1 00:00:00,320 --> 00:00:03,919 Speaker 1: So the guests arrived, she's if you gave her that 2 00:00:04,040 --> 00:00:07,040 pill that they gave those people in the movie Limitless, 3 00:00:07,080 --> 00:00:08,240 remember that, Bradley Cooper. 4 00:00:08,320 --> 00:00:09,759 Speaker 2: Yeah, Bradley Coop's. 5 00:00:09,439 --> 00:00:13,080 Speaker 1: You're like, hey, look at me, Like Brie, you give 6 00:00:13,119 --> 00:00:14,919 it to her. Like three hours later, she's like, hey, 7 00:00:14,919 --> 00:00:17,320 look at me. I can make all my crans color 8 00:00:17,359 --> 00:00:22,399 in the lines you were supposed to be solving very 9 00:00:22,440 --> 00:00:24,760 complicated like did you write problems? 10 00:00:24,800 --> 00:00:26,199 Speaker 2: Did you write that joke down? No? 11 00:00:26,399 --> 00:00:33,560 Speaker 3: Okay, thank god, and listen. 12 00:00:33,600 --> 00:00:39,479 Speaker 2: I mean I've said some really stupid shit too, but 13 00:00:40,079 --> 00:00:41,600 I'm just happy you didn't write that down. 14 00:00:43,640 --> 00:01:02,920 Speaker 4: I'm just saying she's a dubby. 15 00:01:03,479 --> 00:01:07,560 Speaker 2: Welcome aboard another brand spanking an episode of another bulow 16 00:01:07,560 --> 00:01:10,840 Deck podcast. My name is Dylan, That is Patrick. Permission 17 00:01:10,840 --> 00:01:12,959 to come aboard granted? What's up, dude? 18 00:01:13,319 --> 00:01:14,239 Speaker 1: Not much season time? 19 00:01:14,319 --> 00:01:14,799 Speaker 2: Are you doing? 20 00:01:14,879 --> 00:01:16,799 Speaker 1: Bill seasons winding down? 21 00:01:17,200 --> 00:01:17,319 Speaker 2: Hey? 22 00:01:17,400 --> 00:01:19,319 Speaker 1: Dyl? You know you and I talked about this on 23 00:01:19,359 --> 00:01:23,439 another podcast that we recorded earlier today. You know, a 24 00:01:23,560 --> 00:01:26,359 yacht sank like two weeks ago, and you and your 25 00:01:26,400 --> 00:01:30,200 other podcast are covering it in that conspiracy theory podcast. 26 00:01:30,200 --> 00:01:30,959 You do want to plug it? 27 00:01:31,000 --> 00:01:33,599 Speaker 2: Man? I don't want to play why not. 28 00:01:33,680 --> 00:01:35,640 Speaker 1: I think it's fascinating. A lot of people are interested 29 00:01:35,680 --> 00:01:38,879 in yachts that just randomly sink, especially after you've been 30 00:01:38,920 --> 00:01:41,760 awarded two billion dollars right right right. 31 00:01:42,000 --> 00:01:46,840 Speaker 2: For defrauding HP in an acquisition. I mean, you can't 32 00:01:46,879 --> 00:01:49,840 lie about what the value your company is and then 33 00:01:49,840 --> 00:01:55,280 when you beat the case, those printers pay pretty well. 34 00:01:55,519 --> 00:01:59,719 They can hire assassins who have underwater magical weaponry. They 35 00:01:59,719 --> 00:02:03,560 can creates cyclones underwater on Coral. You can listen to 36 00:02:03,560 --> 00:02:06,159 the whole thing at deep Waters aka Conspiracy Social Club. 37 00:02:06,280 --> 00:02:10,919 So that was very sweet. Thanks pat Patreon dot com. 38 00:02:10,960 --> 00:02:13,639 Slash another podcast network is where you will find our 39 00:02:13,680 --> 00:02:17,479 Bachelor coverage Bachelorette coverage. It's the finale this week. 40 00:02:18,360 --> 00:02:19,800 Speaker 1: It was a dot of a season. Dylan and I 41 00:02:19,840 --> 00:02:21,759 made it fun. But the good news is we have 42 00:02:21,800 --> 00:02:24,319 the Golden Bachelorette coming up and I think that's gonna 43 00:02:24,360 --> 00:02:26,599 be just a lot of fun. 44 00:02:26,719 --> 00:02:29,599 Speaker 2: Yeah, a lot of fun seeing the blue hair slam 45 00:02:29,639 --> 00:02:32,840 into one another, break hips, fall in love, fall out 46 00:02:32,840 --> 00:02:36,680 of love, possibly die, who knows. So listen to all 47 00:02:36,680 --> 00:02:39,919 that at Patreon. Let's get into the episode. We have 48 00:02:40,120 --> 00:02:43,080 an episode and you thought it was what. 49 00:02:45,599 --> 00:02:49,439 Speaker 1: Seasons winding down. It really is. Uh, there's not a 50 00:02:49,520 --> 00:02:53,599 lot here. Oh this point, I do want to actually, 51 00:02:53,639 --> 00:02:55,280 you know what, I do want to point out, Sandy 52 00:02:55,319 --> 00:02:57,280 at the tail end of the episode, they made a 53 00:02:57,280 --> 00:03:00,680 little fib here because you and I were encyclopedias this series. 54 00:03:00,759 --> 00:03:01,039 Speaker 2: I'm not. 55 00:03:01,680 --> 00:03:06,199 Speaker 1: I think you are. I've probably watched almost five hundred 56 00:03:06,240 --> 00:03:09,599 episodes of this series. Yeah, because you know, we've gone 57 00:03:09,639 --> 00:03:14,120 deep into the back catalog. There's been four iterations of 58 00:03:14,159 --> 00:03:15,919 this a year for the last four years. Yeah, we're 59 00:03:16,000 --> 00:03:18,800 roughly around five hundred, So I'm an expert. Sandy has 60 00:03:19,000 --> 00:03:23,800 said she never has fired a low level third stew dud. 61 00:03:24,000 --> 00:03:29,199 Speaker 2: I apologize for not doing yes, had you know because 62 00:03:29,240 --> 00:03:32,120 I went to UCB like every kid with no clear 63 00:03:32,199 --> 00:03:40,560 career prospects did in the late Auti Audia. But the 64 00:03:40,639 --> 00:03:42,759 reason I say I'm not in an excaclopedia because we 65 00:03:42,759 --> 00:03:44,879 saw all these people and I was like, I vaguely 66 00:03:45,000 --> 00:03:47,520 remember you, but you're kind of like a lucid dream. 67 00:03:47,599 --> 00:03:48,840 I have no idea who you. 68 00:03:48,840 --> 00:03:51,479 Speaker 1: Are, and this is this speaks to me being an idiot. 69 00:03:51,599 --> 00:03:53,879 There are people that I saw in the package of 70 00:03:53,960 --> 00:03:57,039 flashbacks that we've interviewed that I was like, who is that. 71 00:03:57,000 --> 00:03:59,159 Speaker 2: Part right right right? That's on me, and it's the 72 00:03:59,199 --> 00:04:04,520 booze and the weed. Respect that's why what respectively? Speaking 73 00:04:04,520 --> 00:04:07,360 of weed, we just did a podcast and I was 74 00:04:07,400 --> 00:04:10,240 okay for about let's say, thirty two minutes, and then 75 00:04:10,280 --> 00:04:13,840 my tongue started to not work. So I'm praying for 76 00:04:13,840 --> 00:04:18,519 greener pastures here. But will see my mouth isn't working 77 00:04:18,680 --> 00:04:19,519 good right now? 78 00:04:19,560 --> 00:04:22,959 Speaker 1: Well, let me continue. Sandy had alleged that she never 79 00:04:23,000 --> 00:04:25,399 fired a low level third SEO, and then they showed 80 00:04:25,600 --> 00:04:29,720 footage of Delaney. Delaney was only on the show for 81 00:04:30,040 --> 00:04:31,079 two and a half episodes. 82 00:04:31,120 --> 00:04:32,680 Speaker 2: I believe Delaney. That's right. 83 00:04:33,319 --> 00:04:36,560 Speaker 1: Uh, Delaney was in fact fired. Uh it was you 84 00:04:36,680 --> 00:04:39,319 and the chief Stuart's time. I believe her name was Francesca, 85 00:04:39,519 --> 00:04:42,879 and you let her go with one charter left, and 86 00:04:43,000 --> 00:04:46,319 your reasoning was you didn't need her anymore, okay. And 87 00:04:46,560 --> 00:04:49,759 I had famously said why not let her sleep in 88 00:04:49,759 --> 00:04:50,519 the laundry room. 89 00:04:50,720 --> 00:04:52,160 Speaker 2: Oh that's right, yes. 90 00:04:52,160 --> 00:04:54,600 Speaker 1: Our episode and went on watch What Happens Live and 91 00:04:54,600 --> 00:05:00,240 told Andy that I remember, that's why, Okay, that's you 92 00:05:00,319 --> 00:05:02,519 did fire her and she shouldn't have been in the footage. 93 00:05:02,560 --> 00:05:05,199 As an example of people that you haven't. 94 00:05:04,920 --> 00:05:07,839 Speaker 2: Fired, right, right, Okay, that's a really good point. Anyway, 95 00:05:07,879 --> 00:05:09,920 you are a freaking steel trap man. 96 00:05:10,279 --> 00:05:11,519 Speaker 1: Thank you, zero knots. 97 00:05:11,639 --> 00:05:16,480 Speaker 2: Zero knots for me too. I mean, what a fun episode. 98 00:05:17,000 --> 00:05:23,160 We've got death, we've got love, we've got highbrows, we've 99 00:05:23,160 --> 00:05:27,319 got a new member aboard this vessel, and we have 100 00:05:27,399 --> 00:05:34,040 the continued al Pacino in insomnia Mania from Ellie hasn't 101 00:05:34,079 --> 00:05:37,800 sleeped in four days. Very concerned about being unseated in 102 00:05:37,879 --> 00:05:42,199 a position that is, in terms of all the positions 103 00:05:42,240 --> 00:05:45,839 out there in the working world, maybe among the lowest. 104 00:05:46,879 --> 00:05:53,160 Speaker 1: Yeah yeah, yeah, there's a couple lower. I've famously, the 105 00:05:53,199 --> 00:05:56,120 second time I've used that phrase, set an example of 106 00:05:56,199 --> 00:06:00,240 the assistant lizard washer at the zoo. Sure, it's right, 107 00:06:00,279 --> 00:06:02,560 it's pretty cool. It's like a little bit about that. 108 00:06:02,639 --> 00:06:08,279 Speaker 2: If your Treasury secretary and they bring in somebody in 109 00:06:08,360 --> 00:06:11,319 the department who you feel may be gunning for you, 110 00:06:11,360 --> 00:06:14,720 maybe you know a little paranoia that can creep in there. 111 00:06:14,759 --> 00:06:17,160 Speaker 1: Oh you say, you're saying, Hey, I think she's gonna 112 00:06:17,199 --> 00:06:20,079 take my job cleaning ship off a toilet pole. 113 00:06:21,000 --> 00:06:28,920 Speaker 2: Oh man, yeah, yeah, that can't happen. Zero pods. 114 00:06:29,480 --> 00:06:32,639 Speaker 1: May I start us off DELI. Of course, our new 115 00:06:33,639 --> 00:06:35,879 our new stew carrier arrives and right out of the gate, 116 00:06:36,000 --> 00:06:40,079 she's uh usually gaaling us of tales of sa rat history. 117 00:06:40,199 --> 00:06:43,120 Oh yeah, I believe she attempted to serve a prostitute 118 00:06:43,160 --> 00:06:48,040 of my tie. Yeah, her words, not mine. The prostitute 119 00:06:48,079 --> 00:06:50,120 was at that point being eaten out. 120 00:06:50,560 --> 00:06:53,399 Speaker 2: Uh huh yeah, yeah, getting her box maunched on. 121 00:06:53,600 --> 00:06:55,360 Speaker 1: Yeah, well she didn't go that far, but I'd like 122 00:06:55,399 --> 00:06:59,480 to point out accepting favor still leaves a couple hands 123 00:06:59,480 --> 00:07:02,399 free animal. So it's it's like riding a bike and 124 00:07:02,519 --> 00:07:05,399 chewing gum. You you could drink the Myti, I could. 125 00:07:05,199 --> 00:07:08,000 Speaker 2: Have a Myti, get my box munched? I mean lots 126 00:07:08,000 --> 00:07:11,079 of people, could you know. I think she said something about, 127 00:07:11,279 --> 00:07:14,319 uh a tampax being thrown on the wall, kind of 128 00:07:14,360 --> 00:07:16,560 like the pickles in the beginning of Happy Gilmore. 129 00:07:17,000 --> 00:07:18,279 Speaker 1: Wow, I didn't catch that one. 130 00:07:18,399 --> 00:07:30,560 Speaker 2: You do. Sorry. It's a revolting trade. So we have 131 00:07:31,199 --> 00:07:31,800 where are. 132 00:07:31,680 --> 00:07:34,480 Speaker 1: We We're still in the first thirty seconds of the episode. 133 00:07:34,519 --> 00:07:38,040 Speaker 2: That's fantastic, that's great news. Okay, So Nathan tells everybody 134 00:07:38,319 --> 00:07:40,839 that the new girl who he brought up to the 135 00:07:40,879 --> 00:07:48,000 Crow's nest is Scottish and Joe who is Joe is 136 00:07:48,040 --> 00:07:55,040 proving to be a colossal douchebag. But this show needs 137 00:07:55,160 --> 00:07:56,160 that archetype. 138 00:07:56,199 --> 00:07:58,040 Speaker 1: Yet, we don't want to give any spoilers because you 139 00:07:58,120 --> 00:07:59,879 we know who made it to the next season. 140 00:08:00,040 --> 00:08:02,839 Speaker 2: We don't want to people, right, huge fan of the 141 00:08:02,879 --> 00:08:06,000 show who we love has had some insight. Yeah, there, 142 00:08:06,360 --> 00:08:08,319 we don't want to ruin it for people. 143 00:08:08,920 --> 00:08:10,680 Speaker 1: Yeah, but if you're a douchebag, it might get you 144 00:08:10,720 --> 00:08:12,279 another season on this franchise. 145 00:08:12,319 --> 00:08:16,519 Speaker 2: It's my point. Yeah, I mean you can't speak in 146 00:08:16,639 --> 00:08:21,240 coded language. That is that easy to decide, right, you know? Yeah, yeah, okay, 147 00:08:22,199 --> 00:08:26,560 but it is like we may loathe Joe, but Joe, 148 00:08:26,800 --> 00:08:28,560 is you need necessary? 149 00:08:28,720 --> 00:08:33,200 Speaker 1: Yeah? You know ah that movie documentary Catfish, Yeah, we'sally 150 00:08:33,240 --> 00:08:35,679 got the title. Catfish always shakes up the other fish 151 00:08:35,679 --> 00:08:38,639 in the tank. You need them around. They keep everybody moving, 152 00:08:38,840 --> 00:08:39,120 and we. 153 00:08:39,120 --> 00:08:43,360 Speaker 2: Don't need digital catfish, right because it's too sad, it's 154 00:08:43,399 --> 00:08:47,879 too depressing. That move that documentary was didn't he walk 155 00:08:47,879 --> 00:08:49,279 into the house and it was a little bit like 156 00:08:49,320 --> 00:08:52,360 Texas chains on ass There were like two severely disabled 157 00:08:52,399 --> 00:08:53,279 children there. 158 00:08:53,080 --> 00:08:56,480 Speaker 1: Correct, that's correct, And the woman who is supposed to 159 00:08:56,519 --> 00:08:59,360 be a pop singer that had been string him along, 160 00:08:59,480 --> 00:09:02,279 was in fact fifty year old woman who was married. Yeah, 161 00:09:02,320 --> 00:09:04,519 and she had a very kind of sad on exciting 162 00:09:04,559 --> 00:09:04,919 life in. 163 00:09:04,879 --> 00:09:07,559 Speaker 2: This Moo Moo's Only Move Moves Only. 164 00:09:07,480 --> 00:09:09,759 Speaker 1: And her husband upon hearing that she was in fact 165 00:09:09,759 --> 00:09:13,440 communicating with younger, good looking men from New York and Yeah, 166 00:09:13,480 --> 00:09:16,000 I was like, eh, you know, that's my wife. She's 167 00:09:16,039 --> 00:09:19,120 like a catfish. And they were a title for that 168 00:09:19,200 --> 00:09:22,039 documentary until he said that, yeah, and they're like. 169 00:09:22,279 --> 00:09:30,039 Speaker 2: Wow, yeah, that's sad. But it did remind me of 170 00:09:30,159 --> 00:09:32,320 you know how in Texas changed. I'm asker like Arley 171 00:09:32,440 --> 00:09:34,799 Ermie and all those freaks are all kind of like 172 00:09:35,080 --> 00:09:39,679 supporting one another because oh shucks, that's my wife is 173 00:09:39,720 --> 00:09:44,759 not an appropriate response. No, no, because she's trafficking psychotic behavior, 174 00:09:45,159 --> 00:09:49,480 trafficking all right. So, like we talked about Joe's the douchebag, 175 00:09:49,559 --> 00:09:52,679 and that's on display when Nathan says she's Scottish and 176 00:09:52,759 --> 00:09:53,519 Joe goes. 177 00:09:53,720 --> 00:09:56,559 Speaker 1: Ugh, yeah, right, it's a little bit like cheese. 178 00:09:56,120 --> 00:09:57,799 Speaker 2: Going ugh at Joe. 179 00:09:58,279 --> 00:10:00,320 Speaker 4: Oh oh oh, okay. 180 00:10:00,120 --> 00:10:04,039 Speaker 2: I got it. You're so repulsed that you're not going 181 00:10:04,120 --> 00:10:06,879 to toss into one another at some point. You know, 182 00:10:07,000 --> 00:10:11,879 it's just just really, they're all so randy, these people. Yeah, 183 00:10:11,879 --> 00:10:14,000 they're all so randy. Yeah yeah, yeah. 184 00:10:14,080 --> 00:10:15,840 Speaker 1: I mean, Joe, you're a pick, all right, So can 185 00:10:15,879 --> 00:10:18,759 I do a meanwhile? Right now? Of course, meanwhile, Kermit 186 00:10:18,840 --> 00:10:21,679 meets with Carrie and gives her the tour, And just 187 00:10:21,759 --> 00:10:25,320 at this point we learned that Tommy has passed. Now 188 00:10:25,639 --> 00:10:30,200 I want to point out Tommy well, because we don't 189 00:10:30,240 --> 00:10:32,399 have any frame of reference who Tommy is at this 190 00:10:32,440 --> 00:10:34,879 given point. I was hoping Tommy was his pet iguana 191 00:10:35,000 --> 00:10:35,440 or something. 192 00:10:35,519 --> 00:10:36,840 Speaker 2: Sure, yeah, of. 193 00:10:36,799 --> 00:10:39,639 Speaker 1: Course we got sad news later. It's a human person, 194 00:10:40,879 --> 00:10:45,720 and you know, Nathan, I know we all process grief differently, 195 00:10:45,759 --> 00:10:47,679 but I want to say he got the news and 196 00:10:47,679 --> 00:10:50,480 he was like, let's go crack a beer. I'm gonna 197 00:10:50,840 --> 00:10:53,600 out my girlfriend tonight. You know. The Irish people, it 198 00:10:53,639 --> 00:10:55,720 takes us until we get a couple a couple of 199 00:10:55,759 --> 00:10:58,120 drinks in us before we start feeling really sad. 200 00:10:58,279 --> 00:11:02,440 Speaker 2: Sure, yeah, you're ethically predispposed to be in a booze bag, 201 00:11:02,519 --> 00:11:06,080 that's right. I mean, your organs can't function properly without 202 00:11:06,080 --> 00:11:09,320 a little I don't know, what do you people drink whiskey. 203 00:11:09,639 --> 00:11:13,120 I shouldn't be saying you people, I'm like fifty percent you. 204 00:11:13,200 --> 00:11:15,799 Speaker 1: Are fifty percent Irish. So that's why you that's there's 205 00:11:16,279 --> 00:11:18,080 reason that you and I have this great chemistry. 206 00:11:18,120 --> 00:11:18,519 Speaker 2: Deligenuse. 207 00:11:18,519 --> 00:11:19,279 Speaker 1: I think it's the Irish. 208 00:11:19,279 --> 00:11:23,399 Speaker 2: It's the Irish. You know, many many moons ago, our 209 00:11:23,440 --> 00:11:27,000 forefathers and mothers were just se and eyeballs around their 210 00:11:27,039 --> 00:11:29,360 necks and howling in the moon. And that's why we can, 211 00:11:29,559 --> 00:11:32,440 you know, speak to one another in that language. That's right, Okay, 212 00:11:32,679 --> 00:11:37,360 so we again do this. Oh, I'm in trouble thing 213 00:11:37,399 --> 00:11:40,080 from Joe. I don't know why this is so triggering 214 00:11:40,120 --> 00:11:43,080 to me. It's just such it's so annoying to hear 215 00:11:43,200 --> 00:11:44,039 guys say this. 216 00:11:44,360 --> 00:11:46,879 Speaker 1: Let me just say this, Dylan. Uh, it's a little 217 00:11:46,919 --> 00:11:49,320 late in the season start giving out new names for 218 00:11:49,639 --> 00:11:52,840 cast members. That about on a recap of fourteen episodes. 219 00:11:52,879 --> 00:11:54,399 Speaker 2: Hey, better late than ever. 220 00:11:54,600 --> 00:11:59,759 Speaker 1: Fine Joe's names. It's not Joe, it's Hope. I'm gonna 221 00:11:59,759 --> 00:12:02,759 call you how at this point, And to quote the 222 00:12:02,799 --> 00:12:07,240 Balkan biscuit, Uh, you have no fucking shame you pick. 223 00:12:07,679 --> 00:12:08,720 She didn't add the pig part. 224 00:12:08,799 --> 00:12:12,720 Speaker 2: I add that, but Joe's essentially like that guy Chipotle 225 00:12:12,759 --> 00:12:17,080 that asked that dude to mix that burrito. No shame. 226 00:12:17,600 --> 00:12:20,120 Speaker 1: Hey, I want to say, Carrie is offered a shot 227 00:12:20,159 --> 00:12:23,919 of grey goose by Joe. Thank god she declined that offer. 228 00:12:24,000 --> 00:12:27,519 I was because some sea rats have really made egregious 229 00:12:27,519 --> 00:12:30,480 mistakes of walking onto this boat. I mean, it's bad 230 00:12:30,559 --> 00:12:32,039 enough that she went out on night one. 231 00:12:32,080 --> 00:12:39,360 Speaker 2: Right, but hey, Joe, we're not at a high school bondfire. Okay, 232 00:12:40,320 --> 00:12:42,879 so put the bottle of grey goose away please. 233 00:12:43,039 --> 00:12:46,879 Speaker 1: You know, is it bondfire or bonfire? Bonfire with a 234 00:12:46,960 --> 00:12:49,720 D or an n an N. I was gonna say 235 00:12:49,720 --> 00:12:51,879 it should be called a bondfire, because that's when you 236 00:12:51,919 --> 00:12:54,279 do pass around a bottle of whiskey that you stole 237 00:12:54,320 --> 00:12:57,840 from the bond grandfather's. Yeah, your grandfather's liquor cabinet. You 238 00:12:57,879 --> 00:12:59,399 take a little sip there. The next thing, you know, 239 00:12:59,440 --> 00:13:00,799 you think you're better friends for life. 240 00:13:00,840 --> 00:13:02,919 Speaker 2: You know, that may be like the etymology, you know, 241 00:13:02,960 --> 00:13:06,559 how we just lose certain letters and words. That's true, 242 00:13:06,720 --> 00:13:07,320 that's true. 243 00:13:07,440 --> 00:13:09,000 Speaker 1: They should call it a bondfire. 244 00:13:09,200 --> 00:13:11,720 Speaker 2: Yeah, get in the comments. Let us know if you 245 00:13:11,879 --> 00:13:15,279 know the specific origin of that word and whether or 246 00:13:15,320 --> 00:13:18,000 not we've lost that d You know, it's like salmon. 247 00:13:18,120 --> 00:13:19,519 You know, we all got together and we just said 248 00:13:19,519 --> 00:13:22,519 we're not pronouncing the L anymore, that kind of thing, 249 00:13:24,559 --> 00:13:26,279 but the else is still there. 250 00:13:26,559 --> 00:13:27,000 Speaker 1: Salmon. 251 00:13:27,879 --> 00:13:30,919 Speaker 2: Yeah. Is this good? So far? 252 00:13:31,080 --> 00:13:31,440 Speaker 1: I think so? 253 00:13:31,600 --> 00:13:32,080 Speaker 2: Okay, Now, a. 254 00:13:32,080 --> 00:13:34,840 Speaker 1: Little warning to anybody out there, never in your workplace, 255 00:13:34,879 --> 00:13:37,480 try and cook salmon in the microwave in the common area. 256 00:13:37,519 --> 00:13:38,360 Speaker 2: Battle bang your daughter. 257 00:13:38,399 --> 00:13:39,799 Speaker 1: I'll have sex with your daughter. 258 00:13:39,919 --> 00:13:45,039 Speaker 2: Okay. So if she's of age always, and I mean 259 00:13:45,120 --> 00:13:47,279 seriously of age, like we're not going under twenty four, 260 00:13:48,039 --> 00:13:52,320 not at all. I mean even twenty four. 261 00:13:54,440 --> 00:13:55,559 Speaker 1: Okay, I was twenty four. 262 00:13:56,960 --> 00:14:03,399 Speaker 2: You know I had this. This is amazing. Nope, nope, Hey, 263 00:14:03,480 --> 00:14:08,320 pat remind me that. Remind me to tell you a 264 00:14:08,440 --> 00:14:12,120 joke after the podcast. Will you remind me? 265 00:14:12,279 --> 00:14:12,600 Speaker 1: I will? 266 00:14:12,679 --> 00:14:16,639 Speaker 2: Okay, So, let's I want to talk about this. I'm 267 00:14:16,639 --> 00:14:27,200 in trouble line. We've discussed it before. Bad let me cook. 268 00:14:28,240 --> 00:14:32,360 We've discussed it before. One, there's an implication I can 269 00:14:32,440 --> 00:14:38,799 if I want to, which is not true. Two, she's 270 00:14:38,919 --> 00:14:42,519 just a person. What is this like if somebody walks 271 00:14:42,559 --> 00:14:46,720 in with the correct or incorrect genitalia, depending on how 272 00:14:46,720 --> 00:14:49,240 you're looking at it, you go, oh, I'm in trouble. 273 00:14:49,960 --> 00:14:54,120 It's like pathetic, almost like is there You've completely lost 274 00:14:54,159 --> 00:14:56,840 agency in this. You can't not do it? What's going 275 00:14:56,879 --> 00:14:57,799 on here? Eyebrows? 276 00:14:57,879 --> 00:15:01,399 Speaker 1: Ho, hey ho. Well I'll say this, you know what? 277 00:15:01,679 --> 00:15:03,600 And I talked about this a couple of podcasts ago. 278 00:15:03,799 --> 00:15:06,000 It's fun being young and stupid. These are the things 279 00:15:06,039 --> 00:15:06,919 that they care about. 280 00:15:07,360 --> 00:15:10,440 Speaker 2: Well, Ellie walks out in a cute, rather revealing outfit. 281 00:15:10,559 --> 00:15:11,879 Speaker 1: I think she looked like a stripper. 282 00:15:11,960 --> 00:15:13,960 Speaker 2: Well carried it too, I agree with her. 283 00:15:14,039 --> 00:15:16,639 Speaker 1: Now, it may sound like an insult, and it may 284 00:15:16,639 --> 00:15:19,679 appear offensive at the you know. 285 00:15:19,720 --> 00:15:22,279 Speaker 2: Let's let's let's let's let's woke this a little bit. 286 00:15:22,720 --> 00:15:25,000 Speaker 1: So denying that she looks like a fucking. 287 00:15:24,679 --> 00:15:26,200 Speaker 2: Stripper, Well, why is it offensive? 288 00:15:26,960 --> 00:15:29,360 Speaker 1: I agree? It's an occupation. 289 00:15:29,679 --> 00:15:37,159 Speaker 2: It's an occupation empowering. It's it's empowering. I mean, what's 290 00:15:37,159 --> 00:15:41,679 more empowering than getting on I mean, we're such complicated apes. 291 00:15:42,039 --> 00:15:45,879 We we have this this strip of middle and then 292 00:15:45,960 --> 00:15:49,240 somebody just gets on it, and then everyone is instantly 293 00:15:49,320 --> 00:15:53,440 lobotomized into making disgustingly bad decisions. How does it work? 294 00:15:53,519 --> 00:16:00,519 It must be unbelievably empowering. Okay, so not a great 295 00:16:00,559 --> 00:16:03,120 star with these two on account of Carrie said, you 296 00:16:03,159 --> 00:16:03,840 look like a whore. 297 00:16:05,399 --> 00:16:11,039 Speaker 1: I like carry She's off to a great start, okay. 298 00:16:11,159 --> 00:16:13,799 Speaker 2: So tonight is the best night for her to have 299 00:16:13,960 --> 00:16:16,919 arrived on this boat because we're going out dinner table obviously, 300 00:16:17,000 --> 00:16:22,360 first night, first moment, Joe sits down next to her star. Yeah, 301 00:16:22,879 --> 00:16:24,639 I mean we've got a full court press on the 302 00:16:24,639 --> 00:16:30,120 poor girl. We cut back to those seasons of yore. Now. 303 00:16:31,000 --> 00:16:38,000 The reason I remember Jess and Rob one boobs, but 304 00:16:38,159 --> 00:16:44,960 two rob very like angularly handsome and I'm not gonna 305 00:16:44,960 --> 00:16:49,600 call it a normal people. Connell and maryam kind of love. 306 00:16:49,720 --> 00:16:54,000 But it was very enticingly toxic. 307 00:16:54,159 --> 00:16:57,000 Speaker 1: You know it was she you know we interviewed Massacre, 308 00:16:57,759 --> 00:17:00,320 Oh we did. Yeah. She was parked out in in 309 00:17:00,360 --> 00:17:01,720 a parking lot of a Costco. 310 00:17:01,919 --> 00:17:13,079 Speaker 2: Yeah, and that happens sometimes. Yeah, and Costcos are horrible place. 311 00:17:14,640 --> 00:17:18,480 But it's important to go so that you can see 312 00:17:18,480 --> 00:17:24,000 somebody getting sixteen muffins for some reason. Why are you 313 00:17:24,160 --> 00:17:26,720 getting that many? 314 00:17:27,839 --> 00:17:29,079 Speaker 1: She must have sixteen. 315 00:17:28,799 --> 00:17:36,319 Speaker 2: Kids, yeah, or one so a pizza. 316 00:17:36,640 --> 00:17:38,440 Speaker 1: I hate that place so much. 317 00:17:38,359 --> 00:17:40,440 Speaker 2: No, I know, and listen, the only reason we're talking 318 00:17:40,440 --> 00:17:42,880 about is because I just went to Costco way too 319 00:17:42,960 --> 00:17:47,480 high and got screamed at by three different employees laughed. 320 00:17:48,079 --> 00:17:50,200 You can hear the full story at patrion dot com 321 00:17:50,279 --> 00:17:53,720 Slash another podcast network. Okay, so a pizza is served 322 00:17:53,720 --> 00:17:57,599 with unmelted cheese. Asia and Carrie are getting along very quickly, 323 00:17:57,599 --> 00:18:00,720 and Ellie is already spiraling. She says this could be 324 00:18:01,160 --> 00:18:01,839 a problem. 325 00:18:02,400 --> 00:18:04,759 Speaker 1: She's a threat now. I want to point out to 326 00:18:04,799 --> 00:18:07,240 the Balkan biscuit because I can appreciate game nose game, 327 00:18:07,279 --> 00:18:10,319 but you have two episodes left, like you're not in 328 00:18:10,400 --> 00:18:13,400 jeopardy of losing your job at this point. Let it 329 00:18:13,480 --> 00:18:15,920 wrap up. You know what I mean. You're saying chill 330 00:18:16,200 --> 00:18:19,920 chill out, yeah yeah, and then cheese slash free. She 331 00:18:19,960 --> 00:18:22,720 also sees Carrie as a threat, but as a different 332 00:18:22,799 --> 00:18:25,880 kind of threat from her personal life, and she uses 333 00:18:25,960 --> 00:18:30,440 that analogy of a three course meal. Cheese is the appetizer, 334 00:18:30,519 --> 00:18:31,559 She's the cheese sticks. 335 00:18:31,759 --> 00:18:32,000 Speaker 2: Yeah. 336 00:18:32,880 --> 00:18:36,839 Speaker 1: Ellie is the chick of hetas okay, and carries the dessert. 337 00:18:36,880 --> 00:18:39,680 She's the molten chocolate cake. I love Chili's. 338 00:18:39,920 --> 00:18:42,680 Speaker 2: What kind of carnival cruise are we on eating this meal? 339 00:18:43,319 --> 00:18:46,599 Mazzarella sticks, chicken fajitas, and chocolate lava. 340 00:18:46,359 --> 00:18:49,359 Speaker 1: Cake that I just laid out my favorite menu at Chili's. 341 00:18:49,440 --> 00:18:55,880 Speaker 2: Wow. Okay, so she and Joe are done. According to her, No, 342 00:18:58,440 --> 00:19:00,759 you dragged him into a bathroom and say it be 343 00:19:00,799 --> 00:19:03,519 a man, or I'll be a man. 344 00:19:04,799 --> 00:19:07,079 Speaker 1: So he said, lift that skirt up. 345 00:19:08,480 --> 00:19:12,720 Speaker 2: Yeah, I was a It was a raunchy moment. Huh, 346 00:19:12,799 --> 00:19:17,759 not hot at all. No, No, banging in toilets is 347 00:19:17,839 --> 00:19:22,000 rarely hot, never hot. Okay. So he's moved on to 348 00:19:22,039 --> 00:19:28,519 the Scottish girl who's who he is, who he's disgusted by, 349 00:19:28,759 --> 00:19:32,640 and who's also a pathological flirt. So this should be good. Now. 350 00:19:32,799 --> 00:19:35,039 Nathan I thought was doing well for having his friend 351 00:19:35,079 --> 00:19:39,759 passed away, but he is soaking the problem in liquor 352 00:19:39,880 --> 00:19:42,039 right now. He gets in the vans and he's a 353 00:19:42,039 --> 00:19:44,759 little bit flustered and angry. He tells Gail to shut 354 00:19:44,799 --> 00:19:46,720 the fuck up and says, I wish I cared, but 355 00:19:46,759 --> 00:19:52,880 I don't. Now this is this is a Condall moment. 356 00:19:53,359 --> 00:19:59,000 This is a Conda moment because he's he I can 357 00:19:59,000 --> 00:20:01,119 see where he's coming from. He doesn't care about this 358 00:20:01,240 --> 00:20:04,000 right now. His friend just passed away. This means nothing 359 00:20:04,039 --> 00:20:07,640 to him, but you have to go about life in a, 360 00:20:07,880 --> 00:20:12,000 you know, a less brutish way. But it's revealed that 361 00:20:12,480 --> 00:20:14,839 to the other sea rats that his friend passed away 362 00:20:14,839 --> 00:20:16,960 and he can't handle it, and it's just very sad. 363 00:20:17,279 --> 00:20:20,680 Speaker 1: Yeah, it seemed that broken up about it. Well, I'm 364 00:20:20,720 --> 00:20:23,799 saying earlier, you know, maybe call the guy's mom, check 365 00:20:23,839 --> 00:20:25,279 in with her. I don't know, maybe he did some 366 00:20:25,319 --> 00:20:27,319 of these things. It's like that drunk that was on 367 00:20:27,359 --> 00:20:30,720 the last season of You talking about No, no, no, 368 00:20:30,759 --> 00:20:34,759 I'm talking about that dude that missed calling his daughter 369 00:20:34,839 --> 00:20:35,920 who lived in Alaska. 370 00:20:36,680 --> 00:20:39,319 Speaker 2: Yeah yeah, yeah, yeah. 371 00:20:39,119 --> 00:20:40,880 Speaker 1: Yeah, and then he goes out to a bar and 372 00:20:40,920 --> 00:20:43,920 gets waste and then starts whining about it. It's like you, 373 00:20:43,920 --> 00:20:46,920 you know, yeah, yeah, meet the agreed time to do 374 00:20:46,960 --> 00:20:48,359 a facetot literally. 375 00:20:48,200 --> 00:20:50,240 Speaker 2: Busted up right now because I couldn't get the Wi 376 00:20:50,279 --> 00:20:58,119 fi to work. What about the last four years? Come on, 377 00:20:59,079 --> 00:21:01,279 get it together. So we get back to the boat. 378 00:21:01,960 --> 00:21:04,319 A lot of cat shots tonight, a lot of stray cats, 379 00:21:04,359 --> 00:21:08,119 that's right, which I appreciate. I'm very glad that Nathan 380 00:21:08,240 --> 00:21:12,799 has Gail there, because how is not They have a 381 00:21:13,200 --> 00:21:14,960 kind of brotherly Melman. 382 00:21:14,720 --> 00:21:17,640 Speaker 1: And Kermit has to encourage Joe to be there for 383 00:21:17,720 --> 00:21:18,599 his friend Nathan. 384 00:21:18,680 --> 00:21:20,839 Speaker 2: Yeah. I mean she's gonna let him know what's going on, 385 00:21:21,480 --> 00:21:22,559 because I don't think he does. 386 00:21:22,920 --> 00:21:24,880 Speaker 1: But Gail is there for them, for him, and they 387 00:21:24,960 --> 00:21:27,480 go and take that walk and he admits to pushing 388 00:21:27,519 --> 00:21:30,160 pain and grief away as most of us irishmen do. Yeh, 389 00:21:31,200 --> 00:21:32,599 and then can I just get to the next morning, 390 00:21:32,680 --> 00:21:33,880 of course, okay, next morning. 391 00:21:34,039 --> 00:21:34,480 Speaker 2: Yeah. 392 00:21:34,599 --> 00:21:38,000 Speaker 1: Gail tells us she likes seeing that more sensitive side 393 00:21:38,039 --> 00:21:42,640 of of Nathan there and she wants to support him 394 00:21:42,680 --> 00:21:45,519 like he supported her, you know, like when she was 395 00:21:45,599 --> 00:21:47,839 dating that other guy and he tried to get in 396 00:21:47,880 --> 00:21:51,079 her pants and he said things like fuck that guy. 397 00:21:51,519 --> 00:21:54,119 You know when she was when he was there for her, he. 398 00:21:54,039 --> 00:21:56,160 Speaker 2: Was there for her. He was like, hey, meet me 399 00:21:56,400 --> 00:22:01,839 in the the inflatables closet on the fourth floor. 400 00:22:01,960 --> 00:22:03,920 Speaker 1: Yeah, and then he said fuck that guy, which should 401 00:22:03,920 --> 00:22:07,759 be on a greeting card for sympathy, you know. Yeah, 402 00:22:07,799 --> 00:22:09,559 you know, I'd like to be there for a lot 403 00:22:09,559 --> 00:22:10,920 of women like the way he was for. 404 00:22:11,000 --> 00:22:13,000 Speaker 2: That's like a greeting card you would get in like 405 00:22:13,039 --> 00:22:15,000 a hot sauce shack on the side of the road 406 00:22:15,039 --> 00:22:18,279 going to Vegas. You know, fuck that guy, Fuck that guy. 407 00:22:19,279 --> 00:22:21,960 Oh it's a joke. Yeah, you know. 408 00:22:24,480 --> 00:22:27,720 Speaker 1: I was headed to Vegas for a bachelor party. This 409 00:22:27,759 --> 00:22:29,799 is twenty years ago. They would not get away with 410 00:22:29,839 --> 00:22:31,920 this now. And I'm in the gift shop. It's between 411 00:22:31,960 --> 00:22:34,519 here in Vegas, like one of those little shithole stopovers, 412 00:22:34,960 --> 00:22:37,240 and they had a rack of shirts that said no 413 00:22:37,359 --> 00:22:38,440 fat chicks allowed. 414 00:22:38,759 --> 00:22:41,039 Speaker 2: Yeah, yeah, I bought one. 415 00:22:42,039 --> 00:22:43,880 Speaker 1: Yeah, and I walked into a bar with it. I 416 00:22:43,960 --> 00:22:45,680 just thought it was funny. Sure, and they told me 417 00:22:45,720 --> 00:22:46,839 I couldn't come in with the shirt. 418 00:22:47,319 --> 00:22:49,839 Speaker 2: Well deservedly, so I understand. You know where that would 419 00:22:49,880 --> 00:22:52,440 work great. I'm sure if you walked into the abbey 420 00:22:52,480 --> 00:22:58,960 with that, you'd be welcomed. They'd be like, oh my god, honey. Yeah. Gross. 421 00:23:01,480 --> 00:23:03,400 Speaker 1: The gays get away with so much more than a 422 00:23:03,640 --> 00:23:04,960 straight CIS guys did. 423 00:23:05,119 --> 00:23:07,920 Speaker 2: Yeah, I know. And it's because CIS people are fucking disgusting. 424 00:23:09,000 --> 00:23:14,640 So and also Patrick Patrick sis whites get away with 425 00:23:15,119 --> 00:23:18,119 so much. So anymore, we're not complaining. 426 00:23:18,960 --> 00:23:20,119 Speaker 1: I don't know how good I had it. 427 00:23:20,759 --> 00:23:26,039 Speaker 2: I know, wasn't it fun? All right? So Carrie is 428 00:23:26,039 --> 00:23:28,680 gonna be floating. Asia has decided that she is not 429 00:23:28,680 --> 00:23:30,720 going to throw a stick of dynamite into the mix 430 00:23:30,799 --> 00:23:34,279 because Ellie is insane. Before we get to the preference 431 00:23:34,319 --> 00:23:39,039 sheet meeting Ellie Jesus christ Man, she goes, and I 432 00:23:39,160 --> 00:23:43,720 understand that Ellie doesn't know what Carrie's CV is yet, 433 00:23:44,240 --> 00:23:51,119 but there's still this Pride Rock conversation, like I she 434 00:23:51,240 --> 00:23:53,440 better recognize. And I'm not saying that this would come 435 00:23:53,480 --> 00:23:55,799 from Mufass's line. I'm saying there were a lot of 436 00:23:55,839 --> 00:24:00,160 CD characters around Pride Rock, very worried about hierarchical stuffin 437 00:24:00,400 --> 00:24:04,759 scar Maybe a bad analogy, but she goes, you're the 438 00:24:04,880 --> 00:24:08,480 fourth stew You're gonna be floating. That means you the 439 00:24:08,519 --> 00:24:11,519 lowest on the totem pole. Know your role. Stay back, bitch. 440 00:24:11,599 --> 00:24:14,480 And it's just like I mean, not to quote Pat, 441 00:24:14,880 --> 00:24:17,799 we're cleaning shit off toilet. 442 00:24:17,400 --> 00:24:21,640 Speaker 1: Bowls, speaking of shit, Dylan. So despite carry out ranking 443 00:24:21,720 --> 00:24:24,680 Cheese and Ellie, she will remain the doochie that refused 444 00:24:24,759 --> 00:24:27,279 to be sucked down into that sewer line of the toilet, 445 00:24:27,279 --> 00:24:29,480 also referred to as a floater. 446 00:24:29,359 --> 00:24:31,799 Speaker 2: Right right, right, right, Yeah, imagine if. 447 00:24:31,680 --> 00:24:35,240 Speaker 1: Poop had feelings. Hey, I'm not going down that dark hull. 448 00:24:35,519 --> 00:24:37,200 I want to stay in this bowl and hang out 449 00:24:37,240 --> 00:24:38,000 for a while. 450 00:24:37,880 --> 00:24:42,039 Speaker 2: Or if it is their kind of ritualistic right, it's 451 00:24:42,079 --> 00:24:43,759 their mecca. He goes, what are you doing? I can't 452 00:24:43,759 --> 00:24:48,559 just sit here. I gotta go. You know, my wife 453 00:24:48,599 --> 00:24:51,200 and I watched We've been on a Meet the Blank 454 00:24:51,359 --> 00:24:53,920 kick lately. We will meet the Blank, meet the parents, 455 00:24:53,960 --> 00:24:56,519 and Meet the Fockers. Meet the Fockers is one of 456 00:24:56,559 --> 00:24:58,960 the greatest sequels ever. 457 00:24:59,160 --> 00:25:04,200 Speaker 1: Meet the fuck that's the nanny that had lost Meet 458 00:25:04,240 --> 00:25:05,640 the Fockers. 459 00:25:05,200 --> 00:25:08,079 Speaker 2: Right right right, and she she birthed a child with 460 00:25:08,519 --> 00:25:11,160 a minor league baseball player who looks exactly like that. 461 00:25:11,200 --> 00:25:13,720 I mean, it's just a fantastic film. And the reason 462 00:25:13,759 --> 00:25:17,200 why I brought it up is because Dustin Hoffman, who 463 00:25:17,240 --> 00:25:20,480 has never been cuter than in that movie, says, we 464 00:25:20,519 --> 00:25:23,319 abide by. If it's yellow, let it mellow. If it's brown, 465 00:25:23,480 --> 00:25:25,480 flesh it down. And then he says, looks like I 466 00:25:25,599 --> 00:25:31,039 broke my own rule. And he goes and he fleshes. 467 00:25:31,240 --> 00:25:34,119 Robert de Niro is so fantastic. 468 00:25:33,559 --> 00:25:35,759 Speaker 1: In that movie. You know he's retired, he's never gonna 469 00:25:35,759 --> 00:25:36,200 work again. 470 00:25:36,880 --> 00:25:39,880 Speaker 2: Yeah, I know, he is very busy because what he's 471 00:25:39,920 --> 00:25:41,960 gonna do for the rest of his life is go 472 00:25:42,039 --> 00:25:46,799 to like trials here, Like he's just gonna stand out 473 00:25:46,839 --> 00:25:53,480 front of Republican nodes and just yell at people. Bob, 474 00:25:54,079 --> 00:25:56,799 you got so much money, man, don't worry about it. 475 00:25:57,720 --> 00:25:59,920 You need a scream at people in Trump hats. 476 00:26:00,960 --> 00:26:04,359 Speaker 1: Look at this jerk, this jerk, what are you doing 477 00:26:04,480 --> 00:26:05,720 wearing that hat? 478 00:26:06,960 --> 00:26:14,559 Speaker 2: Bob, you own Tribeca. All right, let's do it. Let's 479 00:26:14,559 --> 00:26:18,599 get to the preference. Shape Manting got a couple of 480 00:26:18,720 --> 00:26:24,240 Dayton's dayton Nights, they want Uzu cocktails to kick things off. 481 00:26:24,319 --> 00:26:27,519 Love that. We've got dance parties, we're gonna need We've 482 00:26:27,519 --> 00:26:31,039 got we've got pirate towers. We've we're gonna see see 483 00:26:31,039 --> 00:26:32,640 what the tongue's doing. You see it? 484 00:26:33,160 --> 00:26:33,279 Speaker 1: Uh. 485 00:26:33,880 --> 00:26:37,599 Speaker 2: Tapas and small plates as opposed to family style. 486 00:26:38,279 --> 00:26:40,680 Speaker 1: That's would be one of my preferences as well. 487 00:26:40,880 --> 00:26:43,680 Speaker 2: Tapas is just smaller family style. 488 00:26:44,200 --> 00:26:44,759 Speaker 1: Yeah. 489 00:26:44,799 --> 00:26:47,160 Speaker 2: When you go to a tapas restaurant, they're like, we 490 00:26:47,319 --> 00:26:50,960 recommend you order twelve things, yep, and. 491 00:26:50,960 --> 00:26:53,440 Speaker 1: You pass them around. It's it's something so much better 492 00:26:53,480 --> 00:26:56,160 than it feeling like you're at a fucking banquet wedding. 493 00:26:56,359 --> 00:26:57,559 I don't like family. 494 00:26:57,200 --> 00:26:59,920 Speaker 2: Style I love family style. Family style is done correct. 495 00:27:00,279 --> 00:27:03,480 I'm not saying you don't. You don't put a a 496 00:27:03,480 --> 00:27:07,160 sterno under something. But the toppest thing is like, oh, 497 00:27:07,240 --> 00:27:10,039 thank you for this plate of three scallops. We'll split 498 00:27:10,079 --> 00:27:13,119 this amongst us five. You know, it's ridiculous. 499 00:27:13,160 --> 00:27:15,759 Speaker 1: I hear now, Dylan. One of the more important preferences 500 00:27:15,839 --> 00:27:17,960 was they want to go with a big bang for 501 00:27:18,000 --> 00:27:20,000 the fifteenth year anniversary. 502 00:27:20,000 --> 00:27:22,000 Speaker 2: They are all anniversaries together. 503 00:27:22,400 --> 00:27:24,759 Speaker 1: Yeah, Now, Johnoh's listen to this and he's gonna pull 504 00:27:24,799 --> 00:27:27,559 out all the stops for desert for this fifteenth anniversary. 505 00:27:27,599 --> 00:27:28,759 Think he's going to serve. 506 00:27:28,599 --> 00:27:34,480 Speaker 2: Popsicles, Flintstone popsicles. But they're gonna have the pushy thing. 507 00:27:34,599 --> 00:27:37,960 So it's like, oh that's class. It may not be class, 508 00:27:38,000 --> 00:27:40,400 but there's a lot of effort that goes into it. 509 00:27:41,559 --> 00:27:43,640 And Sandy's not going to recognize that, and he's gonna go, 510 00:27:43,680 --> 00:27:45,839 but do you do you know what if Flintstone populed, 511 00:27:45,880 --> 00:27:47,079 like do you know how hard it was for me 512 00:27:47,160 --> 00:27:49,640 to do this? And she's gonna be like, it's popsicles, JOHNA, 513 00:27:49,759 --> 00:27:53,559 we can't do that. There's a shellfish allergy. There's a 514 00:27:53,599 --> 00:27:57,119 shellfish allergy. And if you'll remember from the last episode, 515 00:27:57,160 --> 00:28:00,920 Johnah almost killed the worst X Men ever. Now many 516 00:28:00,960 --> 00:28:05,319 people got in our comments and ask the philosophical question. 517 00:28:05,720 --> 00:28:07,839 I'm not going to go there because they didn't say that, 518 00:28:08,440 --> 00:28:12,519 and it's just a dark thing to be put out period. 519 00:28:13,119 --> 00:28:17,079 So we're gonna move on. You know, when you don't 520 00:28:17,079 --> 00:28:20,359 have ads in a show. I know, I'm kind of 521 00:28:20,400 --> 00:28:24,720 just I'm kind of just drunk walking down this field. 522 00:28:24,960 --> 00:28:30,000 It's fun. Ellie and Asha have a very awkward interaction. 523 00:28:30,119 --> 00:28:33,319 Ellie goes up to Asia and essentially asks her to 524 00:28:33,359 --> 00:28:41,920 mentor her, and Asha essentially says, no, good, just keep going. Hey, 525 00:28:42,079 --> 00:28:42,640 you do. 526 00:28:43,920 --> 00:28:45,039 Speaker 1: Whatever you're doing over there. 527 00:28:45,079 --> 00:28:49,799 Speaker 2: Whenever you're doing doing that, there's orange mahidas you're doing 528 00:28:49,920 --> 00:28:50,920 keep keep going. 529 00:28:51,000 --> 00:28:52,880 Speaker 1: I think Kermit hates I. 530 00:28:52,880 --> 00:28:55,359 Speaker 2: Think so too. I don't think they get along. We've 531 00:28:55,359 --> 00:28:58,079 got more infighting though, this time between Gale and Joe. 532 00:28:58,200 --> 00:29:01,000 Speaker 1: So this is the odd lines or trying to be 533 00:29:01,039 --> 00:29:01,480 a storyline. 534 00:29:01,480 --> 00:29:03,279 Speaker 2: What were we call it? Ho? Yes? 535 00:29:03,799 --> 00:29:07,359 Speaker 1: Ho and Gaale them bumping heads is very odd to me. 536 00:29:07,640 --> 00:29:09,920 It's kind of been ramping up, and then of course 537 00:29:09,920 --> 00:29:11,920 it comes to a head with him calling her a 538 00:29:11,920 --> 00:29:14,640 princess and shim her calling him a prick later on 539 00:29:14,680 --> 00:29:17,839 the episode, and then Nathan, I don't know where I 540 00:29:17,880 --> 00:29:20,079 stand with him sitting by the they. 541 00:29:20,000 --> 00:29:22,640 Speaker 2: Call each other that, Yeah, direct, did I miss that? 542 00:29:22,839 --> 00:29:24,839 Speaker 1: It was in the kitchen they were eating lunch, which 543 00:29:24,880 --> 00:29:27,079 is you know, when you're eating food, the last thing 544 00:29:27,119 --> 00:29:29,000 I want to do is fight. That's why I always like, 545 00:29:29,759 --> 00:29:32,920 if you're fighting with your wife or your girlfriend, your spouse, whatever, 546 00:29:33,400 --> 00:29:34,920 don't go out and have dinner. It's gonna be the 547 00:29:34,920 --> 00:29:38,240 most expensive, uncomfortable, miserable experience of your life. 548 00:29:38,279 --> 00:29:41,559 Speaker 2: Yeah, it's that's why you've always hated food fights so much. 549 00:29:41,799 --> 00:29:44,720 That's right, just doesn't make any sense to Youde. It's 550 00:29:44,799 --> 00:29:48,839 very wasteful too. So Joe's hanging over her like a 551 00:29:48,880 --> 00:29:52,200 nosy cadaver, and she's bothered by it. Carrie's working hard, 552 00:29:52,240 --> 00:29:55,279 so is Cheese. Unfortunately, she's working hard is the same 553 00:29:55,319 --> 00:29:59,680 as having I don't know, a garbage bin of raccoons 554 00:29:59,720 --> 00:30:05,359 doing laundry. We've got another Polo incident, and once again 555 00:30:06,960 --> 00:30:11,920 Ellie keeps stumbling upon force fields that will protect her 556 00:30:11,960 --> 00:30:15,599 from being thrown overboard, which is, as far as I 557 00:30:15,599 --> 00:30:18,519 can see, the only punitive measure that makes any sense 558 00:30:18,559 --> 00:30:23,480 at this point. Now it's we're too late in the 559 00:30:23,519 --> 00:30:24,839 season to fire her. 560 00:30:24,960 --> 00:30:25,680 Speaker 1: That's right. 561 00:30:27,200 --> 00:30:29,880 Speaker 2: Before it was she's too low on the totem pole 562 00:30:29,920 --> 00:30:34,240 to fire. It's one of the most baffling things because 563 00:30:34,240 --> 00:30:37,160 this show can be pretty ruthless. I mean, we've seen 564 00:30:37,200 --> 00:30:40,160 people go for reasons that we didn't think they should 565 00:30:40,160 --> 00:30:43,240 go for. And now we've got Ellie who's we're in 566 00:30:43,319 --> 00:30:48,160 episode sixteen. Now, I don't think she's done a thing right. 567 00:30:48,480 --> 00:30:50,680 Speaker 1: She's going to make it to the finish line, as 568 00:30:50,720 --> 00:30:52,200 I believe Johno is going to make it to the 569 00:30:52,200 --> 00:30:55,920 finish line. M So Kermit learns that the crew has 570 00:30:55,960 --> 00:30:59,359 been covering for Cheese. Yes. And this is interesting because 571 00:30:59,480 --> 00:31:04,960 she realized is she's so incoonfident that she's even Kermit 572 00:31:05,279 --> 00:31:10,559 is lost her Uh, she's exhausted to even fire her, Yeah, 573 00:31:10,599 --> 00:31:14,359 which I'd argue is more of an insult. Yeah, because 574 00:31:15,000 --> 00:31:19,759 you're such a loser and irredeemable. I can't waste any 575 00:31:19,799 --> 00:31:22,039 more effort on you. You just do you both. 576 00:31:22,119 --> 00:31:24,720 Speaker 2: It's it's the Jim Downey speech at the end of 577 00:31:24,880 --> 00:31:26,039 Again Happy Gilmore. 578 00:31:26,920 --> 00:31:29,359 Speaker 1: Oh wow, wait, always that was Jim Downey. 579 00:31:29,640 --> 00:31:31,039 Speaker 2: Yeah, it gives that speech. 580 00:31:31,160 --> 00:31:34,079 Speaker 1: That's what he looks like. Yeah, Jim Downey's a famous 581 00:31:34,079 --> 00:31:36,319 writer for Sade Night Live that wrote all the best sketches. 582 00:31:36,400 --> 00:31:38,880 I had no idea. May God have mercy on your soul. 583 00:31:39,960 --> 00:31:42,599 Oh wow, he delivers that so perfectly, so perfectly. I've 584 00:31:42,599 --> 00:31:44,759 never seen that actor before. I was like, we should 585 00:31:44,759 --> 00:31:45,680 see him in more film. 586 00:31:45,920 --> 00:31:49,599 Speaker 2: Yeah. Good, there's been in two movies. I think that 587 00:31:49,720 --> 00:31:51,759 and randomly there will be blood. 588 00:31:52,200 --> 00:31:52,559 Speaker 1: Oh wow. 589 00:31:52,759 --> 00:31:54,599 Speaker 2: But it was great and that a fun piece of trivia. 590 00:31:54,599 --> 00:31:56,839 To take that to your next dinner party. Okay, so 591 00:31:58,400 --> 00:32:00,279 too late in the season to come down her on 592 00:32:00,359 --> 00:32:04,400 her obviously. Asia says she really wants to finish with four. 593 00:32:04,640 --> 00:32:10,240 I don't know why why Gayla and Nathan are going 594 00:32:10,319 --> 00:32:13,039 on an adventure together. I think that they'll be traveling 595 00:32:13,119 --> 00:32:17,160 post docking. Aisha tells Captain Sandy about the polo and 596 00:32:17,240 --> 00:32:20,319 about the interference that the crew has been running for Cheese, 597 00:32:20,640 --> 00:32:24,640 and Sandy heads down to talk to Cheese. Now, we've 598 00:32:24,759 --> 00:32:28,880 devised a new scheme to help this process not be. 599 00:32:31,839 --> 00:32:38,960 Speaker 1: So raccoon like beads beads, and we learned Dylan how 600 00:32:39,039 --> 00:32:42,759 she found out to use color beads. It turns out 601 00:32:43,000 --> 00:32:45,200 there's a group out there for sea rats to talk. 602 00:32:46,279 --> 00:32:53,279 And it's not AA or NA or sexual addiction. It's 603 00:32:53,559 --> 00:32:54,640 I don't even think it had a name. 604 00:32:54,680 --> 00:32:56,799 Speaker 2: It was just like Sea rats anonymous. 605 00:32:56,920 --> 00:32:59,880 Speaker 1: That's right, Sea rats anonymous, And that's how she learned 606 00:33:00,440 --> 00:33:01,960 SRAH for short. Right. 607 00:33:02,039 --> 00:33:04,720 Speaker 2: Yeah, Well, I mean obviously there's a group for this. 608 00:33:04,799 --> 00:33:08,920 I mean I'm in uh, you know, magic, the gathering 609 00:33:09,039 --> 00:33:12,200 collectible groups. So obviously there's a group for people who 610 00:33:12,920 --> 00:33:14,359 need help with sa rat shit. 611 00:33:14,799 --> 00:33:15,000 Speaker 1: You know. 612 00:33:15,039 --> 00:33:18,880 Speaker 2: That's what Facebook's for now, and for people to post 613 00:33:19,240 --> 00:33:20,519 vague cries for help. 614 00:33:22,440 --> 00:33:29,640 Speaker 1: I call it Facebook crimes aps by the Baywall. Yeah, 615 00:33:29,759 --> 00:33:33,480 I have before this selfies girls like I didn't think 616 00:33:33,519 --> 00:33:39,160 these shoes were cool. Yeah, Like, this is so sad 617 00:33:39,200 --> 00:33:40,920 that you're posting this. You're fifty. 618 00:33:41,279 --> 00:33:45,640 Speaker 2: My favorites are the the selfies in the car I 619 00:33:45,640 --> 00:33:48,599 can't believe I got out of bed today. 620 00:33:50,279 --> 00:33:56,480 Speaker 1: Okay, yeah, the ominous like, yeah, I don't think I 621 00:33:56,559 --> 00:34:00,559 want to do. 622 00:33:59,119 --> 00:34:00,599 Speaker 4: You want to one of what? 623 00:34:03,480 --> 00:34:08,639 Speaker 2: All right? So this lowest on the totem pole position 624 00:34:09,320 --> 00:34:11,840 is a position that Sandy wants to offer belief in 625 00:34:12,039 --> 00:34:15,519 and not punishment. So Ellie gets the beads. Do you 626 00:34:15,519 --> 00:34:17,280 have faith that this is going to make a difference 627 00:34:17,280 --> 00:34:18,400 in any way, shape or for him. 628 00:34:18,639 --> 00:34:19,360 Speaker 1: Absolutely. 629 00:34:19,400 --> 00:34:21,320 Speaker 2: Okay, So the guests arrived. 630 00:34:21,159 --> 00:34:24,599 Speaker 1: She's if you gave her that pill that they gave 631 00:34:25,199 --> 00:34:27,960 those people in the movie Limitless, remember that, Bradley Cooper. 632 00:34:28,039 --> 00:34:29,400 Speaker 2: Yeah, Bradley Coop's. 633 00:34:29,159 --> 00:34:32,800 Speaker 1: You're like, hey, look at me, Like Brie, you give 634 00:34:32,840 --> 00:34:34,639 it to her, Like three hours later, she's like, hey, 635 00:34:34,639 --> 00:34:37,039 look at me. I can make all my crans color 636 00:34:37,079 --> 00:34:42,119 in the lines. You were supposed to be solving very 637 00:34:42,119 --> 00:34:43,159 complicated like. 638 00:34:43,480 --> 00:34:45,920 Speaker 2: Did you write problems? Did you write that joke down? No? 639 00:34:46,119 --> 00:34:53,280 Speaker 3: Okay, thank god, and listen. 640 00:34:53,280 --> 00:34:59,199 Speaker 2: I mean I've said some really stupid shit too, But 641 00:34:59,800 --> 00:35:01,320 I'm happy you didn't write that down. 642 00:35:03,360 --> 00:35:04,599 Speaker 1: I'm just saying she's a dubby. 643 00:35:04,719 --> 00:35:10,039 Speaker 2: Yeah. I was like, where's she going? Where's he going 644 00:35:10,039 --> 00:35:12,920 with this? But yeah, I know that is funny. What 645 00:35:12,960 --> 00:35:15,199 would Cheese do if she got the Limitless rug? 646 00:35:16,480 --> 00:35:20,039 Speaker 1: She'd color in the lines? Wow? Oh good for you? 647 00:35:20,639 --> 00:35:24,159 So man, we're sorry, No, I'm not. She should have 648 00:35:24,239 --> 00:35:26,320 a job right now. They should have fired her five 649 00:35:26,400 --> 00:35:28,400 charters ago. What is she still doing on this boat? 650 00:35:28,480 --> 00:35:30,559 Speaker 2: Okay, so we I don't. 651 00:35:30,400 --> 00:35:31,320 Speaker 4: Think she can read? 652 00:35:32,320 --> 00:35:37,599 Speaker 2: Definitely not you kidding. No, we're joking around. We love Ellie. 653 00:35:39,800 --> 00:35:40,360 Speaker 1: You mean Bri. 654 00:35:43,639 --> 00:35:48,239 Speaker 2: Sorry, okay, so she says in Sandy says in her career, 655 00:35:50,360 --> 00:35:51,760 I feel a little yacky about that? 656 00:35:53,039 --> 00:35:53,440 Speaker 3: Is that too? 657 00:35:53,639 --> 00:35:54,679 Speaker 2: Was that too much? No? 658 00:35:54,920 --> 00:35:56,280 Speaker 1: She completely deserves it. 659 00:35:56,320 --> 00:35:59,239 Speaker 2: Okay, all right, we don't know who she is, we 660 00:35:59,320 --> 00:36:01,679 just know her character her on the show. We're I'm 661 00:36:01,679 --> 00:36:02,360 talking about. 662 00:36:02,119 --> 00:36:04,559 Speaker 1: Her precap it as we see it. That's the line 663 00:36:04,599 --> 00:36:06,400 we always use when when people come back and they say, hey, 664 00:36:06,400 --> 00:36:07,519 can you stop talking about me? 665 00:36:08,840 --> 00:36:13,000 Speaker 2: Well, and we say, yeah, hey, guys, you take it 666 00:36:13,000 --> 00:36:15,280 a little bit easy. And I got a custody battle 667 00:36:15,360 --> 00:36:21,920 going on. Lawyers are telling me that this is not 668 00:36:22,000 --> 00:36:29,079 good for the case. Yep. Happy to pull back. Sure, okay, 669 00:36:29,480 --> 00:36:33,559 So god, what was the other one? Like, I'm gonna 670 00:36:33,599 --> 00:36:34,639 kill myself, you know. 671 00:36:34,880 --> 00:36:37,920 Speaker 1: He's like, I'm trying to make myself back. 672 00:36:38,159 --> 00:36:47,960 Speaker 2: Yeah, okay, it's okay. We're moving on. She gets the beads. 673 00:36:47,960 --> 00:36:50,840 We're moving on. The guests arrived, a couple of fun midwesterners. 674 00:36:51,800 --> 00:36:55,320 There's so much room for boning in here. Mm hmmm, 675 00:36:58,440 --> 00:37:02,199 Anxious says, I've never been to a Ohio. You can 676 00:37:02,239 --> 00:37:07,000 skip it, yeah, yep. And and that's not me trying 677 00:37:07,000 --> 00:37:09,480 to be elitist. I think you can skip LA. Yeah, 678 00:37:09,519 --> 00:37:10,519 you don't need to come to LA. 679 00:37:10,719 --> 00:37:13,239 Speaker 1: You skip a lot of places. Yeah, but definitely Ohio. 680 00:37:13,760 --> 00:37:20,239 Speaker 2: Oh sorry, I mean the twenty Columbus. 681 00:37:20,559 --> 00:37:22,719 Speaker 1: That's where dreams go to die. 682 00:37:23,000 --> 00:37:26,880 Speaker 2: I mean there's a listen, you can skip LA. But 683 00:37:27,880 --> 00:37:31,559 at the end of the day, we're not going to 684 00:37:31,599 --> 00:37:34,079 get the Dayton Games in twenty twenty, you know. 685 00:37:35,039 --> 00:37:35,440 Speaker 1: We not. 686 00:37:36,800 --> 00:37:40,239 Speaker 2: Okay, what do you want everybody eating fucking chili and 687 00:37:40,239 --> 00:37:44,280 spaghetti and dying on their way home. It would be unsafe. 688 00:37:45,400 --> 00:37:49,199 But no, there's a lot of great stuff in Ohio. Planes, 689 00:37:50,960 --> 00:37:57,440 flat land from that kind of planes. Nice people, I think, yeah, 690 00:37:57,599 --> 00:38:02,000 nice people. Yeah, some sports over there. You get a 691 00:38:02,039 --> 00:38:03,920 couple of drinks in them, you'll start to see that 692 00:38:03,960 --> 00:38:12,119 they're maybe not the nicest people, just certain groups. I'll 693 00:38:12,119 --> 00:38:17,840 cut it. Oh sure, yeah, okay, So Carrie is flying already, 694 00:38:17,880 --> 00:38:22,639 she's exploding bottles and she has been put on cocktail duty. 695 00:38:22,679 --> 00:38:26,079 Now we get some cea red history. Johno's mom had 696 00:38:26,119 --> 00:38:29,360 a tough life, taught them to move past criticism. This 697 00:38:29,559 --> 00:38:33,239 is one of these entries that you know, you filled 698 00:38:33,239 --> 00:38:34,679 it out in blue ink. We're gonna need you to 699 00:38:34,719 --> 00:38:37,199 do it again in black right, because what we need 700 00:38:37,199 --> 00:38:41,880 to get charting is specificity. Right. If to me it. 701 00:38:42,000 --> 00:38:47,280 Speaker 1: Said I went to a dance recital, something horrible. 702 00:38:47,000 --> 00:38:49,480 Speaker 2: Happened and it changed. 703 00:38:49,880 --> 00:38:52,239 Speaker 1: It showed me that I can get through things. The 704 00:38:52,280 --> 00:38:53,159 devil's in the details. 705 00:38:53,199 --> 00:38:56,800 Speaker 2: The devil is in the details. So JOHNO, we're gonna 706 00:38:56,840 --> 00:38:59,719 need you to go back to that well or not. 707 00:39:00,079 --> 00:39:01,920 But like we've said many times, you don't want to 708 00:39:01,920 --> 00:39:06,000 be on this chart. So we've got an absolute pandemonia 709 00:39:06,119 --> 00:39:10,360 or we've got absolute pandemonium with this undocking ian hasn't 710 00:39:10,800 --> 00:39:14,880 or he's not seeing things again. And as we've discussed 711 00:39:14,920 --> 00:39:22,159 what with him holding dimensions together, sometimes he gets overwhelmed, 712 00:39:22,400 --> 00:39:25,639 starts to lose sight of things, sees the cosmos as 713 00:39:25,679 --> 00:39:29,480 well as the doc so he's in a state of confusion. 714 00:39:29,800 --> 00:39:33,000 This time it sends him into I mean, he turns 715 00:39:33,039 --> 00:39:36,639 into a mute. Essentially. She's like, what's going on and 716 00:39:36,719 --> 00:39:38,199 he's just not speaking. 717 00:39:38,320 --> 00:39:41,559 Speaker 1: It's very odd. It's very odd. Someone had pointed out 718 00:39:41,639 --> 00:39:43,800 Dylan that the reason we don't find him interesting and 719 00:39:43,800 --> 00:39:46,159 in fact find him annoying, is he's not a drunk 720 00:39:46,239 --> 00:39:50,239 or a sexual predator like most Bosn's, so he's not 721 00:39:50,320 --> 00:39:51,199 interesting to us. 722 00:39:51,280 --> 00:39:57,480 Speaker 2: But and I, dude, I can't. I am so sorry 723 00:39:57,639 --> 00:39:59,920 to the person that wrote this because this made me 724 00:40:00,199 --> 00:40:03,440 so happy when I saw it. I gotta find this. 725 00:40:03,760 --> 00:40:04,400 Speaker 1: What is it? 726 00:40:05,199 --> 00:40:07,320 Speaker 2: One of our fans said, the reason you don't like 727 00:40:07,400 --> 00:40:10,559 Ian is because he looks like Wayne grow from Heat, 728 00:40:10,920 --> 00:40:14,599 and I was like, oh my god, is. 729 00:40:14,519 --> 00:40:17,400 Speaker 1: That the guy at the beginning during the robbery he 730 00:40:17,440 --> 00:40:19,840 shoots the innocent people and then they spend the entire 731 00:40:19,880 --> 00:40:20,599 movie trying to. 732 00:40:20,559 --> 00:40:22,719 Speaker 2: Try and to find him. And then Heat is such 733 00:40:22,719 --> 00:40:25,800 an amazing movie, but the end makes no sense at all. 734 00:40:25,920 --> 00:40:28,840 De Niro goes back to get Wayne grow right, and 735 00:40:28,880 --> 00:40:30,480 that's when everything goes tits up. 736 00:40:30,639 --> 00:40:31,199 Speaker 1: It's dumb. 737 00:40:31,400 --> 00:40:35,000 Speaker 2: It's dumb. DeNiro would never do that. He would never 738 00:40:35,119 --> 00:40:37,559 do that. It's just so ridiculous. 739 00:40:38,039 --> 00:40:40,320 Speaker 1: Go ahead, I'm trying to find this, Okay, so then 740 00:40:40,360 --> 00:40:42,320 we uh, let's see here. Oh, it's the tail end 741 00:40:42,320 --> 00:40:42,840 of the episode. 742 00:40:42,840 --> 00:40:45,559 Speaker 2: While Dylan it's a great name, Norbert Norbert. 743 00:40:45,599 --> 00:40:47,480 Speaker 1: Oh, I love that. Yeah, you know, I was gonna say, 744 00:40:47,840 --> 00:40:49,840 we have lunch, but they didn't really show the food, 745 00:40:49,920 --> 00:40:51,760 so I don't even think you can recap. 746 00:40:51,360 --> 00:40:54,639 Speaker 2: That no, all we have are broken glasses. She says, 747 00:40:54,679 --> 00:40:57,639 I didn't say calm, I said stand by right in 748 00:40:57,679 --> 00:41:00,679 front of the guest. Kind of awkward, it's fashion all. Yeah, 749 00:41:00,719 --> 00:41:05,599 let's just I don't know, awkward situation. Ellie and Carrie 750 00:41:05,679 --> 00:41:08,320 are going at each other already. Ellie feels like she's 751 00:41:08,360 --> 00:41:14,519 going to get demoted, and Carrie trks for hoe. We 752 00:41:14,599 --> 00:41:17,760 put three shackles into play in the wah wah and 753 00:41:18,039 --> 00:41:21,360 we come out in karate gear. Now, this is when 754 00:41:21,400 --> 00:41:23,400 we get to Joe and Gail fighting a little bit. 755 00:41:24,239 --> 00:41:26,960 He says, she doesn't respect me, And my question is, 756 00:41:27,000 --> 00:41:30,519 how could she be or how could she respect you. 757 00:41:30,519 --> 00:41:34,000 You've been awarded a title that everyone on the boat 758 00:41:34,079 --> 00:41:36,760 knows you don't deserve because Nathan's a more competent person. 759 00:41:37,000 --> 00:41:40,239 You've also treated women like absolute shit the entire season 760 00:41:40,360 --> 00:41:43,239 and put it on them, So why would she have 761 00:41:43,280 --> 00:41:44,159 any respect for you? 762 00:41:44,599 --> 00:41:47,880 Speaker 1: Yeah, this doesn't make any sense. He also thinks that 763 00:41:48,000 --> 00:41:53,039 he can't give her any orders because anything that comes 764 00:41:53,079 --> 00:41:55,079 out of his mouth it seems like he's being condescending. 765 00:41:55,360 --> 00:41:59,719 I'm not so sure about that. Yeah, yeah, but later 766 00:41:59,800 --> 00:42:04,039 on or in the next thirty seconds, step he basically 767 00:42:04,039 --> 00:42:06,920 thinks that she's jealous of him in his relationship with Nathan. 768 00:42:06,960 --> 00:42:07,599 Is that what he likes? 769 00:42:07,719 --> 00:42:10,559 Speaker 2: I think that's what she alleged. Okay, that's what she alleges. 770 00:42:10,599 --> 00:42:12,599 But they have a very uncomfortable moment in the galley 771 00:42:12,639 --> 00:42:16,039 while chewing on some food. Some guy comes out talks 772 00:42:16,079 --> 00:42:21,599 about Merkins. It's always weird when you have, like Peter 773 00:42:21,719 --> 00:42:24,760 Pan adults that are overtly sexual with stuff. It's like, 774 00:42:24,800 --> 00:42:27,880 what is going on? It's not funny. And we wrap 775 00:42:28,079 --> 00:42:31,159 with the Balkan biscuit going up to Asia. 776 00:42:31,920 --> 00:42:34,760 Speaker 1: Dumb move, but she was more calculated than this. 777 00:42:34,920 --> 00:42:38,159 Speaker 2: Such a dumb move. If you're going to be obsessed 778 00:42:38,320 --> 00:42:41,880 with the hierarchical game of ores, you have to play 779 00:42:41,920 --> 00:42:44,679 it with a little bit more savvy. You can't just 780 00:42:44,719 --> 00:42:49,679 go up to your boss and sloppily suggest that there's 781 00:42:49,719 --> 00:42:52,239 a chance that she could betray you. 782 00:42:52,760 --> 00:42:54,840 Speaker 1: Yeah. I don't even know what she was going for here. 783 00:42:56,400 --> 00:42:56,920 It was odd. 784 00:42:57,079 --> 00:42:59,239 Speaker 2: It's a good question. What was the what was the 785 00:42:59,280 --> 00:43:02,639 aim here? What were we gonna achieve after this? God knows? 786 00:43:03,559 --> 00:43:06,199 But Aceh is triggered by this too. She's kind of 787 00:43:06,239 --> 00:43:09,599 had enough of this, and she's like She's like, I'm 788 00:43:09,760 --> 00:43:12,840 just having her shadow and also, what are you doing? 789 00:43:12,880 --> 00:43:15,360 It's my decision anyways, I'll put her wherever the fuck 790 00:43:15,400 --> 00:43:17,840 I want, so we'll see what happens next episode. Get 791 00:43:17,840 --> 00:43:20,519 in the comments, get in the iTunes reviews, Love us 792 00:43:20,559 --> 00:43:23,760 like we love you Patreon dot com, slash another podcast network, 793 00:43:24,159 --> 00:43:28,639 and have a happy happy week. Sorry labor days over, 794 00:43:28,800 --> 00:43:32,280 back to work, but hopefully this turns that fround upside down. 795 00:43:32,280 --> 00:43:33,920 We love you guys very much. I'm doing say goodbye, 796 00:43:33,960 --> 00:43:47,280 pat Say goodbye.