WEBVTT

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<v Speaker 1>Uncensored, unfiltered, un hinged.

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<v Speaker 2>It's the Corel Cast.

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<v Speaker 1>Listen daily on your favorite streaming service.

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<v Speaker 3>Hello, it is the Corell Cast. I am Corell.

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<v Speaker 2>Happy Thursday, December twenty sixth on our week of Best

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<v Speaker 2>of Us and next week as well.

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<v Speaker 3>While I take a little R and R.

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<v Speaker 2>Although preparing these shows was a lot of work, it

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<v Speaker 2>would have been less work to do the shows anyway.

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<v Speaker 2>Today we are going to go back in the nineties,

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<v Speaker 2>and it was right before we did the show life

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<v Speaker 2>and Segments, which I like the whole show.

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<v Speaker 3>So they're going to see the whole show.

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<v Speaker 2>It's only been viewed one hundred and twenty times online

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<v Speaker 2>and once on Free Speech TV, so most of you

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<v Speaker 2>haven't seen it.

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<v Speaker 3>And you know the year ends right now. Next week

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<v Speaker 3>is New Year.

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<v Speaker 2>It'll be best of shows as well as the year

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<v Speaker 2>ends right now. A lot of us are getting nostalgic

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<v Speaker 2>and the nineties we're a wonderful, wonderful decade. And so

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<v Speaker 2>we're going to talk to an icon of the nineties,

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<v Speaker 2>Mark Summers, my friend now Mark and I just lost

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<v Speaker 2>Woody Fraser. Woody Fraser was the creator of the Home Show.

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<v Speaker 2>He was creator of so many other shows, including Ultimate Revenge,

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<v Speaker 2>which is where I met Mark Summers, and I got

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<v Speaker 2>to tell you that I miss him Woody Fraser. I

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<v Speaker 2>miss his creativity, not you know, knowing that he's not

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<v Speaker 2>in the world anymore. We weren't close friends, but he

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<v Speaker 2>gave me a shot in television. He put up with me,

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<v Speaker 2>although he dangled me out of windows and made me

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<v Speaker 2>do all kinds of things, but he was incredible. I learned,

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<v Speaker 2>you know, I had such a great television producer director

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<v Speaker 2>my first time out, and then to work with Mark

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<v Speaker 2>Summers my first time out, so incredible. So we caught

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<v Speaker 2>up with Mark. He had a Broadway show and a

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<v Speaker 2>movie at the time. You can still see the movie

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<v Speaker 2>twenty sixteen is when we caught up with him. Twenty

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<v Speaker 2>fifteen going into twenty sixteen. So what eight years ago, Well,

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<v Speaker 2>I look different. I was still lived at Park Howard.

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<v Speaker 2>I was not a vegan. I hope that you all

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<v Speaker 2>had a happy Christmas. Thank you to the chatters, to

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<v Speaker 2>the zoom you know, the zoomers from Patreon who zoomed

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<v Speaker 2>with me on Sunday, whether they were in Boulder City, Colorado,

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<v Speaker 2>or Temple City or Santa Cruz or Pennsylvania wherever they were.

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<v Speaker 3>We really am.

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<v Speaker 2>So we're so honored and glad here at the show.

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<v Speaker 2>We me and Ember and I are so happy and

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<v Speaker 2>glad that you guys watch and listen. As I said,

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<v Speaker 2>I hope you had a great Christmas. So let's go

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<v Speaker 2>back to the nineties. And in this episode a lot

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<v Speaker 2>of dead people, meaning Daniel Charleston is in this episode,

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<v Speaker 2>which really made me miss him, and Sammy and Sadie,

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<v Speaker 2>Steve's dogs are in this episode, and a baby Ember

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<v Speaker 2>is in this episode. That's why I wanted you all

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<v Speaker 2>to see it. So much good stuff in it. I

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<v Speaker 2>just didn't know what to edit out, so I left

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<v Speaker 2>it all in. And it reminds me what a brilliant producer,

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<v Speaker 2>director Brandon Riley Miller is. Enjoy Life and Segments, episode

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<v Speaker 2>three of season four. Most of you haven't seen.

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<v Speaker 3>It or heard it.

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<v Speaker 2>It was my friend Mark Summers when I interviewed him,

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<v Speaker 2>and then a nineties quiz with Daniel Charleston. Maybe you

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<v Speaker 2>guys can take the nineties quiz and do better than

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<v Speaker 2>I did.

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<v Speaker 3>And so here it is. We will be back on Monday.

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<v Speaker 2>What is that? Twenty seven twenty eight, the thirtieth we'll

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<v Speaker 2>be back the thirtieth thirty first, first and second with

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<v Speaker 2>best of shows, and then let's see second, third, fourth,

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<v Speaker 2>January sixth Oh god, we'll be back with brand new

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<v Speaker 2>shows the first Monday of January. However, as you can see,

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<v Speaker 2>there's new stuff in these shows, and there'll be new

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<v Speaker 2>stuff in the other shows the week of New Year's Eve.

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<v Speaker 2>There'll be new stuff.

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<v Speaker 3>Okay, all right, So enjoy the nineties. I know I did.

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<v Speaker 3>And here's a look at it.

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<v Speaker 2>With Mark Summers and Daniel Charleston and me and the

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<v Speaker 2>dogs and just a hoot and holler. Hey it's Carrell.

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<v Speaker 2>Welcome to Carrel's Life in Segments. We love the nineties

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<v Speaker 2>and beyond. You know, we hit the ground running here

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<v Speaker 2>at Life in Segments. We don't film, you know, months

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<v Speaker 2>or weeks in advance. We don't have that kind of money, honey.

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<v Speaker 2>And last night I saw the premiere of season four

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<v Speaker 2>on Free Speech TV, and I gotta tell you, I

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<v Speaker 2>was like, I was blown away. So congratulations to Brandon,

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<v Speaker 2>Riley Miller and Curtis and Steve and Daniel and everyone

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<v Speaker 2>involved in my little madness here and thank you you

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<v Speaker 2>guys responded by sending emails to feedback at really correll

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<v Speaker 2>dot com of you watching the show, and I got

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<v Speaker 2>more than one of those, and it just blew me away.

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<v Speaker 2>You know, for this this I'm still that little scared

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<v Speaker 2>gay kid, you know, who was once homeless and has

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<v Speaker 2>always been running from cheap motels his whole life. And

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<v Speaker 2>to have y'all send me photos of you watching me

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<v Speaker 2>on television, that's a dream because it means we're getting

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<v Speaker 2>you know, we're getting into your homes, and like with

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<v Speaker 2>this episode, I want you to have some fun. Later,

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<v Speaker 2>we're going to talk with my friend opera singer Daniel Charleston,

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<v Speaker 2>chorol singer, opera singer, and about the nineties because I

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<v Speaker 2>had a ball in the nineties. I made history in

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<v Speaker 2>the nineties with my husband, who couldn't be my husband

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<v Speaker 2>in the nineties, imagine that in the nineties, I had

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<v Speaker 2>a ball. I made history at KFI Radio with my

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<v Speaker 2>late husband, Andrew Howard. I wouldn't lose him until two

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<v Speaker 2>thousand and one, so that the decade ended right here

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<v Speaker 2>at Park Howard. We had our millennial party, the nineteen

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<v Speaker 2>ninety nine to two thousand party right here, and we

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<v Speaker 2>ended up going on the air at about twelve oh five,

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<v Speaker 2>drunk off our butts, and it was talked about for years.

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<v Speaker 2>Remember when Carella and Andrew went on air on New Year's

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<v Speaker 2>Eve drunk out of their minds. I'm glad they all remember, because, honey,

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<v Speaker 2>we didn't. It was a fun decade, almost as fun

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<v Speaker 2>as the eighties. And I don't remember the seventies, and

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<v Speaker 2>if you do, then you didn't do them right. So

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<v Speaker 2>it was a fun decade. And in the nineties I

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<v Speaker 2>met my friend Mark Summers. Uh, and you're gonna hear

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<v Speaker 2>a lot of nice stories about Mark Summers. Mark Summers

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<v Speaker 2>I did not know was an icon to so many

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<v Speaker 2>until true story. I was filming a TV show with him.

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<v Speaker 2>In fact, he called me personally and asked me to

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<v Speaker 2>audition the week that Andrew died. A television producer calls

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<v Speaker 2>you the week your partner dies in front of you

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<v Speaker 2>in the er. I went up to Valencia to meet

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<v Speaker 2>with him and Woody Fraser, the producer of the Home

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<v Speaker 2>Show and many others TV legends. Both of them I

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<v Speaker 2>didn't know either were legends. I sit down and I

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<v Speaker 2>opened Variety and it's Andrew's obituary.

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<v Speaker 4>Not making this up. I walk into the room.

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<v Speaker 2>They call me in and Mark Summers greets me and

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<v Speaker 2>I recognize his face, but I'm not sure from where.

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<v Speaker 2>And he said, you don't have to be funny. I

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<v Speaker 2>know what's going on in your life, but you are

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<v Speaker 2>perfect for what we are about to do. And I

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<v Speaker 2>wasn't going to let you get away just because of

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<v Speaker 2>what's happened. And I said, thank you, because I'm not

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<v Speaker 2>sure that I could be funny. However, we had such

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<v Speaker 2>a great meeting that I would go on to be

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<v Speaker 2>on a show called The Ultimate Revenge and that starred

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<v Speaker 2>Ryan Seacrest of all people, and we would have a ball.

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<v Speaker 2>Mark is everything that everybody says is about him. He's loyal,

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<v Speaker 2>he's kind. More importantly, he's so funny, and he's the

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<v Speaker 2>most supportive person in the entertainment industry that you could

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<v Speaker 2>possibly meet. Now, underneath all that, I was going to

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<v Speaker 2>find out a whole lot even that I didn't know.

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<v Speaker 2>And I've been friends with him now since nineteen ninety

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<v Speaker 2>eight or ninety nine by seeing his documentary On Your Mark.

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<v Speaker 2>We went to the premiere and I was lucky enough

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<v Speaker 2>to sit down with him. He came early. This is

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<v Speaker 2>the kind of guy he is okay. His publicist was

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<v Speaker 2>saying he didn't have time to do this, didn't have

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<v Speaker 2>time to do that. Mark said, I will show up

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<v Speaker 2>early to sit with you, Correll, and he did. We

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<v Speaker 2>sat at perf Rock Pizza. I had some vegan pizza,

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<v Speaker 2>which he made fun of, and we had a fun

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<v Speaker 2>time on the street talking. You know, everybody on the

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<v Speaker 2>street walked up to him because everybody feels they know him.

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<v Speaker 2>If you were a child of the nineties, then you

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<v Speaker 2>know doubledare you know Nickelodeon as a network, he helped

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<v Speaker 2>establish it. Then he went on to help establish the

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<v Speaker 2>Food Network with several shows as producer and of course

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<v Speaker 2>star of Wrapped or unwrapped right it was unwrapped. So

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<v Speaker 2>here is my friend, someone that I'm really happy that

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<v Speaker 2>I can call a friend, Mark Summers. I am Carrel

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<v Speaker 2>and I love to find myself in the most unusual places,

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<v Speaker 2>but being next to this man is not unusual for me.

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<v Speaker 2>Sixteen years ago I met him not wearing this jacket,

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<v Speaker 2>but almost and it was quite an event. I had

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<v Speaker 2>just lost my husband and he calls and says, you

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<v Speaker 2>want to do a comedy TV show. I'm like, yeah,

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<v Speaker 2>I'm in a great time for that. I did the

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<v Speaker 2>TV show and what I would find out is not

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<v Speaker 2>only is he a celebrity of great renown, and that

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<v Speaker 2>because I'm your age and didn't watch the show at

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<v Speaker 2>the time, well I'm only eight years behind you. But

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<v Speaker 2>what I also find out is one of the most generous,

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<v Speaker 2>truly generous people working in show business today. And that's

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<v Speaker 2>why we have remained friends for sixteen plus years. And

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<v Speaker 2>you can't really say that in this industry with a

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<v Speaker 2>whole lot of people. He has a new movie coming

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<v Speaker 2>out and it's about him, and it's called On Your Mark,

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<v Speaker 2>and I had to talk to him about it because,

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<v Speaker 2>first of all, does it make you feel old to

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<v Speaker 2>have a documentary about yourself?

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<v Speaker 5>You know, this was never my idea, by the way,

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<v Speaker 5>it was put together by fans who grew up watching

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<v Speaker 5>me on Nickelodeon, who came to me and said, you

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<v Speaker 5>should really do this because documenting my life I thought

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<v Speaker 5>would put people to sleep.

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<v Speaker 6>Quite honestly, well, we live it.

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<v Speaker 2>It's kind of hard for us to be that. You know.

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<v Speaker 2>It's funny. I was talking about millennials earlier. I said,

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<v Speaker 2>you know, he raised them. You're responsible. Are you happy

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<v Speaker 2>with the are you happy with the millennials?

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<v Speaker 6>Let me go back and correct a few things there,

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<v Speaker 6>but overall, you know, the audience.

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<v Speaker 5>Has been very loyal. Actually, my audience is actually early forties.

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<v Speaker 5>And you know, when you think about it, if you

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<v Speaker 5>were twelve years old and the show is now thirty

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<v Speaker 5>one years old, you're forty three years old. That's so

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<v Speaker 5>strange for me to even think about.

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<v Speaker 2>I have so many young people in their twenties come

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<v Speaker 2>up and hug me at events, and I'll say, what's

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<v Speaker 2>that for. I grew up with you, My parents listened

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<v Speaker 2>to you, or because of you, I could come out

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<v Speaker 2>to my mother and I'm thinking, how old am I know?

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<v Speaker 2>But you know, it's you really did make an impact.

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<v Speaker 2>Nickelodeon didn't exist. Really, Your show and Nickelodeon sort of

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<v Speaker 2>helped each other launch into this whole new cable sort

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<v Speaker 2>of thing. At the time.

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<v Speaker 5>It gave them a networking, gave me a career because

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<v Speaker 5>at the time they had done research and kids did

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<v Speaker 5>not have their own game show, and they were living

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<v Speaker 5>vicariously through watching Prices Right in various other programs, and

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<v Speaker 5>we provided that service. And talk about right Place, Right Time,

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<v Speaker 5>five thirty in the afternoon, Mom's making dinner, saying go

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<v Speaker 5>watch your show and then we'll eat mess, slime, prizes, money,

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<v Speaker 5>and the goofiness that we performed on that program seemed

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<v Speaker 5>to stick.

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<v Speaker 2>Literally all over people. Now, let me ask you this.

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<v Speaker 2>You know, I did not intend talk radio where I

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<v Speaker 2>intended to be. Television now is what I intended, but

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<v Speaker 2>it took me decades to get there. I don't want

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<v Speaker 2>to say did you intend it? But as you was

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<v Speaker 2>there ever a moment when you were doing Double Dare

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<v Speaker 2>and you thought and I signed up for this?

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<v Speaker 5>Well, yeah, because when we did the auditions, I didn't

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<v Speaker 5>know anything about the mess or whatever. I was just

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<v Speaker 5>trying to get a job. And then the first day

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<v Speaker 5>I walk in the studio, They're pouring green liquids and

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<v Speaker 5>whip cream, and I say, what is this about? And

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<v Speaker 5>so I didn't even have any idea. And my first

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<v Speaker 5>question then was are you sure kids are going to

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<v Speaker 5>want to do this? That's how stupid I was. You know,

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<v Speaker 5>of course they wanted to do it, And we took

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<v Speaker 5>surveys with kids and they said they didn't care about

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<v Speaker 5>the prizes and money. They just wanted to get messy.

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<v Speaker 5>So the right place, right time had a lot to

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<v Speaker 5>do with it.

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<v Speaker 2>How are kids different this day? Do you see a difference?

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<v Speaker 2>And do you think you could and I don't want

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<v Speaker 2>to say you in general, do you think a show

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<v Speaker 2>like Doubledare could entertain them in the same way?

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<v Speaker 5>I don't know, because they're always walking around looking at

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<v Speaker 5>something in their hand. And we noticed a big difference.

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<v Speaker 5>When we started the show in eighty six. We could

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<v Speaker 5>ask questions believe it or not about nursery rhymes or

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<v Speaker 5>fairy tales. And about nineteen ninety we found out the

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<v Speaker 5>kids couldn't answer those questions. Why moms were going to

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<v Speaker 5>work and weren't spending as much time with the kids

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<v Speaker 5>and weren't reading them as much. And so I think

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<v Speaker 5>the intelligence level, due to circumstances beyond all our controls,

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<v Speaker 5>may be different. And the kind of trivia that we

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<v Speaker 5>asked back in the day, you kind of can't ask anymore.

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<v Speaker 6>So I don't know.

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<v Speaker 2>Do you feel what responsibility did you feel to the kids?

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<v Speaker 2>I mean, you know what I mean. I try to

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<v Speaker 2>consider everything I put out. You know, did you feel

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<v Speaker 2>any responsibility to the kids and to the type of programming?

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<v Speaker 5>You know, I've been lucky a corell In that I've

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<v Speaker 5>been able to do family programming my entire life. You know,

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<v Speaker 5>I never had to step over. There was a show

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<v Speaker 5>many years ago called Studs. Do you remember Studs? Well,

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<v Speaker 5>I should, That's what I was named for about a while.

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<v Speaker 5>And it was a dating show. And when I wanted

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<v Speaker 5>for the audition, they wanted me to ask the most

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<v Speaker 5>insane questions that in a millionaires. And I literally got

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<v Speaker 5>up in the middle of the audition and I said,

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<v Speaker 5>I'm leaving, Carl will Shriiner.

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<v Speaker 6>I remember that I can't do that kind of stuff.

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<v Speaker 5>And so as far as responsibility, I just wanted moms

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<v Speaker 5>and dads and kids to play together, and I think

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<v Speaker 5>we accomplished that. I was always getting reprimanded by Nickelodeon

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<v Speaker 5>because as a kid couldn't get up the Sunday slide.

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<v Speaker 5>I was pushing him up because I really wanted him

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<v Speaker 5>to win, and so I think the kids felt like

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<v Speaker 5>I was never talking down to them. I never said, Bobby,

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<v Speaker 5>do you have a girlfriend? You know, because I wanted

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<v Speaker 5>a host a grown up show, and to me I

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<v Speaker 5>was Bob Barker or pats A Jack or Alex Trebek.

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<v Speaker 2>I was channeling all of your friends. Now, Oh yeah,

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<v Speaker 2>you toy you do things like that. You go out

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<v Speaker 2>and you'll do like Wheel of Fortune. I'm fine, how

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<v Speaker 2>are you nice to see you? Yeah, but you do

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<v Speaker 2>have fun on stage now doing those sorts of things

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<v Speaker 2>I do.

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<v Speaker 5>You know, I do prices right live from time to time.

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<v Speaker 5>And we took family feud out for a while and

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<v Speaker 5>stuff like that. And I still do Nickelodeon stuff around.

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<v Speaker 2>And you were in here grilling her about her pizza oven.

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<v Speaker 2>You know your career Part two, Part three, Part five,

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<v Speaker 2>Part eight. You really became instrumental in food television and

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<v Speaker 2>food programming. How did that? How do you go from

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<v Speaker 2>kids to food?

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<v Speaker 6>That was a mistake.

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<v Speaker 5>I went in to pitch a show with another person

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<v Speaker 5>and they said, well, why don't you host something? And

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<v Speaker 5>I said, I don't know a thing about food. And apparently

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<v Speaker 5>Food Network had done their research about me having an

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<v Speaker 5>audience and the audience following me put me on Unwrapped.

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<v Speaker 5>It became, Yeah, the longest running show in the history

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<v Speaker 5>the channel.

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<v Speaker 2>You help make Nickelodeon, You help make the Food Network.

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<v Speaker 2>Please tell me you're rich?

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<v Speaker 6>Yeah, and I will show you. You know, send Missnover.

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<v Speaker 5>People always say, well, you know, you have tons of

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<v Speaker 5>dough and it's like cable in the early days.

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<v Speaker 6>Now, Yeah, it's true.

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<v Speaker 5>I was getting paid five hundred bucks an episode when

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<v Speaker 5>we started, so I was making twenty five hundred dollars

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<v Speaker 5>a week, which by the time at that time is

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<v Speaker 5>the most money I'd ever made my entire life.

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<v Speaker 2>I know when they started paying us a KFI, I

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<v Speaker 2>nearly fainted. We were making twenty one hundred a week

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<v Speaker 2>each and I thought, oh my god, we wouldn't find

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<v Speaker 2>out we were the lowest paid host in LA. But

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<v Speaker 2>we thought we were rolling in the dough.

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<v Speaker 6>Yeah.

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<v Speaker 5>I started as an idea man on Truth or Consequences.

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<v Speaker 5>The last year Bob Barker hosted it and they paid

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<v Speaker 5>me three hundred dollars for two days of work. Well,

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00:15:34.080 --> 00:15:35.639
<v Speaker 5>once again thought I had died and gone to heaven.

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<v Speaker 5>But I used to work the Magic Castle in nineteen

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<v Speaker 5>seventy three for till about eighty we would do twenty

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<v Speaker 5>eight shows a week for one hundred and forty five bucks.

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<v Speaker 2>You and I see, I don't want to How do

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<v Speaker 2>I say this? You and I know that it's about

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<v Speaker 2>the work. You get there, you show up, you do

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<v Speaker 2>what you're asked, you know, and you work until you

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<v Speaker 2>don't work. Let me ask you now that we have

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<v Speaker 2>the movie coming out. I don't want to say, what

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<v Speaker 2>are your hopes for the movie? The hopes that people

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<v Speaker 2>see it, people enjoy it, people love it, and nowadays

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<v Speaker 2>there's so many ways for that to happen, not just here,

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00:16:03.039 --> 00:16:06.000
<v Speaker 2>but you know, Netflix and other areas. Is it an

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<v Speaker 2>exciting time you're a man that isn't just in front,

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00:16:08.360 --> 00:16:11.759
<v Speaker 2>but you're also behind. We talk about ott apps, we

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<v Speaker 2>talk about all this other way that people are consuming.

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<v Speaker 2>Is there too much content now or is it an

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<v Speaker 2>exciting time?

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<v Speaker 5>Well, they say that there's not enough content, which is

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<v Speaker 5>why you know, Netflix and Amazon and all these things

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00:16:23.080 --> 00:16:26.480
<v Speaker 5>are working. People are always craving because of the phones,

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<v Speaker 5>because of the iPad. You know when you walk down

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<v Speaker 5>an aisle of a plane and people are steering at

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<v Speaker 5>all these things with different content on each one. So

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<v Speaker 5>I mean, ultimately, I guess I don't think this is

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<v Speaker 5>going to be a big hit in the theaters. I'm

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<v Speaker 5>smart enough to know I can't go against Spielberg and

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<v Speaker 5>those kind of folks. I think it's going to end

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<v Speaker 5>up hopefully on a Netflix, in Amazon, something on cable.

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<v Speaker 5>I mean, I would like to think that maybe you know,

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<v Speaker 5>Nick at Night or something like that would run it

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<v Speaker 5>because of the connection there, maybe in food Network.

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<v Speaker 6>Who knows. We haven't gotten to that point yet.

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<v Speaker 2>That today's your sneak peak, right, this is the first.

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<v Speaker 5>This is the world premiere today here in Los Angeles,

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<v Speaker 5>and from here we go to New York, then Philadelphia, Houston, Texas, Baltimore,

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<v Speaker 5>and we close it out in Chicago and we're trying

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<v Speaker 5>to raise some awareness and then we'll see what happens.

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<v Speaker 5>But like you, I think if you do anything for

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<v Speaker 5>the money, it ain't gonna work. I think you do

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<v Speaker 5>it because you have a passion for it. And this

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<v Speaker 5>young gentleman of Matt Clickstein who put this whole thing together,

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<v Speaker 5>had a passion for I don't know whatever it was

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<v Speaker 5>he saw when he was a kid of me doing

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<v Speaker 5>and then following me along. And then the guy by

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<v Speaker 5>the name of Joshua On who edited the whole thing.

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<v Speaker 5>These are people I met when they were very young,

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<v Speaker 5>and they aren't.

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<v Speaker 2>They brilliant young people who in the industry who I

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<v Speaker 2>wouldn't be on TV if it weren't for this thirty

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<v Speaker 2>year old who I met when he was twelve. He

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<v Speaker 2>was my nephew Jake. They went to school together. He

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<v Speaker 2>used to party in my kitchen at nineteen years old

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<v Speaker 2>with Jake. And I called him about five years ago

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<v Speaker 2>and said, these idiots at Free Speech TV say if

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<v Speaker 2>I can give him a show, they'll put it on,

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<v Speaker 2>and I want to show. He said, let's go to work,

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00:17:51.480 --> 00:17:54.880
<v Speaker 2>and we now entered season four and he makes it

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<v Speaker 2>all look so easy. But at the same time, this

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<v Speaker 2>could not have been done ten years ago the way

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<v Speaker 2>that we're doing it today. You know, I would talk

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<v Speaker 2>to you forever because we talk a lot on the

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<v Speaker 2>phones when we have the the when I'm lucky enough

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<v Speaker 2>to do so, we did a show together. I want

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00:18:07.720 --> 00:18:09.799
<v Speaker 2>to ask you our show, our practical joke show, The

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<v Speaker 2>Ultimate Revenge. It was fun and it didn't hurt anybody.

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<v Speaker 2>Then all of a sudden, Reality TV, and it blazed

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<v Speaker 2>a path in reality television with Woody Frasier and you

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00:18:18.759 --> 00:18:21.640
<v Speaker 2>producing and and you know, these wonderful segments, and then

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00:18:21.720 --> 00:18:24.960
<v Speaker 2>reality TV got mean, why do you suppose that happened?

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<v Speaker 6>I don't know, rating wise, I suppose you know, Ryan

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00:18:26.799 --> 00:18:28.599
<v Speaker 6>seek Chrystal was our host. He was you know, I.

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<v Speaker 2>Won't talk about him.

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<v Speaker 4>I won't.

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<v Speaker 2>I'm sorry. He's not a loyal person. He's not a person.

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00:18:32.880 --> 00:18:33.119
<v Speaker 4>I know.

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00:18:33.160 --> 00:18:34.680
<v Speaker 2>You don't have to say a word. You just camera

399
00:18:34.720 --> 00:18:37.519
<v Speaker 2>on me. He's not a loyal person. Every award show

400
00:18:37.559 --> 00:18:38.839
<v Speaker 2>you come up and say hi to me, I think,

401
00:18:38.920 --> 00:18:40.599
<v Speaker 2>why are you doing it? You will not take a

402
00:18:40.640 --> 00:18:43.240
<v Speaker 2>meeting with me? Please go away. Closet door is that

403
00:18:43.319 --> 00:18:46.440
<v Speaker 2>way anyway. But that's why I'm Corell and your Mark

404
00:18:46.480 --> 00:18:48.559
<v Speaker 2>Summer's beloved. And I get in the papers being a

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<v Speaker 2>controversial person.

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00:18:50.240 --> 00:18:51.480
<v Speaker 6>But you got mean.

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00:18:54.039 --> 00:18:54.839
<v Speaker 2>If I was in charge.

408
00:18:54.920 --> 00:18:57.839
<v Speaker 6>No, it's because people are gravitated.

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00:18:57.880 --> 00:18:58.000
<v Speaker 3>You know.

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<v Speaker 5>I don't understand why people watch any of those families.

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00:19:02.119 --> 00:19:04.759
<v Speaker 5>I'm not gonna even mention names because our friend produces

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<v Speaker 5>some of those shows.

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<v Speaker 2>Oh, I mean the Kardashians. Never watched an episode. I thought,

414
00:19:08.079 --> 00:19:09.720
<v Speaker 2>why would I watch a dysfunctional family?

415
00:19:09.759 --> 00:19:11.480
<v Speaker 5>I came from one, you know, because I guess it

416
00:19:11.519 --> 00:19:14.440
<v Speaker 5>makes you feel better by watching that kind of stuff.

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<v Speaker 6>And I don't like.

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00:19:15.839 --> 00:19:18.000
<v Speaker 2>To watch the wealthy. We have this weird thing and

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<v Speaker 2>this is off topic, but we seem to now be

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<v Speaker 2>watching the wealthy as we all get poorer and poorer.

421
00:19:23.000 --> 00:19:24.720
<v Speaker 2>And I thought that's not a good pastime.

422
00:19:24.880 --> 00:19:27.799
<v Speaker 5>No, And so I don't seem to watch a lot

423
00:19:27.799 --> 00:19:30.160
<v Speaker 5>of reality television like that. I'm more all important. I

424
00:19:30.200 --> 00:19:32.160
<v Speaker 5>like to talk about this ashmanta that you're wearing because

425
00:19:32.200 --> 00:19:32.519
<v Speaker 5>it has.

426
00:19:32.599 --> 00:19:35.119
<v Speaker 2>We're the first time we filmed together, we had to

427
00:19:35.119 --> 00:19:37.720
<v Speaker 2>dig it out of the closet. It was something let's

428
00:19:37.720 --> 00:19:40.440
<v Speaker 2>talk food versus kids? Which one? Which one did you

429
00:19:40.519 --> 00:19:41.240
<v Speaker 2>have more fun at?

430
00:19:41.359 --> 00:19:43.720
<v Speaker 5>I got, you know, it's apples and oranges. The kids

431
00:19:44.039 --> 00:19:46.039
<v Speaker 5>is what got me to where I am. But Food

432
00:19:46.079 --> 00:19:48.200
<v Speaker 5>Network was as surprise as well. I had no intention

433
00:19:48.319 --> 00:19:50.039
<v Speaker 5>of working there or thinking.

434
00:19:49.920 --> 00:19:53.119
<v Speaker 2>And blazing a trail. Now we in America we spend

435
00:19:53.160 --> 00:19:55.759
<v Speaker 2>more time watching people cook than we do eating and

436
00:19:55.799 --> 00:19:56.440
<v Speaker 2>cooking ourself.

437
00:19:56.559 --> 00:19:57.200
<v Speaker 6>Yeah, it's true.

438
00:19:57.200 --> 00:19:58.880
<v Speaker 5>And you know, I think Emeral and I were the

439
00:19:58.880 --> 00:20:02.519
<v Speaker 5>ones who sort of food nowhere. He's certainly exploded with

440
00:20:02.640 --> 00:20:05.319
<v Speaker 5>the show he did and Unwrapped. I was doing what

441
00:20:05.440 --> 00:20:08.079
<v Speaker 5>Fierti is doing now with Diner's Drivers and Dies. We

442
00:20:08.079 --> 00:20:10.400
<v Speaker 5>were doing with Unwrapped back in the day. So I'm

443
00:20:10.440 --> 00:20:11.359
<v Speaker 5>still producing for them.

444
00:20:11.759 --> 00:20:13.519
<v Speaker 2>Are you gonna slow You got the movie, You're gonna

445
00:20:13.519 --> 00:20:16.039
<v Speaker 2>go on tour? Are you thinking of slowing down at all?

446
00:20:16.079 --> 00:20:17.759
<v Speaker 2>Because I don't know what that looks like or feels

447
00:20:17.799 --> 00:20:19.480
<v Speaker 2>like to you. You just work until you can't.

448
00:20:19.519 --> 00:20:22.920
<v Speaker 5>I'll be sixty six in a few weeks, and you know,

449
00:20:23.000 --> 00:20:24.240
<v Speaker 5>my wife would like me to slow down.

450
00:20:24.559 --> 00:20:25.759
<v Speaker 6>I guess when I'm seventy.

451
00:20:25.799 --> 00:20:26.480
<v Speaker 2>A grand kid.

452
00:20:27.160 --> 00:20:29.200
<v Speaker 6>I have a grandchild who's fantastic, beautiful.

453
00:20:29.240 --> 00:20:30.240
<v Speaker 2>I see him on Instagram.

454
00:20:30.319 --> 00:20:32.400
<v Speaker 5>Yeah, So you know, I just take it as it goes.

455
00:20:32.440 --> 00:20:35.359
<v Speaker 5>Those my hell stays together, and I feel like doing it.

456
00:20:36.119 --> 00:20:37.000
<v Speaker 5>You know, we'll keep going.

457
00:20:37.200 --> 00:20:37.400
<v Speaker 2>You know.

458
00:20:37.839 --> 00:20:40.319
<v Speaker 6>When the phone stops ringing, that's the indication. YEA.

459
00:20:40.640 --> 00:20:42.160
<v Speaker 2>Well, you've got a premiere to get to and your

460
00:20:42.160 --> 00:20:43.599
<v Speaker 2>fans are starting to line up, so I want you

461
00:20:43.640 --> 00:20:44.279
<v Speaker 2>to get inside.

462
00:20:44.319 --> 00:20:44.680
<v Speaker 7>So you know.

463
00:20:44.920 --> 00:20:46.559
<v Speaker 2>But you're always so gracious with them, and you just

464
00:20:46.599 --> 00:20:48.240
<v Speaker 2>take so much time with them and talk to them.

465
00:20:48.240 --> 00:20:50.799
<v Speaker 2>And I think that's why you've lasted in a business

466
00:20:50.799 --> 00:20:54.200
<v Speaker 2>where people are disposable. I think you've lasted because people know.

467
00:20:54.920 --> 00:20:57.519
<v Speaker 2>You know, look all the years about me. You've known this,

468
00:20:57.559 --> 00:20:58.960
<v Speaker 2>and so is my audience. What you see is what

469
00:20:59.000 --> 00:21:02.000
<v Speaker 2>you get. You know, there's no pretense. Hey, that's right,

470
00:21:02.160 --> 00:21:04.279
<v Speaker 2>why you hired me. This is and he did hire me.

471
00:21:04.359 --> 00:21:05.920
<v Speaker 2>This is the first person to actually paid me, I

472
00:21:05.920 --> 00:21:07.559
<v Speaker 2>had to be on television. I'm not making that up.

473
00:21:07.680 --> 00:21:09.119
<v Speaker 2>You were the first person to pay to put me

474
00:21:09.160 --> 00:21:09.640
<v Speaker 2>on television.

475
00:21:09.720 --> 00:21:10.440
<v Speaker 6>Yeah, it's because you were.

476
00:21:10.480 --> 00:21:12.599
<v Speaker 5>You were unique and you are unique, and I thought,

477
00:21:12.640 --> 00:21:15.119
<v Speaker 5>you know, that's what we needed because we could put

478
00:21:15.160 --> 00:21:17.240
<v Speaker 5>you in any situation, ask you to do anything.

479
00:21:17.519 --> 00:21:19.160
<v Speaker 6>You always said yes whatever.

480
00:21:19.319 --> 00:21:19.519
<v Speaker 7>Yeah.

481
00:21:19.680 --> 00:21:23.160
<v Speaker 2>I was an idiot, I was stupid. You nearly killed

482
00:21:23.160 --> 00:21:25.559
<v Speaker 2>me several times. I had to jump out a three

483
00:21:25.599 --> 00:21:28.079
<v Speaker 2>story window and I thought, I hope the production assistant

484
00:21:28.079 --> 00:21:31.079
<v Speaker 2>opened the right window, you know, but out I went.

485
00:21:31.680 --> 00:21:33.960
<v Speaker 2>Thank you for doing this and coming early for me today.

486
00:21:34.400 --> 00:21:37.680
<v Speaker 2>I really want your movie to be a success, continued

487
00:21:37.720 --> 00:21:40.559
<v Speaker 2>success in everything you do. I know that in whatever

488
00:21:40.599 --> 00:21:42.640
<v Speaker 2>you do, it's gonna be genuine and honest, and that

489
00:21:42.720 --> 00:21:44.799
<v Speaker 2>everyone that surrounds you will always have fun as well.

490
00:21:44.839 --> 00:21:47.440
<v Speaker 2>You make working fun that stuff. I was never scared.

491
00:21:47.480 --> 00:21:50.240
<v Speaker 2>You always made me feel welcome. You never made me

492
00:21:50.240 --> 00:21:51.839
<v Speaker 2>feel like I had to go to that trailer over

493
00:21:51.880 --> 00:21:54.680
<v Speaker 2>there or something. It was a wealth. There were other people, No,

494
00:21:54.720 --> 00:21:56.759
<v Speaker 2>we didn't. I remember I was in the Homeless episode.

495
00:21:56.759 --> 00:21:58.519
<v Speaker 2>They mistook me from one of the Homeless and wouldn't

496
00:21:58.559 --> 00:22:02.000
<v Speaker 2>let me on the set. But thank you and success

497
00:22:02.039 --> 00:22:05.559
<v Speaker 2>with the film for you anything at all. Mark Summers,

498
00:22:05.880 --> 00:22:07.720
<v Speaker 2>you know him, you grew up with him. His movie

499
00:22:07.759 --> 00:22:10.160
<v Speaker 2>is on your Mark. Go to on your Mark or

500
00:22:10.240 --> 00:22:12.920
<v Speaker 2>just type in Mark Summer's movie online and it's coming

501
00:22:12.960 --> 00:22:15.200
<v Speaker 2>to a city near you. And then once it's on

502
00:22:15.240 --> 00:22:17.319
<v Speaker 2>Netflix and Nicket Night and all those places, be sure

503
00:22:17.319 --> 00:22:19.559
<v Speaker 2>you tune in and watch it. All right, I am carell.

504
00:22:19.640 --> 00:22:21.640
<v Speaker 2>I'm gonna go watch it now because I haven't seen

505
00:22:21.680 --> 00:22:43.240
<v Speaker 2>it yet, so I'm gonna go see it. Thank you, Mark,

506
00:22:47.839 --> 00:22:48.440
<v Speaker 2>I am Correl.

507
00:22:48.519 --> 00:22:49.119
<v Speaker 4>This is Ember.

508
00:22:49.559 --> 00:22:52.680
<v Speaker 2>That's my friend, Mark Summers. Go see his movie on

509
00:22:52.759 --> 00:22:56.160
<v Speaker 2>your Mark, and go meet him and go hug him.

510
00:22:56.680 --> 00:22:58.799
<v Speaker 2>And you know he's huggable. You know, when I do

511
00:22:58.880 --> 00:23:02.480
<v Speaker 2>personal appearances, people often want to take a photo with me.

512
00:23:02.559 --> 00:23:05.160
<v Speaker 2>I'm very blessed. I mean the fact that anyone waited,

513
00:23:05.319 --> 00:23:08.720
<v Speaker 2>you know. I once true story. I once happened. Upon

514
00:23:10.839 --> 00:23:12.400
<v Speaker 2>I had to go to San Jose. I was working

515
00:23:12.400 --> 00:23:16.039
<v Speaker 2>at KGO Radio and to the San Jose Tapestry Festival. Well,

516
00:23:16.039 --> 00:23:18.640
<v Speaker 2>I took the airplane and then I walked from the

517
00:23:18.720 --> 00:23:21.799
<v Speaker 2>airport to this park. Bad mistake. It's over two miles.

518
00:23:21.839 --> 00:23:25.000
<v Speaker 2>It was one hundred and four. I get there and

519
00:23:25.039 --> 00:23:27.160
<v Speaker 2>I come down over this hill and there's this festival

520
00:23:27.759 --> 00:23:30.519
<v Speaker 2>and there's this very long line around a building. So

521
00:23:30.559 --> 00:23:32.480
<v Speaker 2>I'm walking by it, walking by it, figuring I'll find

522
00:23:32.480 --> 00:23:34.880
<v Speaker 2>where I need to go for the booth. When I

523
00:23:34.920 --> 00:23:38.400
<v Speaker 2>get about halfway up the block, I asked this person,

524
00:23:38.480 --> 00:23:41.200
<v Speaker 2>what are you waiting in line for? And they say, oh,

525
00:23:41.240 --> 00:23:44.039
<v Speaker 2>we're here to meet Carrel and I laughed. I went

526
00:23:44.160 --> 00:23:47.440
<v Speaker 2>uh uh, and they said yeah, are you here to

527
00:23:47.440 --> 00:23:51.039
<v Speaker 2>meet him? I said in a way. I said where

528
00:23:51.079 --> 00:23:53.599
<v Speaker 2>is he? And they pointed down that way. So I

529
00:23:53.640 --> 00:23:57.000
<v Speaker 2>get to the KGO booth and I am like astounded.

530
00:23:57.039 --> 00:24:00.200
<v Speaker 2>There's hundreds of people waiting and the first person in

531
00:24:00.240 --> 00:24:02.200
<v Speaker 2>line had to have been there the longest. So I

532
00:24:02.279 --> 00:24:05.759
<v Speaker 2>asked them why, you know, why are you here? I

533
00:24:05.799 --> 00:24:08.079
<v Speaker 2>wouldn't wait in line this long to see Barbara streisand

534
00:24:08.240 --> 00:24:10.440
<v Speaker 2>you know, why are you here to meet me? And

535
00:24:10.559 --> 00:24:12.680
<v Speaker 2>all they could say is because I needed a hug?

536
00:24:13.319 --> 00:24:17.000
<v Speaker 2>And I thought, wow, you know the nineties I kind

537
00:24:17.000 --> 00:24:19.319
<v Speaker 2>of didn't pay attention to. I'm not making that up,

538
00:24:19.640 --> 00:24:22.400
<v Speaker 2>but I'm always with my friend Daniel Charleston, always my BFF.

539
00:24:22.960 --> 00:24:25.720
<v Speaker 2>We go outway together, and he's actually pulling all these

540
00:24:25.839 --> 00:24:28.279
<v Speaker 2>nineties references out and I have no fing clue what

541
00:24:28.319 --> 00:24:29.279
<v Speaker 2>he's talking about.

542
00:24:29.079 --> 00:24:29.920
<v Speaker 4>Much like he has.

543
00:24:30.079 --> 00:24:32.240
<v Speaker 2>Actually he pretty much knows what I'm talking about about

544
00:24:32.240 --> 00:24:35.720
<v Speaker 2>the seventies and eighties, but I know nothing about the

545
00:24:35.799 --> 00:24:37.920
<v Speaker 2>nineties in a lot of ways, like boy bands and

546
00:24:38.519 --> 00:24:40.960
<v Speaker 2>spice girls. And you know, the funny thing is, I

547
00:24:41.400 --> 00:24:43.480
<v Speaker 2>realize everyone in this room was born in nineteen eighty

548
00:24:43.519 --> 00:24:45.480
<v Speaker 2>seven except me a number. That's it. Everybody in this

549
00:24:45.599 --> 00:24:47.880
<v Speaker 2>room was born in And that's disgusting. I was twenty

550
00:24:47.880 --> 00:24:50.759
<v Speaker 2>five years old in nineteen eighty seven. Make me feel old.

551
00:24:51.000 --> 00:24:53.119
<v Speaker 2>So we are talking the nineties mainly because my friend

552
00:24:53.119 --> 00:24:56.640
<v Speaker 2>Mark Summers is on the show, and I was talking

553
00:24:56.640 --> 00:24:59.480
<v Speaker 2>earlier about Mark Summers. But to you, Mark Summers is

554
00:24:59.559 --> 00:25:00.920
<v Speaker 2>like you know, to me, he's a friend and.

555
00:25:00.920 --> 00:25:01.599
<v Speaker 4>A co worker.

556
00:25:02.160 --> 00:25:04.359
<v Speaker 2>But to you, I remember when Jack and heathern met him,

557
00:25:04.400 --> 00:25:06.440
<v Speaker 2>Like I had introduced Jake and Heather to everybody up

558
00:25:06.480 --> 00:25:08.079
<v Speaker 2>unto that point, but when they met Mark Summers, they

559
00:25:08.079 --> 00:25:09.839
<v Speaker 2>were like, oh why what?

560
00:25:09.839 --> 00:25:15.559
<v Speaker 8>What's like Nickelodeon, God, the Game Show God? Where else

561
00:25:15.599 --> 00:25:17.480
<v Speaker 8>can you have like fun answering questions, a chance to

562
00:25:17.519 --> 00:25:19.960
<v Speaker 8>win money and get covered in slime or cover of

563
00:25:19.960 --> 00:25:20.720
<v Speaker 8>your friends and slime.

564
00:25:21.039 --> 00:25:22.680
<v Speaker 2>You know in the new interview I did. He said

565
00:25:22.720 --> 00:25:25.480
<v Speaker 2>some of the kids today might have trouble answering the questions.

566
00:25:25.839 --> 00:25:26.480
<v Speaker 7>Yeah, I believe it.

567
00:25:26.720 --> 00:25:28.680
<v Speaker 2>Oh sad state of affairs.

568
00:25:28.960 --> 00:25:30.559
<v Speaker 4>Do you think you ninet these kids are smarter than

569
00:25:30.599 --> 00:25:31.240
<v Speaker 4>the kids today?

570
00:25:33.039 --> 00:25:33.240
<v Speaker 7>Yes?

571
00:25:33.960 --> 00:25:37.400
<v Speaker 2>Yeah, Well you were a kid with Clinton.

572
00:25:37.480 --> 00:25:41.079
<v Speaker 4>Everything was great, money, spend money, have a great all

573
00:25:41.240 --> 00:25:42.480
<v Speaker 4>we're in the money.

574
00:25:43.119 --> 00:25:43.359
<v Speaker 2>Right.

575
00:25:44.400 --> 00:25:46.640
<v Speaker 4>How old are you when Monica Lewinsk and him hooked up?

576
00:25:47.200 --> 00:25:49.599
<v Speaker 7>Did you guys think that that was like Tom Green era? Right?

577
00:25:49.680 --> 00:25:50.559
<v Speaker 7>So like ninety seven?

578
00:25:50.920 --> 00:25:51.480
<v Speaker 4>Yeah?

579
00:25:51.640 --> 00:25:53.559
<v Speaker 7>Yeah, Tom Green had a song.

580
00:25:53.519 --> 00:25:54.640
<v Speaker 4>All right, Britney Spears.

581
00:25:54.640 --> 00:25:57.519
<v Speaker 2>First song was sometimes you drive Me Crazy, toxic or

582
00:25:57.519 --> 00:25:58.519
<v Speaker 2>baby one more time.

583
00:26:00.440 --> 00:26:01.799
<v Speaker 4>I'm gonna say baby one more time.

584
00:26:01.920 --> 00:26:06.960
<v Speaker 2>Oh and what were the choices again, Sometimes you drive

585
00:26:07.039 --> 00:26:12.160
<v Speaker 2>Me crazy, toxic care baby one more time? You were

586
00:26:12.200 --> 00:26:15.359
<v Speaker 2>just telling me how she's about sometimes some sort of

587
00:26:15.680 --> 00:26:19.759
<v Speaker 2>Mickey club with Ryan Gosling and who else?

588
00:26:19.920 --> 00:26:20.759
<v Speaker 4>Two hot guys?

589
00:26:20.799 --> 00:26:21.599
<v Speaker 7>Maybe one more time?

590
00:26:22.160 --> 00:26:23.720
<v Speaker 2>Oh yeah, that's the song with what she was a

591
00:26:23.759 --> 00:26:24.680
<v Speaker 2>Mickey Musketeer.

592
00:26:24.880 --> 00:26:28.440
<v Speaker 8>She has a musketeer with U justin Timberlake, Ryan Gosling,

593
00:26:28.839 --> 00:26:32.039
<v Speaker 8>all childhood actors, Oh my god, and there was so

594
00:26:32.039 --> 00:26:33.079
<v Speaker 8>it's heavy. Baby one more time.

595
00:26:33.359 --> 00:26:33.680
<v Speaker 2>It is.

596
00:26:33.759 --> 00:26:34.279
<v Speaker 4>Yeah.

597
00:26:34.400 --> 00:26:36.799
<v Speaker 2>The tay logo with a heart is a symbol of

598
00:26:36.799 --> 00:26:40.119
<v Speaker 2>strawberry shortcake, troll dolls, my little pony, or beanie babies,

599
00:26:40.279 --> 00:26:42.240
<v Speaker 2>beanie babies, beany babies. I have some.

600
00:26:42.319 --> 00:26:43.039
<v Speaker 4>They're worth nothing.

601
00:26:43.079 --> 00:26:46.480
<v Speaker 8>Nowadays there's they're worth not had to keep them in

602
00:26:46.519 --> 00:26:49.319
<v Speaker 8>plastic containers. Oh my god, who does that protect the

603
00:26:49.759 --> 00:26:50.599
<v Speaker 8>the tey logo.

604
00:26:50.799 --> 00:26:52.559
<v Speaker 4>We've kept Madonna in plastic since then.

605
00:26:52.599 --> 00:26:53.119
<v Speaker 2>That's enough.

606
00:26:53.279 --> 00:26:54.960
<v Speaker 7>There are thousands of grandmas that have kept a.

607
00:26:54.960 --> 00:26:58.359
<v Speaker 2>Small, strange, little rainbow colored ball with little plastic things

608
00:26:58.359 --> 00:27:01.160
<v Speaker 2>all sticking out of it. Was a toy called the

609
00:27:01.240 --> 00:27:04.240
<v Speaker 2>ushi ball, the cushball, or the slushball.

610
00:27:05.920 --> 00:27:10.200
<v Speaker 7>Slush They all start with a.

611
00:27:10.240 --> 00:27:14.319
<v Speaker 2>Kush cushedball to me, and that's nuggeta pot.

612
00:27:15.000 --> 00:27:15.960
<v Speaker 4>I'll say, slushball.

613
00:27:16.000 --> 00:27:20.839
<v Speaker 2>We're wrong. Cushball, cushball, pushball. What do you remember most

614
00:27:20.839 --> 00:27:23.079
<v Speaker 2>about the nineties, because that was growing up for you.

615
00:27:24.759 --> 00:27:26.759
<v Speaker 7>Roller blades, POGs.

616
00:27:26.799 --> 00:27:29.480
<v Speaker 2>POGs, you know, I know one of the inventors of POGs. Really,

617
00:27:29.519 --> 00:27:30.680
<v Speaker 2>do you know what pog stands for?

618
00:27:31.400 --> 00:27:31.799
<v Speaker 7>I don't know.

619
00:27:31.920 --> 00:27:36.039
<v Speaker 2>Passion orange guava juice in Hawaii, Hawaii, the tops of

620
00:27:36.079 --> 00:27:38.599
<v Speaker 2>the passion orange guava juice where these car I have

621
00:27:38.640 --> 00:27:42.519
<v Speaker 2>POGs here where the lids and the poor kids would

622
00:27:42.519 --> 00:27:44.640
<v Speaker 2>take them and play games with them. You know so

623
00:27:44.759 --> 00:27:46.559
<v Speaker 2>much more about the nineties than I do, and yet

624
00:27:46.559 --> 00:27:48.119
<v Speaker 2>I was alive in it at the same time. I

625
00:27:48.119 --> 00:27:51.119
<v Speaker 2>don't know how that happened. There's so much I don't know.

626
00:27:51.200 --> 00:27:54.519
<v Speaker 2>You said all the boy bands were together and swapping songs.

627
00:27:54.119 --> 00:27:57.039
<v Speaker 7>And ran any song that ensingc pass on. Backstreet boys

628
00:27:57.079 --> 00:27:58.039
<v Speaker 7>had the option to record.

629
00:27:58.519 --> 00:27:59.640
<v Speaker 4>There was no sex going on.

630
00:27:59.720 --> 00:28:00.960
<v Speaker 7>There no sex.

631
00:28:01.079 --> 00:28:03.720
<v Speaker 2>Oh, and so litt'll have to ask lads mess about that.

632
00:28:04.079 --> 00:28:07.000
<v Speaker 2>It was the nineties, we had sex. It was before Well, no,

633
00:28:07.039 --> 00:28:10.119
<v Speaker 2>it's during ades. Actually, go and find nineties photos if

634
00:28:10.160 --> 00:28:13.279
<v Speaker 2>you want to, at my Instagram, because I'm gonna be

635
00:28:13.279 --> 00:28:15.599
<v Speaker 2>posting nineties photos in conjunction with the app. Do you

636
00:28:15.640 --> 00:28:18.160
<v Speaker 2>have any nineties photos of view it as a kid? Oh?

637
00:28:18.160 --> 00:28:19.400
<v Speaker 4>We should post them on Instagram.

638
00:28:19.480 --> 00:28:20.119
<v Speaker 7>They're adorable.

639
00:28:20.200 --> 00:28:21.079
<v Speaker 2>Oh are they?

640
00:28:23.079 --> 00:28:26.279
<v Speaker 4>Why wouldn't they be? I had big hair in the nineties.

641
00:28:26.640 --> 00:28:28.759
<v Speaker 4>I had a bowl cut, a bowl cut.

642
00:28:28.839 --> 00:28:30.720
<v Speaker 7>It was coming in the nineties, right, No, it.

643
00:28:30.640 --> 00:28:41.480
<v Speaker 2>Was not a months two, not the gays, a bold

644
00:28:41.559 --> 00:28:44.920
<v Speaker 2>sat You know what, what a fun frickin' episode. I

645
00:28:44.960 --> 00:28:47.160
<v Speaker 2>can't believe how poorly I did on that nineties quiz.

646
00:28:47.200 --> 00:28:49.279
<v Speaker 2>I guess I really was drunk or not paying attention

647
00:28:49.440 --> 00:28:49.839
<v Speaker 2>or nothing.

648
00:28:49.880 --> 00:28:50.519
<v Speaker 4>I'm not sure.

649
00:28:51.079 --> 00:28:52.279
<v Speaker 2>By the way, this is a very night.

650
00:28:52.319 --> 00:28:53.160
<v Speaker 4>I'm wearing khakis.

651
00:28:53.240 --> 00:28:56.599
<v Speaker 2>Okay, I'm wearing khakish and this black sort of polo

652
00:28:56.640 --> 00:28:59.079
<v Speaker 2>looking shirt with these little round click this, I am

653
00:28:59.160 --> 00:29:00.519
<v Speaker 2>screaming ninety's right.

654
00:29:00.440 --> 00:29:01.079
<v Speaker 4>Down to the mohawk.

655
00:29:01.599 --> 00:29:04.839
<v Speaker 2>Also, if you go to really correl dot com my Instagram,

656
00:29:05.559 --> 00:29:08.240
<v Speaker 2>you'll see a picture of me. It's still there when

657
00:29:08.240 --> 00:29:09.960
<v Speaker 2>I was like six years old, and I had a

658
00:29:09.960 --> 00:29:12.799
<v Speaker 2>mohawk at the time too. But what a fun episode.

659
00:29:12.839 --> 00:29:14.759
<v Speaker 2>Thanks to Mark Summers for sitting down with me, for

660
00:29:14.839 --> 00:29:18.039
<v Speaker 2>taking time. Well, you know who doesn't love the nineties.

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00:29:18.039 --> 00:29:20.039
<v Speaker 2>Obviously from that quiz, I was not paying as close

662
00:29:20.079 --> 00:29:21.480
<v Speaker 2>attention as Daniel Charleston was.

663
00:29:22.160 --> 00:29:24.200
<v Speaker 4>But you know, hey, whatever, I made it through them.

664
00:29:24.240 --> 00:29:24.880
<v Speaker 4>That's the ball.

665
00:29:25.079 --> 00:29:27.759
<v Speaker 2>Biggest part of any decade is that you live through it.

666
00:29:28.799 --> 00:29:31.799
<v Speaker 2>Ask Whitney, Oh, that's the second week in a row

667
00:29:31.839 --> 00:29:34.880
<v Speaker 2>I've made a terribly distasteful Whitney used in joke, what

668
00:29:34.960 --> 00:29:38.039
<v Speaker 2>did she ever do to me? Go see the movie

669
00:29:38.079 --> 00:29:40.759
<v Speaker 2>on your Mark. It's at marksummersmovie dot com Mr c

670
00:29:41.880 --> 00:29:44.680
<v Speaker 2>Mark Summers movies, and one of the reasons he's doing

671
00:29:44.680 --> 00:29:47.640
<v Speaker 2>it is two reasons to inspire you and to tell

672
00:29:47.640 --> 00:29:52.279
<v Speaker 2>you can overcome things like leukemia, like OCD and like

673
00:29:52.359 --> 00:29:55.440
<v Speaker 2>so many things. To follow your dreams and not to

674
00:29:55.559 --> 00:29:57.640
<v Speaker 2>get in your own way. I did that a lot

675
00:29:57.680 --> 00:29:59.279
<v Speaker 2>in the nineties, I really did. I got in my

676
00:29:59.359 --> 00:30:01.480
<v Speaker 2>I still do, but I got in my own way

677
00:30:01.480 --> 00:30:04.240
<v Speaker 2>a lot in the nineties, and you know, we had

678
00:30:04.240 --> 00:30:06.079
<v Speaker 2>to learn to get out of them and let the

679
00:30:06.160 --> 00:30:10.920
<v Speaker 2>new millennial flow. On Instagram you'll find my nineties photos.

680
00:30:10.960 --> 00:30:13.640
<v Speaker 2>I'm gonna start posting some nineties photos and I encourage

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00:30:13.680 --> 00:30:16.359
<v Speaker 2>you to do the same with the hashtag life in segments,

682
00:30:17.079 --> 00:30:18.279
<v Speaker 2>I am corelbe who you want to be?

683
00:30:18.319 --> 00:30:19.400
<v Speaker 4>Sung didn't hurt anybody.

684
00:30:20.000 --> 00:30:21.960
<v Speaker 2>Do you think anyone's gonna say they love the twenty

685
00:30:22.200 --> 00:30:25.000
<v Speaker 2>seventeenth or the twenty tens. What are they gonna be called?

686
00:30:25.000 --> 00:30:28.319
<v Speaker 2>Even the twenty odds, like twenty to twenty, what is it?

687
00:30:28.359 --> 00:30:32.400
<v Speaker 2>The twenty see? Yeah, the end? Yeah, they're gonna yes, exactly,

688
00:30:32.519 --> 00:30:35.000
<v Speaker 2>the end. That's what they're gonna call twenty sixteen, the

689
00:30:35.079 --> 00:30:39.160
<v Speaker 2>beginning of the end, and then any day now the end.

690
00:30:40.440 --> 00:30:44.920
<v Speaker 1>It's broadcasting from a completely different point of view yours.

691
00:30:46.039 --> 00:30:49.759
<v Speaker 1>Listen daily to the corell cast on your favorite streaming service.

692
00:30:55.720 --> 00:31:00.279
<v Speaker 1>It's broadcasting from a completely different point of view yours.

693
00:31:01.319 --> 00:31:05.039
<v Speaker 1>Listen daily to the Correlle cast on your favorite streaming service.