WEBVTT

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<v Speaker 1>Hello Eighties movies lovers. Bill band here, co host of

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<v Speaker 1>the All Eighties Movies Podcast, with a quick announcement before

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<v Speaker 1>we start this week's episode, I wanted to take a

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<v Speaker 1>moment to share some news. After six and a half seasons,

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<v Speaker 1>my co host Jason Massek, has decided to step away

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<v Speaker 1>from the podcast to focus on some other projects. Jason,

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<v Speaker 1>thank you for everything you've brought to the show over

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<v Speaker 1>the past six years. Your insights, humor, and passion for

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<v Speaker 1>eighties movies helped make this podcast what it is today,

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<v Speaker 1>and I truly wish you nothing but the best and

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<v Speaker 1>whatever comes next, And who knows, maybe someday we'll return

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<v Speaker 1>as a special guest to revisit one of his favorite movies. Now,

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<v Speaker 1>for those of you wondering, this is not the end

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<v Speaker 1>of the All Eighties Movies Podcast. I plan to keep

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<v Speaker 1>the show going with plenty of guest hosts while I

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<v Speaker 1>search for the right permanent co host. There are still

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<v Speaker 1>so many awesome movies from the greatest decade in movie

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<v Speaker 1>history to discuss, and I can't wait to keep sharing

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<v Speaker 1>those conversations with all of you. One quick note about

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<v Speaker 1>today's episode, do do some unexpected technical issues during recording,

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<v Speaker 1>we were not able to capture Jason's final movie rating,

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<v Speaker 1>so unfortunately that part of the episode is missing. Finally,

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<v Speaker 1>I just want to say thank you to everyone who

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<v Speaker 1>has listened, supported and followed us over these past six

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<v Speaker 1>and a half years. So with that, let's start our show. Hello,

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<v Speaker 1>and welcome to the Old Eighties Movies podcast podcast where

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<v Speaker 1>we talk about the flops or so flops and everything

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<v Speaker 1>in between. Who won the Presus Decades for movies the

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<v Speaker 1>nineteen eighties? I'm host Bill Bett. Won with me on

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<v Speaker 1>this journey of revisiting eighties movies is my co host

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<v Speaker 1>Jason Massek. Hello Jason.

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<v Speaker 2>Your crime is not that you got caught, but the

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<v Speaker 2>crime itself. Remember that. Hopefully you will realize what you

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<v Speaker 2>did is wrong. Hopefully you'll never do anything like that again.

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<v Speaker 2>This is a juvenile facility. That means you are not

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<v Speaker 2>in charge of the zoo. We are. If you think

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<v Speaker 2>your hip, you're not. If you were, you wouldn't be here.

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<v Speaker 1>That's right, Listeners, We are discussing with spoilers of twenty

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<v Speaker 1>the nineteen eighty three prison drama Bad Boys. It was

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<v Speaker 1>produced by EMI Films and the Solo Film Company and

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<v Speaker 1>distributed it by Universal Pictures. The movie stars Sean Penn,

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<v Speaker 1>E Sigh Morales, and Ali Sheedy. Directed by Rick Rosenthal,

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<v Speaker 1>This movie's rated R with the running time of two

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<v Speaker 1>hours and three minutes. So what is this movie about?

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<v Speaker 1>What's on the box? If you grew up in the

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<v Speaker 1>nineteen eighties and what's your local video story. To rent

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<v Speaker 1>this movie, you would find this description on the back

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<v Speaker 1>of the VHS box.

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<v Speaker 2>It is what's on the box?

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<v Speaker 1>Take it away, Jason.

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<v Speaker 2>At the age of nine, they've joined a street gang.

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<v Speaker 2>At twelve, they're pushing drugs. At sixteen, they're part of

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<v Speaker 2>a nightmare teenage underworld of rape, mugging, armed robbery, and murder.

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<v Speaker 1>Bad Boys, Bad Boys? Jason, you were me? That was short?

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<v Speaker 2>Could that be the shortest What's on the box of

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<v Speaker 2>all time?

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<v Speaker 1>And most nondescriptive of the movie that we thought. Also,

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<v Speaker 1>it doesn't tell you anything about the movie.

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<v Speaker 2>Nothing at all, Nothing at all. Wow. Very curious.

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<v Speaker 1>Yeah, interesting, it was different. So that was what's on

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<v Speaker 1>the box? Jason. Do you remember the first time you

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<v Speaker 1>saw Bad Boys?

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<v Speaker 2>No, of course not, because I've never seen this film

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<v Speaker 2>until watching it for this podcast. And that's just fitting.

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<v Speaker 2>After reading the What's on the Box synopsis because yeah,

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<v Speaker 2>I was curious about this. I knew Sean Penn was

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<v Speaker 2>in this and iSIG Morales. And I'd actually listened to

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<v Speaker 2>another podcast discussing this film, and I was like, what what? Wait?

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<v Speaker 2>What what is Bad Boy? What are you talking about?

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<v Speaker 2>Not the Will Smith movie? Okay, this is a different

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<v Speaker 2>early eighties movies that I just was not aware of,

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<v Speaker 2>so very curious to investigate this one. But that's all

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<v Speaker 2>I got. Had you seen this before? Bill Ban?

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<v Speaker 1>I thought for sure I had not seen this at all,

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<v Speaker 1>so like, maybe I've just seen clips because there was

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<v Speaker 1>a lot in here I kind of remembered. Okay, but

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<v Speaker 1>I don't think I've seen it from beginning to band

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<v Speaker 1>until this podcast. So yes, I would say it first

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<v Speaker 1>watch for me.

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<v Speaker 2>Also, all right, a first watch for both of us.

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<v Speaker 1>Then yes, all right, so let's talk about the movie.

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<v Speaker 1>What are our impressions of Bad Boys?

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<v Speaker 2>Ooh, two hours, three minutes of dreary. This is one

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<v Speaker 2>of the most bleak movies I've ever seen. I'll say

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<v Speaker 2>this right now and I'll say it again. In my conclusion,

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<v Speaker 2>it's well done. It's a realistic depiction of life in

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<v Speaker 2>a juvenile correction facility. But this is a rough watch.

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<v Speaker 2>It's brutal and it's a bummer. It's really violent. It

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<v Speaker 2>has multiple rape sequences, beatings, and murders. I wish I

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<v Speaker 2>could say this was a great Chicago movie because that's

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<v Speaker 2>where it takes place. But I mean ninety percent of

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<v Speaker 2>it takes place inside the Rainford Juvenile Detention Center. So yeah,

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<v Speaker 2>I mean, these kids, these poor teenagers that have put

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<v Speaker 2>themselves in this situation, under these circumstances, they're involved in

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<v Speaker 2>some really really heavy shit. And I understand teenagers in

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<v Speaker 2>high school doing drugs and dealing drugs, but this is

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<v Speaker 2>real gang stuff and they're paying the price. What's your

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<v Speaker 2>initial impression?

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<v Speaker 1>Okay, I know this takes place as the juvenile detention center,

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<v Speaker 1>but I'm just gonna keep saying prison because it's just quicker.

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<v Speaker 2>To say it is it is.

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<v Speaker 1>This is my overall impression of the movie. Was who

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<v Speaker 1>am I supposed to root for in this movie?

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<v Speaker 2>Yeah?

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<v Speaker 1>Right away, our main character, played by Sean Penn O'Brien,

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<v Speaker 1>we see him mug a lady, then beat up a

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<v Speaker 1>guy for money. He's the one that we're following throughout

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<v Speaker 1>the story and Usually when you watch a prison film,

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<v Speaker 1>and I think the only other prison movie we've done

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<v Speaker 1>so far is Start Crazy. Usually the person that goes

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<v Speaker 1>to prison is innocent and has been wrongly accused, so

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<v Speaker 1>the whole time you're rooting for this person to find

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<v Speaker 1>justice to get out. Whereas in this film, it is

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<v Speaker 1>what the title says. They are bad boys. Everybody in

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<v Speaker 1>this prison has done wrong. So why am I invested

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<v Speaker 1>in these characters? But I was two hours three minutes.

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<v Speaker 1>This movie flies okay, and that's always a great sign.

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<v Speaker 1>And I almost felt guilty watching this rooting for O'Brien.

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<v Speaker 1>I'm like, I shouldn't be. He's a terrible person. He

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<v Speaker 1>killed someone in order to get into that juvenile facility.

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<v Speaker 1>I should not care. Whatever happens to him should happen

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<v Speaker 1>to him because he has done wrong. But I was invested.

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<v Speaker 1>That's the mark of a good movie.

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<v Speaker 2>Yeah, that's interesting. I agree. I was engaged the whole time.

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<v Speaker 2>I felt it was a little bit slow, though, I'm

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<v Speaker 2>going to disagree with you on that. At the two

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<v Speaker 2>hour running time I did not think was necessary. I

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<v Speaker 2>think this could have been done stepping in my complaints

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<v Speaker 2>already been done in probably an hour and forty five hour,

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<v Speaker 2>forty minutes. But you're right, I also was engaged, and

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<v Speaker 2>I mean, let's get into it. Let's talk about the cast.

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<v Speaker 2>I mean, let's talk about Sean Penn, who plays Mick O'Brien,

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<v Speaker 2>who is a thief. He's a thug, and he's sixteen

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<v Speaker 2>years old and committing crimes on the street as you described,

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<v Speaker 2>and then ends up in this facility. Now, man, he's

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<v Speaker 2>got such a baby face. He's twenty two years old

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<v Speaker 2>when this comes out, and he looks like he's sixteen.

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<v Speaker 2>This is a year after Fast Times, and he looks younger.

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<v Speaker 1>That blew my mind. I kept thinking, wait, because I

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<v Speaker 1>kept thinking this movie came out in eighty two, because

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<v Speaker 1>I'm like, there's no way.

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<v Speaker 2>Super super young. He's excellent. Of course, he's raw, he's natural.

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<v Speaker 2>So I really appreciated his performance. I mean, could you

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<v Speaker 2>actually count on both hands how many lines he has

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<v Speaker 2>in this movie. He really doesn't speak that.

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<v Speaker 1>Much, No, he doesn't. Everything's in his face.

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<v Speaker 2>Yeah, completely. This is a great example of face acting.

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<v Speaker 2>It's all in the eyes. And I'll get to that

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<v Speaker 2>later on in one of my favorite scenes. Actually, because

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<v Speaker 2>he's very stoic he's very cold. And the thing about

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<v Speaker 2>this movie was I'm trying to figure out who am

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<v Speaker 2>I supposed to be invested in, Who is a redeemable

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<v Speaker 2>character and whose journey is am I supposed to Well,

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<v Speaker 2>obviously it's Mike O'Brien has Sean Penn, But it didn't

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<v Speaker 2>seem like anything was happening until the end and then

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<v Speaker 2>I got it. I got it, and it got me,

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<v Speaker 2>so it was effective, I have to say that much.

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<v Speaker 1>Okay, he's great in this. You think about this cast.

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<v Speaker 1>Most of these people, it's their first roles right right,

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<v Speaker 1>and most of them are still working here today, credit

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<v Speaker 1>to the casting department. And I think that's what really

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<v Speaker 1>kept me invested, was just watching all these actors in

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<v Speaker 1>young roles. Just everybody pretty much just knocked him out

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<v Speaker 1>of the park. I was just interested in all the characters,

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<v Speaker 1>even though I know these are all bad people and

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<v Speaker 1>I should not care or get two shits about him

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<v Speaker 1>because they've done wrong.

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<v Speaker 2>Real wrong, like yes, homicide, multiple I want to talk

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<v Speaker 2>about Clancy Brown real quick. He's just at the top

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<v Speaker 2>of my mind because we were just talking about Buckaroo Bonzai,

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<v Speaker 2>but this is actually his feature film debut as Viking

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<v Speaker 2>Lofgren And this is Clancy Brown's first credit on IMDb

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<v Speaker 2>of three hundred and fifty seven credits. Here he is

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<v Speaker 2>making his debut and makes a real impact. I think

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<v Speaker 2>he's great in this with the blonde fro if you will, Yes,

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<v Speaker 2>when he's jogging in his jeens, which has got to

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<v Speaker 2>be really tough. He's very off putting in this, very disturbing.

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<v Speaker 2>I mean, what can you say? It's Clancy Brown. He's awesome.

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<v Speaker 1>Yeah, he plays a great bully in this without being

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<v Speaker 1>a stereotypical bully. He knows how to push people's buttons

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<v Speaker 1>more what's a look or a quick line doesn't go

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<v Speaker 1>to over the top. And yes, the Viking nickname is

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<v Speaker 1>awesome because his blonde locked. He is really good in this,

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<v Speaker 1>and I think I was surprised to learn this. This

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<v Speaker 1>was his first role. He's still doing it today. Amazing. Yeah.

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<v Speaker 2>Yeah, I mean he's got such a presence. I mean

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<v Speaker 2>he's got the height right, he's what six two sixty

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<v Speaker 2>three at least, so he's he might be, so he's

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<v Speaker 2>towering over everybody. But listeners, we're talking about these cast

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<v Speaker 2>of characters that are all, you know, stuck in this no,

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<v Speaker 2>I'm not stuck, but they landed in this juvenile prison.

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<v Speaker 2>I'm gonna say prison as well from now on. And

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<v Speaker 2>it's a dreary situation, and they're all intimidating, and they're

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<v Speaker 2>all going up against each other, and I want to

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<v Speaker 2>talk about next. We've got Eric Gurry, who plays the

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<v Speaker 2>character of Verry Horowitz, who basically is Sean Penn's buddy

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<v Speaker 2>in this if you will, his best friend, his cellmate.

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<v Speaker 2>Right now, what did you think of Eric Gurry who's

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<v Speaker 2>playing this kid we're talking about these kids that have

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<v Speaker 2>committed serious crimes. He fire bombed a bowling alley and

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<v Speaker 2>killed multiple people and says it as if it was nothing,

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<v Speaker 2>just kind of saying, this is why I'm here, and

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<v Speaker 2>then befriends Sean Penn's character Mike O'Brien, What did you

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<v Speaker 2>think of Eric Gurry's performance as Horowitz?

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<v Speaker 1>Had to laugh because when I first saw him, I'm like,

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<v Speaker 1>oh my god, he looks like a young Barry Manilow.

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<v Speaker 1>And then when you find out his famous Barry Horowitz,

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<v Speaker 1>I just kind of called him young Barry.

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<v Speaker 2>Sure, Okay, I was like, oh my god, this.

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<v Speaker 1>Would be so funny if this is the Barry Manilow story,

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<v Speaker 1>and this is how Barry started it out at juvenile

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<v Speaker 1>detention center and then he turns his life around becomes

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<v Speaker 1>this amazing musician. But as a character, yeah, he could

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<v Speaker 1>have been annoying. He really could have. It's really a

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<v Speaker 1>fine line. I thought he was good because he's the

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<v Speaker 1>one that pretty much he gives the audience the information.

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<v Speaker 2>For sure.

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<v Speaker 1>He's letting us as audience know who the players are

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<v Speaker 1>and what they do. And I did find it odd

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<v Speaker 1>that right away he tells O'Brien what he did. Oh yeah,

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<v Speaker 1>I firebombed Bowling Alley, killed three people. Unfortunately was the

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<v Speaker 1>wrong people. Like wow, that's very forthcoming. But that's who

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<v Speaker 1>he kind of is the actor himself. He's only done

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<v Speaker 1>four movies. I think this was the second one, and

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<v Speaker 1>he is probably the weak of everyone in it. There

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<v Speaker 1>are a couple of lines that he delivers them like

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<v Speaker 1>h right. But I did like him. I like the

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<v Speaker 1>fact that social Butterfly could not handle being an isolation.

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<v Speaker 1>He needs to be around people. So I did like

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<v Speaker 1>a But yes, I do think he was the weak link, right,

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<v Speaker 1>But as an audience, we need him, we need to

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<v Speaker 1>know what's going on and everything we find out is

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<v Speaker 1>through him.

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<v Speaker 2>That's right, because he's been there for a while. So

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<v Speaker 2>that's a great point, and I totally agree with you.

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<v Speaker 2>I think he is the weak link as an actor.

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<v Speaker 2>I had an issue with his performance at first, but

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<v Speaker 2>like you said, this is the interesting thing about this movie.

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<v Speaker 2>I actually became more and more invested in him as

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<v Speaker 2>the movie goes on, and I think he plays it

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<v Speaker 2>in a way that is forced. He's a young actor.

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<v Speaker 2>It seems he's playing the character. He's playing at it

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<v Speaker 2>instead of being the character, if that makes any sense,

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<v Speaker 2>And it makes total sense from my point of view

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<v Speaker 2>watching it, because that's who he would be. He would

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<v Speaker 2>be putting on a front the entire time. He would

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<v Speaker 2>be trying to be bigger than he is because he's small.

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<v Speaker 2>So as it went on, I was like, oh, you

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<v Speaker 2>know what, I actually buy this performance. Maybe it's by happenstance,

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<v Speaker 2>like it's by mistake, like that he's not a very

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<v Speaker 2>good actor, but because he's playing at it the whole time,

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<v Speaker 2>it's like, yeah, that would make sense. Is this young

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<v Speaker 2>guy that he's just got to put up a front,

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<v Speaker 2>he's got to put up he's got to be try

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<v Speaker 2>to be bigger than he is the entire time. It's

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<v Speaker 2>a weird thing about this movie. But moving on, I

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<v Speaker 2>don't want to spend too much time. But it's just

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<v Speaker 2>like going down this cast list. Isi morales Man, what

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<v Speaker 2>can you say? I love this guy. I've always loved him.

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<v Speaker 2>He's been in our lives for so long. What a

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<v Speaker 2>great head of hair, That's all I'm going to say,

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<v Speaker 2>first and foremost perfect? Right, yes, obviously still kicking ask

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<v Speaker 2>the guy literally does not age. I don't know it.

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<v Speaker 2>He doesn't. He looks the same outside of his gray hair.

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<v Speaker 2>I don't know how he doesn't. Back in the eighties

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<v Speaker 2>he was in LaBamba, of course, and then a couple

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<v Speaker 2>episodes of Miami Vice between eighty five and eighty seven.

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<v Speaker 2>So good to see him here in this as the

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<v Speaker 2>main antagonist. He's outstanding. He's a handsome guy, really handsome,

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<v Speaker 2>has always looked the same.

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<v Speaker 1>Yep, he's really good. He doesn't fall into the stereotypes,

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<v Speaker 1>and he commands the room. He's in charge of their gang,

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<v Speaker 1>right they have in Chicago. In a way, we're supposed

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<v Speaker 1>to be rooting against him, or in a way rooting

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<v Speaker 1>for him, because O'Brien killed his brother so he has

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<v Speaker 1>a reason to be vengeful. But then he turns around

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<v Speaker 1>and rapes O'Brien's girlfriend. Oh it's oh shitty. So it

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<v Speaker 1>just makes them terrible. But why am I invested this guy?

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<v Speaker 1>He's a bad person. We've seen him already kill someone,

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<v Speaker 1>rape someone. Should be like O'Brien, just fucking kill him

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<v Speaker 1>call it a day, yay, But no, I want to

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<v Speaker 1>know what's going on with them.

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<v Speaker 2>Yeah, it's a great point. So this is the question, right,

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<v Speaker 2>why are we investing in these characters? Because this is

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<v Speaker 2>really really a dark movie. So we're watching Mick O'Brien,

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<v Speaker 2>Sean Penn's character, and he's dealing with a dysfunctional family.

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<v Speaker 2>We see him at home, it's a broken home. He

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<v Speaker 2>has no father figure. Then we see Issi Morales as

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<v Speaker 2>Paco Moreno, who's supposed to be the main antagonist. But

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<v Speaker 2>we see his family situation, and we see how much

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<v Speaker 2>he cares about his younger brother, about his mother. We

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00:16:36.879 --> 00:16:41.519
<v Speaker 2>see his family, although he's clearly a drug dealer and

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<v Speaker 2>he's going down the wrong path, but we are immediately

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<v Speaker 2>somehow empathetic to his situation or investing in because of

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00:16:49.120 --> 00:16:52.960
<v Speaker 2>we can see inside that family situation, and it's not

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<v Speaker 2>an easy thing that he's dealing with. And that's the

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<v Speaker 2>other thing is like, we see these kids, it's really hardcore.

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<v Speaker 2>We see them in the high school life, which is

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<v Speaker 2>the segue to my next actor I want to talk about,

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<v Speaker 2>which is Alan Ruck. It's really weird seeing him so

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<v Speaker 2>young in this. I really will always know him as

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<v Speaker 2>Cameron from Farisuler's day Off, of course, but to see

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<v Speaker 2>him and then in the high school situation, they're just babies,

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00:17:17.880 --> 00:17:21.839
<v Speaker 2>but then out on the streets they're committing adult crimes

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<v Speaker 2>and it's pretty rough. But I didn't know if you

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<v Speaker 2>had anything to say about seeing Alan Ruck, because he's

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<v Speaker 2>got a good part in this and he's really good.

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<v Speaker 2>We'll talk about it soon here, but any thoughts on

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<v Speaker 2>Alan Ruck.

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<v Speaker 1>I don't know what to say. Besides I'm like, holy shit,

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<v Speaker 1>it's Cameron, that's all they came to mind. And what

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00:17:42.640 --> 00:17:45.599
<v Speaker 1>his fate ends up being that was a surprise to me.

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<v Speaker 1>What wasn't a surprise. I knew what happened to him,

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00:17:48.920 --> 00:17:53.680
<v Speaker 1>but still seeing it happen was a surprise. Wow, good

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00:17:53.720 --> 00:17:56.480
<v Speaker 1>guy Cameron from Paris Bueler Here he is kind of

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<v Speaker 1>part of a gang also it blew my mind.

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<v Speaker 2>Yeah, yeah, he's great. I'm just gonna give a couple

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<v Speaker 2>more shout outs. One being the standout for me in

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<v Speaker 2>this film was Rennie Santoni playing counselor Ramon Herrera. I

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<v Speaker 2>recognized him right away. Spoiler alert. I'm going to talk

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<v Speaker 2>about him later. Anyway, I thought he was really solid.

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<v Speaker 2>He kind of was the anchor in this. I don't know,

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<v Speaker 2>he was the grounding factor in this. I just really

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<v Speaker 2>enjoyed how he dealt with make O'Brien's, you know, the

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<v Speaker 2>Sean Penn's character, and then Paco after that, but everybody

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<v Speaker 2>in the juvenile detension facility. I just wanted to give

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<v Speaker 2>him a shout out. And then moving right on to Ali.

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<v Speaker 2>Sheety here she is in this. I think she was

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<v Speaker 2>under used in this. I have a little bit of

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<v Speaker 2>complaint about that. I'm not sure. I wished she had

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<v Speaker 2>a bigger part in this. In a way, I understand

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<v Speaker 2>why she's in the film and the purpose she has,

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<v Speaker 2>but in a way would have liked to seen her

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<v Speaker 2>have a little more to do. I don't know if

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<v Speaker 2>you had any feelings about that.

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<v Speaker 1>I kind of thought the same thing as you, was like, oh,

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<v Speaker 1>I'd like to see her more in this because you

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<v Speaker 1>really don't see her in the third act, but it's

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<v Speaker 1>how do you put her in? Then we have scenes

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<v Speaker 1>where she's going to visit and like, eh, I don't

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<v Speaker 1>need to see that.

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<v Speaker 2>Yeah, yeah, yeah. I had a theory, man like if

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00:19:14.839 --> 00:19:17.279
<v Speaker 2>we shouldn't be doing this, but we can't help, but

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<v Speaker 2>do this is rewrite the movie in the way we

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<v Speaker 2>would like to see it. There's a different version of

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<v Speaker 2>this where mixed journey. You know he's going through hell,

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00:19:28.720 --> 00:19:31.039
<v Speaker 2>but it's to get back to her. Like there's a

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<v Speaker 2>love story at the center of this, but you can't

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<v Speaker 2>really focus on it because obviously he's in in Juvie

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<v Speaker 2>the whole time. But I would have liked to have

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<v Speaker 2>seen him go back to that. I actually had a

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<v Speaker 2>question for you. Here's a question. It's one of my

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<v Speaker 2>additional questions. I'm gonna step on it right now. So

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<v Speaker 2>towards the end, we know there's going to be this

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<v Speaker 2>climax between Mick and Paco. That's Sean Penn and Isai Morales.

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<v Speaker 2>We see Sean Penn in his bomb and he has

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<v Speaker 2>the photo of j C. That's Ali Sheety's character, his

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00:20:05.039 --> 00:20:09.079
<v Speaker 2>girlfriend and he lights it on fire, he burns it.

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<v Speaker 2>What do you think that meant at the.

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<v Speaker 1>End, I thought it was he thinks he's going to die. Yeah,

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<v Speaker 1>and he's pretty much saying his goodbye to her.

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<v Speaker 2>Okay, I agree. It was his way of saying goodbye.

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00:20:26.599 --> 00:20:28.960
<v Speaker 2>He thought it was over, he had to let go.

364
00:20:29.119 --> 00:20:32.759
<v Speaker 2>It was a way of letting go. But that was

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<v Speaker 2>really really upsetting real quick. Just talking about the background

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<v Speaker 2>of this movie, which is the juvenile correction facility system itself.

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<v Speaker 2>I mean, there's so many aspects of it. Walking the

368
00:20:46.279 --> 00:20:51.119
<v Speaker 2>gauntlet when they first arrive is absolutely brutal. They're getting

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<v Speaker 2>spit on. You learn about the point system. Does the

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<v Speaker 2>point system even work? We learned terms like barn boss,

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00:20:58.640 --> 00:21:02.799
<v Speaker 2>critical offenders. All these so called supervisors in the system

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<v Speaker 2>are absolutely useless outside of her era. In my opinion,

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<v Speaker 2>it's pretty stark. But I thought it was a very

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<v Speaker 2>very realistic view on that and take on that. I

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<v Speaker 2>thought it was well depicted.

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<v Speaker 1>I agree with that also. And just going back to

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<v Speaker 1>Ali Sheety's character, mm hmm. I think the thing that

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<v Speaker 1>was here she is with O'Brien, he's in jail. Well,

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<v Speaker 1>she has that conversation with her dad and the dad

380
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<v Speaker 1>basically says that he kills someone. Yeah, and she's like, no,

381
00:21:34.039 --> 00:21:36.240
<v Speaker 1>it was an accident. That the fact that she still

382
00:21:37.359 --> 00:21:40.039
<v Speaker 1>misses him and pines for him, I'm like, oh, yeah,

383
00:21:40.119 --> 00:21:44.279
<v Speaker 1>that just explains a lot about today. It's like he's

384
00:21:44.319 --> 00:21:48.359
<v Speaker 1>a bad character, but she still loves him, and it

385
00:21:48.480 --> 00:21:50.839
<v Speaker 1>just shows love cancels a lot.

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00:21:51.359 --> 00:21:54.039
<v Speaker 2>Yeah, it's high school love. Also, you nailed it. I

387
00:21:54.079 --> 00:21:56.319
<v Speaker 2>mean again, back to the title bad boys. You said

388
00:21:56.319 --> 00:21:59.960
<v Speaker 2>it earlier. That's the point is that these are bad kids,

389
00:22:00.160 --> 00:22:04.039
<v Speaker 2>their bad seeds and whether they you know, they got

390
00:22:04.319 --> 00:22:08.960
<v Speaker 2>dealt a bad deck of cards. Sure, but they've committed

391
00:22:09.000 --> 00:22:14.319
<v Speaker 2>some really serious crimes. And that's interesting because we'll talk

392
00:22:14.359 --> 00:22:18.519
<v Speaker 2>about a little bit more later because I was looking

393
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<v Speaker 2>to see how Sean Penn was going to actually process that,

394
00:22:22.759 --> 00:22:27.039
<v Speaker 2>if he would process that, because again, Herrera, the counselor,

395
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<v Speaker 2>asks him, hey, how do you feel about what you've done?

396
00:22:31.119 --> 00:22:33.200
<v Speaker 2>Why you're here, and if you ever want to talk

397
00:22:33.200 --> 00:22:37.559
<v Speaker 2>about it, I'm here, talk to me, and he initially

398
00:22:37.640 --> 00:22:42.160
<v Speaker 2>is like, I don't feel anything, But at the very

399
00:22:42.440 --> 00:22:46.319
<v Speaker 2>very very end, we see him break down. It almost

400
00:22:46.480 --> 00:22:49.759
<v Speaker 2>chokes me up. Right now, It's like, ah, that's it,

401
00:22:50.079 --> 00:22:52.640
<v Speaker 2>that's the point he finally felt something.

402
00:22:53.079 --> 00:22:56.519
<v Speaker 1>Yeah, it's tough because with these characters, the system doesn't

403
00:22:56.519 --> 00:22:58.759
<v Speaker 1>help them on the outside and for the most part,

404
00:22:58.799 --> 00:23:01.279
<v Speaker 1>doesn't help him on the inside. There they've just been

405
00:23:01.319 --> 00:23:04.920
<v Speaker 1>dealt a bad hand in life. Yep, it's tough and

406
00:23:04.960 --> 00:23:07.880
<v Speaker 1>it's tough to watch it, but it's interesting to watch

407
00:23:07.880 --> 00:23:10.039
<v Speaker 1>it too, and that's just what kept me engaged.

408
00:23:10.359 --> 00:23:13.680
<v Speaker 2>Yeah, they're in the system, and this is an inside

409
00:23:13.720 --> 00:23:17.519
<v Speaker 2>look at that whole, that whole process, and it's it's rough, man.

410
00:23:17.680 --> 00:23:21.160
<v Speaker 2>So my last thought here is that I just appreciated

411
00:23:21.160 --> 00:23:23.920
<v Speaker 2>the realism. It's wrong, it's rough, it's well acted, it's

412
00:23:23.960 --> 00:23:26.640
<v Speaker 2>well directed. But I don't know if i'd ever need

413
00:23:26.680 --> 00:23:29.960
<v Speaker 2>to see this movie again to be it's pretty brutal.

414
00:23:30.559 --> 00:23:32.480
<v Speaker 1>Yeah it is, but I did enjoyed it. I didn't

415
00:23:32.519 --> 00:23:34.599
<v Speaker 1>mind putting them back on to watch it again. Good

416
00:23:34.680 --> 00:23:37.240
<v Speaker 1>all right, Okay, let's move on to favorite scenes or

417
00:23:37.440 --> 00:23:40.440
<v Speaker 1>moments where some of our favorite scenes or moments from

418
00:23:40.519 --> 00:23:44.400
<v Speaker 1>Bad Boys and our first two are exactly the same. Yep,

419
00:23:44.440 --> 00:23:46.960
<v Speaker 1>you want start with the first one, Yeah, let's let's

420
00:23:46.960 --> 00:23:49.640
<v Speaker 1>talk about it. It's the street shootout, it's the uh,

421
00:23:50.200 --> 00:23:55.599
<v Speaker 1>basically the drug deal gone wrong. Majorly wrong. So it's intense,

422
00:23:55.720 --> 00:23:58.079
<v Speaker 1>it's well directed. It's the build up because we know

423
00:23:58.960 --> 00:24:01.640
<v Speaker 1>what's going to happen here. We know that Mick and

424
00:24:01.720 --> 00:24:05.279
<v Speaker 1>his friend I think it's Carl, that's Ah played by

425
00:24:05.319 --> 00:24:05.880
<v Speaker 1>Alan Ruck.

426
00:24:06.200 --> 00:24:08.000
<v Speaker 2>They're going to interrupt this drug deal. They're going to

427
00:24:08.039 --> 00:24:11.319
<v Speaker 2>snatch the drugs. That's the plan. And it just goes right.

428
00:24:11.400 --> 00:24:13.680
<v Speaker 2>I mean it's a shootout, literally, a shootout in the

429
00:24:13.680 --> 00:24:18.200
<v Speaker 2>middle of the street, shotguns blasting people, going through glass windows.

430
00:24:19.200 --> 00:24:22.000
<v Speaker 2>I just I can't believe. I just remember, this isn't

431
00:24:22.000 --> 00:24:25.480
<v Speaker 2>that how you you'd like to go if Bill bent

432
00:24:25.640 --> 00:24:30.599
<v Speaker 2>That's what you said after first death right. So it's heartbreaking.

433
00:24:31.279 --> 00:24:33.920
<v Speaker 2>And one of the moments too, is what I like

434
00:24:34.000 --> 00:24:37.480
<v Speaker 2>about the sequence is it's so frenetic. It's so hectic.

435
00:24:38.319 --> 00:24:42.839
<v Speaker 2>When Mick is driving away, when racing away in the car,

436
00:24:42.960 --> 00:24:47.799
<v Speaker 2>leaving his best friend Carl behind dead, he's crashing into cars.

437
00:24:48.319 --> 00:24:53.039
<v Speaker 2>I love that, absolutely love that. It's totally insane. He's

438
00:24:53.119 --> 00:24:57.480
<v Speaker 2>just a kid who's committed, you know. Now, Then when

439
00:24:57.880 --> 00:25:04.799
<v Speaker 2>he actually runs into to Paco Moreno's younger brother, absolutely brutal.

440
00:25:04.880 --> 00:25:09.240
<v Speaker 2>It's well edited and it's awful. It's hard to even

441
00:25:09.279 --> 00:25:11.000
<v Speaker 2>say that any of these scenes in this movie is

442
00:25:11.000 --> 00:25:14.039
<v Speaker 2>my favor team because they're all brutal, but it's just

443
00:25:14.240 --> 00:25:17.839
<v Speaker 2>well filmed, and you're like, what's gonna happen to this

444
00:25:17.920 --> 00:25:21.519
<v Speaker 2>kid now? Because he literally hits that young kid after

445
00:25:21.680 --> 00:25:23.400
<v Speaker 2>going off to the side of the road and then

446
00:25:24.119 --> 00:25:27.440
<v Speaker 2>driving into it basically an explosion, and it's just it's awful,

447
00:25:27.440 --> 00:25:31.759
<v Speaker 2>but it's action packed and it's totally chaotic, and you're like,

448
00:25:31.920 --> 00:25:33.880
<v Speaker 2>I don't know what's going to happen to any of

449
00:25:33.920 --> 00:25:34.759
<v Speaker 2>these people after this.

450
00:25:35.440 --> 00:25:40.240
<v Speaker 1>Yeah. I like the chaos in the scene where we

451
00:25:40.319 --> 00:25:42.839
<v Speaker 1>have O'Brien and Carl and they just think, Okay, we're

452
00:25:42.880 --> 00:25:47.799
<v Speaker 1>gonna surprise Paco and his boys take to drugs and

453
00:25:47.839 --> 00:25:51.559
<v Speaker 1>we're home free. And then of course the other gang

454
00:25:52.519 --> 00:25:55.440
<v Speaker 1>is supposed to meet Paco's group for this deal. See

455
00:25:55.480 --> 00:25:57.920
<v Speaker 1>what the other half of the deal. Yeah, and they

456
00:25:57.960 --> 00:26:03.480
<v Speaker 1>interfere and just craziness, craziness stuff. Unfortunately we see on

457
00:26:03.519 --> 00:26:06.119
<v Speaker 1>the news all the time, and here it is on

458
00:26:06.559 --> 00:26:10.960
<v Speaker 1>film watching it happen and just seeing Alan Ruck get

459
00:26:11.000 --> 00:26:15.960
<v Speaker 1>shot twice, Carl and die that was holy crap. And

460
00:26:16.680 --> 00:26:19.279
<v Speaker 1>when they did the shot of Poco's brothers standing there

461
00:26:19.720 --> 00:26:22.400
<v Speaker 1>right away, I was like, Oh no, you knew what

462
00:26:22.440 --> 00:26:24.759
<v Speaker 1>was going to happen. He was gonna somehow get caught

463
00:26:24.759 --> 00:26:29.880
<v Speaker 1>in the crossfire and he gets run over brutally and

464
00:26:30.480 --> 00:26:31.359
<v Speaker 1>we're on our way.

465
00:26:31.720 --> 00:26:34.799
<v Speaker 2>Yeah, this is Chicago, and I love there's a line

466
00:26:34.880 --> 00:26:38.559
<v Speaker 2>when the African American gang part of this is approaching

467
00:26:38.559 --> 00:26:41.279
<v Speaker 2>in their car right before they see Mick crossing the

468
00:26:41.319 --> 00:26:42.759
<v Speaker 2>road with his gun. They're like, oh my god, he's

469
00:26:42.759 --> 00:26:45.839
<v Speaker 2>got a gun. They there's a line where they actually

470
00:26:45.839 --> 00:26:50.480
<v Speaker 2>say this is a rough neighborhood. You're like, damn if

471
00:26:50.519 --> 00:26:53.480
<v Speaker 2>they're saying this is a rough neighborhood, this is a

472
00:26:53.519 --> 00:26:57.240
<v Speaker 2>really fucking rough neighborhood, and you get it. I mean,

473
00:26:57.240 --> 00:26:59.960
<v Speaker 2>this is what's happened. These are teenage kids walking through

474
00:27:00.079 --> 00:27:03.559
<v Speaker 2>the streets with a suitcase of drugs and shotguns are

475
00:27:03.559 --> 00:27:06.880
<v Speaker 2>getting pulled out and all that. It's really violent, and

476
00:27:07.200 --> 00:27:09.640
<v Speaker 2>this is the whole inciting incident, right, I mean, this

477
00:27:09.720 --> 00:27:12.240
<v Speaker 2>is what kicks off all the things to come in

478
00:27:12.279 --> 00:27:13.920
<v Speaker 2>this movie. So it's brutal.

479
00:27:14.319 --> 00:27:17.000
<v Speaker 1>Yeah. So for the next scene that Jason and I

480
00:27:17.039 --> 00:27:20.039
<v Speaker 1>both agree on who's one of our favorites, it's when

481
00:27:20.240 --> 00:27:24.960
<v Speaker 1>Viking and Tweety get their asses kicked by O'Brien. So

482
00:27:25.480 --> 00:27:29.000
<v Speaker 1>when O'Brien goes to the prison, basically the head honcho's there.

483
00:27:29.119 --> 00:27:34.799
<v Speaker 1>The barn bosses are Tweety and Viking, and they pretty

484
00:27:34.880 --> 00:27:38.000
<v Speaker 1>much rule the prison juvenile.

485
00:27:37.599 --> 00:27:41.279
<v Speaker 2>I love that Horowitz actually calls them smacks. I had

486
00:27:41.279 --> 00:27:45.799
<v Speaker 2>the close captioning on I call some smacks, but they yeah,

487
00:27:45.880 --> 00:27:47.799
<v Speaker 2>you are correct, they are the barn bosses, but they

488
00:27:47.799 --> 00:27:51.720
<v Speaker 2>have different It's just the the verbiage is just it's

489
00:27:51.839 --> 00:27:52.839
<v Speaker 2>very interesting.

490
00:27:53.240 --> 00:27:55.319
<v Speaker 1>They give you the jobs you're supposed to do there.

491
00:27:55.640 --> 00:27:59.400
<v Speaker 1>They harassed, intimidate, and do everything to all these other

492
00:27:59.440 --> 00:28:04.480
<v Speaker 1>people in the juvenile center. And both of them just

493
00:28:04.519 --> 00:28:07.319
<v Speaker 1>have it out for O'Brien because they think O'Brien has

494
00:28:07.359 --> 00:28:12.400
<v Speaker 1>squealed because Tweety has killed someone in the juvenile center. Right,

495
00:28:12.880 --> 00:28:17.079
<v Speaker 1>So O'Brien realizes he better do something before something is

496
00:28:17.119 --> 00:28:21.680
<v Speaker 1>done to him, So he gets a pillowcase, fills it

497
00:28:21.759 --> 00:28:26.599
<v Speaker 1>with soda cans, and Tweety and Viking come into his

498
00:28:26.839 --> 00:28:30.640
<v Speaker 1>cell to talk. Basically they're going to kick his ass,

499
00:28:30.960 --> 00:28:35.920
<v Speaker 1>and O'Brien strikes first and beats the shit out of

500
00:28:36.000 --> 00:28:41.000
<v Speaker 1>Tweety and Viking with the pillowcase full of cans. Just

501
00:28:41.039 --> 00:28:45.319
<v Speaker 1>bloody mess and doing so, Brian's now the head honcho

502
00:28:45.720 --> 00:28:48.680
<v Speaker 1>of the juvenile Census off, so now he's in a

503
00:28:48.759 --> 00:28:52.079
<v Speaker 1>new barn boss because of this. It's brutal, like he

504
00:28:52.359 --> 00:28:55.079
<v Speaker 1>smacks Viking right the just busts his nose right away,

505
00:28:55.240 --> 00:28:58.559
<v Speaker 1>puts him down. There goes after tweety and just swinging

506
00:28:58.559 --> 00:29:02.200
<v Speaker 1>the shit out of that pillowcase. And he eventually gets

507
00:29:02.400 --> 00:29:06.279
<v Speaker 1>dragged away and the pillowcase is all bloodied. It's a mess.

508
00:29:06.599 --> 00:29:08.680
<v Speaker 1>But you had to do it or else it was

509
00:29:09.039 --> 00:29:11.200
<v Speaker 1>him first if he doesn't do anything.

510
00:29:11.680 --> 00:29:15.400
<v Speaker 2>So this is the trial, and he passes the trial

511
00:29:16.000 --> 00:29:20.440
<v Speaker 2>with flying colors in the most awful way. What's the

512
00:29:20.680 --> 00:29:24.799
<v Speaker 2>Stanley Kubrick film. I have to ask you this question, though, Jacket. Yeah,

513
00:29:24.880 --> 00:29:28.279
<v Speaker 2>so that's the comparison, right, what's more brutal the pillowcase

514
00:29:28.359 --> 00:29:32.880
<v Speaker 2>filled with the bars of soap beating up Vincentinafrio or

515
00:29:33.640 --> 00:29:36.680
<v Speaker 2>this sequence. Because I was taken aback by this. I

516
00:29:36.720 --> 00:29:38.720
<v Speaker 2>was shocked by it, and I knew it was coming

517
00:29:38.720 --> 00:29:42.880
<v Speaker 2>because I knew some of the events that were occurring

518
00:29:42.880 --> 00:29:46.200
<v Speaker 2>in this film before seeing it. But even when it happened,

519
00:29:46.839 --> 00:29:50.160
<v Speaker 2>when he hits Clancy Brown in the face and Clancy

520
00:29:50.200 --> 00:29:53.519
<v Speaker 2>Brown screams and you just see the blood splatter all

521
00:29:53.559 --> 00:29:57.559
<v Speaker 2>over his nose. He's just busted up immediately. It's like

522
00:29:57.880 --> 00:30:01.240
<v Speaker 2>these are soda cans in a pillowcase. He is literally

523
00:30:01.319 --> 00:30:05.160
<v Speaker 2>beating the living shit out of these guys. What I

524
00:30:05.200 --> 00:30:09.240
<v Speaker 2>love about it is that he doesn't hesitate, which makes

525
00:30:09.400 --> 00:30:14.880
<v Speaker 2>complete sense. When Viking enters his cell, he knows exactly

526
00:30:14.920 --> 00:30:17.960
<v Speaker 2>what's going to happen. There's no discussion because literally Viking

527
00:30:18.039 --> 00:30:20.400
<v Speaker 2>puts his finger on his shoulder and says, hey, scumbag,

528
00:30:20.640 --> 00:30:24.599
<v Speaker 2>and Mick is like it's on, and he just swings

529
00:30:25.200 --> 00:30:28.079
<v Speaker 2>right around and kicks the crap out of him. I

530
00:30:28.160 --> 00:30:31.039
<v Speaker 2>don't know how they weren't killed, and.

531
00:30:31.640 --> 00:30:33.359
<v Speaker 1>It's right, yeah, this killer be killed.

532
00:30:33.960 --> 00:30:39.559
<v Speaker 2>Yeah, we have no choice. Very effective, very impactful, Definitely

533
00:30:39.920 --> 00:30:41.079
<v Speaker 2>one of the standout scenes.

534
00:30:41.559 --> 00:30:44.000
<v Speaker 1>Yep, we're onto you.

535
00:30:44.759 --> 00:30:48.519
<v Speaker 2>Yeah, okay, so this is the breakout. I mean, any

536
00:30:48.559 --> 00:30:52.160
<v Speaker 2>movie that has anything to do with a jail, a prison,

537
00:30:52.359 --> 00:30:54.519
<v Speaker 2>we love a good jail break right. I mean, it's

538
00:30:54.880 --> 00:30:56.839
<v Speaker 2>even if it's some bad dudes. This is kind of

539
00:30:56.960 --> 00:30:59.559
<v Speaker 2>something I was thinking about. You're always rooting for the

540
00:30:59.599 --> 00:31:02.519
<v Speaker 2>prisoner to escape. You just want to see him get out.

541
00:31:02.599 --> 00:31:05.799
<v Speaker 2>How are they going to get out right, and it's

542
00:31:05.799 --> 00:31:10.279
<v Speaker 2>cool to see Horowitz using the corrosive material to burn

543
00:31:10.319 --> 00:31:13.480
<v Speaker 2>through the fence and they make a run for it

544
00:31:13.519 --> 00:31:16.000
<v Speaker 2>and they make it, and it's just it's exciting. It's exciting.

545
00:31:16.039 --> 00:31:18.079
<v Speaker 2>But the thing about the scene that I like the

546
00:31:18.119 --> 00:31:22.519
<v Speaker 2>most is that it's absolutely heartbreaking because Mick has found

547
00:31:22.519 --> 00:31:26.880
<v Speaker 2>out that his girlfriend played by Ali Sheety named jayce Is,

548
00:31:27.599 --> 00:31:32.039
<v Speaker 2>has endured serious trauma at the hands of Paco Moreno.

549
00:31:32.200 --> 00:31:36.519
<v Speaker 2>He raped her to get revenge for his younger brother's death.

550
00:31:37.119 --> 00:31:40.119
<v Speaker 2>Mick knows about it, and he needs to see her.

551
00:31:40.240 --> 00:31:43.039
<v Speaker 2>He has to see her. What I love about this again,

552
00:31:43.319 --> 00:31:47.400
<v Speaker 2>we said this earlier face acting. He doesn't speak one line.

553
00:31:48.119 --> 00:31:51.920
<v Speaker 2>When he gets to Jace's house. He goes in this

554
00:31:52.079 --> 00:31:57.240
<v Speaker 2>look when he sees her. Her face is completely bruised

555
00:31:57.640 --> 00:32:02.880
<v Speaker 2>from the brutal attack by Paco, and he is crying.

556
00:32:03.559 --> 00:32:06.960
<v Speaker 2>He's just teary eyed. And it makes me cry to

557
00:32:07.039 --> 00:32:09.720
<v Speaker 2>watch that. I watched it again and I actually cried

558
00:32:10.599 --> 00:32:13.400
<v Speaker 2>while watching it because Sean Penn is a brilliant actor.

559
00:32:14.079 --> 00:32:17.759
<v Speaker 2>At age twenty two, he's living it and to see

560
00:32:17.799 --> 00:32:20.680
<v Speaker 2>that she had to go through that as a result

561
00:32:20.759 --> 00:32:24.640
<v Speaker 2>of something that he had done. By accident, but still

562
00:32:24.720 --> 00:32:28.279
<v Speaker 2>something he had done. Hugs her, kisses her, and then

563
00:32:28.359 --> 00:32:35.559
<v Speaker 2>has to go back right back to Juvie. It's absolutely brutal, heartbreaking, bittersweet,

564
00:32:35.960 --> 00:32:41.400
<v Speaker 2>wonderfully performed, and barely any lines, barely any speaking at all.

565
00:32:41.960 --> 00:32:44.200
<v Speaker 1>He just needed to see her, That's it.

566
00:32:44.400 --> 00:32:46.400
<v Speaker 2>So romantic. It's really romantic.

567
00:32:46.960 --> 00:32:48.759
<v Speaker 1>And I think he broke out doing he was going

568
00:32:48.839 --> 00:32:54.440
<v Speaker 1>to get caught, but he was willing to take that risk. Yeah,

569
00:32:54.480 --> 00:32:58.400
<v Speaker 1>and yeah, he's free for all of maybe five hours.

570
00:32:58.759 --> 00:33:02.039
<v Speaker 2>Yeah, And I feel bad for Horwitz in this situation

571
00:33:02.079 --> 00:33:05.599
<v Speaker 2>because he actually gets caught in the barber way. Oh yeah,

572
00:33:05.880 --> 00:33:07.359
<v Speaker 2>gets the shit beat out of him by one of

573
00:33:07.359 --> 00:33:10.319
<v Speaker 2>the supervisors, and it's just like God, this movie's brutal. Man.

574
00:33:10.960 --> 00:33:16.160
<v Speaker 1>Yeah, Wagner, what yep. My final favorite scene or moment

575
00:33:16.799 --> 00:33:20.920
<v Speaker 1>is when the radio blows up in Viking's face, because

576
00:33:20.920 --> 00:33:24.240
<v Speaker 1>I knew this was going to happen mm hmm, and

577
00:33:24.440 --> 00:33:27.000
<v Speaker 1>it was Horrorwitz just getting revenge. And we see this

578
00:33:27.000 --> 00:33:30.000
<v Speaker 1>throughout the movie. Anyone that fucked with Horowitz, he's somehow

579
00:33:30.640 --> 00:33:34.599
<v Speaker 1>was able to retaliate, and he's very good with electronics,

580
00:33:35.279 --> 00:33:37.839
<v Speaker 1>and he somehow wires an explosive in a radio and

581
00:33:37.880 --> 00:33:43.839
<v Speaker 1>leaves the radio in Viking's cell and you're Viking picks

582
00:33:43.839 --> 00:33:46.279
<v Speaker 1>it up and it's the eighties. Used to put the

583
00:33:46.279 --> 00:33:49.400
<v Speaker 1>boom box to your ear and he's listening to radio

584
00:33:49.599 --> 00:33:52.519
<v Speaker 1>and just the tension, because the whole time, I'm like, Okay,

585
00:33:52.599 --> 00:33:55.279
<v Speaker 1>this thing's gonna explode. When's it gonna explode? What are

586
00:33:55.279 --> 00:33:58.440
<v Speaker 1>we going to see? When's it gonna explode? So he's

587
00:33:58.440 --> 00:34:00.960
<v Speaker 1>playing it, nothing's happening. He goes out to talk to

588
00:34:01.000 --> 00:34:04.519
<v Speaker 1>some of the other inmates like, Hey, where'd this radio

589
00:34:04.599 --> 00:34:06.799
<v Speaker 1>come from? Uh, it's mine now, blah blah blah, and

590
00:34:06.799 --> 00:34:08.239
<v Speaker 1>then he goes back in the cell and he's listening

591
00:34:08.239 --> 00:34:10.239
<v Speaker 1>to some more and then it does like a little

592
00:34:10.360 --> 00:34:13.519
<v Speaker 1>pop and he just looks at it, and the whole

593
00:34:13.519 --> 00:34:15.519
<v Speaker 1>time like, oh my god, just put it down. Put

594
00:34:15.559 --> 00:34:18.039
<v Speaker 1>it down. Even though he's an asshole, you know, you

595
00:34:18.079 --> 00:34:19.599
<v Speaker 1>don't like it. Throughout this movie, I don't want to

596
00:34:19.639 --> 00:34:22.920
<v Speaker 1>see anything horrible happened to him. And then the radio

597
00:34:22.960 --> 00:34:26.880
<v Speaker 1>finally blows and then he's a bloody mess and that's

598
00:34:26.920 --> 00:34:28.559
<v Speaker 1>the end of Viking. For the rest of the movie.

599
00:34:28.800 --> 00:34:31.840
<v Speaker 1>He doesn't die, but he gets made pretty well. But

600
00:34:31.960 --> 00:34:34.599
<v Speaker 1>just the tension was driving me nuts thousand percent.

601
00:34:35.039 --> 00:34:40.320
<v Speaker 2>The pacing is brilliant. It's so deliberate, and it's like,

602
00:34:40.800 --> 00:34:43.559
<v Speaker 2>when is it gonna happen? When is okay, Nope, oh

603
00:34:43.599 --> 00:34:46.679
<v Speaker 2>it's not gonna happen. Oh wait, it does happen, and

604
00:34:46.760 --> 00:34:50.880
<v Speaker 2>it's awful. I love the fact that they give Horrowitz

605
00:34:50.920 --> 00:34:54.119
<v Speaker 2>that skill set. Then he's able to fix the radios.

606
00:34:54.719 --> 00:34:56.920
<v Speaker 2>That's kind of one of his things. Like he's a

607
00:34:56.960 --> 00:35:01.360
<v Speaker 2>technical genius and he uses what is it, like fertilizer

608
00:35:01.719 --> 00:35:06.440
<v Speaker 2>or something to yeah, to rig that's it's kind of unique.

609
00:35:06.440 --> 00:35:10.000
<v Speaker 2>But that's again, this is what these kids do like

610
00:35:10.079 --> 00:35:13.880
<v Speaker 2>and that's very typical in prison situations, right where they

611
00:35:13.920 --> 00:35:17.199
<v Speaker 2>have to use what they have, they get creative in

612
00:35:17.320 --> 00:35:21.239
<v Speaker 2>order to basically mess each other up to survive or

613
00:35:21.320 --> 00:35:24.039
<v Speaker 2>to protect themselves, right, and this is one where he's

614
00:35:24.119 --> 00:35:29.719
<v Speaker 2>just getting ultimate vengeance upon Viking, and you make it's

615
00:35:29.800 --> 00:35:32.039
<v Speaker 2>interesting when you talk about Viking and you talk about

616
00:35:32.079 --> 00:35:35.719
<v Speaker 2>Clancy Brown, because as much as an asshole as he is,

617
00:35:36.199 --> 00:35:38.480
<v Speaker 2>there's something about him where you just feel like he's

618
00:35:38.519 --> 00:35:43.000
<v Speaker 2>just a big, really insecure dude and you don't want

619
00:35:43.039 --> 00:35:46.840
<v Speaker 2>to see him get maimed in that way. But I mean,

620
00:35:46.840 --> 00:35:49.679
<v Speaker 2>that's his come uppance. It's not as if he didn't

621
00:35:49.679 --> 00:35:52.159
<v Speaker 2>deserve it, but you're like ah at at the same time,

622
00:35:52.960 --> 00:35:55.679
<v Speaker 2>it's tough. So yeah, it's a great call man, great scene.

623
00:35:55.760 --> 00:35:58.360
<v Speaker 1>Yeah, we shouldn't be feeling sorry for his characters, but

624
00:35:58.360 --> 00:36:06.159
<v Speaker 1>but you do still do weird weird Okay, So move

625
00:36:06.159 --> 00:36:08.880
<v Speaker 1>on to Swiss Cheese and complaints apartment and what do

626
00:36:09.000 --> 00:36:10.119
<v Speaker 1>we call it Swiss cheese?

627
00:36:10.719 --> 00:36:14.639
<v Speaker 2>Because although this movie is delicious, it does have shive holes.

628
00:36:15.000 --> 00:36:17.280
<v Speaker 1>Yeah, so it doesn't have any of those shive holes.

629
00:36:17.360 --> 00:36:20.280
<v Speaker 1>We just file a complaint with the complaint department. So

630
00:36:20.679 --> 00:36:22.920
<v Speaker 1>do you have any cheese or complaints?

631
00:36:23.159 --> 00:36:26.239
<v Speaker 2>I've got a few questions and or complaints.

632
00:36:26.719 --> 00:36:28.960
<v Speaker 1>This has got to be Swiss cheese. I don't think

633
00:36:29.000 --> 00:36:33.719
<v Speaker 1>there's any way they would put O'Brien and Paco in

634
00:36:33.760 --> 00:36:36.719
<v Speaker 1>the same Yeah. I don't care what the circumstances were.

635
00:36:36.719 --> 00:36:38.880
<v Speaker 1>If they had nowhere else to put them, they would

636
00:36:38.880 --> 00:36:41.159
<v Speaker 1>not put those two together. Know in their history they

637
00:36:41.199 --> 00:36:45.400
<v Speaker 1>we don't have a movie, but they absolutely explain around it.

638
00:36:45.440 --> 00:36:48.920
<v Speaker 1>But no way, no way, No.

639
00:36:48.920 --> 00:36:51.079
<v Speaker 2>You're setting it all up for failure. I mean, that's

640
00:36:51.159 --> 00:36:54.480
<v Speaker 2>just there's no way that would ever happen. Yeah, you

641
00:36:54.480 --> 00:36:58.880
<v Speaker 2>would do everything to avoid that. M hm, so totally agree.

642
00:36:59.320 --> 00:37:04.679
<v Speaker 2>Let's just talk about everything is surrounding Paco versus Mick. Initially,

643
00:37:05.360 --> 00:37:09.119
<v Speaker 2>Herrera the counselor, he's too smart to have not seen

644
00:37:09.159 --> 00:37:14.800
<v Speaker 2>it coming from Paco fans pendicitus, and it's like, it's

645
00:37:14.800 --> 00:37:18.199
<v Speaker 2>the night before he's being transferred. It's too convenient, there's

646
00:37:18.280 --> 00:37:22.199
<v Speaker 2>no way that. I was like, ah, Herrera's too smart

647
00:37:22.239 --> 00:37:24.840
<v Speaker 2>to play it into that, right.

648
00:37:25.440 --> 00:37:29.079
<v Speaker 1>I think just overall, the guys who work there are terrible.

649
00:37:30.840 --> 00:37:33.559
<v Speaker 1>They're just collecting a check. I was surprised they even

650
00:37:33.599 --> 00:37:36.880
<v Speaker 1>have him go to school. Yeah, yeah, yeah, they have

651
00:37:36.960 --> 00:37:40.079
<v Speaker 1>that whole system. And part of me was like, do

652
00:37:40.119 --> 00:37:42.159
<v Speaker 1>you get points for doing these things? Are you supposed

653
00:37:42.159 --> 00:37:44.679
<v Speaker 1>to get points? Taking away? Because he's talking when they

654
00:37:44.760 --> 00:37:46.760
<v Speaker 1>check in, it's like, oh, yeah, no smoking. And then

655
00:37:46.800 --> 00:37:48.719
<v Speaker 1>you turn over and there's like ten kids are right

656
00:37:48.760 --> 00:37:51.719
<v Speaker 1>in front of me smoking, right, and the fact they

657
00:37:51.719 --> 00:37:55.639
<v Speaker 1>do the walk and everyone's spitting on them. You're allowing this?

658
00:37:56.280 --> 00:37:58.159
<v Speaker 1>Why are you allowing this? Don't tell me this is

659
00:37:58.159 --> 00:37:59.719
<v Speaker 1>an initiation. These are kids.

660
00:38:00.360 --> 00:38:03.480
<v Speaker 2>It's gross, it's awful, and it's negligent on the part

661
00:38:03.480 --> 00:38:06.840
<v Speaker 2>of the supervisor. Yeah. I was taken aback by that. Yeah,

662
00:38:06.880 --> 00:38:10.119
<v Speaker 2>it was just like we see this in movies, like

663
00:38:10.239 --> 00:38:13.039
<v Speaker 2>you know, anything that takes place in a jail or

664
00:38:13.079 --> 00:38:16.480
<v Speaker 2>a prison where the supervisors are either being paid off

665
00:38:16.599 --> 00:38:19.039
<v Speaker 2>or they're in on it and they're you know, complete,

666
00:38:19.199 --> 00:38:22.320
<v Speaker 2>you know, complicit or whatever. But in this case, it's

667
00:38:22.400 --> 00:38:25.400
<v Speaker 2>just like, these are kids. What are you doing? Guys?

668
00:38:25.760 --> 00:38:26.679
<v Speaker 2>Why are you even there?

669
00:38:27.280 --> 00:38:27.480
<v Speaker 1>Then?

670
00:38:28.280 --> 00:38:30.480
<v Speaker 2>Why is the points system even in place? That was

671
00:38:30.519 --> 00:38:33.960
<v Speaker 2>a question I had. Here's another question complaint I had

672
00:38:34.039 --> 00:38:39.800
<v Speaker 2>is that we see Mick with the SODACN scene brutally

673
00:38:39.960 --> 00:38:44.639
<v Speaker 2>take out Viking and Tweety, but then when he's totally

674
00:38:44.719 --> 00:38:47.639
<v Speaker 2>prepared for Paco to enter his cell at the end

675
00:38:48.079 --> 00:38:52.079
<v Speaker 2>he's hiding great comes out of the dark and doesn't

676
00:38:52.239 --> 00:38:55.039
<v Speaker 2>take him out first and foremost like doesn't literally just

677
00:38:55.559 --> 00:38:58.599
<v Speaker 2>knock him out or kill him in that in that moment.

678
00:38:59.280 --> 00:39:01.239
<v Speaker 2>I had a problem with that is like, you really

679
00:39:01.280 --> 00:39:05.599
<v Speaker 2>are taking Paco by surprise, here's your mortal enemy, and

680
00:39:05.639 --> 00:39:08.679
<v Speaker 2>you have an opportunity to just snap his neck and

681
00:39:08.719 --> 00:39:12.639
<v Speaker 2>he doesn't, and then this whole fight sequence ensues.

682
00:39:12.800 --> 00:39:17.159
<v Speaker 1>Right yeah, And speaking of the fight sequence, because yeah, yeah,

683
00:39:17.159 --> 00:39:20.599
<v Speaker 1>well Brian does get stabbed in the leg. Fight ends

684
00:39:20.599 --> 00:39:23.239
<v Speaker 1>he goes back to a cell that could need some

685
00:39:23.280 --> 00:39:25.519
<v Speaker 1>serious medical attention. Where are you?

686
00:39:25.960 --> 00:39:28.639
<v Speaker 2>That's I haven't read the credits roll. We see all

687
00:39:28.679 --> 00:39:32.280
<v Speaker 2>the juvenile detenees return to their cells and its lights out.

688
00:39:32.599 --> 00:39:35.519
<v Speaker 2>How about some medical attention for Mick? That's what I

689
00:39:35.559 --> 00:39:38.280
<v Speaker 2>wrote down. Couldn't agree with you more. Man, It's like

690
00:39:38.639 --> 00:39:40.239
<v Speaker 2>he gets stabbed multiple times.

691
00:39:40.719 --> 00:39:44.000
<v Speaker 1>Not superficial, Nope, they could be life threatening.

692
00:39:44.519 --> 00:39:49.079
<v Speaker 2>Oh absolutely, yeah, absolutely, So there's a little bit with

693
00:39:49.119 --> 00:39:53.000
<v Speaker 2>the violence in this there's some It seems like, speaking

694
00:39:53.000 --> 00:39:54.800
<v Speaker 2>of the soda can scene, that was my last thing

695
00:39:54.840 --> 00:39:58.960
<v Speaker 2>to say, is that he smashes Viking in the face

696
00:40:00.079 --> 00:40:04.679
<v Speaker 2>those soda cans, Like we're talking about broken bones, broken nose,

697
00:40:04.760 --> 00:40:08.400
<v Speaker 2>broken things, and it just seems like, I know there

698
00:40:08.400 --> 00:40:12.039
<v Speaker 2>has been some time passage, but Viking has like a

699
00:40:12.039 --> 00:40:14.639
<v Speaker 2>couple of scars on his face. It just seems like

700
00:40:15.079 --> 00:40:18.280
<v Speaker 2>he and Tweedy would be really really messed up for

701
00:40:18.320 --> 00:40:18.880
<v Speaker 2>a while.

702
00:40:18.760 --> 00:40:19.760
<v Speaker 1>That worse shape than they are.

703
00:40:19.920 --> 00:40:21.039
<v Speaker 2>Yeah, yeah, yeah.

704
00:40:21.079 --> 00:40:25.400
<v Speaker 1>Speaking of accidents, when Mick drives the car, hits Paco's

705
00:40:25.400 --> 00:40:29.079
<v Speaker 1>brother and then crashes the fiery fall of flame, how

706
00:40:29.079 --> 00:40:30.000
<v Speaker 1>do you survive.

707
00:40:29.719 --> 00:40:33.599
<v Speaker 2>That that's a full on explosion because.

708
00:40:33.320 --> 00:40:37.400
<v Speaker 1>You hear someone yell basically, don't go to the car. Right,

709
00:40:38.039 --> 00:40:40.119
<v Speaker 1>it was like, how did O'Brien get out?

710
00:40:40.280 --> 00:40:41.480
<v Speaker 2>I don't know, I don't know.

711
00:40:41.800 --> 00:40:43.519
<v Speaker 1>Not only should he have all those cuts and bruise

712
00:40:43.559 --> 00:40:46.360
<v Speaker 1>over his face, he should have second or third degree burns.

713
00:40:46.760 --> 00:40:49.760
<v Speaker 2>Oh yeah, a thousand. I did appreciate that he did

714
00:40:49.800 --> 00:40:52.320
<v Speaker 2>have those scars on his face. Oh yeah, Like he

715
00:40:52.360 --> 00:40:55.320
<v Speaker 2>does look messed up at least, but you're gonna put

716
00:40:55.360 --> 00:40:59.440
<v Speaker 2>him in a fiery explosion. He should be like.

717
00:41:00.360 --> 00:41:06.000
<v Speaker 1>Yeahs until he gets sentenced because of all damage to him.

718
00:41:06.280 --> 00:41:07.519
<v Speaker 2>Right, it's pretty extreme.

719
00:41:09.519 --> 00:41:11.599
<v Speaker 1>And then my last thing, how does Wagner still have

720
00:41:11.639 --> 00:41:14.440
<v Speaker 1>a job after he beats the shit out Horowitz brutal?

721
00:41:15.039 --> 00:41:18.239
<v Speaker 2>I hate that part and I hate Wagner when that happens,

722
00:41:18.719 --> 00:41:20.400
<v Speaker 2>because I did watch this a couple times, of course,

723
00:41:20.440 --> 00:41:22.159
<v Speaker 2>and I saw that coming again the second time, and

724
00:41:22.159 --> 00:41:26.800
<v Speaker 2>it was like, because Daniel seems like a pretty stand

725
00:41:26.880 --> 00:41:30.639
<v Speaker 2>up kind of guy as far as supervisors, like these

726
00:41:30.639 --> 00:41:34.960
<v Speaker 2>supervisors that are mostly negligent, right, he seems to be

727
00:41:35.239 --> 00:41:38.039
<v Speaker 2>He and Herrera both I guess, are pretty stand up dudes,

728
00:41:38.079 --> 00:41:43.159
<v Speaker 2>I guess, But and he witnesses this, Wagner should be

729
00:41:44.119 --> 00:41:47.400
<v Speaker 2>like Noah, he should be fired immediately.

730
00:41:47.480 --> 00:41:51.760
<v Speaker 1>Yeah, Horowitz didn't provoke him enough to take that beating.

731
00:41:52.000 --> 00:41:54.159
<v Speaker 2>No, he's a teenage kid. Yeah, you just know, Yeah,

732
00:41:54.599 --> 00:41:59.119
<v Speaker 2>you don't do it. We're getting emotional here.

733
00:41:59.119 --> 00:42:02.239
<v Speaker 1>I know. All right, let's move on. Then let's move

734
00:42:02.280 --> 00:42:04.039
<v Speaker 1>on to Hey, it's that an actor?

735
00:42:04.639 --> 00:42:05.039
<v Speaker 2>All right?

736
00:42:05.559 --> 00:42:07.960
<v Speaker 1>So in this segment with spotlighted character actor you have

737
00:42:08.039 --> 00:42:10.800
<v Speaker 1>seen in many other films, an actor making their big

738
00:42:10.840 --> 00:42:14.199
<v Speaker 1>screen debut, or an actor that makes an on credited cameo.

739
00:42:14.760 --> 00:42:17.000
<v Speaker 1>It's Hey, is that actor who we choose this week?

740
00:42:17.639 --> 00:42:20.159
<v Speaker 2>This week we've chosen for our Hey, it's that actor

741
00:42:20.719 --> 00:42:24.760
<v Speaker 2>someone I've talked about already. That's Rennie send TONI as

742
00:42:24.960 --> 00:42:29.360
<v Speaker 2>Ramon Herrera, the supervisor Counselor. He's a character actor from

743
00:42:29.559 --> 00:42:34.000
<v Speaker 2>New York City. Started as a comedy writer. Carl Reiner

744
00:42:34.159 --> 00:42:38.440
<v Speaker 2>discovered him and cast him in his semi autobiographical film

745
00:42:39.119 --> 00:42:43.519
<v Speaker 2>Enter Laughing in nineteen sixty seven. And I'm just gonna

746
00:42:44.119 --> 00:42:46.800
<v Speaker 2>rattle this off. This is all from IMDb. He would

747
00:42:46.800 --> 00:42:51.000
<v Speaker 2>go on to offer potent, reliable secondary turns in films,

748
00:42:51.039 --> 00:42:53.400
<v Speaker 2>playing good guys, bad guy, serious guys, and amusing guys,

749
00:42:53.440 --> 00:42:57.400
<v Speaker 2>alongside such top names as Clint Eastwood and Dirty Harry

750
00:42:57.880 --> 00:43:01.000
<v Speaker 2>nineteen seventy one. He starred with Steve Martin and Dead

751
00:43:01.039 --> 00:43:04.800
<v Speaker 2>Men Don't Wear Platt in eighty two, that was directed

752
00:43:04.800 --> 00:43:06.800
<v Speaker 2>by Carl Reiner. And then of course he's with Sean

753
00:43:06.800 --> 00:43:09.960
<v Speaker 2>Penn in this, then Richard Pryor and Brewster's Millions in

754
00:43:10.000 --> 00:43:13.119
<v Speaker 2>eighty five. This is what I know him from, actually

755
00:43:13.199 --> 00:43:17.480
<v Speaker 2>is he starred alongside Sylvester Stallone and Cobra in eighty six.

756
00:43:17.840 --> 00:43:20.039
<v Speaker 2>I remember him being his partner in that, and then

757
00:43:20.079 --> 00:43:23.440
<v Speaker 2>Gene Hackman in The Package in eighty nine. He was

758
00:43:23.480 --> 00:43:26.199
<v Speaker 2>alongside Howard Stern in Private Parts in ninety seven, and

759
00:43:26.239 --> 00:43:28.880
<v Speaker 2>more recently Sandra Bullock in Twenty eight Days in Two

760
00:43:28.960 --> 00:43:32.199
<v Speaker 2>Year two thousand and Coolio and Gang Wars in two

761
00:43:32.199 --> 00:43:35.159
<v Speaker 2>thousand and four. In contrast, he also broke into the

762
00:43:35.280 --> 00:43:40.280
<v Speaker 2>voiceover business and provided expert characterizations wherever needed. He offered

763
00:43:40.280 --> 00:43:44.559
<v Speaker 2>his vocal skills in Eddie Murphy's Doctor Doolittle and Doctor

764
00:43:44.599 --> 00:43:48.440
<v Speaker 2>Dolittle too. So Tony did pass away in twenty twenty

765
00:43:48.679 --> 00:43:52.400
<v Speaker 2>from throat and lung cancer. Again, he was the standout

766
00:43:52.480 --> 00:43:55.760
<v Speaker 2>for me. I thought he was, outside of Sean Penn,

767
00:43:55.760 --> 00:43:58.320
<v Speaker 2>probably the best actor in this movie. I mean Eastsi's

768
00:43:58.360 --> 00:44:03.079
<v Speaker 2>great too, but there was something really uh empathetic about

769
00:44:03.159 --> 00:44:07.880
<v Speaker 2>him where he genuinely, in moments wanted to help or

770
00:44:08.000 --> 00:44:10.960
<v Speaker 2>be there as a And I think that it's alluded

771
00:44:11.000 --> 00:44:13.039
<v Speaker 2>to it in the movie too, is that he was

772
00:44:13.079 --> 00:44:15.360
<v Speaker 2>a former gang member. Maybe I just read that in

773
00:44:15.400 --> 00:44:18.440
<v Speaker 2>the research. No, he says that he does say that. Okay, yeah,

774
00:44:18.480 --> 00:44:20.199
<v Speaker 2>but I really liked him in this.

775
00:44:20.599 --> 00:44:22.519
<v Speaker 1>Yeah, I did like and he seemed the only one

776
00:44:22.679 --> 00:44:24.800
<v Speaker 1>that still cared. So I'm like, oh, he must be

777
00:44:24.920 --> 00:44:28.760
<v Speaker 1>new because compared to the other prole Jesus Christ. But

778
00:44:30.000 --> 00:44:31.360
<v Speaker 1>it was driving out the wall. I couldn't think of

779
00:44:31.400 --> 00:44:33.360
<v Speaker 1>anything he was in and Sous said dirty Hary. I

780
00:44:33.400 --> 00:44:35.400
<v Speaker 1>was like, oh, Jesus, come on, man, I should have

781
00:44:35.400 --> 00:44:36.280
<v Speaker 1>known that from the get go.

782
00:44:36.960 --> 00:44:39.840
<v Speaker 2>Yeah for me, that's funny. Yeah, totally. I think about

783
00:44:39.880 --> 00:44:43.280
<v Speaker 2>that too, And then yeah, Cobra for me. But I

784
00:44:43.320 --> 00:44:46.679
<v Speaker 2>think he may have been the only like character that

785
00:44:46.760 --> 00:44:48.400
<v Speaker 2>had some redeeming qualities.

786
00:44:48.639 --> 00:44:51.760
<v Speaker 1>I guess I agree, all right. Time to move on

787
00:44:51.800 --> 00:44:54.599
<v Speaker 1>to facts and trivia. Where are some facts in trivia

788
00:44:54.639 --> 00:44:56.000
<v Speaker 1>we have about Bad Boys?

789
00:44:57.280 --> 00:45:01.800
<v Speaker 2>Rick Rosenthal, director says Matt Dylan wanted to play the

790
00:45:01.880 --> 00:45:04.639
<v Speaker 2>lead role of Mick O'Brien, but the director was reluctant.

791
00:45:05.320 --> 00:45:09.280
<v Speaker 2>He cast Sean Penn on the basis of a reading quote.

792
00:45:09.360 --> 00:45:11.719
<v Speaker 2>Although I'm crazy about Matt Dylan as an actor, I

793
00:45:11.760 --> 00:45:15.079
<v Speaker 2>thought he'd already done the role in My Bodyguard, which

794
00:45:15.119 --> 00:45:17.480
<v Speaker 2>is exactly what I thought when I read this quote.

795
00:45:17.559 --> 00:45:20.400
<v Speaker 2>I was also afraid that the audience might be conscious

796
00:45:20.440 --> 00:45:24.039
<v Speaker 2>of a new movie star, where with Penn, they'd only

797
00:45:24.079 --> 00:45:27.320
<v Speaker 2>be conscious of the character Mick. The director said, Penn

798
00:45:27.400 --> 00:45:30.400
<v Speaker 2>is a very good actor obsessively, so he went into

799
00:45:30.480 --> 00:45:33.639
<v Speaker 2>character for the whole shoot and stayed there, had a

800
00:45:33.679 --> 00:45:38.199
<v Speaker 2>real wolf's head tattooed on his arm, checked into hotels

801
00:45:38.199 --> 00:45:39.760
<v Speaker 2>as Mick and the whole thing.

802
00:45:40.559 --> 00:45:41.679
<v Speaker 1>I can see Matt Dylan in.

803
00:45:41.599 --> 00:45:46.280
<v Speaker 2>This totally, but I also understand what he's saying is that, oh, yeah, exactly,

804
00:45:46.920 --> 00:45:49.079
<v Speaker 2>he's already a movie star. Like you see Matt Dillon

805
00:45:49.159 --> 00:45:52.199
<v Speaker 2>and it's like, oh, he was great in My Bodyguard

806
00:45:52.199 --> 00:45:54.199
<v Speaker 2>as the bully, and he'd be perfect in this movie.

807
00:45:54.199 --> 00:45:58.920
<v Speaker 2>But then you're like, oh, you're seeing the movie star

808
00:45:58.960 --> 00:46:01.320
<v Speaker 2>instead of a character. Yeah.

809
00:46:01.880 --> 00:46:06.039
<v Speaker 1>So, while filming the escape scene, Seanpenn broke an ankle,

810
00:46:06.119 --> 00:46:10.039
<v Speaker 1>which halted shooting for three months. And I was thinking

811
00:46:10.079 --> 00:46:11.440
<v Speaker 1>that too. When they were running. I'm like, all right,

812
00:46:11.480 --> 00:46:13.960
<v Speaker 1>who's going to fall? You always have to have the fall.

813
00:46:14.239 --> 00:46:17.960
<v Speaker 1>I was not expecting Horowitz to get wrapped up in

814
00:46:18.079 --> 00:46:22.760
<v Speaker 1>barb wire. So yeah, that terrain was rough for sure.

815
00:46:22.880 --> 00:46:25.880
<v Speaker 2>Let's just keep talking about Sean Penn, the youth thug

816
00:46:26.159 --> 00:46:29.400
<v Speaker 2>Mic O'Brien. Sean Penn wanted to have his perfect teeth

817
00:46:29.840 --> 00:46:34.239
<v Speaker 2>filed down and capped with ugly tops and have maybe

818
00:46:34.280 --> 00:46:39.280
<v Speaker 2>a few cracked ones, but Penn's mother, a dentist's daughter, intervened,

819
00:46:39.440 --> 00:46:44.119
<v Speaker 2>ruling that ruining perfectly good teeth is definitely going too far.

820
00:46:44.920 --> 00:46:47.920
<v Speaker 2>Sean Penn method already at twenty two.

821
00:46:48.719 --> 00:46:52.360
<v Speaker 1>Yeah, it's like two, come on, one or two other movies, right,

822
00:46:52.440 --> 00:46:56.599
<v Speaker 1>what's going on here? Oh? This was driving me nuts, Jason.

823
00:46:56.719 --> 00:47:02.760
<v Speaker 1>So I'm watching the movie and we're introduced to Warden Bendix,

824
00:47:03.159 --> 00:47:07.000
<v Speaker 1>who's played by Tony Marcus, And the whole time I'm

825
00:47:07.000 --> 00:47:08.639
<v Speaker 1>watching the sky, I'm like, I've seen this guy in

826
00:47:08.719 --> 00:47:13.119
<v Speaker 1>something else and he's had a mustache. And then I'm like, oh,

827
00:47:13.679 --> 00:47:17.360
<v Speaker 1>he's the judge from the Untouchables. So I look up

828
00:47:17.480 --> 00:47:20.639
<v Speaker 1>his credits. There's no credit for him being in the Untouchables.

829
00:47:21.199 --> 00:47:22.719
<v Speaker 2>Okay, Like that's weird.

830
00:47:22.760 --> 00:47:26.280
<v Speaker 1>I'm like, he looks exactly like him. So I go

831
00:47:26.360 --> 00:47:29.400
<v Speaker 1>onto the IMDb page for The Intouchables to figure out

832
00:47:29.400 --> 00:47:33.239
<v Speaker 1>who played the judge, and it's Tony Marcus and I'm like,

833
00:47:33.880 --> 00:47:35.039
<v Speaker 1>what's going on here?

834
00:47:35.480 --> 00:47:36.400
<v Speaker 2>Yeah, well, guess what.

835
00:47:36.960 --> 00:47:41.519
<v Speaker 1>It's Tony maccus Senior who plays the judge in The Untouchables.

836
00:47:41.920 --> 00:47:46.840
<v Speaker 1>And it's Tony Marcus Junior, who plays Warren Bendix in

837
00:47:47.440 --> 00:47:52.079
<v Speaker 1>Bad Boys. Talk about how close the two of them

838
00:47:52.119 --> 00:47:54.800
<v Speaker 1>look together, and the and the movies are four years apart,

839
00:47:54.880 --> 00:47:57.239
<v Speaker 1>so he looks like he would be old enough to

840
00:47:57.280 --> 00:48:03.000
<v Speaker 1>play the judge in the entires. That blew my mind.

841
00:48:03.440 --> 00:48:06.280
<v Speaker 2>Yeah, but good on you to catch that resemblance.

842
00:48:06.360 --> 00:48:10.000
<v Speaker 1>Man, Oh, because every time I look in Mike, I'm like,

843
00:48:10.000 --> 00:48:11.960
<v Speaker 1>I've seen him as something, but he had a mustache

844
00:48:11.960 --> 00:48:13.840
<v Speaker 1>in it and I couldn't remember what it was. And

845
00:48:13.880 --> 00:48:16.239
<v Speaker 1>then it wasn't until the third viewing that I finally

846
00:48:16.239 --> 00:48:18.719
<v Speaker 1>caught it. And then I was like, oh, that's him,

847
00:48:18.760 --> 00:48:21.039
<v Speaker 1>and I looked at up and I'm like, it's not him,

848
00:48:21.199 --> 00:48:21.800
<v Speaker 1>What the fuck?

849
00:48:22.559 --> 00:48:26.079
<v Speaker 2>Love that? Absolutely love that I was watching this Bill Bannon.

850
00:48:26.079 --> 00:48:29.159
<v Speaker 2>As I said earlier, this movie was. I was like,

851
00:48:29.239 --> 00:48:33.679
<v Speaker 2>this is freaking depressing, and it's so depressing that later

852
00:48:33.760 --> 00:48:36.239
<v Speaker 2>in I guess this is towards the third act of

853
00:48:36.239 --> 00:48:40.880
<v Speaker 2>the film, when you have Viking and Paco taunting both

854
00:48:41.000 --> 00:48:45.119
<v Speaker 2>Mick and Horowitz while they're watching the television. I was like,

855
00:48:45.239 --> 00:48:47.519
<v Speaker 2>oh my god, even this black and white movie they're

856
00:48:47.559 --> 00:48:51.639
<v Speaker 2>watching is depressing. What is with this movie? Well, the

857
00:48:51.639 --> 00:48:55.039
<v Speaker 2>movie that the boys are seen watching is called Kiss

858
00:48:55.079 --> 00:48:58.960
<v Speaker 2>of Death from nineteen forty seven. The scene shown where

859
00:48:59.280 --> 00:49:05.559
<v Speaker 2>Tommy Udo played by Richard Widmark shoves missus Rizzo played

860
00:49:05.559 --> 00:49:09.880
<v Speaker 2>by Mildred Dunnock down a flight of stairs in her wheelchair.

861
00:49:10.880 --> 00:49:14.400
<v Speaker 2>At that time, the scene was considered a very shocking.

862
00:49:15.480 --> 00:49:21.760
<v Speaker 2>I thought the same. I was like, yeah, it's awful.

863
00:49:22.239 --> 00:49:25.480
<v Speaker 1>Yeah, all right, Jason. So the last movie, which is

864
00:49:25.480 --> 00:49:28.639
<v Speaker 1>Buck ru Bonzi, Yeah, and I talked about how there

865
00:49:28.679 --> 00:49:31.000
<v Speaker 1>was a cameo by Jamie Lee Curtis which I got

866
00:49:31.000 --> 00:49:32.599
<v Speaker 1>to see in the version I did. You did not

867
00:49:33.440 --> 00:49:35.639
<v Speaker 1>Here we go again. I guess the next movie we

868
00:49:35.679 --> 00:49:38.760
<v Speaker 1>need to do is Blue Steel because Jamie Lee Curtis,

869
00:49:39.639 --> 00:49:43.119
<v Speaker 1>who was directed by Rick Rodenthal in Halloween two, can

870
00:49:43.159 --> 00:49:45.280
<v Speaker 1>be seen as a street walker in the beginning of

871
00:49:45.320 --> 00:49:48.480
<v Speaker 1>the movie passing by Paco's friends. So the scene when

872
00:49:48.480 --> 00:49:50.320
<v Speaker 1>Paco's looking out the window and has two friends come

873
00:49:50.320 --> 00:49:53.679
<v Speaker 1>across the street and there's a lady of the night there.

874
00:49:54.199 --> 00:49:55.840
<v Speaker 1>That's Jamie Lee Curtis.

875
00:49:56.119 --> 00:49:59.440
<v Speaker 2>What is with her cameos?

876
00:49:59.480 --> 00:50:04.400
<v Speaker 1>It's crazy, I really was in the early eighties.

877
00:50:04.360 --> 00:50:07.880
<v Speaker 2>It makes sense. I mean, she's amazing, she's yeah, she's gorgeous,

878
00:50:07.920 --> 00:50:10.880
<v Speaker 2>she's talented, she's a wonderful actress, all these things. But

879
00:50:10.960 --> 00:50:14.199
<v Speaker 2>she clearly made friends and she was willing to do

880
00:50:14.480 --> 00:50:21.480
<v Speaker 2>these cameos, which is really really freaking cool. Anything else, No, Well, this,

881
00:50:21.599 --> 00:50:25.639
<v Speaker 2>as mentioned, was the debut feature film of actress Clancy Brown,

882
00:50:26.159 --> 00:50:33.440
<v Speaker 2>Alan Ruck and Ali. Sheety not to mention Jason Gedrick,

883
00:50:34.000 --> 00:50:37.760
<v Speaker 2>who's uncredited. I didn't go back to find him, but

884
00:50:37.880 --> 00:50:41.639
<v Speaker 2>I just love that he's because that was again like

885
00:50:41.719 --> 00:50:44.280
<v Speaker 2>kind of his thing a little bit, because we talked

886
00:50:44.280 --> 00:50:48.039
<v Speaker 2>about risky business right where he has the one exactly.

887
00:50:48.719 --> 00:50:51.599
<v Speaker 2>I was like, oh my god, freaking Jason Gedrick, awesome,

888
00:50:52.039 --> 00:50:55.280
<v Speaker 2>super handsome guy, obviously iron Eagle and all that. I mean,

889
00:50:55.320 --> 00:50:58.880
<v Speaker 2>he has his movies in the eighties, but he was

890
00:50:58.920 --> 00:51:03.840
<v Speaker 2>doing the cameos, the or the uncredited roles here early on.

891
00:51:04.280 --> 00:51:06.840
<v Speaker 1>I think the first time you see him is this

892
00:51:07.559 --> 00:51:10.519
<v Speaker 1>bidding and you see him put his head in the

893
00:51:10.559 --> 00:51:14.519
<v Speaker 1>frame and pops it out real quick, and there is

894
00:51:14.599 --> 00:51:17.360
<v Speaker 1>and there's two other times where you've seen him in

895
00:51:17.360 --> 00:51:20.079
<v Speaker 1>the film and I recognize Godgaway. I was like, oh

896
00:51:20.079 --> 00:51:23.519
<v Speaker 1>my god, he just the silent cameos this guy. Yeah,

897
00:51:23.920 --> 00:51:25.519
<v Speaker 1>all right, we got to get around to Iron Eagle

898
00:51:25.559 --> 00:51:29.559
<v Speaker 1>at some point, definitely. Okay, so my last one. So,

899
00:51:29.599 --> 00:51:32.679
<v Speaker 1>when Horowitz goes berserk in the warden's office, the warden

900
00:51:32.719 --> 00:51:36.440
<v Speaker 1>calls on his intercom Churchill, Churchill, get in here. Two

901
00:51:36.440 --> 00:51:41.159
<v Speaker 1>prison officials enter shortly thereafter subdue Horowitz. The one who

902
00:51:41.199 --> 00:51:44.079
<v Speaker 1>Horowitz hits with the golf club and then slams his

903
00:51:44.239 --> 00:51:48.760
<v Speaker 1>elbow is played by Ted Churchhill, the steady camp operator

904
00:51:48.840 --> 00:51:51.159
<v Speaker 1>on the movie. And when I read this, I'm like, oh,

905
00:51:51.159 --> 00:51:54.760
<v Speaker 1>this has got to be bs. This is just too coincidental.

906
00:51:55.440 --> 00:51:59.239
<v Speaker 1>So I looked up Ted Churchill and yes, he is

907
00:51:59.280 --> 00:52:02.599
<v Speaker 1>a steady camp operator and that is him. And I

908
00:52:02.599 --> 00:52:06.239
<v Speaker 1>found a YouTube video that he shot while working on

909
00:52:06.360 --> 00:52:08.599
<v Speaker 1>Man with a one Red Shoe, and it's called Day

910
00:52:08.639 --> 00:52:11.480
<v Speaker 1>in the Life of a steady cam Operator and it's

911
00:52:11.480 --> 00:52:13.760
<v Speaker 1>pretty funny. He's going around to the cast and crew

912
00:52:13.800 --> 00:52:16.239
<v Speaker 1>talking about like how important it is to be a

913
00:52:16.280 --> 00:52:18.639
<v Speaker 1>steady cam operator and what they bring to the film,

914
00:52:18.719 --> 00:52:21.480
<v Speaker 1>and everyone just puts them down through while we only

915
00:52:21.559 --> 00:52:23.199
<v Speaker 1>hired you because we're just too lazy to do a

916
00:52:23.280 --> 00:52:27.639
<v Speaker 1>Dolly track today. Okay. So, or there's a scene I

917
00:52:27.639 --> 00:52:29.920
<v Speaker 1>think there's like a football scene. There's all these fans

918
00:52:30.039 --> 00:52:33.199
<v Speaker 1>in the stands extras, and he's talking about like, yeah,

919
00:52:33.360 --> 00:52:35.119
<v Speaker 1>you know, it's amazing that all these people came to

920
00:52:35.119 --> 00:52:37.840
<v Speaker 1>see me work the steady cam. It's actually pretty funny.

921
00:52:37.880 --> 00:52:40.400
<v Speaker 1>It's like a twenty minute video just talking about what

922
00:52:40.440 --> 00:52:42.599
<v Speaker 1>it's like to be a steadycam operator. But you have

923
00:52:42.719 --> 00:52:46.199
<v Speaker 1>Ted Chet herself, steadycam operator, cameo in this movie, and

924
00:52:46.280 --> 00:52:48.599
<v Speaker 1>it's not a credit. I looked up his credits and

925
00:52:48.679 --> 00:52:50.760
<v Speaker 1>it doesn't have and it shows that he's been an

926
00:52:50.800 --> 00:52:53.920
<v Speaker 1>actor in to other movies, but it's not credited for this.

927
00:52:54.760 --> 00:52:58.239
<v Speaker 2>Love It, Love It. Yeah, these behind the scenes guys,

928
00:52:58.239 --> 00:53:00.440
<v Speaker 2>these are the guys that work hard for the money

929
00:53:00.440 --> 00:53:03.920
<v Speaker 2>and they make it, make the magic steady cam operators,

930
00:53:03.960 --> 00:53:06.119
<v Speaker 2>you know. I mean, God, we've been lucky enough to

931
00:53:06.159 --> 00:53:08.360
<v Speaker 2>work with some of our own short films that we've

932
00:53:08.360 --> 00:53:10.719
<v Speaker 2>worked on. But I remember back in the day at

933
00:53:10.760 --> 00:53:13.760
<v Speaker 2>the University of Miami where it was the Nash cam.

934
00:53:13.800 --> 00:53:15.800
<v Speaker 2>Greg Nash, I just want to give him a shout out.

935
00:53:16.159 --> 00:53:17.760
<v Speaker 2>I don't know if you were aware of this. When

936
00:53:17.760 --> 00:53:22.480
<v Speaker 2>we shot Vitamin C at the Orange Bowl and I

937
00:53:22.519 --> 00:53:26.719
<v Speaker 2>was playing the character of hard Ass and Nash developed

938
00:53:26.719 --> 00:53:30.000
<v Speaker 2>his own steady cam system, which was basically a weighted

939
00:53:30.039 --> 00:53:34.840
<v Speaker 2>system with literally a rock on like a plank, a

940
00:53:34.880 --> 00:53:38.400
<v Speaker 2>wood plank to balance out the camera on the other side,

941
00:53:38.440 --> 00:53:41.920
<v Speaker 2>so it would so he could move along the stands

942
00:53:41.960 --> 00:53:44.039
<v Speaker 2>because it's in the stadium and he's got to do

943
00:53:44.079 --> 00:53:48.559
<v Speaker 2>a tracking shot, but he's it's handheld, and it was

944
00:53:48.639 --> 00:53:52.079
<v Speaker 2>just the coolest thing ever. I remember that. Wow, Yeah,

945
00:53:52.800 --> 00:53:55.519
<v Speaker 2>the Nash cam. So yeah, credit to any all those

946
00:53:55.519 --> 00:53:58.840
<v Speaker 2>guys behind the scenes, but steadycam operator Churchill. That's awesome.

947
00:53:59.320 --> 00:54:02.480
<v Speaker 1>So moving on to box office, Bad Boys hit theaters

948
00:54:02.519 --> 00:54:05.719
<v Speaker 1>on March twenty fifth and nineteen eighty three, debuting on

949
00:54:05.840 --> 00:54:09.000
<v Speaker 1>four hundred and sixty eight screens across the US. Produced

950
00:54:09.000 --> 00:54:12.280
<v Speaker 1>on an estimated five million dollar budget, the film earned

951
00:54:12.599 --> 00:54:15.519
<v Speaker 1>just over nine point two million dollars at the box

952
00:54:15.559 --> 00:54:18.400
<v Speaker 1>office during its theatrical run. The movie opened in the

953
00:54:18.480 --> 00:54:20.880
<v Speaker 1>number eight spot at the box office in a crowded

954
00:54:20.880 --> 00:54:25.800
<v Speaker 1>weekend that also introduced five other new releases, Spring Break,

955
00:54:26.280 --> 00:54:31.039
<v Speaker 1>The Outsiders, The Black Stallion Returns, Max Dugan Returns, and

956
00:54:31.199 --> 00:54:34.400
<v Speaker 1>Eddie Macon's Run. Bad Boys remained in the top ten

957
00:54:34.760 --> 00:54:38.440
<v Speaker 1>for two additional weeks and ultimately finished as the seventy

958
00:54:38.480 --> 00:54:42.480
<v Speaker 1>fifth highest grossing film of the year in the United States.

959
00:54:43.199 --> 00:54:46.039
<v Speaker 1>That takes us two reviews. When growing up in the eighties,

960
00:54:46.079 --> 00:54:49.079
<v Speaker 1>we would watch Steak Previews with Gene Siskel and Roger

961
00:54:49.119 --> 00:54:53.119
<v Speaker 1>Ebert to hear their reviews and watch clips of upcoming movies. Unfortunately,

962
00:54:53.199 --> 00:54:56.039
<v Speaker 1>they did not cover this movie on their show, but

963
00:54:56.159 --> 00:54:59.119
<v Speaker 1>Roger did give it three out of four stars. Roger

964
00:54:59.320 --> 00:55:03.159
<v Speaker 1>praised the movie movie for its gritty realism, authentic depiction

965
00:55:03.280 --> 00:55:06.960
<v Speaker 1>of street gangs and juvenile prison life, and the standout

966
00:55:07.000 --> 00:55:11.519
<v Speaker 1>performances from Sean Penn in Eastside Morales. He felt the

967
00:55:11.559 --> 00:55:14.800
<v Speaker 1>film's first half was powerful and believable, but thought it

968
00:55:14.880 --> 00:55:17.400
<v Speaker 1>lost some of its impact by slipping into a more

969
00:55:17.519 --> 00:55:22.760
<v Speaker 1>predictable prison movie ending. Even so, Eber considered it a

970
00:55:22.760 --> 00:55:27.039
<v Speaker 1>strong effort and an early showcase for several talented filmmakers

971
00:55:27.079 --> 00:55:30.800
<v Speaker 1>and actors. Rotten Tomatoes because it a Tomatometer score of

972
00:55:30.840 --> 00:55:34.079
<v Speaker 1>eighty nine percent with a Popcorn Meter score of eighty

973
00:55:34.079 --> 00:55:37.679
<v Speaker 1>one percent. It also has an IMDb rating of seven

974
00:55:37.719 --> 00:55:42.079
<v Speaker 1>point two. So this takes us to additional thoughts and questions.

975
00:55:42.639 --> 00:55:45.199
<v Speaker 1>What are some additional thoughts and questions I had about

976
00:55:45.760 --> 00:55:48.840
<v Speaker 1>Bad Boys? So here's the two that stuck with me

977
00:55:48.880 --> 00:55:50.960
<v Speaker 1>for this film. The first one, So we have a

978
00:55:51.000 --> 00:55:55.239
<v Speaker 1>scene when Mick decides that he's going to break out

979
00:55:55.239 --> 00:55:58.239
<v Speaker 1>of prison and Barry's going to help him, and Barry

980
00:55:58.280 --> 00:56:04.440
<v Speaker 1>finds this corrosive material that he uses to paint the fence,

981
00:56:04.599 --> 00:56:06.480
<v Speaker 1>and the cross of material is going to eat away

982
00:56:06.480 --> 00:56:08.760
<v Speaker 1>the fence. The way he does this is they do

983
00:56:08.920 --> 00:56:11.960
<v Speaker 1>runs around the yard and he stops and fakes that

984
00:56:12.000 --> 00:56:14.280
<v Speaker 1>he has a stomach cramp, pulls a brush out of

985
00:56:14.320 --> 00:56:18.320
<v Speaker 1>his pants, and then uses it to paint the fence. Well,

986
00:56:18.599 --> 00:56:21.280
<v Speaker 1>he's got to put that brush somewhere and he kind

987
00:56:21.280 --> 00:56:24.280
<v Speaker 1>of stuck in his pants. But you can't do that

988
00:56:24.400 --> 00:56:27.639
<v Speaker 1>because he had the corrosive material now on it. So

989
00:56:27.920 --> 00:56:30.800
<v Speaker 1>where did he hide his brush to bring it back

990
00:56:30.840 --> 00:56:34.039
<v Speaker 1>to the prison. I mean, if that thing could eat

991
00:56:34.119 --> 00:56:36.440
<v Speaker 1>through metal, what's it going to do if it's on

992
00:56:36.760 --> 00:56:40.800
<v Speaker 1>your flesh. So I don't want to know, but you

993
00:56:40.920 --> 00:56:44.000
<v Speaker 1>definitely had that question throughout the rest of the movie.

994
00:56:44.519 --> 00:56:48.480
<v Speaker 1>And my second question is, so at the very end

995
00:56:48.559 --> 00:56:52.000
<v Speaker 1>of the movie, Mick and Paco have a fight, and

996
00:56:52.039 --> 00:56:54.639
<v Speaker 1>it's building up to this fight. Once Paco gets into

997
00:56:54.719 --> 00:56:57.480
<v Speaker 1>jail and we get to the end, Mick has the

998
00:56:57.519 --> 00:57:02.079
<v Speaker 1>upper hand. He could kill at this point, and he doesn't,

999
00:57:02.719 --> 00:57:06.400
<v Speaker 1>and he drops a knife, walks off, starts crying, and

1000
00:57:06.519 --> 00:57:11.079
<v Speaker 1>heads back into his cell. So, as an audience member,

1001
00:57:11.679 --> 00:57:15.239
<v Speaker 1>here's my question. If Mick kills Paco in that moment,

1002
00:57:15.599 --> 00:57:19.840
<v Speaker 1>does the movie change for you? Because he is fighting

1003
00:57:19.880 --> 00:57:23.079
<v Speaker 1>in self defense and it's killed or be killed. So

1004
00:57:23.159 --> 00:57:27.559
<v Speaker 1>what happens if he stabs Poco, drops a knife, walks off, crying,

1005
00:57:27.880 --> 00:57:30.199
<v Speaker 1>and walks into his cell, meaning I'm gonna be stuck

1006
00:57:30.199 --> 00:57:32.519
<v Speaker 1>here forever. Does that change the ending of how you

1007
00:57:32.519 --> 00:57:36.199
<v Speaker 1>feel about this movie? Or even what if Paco wins

1008
00:57:36.239 --> 00:57:39.800
<v Speaker 1>the fight and kills Mick. Does that change the ending

1009
00:57:39.960 --> 00:57:42.480
<v Speaker 1>for you? Or does it not change at all? I

1010
00:57:42.639 --> 00:57:47.599
<v Speaker 1>think even if he does kill Paco and walks off

1011
00:57:48.039 --> 00:57:52.039
<v Speaker 1>crying like he does, if he didn't, knowing how where

1012
00:57:52.079 --> 00:57:54.719
<v Speaker 1>his life's gonna go? I think it still serves the

1013
00:57:54.719 --> 00:57:57.960
<v Speaker 1>movie because he was actually trying to do the right thing.

1014
00:57:58.679 --> 00:58:01.320
<v Speaker 1>Circumstances put him in a position that he could not

1015
00:58:01.719 --> 00:58:04.719
<v Speaker 1>feel like he could not get out of, and he's

1016
00:58:04.800 --> 00:58:06.840
<v Speaker 1>just going to be, I hate to quote another movie,

1017
00:58:06.960 --> 00:58:09.119
<v Speaker 1>a bad boy for life. His life is just set

1018
00:58:09.199 --> 00:58:12.960
<v Speaker 1>up that way unfortunately. So I like he does have

1019
00:58:13.000 --> 00:58:16.719
<v Speaker 1>the restraint and doesn't kill Paco. I think if he

1020
00:58:16.800 --> 00:58:19.199
<v Speaker 1>still does it, I still enjoyed the movie as much

1021
00:58:19.239 --> 00:58:22.880
<v Speaker 1>as I did regardless, So think about it. Let me

1022
00:58:22.920 --> 00:58:26.440
<v Speaker 1>know what you think. If the ending slightly changes, does

1023
00:58:26.519 --> 00:58:29.880
<v Speaker 1>it change your perception of the film. So with that

1024
00:58:30.440 --> 00:58:33.159
<v Speaker 1>we will move on to my rating. So on a

1025
00:58:33.199 --> 00:58:37.320
<v Speaker 1>scale of one to five cartons of cigarettes, what do

1026
00:58:37.440 --> 00:58:39.800
<v Speaker 1>I give Bad Boys? And I'm going to give it

1027
00:58:40.559 --> 00:58:45.480
<v Speaker 1>four cartons? This movie was certainly a surprise. First off,

1028
00:58:45.519 --> 00:58:47.639
<v Speaker 1>I just want to thank all the fans that suggested

1029
00:58:47.760 --> 00:58:51.039
<v Speaker 1>that Jason and I do this movie. And I think

1030
00:58:51.079 --> 00:58:53.199
<v Speaker 1>that's one of the great things about doing this podcast

1031
00:58:53.719 --> 00:58:57.519
<v Speaker 1>is not only revisiting movies that we loved, but going

1032
00:58:57.599 --> 00:59:01.159
<v Speaker 1>back and catching movies that we did miss from this decade.

1033
00:59:01.519 --> 00:59:03.199
<v Speaker 1>And I don't know if I ever want to watch

1034
00:59:03.239 --> 00:59:07.320
<v Speaker 1>this movie if it wasn't for the audience, our listeners

1035
00:59:07.760 --> 00:59:12.599
<v Speaker 1>who reached out and asked us multiple times to cover

1036
00:59:12.639 --> 00:59:17.400
<v Speaker 1>this movie. Shout out to Andy Gordon, who I went

1037
00:59:17.440 --> 00:59:19.519
<v Speaker 1>to college with. He was one of the first people

1038
00:59:19.599 --> 00:59:21.000
<v Speaker 1>that said, oh, you got to cover this movie. It

1039
00:59:21.039 --> 00:59:24.079
<v Speaker 1>was one of my favorites. So thank you for doing that.

1040
00:59:24.199 --> 00:59:27.760
<v Speaker 1>Thank you audience. Love the suggestions. We do keep a

1041
00:59:27.800 --> 00:59:31.159
<v Speaker 1>list of everything that you send to us, and we

1042
00:59:31.280 --> 00:59:35.159
<v Speaker 1>do try to put it into our schedule. But for

1043
00:59:35.239 --> 00:59:37.800
<v Speaker 1>the movie itself, what I said from the get go,

1044
00:59:38.599 --> 00:59:41.960
<v Speaker 1>this is a movie about people I do not want

1045
00:59:42.000 --> 00:59:44.599
<v Speaker 1>to hang around people I did not hang around with

1046
00:59:44.639 --> 00:59:47.239
<v Speaker 1>the kid and I was invested in and I think

1047
00:59:47.280 --> 00:59:51.039
<v Speaker 1>I was invested in them because of their strong performances

1048
00:59:51.039 --> 00:59:55.639
<v Speaker 1>in this This is a side of life that I

1049
00:59:55.760 --> 01:00:00.880
<v Speaker 1>was never a part of. Side of life I'm glad

1050
01:00:00.920 --> 01:00:04.800
<v Speaker 1>I was never a part of, and they may be

1051
01:00:04.960 --> 01:00:08.960
<v Speaker 1>interested to see what they went through. Just high marks

1052
01:00:08.960 --> 01:00:13.960
<v Speaker 1>for Sean Penn and Issi Morales and Ali Sheety and

1053
01:00:14.000 --> 01:00:18.840
<v Speaker 1>Clancy Brown. It's really brought me into this world of

1054
01:00:19.360 --> 01:00:23.599
<v Speaker 1>jail and just how dangerous it is on the inside

1055
01:00:23.760 --> 01:00:27.480
<v Speaker 1>it is on the outside, and it really left the

1056
01:00:27.559 --> 01:00:31.039
<v Speaker 1>lasting impression on me. Sometimes you go to movies just

1057
01:00:31.079 --> 01:00:34.760
<v Speaker 1>to be entertained and to enjoy them, and this one

1058
01:00:35.480 --> 01:00:40.079
<v Speaker 1>just really impacted me, and I really enjoyed it. If

1059
01:00:40.079 --> 01:00:42.199
<v Speaker 1>you haven't seen this movie like I had it going

1060
01:00:42.239 --> 01:00:45.320
<v Speaker 1>into this, please check it out and be honest, I

1061
01:00:45.320 --> 01:00:48.599
<v Speaker 1>didn't watch a lot of Sean Penn movies growing up

1062
01:00:48.639 --> 01:00:51.199
<v Speaker 1>in the eighties, but now because of this, and of

1063
01:00:51.199 --> 01:00:53.920
<v Speaker 1>course you know we discussed Fast Times a Ridgebound High,

1064
01:00:54.119 --> 01:00:56.960
<v Speaker 1>I'm really looking forward to covering some more of US

1065
01:00:57.039 --> 01:01:00.719
<v Speaker 1>movies from this decade. So with that, that's a wrap

1066
01:01:00.760 --> 01:01:04.000
<v Speaker 1>on this week's episode. Thanks for spending some time with us.

1067
01:01:04.320 --> 01:01:07.280
<v Speaker 1>We always appreciate you listening. If you had fun hanging

1068
01:01:07.320 --> 01:01:09.639
<v Speaker 1>out in the eighties, make sure to follow the show

1069
01:01:09.679 --> 01:01:12.679
<v Speaker 1>in your favorite streaming platform, leave us a rating and

1070
01:01:12.920 --> 01:01:16.599
<v Speaker 1>maybe even a review. For more episodes, updates, and all

1071
01:01:16.639 --> 01:01:21.440
<v Speaker 1>things retro, head over to All Eightiesmovies podcast dot com.

1072
01:01:21.679 --> 01:01:25.280
<v Speaker 1>We'll be back next time with another unforgettable movie from

1073
01:01:25.320 --> 01:01:29.320
<v Speaker 1>the greatest decade in film history, the nineteen eighties. Until then,

1074
01:01:29.760 --> 01:01:30.679
<v Speaker 1>have an excellent day.

1075
01:01:31.480 --> 01:01:34.280
<v Speaker 2>Thanks for staying up with us. Goodnight world.

1076
01:01:35.719 --> 01:01:58.719
<v Speaker 3>If you want to your juice

1077
01:02:02.239 --> 01:02:05.400
<v Speaker 2>Stop stop
