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<v Speaker 1>Amazing Monroe my guest for the evening. You know exactly

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<v Speaker 1>where you can find her at Mazy Monroe m A

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<v Speaker 1>I S. E. Y. Monroe links to all of our

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<v Speaker 1>social media in the episode description below. Please make sure

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<v Speaker 1>you support the creators that come on this show, otherwise

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<v Speaker 1>they stop coming on the show. Mazie, thank you so

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<v Speaker 1>much for coming on with me tonight.

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<v Speaker 2>Thank you for having me here.

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<v Speaker 1>Hi everyone, as I'm wonderful. I hope you're wonderful as well.

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<v Speaker 1>Look at this, I'm wonderful. This is the access I get.

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<v Speaker 1>I'm in Mazy's bedroom right now, which is really creepy.

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<v Speaker 1>It's not great for her. She's gonna have a bummer

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<v Speaker 1>of a night, it sounds like with me there, but

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<v Speaker 1>I'm going to have a lot of fun. Maze. Let

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<v Speaker 1>me start with the boring question, the one that it

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<v Speaker 1>always establishes, but it creates a nice base for us

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<v Speaker 1>to see where you were and where you're going. How

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<v Speaker 1>did you initially decide, Hey, I'm going to get into

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<v Speaker 1>the adult entertainment industry, whatever facet it was, whether it

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<v Speaker 1>was camming or stripping or when were you like I'm

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<v Speaker 1>going to cross the line or I want to cross

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<v Speaker 1>the line. I want to do that the quote unquote line,

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<v Speaker 1>good question.

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<v Speaker 2>I actually was starting into it right away. I was

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<v Speaker 2>eighteen and I signed up for Only Fans, Wow, and

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<v Speaker 2>I thought this was a super empowering time. Mind you,

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<v Speaker 2>it was COVID when I signed up, so I kind

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<v Speaker 2>of went through that at that time, and a lot

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<v Speaker 2>of people were getting into it during this time anyways,

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<v Speaker 2>So my sister actually did OnlyFans first, and I thought

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<v Speaker 2>it was again super empowering, and she kind of just

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<v Speaker 2>told me how to sign up, and when I was eighteen,

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<v Speaker 2>I signed up like that. And then it took me

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<v Speaker 2>a couple of years to actually get into doing mainstream

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<v Speaker 2>or even like boy girl work at all. I worked

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<v Speaker 2>with the first ever producer, mister Xces in Canada, and

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<v Speaker 2>that was last year in February, so that was super cool.

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<v Speaker 2>Got posted on Pornhub, two sites and everything, and that's

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<v Speaker 2>kind of when I saw like I liked the attention

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<v Speaker 2>and I liked people seeing me do that. I thought

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<v Speaker 2>it was super super entertaining. And I've always been an entertainer,

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<v Speaker 2>so sure kind of where I started.

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<v Speaker 1>So I have a million questions to dive into after that,

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<v Speaker 1>but I do let me ask you mentioned you had

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<v Speaker 1>it sounded like a mentor getting you into of that

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<v Speaker 1>was your sister. That is like a story I haven't

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<v Speaker 1>heard in a while. There's a couple of like sisters

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<v Speaker 1>who are in the industry who go back and forth.

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<v Speaker 1>Is your sister still in the industry? Is she still

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<v Speaker 1>a performer? Or did she duck out? And you took

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<v Speaker 1>this rocket to superstardom the second I took the rocket

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<v Speaker 1>to super like, she she's out. She didn't. She didn't

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<v Speaker 1>miss long, not because she couldn't have. She totally chose

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<v Speaker 1>not to. So she's doing great. Do you ever get

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<v Speaker 1>any jealousy from her? She like you're flying around and

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<v Speaker 1>she's like, I'm in an office job. I no, Yeah, she.

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<v Speaker 2>Lives a great life. She she's a quat little family

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<v Speaker 2>girl like and honestly, like, I get jealous of her

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<v Speaker 2>life sometimes. She she has so much love around her

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<v Speaker 2>right now, and.

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<v Speaker 1>That's so positive. That's so sweet too, that there was

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<v Speaker 1>no like animosity or whatever. Though if you ever get

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<v Speaker 1>in no fight, you can like dig it to her.

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<v Speaker 1>You can be like, well, I mean I stuck it out.

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<v Speaker 1>You know, you went over there and built a family

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<v Speaker 1>and whatever. Else. But I mean, I get to fly

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<v Speaker 1>around the country, so that's pretty cool.

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<v Speaker 2>She would she would never even care. She really, I

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<v Speaker 2>know you're you're gonna bring me some days.

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<v Speaker 1>So when you first was it the offer to go

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<v Speaker 1>shoot that scene? And were you doing let me restart

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<v Speaker 1>my whole fucking brain after that one one second? Yes,

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<v Speaker 1>when you're doing your only fans. Was it only solo

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<v Speaker 1>at the time.

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<v Speaker 2>For the first little bit? Actually, yeah, it was solo.

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<v Speaker 2>I was super new, so it was like even minute long,

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<v Speaker 2>De'll doing myself in like no intro, nothing like I

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<v Speaker 2>was kind of amateur. It was very very amateur. Now

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<v Speaker 2>obviously like being important, there's my solovangy are like intro,

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<v Speaker 2>middle and story, you know everything.

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<v Speaker 1>But sure, yeah, you've you've learned how to become a

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<v Speaker 1>real filmmaker. It sounds like, now, yeah, when you thought

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<v Speaker 1>about getting into the adult entertainment industry, did you realize

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<v Speaker 1>that like five percent of your job is having sex

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<v Speaker 1>and the rest of it is fucking admin work social media?

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<v Speaker 2>Yeah, you know, I actually did. It's a lot of work,

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<v Speaker 2>Don't get me wrong. There's stuff that still surprises me

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<v Speaker 2>because I have so much that I could always see

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<v Speaker 2>every platform. You know, like there's there's so much much

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<v Speaker 2>I could always do, But it was like I knew

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<v Speaker 2>it was coming because I did go to film school.

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<v Speaker 2>I did film production, writing, acting, so just the second

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<v Speaker 2>kind of the bonus for me. It's everything else I

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<v Speaker 2>want to do anyways. I love the lights, camera action,

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<v Speaker 2>I love producing, I love editing, and I've also been

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<v Speaker 2>in front of the camera my whole life. My mom

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<v Speaker 2>always took pictures of me when I was younger, and

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<v Speaker 2>I kind of just modeled acted, and it's just another

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<v Speaker 2>avenue of something I love to do.

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<v Speaker 1>Yeah, you know, it's so funny. I have a degree

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<v Speaker 1>in television, film and radio production, and I yeah, it's

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<v Speaker 1>kind of a useless degree, if I'm being honest in

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<v Speaker 1>the States where now I love that. Yeah, I mean

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<v Speaker 1>it's the most I can do anything. I can make

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<v Speaker 1>you a wedding video. I could photoshop this, I do whatever.

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<v Speaker 1>I do it all for my friends and job wise,

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<v Speaker 1>it's like, yo, nothing, but you kind of fall into this.

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<v Speaker 1>I fell into this personally because you performers are like

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<v Speaker 1>the most fun people to talk to. You're all beautiful, obviously,

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<v Speaker 1>I mean that's kind of a requirement, but you're all

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<v Speaker 1>fun to talk to, You're all in good spirits. But

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<v Speaker 1>the cool thing is and this is again, this is

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<v Speaker 1>the ignorance from an outside person. Like a lot of

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<v Speaker 1>people outside, a lot of in cells and creeps and whatever,

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<v Speaker 1>are like, these girls are probably dumb. And some of

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<v Speaker 1>the smartest fucking people I've met have been the girls

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<v Speaker 1>in this industry. The girl that you've seen Gangbang by

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<v Speaker 1>twelve Guys is also kind of a marketing genius. And

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<v Speaker 1>I just, yeah, I like talking to the top people,

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<v Speaker 1>the best people and whatever. I don't give a shit

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<v Speaker 1>about NASCAR. If you told me I could interview the

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<v Speaker 1>best NASCAR people in the world, that'd go. Well. I

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<v Speaker 1>guess I have to learn it. You know. So, what

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<v Speaker 1>was something unexpected when you finally started shooting mainstream stuff

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<v Speaker 1>when like, what was the divide between what you had

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<v Speaker 1>watched and seen in the past and then actually being

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<v Speaker 1>on set and working or was it not so much

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<v Speaker 1>of a surprise because of your film background.

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<v Speaker 2>I think actually it kind of there's a little bit

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<v Speaker 2>of two ways to it. I did really really expect lights, camera, script,

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<v Speaker 2>one hundred people on the set, Like, maybe not one hundred,

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<v Speaker 2>but you know, I really expected movie set scenes, and

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<v Speaker 2>I think not that it falls short. There's there's so

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<v Speaker 2>many and there's so many great, amazing ones. But I

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<v Speaker 2>didn't realize how many worked all lights, camera action, Like

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<v Speaker 2>I didn't realize the companies that expand now with like

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<v Speaker 2>everything that they can do, even VR and stuff was

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<v Speaker 2>really surprising. So I've actually never seen that in my

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<v Speaker 2>film background, and it can go from one camera to

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<v Speaker 2>like this crazy VR camera.

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<v Speaker 1>So it's so let me ask you about that. Have

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<v Speaker 1>you shot any VR scenes yet?

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<v Speaker 2>Yes, I think there's two or three out right now

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<v Speaker 2>in July or June, so I think there's still maybe

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<v Speaker 2>three or four to come out A good a good three.

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<v Speaker 1>I think, how does the process differ from shooting regular stuff?

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<v Speaker 1>I mean does it? I assume it SAPs any kind

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<v Speaker 1>of intimacy you might have had enduring a scene, you know.

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<v Speaker 2>What people If people say that, I don't think personally

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<v Speaker 2>it does that much for me obviously, Like being able

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<v Speaker 2>to kiss this stuff is something that you know, every

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<v Speaker 2>performer would like to do instead of just talking to

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<v Speaker 2>the camera. But like I said, because I've been in

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<v Speaker 2>front of the camera, I still try to find a

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<v Speaker 2>way to connect with the person behind the camera as well,

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<v Speaker 2>even if it's just even if it's just to the

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<v Speaker 2>camera as well, and they know they're they're there, I

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<v Speaker 2>don't know, it doesn't it doesn't differ that much for me.

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<v Speaker 2>I do love it right now.

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<v Speaker 1>And see that's the thing. I also interview performers who

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<v Speaker 1>come on and they shoot these scenes where they're acting,

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<v Speaker 1>and they're like, I've never fucking acted in my life.

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<v Speaker 1>So a lot of them are just kind of blown

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<v Speaker 1>away by the process. But it's so fun. We get

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<v Speaker 1>to see it, you know, we saw it behind the

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<v Speaker 1>camera first and kind of understand the process. Like when

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<v Speaker 1>some like, well we'll just set up the camera and shoot,

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<v Speaker 1>I go, you're not gonna spend hours lighting this thing.

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<v Speaker 1>You're not got a white balance, you're not gonna do

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<v Speaker 1>any of that shit. No, all right, go ahead, shoot

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<v Speaker 1>I don't want to do it. There's a there's a

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<v Speaker 1>company that you've actually even worked for, I believe early

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<v Speaker 1>on just pictures. I won't call them out by name.

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<v Speaker 1>They light things so badly, everyone looks entirely red in them,

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<v Speaker 1>and I'm like, please just figure it out. Do you

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<v Speaker 1>know who I'm talking about?

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<v Speaker 2>Yes? Yes, Before like it's a few times like, I'm actually,

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<v Speaker 2>I don't know. I'm just surprised.

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<v Speaker 1>I mean, I mean, not you obviously, other people look

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<v Speaker 1>like mascots. Sometimes I'm like, what fucking team are you

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<v Speaker 1>cheering for on this one? Are you face paint it?

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<v Speaker 1>It's it's one of those things. It's like, you have

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<v Speaker 1>one job to do. Just light this properly. Hey, they're

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<v Speaker 1>giving opportunities to girls. I respect them. Oh, I wish

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<v Speaker 1>I could say more. There's like I have like a

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<v Speaker 1>gossip girl a little right.

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<v Speaker 2>In my ear.

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<v Speaker 1>But is that known? Is that like kind of said

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<v Speaker 1>in the industry. I would say it's been said a

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<v Speaker 1>few times. I feel like, because I'm such a newbie still,

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<v Speaker 1>like I'm still new to everything. It was my first

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<v Speaker 1>ever ever professional photo shoot and stuff, so and see

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<v Speaker 1>not photo shoot in terms of like modeling, but in

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<v Speaker 1>corn sure, so.

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<v Speaker 2>I didn't know any better. And I think that that's

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<v Speaker 2>not known as a movie, but maybe it is when

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<v Speaker 2>you've been in a while.

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<v Speaker 1>I I just look at it and I'm like, you know,

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<v Speaker 1>we need to throw some filters on this thing over here, folks,

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<v Speaker 1>because you have some of the prettiest people in the

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<v Speaker 1>world and it just doesn't look great. Let me thank

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<v Speaker 1>you as opposed to some other ones. Have you ever

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<v Speaker 1>seen like the way amateur Allure lights things beautiful?

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<v Speaker 2>Right? My gosh, I actually I have like, oh, I

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<v Speaker 2>want to say, like there's something coming out that you

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<v Speaker 2>should see soon. But I love their stuff, Like their

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<v Speaker 2>eyes look glowing.

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<v Speaker 1>Yes, it's beautiful. Yeah, you've worked for a giant company

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<v Speaker 1>too that made you look like you actually look beautiful

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<v Speaker 1>and perfect. What was it like working for Elegant Angel?

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<v Speaker 2>Oh? Thank you? I love Elegant Angel. So everybody on

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<v Speaker 2>set was amazing. I worked with Brad Newman, and I

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<v Speaker 2>love to say that he I think is like the

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<v Speaker 2>thickest penis that I have been with and like put

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<v Speaker 2>in my mouth and it was just hilarious the pictures

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<v Speaker 2>that I saw where it just looks like my mouth

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<v Speaker 2>was stretched so far around his penis, and I loved it,

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<v Speaker 2>Like they captured everything perfectly and the scene was perfect.

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<v Speaker 2>They were like, let's get this done. We know what

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<v Speaker 2>we want and it's going to look amazing, and like

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<v Speaker 2>everything was perfect.

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<v Speaker 1>That's one of those sites to me where it's like

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<v Speaker 1>that's where quality really lives. Absolutely and normally I like

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<v Speaker 1>some of the more middle tier quality, like you have

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<v Speaker 1>your real like for my own personal use, I like,

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<v Speaker 1>you know, you have the big beautiful ones up top.

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<v Speaker 1>I just had an interview with someone the other day

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<v Speaker 1>who works for Vixen, and Vixen produces, like I mean

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<v Speaker 1>you could. You could take that cinematographer and put them

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<v Speaker 1>on a Christopher Nolan movie, like it's just beautiful.

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<v Speaker 2>Absolutely.

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<v Speaker 1>Then you have like the bottom tier stuff, which is

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<v Speaker 1>like you hear Metallica playing in the background and you're like,

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<v Speaker 1>I don't think the rights to fucking Enter sand Man

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<v Speaker 1>are supposed to be in this video of this girl

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<v Speaker 1>getting fucked but maybe And then like the middle tier

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<v Speaker 1>it's no insult to them, where it's a little more gritty,

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<v Speaker 1>a little more raw. But you know, do you have

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<v Speaker 1>a specific type that you really like? Like maybe creatively

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<v Speaker 1>you wouldn't want to do this forever, but anytime someone

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<v Speaker 1>would offer this scene or say this, or there was

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<v Speaker 1>some condition to it, you would be like, yeah, want that.

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<v Speaker 1>I definitely want that.

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<v Speaker 2>What I really want and strive for is honestly scriptwork,

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<v Speaker 2>feature film like old Hollywood meets porn, and like movie

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<v Speaker 2>amazing stories. So some producers that like I love to

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<v Speaker 2>watch myself, and like their movies are amazing, like Ricky

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<v Speaker 2>Greenwood his stuff, amazing freemales like these people have made

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<v Speaker 2>amazing movies in porn. I think that's my favorite thing

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<v Speaker 2>to watch is when coorn is like a movie. It's

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<v Speaker 2>so captivating to me.

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<v Speaker 1>Yeah, yeah, no, Well that's what the medium is. I mean,

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<v Speaker 1>we use it as a utility most men, and probably

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<v Speaker 1>what like one percent of porn how viewers are women.

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<v Speaker 1>Maybe I don't know what that is. I don't I

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<v Speaker 1>don't know what the stats are, but I am sure

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<v Speaker 1>they are overwhelmingly one way on that one. But at

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<v Speaker 1>the core of it, there is like this it's a movie.

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<v Speaker 1>It's I don't know, I send it like Harry Styles

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<v Speaker 1>there when he was on that press tour a few

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<v Speaker 1>years ago. It's a real movie. It's like a movie. Yeah,

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<v Speaker 1>it's a movie.

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<v Speaker 2>Okay, I know what you mean, though it's so hard

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<v Speaker 2>to explain it, like it's like cinematic.

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<v Speaker 1>Right, Yeah, you want to see something. You want to

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<v Speaker 1>get to the fucking part and be like, oh my god,

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<v Speaker 1>this is a porn I forgot holy shit.

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<v Speaker 2>H So, because it's amazing.

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<v Speaker 1>Right, do you work? Okay, So this is a great

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<v Speaker 1>question you, and I think it's maybe an obvious answer

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<v Speaker 1>as opposed to some of the people I ask, but

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<v Speaker 1>do you want to eventually work your way behind the

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<v Speaker 1>camera and start really like like would you work for

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<v Speaker 1>a studio or would you just build up your own

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<v Speaker 1>personal brand to that?

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<v Speaker 2>Absolutely, I think someone that I really look up to

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<v Speaker 2>and that kind of ways would be Casey Calvert. She

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<v Speaker 2>definitely is an amazing performer and then is now doing

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<v Speaker 2>a lot of behind the scenes stuff. Even like thoughts

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<v Speaker 2>of creating my own studio have come in my head

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<v Speaker 2>doing ScriptWorks, my own videos, and I wish I could

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<v Speaker 2>do that myself for like my only fans and like

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<v Speaker 2>have these big productions. But of course, like these are

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<v Speaker 2>all dreams that like I would love to someday absolutely pursue.

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<v Speaker 1>One time I gave unsolicited a vice to a foreign

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<v Speaker 1>star and she told me real nasty, just like no

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<v Speaker 1>one wants your advice. But I was like, yo, lady,

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<v Speaker 1>you just complained to me for twenty minutes, and I said, well,

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<v Speaker 1>maybe I have something very let me ask, can you

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<v Speaker 1>since maybe you don't have the studio system behind you yet,

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<v Speaker 1>would you ever be open to if like, like I

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<v Speaker 1>always let me break this down to what I love

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<v Speaker 1>about Twitter and what I'm seeing now especially is there's

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<v Speaker 1>a great divide, but not in a negative way between

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<v Speaker 1>mainstream girls and independent girls. And in the past it

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<v Speaker 1>was like mainstream girls up here numbers wise, like a

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<v Speaker 1>whole bunch of the followers this and that. Yeah, and

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<v Speaker 1>then you know, and it's real really balanced out in

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<v Speaker 1>the last couple of years few years. Would you if

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<v Speaker 1>this opportunity was presented to you or would you ever

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<v Speaker 1>ask it if a indie girl was like, hey, we

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<v Speaker 1>do produce all of our own stuff, blah blah blah

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<v Speaker 1>blah blah, would you collaborate on this end? Would you

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<v Speaker 1>direct this scene? Would that be a good place to

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00:16:20.000 --> 00:16:23.320
<v Speaker 1>like start, like getting your directing feet wet with other

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00:16:23.399 --> 00:16:24.600
<v Speaker 1>people and then moving your.

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<v Speaker 2>Way up you know what, Yes, if anyone is watching

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<v Speaker 2>that is an indie person that would love to collaborate,

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<v Speaker 2>please come my way. Absolutely, because I feel like projects

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00:16:36.919 --> 00:16:41.480
<v Speaker 2>and passion, conjects and stuff really keep like our industries

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00:16:42.360 --> 00:16:46.840
<v Speaker 2>creativity and stuff alive. So like for me, absolutely because

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00:16:48.720 --> 00:16:53.039
<v Speaker 2>giving me an opportunity that I wouldn't have come to

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<v Speaker 2>myself as like gold, I don't know.

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<v Speaker 1>Sure, And you know you're there working with some other

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<v Speaker 1>lady or whatever who produces these things. If you have

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<v Speaker 1>a freak out and you're like, I don't remember how

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<v Speaker 1>to white balance anymore, it's not like you're on some

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<v Speaker 1>big set where it's expensive. In this and that you

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<v Speaker 1>know it's a collaborator, she would probably step in. So

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<v Speaker 1>I don't think you'd do that, though. I think you'd

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00:17:12.640 --> 00:17:15.279
<v Speaker 1>be fine. Your white balance is fine. You're not red

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<v Speaker 1>all over like other pictures I've seen. Yes, yes, what

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<v Speaker 1>is uh? So? Okay, Now I have to I have

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<v Speaker 1>to dance the line here because what we've talked about before,

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00:17:25.960 --> 00:17:29.680
<v Speaker 1>you said you got into the industry and Brad Newman

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<v Speaker 1>was the biggest dick you had ever worked with. On

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00:17:31.440 --> 00:17:35.920
<v Speaker 1>that scene you had shot right the thickest, Yeah, thickest. Okay,

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<v Speaker 1>So again we discussed this off air and everything. Were

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00:17:40.440 --> 00:17:45.119
<v Speaker 1>you very like sexually active before that? I sound like

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<v Speaker 1>a doctor asking that, But what I'm trying to say

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<v Speaker 1>is did you step into this industry or did you

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<v Speaker 1>step into a whole lifestyle along with it.

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<v Speaker 2>Let's see, I'm definitely a really sexual person and I've

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00:17:58.559 --> 00:18:02.000
<v Speaker 2>I've had sex with a lot of people in terms

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00:18:02.039 --> 00:18:05.640
<v Speaker 2>of like This isn't like my like fifth penis or

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00:18:05.680 --> 00:18:09.559
<v Speaker 2>anything like. This is like I've been having sex, and

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00:18:10.039 --> 00:18:15.200
<v Speaker 2>I've also explored many different dick's girls, orgies, all kinds

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00:18:15.240 --> 00:18:18.720
<v Speaker 2>of things. So it wasn't in terms of a lifestyle

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00:18:19.279 --> 00:18:21.960
<v Speaker 2>that way, but it definitely is a different lifestyle in

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00:18:22.000 --> 00:18:25.680
<v Speaker 2>totally so many different ways. I had no idea of sure, but.

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<v Speaker 1>I did. I don't know.

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<v Speaker 2>I feel a little bit of both being away from

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<v Speaker 2>all of it, not like in La in Vegas, in Florida,

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<v Speaker 2>in those hubs all the time, I feel it kind

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<v Speaker 2>of I go and then I come back, but it's

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<v Speaker 2>it's more of an online presence.

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<v Speaker 1>Right now, Will you go and you come back? Do

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00:18:46.119 --> 00:18:49.559
<v Speaker 1>you feel drawn to keep going? Or are you happier

349
00:18:49.680 --> 00:18:51.759
<v Speaker 1>to come home once it's done?

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<v Speaker 2>No? I love traveling so like, even even without sex

351
00:18:55.720 --> 00:18:58.480
<v Speaker 2>work like I'm doing what I've always loved to do,

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00:18:58.599 --> 00:19:02.400
<v Speaker 2>and I get to also do what I also would

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<v Speaker 2>love to do. So like traveling, sex work both of

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00:19:04.680 --> 00:19:08.160
<v Speaker 2>them together. For me, it's actually the biggest stream that

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00:19:08.200 --> 00:19:10.079
<v Speaker 2>I could have ever like made, Like.

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<v Speaker 1>Sure, how about off camera sex has that I speak

357
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<v Speaker 1>to so many of your I know I start this,

358
00:19:18.599 --> 00:19:20.559
<v Speaker 1>but I kind of like the idea of this show

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<v Speaker 1>being collective thought, meaning some girls think this, some girls

360
00:19:24.319 --> 00:19:27.359
<v Speaker 1>think this. Let's see where the consensus is. How has

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<v Speaker 1>your sex life outside of porn? Has it taken a hit?

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00:19:30.920 --> 00:19:32.839
<v Speaker 1>Has it jumped up? Like? Are you more willing to

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00:19:32.880 --> 00:19:36.200
<v Speaker 1>go on one night stand? Are you much less willing? Like? What?

364
00:19:36.440 --> 00:19:38.119
<v Speaker 1>How has that changed in your life?

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<v Speaker 2>I think it's changed for the better in terms of

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<v Speaker 2>I don't really see people often anymore outside of porn.

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<v Speaker 2>I would say it's mostly for like the safety. And actually,

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00:19:53.599 --> 00:19:55.920
<v Speaker 2>you know, it's like it's like almost one hundred percent

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<v Speaker 2>for the safety. There's like part of me that doesn't

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<v Speaker 2>really that aroused either by like just random flings anymore.

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<v Speaker 2>I do, you know, I have a lot of sex,

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00:20:06.680 --> 00:20:09.799
<v Speaker 2>so I'm pretty satisfied with like where my sex life

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<v Speaker 2>is at. And I'm trying to I'm trying to think of.

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<v Speaker 1>Well, sorry, just I know, I'm sorry. I throw twelve

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<v Speaker 1>at you, and the answer all of them. No, No,

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00:20:22.319 --> 00:20:26.480
<v Speaker 1>I just just about how you're really how it's changed

377
00:20:26.920 --> 00:20:29.200
<v Speaker 1>your sex life inside or outside. The girls I speak

378
00:20:29.240 --> 00:20:32.279
<v Speaker 1>to always say like, yo, I barely fuck off camera anymore.

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<v Speaker 1>I'm satisfied enough whatever, And you would think, oh, Mazie's

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<v Speaker 1>gonna be a porn star. She's gonna be constantly filled

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<v Speaker 1>with dick. I mean just everywhere, in every hole, all

382
00:20:41.279 --> 00:20:42.839
<v Speaker 1>the time. Not true, then.

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00:20:43.559 --> 00:20:46.599
<v Speaker 2>Yeah, you're correct. It's not true unless I'm like in

384
00:20:46.799 --> 00:20:51.279
<v Speaker 2>La getting fucked for four weeks and then that's it.

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<v Speaker 1>Okay. I think that's fair. So Mazie, if I were

386
00:20:56.400 --> 00:21:00.519
<v Speaker 1>to go to your Only Fans at Mazing Row, just

387
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<v Speaker 1>so everyone knows, links in the episode description as always,

388
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<v Speaker 1>what kind of content do you produce for yourself? Is

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00:21:06.640 --> 00:21:09.680
<v Speaker 1>it kind of like a like an amateur like daily

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<v Speaker 1>day in the life. Are you doing like weekly, monthly videos?

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<v Speaker 1>What is your kind of setup? Like if I go, hmm,

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<v Speaker 1>I really have X amount of dollars to spend today,

393
00:21:18.039 --> 00:21:19.920
<v Speaker 1>I'm going to go to OnlyFans, what would I find

394
00:21:19.960 --> 00:21:20.400
<v Speaker 1>there from you?

395
00:21:21.680 --> 00:21:24.880
<v Speaker 2>So weekly I go live? I try too weekly if

396
00:21:24.880 --> 00:21:27.359
<v Speaker 2>I'm traveling, it's a little bit hard, but I've been

397
00:21:27.440 --> 00:21:30.160
<v Speaker 2>doing that a lot recently. Everyone sees me live on

398
00:21:30.240 --> 00:21:34.000
<v Speaker 2>Thursday nights on Only Fans, my free only Fans, and

399
00:21:34.480 --> 00:21:38.559
<v Speaker 2>we have the best time, like we do dildo sporting.

400
00:21:39.079 --> 00:21:42.359
<v Speaker 2>Everything you can do solo basically like toy, blood job, everything,

401
00:21:43.559 --> 00:21:46.640
<v Speaker 2>that's the most fun. It's the most community based thing

402
00:21:46.680 --> 00:21:49.759
<v Speaker 2>I have right now. You'll also get videos like I

403
00:21:49.799 --> 00:21:54.000
<v Speaker 2>do lots of solos, but mostly customs and face times.

404
00:21:54.720 --> 00:21:57.559
<v Speaker 2>I find people just really want that real connection for me,

405
00:21:57.680 --> 00:22:01.200
<v Speaker 2>and it's quick for me too. I'd rather go on

406
00:22:01.200 --> 00:22:04.079
<v Speaker 2>Only Fans, spend a couple hours really connect with my fans,

407
00:22:04.519 --> 00:22:07.519
<v Speaker 2>and then you know, come back to my own stuff,

408
00:22:07.640 --> 00:22:10.119
<v Speaker 2>create those videos for them, send them out instead of

409
00:22:10.160 --> 00:22:12.160
<v Speaker 2>just like constantly messaging. I know a lot of people

410
00:22:12.200 --> 00:22:14.720
<v Speaker 2>have like management teams now to do that, and I

411
00:22:14.759 --> 00:22:19.119
<v Speaker 2>honestly don't even message a lot. I do, but you

412
00:22:19.160 --> 00:22:22.359
<v Speaker 2>can find me everywhere like Snapchat, Instagram, whatever, So I'm

413
00:22:23.039 --> 00:22:26.279
<v Speaker 2>super big on like community all over the board. You

414
00:22:26.279 --> 00:22:28.480
<v Speaker 2>can message me like on my Snapchat all day because

415
00:22:28.480 --> 00:22:30.240
<v Speaker 2>that's where I'll be all day, and I know you

416
00:22:30.319 --> 00:22:32.000
<v Speaker 2>interact with me on my Only Fans and you spend

417
00:22:32.039 --> 00:22:34.680
<v Speaker 2>on me there, so I'm fine with that sex panther

418
00:22:34.839 --> 00:22:37.799
<v Speaker 2>for people that are chatting like a lot, So it's

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00:22:37.839 --> 00:22:40.079
<v Speaker 2>just like different avenues of where I kind of point them.

420
00:22:40.079 --> 00:22:44.880
<v Speaker 2>But for videos, I mostly sell like content that I

421
00:22:44.920 --> 00:22:47.400
<v Speaker 2>will produce in LA. So a couple of big things

422
00:22:47.440 --> 00:22:50.039
<v Speaker 2>I have right now that just came out was My

423
00:22:50.119 --> 00:22:54.680
<v Speaker 2>Girl Girl with Kira Bear. We collapsed in XPOS Miami,

424
00:22:55.200 --> 00:22:57.640
<v Speaker 2>and then I just did a dirty audition in these

425
00:22:57.680 --> 00:23:01.440
<v Speaker 2>ass Worship with Mike Adriana. So those are kind of

426
00:23:01.440 --> 00:23:03.519
<v Speaker 2>like bigger ones I kind of sell, and they're usually

427
00:23:03.519 --> 00:23:06.519
<v Speaker 2>like thirty minutes, I would say, So I try to

428
00:23:06.640 --> 00:23:09.680
<v Speaker 2>keep it as like a storyboard. There's a good content

429
00:23:09.759 --> 00:23:14.640
<v Speaker 2>there and hours hours long. I have lots of videos

430
00:23:14.640 --> 00:23:16.960
<v Speaker 2>with mister Xcess, the guy I did the first video with,

431
00:23:17.200 --> 00:23:19.720
<v Speaker 2>and we do lots of three Suns, so you can

432
00:23:19.799 --> 00:23:21.119
<v Speaker 2>kind of find a bit of everything.

433
00:23:21.559 --> 00:23:25.400
<v Speaker 1>Okay, all right, Yeah, So my fans probably want me

434
00:23:25.440 --> 00:23:28.400
<v Speaker 1>to ask something like this, like do you really like anal?

435
00:23:28.519 --> 00:23:30.880
<v Speaker 1>Have you done anah? Blah blah blah. What I'm gonna

436
00:23:30.880 --> 00:23:33.119
<v Speaker 1>do is ask this, can you tell me your three

437
00:23:33.119 --> 00:23:34.359
<v Speaker 1>favorite movies of all time?

438
00:23:35.559 --> 00:23:36.720
<v Speaker 2>Three favorite movies?

439
00:23:37.079 --> 00:23:39.200
<v Speaker 1>Yeah? Yeah, three favorite movies of all time?

440
00:23:39.440 --> 00:23:39.960
<v Speaker 2>One question?

441
00:23:40.359 --> 00:23:42.000
<v Speaker 1>No, no, no, no, We'll get back to that. Maybe

442
00:23:43.000 --> 00:23:45.079
<v Speaker 1>three favorite movies of all time. And then I'm gonna

443
00:23:45.079 --> 00:23:47.839
<v Speaker 1>tell you because you didn't ask, yes, real movies you

444
00:23:47.880 --> 00:23:49.880
<v Speaker 1>have cinema.

445
00:23:49.119 --> 00:23:56.240
<v Speaker 2>Okay, okay, okay, mean Girls Clueless and the one was

446
00:23:56.279 --> 00:24:00.200
<v Speaker 2>like Noah's Ark I think, oh, you know what, it's

447
00:24:00.200 --> 00:24:01.039
<v Speaker 2>called Evan Almighty.

448
00:24:01.079 --> 00:24:05.599
<v Speaker 1>It's oh the sequel huh not even Almighty? Yeah, yeah,

449
00:24:05.599 --> 00:24:11.799
<v Speaker 1>fair fairl I like number three is Big Lebowski for me.

450
00:24:11.920 --> 00:24:14.839
<v Speaker 1>Number two is Fight Club. Number one is a movie

451
00:24:14.839 --> 00:24:17.480
<v Speaker 1>called Brick with Joseph Gordon Levitt. It's amazing.

452
00:24:17.839 --> 00:24:20.039
<v Speaker 2>Okay, I feel like I haven't seen any of those ones.

453
00:24:20.279 --> 00:24:23.519
<v Speaker 1>Really? Yeah? How do you see Lyne though? Yeah, okay, well,

454
00:24:23.599 --> 00:24:27.839
<v Speaker 1>let's see. Clueless came out when I was seven, So yes,

455
00:24:28.079 --> 00:24:33.920
<v Speaker 1>I've seen Clueless. Mean Girls phenomenal. It's great, and I

456
00:24:34.079 --> 00:24:36.200
<v Speaker 1>believe she's like twenty at the time when they filmed it.

457
00:24:36.240 --> 00:24:39.079
<v Speaker 1>So it's okay to say, has Lindsay Lohan ever looked better?

458
00:24:40.880 --> 00:24:42.400
<v Speaker 2>She looks amazing right now?

459
00:24:42.519 --> 00:24:43.200
<v Speaker 1>Does she really?

460
00:24:43.400 --> 00:24:43.839
<v Speaker 2>Right now?

461
00:24:43.960 --> 00:24:44.359
<v Speaker 1>I think she?

462
00:24:44.519 --> 00:24:45.880
<v Speaker 2>Wait, did you see her recently?

463
00:24:46.200 --> 00:24:49.240
<v Speaker 1>No? No, I'm obsessed with how hot Amanda Byndes is.

464
00:24:49.720 --> 00:24:53.000
<v Speaker 2>Oh yeah, Amanda b pass No amazing.

465
00:24:53.279 --> 00:24:58.119
<v Speaker 1>Oh yeah, Amanda Bindes is a total mess right now. Disaster, Yeah,

466
00:24:58.119 --> 00:25:00.720
<v Speaker 1>poor girl, that's a hollywood'll break you, you know what, won't,

467
00:25:00.960 --> 00:25:03.640
<v Speaker 1>Porn Valley won't. It'll be fine, You'll be great. There's

468
00:25:03.680 --> 00:25:06.440
<v Speaker 1>lots of success stories and such and whatever. You just

469
00:25:06.519 --> 00:25:09.880
<v Speaker 1>have to keep your head up. Yeah, did I I

470
00:25:09.880 --> 00:25:11.599
<v Speaker 1>didn't ask this already, right, what is the type of

471
00:25:11.599 --> 00:25:14.880
<v Speaker 1>content you have no interest in doing? Like we're going

472
00:25:14.960 --> 00:25:18.319
<v Speaker 1>to take out any like graphic or horrible, like nothing violent,

473
00:25:18.759 --> 00:25:22.240
<v Speaker 1>no illegal shit, Okay, something that's kind of standard in

474
00:25:22.279 --> 00:25:24.759
<v Speaker 1>the industry that you will probably get asked that you

475
00:25:24.799 --> 00:25:27.680
<v Speaker 1>want to do and you were either like, uh, maybe

476
00:25:27.680 --> 00:25:30.319
<v Speaker 1>you'll try it once, but you are really not. That's

477
00:25:30.359 --> 00:25:34.519
<v Speaker 1>not your type of thing. It's not amazing Monroe. Shoot, Okay.

478
00:25:34.759 --> 00:25:37.279
<v Speaker 2>I feel like I could like fire off a bunch

479
00:25:37.839 --> 00:25:42.279
<v Speaker 2>obviously the obvious violent and gross ones. I feel like

480
00:25:42.400 --> 00:25:45.519
<v Speaker 2>something I've got asked a couple times would be like

481
00:25:47.440 --> 00:25:53.119
<v Speaker 2>almost like a non consensual consensual situation or like a

482
00:25:53.200 --> 00:25:57.880
<v Speaker 2>power play situation. Like I don't know if I should

483
00:25:57.920 --> 00:26:00.359
<v Speaker 2>say this, but I got asked to do like one

484
00:26:00.400 --> 00:26:04.000
<v Speaker 2>that was like a scene that was like you're it

485
00:26:04.079 --> 00:26:07.160
<v Speaker 2>was totally a fixed scene, but your agent you want

486
00:26:07.200 --> 00:26:09.359
<v Speaker 2>to be you're the model and you have to show

487
00:26:09.400 --> 00:26:11.440
<v Speaker 2>your agent that you're gonna fuck them or whatever. I

488
00:26:11.519 --> 00:26:13.640
<v Speaker 2>was like, that's totally a power Like that's we don't

489
00:26:13.680 --> 00:26:14.440
<v Speaker 2>want that happening.

490
00:26:14.640 --> 00:26:19.559
<v Speaker 1>That's not right. Yeah, No, that okay, So that is

491
00:26:19.599 --> 00:26:22.359
<v Speaker 1>interesting because I will say I have a new fetish

492
00:26:22.400 --> 00:26:24.440
<v Speaker 1>that I've really enjoyed over the last year. Wouldn't be

493
00:26:24.480 --> 00:26:28.039
<v Speaker 1>creepy if I was like German shepherds, a new fetish

494
00:26:28.039 --> 00:26:29.960
<v Speaker 1>have really enjoyed over the last year. And there is

495
00:26:30.039 --> 00:26:32.079
<v Speaker 1>kind of a power dynamic, So it might be interesting

496
00:26:32.079 --> 00:26:34.759
<v Speaker 1>to get your take on it, okay, And it can

497
00:26:34.799 --> 00:26:38.400
<v Speaker 1>be perceived multiple ways, maybe in different power dynamics. How

498
00:26:38.440 --> 00:26:40.000
<v Speaker 1>do you feel about free use?

499
00:26:41.720 --> 00:26:44.839
<v Speaker 2>That I feel like is fine if you're consenting to it,

500
00:26:44.839 --> 00:26:48.160
<v Speaker 2>because I feel like there's no manipulation in that. It's like, sure,

501
00:26:48.480 --> 00:26:50.440
<v Speaker 2>I feel like the power trip part that doesn't get

502
00:26:50.480 --> 00:26:52.960
<v Speaker 2>me right is like there's manipulation where it's like because

503
00:26:53.000 --> 00:26:55.799
<v Speaker 2>I want to prove to you, like I have to

504
00:26:56.160 --> 00:26:58.519
<v Speaker 2>prove you know what I mean. Like a free thing

505
00:26:58.640 --> 00:27:01.000
<v Speaker 2>is like I'm giving you for I feel like that's

506
00:27:01.039 --> 00:27:04.240
<v Speaker 2>like liberating almost Like sure, I don't know, I feel

507
00:27:04.240 --> 00:27:05.519
<v Speaker 2>like a little bit different about that one.

508
00:27:05.559 --> 00:27:08.519
<v Speaker 1>So yeah, I agree. What I like about it is

509
00:27:08.559 --> 00:27:11.640
<v Speaker 1>again there's different power dynamics. It's I'm just gonna for

510
00:27:11.759 --> 00:27:14.000
<v Speaker 1>my own brain put us both in a free scene.

511
00:27:14.039 --> 00:27:18.359
<v Speaker 1>It's either Mazie is so dominant and so concerned about

512
00:27:18.359 --> 00:27:20.680
<v Speaker 1>what she's doing at this desk right now, that she

513
00:27:20.759 --> 00:27:23.240
<v Speaker 1>doesn't even she's not concerned with the guy fucking her

514
00:27:23.279 --> 00:27:26.079
<v Speaker 1>like he's nothing, he's zero. That's a domb power trip

515
00:27:26.119 --> 00:27:28.680
<v Speaker 1>for the female in that situation. Then there's the thing

516
00:27:28.720 --> 00:27:32.160
<v Speaker 1>of Mazie's just just it sounds terrible coming out of

517
00:27:32.200 --> 00:27:34.240
<v Speaker 1>my own mouth because I doesn't feel this way. Maze's

518
00:27:34.240 --> 00:27:36.920
<v Speaker 1>an object. Go over there, throw my dick in some pumps,

519
00:27:36.920 --> 00:27:39.240
<v Speaker 1>walk away, it's done. There's a power trip that way

520
00:27:39.319 --> 00:27:43.079
<v Speaker 1>in a sense, not quite like you said leveraging work

521
00:27:43.200 --> 00:27:46.000
<v Speaker 1>or anything like that, but you know what, as you

522
00:27:46.039 --> 00:27:47.559
<v Speaker 1>said it and as I thought about it, goo, that

523
00:27:47.599 --> 00:27:49.680
<v Speaker 1>would there would be a bit of a hot scene

524
00:27:49.680 --> 00:27:51.720
<v Speaker 1>where if a manager was like, look, you're not getting

525
00:27:51.759 --> 00:27:54.160
<v Speaker 1>this job. I can't give it to you. And then

526
00:27:54.200 --> 00:27:57.079
<v Speaker 1>the offer of the woman, like, you know what if

527
00:27:57.119 --> 00:27:59.200
<v Speaker 1>I blow you, you think maybe you could get me

528
00:27:59.279 --> 00:28:02.440
<v Speaker 1>that audition. There's something I do find attractive about that,

529
00:28:02.480 --> 00:28:04.240
<v Speaker 1>but it's not like me, you're not getting your fucking

530
00:28:04.240 --> 00:28:06.680
<v Speaker 1>paycheck unless you know that's a rough one.

531
00:28:06.759 --> 00:28:10.039
<v Speaker 2>I get that, yeah, and like to each their own,

532
00:28:10.039 --> 00:28:13.680
<v Speaker 2>there's so many different like ways you can perceive things.

533
00:28:13.720 --> 00:28:15.880
<v Speaker 2>So you're right, if there's a scene that might come

534
00:28:15.920 --> 00:28:18.160
<v Speaker 2>up that's that's written in a hot way. It's that

535
00:28:18.240 --> 00:28:21.160
<v Speaker 2>one sent into that one thing or that that one

536
00:28:21.160 --> 00:28:24.240
<v Speaker 2>thing that can make it manipulative and not you know,

537
00:28:24.559 --> 00:28:25.920
<v Speaker 2>maybe morally right, but.

538
00:28:26.200 --> 00:28:28.799
<v Speaker 1>That's so crazy. The act can be the same thing,

539
00:28:28.920 --> 00:28:30.880
<v Speaker 1>but we can perceive it different ways, or it can

540
00:28:30.920 --> 00:28:34.160
<v Speaker 1>be written different ways. It's interesting or.

541
00:28:34.160 --> 00:28:37.720
<v Speaker 2>Even like performed different ways. It kind of who you're

542
00:28:37.759 --> 00:28:40.519
<v Speaker 2>embodying to what you're embodying at, and like it's hard

543
00:28:40.519 --> 00:28:45.000
<v Speaker 2>because porn stars aren't supposed to be actors. And I'll

544
00:28:45.119 --> 00:28:47.079
<v Speaker 2>you know, it's such a quick thing, like you don't

545
00:28:47.079 --> 00:28:49.960
<v Speaker 2>study this scene for so long, right right?

546
00:28:50.039 --> 00:28:54.000
<v Speaker 1>Yeah, Oh you didn't drop your your eyes deep enough

547
00:28:54.039 --> 00:28:56.640
<v Speaker 1>there to let him know that you really enjoyed that.

548
00:28:56.720 --> 00:28:58.920
<v Speaker 1>It's like, yeah, no, she's probably not gonna if we're

549
00:28:58.960 --> 00:29:03.759
<v Speaker 1>being honest, Yeah, uh shit, I just slipped on where

550
00:29:03.799 --> 00:29:06.599
<v Speaker 1>I was going with this. I do that a lot though.

551
00:29:06.759 --> 00:29:09.559
<v Speaker 1>The listeners know that do you have a do you

552
00:29:09.599 --> 00:29:14.200
<v Speaker 1>have any mentors or any people other than wonderful sister

553
00:29:14.240 --> 00:29:17.799
<v Speaker 1>with their beautiful family that you kind of look up

554
00:29:17.839 --> 00:29:20.200
<v Speaker 1>to now not even necessarily to look up. Is there

555
00:29:20.200 --> 00:29:23.920
<v Speaker 1>anyone you get advice? From talk to or they say

556
00:29:24.000 --> 00:29:26.480
<v Speaker 1>that's probably not a good idea. That is a good idea,

557
00:29:26.559 --> 00:29:27.079
<v Speaker 1>pursue that.

558
00:29:28.440 --> 00:29:34.200
<v Speaker 2>Okay, interesting question. I feel like, Yes, a lot of people,

559
00:29:34.480 --> 00:29:37.319
<v Speaker 2>I feel like a lot of people try to give

560
00:29:37.359 --> 00:29:39.720
<v Speaker 2>me advice and everything, but I do kind of stick

561
00:29:39.799 --> 00:29:43.640
<v Speaker 2>to this one little team that I have that I've

562
00:29:44.440 --> 00:29:48.440
<v Speaker 2>worked and built this whole way through the past year.

563
00:29:49.799 --> 00:29:51.839
<v Speaker 2>I do have people like around me and by my

564
00:29:51.960 --> 00:29:54.480
<v Speaker 2>side to kind of like direct me in the in

565
00:29:54.519 --> 00:29:57.480
<v Speaker 2>the right way in terms of this is what the

566
00:29:57.519 --> 00:30:01.359
<v Speaker 2>standard is, you know, and don't get manipul related or whatever.

567
00:30:01.400 --> 00:30:05.119
<v Speaker 2>But and like you said a mentor, so I do.

568
00:30:05.799 --> 00:30:09.480
<v Speaker 2>I would say, I'm very lucky with what I have

569
00:30:09.759 --> 00:30:13.559
<v Speaker 2>and where I've come to now with those people in

570
00:30:13.599 --> 00:30:14.200
<v Speaker 2>my life.

571
00:30:14.319 --> 00:30:19.960
<v Speaker 1>So yeah, okay, all right, good, So let's move into

572
00:30:20.160 --> 00:30:25.640
<v Speaker 1>the future sci fi music and shit playing. No, before

573
00:30:25.640 --> 00:30:27.799
<v Speaker 1>we move in the future, we're gonna look into the past.

574
00:30:27.799 --> 00:30:29.359
<v Speaker 1>We're gonna do a thing on this show that I

575
00:30:29.400 --> 00:30:32.960
<v Speaker 1>do called the stat check. Now, look, these numbers are

576
00:30:33.119 --> 00:30:36.880
<v Speaker 1>all wrong. They are wrong. We are using the Internet

577
00:30:36.920 --> 00:30:40.759
<v Speaker 1>Adult Film Database, Okay, and that is basically like the

578
00:30:40.759 --> 00:30:43.640
<v Speaker 1>Internet Movie Database except for porn stars. Now here's what

579
00:30:43.640 --> 00:30:46.519
<v Speaker 1>they don't include collaborations you did over here on this

580
00:30:46.640 --> 00:30:49.480
<v Speaker 1>site and this over here. But we do have some

581
00:30:49.559 --> 00:30:52.000
<v Speaker 1>manivid stuff and we don't have all of them, so

582
00:30:52.039 --> 00:30:54.559
<v Speaker 1>these numbers are gonna be wrong. I only preface it

583
00:30:54.599 --> 00:30:57.000
<v Speaker 1>this way because every girl I've ever prefaced it that

584
00:30:57.039 --> 00:30:59.480
<v Speaker 1>way too. At the end, I go, these are the numbers,

585
00:30:59.519 --> 00:31:01.480
<v Speaker 1>and they go, that's not right, and I go, yeah,

586
00:31:01.519 --> 00:31:04.480
<v Speaker 1>I know, yeah, I know, it's way off. It's all fun.

587
00:31:04.680 --> 00:31:08.880
<v Speaker 1>So number of scenes we have for miss Mazie Monroe

588
00:31:08.920 --> 00:31:14.039
<v Speaker 1>here is eleven scenes. Guys, she's worked with six girls,

589
00:31:14.039 --> 00:31:17.759
<v Speaker 1>she's worked with zero. As I'm looking at a video

590
00:31:17.799 --> 00:31:20.359
<v Speaker 1>of you on your Twitter about to eat box on

591
00:31:20.359 --> 00:31:22.400
<v Speaker 1>one of the prettiest ladies I've ever seen in the world.

592
00:31:23.759 --> 00:31:27.960
<v Speaker 1>AVN nomination zero and win zero. Is that correct? The

593
00:31:28.039 --> 00:31:31.039
<v Speaker 1>last two, at least the last two are correct.

594
00:31:31.200 --> 00:31:32.279
<v Speaker 2>The other ones, you.

595
00:31:32.240 --> 00:31:36.319
<v Speaker 1>Know, way off, way off? Yes, yeah, okay, fair enough.

596
00:31:36.640 --> 00:31:39.319
<v Speaker 1>I like to do this as kind of a milestone point,

597
00:31:39.400 --> 00:31:41.359
<v Speaker 1>like you've spoken to me now on this day. This

598
00:31:41.440 --> 00:31:44.480
<v Speaker 1>is what IAFD said. A year from now, we have

599
00:31:44.559 --> 00:31:47.119
<v Speaker 1>you back on all those things in the background. You've

600
00:31:47.160 --> 00:31:49.079
<v Speaker 1>had to throw away, all your cute little stuff hanging

601
00:31:49.119 --> 00:31:50.640
<v Speaker 1>up on the shelves because you have too many Avian

602
00:31:50.720 --> 00:31:53.799
<v Speaker 1>awards there. And then I just go, Okay, this is

603
00:31:53.839 --> 00:31:54.640
<v Speaker 1>where we are now.

604
00:31:54.759 --> 00:31:57.400
<v Speaker 2>So it's funny you say that. Sorry to interrupt you.

605
00:31:58.000 --> 00:31:59.440
<v Speaker 2>I actually I don't know if you can see it.

606
00:31:59.480 --> 00:32:04.839
<v Speaker 2>I have like the XMA Award nomination, but no AVN yet.

607
00:32:05.359 --> 00:32:09.359
<v Speaker 2>But that was old fan category. So that was like

608
00:32:09.440 --> 00:32:11.640
<v Speaker 2>my first big milestone, which is why I like, I

609
00:32:11.680 --> 00:32:14.839
<v Speaker 2>got a poster. I put it on my little table

610
00:32:15.000 --> 00:32:17.200
<v Speaker 2>at expos when I was like telling them to.

611
00:32:17.160 --> 00:32:22.759
<v Speaker 1>Vote for me, but I was I was nominated. You're

612
00:32:22.759 --> 00:32:24.359
<v Speaker 1>gonna have to take it down with all the awards

613
00:32:24.400 --> 00:32:27.720
<v Speaker 1>that are going to be blocking it. That's the problem someday. Eventually,

614
00:32:28.759 --> 00:32:32.039
<v Speaker 1>we were nominated for an av N two years ago,

615
00:32:32.079 --> 00:32:35.079
<v Speaker 1>and my wife cried and I was like, I was like,

616
00:32:36.160 --> 00:32:38.599
<v Speaker 1>we're not going to be plugg talk like, don't cry

617
00:32:38.640 --> 00:32:41.079
<v Speaker 1>too much about it. There's a lot bigger shows than this.

618
00:32:41.279 --> 00:32:45.359
<v Speaker 1>It's just it's great to be recognized. Right, Absolutely, you're amazing.

619
00:32:45.680 --> 00:32:49.599
<v Speaker 1>I think you're No, you're amazing. Well, this is gonna

620
00:32:49.640 --> 00:32:51.279
<v Speaker 1>take an odd turn because let me ask you this

621
00:32:51.319 --> 00:32:54.359
<v Speaker 1>real quick before we get into the future. Even do

622
00:32:54.440 --> 00:32:56.400
<v Speaker 1>you ever get and this is a weird kind of

623
00:32:56.400 --> 00:32:58.960
<v Speaker 1>psychological question. Do you ever get imposter syndrome?

624
00:33:00.240 --> 00:33:00.839
<v Speaker 2>Yes?

625
00:33:00.880 --> 00:33:02.599
<v Speaker 1>And do you know what that for the audience. It's

626
00:33:02.599 --> 00:33:05.880
<v Speaker 1>almost like you're in a position of some kind of prominence,

627
00:33:05.960 --> 00:33:07.759
<v Speaker 1>or you're doing something important, or maybe it's something you

628
00:33:07.759 --> 00:33:09.640
<v Speaker 1>wanted to do all your life, and for some reason

629
00:33:09.680 --> 00:33:11.920
<v Speaker 1>it just hits you and you're like, I'm not supposed

630
00:33:11.960 --> 00:33:16.240
<v Speaker 1>to fucking be here. Do you ever get that? Absolutely?

631
00:33:16.440 --> 00:33:18.960
<v Speaker 2>I feel like in the beginning of my career it

632
00:33:19.119 --> 00:33:23.759
<v Speaker 2>happens a lot more. Mostly, I would say, because I

633
00:33:23.799 --> 00:33:26.759
<v Speaker 2>didn't feel like my name okay if that makes sense.

634
00:33:26.880 --> 00:33:29.519
<v Speaker 2>Like I was always called my name, my usernames, you know,

635
00:33:29.720 --> 00:33:33.799
<v Speaker 2>or whatever, and I feel like I was logging onto

636
00:33:33.839 --> 00:33:36.839
<v Speaker 2>like this life that like wasn't really me, and I

637
00:33:36.880 --> 00:33:38.039
<v Speaker 2>was like, no, I want to do this, and I

638
00:33:38.039 --> 00:33:39.720
<v Speaker 2>was like do I want to do this? And it

639
00:33:39.799 --> 00:33:41.400
<v Speaker 2>was just kind of like that weird thing. I was like, yeah,

640
00:33:41.400 --> 00:33:44.200
<v Speaker 2>I do want to do this. It feels so imposter syndrome.

641
00:33:44.599 --> 00:33:49.319
<v Speaker 2>But like now it's like I do, especially with the

642
00:33:49.400 --> 00:33:52.319
<v Speaker 2>travel back and forth, it's like I go there, I'm Macy,

643
00:33:52.680 --> 00:33:55.799
<v Speaker 2>I'm having fun, but like I come back and you know,

644
00:33:55.880 --> 00:33:58.759
<v Speaker 2>I still have this normal, super normal life. I feel

645
00:33:58.759 --> 00:34:00.960
<v Speaker 2>like nobody in this town would ever know.

646
00:34:01.519 --> 00:34:05.640
<v Speaker 1>But yeah, that's so funny. Do you ever get have

647
00:34:05.759 --> 00:34:08.559
<v Speaker 1>you gotten any kind of like what do they call it,

648
00:34:08.639 --> 00:34:12.280
<v Speaker 1>star shocks? Celebrity shock? Have you seen anyone and you

649
00:34:12.280 --> 00:34:14.320
<v Speaker 1>were like, oh my god, that's her from the like

650
00:34:14.639 --> 00:34:17.000
<v Speaker 1>Lisa Anne over there and blah blah blah, And then

651
00:34:17.360 --> 00:34:21.280
<v Speaker 1>do you think you'd experience that that imposter syndrome again

652
00:34:21.519 --> 00:34:23.559
<v Speaker 1>on set with these people or no?

653
00:34:25.599 --> 00:34:29.159
<v Speaker 2>Okay, yes to both of those questions. Yes, I've felt

654
00:34:29.159 --> 00:34:31.920
<v Speaker 2>that way actually to like a lot of people the

655
00:34:32.000 --> 00:34:35.199
<v Speaker 2>very first time I met them, especially, but I feel

656
00:34:35.239 --> 00:34:38.639
<v Speaker 2>like as it goes on, not as much. And I

657
00:34:38.639 --> 00:34:40.880
<v Speaker 2>don't mean that in any sort of way other than like,

658
00:34:41.280 --> 00:34:43.920
<v Speaker 2>you know, you're around these people a lot, and I

659
00:34:43.960 --> 00:34:46.039
<v Speaker 2>feel like they also get to know who I am,

660
00:34:46.119 --> 00:34:47.400
<v Speaker 2>so it doesn't feel like, oh my god, they don't

661
00:34:47.400 --> 00:34:50.719
<v Speaker 2>know who I am and then I'm meeting them. But

662
00:34:50.960 --> 00:34:52.679
<v Speaker 2>I feel like a lot of people have said when

663
00:34:52.719 --> 00:34:56.679
<v Speaker 2>I met them, I don't really treat them like that

664
00:34:56.719 --> 00:34:58.280
<v Speaker 2>when I meet them, So I'm glad that I don't

665
00:34:58.280 --> 00:35:01.559
<v Speaker 2>give the fangirl impression because I know I feel like I.

666
00:35:01.480 --> 00:35:03.840
<v Speaker 1>Do right right? I bet, I bet they get that

667
00:35:03.880 --> 00:35:05.199
<v Speaker 1>a lot too. I bet there's a lot of young

668
00:35:05.199 --> 00:35:06.599
<v Speaker 1>girls who come up to be like, oh my god,

669
00:35:06.639 --> 00:35:08.760
<v Speaker 1>you're blah blah blah. So if you play it cool,

670
00:35:08.840 --> 00:35:10.559
<v Speaker 1>you never know you might be in a scene with them.

671
00:35:10.599 --> 00:35:14.360
<v Speaker 2>You know, definitely playing it cool. Yeah, actually definitely like

672
00:35:14.480 --> 00:35:17.199
<v Speaker 2>shitting my pants talking from you. But like you know,

673
00:35:17.679 --> 00:35:20.639
<v Speaker 2>that's me, Like someone's like pushing me, like go talk

674
00:35:20.679 --> 00:35:20.960
<v Speaker 2>to him.

675
00:35:21.440 --> 00:35:24.599
<v Speaker 1>They're like, Okay, it's funny. I took my wife to

676
00:35:24.920 --> 00:35:27.920
<v Speaker 1>Exotica two years I mean we go every year now,

677
00:35:28.119 --> 00:35:30.480
<v Speaker 1>but I took her two years ago, and she's my

678
00:35:30.559 --> 00:35:34.199
<v Speaker 1>producer on the show. But she is not a guy

679
00:35:34.400 --> 00:35:36.719
<v Speaker 1>like me who's like, let's dive into this bl blah blah,

680
00:35:36.880 --> 00:35:38.800
<v Speaker 1>let me do a other research. I've been watching porn

681
00:35:38.840 --> 00:35:41.840
<v Speaker 1>all my life. So at one point Alex Cole, who's

682
00:35:41.880 --> 00:35:44.480
<v Speaker 1>a wonderful performer and has told me six different times

683
00:35:44.519 --> 00:35:46.360
<v Speaker 1>she'll come on the show, and then we can't ever

684
00:35:46.400 --> 00:35:49.039
<v Speaker 1>get the schedule worked out. She had a thing where

685
00:35:49.039 --> 00:35:51.360
<v Speaker 1>you pay fifty dollars and she'll put her foot in

686
00:35:51.480 --> 00:35:54.159
<v Speaker 1>your mouth as you lay on the ground. And I

687
00:35:54.760 --> 00:35:56.719
<v Speaker 1>was tapping jen. I was like, go look at him,

688
00:35:57.000 --> 00:35:58.559
<v Speaker 1>because we were waiting in line and go, go look

689
00:35:58.559 --> 00:36:00.599
<v Speaker 1>at that guy she has no oh, I go, he's

690
00:36:00.639 --> 00:36:02.599
<v Speaker 1>got a foot in his mouth. Go look at it.

691
00:36:03.320 --> 00:36:05.760
<v Speaker 1>And it's just so funny watching people from the outside

692
00:36:05.760 --> 00:36:08.000
<v Speaker 1>world because she was terrified to do that. And I

693
00:36:08.119 --> 00:36:11.039
<v Speaker 1>can't imagine if we had to do a red carpet

694
00:36:11.199 --> 00:36:13.559
<v Speaker 1>or anything like that, you know where she would just

695
00:36:14.280 --> 00:36:17.079
<v Speaker 1>because she's more of an introvert. Now, let me ask

696
00:36:17.159 --> 00:36:20.320
<v Speaker 1>you your natural personality. Are you more of an extrovert

697
00:36:20.440 --> 00:36:21.559
<v Speaker 1>or an introvert.

698
00:36:22.000 --> 00:36:27.320
<v Speaker 2>Total extrovert like I social butterfly. I'm just I think

699
00:36:27.400 --> 00:36:29.880
<v Speaker 2>it goes back to that thing of like my mom,

700
00:36:30.320 --> 00:36:34.119
<v Speaker 2>I'd always had a camera like on everything's recording pictures,

701
00:36:34.159 --> 00:36:38.400
<v Speaker 2>taking and it's just kind of like I grew up

702
00:36:38.440 --> 00:36:40.320
<v Speaker 2>that way, and I grew up with a lot of friends.

703
00:36:40.400 --> 00:36:43.480
<v Speaker 2>I walk into people's houses, like I know, it's kind

704
00:36:43.519 --> 00:36:47.280
<v Speaker 2>of wild to think of now, but like super extroverted.

705
00:36:47.400 --> 00:36:50.599
<v Speaker 2>But it's weird because like when I get nervous I'm

706
00:36:50.679 --> 00:36:53.239
<v Speaker 2>at this party, I'm like doing super extrovert things that

707
00:36:53.320 --> 00:36:55.599
<v Speaker 2>like my sister would never do. She's such an introvert,

708
00:36:55.920 --> 00:36:57.639
<v Speaker 2>she should never go to a party. And then I'm

709
00:36:57.679 --> 00:36:59.360
<v Speaker 2>there and I'm like, what do I do.

710
00:37:00.719 --> 00:37:05.239
<v Speaker 1>So I'm shocked by how many it's good to hear

711
00:37:05.480 --> 00:37:08.119
<v Speaker 1>you're an extrovert, but it's I am shocked by how

712
00:37:08.239 --> 00:37:11.400
<v Speaker 1>many performers, how many women who are just lay down

713
00:37:11.480 --> 00:37:13.559
<v Speaker 1>on a bed, fully nude, ready to get fuck bub blah,

714
00:37:13.599 --> 00:37:16.840
<v Speaker 1>how many of them tell me like, I'm a total introvert. Oh,

715
00:37:17.079 --> 00:37:19.880
<v Speaker 1>and it's it just seems so like incongruous to me.

716
00:37:20.000 --> 00:37:22.960
<v Speaker 1>It's like, well, you're an introvert, except all of this

717
00:37:23.119 --> 00:37:25.880
<v Speaker 1>over here. So I don't know. I guess it's a

718
00:37:25.920 --> 00:37:30.320
<v Speaker 1>different mindset maybe you know what, yeah, yes, And like for.

719
00:37:30.440 --> 00:37:33.599
<v Speaker 2>Me, I feel like I'm so extroverted when there's like

720
00:37:33.800 --> 00:37:37.840
<v Speaker 2>group orgy people people on set, like we're in a

721
00:37:37.880 --> 00:37:41.679
<v Speaker 2>group setting. Red Carver has so many people. But if

722
00:37:41.840 --> 00:37:44.280
<v Speaker 2>I'm alone, I feel like that's when I get really

723
00:37:44.360 --> 00:37:46.519
<v Speaker 2>introverted and I have to speak to someone like one

724
00:37:46.559 --> 00:37:51.000
<v Speaker 2>on one, don't worry, like no, no is like cool.

725
00:37:51.719 --> 00:37:53.360
<v Speaker 1>Now you're performing right now.

726
00:37:54.000 --> 00:37:55.519
<v Speaker 2>But I would be lying if I said it like

727
00:37:55.800 --> 00:37:58.119
<v Speaker 2>there was never a nervous saw it or a nervous

728
00:37:58.280 --> 00:38:00.400
<v Speaker 2>like thing when you're one on one with one, even

729
00:38:00.440 --> 00:38:02.159
<v Speaker 2>in one on one in a scene and there's like

730
00:38:02.280 --> 00:38:06.360
<v Speaker 2>one other person shooting it's super like intimate, right, So.

731
00:38:06.840 --> 00:38:09.559
<v Speaker 1>So you need the crowd, then you need yeah, you

732
00:38:09.679 --> 00:38:11.280
<v Speaker 1>need more vibe coming at.

733
00:38:11.280 --> 00:38:13.400
<v Speaker 2>You and really yeah, and then I feel like I'm

734
00:38:13.519 --> 00:38:14.320
<v Speaker 2>like performing.

735
00:38:14.519 --> 00:38:18.880
<v Speaker 1>Yeah, OK, all right? Do you have any kind So

736
00:38:19.000 --> 00:38:21.440
<v Speaker 1>that made me think about, how you know, do you

737
00:38:21.760 --> 00:38:27.719
<v Speaker 1>have any type of hidden kink that maybe we don't

738
00:38:27.760 --> 00:38:29.320
<v Speaker 1>know about or maybe we do know about if we

739
00:38:29.400 --> 00:38:30.800
<v Speaker 1>sign up for your stuff? Like you said, do you

740
00:38:30.880 --> 00:38:32.280
<v Speaker 1>like have a lot of people around. Do you like

741
00:38:32.320 --> 00:38:36.320
<v Speaker 1>any kind of like exhibitionism, voyeurism public stuff? Does that

742
00:38:36.480 --> 00:38:38.519
<v Speaker 1>do anything for you or does it have to be

743
00:38:38.639 --> 00:38:40.079
<v Speaker 1>like a professional set around you.

744
00:38:40.960 --> 00:38:46.599
<v Speaker 2>I actually haven't ventured in much to like voyeurism exhibitionists, like,

745
00:38:46.840 --> 00:38:50.280
<v Speaker 2>I haven't really researched much of it, but I do

746
00:38:51.320 --> 00:38:54.480
<v Speaker 2>want to. It's something that's like a curious kink, I

747
00:38:54.519 --> 00:38:56.840
<v Speaker 2>would say. I don't know if it's like something I

748
00:38:56.920 --> 00:38:59.599
<v Speaker 2>totally love yet, but it's definitely like that little fantasy

749
00:38:59.639 --> 00:39:01.960
<v Speaker 2>that I would I would dip into. I would say

750
00:39:02.079 --> 00:39:04.760
<v Speaker 2>a lot of things actually right now are fantasies that

751
00:39:04.760 --> 00:39:08.039
<v Speaker 2>I would dip into, Like I've recently been loving doing

752
00:39:08.159 --> 00:39:10.760
<v Speaker 2>feet stuff, and not because I like I like feet,

753
00:39:10.840 --> 00:39:13.320
<v Speaker 2>but I like when people like my feet. Okay, So

754
00:39:13.480 --> 00:39:15.199
<v Speaker 2>it's just kind of weird thing of like I like

755
00:39:15.280 --> 00:39:17.679
<v Speaker 2>when people like something, so like if someone's asked worshiping

756
00:39:17.719 --> 00:39:20.679
<v Speaker 2>me or like tit worshiping me, So maybe I like

757
00:39:20.719 --> 00:39:22.760
<v Speaker 2>to be worshiped. I don't know. I think maybe it

758
00:39:22.880 --> 00:39:27.039
<v Speaker 2>comes down to that. Maybe, But trying to think of

759
00:39:27.119 --> 00:39:29.920
<v Speaker 2>anything else that's like really cool. I really want to

760
00:39:29.960 --> 00:39:32.800
<v Speaker 2>try cosplays. It's a bunch of stuff that I am

761
00:39:32.920 --> 00:39:36.559
<v Speaker 2>really interested in but haven't delved into yet, which is

762
00:39:36.599 --> 00:39:39.199
<v Speaker 2>why I feel like when people ask for customs of

763
00:39:39.280 --> 00:39:41.760
<v Speaker 2>different kinks and stuff like, I'm super excited to try

764
00:39:41.800 --> 00:39:44.679
<v Speaker 2>all these things because I'm learning about myself too, and like,

765
00:39:45.920 --> 00:39:49.159
<v Speaker 2>right now, let me think, I kind of like the

766
00:39:49.360 --> 00:39:55.320
<v Speaker 2>school girl getting caught type vibes. I like those a lot.

767
00:39:56.440 --> 00:39:58.880
<v Speaker 2>That's kind of like fantasy or kink for me, or

768
00:39:59.039 --> 00:40:03.280
<v Speaker 2>like miss Sage intimate things or big orgies.

769
00:40:03.440 --> 00:40:06.400
<v Speaker 1>I would say, maybe you know not to call out

770
00:40:06.480 --> 00:40:08.920
<v Speaker 1>any one specific site. I won't name the exact site

771
00:40:08.920 --> 00:40:10.320
<v Speaker 1>in case you get work with them in the future.

772
00:40:10.360 --> 00:40:11.760
<v Speaker 1>I don't think you've worked them in the past, but

773
00:40:11.840 --> 00:40:15.880
<v Speaker 1>I've had another thought on that power dynamic that maybe

774
00:40:15.880 --> 00:40:18.079
<v Speaker 1>you don't because as you said, schoolgirl thing was like, Okay,

775
00:40:18.159 --> 00:40:20.280
<v Speaker 1>that's one thing. You know, you can be the school

776
00:40:20.280 --> 00:40:23.440
<v Speaker 1>girl you know what you may not like and maybe

777
00:40:23.480 --> 00:40:27.079
<v Speaker 1>you'll work for them. So again, well, sh perfect, what

778
00:40:27.199 --> 00:40:31.440
<v Speaker 1>about like the shoplifting stuff that seems like have you

779
00:40:31.480 --> 00:40:32.800
<v Speaker 1>ever seen do you know what I'm talking about with

780
00:40:33.280 --> 00:40:36.039
<v Speaker 1>a maze? You got shoplifting? Well you got to fuck

781
00:40:36.079 --> 00:40:39.840
<v Speaker 1>this security that seems like yeah, kind.

782
00:40:39.719 --> 00:40:42.400
<v Speaker 2>Of the way you don't want to go right correct,

783
00:40:42.519 --> 00:40:46.000
<v Speaker 2>I would say correct, like maybe I would, I see,

784
00:40:46.079 --> 00:40:49.239
<v Speaker 2>I would never I'm not. It's hard because I know

785
00:40:49.239 --> 00:40:54.199
<v Speaker 2>what you're talking about. They're like, so it's like the

786
00:40:54.320 --> 00:40:57.159
<v Speaker 2>brand is like not completely on because it's a little

787
00:40:57.239 --> 00:41:00.880
<v Speaker 2>more it's weirdly scripted as Gonezo. It's like it's script

788
00:41:01.079 --> 00:41:03.599
<v Speaker 2>but it's scripted as gone So kind of maybe it's

789
00:41:03.639 --> 00:41:05.199
<v Speaker 2>not scripted because I haven't worked with them, but it

790
00:41:05.320 --> 00:41:10.360
<v Speaker 2>looks like it would be a you know, I get it. No,

791
00:41:10.480 --> 00:41:13.079
<v Speaker 2>I told I get what you're saying here, thing that

792
00:41:13.119 --> 00:41:16.079
<v Speaker 2>you're talking about, But I'm just like, I don't. I

793
00:41:16.119 --> 00:41:20.360
<v Speaker 2>would definitely like probably work with them, and I guess

794
00:41:20.360 --> 00:41:22.880
<v Speaker 2>i'd just be like a discussion with like people around

795
00:41:22.960 --> 00:41:25.559
<v Speaker 2>me and like people who have worked with mentors and

796
00:41:26.199 --> 00:41:29.119
<v Speaker 2>and a branding conversation really like in a future but

797
00:41:29.480 --> 00:41:31.880
<v Speaker 2>as of right now, Like, I do agree with you.

798
00:41:32.039 --> 00:41:34.800
<v Speaker 2>It's kind of like I like the getting caught part,

799
00:41:35.119 --> 00:41:39.079
<v Speaker 2>but I feel like it's the set is The set

800
00:41:39.199 --> 00:41:40.400
<v Speaker 2>is not setting for me.

801
00:41:40.960 --> 00:41:43.760
<v Speaker 1>It's it's and again I'm not that site or any

802
00:41:43.760 --> 00:41:46.599
<v Speaker 1>of the various other ones or anything like that if

803
00:41:46.679 --> 00:41:49.440
<v Speaker 1>you're not into that. Though, it feels very like like

804
00:41:49.519 --> 00:41:52.800
<v Speaker 1>I wish there was a little more like the girl

805
00:41:53.360 --> 00:41:56.119
<v Speaker 1>was really like pushing it, like, look, I could do

806
00:41:56.239 --> 00:41:58.239
<v Speaker 1>this for you, Let's take care of it. It's more

807
00:41:58.280 --> 00:42:00.199
<v Speaker 1>of like, hey, let's make an even deal on the

808
00:42:00.199 --> 00:42:03.119
<v Speaker 1>woman's terms here. Yes, I do like that.

809
00:42:03.639 --> 00:42:05.559
<v Speaker 2>I do. I do like the little morel of the

810
00:42:05.599 --> 00:42:08.599
<v Speaker 2>women empowering part, and I feel like it would be

811
00:42:08.760 --> 00:42:11.480
<v Speaker 2>right with the right I don't know, with the right

812
00:42:11.519 --> 00:42:14.239
<v Speaker 2>performers and the right you know, maybe it would like

813
00:42:14.840 --> 00:42:18.039
<v Speaker 2>fucking kill. Like I've seen a bunch of amazing scenes

814
00:42:18.119 --> 00:42:21.360
<v Speaker 2>like that that are like, obviously it's a great scene

815
00:42:21.400 --> 00:42:23.320
<v Speaker 2>and they want to be there and they're having fun.

816
00:42:23.400 --> 00:42:26.199
<v Speaker 1>So yeah, I feel like that's like and it's become

817
00:42:26.519 --> 00:42:29.679
<v Speaker 1>a standard now and whatever, and I don't think we

818
00:42:29.840 --> 00:42:32.719
<v Speaker 1>really have to worry about like you know, teenage boys

819
00:42:32.760 --> 00:42:35.800
<v Speaker 1>seeing it and really wanting to be more security guards,

820
00:42:35.880 --> 00:42:39.159
<v Speaker 1>like you know, it's it's Yeah, I think that's kind

821
00:42:39.159 --> 00:42:45.400
<v Speaker 1>of a thing you fall into. Uh, what milestones are

822
00:42:45.440 --> 00:42:48.159
<v Speaker 1>you looking forward to coming up? What is your next

823
00:42:48.239 --> 00:42:50.679
<v Speaker 1>big thing where you're like, I'm going to tackle this.

824
00:42:50.840 --> 00:42:53.360
<v Speaker 1>Maybe you've already shot it, it's not released yet, maybe

825
00:42:53.400 --> 00:42:54.880
<v Speaker 1>you're looking to shoot it. You don't have to give

826
00:42:54.920 --> 00:42:57.920
<v Speaker 1>me any details that you're not allowed to, but tell

827
00:42:58.000 --> 00:42:58.719
<v Speaker 1>me what you want to do.

828
00:43:00.280 --> 00:43:03.320
<v Speaker 2>Yeah. There Actually there is one milestone a company that

829
00:43:03.360 --> 00:43:08.559
<v Speaker 2>I've wanted to work for since I mean forever that

830
00:43:08.760 --> 00:43:11.079
<v Speaker 2>I did work for and it will be coming out soon.

831
00:43:11.760 --> 00:43:15.039
<v Speaker 2>So that's like for me personally, like in the back

832
00:43:15.039 --> 00:43:16.920
<v Speaker 2>of my head a really big mouse stone that I'm

833
00:43:17.000 --> 00:43:20.559
<v Speaker 2>looking forward for it to come out. That's something I'm

834
00:43:20.559 --> 00:43:25.360
<v Speaker 2>actually looking to film soon. Would be either a gang

835
00:43:25.440 --> 00:43:29.119
<v Speaker 2>bang or like a blowbang with like multiple guys and

836
00:43:29.679 --> 00:43:32.519
<v Speaker 2>even multiple girls who like I think you know now,

837
00:43:32.679 --> 00:43:34.880
<v Speaker 2>like I love the multi people thing. I think that's

838
00:43:34.960 --> 00:43:40.480
<v Speaker 2>like one thing I thrive in. But trying to think

839
00:43:40.519 --> 00:43:45.719
<v Speaker 2>of something else. There's something I would definitely want to try.

840
00:43:45.840 --> 00:43:49.320
<v Speaker 2>You mentioned it earlier in the next like maybe year

841
00:43:49.960 --> 00:43:53.159
<v Speaker 2>year in a little bit is anal? I obviously haven't

842
00:43:53.199 --> 00:43:56.800
<v Speaker 2>tapped into it yet, but I think that would be

843
00:43:56.920 --> 00:44:01.159
<v Speaker 2>like the next, the next, like the biggest thing for

844
00:44:01.239 --> 00:44:03.639
<v Speaker 2>me other than like you know, the blowbag gang bag.

845
00:44:04.079 --> 00:44:07.199
<v Speaker 1>Sure, so anal? Have we are we playing? Oh? Go ahead?

846
00:44:07.199 --> 00:44:07.840
<v Speaker 1>Do you got something else?

847
00:44:08.000 --> 00:44:12.440
<v Speaker 2>I'm sorry, No, I'm sorry, I actually just I just

848
00:44:12.519 --> 00:44:15.119
<v Speaker 2>thought it was like, because I remember you said something

849
00:44:15.199 --> 00:44:17.679
<v Speaker 2>with a milestone where you're that I'm looking forward to

850
00:44:18.960 --> 00:44:21.639
<v Speaker 2>a big milestone. I'm actually really looking forward to would

851
00:44:21.679 --> 00:44:25.039
<v Speaker 2>be a feature film. So actually, like before the anal,

852
00:44:25.519 --> 00:44:28.519
<v Speaker 2>Sorry I was getting weak the future for you before

853
00:44:28.599 --> 00:44:31.280
<v Speaker 2>the anal, I would obviously I would love to have

854
00:44:31.480 --> 00:44:36.880
<v Speaker 2>like you know, a feature film, movie, production, set, storyline,

855
00:44:37.000 --> 00:44:41.719
<v Speaker 2>everything that I think would be like more satisfying to

856
00:44:41.760 --> 00:44:42.639
<v Speaker 2>me than like being anal.

857
00:44:42.800 --> 00:44:45.320
<v Speaker 1>So sure, sure, sure, well yeah, I don't. I guess

858
00:44:45.320 --> 00:44:47.559
<v Speaker 1>it would depend on how satisfying the anal. What well,

859
00:44:47.599 --> 00:44:50.239
<v Speaker 1>let me ask, I mean the feature obviously we want

860
00:44:50.280 --> 00:44:53.159
<v Speaker 1>to get in that. I am positive the audience wants

861
00:44:53.199 --> 00:44:54.960
<v Speaker 1>me to go further on the annal. Is it just

862
00:44:55.079 --> 00:44:59.719
<v Speaker 1>a fear? Is it pain? Is it a career move?

863
00:44:59.840 --> 00:45:02.760
<v Speaker 1>Like you're building up to that? Why have we not

864
00:45:03.039 --> 00:45:06.079
<v Speaker 1>delved into that lately as a guy who's never taken

865
00:45:06.199 --> 00:45:08.119
<v Speaker 1>a dick in my so I will say that yet.

866
00:45:08.920 --> 00:45:10.760
<v Speaker 2>All three, to be honest with you, all three, that

867
00:45:10.840 --> 00:45:12.960
<v Speaker 2>you said a little bit of fear in there, Like

868
00:45:13.079 --> 00:45:17.039
<v Speaker 2>obviously I'm not an anal girl right now. So not

869
00:45:17.119 --> 00:45:18.840
<v Speaker 2>only do I not do anal on mainstream, but I

870
00:45:18.920 --> 00:45:21.280
<v Speaker 2>don't do anal like in my personal life or my

871
00:45:21.400 --> 00:45:25.440
<v Speaker 2>lives I have before. I just I don't. So there

872
00:45:25.559 --> 00:45:28.920
<v Speaker 2>is obviously that fear of like you know, anal. Girls

873
00:45:29.000 --> 00:45:31.199
<v Speaker 2>know how to prepare anal, girls know how to do anal.

874
00:45:31.400 --> 00:45:34.079
<v Speaker 2>I don't, and it's just something that like I haven't,

875
00:45:34.280 --> 00:45:39.000
<v Speaker 2>I haven't done yet, So there's that it does hurt

876
00:45:39.039 --> 00:45:40.599
<v Speaker 2>a little bit now, but if I get the right

877
00:45:40.800 --> 00:45:43.079
<v Speaker 2>kind of training method, like I have trained a couple

878
00:45:43.159 --> 00:45:45.159
<v Speaker 2>of times, more than a couple of times, but I

879
00:45:45.239 --> 00:45:47.480
<v Speaker 2>have you know, delved into it and does hurt, but

880
00:45:47.719 --> 00:45:50.199
<v Speaker 2>it does also feel good at times. So that's something

881
00:45:50.280 --> 00:45:53.039
<v Speaker 2>I'm really excited about. And that's why, like I know,

882
00:45:53.159 --> 00:45:56.039
<v Speaker 2>it looks so good. I love anal, I love watching anal,

883
00:45:56.559 --> 00:45:59.719
<v Speaker 2>and I love my butt, so I'm super excited. I

884
00:45:59.719 --> 00:46:02.639
<v Speaker 2>would I'd love to do it soon, but it's also

885
00:46:02.679 --> 00:46:04.840
<v Speaker 2>a career move, so I know that that's not something

886
00:46:04.880 --> 00:46:09.639
<v Speaker 2>that I'm looking for this year, unless like some miracle,

887
00:46:10.360 --> 00:46:12.960
<v Speaker 2>I don't know. If it comes for the right scene,

888
00:46:13.519 --> 00:46:15.679
<v Speaker 2>I'm going to do it. Like if it comes to

889
00:46:15.760 --> 00:46:18.199
<v Speaker 2>the right company offering me the right scene with the

890
00:46:18.320 --> 00:46:21.840
<v Speaker 2>right male performer, perfect situation, I'm going.

891
00:46:21.840 --> 00:46:25.920
<v Speaker 1>To do it right. Okay, fair enough, Let me ask

892
00:46:26.159 --> 00:46:28.480
<v Speaker 1>a couple of these are going to seem out of place.

893
00:46:28.719 --> 00:46:31.760
<v Speaker 1>They're a little oddball questions, but actually you might be

894
00:46:31.920 --> 00:46:36.119
<v Speaker 1>the most qualified person to answer some of these. Awesome,

895
00:46:36.760 --> 00:46:41.320
<v Speaker 1>how do you feel about VR? No, not VR? AI? Apologies?

896
00:46:41.360 --> 00:46:42.760
<v Speaker 1>How do you feel about VR? We talked about it

897
00:46:42.800 --> 00:46:44.880
<v Speaker 1>for ten years? Yeah, sure, it's great. How do you

898
00:46:44.880 --> 00:46:47.400
<v Speaker 1>feel about AI? And do you have any concern about that?

899
00:46:47.639 --> 00:46:50.440
<v Speaker 1>Because you're a newer girl coming into the entrance, like

900
00:46:50.480 --> 00:46:51.960
<v Speaker 1>you have your feet way. I don't mean like you're

901
00:46:52.639 --> 00:46:56.400
<v Speaker 1>yesterday you started, but it feels that way someday. My

902
00:46:56.719 --> 00:47:02.039
<v Speaker 1>concern is that a lot of the top girls and

903
00:47:02.119 --> 00:47:04.239
<v Speaker 1>I don't know what discussions are going on behind the scenes.

904
00:47:04.280 --> 00:47:06.440
<v Speaker 1>I'm just looking at this strictly from the outside. If

905
00:47:06.480 --> 00:47:09.320
<v Speaker 1>I'm a top girl, if I'm any violent myers, if

906
00:47:09.320 --> 00:47:14.280
<v Speaker 1>I'm a whoever, can I sell my rights to this?

907
00:47:14.800 --> 00:47:19.400
<v Speaker 1>Because five years from now it's gonna you're not gonna

908
00:47:19.440 --> 00:47:22.280
<v Speaker 1>know what's real and what's what's you know, what's actually

909
00:47:22.360 --> 00:47:25.000
<v Speaker 1>being created and what's AI. You're just not So is

910
00:47:25.079 --> 00:47:29.159
<v Speaker 1>there any concern? You get ask this to every office

911
00:47:29.159 --> 00:47:31.920
<v Speaker 1>worker too. Is there concern about AI taking your job

912
00:47:31.960 --> 00:47:32.800
<v Speaker 1>away from you at all?

913
00:47:34.519 --> 00:47:40.000
<v Speaker 2>Personally? I don't. I'm not too concerned. Like I think

914
00:47:41.280 --> 00:47:44.199
<v Speaker 2>a lot of people are in talks of whether it's

915
00:47:44.280 --> 00:47:47.039
<v Speaker 2>like a fad or whether it's like gonna completely in

916
00:47:47.119 --> 00:47:51.119
<v Speaker 2>a year from now be this amazing thing, And like, honestly,

917
00:47:51.159 --> 00:47:52.519
<v Speaker 2>I'm just kind of here to live for the moment.

918
00:47:52.599 --> 00:47:54.519
<v Speaker 2>So like, if it does take my job in a year,

919
00:47:54.599 --> 00:47:57.039
<v Speaker 2>then that's what happens in a year. But I don't think.

920
00:47:57.159 --> 00:48:00.519
<v Speaker 2>I'm not concerned. I don't think it will. I there's

921
00:48:00.599 --> 00:48:02.280
<v Speaker 2>like points of it that I'm worried about, but I

922
00:48:02.360 --> 00:48:04.800
<v Speaker 2>feel like that's from what the humans set up. So

923
00:48:05.639 --> 00:48:07.760
<v Speaker 2>there's I just wouldn't pick that site for AI. There's

924
00:48:07.800 --> 00:48:11.280
<v Speaker 2>so many different AI sites and things and contracts you'd

925
00:48:11.280 --> 00:48:13.960
<v Speaker 2>have to read that involve AI. So it's just about

926
00:48:14.000 --> 00:48:17.320
<v Speaker 2>like doing your own research and noticing what do you

927
00:48:17.440 --> 00:48:20.440
<v Speaker 2>not want to sign your rights over to? So, like,

928
00:48:21.000 --> 00:48:23.480
<v Speaker 2>there are things that do concern me, I would say,

929
00:48:23.559 --> 00:48:27.440
<v Speaker 2>like a little bit in terms of like I don't

930
00:48:27.440 --> 00:48:29.400
<v Speaker 2>want to be doing things that I don't want to

931
00:48:29.480 --> 00:48:31.760
<v Speaker 2>be doing, like as Macy in Ai, you know what

932
00:48:31.800 --> 00:48:34.079
<v Speaker 2>I mean, Like a shy a fan has like the

933
00:48:35.480 --> 00:48:38.519
<v Speaker 2>ability to make me do something like I like that.

934
00:48:38.679 --> 00:48:40.639
<v Speaker 2>There are these companies that are putting those like stop

935
00:48:40.719 --> 00:48:43.440
<v Speaker 2>words or like stop functions on them, and there is

936
00:48:43.519 --> 00:48:47.559
<v Speaker 2>a bit of like oversee right now, but maybe there

937
00:48:47.559 --> 00:48:49.719
<v Speaker 2>won't always be. So that does concern me a little.

938
00:48:49.760 --> 00:48:52.039
<v Speaker 2>But in terms of my job, I don't think it'll

939
00:48:52.159 --> 00:48:54.719
<v Speaker 2>like completely take it away totally.

940
00:48:54.920 --> 00:48:57.960
<v Speaker 1>I get it. I get it. And then one more

941
00:48:58.039 --> 00:49:00.760
<v Speaker 1>question again, because I'm actually seeing the debate going on

942
00:49:01.079 --> 00:49:03.639
<v Speaker 1>right now between a few people. I asked this question

943
00:49:03.719 --> 00:49:06.559
<v Speaker 1>to every performer and the number kind of shocks me

944
00:49:06.719 --> 00:49:08.760
<v Speaker 1>sometimes what they think or what they say, and there's

945
00:49:08.760 --> 00:49:11.519
<v Speaker 1>always a reasoning behind it. You are someone who got

946
00:49:11.559 --> 00:49:14.880
<v Speaker 1>into this industry at eighteen years old. Now, I personally

947
00:49:15.000 --> 00:49:17.199
<v Speaker 1>make no judgment. If you were old enough to go

948
00:49:17.760 --> 00:49:20.320
<v Speaker 1>die in a war overseas, you're old enough to shoot

949
00:49:20.360 --> 00:49:23.440
<v Speaker 1>porn to me personally, But I've spoken to so many

950
00:49:23.519 --> 00:49:26.440
<v Speaker 1>women who also got in at eighteen and said it

951
00:49:26.519 --> 00:49:28.880
<v Speaker 1>should be twenty one, or it should be this, or

952
00:49:28.920 --> 00:49:31.559
<v Speaker 1>it should be that. What do you think, having been

953
00:49:31.599 --> 00:49:34.800
<v Speaker 1>in the industry for a while now, having seen how

954
00:49:34.920 --> 00:49:38.000
<v Speaker 1>it works and whatever. You obviously came in very mature

955
00:49:38.280 --> 00:49:41.199
<v Speaker 1>and very knowing what you were doing, even as you

956
00:49:41.320 --> 00:49:44.199
<v Speaker 1>were green to all of this stuff. What do you

957
00:49:44.360 --> 00:49:46.400
<v Speaker 1>think the age should be for getting into porn?

958
00:49:47.320 --> 00:49:49.119
<v Speaker 2>Well, thank you first of all for saying I'm so

959
00:49:49.239 --> 00:49:51.440
<v Speaker 2>mature and everything and that you do you think that,

960
00:49:51.599 --> 00:49:54.159
<v Speaker 2>because I think it goes with the answer. I don't

961
00:49:54.199 --> 00:49:57.000
<v Speaker 2>think that I really was that mature and knew what

962
00:49:57.079 --> 00:49:59.800
<v Speaker 2>I was doing at eighteen. So I feel like coming

963
00:49:59.840 --> 00:50:02.840
<v Speaker 2>in eighteen was great in terms of OnlyFans in a

964
00:50:02.960 --> 00:50:07.199
<v Speaker 2>little dabbling because I wasn't totally in the public eye

965
00:50:07.400 --> 00:50:10.320
<v Speaker 2>or like totally putting all my stuff on the internet

966
00:50:10.440 --> 00:50:15.920
<v Speaker 2>that much. But if it was, if it was not

967
00:50:16.039 --> 00:50:18.360
<v Speaker 2>accessible to me, and if I did do it at

968
00:50:18.400 --> 00:50:22.519
<v Speaker 2>the time, I think it would have been my choice. Like,

969
00:50:22.960 --> 00:50:29.559
<v Speaker 2>in terms of it's tough, tion has happened, Like it's

970
00:50:29.599 --> 00:50:32.360
<v Speaker 2>a really hard debate. I think, yeah, eighteen is what

971
00:50:32.480 --> 00:50:35.760
<v Speaker 2>you said, Like, if you're old enough to go to

972
00:50:35.880 --> 00:50:40.679
<v Speaker 2>the electric chair or whatever. Yeah, obviously if you want

973
00:50:40.719 --> 00:50:43.800
<v Speaker 2>to do porn than you choose too. But there is

974
00:50:43.880 --> 00:50:46.440
<v Speaker 2>a term like in the back of my head saying

975
00:50:46.519 --> 00:50:52.440
<v Speaker 2>like maybe you should be mature before you start. That

976
00:50:52.880 --> 00:50:55.239
<v Speaker 2>one term of like you should be twenty one. So like,

977
00:50:55.360 --> 00:50:57.360
<v Speaker 2>I don't know, I know, I know it's.

978
00:50:57.239 --> 00:51:00.280
<v Speaker 1>The toughest one because wait it I have met I've

979
00:51:00.320 --> 00:51:03.480
<v Speaker 1>interviewed forty year olds on my brand new Faces podcast,

980
00:51:03.519 --> 00:51:05.920
<v Speaker 1>which is just introducing new girls to the industry, who

981
00:51:06.000 --> 00:51:08.559
<v Speaker 1>have no idea what they're doing, and they're not why

982
00:51:08.800 --> 00:51:11.320
<v Speaker 1>no offense to them, they're you know what, yeah, yeah,

983
00:51:11.559 --> 00:51:13.239
<v Speaker 1>but they're coming. They have no idea what they're doing.

984
00:51:13.360 --> 00:51:17.239
<v Speaker 1>They're not you know, hip to what all this shit

985
00:51:17.440 --> 00:51:19.480
<v Speaker 1>is and how it works and the social media aspect

986
00:51:19.559 --> 00:51:21.519
<v Speaker 1>and this and that. Then I've met eighteen year olds

987
00:51:21.519 --> 00:51:25.679
<v Speaker 1>who are like fucking killing it absolutely just yeah, but

988
00:51:25.800 --> 00:51:29.119
<v Speaker 1>I like your thing too. Maybe we say this, maybe

989
00:51:29.199 --> 00:51:35.639
<v Speaker 1>we say eighteen for independent stuff or like solo stuff,

990
00:51:35.760 --> 00:51:39.679
<v Speaker 1>and then twenty one for mainstream or whatever.

991
00:51:40.159 --> 00:51:43.039
<v Speaker 2>I get it, And I feel like, you know, you

992
00:51:43.199 --> 00:51:45.199
<v Speaker 2>just talk. Two thoughts in my brain not want go.

993
00:51:45.679 --> 00:51:49.760
<v Speaker 2>So the first one, yes, I think like if you

994
00:51:49.880 --> 00:51:52.360
<v Speaker 2>started at eighteen, you do your independence and then you

995
00:51:52.519 --> 00:51:54.280
<v Speaker 2>prove that. Okay, this is the one of the proof

996
00:51:54.360 --> 00:51:57.159
<v Speaker 2>things that I said I didn't like, but like you

997
00:51:57.360 --> 00:51:59.719
<v Speaker 2>show that, like listen, like I can fuck I want

998
00:51:59.760 --> 00:52:02.199
<v Speaker 2>to do this. I'm I got my pr stuff down,

999
00:52:02.280 --> 00:52:04.639
<v Speaker 2>like I got my marketing down, Like I'm putting myself

1000
00:52:04.679 --> 00:52:07.039
<v Speaker 2>out there. I'm trying, I'm growing. This is what I

1001
00:52:07.119 --> 00:52:08.679
<v Speaker 2>want to do. Because there's those people that you can

1002
00:52:08.719 --> 00:52:11.480
<v Speaker 2>see like this is what they want to do. They're

1003
00:52:11.480 --> 00:52:13.239
<v Speaker 2>not here for the quick money, like they want to

1004
00:52:13.280 --> 00:52:15.320
<v Speaker 2>do this. They're passionate about it. They're really good at it.

1005
00:52:16.039 --> 00:52:18.880
<v Speaker 2>I think, like, yeah, there's those special people that like

1006
00:52:18.920 --> 00:52:22.679
<v Speaker 2>get pulled and like could maybe fast track and like

1007
00:52:23.199 --> 00:52:25.559
<v Speaker 2>get there before they're twenty one. But like there is

1008
00:52:25.679 --> 00:52:30.440
<v Speaker 2>those like those cases, those like tiny little things that

1009
00:52:30.599 --> 00:52:33.280
<v Speaker 2>make you think like maybe maybe I don't want to

1010
00:52:33.800 --> 00:52:36.519
<v Speaker 2>and like that would be a decision for like two

1011
00:52:36.599 --> 00:52:39.000
<v Speaker 2>years from now, I don't know. And then the other thought,

1012
00:52:39.039 --> 00:52:40.000
<v Speaker 2>I'm so sorry.

1013
00:52:39.800 --> 00:52:41.800
<v Speaker 1>No, please just fun. They're here for you.

1014
00:52:41.800 --> 00:52:45.920
<v Speaker 2>You talk. I would love to make it easier for

1015
00:52:46.000 --> 00:52:49.280
<v Speaker 2>people coming into the industry that are eighteen young, even

1016
00:52:49.280 --> 00:52:51.599
<v Speaker 2>if you're twenty one, that's still young, like you know whatever,

1017
00:52:52.199 --> 00:52:54.920
<v Speaker 2>twenty five people who are coming into the industry.

1018
00:52:55.960 --> 00:52:56.280
<v Speaker 1>I want.

1019
00:52:56.440 --> 00:52:59.760
<v Speaker 2>I would love to make this like I won't even

1020
00:52:59.800 --> 00:53:04.079
<v Speaker 2>say school or anything, but like this community. Maybe that

1021
00:53:04.239 --> 00:53:08.119
<v Speaker 2>like would help people, you know, come in, be mentored,

1022
00:53:08.920 --> 00:53:12.119
<v Speaker 2>get the education that they need, and like tell them

1023
00:53:12.239 --> 00:53:14.440
<v Speaker 2>like this is what you should.

1024
00:53:15.760 --> 00:53:19.679
<v Speaker 1>I get you. You're one hundred percent right. I see

1025
00:53:19.800 --> 00:53:23.599
<v Speaker 1>in my dumb fucking whatever brain, I always thought, just

1026
00:53:23.719 --> 00:53:25.920
<v Speaker 1>make up. We need to put a PDF together for

1027
00:53:26.039 --> 00:53:28.320
<v Speaker 1>these girls, and I'll hand it out. Even something is

1028
00:53:28.360 --> 00:53:32.519
<v Speaker 1>basic as first thing, create a link tree, you know,

1029
00:53:32.800 --> 00:53:36.000
<v Speaker 1>first thing, Get your name across all social media, lock

1030
00:53:36.039 --> 00:53:38.599
<v Speaker 1>all that stuff in, because there's nothing worse than going

1031
00:53:38.719 --> 00:53:41.159
<v Speaker 1>like do you find her on Instagram at blah blah blah,

1032
00:53:41.280 --> 00:53:44.119
<v Speaker 1>and then Twitter this one with six numbers at the end,

1033
00:53:44.199 --> 00:53:46.639
<v Speaker 1>and then all like I get accounts, get canceled and

1034
00:53:46.880 --> 00:53:49.519
<v Speaker 1>suspend it this and that. That sucks, but like the

1035
00:53:49.599 --> 00:53:52.280
<v Speaker 1>basics coming into it. Yeah, it's almost like we need

1036
00:53:52.639 --> 00:53:55.119
<v Speaker 1>like a job aid to give to these girls to

1037
00:53:55.199 --> 00:53:56.800
<v Speaker 1>be like this is the basic and then you could

1038
00:53:56.840 --> 00:53:57.639
<v Speaker 1>take your clothes off.

1039
00:53:57.840 --> 00:54:01.320
<v Speaker 2>Okay, yeah, see if I had time, and I probably

1040
00:54:01.400 --> 00:54:03.800
<v Speaker 2>do someday, So maybe this is an idea for later on.

1041
00:54:03.920 --> 00:54:06.840
<v Speaker 2>But I would one hundred percent like YouTube, make the

1042
00:54:06.920 --> 00:54:08.519
<v Speaker 2>YouTube videos, make the videos.

1043
00:54:10.039 --> 00:54:12.320
<v Speaker 1>I don't know, do it, let's figure it out.

1044
00:54:12.400 --> 00:54:14.000
<v Speaker 2>You give all my knowledge, and I didn't even have

1045
00:54:14.119 --> 00:54:17.239
<v Speaker 2>that much knowledge. So it's it's like, I'm going to

1046
00:54:17.280 --> 00:54:18.519
<v Speaker 2>spend that just so passionate about it.

1047
00:54:18.559 --> 00:54:21.239
<v Speaker 1>I'm going to spend the next year putting together PDF

1048
00:54:21.519 --> 00:54:23.400
<v Speaker 1>and then I'll pitch it to you as a script

1049
00:54:23.960 --> 00:54:26.320
<v Speaker 1>and a year from now we'll put this together and

1050
00:54:26.400 --> 00:54:28.840
<v Speaker 1>people will be like, we are the worst people in

1051
00:54:28.960 --> 00:54:31.400
<v Speaker 1>the world. We got all these eighteen year olds into

1052
00:54:31.440 --> 00:54:34.960
<v Speaker 1>the industry and none of them are as sure as

1053
00:54:35.280 --> 00:54:39.239
<v Speaker 1>as mature as miss Mazie Monroe at Mazy Monroe, m

1054
00:54:39.280 --> 00:54:43.400
<v Speaker 1>Ai s e Y Monroe, across all so not across

1055
00:54:43.440 --> 00:54:46.639
<v Speaker 1>all social media, right, it's a crazy so.

1056
00:54:46.719 --> 00:54:51.599
<v Speaker 2>Them except for stupid Instagram that banned me Macy x Monroe.

1057
00:54:51.840 --> 00:54:54.800
<v Speaker 1>Okay, and you know exactly where to find her links

1058
00:54:54.840 --> 00:54:57.519
<v Speaker 1>to everything in the episode description. Maizie, thank you so

1059
00:54:57.599 --> 00:54:58.960
<v Speaker 1>much for coming on with me tonight. You were a

1060
00:54:59.000 --> 00:55:00.840
<v Speaker 1>lot of fun to talk too. Thank you, Thank you

1061
00:55:01.320 --> 00:55:01.920
<v Speaker 1>you as well.

1062
00:55:02.320 --> 00:55:03.000
<v Speaker 2>It's amazing.

1063
00:55:04.960 --> 00:55:05.000
<v Speaker 1>M
