Speaker 1>able to do it, and will conclude the rider was romancing.

318
00:18:37.079 --> 00:18:40.079
<v Speaker 1>In this case, the most essential thing to you will

319
00:18:40.119 --> 00:18:42.839
<v Speaker 1>be to know where you can procure this paint. The

320
00:18:42.920 --> 00:18:45.920
<v Speaker 1>rider has been unable to procure it anywhere except of

321
00:18:46.079 --> 00:18:49.119
<v Speaker 1>a devout and company of New York City. It is

322
00:18:49.119 --> 00:18:52.759
<v Speaker 1>put up in a package resembling six ounce jelly glasses,

323
00:18:53.079 --> 00:18:55.440
<v Speaker 1>and you will get six of them for five dollars

324
00:18:56.240 --> 00:18:59.359
<v Speaker 1>in order to reduce it to powder. Thin the contents

325
00:18:59.359 --> 00:19:02.559
<v Speaker 1>of one of the glo glasses with one pint of turpentine.

326
00:19:02.880 --> 00:19:06.319
<v Speaker 1>When it is thoroughly cut and incorporated into the turpentine,

327
00:19:06.720 --> 00:19:09.680
<v Speaker 1>soak strips of muslim in it and hang them out

328
00:19:09.680 --> 00:19:12.640
<v Speaker 1>to dry. When thoroughly dry, you can shake the powder

329
00:19:12.799 --> 00:19:16.000
<v Speaker 1>from the cloth. In order to powder one of your arms,

330
00:19:16.200 --> 00:19:18.920
<v Speaker 1>gather one of the cloths in your hands and use

331
00:19:18.960 --> 00:19:22.079
<v Speaker 1>it as a powder puff on your arm. You will

332
00:19:22.119 --> 00:19:24.319
<v Speaker 1>not be able to get all the paint out, but

333
00:19:24.359 --> 00:19:28.759
<v Speaker 1>the pieces will make luminous crowns, slippers, stars, and luminous

334
00:19:28.759 --> 00:19:32.160
<v Speaker 1>decorations for your robes. You will be under the necessity

335
00:19:32.200 --> 00:19:35.640
<v Speaker 1>of perfuming your robes each time they are used, for

336
00:19:35.759 --> 00:19:38.720
<v Speaker 1>the odor of the turpentine will always remain to a

337
00:19:38.799 --> 00:19:42.279
<v Speaker 1>greater or lesser degree. To illuminate a robe or costume,

338
00:19:42.519 --> 00:19:45.880
<v Speaker 1>the mediums always say robe. You proceed the same as

339
00:19:45.920 --> 00:19:49.359
<v Speaker 1>in the powdering process, except add to the pint of paint.

340
00:19:49.759 --> 00:19:53.319
<v Speaker 1>You will add a wine glassful of damar varnish, which

341
00:19:53.359 --> 00:19:56.200
<v Speaker 1>will prevent its falling or being shaken off as powder.

342
00:19:56.799 --> 00:19:59.359
<v Speaker 1>You are not to make the robe of muslin, but

343
00:19:59.480 --> 00:20:02.640
<v Speaker 1>of white netting. Every lady will know what netting is.

344
00:20:03.160 --> 00:20:06.039
<v Speaker 1>It is the lightest, thinnest material the writer ever sold

345
00:20:06.039 --> 00:20:08.720
<v Speaker 1>in a dry good store. Ten yards of it can

346
00:20:08.759 --> 00:20:12.039
<v Speaker 1>be put into your vest pocket. Do not scrimp the material,

347
00:20:12.279 --> 00:20:15.119
<v Speaker 1>but get as much of it into your robe as possible.

348
00:20:15.799 --> 00:20:18.720
<v Speaker 1>When he of the luminous arm steps from the cabinet

349
00:20:18.799 --> 00:20:21.759
<v Speaker 1>into the dark room, no part of him is visible

350
00:20:22.039 --> 00:20:25.240
<v Speaker 1>save the arm. He picks the strings of the instrument

351
00:20:25.359 --> 00:20:29.440
<v Speaker 1>with the illuminated hand and fingers the keyboard with the other.

352
00:20:30.039 --> 00:20:32.559
<v Speaker 1>He makes the sound of writing on the tablet and

353
00:20:32.640 --> 00:20:36.000
<v Speaker 1>tears off a leaf, which he conceals, and, drawing a

354
00:20:36.119 --> 00:20:39.599
<v Speaker 1>long black stocking over the luminous arm, places in the

355
00:20:39.640 --> 00:20:42.720
<v Speaker 1>pocket of the sitter a communication that has been written

356
00:20:42.839 --> 00:20:46.920
<v Speaker 1>upstairs in good light. This accounts for the even beautiful

357
00:20:46.920 --> 00:20:50.119
<v Speaker 1>writing supposed to have been done in the dark. He

358
00:20:50.200 --> 00:20:53.400
<v Speaker 1>covers the luminous arm so that anyone so inclined could

359
00:20:53.400 --> 00:20:55.720
<v Speaker 1>not locate it in arder to grab when he is

360
00:20:55.759 --> 00:20:59.759
<v Speaker 1>near enough. By mounting the table, that luminous hand and

361
00:20:59.880 --> 00:21:02.279
<v Speaker 1>arm can be made to show as though it was

362
00:21:02.359 --> 00:21:06.119
<v Speaker 1>floating about near the ceiling. When four hands were visible,

363
00:21:06.400 --> 00:21:09.559
<v Speaker 1>there were two spooks at work with two arms illuminated,

364
00:21:09.960 --> 00:21:12.799
<v Speaker 1>you can readily understand the forces that floated the music

365
00:21:12.839 --> 00:21:16.079
<v Speaker 1>box and table above the heads of the sitters, and

366
00:21:16.160 --> 00:21:20.119
<v Speaker 1>then explanation is useless. When the first female spirit appeared,

367
00:21:20.119 --> 00:21:23.240
<v Speaker 1>it was in reality a young woman dressed in a

368
00:21:23.359 --> 00:21:27.400
<v Speaker 1>gargious white costume without paint. Hence the light was turned

369
00:21:27.480 --> 00:21:30.559
<v Speaker 1>up instead of down in order that she be visible.

370
00:21:31.240 --> 00:21:35.839
<v Speaker 1>Rhinestones and sumatra gems being cheap, she was plentifully supplied

371
00:21:35.880 --> 00:21:38.920
<v Speaker 1>with diamonds. Although many of those who are the queens

372
00:21:38.960 --> 00:21:43.039
<v Speaker 1>are spirit guides of controls of wealthy spiritualists, fanatics wear

373
00:21:43.119 --> 00:21:46.079
<v Speaker 1>real diamonds the gift of their wealthy charge are King,

374
00:21:46.200 --> 00:21:49.559
<v Speaker 1>as they usually call him. When she started for the cabinet,

375
00:21:50.079 --> 00:21:52.839
<v Speaker 1>she used her hands to keep her robe from under

376
00:21:52.839 --> 00:21:56.440
<v Speaker 1>her feet, and as she went stooped lower and lower,

377
00:21:56.759 --> 00:21:59.720
<v Speaker 1>until as she disappeared in the cabinet, she went on

378
00:21:59.759 --> 00:22:03.079
<v Speaker 1>her hands and knees. This is what caused the appearance

379
00:22:03.079 --> 00:22:06.839
<v Speaker 1>of de materialization. When mister Smith's son Eddie came from

380
00:22:06.839 --> 00:22:09.440
<v Speaker 1>the cabinet, he was represented by a boy of about

381
00:22:09.559 --> 00:22:11.880
<v Speaker 1>eight years of age, the son of one of the

382
00:22:11.920 --> 00:22:15.680
<v Speaker 1>female spooks upstairs. He receives two dollars a night for

383
00:22:15.799 --> 00:22:19.279
<v Speaker 1>his services, the same as the largest spooks. He was

384
00:22:19.359 --> 00:22:22.920
<v Speaker 1>powdered until he was very white, a blonde wig put

385
00:22:22.960 --> 00:22:26.160
<v Speaker 1>over his brown hair, and dressed as most boys are

386
00:22:26.240 --> 00:22:30.519
<v Speaker 1>at the age mister Smith's son died. Mister Smith recognized

387
00:22:30.599 --> 00:22:34.000
<v Speaker 1>him by his size, his light complexion, and flaxen hair,

388
00:22:34.400 --> 00:22:37.160
<v Speaker 1>and the fact that he called him Papa and gave

389
00:22:37.240 --> 00:22:40.440
<v Speaker 1>his correct name. His father was made up from the

390
00:22:40.480 --> 00:22:43.960
<v Speaker 1>description given by the medium and acknowledged by mister Smith

391
00:22:44.000 --> 00:22:46.960
<v Speaker 1>as correct. Of course, he knew his own name, for

392
00:22:47.119 --> 00:22:50.240
<v Speaker 1>it was given him by the slate writer. We now

393
00:22:50.279 --> 00:22:53.559
<v Speaker 1>come to a part of the phenomena that all spiritualists

394
00:22:53.599 --> 00:22:56.680
<v Speaker 1>who have witnessed it will swear by. What is referred

395
00:22:56.680 --> 00:23:00.359
<v Speaker 1>to is the materializing and de materializing of the spirit

396
00:23:00.440 --> 00:23:04.319
<v Speaker 1>from the floor and before your eyes. In this you

397
00:23:04.440 --> 00:23:07.759
<v Speaker 1>see first a small light which grows larger and larger,

398
00:23:08.200 --> 00:23:11.079
<v Speaker 1>until there stands before you a fully formed female or

399
00:23:11.119 --> 00:23:15.279
<v Speaker 1>male spirit, as was described in mister Smith's experience. In

400
00:23:15.400 --> 00:23:18.599
<v Speaker 1>order to accomplish what he witnessed, the same spook, who

401
00:23:18.599 --> 00:23:22.279
<v Speaker 1>had before been recognized by a gentleman as his queen,

402
00:23:22.920 --> 00:23:27.440
<v Speaker 1>prepared herself in the following way, divesting herself of all clothing.

403
00:23:27.839 --> 00:23:31.759
<v Speaker 1>She donned a simple long chemise that reached her shoe tops.

404
00:23:32.240 --> 00:23:35.200
<v Speaker 1>She drew on a pair of white stockings and over

405
00:23:35.279 --> 00:23:38.640
<v Speaker 1>them a pair of white slippers. Into her hair and ear,

406
00:23:38.720 --> 00:23:42.079
<v Speaker 1>she put rhinestone diamonds, and around her neck a necklace

407
00:23:42.079 --> 00:23:45.880
<v Speaker 1>of the same beautiful but valueless stones. On each year

408
00:23:45.920 --> 00:23:48.759
<v Speaker 1>lobe and around her neck were put small spots of

409
00:23:48.759 --> 00:23:52.359
<v Speaker 1>the luminous powder to represent the diamonds. While it was dark,

410
00:23:52.839 --> 00:23:56.799
<v Speaker 1>her face was powdered and her eyebrows and eyelashes darkened,

411
00:23:57.240 --> 00:24:00.319
<v Speaker 1>while a dark line was drawn under each eye. She

412
00:24:00.440 --> 00:24:02.920
<v Speaker 1>now took a black mask that covered her head and

413
00:24:03.000 --> 00:24:06.880
<v Speaker 1>her robe in her hands, and went down to the cabinet.

414
00:24:07.400 --> 00:24:10.160
<v Speaker 1>Arriving there, she put the black mask over her head

415
00:24:10.640 --> 00:24:14.240
<v Speaker 1>to prevent the luminous diamonds being seen until the proper time.

416
00:24:14.720 --> 00:24:17.920
<v Speaker 1>She carried her robe in a black bag. Crawling from

417
00:24:17.920 --> 00:24:21.000
<v Speaker 1>between the curtains and under the table, she exposed on

418
00:24:21.079 --> 00:24:24.119
<v Speaker 1>the floor a small part of her robe. This she

419
00:24:24.160 --> 00:24:27.119
<v Speaker 1>shook and moved about, allowing it to escape from the

420
00:24:27.160 --> 00:24:30.240
<v Speaker 1>bag until it was all out. She was now from

421
00:24:30.279 --> 00:24:32.960
<v Speaker 1>under the table and on her knees, and it was

422
00:24:33.000 --> 00:24:36.079
<v Speaker 1>time the head show on the farm. So getting close

423
00:24:36.160 --> 00:24:39.039
<v Speaker 1>to the robe, she threw off and under the table

424
00:24:39.079 --> 00:24:42.279
<v Speaker 1>the black mask. The shape was now the size of

425
00:24:42.319 --> 00:24:45.559
<v Speaker 1>an adult. She adjusted the robe to her person and

426
00:24:45.839 --> 00:24:48.519
<v Speaker 1>rapped for light. As a matter of course, when any

427
00:24:48.599 --> 00:24:52.000
<v Speaker 1>light was made, the luminousness of robe was drowned, and

428
00:24:52.160 --> 00:24:55.599
<v Speaker 1>she appeared in simply a white costume. The necklace and

429
00:24:55.640 --> 00:24:58.400
<v Speaker 1>ear drops could now be seen, but when the light

430
00:24:58.480 --> 00:25:00.240
<v Speaker 1>was such as to reveal them, the loos when of

431
00:25:00.279 --> 00:25:03.839
<v Speaker 1>spots had disappeared, leaving the spectator to think the ones

432
00:25:03.880 --> 00:25:06.440
<v Speaker 1>he now saw were the ones he had seen in

433
00:25:06.480 --> 00:25:11.319
<v Speaker 1>the dark. The process of de materialization will now be apparent,

434
00:25:11.640 --> 00:25:15.200
<v Speaker 1>and the description will only tire the reader. One small

435
00:25:15.240 --> 00:25:17.839
<v Speaker 1>spook was all that was required, as he could be

436
00:25:17.880 --> 00:25:20.559
<v Speaker 1>made to represent boy or a girl as was desired

437
00:25:20.839 --> 00:25:23.720
<v Speaker 1>by clothing him in the garments of Edith's sex. At

438
00:25:23.720 --> 00:25:26.559
<v Speaker 1>the close of the seance, the full force of spooks

439
00:25:26.640 --> 00:25:30.160
<v Speaker 1>came into the room. After disappearing, they shinnied up the ladder,

440
00:25:30.640 --> 00:25:33.640
<v Speaker 1>drew it after them, closed the panel and the trap

441
00:25:33.680 --> 00:25:36.359
<v Speaker 1>in the floor above it, replaced the carpet and pushed

442
00:25:36.400 --> 00:25:39.359
<v Speaker 1>over the place a heavy bedstead, from which they took

443
00:25:39.440 --> 00:25:43.799
<v Speaker 1>the castors. They now carried the letter downstairs and concealed

444
00:25:43.799 --> 00:25:46.200
<v Speaker 1>it in the coal house as they went through it

445
00:25:46.240 --> 00:25:49.519
<v Speaker 1>on their way home. They will get their pay next day.

446
00:25:50.119 --> 00:25:53.240
<v Speaker 1>Should ever so close an examination of the cabinet be made,

447
00:25:53.640 --> 00:25:58.000
<v Speaker 1>you could not find anything wrong. This particular medium has

448
00:25:58.079 --> 00:26:01.240
<v Speaker 1>taken investigators into the cellar beneath the cabinet and the

449
00:26:01.359 --> 00:26:05.160
<v Speaker 1>room above it scores of times, yet nothing was discovered.

450
00:26:05.799 --> 00:26:07.920
<v Speaker 1>You are not always to search for the trap of

451
00:26:07.960 --> 00:26:11.000
<v Speaker 1>the ceiling, nor yet in the floor. A trap is

452
00:26:11.039 --> 00:26:13.720
<v Speaker 1>not possible in the ceiling, except a closet is used

453
00:26:13.720 --> 00:26:16.720
<v Speaker 1>as cabinet and the ceiling is of wood. Where this

454
00:26:16.759 --> 00:26:19.920
<v Speaker 1>condition of things does not exist, you must search elsewhere.

455
00:26:20.359 --> 00:26:23.079
<v Speaker 1>The floor is a very likely place when it cannot

456
00:26:23.119 --> 00:26:25.680
<v Speaker 1>be made in the ceiling. If you do not find

457
00:26:25.680 --> 00:26:28.960
<v Speaker 1>it there, examine the base or mop board. If it

458
00:26:29.000 --> 00:26:31.559
<v Speaker 1>is in the mop board, you will find upon examination

459
00:26:32.039 --> 00:26:34.480
<v Speaker 1>that there is a joint in it near the corner

460
00:26:34.519 --> 00:26:37.599
<v Speaker 1>of the cabinet. But you will find it solidly nailed,

461
00:26:37.599 --> 00:26:40.319
<v Speaker 1>with about four nails each side of the joint. This

462
00:26:40.440 --> 00:26:44.839
<v Speaker 1>appearance of extraordinary solidity will be absolute proof that it

463
00:26:44.920 --> 00:26:48.160
<v Speaker 1>is not solid. The nails are not what they appear,

464
00:26:48.519 --> 00:26:51.400
<v Speaker 1>but are only pieces about one half inch in length

465
00:26:51.720 --> 00:26:54.480
<v Speaker 1>and do not even go through the board. The piece

466
00:26:54.519 --> 00:26:56.799
<v Speaker 1>is fastened on the other side with a couple of

467
00:26:56.799 --> 00:27:00.240
<v Speaker 1>bolts that hold it very firmly in place. There is

468
00:27:00.279 --> 00:27:02.960
<v Speaker 1>a corresponding opening in the mop board in the next room,

469
00:27:03.279 --> 00:27:06.119
<v Speaker 1>although no attempt is made to so carefully conceal it,

470
00:27:06.559 --> 00:27:09.759
<v Speaker 1>as no one is ever admitted to it. Through this trap,

471
00:27:09.880 --> 00:27:13.319
<v Speaker 1>the spooks into the cabinet by crawling and wiggling. It

472
00:27:13.400 --> 00:27:16.160
<v Speaker 1>is not a very desirable trap, for the mop board

473
00:27:16.240 --> 00:27:19.039
<v Speaker 1>is scarcely ever wide enough to permit of a trap

474
00:27:19.359 --> 00:27:22.160
<v Speaker 1>that the spook could get through in a hurry. Besides,

475
00:27:22.279 --> 00:27:25.039
<v Speaker 1>they must assume their costumes after they get into the

476
00:27:25.079 --> 00:27:28.279
<v Speaker 1>cabinet or tear them to pieces. You can see how

477
00:27:28.359 --> 00:27:32.480
<v Speaker 1>this would make it very inconvenient. If the room is wainscotted,

478
00:27:32.640 --> 00:27:35.559
<v Speaker 1>the spook will have all the sea room necessary in

479
00:27:35.640 --> 00:27:38.559
<v Speaker 1>his trap, for it will extend from just below the

480
00:27:38.599 --> 00:27:41.240
<v Speaker 1>molding on the top of the wainscotting to the floor

481
00:27:41.279 --> 00:27:44.240
<v Speaker 1>behind the strip of quarter round. It is next to

482
00:27:44.279 --> 00:27:48.799
<v Speaker 1>an impossibility to detect these traps by examining in the cabinet.

483
00:27:49.119 --> 00:27:53.200
<v Speaker 1>They were constructed to avoid discovery, and no pain spared

484
00:27:53.359 --> 00:27:57.279
<v Speaker 1>to make them so absolutely perfect that not one chance

485
00:27:57.279 --> 00:28:00.559
<v Speaker 1>in a million is taken. The proper place to seek

486
00:28:00.559 --> 00:28:03.680
<v Speaker 1>for traps is in the adjoining room, upstairs, or in

487
00:28:03.720 --> 00:28:06.519
<v Speaker 1>the cellar. One is foolish to undertake to find a

488
00:28:06.559 --> 00:28:09.720
<v Speaker 1>trap by thumping the walls or floor, for if you

489
00:28:09.759 --> 00:28:12.920
<v Speaker 1>happen to thump one, the medium who is smart enough

490
00:28:12.960 --> 00:28:15.960
<v Speaker 1>to make use of a trap is also sharp enough

491
00:28:16.000 --> 00:28:19.319
<v Speaker 1>to make provision for its being thumped, and your sounding

492
00:28:19.359 --> 00:28:23.039
<v Speaker 1>method goes for nought. Bear in mind that when you

493
00:28:23.079 --> 00:28:26.279
<v Speaker 1>are examining the cabinet, you are seeking at the very

494
00:28:26.400 --> 00:28:30.400
<v Speaker 1>place that is prepared most effectively to withstand your investigations.

495
00:28:31.160 --> 00:28:34.079
<v Speaker 1>Do not forget the manager in your search. He or

496
00:28:34.119 --> 00:28:37.400
<v Speaker 1>she is never searched, or never has been up to date,

497
00:28:37.759 --> 00:28:40.200
<v Speaker 1>which has been the cause of many a failure to

498
00:28:40.240 --> 00:28:43.519
<v Speaker 1>find the properties of the medium. When the sales was

499
00:28:43.559 --> 00:28:46.519
<v Speaker 1>given in a room and cabinet furnished by a stranger

500
00:28:46.559 --> 00:28:50.119
<v Speaker 1>and skeptic, do not be deceived into a belief that

501
00:28:50.240 --> 00:28:53.400
<v Speaker 1>all of the sitters are strangers to the medium. There

502
00:28:53.400 --> 00:28:56.599
<v Speaker 1>may be one to five persons present who pay their

503
00:28:56.640 --> 00:28:59.400
<v Speaker 1>money the same as yourself, and who may appear to

504
00:28:59.440 --> 00:29:01.599
<v Speaker 1>be the most skied gyptical of anyone in the room.

505
00:29:02.279 --> 00:29:05.920
<v Speaker 1>They will generally be the recipients of some very elegant tests,

506
00:29:06.440 --> 00:29:10.960
<v Speaker 1>and weep copiously great grief fladen tears when they recognize

507
00:29:11.000 --> 00:29:14.359
<v Speaker 1>the beloved features of some relative. They are the most

508
00:29:14.440 --> 00:29:18.079
<v Speaker 1>careful of investigators, and when the medium's trap is located

509
00:29:18.119 --> 00:29:21.960
<v Speaker 1>in the door, jam will pound the walls and insists

510
00:29:21.960 --> 00:29:24.279
<v Speaker 1>on the carpet being taken up. When they will get

511
00:29:24.400 --> 00:29:27.160
<v Speaker 1>upon their hands and knees and make a most searching

512
00:29:27.240 --> 00:29:30.920
<v Speaker 1>examination of the floor. They are the closest and most

513
00:29:31.000 --> 00:29:34.480
<v Speaker 1>critical of the investigators, but they are very careful to

514
00:29:34.599 --> 00:29:38.599
<v Speaker 1>examine everywhere except where the defect is located. Because one

515
00:29:38.720 --> 00:29:42.279
<v Speaker 1>or two men seem to be making such a critical investigation,

516
00:29:42.759 --> 00:29:45.519
<v Speaker 1>do not allow that fact to prevent you making one

517
00:29:45.519 --> 00:29:49.200
<v Speaker 1>on your own responsibility. Wait until they have finished, and

518
00:29:49.240 --> 00:29:53.079
<v Speaker 1>then examine not only where they did, but more particularly

519
00:29:53.279 --> 00:29:56.480
<v Speaker 1>where they did not. Their examination is only for the

520
00:29:56.480 --> 00:29:59.839
<v Speaker 1>purpose of misleading others. Their tests are received in a

521
00:30:00.119 --> 00:30:02.960
<v Speaker 1>way to cause those about them to think they admit

522
00:30:03.039 --> 00:30:07.039
<v Speaker 1>them very unwillingly, are because they were so undeniable that

523
00:30:07.079 --> 00:30:10.279
<v Speaker 1>they could do nothing else. A great many will probably

524
00:30:10.359 --> 00:30:13.880
<v Speaker 1>deny that confederates are ever employed. They are not by

525
00:30:13.960 --> 00:30:16.720
<v Speaker 1>mediums who are not smooth enough to produce that which

526
00:30:16.720 --> 00:30:19.839
<v Speaker 1>appears so wonderful as to make a good business for them.

527
00:30:20.200 --> 00:30:23.519
<v Speaker 1>The writer could advise those mediums who give such rank

528
00:30:23.680 --> 00:30:28.279
<v Speaker 1>seances to employ a few floor workers they are easily obtained,

529
00:30:28.720 --> 00:30:30.599
<v Speaker 1>and see what a difference it would make in the

530
00:30:30.640 --> 00:30:34.119
<v Speaker 1>amount of business they will do. Get good ones those

531
00:30:34.160 --> 00:30:36.920
<v Speaker 1>who know human nature and know when they have said

532
00:30:37.039 --> 00:30:39.839
<v Speaker 1>all that is necessary. Most of them are inclined to

533
00:30:39.880 --> 00:30:43.319
<v Speaker 1>say too much, thus causing the ordinary man to suspect

534
00:30:43.400 --> 00:30:44.839
<v Speaker 1>that they are confederates.
