1
00:00:01,080 --> 00:00:04,320
Speaker 1: And now, for the first time on American radio, a

2
00:00:04,440 --> 00:00:08,560
Matt Connorton unleashed w m n H ninety five point

3
00:00:08,560 --> 00:00:12,480
three FM exclusive the new single from Naked Without It,

4
00:00:13,199 --> 00:00:14,080
I'm not Pretty.

5
00:00:14,439 --> 00:00:16,920
Speaker 2: You are listening to WUMNH.

6
00:00:18,399 --> 00:00:19,920
Speaker 3: World premiere.

7
00:00:31,879 --> 00:00:43,960
Speaker 4: I'm not pretty, but I'm pretty you.

8
00:00:41,439 --> 00:00:49,479
Speaker 5: Dont From the corner of my we'll, I see that

9
00:00:49,600 --> 00:00:50,799
I'm the little kim Fly.

10
00:00:52,719 --> 00:00:57,479
Speaker 6: I'm not pretty, but I'm pretty.

11
00:00:59,640 --> 00:01:07,599
Speaker 7: I'm not pretty, but I'm not gonna cheege my kids said,

12
00:01:07,640 --> 00:01:09,040
it's from the kids wearing.

13
00:01:09,239 --> 00:01:10,280
Speaker 8: I got cured.

14
00:01:12,879 --> 00:01:17,400
Speaker 6: She said the stuff in my words to late to

15
00:01:17,840 --> 00:01:18,840
real rage.

16
00:01:20,560 --> 00:01:28,000
Speaker 5: I'm not pretty, but I'm not gonna cheo. I'm not

17
00:01:28,319 --> 00:01:29,040
pretty good.

18
00:01:29,280 --> 00:01:30,920
Speaker 7: I'm not gonna stop.

19
00:01:33,719 --> 00:01:41,640
Speaker 5: I'm gonna keep bronkie on it said, I drop this life.

20
00:01:41,799 --> 00:01:47,000
Speaker 7: Ain't gonna in what I aramis to who my friend.

21
00:01:48,359 --> 00:01:56,519
I'm not pretty, but I'm not gonna stop. I'm not pretty,

22
00:01:56,519 --> 00:01:58,799
but I'm pretty heard at you.

23
00:02:02,280 --> 00:02:09,719
Speaker 5: I don't know what I'm gone too. From the corner

24
00:02:09,919 --> 00:02:14,280
of my eye, well, I can see that I'm looking fly.

25
00:02:16,199 --> 00:02:18,039
I'm not pretty good.

26
00:02:18,360 --> 00:02:24,879
Speaker 7: I'm pretty good than you. I'm not pretty good that

27
00:02:25,039 --> 00:02:26,919
he can't keep it down.

28
00:02:29,400 --> 00:02:32,879
Speaker 5: I'm going to rise to the job. Break can name

29
00:02:33,080 --> 00:02:33,840
my crown.

30
00:02:36,360 --> 00:02:41,240
Speaker 6: Ain't gonna stop me getting half a new month for

31
00:02:41,319 --> 00:02:46,439
me to strive. I'm not pretty good that you can't

32
00:02:46,599 --> 00:03:16,120
keep it down, mister Kennedy.

33
00:03:18,879 --> 00:03:20,280
Speaker 5: I'm not really good.

34
00:03:21,000 --> 00:03:29,439
Speaker 6: I know my please, I know the sect of God's greul.

35
00:03:32,039 --> 00:03:36,159
Speaker 5: You made me who the vote to see? But do

36
00:03:36,719 --> 00:03:38,599
you commit to me?

37
00:03:39,680 --> 00:03:43,319
Speaker 7: I'm not really but I know my place.

38
00:03:46,719 --> 00:03:50,240
Speaker 5: I'm not praidy, but I'm pretty of you.

39
00:03:53,599 --> 00:03:57,560
Speaker 9: I don't know where I'm garnited.

40
00:03:59,719 --> 00:04:03,879
Speaker 4: Because from the corner of my eye, well I could

41
00:04:03,919 --> 00:04:06,439
see that I'm looking mutchily.

42
00:04:07,520 --> 00:04:12,120
Speaker 6: I'm not free, but I'm pretty you.

43
00:04:14,520 --> 00:04:21,879
Speaker 7: I'm not pretty Boot, I'm prettier than you. I'm not

44
00:04:22,199 --> 00:04:22,959
pretty Boot.

45
00:04:23,560 --> 00:04:24,360
Speaker 5: I'm pretty.

46
00:04:28,439 --> 00:04:36,959
Speaker 9: I'm not pretty Boot, I'm pretty than you.

47
00:04:44,759 --> 00:04:49,560
Speaker 2: This is Jesse Rutstein and Caleb Dyer. Oh oh no, okay,

48
00:04:49,600 --> 00:04:51,480
we can let's do that one more time. This is

49
00:04:51,560 --> 00:04:56,120
Jesse Rutstein and Caleb Dyer. Oh crap, hold on, what

50
00:04:56,120 --> 00:04:56,759
do you want me to say?

51
00:04:56,839 --> 00:04:57,279
Speaker 5: Right after that?

52
00:04:57,959 --> 00:05:01,040
Speaker 2: From Hatchet Act from the and I'll say you're listening right?

53
00:05:01,199 --> 00:05:06,279
Sounds good. This is Jesse Rutstein and oh ah, this

54
00:05:06,319 --> 00:05:11,160
is why I'm the leader. This is Jesse Rutstein and

55
00:05:11,519 --> 00:05:15,160
Caleb Dyer from Hatchet Axon Saw Records. You are listening

56
00:05:15,199 --> 00:05:17,879
to the Matt Connerton Show on w m n H

57
00:05:18,279 --> 00:05:20,160
ninety five point three Manchester.

58
00:05:21,800 --> 00:05:24,000
Speaker 10: What did I say?

59
00:05:24,160 --> 00:05:26,600
Speaker 5: Okay, all right, all right, Let's do this again.

60
00:05:26,639 --> 00:05:30,720
Speaker 2: Let's do this again. This is Jesse Rutstein and Caleb

61
00:05:30,839 --> 00:05:34,319
Dyer from Hatchet Axon Saw Records. You are listening to

62
00:05:34,800 --> 00:05:40,000
Matt Connorton Unleashed on ninety five to three w NA. Dude,

63
00:05:42,199 --> 00:05:46,240
this is Jesse Rutstein and Caleb Dyer from Hatchet Axon

64
00:05:46,279 --> 00:05:50,079
Saw Records. You are listening to Matt Connorton Unleashed on

65
00:05:50,199 --> 00:06:08,920
ninety five point three wm n H FM.

66
00:06:09,040 --> 00:06:10,160
Speaker 10: Hey, welcome everybody.

67
00:06:10,160 --> 00:06:13,120
Speaker 1: It is that time again, Matt Connorton Unleashed and we

68
00:06:13,279 --> 00:06:18,120
are live from the studios of WMNH ninety five point

69
00:06:18,120 --> 00:06:21,920
three FM and Glorious Downtown Manchester, New Hampshire. And it

70
00:06:21,959 --> 00:06:25,160
does seem to be a pretty glorious day outside, nice temperature,

71
00:06:25,240 --> 00:06:27,519
nice and sunny. Today is of course, for those of

72
00:06:27,519 --> 00:06:31,920
you listening live. It is Saturday August two, two thy

73
00:06:32,240 --> 00:06:35,240
twenty five, and we got a fun show for you today.

74
00:06:35,279 --> 00:06:38,079
By the way, we did open the show with the

75
00:06:38,120 --> 00:06:40,279
American radio premiere of the brand new track from our

76
00:06:40,279 --> 00:06:42,680
friends from the UK, Naked Without It, that is called

77
00:06:42,800 --> 00:06:45,240
I'm Not Pretty. And we got a lot of music

78
00:06:45,439 --> 00:06:47,720
coming up for you today. Oh I should mention two

79
00:06:48,160 --> 00:06:50,800
since I played some I love outtakes of Station id's

80
00:06:51,120 --> 00:06:52,920
well when they're fun like that. Last week on the show,

81
00:06:52,920 --> 00:06:55,600
we had Jesse Rutstein and Caleb Dyer here and they

82
00:06:55,600 --> 00:06:59,240
were talking about a couple of different things. Jesse Rutstein's

83
00:07:00,120 --> 00:07:02,959
new EP, self titled EP that just came out, which

84
00:07:03,000 --> 00:07:05,639
is fantastic. We featured some music from that, and also

85
00:07:06,120 --> 00:07:10,120
they've got Hatchet Acts and Saw which is their new

86
00:07:10,120 --> 00:07:13,319
record label that just launched. So so those guys had

87
00:07:13,319 --> 00:07:15,759
a lot of really interesting things to talk about, which

88
00:07:15,800 --> 00:07:18,079
is great. And I enjoyed our discussion and I also

89
00:07:18,120 --> 00:07:21,839
really enjoyed after the show we we did some did

90
00:07:21,839 --> 00:07:24,439
some station IDs because they were the last guests on

91
00:07:24,439 --> 00:07:26,920
the shows, we had time to do it, and it

92
00:07:26,959 --> 00:07:27,480
was it.

93
00:07:27,399 --> 00:07:30,519
Speaker 10: Was something or was that before the show?

94
00:07:30,519 --> 00:07:32,360
Speaker 1: Oh no, that was actually before the show because they

95
00:07:32,360 --> 00:07:35,199
were the first guests on. That's right, so they probably

96
00:07:35,240 --> 00:07:36,360
weren't even fully awake yet.

97
00:07:36,360 --> 00:07:37,000
Speaker 10: No, that was fun.

98
00:07:37,040 --> 00:07:39,839
Speaker 1: I do have some actual edited versions of those two,

99
00:07:39,920 --> 00:07:43,360
but I do love outtakes. So but we've got a

100
00:07:43,399 --> 00:07:46,079
fun show for you today. In just a couple of minutes,

101
00:07:46,079 --> 00:07:49,800
we're gonna be joined by three Times seven. They are

102
00:07:50,160 --> 00:07:52,560
a great band from the UK, or it might just

103
00:07:52,600 --> 00:07:55,560
be it's interesting so they function. I'll ask them about this.

104
00:07:55,959 --> 00:07:59,000
They seem to function in two different configurations, a duo

105
00:07:59,439 --> 00:08:02,360
and a full so we'll see who's who's on the

106
00:08:02,399 --> 00:08:05,240
line with us via WhatsApp in just a couple of minutes.

107
00:08:05,240 --> 00:08:07,519
We're gonna play their new single Weight, which we did.

108
00:08:07,920 --> 00:08:10,839
We did an American radio premiere for that not long ago.

109
00:08:10,959 --> 00:08:12,800
I think it was just maybe a couple of weeks ago.

110
00:08:12,879 --> 00:08:14,959
It becomes a bit of a blur. But we're gonna

111
00:08:14,959 --> 00:08:16,439
get to talk to them today, So we're gonna play

112
00:08:16,439 --> 00:08:18,040
Wait again in just a couple of minutes, and then

113
00:08:18,040 --> 00:08:20,279
we're gonna get them on the line via WhatsApp.

114
00:08:20,319 --> 00:08:22,240
Speaker 10: Looking forward to that. In the second hour.

115
00:08:22,560 --> 00:08:26,040
Speaker 1: Jamie Higgs, another great UK artist, is gonna be also

116
00:08:26,160 --> 00:08:29,519
joining us via WhatsApp. We recently played his song piece

117
00:08:29,560 --> 00:08:33,240
in Your Sound, which I absolutely love. Jenny loves it too.

118
00:08:33,320 --> 00:08:36,799
It is so catchy, just really really good tune and

119
00:08:36,840 --> 00:08:39,159
we're gonna play that, and we'll also play one of

120
00:08:39,240 --> 00:08:41,720
his older ones to a great song called Unconditional, which

121
00:08:41,759 --> 00:08:44,600
is amazing. So he'll be joining us today in the

122
00:08:44,639 --> 00:08:46,360
second hour. In the third hour, we have an in

123
00:08:46,399 --> 00:08:51,639
studio guest, our friend Keegan also known as Crafty K

124
00:08:52,000 --> 00:08:53,679
from Chaotic Photography.

125
00:08:54,360 --> 00:08:57,480
Speaker 10: She's gonna be coming in. So she's an amazing.

126
00:08:57,120 --> 00:09:02,159
Speaker 1: Artist, but she also does a lot of photography for musicians.

127
00:09:02,159 --> 00:09:05,840
In fact, if you look online, if you ever look

128
00:09:05,879 --> 00:09:09,639
at some of the pictures from performances at Terminus Underground,

129
00:09:10,159 --> 00:09:14,159
our friends Eleanor and Andre of course in Nashua, at Terminus Underground,

130
00:09:14,159 --> 00:09:16,159
which is part of New Hampshire Underground, they do a

131
00:09:16,200 --> 00:09:19,840
lot to help the scene and working with independent artists

132
00:09:19,879 --> 00:09:21,919
and they put on some amazing shows there. But if

133
00:09:21,960 --> 00:09:26,399
you see pictures online from Terminus Underground, there's a very

134
00:09:26,399 --> 00:09:32,960
good chance that those were taken by Crafty K. So, so

135
00:09:31,480 --> 00:09:36,320
she does great work between her art and her photography.

136
00:09:36,600 --> 00:09:38,440
Speaker 10: Well, I mean, photography is art, but you know what

137
00:09:38,440 --> 00:09:39,120
I'm saying.

138
00:09:39,519 --> 00:09:43,679
Speaker 1: She's she works with multiple mediums and is really impressive.

139
00:09:43,720 --> 00:09:45,759
So so she's gonna be joining us today in the

140
00:09:45,759 --> 00:09:48,279
third hour. Really looking forward to that. So we've got

141
00:09:48,320 --> 00:09:50,720
a lot going on, let's see. I think in a

142
00:09:50,799 --> 00:09:53,480
moment we should probably go ahead and hit that track Wait,

143
00:09:53,840 --> 00:09:55,960
and then I'm really looking forward to speaking with them.

144
00:09:56,120 --> 00:09:57,879
We also we're also going to play at the end

145
00:09:57,919 --> 00:10:02,320
of our conversation the newest single from three Times seven,

146
00:10:02,360 --> 00:10:04,600
which is called Big Train, another great song. I love

147
00:10:04,679 --> 00:10:08,320
their sound. I cannot wait till well pun fully intended.

148
00:10:08,360 --> 00:10:10,600
I cannot wait to speak with them.

149
00:10:10,720 --> 00:10:11,360
Speaker 10: But here it is.

150
00:10:11,759 --> 00:10:14,919
Speaker 1: This is one of the new singles from three Times seven.

151
00:10:15,279 --> 00:10:18,759
This is called Wait. This is really really catchy, and

152
00:10:19,120 --> 00:10:21,679
you'll be tapping along. If you're not check your pulse,

153
00:10:21,720 --> 00:10:23,919
you might be dead. But here it is, And then

154
00:10:23,919 --> 00:10:40,279
we're gonna talk with them. Stick around, not save.

155
00:10:40,159 --> 00:10:48,799
Speaker 11: Wait, I'm begging for my baby, don't wait over not

156
00:10:49,039 --> 00:11:00,720
save wait, oh wait, oh wait. It was Sunday evening,

157
00:11:01,879 --> 00:11:04,720
and all my ropes were clear and my eyes were

158
00:11:04,799 --> 00:11:07,440
dry to spy my fear.

159
00:11:08,360 --> 00:11:10,159
Speaker 2: But I was flying too close to the sun.

160
00:11:10,559 --> 00:11:15,240
Speaker 11: When I got your cold half the radio long, I

161
00:11:15,399 --> 00:11:19,120
began to star wait, oh, begging for my baby.

162
00:11:18,799 --> 00:11:21,799
Speaker 5: Don't wait, don't go bud up your.

163
00:11:21,399 --> 00:11:30,919
Speaker 11: Heart not sad ways way, oh wait.

164
00:11:35,840 --> 00:11:37,080
Speaker 8: Sometimes I'm lonely.

165
00:11:38,120 --> 00:11:39,799
Speaker 5: Sometimes I want to be alone.

166
00:11:40,440 --> 00:11:41,679
Speaker 2: Sometimes I'm freezing.

167
00:11:42,679 --> 00:11:46,200
Speaker 5: Sometimes I need that cold. Sometimes you're shining.

168
00:11:46,200 --> 00:11:49,799
Speaker 11: It's over ahead, I'm staring at the sun. I want

169
00:11:49,840 --> 00:11:53,559
to spend the night with you with the light on. Wait,

170
00:11:54,440 --> 00:11:55,480
begging for my baby, no.

171
00:11:55,559 --> 00:11:58,440
Speaker 10: Way out your.

172
00:11:58,000 --> 00:12:03,039
Speaker 11: Heart, not save way to.

173
00:12:04,960 --> 00:12:05,200
Speaker 12: Wait?

174
00:12:06,200 --> 00:12:16,519
Speaker 13: Oh wait, I I want, I want, I want you

175
00:12:18,399 --> 00:12:24,080
leavese wait, beg him for my baby to wait, orpenen

176
00:12:24,279 --> 00:12:30,320
up your heart, not sad.

177
00:12:30,120 --> 00:12:32,480
Speaker 7: Way begging for my baby to wait.

178
00:12:32,720 --> 00:12:34,159
Speaker 5: All burn up you.

179
00:12:38,639 --> 00:12:47,639
Speaker 13: So beg it for my baby to leave the line.

180
00:12:49,480 --> 00:12:50,519
Speaker 5: Beg you for my baby to.

181
00:12:55,799 --> 00:12:57,159
Speaker 14: Leave the line.

182
00:12:58,519 --> 00:13:08,759
Speaker 7: Began for my baby to wait. Thanks for maybe no

183
00:13:08,879 --> 00:13:09,639
way off.

184
00:13:20,799 --> 00:13:23,240
Speaker 1: I love that the song is called wait. The band

185
00:13:23,519 --> 00:13:27,039
is three times seven. And let's see who we have

186
00:13:27,360 --> 00:13:29,759
on the line with us from the band. Hello, welcome

187
00:13:29,759 --> 00:13:30,200
to the show.

188
00:13:31,279 --> 00:13:35,399
Speaker 8: Hello, Hello, this is Jenny. Hey Jenny, We've got David

189
00:13:35,399 --> 00:13:35,840
here as well.

190
00:13:36,159 --> 00:13:36,279
Speaker 14: Hi.

191
00:13:36,840 --> 00:13:38,399
Speaker 10: Hey, welcome Jenny and David.

192
00:13:38,840 --> 00:13:39,039
Speaker 5: Yeah.

193
00:13:39,039 --> 00:13:41,159
Speaker 1: I don't know if you heard right before the track

194
00:13:41,159 --> 00:13:42,639
I was commenting on, and this is one of the

195
00:13:42,639 --> 00:13:45,879
things I want to ask you about. It seems that,

196
00:13:46,200 --> 00:13:48,519
so from what I could glean online, you function as

197
00:13:48,559 --> 00:13:51,720
both a duo and a full band, Is that correct?

198
00:13:52,879 --> 00:13:54,679
Speaker 8: Yeah, we've actually got three, so we've got a duo,

199
00:13:55,240 --> 00:13:57,919
a full band with bass and drums, and we've got

200
00:13:57,919 --> 00:14:01,879
a four piece acoustic setup as well well. So yeah,

201
00:14:01,919 --> 00:14:03,320
we can become in all forms.

202
00:14:03,639 --> 00:14:06,039
Speaker 1: That's pretty cool because that gives you a lot of flexibility,

203
00:14:06,120 --> 00:14:09,759
right in terms of where you can play and and uh,

204
00:14:09,799 --> 00:14:13,759
because obviously different kinds of venues, different uh, different audiences

205
00:14:13,840 --> 00:14:16,200
might require a different you know, a different vibe.

206
00:14:16,200 --> 00:14:19,200
Speaker 10: And I mean, is it is it confusing.

207
00:14:18,720 --> 00:14:20,759
Speaker 1: At all kind of managing these different versions of the

208
00:14:20,799 --> 00:14:22,960
band or does does all the music kind of convert

209
00:14:22,960 --> 00:14:25,519
to whatever configuration you're playing in pretty easily?

210
00:14:26,840 --> 00:14:29,120
Speaker 8: Thankfully now it kind of converts quite easily. It took

211
00:14:29,120 --> 00:14:32,519
a little bit of work at the start. Yeah, on

212
00:14:32,559 --> 00:14:34,559
the website, we always make sure it's clear whether what

213
00:14:34,720 --> 00:14:37,759
type of band you're going to see, right. It's just

214
00:14:37,799 --> 00:14:41,000
because if you particularly like the full band, we will

215
00:14:41,039 --> 00:14:42,919
make sure that you are coming to a full band gig,

216
00:14:43,039 --> 00:14:45,399
and if you particularly like the acoustic set, that you're

217
00:14:45,440 --> 00:14:49,080
coming down to see the acoustic stuff. But yeah, it

218
00:14:49,120 --> 00:14:51,120
takes a bit of work, especially with some of the

219
00:14:51,159 --> 00:14:54,960
guitar solos and things. We have to rework the song

220
00:14:55,080 --> 00:14:59,720
format to make it work for all the different variations. Yeah,

221
00:14:59,720 --> 00:15:01,799
but it's really good and it keeps us on our toes.

222
00:15:02,240 --> 00:15:05,120
Speaker 1: Okay, So I assume three times seven started with the

223
00:15:05,120 --> 00:15:07,759
two of you. You're the you're obviously the core, right

224
00:15:08,000 --> 00:15:08,559
of the band.

225
00:15:09,879 --> 00:15:12,879
Speaker 15: Yeah, that's that sweet. Yeah. We've been playing together for

226
00:15:12,919 --> 00:15:15,200
about sort of like eight nine years now. Oh okay,

227
00:15:15,240 --> 00:15:18,039
and then I used to joke that we're called three

228
00:15:18,080 --> 00:15:20,399
times seven because we had the twenty one honoring members

229
00:15:20,440 --> 00:15:21,440
that would come and play with us.

230
00:15:21,600 --> 00:15:25,120
Speaker 10: Now, that would be quite the configuration.

231
00:15:26,559 --> 00:15:31,039
Speaker 16: Super group and half yeah on speed up.

232
00:15:32,320 --> 00:15:34,440
Speaker 1: Well, okay, so let's well, since you refer to it,

233
00:15:34,559 --> 00:15:36,679
let's get to the obvious question. I'm sure this is

234
00:15:36,720 --> 00:15:38,720
you're probably tired of answering it because you probably get

235
00:15:38,759 --> 00:15:41,279
asked us and every interview it is the most obvious question.

236
00:15:41,320 --> 00:15:42,399
Speaker 10: But what what does the name mean?

237
00:15:44,240 --> 00:15:48,639
Speaker 8: So officially, it's from a song called Tippetina, which is

238
00:15:48,679 --> 00:15:51,960
a New Orleans jazz standard, and in it's a line

239
00:15:51,960 --> 00:15:55,519
that says she was three times seven baby, and at

240
00:15:55,559 --> 00:15:58,159
the time I was in my early twenties and it

241
00:15:58,240 --> 00:16:00,840
felt pretty cool and we are Ah, it's all right,

242
00:16:00,879 --> 00:16:05,519
that'll do we'll change it later and then it's now

243
00:16:05,600 --> 00:16:09,200
later and obviously we haven't changed it. Yeah, it's also

244
00:16:09,240 --> 00:16:12,399
the cards. It's the best age for whiskey.

245
00:16:13,120 --> 00:16:13,840
Speaker 5: Yeah, it's.

246
00:16:15,559 --> 00:16:15,759
Speaker 14: Yeah.

247
00:16:15,919 --> 00:16:19,039
Speaker 1: No, it's cool, and you know, it makes people curious obviously,

248
00:16:19,080 --> 00:16:21,240
it gives uh, it gives you something to talk about,

249
00:16:21,279 --> 00:16:22,360
you know, where the name comes from.

250
00:16:22,559 --> 00:16:23,200
Speaker 10: I'm curious.

251
00:16:23,240 --> 00:16:26,960
Speaker 1: Does anyone ever approach you and ask you like, does

252
00:16:27,000 --> 00:16:29,759
anyone ever kind of know have an inkling? Maybe they're

253
00:16:29,759 --> 00:16:32,080
maybe they're familiar with that song. Maybe they you know,

254
00:16:32,120 --> 00:16:34,320
maybe they love jazz. Maybe they're from New Orleans and

255
00:16:34,360 --> 00:16:36,639
they and they say to you, hey, does the name

256
00:16:36,720 --> 00:16:37,600
come from this?

257
00:16:37,799 --> 00:16:39,480
Speaker 10: And they kind of know what it is. Does that

258
00:16:39,519 --> 00:16:40,039
ever happen?

259
00:16:41,000 --> 00:16:44,000
Speaker 16: No, no, never happened, but.

260
00:16:43,960 --> 00:16:45,360
Speaker 8: It would be quite amusing if it did.

261
00:16:45,720 --> 00:16:46,000
Speaker 10: Yeah.

262
00:16:46,159 --> 00:16:48,799
Speaker 8: Yeah, you people go, oh okay, yes I've heard that

263
00:16:48,840 --> 00:16:50,879
song or I haven't even heard that song before.

264
00:16:51,080 --> 00:16:55,320
Speaker 1: Right right, right, So now in terms of recording, so

265
00:16:55,559 --> 00:16:58,200
is the full band obviously a song like wait, that's

266
00:16:58,279 --> 00:17:01,039
that's everybody in the band, right, that's the full Uh,

267
00:17:01,200 --> 00:17:02,679
that's everybody who's involved on that.

268
00:17:04,200 --> 00:17:06,279
Speaker 8: We had Haley and Steve join us as well. So

269
00:17:06,400 --> 00:17:09,559
they are from a band called futurism, and they join

270
00:17:09,640 --> 00:17:14,200
us occasionally to do some harmony work. And when we

271
00:17:14,240 --> 00:17:16,799
get them involved as well, then we've basically become a

272
00:17:16,799 --> 00:17:20,200
little supergroup so that we can do all the harmonies,

273
00:17:20,200 --> 00:17:22,680
which is really really fun. But yes, everyone was involved

274
00:17:22,720 --> 00:17:25,839
in Wait, yeah.

275
00:17:25,160 --> 00:17:27,960
Speaker 1: No, that's really cool, and is that your approach with all,

276
00:17:28,079 --> 00:17:30,880
because we're also going to play at the end of

277
00:17:30,880 --> 00:17:34,599
our conversation, because obviously I like to bookend the interviews

278
00:17:34,640 --> 00:17:36,000
with your music. So at the end we're going to

279
00:17:36,039 --> 00:17:38,839
play Big Train, which is another great track, and I

280
00:17:38,839 --> 00:17:40,880
love the video, by the way, the video is really cool.

281
00:17:42,839 --> 00:17:43,640
Speaker 8: That was really fun.

282
00:17:43,720 --> 00:17:46,720
Speaker 15: Yes, that's without Haley and Steve. I mean, our latest

283
00:17:47,359 --> 00:17:50,720
album released, Silver Linings. We've got tracks from there which

284
00:17:50,720 --> 00:17:52,640
are basically just Jenny and I with a little bit

285
00:17:52,680 --> 00:17:54,920
of piano. Oh and we have other tracks from there

286
00:17:54,960 --> 00:17:59,000
which I've got an Italian horn section on one track,

287
00:17:59,039 --> 00:18:04,319
I've got Turkish violinist on another. So yeah, it's very

288
00:18:04,359 --> 00:18:08,599
much a collaboration of friends and.

289
00:18:10,119 --> 00:18:16,160
Speaker 1: Okay, okay, now, how do you describe your music because

290
00:18:16,319 --> 00:18:17,880
you know, obviously I can hear a lot of different

291
00:18:17,960 --> 00:18:21,839
influences in there. You know, there's some blues, there's some jazz.

292
00:18:21,960 --> 00:18:24,240
I mean it sounds and if I didn't know, and

293
00:18:24,279 --> 00:18:26,400
I hope you don't take this wrong, but if I

294
00:18:26,400 --> 00:18:27,960
didn't know where you were from, I would assume you

295
00:18:27,960 --> 00:18:30,160
were an American band, because you remind me of a

296
00:18:30,200 --> 00:18:32,599
lot of you know, especially out of the American South

297
00:18:32,599 --> 00:18:35,000
from a certain time period, music that would come from there.

298
00:18:35,319 --> 00:18:38,240
I mean, how do you how do you describe your music?

299
00:18:38,279 --> 00:18:40,799
Everyone always hates this question, but how do you describe

300
00:18:40,839 --> 00:18:43,559
your music and what what kinds of influences go into

301
00:18:43,599 --> 00:18:44,200
what you're doing?

302
00:18:45,119 --> 00:18:46,920
Speaker 15: Well, I think I think that's the main thing we play.

303
00:18:47,240 --> 00:18:51,160
We started off as very much primarily a blues band. Yeah,

304
00:18:51,200 --> 00:18:53,680
and I do believe you can't play blues unless you

305
00:18:53,759 --> 00:18:56,440
go to the heart blue. So we did a little

306
00:18:56,480 --> 00:18:59,759
tour down from Chicago. We were from Louisville, Kentucky, Memphis,

307
00:18:59,839 --> 00:19:03,720
now Bill all the way down to New Orleans and

308
00:19:03,880 --> 00:19:06,039
we made it down to New Orleans for Halloween as well,

309
00:19:06,119 --> 00:19:08,920
Oh wow, which was a hell of an experience. And

310
00:19:09,160 --> 00:19:13,480
I can imagine all of that definitely influenced our music.

311
00:19:13,920 --> 00:19:16,759
And Jenny is a massive fan of John Cleary. Yes,

312
00:19:16,960 --> 00:19:20,480
it is the of the Kentish British boy who went

313
00:19:20,559 --> 00:19:24,119
over to New Orleans and never came back, which.

314
00:19:24,839 --> 00:19:28,000
Speaker 8: A note in my heart because New Orleans is like

315
00:19:28,039 --> 00:19:29,880
it's awesome, Like we had such a good time on

316
00:19:29,880 --> 00:19:33,200
that trip. But we also have other influences as well,

317
00:19:33,200 --> 00:19:37,799
other than blues. We've got funk, soul rock, like all

318
00:19:37,839 --> 00:19:40,480
of the things that we grew up with and the

319
00:19:40,559 --> 00:19:44,160
music that we discovered, like it all lives in our

320
00:19:44,240 --> 00:19:46,880
music as well. It all comes through. So I think

321
00:19:47,319 --> 00:19:54,400
if I was to describe it, it's funky, solely bluesy tunes.

322
00:19:54,680 --> 00:19:57,200
Speaker 15: Like every year we make we make it a habit

323
00:19:57,279 --> 00:19:59,440
to go and see Mayor Staples when she comes around.

324
00:19:59,519 --> 00:20:04,759
Oh okay, I always say, I love maybe. She plays

325
00:20:04,960 --> 00:20:08,039
a beautiful venue in London called the Union Chapel, and

326
00:20:08,519 --> 00:20:11,319
she always says, we need you should leave here feeling

327
00:20:11,359 --> 00:20:13,960
better than you when you arrived. So I would say,

328
00:20:13,960 --> 00:20:17,440
I'll started. Music is positivity. Basically, it's just making you

329
00:20:17,480 --> 00:20:18,119
feel better.

330
00:20:18,880 --> 00:20:19,039
Speaker 5: Now.

331
00:20:19,039 --> 00:20:21,119
Speaker 1: That's interesting because I saw so I was doing a

332
00:20:21,119 --> 00:20:23,880
little bit of research and I don't know which one

333
00:20:23,880 --> 00:20:26,160
of you said this, but one of you said something

334
00:20:26,160 --> 00:20:30,480
about approving that brew that blues is not the original emo.

335
00:20:31,720 --> 00:20:35,680
Speaker 15: Yeah, that was an old basis of mine. When I

336
00:20:35,720 --> 00:20:39,799
first first formed this barer Jenny, he said, why would

337
00:20:39,799 --> 00:20:42,519
you want to play blues? Because it's just that was

338
00:20:42,559 --> 00:20:43,880
just the original em My music.

339
00:20:44,119 --> 00:20:49,200
Speaker 1: Really, yeah, that's a that's a strange comment for a

340
00:20:49,279 --> 00:20:50,640
couple of different reasons.

341
00:20:50,680 --> 00:20:53,559
Speaker 10: But well, so, now, so you do a longer work

342
00:20:53,599 --> 00:20:54,759
with that bass player, right.

343
00:20:55,400 --> 00:20:57,680
Speaker 15: No, No, I don't know. He's he's retired and lives

344
00:20:57,680 --> 00:21:00,400
in a white picket fence with his family, went away

345
00:21:00,400 --> 00:21:02,960
from the music scene as he should be, right.

346
00:21:02,920 --> 00:21:06,799
Speaker 1: Right, I assume he's not listening to blues because it

347
00:21:06,880 --> 00:21:08,839
sounds like it depresses him.

348
00:21:09,920 --> 00:21:12,559
Speaker 10: So you're but so you're on a mission to prove

349
00:21:12,559 --> 00:21:13,079
that it's not that.

350
00:21:13,200 --> 00:21:15,559
Speaker 1: Obviously I've never although I don't know why you would

351
00:21:15,599 --> 00:21:17,960
have to prove that because I've never heard other than him,

352
00:21:18,880 --> 00:21:20,680
I've never heard anyone say that to begin with.

353
00:21:20,759 --> 00:21:21,680
Speaker 10: That's really interesting.

354
00:21:22,359 --> 00:21:24,680
Speaker 15: Well, you've got the whole thing. I'm feeling blue, isn't it?

355
00:21:24,720 --> 00:21:24,759
Speaker 14: So?

356
00:21:25,000 --> 00:21:28,599
Speaker 15: Oh, blues music must be just sad. It's all about beings. Yeah,

357
00:21:28,640 --> 00:21:30,559
And I was brought up on a bb King and

358
00:21:30,640 --> 00:21:33,440
Buddy guy. You know, she's a sweet girl. Angel always

359
00:21:33,480 --> 00:21:35,200
spread her wings for me. Let me tell you, there's

360
00:21:35,200 --> 00:21:36,160
nothing sad about that.

361
00:21:37,079 --> 00:21:42,480
Speaker 10: There you go, there you go absolutely how much?

362
00:21:42,839 --> 00:21:45,319
Speaker 1: How much music do you have in terms of original

363
00:21:45,920 --> 00:21:49,000
songs that you have released as a as.

364
00:21:48,759 --> 00:21:52,359
Speaker 10: A band, or or as a duo or any configuration.

365
00:21:52,960 --> 00:21:54,160
Speaker 1: Do you have a lot of music that you've put

366
00:21:54,200 --> 00:21:55,920
out over the past, Because you said it's it's been

367
00:21:55,960 --> 00:21:57,720
almost a decade right that you've been together.

368
00:22:00,119 --> 00:22:03,039
Speaker 15: Got about three albums, two EPs, and a few singles

369
00:22:03,039 --> 00:22:04,319
out on Spotify.

370
00:22:04,440 --> 00:22:08,319
Speaker 8: And a new set of four tracks coming out end

371
00:22:08,319 --> 00:22:14,799
of this month. More tracks coming soon. Okay, we've only

372
00:22:14,839 --> 00:22:20,160
ever recorded and released one cover, which is I'd rather

373
00:22:20,240 --> 00:22:23,400
go blind. Everything else on all of our recordings is original.

374
00:22:23,720 --> 00:22:27,519
Speaker 1: Okay, okay, excellent. And what's the process like in terms

375
00:22:27,519 --> 00:22:29,960
of writing? Do the two of you write together or

376
00:22:29,960 --> 00:22:30,799
how does that work?

377
00:22:31,240 --> 00:22:31,480
Speaker 10: Again?

378
00:22:31,519 --> 00:22:34,559
Speaker 1: I assume the I assume the core of the songwriting

379
00:22:34,559 --> 00:22:36,240
and the band is the two of you, but maybe

380
00:22:36,279 --> 00:22:37,839
not so tell me about.

381
00:22:37,599 --> 00:22:40,880
Speaker 15: It much so so, I'm quite often I'll come up

382
00:22:40,880 --> 00:22:45,920
with an idea. I'm a big fan turning sort of

383
00:22:45,920 --> 00:22:48,720
like bad things on their head. I remember when we

384
00:22:48,720 --> 00:22:52,160
were in Chicago, it absolutely rained down and we were

385
00:22:52,200 --> 00:22:54,640
in the Museum of Chicago sort of learning about the

386
00:22:54,680 --> 00:22:57,640
history of it. Having a couple of tea in the cafe,

387
00:22:57,759 --> 00:22:59,799
and Jenny just wrote down and I hate it when

388
00:22:59,799 --> 00:23:02,440
it was into Chicago because it was really loud and

389
00:23:02,799 --> 00:23:05,359
we could re speak to each other. And I thought, no,

390
00:23:05,559 --> 00:23:07,440
I like it when it rains in Chicago, and so

391
00:23:07,480 --> 00:23:10,559
I wrote this entire song about how you know, actually

392
00:23:10,559 --> 00:23:12,960
it's great it range in Chicago and yeah, but we're

393
00:23:13,039 --> 00:23:14,799
dancing around in the street, and.

394
00:23:16,279 --> 00:23:18,960
Speaker 8: We still kept some elements of the like the original

395
00:23:19,079 --> 00:23:22,119
real bluesy World where the rain is so it's soaking

396
00:23:22,160 --> 00:23:26,119
through my feet, absolutely drenched, like I couldn't be anyware

397
00:23:26,200 --> 00:23:29,680
if I dried, And so there's still some elements of

398
00:23:29,720 --> 00:23:32,920
that in Rain in Chicago, which is a really upbeat

399
00:23:33,000 --> 00:23:35,039
track that everyone loves to sing along with now so,

400
00:23:35,480 --> 00:23:36,200
which is lovely.

401
00:23:36,480 --> 00:23:39,400
Speaker 15: Yes, it's basically taking I always think that there's a

402
00:23:39,400 --> 00:23:42,240
good good to find in every situation. Really for the

403
00:23:42,240 --> 00:23:46,640
most part. Yeah, absolutely, it's all that making people feel good.

404
00:23:46,720 --> 00:23:50,519
Like we have another song, Money to Burn, which I

405
00:23:50,559 --> 00:23:52,200
think Jenny did most of the lyrics song, which was

406
00:23:52,240 --> 00:23:55,480
all basically about you know, I should have a ton

407
00:23:55,480 --> 00:23:57,680
of cash to go out and spend on someone and

408
00:23:57,759 --> 00:24:01,039
have a really good time. But I don't. But it's okay,

409
00:24:01,079 --> 00:24:02,319
because we've got to go out and have a good

410
00:24:02,319 --> 00:24:04,000
sign many way, even though we should be.

411
00:24:04,039 --> 00:24:06,839
Speaker 8: You know, yes, sitting in a nice restaurant thinking.

412
00:24:06,680 --> 00:24:08,799
Speaker 15: Champagne, so that even if we can't do that, it's

413
00:24:08,839 --> 00:24:10,440
still going to be good and maybe one day we

414
00:24:10,480 --> 00:24:11,440
will and it'll be fine.

415
00:24:11,559 --> 00:24:15,519
Speaker 1: Yeah, right, No, that's very cool, very cool. Yeah, I

416
00:24:15,519 --> 00:24:17,400
get the impression. You know, there seems to be a

417
00:24:17,400 --> 00:24:20,920
lot of positivity in your music. Are there is there

418
00:24:20,920 --> 00:24:23,920
anyone else where you're from who is doing what you do?

419
00:24:24,000 --> 00:24:26,599
Because like I said, you know, I hear so many

420
00:24:26,640 --> 00:24:30,839
American influences in your music, and obviously, you know, uh,

421
00:24:31,160 --> 00:24:33,599
music from the UK in the past has been a

422
00:24:33,599 --> 00:24:36,680
tremendous influence on American music, obviously, But but I'm.

423
00:24:36,519 --> 00:24:39,000
Speaker 10: Curious, like, who is there anyone else in your area.

424
00:24:38,839 --> 00:24:41,119
Speaker 1: Who's kind of doing what what you're doing and with

425
00:24:41,200 --> 00:24:44,960
this particular mix of influences, is there anybody we should

426
00:24:45,000 --> 00:24:50,039
know about from over there who's.

427
00:24:49,279 --> 00:24:53,039
Speaker 15: There's a lot of purists in funk purists and blues purists,

428
00:24:53,039 --> 00:24:54,759
and we get on well with all of them. Yeah,

429
00:24:55,000 --> 00:24:56,599
and we in the same bill as all of them.

430
00:24:56,640 --> 00:24:58,759
But I haven't really met anyone who's quite doing it

431
00:24:58,759 --> 00:24:59,519
the way that we do it.

432
00:25:00,119 --> 00:25:02,720
Speaker 8: Yeah, there are some ful bands locally to hear though.

433
00:25:03,480 --> 00:25:06,400
We're very lucky that we get to play alongside some really,

434
00:25:06,440 --> 00:25:11,039
really good musicians on a regular basis. There's a band

435
00:25:11,079 --> 00:25:14,279
called Twin two Weeks in Nashville. They're very good.

436
00:25:14,519 --> 00:25:18,000
Speaker 15: There's a light yeah, but again they're very different times,

437
00:25:18,119 --> 00:25:20,759
so much more the sort of like the indie rocky

438
00:25:20,799 --> 00:25:23,720
side of what we do. As There's another great band

439
00:25:23,720 --> 00:25:27,240
Canada Hill Yeah.

440
00:25:26,640 --> 00:25:31,359
Speaker 8: Velveteen Orchestra. They're very much more muse kind of sounding.

441
00:25:31,400 --> 00:25:36,400
They've got this lovely, beautiful singing voice, unbelievable. But yeah,

442
00:25:36,599 --> 00:25:39,920
I wouldn't say there's many people that do what we do.

443
00:25:40,240 --> 00:25:41,279
Speaker 10: Yeah.

444
00:25:41,400 --> 00:25:43,440
Speaker 15: I always think that that's that's our biggest strength. That

445
00:25:43,559 --> 00:25:46,000
was the fact that you know, I will take in general,

446
00:25:46,079 --> 00:25:49,359
take inspiration from anywhere. We're not that. We do a

447
00:25:49,400 --> 00:25:56,440
really fun version of Sledgehammer by Peter Gabriel, which we

448
00:25:56,799 --> 00:25:59,119
try and doing the sort of There's a band called

449
00:25:59,119 --> 00:26:02,319
the Brand New Heavy. I did this really crunky version

450
00:26:02,319 --> 00:26:05,079
of it, absolutely brilliant, worth checking out, and so we

451
00:26:05,160 --> 00:26:07,440
kind of took that and moved it slightly more towards

452
00:26:07,519 --> 00:26:10,880
Prince okay, and sort of to get that even more

453
00:26:10,960 --> 00:26:13,160
sort of like that more Prince funk rather than the

454
00:26:13,200 --> 00:26:17,720
sort of I guess you call it sort of average

455
00:26:17,759 --> 00:26:19,240
white band fund thing going.

456
00:26:19,839 --> 00:26:22,240
Speaker 8: It's it's pretty funky, brilliant.

457
00:26:22,640 --> 00:26:24,759
Speaker 15: We've had people come up to us afterwards. She said,

458
00:26:24,799 --> 00:26:29,920
that's my favorite song. And I still think that's my favorite.

459
00:26:28,839 --> 00:26:32,720
Speaker 1: You know, I have a memory, by the way of

460
00:26:32,799 --> 00:26:35,119
when when I was a kid, my mother sitting there

461
00:26:35,160 --> 00:26:38,400
with her walkman and and her headphones on and just

462
00:26:38,519 --> 00:26:40,559
listening to Sledgehammer over and over.

463
00:26:40,680 --> 00:26:41,559
Speaker 10: She loved it so much.

464
00:26:42,640 --> 00:26:44,799
Speaker 8: It's a really good tune, and it's got lots of

465
00:26:44,799 --> 00:26:47,880
different parts, which is what makes it so fun, and

466
00:26:47,960 --> 00:26:51,000
you can really play with the timings and pull on things,

467
00:26:51,000 --> 00:26:53,279
and yeah, it's it's a it's a really fun song

468
00:26:53,319 --> 00:26:53,880
to play.

469
00:26:54,119 --> 00:26:55,960
Speaker 1: Is there a studio version of that that you've done

470
00:26:56,079 --> 00:26:57,160
or do you only do that live?

471
00:26:58,200 --> 00:26:59,880
Speaker 15: I know it's that's all your life. So we've only

472
00:26:59,880 --> 00:27:03,640
had recorded one song as a cover. Currently, I'm toiling

473
00:27:03,640 --> 00:27:05,599
with the idea of taking the Badge into the studio

474
00:27:05,680 --> 00:27:08,599
and doing a sort of this is the set kind

475
00:27:08,640 --> 00:27:10,240
of thing, a bit like what the Beetles sipp please

476
00:27:10,279 --> 00:27:15,440
please meet, because while I'm a huge number two, we're

477
00:27:15,480 --> 00:27:19,920
starting to sound really really sort of like tight live

478
00:27:20,039 --> 00:27:21,960
with this particular set, so it'd be nice to kind

479
00:27:21,960 --> 00:27:22,759
of like capture it.

480
00:27:23,279 --> 00:27:26,119
Speaker 1: No doubt, I agree to do that. What is the

481
00:27:26,119 --> 00:27:27,960
one cover that you've recorded.

482
00:27:28,880 --> 00:27:31,519
Speaker 15: And so I'd rather go blind Sie James.

483
00:27:31,240 --> 00:27:34,519
Speaker 10: Okay, okay, any particular reason you chose that.

484
00:27:35,960 --> 00:27:38,799
Speaker 15: It was so we don't. As we said, we're quite positive.

485
00:27:38,880 --> 00:27:42,200
So when we do sad songs, they really do hit.

486
00:27:42,400 --> 00:27:45,079
And I remember we were doing this tiny gig and

487
00:27:45,119 --> 00:27:47,839
this little pub in Sustan and there was a woman

488
00:27:47,880 --> 00:27:49,240
at the bar who came up to us at the

489
00:27:49,359 --> 00:27:52,359
end and was, as she goes, I heard you play

490
00:27:52,400 --> 00:27:55,200
that song. I've just gone through a divorce and this

491
00:27:55,240 --> 00:27:56,960
is the first time I've actually cried.

492
00:27:57,440 --> 00:27:59,680
Speaker 8: And she was in a state. I gave her a

493
00:28:00,079 --> 00:28:02,720
hug and like She's like, I just I felt like

494
00:28:02,799 --> 00:28:05,640
I needed to have a release and this this was

495
00:28:05,680 --> 00:28:07,720
that moment and it was it was really beautiful and

496
00:28:07,799 --> 00:28:11,240
it really touched us how emotional people got over this

497
00:28:11,279 --> 00:28:13,759
particular song. We played it a couple of times. We've

498
00:28:13,759 --> 00:28:16,759
had people in tears and it was it was it's

499
00:28:16,799 --> 00:28:19,319
a beautiful feeling. It's a really hard feeling as a

500
00:28:19,359 --> 00:28:21,440
singer because I just want to give him a big cuddle.

501
00:28:22,799 --> 00:28:27,440
But it really does. It speaks. It's it's quite vocal,

502
00:28:27,480 --> 00:28:29,839
it's quite loud in the way that it's emotive.

503
00:28:30,039 --> 00:28:32,240
Speaker 15: And again we've kind of mashed it up a little bit.

504
00:28:32,279 --> 00:28:34,240
So the original song was just a two chord song,

505
00:28:34,720 --> 00:28:37,559
but I pulled in a couple of sort of like

506
00:28:37,640 --> 00:28:40,960
hints from Hallelujah. So it'll start off and so everyone's like, oh,

507
00:28:41,039 --> 00:28:42,839
this is going to be you know, Jeff Buckby like

508
00:28:42,920 --> 00:28:46,359
quibble song there, and then breaks into I'd Rather Go

509
00:28:46,480 --> 00:28:48,799
Blind and it kind of really hits on that big

510
00:28:48,839 --> 00:28:49,599
emotional level.

511
00:28:49,920 --> 00:28:54,640
Speaker 10: Yeah, oh wow, I'd have to listen to that. Interesting live.

512
00:28:54,759 --> 00:28:56,519
Speaker 8: We always say, right, we're gonna do a sad song

513
00:28:56,559 --> 00:28:58,000
and then I promise you a happy song.

514
00:28:57,920 --> 00:29:05,880
Speaker 16: At again, because it's what yeah, yeah, yeah, in terms

515
00:29:05,880 --> 00:29:08,519
of being you know, we were talking about how you

516
00:29:09,079 --> 00:29:11,359
stand out in your scene, right because there's nobody else

517
00:29:11,480 --> 00:29:13,720
kind of doing what you're doing in this mix of influences,

518
00:29:13,759 --> 00:29:14,319
and you know.

519
00:29:14,279 --> 00:29:17,920
Speaker 1: You've got the purists who uh maybe uh you know,

520
00:29:18,000 --> 00:29:20,599
wouldn't wouldn't dare do what you're doing.

521
00:29:20,599 --> 00:29:23,319
Speaker 10: But does that do you find that that's an advantage

522
00:29:23,319 --> 00:29:23,599
for you?

523
00:29:24,400 --> 00:29:27,200
Speaker 1: From my vantage point, just getting to know, just getting

524
00:29:27,200 --> 00:29:30,160
familiar with the project, it seems like that's a big

525
00:29:30,200 --> 00:29:33,680
advantage because you know, everything is so there's so much

526
00:29:33,759 --> 00:29:35,640
there's so much noise to cut through. So if you

527
00:29:35,640 --> 00:29:37,799
can do something that makes you stand out, I think

528
00:29:37,799 --> 00:29:40,319
it's an advantage, you know. But the other side of

529
00:29:40,359 --> 00:29:42,440
that being maybe you have some people who are like,

530
00:29:42,839 --> 00:29:45,400
oh no, I don't understand how to Some people can't

531
00:29:45,400 --> 00:29:47,839
deal with not being able to categorize things. You know

532
00:29:47,880 --> 00:29:50,039
a lot of people in the industry they have to

533
00:29:50,079 --> 00:29:52,640
be able to categorize things, and that happens in radio too,

534
00:29:52,640 --> 00:29:55,000
with radio formats. Do you think it's Do you think

535
00:29:55,000 --> 00:29:57,279
it's an advantage though, to be able to stand out?

536
00:29:58,119 --> 00:30:03,319
Speaker 15: I think live really and fantastic because we're not we're

537
00:30:03,359 --> 00:30:05,200
definitely not playing the same song over and over and

538
00:30:05,240 --> 00:30:09,559
over again. With variety, the ability to change the lineup

539
00:30:09,599 --> 00:30:11,680
as quickly as we do the different things means we

540
00:30:11,680 --> 00:30:14,319
can never turn I'm not turning down gigs. If I

541
00:30:14,359 --> 00:30:16,000
go up to a place and they're like, we can

542
00:30:16,200 --> 00:30:18,359
afford to give you half of that, I can offer

543
00:30:18,400 --> 00:30:21,599
them half the bands. You know, that's really good. But

544
00:30:21,680 --> 00:30:24,440
when it comes to things like radio play, when it

545
00:30:24,440 --> 00:30:26,519
comes to put the things on playlists and things, because

546
00:30:26,559 --> 00:30:29,759
all of our songs are so different, it means that

547
00:30:29,839 --> 00:30:32,759
I can show them one song and they'll be like, hey,

548
00:30:32,799 --> 00:30:34,799
that's brilliant. Have you got anything else like this?

549
00:30:35,640 --> 00:30:41,880
Speaker 8: No, we've now started finding like sister songs, so there

550
00:30:41,880 --> 00:30:44,200
are a couple of songs that if you particularly like

551
00:30:44,319 --> 00:30:48,880
our song Shiver, you're quite likely to like Still Dawn,

552
00:30:48,960 --> 00:30:53,880
for example, because they're a bit rockier. But it's it's

553
00:30:53,960 --> 00:30:55,960
quite nice to be a mixed bag. It means that

554
00:30:56,000 --> 00:30:58,599
we can fit in with everyone. But sometimes if we're

555
00:30:58,599 --> 00:31:01,680
going to apply for like a blues festival, for example,

556
00:31:02,400 --> 00:31:06,960
it's very difficult because we're not straight blues. It's a

557
00:31:06,960 --> 00:31:10,960
bit more straight blues and so it's a bluesy rock

558
00:31:11,039 --> 00:31:13,920
song or it's a bluesy soul song, but it's still

559
00:31:13,960 --> 00:31:17,319
got the influences there. So sometimes it's a detriment. But

560
00:31:17,599 --> 00:31:20,759
if we do get on the playlist, it's lovely because

561
00:31:21,039 --> 00:31:25,759
we then can do something that's slightly different, and you know,

562
00:31:25,920 --> 00:31:28,240
if you're listening to blues all day, which is lovely

563
00:31:28,279 --> 00:31:31,200
and I love blues. It's quite nice to have something

564
00:31:31,279 --> 00:31:35,319
that's bluesy rather than just straight twelve bar. It's something

565
00:31:35,359 --> 00:31:38,160
that's a little bit more something for you is to

566
00:31:38,200 --> 00:31:39,000
cheer on if you like.

567
00:31:39,279 --> 00:31:43,319
Speaker 1: Right right, absolutely, I read something too about it. Do

568
00:31:43,319 --> 00:31:45,799
you have a tour coming up in September?

569
00:31:48,359 --> 00:31:50,759
Speaker 15: Yeah, so not this September, but next September. We are

570
00:31:50,920 --> 00:31:56,079
going back to Europe for our third third go round.

571
00:31:56,480 --> 00:31:59,039
It's really good fun. I love touring Europe. Last time

572
00:31:59,039 --> 00:32:01,839
we've got to play some very fun shows, including a

573
00:32:01,839 --> 00:32:05,039
couple of prisons just aside of Frankfurt, I think Johnny

574
00:32:05,119 --> 00:32:08,759
Cash or end of the Blues Brothers. So they did

575
00:32:08,759 --> 00:32:10,200
get up and dance. It was good fun.

576
00:32:10,240 --> 00:32:12,799
Speaker 1: Oh yes, yes, and Johnny Cash of course you have

577
00:32:12,799 --> 00:32:14,160
awesome prison blues yep.

578
00:32:15,960 --> 00:32:18,240
Speaker 8: Oh yes, that was really interesting. So we were there

579
00:32:18,319 --> 00:32:23,359
as a reward basically for those people who got merits, oh,

580
00:32:23,599 --> 00:32:26,319
which is that they use within Europe. So the prisoners

581
00:32:26,359 --> 00:32:28,799
that were able to attend had to have been on

582
00:32:29,000 --> 00:32:32,000
best behaviors basically, and they had to be approved by

583
00:32:32,559 --> 00:32:34,920
the person who runs the prison, and then they had

584
00:32:34,960 --> 00:32:37,480
to write a letter to say why they wanted to attend.

585
00:32:37,839 --> 00:32:40,680
And then that got further approved. So the people that

586
00:32:40,759 --> 00:32:42,759
actually ended up in the room with us whilst we

587
00:32:42,759 --> 00:32:45,680
were playing the music. These guys haven't heard music for ages.

588
00:32:45,720 --> 00:32:48,599
They haven't even had a rape, like, so they're so

589
00:32:48,680 --> 00:32:52,160
excited about live music. And then afterwards we spent about

590
00:32:52,160 --> 00:32:55,039
an hour with them just talking about fans who they'd

591
00:32:55,039 --> 00:32:58,680
send play live, what instruments they used to play. They

592
00:32:59,359 --> 00:33:02,440
they were so, they were so up, they were it

593
00:33:02,519 --> 00:33:06,079
was such a lovely, lovely experience. It's a bizarre experience.

594
00:33:05,720 --> 00:33:08,279
Speaker 15: Which is great because when I first heard Reward, I

595
00:33:08,279 --> 00:33:14,200
thought I thought it suffered enough called they were our

596
00:33:14,200 --> 00:33:15,279
most captive ordierence.

597
00:33:16,680 --> 00:33:21,079
Speaker 1: That's perfect, that's awesome. Yeah, how many bands can say

598
00:33:21,079 --> 00:33:22,799
that that they've played that kind of show. That's that's

599
00:33:22,839 --> 00:33:24,119
really cool. That's really cool.

600
00:33:25,200 --> 00:33:27,559
Speaker 8: I would do it again though. It was absolutely amazing.

601
00:33:28,200 --> 00:33:31,119
Speaker 15: Really on the next tour we will be going through

602
00:33:31,160 --> 00:33:33,200
a couple of shows again.

603
00:33:33,359 --> 00:33:34,920
Speaker 10: Yeah, that's great. That's great.

604
00:33:35,680 --> 00:33:37,359
Speaker 1: By the way, so you said that, and now the

605
00:33:37,359 --> 00:33:40,000
European tour is not this September, but next September.

606
00:33:40,519 --> 00:33:41,960
Speaker 15: Ne September twenty twenty six.

607
00:33:42,200 --> 00:33:45,240
Speaker 1: Okay, yeah, so you're you're planning, you're planning pretty far ahead,

608
00:33:45,440 --> 00:33:47,759
which is great because most musicians are not good at

609
00:33:47,799 --> 00:33:48,680
long term planning.

610
00:33:49,519 --> 00:33:54,640
Speaker 8: But it's an expensive endeavor and with us, all the

611
00:33:54,640 --> 00:33:57,119
money we make from playing live goes into the band,

612
00:33:57,640 --> 00:33:59,400
so it takes us a little while to save up

613
00:33:59,480 --> 00:34:02,039
for it all because by the time you've got hotels

614
00:34:02,079 --> 00:34:04,200
and ferries and all the other things that we need,

615
00:34:04,480 --> 00:34:07,480
it is quite an expensive trip. But it's so worth

616
00:34:07,519 --> 00:34:10,880
it for meeting the people playing in these wonderful venues

617
00:34:11,239 --> 00:34:13,719
like and just having some time as a band together.

618
00:34:13,800 --> 00:34:16,639
It's really it's worth it. But yeah, it does take

619
00:34:16,679 --> 00:34:17,679
us a little while to save up.

620
00:34:17,880 --> 00:34:18,119
Speaker 5: Yeah.

621
00:34:18,280 --> 00:34:19,320
Speaker 2: Yeah.

622
00:34:19,679 --> 00:34:21,199
Speaker 15: Also, I don't know what it's like in the US,

623
00:34:21,239 --> 00:34:25,760
but in the UK festivals will be booking for summer

624
00:34:25,840 --> 00:34:30,800
twenty twenty six in October. Pubs will be fully booked

625
00:34:30,880 --> 00:34:33,159
up by the end of December for the next year,

626
00:34:33,519 --> 00:34:36,559
So you have to be really, really on it otherwise

627
00:34:37,400 --> 00:34:39,800
you're picking up the scraps unfortunately.

628
00:34:39,400 --> 00:34:42,880
Speaker 1: Right, And that's the same everywhere in the US festivals. Yeah,

629
00:34:42,920 --> 00:34:46,400
they're they're planning, you know, a way in advance. It's

630
00:34:46,440 --> 00:34:50,039
funny that that comes up because we had talked about

631
00:34:50,400 --> 00:34:52,480
we do a lot of music industry news on the

632
00:34:52,480 --> 00:34:54,639
show too, and there was I forget what it was called,

633
00:34:54,639 --> 00:34:57,599
that there was a country music festival here that had

634
00:34:57,599 --> 00:34:59,679
to be canceled kind of at the last minute. They

635
00:34:59,679 --> 00:35:02,079
were re funding tickets because they tried to do this.

636
00:35:02,360 --> 00:35:06,079
They tried to put together this big festival with only

637
00:35:06,159 --> 00:35:08,920
three months of lead time, and it got to be

638
00:35:09,360 --> 00:35:13,599
it got to be like three weeks before before showtime,

639
00:35:13,639 --> 00:35:17,079
and they started refunding everybody's tickets because you know, they

640
00:35:17,119 --> 00:35:20,639
just couldn't do it. So, yeah, festivals take tremendous long

641
00:35:20,719 --> 00:35:24,159
term planning and things even still go wrong. But but yeah,

642
00:35:24,199 --> 00:35:25,800
if you get if you get out and play festivals,

643
00:35:25,840 --> 00:35:26,719
that's great.

644
00:35:27,480 --> 00:35:29,599
Speaker 15: Well, it's funny you mentioned that. So there's quite a

645
00:35:29,639 --> 00:35:32,119
few things on like Netflix at the moment about things

646
00:35:32,199 --> 00:35:34,960
like obviously like fire fests and things like that. Well,

647
00:35:35,440 --> 00:35:38,639
and Jenny's real real job, head job from nine to five,

648
00:35:38,679 --> 00:35:43,440
is in events organizing. Oh so perfect loves and obviously

649
00:35:43,480 --> 00:35:45,159
knows all this, this is the amount of stuff that's

650
00:35:45,199 --> 00:35:47,960
going to go involved and just loves watching these trainmates

651
00:35:48,000 --> 00:35:50,880
going I know exactly what's going to happen seconds into

652
00:35:50,880 --> 00:35:51,360
the dog and.

653
00:35:51,840 --> 00:35:54,119
Speaker 8: Just thinking about trying to organize a festival in three

654
00:35:54,119 --> 00:35:57,480
months all that that said, shit was down my spine. No, no,

655
00:35:57,519 --> 00:35:58,480
thank you please.

656
00:35:58,559 --> 00:36:01,840
Speaker 10: Right, not very I know, I know, yeah, it's it's

657
00:36:01,920 --> 00:36:02,519
it's crazy.

658
00:36:02,559 --> 00:36:04,760
Speaker 1: They thought they could do it, but they learned the

659
00:36:04,760 --> 00:36:06,639
hard way and probably it probably cost them a lot

660
00:36:06,639 --> 00:36:10,320
of money. But uh yeah no, that's great though that

661
00:36:10,360 --> 00:36:12,400
you're going to be doing festivals, have you you've done

662
00:36:12,400 --> 00:36:14,000
festivals before, I assume right.

663
00:36:14,679 --> 00:36:17,239
Speaker 8: Oh yeah, yeah. So this year we played a little

664
00:36:17,280 --> 00:36:20,559
festival called Gilfest which is just southeast of England, which

665
00:36:20,639 --> 00:36:24,639
was really good fun. And we've played Wayfest and.

666
00:36:24,599 --> 00:36:25,079
Speaker 15: We've got.

667
00:36:26,480 --> 00:36:26,760
Speaker 9: The park.

668
00:36:26,840 --> 00:36:28,239
Speaker 15: Yeah, pub of the Park was fun.

669
00:36:29,159 --> 00:36:32,280
Speaker 8: Any we love the festival. So it's really fun. And

670
00:36:32,320 --> 00:36:34,599
because again you get such a lovely mix of different

671
00:36:34,679 --> 00:36:38,679
sounds at the festivals, it's actually a bit easier for

672
00:36:38,760 --> 00:36:42,039
us to fit in a little bit because because everyone's

673
00:36:42,039 --> 00:36:45,960
so open to listening to original songs and different things,

674
00:36:46,000 --> 00:36:48,480
and so it's a it's a really nice melting pot

675
00:36:48,519 --> 00:36:50,079
of people to play to.

676
00:36:50,480 --> 00:36:53,360
Speaker 15: Also, I do love a good locally made beer and

677
00:36:53,440 --> 00:36:55,159
quite a lot of these festivals now have these little

678
00:36:55,599 --> 00:36:58,679
parker breweries come along, so it's a great opportunity to

679
00:36:58,760 --> 00:37:00,000
go and test taste.

680
00:36:59,800 --> 00:37:01,679
Speaker 10: Some is oh that's very cool.

681
00:37:01,800 --> 00:37:03,719
Speaker 1: Yeah, but yeah, I think a festival, I mean, that's

682
00:37:03,760 --> 00:37:06,039
such a great opportunity anytime you can play a festival

683
00:37:06,079 --> 00:37:07,760
to get in front of a big audience. And also

684
00:37:08,199 --> 00:37:13,000
a festival audience I feel is more open to being surprised.

685
00:37:13,320 --> 00:37:14,360
Speaker 10: You know, if there's.

686
00:37:14,199 --> 00:37:16,360
Speaker 1: A band there they're not familiar with, and then the

687
00:37:16,400 --> 00:37:18,480
band comes out and they play a set or they

688
00:37:18,960 --> 00:37:20,760
you know, they start that first song and you know

689
00:37:20,760 --> 00:37:22,639
you're in the audience and it's like, Okay, this isn't

690
00:37:22,679 --> 00:37:25,239
quite what I expected, or you know, that's that's a

691
00:37:25,280 --> 00:37:27,039
lot of fun. That's one of the fun things about

692
00:37:27,039 --> 00:37:30,599
a festival is being surprised by some of the artists

693
00:37:30,599 --> 00:37:33,039
who you're not familiar with, who end up sounding like

694
00:37:33,079 --> 00:37:35,400
something you maybe weren't expecting, or a mix of things

695
00:37:35,440 --> 00:37:36,519
that you weren't expecting.

696
00:37:38,360 --> 00:37:40,599
Speaker 8: We love that as well. We love discovering new music,

697
00:37:40,679 --> 00:37:42,880
and if we're ever invited to a festival, we'll make

698
00:37:42,920 --> 00:37:44,679
sure that we go and see the other stages and

699
00:37:44,719 --> 00:37:47,000
go and see what's going on and make sure we're

700
00:37:47,000 --> 00:37:47,880
making some friends.

701
00:37:48,039 --> 00:37:51,119
Speaker 15: Yeah, stories of sort of going to Hyde Park back

702
00:37:51,119 --> 00:37:53,280
in the day and going to go see the Rolling

703
00:37:53,280 --> 00:37:56,719
Stones for free and then, or what's this band overhead? Oh?

704
00:37:56,760 --> 00:37:58,559
This is this is a new band called Free and

705
00:37:58,599 --> 00:38:02,239
this is a new band called Blind Faith or something.

706
00:38:02,280 --> 00:38:04,119
And they're like, oh that's pretty cool. Yeah, go check

707
00:38:04,159 --> 00:38:05,679
them out. And you're like, of course you did, you

708
00:38:05,719 --> 00:38:08,400
sort of free right.

709
00:38:10,719 --> 00:38:15,000
Speaker 1: Right right exactly. I'm gonna so it's been wonderful speaking

710
00:38:15,000 --> 00:38:17,800
with you. The time goes quickly, but I'm going to

711
00:38:17,960 --> 00:38:19,599
let you go in a minute, but I'm going to

712
00:38:19,679 --> 00:38:21,800
play at the end of our conversation. I want to

713
00:38:21,800 --> 00:38:24,159
play this track, Big Train. This is the newest single

714
00:38:24,199 --> 00:38:28,119
correct Big Train. Yeah, what can you tell me about

715
00:38:28,119 --> 00:38:28,519
the video?

716
00:38:28,559 --> 00:38:29,840
Speaker 10: The video is really impressive.

717
00:38:31,079 --> 00:38:34,039
Speaker 8: Thank you. So the video is filmed at a little

718
00:38:34,119 --> 00:38:38,079
local train station to us called the bluebellt Railway, and

719
00:38:38,119 --> 00:38:43,599
they specialize in bringing back old steam trains basically, and

720
00:38:43,679 --> 00:38:45,480
it's just this one little line that they go up

721
00:38:45,519 --> 00:38:48,719
and down on, but they rebuild steam trains and they

722
00:38:48,760 --> 00:38:52,119
try and keep it as original as possible. So all

723
00:38:52,639 --> 00:38:57,519
the stations are well, they're nineteen twenties nineteen thirties style.

724
00:38:57,599 --> 00:39:02,079
They're beautiful and they all wear the old uniforms and

725
00:39:02,119 --> 00:39:04,480
the steam trains coming in out. It's a really fun

726
00:39:04,559 --> 00:39:07,320
place to be and we turned up there and said,

727
00:39:07,400 --> 00:39:09,960
you know, would you mind very much if we made

728
00:39:10,000 --> 00:39:14,000
a little video whilst we're here, as we're a local

729
00:39:14,039 --> 00:39:17,000
band and we'd love to showcase the Blue Bell And

730
00:39:17,039 --> 00:39:19,360
they said absolutely, And then they let us into the

731
00:39:19,400 --> 00:39:22,159
ticket booth, They let us into the signal box. We

732
00:39:22,159 --> 00:39:24,480
were allowed to stand on the trains like we had

733
00:39:24,519 --> 00:39:26,719
the best day. They let us in all these like

734
00:39:26,800 --> 00:39:29,119
amazing little places. We got to go in the carriages,

735
00:39:29,159 --> 00:39:31,760
we rode the trains. It was it was so fun.

736
00:39:32,280 --> 00:39:34,239
Speaker 15: I think the whole thing was shot in about three hours.

737
00:39:34,360 --> 00:39:34,559
Speaker 7: Yeah.

738
00:39:34,679 --> 00:39:36,840
Speaker 10: Wow.

739
00:39:36,960 --> 00:39:39,880
Speaker 1: Yeah, it's it's so cool too that they were so

740
00:39:40,000 --> 00:39:42,679
cool about it, because you walk into that situation not knowing,

741
00:39:42,760 --> 00:39:44,679
right are they going to be like, oh I got

742
00:39:44,719 --> 00:39:47,079
to get an approval from my boss for you to

743
00:39:47,159 --> 00:39:49,760
be here, or you need a permit or whatever, right.

744
00:39:49,639 --> 00:39:51,639
Speaker 10: But they just they just let you do it. Huh.

745
00:39:51,639 --> 00:39:52,199
That's great.

746
00:39:52,480 --> 00:39:54,880
Speaker 8: I think we were quite chill and they and we

747
00:39:54,880 --> 00:39:57,119
were quite happy. We didn't need to close We weren't

748
00:39:57,119 --> 00:39:59,760
trying to close down any stations to do filming. Yeah,

749
00:40:00,079 --> 00:40:02,119
they do lots of like the old puaros and like

750
00:40:02,199 --> 00:40:05,400
the beautiful BBC productions that look amazing, but they have

751
00:40:05,519 --> 00:40:08,320
to close the station down for those. We were like, no, no,

752
00:40:08,400 --> 00:40:10,000
we're fine. We'll just stand down the end of the

753
00:40:10,039 --> 00:40:12,639
platform and do our bit. Like we don't we don't

754
00:40:12,639 --> 00:40:15,920
need to close anything, we don't need to separate anything off.

755
00:40:15,960 --> 00:40:17,960
And it's just the two of us and our friend

756
00:40:18,000 --> 00:40:21,159
Josh with his camera. Yeah, and I think it's come

757
00:40:21,199 --> 00:40:22,960
out really nicely. I think it shows how much fun

758
00:40:22,960 --> 00:40:23,760
we were having as well.

759
00:40:24,039 --> 00:40:26,079
Speaker 15: Yeah, a friend of mine, how did you do that

760
00:40:26,119 --> 00:40:28,000
short of you standing at the end of the platform

761
00:40:28,239 --> 00:40:30,239
with playing guitar or the train goes by it, So

762
00:40:30,360 --> 00:40:32,639
that's quite easy. I waited for the train to come,

763
00:40:32,679 --> 00:40:34,079
then I went to the end of the platform and

764
00:40:34,119 --> 00:40:35,000
started playing the guitar.

765
00:40:36,480 --> 00:40:37,440
Speaker 10: Was that scary at all?

766
00:40:37,639 --> 00:40:39,400
Speaker 1: Were you an all concerned that you were going to

767
00:40:39,480 --> 00:40:42,840
get like knocked over by the you know, the wind

768
00:40:42,840 --> 00:40:43,760
from the train or anything.

769
00:40:45,159 --> 00:40:47,320
Speaker 15: No, it's all good. I was. I was thought I

770
00:40:47,360 --> 00:40:48,159
was in safe hands.

771
00:40:48,559 --> 00:40:51,000
Speaker 10: Okay, oh that's good, that's good.

772
00:40:51,480 --> 00:40:54,440
Speaker 15: And they were hands. But I just told myself was fine.

773
00:40:54,360 --> 00:40:56,559
Speaker 10: Right right, well, very good.

774
00:40:56,599 --> 00:40:58,320
Speaker 1: Yeah, And I encourage people to check out the video.

775
00:40:58,360 --> 00:41:01,639
It's it's uh, it is excellent And where should people

776
00:41:01,679 --> 00:41:04,079
go where's the best place to go to keep up

777
00:41:04,119 --> 00:41:06,639
with everything that you're doing, with everything that three times

778
00:41:06,639 --> 00:41:07,320
seven is doing.

779
00:41:07,400 --> 00:41:08,519
Speaker 10: Where should they go online?

780
00:41:08,679 --> 00:41:12,280
Speaker 8: So the best place is our website, which is www.

781
00:41:12,400 --> 00:41:15,639
Dot the number three, the word times the number seven,

782
00:41:15,760 --> 00:41:19,159
dot co, dot uk okay, and that has got all

783
00:41:19,159 --> 00:41:21,400
the links on it for our social media. It's got

784
00:41:21,440 --> 00:41:24,480
all the dates that we're playing, it's got information about

785
00:41:24,519 --> 00:41:26,800
us as the band, it's got photos, it's got all

786
00:41:26,840 --> 00:41:29,079
sorts of things on there. So that's that's our main

787
00:41:29,199 --> 00:41:32,199
hub of information. But if not, we're on Facebook, we're

788
00:41:32,239 --> 00:41:36,880
on Instagram, we're on TikTok, we're on all sorts of things. So, yeah,

789
00:41:37,559 --> 00:41:38,800
we're fairly easy to find.

790
00:41:39,360 --> 00:41:40,320
Speaker 10: You are easy to find.

791
00:41:40,599 --> 00:41:43,280
Speaker 15: Yes, I would warn you that. It turns out I

792
00:41:43,320 --> 00:41:46,280
thought three times seven terrible band name, no one else

793
00:41:46,280 --> 00:41:49,239
would have it. There is an electronic drum and bass

794
00:41:49,320 --> 00:41:52,599
band I believe in the Netherlands called three times seven.

795
00:41:52,719 --> 00:41:56,360
So if you start hearing some sort of like drum

796
00:41:56,400 --> 00:41:59,920
beats and stuff like that and the technical techno techno,

797
00:42:00,079 --> 00:42:01,199
you might have the room one.

798
00:42:01,920 --> 00:42:04,880
Speaker 1: Yeah, just imagine like, uh, yeah, I didn't stumble upon

799
00:42:04,960 --> 00:42:07,159
them when looking you guys up, But yeah, that would

800
00:42:07,199 --> 00:42:08,880
be funny, being like, wow, I didn't think they were

801
00:42:08,920 --> 00:42:10,920
that versatile to this.

802
00:42:10,920 --> 00:42:12,159
Speaker 10: This is really different.

803
00:42:13,199 --> 00:42:15,119
Speaker 15: One of the shows in the Netherlands, someone came up

804
00:42:15,159 --> 00:42:17,840
to me and was when this isn't what I was expecting.

805
00:42:18,000 --> 00:42:19,400
I'm so glad you're not the other back.

806
00:42:20,079 --> 00:42:24,800
Speaker 1: Oh that's funny, that's funny, that's amazing.

807
00:42:25,480 --> 00:42:27,079
Speaker 10: Uh well, yeah, so we're gonna play this.

808
00:42:27,119 --> 00:42:29,320
Speaker 1: We'll let you go, but Jenny and David, thank you

809
00:42:29,360 --> 00:42:31,400
both so much, and we will definitely do this again

810
00:42:31,400 --> 00:42:32,679
in the future. It looks like you've got a lot

811
00:42:32,760 --> 00:42:35,360
coming up and you've got new music on the way.

812
00:42:35,400 --> 00:42:37,440
I'm sure, so we'll we'll definitely do this again. But

813
00:42:37,519 --> 00:42:39,760
I really appreciate the both of you joining us today.

814
00:42:41,000 --> 00:42:42,559
Speaker 8: Thank you so much for having us. It's been a

815
00:42:42,559 --> 00:42:43,199
real fun time.

816
00:42:43,360 --> 00:42:46,159
Speaker 1: Absolutely, I'm gonna hit this track big train, and I'll

817
00:42:46,239 --> 00:42:48,400
let you both go, but thank you, and yeah, we'll

818
00:42:48,400 --> 00:42:49,159
talk to you again soon.

819
00:42:51,159 --> 00:42:52,239
Speaker 10: All right, you got it? Bye bye?

820
00:42:52,559 --> 00:42:52,880
Speaker 5: All right.

821
00:42:52,920 --> 00:42:53,320
Speaker 10: Wonderful.

822
00:42:53,320 --> 00:42:55,719
Speaker 1: So that was Jenny and David from three Times seven

823
00:42:56,079 --> 00:42:58,480
and without further ado, this is another great song. I

824
00:42:58,519 --> 00:43:01,000
really like this a lot, and I do encourage you

825
00:43:01,039 --> 00:43:03,079
to go on YouTube. Not right now, stick with me.

826
00:43:03,280 --> 00:43:06,639
But later go on YouTube check out the video there.

827
00:43:07,440 --> 00:43:11,239
Their YouTube channel is three times seven London if you

828
00:43:11,280 --> 00:43:13,360
want to get right there. But here it is. This

829
00:43:13,400 --> 00:43:16,559
is big Train. This is the newest single from three

830
00:43:16,599 --> 00:43:17,119
Times seven.

831
00:43:32,400 --> 00:43:33,280
Speaker 5: I'm gonna gave me a.

832
00:43:33,239 --> 00:43:37,920
Speaker 11: Big train to tav to heaven and I'm ready to ride.

833
00:43:40,119 --> 00:43:43,000
I'm talking big train vibrations.

834
00:43:44,000 --> 00:43:46,559
Speaker 5: Have nois on the other side.

835
00:43:47,239 --> 00:43:50,519
Speaker 1: Now it's the esteem.

836
00:43:50,719 --> 00:43:53,760
Speaker 11: Boy goes like a dream.

837
00:43:54,119 --> 00:43:56,800
Speaker 5: Rhythm of the track goes nick clack.

838
00:43:57,079 --> 00:43:58,760
Speaker 17: That engine goes.

839
00:44:00,159 --> 00:44:05,199
Speaker 11: What I mean, I fall into the station, but I

840
00:44:05,239 --> 00:44:11,079
won't use the break because Queen, your race shots aation

841
00:44:12,400 --> 00:44:22,880
running he spreading base, not your shape. You gave me

842
00:44:22,920 --> 00:44:26,559
a big strain to take me to heaven, and I'm

843
00:44:26,639 --> 00:44:27,719
ready to ride.

844
00:44:29,920 --> 00:44:32,760
Speaker 13: I'm talking in big tree vibrations.

845
00:44:33,440 --> 00:44:35,199
Speaker 5: Oh helllloy so on.

846
00:44:35,320 --> 00:44:40,599
Speaker 11: The on the side, not a signal screen, a tree

847
00:44:40,719 --> 00:44:42,000
at antion mean.

848
00:44:44,239 --> 00:44:47,719
Speaker 2: Attention, saw steam my head with.

849
00:44:47,880 --> 00:44:57,440
Speaker 5: Speed and like going away what or like gorn away?

850
00:45:01,239 --> 00:45:34,679
Speaker 11: Who you're run away? Can heave me a big dream?

851
00:45:35,039 --> 00:45:35,639
Speaker 5: Take me it?

852
00:45:37,480 --> 00:45:42,159
Speaker 11: Tae knows I can't do.

853
00:45:44,880 --> 00:45:47,719
Speaker 13: Rot almost dream.

854
00:45:52,000 --> 00:45:54,760
Speaker 9: Riddle and the likes a big dream.

855
00:45:59,079 --> 00:46:00,599
Speaker 13: Riddle and hold.

856
00:46:16,639 --> 00:46:20,039
Speaker 7: I'm not pretty, but I'm prettier than you.

857
00:46:23,599 --> 00:46:30,360
Speaker 5: I took the word that I'm gone to from the

858
00:46:30,480 --> 00:46:34,599
corner of my eye, well, I can see that I'm

859
00:46:34,639 --> 00:46:40,880
a looking fly. I'm not pretty, mus I'm pretty of you.

860
00:46:44,480 --> 00:46:48,039
Speaker 7: I'm not pretty, but I'm not gone to change.

861
00:46:51,320 --> 00:46:53,360
Speaker 5: My kids said, it's from the kids.

862
00:46:53,480 --> 00:46:59,519
Speaker 7: When I got killed, she said the stuff in my.

863
00:47:01,280 --> 00:47:07,280
Speaker 5: Toe late two real rage. I'm not pretty, but I'm

864
00:47:07,440 --> 00:47:15,679
not gonna you. I'm not pretty good. I'm not gonna stop.

865
00:47:18,480 --> 00:47:23,000
Speaker 7: I'm gonna keep bnky on, unsaid. I drop.

866
00:47:25,679 --> 00:47:31,360
Speaker 6: This life ain't corner in what I promise you, my friend.

867
00:47:33,119 --> 00:47:41,400
I'm not pretty, but I'm not gonna stop. I'm not pretty, but.

868
00:47:42,239 --> 00:47:48,519
Speaker 5: I'm pretty good at you. I don't know the word

869
00:47:48,719 --> 00:47:50,239
I'm gonna to.

870
00:47:53,440 --> 00:47:57,840
Speaker 4: From the corner of my eye, well I can see.

871
00:47:57,679 --> 00:47:59,039
Speaker 5: That I'm looking fly.

872
00:48:00,960 --> 00:48:08,199
Speaker 7: I'm not pretty, but i'm pretty oa than you. I'm

873
00:48:08,320 --> 00:48:11,639
not pretty, but they can't keep bed down.

874
00:48:14,159 --> 00:48:17,559
Speaker 18: I'm going to rise to the job, Frank, can they

875
00:48:17,880 --> 00:48:25,000
My crown ain't gonna stop me getting half a new

876
00:48:25,239 --> 00:48:26,119
month for me.

877
00:48:26,360 --> 00:48:30,199
Speaker 5: That's drive. I'm not pretty good.

878
00:48:30,400 --> 00:49:05,119
Speaker 9: They can't keep bed down, mister Kennedy, I'm not praty gooods.

879
00:49:05,760 --> 00:49:14,320
Speaker 5: I know my please. I know the set of God's groups.

880
00:49:16,840 --> 00:49:20,480
You made me be who to vote to see, But

881
00:49:20,880 --> 00:49:26,639
do you compare to me? I'm not pretty, but I

882
00:49:26,960 --> 00:49:34,800
know my place. I'm not pretty, Boots, I'm pretty of you.

883
00:49:38,360 --> 00:49:41,519
I don't know where. I'm a garnit.

884
00:49:44,800 --> 00:49:48,880
Speaker 4: From the corner of my eye, well I could see

885
00:49:48,960 --> 00:49:51,199
that I'm looking MUTI fly.

886
00:49:52,280 --> 00:49:55,719
Speaker 5: I'm not bread, but i'm pretty of you.

887
00:49:59,239 --> 00:49:59,679
Speaker 7: I'm not.

888
00:50:01,400 --> 00:50:02,719
Speaker 5: I'm prettier than you.

889
00:50:06,199 --> 00:50:07,719
Speaker 7: I'm not pretty, boots.

890
00:50:08,280 --> 00:50:21,880
Speaker 5: I'm pretty. I'm not pretty, boot, I'm pretty than you.

891
00:50:30,199 --> 00:50:33,800
Speaker 3: Luigi's Pizza Barren Grill one.

892
00:50:34,280 --> 00:50:39,559
Speaker 6: Let's Raises Lies on Hide with Tom and Tall Round Pizza.

893
00:50:39,639 --> 00:50:41,280
Speaker 2: Pizza Parto Mine.

894
00:50:41,840 --> 00:50:46,639
Speaker 3: Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester, Come

895
00:50:46,719 --> 00:50:49,719
on in or call six two two one zero two

896
00:50:49,840 --> 00:50:54,559
one Luigi keeping the tradition alive since nineteen seventy five.

897
00:50:56,440 --> 00:50:57,400
Speaker 5: Pizza for e.

898
00:50:57,559 --> 00:51:02,639
Speaker 19: Brie one, Come join a too nice With these slye

899
00:51:02,719 --> 00:51:05,920
sets of it, everything feels so right.

900
00:51:08,920 --> 00:51:11,119
Speaker 20: In times of crisis. You need a law firm that

901
00:51:11,239 --> 00:51:14,280
stands by your side. With over forty years of experience,

902
00:51:14,400 --> 00:51:18,079
Craigan Getsulis is dedicated to fighting for your rights. As

903
00:51:18,159 --> 00:51:21,280
former state prosecutors. Our attorneys have the knowledge and trial

904
00:51:21,360 --> 00:51:25,280
experience to provide an aggressive defense against any charge, from

905
00:51:25,360 --> 00:51:29,639
DUIs to homicides. If you've been injured, our compassionate team

906
00:51:29,679 --> 00:51:32,599
will assess your case and fight for the compensation you deserve.

907
00:51:33,079 --> 00:51:35,960
Serving all of New Hampshire. Craigan Getzulis is here when

908
00:51:36,000 --> 00:51:39,000
you need us most. Visit craigatzulis dot com for a

909
00:51:39,079 --> 00:51:42,880
free consultation. Craigan getsulus, your advocates, your.

910
00:51:42,840 --> 00:51:47,000
Speaker 21: Allies, bring your kitchen to life with Queen City Cabinetry,

911
00:51:47,440 --> 00:51:51,159
located at eighty seven Elm Street in the historic Sunbeam

912
00:51:51,280 --> 00:51:52,400
Wall in Manchester.

913
00:51:52,880 --> 00:51:56,159
Speaker 22: Open Monday through Friday nine am to five thirty pm,

914
00:51:56,519 --> 00:52:00,119
in Saturdays ten am to two pm. They can you

915
00:52:00,199 --> 00:52:04,039
reached at six oh three two two two to zero

916
00:52:04,199 --> 00:52:07,760
zero seven. We're on the web at Queen citycabinat Tree

917
00:52:08,280 --> 00:52:12,360
NH dot com. Come see the possibility is Queen City

918
00:52:12,480 --> 00:52:16,159
Cabinet Tree. Another crowd sponsor of w MNH.

919
00:52:16,480 --> 00:52:19,280
Speaker 23: Hey everyone, there's Rob Azevedo, host of Grantite State of Mind,

920
00:52:19,320 --> 00:52:21,079
and I want to tell you about Pembrooke City Limits

921
00:52:21,119 --> 00:52:24,199
and the historic Suncook Village. PCL is an award winning

922
00:52:24,280 --> 00:52:27,360
bar restaurant and music venue where there's live music five

923
00:52:27,440 --> 00:52:31,400
days a week and twice on Saturdays, everything from blues, country, folk, funk,

924
00:52:31,519 --> 00:52:33,760
and a whole lot of jazz. We have twelve craft

925
00:52:33,840 --> 00:52:36,440
beers on tap dedicated to local brewers in the area

926
00:52:36,719 --> 00:52:39,840
and some of the friendliest bartenders around. Please come visit

927
00:52:39,880 --> 00:52:42,280
Pembrook City Limits at one thirty four Main Street, the

928
00:52:42,480 --> 00:52:46,639
historic Suncook Village, only six miles outside of Manchester. Open

929
00:52:46,719 --> 00:52:50,360
Tuesdays to Wednesdays four to ten Thursday's a Sunday eleven

930
00:52:50,400 --> 00:52:50,760
to ten.

931
00:52:51,119 --> 00:52:53,559
Speaker 10: Pembrook City Limits, where it's all about the music.

932
00:52:53,800 --> 00:52:56,440
Speaker 21: Business Cafe is the place to put a smile on

933
00:52:56,519 --> 00:52:58,960
your face. Judy and the crew will take care of you,

934
00:52:59,199 --> 00:53:02,880
bring your app and trig your taste. Buzs Right Business

935
00:53:02,960 --> 00:53:07,079
Cafe is always a winning choice. Breakfast, lunch or supper

936
00:53:07,559 --> 00:53:11,800
Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

937
00:53:12,280 --> 00:53:15,159
Dine in, take out or make a reservation call six

938
00:53:15,280 --> 00:53:18,639
oh three, six oh six two five three.

939
00:53:18,559 --> 00:53:22,480
Speaker 3: Two, Eat, drink and be happy Dizze's Cafe.

940
00:53:22,800 --> 00:53:25,519
Speaker 24: When it comes to keeping WMNH on the air and

941
00:53:25,679 --> 00:53:28,840
your own personal or business computer needs trust, growl in

942
00:53:28,920 --> 00:53:32,679
Computers located on Elm Street in Manchester. Groll In handles

943
00:53:32,719 --> 00:53:36,079
computer repair, virus removal and custom built systems. Are you

944
00:53:36,199 --> 00:53:39,000
looking for budget friendly options? Check out our selection of

945
00:53:39,079 --> 00:53:43,039
fully inspected used computers. We offer tailored on site solutions

946
00:53:43,239 --> 00:53:46,840
no unnecessary expenses here. Visit Groland dot com or call

947
00:53:46,920 --> 00:53:50,360
Grolling Computers at six zero three six four five zero

948
00:53:50,519 --> 00:53:54,360
one zero one. Your Tech, Your Way, Trust groll In Computers.

949
00:54:01,400 --> 00:54:05,760
Speaker 14: Midnight Seven times out of ten we listened to our

950
00:54:05,920 --> 00:54:12,440
music at Nice's titled business program Late.

951
00:54:12,400 --> 00:54:16,159
Speaker 7: Night to Light with DJ Midas right here on WMNH, Manchester.

952
00:54:16,400 --> 00:54:18,000
You want because.

953
00:54:19,639 --> 00:54:22,039
Speaker 15: Saturdays and Sunday nights midnight to four am.

954
00:54:23,360 --> 00:54:28,800
Speaker 25: This hour on WMNH is sponsored by CGI Business Solutions,

955
00:54:29,199 --> 00:54:33,199
located at five Dartmouth Drive in Auburn. They serve all

956
00:54:33,280 --> 00:54:37,719
your business needs including employee benefits, planning, corporate design and

957
00:54:37,840 --> 00:54:43,840
business administration, investments and wealth management and customized business insurance solutions.

958
00:54:44,119 --> 00:54:46,679
Their phone number is eight sixty six eighty four to

959
00:54:46,760 --> 00:54:50,519
one forty six hundred, or on the web at CGI

960
00:54:50,760 --> 00:54:52,599
business Solutions dot com.

961
00:54:55,599 --> 00:54:59,119
Speaker 26: Behold the harmony of airwaves as you immerse yourself in

962
00:54:59,199 --> 00:55:03,239
the captivating frequencies of w m NHLP, the sonic heart

963
00:55:03,320 --> 00:55:06,719
beats of Manchester is transcending through the ether at ninety

964
00:55:06,760 --> 00:55:10,360
five point three megahertz frequency modulation or transmissions M and

965
00:55:10,400 --> 00:55:13,159
eate from the zenith of one thousand elm streets insure

966
00:55:13,199 --> 00:55:15,800
into the hearts of our creative realm at one nineteen

967
00:55:15,880 --> 00:55:20,079
Canal Street, where innovation and sound colode. They're the impro

968
00:55:20,199 --> 00:55:23,559
moder of Manchester Public Television Service in the venerable city

969
00:55:23,599 --> 00:55:27,519
of Manchester, New Hampshire, USA. Enrich your auditory journey with

970
00:55:27,639 --> 00:55:31,239
the depth of our license to wesidens you spent your missives.

971
00:55:30,840 --> 00:55:34,559
Speaker 19: Did WMNH ninety five three at gmail dot com or

972
00:55:34,679 --> 00:55:39,039
traverse the virtual corridors of wmnhradio dot org. Engage with

973
00:55:39,159 --> 00:55:41,920
our sonic vibrations by communing with us through the digital

974
00:55:42,000 --> 00:55:45,559
channels or radio beckons, eager to enthrall you with its

975
00:55:45,639 --> 00:55:49,639
mesmerizing cadence and develop you with a symphony of foundless auditories.

976
00:55:49,679 --> 00:55:56,719
Speaker 15: Won dude, WMNH rip the novels.

977
00:55:57,960 --> 00:56:02,760
Speaker 2: This is Jesse Rutstein and Caleb Dyer. Oh oh, okay,

978
00:56:02,840 --> 00:56:04,519
we we can. Let's do that one more time. This

979
00:56:04,639 --> 00:56:09,119
is Jesse Rutstein and Caleb Dyer. Oh crap, hold on,

980
00:56:09,239 --> 00:56:09,960
what do you want me to say?

981
00:56:10,039 --> 00:56:10,480
Speaker 5: Right after that?

982
00:56:11,159 --> 00:56:14,239
Speaker 2: From Hatchet act from and then I'll say, you're listening right?

983
00:56:14,400 --> 00:56:19,400
Sounds good. This is Jesse Rutstein and oh ah, this

984
00:56:19,559 --> 00:56:24,119
is why I'm the leader. This is Jesse Rutstein and

985
00:56:24,760 --> 00:56:28,360
Caleb Dyer from Hatchet Axon Saw Records. You are listening

986
00:56:28,400 --> 00:56:31,079
to the Matt Connerton Show on w m n H

987
00:56:31,519 --> 00:56:33,360
ninety five point three Manchester.

988
00:56:33,960 --> 00:56:35,639
Speaker 10: Actually, what did I say?

989
00:56:37,360 --> 00:56:39,800
Speaker 2: Okay, all right, all right, let's do this again.

990
00:56:39,880 --> 00:56:40,760
Speaker 5: Let's do this again.

991
00:56:41,480 --> 00:56:45,360
Speaker 2: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

992
00:56:45,400 --> 00:56:49,719
Saw Records. You are listening to Matt Connerton Unleashed on

993
00:56:49,880 --> 00:56:56,320
ninety five to three w NA. Dude, this is Jesse

994
00:56:56,519 --> 00:57:00,519
Rutstein and Caleb Dyer from Hatchet Axon Saw Record. You

995
00:57:00,639 --> 00:57:04,280
are listening to Matt Connorton Unleashed on ninety five point

996
00:57:04,360 --> 00:57:06,599
three wm n H FM.

997
00:57:09,360 --> 00:57:12,400
Speaker 17: When Matts wakes up in the morning, he gets into

998
00:57:12,519 --> 00:57:21,519
the shower and to the top of his lungs, he sings, I.

999
00:57:21,719 --> 00:57:23,559
Speaker 7: Want because I can't.

1000
00:57:25,239 --> 00:57:26,360
Speaker 17: All right, back to the.

1001
00:57:26,480 --> 00:57:29,159
Speaker 5: Radio show now, all the best.

1002
00:57:29,039 --> 00:57:34,480
Speaker 10: And Jammy, thanks Jerry, Welcome back. Everybody.

1003
00:57:34,719 --> 00:57:36,880
Speaker 1: We have entered our number two Newmerow dose of Matt

1004
00:57:36,920 --> 00:57:39,840
Connorton Unleashed. We are live from the studios of w

1005
00:57:40,199 --> 00:57:43,280
m n H ninety five point three FM and Glorious Manchester,

1006
00:57:43,440 --> 00:57:46,480
New Hampshire. If you are listening live today is Saturday,

1007
00:57:46,519 --> 00:57:50,239
August two, twenty twenty five. In just a moment, Jamie

1008
00:57:50,280 --> 00:57:52,719
Higgs is going to be joining us via WhatsApp all

1009
00:57:52,760 --> 00:57:55,360
the way from the UK, and I'm really looking forward

1010
00:57:55,400 --> 00:57:57,760
to talking with him because I love this song. We

1011
00:57:57,880 --> 00:58:00,320
did the American radio premiere for this recently. We're gonna

1012
00:58:00,320 --> 00:58:02,320
play it again. This is such a great track from

1013
00:58:02,400 --> 00:58:39,960
Jamie Higgs. This is called peace in Your Soundly live it.

1014
00:58:40,079 --> 00:58:41,159
Speaker 7: Seems like a song.

1015
00:58:41,400 --> 00:58:44,360
Speaker 10: Sometimes it's loud, Caddy.

1016
00:58:44,159 --> 00:58:45,119
Speaker 7: What's going on?

1017
00:58:45,440 --> 00:58:46,400
Speaker 8: So calmy skin?

1018
00:58:48,000 --> 00:59:00,239
Speaker 12: What piecing you Soundian side sounds like a Joe You

1019
00:59:00,480 --> 00:59:05,199
never get me. Don't beat no strange eyes singing my

1020
00:59:05,639 --> 00:59:05,920
enter and.

1021
00:59:06,039 --> 00:59:07,159
Speaker 2: Sing me high up.

1022
00:59:08,639 --> 00:59:11,119
Speaker 12: High, asking me in when your side.

1023
00:59:14,719 --> 00:59:22,599
Speaker 7: Sign would be sing you soundwhere you row? It's like

1024
00:59:23,400 --> 00:59:24,519
y'all song as.

1025
00:59:24,440 --> 00:59:29,119
Speaker 8: Me I row on that found be sing your sound

1026
00:59:29,159 --> 00:59:29,960
where you rock.

1027
00:59:30,280 --> 00:59:33,599
Speaker 6: It's like like jall song as me eye on the

1028
00:59:33,800 --> 00:59:38,159
drown Ever beside you around to sing loud out B

1029
00:59:38,400 --> 00:59:39,320
saying your side

1030
00:59:43,119 --> 00:59:55,800
Speaker 7: Shot shot, So do you get it?