WEBVTT

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<v Speaker 1>If you're a fan of everything we do here at

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<v Speaker 1>tuned In with Jim Cummings, you could support the show

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<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

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<v Speaker 1>in ad free access to the show itself, prize drawings,

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<v Speaker 1>and more. You'll feel the difference, so go ahead and

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<v Speaker 1>join the tuned In family today at patreon dot com

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<v Speaker 1>slash Jim Cummings Podcast. Do it now? How you doing

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<v Speaker 1>out there? It's me Tigger, I am Duc Wayne Duck.

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<v Speaker 1>It's me Bunkers Deep Bobcat. All right, y'all? Did it great?

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<v Speaker 2>Your favorite firefly you desire?

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<v Speaker 1>Hold the old knock guy. My name is Jim Cummings

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<v Speaker 1>and welcome to tuned In.

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<v Speaker 3>Welcome back everybody to another episode of Tuned In with

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<v Speaker 3>Jim Cummings. I'm producer Chris. How are you doing today,

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<v Speaker 3>mister legends Jim Cummings.

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<v Speaker 1>Yes, that's what I feel. I'm having a very legendary day.

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<v Speaker 1>Thank you for asking.

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<v Speaker 4>That is a great day.

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<v Speaker 1>It is absolutely and you're all invited.

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<v Speaker 4>We have a great episode coming up for you guys. Today.

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<v Speaker 3>We are sitting down with Jim meskam In. You know

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<v Speaker 3>if you love him. It was a great conversation that

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<v Speaker 3>we had.

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<v Speaker 1>Yeah, him, and when Jim shows up, you've got like

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<v Speaker 1>a cast of thousands that you can talk to. And

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<v Speaker 1>they also and he's got the greatest impressions in the world.

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<v Speaker 1>I'm telling you.

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<v Speaker 4>Yeah, we think you guys are gonna really w They're

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<v Speaker 4>really granny. We had a good time.

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<v Speaker 3>We want to give another thanks to Borisa LaMarsh for

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<v Speaker 3>last week's episode. That was a great episode too. And

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<v Speaker 3>we've been having a lot of fun on this show lately.

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<v Speaker 4>Absolutely a lot of good conversations.

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<v Speaker 1>Well, Moe's one of my oldest pals into business, and

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<v Speaker 1>he played my dad sixty five plus times because he

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<v Speaker 1>was Tasmanian Devil's dad and I was Taz and he

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<v Speaker 1>was dad and Lola Dad, so tas like that day

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<v Speaker 1>and so we had a good time. You got to

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<v Speaker 1>tune it, you got to be there.

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<v Speaker 3>Well, we hope you guys enjoy the episode today. But

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<v Speaker 3>before we get to that, we just want to remind

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<v Speaker 3>you guys to like and subscribe if you like this

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<v Speaker 3>content and you want to see more. Plenty of interviews,

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<v Speaker 3>great great content coming your way. And thank you so

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<v Speaker 3>much all of our Patreon subscribers. We love you. Guys,

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<v Speaker 3>and you don't know. Patreon subscribers get early access.

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<v Speaker 4>That's right.

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<v Speaker 3>They're watching episodes that you haven't watched yet right here

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<v Speaker 3>on YouTube. And much much more. They get episodes that

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<v Speaker 3>don't even release here on YouTube.

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<v Speaker 4>And there's a whole lot of other stuff.

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<v Speaker 3>So don't forget about Patreon and check us out there.

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<v Speaker 3>And Jim, you also have some merchandise that you sell,

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<v Speaker 3>don't you.

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<v Speaker 1>Why funny you should mention it. I just so happened

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<v Speaker 1>to be wearing Look at this guys hop on say

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<v Speaker 1>Jim Comings Shopify.

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<v Speaker 3>Right, yeah, Jim Commings closet on Shopify if you want

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<v Speaker 3>to get some of this sweet and merchant.

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<v Speaker 1>Not in the closet, but I'm out now and I'm

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<v Speaker 1>wearing this. You can see what is that? The Karate Kid? No,

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<v Speaker 1>it's the Honey Kid. And anyway, there's a lot of

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<v Speaker 1>cool stuff in there and a little something for everybody,

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<v Speaker 1>I think, right, yeah, it comes in all sizes and colors,

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<v Speaker 1>especially yours, and tune in and spend too much.

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<v Speaker 3>Lastly, I think you're going to be at a convention

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<v Speaker 3>this weekend, aren't you.

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<v Speaker 1>Yes, For those of you who are in the neighborhood,

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<v Speaker 1>and who are and would like to be in the neighborhood.

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<v Speaker 1>Do it in Las Vegas and it's called anime Las Vegas.

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<v Speaker 1>I'm a huge star in the world of anime anyway. Uh,

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<v Speaker 1>so be there, come by and say hi, and we'll

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<v Speaker 1>have a grin.

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<v Speaker 3>Please absolutely, absolutely, Okay, let's get into it. Then here's

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<v Speaker 3>our episode interview with Jim Meskuman. We hope you guys

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<v Speaker 3>enjoy it. We'll see you in the next one. All right,

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<v Speaker 3>welcome back, everybody to another episode of Tuned In with

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<v Speaker 3>Jim Cummings as always and joined by Jim Cummings of course.

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<v Speaker 1>Oh everybody, Thank you, Producer Chris.

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<v Speaker 4>Thank you.

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<v Speaker 3>I'm producer Chris. And today we have our special guest,

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<v Speaker 3>Jim Meskaman. Thank you so much for being here.

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<v Speaker 5>Hey, double Jim show. We're here at the gym together and.

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<v Speaker 1>The crowd right. Wow, yes, fantastic, Thanks for being here,

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<v Speaker 1>my pleasure.

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<v Speaker 6>Yeah.

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<v Speaker 2>Thanks great to sit and talk to you. I mean

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<v Speaker 2>we've spoken very little.

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<v Speaker 1>Yeah, yeah, careers so far. True enough. And we uh

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<v Speaker 1>were on the way in, we were cheating and we

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<v Speaker 1>listened to a podcast you did on a infinitely less

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<v Speaker 1>interesting podcast. I don't even know the guy's name. I

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<v Speaker 1>made that last part up, but it was very interesting.

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<v Speaker 1>It was very cool.

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<v Speaker 5>Oh cool, cool.

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<v Speaker 2>Yeah, well, I'll try not to tell those stories or

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<v Speaker 2>to tell them in a different way.

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<v Speaker 1>Yeah, that's right. And I always think it's nice when

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<v Speaker 1>you know there's there's a legacy aspect, because I remember

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<v Speaker 1>that Mel Blank tried to pull his son Noel into

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<v Speaker 1>his footsteps and it kind of didn't work very well,

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<v Speaker 1>because I mean, Mel's Mel and everybody else, even his

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<v Speaker 1>son isn't.

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<v Speaker 2>And Paul freesees has a son who's also very good,

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<v Speaker 2>but just sounds totally different.

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<v Speaker 1>I mean, you know I did not know that, Yeah, yes,

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<v Speaker 1>And Paul Freese, can you tell everybody who may not? Never,

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<v Speaker 1>but I think everybody knows Mel Blank. Yeah, well Paul

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<v Speaker 1>free I don't know Paul Freese.

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<v Speaker 2>He sounds like surrender, foolish mortals.

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<v Speaker 1>Is this that?

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<v Speaker 2>Yes, something like that in the voice of the Hunting Mansion. Yes,

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<v Speaker 2>And he had always had a kind of an orson Wells.

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<v Speaker 1>Absolutely. I heard that we're mistaken for each other a lot.

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<v Speaker 2>Yeah, I'm sure they were vocally, and I'm sure he

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<v Speaker 2>worked hard at that to make that illusion complete. And

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<v Speaker 2>you just had Maurice LaMarsh in here not long ago,

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<v Speaker 2>and yes, it's one of those people that's specialized in

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<v Speaker 2>evoking that wells in delivery. But Paul Frees also you

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<v Speaker 2>may or may not know this. It's very trivial, but

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<v Speaker 2>it surprised me.

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<v Speaker 5>He is also the voice of.

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<v Speaker 1>The Pillsbury dough Boy. Oh yeah.

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<v Speaker 2>And Tony Curtis's female voice in some like It Hot

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<v Speaker 2>did you know that?

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<v Speaker 4>Wow?

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<v Speaker 5>So in some like an Billy Wilder.

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<v Speaker 2>Film where he Jack Lemon are pretending to be women and.

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<v Speaker 1>Hotel Dell and what was that, Hotel del Coronado.

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<v Speaker 5>Oh exactly exactly.

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<v Speaker 2>And anyway, when Tony Curtis was either unable or unsatisfactorily

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<v Speaker 2>able to do the his female voice, Paul Freese is

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<v Speaker 2>doing that voice.

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<v Speaker 1>Wow, that's increating. Wow, I didn't know that. Yeah.

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<v Speaker 2>Paul Frees's son, whose name escapes me at the moment

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<v Speaker 2>because it's a name, wrote a book about his dad

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<v Speaker 2>and there's all kinds of interesting trivia. But he was

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<v Speaker 2>just multi multifaceted, and he was kind of the guy

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<v Speaker 2>to go to for everything. I mean, he's like one

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<v Speaker 2>of these legendary characters in the day of voice over

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<v Speaker 2>where you have fifteen sessions a day, and you'd around

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<v Speaker 2>in an ambulance just to make.

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<v Speaker 1>All the books and uh.

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<v Speaker 2>And he also he also worked as like an undercover cop.

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<v Speaker 2>Somebody did you work with the police undercover towards the

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<v Speaker 2>end of his life.

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<v Speaker 5>Anyway, a lot of fascinating.

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<v Speaker 2>Stories about the Great Paul Freeze, but mostly known to

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<v Speaker 2>people that Disneyland and that's spooky, spooky, haunted mansion.

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<v Speaker 1>Feels very dofent. And was he somewhere somewhere along the

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<v Speaker 1>line the Green Giant very likely? Yeah, yeah, a little

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<v Speaker 1>bit of everything. I think he was the Horus battern Off.

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<v Speaker 1>I think he was too. Was John Moss and Squirrel,

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<v Speaker 1>Gid the Moose and Squareal, Yeah, I think that was him. Yeah,

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<v Speaker 1>it goes on and on. I've heard him.

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<v Speaker 2>He did some a d R for the original Godzilla

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<v Speaker 2>with Raymond Burr.

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<v Speaker 1>You can hear him.

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<v Speaker 2>He just pops up all over the phone. You're just

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<v Speaker 2>never not in front of a microphone. I think, yeah, yeah, yeah, I'm.

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<v Speaker 1>A little bit of well he did what was his

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<v Speaker 1>one The thing he was in the Thing, the original

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<v Speaker 1>Thing with Cara on camera with James ar Nest was

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<v Speaker 1>the thing. And yeah, the one that Kurt Russell was

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<v Speaker 1>not in, you know that one and uh yeah, and

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<v Speaker 1>I think he looked like a carrot James arnested, but

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<v Speaker 1>he was on camera in that. And it's so funny

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<v Speaker 1>because you're you're you're seeing that this this group scene,

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<v Speaker 1>and all of a sudden, he.

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<v Speaker 7>Goes, well, now where should we go? He He's got

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<v Speaker 7>to be somewhere, you know, and you're going, oh wow,

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<v Speaker 7>because it's so distinct.

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<v Speaker 2>He's also one of these guys. This is turning into

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<v Speaker 2>a show about Paul Freeze. But the other thing I'll

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<v Speaker 2>say is that he's one of these guys that got

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<v Speaker 2>out of the army. Was in New York City, was

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<v Speaker 2>walking down the street and someone said, and he's looking

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<v Speaker 2>for work and someone said, hey, they're hiring people at

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<v Speaker 2>CBS to do some some things. That was wow, just

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<v Speaker 2>very simple route into a major career.

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<v Speaker 1>Geez.

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<v Speaker 2>One of the stories you just voiceover guys. We love

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<v Speaker 2>all that trivia. We love all those stories about people

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<v Speaker 2>and how they got started stories. And you know, now

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<v Speaker 2>I'm unacquainted with how you got started. Now, what was

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<v Speaker 2>your first big break?

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<v Speaker 1>Uh? Well, it's really atypical. But for what it's worth,

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<v Speaker 1>I wanted to do this since I was five. I've

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<v Speaker 1>said that before. All the greats, by the way, are

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<v Speaker 1>like that. Oh oh well, they want to know from

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<v Speaker 1>they wanted from an early age. They got it.

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<v Speaker 2>Their eye on the goal, and that is tremendously potent.

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<v Speaker 1>Yeah, yeah, I think so. I think so. But I

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<v Speaker 1>didn't have an agent, but had I worked at a

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<v Speaker 1>video depot when you didn't have an agent. I was

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<v Speaker 1>a video game when I was hired. What's that? Yeah, well,

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<v Speaker 1>when I was fine, But no, I think there's more

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<v Speaker 1>like when I was twenty nine something like that. But

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<v Speaker 1>I worked at a place at Anaheim Hills video depot

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<v Speaker 1>and one of our customers was Bob Starr. He was

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<v Speaker 1>the voice of the Angels. And another one was another

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<v Speaker 1>fellow who he ran a recording studio or whatever. And

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<v Speaker 1>I said, well, you know, I've got this tape I

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<v Speaker 1>made an audio and it was a cassette, you know,

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<v Speaker 1>I didn't know, And I gave it to him and

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<v Speaker 1>he said, well, you know, I'm not doing anything right now.

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<v Speaker 1>He did Dragon's Layer, which is a video game you

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<v Speaker 1>put in a quarter back then a stand up video game,

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<v Speaker 1>and he said, well okay, And he said, well, I'm

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<v Speaker 1>not doing anything. I'll hold on to it. And two

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<v Speaker 1>weeks later I get a call from this guy, Frank

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<v Speaker 1>Brandt got rest his Soul, and he said, well, hey kid, yeah,

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<v Speaker 1>I got this tape from my buddy over there and

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<v Speaker 1>I listened to it and you don't you know, you

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<v Speaker 1>don't stink. So would you like to come up an

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<v Speaker 1>audition for something? And I said audition, you mean shops,

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<v Speaker 1>Jimminy crickets. So I did and I lucked. I thank

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<v Speaker 1>you lord, I got that job.

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<v Speaker 2>You came up from Anaheim Hills and I'm.

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<v Speaker 1>To yeah, to Hollywood and I auditioned for it, and

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<v Speaker 1>he was very gracious and I got the job.

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<v Speaker 2>What did the audition consistent? Did they give you a script.

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<v Speaker 1>Or yeah, they gave me a script and they and

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<v Speaker 1>they said to send a demo to them in advance,

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<v Speaker 1>which I did and they said, okay, you're at least

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<v Speaker 1>good enough to get an audition, and I got and

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<v Speaker 1>I had the audition. It was Dumbo's Circus and it

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<v Speaker 1>was people in costume. It was a continuation of like

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<v Speaker 1>the end of the Dumbo the movie, and it moved

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<v Speaker 1>on well. I ended up playing basically Timothy the mouse.

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<v Speaker 1>But the problem was it was live action and it

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<v Speaker 1>was some little people in costume and some you know,

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<v Speaker 1>like Dumbo was two people. One was the butt, one

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<v Speaker 1>was the head and yeah, and uh so I they

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<v Speaker 1>changed it to a lion and I was lionl the

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<v Speaker 1>lion and I was Dumbo's best pal. And so that

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<v Speaker 1>was my first job. Wow.

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<v Speaker 5>And was it looping? Did you like have to lip flat?

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<v Speaker 1>No? No, that's that was a great That was a

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<v Speaker 1>fortune fortunate thing. We would record it and then they

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<v Speaker 1>would take it over to the set and they had

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<v Speaker 1>a green screen. Everything was green screen back then, and

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<v Speaker 1>Dumbo's circus that they walked inside of, and it was

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<v Speaker 1>about this big you know, and they do the magic

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<v Speaker 1>of you know. And that was my first job. And

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<v Speaker 1>it lasted a year and a half. Oh my gosh.

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<v Speaker 1>So a weekly show. Yeah, and I went from making

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<v Speaker 1>four hundred something a week to double that. Hey see,

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<v Speaker 1>a week a week even. And so I said, well,

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<v Speaker 1>I'm doing this. I'm never going to move. I wanted

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<v Speaker 1>to anyway. I mean, it was my goal. And by

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<v Speaker 1>the time Dumble Circus was over and we're dumb recording,

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<v Speaker 1>I did have an agent and I was doing jobs

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<v Speaker 1>and and I didn't know that it was impossible to

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<v Speaker 1>break into. In fact, the first, the first audition I

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<v Speaker 1>ever had, they used the audition, I said. They called

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<v Speaker 1>me up and they go, well you got the job,

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<v Speaker 1>And I go, oh, that's great. When do we record it? No, no,

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<v Speaker 1>don't worry about We're using the audition. I went, Okay,

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<v Speaker 1>I really love this business. I'm so going to do

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<v Speaker 1>this home run. Now where do I sign up for

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<v Speaker 1>my next job? Can you just hire me again? Then

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<v Speaker 1>something else? And it kind of did work that way,

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<v Speaker 1>but I, like I say, I ran into Frank Brant

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<v Speaker 1>Caroline Hay and I got the job as a linel

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<v Speaker 1>and by the end of that that, like I said,

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<v Speaker 1>sixty five episodes. Then I did have an agent, Sandi

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<v Speaker 1>Stalk for sure.

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<v Speaker 2>And then I worked to turn into a union job

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<v Speaker 2>or did you join right?

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<v Speaker 1>Oh? Yeah, it was yeah, it was alas yeah and

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<v Speaker 1>uh and then the rest is mystery.

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<v Speaker 2>When was the last time you saw a residual check

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<v Speaker 2>for that show?

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<v Speaker 1>That's a good question. Years, Yeah, decades, I've never heard.

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<v Speaker 1>I don't know that it was this century. Yeah, I

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<v Speaker 1>don't think it was. Yeah, what a great first opportunity.

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<v Speaker 2>And after you've done sixty five episodes or something, you

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<v Speaker 2>must have a tremendous amount of confidence and ease a

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<v Speaker 2>microphone and.

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<v Speaker 1>Yeah and yeah, well nobody told me it was impossible

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<v Speaker 1>to break into so I, you know, and I just

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<v Speaker 1>walked in and can I have another job?

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<v Speaker 8>Sure?

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<v Speaker 1>Yeah, And I thought that's how it worked. It did

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<v Speaker 1>for you apparently, Yeah, yeah I did, and I and

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<v Speaker 1>I you know, I thank you lord. You know, it's

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<v Speaker 1>just very grateful. Yeah, yeah, well that's a big thing.

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<v Speaker 1>It's to that point.

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<v Speaker 2>I think it's extremely important that people do understand if

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<v Speaker 2>they want to get into this business that, you know,

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<v Speaker 2>the the tropes about it being a small, closed, difficult

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<v Speaker 2>to enter field. Obviously there's nuggets of truth in there.

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<v Speaker 2>But I think that those those nuggets become boulders if

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<v Speaker 2>you concentrate on them, you know, and if I in

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<v Speaker 2>my own experience, I made it a point when I

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<v Speaker 2>did hear that, and I heard it in New York

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<v Speaker 2>when I first came to New York and to get

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<v Speaker 2>into show business, and people would say, oh, yeah, it's

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<v Speaker 2>always the same ten people do everything. Yeah, and I

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<v Speaker 2>would hear that, I'd go, I've heard that so many times.

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<v Speaker 2>I just know that's a lie. Yeah, it's a prevalent

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<v Speaker 2>held opinion. I'm going to completely disregard it. And it

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<v Speaker 2>helped to do that, Yes, because I always tried. Yeah

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<v Speaker 2>I didn't. I didn't use it as an excuse.

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<v Speaker 1>Yeah. Yeah, well that that was wise.

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<v Speaker 9>That was That's a spot like I did, Jim, I

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<v Speaker 9>did a lot of stupid things toopid.

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<v Speaker 1>That was spot. And you know, I have to ask you,

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<v Speaker 1>do people when they think of you do they think

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<v Speaker 1>of course they think actor, but do they think comedian?

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<v Speaker 1>Do they think impressionist? Or do they go yeah, that's

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<v Speaker 1>they're all him.

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<v Speaker 2>I'm not a mind reader, Jim. I don't know what

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00:15:34.039 --> 00:15:36.000
<v Speaker 2>I can't tell you.

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00:15:35.440 --> 00:15:38.559
<v Speaker 1>Or mind reader? I forgot that. What about mind reader?

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<v Speaker 2>Yes, I knew you were going to say that.

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<v Speaker 1>I don't know. That's great.

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<v Speaker 2>I think I'm sort of buttered all over the industry,

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<v Speaker 2>so I think people do mostly I've made. I think

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<v Speaker 2>if people think of me at all, I think they

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<v Speaker 2>mostly think of me as an impressionist.

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<v Speaker 1>And that's because you're incredible. That helps. Thank you. I've

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<v Speaker 1>certainly worked on it a lot. That helps. I've worked

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<v Speaker 1>on a lot, and.

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<v Speaker 2>You're a wonderful impression is too. I must say it

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<v Speaker 2>took me a long time to realize that that was

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<v Speaker 2>the tip of the spirit in my career, was impressions,

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00:16:11.200 --> 00:16:13.360
<v Speaker 2>because I it's just so much a part of me.

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<v Speaker 2>I don't think it's anything particularly special. In fact, for

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00:16:16.240 --> 00:16:18.679
<v Speaker 2>years I thought, well, this is in every guide to this.

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<v Speaker 2>This is what guys do, right, Yeah, imitate people. Yeah

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<v Speaker 2>it's not we teachers and friends and.

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<v Speaker 1>Yeah, did you do that too? Because my aunt Grace

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00:16:26.480 --> 00:16:29.559
<v Speaker 1>has been God lover. She's been in a lot of cartoons,

336
00:16:29.600 --> 00:16:32.480
<v Speaker 1>and so is my uncle Sam. My uncle Sam's always

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00:16:32.480 --> 00:16:35.720
<v Speaker 1>a dragon or the troll. And my aunt Grace, what

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00:16:35.799 --> 00:16:40.840
<v Speaker 1>does your uncle Sam sound like? Just? Oh, Jesus. And

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00:16:41.000 --> 00:16:44.759
<v Speaker 1>he used to call me James eye Goal and that

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00:16:44.840 --> 00:16:47.919
<v Speaker 1>was some kid he went to school with. And then

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<v Speaker 1>my head Grace. This is the way that she sounded

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<v Speaker 1>to me when I was five, And I'm sure God

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<v Speaker 1>love her. My cousins are going you know, my mother

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<v Speaker 1>didn't sound like that, but she said anyway. She ended

345
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<v Speaker 1>up being Lieutenant Spinelli on Chipendale's Rescue Ranger. It's fantastic.

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<v Speaker 2>Yeah, yeah, so yeah, this is what we do. We

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00:17:09.319 --> 00:17:14.680
<v Speaker 2>extract interesting personas and try to sell them. You know,

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00:17:15.039 --> 00:17:17.160
<v Speaker 2>I've got lots of people in my life that I've

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<v Speaker 2>tried to sell and they haven't been sold yet, so

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00:17:19.839 --> 00:17:23.640
<v Speaker 2>there's still out there. But some I have definitely instituted.

351
00:17:23.920 --> 00:17:27.799
<v Speaker 2>But mainly I've been doing you know, well known celebrities

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<v Speaker 2>and people on TV and movies and stuff like that.

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<v Speaker 2>But so if people think of me, I think they

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00:17:33.440 --> 00:17:35.200
<v Speaker 2>think of me as that. It took me a long

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00:17:35.240 --> 00:17:37.200
<v Speaker 2>time to focus on that and go, oh, this is

356
00:17:37.240 --> 00:17:39.799
<v Speaker 2>what this is what people kind of want to hear

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<v Speaker 2>from me. So maybe I better specialize in that a

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<v Speaker 2>little more mark myself that way.

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<v Speaker 5>But I was in my I was fifty before I

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<v Speaker 5>figured that out.

361
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<v Speaker 2>So maybe it will all would have gone differently. But

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<v Speaker 2>I've had different kinds of careers, very very different that

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<v Speaker 2>didn't involve impressions and didn't even really involve voiceover very much,

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<v Speaker 2>character very much.

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<v Speaker 1>That was your impression of missus c that's what I

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<v Speaker 1>don't have that.

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00:18:04.160 --> 00:18:09.680
<v Speaker 2>Well, I yes, my mother, Yes, that's your mother. Yeah,

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00:18:09.720 --> 00:18:11.799
<v Speaker 2>my dear dear mom. I just saw a couple of

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<v Speaker 2>days ago and she's ninety six.

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<v Speaker 1>Oh my goodness, from happy days of you that don't

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<v Speaker 1>know tell the world.

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<v Speaker 5>Mary and Ross have happy days.

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<v Speaker 2>Missus C, the beautiful missus C, who I admire more

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<v Speaker 2>every day the more I learned about what she's done.

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<v Speaker 2>I mean, she was a single mom, raised two kids,

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<v Speaker 2>very determined to be uh, to make it in show business.

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<v Speaker 2>And I just recently learned I'm listening to we We

378
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<v Speaker 2>put her together with a ghostwriter a few years ago,

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<v Speaker 2>and she penned her memoir and did an audiobook of it,

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<v Speaker 2>and did you know, narrated her own audiobook, And so

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<v Speaker 2>I'm listening. I never, I never, I never listened to

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<v Speaker 2>it until recently because I was like, I.

383
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<v Speaker 1>Was, you knew it, I knew everything.

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<v Speaker 4>Yah.

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<v Speaker 2>Know what point was my wife, Tamma and I were

386
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<v Speaker 2>trying to get her together with someone to record these

387
00:18:57.839 --> 00:19:00.240
<v Speaker 2>stories because we knew she had these stories. She would

388
00:19:00.240 --> 00:19:01.599
<v Speaker 2>tell us these stories are like, oh my god, I

389
00:19:01.640 --> 00:19:03.000
<v Speaker 2>don't remember all the ins and outs of this.

390
00:19:03.880 --> 00:19:05.240
<v Speaker 5>We got to go get her together with someone.

391
00:19:05.319 --> 00:19:05.839
<v Speaker 1>So she did.

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00:19:06.039 --> 00:19:08.240
<v Speaker 5>It's called my Days Happy and otherwise.

393
00:19:08.640 --> 00:19:09.359
<v Speaker 1>Yeah.

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00:19:09.480 --> 00:19:11.440
<v Speaker 2>And one thing I learned recently about my mom which

395
00:19:11.440 --> 00:19:14.799
<v Speaker 2>I didn't know, was that she always did theater. Her

396
00:19:14.839 --> 00:19:16.839
<v Speaker 2>goal was not to be a movie star. Her goal

397
00:19:16.920 --> 00:19:18.319
<v Speaker 2>was not to be I mean, she was born in

398
00:19:18.319 --> 00:19:19.759
<v Speaker 2>twenty eight, so she didn't have the goal to be

399
00:19:19.759 --> 00:19:22.039
<v Speaker 2>a TV star because it hadn't been a minute. Her

400
00:19:22.079 --> 00:19:24.640
<v Speaker 2>goal was to be a Broadway actress and to do

401
00:19:24.920 --> 00:19:28.880
<v Speaker 2>big plays and to be and she got into TV

402
00:19:28.960 --> 00:19:31.640
<v Speaker 2>and film because she thought, that'll help me get on stage.

403
00:19:31.640 --> 00:19:34.119
<v Speaker 5>I'll get better roles on stage.

404
00:19:34.319 --> 00:19:37.839
<v Speaker 1>Oh my gosh. And I think the whole world thinks differently,

405
00:19:37.960 --> 00:19:40.799
<v Speaker 1>doesn't it. I mean, sure, you know, I think, well,

406
00:19:40.839 --> 00:19:45.960
<v Speaker 1>all right, I'll do a couple of play you know, fine, fine, you.

407
00:19:45.920 --> 00:19:48.680
<v Speaker 2>Know, because it's a lot of work to do a play, yeah,

408
00:19:48.759 --> 00:19:51.680
<v Speaker 2>and rather unrewarding in a lot of ways. I mean,

409
00:19:51.720 --> 00:19:55.759
<v Speaker 2>it's maximum labor, and you know, you really run the

410
00:19:55.839 --> 00:19:58.160
<v Speaker 2>risk of people not showing up, especially in this town.

411
00:19:58.200 --> 00:19:59.759
<v Speaker 1>I mean, it's almost a joke.

412
00:20:00.720 --> 00:20:03.519
<v Speaker 2>But she eventually, at an early age, did make it

413
00:20:03.559 --> 00:20:06.960
<v Speaker 2>to Broadway and Wow in a play that didn't last

414
00:20:07.000 --> 00:20:09.160
<v Speaker 2>very long, but she had that experience. And then later on,

415
00:20:09.279 --> 00:20:12.359
<v Speaker 2>after she'd become a star and a known celebrity, she

416
00:20:12.559 --> 00:20:15.240
<v Speaker 2>toured with Jeane Stapleton and Arsenic and Old Lace, which

417
00:20:15.240 --> 00:20:19.119
<v Speaker 2>started on Broadway all over the country. And but she

418
00:20:19.119 --> 00:20:21.640
<v Speaker 2>would even in the hiatus of Happy Days, she would

419
00:20:21.640 --> 00:20:25.240
<v Speaker 2>do plays and it was just like I never questioned it,

420
00:20:25.319 --> 00:20:25.960
<v Speaker 2>I ever thought about it.

421
00:20:26.000 --> 00:20:27.240
<v Speaker 5>Then as I got to be an adultter was like,

422
00:20:27.319 --> 00:20:28.319
<v Speaker 5>it has a lot of trouble.

423
00:20:29.359 --> 00:20:32.559
<v Speaker 2>She wasn't getting paid tremendous amounts of money, you know,

424
00:20:32.759 --> 00:20:35.759
<v Speaker 2>eight shows a week and she was in her sixties.

425
00:20:35.400 --> 00:20:37.400
<v Speaker 1>And oh that's true. Yeah wow.

426
00:20:37.480 --> 00:20:39.640
<v Speaker 2>And she'd go to Seattle and do Long Day's journeying

427
00:20:39.640 --> 00:20:42.559
<v Speaker 2>the night and go somewhere and do go to Toronto and

428
00:20:42.599 --> 00:20:47.319
<v Speaker 2>do one of the Neil Simon plays and.

429
00:20:47.160 --> 00:20:48.240
<v Speaker 4>It's like, this just work.

430
00:20:48.920 --> 00:20:52.640
<v Speaker 2>But that was what she really wanted to do. Anyway,

431
00:20:52.960 --> 00:20:54.160
<v Speaker 2>I'm pretty crazy about her.

432
00:20:54.240 --> 00:20:59.880
<v Speaker 1>Oh yeah, well everybody is everybody. Did you work with her? Yeah?

433
00:21:00.160 --> 00:21:01.079
<v Speaker 1>That I could say.

434
00:21:01.119 --> 00:21:03.759
<v Speaker 5>So she's SpongeBob's grandmother.

435
00:21:04.519 --> 00:21:08.319
<v Speaker 2>Oh wow, episodes that she knows Tom Kenny and those

436
00:21:08.400 --> 00:21:12.079
<v Speaker 2>guys and Fred Yeah yeah, oh that's yeah.

437
00:21:12.160 --> 00:21:12.880
<v Speaker 1>I can see that.

438
00:21:13.160 --> 00:21:13.400
<v Speaker 4>Yeah.

439
00:21:13.400 --> 00:21:15.400
<v Speaker 2>And the last couple of jobs she did, I record her.

440
00:21:15.359 --> 00:21:18.240
<v Speaker 1>At my house in my in my studio. Wow, I

441
00:21:18.240 --> 00:21:21.519
<v Speaker 1>bet you do. Yeah, yeah, yeah, you've been working worked

442
00:21:21.519 --> 00:21:22.839
<v Speaker 1>at home COVID.

443
00:21:23.000 --> 00:21:25.680
<v Speaker 5>Yeah, yeah, luckily I was waist set up for that.

444
00:21:25.839 --> 00:21:26.960
<v Speaker 1>I do audio books.

445
00:21:27.359 --> 00:21:31.000
<v Speaker 2>So ten years ago, twelve years ago an audiobook company

446
00:21:31.519 --> 00:21:34.839
<v Speaker 2>sent me up with a booth, and I I spend

447
00:21:34.880 --> 00:21:35.599
<v Speaker 2>a lot of time here.

448
00:21:37.559 --> 00:21:40.079
<v Speaker 1>If you're a fan of everything we do here at

449
00:21:40.119 --> 00:21:42.960
<v Speaker 1>tuned In with Jim Cummings, you could support the show

450
00:21:43.000 --> 00:21:47.680
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

451
00:21:47.720 --> 00:21:51.720
<v Speaker 1>in ad free access to the show itself, prize drawings,

452
00:21:51.759 --> 00:21:54.880
<v Speaker 1>and more. You'll feel the difference, so go ahead and

453
00:21:54.960 --> 00:21:58.839
<v Speaker 1>join the tuned In family today at patreon dot com.

454
00:21:58.839 --> 00:22:04.440
<v Speaker 1>Slash Jimming's podcast do It Now. That's really cool. Do

455
00:22:04.480 --> 00:22:07.160
<v Speaker 1>you do any books? No, you really don't need to.

456
00:22:07.599 --> 00:22:09.920
<v Speaker 2>Yeah, no, but I wouldn't advise it.

457
00:22:10.839 --> 00:22:14.119
<v Speaker 1>You know the book you really love, well, I would

458
00:22:14.119 --> 00:22:19.279
<v Speaker 1>do a Confederacy of Duncis, you know, And I just

459
00:22:19.480 --> 00:22:21.839
<v Speaker 1>I'm really really fond of that book. It's it's probably

460
00:22:21.839 --> 00:22:25.079
<v Speaker 1>the book i've read reread the most out of uh,

461
00:22:25.519 --> 00:22:30.680
<v Speaker 1>you know, I'm a pretty decent reader. And uh, good

462
00:22:30.680 --> 00:22:31.400
<v Speaker 1>old what's his name?

463
00:22:31.720 --> 00:22:32.200
<v Speaker 5>That guy?

464
00:22:32.359 --> 00:22:39.799
<v Speaker 1>Yeah? No, no, John o'tool? Yeah anyway, call in folks please, Yeah,

465
00:22:40.000 --> 00:22:44.759
<v Speaker 1>that's Queah. But uh, I can't I actually heard that.

466
00:22:44.799 --> 00:22:49.279
<v Speaker 1>I haven't read it myself. Yeah, ignacious O'Reilly was the protagonist,

467
00:22:49.319 --> 00:22:54.839
<v Speaker 1>and it's just a delicious character. And you know, and personally, I.

468
00:22:54.759 --> 00:22:57.200
<v Speaker 4>You know, I I'm John Kennedy.

469
00:22:57.480 --> 00:23:02.440
<v Speaker 1>John Kennedy Tool. Yeah, I had the wrong Kennedy. But

470
00:23:02.440 --> 00:23:05.480
<v Speaker 1>but it's it's it's set in New Orleans, and I

471
00:23:05.519 --> 00:23:07.880
<v Speaker 1>have a great fondness for New Orleans. I moved there

472
00:23:07.880 --> 00:23:10.160
<v Speaker 1>out of high school. I was a deckhand and oh

473
00:23:10.200 --> 00:23:14.319
<v Speaker 1>really yeah, I designed Martin groffloads for a few years. Yeah. Wow,

474
00:23:14.519 --> 00:23:17.680
<v Speaker 1>a typical career path. You know, are you a visual

475
00:23:17.759 --> 00:23:23.079
<v Speaker 1>artist is a sort of I was. Yeah. They paid me, yeah,

476
00:23:23.480 --> 00:23:29.920
<v Speaker 1>which was astonishing. Wait, I I do this stuff for free. Yeah.

477
00:23:29.920 --> 00:23:32.799
<v Speaker 1>I worked for Comas Momis and Proteus for about two years.

478
00:23:32.839 --> 00:23:35.200
<v Speaker 1>Two and a half years. Those are the names of

479
00:23:35.240 --> 00:23:38.839
<v Speaker 1>the cruise k R E W E S. And that

480
00:23:38.880 --> 00:23:44.079
<v Speaker 1>means parade group in New Orleans. And uh yeah for

481
00:23:44.279 --> 00:23:49.000
<v Speaker 1>and I not Bacchus, Comas Moments, Proteus Olympia. They were

482
00:23:49.000 --> 00:23:55.720
<v Speaker 1>over in Slide Dell. Everybody yes, well yeah, there you

483
00:23:55.759 --> 00:24:00.279
<v Speaker 1>go on dasher On. No, but but that was me.

484
00:24:00.480 --> 00:24:04.039
<v Speaker 2>Yeah, wow, wow, it's how long were you in New

485
00:24:04.119 --> 00:24:04.920
<v Speaker 2>Orleans area?

486
00:24:05.119 --> 00:24:07.240
<v Speaker 1>Oh? Maybe ten years?

487
00:24:07.279 --> 00:24:09.720
<v Speaker 2>Oh my gosh, you probably got a good Cajun accent

488
00:24:09.720 --> 00:24:10.640
<v Speaker 2>and all that suff Oh.

489
00:24:10.559 --> 00:24:13.759
<v Speaker 1>Yeah, I've that's good I've been designated Cajun a lot

490
00:24:14.000 --> 00:24:15.000
<v Speaker 1>like a Hanna Barbara.

491
00:24:15.119 --> 00:24:16.000
<v Speaker 2>Oh that's good to have.

492
00:24:16.240 --> 00:24:19.200
<v Speaker 1>Yeah, because nothing pisses me off. And I'll get this

493
00:24:19.279 --> 00:24:23.880
<v Speaker 1>off my chest again. I probably have you know, Lety'll say, Okay,

494
00:24:23.920 --> 00:24:26.720
<v Speaker 1>now we need a Cagun. That ain't gonna be no problem.

495
00:24:27.240 --> 00:24:30.640
<v Speaker 1>I'll tell you what. I'm a cage and I'm thinking, no, yeah,

496
00:24:30.640 --> 00:24:34.640
<v Speaker 1>that's really good. No you're not, how about that? You know?

497
00:24:34.839 --> 00:24:38.640
<v Speaker 1>But I did get that cage of letterhead. He was

498
00:24:38.680 --> 00:24:42.279
<v Speaker 1>from them teenaged newtant Ninja turtle and they dog like

499
00:24:42.359 --> 00:24:45.960
<v Speaker 1>that and that's and that was, for what it's worth,

500
00:24:46.000 --> 00:24:49.640
<v Speaker 1>that was literally my uh, the voice of my first

501
00:24:50.079 --> 00:24:52.519
<v Speaker 1>because I'm sure you do this too. He was my

502
00:24:52.599 --> 00:24:55.920
<v Speaker 1>first captain on a tugboat. He was on the old Dutch.

503
00:24:56.000 --> 00:24:57.319
<v Speaker 2>I never forget your first captain.

504
00:24:57.519 --> 00:25:00.880
<v Speaker 1>You never forget your first captain. And he hated my guts.

505
00:25:02.400 --> 00:25:05.319
<v Speaker 1>What I got some Yankee college board. This is my

506
00:25:05.440 --> 00:25:08.079
<v Speaker 1>last time on the river. I got to put up

507
00:25:08.119 --> 00:25:14.319
<v Speaker 1>with your little pickass at you and I'm sorry. I'm

508
00:25:14.359 --> 00:25:19.160
<v Speaker 1>from Youngstown a while and uh, but I picked up

509
00:25:19.160 --> 00:25:22.160
<v Speaker 1>on the Cajun accent and I've, like I say, I've

510
00:25:22.240 --> 00:25:24.519
<v Speaker 1>used it oh for sure, for sure.

511
00:25:24.759 --> 00:25:25.720
<v Speaker 5>Now it's so great.

512
00:25:25.920 --> 00:25:29.559
<v Speaker 1>Yeah. And when Ray the Firefly, Princess and the Frog,

513
00:25:30.240 --> 00:25:31.440
<v Speaker 1>you know, he from down there.

514
00:25:31.519 --> 00:25:33.960
<v Speaker 10>Yeah, will you come on, we pass a good dome,

515
00:25:34.119 --> 00:25:38.160
<v Speaker 10>make me like my butt and uh so yeah that's me.

516
00:25:38.400 --> 00:25:41.519
<v Speaker 1>I love the dynamics, so that that's fantastic. Yeah, I mean,

517
00:25:42.519 --> 00:25:44.599
<v Speaker 1>you know, you're quite a sponge too, I mean I am.

518
00:25:44.680 --> 00:25:48.279
<v Speaker 2>I am a total sponge. I mean, uh and I

519
00:25:48.319 --> 00:25:51.119
<v Speaker 2>find it's the best way to learn an accent that

520
00:25:51.200 --> 00:25:53.960
<v Speaker 2>I've ever encountered is actually make friends with somebody from

521
00:25:54.039 --> 00:25:56.160
<v Speaker 2>that place and just kind of be them, you know,

522
00:25:56.240 --> 00:25:58.720
<v Speaker 2>because they'll give you. First of all, you're in the

523
00:25:58.799 --> 00:26:01.599
<v Speaker 2>room with them. You're right with them, you know, living

524
00:26:01.640 --> 00:26:05.039
<v Speaker 2>life in some respect, and so you know about their

525
00:26:05.119 --> 00:26:08.480
<v Speaker 2>viewpoint and their background and how they hold themselves, and

526
00:26:08.519 --> 00:26:10.720
<v Speaker 2>you know so much. So much data comes from just

527
00:26:10.759 --> 00:26:14.079
<v Speaker 2>a direct thing, far better than just checking on YouTube

528
00:26:14.119 --> 00:26:16.440
<v Speaker 2>and looking at some little interview with someone who is

529
00:26:16.559 --> 00:26:19.200
<v Speaker 2>you know too. But if you can actually be with

530
00:26:19.240 --> 00:26:23.400
<v Speaker 2>someone and that's your buddy, And that's how I learned

531
00:26:23.400 --> 00:26:27.079
<v Speaker 2>the Australian accent. Knowing a lot of people down in Australia,

532
00:26:27.200 --> 00:26:30.720
<v Speaker 2>people down in Sydney, lovely people that you know, delightful

533
00:26:30.720 --> 00:26:34.119
<v Speaker 2>to spake with, and it would be hard to learn it.

534
00:26:34.200 --> 00:26:37.359
<v Speaker 2>Other ways, I think it easier my first boss. You

535
00:26:37.400 --> 00:26:39.079
<v Speaker 2>made me think of my boss who I worked at

536
00:26:39.119 --> 00:26:41.160
<v Speaker 2>an art supply store. I'm also an artist, and I

537
00:26:41.200 --> 00:26:43.200
<v Speaker 2>worked at an art supplies store in high school and

538
00:26:43.440 --> 00:26:44.200
<v Speaker 2>ran deliveries.

539
00:26:44.559 --> 00:26:45.319
<v Speaker 1>Nice and my.

540
00:26:45.319 --> 00:26:51.640
<v Speaker 2>Boss, mister Alfhauser, was German who had been in the

541
00:26:51.759 --> 00:26:55.359
<v Speaker 2>Second World War. I moved to England and was so

542
00:26:55.400 --> 00:26:58.319
<v Speaker 2>he had sort of a hybrid accent. It was German,

543
00:26:58.359 --> 00:26:59.839
<v Speaker 2>but he would say, young man, we've got to get

544
00:26:59.839 --> 00:27:03.319
<v Speaker 2>you the road, and it was a sort of British

545
00:27:03.400 --> 00:27:05.759
<v Speaker 2>German thing, and I was like, yeah, cool the way

546
00:27:05.799 --> 00:27:06.400
<v Speaker 2>he sounds.

547
00:27:07.759 --> 00:27:09.759
<v Speaker 1>Yeah, that's interested in a part. But I can't believe

548
00:27:09.799 --> 00:27:11.759
<v Speaker 1>and I heard both of them. That's pretty good.

549
00:27:12.119 --> 00:27:14.480
<v Speaker 2>Yeah, it's just me being him so's yeah. Yeah, it's

550
00:27:14.640 --> 00:27:16.880
<v Speaker 2>all those little indicators are there.

551
00:27:16.960 --> 00:27:19.480
<v Speaker 4>Do you play any instruments or have a musical background.

552
00:27:19.799 --> 00:27:23.599
<v Speaker 2>I love to sing. I never have learned an instrument.

553
00:27:23.680 --> 00:27:27.000
<v Speaker 2>I started to learn. I got interested in the piano,

554
00:27:27.640 --> 00:27:33.599
<v Speaker 2>but never really because I drew cartoons and I drew constantly.

555
00:27:33.759 --> 00:27:38.279
<v Speaker 5>That was kind of my little artistic flow, and.

556
00:27:38.240 --> 00:27:43.440
<v Speaker 2>I I just focused on that, and I regret not

557
00:27:43.519 --> 00:27:44.480
<v Speaker 2>knowing how to play keyboard.

558
00:27:44.680 --> 00:27:47.480
<v Speaker 5>But my father my parents were divorced, so I go

559
00:27:47.480 --> 00:27:47.759
<v Speaker 5>to my.

560
00:27:47.799 --> 00:27:49.799
<v Speaker 1>Father's house on the weekends. And he was.

561
00:27:51.599 --> 00:27:53.279
<v Speaker 5>A guitar player and a folk singer.

562
00:27:53.559 --> 00:27:56.279
<v Speaker 2>Oh and we would not professionally, but that was his

563
00:27:56.440 --> 00:27:57.680
<v Speaker 2>kind of hobby and we should add it.

564
00:27:58.039 --> 00:27:59.920
<v Speaker 5>And he would sing Jimmy Rodgers songs.

565
00:28:00.079 --> 00:28:02.480
<v Speaker 2>He would introduce me to a lot of music, and

566
00:28:02.480 --> 00:28:04.599
<v Speaker 2>he would play guitar, and he and my sister and I,

567
00:28:04.759 --> 00:28:09.599
<v Speaker 2>my younger sister, would sing every weekend for an hour

568
00:28:09.640 --> 00:28:10.160
<v Speaker 2>and a half.

569
00:28:10.480 --> 00:28:13.240
<v Speaker 1>Wow, you know before dinner. Well, let's see grant his

570
00:28:13.319 --> 00:28:15.480
<v Speaker 1>guitar and smoke a cigarette and no kids.

571
00:28:15.519 --> 00:28:17.559
<v Speaker 2>We'd sing the fox lie down on chili and I

572
00:28:17.920 --> 00:28:18.599
<v Speaker 2>pray to the moon.

573
00:28:18.680 --> 00:28:20.400
<v Speaker 1>Dude, give him my you know.

574
00:28:20.400 --> 00:28:23.000
<v Speaker 2>We'd sing these old texts of songs or whatever the

575
00:28:23.039 --> 00:28:23.480
<v Speaker 2>little kids.

576
00:28:26.359 --> 00:28:27.359
<v Speaker 1>It was so sweet.

577
00:28:27.599 --> 00:28:31.039
<v Speaker 2>And yeah, I don't think anything of it, you know,

578
00:28:31.279 --> 00:28:32.880
<v Speaker 2>you don't when you're a kid, just like, no, this

579
00:28:32.960 --> 00:28:33.799
<v Speaker 2>is what we do every weekend.

580
00:28:33.839 --> 00:28:34.160
<v Speaker 1>We do this.

581
00:28:34.240 --> 00:28:38.359
<v Speaker 2>And but later on I realized, well I learned that

582
00:28:38.400 --> 00:28:43.279
<v Speaker 2>there's singing is fairly simple activity. It's nothing. I mean,

583
00:28:43.279 --> 00:28:44.680
<v Speaker 2>if you want to be a professional. I guess you

584
00:28:44.720 --> 00:28:47.119
<v Speaker 2>can get training. Then it's like a thing you can

585
00:28:47.240 --> 00:28:49.319
<v Speaker 2>you can go down that road. You can you know,

586
00:28:49.599 --> 00:28:50.319
<v Speaker 2>dig that row.

587
00:28:50.720 --> 00:28:54.240
<v Speaker 1>You get trained for training for singing and little here

588
00:28:54.279 --> 00:28:55.359
<v Speaker 1>and there, here and there.

589
00:28:55.359 --> 00:29:00.920
<v Speaker 2>But I I, since that wasn't really where my heart

590
00:29:01.000 --> 00:29:03.000
<v Speaker 2>so much lay. I was already like I can sing,

591
00:29:03.119 --> 00:29:05.240
<v Speaker 2>I can sing out, and I've sung for Disney a

592
00:29:05.279 --> 00:29:08.599
<v Speaker 2>bunch of times, and I'm good.

593
00:29:08.480 --> 00:29:12.359
<v Speaker 5>Enough to with help muscle through something.

594
00:29:12.400 --> 00:29:15.839
<v Speaker 1>I just quickly. I worked on a game.

595
00:29:15.640 --> 00:29:19.400
<v Speaker 5>Called Epic Mickey hm oh, which you probably were on too.

596
00:29:19.440 --> 00:29:20.839
<v Speaker 1>Yeah, I think I was in there something. Yeah, I'm

597
00:29:20.880 --> 00:29:23.400
<v Speaker 1>sure you were, with a lot of characters black blots

598
00:29:23.400 --> 00:29:24.519
<v Speaker 1>on the screen or whatever.

599
00:29:24.960 --> 00:29:28.440
<v Speaker 2>I remember that exactly. So Epic Mickey won. There was

600
00:29:28.480 --> 00:29:31.440
<v Speaker 2>a character and it was all these kind of backwater

601
00:29:32.680 --> 00:29:35.440
<v Speaker 2>that's not the right word, but the ancillary characters of

602
00:29:35.440 --> 00:29:37.400
<v Speaker 2>Disney that they had in the in the store room

603
00:29:37.559 --> 00:29:40.480
<v Speaker 2>somewhere that they still owned and they wanted to kind of,

604
00:29:40.519 --> 00:29:44.440
<v Speaker 2>you know, revivify. And there was a character of a

605
00:29:44.480 --> 00:29:48.279
<v Speaker 2>mad doctor, this big slavic looking guy with rubber gloves

606
00:29:48.279 --> 00:29:53.759
<v Speaker 2>in a white lab called which was that was it

607
00:29:53.799 --> 00:29:58.960
<v Speaker 2>for Mickey still has a shop and on labra.

608
00:30:00.759 --> 00:30:01.960
<v Speaker 1>Brain transplants.

609
00:30:02.480 --> 00:30:04.279
<v Speaker 4>Yes, yeah, hair.

610
00:30:04.519 --> 00:30:06.960
<v Speaker 2>But anyway, so that was like in Epic Mickey one,

611
00:30:07.039 --> 00:30:09.279
<v Speaker 2>that was all he did. He may have said a

612
00:30:09.279 --> 00:30:11.559
<v Speaker 2>couple of things, but he just kind of laughed niacically.

613
00:30:11.960 --> 00:30:13.519
<v Speaker 2>A couple of years later, they said, hey, they're doing

614
00:30:13.880 --> 00:30:16.240
<v Speaker 2>Epic Mickey two. Did you were you on that one?

615
00:30:16.720 --> 00:30:18.079
<v Speaker 1>I don't. I don't know.

616
00:30:18.119 --> 00:30:20.000
<v Speaker 2>So they said, well, well the Mad Doctor's back in

617
00:30:20.039 --> 00:30:21.960
<v Speaker 2>that big Mickey too, and I'm like, oh, that's good.

618
00:30:22.720 --> 00:30:27.200
<v Speaker 2>I show up and it's like five ballads, ballads, ballads,

619
00:30:27.279 --> 00:30:33.240
<v Speaker 2>song you just did singing oh and complex like Sondheim

620
00:30:33.400 --> 00:30:35.039
<v Speaker 2>ishu you know.

621
00:30:35.079 --> 00:30:41.440
<v Speaker 5>So he went from to rather big orchestral numbers some.

622
00:30:43.079 --> 00:30:43.839
<v Speaker 1>Yeah like that.

623
00:30:44.000 --> 00:30:45.359
<v Speaker 4>Like so, how did you tackle that?

624
00:30:45.720 --> 00:30:49.200
<v Speaker 2>Well a bar at a time. I mean, I'm pretty

625
00:30:49.200 --> 00:30:50.599
<v Speaker 2>good at remembering.

626
00:30:50.440 --> 00:30:54.599
<v Speaker 4>They want yeah still yeah yeah, singing like that.

627
00:30:54.559 --> 00:30:57.400
<v Speaker 2>But singing yeah, so, which, you know, that's something we

628
00:30:57.440 --> 00:30:59.519
<v Speaker 2>have to do. We have to stress out our voices sometimes.

629
00:30:59.519 --> 00:31:02.960
<v Speaker 2>But they had a piano track and Ben Hoppey at

630
00:31:02.960 --> 00:31:06.680
<v Speaker 2>Disney character voices helped me because I don't read music,

631
00:31:07.160 --> 00:31:09.720
<v Speaker 2>but I would have the music there and I go, oh,

632
00:31:09.839 --> 00:31:12.240
<v Speaker 2>I see it is that same note that all goes

633
00:31:12.240 --> 00:31:13.799
<v Speaker 2>down a little bit. Okay, I kind of understand that,

634
00:31:13.839 --> 00:31:16.279
<v Speaker 2>and I was like clinging to it like a barnacle

635
00:31:16.519 --> 00:31:20.799
<v Speaker 2>aside the bar vessel, you know. And we got through

636
00:31:20.839 --> 00:31:24.519
<v Speaker 2>it and they were happy, and the game did not

637
00:31:24.599 --> 00:31:29.319
<v Speaker 2>do well. But later on they sent me a CD.

638
00:31:29.519 --> 00:31:31.160
<v Speaker 2>They said, hey, do you want to hear the soundtrack

639
00:31:31.200 --> 00:31:34.079
<v Speaker 2>of the thing, And then they had laid the orchestra

640
00:31:34.119 --> 00:31:36.640
<v Speaker 2>behind me, and when I played it, it was this

641
00:31:36.720 --> 00:31:40.440
<v Speaker 2>weird disconnect of like, when did I do this Broadway show?

642
00:31:40.880 --> 00:31:41.279
<v Speaker 1>Oh?

643
00:31:41.559 --> 00:31:44.039
<v Speaker 5>Yeah, because it's now everything.

644
00:31:43.640 --> 00:31:46.880
<v Speaker 1>Because you probably just were going with the melody a

645
00:31:47.000 --> 00:31:48.240
<v Speaker 1>very pane.

646
00:31:48.039 --> 00:31:50.559
<v Speaker 2>Anyway, So I came out to say, and I loved

647
00:31:50.599 --> 00:31:52.559
<v Speaker 2>to sing, but I don't play these instruments.

648
00:31:52.559 --> 00:31:54.480
<v Speaker 3>To answer your question, yeah, the reason I asked was

649
00:31:54.559 --> 00:31:57.480
<v Speaker 3>just because with impressions and from the people that we've

650
00:31:57.480 --> 00:31:59.279
<v Speaker 3>talked to and had on this show, it seems like

651
00:31:59.359 --> 00:32:01.920
<v Speaker 3>you all have a really good ear and really good

652
00:32:01.960 --> 00:32:03.519
<v Speaker 3>at hearing your own voice.

653
00:32:03.640 --> 00:32:05.200
<v Speaker 1>Yeah, and you're interested in that.

654
00:32:05.279 --> 00:32:08.920
<v Speaker 2>You're interested in the vibrations and in the pacing, and

655
00:32:08.960 --> 00:32:12.359
<v Speaker 2>then how much air is in it and the speed

656
00:32:12.440 --> 00:32:14.160
<v Speaker 2>and the velocity and all of the things that make

657
00:32:14.240 --> 00:32:17.400
<v Speaker 2>up an impression. You know, I think a lot I'm

658
00:32:17.440 --> 00:32:23.240
<v Speaker 2>sure you do this instinctively, Jims as an impressionist yourself, well,

659
00:32:23.319 --> 00:32:24.160
<v Speaker 2>like Sterling.

660
00:32:23.799 --> 00:32:25.359
<v Speaker 1>Holloway, a lot of air sure.

661
00:32:25.880 --> 00:32:29.799
<v Speaker 2>And also also there's a factor that I haven't heard

662
00:32:29.799 --> 00:32:32.759
<v Speaker 2>anyone talk about before, which is kind of like pressure,

663
00:32:33.720 --> 00:32:39.119
<v Speaker 2>how much pressure is it contained? And being you know,

664
00:32:39.400 --> 00:32:42.960
<v Speaker 2>modulated by the voice, you know, because we kind of

665
00:32:43.000 --> 00:32:44.680
<v Speaker 2>like we're kind of relaxed and we kind of let

666
00:32:44.680 --> 00:32:45.279
<v Speaker 2>things come out with.

667
00:32:45.359 --> 00:32:48.440
<v Speaker 6>Other people have I'm thinking of like Steven Spielberg kind

668
00:32:48.480 --> 00:32:51.240
<v Speaker 6>of seems to have just a little bit of it's

669
00:32:51.240 --> 00:32:53.160
<v Speaker 6>a little bit under pressure a little bit and the

670
00:32:53.200 --> 00:32:55.599
<v Speaker 6>sound kind of comes out little little gusts.

671
00:32:55.960 --> 00:32:59.279
<v Speaker 5>Yeah, and that's just something I listened for other people

672
00:32:59.359 --> 00:33:00.400
<v Speaker 5>are you know.

673
00:33:00.599 --> 00:33:06.640
<v Speaker 1>Like almost its like a big loose balloon. Yeah. Pat

674
00:33:06.720 --> 00:33:10.519
<v Speaker 1>Freeley pointed that out a long long time ago, and

675
00:33:10.559 --> 00:33:15.440
<v Speaker 1>it was he was quoting Dale Robertson, and Dale Robertson

676
00:33:15.559 --> 00:33:22.079
<v Speaker 1>was a fifties sixties cowboy actor and he would always

677
00:33:24.400 --> 00:33:30.200
<v Speaker 1>let me tell you it's another Western deal, you know,

678
00:33:30.279 --> 00:33:33.480
<v Speaker 1>and it was kind of like, Okay, what's exactly that

679
00:33:33.599 --> 00:33:34.640
<v Speaker 1>get this guy at Tom's.

680
00:33:36.160 --> 00:33:38.920
<v Speaker 2>It's like it's a particular factor of the instrument. I mean,

681
00:33:39.000 --> 00:33:41.880
<v Speaker 2>we play this instrument. Yeah, that's right, our lungs in

682
00:33:41.920 --> 00:33:45.799
<v Speaker 2>our throat and the cavern of our mouth and changing

683
00:33:45.839 --> 00:33:49.119
<v Speaker 2>you know, the depth of it, and making the shalloon

684
00:33:49.160 --> 00:33:52.039
<v Speaker 2>and all of those things and pitch and rhythm, and.

685
00:33:52.920 --> 00:33:55.000
<v Speaker 1>It's just obviously we're interested.

686
00:33:55.039 --> 00:33:56.519
<v Speaker 5>You were interested since you were five.

687
00:33:56.839 --> 00:34:00.559
<v Speaker 1>Yeah, yeah, yeah. And it was just basically just doing

688
00:34:01.160 --> 00:34:06.519
<v Speaker 1>impressions of everybody that I could. So that's what got

689
00:34:06.559 --> 00:34:08.960
<v Speaker 1>me going. And like I said I would, I would

690
00:34:09.000 --> 00:34:13.639
<v Speaker 1>do impressions of people that nobody knew, so new character.

691
00:34:14.880 --> 00:34:15.880
<v Speaker 1>And I'm sure you've done the.

692
00:34:15.840 --> 00:34:18.440
<v Speaker 5>Same, yeah, and hybridizing them yeah together.

693
00:34:18.519 --> 00:34:22.159
<v Speaker 1>Yeah. Yeah. What was your first gig in show business?

694
00:34:22.199 --> 00:34:25.000
<v Speaker 1>Did we touch on that? I mean, oh, like number.

695
00:34:24.760 --> 00:34:35.039
<v Speaker 2>One first paying gig was really nepotism perfect. Yeah. Yeah,

696
00:34:35.079 --> 00:34:37.280
<v Speaker 2>I was on an episode of Happy Days and.

697
00:34:37.239 --> 00:34:39.159
<v Speaker 1>I don't remember all that must have been awful.

698
00:34:39.239 --> 00:34:41.639
<v Speaker 2>I don't remember auditioning. I don't think. I think it

699
00:34:41.760 --> 00:34:45.440
<v Speaker 2>just got handed to me. Sure, And it's now all

700
00:34:45.519 --> 00:34:50.119
<v Speaker 2>these years later, it is. It is a famous episode

701
00:34:51.280 --> 00:34:54.960
<v Speaker 2>referred to on a daily basis. It is the jump

702
00:34:55.000 --> 00:34:57.480
<v Speaker 2>to shark episode, and I am a young man on

703
00:34:57.519 --> 00:35:01.159
<v Speaker 2>the beach that announces that there is, in fact sharks

704
00:35:01.239 --> 00:35:06.119
<v Speaker 2>and I say, I think Ralph or Potzy comes out

705
00:35:06.119 --> 00:35:08.440
<v Speaker 2>of the surf and says, what's going on?

706
00:35:08.519 --> 00:35:09.199
<v Speaker 1>What's going on?

707
00:35:09.639 --> 00:35:12.360
<v Speaker 2>And I say, they got a shark out there. They

708
00:35:12.440 --> 00:35:14.440
<v Speaker 2>got to pend up until marine Land can come and

709
00:35:14.480 --> 00:35:15.000
<v Speaker 2>pick it up.

710
00:35:15.440 --> 00:35:19.280
<v Speaker 1>Exposition wow. And then if you unpack that, you sound

711
00:35:19.440 --> 00:35:22.360
<v Speaker 1>just like you. Yeah, actually not much more like this.

712
00:35:22.920 --> 00:35:25.639
<v Speaker 2>I have much tighter but still look I'm in great

713
00:35:25.679 --> 00:35:28.280
<v Speaker 2>shape back then, seventeen years old on the beach with

714
00:35:28.480 --> 00:35:31.599
<v Speaker 2>Jerry Parris's son, the director's son is also in.

715
00:35:31.519 --> 00:35:32.199
<v Speaker 1>That scene with me.

716
00:35:32.519 --> 00:35:34.519
<v Speaker 2>A lot of nepotism on that one, but that The

717
00:35:34.559 --> 00:35:37.559
<v Speaker 2>funny thing about that is funny or weird is that

718
00:35:37.840 --> 00:35:40.360
<v Speaker 2>people think, jump the shark. It's come to mean something.

719
00:35:40.599 --> 00:35:42.360
<v Speaker 2>What does it mean to you? Jump the shark? When

720
00:35:42.360 --> 00:35:43.719
<v Speaker 2>a show is jumped the shark.

721
00:35:43.840 --> 00:35:47.480
<v Speaker 1>Jump the shark? It means to me, I've always understood

722
00:35:47.519 --> 00:35:51.239
<v Speaker 1>it is we gotta do something. We gotta do something.

723
00:35:51.519 --> 00:35:54.159
<v Speaker 1>We're losing we're losing viewership here.

724
00:35:54.199 --> 00:35:54.920
<v Speaker 4>We gotta.

725
00:35:56.199 --> 00:35:59.320
<v Speaker 1>Got to jump the shark. Exactly exactly? Is that? Is that?

726
00:35:59.360 --> 00:35:59.400
<v Speaker 2>What?

727
00:35:59.639 --> 00:35:59.800
<v Speaker 1>Yeah?

728
00:35:59.800 --> 00:36:02.159
<v Speaker 2>That's that's definitely. I think one of the definitions of

729
00:36:02.199 --> 00:36:03.840
<v Speaker 2>it are one of the ways it's used. Another one

730
00:36:03.880 --> 00:36:07.519
<v Speaker 2>is like, Wow, this show has outlived It's it's welcome,

731
00:36:07.559 --> 00:36:11.119
<v Speaker 2>it's over state, it's welcome, and they're resorting to stunt

732
00:36:11.199 --> 00:36:13.079
<v Speaker 2>casting and bizarre things and we'll it's.

733
00:36:12.960 --> 00:36:14.519
<v Speaker 5>Do a musical version of the show of.

734
00:36:15.760 --> 00:36:20.400
<v Speaker 2>Swat and so that's the way I think of it.

735
00:36:20.440 --> 00:36:23.920
<v Speaker 2>But weird thing is Happy Days a round eleven seasons.

736
00:36:24.000 --> 00:36:28.599
<v Speaker 2>That was the fifth season the jumped the Shark episode. Wow,

737
00:36:28.960 --> 00:36:30.119
<v Speaker 2>had it really jumped to Shark?

738
00:36:30.280 --> 00:36:30.679
<v Speaker 1>I don't know.

739
00:36:31.360 --> 00:36:33.039
<v Speaker 2>They still had a lot of mile lege ahead and

740
00:36:33.119 --> 00:36:36.440
<v Speaker 2>Ron was still on the show. He didn't leave until

741
00:36:37.920 --> 00:36:38.599
<v Speaker 2>season seven.

742
00:36:38.679 --> 00:36:42.119
<v Speaker 1>I think when did When did he he left? I

743
00:36:42.159 --> 00:36:44.719
<v Speaker 1>don't even Yeah, yeah, that's direct.

744
00:36:45.079 --> 00:36:49.480
<v Speaker 2>Yeah, he always wanted to direct from a young age.

745
00:36:49.519 --> 00:36:51.239
<v Speaker 2>I mean he had it as an actor by the

746
00:36:51.280 --> 00:36:54.000
<v Speaker 2>time he was probably yeah, Ron Howard by about eight nine,

747
00:36:54.039 --> 00:36:56.280
<v Speaker 2>he was like a lot other jobs I have here,

748
00:36:56.920 --> 00:36:57.719
<v Speaker 2>that looks interesting.

749
00:36:58.559 --> 00:36:59.559
<v Speaker 5>Oh, that's cool.

750
00:37:00.559 --> 00:37:03.400
<v Speaker 2>I've worked for Ron a few times, five of his

751
00:37:03.480 --> 00:37:06.199
<v Speaker 2>films and yeah, very remarkable guy.

752
00:37:07.199 --> 00:37:11.599
<v Speaker 1>As it happens, I watched three Andy Griffiths yesterday. I

753
00:37:11.719 --> 00:37:16.519
<v Speaker 1>just you know tvlan Oh, I watch this great show.

754
00:37:16.679 --> 00:37:20.000
<v Speaker 1>Oh yeah, done knuts? Oh God, did you ever work

755
00:37:20.039 --> 00:37:22.679
<v Speaker 1>with him? You must have no wood that I did.

756
00:37:23.079 --> 00:37:25.280
<v Speaker 1>I'm sure you haven't done nuts and I met him

757
00:37:25.280 --> 00:37:25.719
<v Speaker 1>one time.

758
00:37:25.960 --> 00:37:29.599
<v Speaker 2>Yeah, it's not when I specialized, I need to I

759
00:37:29.639 --> 00:37:31.840
<v Speaker 2>need to dig deep.

760
00:37:31.880 --> 00:37:35.280
<v Speaker 3>And how long how long does it take you, like

761
00:37:35.320 --> 00:37:37.800
<v Speaker 3>when you hear a voice that you want to impersonate,

762
00:37:37.960 --> 00:37:40.440
<v Speaker 3>or how long does it take you to develop that sound?

763
00:37:41.000 --> 00:37:43.800
<v Speaker 2>You know, it's no set time. I mean everyone someone

764
00:37:43.880 --> 00:37:47.519
<v Speaker 2>some I'm still struggling with, you know, people like Alan

765
00:37:47.599 --> 00:37:54.639
<v Speaker 2>Rickman left a sort of back off myself. Really, it

766
00:37:54.679 --> 00:37:55.920
<v Speaker 2>takes a lot of practice.

767
00:37:56.519 --> 00:38:01.440
<v Speaker 1>It's really really good. Some I listened to.

768
00:38:01.480 --> 00:38:04.400
<v Speaker 2>I mean because my agent every day or every couple

769
00:38:04.360 --> 00:38:06.400
<v Speaker 2>of days sends me something, can you sound like this person?

770
00:38:06.440 --> 00:38:08.760
<v Speaker 2>It's not always someone famous. It's often someone they're just

771
00:38:09.840 --> 00:38:13.440
<v Speaker 2>replacing in a little bit of a movie or a

772
00:38:13.519 --> 00:38:16.400
<v Speaker 2>TV show because there was some grinding sound or you

773
00:38:16.400 --> 00:38:18.880
<v Speaker 2>know or yeah, yeah where he had flam or something

774
00:38:18.880 --> 00:38:21.000
<v Speaker 2>he had a cold. Yeah, And so I'll listen to

775
00:38:21.000 --> 00:38:23.679
<v Speaker 2>this person and usually within a few seconds I can go, Okay,

776
00:38:25.119 --> 00:38:28.039
<v Speaker 2>good age range. Yeah, you know, it's like a ven

777
00:38:28.039 --> 00:38:29.760
<v Speaker 2>diagram instantly forms of my mind.

778
00:38:29.760 --> 00:38:30.519
<v Speaker 1>Good age range.

779
00:38:30.519 --> 00:38:34.480
<v Speaker 2>I know that accent and I see what he's doing, uh,

780
00:38:34.880 --> 00:38:37.400
<v Speaker 2>you know, Or it's like oh no, he's twenty five.

781
00:38:37.599 --> 00:38:38.119
<v Speaker 1>Forget it.

782
00:38:39.559 --> 00:38:41.400
<v Speaker 2>Yeah, what are you even asking me for?

783
00:38:41.480 --> 00:38:42.840
<v Speaker 1>It? Is human about that one?

784
00:38:42.920 --> 00:38:43.119
<v Speaker 4>Yeah?

785
00:38:43.199 --> 00:38:46.079
<v Speaker 2>Yeah, yeah, I don't even try that. Someone under forty.

786
00:38:46.079 --> 00:38:47.679
<v Speaker 2>I'm like, give me someone eighty.

787
00:38:48.239 --> 00:38:50.199
<v Speaker 1>Yeah, I'm all over there. I can do it. Yeah,

788
00:38:50.320 --> 00:38:50.840
<v Speaker 1>and good show.

789
00:38:50.880 --> 00:38:50.920
<v Speaker 2>You.

790
00:38:51.159 --> 00:38:53.400
<v Speaker 4>Do you have favorites? Do you have favorite ones that

791
00:38:53.480 --> 00:38:53.920
<v Speaker 4>you enjoyed?

792
00:38:54.320 --> 00:38:58.119
<v Speaker 10>But I lately I really enjoy some pat because there's

793
00:38:58.159 --> 00:39:02.480
<v Speaker 10>something about the whole persona. See, it's very very I mean,

794
00:39:02.480 --> 00:39:05.440
<v Speaker 10>if I could spend all day acting like this, I

795
00:39:05.440 --> 00:39:07.840
<v Speaker 10>think it would drive people in my family and saying,

796
00:39:07.920 --> 00:39:10.079
<v Speaker 10>but it would be very pleasant.

797
00:39:10.519 --> 00:39:13.760
<v Speaker 1>I just saw Beauty and the Beast yesterday, really, so

798
00:39:14.800 --> 00:39:16.559
<v Speaker 1>I just you know, it's one of those things comes

799
00:39:16.559 --> 00:39:19.280
<v Speaker 1>on and go, I'm not in the damn thing, mind you,

800
00:39:19.679 --> 00:39:22.840
<v Speaker 1>but it was really good. Is he in it? Yeah,

801
00:39:22.880 --> 00:39:26.599
<v Speaker 1>he's he's the I think he's it's the clock, the

802
00:39:26.639 --> 00:39:28.280
<v Speaker 1>live version, the live.

803
00:39:28.239 --> 00:39:31.039
<v Speaker 2>Live the did I see I don't think I've seen

804
00:39:31.079 --> 00:39:31.679
<v Speaker 2>the live version.

805
00:39:31.880 --> 00:39:32.199
<v Speaker 1>Yeah.

806
00:39:32.280 --> 00:39:34.119
<v Speaker 5>So it's a live version of the animated version.

807
00:39:33.920 --> 00:39:36.119
<v Speaker 4>Of the live Yes, yeah, yes, I think they have

808
00:39:36.119 --> 00:39:36.800
<v Speaker 4>a musical of it.

809
00:39:37.880 --> 00:39:40.000
<v Speaker 1>Yes, oh one.

810
00:39:40.039 --> 00:39:44.559
<v Speaker 2>But yeah, I met David Ogden Steers one time and

811
00:39:44.639 --> 00:39:49.360
<v Speaker 2>he did the Cogsworth Yeah, I did too, and also yeah,

812
00:39:49.760 --> 00:39:52.079
<v Speaker 2>and I met him one time and I was like,

813
00:39:52.360 --> 00:39:55.159
<v Speaker 2>you know, I really admire what you do. You did

814
00:39:55.159 --> 00:39:57.880
<v Speaker 2>the narration in the beginning of The Beauty of the Beast,

815
00:39:58.360 --> 00:39:59.880
<v Speaker 2>and right in the beginning of the show, it says,

816
00:40:00.880 --> 00:40:05.639
<v Speaker 2>and I said, you had this orchestral kind of delivery

817
00:40:05.679 --> 00:40:08.280
<v Speaker 2>because it went places, and he went, oh, that's very

818
00:40:08.320 --> 00:40:08.719
<v Speaker 2>nice of you.

819
00:40:09.199 --> 00:40:11.000
<v Speaker 5>Actually I'm an orchestra conductor.

820
00:40:11.719 --> 00:40:15.679
<v Speaker 1>No kidding. Yeah. Well, so he was in and I

821
00:40:15.679 --> 00:40:18.079
<v Speaker 1>think I ran into him a couple of times, you know,

822
00:40:18.119 --> 00:40:22.719
<v Speaker 1>I was in it, but yeah, the hell of a guy. Yeah.

823
00:40:23.199 --> 00:40:26.599
<v Speaker 2>Well, you remember very well the times when you and

824
00:40:26.639 --> 00:40:29.760
<v Speaker 2>your cohorts and the big stars would all get together

825
00:40:29.840 --> 00:40:31.960
<v Speaker 2>in a big recording studio and do the show.

826
00:40:33.559 --> 00:40:37.119
<v Speaker 1>That happens very infrequently. Now, yes it does. It's too good. Yeah,

827
00:40:37.159 --> 00:40:41.039
<v Speaker 1>and I don't like I never really did like it.

828
00:40:41.519 --> 00:40:44.599
<v Speaker 1>And I don't even know I remember when that happened.

829
00:40:44.639 --> 00:40:48.199
<v Speaker 1>But yeah, like Chippendale Rescue Rangers, all the Disney Afternoon

830
00:40:48.199 --> 00:40:52.000
<v Speaker 1>I was in all of the Disney Afternoon TV shows

831
00:40:52.039 --> 00:40:56.559
<v Speaker 1>and it started breaking up. Well when they got movie

832
00:40:56.599 --> 00:41:00.719
<v Speaker 1>stars and you know, they can't what time is it?

833
00:41:00.800 --> 00:41:03.519
<v Speaker 1>You know, can't you can't get there, you know, so

834
00:41:03.960 --> 00:41:07.920
<v Speaker 1>pick me up separately and then you know, but but

835
00:41:08.000 --> 00:41:09.679
<v Speaker 1>I did. Oh, I can tell you this story. I

836
00:41:09.719 --> 00:41:12.159
<v Speaker 1>hope I'm not boring because I've said it before. But

837
00:41:12.320 --> 00:41:16.519
<v Speaker 1>in Aladdin, I was in the Aladdins and Robin came

838
00:41:16.599 --> 00:41:18.880
<v Speaker 1>back for the third one because the second one made money,

839
00:41:18.880 --> 00:41:21.880
<v Speaker 1>and it was Dan Castlenetta doing the genie right, and

840
00:41:21.920 --> 00:41:24.000
<v Speaker 1>he didn't want to do a directive video, so he said,

841
00:41:24.119 --> 00:41:27.599
<v Speaker 1>oh no, not fantastic, and so he did first one,

842
00:41:27.719 --> 00:41:29.320
<v Speaker 1>not the second one, but he came back for the

843
00:41:29.360 --> 00:41:33.679
<v Speaker 1>third one. And there's this scene in which my charactersul I.

844
00:41:33.760 --> 00:41:37.280
<v Speaker 11>Was the big guard who you know, pred says, you

845
00:41:37.320 --> 00:41:38.880
<v Speaker 11>will have to take it up with you far I

846
00:41:38.960 --> 00:41:42.679
<v Speaker 11>was that guy, and and he decides he snaps his

847
00:41:42.679 --> 00:41:45.880
<v Speaker 11>fingers and he's a prosecuting attorney and I'm the witness

848
00:41:46.480 --> 00:41:48.440
<v Speaker 11>in the in the standard, he's going, so where were

849
00:41:48.519 --> 00:41:49.079
<v Speaker 11>you on the night?

850
00:41:49.239 --> 00:41:51.159
<v Speaker 1>You know this? And that? And and I had lived

851
00:41:51.199 --> 00:41:54.480
<v Speaker 1>something and they kept it and but then his line

852
00:41:54.519 --> 00:42:00.559
<v Speaker 1>didn't work, so he had to come back in and

853
00:42:00.599 --> 00:42:03.559
<v Speaker 1>do it again, and then we redid it again, and

854
00:42:03.599 --> 00:42:06.079
<v Speaker 1>then something happened something He goes, well, I'm sorry, but

855
00:42:06.119 --> 00:42:08.480
<v Speaker 1>I will not be upstaged by a tertiary character. And

856
00:42:08.559 --> 00:42:10.920
<v Speaker 1>he reached down and grabbed my toes and rolled me

857
00:42:11.000 --> 00:42:16.599
<v Speaker 1>up like a blind poofed me off into oblivion and

858
00:42:17.280 --> 00:42:18.760
<v Speaker 1>was never to be heard from again.

859
00:42:18.840 --> 00:42:19.400
<v Speaker 2>Oh my god.

860
00:42:19.440 --> 00:42:21.880
<v Speaker 1>So I get to say that I was personally dissed.

861
00:42:23.320 --> 00:42:27.320
<v Speaker 1>You are evaporated, You were vaporized? Yes, yes, feel free

862
00:42:27.360 --> 00:42:32.599
<v Speaker 1>to applaud. Yeah. Not everyone can say that Robin Williams

863
00:42:32.599 --> 00:42:33.400
<v Speaker 1>gave them the finger.

864
00:42:35.239 --> 00:42:40.559
<v Speaker 2>Generally has a pretty good reputation. I've been doing the

865
00:42:40.559 --> 00:42:45.760
<v Speaker 2>Blue Genie for a long time, after Dan, after after Dan,

866
00:42:45.800 --> 00:42:50.000
<v Speaker 2>and after Robin, but before Robin passed, but after Robin started.

867
00:42:49.719 --> 00:42:53.239
<v Speaker 1>Doing Yes, yes, yes, Oh man, have you ever done

868
00:42:53.239 --> 00:42:54.559
<v Speaker 1>a Simpsons? Just curious?

869
00:42:54.559 --> 00:42:57.960
<v Speaker 2>No, never done a Simpsons? Yeah, never done a Star

870
00:42:58.000 --> 00:43:01.760
<v Speaker 2>Wars thing? Hm, not that, not that I notice.

871
00:43:02.639 --> 00:43:06.280
<v Speaker 1>Yeah, yeah, not that I would have. Yeah, okay, if

872
00:43:06.280 --> 00:43:07.440
<v Speaker 1>they call it, I don't know if I have taby.

873
00:43:07.679 --> 00:43:11.159
<v Speaker 1>I really am kind of busy. If you're a fan

874
00:43:11.239 --> 00:43:14.519
<v Speaker 1>of everything we do here at tuned in with Jim Cummings,

875
00:43:14.719 --> 00:43:19.000
<v Speaker 1>you could support the show on Patreon for bonus exclusive podcasts,

876
00:43:19.400 --> 00:43:23.320
<v Speaker 1>as well as early in ad free access to the show. Itself,

877
00:43:23.559 --> 00:43:27.320
<v Speaker 1>prize drawings and more. You'll feel the difference. So go

878
00:43:27.360 --> 00:43:30.840
<v Speaker 1>ahead and join the tuned in family today at Patreon

879
00:43:30.960 --> 00:43:36.639
<v Speaker 1>dot com, slash Jim Cummings podcast Do it Now, it's

880
00:43:36.719 --> 00:43:39.719
<v Speaker 1>QUI impression impressions.

881
00:43:39.920 --> 00:43:40.920
<v Speaker 4>You want to tell us about that?

882
00:43:41.440 --> 00:43:44.559
<v Speaker 1>Oh sure, well let's see every now.

883
00:43:44.599 --> 00:43:46.760
<v Speaker 2>And then I put up a one man show because uh,

884
00:43:47.840 --> 00:43:49.760
<v Speaker 2>it's been a successful thing for me.

885
00:43:49.719 --> 00:43:52.079
<v Speaker 1>To just freaking thousands, why not cast.

886
00:43:51.840 --> 00:43:54.639
<v Speaker 2>A freaking thousands and people like it, and yeah, I

887
00:43:54.639 --> 00:43:57.679
<v Speaker 2>can do it cheaply, and my wife has a theater,

888
00:43:57.760 --> 00:43:59.159
<v Speaker 2>I can put it up there. And I did it

889
00:43:59.199 --> 00:44:03.800
<v Speaker 2>at the Gary Marshall Theater last September in honor partially

890
00:44:03.800 --> 00:44:06.559
<v Speaker 2>of the fiftieth anniversary of Happy Days. So it was

891
00:44:06.559 --> 00:44:08.280
<v Speaker 2>a good mixture, and I kind of leaned into my

892
00:44:08.960 --> 00:44:13.400
<v Speaker 2>Happy Days experience. I told the story of you know,

893
00:44:13.480 --> 00:44:16.400
<v Speaker 2>jumping the shop in the show and being around that

894
00:44:16.480 --> 00:44:19.039
<v Speaker 2>show and being around that set and those people from

895
00:44:19.119 --> 00:44:21.719
<v Speaker 2>a very early age, and kind of it was an

896
00:44:21.800 --> 00:44:23.519
<v Speaker 2>unusual time and so I.

897
00:44:23.440 --> 00:44:24.599
<v Speaker 5>Had a unique perspective.

898
00:44:25.159 --> 00:44:28.960
<v Speaker 2>And then I also, yeah, sing I do musical numbers,

899
00:44:28.960 --> 00:44:34.440
<v Speaker 2>which I've created with my keyboardist, Noah Sunday Lefkowitz and

900
00:44:35.880 --> 00:44:40.280
<v Speaker 2>did some audience interactive stuff. And you know, I've been

901
00:44:40.280 --> 00:44:44.920
<v Speaker 2>doing one man shows here and there since the early eighties,

902
00:44:45.480 --> 00:44:49.239
<v Speaker 2>and I like the challenge. It's super fun. People seem

903
00:44:49.280 --> 00:44:55.000
<v Speaker 2>to like it. It's not hugely lucrative or popular. I've

904
00:44:55.000 --> 00:44:56.039
<v Speaker 2>never done a tour.

905
00:44:56.039 --> 00:44:57.480
<v Speaker 4>But it sounds like you really enjoy it.

906
00:44:57.519 --> 00:44:59.400
<v Speaker 2>I do, and it kind of gets it kind of

907
00:45:00.800 --> 00:45:05.360
<v Speaker 2>you know, actors, especially ones that aren't maybe as fabulously successful,

908
00:45:05.360 --> 00:45:07.039
<v Speaker 2>and congratulations him on your career.

909
00:45:07.079 --> 00:45:08.480
<v Speaker 1>It's just inspirational.

910
00:45:08.920 --> 00:45:12.639
<v Speaker 2>But for the workaday actor who's still trying to struggling

911
00:45:12.679 --> 00:45:17.880
<v Speaker 2>to break in, I really count myself among you need

912
00:45:17.920 --> 00:45:21.719
<v Speaker 2>to sometimes convince yourself of what it is you do

913
00:45:21.840 --> 00:45:24.840
<v Speaker 2>that's good and can be appreciated. And I find that

914
00:45:24.880 --> 00:45:26.559
<v Speaker 2>if I can, if I do a one man show,

915
00:45:26.599 --> 00:45:28.239
<v Speaker 2>I kind of get it. I go, Okay, I see

916
00:45:28.280 --> 00:45:30.320
<v Speaker 2>I see the reaction. I see that people like this.

917
00:45:30.559 --> 00:45:31.519
<v Speaker 4>Yeah, it is.

918
00:45:31.519 --> 00:45:35.679
<v Speaker 2>Part of what I'm here to do, and I can always.

919
00:45:35.920 --> 00:45:38.280
<v Speaker 2>There's really no excuse to not do it every now

920
00:45:38.320 --> 00:45:41.880
<v Speaker 2>and then. So yeah, I put it up and I've

921
00:45:41.880 --> 00:45:44.480
<v Speaker 2>got a fairly nice video of it now too. If

922
00:45:44.480 --> 00:45:48.760
<v Speaker 2>anybody's interested, they can go to Jimskimon dot com contact

923
00:45:48.760 --> 00:45:51.960
<v Speaker 2>me there and I will send you the private.

924
00:45:51.639 --> 00:45:53.960
<v Speaker 1>Link absolutely free. Oh there you watch it.

925
00:45:54.920 --> 00:45:58.480
<v Speaker 2>And yeah, it's like I said, I've done a lot

926
00:45:58.480 --> 00:46:00.639
<v Speaker 2>of different things. I am very just didn't being a

927
00:46:01.719 --> 00:46:05.079
<v Speaker 2>TV and film actor, and I continue to pursue that

928
00:46:05.480 --> 00:46:08.519
<v Speaker 2>very avidly. Uh, but I am aware that I have

929
00:46:08.599 --> 00:46:11.920
<v Speaker 2>this skill. I worked on a Landman with Billy Bob Thornton,

930
00:46:12.159 --> 00:46:17.159
<v Speaker 2>uh the season finale of that show, and uh, you know,

931
00:46:17.239 --> 00:46:17.480
<v Speaker 2>and I.

932
00:46:17.440 --> 00:46:19.519
<v Speaker 5>Went, I was like, God, what's Billy Bob Thorny gonna

933
00:46:19.519 --> 00:46:19.760
<v Speaker 5>be like?

934
00:46:19.800 --> 00:46:22.199
<v Speaker 1>And ye what was he like? Well? He was he

935
00:46:22.280 --> 00:46:22.639
<v Speaker 1>was cool.

936
00:46:23.039 --> 00:46:24.840
<v Speaker 2>I actually had a really good time with him. So

937
00:46:24.920 --> 00:46:27.760
<v Speaker 2>he as the star of that show obviously, and we

938
00:46:27.760 --> 00:46:31.800
<v Speaker 2>were filming in a hospital, a real hospital in fort Worth,

939
00:46:32.320 --> 00:46:37.719
<v Speaker 2>and his his sort of assistant guy who's not bodyguard,

940
00:46:37.800 --> 00:46:40.880
<v Speaker 2>but you know, his major domo who is also used

941
00:46:40.920 --> 00:46:44.519
<v Speaker 2>to be Axel Rose's assistant, uh, taking care of him.

942
00:46:44.519 --> 00:46:49.079
<v Speaker 2>And he said, Bill Bob said, yeah, same same kind

943
00:46:49.079 --> 00:46:49.679
<v Speaker 2>of group of rocker.

944
00:46:50.719 --> 00:46:51.559
<v Speaker 1>Uh. He said, Uh.

945
00:46:51.960 --> 00:46:53.559
<v Speaker 2>Billy Bob said you can hang out with him if

946
00:46:53.559 --> 00:46:56.760
<v Speaker 2>you want, in his room and I'm like, okay, so

947
00:46:56.840 --> 00:46:59.639
<v Speaker 2>I go in and Billy Webb says, so, uh, I'll

948
00:46:59.679 --> 00:47:00.800
<v Speaker 2>hear you do impressions.

949
00:47:02.480 --> 00:47:05.719
<v Speaker 1>All right, we're gonna get along. We're gonna get exactly

950
00:47:05.719 --> 00:47:06.239
<v Speaker 1>what he said.

951
00:47:06.440 --> 00:47:09.480
<v Speaker 2>So I dragged out all my funny, weird, kind of

952
00:47:09.519 --> 00:47:10.920
<v Speaker 2>old movie impressions.

953
00:47:11.000 --> 00:47:13.679
<v Speaker 1>Yeah, like Burgess Murders. You know, I feel like that.

954
00:47:13.760 --> 00:47:18.360
<v Speaker 2>I told you to my body, the body.

955
00:47:17.840 --> 00:47:18.519
<v Speaker 1>And it was great.

956
00:47:19.079 --> 00:47:21.840
<v Speaker 5>And he's I respect him as an actor a lot.

957
00:47:22.000 --> 00:47:23.760
<v Speaker 1>I really like his.

958
00:47:25.400 --> 00:47:30.599
<v Speaker 2>Genuineness and authenticity, reality and subtlety and all that stuff.

959
00:47:30.719 --> 00:47:34.119
<v Speaker 1>You know. It was interesting because his first big splash

960
00:47:34.239 --> 00:47:37.800
<v Speaker 1>was sling Blade, right, and he he and he successfully

961
00:47:37.840 --> 00:47:42.920
<v Speaker 1>avoided the James Woods syndrome because James Wood's first big

962
00:47:42.960 --> 00:47:47.119
<v Speaker 1>movie was what was it? The movie where he played

963
00:47:47.119 --> 00:47:51.599
<v Speaker 1>a horrible, incredible, murdering killer type person. Yeah, and people

964
00:47:51.599 --> 00:47:54.800
<v Speaker 1>didn't want him. And I remember Cisco and Eber going, well,

965
00:47:54.800 --> 00:47:56.960
<v Speaker 1>this guy is incredible. He's blah blah blah blah. But

966
00:47:57.719 --> 00:48:00.559
<v Speaker 1>he's I understand he's struggling a bit together next role

967
00:48:00.599 --> 00:48:03.039
<v Speaker 1>because people are going, nobody wants him in my office.

968
00:48:03.079 --> 00:48:05.000
<v Speaker 1>I don't want I don't want him in my office.

969
00:48:05.480 --> 00:48:09.400
<v Speaker 1>And you know, and so you know, I think he

970
00:48:09.519 --> 00:48:14.079
<v Speaker 1>successfully avoid that quick aside. Billy Bob Thornton was my

971
00:48:14.360 --> 00:48:16.559
<v Speaker 1>dad in a cartoon.

972
00:48:16.840 --> 00:48:18.360
<v Speaker 5>Oh my god, cat Dog.

973
00:48:19.760 --> 00:48:24.360
<v Speaker 1>He was cat Dog and I'm kidding. Yeah, now you

974
00:48:24.360 --> 00:48:25.320
<v Speaker 1>can see the resemblance.

975
00:48:26.360 --> 00:48:28.440
<v Speaker 2>So, yeah, it's in the Caroline.

976
00:48:28.480 --> 00:48:31.480
<v Speaker 1>I think who else would it have been? Yeah? That

977
00:48:31.639 --> 00:48:34.559
<v Speaker 1>was that was my one little He's quite a singer too.

978
00:48:34.559 --> 00:48:34.719
<v Speaker 1>You know.

979
00:48:34.760 --> 00:48:37.440
<v Speaker 2>He's got a band, the box Masters. Yeah, they tour around.

980
00:48:37.480 --> 00:48:39.480
<v Speaker 2>He thinks, he told me that he thinks of himself

981
00:48:39.480 --> 00:48:42.280
<v Speaker 2>more as a musician who acts, no kid, but he's

982
00:48:42.519 --> 00:48:43.320
<v Speaker 2>really good at both.

983
00:48:43.760 --> 00:48:44.039
<v Speaker 4>Yeah.

984
00:48:44.119 --> 00:48:47.119
<v Speaker 1>Yeah, yeah, we're not worried about him. Not worried about

985
00:48:47.239 --> 00:48:47.840
<v Speaker 1>Billy Bob.

986
00:48:48.079 --> 00:48:52.239
<v Speaker 2>They call him Bud, the group does anyway, calls him Bud,

987
00:48:52.280 --> 00:48:53.320
<v Speaker 2>Bud Bud.

988
00:48:53.440 --> 00:48:56.119
<v Speaker 4>So next time you see him, folks, you're in the

989
00:48:56.119 --> 00:48:56.719
<v Speaker 4>inner circle.

990
00:48:56.800 --> 00:49:04.599
<v Speaker 1>That's right, Hey, Bud. Yeah, Why who the hell are you?

991
00:49:05.760 --> 00:49:09.159
<v Speaker 1>I get that a lot. Who the hell are you?

992
00:49:09.360 --> 00:49:13.440
<v Speaker 1>Who do you think you are? I think I'm mister lucky.

993
00:49:13.599 --> 00:49:16.119
<v Speaker 3>I wanted to ask you about growing up with a

994
00:49:16.199 --> 00:49:19.800
<v Speaker 3>parent that's on TV and a celebrity. What what was

995
00:49:19.840 --> 00:49:22.639
<v Speaker 3>that experience like growing up because I had a similar experience,

996
00:49:22.679 --> 00:49:24.679
<v Speaker 3>not to the same degree, but my dad was an

997
00:49:24.679 --> 00:49:27.199
<v Speaker 3>actor and on TV and me personally, and we've had

998
00:49:27.199 --> 00:49:30.480
<v Speaker 3>a few other other actors on this podcast who have had,

999
00:49:30.559 --> 00:49:35.599
<v Speaker 3>you know, famous parents or whatnot, can continued on their legacy,

1000
00:49:35.679 --> 00:49:38.559
<v Speaker 3>so to speak. But I want to ask you did

1001
00:49:38.559 --> 00:49:40.960
<v Speaker 3>you feel pressure at all? Was there pressure to be

1002
00:49:41.079 --> 00:49:41.639
<v Speaker 3>an artist?

1003
00:49:41.800 --> 00:49:42.079
<v Speaker 4>Was there?

1004
00:49:42.119 --> 00:49:43.800
<v Speaker 3>I know your I heard you say that your mom

1005
00:49:43.880 --> 00:49:45.960
<v Speaker 3>encouraged you to be artistic, But did you feel any

1006
00:49:46.000 --> 00:49:49.320
<v Speaker 3>pressure did you feel just what was that upbringing?

1007
00:49:49.480 --> 00:49:50.800
<v Speaker 4>Like with that dynamics?

1008
00:49:50.960 --> 00:49:53.000
<v Speaker 2>As you know from your own experience, there's something special

1009
00:49:53.000 --> 00:49:55.199
<v Speaker 2>about having a parent who's on TV, even if they're

1010
00:49:55.239 --> 00:50:00.000
<v Speaker 2>just the guy you know, sure make Tag repairman. Yeah,

1011
00:50:00.119 --> 00:50:04.559
<v Speaker 2>there's there's an ascension that seems to happen. It is

1012
00:50:04.599 --> 00:50:07.000
<v Speaker 2>almost as if this person who you know we see

1013
00:50:07.000 --> 00:50:10.280
<v Speaker 2>every day has entered a new universe and they've somehow

1014
00:50:10.320 --> 00:50:12.679
<v Speaker 2>made it into through this membrane.

1015
00:50:12.159 --> 00:50:15.920
<v Speaker 5>Of into this other world. And you're like, oh, you

1016
00:50:16.039 --> 00:50:18.719
<v Speaker 5>must be. You're a little immortal. You've got some immortality.

1017
00:50:18.800 --> 00:50:20.320
<v Speaker 1>You know that you've you've achieved.

1018
00:50:21.000 --> 00:50:23.920
<v Speaker 2>So before she was a famous person, she was always

1019
00:50:23.920 --> 00:50:27.760
<v Speaker 2>a working actress in my youth. And uh, but for

1020
00:50:27.840 --> 00:50:29.679
<v Speaker 2>grown up shows that I didn't watch, you know, like

1021
00:50:30.519 --> 00:50:35.079
<v Speaker 2>Mission Impossible Side and yeah, yeah, you know, occasionally I

1022
00:50:35.119 --> 00:50:37.960
<v Speaker 2>think she did an episode of the Brady Bunch and uh,

1023
00:50:38.000 --> 00:50:41.480
<v Speaker 2>but so I felt a little bit special there, but

1024
00:50:41.599 --> 00:50:45.480
<v Speaker 2>we were pretty broke, so I didn't feel tremendously entitled.

1025
00:50:46.679 --> 00:50:51.320
<v Speaker 2>But when Happy Days was a situation where the show

1026
00:50:51.400 --> 00:50:55.079
<v Speaker 2>had a very very slow ramp to fame. Really yeah,

1027
00:50:55.199 --> 00:50:59.800
<v Speaker 2>very very slow, in fact, bizarrely slow, almost so slow.

1028
00:50:59.840 --> 00:51:02.239
<v Speaker 5>That wouldn't have happened because they did the pilot.

1029
00:51:03.039 --> 00:51:04.920
<v Speaker 2>Gary Marshall writes about this in his book He's Got

1030
00:51:04.960 --> 00:51:07.719
<v Speaker 2>a wonderful book called Wake Me when It's Funny, and

1031
00:51:08.039 --> 00:51:09.000
<v Speaker 2>he wrote that they.

1032
00:51:08.840 --> 00:51:09.559
<v Speaker 1>Did the pilot.

1033
00:51:09.599 --> 00:51:13.280
<v Speaker 9>We did the pilot for Happy Days, and it didn't sell.

1034
00:51:13.639 --> 00:51:17.719
<v Speaker 9>ABC didn't buy it, so they put it on the

1035
00:51:17.760 --> 00:51:20.920
<v Speaker 9>shelf at Paramount and they let it sit there. Then

1036
00:51:21.960 --> 00:51:27.960
<v Speaker 9>at the same time, George Lucas, the filmmaker named George Lucas,

1037
00:51:27.559 --> 00:51:33.280
<v Speaker 9>asks the casting director, you know, do you have any

1038
00:51:33.320 --> 00:51:35.480
<v Speaker 9>footage of Ron Howard in a kind.

1039
00:51:35.360 --> 00:51:39.480
<v Speaker 2>Of a fifties look for this movie? And they sent

1040
00:51:39.599 --> 00:51:42.760
<v Speaker 2>him the Happy Days pilot and he looked at that

1041
00:51:42.760 --> 00:51:45.159
<v Speaker 2>and he went, oh, I'll put Ron Howard in American graffiti.

1042
00:51:45.880 --> 00:51:46.840
<v Speaker 1>American graffiti.

1043
00:51:47.400 --> 00:51:49.679
<v Speaker 2>Then, I mean there's a lot of time involved, right,

1044
00:51:49.719 --> 00:51:53.840
<v Speaker 2>So it's the casting American Graffiti shooting American graffiti, releasing

1045
00:51:53.840 --> 00:51:57.400
<v Speaker 2>American Graffiti, it becomes a hit. Then Michael Eisner at

1046
00:51:57.400 --> 00:52:00.519
<v Speaker 2>the time went, don't we have a pilot with Ron

1047
00:52:00.559 --> 00:52:03.199
<v Speaker 2>Howard in the fifties sitting on the shelf, And they

1048
00:52:03.280 --> 00:52:04.519
<v Speaker 2>dragged it out and they put it on the air,

1049
00:52:05.360 --> 00:52:09.360
<v Speaker 2>and then it became popular, but not crazy popular. It

1050
00:52:09.440 --> 00:52:10.840
<v Speaker 2>was still one camera.

1051
00:52:11.280 --> 00:52:12.599
<v Speaker 1>And Phonsie had a great coat.

1052
00:52:13.079 --> 00:52:15.280
<v Speaker 2>Fonzie had like a wind breaker, a wind breaker. Yeah,

1053
00:52:15.280 --> 00:52:17.039
<v Speaker 2>I didn't have a didn't have a leather jacket. There

1054
00:52:17.079 --> 00:52:19.400
<v Speaker 2>was a lot of talk about that. Yeah, and like

1055
00:52:19.960 --> 00:52:23.039
<v Speaker 2>should he be a hoodlum? Is that's the point he hoodlum?

1056
00:52:23.199 --> 00:52:26.440
<v Speaker 1>You know? Yeah?

1057
00:52:26.639 --> 00:52:30.000
<v Speaker 2>And so and then when they went a multiicam in

1058
00:52:30.079 --> 00:52:32.880
<v Speaker 2>about season three, then it became a hit.

1059
00:52:33.639 --> 00:52:35.719
<v Speaker 5>So it was this slow ramp up.

1060
00:52:35.760 --> 00:52:39.199
<v Speaker 2>So my mom was like, from my viewpoint, it's like, oh,

1061
00:52:39.239 --> 00:52:41.199
<v Speaker 2>mom has a job, she got a pilot. No, it

1062
00:52:41.199 --> 00:52:45.800
<v Speaker 2>didn't sell. Oh well, uh, now she's looking for it.

1063
00:52:45.840 --> 00:52:49.880
<v Speaker 2>Now she's doing commercials and she's doing whatever, and you know,

1064
00:52:49.960 --> 00:52:51.719
<v Speaker 2>we don't we don't have a lot of dough and uh.

1065
00:52:52.800 --> 00:52:55.039
<v Speaker 1>And then then oh, well they're going to put it

1066
00:52:55.079 --> 00:52:56.760
<v Speaker 1>back on the air. Oh they are.

1067
00:52:57.079 --> 00:52:59.280
<v Speaker 2>And then it's a little series like, oh, oh, that's nice,

1068
00:52:59.320 --> 00:53:02.039
<v Speaker 2>but she's not making the money. First of all, the

1069
00:53:02.079 --> 00:53:06.320
<v Speaker 2>women didn't make what the men were making anyway, she

1070
00:53:06.360 --> 00:53:06.800
<v Speaker 2>didn't make.

1071
00:53:06.719 --> 00:53:07.599
<v Speaker 1>What Tom was making.

1072
00:53:07.679 --> 00:53:10.880
<v Speaker 2>Tom Bosley he was making three times what Marian made.

1073
00:53:11.400 --> 00:53:11.599
<v Speaker 8>Well.

1074
00:53:13.239 --> 00:53:16.840
<v Speaker 2>Yeah, and then it built and she began to actually

1075
00:53:17.280 --> 00:53:17.920
<v Speaker 2>be popular.

1076
00:53:18.079 --> 00:53:18.679
<v Speaker 1>It was a hit.

1077
00:53:18.880 --> 00:53:21.079
<v Speaker 2>And then then we started being able to go. I

1078
00:53:21.079 --> 00:53:24.760
<v Speaker 2>think she could relax as a parent and as a breadwinner.

1079
00:53:25.280 --> 00:53:27.920
<v Speaker 2>And I think there was a certain point five or

1080
00:53:27.960 --> 00:53:30.519
<v Speaker 2>six years in where her accountant said, you should spend

1081
00:53:30.599 --> 00:53:34.559
<v Speaker 2>some money. Yeah, yeah, you're losing the money in the

1082
00:53:34.599 --> 00:53:37.400
<v Speaker 2>bank and you're losing opportunity to And then and then

1083
00:53:37.480 --> 00:53:41.519
<v Speaker 2>she started adopting. I noticed this kind of not avariciousness

1084
00:53:41.599 --> 00:53:44.880
<v Speaker 2>or anything, but but she got a little looser, and

1085
00:53:44.920 --> 00:53:47.320
<v Speaker 2>she would buy things just because she liked them, you know,

1086
00:53:47.400 --> 00:53:50.239
<v Speaker 2>she would. And then she would buy things that she

1087
00:53:50.360 --> 00:53:53.159
<v Speaker 2>really should have like shopped on a little bit more,

1088
00:53:53.280 --> 00:53:56.320
<v Speaker 2>but she could have got a better deal, but you

1089
00:53:56.320 --> 00:53:57.239
<v Speaker 2>know what, she liked them.

1090
00:53:57.280 --> 00:53:59.039
<v Speaker 5>She would go in and buy.

1091
00:53:58.599 --> 00:54:02.159
<v Speaker 2>A car off the showroom floor, for example, Oh boy, things.

1092
00:54:01.960 --> 00:54:04.400
<v Speaker 1>Like that, because she could, because she could, and there

1093
00:54:04.480 --> 00:54:08.239
<v Speaker 1>was absolutely no negative effect at all. Yep. So yeah,

1094
00:54:08.559 --> 00:54:10.400
<v Speaker 1>that'd be tough one to find a negative in that.

1095
00:54:10.639 --> 00:54:13.840
<v Speaker 2>But for me, you're asking about mymy was it weird

1096
00:54:13.840 --> 00:54:17.599
<v Speaker 2>where their pressures? I was confused by it all because

1097
00:54:18.119 --> 00:54:21.119
<v Speaker 2>it messed with me a bit because once the show

1098
00:54:21.159 --> 00:54:24.679
<v Speaker 2>got really popular, there was just tremendous attention on those

1099
00:54:24.719 --> 00:54:27.760
<v Speaker 2>people that show My Mom and it had nothing to

1100
00:54:27.800 --> 00:54:28.119
<v Speaker 2>do with me.

1101
00:54:28.559 --> 00:54:30.639
<v Speaker 4>Yeah, didn't make you want to do the same thing

1102
00:54:30.639 --> 00:54:30.960
<v Speaker 4>I want?

1103
00:54:31.159 --> 00:54:33.320
<v Speaker 1>Who would not want that attention? Were so close by?

1104
00:54:33.440 --> 00:54:35.280
<v Speaker 2>It was like, sure, it would be like there's a

1105
00:54:35.400 --> 00:54:38.199
<v Speaker 2>there's a conveyor belt full of gold coins going by.

1106
00:54:38.440 --> 00:54:41.000
<v Speaker 1>Yeah, yeah, yeah, so close. I can I go get something?

1107
00:54:41.199 --> 00:54:42.440
<v Speaker 1>You didn't want to be Pete Best?

1108
00:54:42.800 --> 00:54:45.400
<v Speaker 2>No, I didn't want to be the best Pete Worst.

1109
00:54:45.440 --> 00:54:46.719
<v Speaker 1>I wanted to Yeah.

1110
00:54:47.079 --> 00:54:50.199
<v Speaker 2>But and but I didn't understand my own attraction to

1111
00:54:50.239 --> 00:54:51.719
<v Speaker 2>it either. It was a little bit suspicious, a little

1112
00:54:51.719 --> 00:54:53.760
<v Speaker 2>bit insecure about I was like, is it because I

1113
00:54:53.760 --> 00:54:57.000
<v Speaker 2>love acting or is it because I want the attention?

1114
00:54:57.440 --> 00:54:59.239
<v Speaker 5>And it took me a long time to resolve that.

1115
00:54:59.480 --> 00:55:01.760
<v Speaker 1>Well, it's kind of a little both, huh. And it's

1116
00:55:01.760 --> 00:55:02.920
<v Speaker 1>a little both for sure.

1117
00:55:03.000 --> 00:55:04.840
<v Speaker 2>Yeah, But it took me a lot to get to

1118
00:55:05.039 --> 00:55:07.320
<v Speaker 2>make my peace with it. And actually pursue acting took

1119
00:55:07.320 --> 00:55:10.280
<v Speaker 2>a long time because I also really wanted to draw paint,

1120
00:55:11.320 --> 00:55:13.719
<v Speaker 2>and I went to school for that, and I studied

1121
00:55:13.760 --> 00:55:15.719
<v Speaker 2>and went to Spain and studied painting.

1122
00:55:15.800 --> 00:55:19.320
<v Speaker 4>And about your time in Spain, what was the what was.

1123
00:55:19.280 --> 00:55:20.719
<v Speaker 5>The Yeah, I was studying.

1124
00:55:21.440 --> 00:55:25.360
<v Speaker 2>I went to Santa Cruz University, California University, and I

1125
00:55:25.440 --> 00:55:28.960
<v Speaker 2>met a Spanish artist was a visiting artist there, and

1126
00:55:29.000 --> 00:55:33.559
<v Speaker 2>he was he was a real really stood out he

1127
00:55:33.679 --> 00:55:36.159
<v Speaker 2>was at that school at that time, and probably a

1128
00:55:36.159 --> 00:55:37.400
<v Speaker 2>lot of the schools.

1129
00:55:37.280 --> 00:55:38.280
<v Speaker 1>They were painting.

1130
00:55:38.400 --> 00:55:39.639
<v Speaker 2>If you wanted to learn how to be a painter,

1131
00:55:40.400 --> 00:55:42.320
<v Speaker 2>you wanted to be and they wanted to teach you

1132
00:55:42.360 --> 00:55:44.280
<v Speaker 2>how to be an abstract expressionist.

1133
00:55:45.039 --> 00:55:46.199
<v Speaker 5>You splash paint.

1134
00:55:46.320 --> 00:55:50.400
<v Speaker 2>You technique was nothing, you know, it's all about talking

1135
00:55:50.440 --> 00:55:53.000
<v Speaker 2>about it was much more important than doing anything.

1136
00:55:53.280 --> 00:55:55.280
<v Speaker 1>It was like if you could talk.

1137
00:55:55.039 --> 00:55:56.760
<v Speaker 2>For an hour about a painting, you were you were

1138
00:55:57.519 --> 00:56:01.039
<v Speaker 2>cock of the walk. But my friend Gel, who later

1139
00:56:01.079 --> 00:56:03.199
<v Speaker 2>became my mentor, was a guy whose class I got

1140
00:56:03.239 --> 00:56:05.880
<v Speaker 2>stuck into. Because I couldn't get into this popular guy's class.

1141
00:56:05.880 --> 00:56:07.239
<v Speaker 2>They said, you're going to go to Michael's class.

1142
00:56:07.239 --> 00:56:08.599
<v Speaker 1>And I went, okay, And I.

1143
00:56:08.559 --> 00:56:09.559
<v Speaker 5>Go to Micgel's class.

1144
00:56:09.559 --> 00:56:14.639
<v Speaker 2>And he is a classically trained Spanish beis Arte's painter.

1145
00:56:15.320 --> 00:56:17.639
<v Speaker 2>The guy had been looking for all my life. Mmm,

1146
00:56:18.320 --> 00:56:19.280
<v Speaker 2>so it was a lucky break.

1147
00:56:20.119 --> 00:56:24.000
<v Speaker 1>Wow he started talking. I went, holy crap, I'm in

1148
00:56:24.000 --> 00:56:25.400
<v Speaker 1>the right place. Yeah.

1149
00:56:25.440 --> 00:56:27.159
<v Speaker 5>And I studied with him for three years. He invited

1150
00:56:27.199 --> 00:56:27.719
<v Speaker 5>me to go to Spain.

1151
00:56:27.760 --> 00:56:30.320
<v Speaker 2>I went a couple of times in Spain, studied old

1152
00:56:30.320 --> 00:56:36.119
<v Speaker 2>master techniques, learned everything really well, a lot of the fundamentals.

1153
00:56:36.480 --> 00:56:39.360
<v Speaker 2>I mean, it's a lifetime thing, really. But I learned

1154
00:56:39.599 --> 00:56:41.440
<v Speaker 2>enough to be a painter. I did not learn how

1155
00:56:41.440 --> 00:56:43.760
<v Speaker 2>to make a living as a painter. I did not learn,

1156
00:56:44.880 --> 00:56:46.320
<v Speaker 2>but I was interested.

1157
00:56:46.360 --> 00:56:48.159
<v Speaker 1>I tried to. But were you the guy with the palette?

1158
00:56:49.000 --> 00:56:49.480
<v Speaker 1>You had the.

1159
00:56:49.440 --> 00:56:53.119
<v Speaker 2>Whole palette, the beard, Yeah, there you go, the stains

1160
00:56:53.119 --> 00:56:55.360
<v Speaker 2>on the sho you almost have a beret on now,

1161
00:56:55.400 --> 00:56:57.679
<v Speaker 2>So that's a guy. I wear a beret when I can. Yeah,

1162
00:56:57.800 --> 00:56:59.199
<v Speaker 2>absolutely still wear a beret.

1163
00:57:00.280 --> 00:57:01.639
<v Speaker 1>And they wore them in Spain.

1164
00:57:01.760 --> 00:57:05.360
<v Speaker 2>It's a very European thing, and I'm so grateful for

1165
00:57:05.440 --> 00:57:06.119
<v Speaker 2>that time.

1166
00:57:06.280 --> 00:57:08.320
<v Speaker 1>It was very arduous. You know.

1167
00:57:08.360 --> 00:57:13.920
<v Speaker 2>Anytime you studied anything to a classical degree, singing, musical instruments, painting,

1168
00:57:14.599 --> 00:57:19.280
<v Speaker 2>freaking ballet, whatever you learn so much about existence.

1169
00:57:20.360 --> 00:57:22.039
<v Speaker 5>How to make this do that.

1170
00:57:22.280 --> 00:57:24.199
<v Speaker 2>You know, how to make your hand do something, how

1171
00:57:24.199 --> 00:57:27.679
<v Speaker 2>to make your voice do something, your diaphragm do something

1172
00:57:27.800 --> 00:57:28.880
<v Speaker 2>it's not natural.

1173
00:57:29.039 --> 00:57:31.639
<v Speaker 1>You know, your ankles dance in a way.

1174
00:57:31.679 --> 00:57:34.000
<v Speaker 2>You know your toes do shit that it shouldn't be doing,

1175
00:57:34.800 --> 00:57:37.320
<v Speaker 2>and that that you carry with you your whole life.

1176
00:57:37.519 --> 00:57:39.360
<v Speaker 2>I think, and it informs everything.

1177
00:57:39.519 --> 00:57:43.239
<v Speaker 5>Whether you actually do it. Very few people do, I'm sure.

1178
00:57:43.360 --> 00:57:45.639
<v Speaker 2>I mean, all the people I knew that were studying painting,

1179
00:57:45.719 --> 00:57:48.880
<v Speaker 2>very few of them actually do it, but they learned

1180
00:57:48.920 --> 00:57:52.960
<v Speaker 2>no kidding, yeah, wow, because it's it's like voice over.

1181
00:57:53.000 --> 00:57:54.400
<v Speaker 2>I mean, how many people I was thinking about this

1182
00:57:54.480 --> 00:57:56.440
<v Speaker 2>on the way over. I'm sure you get this all

1183
00:57:56.440 --> 00:57:58.159
<v Speaker 2>the time too, at comic cons and things, and people

1184
00:57:58.159 --> 00:58:01.480
<v Speaker 2>saying I'm really interested in being voice actor. Oh oh,

1185
00:58:01.639 --> 00:58:03.559
<v Speaker 2>And they ask you questions and you give them advice

1186
00:58:03.559 --> 00:58:06.920
<v Speaker 2>and stuff. Thousands of people because they look at it

1187
00:58:06.960 --> 00:58:10.119
<v Speaker 2>and they go, I have an affinity for that. I

1188
00:58:10.119 --> 00:58:13.760
<v Speaker 2>think that activity is beautiful. I like that language, I

1189
00:58:13.880 --> 00:58:15.840
<v Speaker 2>like those images. I like you know, there's all these

1190
00:58:15.840 --> 00:58:18.960
<v Speaker 2>things I like about it, and I like that part

1191
00:58:18.960 --> 00:58:20.800
<v Speaker 2>of the culture. It's sort of safe and kind of

1192
00:58:20.800 --> 00:58:24.559
<v Speaker 2>fun and kind of everybody wins and it's colorful. Yeah,

1193
00:58:24.639 --> 00:58:26.239
<v Speaker 2>and I remember it for my childhood and they got

1194
00:58:26.239 --> 00:58:28.039
<v Speaker 2>all these reasons why they love it, and they think

1195
00:58:28.480 --> 00:58:30.599
<v Speaker 2>and I can kind of do some funny voices.

1196
00:58:31.480 --> 00:58:34.920
<v Speaker 1>Yeah, but yeah, will you pursue it?

1197
00:58:35.199 --> 00:58:36.199
<v Speaker 5>You know, that's the question.

1198
00:58:36.440 --> 00:58:38.480
<v Speaker 2>And how many people actually do you know of the

1199
00:58:38.480 --> 00:58:41.639
<v Speaker 2>people that we've talked to just casually at comic cons,

1200
00:58:41.679 --> 00:58:44.639
<v Speaker 2>A very small percentage of people actually, And you're surprised,

1201
00:58:44.719 --> 00:58:46.480
<v Speaker 2>aren't you when someone says, well, you know what, I

1202
00:58:46.519 --> 00:58:48.199
<v Speaker 2>got a job and now I'm on this show. You're

1203
00:58:48.199 --> 00:58:52.119
<v Speaker 2>like you are, Yeah, you actually followed my advice.

1204
00:58:52.880 --> 00:58:56.719
<v Speaker 1>Yeah, there was a gosh about eight ten months ago,

1205
00:58:57.119 --> 00:59:00.400
<v Speaker 1>I was at a comic con you met remember this?

1206
00:59:00.519 --> 00:59:01.119
<v Speaker 4>I remember this?

1207
00:59:01.199 --> 00:59:07.519
<v Speaker 1>Yeah yeah and those yeah yeah, and uh a young

1208
00:59:07.559 --> 00:59:11.079
<v Speaker 1>man and he had a table next to mine, and hey,

1209
00:59:11.079 --> 00:59:13.800
<v Speaker 1>it's had a pretty nice crowd of folks that came up.

1210
00:59:13.880 --> 00:59:18.519
<v Speaker 1>Anime is a big deal, you know. Yeah, I'm it's

1211
00:59:18.639 --> 00:59:21.599
<v Speaker 1>it's not my thing. You're in that world a little bit, though, right,

1212
00:59:21.599 --> 00:59:23.800
<v Speaker 1>But I am that Yeah. Well I think I did

1213
00:59:23.880 --> 00:59:28.079
<v Speaker 1>like two enough things. But but I'm milk. I'll get

1214
00:59:28.159 --> 00:59:30.199
<v Speaker 1>under that cow and milk it. Believe me. You know,

1215
00:59:30.280 --> 00:59:33.559
<v Speaker 1>halfway through the day or like from Friday Saturday. He goes,

1216
00:59:33.960 --> 00:59:38.480
<v Speaker 1>he said, you know, and he was so shy. It

1217
00:59:38.559 --> 00:59:41.480
<v Speaker 1>was such a sweet kid, you know. I say, kiddy,

1218
00:59:41.599 --> 00:59:45.199
<v Speaker 1>you know twice and he said, I just can't believe

1219
00:59:45.239 --> 00:59:48.079
<v Speaker 1>that I'm getting to be here with like next to you,

1220
00:59:48.360 --> 00:59:50.840
<v Speaker 1>and I go, hey, man, I'm happy to be here

1221
00:59:50.840 --> 00:59:55.199
<v Speaker 1>next to you too. He goes, well, yeah, and I anyway,

1222
00:59:55.280 --> 00:59:58.159
<v Speaker 1>you told me what to do and I said, what's that?

1223
00:59:58.840 --> 01:00:02.760
<v Speaker 1>He goes, do, Yeah, you know you would never remember this,

1224
01:00:02.880 --> 01:00:07.360
<v Speaker 1>but but you told me that you know, it doesn't anything,

1225
01:00:08.239 --> 01:00:10.719
<v Speaker 1>you don't nothing to it, but to do it, and

1226
01:00:10.719 --> 01:00:13.920
<v Speaker 1>that you did impressions of your aunts and uncles and

1227
01:00:14.239 --> 01:00:19.320
<v Speaker 1>the guy who ran the corner store and everything. And anyway,

1228
01:00:19.360 --> 01:00:21.840
<v Speaker 1>I kind of did that, you know. And then I

1229
01:00:21.880 --> 01:00:24.639
<v Speaker 1>got this anime job and everybody likes it, and he's

1230
01:00:24.639 --> 01:00:26.440
<v Speaker 1>showing me this character I don't know who the hell is,

1231
01:00:27.360 --> 01:00:30.280
<v Speaker 1>and it was so gratifying. It was so sweet because

1232
01:00:30.320 --> 01:00:33.519
<v Speaker 1>he said that that I helped him get into the business.

1233
01:00:33.559 --> 01:00:35.480
<v Speaker 3>Didn't you have like a sign picture from you back

1234
01:00:35.519 --> 01:00:37.960
<v Speaker 3>in the day too? I swear he brought like the

1235
01:00:38.239 --> 01:00:41.119
<v Speaker 3>autograph from the conversation and he was like, you signed

1236
01:00:41.159 --> 01:00:42.159
<v Speaker 3>this for me and I did it.

1237
01:00:42.239 --> 01:00:42.440
<v Speaker 4>Yeah.

1238
01:00:42.599 --> 01:00:46.159
<v Speaker 1>Yeah, And then he went off and and and did it,

1239
01:00:46.440 --> 01:00:49.719
<v Speaker 1>you know, and I gave him here's my little advice.

1240
01:00:50.239 --> 01:00:52.159
<v Speaker 1>I don't think we covered this, but you know, if

1241
01:00:52.199 --> 01:00:55.519
<v Speaker 1>you do a perfect impression of somebody, that's gold. I mean,

1242
01:00:55.559 --> 01:00:57.320
<v Speaker 1>because you never know when you can use that I'm

1243
01:00:57.360 --> 01:01:00.119
<v Speaker 1>famous person. And if you do a terrible impression I'm

1244
01:01:00.119 --> 01:01:02.960
<v Speaker 1>a famous person that nobody knows who the hell you're doing.

1245
01:01:03.480 --> 01:01:05.280
<v Speaker 1>You know, you think it's the greatest job Wayne in

1246
01:01:05.280 --> 01:01:07.599
<v Speaker 1>the world, and they think it's you know, Fred Flint's.

1247
01:01:07.880 --> 01:01:10.760
<v Speaker 1>They don't even that's a new character. And then if

1248
01:01:10.800 --> 01:01:13.880
<v Speaker 1>you do a perfect compression of someone nobody knows, like

1249
01:01:13.960 --> 01:01:17.480
<v Speaker 1>my aunt Grace and uncle, say God bless them. Those

1250
01:01:17.480 --> 01:01:20.760
<v Speaker 1>are new characters. And so there's a lot of ways,

1251
01:01:20.880 --> 01:01:23.199
<v Speaker 1>a lot of things you a lot of they're free

1252
01:01:23.360 --> 01:01:26.280
<v Speaker 1>arrows in your quiver. Yeah, you know, yeah, and you

1253
01:01:26.360 --> 01:01:29.119
<v Speaker 1>never know when you get to fire them. Yeah, that's

1254
01:01:29.519 --> 01:01:32.960
<v Speaker 1>I totally agree. And and but that's an example.

1255
01:01:32.599 --> 01:01:34.880
<v Speaker 2>Of the you know, the the outlier, the guy that

1256
01:01:34.960 --> 01:01:38.400
<v Speaker 2>actually had the gumption to to do what you recommend it.

1257
01:01:38.519 --> 01:01:43.199
<v Speaker 1>Yeah, and doing it helps you know, saying you're going

1258
01:01:43.239 --> 01:01:45.239
<v Speaker 1>to do it, and and how many times have you

1259
01:01:45.320 --> 01:01:47.920
<v Speaker 1>been signing an autograph or doing this or that? And

1260
01:01:47.920 --> 01:01:51.119
<v Speaker 1>they go, you know, I I'm going to get into that.

1261
01:01:51.159 --> 01:01:51.679
<v Speaker 4>I'm going to do it.

1262
01:01:51.760 --> 01:01:56.480
<v Speaker 1>Yes too. Oh yeah yeah, I said, so what are

1263
01:01:56.480 --> 01:01:58.039
<v Speaker 1>you doing? Have been in place? What do you mean?

1264
01:01:58.320 --> 01:01:58.480
<v Speaker 12>No?

1265
01:01:58.480 --> 01:02:01.400
<v Speaker 1>No, no, no, I want to do I go, okay,

1266
01:02:01.400 --> 01:02:05.719
<v Speaker 1>well I was in a freaking hundred plays as a kid.

1267
01:02:05.800 --> 01:02:11.119
<v Speaker 1>He goes, ooh, do you have to do that? And

1268
01:02:11.159 --> 01:02:16.559
<v Speaker 1>I go, can't hurt you know? Yeah? Yeah? And I

1269
01:02:16.880 --> 01:02:19.320
<v Speaker 1>and Jess are now. I give him credit every time

1270
01:02:19.360 --> 01:02:21.159
<v Speaker 1>he says, if you want to be a voice actor,

1271
01:02:21.480 --> 01:02:23.880
<v Speaker 1>what you have to remember that it's a small V

1272
01:02:24.400 --> 01:02:25.239
<v Speaker 1>but a capital A.

1273
01:02:26.320 --> 01:02:26.519
<v Speaker 4>Yeah.

1274
01:02:26.719 --> 01:02:30.719
<v Speaker 1>Great, great, So that's just knows. Yeah, just he knows

1275
01:02:30.840 --> 01:02:34.119
<v Speaker 1>and he would know. Yeah, and uh so you guys

1276
01:02:34.119 --> 01:02:37.480
<v Speaker 1>should be carving that into stone by the way out there.

1277
01:02:38.280 --> 01:02:41.519
<v Speaker 1>But yeah, it's it's it's a curious thing. It's a

1278
01:02:41.559 --> 01:02:45.559
<v Speaker 1>curious thing. If you're a fan of everything we do

1279
01:02:45.679 --> 01:02:48.599
<v Speaker 1>here at tuned In with Jim Cummings, you could support

1280
01:02:48.639 --> 01:02:53.039
<v Speaker 1>the show on Patreon for bonus exclusive podcasts, as well

1281
01:02:53.079 --> 01:02:56.480
<v Speaker 1>as early in ad free access to the show itself,

1282
01:02:56.760 --> 01:03:00.480
<v Speaker 1>prize drawings, and more. You'll feel the difference. So go

1283
01:03:00.519 --> 01:03:04.000
<v Speaker 1>ahead and join the tuned in family today at Patreon

1284
01:03:04.159 --> 01:03:09.840
<v Speaker 1>dot com, Slash Jim Cummings podcast Do It Now. And

1285
01:03:09.920 --> 01:03:13.440
<v Speaker 1>I think the younger you are that you, because I'm

1286
01:03:13.440 --> 01:03:16.960
<v Speaker 1>sure you had this bug at an early age. The

1287
01:03:17.000 --> 01:03:20.079
<v Speaker 1>younger you are when you decide, you know, the longer

1288
01:03:20.119 --> 01:03:22.199
<v Speaker 1>you have to aim at the target, the more true

1289
01:03:22.679 --> 01:03:25.280
<v Speaker 1>your arrow shall be. I think I.

1290
01:03:25.639 --> 01:03:31.840
<v Speaker 2>Rarely right, Okay, But when you first started to say that,

1291
01:03:31.920 --> 01:03:34.320
<v Speaker 2>similarly though, I thought about, you know, if you draw

1292
01:03:34.400 --> 01:03:39.079
<v Speaker 2>the long bow and you don't release, it's not fewer

1293
01:03:39.119 --> 01:03:40.800
<v Speaker 2>times it's going to hit the target, but it could

1294
01:03:40.800 --> 01:03:41.679
<v Speaker 2>shoot a lot of arrows.

1295
01:03:41.760 --> 01:03:41.920
<v Speaker 10>Yeah.

1296
01:03:41.920 --> 01:03:42.719
<v Speaker 1>Absolutely, Yeah.

1297
01:03:42.840 --> 01:03:46.760
<v Speaker 2>I think you you just you learn about you, learn

1298
01:03:46.760 --> 01:03:48.800
<v Speaker 2>about you, You learn about the art form, you learn

1299
01:03:48.800 --> 01:03:49.679
<v Speaker 2>about people's reaction.

1300
01:03:49.800 --> 01:03:51.960
<v Speaker 1>What you're doing is just learning, learning, learning.

1301
01:03:52.079 --> 01:03:53.719
<v Speaker 3>I think it's fair to say that with your career

1302
01:03:53.719 --> 01:03:55.599
<v Speaker 3>you shot a lot of arrows. I mean, just doing

1303
01:03:55.639 --> 01:03:58.519
<v Speaker 3>my research on you, I couldn't believe how many different

1304
01:03:58.519 --> 01:04:01.159
<v Speaker 3>projects you've been on and so many different meetings, you know,

1305
01:04:01.239 --> 01:04:06.400
<v Speaker 3>voiceover on screen, all these different ventures. And one thing

1306
01:04:06.400 --> 01:04:08.639
<v Speaker 3>that I was thinking about just I played sports my

1307
01:04:08.639 --> 01:04:11.320
<v Speaker 3>whole life. I played football up until a professional level.

1308
01:04:11.920 --> 01:04:14.199
<v Speaker 3>And it just kind of reminded me, seeing your career

1309
01:04:14.199 --> 01:04:17.880
<v Speaker 3>and your credits of like how most people don't know

1310
01:04:19.639 --> 01:04:22.000
<v Speaker 3>ninety nine percent of the players in the NFL. You know,

1311
01:04:22.159 --> 01:04:25.039
<v Speaker 3>you know, you're Tom Brady's you know, you know Reggie Bush,

1312
01:04:25.079 --> 01:04:27.920
<v Speaker 3>you know, like these big celebrity names. But I mean

1313
01:04:27.960 --> 01:04:30.400
<v Speaker 3>there's sixty five players on every team and some of

1314
01:04:30.440 --> 01:04:33.559
<v Speaker 3>these players have fifteen twenty year careers. You know, It's

1315
01:04:33.920 --> 01:04:36.280
<v Speaker 3>it's rare, but they exist and nobody knows their name,

1316
01:04:36.800 --> 01:04:39.440
<v Speaker 3>and it's just it brought a question up into my mind,

1317
01:04:39.440 --> 01:04:42.440
<v Speaker 3>and like what keeps you I'm not please don't take

1318
01:04:42.440 --> 01:04:44.199
<v Speaker 3>this like I'm trying to like say like.

1319
01:04:44.440 --> 01:04:45.400
<v Speaker 4>You know, dare you?

1320
01:04:45.960 --> 01:04:46.559
<v Speaker 1>Yeah?

1321
01:04:46.920 --> 01:04:48.719
<v Speaker 3>No, But I want to know what because as an

1322
01:04:48.719 --> 01:04:50.760
<v Speaker 3>actor myself, you know who has like little day player

1323
01:04:50.800 --> 01:04:53.239
<v Speaker 3>credits here and there? Like what keeps you going? Like

1324
01:04:53.280 --> 01:04:56.000
<v Speaker 3>what keeps you coming back and keep pursuing and keep

1325
01:04:56.000 --> 01:05:00.639
<v Speaker 3>pursuing and going and going debt? Actually, but there's got

1326
01:05:00.639 --> 01:05:02.800
<v Speaker 3>to be some there's got to be like a more

1327
01:05:02.840 --> 01:05:05.239
<v Speaker 3>serious like drive to it, because it's it's hard.

1328
01:05:05.320 --> 01:05:06.400
<v Speaker 4>I mean, I know it's hard.

1329
01:05:06.440 --> 01:05:08.559
<v Speaker 2>You know, to generate interests, you have to have you

1330
01:05:08.599 --> 01:05:11.679
<v Speaker 2>have to be interested. And it's true that after decades

1331
01:05:11.719 --> 01:05:14.199
<v Speaker 2>and decades and sometimes bang your head against the wall,

1332
01:05:14.400 --> 01:05:17.880
<v Speaker 2>your interest wanes and you go, what else is there

1333
01:05:17.920 --> 01:05:20.679
<v Speaker 2>to do? And I'm guilty of doing that a few times.

1334
01:05:21.679 --> 01:05:26.199
<v Speaker 2>But I find that you that interest is within our control.

1335
01:05:26.559 --> 01:05:30.400
<v Speaker 2>We can get interested, we can develop interest, and I

1336
01:05:30.400 --> 01:05:31.960
<v Speaker 2>try to do that is part of the reason why

1337
01:05:32.000 --> 01:05:33.039
<v Speaker 2>I do the Impression show.

1338
01:05:33.079 --> 01:05:33.440
<v Speaker 4>I have to.

1339
01:05:33.599 --> 01:05:36.199
<v Speaker 2>I have to forces me to get interested in like

1340
01:05:36.199 --> 01:05:37.360
<v Speaker 2>what will audiences?

1341
01:05:38.039 --> 01:05:38.119
<v Speaker 12>Like?

1342
01:05:38.639 --> 01:05:39.519
<v Speaker 1>What should I do?

1343
01:05:39.960 --> 01:05:40.840
<v Speaker 5>What can I do?

1344
01:05:41.039 --> 01:05:41.199
<v Speaker 1>You know?

1345
01:05:41.239 --> 01:05:43.360
<v Speaker 2>What are my resources? And usually your mind starts to

1346
01:05:43.400 --> 01:05:47.760
<v Speaker 2>work on it. And when I watch TV, I watched

1347
01:05:47.800 --> 01:05:48.440
<v Speaker 2>TV TV.

1348
01:05:48.480 --> 01:05:48.719
<v Speaker 4>I don't.

1349
01:05:48.800 --> 01:05:52.320
<v Speaker 2>My wife and I watch TV together mostly uh, And

1350
01:05:52.360 --> 01:05:56.199
<v Speaker 2>it's mostly what she wants to watch because that's marriage

1351
01:05:56.199 --> 01:05:59.360
<v Speaker 2>happy write, which is fine, she likes, she has good tastes.

1352
01:05:59.480 --> 01:06:01.639
<v Speaker 2>But when I watch TV, I realized I watched TV

1353
01:06:01.840 --> 01:06:05.679
<v Speaker 2>somewhat differently than she does. I am dissecting it and

1354
01:06:05.719 --> 01:06:07.679
<v Speaker 2>I am looking at the actor and I'm watching what

1355
01:06:07.719 --> 01:06:10.639
<v Speaker 2>the actor does, and I'm.

1356
01:06:10.639 --> 01:06:14.239
<v Speaker 1>Very rarely carried away and like, well, what a great

1357
01:06:14.280 --> 01:06:14.840
<v Speaker 1>story that was?

1358
01:06:14.880 --> 01:06:17.480
<v Speaker 2>You know, I've just seen so much TV in so

1359
01:06:17.480 --> 01:06:20.760
<v Speaker 2>many films that I'm looking at, Wow, how he held

1360
01:06:20.760 --> 01:06:24.199
<v Speaker 2>his hands, and my wife is just kind of absorbing

1361
01:06:24.199 --> 01:06:26.159
<v Speaker 2>it and enjoying it and having a great time doing

1362
01:06:26.199 --> 01:06:28.599
<v Speaker 2>it the right way, and I'm doing it the bullshit

1363
01:06:28.639 --> 01:06:32.079
<v Speaker 2>way of just like kind of like studying and thinking,

1364
01:06:32.480 --> 01:06:36.320
<v Speaker 2>thinking about the voice, thinking about all kinds of stuff

1365
01:06:36.320 --> 01:06:36.960
<v Speaker 2>that doesn't.

1366
01:06:36.719 --> 01:06:37.199
<v Speaker 1>Really have much.

1367
01:06:37.360 --> 01:06:39.079
<v Speaker 2>And if you ask me, the restory was, yeah, it's

1368
01:06:39.119 --> 01:06:42.079
<v Speaker 2>research it for me. It's like my excuse is that

1369
01:06:42.599 --> 01:06:43.679
<v Speaker 2>I'm researching things.

1370
01:06:43.719 --> 01:06:45.760
<v Speaker 1>Do you enjoy the housewives of fill in the blank

1371
01:06:45.800 --> 01:06:51.199
<v Speaker 1>as much as I don't will anything about any one

1372
01:06:51.199 --> 01:06:54.360
<v Speaker 1>of them? And unfortunately I know about all of them.

1373
01:06:56.440 --> 01:07:01.000
<v Speaker 2>My wife likes to watch British you know, detective shows

1374
01:07:01.000 --> 01:07:04.280
<v Speaker 2>where it's a small town and the Vickers involved somehow

1375
01:07:04.360 --> 01:07:05.880
<v Speaker 2>and oh yes, all things.

1376
01:07:05.920 --> 01:07:06.840
<v Speaker 1>And there's one.

1377
01:07:06.639 --> 01:07:10.440
<v Speaker 2>That Anne, there's a there's an there's one called called

1378
01:07:10.480 --> 01:07:13.480
<v Speaker 2>the Midwife, which is all about babies and being born

1379
01:07:13.599 --> 01:07:16.400
<v Speaker 2>and nuns. And you know, I think my wife really

1380
01:07:16.400 --> 01:07:18.679
<v Speaker 2>wants to live in England, and so she'll go there,

1381
01:07:18.920 --> 01:07:21.800
<v Speaker 2>you know, every couple of nights. And I like the

1382
01:07:21.880 --> 01:07:25.239
<v Speaker 2>British show and like little bit I don't know that

1383
01:07:25.360 --> 01:07:30.920
<v Speaker 2>kind of yeah, yeah, but uh, you know, but I'll

1384
01:07:30.960 --> 01:07:34.039
<v Speaker 2>watch We've been lately watching the films of Mike Lee.

1385
01:07:34.199 --> 01:07:37.559
<v Speaker 2>If you watched Mike Lee films, British film director, Oh

1386
01:07:37.639 --> 01:07:40.440
<v Speaker 2>my god, he's fantastic director. He's a director and he

1387
01:07:40.480 --> 01:07:45.639
<v Speaker 2>creates movies in a completely bizarre way. Uh, they are fantastic.

1388
01:07:45.840 --> 01:07:48.079
<v Speaker 2>The best British actors all are dying to get into

1389
01:07:48.119 --> 01:07:52.280
<v Speaker 2>Mike Lee. He's like a Woody Allen without the comedy. Uh.

1390
01:07:52.920 --> 01:07:54.719
<v Speaker 2>In terms of out who wants to be in his

1391
01:07:54.800 --> 01:07:57.280
<v Speaker 2>movies and who will work for scale and and you

1392
01:07:57.320 --> 01:07:59.840
<v Speaker 2>know a great personal risk. They will be in Mike

1393
01:08:00.039 --> 01:08:02.159
<v Speaker 2>lead films and I we like those a lot.

1394
01:08:03.760 --> 01:08:08.480
<v Speaker 1>Well, I'll have to send my real to him and

1395
01:08:08.480 --> 01:08:11.480
<v Speaker 1>then not get hired. I can't wait to not get

1396
01:08:11.519 --> 01:08:13.440
<v Speaker 1>hired by this day. Mike Lee.

1397
01:08:13.639 --> 01:08:17.000
<v Speaker 3>Okay, all right, we talked about it briefly before the podcast,

1398
01:08:17.000 --> 01:08:19.560
<v Speaker 3>but I want the viewers to hear your story about

1399
01:08:19.720 --> 01:08:20.800
<v Speaker 3>becoming the Colonel.

1400
01:08:21.319 --> 01:08:25.359
<v Speaker 6>Oh yeah, well I did Colonel Shanders for about you

1401
01:08:25.359 --> 01:08:29.279
<v Speaker 6>have Years for Okay, Outfit and mighty nine bunch of people.

1402
01:08:31.319 --> 01:08:34.000
<v Speaker 2>I love the Colonel characters so much because he's just

1403
01:08:34.039 --> 01:08:36.479
<v Speaker 2>so full of beans and so such a throwback.

1404
01:08:36.640 --> 01:08:41.800
<v Speaker 1>Yes, yes, and so this was a I'm getting one

1405
01:08:41.840 --> 01:08:46.560
<v Speaker 1>of those things some reason I really want something.

1406
01:08:47.720 --> 01:08:50.159
<v Speaker 2>So I was doing what I do when I want

1407
01:08:50.199 --> 01:08:52.119
<v Speaker 2>to get work, and I was just looking through my

1408
01:08:52.399 --> 01:08:53.960
<v Speaker 2>U I used to look through a Rollodex. Now I

1409
01:08:53.960 --> 01:08:56.880
<v Speaker 2>looked through my emails from two years ago, three years ago.

1410
01:08:57.359 --> 01:08:59.239
<v Speaker 2>Who haven't I talked to for a while? And I've

1411
01:08:59.279 --> 01:09:02.479
<v Speaker 2>came across this guy who was a copywriter. I'd done

1412
01:09:02.600 --> 01:09:07.640
<v Speaker 2>a ill fated voiceover campaign for Sony. I'd say ill

1413
01:09:07.680 --> 01:09:10.359
<v Speaker 2>fated because I did like three big voiceovers for a

1414
01:09:10.399 --> 01:09:13.760
<v Speaker 2>TV campaign and then like the week that it was released,

1415
01:09:14.279 --> 01:09:18.039
<v Speaker 2>Sony had some sort of huge debacle and suddenly went, oh,

1416
01:09:18.039 --> 01:09:20.199
<v Speaker 2>we don't want to talk about ourselves anymore, so we

1417
01:09:20.399 --> 01:09:21.199
<v Speaker 2>took it all off the air.

1418
01:09:21.279 --> 01:09:22.000
<v Speaker 4>It was the hack.

1419
01:09:22.840 --> 01:09:24.079
<v Speaker 1>It was the hack. It was the Sony hack.

1420
01:09:24.159 --> 01:09:28.239
<v Speaker 2>Yeah, yeah, I think, And anyway, so that went away.

1421
01:09:28.319 --> 01:09:30.960
<v Speaker 2>But I had met this copywriter who wrote the copy

1422
01:09:31.079 --> 01:09:34.880
<v Speaker 2>and so I wrote him. I said, how are you, Devin,

1423
01:09:35.159 --> 01:09:36.880
<v Speaker 2>And he said I'm good. By the way, how's your

1424
01:09:36.880 --> 01:09:41.159
<v Speaker 2>Colonel Sanders? And I went, well, it's pretty often good, yeah,

1425
01:09:41.199 --> 01:09:44.439
<v Speaker 2>because I can hear Colonel Sanders. I mean I was

1426
01:09:44.479 --> 01:09:44.920
<v Speaker 2>a child.

1427
01:09:45.279 --> 01:09:49.319
<v Speaker 1>I remember that. You know, don't forget your grandfather's overcoat.

1428
01:09:49.720 --> 01:09:51.720
<v Speaker 1>That was in the recipe. Remember that.

1429
01:09:51.800 --> 01:09:53.319
<v Speaker 5>I don't remember that. That's so funny.

1430
01:09:53.439 --> 01:09:57.079
<v Speaker 1>They were trying to get him give us the secret recipe,

1431
01:09:57.279 --> 01:10:01.680
<v Speaker 1>and he said, well it is, Oh forget your grandfather's overcoat.

1432
01:10:03.239 --> 01:10:07.199
<v Speaker 1>He really put it one over on them, you Randy Chap, Yeah,

1433
01:10:07.279 --> 01:10:09.000
<v Speaker 1>yeah exactly. So I sent him.

1434
01:10:09.239 --> 01:10:12.359
<v Speaker 2>I sent him a demo and then he liked that,

1435
01:10:12.520 --> 01:10:16.439
<v Speaker 2>and I sent him another demo. I had auditioned for

1436
01:10:16.560 --> 01:10:21.600
<v Speaker 2>the colonel physically for an earlier campaign, like a year prior,

1437
01:10:21.640 --> 01:10:24.399
<v Speaker 2>and I'd done the voice and that was yeah for

1438
01:10:24.439 --> 01:10:24.880
<v Speaker 2>on camera.

1439
01:10:24.880 --> 01:10:25.520
<v Speaker 1>They were looking for it.

1440
01:10:25.520 --> 01:10:27.239
<v Speaker 2>They were looking for a colonel at that point, and

1441
01:10:27.279 --> 01:10:29.239
<v Speaker 2>I was like, I don't even know why, why should

1442
01:10:29.279 --> 01:10:32.800
<v Speaker 2>bother go on? This not really the right type. But

1443
01:10:33.000 --> 01:10:35.039
<v Speaker 2>I went and they were like, you know, there may

1444
01:10:35.039 --> 01:10:38.239
<v Speaker 2>be a world where we use your voice. And so

1445
01:10:38.319 --> 01:10:40.680
<v Speaker 2>I knew then that like, wow, okay, I think I

1446
01:10:40.720 --> 01:10:43.760
<v Speaker 2>sound like him, and they think, more importantly, they think

1447
01:10:43.800 --> 01:10:44.520
<v Speaker 2>I say like him.

1448
01:10:44.960 --> 01:10:46.479
<v Speaker 5>So that was established in my mind.

1449
01:10:46.560 --> 01:10:48.840
<v Speaker 2>So when my friend Devin said, how's your colonel Sanators,

1450
01:10:48.840 --> 01:10:52.239
<v Speaker 2>I went, you know, it's it's surveyed out rather well,

1451
01:10:52.680 --> 01:10:53.640
<v Speaker 2>So I sent him a demo.

1452
01:10:53.800 --> 01:10:54.800
<v Speaker 1>You sent him another demo.

1453
01:10:55.039 --> 01:10:58.319
<v Speaker 2>They hired me to do a demo, so now now

1454
01:10:58.359 --> 01:11:01.279
<v Speaker 2>the flow is reversed and I'm making money. And then

1455
01:11:01.319 --> 01:11:04.319
<v Speaker 2>they hired me to do a voiceover, and then another

1456
01:11:04.319 --> 01:11:08.159
<v Speaker 2>and another for seven years, and I had a lot

1457
01:11:08.199 --> 01:11:11.399
<v Speaker 2>of fun because I took that character and made my

1458
01:11:11.439 --> 01:11:15.279
<v Speaker 2>own content with the colonel quite a bit. I would

1459
01:11:15.319 --> 01:11:18.520
<v Speaker 2>do these because they didn't care. They didn't care at all,

1460
01:11:18.960 --> 01:11:22.119
<v Speaker 2>nobody I have a YouTube channel and I need content.

1461
01:11:22.199 --> 01:11:24.680
<v Speaker 6>So I would do a conversation between a Colonel Sanders

1462
01:11:24.680 --> 01:11:28.479
<v Speaker 6>and other notable figures they would call up on the telephone.

1463
01:11:29.319 --> 01:11:32.039
<v Speaker 6>And one thing, I think, I like to pride myself

1464
01:11:32.159 --> 01:11:34.279
<v Speaker 6>for the thing I have noticed about Colonel Sanders. You

1465
01:11:35.119 --> 01:11:37.920
<v Speaker 6>much like him. I want you always to hear as

1466
01:11:37.960 --> 01:11:42.199
<v Speaker 6>much ash. Oh, yeah, she's rather important for the time,

1467
01:11:42.279 --> 01:11:43.359
<v Speaker 6>you see.

1468
01:11:44.199 --> 01:11:44.960
<v Speaker 1>So I would do these.

1469
01:11:45.199 --> 01:11:47.640
<v Speaker 2>I've got tons of videos online of him talking to

1470
01:11:47.880 --> 01:11:51.000
<v Speaker 2>Robert Oppenheimer and talking to Humphy Bullguards and talking to

1471
01:11:51.439 --> 01:11:54.159
<v Speaker 2>Marlon Brando and talking to whoever I felt like I

1472
01:11:54.159 --> 01:11:56.239
<v Speaker 2>could imitate that day. I would go in the booth

1473
01:11:56.279 --> 01:11:58.159
<v Speaker 2>and I used to script them and I went, I'm

1474
01:11:58.159 --> 01:12:00.359
<v Speaker 2>just gonna improvise them, and I'll do one the other

1475
01:12:00.439 --> 01:12:01.960
<v Speaker 2>and one and the other and then I'll go back

1476
01:12:01.960 --> 01:12:03.920
<v Speaker 2>and edit it and kind of overlap them and editing,

1477
01:12:04.359 --> 01:12:06.720
<v Speaker 2>so the illusion of them, of him talking to these

1478
01:12:06.760 --> 01:12:10.840
<v Speaker 2>famous people and he's always just on another channel.

1479
01:12:14.000 --> 01:12:17.199
<v Speaker 1>Yeah, yeah, bring a lot of joy.

1480
01:12:17.159 --> 01:12:19.199
<v Speaker 3>Yeah, you make some really good content. I just saw

1481
01:12:19.239 --> 01:12:21.439
<v Speaker 3>your YouTube channel and your Instagram is really funny too.

1482
01:12:21.479 --> 01:12:23.000
<v Speaker 3>You do a lot of funny skits on there.

1483
01:12:23.159 --> 01:12:23.399
<v Speaker 10>Yeah.

1484
01:12:23.800 --> 01:12:27.520
<v Speaker 2>My daughter and I we it's it's her job to

1485
01:12:27.600 --> 01:12:29.880
<v Speaker 2>help me load up a lot of Instagram stuff. So

1486
01:12:29.880 --> 01:12:32.439
<v Speaker 2>she does he hey dad, Hey dad, what do and

1487
01:12:32.880 --> 01:12:35.640
<v Speaker 2>we don't contrive it. She actually pounces on me and

1488
01:12:36.399 --> 01:12:40.159
<v Speaker 2>you know, do Joe Biden and he's explaining.

1489
01:12:39.640 --> 01:12:43.000
<v Speaker 1>That so good.

1490
01:12:43.520 --> 01:12:46.159
<v Speaker 2>The one that went viral was Joe Biden explaining that

1491
01:12:46.520 --> 01:12:50.039
<v Speaker 2>the plot to Star Wars, so there's a galaxy parked

1492
01:12:50.039 --> 01:12:53.079
<v Speaker 2>on the you know, it's not that kind of galaxy.

1493
01:12:53.359 --> 01:12:55.279
<v Speaker 5>It's just the robots and.

1494
01:12:55.359 --> 01:12:57.000
<v Speaker 1>They're not the droid. You're looking for.

1495
01:12:59.039 --> 01:13:09.840
<v Speaker 2>Any of them, George, anybody's nobody's looking for joys. Come on,

1496
01:13:10.199 --> 01:13:13.119
<v Speaker 2>never mind, come on, come.

1497
01:13:12.960 --> 01:13:13.960
<v Speaker 4>On, man, come.

1498
01:13:13.800 --> 01:13:18.600
<v Speaker 1>On man, you dog face pony Soldier.

1499
01:13:19.840 --> 01:13:25.840
<v Speaker 3>So funny, so funny, that's delicious. Yeah, you do all

1500
01:13:25.880 --> 01:13:28.119
<v Speaker 3>the presidents so well. I saw a little video and

1501
01:13:28.159 --> 01:13:29.920
<v Speaker 3>you're doing all the president. I was like, how do

1502
01:13:29.960 --> 01:13:32.159
<v Speaker 3>you like? It's just like you don't even have to

1503
01:13:32.159 --> 01:13:34.680
<v Speaker 3>introduce yourself. You're so good at it. It's just you know,

1504
01:13:34.760 --> 01:13:37.720
<v Speaker 3>most people say their impressions and like turn around, well

1505
01:13:37.960 --> 01:13:41.199
<v Speaker 3>the naga. You know, it's like, okay, we I.

1506
01:13:41.159 --> 01:13:42.000
<v Speaker 5>Do a fair amount of that.

1507
01:13:42.079 --> 01:13:46.479
<v Speaker 2>But yeah, the presidents are so ubiquitous. You know, we

1508
01:13:46.600 --> 01:13:48.880
<v Speaker 2>hear them. Oh, whether we like it or not.

1509
01:13:49.199 --> 01:13:51.560
<v Speaker 1>You know, it is Donald Trump with us by any time,

1510
01:13:51.600 --> 01:13:52.199
<v Speaker 1>Trump for shure.

1511
01:13:52.359 --> 01:13:54.279
<v Speaker 12>You know, I noticed recently I don't do a lot

1512
01:13:54.279 --> 01:13:57.000
<v Speaker 12>of Trump because there's so many guys that do fantastic job.

1513
01:13:57.079 --> 01:14:00.319
<v Speaker 2>That's fantastic, I don't you know. I think I'm but

1514
01:14:00.359 --> 01:14:00.680
<v Speaker 2>one thing.

1515
01:14:00.720 --> 01:14:02.239
<v Speaker 5>I really listening to him recently, and.

1516
01:14:02.359 --> 01:14:05.479
<v Speaker 12>Like it always sounds a little mournful. There's a kind

1517
01:14:05.479 --> 01:14:07.800
<v Speaker 12>of a mindful thing, and we're going to do a

1518
01:14:07.800 --> 01:14:08.319
<v Speaker 12>great job.

1519
01:14:08.359 --> 01:14:09.600
<v Speaker 1>Everything's going to be terrific.

1520
01:14:10.119 --> 01:14:12.960
<v Speaker 5>It's a little bit of this is kind of on

1521
01:14:13.119 --> 01:14:14.239
<v Speaker 5>we do.

1522
01:14:14.199 --> 01:14:16.439
<v Speaker 1>You hear the music because whenever I have to do

1523
01:14:16.560 --> 01:14:18.840
<v Speaker 1>music of it, yeah, I think there's music in that.

1524
01:14:19.880 --> 01:14:23.239
<v Speaker 1>You know, I for what it's worth it when I

1525
01:14:23.239 --> 01:14:26.079
<v Speaker 1>don't do impression, and I'm damned if I'm going to

1526
01:14:26.119 --> 01:14:29.000
<v Speaker 1>do it in front of this guy. But but when

1527
01:14:29.119 --> 01:14:32.359
<v Speaker 1>when I do, uh, there's always you know, like John

1528
01:14:32.399 --> 01:14:35.079
<v Speaker 1>Wayne would be, well, I could tell you one thing,

1529
01:14:38.159 --> 01:14:41.119
<v Speaker 1>you know, and it's there's music.

1530
01:14:40.840 --> 01:14:45.479
<v Speaker 2>In it, right, because there's rhythm and there's yeah, tonality

1531
01:14:45.640 --> 01:14:49.399
<v Speaker 2>and pitch and how how you know, Like, uh, this

1532
01:14:49.439 --> 01:14:51.920
<v Speaker 2>is another thing I've noticed about human beings. We all

1533
01:14:51.960 --> 01:14:56.399
<v Speaker 2>have voices, and we actors tend to really modulate a

1534
01:14:56.399 --> 01:14:59.159
<v Speaker 2>lot more than normal people. And and us in our

1535
01:14:59.199 --> 01:15:01.640
<v Speaker 2>normal lives, we don't modulate quite so much. You know,

1536
01:15:01.640 --> 01:15:03.079
<v Speaker 2>we don't go down to talk to the guy at

1537
01:15:03.079 --> 01:15:05.560
<v Speaker 2>the CBS or something like, yeah, I have an appointment

1538
01:15:05.560 --> 01:15:08.439
<v Speaker 2>at five o'clock. We kind of everything's kind of floating

1539
01:15:08.479 --> 01:15:11.479
<v Speaker 2>along this level and we don't most people they kind

1540
01:15:11.479 --> 01:15:13.520
<v Speaker 2>of it's almost as if there's a governor on it

1541
01:15:13.760 --> 01:15:16.720
<v Speaker 2>and the wavelength and they don't want.

1542
01:15:16.640 --> 01:15:18.199
<v Speaker 5>Unless it's like, hey, dude, don't do that.

1543
01:15:18.239 --> 01:15:22.560
<v Speaker 2>You know, you don't really vary from that, But everybody

1544
01:15:22.600 --> 01:15:25.039
<v Speaker 2>has their own kind of vocal signatures. You can actually

1545
01:15:25.039 --> 01:15:28.000
<v Speaker 2>see it when you're looking at a piece of software

1546
01:15:28.039 --> 01:15:33.239
<v Speaker 2>that's recording and uh, it's beautiful, it is music. It's

1547
01:15:33.279 --> 01:15:36.600
<v Speaker 2>it's exactly like music. Yeah, and yeah, it's it's a

1548
01:15:36.640 --> 01:15:40.359
<v Speaker 2>beautiful it's it's like birds all have birds song, you know,

1549
01:15:40.399 --> 01:15:41.399
<v Speaker 2>they don't think about his song.

1550
01:15:41.399 --> 01:15:42.680
<v Speaker 5>They're just yapping, you know.

1551
01:15:43.359 --> 01:15:44.600
<v Speaker 1>Yeah, people like that.

1552
01:15:44.640 --> 01:15:45.119
<v Speaker 2>We're like that.

1553
01:15:45.319 --> 01:15:47.880
<v Speaker 1>Yeah. And and always whenever a bad guy, it's like

1554
01:15:48.000 --> 01:15:52.920
<v Speaker 1>soundtracks because it's always reflected like on the rifle Man,

1555
01:15:55.079 --> 01:15:57.760
<v Speaker 1>Down Down Down, But when the bad guy sneaking around

1556
01:15:57.760 --> 01:16:02.239
<v Speaker 1>the back of the barn in the night, boom boom boom,

1557
01:16:02.439 --> 01:16:06.359
<v Speaker 1>boom boom boom. Got to slow it song, slow it down.

1558
01:16:06.960 --> 01:16:09.880
<v Speaker 1>Minor key, minor key, got a in a minor key.

1559
01:16:10.800 --> 01:16:13.800
<v Speaker 1>That's how you know shit's gonna hit the fan. Minor key.

1560
01:16:13.880 --> 01:16:14.039
<v Speaker 8>Oh.

1561
01:16:15.199 --> 01:16:17.000
<v Speaker 2>You know, that's a big trend now that's happening with

1562
01:16:17.239 --> 01:16:20.600
<v Speaker 2>trailers and soundtracks is they'll take some sweet song from

1563
01:16:20.960 --> 01:16:23.399
<v Speaker 2>from our past and they'll give it a minor key.

1564
01:16:23.199 --> 01:16:24.640
<v Speaker 5>And have some plaintive kind.

1565
01:16:24.439 --> 01:16:28.119
<v Speaker 2>Of vocalist singing it. And you're like, oh, that's a

1566
01:16:28.159 --> 01:16:31.039
<v Speaker 2>scary song and it's like a sippity doodar or something.

1567
01:16:31.239 --> 01:16:33.119
<v Speaker 4>Yeah, yeah, it's so true.

1568
01:16:33.399 --> 01:16:42.600
<v Speaker 1>Oh god, you know this one, there is someone walking

1569
01:16:42.880 --> 01:16:49.640
<v Speaker 1>behind you, turn around, look at me. I can't think

1570
01:16:49.640 --> 01:16:51.920
<v Speaker 1>of the movie that used that, and I thought, oh

1571
01:16:51.920 --> 01:16:54.560
<v Speaker 1>my god, that was this romantic song from when I

1572
01:16:54.600 --> 01:16:57.239
<v Speaker 1>was like five or whatever. You and then you hear

1573
01:16:57.279 --> 01:16:59.039
<v Speaker 1>it now and it scares the crap out of you.

1574
01:16:59.119 --> 01:17:06.159
<v Speaker 1>It's been Tim Burton turning around. You know. It's we

1575
01:17:06.279 --> 01:17:09.119
<v Speaker 1>just are manipulated by it, and it's it's a beautiful

1576
01:17:09.159 --> 01:17:13.720
<v Speaker 1>thing to notice and capture, and you do that so well. Oh,

1577
01:17:13.720 --> 01:17:15.720
<v Speaker 1>thank goodness, Thanks Jim. You're very kind.

1578
01:17:15.760 --> 01:17:19.359
<v Speaker 2>And I wanted to ask you when you first started working,

1579
01:17:20.039 --> 01:17:23.960
<v Speaker 2>who was the first big, kind of stellar voiceover person

1580
01:17:24.000 --> 01:17:25.119
<v Speaker 2>that you interacted with.

1581
01:17:27.119 --> 01:17:29.960
<v Speaker 1>Well, jeez, for me, well, the first JOW I ever

1582
01:17:30.000 --> 01:17:33.319
<v Speaker 1>did was Dumbo Circus and a live action.

1583
01:17:33.600 --> 01:17:37.000
<v Speaker 2>Sure, I'm a fan, yeah, oh yeah, yeah, yeah yeah.

1584
01:17:37.119 --> 01:17:39.960
<v Speaker 1>But uh but Hal Smith was on there, the great

1585
01:17:39.960 --> 01:17:45.720
<v Speaker 1>Hal Smith, who was Otis Campbell the Andy Griffith Show.

1586
01:17:45.720 --> 01:17:49.239
<v Speaker 1>He is the town drunk. And I walked in and

1587
01:17:50.880 --> 01:17:55.359
<v Speaker 1>my younger brother, he his friend Dave from from Youngstown,

1588
01:17:56.359 --> 01:17:59.880
<v Speaker 1>callous sophisticate that he is, came out and he said,

1589
01:18:00.279 --> 01:18:02.439
<v Speaker 1>I'll never get He goes up to Hal Smith and

1590
01:18:02.479 --> 01:18:05.560
<v Speaker 1>he goes, Okay, it's nice to meet you.

1591
01:18:05.920 --> 01:18:06.119
<v Speaker 4>Now.

1592
01:18:06.239 --> 01:18:09.239
<v Speaker 1>Don't take this the wrong way, because I'm not trying

1593
01:18:09.239 --> 01:18:13.800
<v Speaker 1>to insult you you know who you look like, you

1594
01:18:13.840 --> 01:18:17.399
<v Speaker 1>look like the drunk on Andy Grafft and he goes,

1595
01:18:21.399 --> 01:18:28.359
<v Speaker 1>I had a drunk and I went, you know, so

1596
01:18:28.680 --> 01:18:31.079
<v Speaker 1>yeah he was. But he was my first, my first biggie.

1597
01:18:31.920 --> 01:18:34.239
<v Speaker 1>Have you ever been Have you ever met somebody that's

1598
01:18:35.119 --> 01:18:39.520
<v Speaker 1>kind of intimidated, intimidated you knocked you back a little bit,

1599
01:18:39.600 --> 01:18:41.479
<v Speaker 1>like somebody big, big super.

1600
01:18:41.880 --> 01:18:45.880
<v Speaker 5>Star or you know, yeah, yeah, sure, mostly.

1601
01:18:45.880 --> 01:18:53.680
<v Speaker 1>Yeah, mostly, yeah. I get that with my mailman. So yeah, yeah.

1602
01:18:53.880 --> 01:18:58.319
<v Speaker 2>I've worked with a lot of on camera and behind

1603
01:18:58.359 --> 01:19:00.880
<v Speaker 2>the mic too, with a lot of big guys and

1604
01:19:00.960 --> 01:19:05.039
<v Speaker 2>Oscar winners and you know, but I worked with Daniel

1605
01:19:05.079 --> 01:19:09.279
<v Speaker 2>day Lewis on There Will Be Blood that for a

1606
01:19:09.319 --> 01:19:10.960
<v Speaker 2>couple of days, and.

1607
01:19:11.000 --> 01:19:14.520
<v Speaker 1>That was that was interesting. You know, he's a pretty

1608
01:19:14.520 --> 01:19:18.199
<v Speaker 1>good voice guy. Oh yeah, I mean the gangs. Yes,

1609
01:19:18.319 --> 01:19:19.199
<v Speaker 1>oh yeah.

1610
01:19:19.640 --> 01:19:21.479
<v Speaker 2>To me, it sounds like he's doing Robert than There

1611
01:19:21.560 --> 01:19:25.640
<v Speaker 2>on that movie. I'm just yea like a little bit,

1612
01:19:25.680 --> 01:19:30.079
<v Speaker 2>a little bit, a little bit. But he in the

1613
01:19:30.840 --> 01:19:34.039
<v Speaker 2>we didn't had such a small part. I wasn't allowed

1614
01:19:34.039 --> 01:19:36.039
<v Speaker 2>to look at the script of There Will Be Blood,

1615
01:19:36.439 --> 01:19:39.880
<v Speaker 2>but I could see my pages and uh it was

1616
01:19:39.880 --> 01:19:42.800
<v Speaker 2>the scene where he comes in and the very start

1617
01:19:42.800 --> 01:19:44.439
<v Speaker 2>of the movie where he comes and gives an appeal

1618
01:19:44.479 --> 01:19:47.039
<v Speaker 2>to a bunch of townspeople to buy their land, and

1619
01:19:47.079 --> 01:19:49.199
<v Speaker 2>he gets you know, they shout him down and he

1620
01:19:49.279 --> 01:19:50.239
<v Speaker 2>goes off in a huff.

1621
01:19:50.840 --> 01:19:51.800
<v Speaker 1>And he's there with his son.

1622
01:19:52.880 --> 01:19:56.039
<v Speaker 2>And I didn't know much about the story, but i'd

1623
01:19:56.079 --> 01:19:58.319
<v Speaker 2>heard from the casting person that it was based on

1624
01:19:58.359 --> 01:20:00.800
<v Speaker 2>a book called Oil by Upton Sin So I read

1625
01:20:00.840 --> 01:20:02.920
<v Speaker 2>that book because I had a lot of downtime and

1626
01:20:02.960 --> 01:20:07.479
<v Speaker 2>it's a great book. And I discovered later that at

1627
01:20:07.479 --> 01:20:11.079
<v Speaker 2>about page seventy in this five hundred page book, the

1628
01:20:11.079 --> 01:20:14.600
<v Speaker 2>movie in the book all like that, Oh doesn't become

1629
01:20:15.479 --> 01:20:15.760
<v Speaker 2>you know.

1630
01:20:15.720 --> 01:20:17.640
<v Speaker 1>It's psychotic. They are no longer.

1631
01:20:18.279 --> 01:20:19.600
<v Speaker 5>It's like a whole other book.

1632
01:20:19.800 --> 01:20:22.960
<v Speaker 2>But it's very cleaves, very much to the original up

1633
01:20:23.000 --> 01:20:26.600
<v Speaker 2>till about page seventy. So I was in that early

1634
01:20:26.720 --> 01:20:30.600
<v Speaker 2>page seventy period, so I had no idea.

1635
01:20:30.279 --> 01:20:31.760
<v Speaker 5>That he was going to you know, that the character

1636
01:20:31.800 --> 01:20:32.840
<v Speaker 5>was going to go the way he went.

1637
01:20:33.640 --> 01:20:36.880
<v Speaker 2>But when watching him, because I watched him do that speech,

1638
01:20:36.920 --> 01:20:39.000
<v Speaker 2>it's a long speech. It's his first long speech in

1639
01:20:39.039 --> 01:20:43.039
<v Speaker 2>the maybe the first utterances that you actually hear, because

1640
01:20:43.039 --> 01:20:44.840
<v Speaker 2>there's awful lot of silent stuff in the beginning of it,

1641
01:20:45.439 --> 01:20:48.479
<v Speaker 2>and you know, I'm watching him and you know, he's

1642
01:20:48.520 --> 01:20:51.479
<v Speaker 2>just a believable I believe he's the guy. I believe

1643
01:20:51.479 --> 01:20:55.279
<v Speaker 2>we're here. We did it over and over again. I'm like, yeah,

1644
01:20:55.359 --> 01:20:56.159
<v Speaker 2>that's the way to do that.

1645
01:20:56.760 --> 01:20:58.039
<v Speaker 1>You know, it's very sensible.

1646
01:20:58.359 --> 01:21:00.000
<v Speaker 2>It wasn't like there wasn't a lot of history on

1647
01:21:00.319 --> 01:21:03.640
<v Speaker 2>or fireworks or technique or it was just like, no,

1648
01:21:03.920 --> 01:21:08.319
<v Speaker 2>that's simple. Just that's that's really good. Yeah, like that's

1649
01:21:08.319 --> 01:21:09.000
<v Speaker 2>a good actor.

1650
01:21:09.239 --> 01:21:09.479
<v Speaker 1>You know.

1651
01:21:10.039 --> 01:21:12.319
<v Speaker 2>Of course he does other magnificent things in that film.

1652
01:21:12.359 --> 01:21:16.039
<v Speaker 2>But yes, and I met him and he was his

1653
01:21:16.159 --> 01:21:18.560
<v Speaker 2>character name was Daniel, and his name is Daniel. So

1654
01:21:18.600 --> 01:21:22.079
<v Speaker 2>there wasn't a lot of like, oh, now he's being Daniel. Well, yeah,

1655
01:21:22.119 --> 01:21:26.880
<v Speaker 2>he's arrived as Daniel. He's so I shook his hand

1656
01:21:26.880 --> 01:21:28.319
<v Speaker 2>and he said, nice to meet you.

1657
01:21:28.319 --> 01:21:30.520
<v Speaker 4>You know, was he in character? He was, Yeah, he

1658
01:21:30.560 --> 01:21:31.279
<v Speaker 4>stays in character.

1659
01:21:31.479 --> 01:21:34.199
<v Speaker 2>He was doing that John Houston kind of voice. Yeah,

1660
01:21:34.960 --> 01:21:36.600
<v Speaker 2>so he stays in character the whole time. But that

1661
01:21:36.680 --> 01:21:39.439
<v Speaker 2>makes sense. It's a sensible thing to do, you see.

1662
01:21:40.239 --> 01:21:43.039
<v Speaker 1>So like Jim Carrey with the what was it one

1663
01:21:43.079 --> 01:21:49.359
<v Speaker 1>about Andy Kaufman, Yeah, man, the Man in the Moon.

1664
01:21:49.600 --> 01:21:52.119
<v Speaker 2>Yeah, I work with Jim too work on the Wrench.

1665
01:21:52.000 --> 01:21:53.800
<v Speaker 4>On the Grinch. What was that set like?

1666
01:21:54.159 --> 01:21:54.800
<v Speaker 1>Oh, it's great.

1667
01:21:54.840 --> 01:21:57.439
<v Speaker 4>What was that set like? What an amazing sets, such

1668
01:21:57.479 --> 01:21:58.039
<v Speaker 4>a work of art.

1669
01:21:58.039 --> 01:21:59.840
<v Speaker 2>It was like being inside a huge work of art.

1670
01:22:00.119 --> 01:22:04.319
<v Speaker 2>So and then all the characters were all decorated, you know, basically,

1671
01:22:04.399 --> 01:22:06.000
<v Speaker 2>And that's in a sound stage, and that was on

1672
01:22:06.039 --> 01:22:07.000
<v Speaker 2>a massive sound stage.

1673
01:22:07.079 --> 01:22:08.880
<v Speaker 5>Yehiverse, I was there four months.

1674
01:22:10.000 --> 01:22:12.479
<v Speaker 4>That's right, four months. How long is that makeup?

1675
01:22:13.279 --> 01:22:16.319
<v Speaker 3>Three hours a day? Three hours? It's like total or

1676
01:22:16.399 --> 01:22:16.840
<v Speaker 3>putting on?

1677
01:22:17.720 --> 01:22:20.279
<v Speaker 2>Uh no, another hour to take it off, dang hour

1678
01:22:20.319 --> 01:22:21.479
<v Speaker 2>and plus to take it off.

1679
01:22:21.840 --> 01:22:23.960
<v Speaker 1>Always felt good to take it off. But I loved

1680
01:22:24.000 --> 01:22:25.800
<v Speaker 1>I loved having the makeup on. It was fun. Yeah,

1681
01:22:26.239 --> 01:22:29.119
<v Speaker 1>they do someone to hide behind, Yeah, and you know,

1682
01:22:29.119 --> 01:22:30.000
<v Speaker 1>I could manipulate.

1683
01:22:30.039 --> 01:22:32.760
<v Speaker 5>I learned how to like moving around because my nose

1684
01:22:32.840 --> 01:22:33.279
<v Speaker 5>was up here.

1685
01:22:33.520 --> 01:22:34.520
<v Speaker 1>We could do you know.

1686
01:22:34.520 --> 01:22:38.399
<v Speaker 2>It was kind of puppeteering with your nose and amazing

1687
01:22:38.439 --> 01:22:39.119
<v Speaker 2>actors and.

1688
01:22:39.199 --> 01:22:40.039
<v Speaker 1>There's a skill that.

1689
01:22:41.199 --> 01:22:41.399
<v Speaker 8>Yeah.

1690
01:22:42.720 --> 01:22:44.880
<v Speaker 4>Were you around Jim on site?

1691
01:22:45.039 --> 01:22:47.760
<v Speaker 5>Yeah, fair amount. But he was not having a good time.

1692
01:22:48.000 --> 01:22:50.960
<v Speaker 1>No, no, unfortunately that makeup alone.

1693
01:22:51.359 --> 01:22:55.159
<v Speaker 2>Yeah, he had these full scleral eye caps.

1694
01:22:55.880 --> 01:22:57.720
<v Speaker 5>Oh, because his eyes were yellow.

1695
01:22:58.119 --> 01:23:02.880
<v Speaker 2>Yes, two sets of child offers and yack for and

1696
01:23:02.880 --> 01:23:08.920
<v Speaker 2>and prosthetics, and he was just in pain. It's well

1697
01:23:08.960 --> 01:23:12.239
<v Speaker 2>known and he talks about a lot, so you know,

1698
01:23:12.279 --> 01:23:13.399
<v Speaker 2>I understand why we.

1699
01:23:13.359 --> 01:23:14.800
<v Speaker 1>Didn't all pal around.

1700
01:23:14.920 --> 01:23:17.279
<v Speaker 2>Yeah he was because in between takes he was kind

1701
01:23:17.279 --> 01:23:20.439
<v Speaker 2>of seething, trying.

1702
01:23:20.239 --> 01:23:22.319
<v Speaker 1>To trying to get through the day, get off.

1703
01:23:23.039 --> 01:23:25.319
<v Speaker 2>And one day, one day I came to work and

1704
01:23:25.840 --> 01:23:27.479
<v Speaker 2>early in the morning, always because we had to do

1705
01:23:27.520 --> 01:23:29.600
<v Speaker 2>three hours of makeup. I came to work on Universal

1706
01:23:29.680 --> 01:23:32.800
<v Speaker 2>lot and I saw the Grynch walk by and I

1707
01:23:32.840 --> 01:23:36.000
<v Speaker 2>could tell, well, that's not Jim. It's Jim's taller. That's

1708
01:23:36.000 --> 01:23:39.119
<v Speaker 2>probably his stunt double Pat Banta. So I go, hey, Pat,

1709
01:23:39.640 --> 01:23:42.520
<v Speaker 2>and the guy says, oh, no, no, it's not Pat,

1710
01:23:42.560 --> 01:23:43.079
<v Speaker 2>it's Ron.

1711
01:23:44.000 --> 01:23:46.479
<v Speaker 1>And this is the day that Ron Howard uh was.

1712
01:23:46.960 --> 01:23:48.920
<v Speaker 2>You know, Jim had been complaining.

1713
01:23:48.399 --> 01:23:51.359
<v Speaker 5>About the makeup and stuff.

1714
01:23:51.399 --> 01:23:53.039
<v Speaker 2>So I said, I decided one day I'm going to

1715
01:23:53.079 --> 01:23:55.159
<v Speaker 2>come in do the full makeup and spend.

1716
01:23:54.960 --> 01:23:56.359
<v Speaker 5>The day and see what that's like.

1717
01:23:58.159 --> 01:23:58.359
<v Speaker 7>Wow.

1718
01:23:58.600 --> 01:23:59.960
<v Speaker 1>He did it all day long and he had the

1719
01:24:00.079 --> 01:24:02.439
<v Speaker 1>end of the day went see, I see what you mean.

1720
01:24:04.359 --> 01:24:05.880
<v Speaker 5>That's pretty awful.

1721
01:24:06.880 --> 01:24:09.479
<v Speaker 1>Sitting there going yeah, yeah, I get it.

1722
01:24:09.600 --> 01:24:15.920
<v Speaker 2>Agony, yeah, yeah, but again, that's roun an hour. I

1723
01:24:15.920 --> 01:24:18.079
<v Speaker 2>don't know another director in the world that would do

1724
01:24:18.119 --> 01:24:18.560
<v Speaker 2>such a thing.

1725
01:24:18.640 --> 01:24:20.279
<v Speaker 4>Is that so funny? Yeah?

1726
01:24:20.520 --> 01:24:21.199
<v Speaker 1>Oh my god?

1727
01:24:22.039 --> 01:24:24.159
<v Speaker 3>Do people know that story? Do you guys know that story?

1728
01:24:24.239 --> 01:24:27.039
<v Speaker 3>I've never heard that story never. That's hilarious.

1729
01:24:28.600 --> 01:24:32.319
<v Speaker 1>That's in your book, man, that's good, it's amazing. Yeah.

1730
01:24:32.359 --> 01:24:35.640
<v Speaker 2>So it's a it's been an interesting career. It hasn't

1731
01:24:35.680 --> 01:24:37.159
<v Speaker 2>gone at all the way I.

1732
01:24:37.119 --> 01:24:37.720
<v Speaker 5>Thought it would.

1733
01:24:37.720 --> 01:24:40.039
<v Speaker 2>I never have thought that I would be like mainly

1734
01:24:40.079 --> 01:24:42.760
<v Speaker 2>being an impressionist, and these days I don't even know

1735
01:24:42.800 --> 01:24:45.199
<v Speaker 2>how long it's going to last with AI. I know

1736
01:24:45.279 --> 01:24:46.960
<v Speaker 2>a lot of my work is going to go away,

1737
01:24:47.800 --> 01:24:50.920
<v Speaker 2>like soundlike stuff in ad R quick spot things.

1738
01:24:50.720 --> 01:24:53.560
<v Speaker 1>And be able to really you think so absolutely, I

1739
01:24:53.560 --> 01:24:54.680
<v Speaker 1>mean I would.

1740
01:24:54.760 --> 01:24:56.399
<v Speaker 2>I mean if I was a producer and like we

1741
01:24:56.439 --> 01:25:00.439
<v Speaker 2>need Colin Firth to say, come on in, you know, okay,

1742
01:25:00.439 --> 01:25:01.119
<v Speaker 2>well I think we can.

1743
01:25:01.560 --> 01:25:05.319
<v Speaker 1>You know that's oh yeah, that we're not too crazy

1744
01:25:05.319 --> 01:25:07.399
<v Speaker 1>about all that stuff. No, of course not.

1745
01:25:07.479 --> 01:25:10.720
<v Speaker 2>But it's a but it's a tool and I think

1746
01:25:10.720 --> 01:25:12.560
<v Speaker 2>about it all the time. I think about it every day,

1747
01:25:12.600 --> 01:25:16.319
<v Speaker 2>and it does put pressure on actors to be more,

1748
01:25:17.319 --> 01:25:21.880
<v Speaker 2>more better, uh, you know, more original, more to be more,

1749
01:25:22.000 --> 01:25:26.199
<v Speaker 2>you know, because an AI doesn't have your replaceable irreplaceable, Yeah,

1750
01:25:26.239 --> 01:25:28.840
<v Speaker 2>to be creative.

1751
01:25:28.840 --> 01:25:32.439
<v Speaker 1>And so yeah, and hopefully they don't add lib. Hopefully

1752
01:25:32.439 --> 01:25:37.399
<v Speaker 1>the AI doesn't add LIB. I live and I think.

1753
01:25:37.479 --> 01:25:39.640
<v Speaker 4>I watched a I watched a twenty minute video on

1754
01:25:39.680 --> 01:25:43.600
<v Speaker 4>YouTube yesterday about how AI cannot draw a full glass

1755
01:25:43.600 --> 01:25:44.039
<v Speaker 4>of wine.

1756
01:25:44.239 --> 01:25:44.880
<v Speaker 5>Oh I saw that.

1757
01:25:45.039 --> 01:25:46.840
<v Speaker 4>Yeah, can just cannot do it.

1758
01:25:46.960 --> 01:25:48.720
<v Speaker 1>Yeah, it has draw a full glass.

1759
01:25:48.800 --> 01:25:50.600
<v Speaker 3>You can ask AI to draw a full glass of

1760
01:25:50.640 --> 01:25:53.399
<v Speaker 3>wine filled to the brim. It will never do it. It

1761
01:25:53.279 --> 01:25:56.399
<v Speaker 3>cannot do it. What kind of weird the weirdest this

1762
01:25:56.520 --> 01:25:59.520
<v Speaker 3>guy like goes into like this whole explanation for twenty minutes,

1763
01:25:59.560 --> 01:26:00.760
<v Speaker 3>like deep bunking.

1764
01:26:00.520 --> 01:26:02.720
<v Speaker 1>Like why who and who found that out?

1765
01:26:03.079 --> 01:26:07.479
<v Speaker 3>This is just random YouTube? Yeah, you're not a random YouTuber.

1766
01:26:07.479 --> 01:26:09.880
<v Speaker 3>I'm going to link your video actually in this video

1767
01:26:10.039 --> 01:26:11.199
<v Speaker 3>because you deserve some credit.

1768
01:26:11.239 --> 01:26:11.920
<v Speaker 4>That was a good video.

1769
01:26:12.000 --> 01:26:15.880
<v Speaker 3>Yeah yeah, yeah, yeah, but it's fascinating. It's like it

1770
01:26:15.920 --> 01:26:21.439
<v Speaker 3>seems like it's so capable and then so deficient at

1771
01:26:21.479 --> 01:26:24.680
<v Speaker 3>the same time. Right, Yeah, but yeah, it'll be interesting

1772
01:26:24.680 --> 01:26:26.760
<v Speaker 3>to see how all that plays out. But I'm not

1773
01:26:26.800 --> 01:26:30.119
<v Speaker 3>a big believer. I think it's vastly overstated what it

1774
01:26:30.119 --> 01:26:32.119
<v Speaker 3>can actually do, but only time will tell.

1775
01:26:32.880 --> 01:26:36.760
<v Speaker 2>Yeah, for certain effects it's very good, and for other

1776
01:26:36.840 --> 01:26:40.039
<v Speaker 2>things it just will always be inferior.

1777
01:26:40.319 --> 01:26:42.760
<v Speaker 1>Yeah, I mean, we this is what I was thinking

1778
01:26:42.800 --> 01:26:43.319
<v Speaker 1>about earlier.

1779
01:26:43.319 --> 01:26:46.279
<v Speaker 2>It's like, you know, people have talked about, well, photoshop

1780
01:26:46.319 --> 01:26:49.399
<v Speaker 2>came along and it didn't destroy photography. It didn't well

1781
01:26:49.520 --> 01:26:54.239
<v Speaker 2>and and you know it go back further. You know

1782
01:26:55.319 --> 01:26:59.000
<v Speaker 2>this never happened, but you wouldn't say, well, ventriloquism is

1783
01:26:59.119 --> 01:27:00.479
<v Speaker 2>just going to destroy it entertainment.

1784
01:27:00.840 --> 01:27:02.000
<v Speaker 5>Just look at that. This is a guy.

1785
01:27:02.039 --> 01:27:05.199
<v Speaker 2>You can put a voice into a non living thing

1786
01:27:05.720 --> 01:27:07.640
<v Speaker 2>and it makes it look like a living thing.

1787
01:27:07.880 --> 01:27:08.560
<v Speaker 1>I mean, that's it.

1788
01:27:08.680 --> 01:27:11.600
<v Speaker 2>We're done because now you'll just we'll just always have

1789
01:27:11.680 --> 01:27:15.399
<v Speaker 2>been able to have dummies and people providing voices for it,

1790
01:27:15.920 --> 01:27:18.199
<v Speaker 2>not really because nobody really we get a little bit

1791
01:27:18.199 --> 01:27:18.960
<v Speaker 2>of entrilogaism.

1792
01:27:19.000 --> 01:27:21.159
<v Speaker 5>We're fine. That's I'm gooding out for a year.

1793
01:27:21.560 --> 01:27:25.079
<v Speaker 2>Yeah, two minutes, I'm done.

1794
01:27:24.760 --> 01:27:26.600
<v Speaker 5>But because it's all drawing.

1795
01:27:27.079 --> 01:27:30.399
<v Speaker 2>So with the AI, we're drawing and scrubbing from things,

1796
01:27:31.520 --> 01:27:34.600
<v Speaker 2>and it's not really original, and it's a lot of

1797
01:27:34.640 --> 01:27:37.159
<v Speaker 2>plagiarism and it's stuff we've seen before.

1798
01:27:37.319 --> 01:27:41.039
<v Speaker 5>That's why it's there, and so.

1799
01:27:41.000 --> 01:27:43.319
<v Speaker 2>It has that me meditation and I you know, when

1800
01:27:43.319 --> 01:27:45.560
<v Speaker 2>I see the things on Instagram pop up and it's like, wow,

1801
01:27:45.600 --> 01:27:47.720
<v Speaker 2>look at this. It's Star Wars but nineteen fifties, and

1802
01:27:47.760 --> 01:27:51.520
<v Speaker 2>you're like, wow, that's really interesting. I'm you know, I'll

1803
01:27:51.560 --> 01:27:54.920
<v Speaker 2>take forty seconds of this, but it's not going to

1804
01:27:55.039 --> 01:27:55.680
<v Speaker 2>change the world.

1805
01:27:55.760 --> 01:27:58.920
<v Speaker 4>Shirt. Yeah, completely compelling. That reminds me of this line

1806
01:27:58.920 --> 01:28:02.319
<v Speaker 4>in I Robot with Smith and he's sitting down interrogating,

1807
01:28:02.359 --> 01:28:05.479
<v Speaker 4>you know, the android, and he's like, can you make a.

1808
01:28:05.439 --> 01:28:07.560
<v Speaker 3>Work of art? Can you write a symphony? And the

1809
01:28:07.600 --> 01:28:09.279
<v Speaker 3>android looks at him, he's like can you.

1810
01:28:11.039 --> 01:28:11.359
<v Speaker 4>Yeah?

1811
01:28:11.439 --> 01:28:16.279
<v Speaker 2>Yeah, yeah, you better wise guy, Yeah yeah I could.

1812
01:28:16.279 --> 01:28:19.520
<v Speaker 2>If I could, I know a guy who knows a guy.

1813
01:28:19.760 --> 01:28:24.000
<v Speaker 1>Yeah, that's right. If you're a fan of everything we

1814
01:28:24.119 --> 01:28:26.880
<v Speaker 1>do here at tuned In with Jim Cummings, you could

1815
01:28:26.880 --> 01:28:31.439
<v Speaker 1>support the show on Patreon for bonus exclusive podcasts, as

1816
01:28:31.439 --> 01:28:35.159
<v Speaker 1>well as early in ad free access to the show itself,

1817
01:28:35.399 --> 01:28:39.159
<v Speaker 1>prize drawings, and more. You'll feel the difference, So go

1818
01:28:39.199 --> 01:28:42.680
<v Speaker 1>ahead and join the tuned In family today at Patreon

1819
01:28:42.800 --> 01:28:48.239
<v Speaker 1>dot com slash Jim Cummings podcast. Do it now, Well.

1820
01:28:48.079 --> 01:28:50.520
<v Speaker 2>This is why we respect the great artists, the great composers,

1821
01:28:50.560 --> 01:28:54.880
<v Speaker 2>the great writers, They somehow find the time, find the interest.

1822
01:28:54.600 --> 01:28:56.199
<v Speaker 5>Level, develop their skill.

1823
01:28:57.079 --> 01:28:59.920
<v Speaker 2>It's a miracle. If a machine does that is not

1824
01:28:59.920 --> 01:29:01.680
<v Speaker 2>a miracle. It's it's plagiarism.

1825
01:29:01.960 --> 01:29:05.560
<v Speaker 1>Program and it's programming, and it's yeah, it's digits.

1826
01:29:06.039 --> 01:29:06.479
<v Speaker 4>Yeah.

1827
01:29:06.640 --> 01:29:08.800
<v Speaker 1>Yeah, hard to be ampathetic with it something.

1828
01:29:09.000 --> 01:29:10.279
<v Speaker 2>But I can see a lot of a lot of

1829
01:29:10.279 --> 01:29:12.960
<v Speaker 2>work disappearing because it would be just like you know,

1830
01:29:13.000 --> 01:29:15.960
<v Speaker 2>we we talk to robots all the time on the phone, Yeah,

1831
01:29:16.319 --> 01:29:17.319
<v Speaker 2>because it's like who.

1832
01:29:17.439 --> 01:29:19.319
<v Speaker 1>We all love it and we're like we'll put up.

1833
01:29:19.279 --> 01:29:21.560
<v Speaker 2>With it because he can't really imagine somebody doing it

1834
01:29:21.600 --> 01:29:24.840
<v Speaker 2>all day long saying yeah please hold and all that.

1835
01:29:25.079 --> 01:29:26.680
<v Speaker 4>Yeah, unless it's outsourced.

1836
01:29:28.159 --> 01:29:30.199
<v Speaker 1>Yeah, I get that with a lot of actual people.

1837
01:29:30.479 --> 01:29:31.880
<v Speaker 1>I feel like I'm talking to robots.

1838
01:29:31.920 --> 01:29:32.560
<v Speaker 5>Well, that's true.

1839
01:29:33.239 --> 01:29:37.439
<v Speaker 2>We have to be we have to exert our humanity, right,

1840
01:29:37.920 --> 01:29:40.439
<v Speaker 2>And that's the key to any kind of success with

1841
01:29:40.520 --> 01:29:43.600
<v Speaker 2>anything is first be there, be present, and be willing

1842
01:29:43.600 --> 01:29:46.520
<v Speaker 2>to communicate with other people and to have that evolution,

1843
01:29:46.720 --> 01:29:48.840
<v Speaker 2>you know. And yeah, I think it puts a lot

1844
01:29:48.880 --> 01:29:51.600
<v Speaker 2>of us on notice. You know, how unautomatic can you be?

1845
01:29:52.600 --> 01:29:53.119
<v Speaker 4>Yeah?

1846
01:29:53.399 --> 01:29:55.279
<v Speaker 2>Because the more automatic, you know, like this is why

1847
01:29:55.319 --> 01:29:57.880
<v Speaker 2>marriages go bad, because the husband or the wife is

1848
01:29:57.960 --> 01:29:58.520
<v Speaker 2>kind of like, oh.

1849
01:29:58.439 --> 01:30:00.880
<v Speaker 5>Yeah, I'm married, and it's it's just gonna run.

1850
01:30:01.319 --> 01:30:02.680
<v Speaker 1>And I've done my bit, you know.

1851
01:30:02.800 --> 01:30:06.560
<v Speaker 2>I I paid the bills and I bought the ring. No,

1852
01:30:07.680 --> 01:30:09.079
<v Speaker 2>that's just the entrance fee.

1853
01:30:09.119 --> 01:30:12.920
<v Speaker 4>You know, it's just Skynett letting us know they're listening.

1854
01:30:14.000 --> 01:30:17.479
<v Speaker 2>Oh, Skynet, I didn't mean it. I did not mean it. Hey,

1855
01:30:17.520 --> 01:30:18.960
<v Speaker 2>it's the best thing I ever hear them.

1856
01:30:19.119 --> 01:30:21.880
<v Speaker 3>Yeah, the smart hub notification pops up on the TV

1857
01:30:22.000 --> 01:30:23.279
<v Speaker 3>for you guys confused at home.

1858
01:30:23.359 --> 01:30:25.920
<v Speaker 4>It's it's very suspicious.

1859
01:30:27.399 --> 01:30:29.319
<v Speaker 1>Say, no attention to the man behind the curtain.

1860
01:30:29.399 --> 01:30:31.399
<v Speaker 3>But did you have anything you wanted to advertise or

1861
01:30:31.439 --> 01:30:33.479
<v Speaker 3>plug upcoming that you got going on?

1862
01:30:34.159 --> 01:30:34.359
<v Speaker 1>Nah?

1863
01:30:34.479 --> 01:30:37.239
<v Speaker 2>Not really visit my website, jim Meskama dot com s.

1864
01:30:37.239 --> 01:30:39.680
<v Speaker 4>I mean email, don't you if I'm not mistaken.

1865
01:30:39.720 --> 01:30:41.720
<v Speaker 5>Oh, it's not really set up yet.

1866
01:30:41.840 --> 01:30:42.319
<v Speaker 4>No.

1867
01:30:42.319 --> 01:30:44.960
<v Speaker 2>No, I did a bunch of online videos, but we

1868
01:30:45.000 --> 01:30:48.279
<v Speaker 2>haven't figured out how to host it properly yet. One

1869
01:30:48.279 --> 01:30:49.880
<v Speaker 2>of these days, though, stay in touch when they get

1870
01:30:49.880 --> 01:30:51.159
<v Speaker 2>on my man.

1871
01:30:51.479 --> 01:30:53.359
<v Speaker 5>Stay tuned, Yeah, stay tuned.

1872
01:30:53.079 --> 01:30:55.159
<v Speaker 3>To follow you on social media, of course. Yeah, you

1873
01:30:55.159 --> 01:30:56.520
<v Speaker 3>guys have to. It's actually really funny.

1874
01:30:56.600 --> 01:31:01.600
<v Speaker 2>Yeah at jimpressions on Instagram. I'm on TikTok and I

1875
01:31:01.760 --> 01:31:06.439
<v Speaker 2>had a lot of success there, not monetarily, but I'm

1876
01:31:06.479 --> 01:31:08.039
<v Speaker 2>told I've made like over eight.

1877
01:31:07.960 --> 01:31:09.039
<v Speaker 1>Dollars on Instagram.

1878
01:31:09.079 --> 01:31:11.279
<v Speaker 2>So I really don't know how to get it out

1879
01:31:11.279 --> 01:31:14.239
<v Speaker 2>of the See now you're talking though, Yeah, we're talking.

1880
01:31:14.399 --> 01:31:17.800
<v Speaker 1>Oh man, that's great, And I'll.

1881
01:31:17.680 --> 01:31:20.159
<v Speaker 2>Do my my one man show again. And I'm working

1882
01:31:20.199 --> 01:31:22.399
<v Speaker 2>on a screenplay and I'm always just trying to.

1883
01:31:22.640 --> 01:31:24.079
<v Speaker 4>Well, do I have any co stars?

1884
01:31:26.760 --> 01:31:30.159
<v Speaker 1>That's my really funny joke. Well that's great, man. That

1885
01:31:30.199 --> 01:31:33.119
<v Speaker 1>takes a lot of guts. I've thought of that every

1886
01:31:33.159 --> 01:31:35.720
<v Speaker 1>every eight or so years. I think maybe I should

1887
01:31:35.720 --> 01:31:37.800
<v Speaker 1>do it one man show. No, that scares the crap

1888
01:31:37.840 --> 01:31:38.199
<v Speaker 1>out of me.

1889
01:31:38.359 --> 01:31:40.039
<v Speaker 5>Oh so cold A good reason to do it?

1890
01:31:40.119 --> 01:31:41.680
<v Speaker 3>Well, you got to take it sold. If you let

1891
01:31:41.680 --> 01:31:43.800
<v Speaker 3>me know, I'll be there for sure, because please.

1892
01:31:44.039 --> 01:31:46.720
<v Speaker 2>Yeah, I mean you can start off. I think start

1893
01:31:46.760 --> 01:31:48.800
<v Speaker 2>off modestly, you know, do something for friends.

1894
01:31:49.319 --> 01:31:50.800
<v Speaker 4>No, I mean I want to come watch you. I'm

1895
01:31:50.800 --> 01:31:54.520
<v Speaker 4>not going to do it. Yeah, I'm not bilt on stage.

1896
01:31:54.880 --> 01:31:58.000
<v Speaker 1>Yeah. I just always enjoyed.

1897
01:31:59.039 --> 01:32:01.319
<v Speaker 5>You know, I didn't become a stamp. That's another lifestyle.

1898
01:32:01.359 --> 01:32:02.439
<v Speaker 1>You know, it's kind of what I do.

1899
01:32:02.479 --> 01:32:03.600
<v Speaker 5>There's probably what you do too.

1900
01:32:03.600 --> 01:32:07.079
<v Speaker 2>There's a little overlap in that world, but that's a

1901
01:32:07.199 --> 01:32:11.800
<v Speaker 2>very specific trail and those guys, you know, you got

1902
01:32:11.840 --> 01:32:13.880
<v Speaker 2>to work it and you got to be willing to

1903
01:32:13.920 --> 01:32:14.960
<v Speaker 2>go through the agony of it.

1904
01:32:15.000 --> 01:32:17.239
<v Speaker 5>And apparently that's pretty agonizing. It looks like hell.

1905
01:32:18.279 --> 01:32:22.479
<v Speaker 2>But then if you surmounted and actually get established, you

1906
01:32:22.520 --> 01:32:25.159
<v Speaker 2>could make a Like I went one time to see

1907
01:32:25.239 --> 01:32:28.600
<v Speaker 2>Eddie Izzard at the Hollywood Bowl and I looked around

1908
01:32:28.640 --> 01:32:31.319
<v Speaker 2>and I looked on my phone. How many people fit

1909
01:32:31.359 --> 01:32:34.439
<v Speaker 2>in the Hollywood seventeen thousand people to see a stand

1910
01:32:34.479 --> 01:32:36.560
<v Speaker 2>up comic and they all had a great time.

1911
01:32:36.720 --> 01:32:37.000
<v Speaker 1>Jeez.

1912
01:32:37.039 --> 01:32:39.640
<v Speaker 2>I thought, if I could do that, I think I'd

1913
01:32:39.640 --> 01:32:40.359
<v Speaker 2>be pretty happy.

1914
01:32:41.039 --> 01:32:42.079
<v Speaker 1>Yeah.

1915
01:32:42.159 --> 01:32:44.960
<v Speaker 2>So yeah, looking for start looking at working for a

1916
01:32:44.960 --> 01:32:46.640
<v Speaker 2>way to do that. But he started off just busting

1917
01:32:46.720 --> 01:32:49.399
<v Speaker 2>and doing all kinds of crazy nonsense, no kidd you

1918
01:32:49.399 --> 01:32:51.000
<v Speaker 2>know on the streets and England.

1919
01:32:52.239 --> 01:32:59.079
<v Speaker 1>The dress fits. Yeah, very brave, very brave. There's doing it.

1920
01:32:59.079 --> 01:33:00.760
<v Speaker 4>One more thing that we do on this show.

1921
01:33:01.119 --> 01:33:03.239
<v Speaker 3>It's a little game that we play if you're if

1922
01:33:03.239 --> 01:33:06.359
<v Speaker 3>you're game to play, and it's a little voice swap game. Sure,

1923
01:33:06.399 --> 01:33:08.079
<v Speaker 3>and since you do so many impressions. I thought it

1924
01:33:08.159 --> 01:33:10.760
<v Speaker 3>might be fun to do the voice swap with impressions.

1925
01:33:10.880 --> 01:33:13.359
<v Speaker 3>How do you feel about that? So Jim will say

1926
01:33:13.680 --> 01:33:15.880
<v Speaker 3>a character line of his, you know, say Winnie the

1927
01:33:15.920 --> 01:33:18.479
<v Speaker 3>Pooh or dark Wing or I.

1928
01:33:18.479 --> 01:33:20.840
<v Speaker 4>Need to I need to branch out more. I need

1929
01:33:20.880 --> 01:33:22.760
<v Speaker 4>to think of more characters. Maybe Ray.

1930
01:33:22.960 --> 01:33:25.000
<v Speaker 3>Yeah, just one of his quick characters will say a

1931
01:33:25.039 --> 01:33:27.159
<v Speaker 3>line and then if you repeat that same line but

1932
01:33:27.279 --> 01:33:30.119
<v Speaker 3>in an impression voice, just picked a voice, okay, and.

1933
01:33:30.079 --> 01:33:30.479
<v Speaker 4>Then we'll go.

1934
01:33:30.800 --> 01:33:33.000
<v Speaker 2>Now that's what it is, or be self evident or

1935
01:33:33.039 --> 01:33:35.199
<v Speaker 2>do you want to assign it to me or you?

1936
01:33:35.279 --> 01:33:38.119
<v Speaker 4>Yeah, you just pick. I have confidence we'll be able

1937
01:33:38.119 --> 01:33:39.159
<v Speaker 4>to tell dealer's choice.

1938
01:33:39.199 --> 01:33:42.680
<v Speaker 1>Okay, there you go. So maybe Ray from Princess.

1939
01:33:42.720 --> 01:33:44.840
<v Speaker 4>Yeah, we don't know. Yeah, we don't do Ray very much. Yeah,

1940
01:33:44.880 --> 01:33:46.079
<v Speaker 4>we don't do Ray very much.

1941
01:33:46.199 --> 01:33:49.600
<v Speaker 8>Okay, where you know you know what they always say,

1942
01:33:49.960 --> 01:33:52.600
<v Speaker 8>do women love a man with a big back?

1943
01:33:52.760 --> 01:33:53.119
<v Speaker 1>Poach?

1944
01:33:55.079 --> 01:33:59.159
<v Speaker 2>Well you know what they say, wayman, I love a

1945
01:33:59.239 --> 01:34:00.800
<v Speaker 2>man with a big back porch.

1946
01:34:01.439 --> 01:34:05.960
<v Speaker 3>Matthew McCarty. Matthew McCatty. Yes, that'll be part two to

1947
01:34:06.039 --> 01:34:06.319
<v Speaker 3>the game.

1948
01:34:06.399 --> 01:34:09.279
<v Speaker 4>We'll guess. Yeah, So the pressures all.

1949
01:34:09.279 --> 01:34:11.000
<v Speaker 5>Right, so far we're tied.

1950
01:34:11.359 --> 01:34:15.560
<v Speaker 2>Oh yeah, Now do I feed him? So yeah, yeah,

1951
01:34:15.680 --> 01:34:19.640
<v Speaker 2>you feed him alive and then okay, good, So oh,

1952
01:34:19.920 --> 01:34:22.319
<v Speaker 2>I wish for something outrageous.

1953
01:34:22.680 --> 01:34:25.920
<v Speaker 1>Oh, wish for something orageous.

1954
01:34:27.279 --> 01:34:28.840
<v Speaker 4>That has to be Robin Williams.

1955
01:34:28.920 --> 01:34:32.279
<v Speaker 1>That has to be Robin and Tiger. I don't know Tigger.

1956
01:34:32.359 --> 01:34:35.680
<v Speaker 2>Yeah, Paul Winchell, the great Paul Winchell.

1957
01:34:35.800 --> 01:34:41.359
<v Speaker 1>Yeah, yeah, yes, yes, oh yeah, yeah. I know him well.

1958
01:34:42.079 --> 01:34:44.039
<v Speaker 1>I knew him well. I went out with his daughter

1959
01:34:44.079 --> 01:34:47.079
<v Speaker 1>for a while. Really yeah, oh sure, yeah, and I

1960
01:34:47.159 --> 01:34:51.720
<v Speaker 1>know her very well too. And I guess this is

1961
01:34:51.760 --> 01:34:55.800
<v Speaker 1>slightly uplifting, but uh but I feel like I should

1962
01:34:55.800 --> 01:34:58.039
<v Speaker 1>tell this. I don't think I've ever told this, but

1963
01:34:58.159 --> 01:34:59.960
<v Speaker 1>Paul was a buddy of my I mean I actually knew,

1964
01:35:00.560 --> 01:35:03.319
<v Speaker 1>you know, for years, and uh and I would do

1965
01:35:03.399 --> 01:35:06.319
<v Speaker 1>Tigger when we're very very very very first start late

1966
01:35:06.640 --> 01:35:09.800
<v Speaker 1>late dadies. He was still going back and forth to Africa.

1967
01:35:10.199 --> 01:35:15.319
<v Speaker 1>Took cure hunger, knucklehead smith Tigger cure hunger, obvious career

1968
01:35:15.359 --> 01:35:19.720
<v Speaker 1>path and artificial har yeah, artificial heart. Yeah that yeah,

1969
01:35:19.760 --> 01:35:23.640
<v Speaker 1>I forgot that one. But he came in and you

1970
01:35:23.720 --> 01:35:26.359
<v Speaker 1>never know when he's kidding around. But we were sitting

1971
01:35:26.399 --> 01:35:29.119
<v Speaker 1>there at score one doing something. I was doing pooh,

1972
01:35:29.159 --> 01:35:31.720
<v Speaker 1>he was doing Tigger. And he came in and he

1973
01:35:31.800 --> 01:35:33.640
<v Speaker 1>had a driver and he was helping him. And he

1974
01:35:33.760 --> 01:35:38.760
<v Speaker 1>was kind of tentatively coming up the steps and you're going, oh, oh, Jesus, man,

1975
01:35:38.800 --> 01:35:41.600
<v Speaker 1>what the heck? And he said to hey, how you doing, kid?

1976
01:35:42.199 --> 01:35:44.439
<v Speaker 1>And he sits down, and how you doing, Paul? And

1977
01:35:44.439 --> 01:35:51.399
<v Speaker 1>he goes, I've been better. I go, okay, what's what's happening?

1978
01:35:52.079 --> 01:35:56.359
<v Speaker 1>He said, well, I had another stroke? And I said,

1979
01:35:56.359 --> 01:36:00.560
<v Speaker 1>oh gosh, man, I can sympathize because and he and

1980
01:36:00.600 --> 01:36:04.760
<v Speaker 1>I said so so would I. And he goes, well,

1981
01:36:04.760 --> 01:36:06.760
<v Speaker 1>put it this way, go like this with your hands.

1982
01:36:06.760 --> 01:36:10.199
<v Speaker 1>I go okay. He goes, I could see the space

1983
01:36:10.399 --> 01:36:14.920
<v Speaker 1>pretty well between my palms. And I said, oh. He goes, yeah,

1984
01:36:14.960 --> 01:36:20.880
<v Speaker 1>I got a driver. I see you got a driver. Geez. Uh,

1985
01:36:21.079 --> 01:36:24.119
<v Speaker 1>well you know, I'm sorry. I'm sorry. You know, my

1986
01:36:24.159 --> 01:36:27.239
<v Speaker 1>whole my whole family really did we all have strokes?

1987
01:36:27.880 --> 01:36:29.960
<v Speaker 1>You know? And uh? And I told him that and

1988
01:36:30.039 --> 01:36:36.600
<v Speaker 1>I said, so, so what does this mean? And and

1989
01:36:36.680 --> 01:36:38.119
<v Speaker 1>he looks over me and put his hand on my

1990
01:36:38.119 --> 01:36:41.479
<v Speaker 1>shoulder and he says, it means.

1991
01:36:41.319 --> 01:36:43.199
<v Speaker 8>I want you to take care of my little buddy

1992
01:36:43.239 --> 01:36:47.640
<v Speaker 8>for me, tigger and I get cus pups telling that

1993
01:36:47.720 --> 01:36:54.239
<v Speaker 8>story and uh so yeah, so anyway, there you have

1994
01:36:54.279 --> 01:36:58.640
<v Speaker 8>a story man, Yeah yeah, but a bittersweet story and

1995
01:36:58.840 --> 01:37:03.520
<v Speaker 8>with not a not sad uplifting I would think.

1996
01:37:03.520 --> 01:37:05.680
<v Speaker 2>You know, well, I feel of hope beautiful that he

1997
01:37:05.760 --> 01:37:07.560
<v Speaker 2>knew who was going to take that over and he

1998
01:37:08.119 --> 01:37:09.399
<v Speaker 2>passed over the reins to you, and.

1999
01:37:09.640 --> 01:37:12.800
<v Speaker 1>Yes, yeah, that's that's actually good for you. That that's

2000
01:37:12.840 --> 01:37:15.079
<v Speaker 1>that's the way I've thought of it. Yeah, that's way

2001
01:37:15.079 --> 01:37:18.359
<v Speaker 1>I thought of it. Yeah. Well, and then you know

2002
01:37:18.439 --> 01:37:21.319
<v Speaker 1>that inspired my joke and said, when I finally pass on,

2003
01:37:21.840 --> 01:37:25.039
<v Speaker 1>I hope I, you know, have enough characters that there's

2004
01:37:25.079 --> 01:37:30.560
<v Speaker 1>five people to get again. Yeah that's not bad. That's

2005
01:37:30.560 --> 01:37:33.079
<v Speaker 1>not bad. That's right. But thank you so so so

2006
01:37:33.279 --> 01:37:36.039
<v Speaker 1>very much, and talk with you.

2007
01:37:38.680 --> 01:37:39.039
<v Speaker 4>All right.

2008
01:37:39.079 --> 01:37:40.760
<v Speaker 3>That does it for another episode of Tuned In with

2009
01:37:40.840 --> 01:37:43.880
<v Speaker 3>Jim Cummings. Don't forget to like and subscribe. We appreciate

2010
01:37:43.920 --> 01:37:46.000
<v Speaker 3>all of you guys watching, and don't forget you can

2011
01:37:46.039 --> 01:37:48.840
<v Speaker 3>find bonus content on Patreon. We're really uploading a lot

2012
01:37:48.880 --> 01:37:51.000
<v Speaker 3>on Patreon, so go check us out. Thank you to

2013
01:37:51.079 --> 01:37:54.640
<v Speaker 3>all our patreons on there. And I think that just

2014
01:37:54.680 --> 01:37:55.479
<v Speaker 3>about does it.

2015
01:37:55.640 --> 01:37:56.239
<v Speaker 1>I think so.

2016
01:37:56.319 --> 01:37:58.359
<v Speaker 3>We will see you in the next one, Jim ask men,

2017
01:37:58.359 --> 01:38:00.359
<v Speaker 3>thank you so much for being here and we'll see

2018
01:38:00.399 --> 01:38:00.720
<v Speaker 3>you later.

2019
01:38:00.920 --> 01:38:02.640
<v Speaker 1>Thank you, sir, thank you, yeah, thank you.

2020
01:38:02.680 --> 01:38:03.159
<v Speaker 4>That was fun

2021
01:38:06.439 --> 01:38:06.840
<v Speaker 2>Mhm.
