1 00:00:07,040 --> 00:00:07,759 Speaker 1: The Avenger. 2 00:00:08,960 --> 00:01:33,280 Speaker 2: Crime ends in attracted as a sense, crime does not pay. 3 00:01:36,480 --> 00:01:39,480 The Avenger, sworn enemy of evil, is actually Jim Brandon, 4 00:01:39,519 --> 00:01:43,519 a famous bio kennist. Through his numerous scientific experiments, Brandon 5 00:01:43,560 --> 00:01:46,159 have perfected two inventions to aid him in his crusade 6 00:01:46,200 --> 00:01:49,879 against crime as the Avenger, the tomopathic indicator, by which 7 00:01:49,879 --> 00:01:52,200 he is able to pick up thought flashes, and the 8 00:01:52,239 --> 00:01:55,239 sacred diffusion capsule, which pokes him in the black light 9 00:01:55,280 --> 00:01:59,239 of invisibility. Brandon's assistant, the beautiful Fern Collier, is the 10 00:01:59,239 --> 00:02:01,640 only one who shared there's his secrets and knows that 11 00:02:01,680 --> 00:02:04,519 he is the man the underworld fears as the Avenger 12 00:02:05,359 --> 00:02:19,199 and now the Avenger and the Thoroughbred Murder. A group 13 00:02:19,240 --> 00:02:21,680 of weekend guests are gathered at the racecourse on George 14 00:02:21,719 --> 00:02:23,319 Feldon's elaborate country estate. 15 00:02:24,039 --> 00:02:26,400 Speaker 3: Oh, this is going to be a very exciting weekend, Jim. 16 00:02:27,039 --> 00:02:29,960 Just imagine having our pick of George Feldon's famous thoroughbreds 17 00:02:29,960 --> 00:02:30,199 to row. 18 00:02:30,319 --> 00:02:31,560 Speaker 1: It'll be a treat, all right, friend. 19 00:02:31,919 --> 00:02:34,439 Speaker 3: And that stage coach race at the pay tomorrow, that 20 00:02:34,520 --> 00:02:35,479 would be somebody to see. 21 00:02:35,639 --> 00:02:38,319 Speaker 2: Will be The idea of having women drivers is quite 22 00:02:38,319 --> 00:02:38,840 a novelty. 23 00:02:39,479 --> 00:02:40,199 Speaker 1: Come over to the rail. 24 00:02:40,280 --> 00:02:43,199 Speaker 2: Friend, Roslyn Burke is going to give George Sheldon's coaching 25 00:02:43,240 --> 00:02:44,879 for a workout. She's going to drive his coach in 26 00:02:44,919 --> 00:02:45,560 the race tomorrow. 27 00:02:45,719 --> 00:02:47,960 Speaker 3: Gee, do you think Roslin has a chance to win? 28 00:02:48,439 --> 00:02:50,439 I don't think she looks strong enough to handle that team. 29 00:02:50,560 --> 00:02:52,319 Speaker 2: Well, I'll be able to answer that better after I've 30 00:02:52,319 --> 00:02:55,479 seen what kind of showing she makes on this practice run. Well, Brandon, 31 00:02:55,759 --> 00:02:57,319 how much are you willing to put on Rosalind to 32 00:02:57,319 --> 00:02:59,520 win the race tomorrow? Whether she wins or not, at 33 00:02:59,520 --> 00:03:01,719 he shall get dreams of publicity out of it. I 34 00:03:01,879 --> 00:03:03,719 take it that was the idea behind the whole thing. Well, 35 00:03:03,759 --> 00:03:06,240 of course, an actress always needs publicity, you know, But 36 00:03:06,360 --> 00:03:06,919 I thought. 37 00:03:06,719 --> 00:03:09,000 Speaker 3: Roslin retired from the stage two years ago when she 38 00:03:09,039 --> 00:03:09,840 married William hirt. 39 00:03:09,919 --> 00:03:12,800 Speaker 2: A great actress never retires, Fern, and Rosalind is a 40 00:03:12,800 --> 00:03:13,439 great actress. 41 00:03:13,520 --> 00:03:15,400 Speaker 3: Yes, I saw several plays in which you too. 42 00:03:15,280 --> 00:03:17,879 Speaker 2: Were coast and you'll see our name in lights again, Fern. 43 00:03:17,879 --> 00:03:21,000 If I can talk some sense into roslind Eddie Woods 44 00:03:21,000 --> 00:03:25,000 in Roslindale, that combination still has a draw. Oh, George 45 00:03:25,039 --> 00:03:27,080 is bringing the coach up to the Strawning line. She'll 46 00:03:27,120 --> 00:03:28,759 be ready to go in a minute. Oh, I'll see 47 00:03:28,759 --> 00:03:29,840 you later. I want to time this. 48 00:03:30,560 --> 00:03:32,759 Speaker 3: Eddie Woods is certainly anxious to get Roslin back on 49 00:03:32,759 --> 00:03:33,599 the stage, isn't. 50 00:03:33,400 --> 00:03:34,400 Speaker 1: He man with good reason? 51 00:03:34,800 --> 00:03:37,120 Speaker 2: He hasn't had a play since she retired to Mary Burke, 52 00:03:37,520 --> 00:03:40,400 But I think he's wasting his time. Burke is set 53 00:03:40,439 --> 00:03:42,159 against Rosalind going on with her career. 54 00:03:42,360 --> 00:03:44,199 Speaker 3: Yes, mister Burke seems to hate the theater. 55 00:03:44,240 --> 00:03:45,240 Speaker 2: And everyone connects to this. 56 00:03:45,800 --> 00:03:46,840 Speaker 1: The coach is ready to start. 57 00:03:47,479 --> 00:03:52,039 Speaker 2: Watch this Fern, Yes, you come. 58 00:03:53,520 --> 00:03:54,800 Speaker 3: Good, heavens you look at her go. 59 00:03:55,240 --> 00:03:57,000 Speaker 2: Yes, we don't need to worry about her getting strong 60 00:03:57,080 --> 00:03:58,000 enough to handle that team. 61 00:03:58,240 --> 00:03:59,319 Speaker 1: She's in perfect control. 62 00:04:00,719 --> 00:04:02,199 Speaker 3: Takes a lot of mirrors I couldn't do. 63 00:04:02,879 --> 00:04:06,520 Speaker 2: She's reached the given her head. I thought she was 64 00:04:06,520 --> 00:04:08,240 going to turn on, and she's racing them for all 65 00:04:08,240 --> 00:04:10,400 their work. Now if she doesn't break the time, I 66 00:04:10,400 --> 00:04:11,319 miss my guess. 67 00:04:13,120 --> 00:04:16,279 Speaker 3: They're on the home stretch now, look at Rodin's fairly enjoying. 68 00:04:16,360 --> 00:04:17,319 Speaker 1: An'm driving. 69 00:04:19,360 --> 00:04:25,000 Speaker 2: A wonderful time. They're over the line. What was the 70 00:04:25,000 --> 00:04:25,759 time of that, Eddie? 71 00:04:25,920 --> 00:04:27,199 Speaker 1: Five second nd the record? 72 00:04:27,279 --> 00:04:29,519 Speaker 2: Brandon, Oh, she drives in like that tomorrow she's a 73 00:04:29,560 --> 00:04:33,519 sure winner. Her husband Oh, that's easy to understand. Causes 74 00:04:33,560 --> 00:04:36,120 her Burke's great love. Yes, quite a stable of his own. 75 00:04:36,360 --> 00:04:38,120 In fact, I'd be willing to Betty's down here trying 76 00:04:38,120 --> 00:04:40,040 to buy a few of George Fulton's prize winners. 77 00:04:40,079 --> 00:04:42,399 Speaker 3: Come on, Jim, let's go over and congratulate Joslin. 78 00:04:51,879 --> 00:04:54,519 Speaker 2: Oh, George, before we go back to the house, I'd 79 00:04:54,560 --> 00:04:56,480 like to have a look at that new Bastelli. 80 00:04:56,000 --> 00:04:59,199 Speaker 1: In yours all right, Bert, but on your demons, not 81 00:04:59,279 --> 00:05:02,399 for sale. I want that clearly understood. Don't worries, George. 82 00:05:02,439 --> 00:05:03,480 I don't want to buy him. 83 00:05:03,759 --> 00:05:06,120 Speaker 2: Now we were a flat racer instead of a steeple chaser, 84 00:05:06,160 --> 00:05:07,000 I might be interested. 85 00:05:07,480 --> 00:05:09,360 Speaker 1: Even though he does have the reputation of being a 86 00:05:09,399 --> 00:05:09,879 man kill. 87 00:05:09,839 --> 00:05:14,079 Speaker 2: Up Well, demon's a thorough bad He gracious and sensitive, excitable. 88 00:05:14,360 --> 00:05:16,600 Speaker 1: He has a great staying power. I hear he has 89 00:05:16,639 --> 00:05:17,480 a fine head. 90 00:05:17,319 --> 00:05:19,800 Speaker 2: But personally I think he's just as great as a racehorse 91 00:05:19,800 --> 00:05:23,079 as Herold and Eclipse. That's mighty fast company, George. How 92 00:05:23,120 --> 00:05:24,920 about manning to take him out for run in the morning. 93 00:05:25,519 --> 00:05:27,839 Speaker 1: Well, if you think you can handle him, you're welcome 94 00:05:27,920 --> 00:05:30,000 to try. No horses ever thrown me yet, George. 95 00:05:30,560 --> 00:05:32,959 Speaker 2: Well, before you mount demon, you had better see that 96 00:05:33,040 --> 00:05:36,759 your insurance is paid up. Oh right, this way, demons stalls. 97 00:05:46,519 --> 00:05:49,000 Speaker 4: You see, Harold, these heavy strokes in your hand riding 98 00:05:49,000 --> 00:05:52,519 sure that you're determans even headstrong. 99 00:05:53,240 --> 00:05:55,720 Speaker 3: And that white spacing of your mothers it means of 100 00:05:55,759 --> 00:05:56,800 your genius, las. 101 00:05:56,639 --> 00:05:59,160 Speaker 2: One, Dear, anytime I'm suffering from a deflated ego, I'll have. 102 00:05:59,160 --> 00:06:00,439 Speaker 1: You read my hand on it. Oh. 103 00:06:00,519 --> 00:06:03,199 Speaker 4: I know you think handwriting analysis is just a parlor trick, 104 00:06:03,639 --> 00:06:05,240 but there's really quite a lot. 105 00:06:05,079 --> 00:06:07,240 Speaker 2: Of proof in it, Harold, no doubt, But you know 106 00:06:07,319 --> 00:06:09,319 me too well. Ros You couldn't really give me an 107 00:06:09,319 --> 00:06:10,279 little biased anaosy. 108 00:06:10,439 --> 00:06:13,759 Speaker 4: Well, I don't know, Jim Brandon, suppose I am as 109 00:06:13,759 --> 00:06:16,360 he is writing a fern can judge whether I'm right 110 00:06:16,439 --> 00:06:16,680 or wrong. 111 00:06:17,040 --> 00:06:20,319 Speaker 2: Come on, Jim, I'm a detective. I can't afford to 112 00:06:20,319 --> 00:06:23,360 have my writing analyzed. It might give away my secrets. 113 00:06:23,759 --> 00:06:27,120 Speaker 3: I'd like that, Rosmin, I thought all these stories I 114 00:06:27,199 --> 00:06:29,120 used to read in the Pepers. In fact, you're being 115 00:06:29,120 --> 00:06:31,319 a handwriting expert with just so much publicity. 116 00:06:31,680 --> 00:06:34,199 Speaker 4: Oh, I just play around at it, Ferner, I'm a 117 00:06:34,279 --> 00:06:35,199 rank amateurier. 118 00:06:35,439 --> 00:06:37,000 Speaker 1: How about it, Tess for Oz, there's music in the 119 00:06:37,040 --> 00:06:37,560 drawing room. 120 00:06:37,680 --> 00:06:41,079 Speaker 4: Oh wonderful, O, dear hell excuses Prince, I want you 121 00:06:41,079 --> 00:06:44,600 to teach me that he set ust Roslin is just 122 00:06:44,600 --> 00:06:46,040 as fascinating your stage as all. 123 00:06:46,319 --> 00:06:50,680 Speaker 2: Yes, she has the rare combination of beauty and brains, and. 124 00:06:50,680 --> 00:06:52,399 Speaker 3: It seems as if every man here is in love 125 00:06:52,439 --> 00:06:52,680 with her. 126 00:06:52,800 --> 00:06:55,959 Speaker 2: Well, that statement is a little too inclusive, young lady, 127 00:06:56,519 --> 00:06:57,839 but there's some truth from what you say. 128 00:06:58,240 --> 00:07:01,079 Speaker 3: Her husband is terribly jealous too, until by the way, 129 00:07:01,120 --> 00:07:01,600 he watches it. 130 00:07:01,759 --> 00:07:04,800 Speaker 2: Now, now, don't let that romantic imagination of yours tape wings. 131 00:07:05,279 --> 00:07:07,079 Rosamond has known all these people for a long time, 132 00:07:07,160 --> 00:07:07,879 your old friends. 133 00:07:07,920 --> 00:07:09,720 Speaker 3: But who was Harold Lansbury? 134 00:07:09,839 --> 00:07:11,720 Speaker 2: He wrote and produced the last play in which Rosalind 135 00:07:11,720 --> 00:07:12,959 and Nettie stared, What. 136 00:07:12,959 --> 00:07:14,920 Speaker 3: About George Field and our host? Is he an old 137 00:07:14,920 --> 00:07:15,639 friend of Herstey? 138 00:07:15,920 --> 00:07:19,279 Speaker 2: No, he's Burke's Brandon. Their mutual interest is horses. 139 00:07:19,560 --> 00:07:21,199 Speaker 3: Well, I guess that brings me up to date on 140 00:07:21,240 --> 00:07:21,839 the guest list. 141 00:07:21,879 --> 00:07:24,120 Speaker 2: All right, then, how about a walk on the terrace 142 00:07:24,120 --> 00:07:37,079 before teeth so, mister Brandon, Well, Rosalind, have you spoken 143 00:07:37,120 --> 00:07:38,480 of that husband of yours about the money? 144 00:07:38,639 --> 00:07:42,040 Speaker 4: Not yet, Harris, Frankly, I'm finding it very difficult and 145 00:07:42,120 --> 00:07:42,879 must poscourage. 146 00:07:43,000 --> 00:07:44,600 Speaker 2: Well, don't tell me you're going to back out now 147 00:07:44,680 --> 00:07:46,560 after getting George. You can invite us all down here 148 00:07:46,560 --> 00:07:48,319 for the express purpose of softening him up. 149 00:07:48,560 --> 00:07:51,680 Speaker 3: No, I'm going to carry out my part of the bargain. 150 00:07:51,759 --> 00:07:53,360 Speaker 1: Well. The long he put it off, the herder to be. 151 00:07:54,120 --> 00:07:56,600 Speaker 2: I can't wait much longer, Rosalind, I have to give 152 00:07:56,639 --> 00:07:58,360 my plan to rehearsal if it's going to be produced 153 00:07:58,360 --> 00:07:58,800 this season. 154 00:07:58,879 --> 00:08:01,439 Speaker 3: I know what You've been sweet to wait as long 155 00:08:01,480 --> 00:08:01,839 as you have. 156 00:08:02,120 --> 00:08:04,759 Speaker 1: It's the perfect vigor for your bossman. Actually, I wrote it. 157 00:08:04,680 --> 00:08:07,160 Speaker 3: With you and mind I know you did, Harold. Well, 158 00:08:07,199 --> 00:08:09,920 the part's wonderful either door play, but. 159 00:08:10,000 --> 00:08:12,560 Speaker 2: Backing's the only thing that's holding us up. You can 160 00:08:12,560 --> 00:08:15,120 persuade that contrarian their minded man. You marriage loosen up 161 00:08:15,160 --> 00:08:17,040 his personal Oh, Harold, don't start. 162 00:08:16,839 --> 00:08:17,600 Speaker 3: On perfect game. 163 00:08:18,720 --> 00:08:21,079 Speaker 4: I know you hint him, but after all, you can 164 00:08:21,199 --> 00:08:23,120 expect him to look at these things the same way 165 00:08:23,120 --> 00:08:23,360 we do. 166 00:08:23,519 --> 00:08:25,240 Speaker 2: Want n't see how you can stand it. For two 167 00:08:25,240 --> 00:08:28,079 whole years, Burke stood between you and your career. Can't 168 00:08:28,079 --> 00:08:29,759 you see that if you cared anything, it's all about you. 169 00:08:29,800 --> 00:08:32,559 He wants you happy? Why, Ros, the theater is the 170 00:08:32,679 --> 00:08:34,799 very breath of life to you. You were a fool 171 00:08:34,840 --> 00:08:35,919 ever to think you could give it back. 172 00:08:36,080 --> 00:08:38,000 Speaker 3: Yes, I realize that now. 173 00:08:38,080 --> 00:08:39,759 Speaker 2: Well, if you don't want your public to forget you, 174 00:08:39,759 --> 00:08:40,840 you'd better make up your mind. 175 00:08:41,360 --> 00:08:43,080 Speaker 1: A lot of the young stars beginning to blossom. 176 00:08:43,120 --> 00:08:45,440 Speaker 4: I'll do my best to convince Burkett your play is 177 00:08:45,480 --> 00:08:46,200 a good investment. 178 00:08:47,240 --> 00:08:49,039 Speaker 3: If I can persuade him to put up the money, 179 00:08:49,080 --> 00:08:51,799 he'll be one of us. You'll have an interest in 180 00:08:51,799 --> 00:08:52,360 my work. 181 00:08:52,200 --> 00:08:54,159 Speaker 2: In a baby, Yes, Ros, don't give me that one 182 00:08:54,159 --> 00:08:57,240 little happy family rootle team. Even if Burke does put 183 00:08:57,320 --> 00:09:00,279 up the money, keep him away from me, and I 184 00:09:00,320 --> 00:09:00,720 look at him. 185 00:09:00,759 --> 00:09:02,720 Speaker 1: I got the urge to commit a sort from my husband. 186 00:09:02,840 --> 00:09:05,000 Speaker 3: Certainly isn't very popular as my friend. 187 00:09:05,080 --> 00:09:08,360 Speaker 1: He's the villain for my money. When are you going 188 00:09:08,360 --> 00:09:09,679 to speak to him right away? 189 00:09:10,759 --> 00:09:13,919 Speaker 4: But I'll have to talk it over with Eddie's first. Why, Well, 190 00:09:14,000 --> 00:09:15,639 naturally i'd want Eddie for my leading man. 191 00:09:15,720 --> 00:09:18,039 Speaker 1: Oh, you could do much better, Ross, Eddie's on the skis. 192 00:09:18,159 --> 00:09:21,279 Speaker 3: No, it's both of us are nothing. 193 00:09:21,799 --> 00:09:23,840 Speaker 1: All right? The leading man's a stoogimous play. 194 00:09:23,879 --> 00:09:27,000 Speaker 3: Anyway, it's settled, then I'll get a hold of Eddie. 195 00:09:27,039 --> 00:09:28,120 We'll go to Burke together. 196 00:09:40,919 --> 00:09:43,759 Speaker 2: Burke, misplay of Harold's is sure of fire. It can't miss. 197 00:09:44,279 --> 00:09:46,440 If I had the money, I wouldn't hesitate a second. 198 00:09:46,159 --> 00:09:49,720 Speaker 1: If not, Woods, that's the reason you have no money. 199 00:09:51,240 --> 00:09:55,720 Speaker 4: Okay, Burke, listen, This chance means everything to me. 200 00:09:56,519 --> 00:09:58,200 Speaker 3: This play would put me right back. 201 00:09:58,080 --> 00:10:00,000 Speaker 2: Up on top of Roslin. You've agreed when we were 202 00:10:00,080 --> 00:10:02,480 married to give up the theater. I'm holding here of 203 00:10:02,559 --> 00:10:03,159 that agreement. 204 00:10:03,559 --> 00:10:04,039 Speaker 1: I know. 205 00:10:05,639 --> 00:10:09,960 Speaker 4: I've tried, Burke, honestly I have, but the theater is 206 00:10:10,000 --> 00:10:10,679 in my blood. 207 00:10:10,679 --> 00:10:13,360 Speaker 3: I can't be happy away. 208 00:10:13,159 --> 00:10:16,080 Speaker 1: From the stage except it comes to a choice between us. 209 00:10:16,159 --> 00:10:17,679 Speaker 3: Then it doesn't have to work. 210 00:10:18,159 --> 00:10:21,120 Speaker 2: If you'd be reasonable, Yes, of course, I'd be reasonable 211 00:10:21,159 --> 00:10:23,320 and invest a small fortune and the play for you, 212 00:10:23,320 --> 00:10:24,720 you'd be willing to put up with me. 213 00:10:24,799 --> 00:10:28,480 Speaker 3: You're just being nasty. It all boils down to the 214 00:10:28,559 --> 00:10:30,519 fact that you're too tight. 215 00:10:30,320 --> 00:10:32,120 Speaker 4: And mean to invest your money in anything that will 216 00:10:32,120 --> 00:10:33,200 bring happiness to people. 217 00:10:33,240 --> 00:10:35,720 Speaker 2: In just a minute, you're not on the stage now, 218 00:10:36,360 --> 00:10:37,799 and there's no one in the Gwery. 219 00:10:37,879 --> 00:10:40,960 Speaker 4: I mean every word I'm saying, and so do I. 220 00:10:40,960 --> 00:10:43,679 Speaker 2: I'm not putting one penny into any theatrical venture. 221 00:10:43,399 --> 00:10:46,399 Speaker 1: That you or anybody else is interested in. Kindly inform 222 00:10:46,440 --> 00:10:48,080 your friends of that and tell them to keep away 223 00:10:48,080 --> 00:10:52,639 from me. Why you, Penny, leave us alone from it? 224 00:10:53,000 --> 00:10:55,399 I can say so, right, but I'd like to take. 225 00:10:55,200 --> 00:10:58,120 Speaker 2: A swing at this away from the outside, all right, 226 00:10:58,759 --> 00:11:00,039 But don't let him bully. 227 00:11:01,919 --> 00:11:05,879 Speaker 3: Well, Burt. Time has come for us to spreading out a. 228 00:11:05,879 --> 00:11:07,799 Speaker 1: Few things, Yes, it certainly has. 229 00:11:08,720 --> 00:11:11,240 Speaker 3: I've made up my mind to go back on the stage. 230 00:11:12,000 --> 00:11:15,879 I was hoping you'd understand now we could work things out. 231 00:11:16,440 --> 00:11:18,039 But if we can't. 232 00:11:17,879 --> 00:11:22,000 Speaker 1: We can't. This is the parting of the ways. I 233 00:11:22,039 --> 00:11:23,200 can't say I'm sorry. 234 00:11:24,120 --> 00:11:26,000 Speaker 3: I guess there's nothing more to be said. 235 00:11:26,399 --> 00:11:27,879 Speaker 1: Oh, yes, yes there is. 236 00:11:28,960 --> 00:11:31,039 Speaker 2: I wanna make it clear that I intend to arrange 237 00:11:31,039 --> 00:11:33,279 my affairs in such a way that not one cent 238 00:11:33,360 --> 00:11:34,600 will get into your hands. 239 00:11:35,639 --> 00:11:38,960 Speaker 1: I'm giving you your grease paint for Rosalm, but that's 240 00:11:39,039 --> 00:11:39,840 all I'm getting. 241 00:11:48,919 --> 00:11:53,399 Speaker 2: Well, George, I'd certainly be disappointed. If Demon doesn't live 242 00:11:53,480 --> 00:11:55,679 up to his name. Well, he'll give you a run 243 00:11:55,679 --> 00:11:58,120 for your money, Burke, worry about that, say, uh. 244 00:11:58,000 --> 00:12:00,399 Speaker 1: George, Oh I uh. 245 00:12:00,639 --> 00:12:02,879 Speaker 2: I wanted to speak to you privately, so I think 246 00:12:03,840 --> 00:12:05,519 we've known each other for a long time. 247 00:12:06,320 --> 00:12:09,279 Speaker 1: I know I can trust you. I'd like you to 248 00:12:09,279 --> 00:12:11,000 do me a favorite anything. Burt. 249 00:12:11,679 --> 00:12:15,480 Speaker 2: If Roslyn approaches you for money to back her plane, 250 00:12:16,240 --> 00:12:19,320 I uh want you to refuse because she if she 251 00:12:19,360 --> 00:12:22,159 approached me some weeks ago. Bert, but uh I have 252 00:12:22,240 --> 00:12:26,360 all mine Malay turned up in the horses anyway, I 253 00:12:26,360 --> 00:12:27,039 I knew. 254 00:12:26,919 --> 00:12:29,000 Speaker 1: Uh you fell about the okay thanks to it. 255 00:12:30,320 --> 00:12:32,679 Speaker 2: You always were true blue, and that's why I've willed 256 00:12:32,720 --> 00:12:37,759 you my entire stables. WI what Yes, of course you'll 257 00:12:37,799 --> 00:12:40,200 have to outlive me to collect for Hell, I guess 258 00:12:40,279 --> 00:12:43,600 it's not very likely. Over there's demon stall, Burt, he's 259 00:12:43,600 --> 00:12:46,000 already saddled. Why do you bring him out and get acquainted. 260 00:12:46,039 --> 00:12:48,639 Speaker 1: I'll have the groom saddle my horse, Hue. I've decided 261 00:12:48,679 --> 00:12:49,480 to take the can of him. 262 00:12:49,559 --> 00:12:51,639 Speaker 2: Oh good, hurry though the best buyer of the morning 263 00:12:51,679 --> 00:12:54,759 will be gone by. 264 00:12:54,759 --> 00:12:55,399 Speaker 5: Well do you. 265 00:12:55,639 --> 00:12:57,320 Speaker 1: I'm gonna give you a chance to show me what 266 00:12:57,320 --> 00:12:59,639 you can do this morning? How do you feel about coming? 267 00:12:59,639 --> 00:13:03,519 If you've what as golf? 268 00:13:04,960 --> 00:13:09,360 Speaker 6: Easy up easy, just sey you are hard to handle it? 269 00:13:09,480 --> 00:14:04,080 Seady stay stay buy no, no, get me. 270 00:14:51,600 --> 00:14:55,279 Speaker 2: Now Back to the Avenger and the Thoroughbred, murder. 271 00:15:04,759 --> 00:15:05,519 Speaker 3: Back in your stall? 272 00:15:05,679 --> 00:15:09,960 Speaker 5: Easy, now, boy, ease back up there? 273 00:15:10,440 --> 00:15:14,440 Speaker 1: What ap, George? It's part Brandon standing trample him. I 274 00:15:14,519 --> 00:15:18,120 warned him. Beans dangerous to assistance upon riding him. Oh, 275 00:15:18,159 --> 00:15:18,720 i'll call it that. 276 00:15:18,879 --> 00:15:23,480 Speaker 2: Wait, Birch's dead, George. Yeah, we'll have to call the sheriff. 277 00:15:23,639 --> 00:15:34,279 Oh but George, where were you when this awful thing happened? 278 00:15:34,279 --> 00:15:36,240 Speaker 1: But I was only outside of the stable having you 279 00:15:36,320 --> 00:15:39,480 four saddle. Oh, Eddie, believe me. I I never dreamed 280 00:15:39,519 --> 00:15:42,159 demon was as dangerous as that. Yeah, it was horrible. Alright, 281 00:15:42,279 --> 00:15:44,919 tell me where's Rosny? Brind and Harold took her upstairs. 282 00:15:45,000 --> 00:15:47,039 She was hysterical. Oh if it was friendly? 283 00:15:47,159 --> 00:15:48,320 Speaker 3: No, you stay. 284 00:15:48,399 --> 00:15:50,559 Speaker 1: The sheriff have living though. That's strange. 285 00:15:50,799 --> 00:15:53,279 Speaker 2: I thought the sheriff would want to question you. But 286 00:15:53,360 --> 00:15:55,120 where's the sheriff Jim? They had to go back to 287 00:15:55,120 --> 00:15:58,000 town to file his report. We're all to hold ourselves 288 00:15:58,000 --> 00:16:00,159 available for a questioning, but I think it would be 289 00:16:00,159 --> 00:16:01,840 better if we could get Rosalind. 290 00:16:01,399 --> 00:16:01,799 Speaker 1: Out of him. 291 00:16:01,840 --> 00:16:05,519 Speaker 2: I'm sorry, Eddie, but none of us believe here until tomorrow. 292 00:16:05,200 --> 00:16:08,519 Speaker 1: At least these pick policemen. Well, my next move is 293 00:16:08,519 --> 00:16:11,480 to get rid of demons. No since having a dangerous animal. 294 00:16:11,320 --> 00:16:14,919 Speaker 2: Like that around, I'd wait until all this is over, George. 295 00:16:15,320 --> 00:16:17,200 I strapped one of demon's fore legs under him and 296 00:16:17,279 --> 00:16:19,480 locked him in a stall. He can't do any harm. 297 00:16:19,480 --> 00:16:21,600 Speaker 1: P good work to him. Horse can't kick, and I 298 00:16:21,639 --> 00:16:23,240 spoke his poor legs of free. 299 00:16:23,639 --> 00:16:26,759 Speaker 2: You know, I simply can't understand how an experienced ticking 300 00:16:26,919 --> 00:16:29,360 like Burke could allow himself to be picked to death 301 00:16:29,399 --> 00:16:33,600 of horse. It is strange, George, strange beyond all understanding. 302 00:16:34,600 --> 00:16:36,759 That is why I'd like you to assemble all your guests. 303 00:16:37,080 --> 00:16:43,759 I have an announcement to make to them. 304 00:16:44,799 --> 00:16:46,919 Speaker 3: Sit here, Roslyn, Jim over here in a minute. 305 00:16:47,200 --> 00:16:48,000 Speaker 2: What is it to me? 306 00:16:48,399 --> 00:16:52,159 Speaker 3: What called gaslicks? There's something else hurt. I don't know 307 00:16:52,200 --> 00:16:54,519 any more about it than you doing. Oh here's Jim. 308 00:16:54,559 --> 00:16:55,879 Speaker 1: Now? Is everybody here? 309 00:16:56,279 --> 00:16:59,279 Speaker 2: Yes, Jim, all my guests or servants from the groom 310 00:16:59,440 --> 00:17:00,480 with all duty this morning. 311 00:17:00,799 --> 00:17:01,960 Speaker 1: I'll come straight to the point. 312 00:17:01,960 --> 00:17:04,559 Speaker 2: Then. I thought all of you would be interested to 313 00:17:04,599 --> 00:17:07,640 know that the sheriff hasn't listed the death of William 314 00:17:07,640 --> 00:17:12,680 Burke as accidental, not accidental. But just what do you mean, Jim? 315 00:17:12,799 --> 00:17:13,160 Speaker 1: Justice. 316 00:17:13,880 --> 00:17:17,680 Speaker 2: Someone in this room besides myself, knows that William Burke 317 00:17:17,839 --> 00:17:18,759 was murdered. 318 00:17:18,880 --> 00:17:21,920 Speaker 1: Last three ridiculous. I don't see how just a moment, please. 319 00:17:23,519 --> 00:17:26,160 Speaker 2: The truth of the matter is that each and every 320 00:17:26,160 --> 00:17:28,759 one of us is under suspicion until this case is sought. 321 00:17:29,720 --> 00:17:31,720 If anyone leaves these grounds, you will be tracked down 322 00:17:31,759 --> 00:17:32,640 and arrested instantly. 323 00:17:33,640 --> 00:17:34,200 Speaker 1: For the moment. 324 00:17:34,640 --> 00:17:42,200 Speaker 2: That is all I am authorized to tell you. 325 00:17:43,559 --> 00:17:46,799 Speaker 3: Ask Jim that announcement you made certainly caused us insist, Fern. 326 00:17:47,160 --> 00:17:49,480 Speaker 2: While everyone is out there on the terrace letting you off, Steve, 327 00:17:49,839 --> 00:17:52,200 I'm going to make a thorough examination of all their rooms. 328 00:17:52,480 --> 00:17:52,920 Speaker 1: Come along. 329 00:17:53,319 --> 00:17:54,640 Speaker 2: I want you to keep watch at the head of 330 00:17:54,680 --> 00:18:01,240 the stairs. Nothing at all suspicious. George Vern's room, Fern, 331 00:18:04,200 --> 00:18:10,119 no clues. In Eddie's rooms, Rosalind's room reveals nothing at all. 332 00:18:12,359 --> 00:18:17,640 I drew another blank in Harold's room. What now, Je, 333 00:18:17,799 --> 00:18:20,359 We'll have to change our tactics, Fern and shift to 334 00:18:20,480 --> 00:18:23,000 the offensive. How do you mean you well, the sheriff 335 00:18:23,000 --> 00:18:25,799 only gave me until midnight on this case. Then the 336 00:18:25,920 --> 00:18:27,240 local police are going to move in. 337 00:18:27,559 --> 00:18:28,759 Speaker 3: That doesn't give you much time. 338 00:18:29,279 --> 00:18:31,839 Speaker 2: No, so we'll have to force our murderer into a 339 00:18:31,880 --> 00:18:34,880 tight position, make him do something he hadn't counted on. 340 00:18:35,480 --> 00:18:36,559 Speaker 3: But how can we do that? 341 00:18:36,799 --> 00:18:39,799 Speaker 2: While I'm searching the servants' quarters, I want you to 342 00:18:39,799 --> 00:18:41,799 go down to the terrace and blandly announce that I've 343 00:18:41,880 --> 00:18:45,319 uncovered several clues and have promised the sheriff to deliver 344 00:18:45,400 --> 00:18:46,480 his murderer tomorrow. 345 00:18:46,920 --> 00:18:48,079 Speaker 3: That will call for s actor. 346 00:18:48,240 --> 00:18:49,880 Speaker 2: Well, f you've had a chance to serve a good 347 00:18:49,880 --> 00:18:52,799 actress this weekend. Just take a few cues from her. Okay, 348 00:18:53,079 --> 00:18:55,160 I'll meet me in the library in an hour. We'll 349 00:18:55,200 --> 00:19:00,599 compare notes there. 350 00:19:02,599 --> 00:19:04,759 Speaker 3: So after I read my lines about the clues you 351 00:19:04,759 --> 00:19:07,240 are supposed to have, I made a hasty exit and 352 00:19:07,240 --> 00:19:09,079 took a walk around the ground hearne. 353 00:19:09,440 --> 00:19:11,359 Speaker 2: Did anyone seem particularly upset by on. 354 00:19:11,319 --> 00:19:11,759 Speaker 1: What you said? 355 00:19:11,920 --> 00:19:14,079 Speaker 3: They all did, Jim, Everyone did guilty. 356 00:19:14,319 --> 00:19:15,440 Speaker 1: Oh, I was afraid of that. 357 00:19:15,839 --> 00:19:16,160 Speaker 4: I help. 358 00:19:16,200 --> 00:19:17,920 Speaker 3: You might as well search this library. 359 00:19:17,680 --> 00:19:20,160 Speaker 2: That's already been done. I gave this to so good 360 00:19:20,200 --> 00:19:22,319 going over before we searched upstairs. 361 00:19:23,359 --> 00:19:29,680 Speaker 1: Well, wait a minute, there's something different about this desk different. Yes, 362 00:19:29,759 --> 00:19:31,400 it's this desk blodder. 363 00:19:32,079 --> 00:19:34,319 Speaker 2: Someone's put a clean one here within the last two hours. 364 00:19:34,519 --> 00:19:39,000 Speaker 4: That's odd, Oh, Jim, Look it's just been reversed there's 365 00:19:39,039 --> 00:19:40,680 quite a lot of blooded writing on the other. 366 00:19:40,640 --> 00:19:46,279 Speaker 2: Side, and very interesting too. Let me go mirror hearn here. 367 00:19:47,920 --> 00:19:49,160 Speaker 3: Can you make out anything, Jim? 368 00:19:50,160 --> 00:19:53,559 Speaker 2: Yes, the name of George Felton has been written several 369 00:19:53,599 --> 00:19:55,440 times since I last saw this blodder. 370 00:19:55,640 --> 00:19:58,319 Speaker 3: Not particularly unusual when you stop to consider this is 371 00:19:58,359 --> 00:19:58,960 his library. 372 00:19:59,039 --> 00:20:00,640 Speaker 1: There's something else here? 373 00:20:01,640 --> 00:20:04,880 Speaker 2: Why it's George Felton's confession, Farn his confession. Yes, I 374 00:20:04,880 --> 00:20:07,640 can make out part of it very clearly. According to this, 375 00:20:07,920 --> 00:20:10,279 he encouraged demon to trample Burke to death. 376 00:20:10,480 --> 00:20:12,519 Speaker 3: Somehow, I didn't think George Felden was guilty. 377 00:20:12,640 --> 00:20:14,759 Speaker 2: Whether he's guilty or not, I have some good reasons 378 00:20:14,759 --> 00:20:17,400 for doubting he wrote this confession by Jim. If George 379 00:20:17,440 --> 00:20:20,119 Belvin did write this, why should he bother to reverse 380 00:20:20,160 --> 00:20:22,240 the blodder? And why should he write and blot his 381 00:20:22,319 --> 00:20:25,200 name several times when the confession is signed only once? 382 00:20:25,680 --> 00:20:30,039 Speaker 3: No, I'm completely lost, Jim. What was that he just 383 00:20:30,079 --> 00:20:30,640 hidden your hand? 384 00:20:30,839 --> 00:20:33,680 Speaker 2: You a small piece of fingernail. Another reason why I 385 00:20:33,720 --> 00:20:37,720 don't believe Feldon wrote this. There's still another, but I 386 00:20:37,759 --> 00:20:39,640 will have to wait, because that was the clue that 387 00:20:39,720 --> 00:20:49,079 told me Burke was murdered. Jim, I asked you to 388 00:20:49,079 --> 00:20:50,720 come to my room so that we could have a 389 00:20:50,720 --> 00:20:52,920 private talk. I'm glad you did, George. I've been hoping 390 00:20:53,000 --> 00:20:55,079 for a chance to speak with you. You talked first. 391 00:20:55,119 --> 00:20:56,839 Speaker 1: What's on your mind? Well, Ferne told us earlier this 392 00:20:57,000 --> 00:20:59,559 afternoon that you knew whom jured Burke. Now, if that's so, 393 00:20:59,759 --> 00:21:01,119 why haven't you exposed the killer? 394 00:21:01,279 --> 00:21:03,640 Speaker 2: Frankly, I wasn't sure who the killer was then, but 395 00:21:03,720 --> 00:21:06,200 I am now. I'm waiting for the sheriff will be 396 00:21:06,200 --> 00:21:06,759 here any moment. 397 00:21:06,799 --> 00:21:07,000 Speaker 1: Oh. 398 00:21:07,079 --> 00:21:10,079 Speaker 2: Also, there's a plot against your life, John, but against me. 399 00:21:10,359 --> 00:21:12,599 Say what are you talking about, Jim? Someone intends to 400 00:21:12,680 --> 00:21:15,200 kill you tonight. Well, I hope you're planning to do 401 00:21:15,240 --> 00:21:17,359 something about it. Yes, I intend to prevent it. 402 00:21:17,839 --> 00:21:18,599 Speaker 1: That's a relief. 403 00:21:19,799 --> 00:21:22,200 Speaker 2: Say I could stand a drink, how about you, Jim? No, thanks, 404 00:21:22,359 --> 00:21:24,599 I'll rink for something. There's a drink already mixed here 405 00:21:24,599 --> 00:21:26,920 on your table. Well, good old Robberty murder doesn't make 406 00:21:27,000 --> 00:21:30,319 him forget my nightcap. Hand it over, Jim, or certainly 407 00:21:30,359 --> 00:21:34,400 need it? Say this drink doesn't have a true color, 408 00:21:35,359 --> 00:21:37,000 George is you're a butler and habit of leaving a 409 00:21:37,079 --> 00:21:37,680 drink here for you. 410 00:21:37,599 --> 00:21:38,680 Speaker 1: Every nine fourways worth. 411 00:21:38,839 --> 00:21:42,400 Speaker 2: Well, tonight, somebody drops some poison in your drink. Georne 412 00:21:42,480 --> 00:21:44,599 poison off hand, I'd say it's been dosed with a 413 00:21:44,640 --> 00:21:46,720 goodly portion of some sort of mecuric compound. 414 00:21:46,720 --> 00:21:48,240 Speaker 1: With Jim, You've got to get to the bottom of this, 415 00:21:48,680 --> 00:21:49,119 all right. 416 00:21:49,880 --> 00:21:53,359 Speaker 2: When the sheriff arrives, we're going to accuse you of murder. Well, 417 00:21:53,359 --> 00:21:55,119 what are you talking about when you must be mad 418 00:21:55,119 --> 00:21:58,359 as you had nothing to take it east. That's the 419 00:21:58,359 --> 00:22:01,279 way I mean to trap the killer. Now listen carefully, 420 00:22:01,920 --> 00:22:03,839 the sheriff and I will pretend to believe that you 421 00:22:04,000 --> 00:22:12,880 murder Berth. And that's the whole story, Sheriff. Everyone's waiting 422 00:22:12,880 --> 00:22:14,559 for you in the drawing room to win and put. 423 00:22:14,400 --> 00:22:16,519 Speaker 1: On your reck Ooh me, and you're not coming in 424 00:22:16,559 --> 00:22:18,119 to see the fireworks. No, I've got a pack. 425 00:22:18,519 --> 00:22:20,359 Speaker 2: I'm taking the one o'clock train back to the city. 426 00:22:20,720 --> 00:22:25,200 You can take the bows on the sheriff. 427 00:22:28,039 --> 00:22:33,480 Speaker 5: Why right, everyone, quietly, God's fell in the sheriff this township. 428 00:22:33,559 --> 00:22:37,079 I'm arresting you for the murder William Burke. Yes, and 429 00:22:37,200 --> 00:22:39,920 I'm warning you than anything you say can be used 430 00:22:39,960 --> 00:22:40,359 against you. 431 00:22:40,400 --> 00:22:41,440 Speaker 3: Oh, this is ridiculous. 432 00:22:41,440 --> 00:22:44,880 Speaker 1: Sheriff, missus Burke, I know what I'm doing. Feldn is guilty. 433 00:22:45,000 --> 00:22:47,920 Speaker 3: I don't believe, Georgia. I'll help you fight this. I'll 434 00:22:47,960 --> 00:22:50,480 go and call my lawyer. They'll come down. You immediately 435 00:22:50,599 --> 00:22:51,240 handle anything. 436 00:23:05,480 --> 00:23:07,359 Speaker 2: Don't touch that glass, Rosalind Burke. 437 00:23:07,480 --> 00:23:09,200 Speaker 3: Who's who's in here? 438 00:23:09,400 --> 00:23:13,880 Speaker 2: It's the Avenger, Rosalind. I've been waiting for you. Yes, 439 00:23:14,640 --> 00:23:17,599 I know you plan to poison George Feldon tonight and 440 00:23:17,680 --> 00:23:19,480 make it look like guilty suicide. 441 00:23:19,759 --> 00:23:20,880 Speaker 3: Have a hard time proving that. 442 00:23:21,240 --> 00:23:24,319 Speaker 2: I don't think so. Your very presence in this room 443 00:23:24,359 --> 00:23:27,519 condemns you, not only that you have Feldon's confession to 444 00:23:27,559 --> 00:23:30,119 your husband's murd there and your purse. You wrote it 445 00:23:30,160 --> 00:23:31,559 early this afternoon in the library. 446 00:23:31,880 --> 00:23:33,759 Speaker 3: What sort of goes are you that you know what 447 00:23:33,799 --> 00:23:34,440 I've done. 448 00:23:34,559 --> 00:23:37,480 Speaker 2: I'll tell you more. When your little planned to kill 449 00:23:37,559 --> 00:23:39,960 George failed, you came back here to get rid of 450 00:23:40,039 --> 00:23:43,319 that tell tale poison, and that was the greatest mistake 451 00:23:43,359 --> 00:23:43,720 you made. 452 00:23:43,880 --> 00:23:45,880 Speaker 3: Where are you well? Silence you Avenger. 453 00:23:46,119 --> 00:23:50,519 Speaker 2: The sheriff is awaiting you, Rosalind. Open the door. It's 454 00:23:50,599 --> 00:23:52,640 time for your last curtain call. 455 00:23:53,480 --> 00:23:56,759 Speaker 3: I don't believe this is some sort of joke. I'll 456 00:23:56,799 --> 00:24:00,720 call you. It's oh, I. 457 00:24:00,680 --> 00:24:04,640 Speaker 1: Don't missus Burke. I'm a quiet name child. He was murdered. 458 00:25:32,720 --> 00:25:34,880 Speaker 2: Well, friend, how do you like riding a coach? 459 00:25:34,920 --> 00:25:37,559 Speaker 3: And for Oh, it's wonderful, Jim, thanks an awful lot. 460 00:25:37,559 --> 00:25:39,720 But let him persuade you to stay over an extra day. 461 00:25:39,839 --> 00:25:42,920 Speaker 2: Well, this weekend turned out badly for you. You've planned 462 00:25:42,920 --> 00:25:45,000 on doing a lot of riding, and instead you got 463 00:25:45,039 --> 00:25:45,920 mixed up in a murder. 464 00:25:46,079 --> 00:25:48,440 Speaker 3: Jim the horse a minute, there are a few points 465 00:25:48,480 --> 00:25:49,960 on that murder you've got to clear up for me. 466 00:25:50,319 --> 00:25:50,839 Speaker 5: Whoa there? 467 00:25:51,559 --> 00:25:51,799 Speaker 3: Whoa? 468 00:25:55,160 --> 00:25:56,720 Speaker 1: Okay? Turn shoot good? 469 00:25:57,440 --> 00:25:59,400 Speaker 3: How are you so, sire? Roslin was guilty? 470 00:25:59,519 --> 00:26:02,599 Speaker 2: Well, Rosalond was something of an expert in handwriting, as 471 00:26:02,640 --> 00:26:05,400 she demonstrated the other day, so she was the logical 472 00:26:05,400 --> 00:26:08,400 one to suspect of writing that false confession. In addition 473 00:26:08,440 --> 00:26:11,240 to that, she had practiced writing the name George Felton 474 00:26:11,279 --> 00:26:13,759 several times. Then I found a small piece of red 475 00:26:13,799 --> 00:26:16,079 lacquered finger nail, which he must have broken when she 476 00:26:16,200 --> 00:26:19,359 reversed the blogger. Later I checked on that and found 477 00:26:19,359 --> 00:26:21,400 that the nail on her right forefinger was much shorter 478 00:26:21,440 --> 00:26:22,000 than the others. 479 00:26:22,359 --> 00:26:24,400 Speaker 3: Do you mean, Jimmie Rosmind came down here for the 480 00:26:24,400 --> 00:26:26,119 weekend planning to commit to murders. 481 00:26:26,160 --> 00:26:29,160 Speaker 2: No, her original plan was to murder her husband, and 482 00:26:29,200 --> 00:26:31,720 that only if he refused to back her play. He 483 00:26:31,839 --> 00:26:34,400 did refuse, so she killed him. If we hadn't tumbled 484 00:26:34,440 --> 00:26:36,400 to the fact that his death was an accidental, she 485 00:26:36,400 --> 00:26:38,559 would have collected enough insurance to back her own play. 486 00:26:38,880 --> 00:26:41,200 Speaker 3: Then why did she decide to get rid of George. 487 00:26:40,880 --> 00:26:43,000 Speaker 2: When I announced that we knew Burke had been murdered. 488 00:26:43,400 --> 00:26:45,559 She decided to pin the crime on George and shut 489 00:26:45,599 --> 00:26:48,279 him up. She planned to poison him and leave the 490 00:26:48,319 --> 00:26:51,240 confession in his room. She was certain his suicide would 491 00:26:51,279 --> 00:26:51,839 close the case. 492 00:26:52,000 --> 00:26:54,319 Speaker 3: Wait a minute, Jim, I forgot to ask you the 493 00:26:54,319 --> 00:26:57,640 most important thing. How did you know Berke was nervy? 494 00:26:57,839 --> 00:27:01,799 Speaker 2: Well, friend, a horse always up, but the marks of 495 00:27:01,799 --> 00:27:05,359 the horseshoe and Burke's face and body were down. Rosalind 496 00:27:05,640 --> 00:27:07,759 nailed a horseshoe on a board and waited for Burke 497 00:27:07,799 --> 00:27:10,400 and demon's stall. She was a strong woman, as you know, 498 00:27:10,599 --> 00:27:13,599 and she hit him quickly and repeatedly. But her mistake 499 00:27:13,720 --> 00:27:16,279 was in the position of the horseshoe. The open end 500 00:27:16,319 --> 00:27:18,440 of it should have been toward the top of the board. 501 00:27:18,839 --> 00:27:21,839 She nailed it with the open end down, and that 502 00:27:21,960 --> 00:27:22,920 told me it was murder. 503 00:27:23,319 --> 00:27:25,880 Speaker 3: Then she made another mistake, because you didn't reveal that 504 00:27:26,000 --> 00:27:27,319 you knew how Burke was murdered. 505 00:27:27,400 --> 00:27:30,039 Speaker 2: Yes, in that confession she wrote for George, she had 506 00:27:30,079 --> 00:27:33,039 him admitting that he had let demon kick Burke to death. 507 00:27:33,559 --> 00:27:35,880 I knew Burke couldn't have died that way, so the 508 00:27:36,039 --> 00:27:37,240 confession had to be phony. 509 00:27:37,720 --> 00:27:39,319 Speaker 3: Well, that takes care of everything. 510 00:27:39,440 --> 00:27:43,160 Speaker 2: Good. Let's compete with our ride here, friend, take the ring. 511 00:27:43,240 --> 00:27:45,079 Oh no, go on, take them. Let me see how 512 00:27:45,119 --> 00:27:47,319 you can have these faiths. He'll take them. If you're 513 00:27:47,359 --> 00:27:49,079 good enough, I'll enter you an affair next year. 514 00:27:49,440 --> 00:27:50,240 Speaker 1: Get up, Get up. 515 00:27:50,279 --> 00:27:50,480 Speaker 3: There. 516 00:27:58,279 --> 00:28:01,319 Speaker 2: All characters, names, places, and used in the Avenger program 517 00:28:01,400 --> 00:28:04,440 or fictitious. Any similarity to persons living or dead is 518 00:28:04,480 --> 00:28:05,599 purely coincidental. 519 00:28:10,559 --> 00:28:14,440 Speaker 1: This is a thought, a thought, a thought. 520 00:28:15,319 --> 00:28:18,119 Speaker 2: Remember listen for another adventure of 521 00:28:20,319 --> 00:28:21,039 Speaker 1: The Avenger.