WEBVTT

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<v Speaker 1>Paytons always want to hear this with the vision to

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<v Speaker 1>get to the up playing because I'm a man on

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<v Speaker 1>a mission. End up the wait street dress up makes

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<v Speaker 1>for my messical watching this shit them down the dance

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<v Speaker 1>and the bitch and you know, man to the kids

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<v Speaker 1>to just be I could catch your teen my demn

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<v Speaker 1>graphic in l A. All Mexicans is the name. Then

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<v Speaker 1>Baller did the chain going on for the watch because

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<v Speaker 1>he playing James being the fan watching hear my Jack.

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<v Speaker 1>Another deal would have be there because I'm feeling like

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<v Speaker 1>that shut for my top. I'm on a new level.

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<v Speaker 2>I'm on a new level.

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<v Speaker 1>Could you down to the socks like a biggie Poppa,

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<v Speaker 1>your girl and my time bot. They thought I was there, help,

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<v Speaker 1>They thought I was there help. They thought I was there,

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<v Speaker 1>and they thought I was dead. I didn't hear this. Listen,

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<v Speaker 1>shout out to the DJ. DJ do that, thank you

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<v Speaker 1>crazy right talking about layers the second I just told

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<v Speaker 1>the whole story, what with the premium the story dog

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<v Speaker 1>like Yo, I'm like I did that?

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<v Speaker 2>Yeah that was you, dog, that was you? A sap

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<v Speaker 2>third back on the show, we appreciate.

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<v Speaker 1>The wow my demographic in l A or Mexican that

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<v Speaker 1>hit you have the l A had on. I'm like, yo,

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<v Speaker 1>let's live. These are moments, come on now. Yeah, that

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<v Speaker 1>we shouldn't break shore. We went to the show last night. Congratulations,

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<v Speaker 1>thank you.

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<v Speaker 2>It was crazy. The crowd was waiting for you. That

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<v Speaker 2>we're going crazy.

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<v Speaker 1>Bro. Yeah. When I seen that line, when I seen

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<v Speaker 1>that line outside, I was like.

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<v Speaker 2>Whoa that line was wrapped around the gap.

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<v Speaker 1>Yeah yeah yeah, I was dang, this is it's going

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<v Speaker 1>up tonight. Yeah, man, l A. L A had always

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<v Speaker 1>been super supportive. Like I don't know like l A

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<v Speaker 1>is just it's just different, Like it's like've been always supportive.

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<v Speaker 1>So shout out to LA. What do you think that is?

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<v Speaker 1>I don't know, Like I think like we love like

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<v Speaker 1>so New Yorkers love LA, and I think LA love

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<v Speaker 1>New Yorkers.

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<v Speaker 3>I don't think right now they do.

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<v Speaker 1>Listen, I got going to do it that I love.

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<v Speaker 1>I love the people like LA. Man. When you're performing

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<v Speaker 1>in LA, though, you have to notice the sea of

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<v Speaker 1>Latinos just going crazy. Yes, I do notice, and I

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<v Speaker 1>love it. I love it.

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<v Speaker 2>Now. You were last night on stage, you were like, yo, listen,

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<v Speaker 2>it's been four years bro. You know what I'm saying, like, La,

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<v Speaker 2>this is my second home.

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<v Speaker 1>Let's get to it.

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<v Speaker 2>And they followed instruction. Yeah, they went crazy.

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<v Speaker 1>I moved out here during the pandemic, Like I seen a.

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<v Speaker 1>I seen a meme on Instagram and it was like

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<v Speaker 1>living in New York during the pandemic and living in

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<v Speaker 1>LA and in New York you had we was all

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<v Speaker 1>bundled up like we was like a small cubicle apartment

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<v Speaker 1>and like we're trying to get through the garbage. And

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<v Speaker 1>but l A is like it was a dude laid

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<v Speaker 1>in a pool, big creditate barbecuing. I'm I'm going to

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<v Speaker 1>l A. I'm going l A for sure. You got

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<v Speaker 1>the boots on today. You got the cowboy boots.

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<v Speaker 2>So that's right.

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<v Speaker 1>You know we get there from the Mexican spot. Yeah,

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<v Speaker 1>you know what I'm saying. That's right. You know you

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<v Speaker 1>know here in La. Well I got some boots in

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<v Speaker 1>La before. But we go, we're going. We got a

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<v Speaker 1>little secret location of Jersey that we get to spot

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<v Speaker 1>this stuff from. That's right, that's right.

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<v Speaker 2>The boots, Yeah, the boots.

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<v Speaker 1>Like why boots? Why why the cowboy boots? Well it's

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<v Speaker 1>really t fer. He started it like it's like Harlem

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<v Speaker 1>cowboys ship like drug dealers. Back in the days they

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<v Speaker 1>used to rock the there used to be the flyers

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<v Speaker 1>guys like before like there was a rapper or whatever

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<v Speaker 1>the case may be. It was like the hustlers in

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<v Speaker 1>the streets. They used to really get dressed to slacks,

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<v Speaker 1>the cowboy boots and you know you got the gators

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<v Speaker 1>on the Moory's and like that whole that whole arrow.

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<v Speaker 1>That's what I represent, like when I when I come

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<v Speaker 1>with the style I'm coming from like something that's you know,

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<v Speaker 1>a history of different guys that did the fly stuff.

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<v Speaker 1>My dad, my uncle, my whole family just always been fly.

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<v Speaker 1>So I'm always looking at they pictures and drawing inspirations, right, Yeah,

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<v Speaker 1>exactly for sure.

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<v Speaker 2>Darryl is crazy.

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<v Speaker 1>Congratulations, Thank you my brother. It's crazy, bro. And you

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<v Speaker 1>know we talked about the soft the air. You drew

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<v Speaker 1>the artwork, right, Yeah. I drew the Yeah, painted all

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<v Speaker 1>of the art myself. It was done with a crylic

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<v Speaker 1>and canvas. I went to art school. Our high school

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<v Speaker 1>art and design, so my major was fashion and fine arts.

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<v Speaker 1>My dad was also an artist. He also went to

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<v Speaker 1>the same art school, art and design. We had the

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<v Speaker 1>same teacher, Miss Dell Bridge. So I really I've always

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<v Speaker 1>been into creating art. I actually was aiming to be

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<v Speaker 1>an artist, like a visual artist, other than a rapper.

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<v Speaker 1>I wound up being a rap. I'm not mad at that,

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<v Speaker 1>because like I expressed myself through different mediums. But yeah,

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<v Speaker 1>that's what I went to school for, is for art. Yeah,

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<v Speaker 1>and you're making art, yeah, exactly what I mean. Audio art, yeah,

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<v Speaker 1>audio art. Yeah. And that was one thing that like

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<v Speaker 1>I didn't know what I could. Like I used to

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<v Speaker 1>be a battle rapper. I used to just go to

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<v Speaker 1>different hoods and like we used to just battle for

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<v Speaker 1>the sport, you know, getting real disrespectful turn out back

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<v Speaker 1>on people, getting people face, people looking outside the window,

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<v Speaker 1>you got Grandma's like what's going on? You got crowds

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<v Speaker 1>of people, you know, the older guys. They was battling

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<v Speaker 1>for money, but we was just battling for respect. So

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<v Speaker 1>I didn't know I can actually put like a song

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<v Speaker 1>together until like I started like rapping on beat and like,

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<v Speaker 1>oh I can actually put a hook together. I don't

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<v Speaker 1>have to make a whole hundred bar verse. I can

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<v Speaker 1>do like sixteens and put hooks and challenging myself for

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<v Speaker 1>writing the girls songs and being a little bit more introspective.

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<v Speaker 1>So yeah, I definitely took the art to another level

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<v Speaker 1>and elevated my skill once I started making songs.

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<v Speaker 2>Let's go yo with the with the art skills, man,

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<v Speaker 2>can we commission you to make a cruise show logo?

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<v Speaker 1>Of course? Yeah, yeah, for sure. That's legendary. Yeah, yeah,

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<v Speaker 1>that's that's the first definitely would be I will be

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<v Speaker 1>pleased to do that. Yeah for sure, I'm sure right, yeah, yeah,

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<v Speaker 1>I mean, I mean, I mean, I gotta talk to

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<v Speaker 1>my art dealers, my galleries. You sold pieces before, No,

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<v Speaker 1>I haven't sold any pieces. This is the first time

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<v Speaker 1>that I'm actually uh well, I got commissioned to do

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<v Speaker 1>something with Hennessy and Adidas.

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<v Speaker 2>Wow.

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<v Speaker 1>Yeah yeah, so yeah I sold technically, Yes, I got

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<v Speaker 1>paid to do art. That's awesome.

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<v Speaker 2>Was that like I made a moment?

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<v Speaker 1>No, because I made it. Moment is like when one

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<v Speaker 1>of my fans get the own one of my art pieces.

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<v Speaker 1>You know, that's and that's part of the reason why

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<v Speaker 1>I painted my album art. I painted the single cover art.

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<v Speaker 1>Like if you're on YouTube and you type in my album,

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<v Speaker 1>you'll see there's an art piece for every song. This

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<v Speaker 1>is the first I'm saying this, but I'm shooting to

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<v Speaker 1>do an art show during the art basil, so you'll

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<v Speaker 1>be able to see all of these pieces in the

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<v Speaker 1>gallery and be able to purchase them gallery show. That's

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<v Speaker 1>that's the next level of this whole, Like rollout is

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<v Speaker 1>actually like allowing people to buy into the art and

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<v Speaker 1>owning an actual physical piece that I did in my

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<v Speaker 1>home with my own hands at the highest level exactly,

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<v Speaker 1>Like I mean, I wish like I owned like a

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<v Speaker 1>Miles Davis piece or a Donna Summer's like piece they

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<v Speaker 1>was painting back in the days, and you know those

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<v Speaker 1>is like that's the extension of their soul. So you know,

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<v Speaker 1>for you to own this album art cover, you know

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<v Speaker 1>what I'm saying, Are.

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<v Speaker 2>You into like Banks Banks and not Banks?

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<v Speaker 1>Not not so much Banksy. I was definitely inspired younger,

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<v Speaker 1>like looking at documentaries seeing like you know how he

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<v Speaker 1>like water Mask, Nobody knew what he looked like. He

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<v Speaker 1>was like mysterious and just kind of tagging everything and

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<v Speaker 1>doing the art. That was fun. But me, I'm moll

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<v Speaker 1>of like a roth Go guy like math Mark Rothco,

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<v Speaker 1>Francis Bacon, Keith Herron. Uh, we're looking at Picasso. We

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<v Speaker 1>look at that. Uh, we're looking at uh Van Go

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<v Speaker 1>not so much event, that's that's now Madrano. We we're

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<v Speaker 1>looking at. Uh. Who else we got? We got Boss

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<v Speaker 1>out of course, for sure, we got yeah, huh you

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<v Speaker 1>know who justin boy? Nah, he's another guy. He's yes, crazy, Yeah,

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<v Speaker 1>I mean now Darryl Brown. So let's go man, Yo,

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<v Speaker 1>So Lord is crazy. By the way, thank you.

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<v Speaker 2>Yeah, you hit play on that and his goal time

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<v Speaker 2>that's the first button.

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<v Speaker 1>Thank you. I appreciate that for sure. Big vibes in there, right.

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<v Speaker 1>Is that a session or is that like we're sending

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<v Speaker 1>through verse? No communication? So I finished the song myself.

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<v Speaker 1>That's what I do. Like when I make albums, I

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<v Speaker 1>finish all the music myself. I don't wait for anybody.

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<v Speaker 1>But then I think about, like, all right, how we're

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<v Speaker 1>gonna enhance this. I was looking at an interview one

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<v Speaker 1>time and Quincy Jones was no, no, no. It was Teddy Riley.

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<v Speaker 1>He was talking about working with Michael Jackson and he

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<v Speaker 1>said Mike was like, all right, we're done with the album.

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<v Speaker 1>We're done, right, Teddy, And He's like, yeah, we've done, Mike,

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<v Speaker 1>and Mike was like, all right, let's remix every song now,

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<v Speaker 1>let's make it better. And I'm like, wow, that's a

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<v Speaker 1>great exercise. So I went through a similar exercise where

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<v Speaker 1>I did like fifty songs and I chose the songs

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<v Speaker 1>I was gonna go on the album from the fifty

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<v Speaker 1>and I just figured how can I elevate each song?

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<v Speaker 1>And part of the elevation was getting Future on a law,

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<v Speaker 1>getting Coco on French tips, getting married on Chosen, and

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<v Speaker 1>casting spells crazy, thank you appreciate you know, for New

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<v Speaker 1>York rappers, like getting married Jay Blige on a song,

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<v Speaker 1>that's a rite of passage. I don't think just for

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<v Speaker 1>New York. I think that's the world. Like I don't

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<v Speaker 1>care if you're an alien. If you get a married

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<v Speaker 1>verse that's serious. Yeah not for sure.

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<v Speaker 2>Yo, What did you tap into to create a live

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<v Speaker 2>sad face?

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<v Speaker 1>Oh alive, unhappy? Unhappy? Yeah? That was That was the

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<v Speaker 1>beginning of me being like super vulnerable. I was like, yeah,

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<v Speaker 1>what can I what can I do to to really

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<v Speaker 1>like So during this process there's so many layers to

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<v Speaker 1>this album, Like to create this album, I started reading

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<v Speaker 1>this book called The Artist's Way, which is a spiritual

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<v Speaker 1>god for artists. And that book found me twice. The

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<v Speaker 1>first time my girl had got it, Uh, she gave

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<v Speaker 1>it to me and then I was like, I never

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<v Speaker 1>really opened it. And then the second time it was

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<v Speaker 1>during the pandemic when I moved to La. My cousin

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<v Speaker 1>got it to me, and I'm like, oh, if this

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<v Speaker 1>book made it to me twice, I got to open

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<v Speaker 1>his book. So and he just randomly like he don't

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<v Speaker 1>be getting me nothing. Yeah, I swear he do not

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<v Speaker 1>get me nothing Christmas Birthday, but he just yeah, I'm like,

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<v Speaker 1>let me randomly, like a random day. He just put

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<v Speaker 1>it on my bed stand, and I'm like, let me

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<v Speaker 1>look through this book. So I looked at it for

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<v Speaker 1>you exactly. So I started reading the book, started doing

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<v Speaker 1>the exercises, and what it is designed for you to

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<v Speaker 1>do is to have practices every day like free write

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<v Speaker 1>or take yourself on playdates to create your flow, because

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<v Speaker 1>like sometimes it's as adults, we don't play anymore. We

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<v Speaker 1>don't play with colors, we don't paint, we don't flip,

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<v Speaker 1>we don't we think going to dinner is like fun,

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<v Speaker 1>but that's actually a night out. It's not fun. So yeah,

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<v Speaker 1>it's about pleasing it in a child and really creating

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<v Speaker 1>your flow to unblock you. And that allowed me to

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<v Speaker 1>be a little bit more open and vulnerable, and I said,

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<v Speaker 1>you know what, this is actually fun. This is fun

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<v Speaker 1>going to a place that a lot of people are

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<v Speaker 1>scared to go to. And I started like embracing that

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<v Speaker 1>more throughout the album. Why do you think people are

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<v Speaker 1>scared to go there? Because they're scared to be ridiculed,

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<v Speaker 1>Like people care what people think a little bit too much,

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<v Speaker 1>and I think that stifles the artistry, Like because now

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<v Speaker 1>we're you know, we're being black and white versus we

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<v Speaker 1>can be pink, green, till tiffany blue, Like we can

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<v Speaker 1>be so many different flavors, but you just want to

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<v Speaker 1>be stuck here because of society and and standards and exactly.

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<v Speaker 1>So it was a lot of under It was a

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<v Speaker 1>lot of rewiring, a lot of therapy. It was a

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<v Speaker 1>lot of just yeah, like I wanted to become a

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<v Speaker 1>better person. First, well, I figured like I wanted to

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<v Speaker 1>make great art, and I was like, what's holding me back?

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<v Speaker 1>Like hold up, I gotta grow as a person. So

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<v Speaker 1>I had to grow and we're here, Yeah, and we're here.

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<v Speaker 1>Come onto. Yeah, Dubai, what are you doing up there?

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<v Speaker 1>Was that like to have fun or you work? I

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<v Speaker 1>was working. I was working. I had a show out there.

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<v Speaker 1>It was dope. I got a chance to perform some

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<v Speaker 1>new joints out there. It was sick, that's right. Yeah,

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<v Speaker 1>we hanging out with the Chikhs and the princes and

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<v Speaker 1>all the world out there, right.

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<v Speaker 3>Yeah, you know, speaking of performing the new songs last

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<v Speaker 3>night when we were at the event, I was telling

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<v Speaker 3>you off camera that I wanted to bring this up

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<v Speaker 3>because my boyfriend, he absolutely loves Demons. Like I'm telling you.

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<v Speaker 3>The second that we got in the car, that thirty

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<v Speaker 3>minute drive, the only song we like listened to his Demons.

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<v Speaker 1>I was like, sir, it hit different. And then that

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<v Speaker 1>Denzel Curry verse. I don't know if they figured it

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<v Speaker 1>out yet on Apple, Like I know it was a

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<v Speaker 1>lot of fans complaining that they they couldn't get the

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<v Speaker 1>Denzel verse, like the explicit one. But yeah, like we

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<v Speaker 1>we got to fix that if we didn't fix that yet.

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<v Speaker 1>But yo, Demons is nuts. Yeah.

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<v Speaker 2>When you talk about demons are everywhere, happy times, sad times.

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<v Speaker 1>Yeah, I said, the women's everywhere Demons from the pain,

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<v Speaker 1>Demons in my cup, demons in my brain, Demons in

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<v Speaker 1>the food, demons with the fame, demons in the sun,

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<v Speaker 1>demons in the rain. She on demon times. She don't

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<v Speaker 1>need the vibe. You know, I got a girl. She

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<v Speaker 1>don't even mind. I ain't got a condom. I don't

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<v Speaker 1>need to fine demon in my mind telling me is fine. Yeah,

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<v Speaker 1>it's just talking about those things that like, you know,

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<v Speaker 1>the demons did like that we fight every day. That

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<v Speaker 1>that looks shiny and glossy and beautiful. But at the

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<v Speaker 1>same time as you know, those those those that cake

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<v Speaker 1>looks good. I want to have some of that Demon

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<v Speaker 1>Louisiana crunch cake. I want to have that with the

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<v Speaker 1>juice on the side. But you just know, like, man,

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<v Speaker 1>if you my big is telling me to ask question. Oh,

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<v Speaker 1>y'all gotta google that. Y'all gotta get something like this

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<v Speaker 1>is drug. You're a cereal guy. I know you're a

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<v Speaker 1>cereal guy. I'm not. I'm not a breakfast guy. I'm

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<v Speaker 1>like a juice cereal for dinner. Right you can, you can,

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00:14:55.279 --> 00:14:57.840
<v Speaker 1>but I don't. You don't. I'm like, I like you

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<v Speaker 1>heavy on the Captain crunch I used to that was

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<v Speaker 1>like that was during the pandemic. That was asad Ford

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<v Speaker 1>that we're Darrow now with Darrol right now. Yeah, so

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<v Speaker 1>it's a bunk, but specifically the Intimates one.

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<v Speaker 2>All the inmates. Man, they make a great cheese Danish.

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<v Speaker 1>It make great crack, Biggest America for the world, your

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00:15:29.559 --> 00:15:33.840
<v Speaker 1>French tips. I love that Brandy vibe sample. It's a

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<v Speaker 1>replay replay, sure, yeah, but it's got that from the

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<v Speaker 1>minute you hit play. It's just got that that tone. Yeah,

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<v Speaker 1>uh huh yeah, very important to I love wrapping off

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<v Speaker 1>R and B beats, like it takes it back to

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<v Speaker 1>like the Loon era, like early bad Boy, you know,

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<v Speaker 1>when Total and Mace used to do songs and like

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<v Speaker 1>that hip hopping R and B. I don't think that

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<v Speaker 1>anybody's serving us in that that way right now, specifically

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<v Speaker 1>the millennials, Like we grew up on those songs and

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<v Speaker 1>it's not like, you know, to mea and fabulous like

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00:16:07.360 --> 00:16:10.440
<v Speaker 1>those type of vibes, and I'm like, I always gonna

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<v Speaker 1>I'm always gonna give you one or two of those

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00:16:12.240 --> 00:16:15.600
<v Speaker 1>each album. But like I've been diving more deeper into

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00:16:15.600 --> 00:16:17.799
<v Speaker 1>that bad because I see that, you know, even like

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<v Speaker 1>the the new generation they love those songs because it's

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00:16:21.000 --> 00:16:24.080
<v Speaker 1>all about like them showing off their girlfriend. Now it's like, Yo,

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<v Speaker 1>this is my shorty and this is Instagram and I'm

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<v Speaker 1>showing the world and like, yeah, it's time to embrace.

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<v Speaker 1>Like us as rappers, we could kind of be real harsh,

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<v Speaker 1>you know, towards the woman, but it's like, why not

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<v Speaker 1>embrace and show love too as well? Yeah, because girls

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<v Speaker 1>like that shit. Girls look, girls like when you when

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<v Speaker 1>you're a little roughneck with it too.

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<v Speaker 2>Yeah yeah, sure, yeah, girls like Asian dudes.

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<v Speaker 3>Okay, yeah, that's.

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<v Speaker 1>Okay with the gangster con or what like, yeah yeah

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<v Speaker 1>the gangsters, yeah essays, yeah, yeah.

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<v Speaker 3>Yeah, right now I have an Asian boy Right now,

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<v Speaker 3>I have an Asian boyfriend. I just like.

321
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<v Speaker 2>To now like there's another Pokemon tattoo that's crazy. No,

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<v Speaker 2>well okay, right now I'm with him.

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<v Speaker 1>Dodgers like that all tatted and she just couldn't stop

324
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<v Speaker 1>talking about taking a shirt off.

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<v Speaker 3>My man has Pokmon tattoos.

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<v Speaker 2>So I like to be.

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<v Speaker 1>L A the whole la Is family, the whole world.

328
00:17:42.200 --> 00:17:44.079
<v Speaker 3>Surprised. People come to me, they are like, oh, so

329
00:17:44.160 --> 00:17:45.279
<v Speaker 3>about your boyfriend, Like.

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<v Speaker 1>Look, yo, we're not talking about my situation.

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<v Speaker 2>You know, your growth is remarkable though, Bro, just hearing

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<v Speaker 2>you speak right.

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<v Speaker 1>Now, you should be proud of yourself, appreciate you.

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<v Speaker 2>It's kind of tough to be proud of yourself, but

335
00:17:57.640 --> 00:17:59.319
<v Speaker 2>you know, we have to force ourselves as men to

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<v Speaker 2>be proud.

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<v Speaker 1>Of our Yeah, for sure, definitely. Yeah, it was a

338
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<v Speaker 1>long time. I wasn't celebrating like my wins, Like my

339
00:18:06.440 --> 00:18:09.400
<v Speaker 1>team were bringing that up to me, and that was

340
00:18:09.440 --> 00:18:12.000
<v Speaker 1>when I was just pressing go, go, go go. I mean,

341
00:18:12.039 --> 00:18:14.440
<v Speaker 1>I'll get platinum plaques and like I'm like, what's the

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00:18:14.440 --> 00:18:16.680
<v Speaker 1>next what's the next thing? Or like looking at the

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00:18:16.720 --> 00:18:19.039
<v Speaker 1>next thing, and it's like there is no next thing.

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<v Speaker 1>That next thing is in your mind. Like we create

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00:18:21.519 --> 00:18:26.559
<v Speaker 1>this unfathomable thing in our mind to reach, like and

346
00:18:26.599 --> 00:18:28.920
<v Speaker 1>then it's like once you reach that, it's like what else?

347
00:18:28.960 --> 00:18:30.839
<v Speaker 1>And then what else? And what else? And that's kind

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<v Speaker 1>of natural as a human to evolve in that way,

349
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<v Speaker 1>but you just can't do it in a toxic way

350
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<v Speaker 1>to where it's like you're not appreciating a moment. Yo.

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<v Speaker 2>So what happened in the four years, you know, in

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<v Speaker 2>between this album?

353
00:18:43.799 --> 00:18:46.839
<v Speaker 1>So four years? So I dropped floy Cis one and

354
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<v Speaker 1>floy Sis two that came out. I wasn't able to

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<v Speaker 1>tour it because of the pandemic. I was working on

356
00:18:53.880 --> 00:18:56.839
<v Speaker 1>a mixtape, and then I wound up going in with

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<v Speaker 1>Pharrell to work on the album or a mix tape,

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<v Speaker 1>and then we wound up just locking in and I'm like,

359
00:19:03.519 --> 00:19:05.480
<v Speaker 1>you know, you just want to produce my album, and

360
00:19:05.519 --> 00:19:07.799
<v Speaker 1>then we wound up like creating a whole album for

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00:19:07.880 --> 00:19:10.319
<v Speaker 1>like two years. We just and I think that was

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00:19:10.359 --> 00:19:12.799
<v Speaker 1>really like for us, it was really just fun to

363
00:19:12.960 --> 00:19:16.799
<v Speaker 1>like create during this time where it was uncertain, like

364
00:19:17.079 --> 00:19:18.680
<v Speaker 1>what was gonna happen. We didn't know who we was

365
00:19:18.720 --> 00:19:20.759
<v Speaker 1>making that music for. We just had it in our mind.

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<v Speaker 1>It was like, all right, when we get out of

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<v Speaker 1>this situation, we're gonna make like this music is for

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00:19:25.039 --> 00:19:28.200
<v Speaker 1>when we get out of this situation. So, you know,

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00:19:28.559 --> 00:19:32.759
<v Speaker 1>between his move from Cali back to Miami and like

370
00:19:33.039 --> 00:19:35.119
<v Speaker 1>him coming to New York, we rocking with each other.

371
00:19:36.279 --> 00:19:39.119
<v Speaker 1>We created a great body of work, and we released

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<v Speaker 1>two of the songs we released Green Juice and also

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<v Speaker 1>paper Plates on Nego's album. But we still have an

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00:19:45.599 --> 00:19:51.279
<v Speaker 1>album that is ready to go. Yeah exactly. But the

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00:19:51.400 --> 00:19:54.359
<v Speaker 1>thing is when the world opened back up. It was

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<v Speaker 1>new things to talk about. So I was just like, man, respectfully,

377
00:19:58.680 --> 00:20:00.759
<v Speaker 1>I gotta like I got to go back in. I

378
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<v Speaker 1>got to go back into the to the writing boards

379
00:20:02.640 --> 00:20:04.559
<v Speaker 1>and let's just mix, you know what I mean, Let's

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00:20:04.599 --> 00:20:07.559
<v Speaker 1>do that. Yeah, but I just I just went. I

381
00:20:07.640 --> 00:20:10.559
<v Speaker 1>originally went to far Rea to add on to this

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<v Speaker 1>album that I created, but we wound up just making

383
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<v Speaker 1>the whole project. You know what I'm saying. It was

384
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<v Speaker 1>for this, It was for Darrow exactly. Yeah, Damn, that's crazy.

385
00:20:19.240 --> 00:20:20.720
<v Speaker 1>And I feel like there's a mixed tape of marriage

386
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<v Speaker 1>a Blige bro. I feel like it can be. I

387
00:20:25.240 --> 00:20:27.799
<v Speaker 1>feel like it's I feel like I feel like, yeah,

388
00:20:27.799 --> 00:20:30.119
<v Speaker 1>we could do so much. He's an actress. We could

389
00:20:30.160 --> 00:20:32.480
<v Speaker 1>write some stuff together. We could write films, we could

390
00:20:32.599 --> 00:20:35.960
<v Speaker 1>we could do so much. Okay, there's here. Yeah, there's

391
00:20:35.960 --> 00:20:40.400
<v Speaker 1>a there's a forever ship like that you on this

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<v Speaker 1>ship forever exactly know.

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<v Speaker 3>I just think that, like Lecha was saying, like you're

394
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<v Speaker 3>the way that you've channeled yourself into, like being who

395
00:20:50.680 --> 00:20:54.000
<v Speaker 3>you truly are is like really inspirational. I think not

396
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<v Speaker 3>a lot of like rappers, especially just put up a

397
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<v Speaker 3>lot of a front where they don't want to show

398
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<v Speaker 3>them true selves and they don't want to, like, you know,

399
00:21:01.599 --> 00:21:03.839
<v Speaker 3>break out that boundary of showing people who they really are.

400
00:21:03.960 --> 00:21:06.759
<v Speaker 1>I mean, it's scary. I'm pretty sure like every rapper

401
00:21:06.880 --> 00:21:09.519
<v Speaker 1>wants to, Like we all flirt with that idea of

402
00:21:10.039 --> 00:21:13.079
<v Speaker 1>wanting to show our true selves. I mean, and it's

403
00:21:13.119 --> 00:21:15.359
<v Speaker 1>not like I wasn't showing my true self. I was

404
00:21:15.400 --> 00:21:18.000
<v Speaker 1>just showing a part of myself. Now it's just like

405
00:21:18.119 --> 00:21:21.359
<v Speaker 1>I'm opening up the whole the thing to the world.

406
00:21:21.759 --> 00:21:24.640
<v Speaker 1>But I think what rappers is, you know, you go

407
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<v Speaker 1>with what's making you the money, what's feeding your family,

408
00:21:27.079 --> 00:21:29.400
<v Speaker 1>Like you got family that's in the hospital, Like you're

409
00:21:29.440 --> 00:21:31.400
<v Speaker 1>not trying to mess that up. Because the thing is,

410
00:21:32.000 --> 00:21:33.839
<v Speaker 1>they could look at it like a risk, like yo,

411
00:21:34.160 --> 00:21:38.680
<v Speaker 1>I might drop some shit about myself. Can I say shit, Yeah, yeah,

412
00:21:38.759 --> 00:21:43.720
<v Speaker 1>I might drop some shit about myself that people. Yeah,

413
00:21:43.759 --> 00:21:46.240
<v Speaker 1>people may be like, oh, what is he talking about?

414
00:21:46.279 --> 00:21:48.079
<v Speaker 1>This ain't him, this ain't d D DA blah blah

415
00:21:48.079 --> 00:21:51.920
<v Speaker 1>blah blah. But the thing is you have to put

416
00:21:52.000 --> 00:21:54.200
<v Speaker 1>yourself out that out there in a way where it's

417
00:21:54.240 --> 00:21:57.759
<v Speaker 1>like you challenge the listeners sometimes too, Like I'm I'm

418
00:21:57.799 --> 00:22:00.960
<v Speaker 1>into challenging the listener, like don't get because the moment

419
00:22:01.039 --> 00:22:02.960
<v Speaker 1>they get used to what you're coming with, then it's

420
00:22:02.960 --> 00:22:04.880
<v Speaker 1>over you dead, like they know how you come in.

421
00:22:04.960 --> 00:22:07.759
<v Speaker 1>It's not exciting no more. Like my ears is shut off,

422
00:22:07.839 --> 00:22:11.680
<v Speaker 1>Like and I never wanted to just be a rapper

423
00:22:11.720 --> 00:22:13.519
<v Speaker 1>that I just hit people with like a bunch of

424
00:22:13.599 --> 00:22:17.920
<v Speaker 1>bangers and hits and like that's cool, but like, how

425
00:22:17.920 --> 00:22:20.519
<v Speaker 1>about make a sad song a hit? How about make

426
00:22:20.559 --> 00:22:23.920
<v Speaker 1>a introspective song a hit, like the way like Eve

427
00:22:24.000 --> 00:22:27.200
<v Speaker 1>made Love is blind? You know what I'm saying, Like

428
00:22:27.319 --> 00:22:31.279
<v Speaker 1>what happened to those like or Tupac, How it's going down?

429
00:22:31.759 --> 00:22:33.720
<v Speaker 1>That's that's a hip hop and R and B. That

430
00:22:33.720 --> 00:22:35.799
<v Speaker 1>that's a R and B is kind of like a

431
00:22:35.839 --> 00:22:38.920
<v Speaker 1>tea code. But we're gonna get back to that. But

432
00:22:39.000 --> 00:22:42.359
<v Speaker 1>like I'm talking about, like I'm slipping, I'm falling, I

433
00:22:42.400 --> 00:22:45.200
<v Speaker 1>can't get up. Like that's a real introspective song, like

434
00:22:45.880 --> 00:22:49.079
<v Speaker 1>bounce Back, Got back on my shit, like Brenda's Got

435
00:22:49.079 --> 00:22:51.319
<v Speaker 1>a Baby, those type of records that we grew up

436
00:22:51.400 --> 00:22:55.519
<v Speaker 1>on that can actually help people through whatever they're going through.

437
00:22:55.839 --> 00:22:58.279
<v Speaker 1>Let that be a hit. Yeah, And nowadays we got

438
00:22:58.279 --> 00:23:00.839
<v Speaker 1>streaming now. So it's like you think of your hit

439
00:23:00.960 --> 00:23:03.000
<v Speaker 1>like a song without a hook of be a hit,

440
00:23:03.359 --> 00:23:06.559
<v Speaker 1>a song like whatever your fan loves and is like

441
00:23:07.240 --> 00:23:09.480
<v Speaker 1>rocking with it is your hit? Literally?

442
00:23:10.440 --> 00:23:10.759
<v Speaker 2>For sure?

443
00:23:10.759 --> 00:23:11.039
<v Speaker 1>What's up?

444
00:23:11.079 --> 00:23:13.920
<v Speaker 2>Let you? I read in the notes that you run

445
00:23:13.960 --> 00:23:15.440
<v Speaker 2>with no socks on? Is that accurate?

446
00:23:15.720 --> 00:23:17.480
<v Speaker 1>I do what you run with no socks on?

447
00:23:17.559 --> 00:23:18.079
<v Speaker 2>Is that accurate?

448
00:23:18.160 --> 00:23:21.680
<v Speaker 1>Or I run with no socks on? Nah? Where you

449
00:23:21.720 --> 00:23:22.559
<v Speaker 1>heard that at? I don't know.

450
00:23:23.400 --> 00:23:26.759
<v Speaker 2>I feel it's worth asking. Let me ask our research department.

451
00:23:29.240 --> 00:23:29.759
<v Speaker 1>When you were.

452
00:23:29.640 --> 00:23:40.319
<v Speaker 4>Talking about you, You're like, I don't you know.

453
00:23:40.359 --> 00:23:43.400
<v Speaker 1>Sometimes we say things was this like was this like

454
00:23:43.559 --> 00:23:47.440
<v Speaker 1>two thousand and six? I don't ever remember running with

455
00:23:47.480 --> 00:23:50.279
<v Speaker 1>no socks So I'm just gonna say, how do you

456
00:23:50.319 --> 00:23:50.480
<v Speaker 1>do it?

457
00:23:50.519 --> 00:23:51.960
<v Speaker 2>Dog? You're not blisters and sh.

458
00:23:52.559 --> 00:23:54.559
<v Speaker 1>I'm glad you saw. I was a school boy, Q

459
00:23:56.960 --> 00:24:02.599
<v Speaker 1>yo yo. People always come up to me your school that, yeah,

460
00:24:02.640 --> 00:24:06.559
<v Speaker 1>I swear to guard brood. Happened to me like three times.

461
00:24:06.720 --> 00:24:07.759
<v Speaker 1>What do you say? Right?

462
00:24:07.920 --> 00:24:08.920
<v Speaker 2>How do you respond to that?

463
00:24:09.240 --> 00:24:11.440
<v Speaker 1>You know what it is? I can see that with

464
00:24:11.279 --> 00:24:15.200
<v Speaker 1>the with the aggressive energy the era, I can see

465
00:24:15.240 --> 00:24:18.200
<v Speaker 1>where they can kind of like blur the lines. But

466
00:24:18.240 --> 00:24:21.240
<v Speaker 1>we're definitely two different artists, but I like and I

467
00:24:21.279 --> 00:24:23.960
<v Speaker 1>love school boys, So it's actually like flattering at the

468
00:24:23.960 --> 00:24:26.319
<v Speaker 1>same time. But at the same time, it's just like

469
00:24:26.359 --> 00:24:28.880
<v Speaker 1>we got two different aesthetics. It's two different He's a

470
00:24:30.000 --> 00:24:38.160
<v Speaker 1>well known blue person. Sometimes should go along with this?

471
00:24:39.759 --> 00:24:41.400
<v Speaker 3>Is there a party that like sometimes where you're like,

472
00:24:41.400 --> 00:24:42.519
<v Speaker 3>I should go along with it? Oh?

473
00:24:42.559 --> 00:24:45.119
<v Speaker 1>I always go along with the craziest people stuff. Oh

474
00:24:45.160 --> 00:24:47.480
<v Speaker 1>you look like for word, A lot of people tell

475
00:24:47.519 --> 00:24:51.160
<v Speaker 1>me that with that all the time? You know what?

476
00:24:51.839 --> 00:24:55.799
<v Speaker 1>I get that all the time? You miss not being famous?

477
00:24:56.240 --> 00:24:59.279
<v Speaker 1>Do I have a miss not being famous? I feel

478
00:24:59.279 --> 00:25:01.640
<v Speaker 1>like I have a co aftable fame. I have a

479
00:25:01.680 --> 00:25:07.839
<v Speaker 1>fame that I've I have consciously pushed for, Like when

480
00:25:07.839 --> 00:25:12.359
<v Speaker 1>I started getting really famous, and like Michael Jackson was

481
00:25:12.440 --> 00:25:15.640
<v Speaker 1>like on the like yeah the move board, like yo,

482
00:25:15.680 --> 00:25:18.519
<v Speaker 1>I gotta beat Michael Jackson. Like and then when you

483
00:25:18.559 --> 00:25:20.480
<v Speaker 1>start to see what that comes with, and you be

484
00:25:20.519 --> 00:25:22.599
<v Speaker 1>like I could kind.

485
00:25:22.359 --> 00:25:25.400
<v Speaker 3>Of do I want to go to the grocery store?

486
00:25:25.880 --> 00:25:28.920
<v Speaker 1>Yeah? I like yeah, Because the thing is I make

487
00:25:29.039 --> 00:25:32.440
<v Speaker 1>music for the people, so I gotta beat amongst the

488
00:25:32.559 --> 00:25:39.039
<v Speaker 1>people a certain amount of time to like really get

489
00:25:39.039 --> 00:25:41.160
<v Speaker 1>the data and the information and all of that and

490
00:25:41.200 --> 00:25:43.599
<v Speaker 1>you can't do that being Michael Jackson. You know, I

491
00:25:43.640 --> 00:25:46.839
<v Speaker 1>used to see DMX in a hood with like two dogs,

492
00:25:47.519 --> 00:25:49.480
<v Speaker 1>and he used to go to the same barber as

493
00:25:49.480 --> 00:25:52.599
<v Speaker 1>me with no security. He had two platinum albums out

494
00:25:52.880 --> 00:25:55.319
<v Speaker 1>in a movie, and I'm like, that's the level of

495
00:25:55.319 --> 00:25:58.079
<v Speaker 1>fame that I want, where I can move by myself.

496
00:25:58.279 --> 00:25:59.960
<v Speaker 1>I might have my dog with me, I might have

497
00:26:00.160 --> 00:26:03.119
<v Speaker 1>crash with me, and you know what I'm saying, Yeah, crash,

498
00:26:03.519 --> 00:26:05.960
<v Speaker 1>my have crashed with me, and I'm getting my haircut.

499
00:26:06.000 --> 00:26:09.319
<v Speaker 1>And a little kid who's aspiring to do what I do.

500
00:26:09.400 --> 00:26:11.400
<v Speaker 1>He can look like and be like, damn, he comes

501
00:26:11.400 --> 00:26:13.799
<v Speaker 1>to the same barbershop as me, but didn see me

502
00:26:13.839 --> 00:26:16.799
<v Speaker 1>in on Exit Wounds in a movie theater and I

503
00:26:16.839 --> 00:26:19.759
<v Speaker 1>got platinum records. Like that's who I always wanted to be.

504
00:26:19.799 --> 00:26:22.880
<v Speaker 1>I didn't move out of the hood until Nipsey died.

505
00:26:22.960 --> 00:26:26.519
<v Speaker 1>Really it was Nipsey and Chink Santana because it was like,

506
00:26:27.039 --> 00:26:29.480
<v Speaker 1>all right, you know, I'm gonna stay in the hood

507
00:26:29.519 --> 00:26:32.039
<v Speaker 1>so the people can see that there's a platinum artist

508
00:26:32.119 --> 00:26:34.240
<v Speaker 1>still living where they live. But then it was a

509
00:26:34.279 --> 00:26:36.400
<v Speaker 1>time where I wanted my conversation to change. I want

510
00:26:36.400 --> 00:26:40.640
<v Speaker 1>to get around people that had different ideals. And also

511
00:26:40.759 --> 00:26:42.880
<v Speaker 1>it was just like all right, everybody not happy for

512
00:26:42.920 --> 00:26:45.559
<v Speaker 1>you as well, like because Nipsey died in a place

513
00:26:45.599 --> 00:26:50.039
<v Speaker 1>where everybody loved them so exactly. So I was just like,

514
00:26:50.119 --> 00:26:51.519
<v Speaker 1>you know, it's time X.

515
00:26:51.559 --> 00:26:53.680
<v Speaker 2>Was also walking around with vicious pit bulls.

516
00:26:54.079 --> 00:26:58.160
<v Speaker 1>No, I mean X was a vicious pit bull heard

517
00:26:58.160 --> 00:27:04.000
<v Speaker 1>the way he was barking on them tracks exactly.

518
00:27:05.319 --> 00:27:07.559
<v Speaker 2>I think that suthings a whole generation.

519
00:27:07.920 --> 00:27:11.279
<v Speaker 1>Yeah, even like most death like his level of fame,

520
00:27:11.359 --> 00:27:15.160
<v Speaker 1>it was like he was in movies, like platinum selling

521
00:27:15.480 --> 00:27:18.279
<v Speaker 1>records and still able to like move around, move and

522
00:27:18.319 --> 00:27:23.319
<v Speaker 1>groove like I'm a person like the superstar. Shit is okay,

523
00:27:23.519 --> 00:27:26.640
<v Speaker 1>like that shit ain't. What gets me is if like

524
00:27:26.720 --> 00:27:29.799
<v Speaker 1>you telling me about my song and how it helped

525
00:27:29.839 --> 00:27:33.720
<v Speaker 1>you through something versus like, yo, all of the fluff.

526
00:27:33.720 --> 00:27:35.319
<v Speaker 1>I could do without all of the fluff.

527
00:27:35.279 --> 00:27:37.319
<v Speaker 2>Right, that's right now, I mean you know you recognize

528
00:27:37.319 --> 00:27:40.359
<v Speaker 2>the real It's like you fuck the cloud. You rather connect.

529
00:27:40.559 --> 00:27:42.599
<v Speaker 1>Yeah, I want to connect. That's what this is about, right.

530
00:27:42.640 --> 00:27:45.160
<v Speaker 1>It's like us as being humans is like, you know,

531
00:27:45.319 --> 00:27:48.160
<v Speaker 1>that's the purpose of my music is to connect with people. Yeah,

532
00:27:48.279 --> 00:27:49.839
<v Speaker 1>favorite song on the album and by the way. I

533
00:27:49.880 --> 00:27:51.640
<v Speaker 1>love how you close out the album with there or

534
00:27:51.640 --> 00:27:55.039
<v Speaker 1>the title track. I like that thank you, thank you.

535
00:27:55.079 --> 00:27:57.160
<v Speaker 1>That was a tough thing. Thank you. The A side,

536
00:27:57.279 --> 00:28:01.680
<v Speaker 1>He's he resides in La. He's my British friend who

537
00:28:01.799 --> 00:28:07.559
<v Speaker 1>uh he sequenced everything, but yeah, that's tough. Like I mean,

538
00:28:07.680 --> 00:28:10.759
<v Speaker 1>for different days, it's different songs, Like right now it's

539
00:28:10.799 --> 00:28:13.839
<v Speaker 1>Demons because I just finished performing Demons and she keeps

540
00:28:13.880 --> 00:28:19.839
<v Speaker 1>talking about Demons. Demons. Yeah, mess, the strings, the strings,

541
00:28:20.559 --> 00:28:23.640
<v Speaker 1>the strings come out even more like in that that space,

542
00:28:23.720 --> 00:28:26.359
<v Speaker 1>in that venue, I was like, damn, that's a really

543
00:28:26.400 --> 00:28:28.880
<v Speaker 1>good venue, right yeah. Yeah, sound was amazing.

544
00:28:29.200 --> 00:28:31.599
<v Speaker 2>I love the visuals in the back to the white the.

545
00:28:31.559 --> 00:28:34.880
<v Speaker 1>Wings yeah yeah yeah, yeah, yeah, yeah yeah, come on

546
00:28:35.720 --> 00:28:37.279
<v Speaker 1>the hood Pope that's it.

547
00:28:37.400 --> 00:28:38.559
<v Speaker 2>Yeah.

548
00:28:38.599 --> 00:28:41.960
<v Speaker 1>And then I randomly did hood Pope the song like

549
00:28:42.039 --> 00:28:44.799
<v Speaker 1>somebody called out, yo, do a hood Pope and my

550
00:28:44.960 --> 00:28:46.960
<v Speaker 1>DJ had to kill queued up. And that was like

551
00:28:47.000 --> 00:28:50.480
<v Speaker 1>my first time doing that in years, like really bringing

552
00:28:50.559 --> 00:28:53.279
<v Speaker 1>like a track from my first album and performing at

553
00:28:53.960 --> 00:28:56.400
<v Speaker 1>and I felt good, like hearing how many people were

554
00:28:56.440 --> 00:28:58.640
<v Speaker 1>screaming at and I was like, oh, we got a

555
00:28:58.640 --> 00:29:01.400
<v Speaker 1>lot of real ones in day one Ahead Tonight, Yeah

556
00:29:01.480 --> 00:29:04.319
<v Speaker 1>that's exactly. Someone compliments you off from the front row

557
00:29:04.359 --> 00:29:06.799
<v Speaker 1>by an interview. I think you said, like, y'all you

558
00:29:06.839 --> 00:29:08.799
<v Speaker 1>appreciate the interview, appreciate that. It was like during your

559
00:29:09.079 --> 00:29:11.279
<v Speaker 1>oh yeah yeah yeah random yeah yeah yeah, it was

560
00:29:11.319 --> 00:29:13.880
<v Speaker 1>like wow, I was changing songs, like somebody was like,

561
00:29:13.960 --> 00:29:16.279
<v Speaker 1>you know, I watched the interview and I'm like, thank you.

562
00:29:19.119 --> 00:29:21.519
<v Speaker 1>I don't know which one is so many like they

563
00:29:21.599 --> 00:29:24.599
<v Speaker 1>had the hopefully they compliment us on this interview.

564
00:29:24.759 --> 00:29:27.480
<v Speaker 2>Yeah, absolutely, man, Yeah, man's a good interview.

565
00:29:27.720 --> 00:29:30.759
<v Speaker 1>It's a great man and it's everywhere.

566
00:29:30.880 --> 00:29:31.839
<v Speaker 2>Man, it's streaming now.

567
00:29:33.319 --> 00:29:35.640
<v Speaker 1>Wow, this is art, this is this is top tier art.

568
00:29:35.759 --> 00:29:38.319
<v Speaker 1>Like I went to London recorded this for three weeks,

569
00:29:38.359 --> 00:29:41.160
<v Speaker 1>went to the Prie. Not the whole project, like really

570
00:29:41.200 --> 00:29:43.200
<v Speaker 1>like I did a lot of the string arrangements out

571
00:29:43.240 --> 00:29:46.559
<v Speaker 1>there at the ten piece orchestra. Uh my boy. Silva

572
00:29:46.880 --> 00:29:51.279
<v Speaker 1>Sally Sally she she basically she orchestrated the whole like

573
00:29:51.440 --> 00:29:55.039
<v Speaker 1>James Bond scoring for all of the movies and like

574
00:29:55.079 --> 00:29:58.799
<v Speaker 1>she worked on this album exactly. So those strings you

575
00:29:58.839 --> 00:30:02.160
<v Speaker 1>hear on MESSI and throughout the album, that's like tied

576
00:30:02.160 --> 00:30:04.720
<v Speaker 1>in together, like that's that's her and Silver that put

577
00:30:04.720 --> 00:30:09.559
<v Speaker 1>that together. Shout out to l mean he he's like singing.

578
00:30:09.640 --> 00:30:12.200
<v Speaker 1>He's like to me, he's like a mixture of like

579
00:30:12.319 --> 00:30:18.880
<v Speaker 1>one twelve meets Rafaelsa, Deek meets DiAngelo Mac Like he

580
00:30:19.039 --> 00:30:22.599
<v Speaker 1>goes crazy, like he's singing throughout the album. I got

581
00:30:22.640 --> 00:30:25.400
<v Speaker 1>Black Pearl on There, I got Mario Wanin's on the

582
00:30:25.519 --> 00:30:31.599
<v Speaker 1>pianos on Chosen Crash from London. He's on Demons, shout

583
00:30:31.599 --> 00:30:35.640
<v Speaker 1>out to tweak Tune. He's on Daryl with Cash. I

584
00:30:35.720 --> 00:30:41.000
<v Speaker 1>got chops from solo soul. You know solo soul, steady,

585
00:30:41.480 --> 00:30:45.759
<v Speaker 1>you're ready. Yeah, So when I created immediately exactly So

586
00:30:45.880 --> 00:30:48.720
<v Speaker 1>when Belly is my favorite movie, when I think about

587
00:30:48.720 --> 00:30:51.519
<v Speaker 1>the intro scene when like DMX and nas is walking

588
00:30:52.039 --> 00:30:55.160
<v Speaker 1>and they have like the a cappella of solo soul singing,

589
00:30:55.279 --> 00:30:57.880
<v Speaker 1>I'm like, this is how I want my album to

590
00:30:58.039 --> 00:31:02.799
<v Speaker 1>fill when it starts cinematic. So I went, I was

591
00:31:02.839 --> 00:31:07.160
<v Speaker 1>staying in London and I was looking for Jazzy B's number. Uh,

592
00:31:07.519 --> 00:31:10.039
<v Speaker 1>Salon Remy got it for me and he was like, yo,

593
00:31:10.200 --> 00:31:12.200
<v Speaker 1>he lives. He's in London right now. And I'm like, oh,

594
00:31:12.319 --> 00:31:15.440
<v Speaker 1>that's crazy. I typed in his address. He's literally five

595
00:31:15.480 --> 00:31:18.200
<v Speaker 1>minutes away from me his house, meant to be, meant

596
00:31:18.200 --> 00:31:20.240
<v Speaker 1>to be, went to his career, We had dinner, we

597
00:31:20.440 --> 00:31:22.599
<v Speaker 1>ate with his wife, and then he started going through

598
00:31:22.640 --> 00:31:25.440
<v Speaker 1>like all of these different vocals that he had from

599
00:31:25.480 --> 00:31:28.759
<v Speaker 1>like nineteen ninety four, like never used, and he gave

600
00:31:28.799 --> 00:31:31.640
<v Speaker 1>me some vocals to put on this album. So that's

601
00:31:31.839 --> 00:31:34.640
<v Speaker 1>you'll hear that on Light Work with a young mc

602
00:31:34.880 --> 00:31:38.920
<v Speaker 1>vert emc vert with a jazz e b Harlam Alumna,

603
00:31:39.480 --> 00:31:43.599
<v Speaker 1>d Dyo Sama Bloody Yo, Cyrus, dap It Danna is

604
00:31:43.640 --> 00:31:47.880
<v Speaker 1>talking throughout the whole album. Yeah, that's legend. Like they're

605
00:31:47.920 --> 00:31:51.039
<v Speaker 1>gonna be like this is a lot of unpacking for

606
00:31:51.079 --> 00:31:53.599
<v Speaker 1>this album, like this, this is an album. This this

607
00:31:54.000 --> 00:31:56.759
<v Speaker 1>is why I took four years to create this project.

608
00:31:56.839 --> 00:31:57.599
<v Speaker 1>That's right, That's right?

609
00:31:57.920 --> 00:32:00.799
<v Speaker 2>Is there is there is there Eastern exit that we

610
00:32:00.880 --> 00:32:01.480
<v Speaker 2>might have missed?

611
00:32:02.880 --> 00:32:04.720
<v Speaker 1>Well, it wouldn't be an Easter egg if I told

612
00:32:04.759 --> 00:32:06.599
<v Speaker 1>you tell tell me one.

613
00:32:06.680 --> 00:32:11.400
<v Speaker 3>Bro, Nah that.

614
00:32:13.920 --> 00:32:16.359
<v Speaker 1>I told you one already. I'm gonna do an art show,

615
00:32:16.559 --> 00:32:19.720
<v Speaker 1>Yeah that's one of them. Yeah, yeah, I don't know

616
00:32:19.720 --> 00:32:22.440
<v Speaker 1>if people seen that coming, but yeah, like I painted

617
00:32:22.480 --> 00:32:24.720
<v Speaker 1>all of the art and those canvases have to go

618
00:32:24.839 --> 00:32:27.519
<v Speaker 1>somewhere so hopefully they'll be in somebody's home.

619
00:32:27.960 --> 00:32:30.559
<v Speaker 2>That's great, man, congratulations dog. Come see us any time.

620
00:32:30.759 --> 00:32:34.279
<v Speaker 1>Come on now, yes, Saturday. You know, man, every time

621
00:32:34.319 --> 00:32:36.599
<v Speaker 1>we checked in with you during the pandemic, you were

622
00:32:36.680 --> 00:32:39.599
<v Speaker 1>right there on zoom. Come on now in a pool

623
00:32:39.680 --> 00:32:45.319
<v Speaker 1>like this, in the pool eating cereal love see Jean bag.

624
00:32:45.640 --> 00:32:47.880
<v Speaker 1>Come on now now I'm here with y'all in the

625
00:32:47.960 --> 00:32:50.359
<v Speaker 1>flesh is nowing like this. That's right. Your brald is

626
00:32:50.400 --> 00:32:53.440
<v Speaker 1>out everywhere. Let's get it for a cruise. Appreciate y'all, man,

627
00:32:53.480 --> 00:33:07.480
<v Speaker 1>appreciate you fas. What's popping yards Ferg on a cruise show?

628
00:33:07.519 --> 00:33:10.359
<v Speaker 1>Tap into the number one afternoon show in LA from

629
00:33:10.359 --> 00:33:14.400
<v Speaker 1>two to seven pm on reel ninety two point ninety

630
00:33:14.640 --> 00:33:17.680
<v Speaker 1>ninety two three point. How do I say that? Ninety

631
00:33:18.039 --> 00:33:21.440
<v Speaker 1>ninety uh on a reel on a reel ninety two

632
00:33:21.480 --> 00:33:26.480
<v Speaker 1>three yo, it's good Yard's Ferg and it's freego Friday

633
00:33:26.680 --> 00:33:30.559
<v Speaker 1>on a cruise show. Turn it up. The weekend is here, y'all.

634
00:33:34.240 --> 00:33:36.559
<v Speaker 1>What's really good yards Ferg And you're checking into the

635
00:33:36.559 --> 00:33:39.279
<v Speaker 1>cruise show on a real ninety two three. It's not

636
00:33:39.480 --> 00:33:42.079
<v Speaker 1>just the show, it's the whole vibe. It's the only vibe.

637
00:33:42.079 --> 00:33:45.440
<v Speaker 1>You heard what's good? Yards? Fergin? You're doing the mix

638
00:33:45.480 --> 00:33:50.519
<v Speaker 1>with the djer Iraq. What's popping yards? Ferg? And what's

639
00:33:50.559 --> 00:33:52.759
<v Speaker 1>popping yards? Ferg? And you're in the mix with DJ

640
00:33:52.920 --> 00:33:55.559
<v Speaker 1>e Rock and Cruise on a cruise show on a

641
00:33:55.640 --> 00:33:59.279
<v Speaker 1>reel ninety two point three on ninety two three ninety

642
00:33:59.319 --> 00:34:04.279
<v Speaker 1>two three? Yup? What's good? Y'all's Ferg? And y're in

643
00:34:04.279 --> 00:34:06.960
<v Speaker 1>the mix with DJ Fuse on a cruise show in

644
00:34:07.000 --> 00:34:10.280
<v Speaker 1>a real ninety two to three y'all? What's popping yards? Ferg?

645
00:34:11.519 --> 00:34:14.280
<v Speaker 1>And you're checking into the Cruise Show podcast? Make sure

646
00:34:14.320 --> 00:34:17.440
<v Speaker 1>you subscribe, Rat and Ship. You already know what it is. Peace.

647
00:34:20.000 --> 00:34:23.679
<v Speaker 1>We're gonna walk them down. It was popping. What's popping yards? Ferg?

648
00:34:24.079 --> 00:34:25.800
<v Speaker 1>And I got my new album out, make sure you

649
00:34:25.800 --> 00:34:28.840
<v Speaker 1>go get it. Darryl streaming everywhere right here on the

650
00:34:28.880 --> 00:34:31.920
<v Speaker 1>Cream Show, right here, the Yo. What's popping yards? Ferg?

651
00:34:32.039 --> 00:34:34.920
<v Speaker 1>Listen to Daryl right here on the Cruise Show. What's popping? Y'all?

652
00:34:34.920 --> 00:34:38.360
<v Speaker 1>This is my new single feature in Coco Jones French Tips, Yo.

653
00:34:38.639 --> 00:34:40.639
<v Speaker 1>I need all the ladies that come to my show

654
00:34:40.719 --> 00:34:43.280
<v Speaker 1>pop out with the French tips. You heard y'all. What's

655
00:34:43.280 --> 00:34:46.559
<v Speaker 1>popping y'all? I'm giving our free tickets to my show tonight.

656
00:34:46.679 --> 00:34:49.400
<v Speaker 1>Make sure the ladies y'all come with your French tips,

657
00:34:49.519 --> 00:34:51.400
<v Speaker 1>and all the fellas y'all come through with that drip

658
00:34:51.440 --> 00:34:54.599
<v Speaker 1>you heard turn up? What's good, y'all? What's popping man?

659
00:34:54.840 --> 00:34:58.760
<v Speaker 1>What's popping yards? Ferg? What's popping yards? Ferg? And this

660
00:34:58.800 --> 00:35:03.400
<v Speaker 1>is my new single, Future in future? What's popping yards? Ferg?

661
00:35:03.480 --> 00:35:05.480
<v Speaker 1>Let's get into my new single. They thought I was dead?

662
00:35:05.920 --> 00:35:09.639
<v Speaker 1>Who lied? Mm hmmm yo? What's popping yards? Ferg? And?

663
00:35:09.639 --> 00:35:23.639
<v Speaker 1>I wishing you a happy holidays? Wow? I guess bowed

664
00:35:23.679 --> 00:35:27.639
<v Speaker 1>a happy New Year one maybe whatever, Happy Easter, whatever,
