WEBVTT

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<v Speaker 1>Tired of the everyday routine. Ever dream of a life

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<v Speaker 1>of romantic adventure, want to get away from it?

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<v Speaker 2>We offer you Escape Escape Transcribe to free you from

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<v Speaker 2>the four walls of today for a half hour of

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<v Speaker 2>high adventure.

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<v Speaker 1>You were searching frantically through the dark, empty rooms of

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<v Speaker 1>an apartment, panic, gripping your heart, terror at your heels

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<v Speaker 1>for the girl you loved, who was with you a

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<v Speaker 1>moment before, has disappeared, vanished as if into thin air.

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<v Speaker 2>Today we escape from reality with the gripping tale of

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<v Speaker 2>a girl who vanished and the man who had to

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<v Speaker 2>find her to save his life. As Cornell Woolwich told

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<v Speaker 2>it in his great story Finger of.

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<v Speaker 3>Doom, nothing unusual ever happens to you, huh in your

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<v Speaker 3>comfortable American city? Nothing ever could could it? Let me

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<v Speaker 3>tell you something, right on the common, everyday streets of

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<v Speaker 3>a big city, I had the strangest, most fantastic adventure

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<v Speaker 3>anyone could dream of it, and I've had my fill

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<v Speaker 3>of adventure for the rest of my life. This happened

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<v Speaker 3>several years ago before the war, on an ordinary or

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<v Speaker 3>evening in early spring, well not so ordinary, because I

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<v Speaker 3>had a couple of free tickets to a good show,

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<v Speaker 3>and I was picking Stephie up at her office for dinner.

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<v Speaker 3>See we were going to be married in less than

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<v Speaker 3>two weeks, so naturally I was impatient as I waited

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<v Speaker 3>there on the sidewalk in front of her office building.

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<v Speaker 3>And of course she was late, last one to leave,

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<v Speaker 3>as usual. It felt like a picket, pacing up and

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<v Speaker 3>down in front of the door, but only there she

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<v Speaker 3>was spun, gold piled on her head, blue eyes shining,

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<v Speaker 3>and carry.

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<v Speaker 4>Hi, darling?

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<v Speaker 5>What's that?

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<v Speaker 6>Have I kept you waiting long? I try to hurry

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<v Speaker 6>all I could with this. Just a package, I promised

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<v Speaker 6>his nibs. I deliver it on the way home.

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<v Speaker 3>You're not going home, we're reading out and going to

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<v Speaker 3>a show.

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<v Speaker 6>But it's right on the way. I have to leave

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<v Speaker 6>it at a flat in Martin Street. It won't take

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<v Speaker 6>a minute.

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<v Speaker 3>Why can't he get somebody else to run his errands

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<v Speaker 3>for him? We're late now, this will cut our eating time.

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<v Speaker 6>Oh so this is what the thirteenth does to you.

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<v Speaker 3>Thirteenth You mean you've forgotten?

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<v Speaker 6>You mean you aren't counting the days?

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<v Speaker 3>Oh sure, thirteen days.

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<v Speaker 6>Left, thirteen and a half. Don't forget that half of

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<v Speaker 6>it's to be a noon waddy. I don't like the

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<v Speaker 6>thirteen all by itself. I'll be glad when it's tomorrow

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<v Speaker 6>when only twelve left.

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<v Speaker 3>You know something, You're cute. The more I know you,

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<v Speaker 3>you're the cute of you get.

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<v Speaker 6>I bet you won't say that a year from now.

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<v Speaker 6>I bet you'll be calling me your old lady. Then mind, well,

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<v Speaker 6>not ride at first? Maybe?

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<v Speaker 3>Okay, come on, let's make like delivery boys. Or what's

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<v Speaker 3>the address, mister Miller.

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<v Speaker 6>Four fifteen Martin Street, apartment for it.

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<v Speaker 3>We're on our way. Sure's a frowsy neighborhood.

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<v Speaker 6>Everybody can't be rich, you knowough for eleven four thirteen?

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<v Speaker 6>Oh there it is.

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<v Speaker 3>Yeah, some clients your boss must have. I'll be glad

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<v Speaker 3>when you aren't working for him anymore. Oh would you

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<v Speaker 3>give him your notice?

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<v Speaker 6>Yesterday? He gave me the funniest look good thing. He

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<v Speaker 6>doesn't know you. He'd eat you alive.

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<v Speaker 3>I wait, huh here it is?

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<v Speaker 6>Oh? I was sailing right by. See how you affect me?

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<v Speaker 3>Okay, give it to the hall man of the janitor

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<v Speaker 3>somebody and let's get going.

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<v Speaker 6>Oh no, I've got to take it up personally and

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<v Speaker 6>get a receipt. Besides, there doesn't seem to be anybody here.

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<v Speaker 6>It's one of those push button doors. What did I say?

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<v Speaker 3>The name was again Muller or something, wasn't it? What

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<v Speaker 3>would I do without you?

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<v Speaker 6>For a four B fourteen? Oh? Here it is four

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<v Speaker 6>F No wonder I couldn't find it. The name card's

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<v Speaker 6>fallen out. Oh this must be the button. You wait

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<v Speaker 6>down here for me. I won't be a minute.

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<v Speaker 3>A minute's too long.

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<v Speaker 6>Well this will hold you until I get back.

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<v Speaker 7>M Oh, the.

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<v Speaker 6>Door only a minute now.

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<v Speaker 3>Bye bye. For a minute, I watched it through the glass.

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<v Speaker 3>She got into the little self service elevator and closed

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<v Speaker 3>the door. Then all I could see was the gleam

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<v Speaker 3>from the elevator in use light. Then she was gone.

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<v Speaker 3>I lit a cigarette and waited. How long does it

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<v Speaker 3>take to smoke a cigarette? Five minutes? Ten? Anyway, I

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<v Speaker 3>finished it. Nothing happened. I stood around, fidgeting, shifting from

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<v Speaker 3>one foot to the oven, from one shoulder leaning against

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<v Speaker 3>the wall to the other. Woman came by with the

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<v Speaker 3>squalling kid, gave me a haughty look.

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<v Speaker 4>And went on in.

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<v Speaker 3>Tried to figure out what could be taking so long.

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<v Speaker 3>Maybe they didn't have a pencil to sign the receipt.

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<v Speaker 3>Maybe they had to find one. Let another cigarette. Took

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<v Speaker 3>a couple of puffs, but now my patience was gone.

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<v Speaker 4>What is this?

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<v Speaker 3>Rattled the door first, and then I pushed the button

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<v Speaker 3>for apartment for f I still didn't plan to go up.

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<v Speaker 3>I just wanted to let her know that I was

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<v Speaker 3>still alive. But I got no answering buzz I kept

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<v Speaker 3>ringing it, holding my thumb down till it was white.

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<v Speaker 3>Still no answer. Suddenly I wasn't angry anymore. Suddenly I

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<v Speaker 3>was scared. I did the instinctive thing. I ran out

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<v Speaker 3>into the street again and looked up the face of

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<v Speaker 3>the building, searching the windows. But of course there was

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<v Speaker 3>nothing to see, and that move cost me a chance

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<v Speaker 3>to get in. While I was out on the sidewalk,

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<v Speaker 3>seedy looking character came out of the door, letting it

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<v Speaker 3>click shut. Before I could get back in, I tried

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<v Speaker 3>the buzzer again. Couldn't be out of water. They'd answered

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<v Speaker 3>it when Staffy pushed it. Now nothing dead to the

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<v Speaker 3>world up there by. Now it was twenty minutes, twenty

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<v Speaker 3>minutes since she left me. Now I was frightened. I

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<v Speaker 3>knew I had to get up there. I pushed another

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<v Speaker 3>button anyone at random. The door was released and I

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<v Speaker 3>was in for f was at the back of the building.

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<v Speaker 3>I stood out in the dark hallway and listened. It

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<v Speaker 3>wasn't a sound. First, this was a relief. At least

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<v Speaker 3>she wasn't in any difficulty. She'd be screaming. But then

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<v Speaker 3>when I began to knock and kick the door, practically

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<v Speaker 3>break it down, and still nobody made a sound, and

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<v Speaker 3>began to get panicked. Heads poked out of doors all

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<v Speaker 3>along the hall. Where will I find the janitor down

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<v Speaker 3>in the basement, I suppose. I raced down to the basement,

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<v Speaker 3>found the janitor eating his supper. I barged right in.

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<v Speaker 3>You're looking for something, come up with me quick. Will

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<v Speaker 3>you bring your past care? I want to hope one

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<v Speaker 3>of the flats.

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<v Speaker 7>What's the matter? What's wrong?

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<v Speaker 3>I don't like the looks up at My girl took

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<v Speaker 3>a package up. I've been waiting for it for over

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<v Speaker 3>twenty minutes and she never came down again. Now they

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<v Speaker 3>won't answer the bell. Come on, please hurry.

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<v Speaker 7>Oh Wi, your apartment? Is it on the fourth floor?

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<v Speaker 7>Come on, I'll show you what number fore aft. But

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<v Speaker 7>wait a minute, couldn't before. If not that one, why

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<v Speaker 7>not because there's nobody living there. But that apartment's been

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<v Speaker 7>vacant for six months.

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<v Speaker 3>He took me up and showed me he was right.

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<v Speaker 3>It was an empty flat. I went through its rooms,

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<v Speaker 3>calling Stephie's name, but she wasn't there. There was nobody there.

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<v Speaker 3>Looked like there hadn't been anybody there for months. The

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<v Speaker 3>dust was thick on the bare floor, on the sills

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<v Speaker 3>of the locked windows. She couldn't have come in here,

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<v Speaker 3>but I saw her ring the bell and go in

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<v Speaker 3>the door, in this door, the downstairs door.

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<v Speaker 7>Oh well, she could have gone to any apartment there.

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<v Speaker 3>But she was coming here. She rang this bell and

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<v Speaker 3>somebody answered.

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<v Speaker 7>Nobody could have answered. Nobody's been here. She must have

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<v Speaker 7>rung another bell.

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<v Speaker 3>Is there somebody in this apartment named Muller?

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<v Speaker 7>No, we never had anybody by that name, not in

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<v Speaker 7>the whole twelve years have been here.

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<v Speaker 3>Somebody must have gotten in and was waiting for her.

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<v Speaker 7>Will you tell me how they could? It was locked.

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<v Speaker 7>You saw me open it with me past key. Didn't

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<v Speaker 7>you listen.

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<v Speaker 3>We're gonna ask all the tenants on this floor. Maybe

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<v Speaker 3>they heard something.

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<v Speaker 7>Wait a minute, I don't like to disturb them. Maybe

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<v Speaker 7>this girl just walked out on you. Maybe it had

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<v Speaker 7>a corner. Oh no, there was nothing like that. I

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<v Speaker 7>know she wouldn't just walk out. Besides, how could she?

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<v Speaker 7>Is there a back way?

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<v Speaker 3>Yes, but only through the basement. She would have had

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<v Speaker 3>to pass right by me. And you didn't see her.

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<v Speaker 3>And I was waiting downstairs at the front door and

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<v Speaker 3>she didn't come out that way. Then obviously she's still

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<v Speaker 3>in here.

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<v Speaker 7>Well maybe or maybe what I are you sure she

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<v Speaker 7>ever come in?

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<v Speaker 3>Of course you mean?

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<v Speaker 7>Am I sure there ever was a girl? Now, don't

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<v Speaker 7>get excited, mister. All right, we'll look we alast take

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<v Speaker 7>it easy, Take it easy, Okay, you were anythinking? For uf?

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<v Speaker 8>How could I the places?

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<v Speaker 4>And I know?

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<v Speaker 7>But didn't you hear something?

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<v Speaker 8>Yeah, the buzzer was going like crazy, like somebody was

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<v Speaker 8>leaning on the button downstairs.

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<v Speaker 3>But that was Yeah.

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<v Speaker 8>Then a little later this guy banging on the door.

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<v Speaker 8>He asked me where to find you have a mine?

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<v Speaker 7>Thank you? Sorry to have disturbed kid. Well that's all

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<v Speaker 7>of them, no trace at all. Maybe now you let

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<v Speaker 7>me get back to my shupper. There's nothing more we

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<v Speaker 7>can do. Maybe figure o where she lives at work.

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<v Speaker 3>She might find wait here, I'm gonna call the police first.

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<v Speaker 3>I got a patrolman from the corner. He asked a

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<v Speaker 3>lot of questions, and then called his station. A few

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<v Speaker 3>minutes later, a detective was dropped off a fellow by

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<v Speaker 3>the name of Gilmen. I must admit he was thorough.

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<v Speaker 3>He checked on every apartment in the building. The only

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<v Speaker 3>thing he learned was about the false ring which let

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<v Speaker 3>me in. But there was only one, not two, and

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<v Speaker 3>that meant that whoever buzz for Stephy was expecting. Gilman

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<v Speaker 3>checked apartment for f thoroughly, the windows with their undisturbed

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<v Speaker 3>layer of dust, the door, the keyhole, everything, And then

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<v Speaker 3>he said.

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<v Speaker 4>There's nothing to show that she or anyone else ever

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<v Speaker 4>came in here.

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<v Speaker 3>But look, don't do this to me. You make it

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<v Speaker 3>sound like she didn't come here with me at all.

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<v Speaker 4>That's what it does sound like.

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<v Speaker 3>But don't you see, Look, I was gonna take her

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<v Speaker 3>to a show. Here here are the tickets.

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<v Speaker 4>Don't mean a thing. We're gonna build this from the

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<v Speaker 4>ground up and see if they've got you. Say. Her

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<v Speaker 4>name is Stephanie Risker, Address.

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<v Speaker 3>One twenty Farragut. What she looked like she's blonde, and

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<v Speaker 3>she came up to about here.

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<v Speaker 4>I mean, okay, okay, don't let it get you.

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<v Speaker 3>I'm not scared because she's gone. It's because she's gone

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<v Speaker 3>in such a fairy tale way. She just disappeared into

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<v Speaker 3>thin air.

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<v Speaker 4>All right, let's get about finding her. That you met

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<v Speaker 4>her at six fifteen outside the Bailly Goodlin building with

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<v Speaker 4>the packets to be delivered here who she worked for?

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<v Speaker 3>A press clipping service called a Green Star. It's one

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<v Speaker 3>man organization operated by a man named Hessen, one dinky

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<v Speaker 3>little room on the ground floor of the building.

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<v Speaker 4>What do they do.

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<v Speaker 3>I don't know much about it. They have a list

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<v Speaker 3>of clients and they go through the paper and clip

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<v Speaker 3>out any story which mentions one of the clients. They

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<v Speaker 3>get about a nickeola clipping.

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<v Speaker 4>How is there any money in that?

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<v Speaker 3>I don't know.

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<v Speaker 4>Okay, we're going up there. We'll find out.

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<v Speaker 3>The night watchman let us into the office after Gilman

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<v Speaker 3>showed him his badge. It was a tiny room with

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<v Speaker 3>only a desk, a telephone, and another table in a

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<v Speaker 3>filing cabinet. Except for a lone can of Canadian ace brew.

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<v Speaker 3>All of them were bear as bones.

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<v Speaker 4>He says no offices. Is a telephone booth, not a

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<v Speaker 4>big business. I guess, hm, this is their list of clients.

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<v Speaker 4>They can't be making very much money. Those prices stuff

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<v Speaker 4>he got paid every week. There's nobody named Mueller in

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<v Speaker 4>the file.

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<v Speaker 3>What do you think?

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<v Speaker 4>I don't see anything here to indicate to eat And

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<v Speaker 4>as a secretary, you could ask the night watchman I

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<v Speaker 4>already have he's never seen her.

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<v Speaker 3>Well, but that doesn't mean anything. He works at night

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<v Speaker 3>and she works in the daytime.

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<v Speaker 4>Okay, I only said he's never seen her, doesn't know

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<v Speaker 4>anything about her.

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<v Speaker 3>Hassan her boss. You can ask him.

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<v Speaker 4>We're going there next, and I guess you'll have a chance.

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<v Speaker 4>Wait a minute, here's something. What what kind of gum

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<v Speaker 4>does your girl too?

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<v Speaker 3>She doesn't likes life savers, hates gum.

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<v Speaker 4>I'll ever sit to this table, choose gum. Let's have it.

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<v Speaker 4>It's all over the bottom, tuty fruity.

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<v Speaker 3>Oh, that doesn't mean anything. Maybe somebody came in put

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<v Speaker 3>it there. Maybe it's all maybe Hessen.

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<v Speaker 4>Okay, let's go. We'll see what he has to say.

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<v Speaker 3>Hessen lived in a swanky bungalow type home in the

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<v Speaker 3>suburbs as Gilman and I left the police car and

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<v Speaker 3>walked up the drive to the house. I got the

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<v Speaker 3>strangest feeling of on reality, like this was all a

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<v Speaker 3>horrible nightmare, couldn't be happening. My knees were sagging. But

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<v Speaker 3>then Gilman was knocking on the door, and it was

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<v Speaker 3>answered by an ugly foreign looking character. Went away and

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<v Speaker 3>returned to Usherson to Hessen's presence. I'd seen him a

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<v Speaker 3>time or two, but he didn't know me, so he

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<v Speaker 3>gave no sign of recognition.

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<v Speaker 4>Good evening, gentlemen, mister Hessen, I'm Sergeant Gilman, Police Force.

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<v Speaker 4>Oh yes, I'm pleased to know you. I won't take

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<v Speaker 4>up much of time, but I need a little help.

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<v Speaker 8>And gladly if it is within my power.

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<v Speaker 4>Do you ever see this young fellow before?

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<v Speaker 8>No?

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<v Speaker 4>What has he done? I'm not sure yet. Do you

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<v Speaker 4>know anyone named Muller at four fifteen Martin Street.

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<v Speaker 8>Mueller, No, I don't know anyone by that name. I

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<v Speaker 8>think we have a Miller or missus Elsie Miller on

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<v Speaker 8>our list all the time. Divorces and remarries. Will that doo?

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<v Speaker 7>She owes us.

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<v Speaker 4>Twenty nine dollars And you didn't send the package over

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<v Speaker 4>the Muller apartment four f four fifteen Martin Street at

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<v Speaker 4>six fifteen this evening.

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<v Speaker 3>No, why you loll it?

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<v Speaker 8>You keep quiet and I'm sure I didn't, sergeant. But wait,

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<v Speaker 8>it's easy enough to confirm it or miss Risker. Yes, Stephanie,

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<v Speaker 8>will you please come in a moment?

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<v Speaker 4>What steady?

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<v Speaker 8>My assistant happens to be right here at the house

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<v Speaker 8>to night. I had some dictation to give her, and

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<v Speaker 8>she's transcribing it. We usually mail out clippings only when

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<v Speaker 8>there's some urgent request. Do I send them by personal messenger?

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<v Speaker 3>Yes, sir. Suddenly the room was spinning in front of

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00:14:00.320 --> 00:14:03.320
<v Speaker 3>my eyes. I was looking at it, trying to see it,

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00:14:03.399 --> 00:14:07.039
<v Speaker 3>but lights kept streaking across the room like commets, and

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00:14:07.080 --> 00:14:09.000
<v Speaker 3>their voices came to me through a thick fase.

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<v Speaker 8>Tipphany did we send a package to four point fifteen

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00:14:12.120 --> 00:14:15.679
<v Speaker 8>Martine Street this evening to a mister Murmuller.

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00:14:16.159 --> 00:14:17.679
<v Speaker 7>No, sir, not that I know of.

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00:14:17.960 --> 00:14:21.159
<v Speaker 4>I see and tell me, did you ever see this

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00:14:21.279 --> 00:14:22.840
<v Speaker 4>young man before? Do you know him?

306
00:14:23.399 --> 00:14:23.639
<v Speaker 7>Why?

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00:14:23.759 --> 00:14:24.960
<v Speaker 3>No, I don't believe I did.

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<v Speaker 7>Wait.

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00:14:25.679 --> 00:14:28.200
<v Speaker 3>Wait, this isn't Stephanie. He's calling somebody else by her

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00:14:28.320 --> 00:14:29.519
<v Speaker 3>name this isn't Stephanie.

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<v Speaker 8>I tell you the idea, sir, this is the only

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00:14:32.879 --> 00:14:34.960
<v Speaker 8>young lady I have working for me.

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<v Speaker 2>In just a moment, we will return to Escape. But first,

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00:14:50.159 --> 00:14:52.799
<v Speaker 2>mister and Missus X thought they were pretty smart, smarter

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00:14:52.919 --> 00:14:55.639
<v Speaker 2>than the Narcotics Bureau and the Bureau of Customs combined,

316
00:14:55.919 --> 00:14:59.120
<v Speaker 2>but they overlooked a casual passenger aboard the luxury liner.

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00:15:00.120 --> 00:15:03.039
<v Speaker 2>Fascinating true live tale of crime and smuggling on the

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00:15:03.120 --> 00:15:07.600
<v Speaker 2>high seas Here Gangbusters Tonight, and along with it, CBS's

319
00:15:07.639 --> 00:15:10.559
<v Speaker 2>other great Saturday night thrill, a minute show, The Adventures

320
00:15:10.600 --> 00:15:14.519
<v Speaker 2>of Philip Marlowe. Both of these programs are regular Saturday

321
00:15:14.559 --> 00:15:17.600
<v Speaker 2>night features on most of these same CBS Network stations.

322
00:15:18.240 --> 00:15:22.600
<v Speaker 2>Gangbusters recreates famous crimes in their solutions by national, state,

323
00:15:22.639 --> 00:15:26.240
<v Speaker 2>and local agencies. The Adventures of Philip Marlowe are based

324
00:15:26.279 --> 00:15:29.279
<v Speaker 2>on the character of the famous private Eye, created by

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00:15:29.440 --> 00:15:35.679
<v Speaker 2>Raymond Chandler, the noted mystery story writer. And now with

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00:15:35.759 --> 00:15:38.840
<v Speaker 2>our stars Harry Bartail is Kenny and with Ed Begley

327
00:15:38.879 --> 00:15:41.720
<v Speaker 2>as Gilman. We returned to the second act of Escape

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<v Speaker 2>and finger of doom.

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<v Speaker 3>Essen stood there and blandly said it. This strange girl

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00:15:59.240 --> 00:16:03.159
<v Speaker 3>was my fiance was Stephanie Risker. He stood there looking

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00:16:03.240 --> 00:16:06.960
<v Speaker 3>surprised and hurt, and she stared at me with a

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00:16:07.000 --> 00:16:10.799
<v Speaker 3>just right puzzled expression on her face. Gilman was holding

333
00:16:10.840 --> 00:16:12.360
<v Speaker 3>me with a sort of a half nelson and gritting

334
00:16:12.399 --> 00:16:14.000
<v Speaker 3>had stop it, stop it. But I tell you this

335
00:16:14.080 --> 00:16:17.240
<v Speaker 3>isn't Stephie. Steffie is blonde. This girl is brunette. Steffie

336
00:16:17.240 --> 00:16:19.879
<v Speaker 3>short comes up up to here. This one's tall. I

337
00:16:19.960 --> 00:16:20.399
<v Speaker 3>tie it up.

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00:16:20.440 --> 00:16:23.679
<v Speaker 8>You're asking for trouble. I'll calm down, sergeant. I don't believe.

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00:16:23.720 --> 00:16:24.360
<v Speaker 8>I understand.

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00:16:24.480 --> 00:16:28.080
<v Speaker 4>I'm just beginning to myself. Miss. How long have you

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00:16:28.120 --> 00:16:29.279
<v Speaker 4>been working for mister Hesson.

342
00:16:29.440 --> 00:16:32.720
<v Speaker 7>Why since October of last year, about six months?

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00:16:32.759 --> 00:16:34.879
<v Speaker 4>And your name is Stephanie Risker.

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00:16:35.080 --> 00:16:37.159
<v Speaker 3>Why yes, of course she's lying. I tear you up.

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00:16:39.200 --> 00:16:41.120
<v Speaker 4>I don't mean to doubt your word, miss, but just

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00:16:41.120 --> 00:16:43.559
<v Speaker 4>for the record, I suppose you could show me some

347
00:16:43.720 --> 00:16:44.840
<v Speaker 4>proof of your identity.

348
00:16:45.120 --> 00:16:49.360
<v Speaker 3>Why yes, I right here in my bag.

349
00:16:50.960 --> 00:16:52.000
<v Speaker 7>My driver's license.

350
00:16:52.120 --> 00:16:55.039
<v Speaker 4>Wait, the bag has initials where s R.

351
00:16:55.480 --> 00:16:56.799
<v Speaker 6>Of course s R.

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00:16:57.159 --> 00:16:58.440
<v Speaker 4>And the driver's license.

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00:16:58.440 --> 00:17:01.399
<v Speaker 3>Steffie doesn't drive. She has no car, but I do.

354
00:17:01.720 --> 00:17:02.799
<v Speaker 3>It isn't a very good one.

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00:17:02.919 --> 00:17:07.920
<v Speaker 4>Anything else This letter addressed to me address one twenty Farragut.

356
00:17:08.480 --> 00:17:13.599
<v Speaker 4>May I look why, yes, of course, huh, it's genuine

357
00:17:13.640 --> 00:17:14.799
<v Speaker 4>all right, Here.

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00:17:14.680 --> 00:17:16.880
<v Speaker 3>You are and I don't know what else I have here,

359
00:17:16.920 --> 00:17:18.519
<v Speaker 3>but oh I'll get it.

360
00:17:19.559 --> 00:17:20.039
<v Speaker 4>Here you are.

361
00:17:20.279 --> 00:17:21.319
<v Speaker 3>Oh, thank you.

362
00:17:21.880 --> 00:17:23.920
<v Speaker 4>I see you carry a chewing gum in your purse.

363
00:17:24.559 --> 00:17:30.119
<v Speaker 4>Why yes to the fruity. Not many people like that flavor.

364
00:17:30.480 --> 00:17:31.480
<v Speaker 3>I never chew any other.

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00:17:31.920 --> 00:17:34.039
<v Speaker 4>Well, thanks, sorry to have bother at you both.

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00:17:34.519 --> 00:17:36.640
<v Speaker 8>Come on, cham, I hope you've been able to help

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00:17:36.720 --> 00:17:37.559
<v Speaker 8>such a lap.

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00:17:37.680 --> 00:17:45.839
<v Speaker 4>Thanks, good night, good night sage. Okay, what's your racket kit?

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00:17:46.079 --> 00:17:48.319
<v Speaker 4>Are you a pushover for the mental ward? Or are

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00:17:48.359 --> 00:17:50.680
<v Speaker 4>you working off a grudge against this guy? Or did

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00:17:50.720 --> 00:17:52.799
<v Speaker 4>you do something to some little blond, blue eyed number

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00:17:52.799 --> 00:17:54.200
<v Speaker 4>and you're trying to set up an alibi even before

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<v Speaker 4>we find out about it.

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<v Speaker 3>Things like this don't happen. They can't. One minute she's

375
00:17:59.279 --> 00:18:02.039
<v Speaker 3>here and then she's on. No one will believe me.

376
00:18:02.079 --> 00:18:04.759
<v Speaker 4>Why should we? You haven't produced a single person all

377
00:18:04.839 --> 00:18:06.559
<v Speaker 4>night who actually saw this blonde of yours.

378
00:18:06.559 --> 00:18:07.839
<v Speaker 3>Where'd I get her name and address?

379
00:18:07.880 --> 00:18:13.079
<v Speaker 4>Then that's one thing I'm not sure, So I'll give

380
00:18:13.119 --> 00:18:15.680
<v Speaker 4>you one more spin for your money. You stand or

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00:18:15.720 --> 00:18:18.519
<v Speaker 4>fall by the place you lived one twenty Varrakeet Street.

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00:18:18.880 --> 00:18:19.559
<v Speaker 4>Come on, let's go.

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00:18:19.799 --> 00:18:30.119
<v Speaker 5>Okay, this is Ape.

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00:18:30.119 --> 00:18:34.200
<v Speaker 4>Come on, what is it? The rooming house?

385
00:18:34.440 --> 00:18:37.640
<v Speaker 3>Yeah, she lived alone, just a room. She only came

386
00:18:37.640 --> 00:18:40.319
<v Speaker 3>here from Harrisburg six months ago. But the landlit.

387
00:18:41.640 --> 00:18:42.400
<v Speaker 4>No, it's the matter.

388
00:18:43.119 --> 00:18:46.359
<v Speaker 3>I just remembered. Hessen recommended this place to her.

389
00:18:46.759 --> 00:18:48.759
<v Speaker 4>I look, you want to go in, or you want

390
00:18:48.759 --> 00:18:51.000
<v Speaker 4>to go to headquarters. The tougher you get with me,

391
00:18:51.079 --> 00:18:53.599
<v Speaker 4>the tougher I'll be on. You listen, you gotta listen.

392
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<v Speaker 4>I was only up there once, but I remember it.

393
00:18:57.200 --> 00:18:59.519
<v Speaker 4>Sticking in the mirror of the dresser is a litho

394
00:18:59.559 --> 00:19:02.799
<v Speaker 4>of the Holy on the radiators, a rag doll I

395
00:19:02.839 --> 00:19:05.440
<v Speaker 4>won for a Coney Island in a hiccock wallet I

396
00:19:05.440 --> 00:19:08.720
<v Speaker 4>gave her last Christmas. And on a shelf against the

397
00:19:08.759 --> 00:19:11.440
<v Speaker 4>wall is a gas ring, and from the light fixture

398
00:19:11.480 --> 00:19:13.319
<v Speaker 4>to the gas jet is a string where she hangs

399
00:19:13.359 --> 00:19:14.160
<v Speaker 4>stockings to dry.

400
00:19:14.480 --> 00:19:19.920
<v Speaker 3>Will you remember those things? The bedspread's green, and there's

401
00:19:19.920 --> 00:19:23.359
<v Speaker 3>a green and yellow upholster chair. Don't you see I

402
00:19:23.640 --> 00:19:25.839
<v Speaker 3>couldn't make these things up. She must be real.

403
00:19:26.559 --> 00:19:36.680
<v Speaker 4>You almost convince me. Come on, and when we get inside,

404
00:19:36.720 --> 00:19:39.079
<v Speaker 4>you keep your mouth shut one people, and I'll split

405
00:19:39.160 --> 00:19:45.400
<v Speaker 4>your lip. Yes, got a girl named Stephanie Riska living here, yep,

406
00:19:45.599 --> 00:19:48.720
<v Speaker 4>fourth floor front. How long has she been here, Risker?

407
00:19:49.359 --> 00:19:50.279
<v Speaker 9>Six months?

408
00:19:50.519 --> 00:19:51.359
<v Speaker 4>What does she look like?

409
00:19:52.240 --> 00:19:56.759
<v Speaker 9>Dark hair, dark skin, about as tall as as this

410
00:19:56.880 --> 00:19:58.960
<v Speaker 9>young fella talks kind of husky.

411
00:19:59.079 --> 00:20:01.640
<v Speaker 4>Why police, I want to see her room?

412
00:20:01.680 --> 00:20:03.480
<v Speaker 5>Sure, sure, come right in.

413
00:20:10.680 --> 00:20:12.880
<v Speaker 3>Gilman practically had to support me all the way up.

414
00:20:13.559 --> 00:20:17.119
<v Speaker 3>My knees just weren't functioning. But that was nothing to

415
00:20:17.160 --> 00:20:19.440
<v Speaker 3>the shock I got when the landlady opened Steffy's door.

416
00:20:21.400 --> 00:20:25.000
<v Speaker 3>The room was all different, Not one thing was the

417
00:20:25.000 --> 00:20:28.440
<v Speaker 3>same as I had told gilmant. He didn't even look

418
00:20:28.480 --> 00:20:28.720
<v Speaker 3>at me.

419
00:20:28.880 --> 00:20:29.960
<v Speaker 4>She always had it fixed up.

420
00:20:29.920 --> 00:20:32.559
<v Speaker 9>This way, always since the first week she moved in.

421
00:20:33.200 --> 00:20:36.160
<v Speaker 4>Does she drive a car, Yeah, a little old coupe.

422
00:20:36.559 --> 00:20:39.880
<v Speaker 9>She's a real clean rumor. Only one thing I got

423
00:20:39.880 --> 00:20:44.079
<v Speaker 9>to complain about. Oh there it is again, under the washtend.

424
00:20:44.240 --> 00:20:48.799
<v Speaker 4>Oh yeah, chewing gum. Yeah, let me see it. Uh

425
00:20:48.880 --> 00:20:50.160
<v Speaker 4>huh to the fruity.

426
00:20:50.480 --> 00:20:52.759
<v Speaker 9>You better watch your friend. He looks like he's gonna faint.

427
00:20:52.880 --> 00:20:55.400
<v Speaker 4>Let him fold up. That isn't anything to the falls

428
00:20:55.400 --> 00:20:56.519
<v Speaker 4>he'd be taking in a few minutes.

429
00:20:56.880 --> 00:20:58.640
<v Speaker 9>What did he do murderer?

430
00:20:58.759 --> 00:20:59.160
<v Speaker 1>Not her?

431
00:20:59.279 --> 00:21:01.200
<v Speaker 4>But I got a good hunt. She murdered somebody and

432
00:21:01.319 --> 00:21:02.920
<v Speaker 4>he picked the wrong name out of the hat.

433
00:21:03.119 --> 00:21:04.039
<v Speaker 9>He don't look like it.

434
00:21:05.519 --> 00:21:07.240
<v Speaker 3>I hit him and ran. I know I had to.

435
00:21:07.839 --> 00:21:09.279
<v Speaker 3>He was going to take me to the police station.

436
00:21:09.640 --> 00:21:11.759
<v Speaker 3>Then I wouldn't have any chance to find Stuffy, not

437
00:21:11.839 --> 00:21:14.680
<v Speaker 3>for a long time, maybe too long a time, And

438
00:21:14.759 --> 00:21:23.039
<v Speaker 3>I had to find her. I went back to the

439
00:21:23.079 --> 00:21:25.400
<v Speaker 3>Martine Street flat. It was the only place to go

440
00:21:25.880 --> 00:21:29.240
<v Speaker 3>back to where she disappeared. Start from there. I knew

441
00:21:29.240 --> 00:21:31.039
<v Speaker 3>Gilman would catch up with me sooner or later, but

442
00:21:31.079 --> 00:21:33.519
<v Speaker 3>I and might be able to turn up something. First.

443
00:21:34.319 --> 00:21:36.160
<v Speaker 3>I told the janitor the cops had sent me back

444
00:21:36.160 --> 00:21:37.839
<v Speaker 3>to take another look at the apartment, and got him

445
00:21:37.839 --> 00:21:40.039
<v Speaker 3>to give me the pass key. He fell for it.

446
00:21:40.400 --> 00:21:43.160
<v Speaker 3>I went up to the apartment alone, but once there

447
00:21:43.920 --> 00:21:47.319
<v Speaker 3>I couldn't find a thing. I wandered through the empty rooms,

448
00:21:47.359 --> 00:21:50.279
<v Speaker 3>calling her name helplessly. I tapped the walls, scraped the plaster,

449
00:21:50.440 --> 00:21:53.680
<v Speaker 3>tested the windows. I'd been there about ten minutes when

450
00:21:53.680 --> 00:21:55.440
<v Speaker 3>I heard a little sound out in the hall, like

451
00:21:55.480 --> 00:21:58.359
<v Speaker 3>somebody coming up the stairs very quietly. I slipped out

452
00:21:58.400 --> 00:21:59.720
<v Speaker 3>the door and stood at the top of the stairs.

453
00:21:59.759 --> 00:22:02.440
<v Speaker 3>He said. It was the janitor with Gilman and two cops.

454
00:22:02.759 --> 00:22:04.880
<v Speaker 3>They were coming up the stairs. There was only one

455
00:22:04.880 --> 00:22:06.880
<v Speaker 3>way for me to go up, so up I went,

456
00:22:07.359 --> 00:22:09.880
<v Speaker 3>and then they saw me. One flight up. I came

457
00:22:09.880 --> 00:22:12.240
<v Speaker 3>to the top of stairs. The sort of skylight window

458
00:22:12.279 --> 00:22:15.200
<v Speaker 3>open under the roof were standing loose, partly open. I

459
00:22:15.279 --> 00:22:17.119
<v Speaker 3>ran out across the roof. I tried to hurdle the

460
00:22:17.119 --> 00:22:23.000
<v Speaker 3>low wall of the next roof. I missed. Fell I

461
00:22:23.079 --> 00:22:23.319
<v Speaker 3>got you.

462
00:22:24.039 --> 00:22:26.279
<v Speaker 4>Let delivered when I get down the.

463
00:22:26.319 --> 00:22:35.240
<v Speaker 3>Hill, all right, quietly, no use, no well, I'll be

464
00:22:37.079 --> 00:22:39.880
<v Speaker 3>what's the matter, Hello, throw your light over here.

465
00:22:42.039 --> 00:22:45.880
<v Speaker 4>It's a package package lying here on the roof, addressed

466
00:22:45.920 --> 00:22:47.720
<v Speaker 4>to Muller Apartment four.

467
00:22:47.799 --> 00:22:50.759
<v Speaker 3>It that's it, don't you see? That's what she brought.

468
00:22:53.119 --> 00:22:56.079
<v Speaker 4>Okay, ken, somebody did bring a package here tonight. I'll

469
00:22:56.079 --> 00:22:58.319
<v Speaker 4>give you that. When I give you that, I guess

470
00:22:58.400 --> 00:23:01.039
<v Speaker 4>I give you all of it. She's a never choose gum,

471
00:23:01.240 --> 00:23:04.000
<v Speaker 4>doesn't drive all of it. Somebody must have jumped or

472
00:23:04.000 --> 00:23:05.720
<v Speaker 4>brought her up this way, across the roofs and down

473
00:23:05.759 --> 00:23:08.200
<v Speaker 4>through some other house. They dropped the package on the way.

474
00:23:08.240 --> 00:23:10.000
<v Speaker 4>Maybe didn't have time to come back and pick it up.

475
00:23:10.680 --> 00:23:13.519
<v Speaker 4>What will we do, Calhoun? Yeah, call in, have a

476
00:23:13.599 --> 00:23:15.680
<v Speaker 4>radio car. I keep Hessen's house a myrtle drive spotted

477
00:23:15.720 --> 00:23:17.640
<v Speaker 4>until we get there. I want to stop off of

478
00:23:17.680 --> 00:23:21.839
<v Speaker 4>that office again. First, do you think no, no, kid,

479
00:23:21.880 --> 00:23:23.839
<v Speaker 4>not yet. They would have done it right here in

480
00:23:23.839 --> 00:23:26.359
<v Speaker 4>the empty flat and let you take the rap. Come on,

481
00:23:26.759 --> 00:23:28.000
<v Speaker 4>buck up. We got work to do.

482
00:23:35.200 --> 00:23:37.039
<v Speaker 3>At Hessen's office. We found two things.

483
00:23:37.079 --> 00:23:40.960
<v Speaker 4>This is files funny, but every third name is a

484
00:23:40.960 --> 00:23:44.440
<v Speaker 4>foreign one with a foreign mailing address. Why would those

485
00:23:44.480 --> 00:23:46.160
<v Speaker 4>people want local press clippings?

486
00:23:46.200 --> 00:23:46.759
<v Speaker 3>What do you mean?

487
00:23:47.079 --> 00:23:48.920
<v Speaker 4>I mean this looks like a job for the FBI.

488
00:23:49.200 --> 00:23:52.400
<v Speaker 4>Spy stuff. Maybe your girl had found something out and

489
00:23:52.440 --> 00:23:54.759
<v Speaker 4>that's why they figured she was too dangerous. Did she

490
00:23:54.799 --> 00:23:55.599
<v Speaker 4>ever say anything?

491
00:23:56.000 --> 00:23:57.960
<v Speaker 3>No, but she told him she was quitting next week

492
00:23:58.000 --> 00:23:58.880
<v Speaker 3>to get married.

493
00:23:58.799 --> 00:24:01.240
<v Speaker 4>So she didn't suspect anything that they thought she did.

494
00:24:01.359 --> 00:24:04.279
<v Speaker 4>Same thing. Come on, we'll stop off at that rooming house.

495
00:24:04.480 --> 00:24:07.519
<v Speaker 4>I want that landlady picked up. Obviously she's one of them.

496
00:24:07.799 --> 00:24:10.039
<v Speaker 4>Changed the room all around, stuck the gum in at

497
00:24:10.039 --> 00:24:10.839
<v Speaker 4>the war stand everything.

498
00:24:10.880 --> 00:24:14.480
<v Speaker 3>Hey wait, look on the floor next to the baseboard.

499
00:24:14.559 --> 00:24:18.119
<v Speaker 4>H kiled hair pin so she was blind.

500
00:24:19.079 --> 00:24:28.400
<v Speaker 3>Okay, let's go, But the rooming house with the landlady

501
00:24:28.440 --> 00:24:30.960
<v Speaker 3>turned over to a cop downstairs. Gilman went over the

502
00:24:31.000 --> 00:24:34.000
<v Speaker 3>room once more, fished into the washbasin train and came

503
00:24:34.039 --> 00:24:35.240
<v Speaker 3>up with a couple of blonde hairs.

504
00:24:35.359 --> 00:24:37.160
<v Speaker 4>Now, why didn't I think of that the first time?

505
00:24:37.519 --> 00:24:39.319
<v Speaker 4>Girls shampoos her hair once in a while.

506
00:24:39.599 --> 00:24:41.319
<v Speaker 3>Then we were on our way to Hessen's house on

507
00:24:41.359 --> 00:24:45.839
<v Speaker 3>Myrtle Drive. All the way I was praying. When we arrived,

508
00:24:46.119 --> 00:24:50.200
<v Speaker 3>it was dark, deserted. Even the police car Gilman adored

509
00:24:50.359 --> 00:24:53.359
<v Speaker 3>wasn't there. We went in, shooting the lock off the door.

510
00:24:54.079 --> 00:24:57.119
<v Speaker 3>We searched the ground floor, then upstairs, in an attic

511
00:24:57.200 --> 00:25:00.440
<v Speaker 3>room we found a short wave radio, but not Steffy.

512
00:25:01.559 --> 00:25:03.559
<v Speaker 3>Just as we got back downstairs, Calhoun came in with

513
00:25:03.599 --> 00:25:04.680
<v Speaker 3>a report from the radio car.

514
00:25:04.880 --> 00:25:07.079
<v Speaker 1>They told him to Pierot seven North three ver Three

515
00:25:07.079 --> 00:25:09.240
<v Speaker 1>of them got on a tramp steamer that sailed immediately.

516
00:25:09.359 --> 00:25:10.440
<v Speaker 3>Then they're gone. It's too late.

517
00:25:10.480 --> 00:25:12.279
<v Speaker 4>They won't get out of the harbor. Well, haven't picked

518
00:25:12.279 --> 00:25:14.680
<v Speaker 4>off at quarantine. Three of them? You say, Calhoun, a

519
00:25:14.720 --> 00:25:15.240
<v Speaker 4>blonde girl?

520
00:25:15.359 --> 00:25:17.440
<v Speaker 1>Now, they said, two men and a dark girl.

521
00:25:17.519 --> 00:25:19.599
<v Speaker 3>Then where's Staffy still here?

522
00:25:19.640 --> 00:25:25.000
<v Speaker 4>Probably? But where we assume Wait, do you smell something smoke. Yeah,

523
00:25:26.440 --> 00:25:27.559
<v Speaker 4>and gas only the basement.

524
00:25:27.559 --> 00:25:34.039
<v Speaker 3>Come on, hurry, smoked, the basement's filled with smoke.

525
00:25:35.279 --> 00:25:38.759
<v Speaker 4>Here over this way, stuffy staff, Hey, hurry, this place

526
00:25:38.759 --> 00:25:40.079
<v Speaker 4>will be a massive flames in a minute.

527
00:25:40.160 --> 00:25:43.400
<v Speaker 3>I can't see Steffi here here, give me a hand.

528
00:25:43.400 --> 00:25:47.440
<v Speaker 3>Here she is, Hurry, Steffy, Steffy. No, no, she's breathing.

529
00:25:47.640 --> 00:25:49.039
<v Speaker 4>Hurry, Let's get her out of here fast.

530
00:25:55.680 --> 00:25:57.000
<v Speaker 3>In the next few minutes, there was a lot of

531
00:25:57.000 --> 00:25:59.720
<v Speaker 3>excitement around there while the fire companies fought the fire,

532
00:25:59.720 --> 00:26:02.319
<v Speaker 3>wet the ropes off Steffi and revived her. She was

533
00:26:02.359 --> 00:26:04.559
<v Speaker 3>all right, and I sat there in the police car

534
00:26:04.599 --> 00:26:06.279
<v Speaker 3>with my arms around her as if I'd never let

535
00:26:06.279 --> 00:26:09.759
<v Speaker 3>her go again. And that's just how I felt too.

536
00:26:11.119 --> 00:26:12.400
<v Speaker 3>Then a radio report came.

537
00:26:12.240 --> 00:26:13.960
<v Speaker 4>In and they got him off the ship at quarantine.

538
00:26:14.000 --> 00:26:16.519
<v Speaker 4>They'll be turned over to the FBI eventually, but first

539
00:26:17.599 --> 00:26:19.599
<v Speaker 4>they better hadn't let me get my hands. And I'm

540
00:26:20.680 --> 00:26:21.200
<v Speaker 4>no kid.

541
00:26:21.839 --> 00:26:25.160
<v Speaker 3>She is pretty gee, thanks for everything.

542
00:26:25.240 --> 00:26:29.079
<v Speaker 4>It's okay, Well I gotta go, and oh say, I've

543
00:26:29.079 --> 00:26:32.200
<v Speaker 4>got something I want to return to you. Yeah, what this?

544
00:26:37.960 --> 00:26:39.920
<v Speaker 3>I went out like a light when he hit me.

545
00:26:41.039 --> 00:26:43.319
<v Speaker 3>And a few minutes later, Ny, when I came to

546
00:26:44.519 --> 00:26:45.799
<v Speaker 3>Stephie was holding me.

547
00:26:45.759 --> 00:26:46.400
<v Speaker 4>In her arms.

548
00:26:46.519 --> 00:26:49.079
<v Speaker 3>Henny stroking my head and smiling.

549
00:26:49.440 --> 00:26:52.440
<v Speaker 6>Kenny. He said to tell you no hard feelings. But

550
00:26:52.519 --> 00:26:54.880
<v Speaker 6>when anyone sucks Dick Gilman over the head, he gets

551
00:26:54.880 --> 00:26:57.440
<v Speaker 6>sopped back, even if they're the best of friends.

552
00:27:00.440 --> 00:27:05.400
<v Speaker 3>You know something, what darling, you're cute with stars in

553
00:27:05.480 --> 00:27:05.920
<v Speaker 3>your hair.

554
00:27:15.759 --> 00:27:22.880
<v Speaker 2>Escape is produced and directed by Norman MacDonell. Today we

555
00:27:22.920 --> 00:27:27.680
<v Speaker 2>have presented Transcribe Finger of Doom by Cornell Woolwrinch, adapted

556
00:27:27.720 --> 00:27:31.000
<v Speaker 2>for radio by John Duncle starred as Kenny. Was Harry

557
00:27:31.079 --> 00:27:34.480
<v Speaker 2>Bartel with Ed Begley as Gilman featured in the cast

558
00:27:34.519 --> 00:27:38.559
<v Speaker 2>where Joy Terry, Edgar Berrier, Louise Arthur, Peter Prausse and

559
00:27:38.680 --> 00:27:42.240
<v Speaker 2>Ky Miller. Special music was arranged and played by Ivand

560
00:27:42.240 --> 00:27:42.799
<v Speaker 2>at Mars.

561
00:27:45.799 --> 00:27:48.720
<v Speaker 1>Next week, you are clinging to a narrow window Ledge,

562
00:27:48.799 --> 00:27:52.319
<v Speaker 1>your strength running out well before your eyes. Seen through

563
00:27:52.319 --> 00:27:55.839
<v Speaker 1>the window, the most beautiful girl in the world is

564
00:27:55.880 --> 00:27:58.440
<v Speaker 1>about to die because of you.

565
00:28:06.400 --> 00:28:10.000
<v Speaker 2>Next week we escape with an unusual story, the adaptive

566
00:28:10.079 --> 00:28:13.559
<v Speaker 2>Ultimate by John Jessel. Be sure to tune in again

567
00:28:13.599 --> 00:28:16.079
<v Speaker 2>at the same time next week, when once again we

568
00:28:16.200 --> 00:28:26.359
<v Speaker 2>offer you escape. You can escape again tomorrow night when

569
00:28:26.440 --> 00:28:30.880
<v Speaker 2>CBS's famous dramatic series Presents Screen star Edmund O'Brien in

570
00:28:30.920 --> 00:28:34.799
<v Speaker 2>another special Sunday Night Escape, broadcast at six point thirty

571
00:28:34.960 --> 00:28:38.759
<v Speaker 2>Eastern Standard time. Mister O'Brien will star as an explorer

572
00:28:38.759 --> 00:28:41.839
<v Speaker 2>who becomes a prisoner in a beautiful and strange country

573
00:28:42.119 --> 00:28:46.119
<v Speaker 2>populated by blind men. Be sure to hear tomorrow Night's

574
00:28:46.279 --> 00:28:50.559
<v Speaker 2>Escape starring Edmund O'Brien in H. G. Wells famous story

575
00:28:50.799 --> 00:28:53.839
<v Speaker 2>Country of the Blind. On most of these same CBS

576
00:28:53.839 --> 00:28:57.680
<v Speaker 2>network stations. Now stay tuned for five minutes of the

577
00:28:57.720 --> 00:29:00.640
<v Speaker 2>latest news, to be followed by let's pretend over most

578
00:29:00.640 --> 00:29:12.960
<v Speaker 2>of the same station. This is Roy Rowin speaking or CBS,

579
00:29:13.000 --> 00:29:22.920
<v Speaker 2>the Columbia Broadcasting System m H
