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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What what's gonna happen?

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<v Speaker 3>I'll take one?

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<v Speaker 1>What what's up? Everybody? Welcome to another head listen magical

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<v Speaker 1>mail bag. I got my co host Nick with me,

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<v Speaker 1>and Nick tell him what's up?

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<v Speaker 2>What else? What's going on? How are you sir?

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<v Speaker 1>Good? Good? What events?

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<v Speaker 2>Or you know?

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<v Speaker 1>Shows? A guy coming up?

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<v Speaker 3>Actually tonight after this, we were supposed to have on

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<v Speaker 3>Animal Expeditions. He was a podcast from Charlie's Beyond Belief.

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<v Speaker 3>There's another Bigfoot show. Unfortunately, uh, he had to cancel.

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<v Speaker 3>But we got Juliet because Cosmic Peach was going to

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<v Speaker 3>be in on this one. Uh, she's coming out and

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<v Speaker 3>uh she's pulling one for the team and she's going

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<v Speaker 3>to cover uh serial killers who thought they were vampires

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<v Speaker 3>with something that she covered on her show for Halloween.

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<v Speaker 2>I covered vampires for Halloween. So she was like, yoh,

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<v Speaker 2>let's just do this instead. So people wait till after

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<v Speaker 2>the fact, after the show, around nine o'clock, we will

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<v Speaker 2>go live again. So check that out.

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<v Speaker 1>Awesome, awesome, sounds like fun. We got to talk about

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<v Speaker 1>that because we don't have a van helsing on our side.

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<v Speaker 2>Yeah, you were just saying like you, we don't got

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<v Speaker 2>a van helsig, right.

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<v Speaker 1>I mean, come on, guys, let's let's get it together.

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<v Speaker 1>We need at least one vampire hunter.

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<v Speaker 2>You know.

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<v Speaker 3>But it really doesn't even take much. You just need

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<v Speaker 3>to show up, stick and some glic you know. Yeah,

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<v Speaker 3>you get to go and.

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<v Speaker 1>If these sickos are as baddy as they seem to be,

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<v Speaker 1>you know, you show up with a sharp stick and

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<v Speaker 1>they'll go running away. So it'll be a fun time.

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<v Speaker 1>That's up, Lucy Mancher, welcome back. But uh yeah, so

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<v Speaker 1>let's see. Do you want to go first with your

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<v Speaker 1>symbol earlier?

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<v Speaker 2>Yeah, yeah, pull it up. Let's show.

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<v Speaker 3>But we got the uh so we got this seal

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<v Speaker 3>of the archangel Michael the Heptameron uh manual line when

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<v Speaker 3>that group when the Grimore talks about the angel of

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<v Speaker 3>the Lord's Day, you mean Michael. His emblem is the

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<v Speaker 3>Solomonic tradition. Uh. His emblem in the Solomonic tradition is

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<v Speaker 3>a circular seal. It's a round inscribed with divine names

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<v Speaker 3>on it. Like common ones are trying to pronounce, he

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<v Speaker 3>is the best saba alth, the Lord of hosts uh

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<v Speaker 3>Anthonatos or something like that I've screwing that up. Uh

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<v Speaker 3>no Athanatos or something like that. The immortal then there's

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<v Speaker 3>a should I or you know, ship s A D

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<v Speaker 3>A Y and then or it could be should I

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<v Speaker 3>s h A D D I A and uh yeah,

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<v Speaker 3>so you can get like those words around it, and

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<v Speaker 3>then in the middle you kind of get the sigil itself.

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<v Speaker 3>The manuscripts gives like slightly different drawings, but the grammar

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<v Speaker 3>normally stays the same. Michael's character is always in the center.

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<v Speaker 2>With the holy names around it as well.

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<v Speaker 3>And you can see a family of these drawings both

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<v Speaker 3>in the Heptameroon tradition and that is in the and

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<v Speaker 3>in the fifteenth century Munich Manual.

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<v Speaker 2>So in between both of those you'll see these again.

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<v Speaker 2>So go ahead, Is.

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<v Speaker 1>This fourteenth century and then it was modified in the

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<v Speaker 1>fifteenth century or is.

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<v Speaker 2>Yes, well, thirteenth fourteenth century in the liber.

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<v Speaker 3>Giatus if I'm saying that correctly, the Sowarm Book of

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<v Speaker 3>honoriusk that was the thirteenth fourteenth century, you will see

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<v Speaker 3>it there. So I mean, I would assume the one

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<v Speaker 3>in the fifteenth might be slightly different. I mean, you

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<v Speaker 3>could easily google this and see different ones but this

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<v Speaker 3>is like specifically from the Hepta metrom.

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<v Speaker 1>That I have. Interesting. Yeah, I'm seeing a lot of

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<v Speaker 1>uh you know, uh sigils that look a lot like

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<v Speaker 1>the Anakian. Yeah, John, that's why I thought that's big

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<v Speaker 1>inspiration too.

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<v Speaker 3>Yeah, I mean it doesn't look too far off from

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<v Speaker 3>like a lot of times when you see like a fuck, I.

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<v Speaker 2>Forgot what it was. I just watched recently where like.

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<v Speaker 3>Oh the Prophecy. Uh you remember that movie, that old

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<v Speaker 3>movie I do. Yeah, guy, what's christ Christopher Walking was

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<v Speaker 3>in it?

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<v Speaker 2>Uh?

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<v Speaker 3>Yeah, he's playing arch angel Gabrielle. There was one point

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<v Speaker 3>where there was like angel you know, because they're angels.

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<v Speaker 3>This is what I thought it was funny too. I

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<v Speaker 3>was like, it's just a reason to show it called symbolism.

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<v Speaker 3>Somebody's supposed to be an angel and they're down in

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<v Speaker 3>the fucking cave hiding out. Like just because you're an angel,

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<v Speaker 3>that means you automatically start writing angelic script on the wall,

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<v Speaker 3>Like I mean, who you already writing a story to yourself?

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<v Speaker 2>Like you know what I'm saying.

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<v Speaker 3>Like, but there was showing ship to see all these

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<v Speaker 3>symbols on the wall because there's an angel here now

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<v Speaker 3>it looked like a lot of this type of stuff.

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<v Speaker 4>Actually you're still there, are you?

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<v Speaker 2>Beauted? Yeah?

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<v Speaker 3>Sorry, I'm oh okay, my bad, Yeah I was. I

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<v Speaker 3>have my notes up so I can't even see. But

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<v Speaker 3>uh yeah, let me continue on my notes. And where

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<v Speaker 3>it comes from the long backstory, uh, Byzantine and Latin

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<v Speaker 3>Grimore's hy grow mantea by wrong Elate Byzantine Magical Treaties

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<v Speaker 3>of Solomon is kind of where like all these spur

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<v Speaker 3>from or a lot of these later angelic magic circled

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<v Speaker 3>names this time supposedly a lot of them do possibly

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<v Speaker 3>come from that book. That material fed into Latin books

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<v Speaker 3>in the fifteenth century and set the stage for the

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<v Speaker 3>seals you see in the early modern europe Ones for

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<v Speaker 3>the most part. Then you go onto Liba Geratus, like

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<v Speaker 3>I just said, and you get the Sworn Book of

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<v Speaker 3>Us thirteenth or fourteenth century.

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<v Speaker 2>You already find some core.

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<v Speaker 3>You will see the consecrated seal inscribed with the divine

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<v Speaker 3>names and the angelic attributions that structures a conversation with

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<v Speaker 3>Heaven basically. And then you get by the fifteenth century

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<v Speaker 3>a section that calls Astro magic Manual inside the CLMA

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<v Speaker 3>four nine.

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<v Speaker 2>I don't even know what the fuck that is.

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<v Speaker 3>Sometimes, like when you get these manuscripts of shit that's

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<v Speaker 3>like owned in these places, like they have like ms

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<v Speaker 3>and then a number because it's you know, you're just

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<v Speaker 3>like classifying it like that.

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<v Speaker 2>It lays out the seals of.

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<v Speaker 3>The archangels explicitly, including a labeled one called Sigellum Michaelis

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<v Speaker 3>and Jelyi, and that same century turning ecosystem gives us

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<v Speaker 3>like the compact later known one as the Heptameroon, where

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<v Speaker 3>it kind of breaks it down to a seven day

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<v Speaker 3>angelic handbook, so it makes it, you know, And then

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<v Speaker 3>that is also attributed to some people have heard of him.

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<v Speaker 3>I've mentioned him on the show Pietro Diabano, and then

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<v Speaker 3>you also see it then going into a Grippa's work,

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<v Speaker 3>which we mentioned him on here numerous times.

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<v Speaker 2>Which is probably odds are list.

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<v Speaker 3>It might be a chance of the reason why I

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<v Speaker 3>looks Famillion is because it's probably in that book too,

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<v Speaker 3>and we've probably seen it.

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<v Speaker 2>Yeah, that's what.

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<v Speaker 3>Yeah, that makes a lot more sense, so you know,

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<v Speaker 3>then you have it going over to there again.

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<v Speaker 2>You know then who made it. They kind of considered

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<v Speaker 2>an anonymous a copy. They think it's kind.

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<v Speaker 3>Of obviously other ones are made, like they don't think

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<v Speaker 3>it's like the same person. Kind of like with the

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<v Speaker 3>other situation that I had with the last seal that

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<v Speaker 3>I used, they don't not seal, but like that, uh, well,

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<v Speaker 3>whatever the fuck that unicorn thing, I guess that's the seal.

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<v Speaker 3>It's kind of like suspected like to been like just

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<v Speaker 3>wasn't copied. It was just made by like multiple different

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<v Speaker 3>people would just draw it. But there's like they don't

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<v Speaker 3>know when they can't attribute it to exactly who they

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<v Speaker 3>think did it.

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<v Speaker 2>And how is it used?

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<v Speaker 3>Uh, it was normally to try to at least contact

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<v Speaker 3>or work with that angel, and normally it would be

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<v Speaker 3>done with the day in the planet's cycle. So again,

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<v Speaker 3>depending on how this person is attributing archangel Michael.

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<v Speaker 2>Let's say he's got them with Mars.

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<v Speaker 3>You're gonna do it on a Tuesday most likely, you

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<v Speaker 3>know all that shit, or if he's with the Sun,

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<v Speaker 3>you would do Sunday with Michael, and they would suggest

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<v Speaker 3>to open up with a praise, a divine praise, and

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<v Speaker 3>trace this trace the circle of names, burn the appropriate incense,

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<v Speaker 3>and display Michael seal and speak to contra conjurations. So

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<v Speaker 3>how the far back does Michael and magic go with

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<v Speaker 3>our angel, you know, magic with arch archangel Michael. Some

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<v Speaker 3>people will say that, depending on how you want to

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<v Speaker 3>look at it even goes back to the Greek magical papyri,

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<v Speaker 3>so you know, working with him, suppose he goes.

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<v Speaker 2>Back that far and I figured I just throw that

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<v Speaker 2>in there.

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<v Speaker 3>But uh yeah, it's basically about it for the most part. Again,

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<v Speaker 3>you'll see it here or then, like there's other versions.

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<v Speaker 3>I should have probably showed it where you see like

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<v Speaker 3>the circular disc type stuff going on, but that would

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<v Speaker 3>be more of like the solomatic if people know what

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<v Speaker 3>we're talking about, like Goetia Goetic looking almost.

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<v Speaker 1>Right, So you've got the standard Goetic setup as your

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<v Speaker 1>altar and your your circle and your summoning and all

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<v Speaker 1>the rest of that. They describe it pretty well in

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<v Speaker 1>that book, and then you can use a lot of

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<v Speaker 1>these other sort of plug and play applications. There's a

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<v Speaker 1>lot of you know, if you think about it, like

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<v Speaker 1>you're trying to program the basic nature of the universe.

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<v Speaker 1>So these are supposed to be you know, applicable to

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<v Speaker 1>anybody that picks them up supposedly. But yeah, that's interesting.

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<v Speaker 1>I like it a lot.

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<v Speaker 2>Yeah, Like.

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<v Speaker 1>It seems like there was a magical language going on

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<v Speaker 1>within these scribe places, within all these monks, like all

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<v Speaker 1>these monasteries. They're the ones doing the transcribing of all

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<v Speaker 1>of these different works. They're the ones that have access

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<v Speaker 1>to these different magical books. They kind of sit on

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<v Speaker 1>the back shelves, and then these monks get into that stuff,

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<v Speaker 1>and that's when you start to see demons big summoned

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<v Speaker 1>and all the rest of this stuff happening.

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<v Speaker 3>Is real quick too, just just because I just realized

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<v Speaker 3>I forgot I had the notes of the screen. I

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<v Speaker 3>forgot just four sigils on here. It's the bottom one

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<v Speaker 3>that's actually the archangel Michael. When I'm sorry, there's all

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<v Speaker 3>those other ones on the screen, that's that bottom one

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<v Speaker 3>that is the one different. So it's getting turned into

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<v Speaker 3>the disc when it's written linear kind of like that.

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<v Speaker 2>That is that's his archangel Michael.

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<v Speaker 1>Interesting, and so that's Latin, right, So they're they're putting

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<v Speaker 1>the Latin phrases to Kondrum up around these different schedules.

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<v Speaker 1>It's interesting, you know, they had to go with Latin. Yeah,

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<v Speaker 1>Latin's the magical language.

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<v Speaker 3>Oh you know how many It's like almost any person

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<v Speaker 3>that I really have ever covered them. Most people have

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<v Speaker 3>covered on the show that were very important. I probably

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<v Speaker 3>ninety eight percent of them.

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<v Speaker 2>Old. It's been written in Latin, all of it.

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<v Speaker 1>Well for the go PGM, or it got translated it

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<v Speaker 1>was Hebrew or got translated into Latin, and then it

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<v Speaker 1>spurred off the Renaissance, you know, right right, Well in

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<v Speaker 1>the PGM, they've got all of these phrases and Hebrew

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<v Speaker 1>words from the Bible in that book. So in the

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<v Speaker 1>Headless Right or the Bornless Ritual, they have all this

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<v Speaker 1>stuff about Abraham and it's like, this is clearly not

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<v Speaker 1>an Abraham expell what are you guys doing here? And

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<v Speaker 1>this was in the second century, so it wasn't even

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<v Speaker 1>before Christianity was mandatory. So I think the way that

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<v Speaker 1>they were selling all of this stuff and you know,

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<v Speaker 1>having all this Jewish you know, magical stuff in their

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<v Speaker 1>spell work was that this is the magical language. And

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<v Speaker 1>that's how it was being sold to all the magicians

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<v Speaker 1>back then. So it wasn't just you know, the Christians

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<v Speaker 1>that were spreading it. It was all of these magicians

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<v Speaker 1>that were using the Hebrew words as some sort of

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<v Speaker 1>a magical sigil, which I thought was kind of interesting

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<v Speaker 1>because it's like all this stuff from the Bible immediately

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<v Speaker 1>gets transferred over to magical texts. How's that work out? Well,

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<v Speaker 1>I think they were marketing it like.

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<v Speaker 2>That, you know.

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<v Speaker 3>Oh yeah, I mean that's even I even say, with marketing,

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<v Speaker 3>you've got a lot of people, even say, when it

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<v Speaker 3>comes to some gromos, yes, even, I mean some of

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<v Speaker 3>you could basically just toss out the window because most

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<v Speaker 3>of them were just marketing schemes to rich motherfuckers.

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<v Speaker 2>It didn't know what the hell were reading right.

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<v Speaker 1>Right. There's a lot of like mystique that goes along

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<v Speaker 1>with magical spells and stuff that if you can kind of,

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<v Speaker 1>you know, put that into the conscious mind of all

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<v Speaker 1>these people around you, you can really start to have

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<v Speaker 1>sway with them if you speak that language, if you

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<v Speaker 1>know these incantations and what not, because you know, it's

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<v Speaker 1>not just superstition, something else is going on. I think

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<v Speaker 1>there is a transfer of energy, and the words you

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<v Speaker 1>use represent a part of that energy as well. So

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<v Speaker 1>I got my symbol here, Oh what do you think

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<v Speaker 1>of that?

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<v Speaker 2>That's nice?

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<v Speaker 1>Just a general impression, it.

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<v Speaker 2>Looks familiar, but I don't think I've seen it.

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<v Speaker 1>So the Greeks had the conception that the breezes, right,

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<v Speaker 1>were born from Eos, and Eos is their goddess of

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<v Speaker 1>the dawn, and so this is the aura. So these

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<v Speaker 1>would be the spirits of the morning, born of Eos,

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<v Speaker 1>that are these morning breezes. But this is also where

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<v Speaker 1>we get the word aura, right, So the aurora aura,

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<v Speaker 1>the place between you know, sun up and nighttime has

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<v Speaker 1>the most aura. Like if you're doing aura viewing at

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<v Speaker 1>that time, that's when you can see it all really

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<v Speaker 1>crisp and clear on that really early blue light. It's

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<v Speaker 1>really kind of interesting to me that their symbol for

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<v Speaker 1>those morning breezes is aura or the aura, right, So

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<v Speaker 1>these would be the spirits of these these morning things.

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<v Speaker 1>I'm obsessed with the dawn in ora viewing, and so

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<v Speaker 1>you know, I see that, and I'm like they were

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<v Speaker 1>onto something. They were listening to something, because they got it.

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<v Speaker 1>They nailed it good. And she was also the mother

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<v Speaker 1>of the four winds from you know, the classical direction,

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<v Speaker 1>So like you were talking about archangel Michael, he would

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<v Speaker 1>be the wind of the West. I believe right here.

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<v Speaker 3>Or maybe south with fire. I don't know, it depends

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<v Speaker 3>on how people look at him.

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<v Speaker 1>Probably south with fire.

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<v Speaker 2>That's how he would be if I remember correctly. In the.

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<v Speaker 3>Sorry, hold on say the less evanishing ritual, the pentogram

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<v Speaker 3>his associated. He would be associated with the fire in south.

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<v Speaker 2>Yes, yes, sorry, had a picture in my head.

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<v Speaker 1>Well, I was listening on Glitch Glitch Bottle, one of

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<v Speaker 1>my favorite podcasts on magic and stuff. This guy was

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<v Speaker 1>talking about his solomonic magic experience.

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<v Speaker 2>If you're trying to get that guy on now, thank you.

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<v Speaker 1>Well, he was talking about how he always does the

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<v Speaker 1>summoning ritual for the four Winds before he does any

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<v Speaker 1>other solomonic ritual because he finds that by summoning these

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<v Speaker 1>spirits at the four winds before he does anything else,

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<v Speaker 1>that it gets to where it's going a lot better

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<v Speaker 1>and easier than if he's doing it without that. So,

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<v Speaker 1>if you're going by the spirit model of magic, by

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<v Speaker 1>bringing in the four Winds or these you know, early

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<v Speaker 1>morning spirits, if that happens to be the time of

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<v Speaker 1>day that you're doing it at, you're actually increasing the

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<v Speaker 1>communicative ability between what you're saying and the spirits that

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<v Speaker 1>you're trying to get your messages to. So I think

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<v Speaker 1>that's kind of interesting because you know, you've always got

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<v Speaker 1>these messenger spirits like.

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00:16:36.080 --> 00:16:43.360
<v Speaker 3>The well even angels, the messages. There's always yet you

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00:16:43.360 --> 00:16:45.879
<v Speaker 3>ever noticed that there's always somebody making a delivery in

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00:16:45.919 --> 00:16:49.759
<v Speaker 3>these stories. So somebody got some Yeah, always a traveler.

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00:16:51.759 --> 00:16:55.879
<v Speaker 1>Absolutely. So that's my uh, that's my symbol. Did you

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00:16:55.919 --> 00:16:56.600
<v Speaker 1>have anything else?

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00:16:57.320 --> 00:17:00.960
<v Speaker 2>No? No, No, is she? Uh? What does she she like?

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<v Speaker 2>You said, I don't know why I get this idea

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<v Speaker 2>of wind with her. I don't know.

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<v Speaker 1>Yeah, she's holding up like a head thing, a head

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00:17:09.279 --> 00:17:11.920
<v Speaker 1>scarf for some sort of scarf, and it's billowing with

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00:17:11.960 --> 00:17:12.400
<v Speaker 1>the wind.

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<v Speaker 2>Yeah.

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<v Speaker 3>Like that, even that would go with like, you know,

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00:17:15.240 --> 00:17:19.319
<v Speaker 3>traveling in my opinion, wind air intelligence, sailing.

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<v Speaker 1>Yeah, I mean you're going everywhere on wind. Right. And

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00:17:24.319 --> 00:17:30.119
<v Speaker 1>then there was in the story of the Odyssey, right,

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00:17:30.200 --> 00:17:31.960
<v Speaker 1>he had the bag with the four winds in it

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00:17:32.079 --> 00:17:35.160
<v Speaker 1>and he was handed that by Aolis and Aolis is

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00:17:35.200 --> 00:17:38.759
<v Speaker 1>the master of the four winds, and that's how we moved,

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00:17:38.799 --> 00:17:42.759
<v Speaker 1>you know, halfway across the uh Mediterranean. No time is

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00:17:42.920 --> 00:17:47.680
<v Speaker 1>he used that bag with the four winds. Something interesting?

320
00:17:47.759 --> 00:17:49.759
<v Speaker 1>But I think there is a lot of magical context

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00:17:49.839 --> 00:17:53.960
<v Speaker 1>to the stories of you know, the Odyssey and the Iliad.

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00:17:54.559 --> 00:17:58.839
<v Speaker 1>We've got the you know, the fatal wound with Achilles

323
00:17:58.920 --> 00:18:01.799
<v Speaker 1>being in the ankle, and then we find all throughout

324
00:18:01.839 --> 00:18:04.359
<v Speaker 1>these occult symbols there's something having to do with the

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00:18:04.359 --> 00:18:08.240
<v Speaker 1>ankle as being the weak spot, or maybe the ankle

326
00:18:08.319 --> 00:18:12.000
<v Speaker 1>is is touching something else. Like we were seeing the

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<v Speaker 1>the lady what was her name, the strength card, right,

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00:18:15.559 --> 00:18:24.079
<v Speaker 1>she's got her heel on top of the lion. Yeah, yeah,

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00:18:25.920 --> 00:18:31.039
<v Speaker 1>there's a lot. And what's with that hand position too,

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00:18:31.759 --> 00:18:34.240
<v Speaker 1>Like is there something magical about the hand position that

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00:18:34.279 --> 00:18:38.920
<v Speaker 1>she's made. She's got the two last fingers up right,

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00:18:39.039 --> 00:18:41.160
<v Speaker 1>and she's sort of gripping it. That's kind of interesting.

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00:18:41.240 --> 00:18:44.279
<v Speaker 3>I think there's a lot of times, this is my opinion,

334
00:18:44.359 --> 00:18:46.039
<v Speaker 3>what's going on with the legs in the hands are

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00:18:46.119 --> 00:18:50.000
<v Speaker 3>very important? Something up I have the life of me.

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00:18:50.039 --> 00:18:52.519
<v Speaker 3>I can't figure out the leg shit. I don't even

337
00:18:52.519 --> 00:18:55.359
<v Speaker 3>know where to go with that's I don't know, it's

338
00:18:55.440 --> 00:18:56.880
<v Speaker 3>very weird for me. I don't know how to figure

339
00:18:56.880 --> 00:18:57.440
<v Speaker 3>that shit out.

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00:18:58.519 --> 00:18:58.680
<v Speaker 2>Well.

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<v Speaker 1>I was thinking a little bit about Berchief, right, and

342
00:19:01.279 --> 00:19:07.839
<v Speaker 1>Gerdjieff is trying to get your body into different geometric shapes. Right,

343
00:19:07.920 --> 00:19:12.960
<v Speaker 1>So in the act of changing the planes of relationship

344
00:19:13.119 --> 00:19:16.200
<v Speaker 1>from your body to other parts of your body, you're

345
00:19:16.240 --> 00:19:20.720
<v Speaker 1>actually changing something fundamental about your being. So there's some

346
00:19:20.839 --> 00:19:26.599
<v Speaker 1>kind of a shifting consciousness as well, which could have

347
00:19:26.680 --> 00:19:28.880
<v Speaker 1>to do like all the symbols that you have to

348
00:19:28.920 --> 00:19:32.039
<v Speaker 1>do with the Golden Dog. You know. Yeah, they're changing

349
00:19:32.079 --> 00:19:36.079
<v Speaker 1>your body's geometry so that you can, you know, experience

350
00:19:36.200 --> 00:19:47.720
<v Speaker 1>a different or slightly modified form of consciousness. I'm checking

351
00:19:47.799 --> 00:19:49.839
<v Speaker 1>in before you go to the mill.

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<v Speaker 3>I do have Giadanno Bruno Part one dropping tomorrow from

353
00:19:53.960 --> 00:19:58.440
<v Speaker 3>here nine to thirty am. Then part two will drop

354
00:19:58.559 --> 00:20:02.359
<v Speaker 3>next week at nine thirty the as well. He is

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<v Speaker 3>a very interesting man.

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<v Speaker 1>Uh.

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<v Speaker 2>He is also a Gnostic saint. Believe it or not.

358
00:20:07.279 --> 00:20:09.720
<v Speaker 3>I have actually covered a bunch of Gnostic saints. I

359
00:20:09.799 --> 00:20:12.279
<v Speaker 3>just never announced it like that, but uh, yeah, you've

360
00:20:12.319 --> 00:20:15.440
<v Speaker 3>actually gotten a lot of Gnostic saints covered, and they'll

361
00:20:15.480 --> 00:20:21.400
<v Speaker 3>be covering more. He's also uh you know my opinion,

362
00:20:21.440 --> 00:20:23.799
<v Speaker 3>the reason well it is the reason why or he's

363
00:20:23.839 --> 00:20:25.799
<v Speaker 3>the first person to come out publicly, you know, known

364
00:20:25.839 --> 00:20:28.799
<v Speaker 3>publicly on the books of saying this the more for

365
00:20:28.839 --> 00:20:31.680
<v Speaker 3>the most part, the reason why we even believe in

366
00:20:31.759 --> 00:20:34.960
<v Speaker 3>other planets having life out there besides our solar system

367
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<v Speaker 3>comes from this man who was burnt at the steak.

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00:20:37.759 --> 00:20:40.880
<v Speaker 3>Now it was not necessarily burnt at the steak for

369
00:20:41.000 --> 00:20:44.119
<v Speaker 3>that reason. Uh, they pretty much, you know, accused him

370
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<v Speaker 3>of heresy. Uh, just everything that you pretty much could

371
00:20:47.640 --> 00:20:50.720
<v Speaker 3>have done to get fucked by the Vatican then. But

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00:20:50.759 --> 00:20:55.000
<v Speaker 3>that was one of the claims, you know, even like

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00:20:55.079 --> 00:20:57.759
<v Speaker 3>Alilo to get screwed for his way of looking at

374
00:20:57.799 --> 00:21:03.119
<v Speaker 3>the planets until later, so like you know, Brunos, you know,

375
00:21:03.200 --> 00:21:05.880
<v Speaker 3>it didn't really they didn't impact that, but his other beliefs,

376
00:21:06.039 --> 00:21:08.200
<v Speaker 3>and it really wasn't anything crazy.

377
00:21:08.240 --> 00:21:08.880
<v Speaker 1>He was just.

378
00:21:08.799 --> 00:21:10.839
<v Speaker 3>Saying, like I just think you're a little bit wrong,

379
00:21:12.240 --> 00:21:14.119
<v Speaker 3>you know, like his big thing, and you know it's

380
00:21:14.160 --> 00:21:14.640
<v Speaker 3>so funny.

381
00:21:14.680 --> 00:21:16.599
<v Speaker 2>I was like, Yo, this motherfucker was really no.

382
00:21:16.519 --> 00:21:19.400
<v Speaker 3>Difference in like this show at times or even us.

383
00:21:19.480 --> 00:21:22.440
<v Speaker 3>It's just like he would just come out like he'd

384
00:21:22.440 --> 00:21:25.480
<v Speaker 3>find a new place to live at and I guess

385
00:21:25.559 --> 00:21:28.680
<v Speaker 3>somebody would come out, like some philosopher or somebody that's

386
00:21:28.720 --> 00:21:30.920
<v Speaker 3>like known or academic would come out and say something

387
00:21:30.960 --> 00:21:33.559
<v Speaker 3>that he thinks was just completely absurd and then would

388
00:21:33.599 --> 00:21:35.640
<v Speaker 3>spend the time to publish the paper and say that

389
00:21:36.240 --> 00:21:38.440
<v Speaker 3>when most people wouldn't, so they're just like, oh my god,

390
00:21:38.480 --> 00:21:40.880
<v Speaker 3>this guy's crazy, you know. So it was a lot

391
00:21:40.880 --> 00:21:43.359
<v Speaker 3>of even to that he was just publicly acknowledging or

392
00:21:43.400 --> 00:21:45.480
<v Speaker 3>he would call people like courteous pigs or they're just

393
00:21:45.519 --> 00:21:46.839
<v Speaker 3>basically idiots.

394
00:21:47.240 --> 00:21:48.279
<v Speaker 2>And I guess he didn't like that.

395
00:21:48.440 --> 00:21:50.599
<v Speaker 3>So that was actually what caused a lot of the problem,

396
00:21:50.720 --> 00:21:52.359
<v Speaker 3>was just his disagreements and certain things.

397
00:21:53.680 --> 00:22:02.240
<v Speaker 1>Right, a lot of modern scientists will call themselves members

398
00:22:02.359 --> 00:22:04.640
<v Speaker 1>of the religion of Giordano Bruno.

399
00:22:06.119 --> 00:22:08.799
<v Speaker 2>People have no idea how influential that guy is and how.

400
00:22:08.640 --> 00:22:13.039
<v Speaker 1>Many I mean if you read his stuff and you

401
00:22:13.599 --> 00:22:16.799
<v Speaker 1>I mean like people like Bill Nye and the uh who's.

402
00:22:18.440 --> 00:22:21.599
<v Speaker 2>I mean people how people view called Sagan. I mean,

403
00:22:21.640 --> 00:22:22.920
<v Speaker 2>I think they got it's pretty smart.

404
00:22:22.960 --> 00:22:25.720
<v Speaker 1>But well, I think Carl Sagan influenced everybody else to

405
00:22:25.759 --> 00:22:27.519
<v Speaker 1>pick up that manto because there's no way in hell

406
00:22:27.599 --> 00:22:31.720
<v Speaker 1>that they're reading any Giordana Bruno. You know, these guys

407
00:22:31.799 --> 00:22:34.720
<v Speaker 1>are are have no idea what they're even talking about.

408
00:22:34.720 --> 00:22:36.880
<v Speaker 1>If they knew what they were talking about there, I mean,

409
00:22:36.920 --> 00:22:39.279
<v Speaker 1>Giordano in a lot of ways is considered a quack

410
00:22:39.359 --> 00:22:43.279
<v Speaker 1>by today's scientific standards. You know, Yo, there was stuff

411
00:22:43.319 --> 00:22:44.079
<v Speaker 1>to what's crazy.

412
00:22:44.160 --> 00:22:45.559
<v Speaker 3>I don't want to give you too much way, but

413
00:22:45.680 --> 00:22:47.599
<v Speaker 3>there was a lot of things in his stuff now

414
00:22:47.640 --> 00:22:49.519
<v Speaker 3>that when some people look at it, they're like, yo,

415
00:22:49.599 --> 00:22:53.119
<v Speaker 3>he was actually explaining like science but used totally just

416
00:22:53.160 --> 00:22:56.319
<v Speaker 3>different words, right, yeah, and.

417
00:22:56.319 --> 00:22:58.599
<v Speaker 1>He had a different way of approaching it. And you

418
00:22:58.680 --> 00:23:00.799
<v Speaker 1>also have the memory palace idea.

419
00:23:01.400 --> 00:23:03.920
<v Speaker 2>So that's insane. Again.

420
00:23:03.960 --> 00:23:05.640
<v Speaker 3>That's why I wish we could get like, you know,

421
00:23:06.359 --> 00:23:10.359
<v Speaker 3>a trusted, trusted version of like Latin, you know, translated,

422
00:23:10.359 --> 00:23:12.640
<v Speaker 3>because I would love to get my hands on like

423
00:23:12.799 --> 00:23:15.680
<v Speaker 3>that book, because it was like almost like a known

424
00:23:15.720 --> 00:23:17.839
<v Speaker 3>thing that that shit worked, and he said, give it

425
00:23:17.880 --> 00:23:19.079
<v Speaker 3>about six months of the works.

426
00:23:19.960 --> 00:23:22.720
<v Speaker 1>It's fucking weird, absolutely well. I think that was a

427
00:23:22.759 --> 00:23:26.039
<v Speaker 1>big hallmark of polytheism, because what we see is people

428
00:23:26.079 --> 00:23:29.480
<v Speaker 1>like Plato saying that he hated writing because it's making

429
00:23:29.519 --> 00:23:32.839
<v Speaker 1>people forget. It's just like our problems with the cell

430
00:23:32.839 --> 00:23:35.799
<v Speaker 1>phones nowadays. It's like we don't know how to spell anymore.

431
00:23:35.839 --> 00:23:37.680
<v Speaker 1>We don't know how to do all this stuff. He

432
00:23:37.839 --> 00:23:40.559
<v Speaker 1>was saying the same thing about writing, so they had

433
00:23:40.559 --> 00:23:42.480
<v Speaker 1>to remember fucking everything.

434
00:23:42.680 --> 00:23:44.920
<v Speaker 3>Oh and now we all have like neither emojis or

435
00:23:44.960 --> 00:23:48.599
<v Speaker 3>like lol. You know, you know, you're not even not

436
00:23:48.599 --> 00:23:50.359
<v Speaker 3>even using the word anymore.

437
00:23:50.400 --> 00:23:52.319
<v Speaker 2>Words.

438
00:23:53.240 --> 00:23:55.079
<v Speaker 1>So, you know, this is one of the reasons why

439
00:23:55.079 --> 00:23:56.839
<v Speaker 1>I think that they were so much smarter back then,

440
00:23:56.960 --> 00:23:59.079
<v Speaker 1>is we can't even calculate all the things that they

441
00:23:59.119 --> 00:24:00.880
<v Speaker 1>had to keep in their hand twenty four hours a

442
00:24:00.960 --> 00:24:02.720
<v Speaker 1>day as they were doing all sorts of other stuff

443
00:24:04.599 --> 00:24:07.000
<v Speaker 1>they did it. We got to keep looking at our

444
00:24:07.000 --> 00:24:08.920
<v Speaker 1>phones to check to see what we can remember. But

445
00:24:09.000 --> 00:24:12.799
<v Speaker 1>you know, honestly, how rare is it to even see

446
00:24:12.880 --> 00:24:16.680
<v Speaker 1>a waitress that doesn't have to use a notepad anymore?

447
00:24:18.200 --> 00:24:19.799
<v Speaker 1>They used to be able to do it like that,

448
00:24:20.599 --> 00:24:25.119
<v Speaker 1>remember everything. Yeah, all right, so I got one from

449
00:24:25.440 --> 00:24:29.519
<v Speaker 1>Kylo Hare. Howdy, it's been a minute since we briefly

450
00:24:29.640 --> 00:24:32.720
<v Speaker 1>connected last time. Lol. I had to go and knock

451
00:24:32.799 --> 00:24:34.519
<v Speaker 1>up my wife and then go off and write a

452
00:24:34.519 --> 00:24:36.319
<v Speaker 1>book unrelated incidents.

453
00:24:37.119 --> 00:24:39.880
<v Speaker 2>This is probably why you should read these things.

454
00:24:40.480 --> 00:24:43.799
<v Speaker 1>No, that was that was a perfect joke. Right there.

455
00:24:45.079 --> 00:24:48.359
<v Speaker 1>As I wait on the distributor to finalize my account

456
00:24:48.440 --> 00:24:50.960
<v Speaker 1>so I can finish up my publishing process, I thought

457
00:24:50.960 --> 00:24:53.960
<v Speaker 1>I should do some legwork and share the story. What

458
00:24:54.079 --> 00:24:56.680
<v Speaker 1>better way than by telling other stories and ideas to

459
00:24:56.720 --> 00:25:02.200
<v Speaker 1>get people interested in reading my fictional tale. With the

460
00:25:02.240 --> 00:25:05.519
<v Speaker 1>people I like their show, hit me up. We can

461
00:25:05.640 --> 00:25:08.119
<v Speaker 1>chat about whatever and come up with something to make

462
00:25:08.160 --> 00:25:11.200
<v Speaker 1>a good podcast for you. I was thinking I could

463
00:25:11.279 --> 00:25:15.759
<v Speaker 1>share about and entertaining into the natural environment around me

464
00:25:15.880 --> 00:25:19.319
<v Speaker 1>and being a part of earth alchemy, the things that

465
00:25:19.359 --> 00:25:22.359
<v Speaker 1>I've noticed in the changes in the soil and life

466
00:25:22.440 --> 00:25:25.559
<v Speaker 1>and the interaction with the elements at large when working.

467
00:25:26.240 --> 00:25:28.559
<v Speaker 1>You guys may be interested in some of my methods

468
00:25:28.559 --> 00:25:32.279
<v Speaker 1>when setting up a culture research institute you mentioned on

469
00:25:32.720 --> 00:25:35.480
<v Speaker 1>magical mailbag. I have a bunch of music and other

470
00:25:35.519 --> 00:25:37.799
<v Speaker 1>stuff on my website now. If you want to check

471
00:25:37.799 --> 00:25:41.680
<v Speaker 1>anything out, it's R O T M I N d

472
00:25:41.960 --> 00:25:49.039
<v Speaker 1>S dot com, rotminds dot com. Be careful, all right,

473
00:25:49.759 --> 00:25:55.440
<v Speaker 1>said where he left it, But sounds interesting, possible guests,

474
00:25:56.279 --> 00:26:02.680
<v Speaker 1>idea opportunity. That's what I got this week?

475
00:26:02.960 --> 00:26:05.119
<v Speaker 3>All right, guys should have thrown in a fake, fucking

476
00:26:05.119 --> 00:26:06.559
<v Speaker 3>bullshit story at least.

477
00:26:08.759 --> 00:26:13.960
<v Speaker 1>Well he was talking about earth magic. I think, Hey, yeah,

478
00:26:14.279 --> 00:26:15.759
<v Speaker 1>I just got this book this week.

479
00:26:17.440 --> 00:26:19.039
<v Speaker 2>What is it?

480
00:26:19.240 --> 00:26:26.799
<v Speaker 1>Lay Lines, lay Lines and Earth Energies. Hopefully it's good.

481
00:26:27.200 --> 00:26:29.160
<v Speaker 1>You never know what the cult books, you know. Sometimes

482
00:26:29.200 --> 00:26:31.279
<v Speaker 1>you get a real gem, and sometimes people are just

483
00:26:31.920 --> 00:26:36.079
<v Speaker 1>dropping the ball like crazy, especially when it comes to

484
00:26:36.599 --> 00:26:38.359
<v Speaker 1>cult books.

485
00:26:39.079 --> 00:26:43.279
<v Speaker 2>Oh man, yeah, cult books is are what it's a

486
00:26:43.319 --> 00:26:49.440
<v Speaker 2>hit and miss. I don't know. If the person's.

487
00:26:49.079 --> 00:26:54.759
<v Speaker 3>Got like raving black some other fucking type of word

488
00:26:54.880 --> 00:27:00.359
<v Speaker 3>like that in their name, just don't even bite blackstone heart, Yeah,

489
00:27:00.559 --> 00:27:03.039
<v Speaker 3>fucking shit like that. Don't just skip that shit, don't

490
00:27:03.039 --> 00:27:04.960
<v Speaker 3>even look at it. They're already trying to get you

491
00:27:04.960 --> 00:27:07.519
<v Speaker 3>with their name because that's not their real name.

492
00:27:08.039 --> 00:27:11.759
<v Speaker 1>I can tell you that right now, right you know.

493
00:27:11.799 --> 00:27:14.400
<v Speaker 1>The problem is is that people think that it doesn't

494
00:27:14.480 --> 00:27:17.119
<v Speaker 1>work if it's coming from those people. But what I

495
00:27:17.200 --> 00:27:19.240
<v Speaker 1>find is that they're actually better at magic.

496
00:27:19.759 --> 00:27:21.880
<v Speaker 2>Oh no, no, they know what the fuck they're doing.

497
00:27:21.960 --> 00:27:29.079
<v Speaker 2>Believe me. Yeah, their magic was making you buy that book.

498
00:27:30.359 --> 00:27:30.839
<v Speaker 1>Partially.

499
00:27:31.039 --> 00:27:34.680
<v Speaker 3>Yeah, that's that's what I think is the funniest When

500
00:27:34.720 --> 00:27:36.920
<v Speaker 3>you buy a money magic book. It was like that

501
00:27:36.960 --> 00:27:39.759
<v Speaker 3>guy just fucking made it work. He bought his book

502
00:27:39.799 --> 00:27:41.079
<v Speaker 3>and he made money.

503
00:27:41.920 --> 00:27:44.759
<v Speaker 1>He made that spell happen. But at the same time,

504
00:27:44.839 --> 00:27:47.720
<v Speaker 1>it's like, I don't think magic really depends on the

505
00:27:47.759 --> 00:27:50.440
<v Speaker 1>intelligence of the person who's casting the spell.

506
00:27:50.599 --> 00:27:52.920
<v Speaker 2>No, it's the intelligence of the person that's being used on.

507
00:27:54.519 --> 00:27:57.079
<v Speaker 1>Yeah, that's that's definitely part of it, because if you

508
00:27:57.119 --> 00:28:00.000
<v Speaker 1>know the spell, you can work your way out of it.

509
00:28:00.119 --> 00:28:00.319
<v Speaker 2>Yeah.

510
00:28:00.319 --> 00:28:03.000
<v Speaker 1>If you don't know the spell, oh, you might catch

511
00:28:03.039 --> 00:28:08.039
<v Speaker 1>yourself at least, you know, right, you can catch the patterns.

512
00:28:08.200 --> 00:28:14.880
<v Speaker 1>That's that's also important because it's not just it's not

513
00:28:15.319 --> 00:28:19.920
<v Speaker 1>just you know, uh, poltergeist activity, but like you'll notice

514
00:28:19.960 --> 00:28:22.599
<v Speaker 1>that these uh, these certain numbers that are used in

515
00:28:22.640 --> 00:28:25.559
<v Speaker 1>the spell work will start popping up in your own life,

516
00:28:25.599 --> 00:28:28.599
<v Speaker 1>so you can actually deconstruct what's happening to you and

517
00:28:28.839 --> 00:28:31.000
<v Speaker 1>who might be casting it based off of the patterns

518
00:28:31.000 --> 00:28:31.839
<v Speaker 1>that you see around you.

519
00:28:33.519 --> 00:28:34.079
<v Speaker 2>I agree.

520
00:28:34.359 --> 00:28:38.119
<v Speaker 1>But also that's that's very important to have spiritual hygiene,

521
00:28:38.160 --> 00:28:42.319
<v Speaker 1>which means no buying books about money magic.

522
00:28:43.960 --> 00:28:44.319
<v Speaker 2>Damn it.

523
00:28:46.799 --> 00:28:49.400
<v Speaker 5>I think we can all agree on that it's bad

524
00:28:49.440 --> 00:28:51.319
<v Speaker 5>for your spiritual hygiene in general.

525
00:28:51.720 --> 00:28:57.440
<v Speaker 3>Yeah, as much as that sucks, Ravin Gladstone has not

526
00:28:57.640 --> 00:28:59.279
<v Speaker 3>giving you the right information.

527
00:29:04.960 --> 00:29:10.559
<v Speaker 2>Raven black Heart, Oh.

528
00:29:10.480 --> 00:29:13.000
<v Speaker 1>Man, I'm gonna have to do this as a parody now,

529
00:29:13.440 --> 00:29:17.359
<v Speaker 1>Raven Blackhart's money magic make up all over my face.

530
00:29:17.400 --> 00:29:19.359
<v Speaker 1>It would be fucking amazing.

531
00:29:19.480 --> 00:29:21.599
<v Speaker 2>Yo, It's not a whole new channel that might take off.

532
00:29:22.480 --> 00:29:25.599
<v Speaker 1>Oh, it would take off a parody channel.

533
00:29:26.200 --> 00:29:28.279
<v Speaker 3>You gotta make a Etsy shop to sell them. Ship

534
00:29:28.440 --> 00:29:32.559
<v Speaker 3>Now it's his talismans and candles, right.

535
00:29:32.400 --> 00:29:35.880
<v Speaker 1>I'm gonna just wrap pieces of bark and string and

536
00:29:35.960 --> 00:29:38.079
<v Speaker 1>just send those out for three hundred dollars a pop.

537
00:29:39.759 --> 00:29:43.160
<v Speaker 1>Say it came from like some rare fire forest shit,

538
00:29:44.519 --> 00:29:48.319
<v Speaker 1>it's a chanted would Yeah, those truffles growing.

539
00:29:50.359 --> 00:29:52.799
<v Speaker 5>Dude, I'm gonna make so much money al right, guys, Yes,

540
00:29:53.920 --> 00:29:58.240
<v Speaker 5>keep an eye out for my new YouTube channel, Raven Blackhart,

541
00:29:58.759 --> 00:30:01.599
<v Speaker 5>black Heart Stone Blackhart Stole.

542
00:30:03.400 --> 00:30:05.599
<v Speaker 1>Oh Money, Money Magic series.

543
00:30:08.000 --> 00:30:10.400
<v Speaker 3>We'll tell you exactly how it works for shifteen dollars

544
00:30:10.400 --> 00:30:11.079
<v Speaker 3>a month.

545
00:30:11.839 --> 00:30:13.960
<v Speaker 1>Fifty dollars a month. You can get the secrets to

546
00:30:14.000 --> 00:30:15.000
<v Speaker 1>Money Magic as well.

547
00:30:17.640 --> 00:30:18.519
<v Speaker 2>Yeah, we're asshled.

548
00:30:21.720 --> 00:30:25.200
<v Speaker 1>Alright, guys. Well it's been good seeing Yeah, we'll come

549
00:30:25.240 --> 00:30:28.039
<v Speaker 1>back in just a little bit a live stream with

550
00:30:28.759 --> 00:30:31.519
<v Speaker 1>uh Julia Julia repeat.

551
00:30:31.640 --> 00:30:32.519
<v Speaker 2>She's back again.

552
00:30:33.000 --> 00:30:36.599
<v Speaker 1>So check it out, all right, check it out, buyout
