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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What what's gonna happen?

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<v Speaker 3>What is everybody? Welcome to another Headless's Magical Mailbag and

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<v Speaker 3>Remote Viewing Experience. Next, tell what you've been up to?

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<v Speaker 1>What is going on? How are you?

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<v Speaker 4>Ah?

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<v Speaker 1>Same thing on editing and recording.

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<v Speaker 4>I was working on I think I had mentioned last

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<v Speaker 4>time the eyeball, and then I was going to do

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<v Speaker 4>the twelve cranial nerves.

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<v Speaker 1>It's a little bit shorter shows, believe it or not

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<v Speaker 1>to do that.

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<v Speaker 4>So, yeah, you're gonna work on some like nerdy scignce

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<v Speaker 4>ship and then go back to Obviously I have all

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<v Speaker 4>this stuff on gnosticism and Christianity that I'm still going

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<v Speaker 4>to cover.

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<v Speaker 1>Yeah one of it.

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<v Speaker 2>Just try to do those real quick.

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<v Speaker 1>To throw in the Me.

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<v Speaker 3>And Ethan were doing some math before, well after the trialogues,

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<v Speaker 3>and we found something interesting. So you've got one point

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<v Speaker 3>six being the number of five, right, and then four

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<v Speaker 3>being the number of like eight squared right, So eight

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<v Speaker 3>being that sort of the number of the unity of

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<v Speaker 3>duality squaring that gives you sixty four. And then when

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<v Speaker 3>you divide sixty four by one point six, you get forty.

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<v Speaker 3>And you see that number forty all over the Bible, right,

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<v Speaker 3>especially talk about the Jamatri of the Bible two weeks ago,

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<v Speaker 3>and it's just like there it is, so a lot

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<v Speaker 3>of those have a lot of connections that I think

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<v Speaker 3>people are kind of overlooking. Get back into five because five,

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<v Speaker 3>when you divide by five, you get the ratio, and

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<v Speaker 3>that ratio is very important for all the rest of

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<v Speaker 3>this stuff. Well, I wanted to bring up you know,

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<v Speaker 3>we normally do our little presentations before the show. I

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<v Speaker 3>wanted to bring up my presentation here. So the Vatican

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<v Speaker 3>is now really thinking hard about bringing back the witch

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<v Speaker 3>burning era. So in a private audience, the International Association

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<v Speaker 3>of Exorcists urge Pope Leo to appoint properly trained priest

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<v Speaker 3>exorcists in every diocese, citing arise and spiritual harm linked

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<v Speaker 3>to growing occult practices. You are welcome, ladies and gentlemen.

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<v Speaker 3>We are having an impact as well.

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<v Speaker 4>Right, you think that's so weird though, It's like, how

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<v Speaker 4>much different is it from Cathos?

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<v Speaker 3>Well, I mean, we've got, you know, this rampant migration

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<v Speaker 3>problem where all of these countries in Europe are basically

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<v Speaker 3>being forced into extinction. We've got these wars going on

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<v Speaker 3>in the Middle East, and you can't talk about that

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<v Speaker 3>or else the Pope is going to get mad at

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<v Speaker 3>you for anti Semitism. And the thing we need to

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<v Speaker 3>worry about is thirteen year olds playing with tarot cards,

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<v Speaker 3>because that needs an exorcists in every dioceseh It is weird.

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<v Speaker 4>It's just like when you look at those people like

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<v Speaker 4>you just like the way they're dressed to like, all right,

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<v Speaker 4>and you're going after occultists.

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<v Speaker 2>It's just funny. It's just like you, guys, realize how

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<v Speaker 2>you look.

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<v Speaker 3>I don't know, well, the magicians at the top hate competition.

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<v Speaker 2>That's actually what I was thinking, honestly.

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<v Speaker 4>I was like, yo, they just want people to keep

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<v Speaker 4>staying stupid, because only only thing I can see is

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<v Speaker 4>you know, depending on where you go with it, but

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<v Speaker 4>if you get into the occult, I think you would

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<v Speaker 4>just understand their's shit, maybe even more more in depth.

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<v Speaker 1>You can't have that.

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<v Speaker 3>Well, you saw think I'm not sure which podcast it was,

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<v Speaker 3>but they had this prominent exorcist on there that was

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<v Speaker 3>blaming everything on the occult and all these ancient ancestral

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<v Speaker 3>spirits and trying to say that you know, this is

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<v Speaker 3>the real problem. You've seen the Exorcists pop up again

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<v Speaker 3>and again and again. You know, I think they're going

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<v Speaker 3>off of the podcasting sphere, which has really become obsessed

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<v Speaker 3>with the roots of all these different religions, and the

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<v Speaker 3>best way to get rid of that understanding is to

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<v Speaker 3>bring back sort of the witch burning era. So I

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<v Speaker 3>think they've they've caught on, so good for them.

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<v Speaker 4>Well, I would even say, I mean, is what it is.

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<v Speaker 4>I think I'm not really knocking the people. But even

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<v Speaker 4>if you look at it right now, when it comes

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<v Speaker 4>to Christianity, and again, like unfortunately this is with social

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<v Speaker 4>media and podcasting, I couldn't really tell you how people

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<v Speaker 4>are out in the real world because I'm kind of

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<v Speaker 4>a hermit. But even the Christians are constantly on everything.

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<v Speaker 4>He's fucking Satan, Lucifer and demons lately. I mean, like

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<v Speaker 4>in any topic they want to cover, they're just trying

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<v Speaker 4>to show how it's demonic. It's like, yo, it's like

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<v Speaker 4>it's fucking from all sides, that's all yo. For real,

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<v Speaker 4>You're talking about demons and fucked up shit and more

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<v Speaker 4>than fucking occultist even think about it's fucking weird. It's

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<v Speaker 4>like we don't think about this ship that much as

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<v Speaker 4>you guys do.

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<v Speaker 2>Man, the fuck's wrong with you?

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<v Speaker 4>Well, for real, head, let's think about that. That is

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<v Speaker 4>all the people that you know that practice. How many

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<v Speaker 4>people do you think actually think about that ship at all?

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<v Speaker 3>Think about how many?

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<v Speaker 4>How much every day they're thinking about it in their

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<v Speaker 4>fucking head? Who's the twisted one now but the sick

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<v Speaker 4>images in their head?

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<v Speaker 3>Think about how many prominent occultists we've had on how

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<v Speaker 3>many times have they mentioned the word demons or devils

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<v Speaker 3>or any of that stuff? So who's the word conjuring it?

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<v Speaker 4>At some point it's like, how often do you think

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<v Speaker 4>about kids getting raped as the motherfucker who's doing it?

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<v Speaker 2>I'm just keeping it real man.

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<v Speaker 4>At this point, it's just like, Yo, you constantly have

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<v Speaker 4>that idea, and you had as much as the sick

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<v Speaker 4>fock's doing it, Like, why do you want that in there?

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<v Speaker 4>It's fucking weird.

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<v Speaker 3>I understand the drive for justice, right, we need.

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<v Speaker 2>I understand that. No do I do get that. I

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<v Speaker 2>do get that, But people will lose.

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<v Speaker 3>How do we get closer to justice If all we're

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<v Speaker 3>doing is focusing on Dixon demons.

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<v Speaker 1>You're not going to exactly.

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<v Speaker 3>That's why it's so useful, Dix and demons. Listen.

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<v Speaker 2>I'm not saying that.

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<v Speaker 4>Look, I'm not saying that, Yes, that is one part

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<v Speaker 4>of many things that should be looked at.

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<v Speaker 2>I'm not saying to it, not over not look at

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<v Speaker 2>it and overlook it. Are you stand in and keep

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<v Speaker 2>it moving?

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<v Speaker 3>Exactly? Let's get to that point where we can actually

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<v Speaker 3>achieve justice instead of saying we're powerless to all of

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<v Speaker 3>these occult forces that are are bringing demons into our

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<v Speaker 3>world or whatever. That's not helpful, that's not actually going

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<v Speaker 3>to bring about any real and lasting change. M But

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<v Speaker 3>what do you got?

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<v Speaker 4>Oh yeah, that's right, we got we got the pictures today,

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<v Speaker 4>we got the remote viewing everybody. All right, it's gonna

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<v Speaker 4>get exciting. Uh yeah. Got a little bit of a

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<v Speaker 4>kind of like a short guided meditation here too.

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<v Speaker 1>Again, So no.

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<v Speaker 4>Music this time, though, I gotta I gotta figure that

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<v Speaker 4>one out. I gotta see if I want to try

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<v Speaker 4>to pull that off or not. Though it's ideah people,

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<v Speaker 4>let us know if you think music is an idea

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<v Speaker 4>and put it in the chat or whatever, if you

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<v Speaker 4>think they would try to play some sort of mellow

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<v Speaker 4>music problem is, though I don't know, like it may

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<v Speaker 4>not be what everybody wants to hear, so it's like,

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<v Speaker 4>is not gonna fuck everybody up instead of just not

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<v Speaker 4>having music at all? But yeah, yeah, you know what

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<v Speaker 4>I'm saying, like, yeah, so what here?

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<v Speaker 3>Let me let me just uh, let me just.

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<v Speaker 5>Uh nice, Yeah, clear the air a little bit there.

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<v Speaker 4>I like that dice. Dude, I had one of those.

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<v Speaker 4>Two are pretty fun too, if.

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<v Speaker 2>Once you finally get the hang of it, you're like,

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<v Speaker 2>oh shit, look at the.

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<v Speaker 3>I lost the I lost the thing inside of it.

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<v Speaker 3>So I'm using a pestle from a mortar pestle.

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<v Speaker 2>Yeah, it worked.

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<v Speaker 3>It actually works better than the other one.

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<v Speaker 4>It's probably probably a different weight, all right, So uh yeah,

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<v Speaker 4>I got the five five things again. I'll go through

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<v Speaker 4>this meditation first. I think at the beginning, try to

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<v Speaker 4>you know, get a soul and the right headspace, and

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<v Speaker 4>then uh then we'll go into uh, I guess envelope

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<v Speaker 4>number one. But uh, all right, breathe and clearing the

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<v Speaker 4>mind before we begin. Just allow yourself to settle, Let

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<v Speaker 4>your body becomes still, Let your hands rest comfortably, let

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<v Speaker 4>your shoulders drop, let your jaw unclenched. And gently close

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<v Speaker 4>your eyes. Take a slow breath in through your nose

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<v Speaker 4>and exhale saucily. Again, Breathe in and breathe out one

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<v Speaker 4>more time, slow and slowly out. Now, let your breathing

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<v Speaker 4>find a natural rhythm, easy, gentle, and unforced. With every inhale,

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<v Speaker 4>draw and calm with every exhale, Let go of tension.

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<v Speaker 4>Breathing calm, Breathe out noise, Breathe in stillness, Breathe out distraction,

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<v Speaker 4>breathing clarity, breatheout effort. Now bring your attention fully to

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<v Speaker 4>your breath. Notice the air entering the nose, Notice the

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<v Speaker 4>chest rise, Notice the body softened as you exhale. Nothing

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<v Speaker 4>else to do right now, nothing to force, nothing to chase,

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<v Speaker 4>Only breathe. If thoughts appear, let them pass, Do not

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<v Speaker 4>follow them, do not fight them. Just let them drift

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<v Speaker 4>by like clouds. Each time your mind wanders, gently return

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<v Speaker 4>to the breath. Inhale, Calm, exhale, release, inhale, soften, exhale empty.

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<v Speaker 4>Now imagine the space behind your eyes closed. At first,

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<v Speaker 4>it may seem busy. No sorry, Now imagine the space

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<v Speaker 4>beyond your closed eyes. At first, it may seem busy, flickering,

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<v Speaker 4>full of leftover thoughts and impressions.

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<v Speaker 1>That's okay.

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<v Speaker 4>Now, imagine that with each breath, that inner space becomes clearer.

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<v Speaker 4>As you inhale, the mind grows quieter. As you exhale,

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<v Speaker 4>The inner screen clears inhale, clearing, exhale, softening, inhale, openness,

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<v Speaker 4>exhale stillness. Let the mind's eye become like a calm

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<v Speaker 4>dark lake, smooth, quiet, undisturbed, no ripples, no strain, no

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<v Speaker 4>forcing images, just the clear inner space. If a thought comes,

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<v Speaker 4>let it fade. If tension appears, breathe it out. If

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<v Speaker 4>expectation appears, release it. You are not trying to make

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<v Speaker 4>something happen. You are simply becoming still enough to notice.

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<v Speaker 4>I'll silently say to yourself, I am relaxed, I am

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<v Speaker 4>breathing slowly. My mind is calm, my inner sight is clear.

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<v Speaker 4>I let go of noise. I allow stillness. Take another

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<v Speaker 4>slow breath in.

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<v Speaker 1>And a long.

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<v Speaker 4>Breath out, again, in and out, one more time, in

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<v Speaker 4>and out. Stay here for a moment, in the quiet, breathing,

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<v Speaker 4>relaxed and clear. Okay, Now we will begin to focus

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<v Speaker 4>on envelope number one. Stay focused on your breathing, allow

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<v Speaker 4>feelings and images to just appear and come in. Sure

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<v Speaker 4>you start to write everything down. Try to stay relaxed.

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<v Speaker 4>Focus on your breathing. Okay, all right, you good, helpless? Alright,

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<v Speaker 4>all right, now try to focus it on. Don't focus whatever,

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<v Speaker 4>keep your eyes closed, close your eyes again, Relax the body.

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<v Speaker 4>Start all over again. The eyes, the jaw, your shoulders.

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<v Speaker 4>Make sure you're sitting and laying comfortable. However you are.

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<v Speaker 4>Stop breathing in again and then out. Focus on your breath.

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<v Speaker 4>Every time you breathe in and breathe out, the inner

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<v Speaker 4>screen clears, and then we will do Envelope number two.

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<v Speaker 1>Breathe in and now.

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<v Speaker 4>Let the images come to you. Feelings come to you.

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<v Speaker 4>Don't force it, stay relaxed, keep breathing, focus on it.

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<v Speaker 1>Okay, Now on to the third one.

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<v Speaker 4>All right, so again, get yourself full, comfortable, get your

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<v Speaker 4>breathing down again. Three we can get relaxed. Then breathe out.

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<v Speaker 4>Try to forget everything you were just thinking about. Let

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<v Speaker 4>it all go, close your eyes and let it go dark.

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00:17:18.400 --> 00:17:38.000
<v Speaker 4>Here we have envelope number three. Don't force anything, just

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<v Speaker 4>let the visions come. Make sure you get everything written down.

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<v Speaker 4>Im Try to stay as relaxed as possible. That is

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<v Speaker 4>the end forra A. Envelope number three. Okay, two more left,

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<v Speaker 4>those eyes closed again, you got relaxed. Let it all

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<v Speaker 4>out ready ahead, your eyes, your joy, your shoulders, your waist.

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<v Speaker 4>Breathe in and breathe out. Breathe in, breathe out. Let

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<v Speaker 4>it go black and let the images come to you.

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00:19:41.240 --> 00:20:00.400
<v Speaker 4>H Breathe in and breathe out. Stay relaxed, write down

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00:20:00.440 --> 00:20:25.240
<v Speaker 4>everything you see and feel. Okay, coming out of that one. Now,

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<v Speaker 4>got one more left, number five. You know the deal already.

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<v Speaker 4>Get relaxed with your body, shake it off. Close those eyes,

231
00:20:43.880 --> 00:20:46.119
<v Speaker 4>try to clean that slab off and make it dark again.

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<v Speaker 4>Make sure nothing's left behind.

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<v Speaker 1>Breathe in and breathe out. Envelope number five.

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<v Speaker 4>H kay.

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00:21:31.440 --> 00:21:33.559
<v Speaker 1>H m.

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<v Speaker 4>Hm, okay, make sure you got everything written down. You're

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<v Speaker 4>still here. We made it, thank you?

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<v Speaker 1>All right?

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00:21:55.519 --> 00:21:55.799
<v Speaker 2>All right?

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00:21:55.880 --> 00:21:58.440
<v Speaker 4>Oh yeah, what do you think that.

241
00:22:00.000 --> 00:22:00.480
<v Speaker 3>Idges?

242
00:22:00.559 --> 00:22:00.839
<v Speaker 2>Did you?

243
00:22:01.279 --> 00:22:04.680
<v Speaker 3>Nice? I know for a fact, that was way off.

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00:22:05.039 --> 00:22:09.319
<v Speaker 4>I just know these are these are too fucking good

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00:22:09.559 --> 00:22:12.240
<v Speaker 4>to be like real, right, it's funny.

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00:22:11.920 --> 00:22:15.400
<v Speaker 3>Well, I mean it was. It was so it wasn't

247
00:22:15.440 --> 00:22:18.440
<v Speaker 3>like impressions. Normally I'll get like impressions, but.

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<v Speaker 4>These, okay, I know what you mean. Yeah, when I

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00:22:21.480 --> 00:22:24.480
<v Speaker 4>get shipped, that's descriptive. I normally that was why even

250
00:22:24.480 --> 00:22:26.359
<v Speaker 4>with the Walmart it was so descriptive of like the

251
00:22:26.440 --> 00:22:28.200
<v Speaker 4>vision down the aisles and all the other ones was like,

252
00:22:28.440 --> 00:22:30.920
<v Speaker 4>I can't that was the one you got, right, yeah,

253
00:22:31.880 --> 00:22:33.440
<v Speaker 4>because it was just like, come on, this is like

254
00:22:33.519 --> 00:22:35.440
<v Speaker 4>literally a picture out of me walking into it.

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00:22:36.160 --> 00:22:38.200
<v Speaker 3>All right, So this is what I got for number one.

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00:22:38.200 --> 00:22:42.559
<v Speaker 3>I got light through a hole, green, purple, gray, white,

257
00:22:42.680 --> 00:22:43.599
<v Speaker 3>and boxes.

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00:22:45.440 --> 00:22:46.599
<v Speaker 1>Here we go. Pull it up.

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<v Speaker 3>Ooh ooh. I see a little gray, I see the white.

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00:22:55.160 --> 00:22:58.440
<v Speaker 3>I see light through a hole. That's like windows. Like

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00:22:58.519 --> 00:23:00.680
<v Speaker 3>I was feeling some kind of a window o type thing,

262
00:23:01.559 --> 00:23:04.640
<v Speaker 3>but it was like very vivid, and I was in

263
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<v Speaker 3>the sense of green, but there was no green, gray,

264
00:23:09.599 --> 00:23:15.160
<v Speaker 3>white boxes. But yeah, there's the white boxes. That's pretty close.

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<v Speaker 3>I can give you that one a fifty.

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<v Speaker 4>Yeah, you got the white boxes and blank black, dog green, orange. Yeah.

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<v Speaker 4>This person have front door. Wow, that's really fucking close.

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<v Speaker 4>Front door of the house. Small home?

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<v Speaker 1>Yeah? Wow? Nice?

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<v Speaker 4>Okay, dude, I mean that's pretty I mean there's there's

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<v Speaker 4>the front door right here. I mean it's not a

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00:23:37.400 --> 00:23:39.799
<v Speaker 4>small house, but it's a small picture.

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00:23:41.079 --> 00:23:41.680
<v Speaker 1>There we go.

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<v Speaker 3>That's number two. All right, Oh, you gotta wait until after.

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<v Speaker 3>This is what I got. I got red car hood, yep,

276
00:23:52.160 --> 00:23:59.319
<v Speaker 3>herb numbers, trees, h and townhouses. It was so vivid,

277
00:23:59.440 --> 00:23:59.680
<v Speaker 3>like I.

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00:23:59.680 --> 00:24:05.799
<v Speaker 2>Could it was like a painting in your head. What

279
00:24:05.839 --> 00:24:08.559
<v Speaker 2>did that one guy have down there? A field with telephone,

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00:24:08.599 --> 00:24:11.079
<v Speaker 2>poles field telephone?

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00:24:13.160 --> 00:24:14.119
<v Speaker 3>Let me pull these up?

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00:24:14.839 --> 00:24:15.680
<v Speaker 1>What did you have for?

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00:24:16.759 --> 00:24:20.400
<v Speaker 3>This was number two? Was the red car hood, parking lot,

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00:24:20.960 --> 00:24:21.640
<v Speaker 3>yellow curb.

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00:24:22.160 --> 00:24:24.960
<v Speaker 1>What do you got for the number three?

286
00:24:25.640 --> 00:24:30.079
<v Speaker 3>I got triangle downwards. It was kind of like above

287
00:24:30.559 --> 00:24:33.240
<v Speaker 3>looking down like it was a triangle up here and

288
00:24:33.279 --> 00:24:35.359
<v Speaker 3>it was downwards and it had kind of like a

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00:24:35.400 --> 00:24:40.160
<v Speaker 3>blue tip to It was really vivid stream of water,

290
00:24:40.599 --> 00:24:44.039
<v Speaker 3>kind of like looking down into a culvert, right, so

291
00:24:44.279 --> 00:24:47.279
<v Speaker 3>kind of a stream of water. And then Buddha with

292
00:24:47.440 --> 00:24:49.000
<v Speaker 3>gold eyes and blue.

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00:24:51.519 --> 00:24:51.880
<v Speaker 1>Damn.

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00:24:53.319 --> 00:24:58.400
<v Speaker 3>Let's see number three. Oh maybe some gold eyes, right,

295
00:24:58.519 --> 00:25:02.519
<v Speaker 3>that's gold eyes. That was like the last vision that

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00:25:02.599 --> 00:25:04.440
<v Speaker 3>sort of popped into my head at the very end

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00:25:04.440 --> 00:25:06.519
<v Speaker 3>and I'm like, wait a second, gold eyes?

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00:25:06.640 --> 00:25:07.599
<v Speaker 1>What yo?

299
00:25:07.720 --> 00:25:08.279
<v Speaker 2>Did you ever see?

300
00:25:08.319 --> 00:25:08.880
<v Speaker 1>You know what? I think?

301
00:25:09.000 --> 00:25:10.759
<v Speaker 2>Just like psychedo for real, for real?

302
00:25:10.839 --> 00:25:14.359
<v Speaker 4>This this part right here and on the eyes in

303
00:25:14.359 --> 00:25:16.359
<v Speaker 4>the way this is, it almost looks like those like

304
00:25:16.400 --> 00:25:17.759
<v Speaker 4>Sumerian lizard gods.

305
00:25:17.799 --> 00:25:20.240
<v Speaker 3>Doesn't it a little.

306
00:25:20.039 --> 00:25:21.240
<v Speaker 2>Bit like that?

307
00:25:22.079 --> 00:25:23.559
<v Speaker 4>I know that's not it, but that's when I first

308
00:25:23.599 --> 00:25:24.720
<v Speaker 4>saw it. That's why I was like, Yo, what the

309
00:25:24.720 --> 00:25:26.920
<v Speaker 4>fuck is that? And I realized it was what it was.

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00:25:28.279 --> 00:25:31.119
<v Speaker 3>Well, I'm giving myself a zero on number two. I'm

311
00:25:31.119 --> 00:25:33.359
<v Speaker 3>giving myself a let's say.

312
00:25:33.640 --> 00:25:35.680
<v Speaker 1>And expect anybody to get this one. So that's why

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00:25:35.680 --> 00:25:36.599
<v Speaker 1>I threw that in there.

314
00:25:37.079 --> 00:25:40.480
<v Speaker 3>One third on the last because gold eyed Buddha. I

315
00:25:40.480 --> 00:25:44.680
<v Speaker 3>mean like, there's meditation, there's brain, there's there's something, and

316
00:25:44.720 --> 00:25:48.240
<v Speaker 3>the eyes optic nerves are in gold there. So I'd

317
00:25:48.240 --> 00:25:50.160
<v Speaker 3>say that's one third correct.

318
00:25:51.440 --> 00:25:52.000
<v Speaker 2>What'd you get for.

319
00:25:53.720 --> 00:25:56.480
<v Speaker 3>Number four? This one is way off? I just know it.

320
00:25:56.559 --> 00:25:56.640
<v Speaker 4>So.

321
00:25:57.400 --> 00:26:02.960
<v Speaker 3>Uh A red dragon on a wooden table. It's Chinese

322
00:26:03.000 --> 00:26:08.680
<v Speaker 3>style and there's a bookshelf in the background. Huh all right,

323
00:26:11.720 --> 00:26:16.000
<v Speaker 3>oh yeah, way off. But it was like, you know,

324
00:26:16.039 --> 00:26:20.839
<v Speaker 3>one of those Ikia style sort of dragons on a table.

325
00:26:21.039 --> 00:26:23.480
<v Speaker 1>Yeah wow.

326
00:26:24.519 --> 00:26:26.960
<v Speaker 3>But again, these were just so vivid. I'm like, this

327
00:26:27.160 --> 00:26:31.519
<v Speaker 3>is taking up my whole vision, you know, something right too?

328
00:26:31.319 --> 00:26:33.720
<v Speaker 1>Too perfect? Right? Yeah, I know what you mean.

329
00:26:34.240 --> 00:26:36.960
<v Speaker 4>When they get those of them normally like completely warm.

330
00:26:37.240 --> 00:26:39.559
<v Speaker 4>I'll get some ship that looks like that paint or

331
00:26:39.559 --> 00:26:43.079
<v Speaker 4>Bob the fucking Bob with the afro we do and

332
00:26:43.119 --> 00:26:43.839
<v Speaker 4>I'm like, that's.

333
00:26:43.960 --> 00:26:45.799
<v Speaker 3>Oh yeah, yeah.

334
00:26:45.839 --> 00:26:48.480
<v Speaker 4>Yeah, like that popping up. I'm like, obviously that's not

335
00:26:48.519 --> 00:26:49.680
<v Speaker 4>gonna be what the fuck he took?

336
00:26:51.160 --> 00:26:55.079
<v Speaker 3>All right, sho, Actually this one might be close. So

337
00:26:55.119 --> 00:26:59.839
<v Speaker 3>I got number five is sun diss scaff staff go

338
00:27:00.319 --> 00:27:03.920
<v Speaker 3>with red jewels light flooding through.

339
00:27:06.160 --> 00:27:06.880
<v Speaker 1>That's interesting.

340
00:27:07.960 --> 00:27:12.759
<v Speaker 3>Yeah, there's that red through these things. Yeah, and there

341
00:27:12.880 --> 00:27:15.599
<v Speaker 3>was there. There's kind of the idea of that wood too,

342
00:27:15.640 --> 00:27:21.319
<v Speaker 3>it said staff. Right, yeah, so you got the wooden

343
00:27:21.359 --> 00:27:24.200
<v Speaker 3>staff a little so I'll give myself one third on

344
00:27:24.279 --> 00:27:27.680
<v Speaker 3>that one. But that's not bad. So I think I

345
00:27:27.720 --> 00:27:32.519
<v Speaker 3>got about three or four points maybe points. I'll give

346
00:27:32.519 --> 00:27:37.039
<v Speaker 3>myself two points. All right.

347
00:27:37.440 --> 00:27:37.960
<v Speaker 1>There you go.

348
00:27:39.279 --> 00:27:42.720
<v Speaker 3>Interesting. Well that was that was a good walkthrough for

349
00:27:42.799 --> 00:27:46.160
<v Speaker 3>the for calming down. I think maybe what we need

350
00:27:46.200 --> 00:27:49.839
<v Speaker 3>to work on is the view screen, you know, because

351
00:27:49.920 --> 00:27:52.240
<v Speaker 3>you got to get people in that sort of view screen.

352
00:27:53.240 --> 00:27:53.480
<v Speaker 1>I know.

353
00:27:53.559 --> 00:27:55.480
<v Speaker 4>I was like, I gotta come up for something with that.

354
00:27:55.480 --> 00:27:57.559
<v Speaker 4>That was enough for me today. Just try to even

355
00:27:57.559 --> 00:28:01.319
<v Speaker 4>get that done, right, Yeah, No, I was thinking about

356
00:28:01.319 --> 00:28:03.599
<v Speaker 4>that I was, I get something that's like, even if

357
00:28:03.599 --> 00:28:05.519
<v Speaker 4>I had to get something uniform that I just say

358
00:28:05.519 --> 00:28:07.440
<v Speaker 4>every time we go into the next one.

359
00:28:08.079 --> 00:28:13.799
<v Speaker 3>Yeah, Well, with Russian remote viewing, they try to promote

360
00:28:13.799 --> 00:28:17.200
<v Speaker 3>the idea of having like a movie screen in front

361
00:28:17.200 --> 00:28:19.680
<v Speaker 3>of you and all these images of flooding off the

362
00:28:19.759 --> 00:28:23.480
<v Speaker 3>movie screen. So that's one method, but you know, the

363
00:28:23.799 --> 00:28:26.279
<v Speaker 3>Western method of doing it is more like taking all

364
00:28:26.359 --> 00:28:28.960
<v Speaker 3>the sensory data in, doesn't matter where it's coming from,

365
00:28:29.079 --> 00:28:32.319
<v Speaker 3>So it's kind of a different thing. But you know,

366
00:28:32.480 --> 00:28:35.200
<v Speaker 3>viewscreen mode or all the sensory data in, it all

367
00:28:35.200 --> 00:28:38.680
<v Speaker 3>depends on where you are a more active learner. If

368
00:28:38.680 --> 00:28:42.279
<v Speaker 3>you're a more visual learner as opposed to other senses,

369
00:28:42.880 --> 00:28:44.880
<v Speaker 3>that could make a difference, like what are you listening to?

370
00:28:45.079 --> 00:28:47.160
<v Speaker 3>If you're listening to things all day, you're probably a

371
00:28:47.160 --> 00:28:51.960
<v Speaker 3>better listening learner. ASMR he's said that ASMR was helping

372
00:28:52.039 --> 00:28:54.960
<v Speaker 3>him out. But I think going through that focus it

373
00:28:55.000 --> 00:28:58.079
<v Speaker 3>helped me to form the visions in my head. That's

374
00:28:58.079 --> 00:28:59.680
<v Speaker 3>why they were so crisp and clear.

375
00:29:00.359 --> 00:29:00.720
<v Speaker 2>Mm hmm.

376
00:29:05.400 --> 00:29:07.680
<v Speaker 3>But yeah, that's that was a good episode.

377
00:29:07.400 --> 00:29:09.880
<v Speaker 1>Yeah, fun, We'll do some more.

378
00:29:10.079 --> 00:29:12.519
<v Speaker 3>Next time, and if you guys have any emails that

379
00:29:12.559 --> 00:29:15.960
<v Speaker 3>you want to tell me about your personal occult experiences.

380
00:29:16.039 --> 00:29:17.680
<v Speaker 3>We can get to those in the beginning of the show.

381
00:29:17.720 --> 00:29:20.279
<v Speaker 3>You can send them to Headless Giant at gmail dot

382
00:29:20.319 --> 00:29:22.680
<v Speaker 3>com and we can read those out for you.

383
00:29:22.839 --> 00:29:24.000
<v Speaker 2>Oh dude, check your spam.

384
00:29:24.119 --> 00:29:26.119
<v Speaker 4>I spoke to Salury and I was like, Yo, didn't

385
00:29:26.119 --> 00:29:27.759
<v Speaker 4>you send an email in?

386
00:29:28.119 --> 00:29:29.599
<v Speaker 1>I hit her up because I asked.

387
00:29:29.400 --> 00:29:32.119
<v Speaker 4>I thought I swore before you took that break, and

388
00:29:32.200 --> 00:29:34.359
<v Speaker 4>she's like, yeah, you did. I'm wondering if like your

389
00:29:34.440 --> 00:29:37.240
<v Speaker 4>shit goes to like spam or some junk folder or something.

390
00:29:37.759 --> 00:29:39.680
<v Speaker 4>She knows for a fact she sent you something before

391
00:29:39.720 --> 00:29:40.720
<v Speaker 4>you took your little break.

392
00:29:41.559 --> 00:29:44.359
<v Speaker 3>It could be all the rumble shit, you know, rumbles

393
00:29:44.440 --> 00:29:45.200
<v Speaker 3>just blocking out.

394
00:29:46.039 --> 00:29:48.440
<v Speaker 4>Oh god, I need to like on subscrite Yo. That's

395
00:29:48.480 --> 00:29:51.960
<v Speaker 4>so fucking annoying, those rumble emails. That is it's all

396
00:29:52.000 --> 00:29:54.160
<v Speaker 4>like channels I don't watch. I'm like, who gives a fuck?

397
00:29:55.559 --> 00:29:58.240
<v Speaker 3>They ask you when you start your rumble channel, which

398
00:29:58.240 --> 00:30:00.079
<v Speaker 3>would you rather watch? It's like, no.

399
00:30:00.359 --> 00:30:03.599
<v Speaker 2>One, I don't want to watch anybody. I'm just putting

400
00:30:03.640 --> 00:30:04.240
<v Speaker 2>my shirt up.

401
00:30:06.400 --> 00:30:09.160
<v Speaker 3>All right. Guys, Well, thank you for joining. We will

402
00:30:09.559 --> 00:30:11.920
<v Speaker 3>get to it again next time, and thank you. This

403
00:30:12.000 --> 00:30:13.880
<v Speaker 3>has been another Headless is Magical mail bag