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<v Speaker 1>You find it on a Tuesday afternoon in a small

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<v Speaker 1>thrift shop on the corner of a street you do

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<v Speaker 1>not usually walk down. The shop is full of things

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<v Speaker 1>other people have left behind, old lamps with cracked shades,

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<v Speaker 1>piles of books with yell old pages. You have come

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<v Speaker 1>in because it is raining and you do not want

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<v Speaker 1>to walk home in the wet, and the shop is

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<v Speaker 1>warm and quiet. You move slowly through the aisles, picking

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<v Speaker 1>things up and putting them back down. Nothing calls to you.

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<v Speaker 1>And then on a shelf near the back, behind a

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<v Speaker 1>stack of old records, you see it. It is a

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<v Speaker 1>snow globe, about the size of a large apple, sitting

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<v Speaker 1>on a base of dark wood. Inside the glass there

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<v Speaker 1>is a tiny village. You can see the small houses

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<v Speaker 1>with their peaked roofs, the church with its steeple, the

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<v Speaker 1>square in the center with a tree, and around it

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<v Speaker 1>all snow, not the thick, chunky snow some snow globes have,

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<v Speaker 1>but fine, delicate snowflakes that float and drift like real snow,

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<v Speaker 1>like the first snow of the year. When the flakes

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<v Speaker 1>seem to hang in the air before they land, you

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<v Speaker 1>pick it up. It is heavier than you expect. The

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<v Speaker 1>glass is smooth and clear, and the wood base is

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<v Speaker 1>worn soft, as if many hands have held it before you.

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<v Speaker 1>You turn it gently, and the snow begins to fall

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<v Speaker 1>inside the globe. The tiny flakes swore and settle on

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<v Speaker 1>the roofs and the branches and the ground. It is

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<v Speaker 1>very small and very complete, this little world inside the glass.

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<v Speaker 1>And then you hear it. It is faint, so faint

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<v Speaker 1>that at first you think it is coming from a

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<v Speaker 1>radio somewhere, but the shop is quiet. There is no radio.

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<v Speaker 1>The sound is coming from the snow globe. It is music,

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<v Speaker 1>a small, simple melody, like a music box or a flute,

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<v Speaker 1>playing a tune you do not recognize, but that feels

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<v Speaker 1>very old and familiar, the way a lullaby feels familiar

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<v Speaker 1>even if you have never heard it before. It is

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<v Speaker 1>a gentle tune, the kind that makes you think of

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<v Speaker 1>snow falling and fires burning and warm rooms at the

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<v Speaker 1>end of a cold day. You hold the globe closer

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<v Speaker 1>to you. The music is still there, soft and clear.

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<v Speaker 1>It rises and falls like breathing. You look into the

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<v Speaker 1>globe at the tiny village, and you feel something shift

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<v Speaker 1>inside you, a settling, a quieting. The rain on the

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<v Speaker 1>windows seems very far away. There is only this, this globe,

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<v Speaker 1>this music, this small, perfect world. You buy it. The

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<v Speaker 1>woman at the register does not look up from her

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<v Speaker 1>crossword puzzle. She takes your money and gives you a

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<v Speaker 1>small paper bag, and you carry the snow lobe palm

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<v Speaker 1>in the rain, holding it carefully against your chest. That night,

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<v Speaker 1>you sit in your chair by the window with the

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<v Speaker 1>snow globe in your hands. The room is dark except

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<v Speaker 1>for the lamp beside you, which casts a way warm

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<v Speaker 1>circle of light on your lap and on the globe.

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<v Speaker 1>You turn it gently, and the snow begins to fall.

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<v Speaker 1>The music begins to play, and you watch the village

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<v Speaker 1>inside the globe is alive in a way that a

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<v Speaker 1>snow globe should not be. The snow falls and falls,

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<v Speaker 1>but it never seems to pile up. It melts and

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<v Speaker 1>rises again, like breath in winter air. The light inside

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<v Speaker 1>the globe changes slowly from pale glue to warm gold

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<v Speaker 1>to deep purple. The tiny windows of the tiny houses

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<v Speaker 1>glow as if there are tiny people inside, sitting by

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<v Speaker 1>tiny fires. You cannot see them, but you can feel

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<v Speaker 1>the warmth of that village, small and safe inside its glass.

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<v Speaker 1>You hold the globe closer, and the music fills you.

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<v Speaker 1>It is not just sound, It is a feeling. It

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<v Speaker 1>is the feeling of sitting by a window on a

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<v Speaker 1>winter evening, watching the snow fall, with a cup of

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<v Speaker 1>tea and nowhere to go. It is the feeling of

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<v Speaker 1>being held. You let the music wash over you, and

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<v Speaker 1>you feel yourself letting go of the day. The small

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<v Speaker 1>worries on your shoulders begin to dissolve, like the snow

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<v Speaker 1>inside the globe. Over the next few days, you discover

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<v Speaker 1>that the globe changes, not in any dramatic way, but

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<v Speaker 1>the village shifts gently with the seasons. On the second night,

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<v Speaker 1>the snow has stopped. There are tiny green leaves on

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<v Speaker 1>the tree in the square. The houses look warmer, their

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<v Speaker 1>doors open. The music has changed too. It is the

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<v Speaker 1>same melody, but it sounds like summer, like sunlight and

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<v Speaker 1>warm evenings and cut grass. On the third night, the

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<v Speaker 1>leaves have turned gold and red. The snow has begun

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<v Speaker 1>to fall again, but lightly, as if the village is

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<v Speaker 1>just beginning to remember winter. The music is softer, now slower.

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<v Speaker 1>On the fourth night, the village is deep in winter again.

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<v Speaker 1>The snow falls, thick and fast, and the houses are

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<v Speaker 1>warm and glowing. And the music is the music of

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<v Speaker 1>the first night, the lullaby. You watch it every night.

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<v Speaker 1>You sit in your chair and hold the snow globe,

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<v Speaker 1>and you let the music and the light take you

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<v Speaker 1>somewhere quiet and safe. You do not try to understand

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<v Speaker 1>how the village changes. You do not try to figure

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<v Speaker 1>out where the music comes from. You simply accept it.

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<v Speaker 1>Some things are gifts. They do not need to be explained.

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<v Speaker 1>The globe becomes part of your evening. After dinner, you

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<v Speaker 1>make tea, You sit in your chair, You pick up

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<v Speaker 1>the globe. You turn it gently, and the world inside

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<v Speaker 1>begins to move. The snow falls, or the leaves rustle,

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<v Speaker 1>or the light changes from gold to purple. The music

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<v Speaker 1>begins soft and clear, and you close your eyes and listen.

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<v Speaker 1>You feel the weight of the globe in your hands,

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<v Speaker 1>solid and warm. You feel the smoothness of the glass.

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<v Speaker 1>You feel the worn wood of the base, soft with

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<v Speaker 1>the touch of all the hands that held it before you.

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<v Speaker 1>You think about those hands. You wonder who held this

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<v Speaker 1>globe before you. Did they sit in a chair like

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<v Speaker 1>this one? Did they watch the snow fall and feel

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<v Speaker 1>the same piece. You will never know, but you feel

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<v Speaker 1>connected to them through this small glass world that has

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<v Speaker 1>passed from hand to hand. The seasons change inside the

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<v Speaker 1>globe and outside your window, too. Autumn turns to winter,

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<v Speaker 1>the trees lose their leaves. Snow begins to fall in

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<v Speaker 1>the streets, real snow, thick and white. You watch the

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<v Speaker 1>real snow fall and the tiny snow fall, and the

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<v Speaker 1>two feel like the same thing, Like the whole world

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<v Speaker 1>is a snow globe, and some one very kind is

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<v Speaker 1>turning it gently. You hold the globe closer. The music

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<v Speaker 1>fills the room. The snow falls inside the glass, tiny

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<v Speaker 1>and perfect, and the village glows with warmth. You feel

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<v Speaker 1>your breathing slow, You feel your body grow heavy. The

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<v Speaker 1>lamp casts its warm light, and the globe catches that

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<v Speaker 1>light and holds it, glowing like a small sun. In

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<v Speaker 1>your hands. You think about the village inside the globe,

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<v Speaker 1>the houses, the church, the tree in the square. You

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<v Speaker 1>think about the people who might live there, sitting in

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<v Speaker 1>their warm houses, listening to the same music. You think

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<v Speaker 1>about how they must feel safe, how they must feel

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<v Speaker 1>at home. You feel that way too. You feel safe,

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<v Speaker 1>You feel at home. The globe is warm in your hands,

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<v Speaker 1>the music is soft and clear. The snow falls and falls,

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<v Speaker 1>and the world outside is quiet and white, and the

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<v Speaker 1>only sounds are the music from the globe and the

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<v Speaker 1>soft breathing of the night. Your eyes grow heavy, the

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<v Speaker 1>gullet blurs in your hands, the tiny village becoming awash

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<v Speaker 1>of light and snow and warmth. The music slows, or

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<v Speaker 1>perhaps it does not slow, and it is only you

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<v Speaker 1>who is slowing, your thoughts drifting away like the snow,

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<v Speaker 1>like leaves on a river. You do not put the

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<v Speaker 1>globe down. You hold it in your lap as you

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<v Speaker 1>drift towards sleep, or perhaps you fall asleep in the chair.

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<v Speaker 1>It does not matter. What matters is that you are warm,

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<v Speaker 1>and the globe is warm, and the music is playing,

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<v Speaker 1>and the snow is falling, and you are safe. You

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<v Speaker 1>are held, You are home, and you sleep deeply and peacefully,

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<v Speaker 1>the way you slept when you were small and the

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<v Speaker 1>world was simple, and some one was watching over you.

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<v Speaker 1>The globe watches over you now. The music carries you.

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<v Speaker 1>The snow falls, soft and endless, and you fall with it,

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<v Speaker 1>deeper and deeper into sleep, into peace, into the quiet

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<v Speaker 1>heart of the night.
