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<v Speaker 4>Plus.

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<v Speaker 5>You are now listening to True Murder, The most Shocking

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<v Speaker 5>Killers in True crime History and the authors that have

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<v Speaker 5>written about him Gasey Bundy, Dahmer, The Nightstalker VTK Every

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<v Speaker 5>week another fascinating author talking about the most shocking and

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<v Speaker 5>infamous killers in true crime history. True Murder with your

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<v Speaker 5>host journalist and author Dan Zupanski.

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<v Speaker 6>Good Evening.

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<v Speaker 7>In nineteen seventy four, Dennis Lynn Raider stocked and murdered

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<v Speaker 7>a family of four in Wichita, Kansas. Since adolescence, he

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<v Speaker 7>had read about serial killers and imagined becoming one. Soon

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<v Speaker 7>after killing the family, he murdered a young woman and

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<v Speaker 7>then another, until they had ten victims. He named it

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<v Speaker 7>himself BTK, Bind Torture Kill, and wrote notes that terrorized

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<v Speaker 7>the city. He remained on the loose for thirty years.

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<v Speaker 7>No one who knew him guessed his dark secret. He

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<v Speaker 7>nearly got away with his crimes, but in two thousand

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<v Speaker 7>and four he began to play risky games with the police.

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<v Speaker 7>He made a mistake. When he was arrested. Raider's family, friends,

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<v Speaker 7>and coworkers were shocked to discover that BTK had been

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<v Speaker 7>among them, going to work, raising his children, and acting normal.

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<v Speaker 7>This case stands out both for the brutal treatment of

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<v Speaker 7>victims and for the ordinary public face that Raider, a

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<v Speaker 7>church council president, had shown to the outside world through

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<v Speaker 7>jailhouse visits, telephone calls, and written correspondents. Katherine Ramslin worked

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<v Speaker 7>with Raider himself to analyze the layers of his psyche.

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<v Speaker 7>Using his drawings, letters, interviews, and Raiders' unique codes. She

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<v Speaker 7>presents in meticulous detail the childhood roots and development of

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<v Speaker 7>one man's motivation the stock, torture, and kill. He reveals

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<v Speaker 7>aspects of the dark motivations of this most famous of

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<v Speaker 7>living serial killers that have never before been revealed. The

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<v Speaker 7>documentary BTK Confession of a Serial Killer premiers January eighth

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<v Speaker 7>and ninth on A and E. The two night event

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<v Speaker 7>sheds new light on Raider's double life as both an

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<v Speaker 7>upstanding citizen and a heartless killer. Doctor Katherlin Ramslin, the

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<v Speaker 7>renowned professor of forensic psychology and author, leads the examination

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<v Speaker 7>of raiders transformation from an American boy to an American

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<v Speaker 7>monster who wreak havoc in Wichita Canvas and went uncaptured

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<v Speaker 7>for thirty years. With exclusive conversations with Raider himself, eye

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<v Speaker 7>opening new archival, comprehensive interviews, and access to raiders drawings

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<v Speaker 7>and coded diaries. All paired with doctor Ramslin's expertise, Viewers

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<v Speaker 7>get to know the man behind the moniker, the truth

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<v Speaker 7>behind the headline, and a glimpse at the secrets Raider

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<v Speaker 7>is still holding onto. The documentary we are discussing tonight

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<v Speaker 7>is BTK Confession of a Serial Killer, with my special guests,

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<v Speaker 7>journalist and author and professor doctor Katherine Ramslin. Welcome back

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<v Speaker 7>to program, and thank you so much for this interview.

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<v Speaker 7>Doctor Katherine Ramseln always enjoy being here. Thanks for having me.

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<v Speaker 7>It's always a fantastic pleasure and a great thrill.

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<v Speaker 6>Thank you so much for this.

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<v Speaker 7>Let's talk about the origins of this documentary project, how

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<v Speaker 7>it came about.

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<v Speaker 6>Tell us a little bit about that.

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<v Speaker 4>We started with the publication of the book, and then

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<v Speaker 4>we began to look for people who might be interested

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<v Speaker 4>in making it, you know, visual, and we had several takers.

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<v Speaker 4>We sold the option a couple of times, and then

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<v Speaker 4>the pandemic, so right, the pandemic was a pretty big

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<v Speaker 4>interruption because we did have somebody who was going to

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<v Speaker 4>do it, and then A and E decided that they

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<v Speaker 4>wanted to do it as a four part documentary, which

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<v Speaker 4>that's pretty daunting, and there was a lot of work involved,

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<v Speaker 4>but in the end, the director's vision and the vision

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<v Speaker 4>of all the production people really came through in terms

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<v Speaker 4>of the goal I had had for the book, and

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<v Speaker 4>I thought that was really quite an achievement because my

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<v Speaker 4>goal is kind of academic. I really wanted this to

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<v Speaker 4>use what a serial killer has to say about himself

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<v Speaker 4>to benefit law enforcement, criminal justice, and forensic psychology. So

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<v Speaker 4>it wasn't just a serial killer lathering on. It was

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<v Speaker 4>formed for a specific purpose, and the documentary achieves that,

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<v Speaker 4>which I'm very pleased to bet.

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<v Speaker 7>We're talking about the book that's twenty and sixteen, and

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<v Speaker 7>that book is The Confession of a Serial Killer, The

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<v Speaker 7>Untold Story of Dennis Raider, the BTK Killer again released

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<v Speaker 7>in twenty sixteen, and the audiobook edition is going to

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<v Speaker 7>be from Blackstone Publishing. It will be released January eleven.

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<v Speaker 7>So let's get to this very very important book and

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<v Speaker 7>very important project that you undertook with Dennis Raider. Tell

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<v Speaker 7>us a little bit about some of the people that

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<v Speaker 7>were including Jim Thompson, some of the people that were

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<v Speaker 7>involved in the very beginning of the book. That you

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<v Speaker 7>say that wouldn't happened otherwise.

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<v Speaker 4>Well, right from the start, it wasn't even my book.

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<v Speaker 4>What had happened is Rader was arrested in two thousand

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<v Speaker 4>and five, and a woman whose code name we ended

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<v Speaker 4>up using, we called her True Grit, had decided to

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<v Speaker 4>write this book and contacted him, and he agreed to

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<v Speaker 4>do it with her, and they had several years of correspondence,

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<v Speaker 4>and apparently she had decided she wasn't going to do

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<v Speaker 4>this book. It had been a lot more difficult for

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<v Speaker 4>her than she imagined it to be. She had been

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<v Speaker 4>under attack a lot from because she was kind of

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<v Speaker 4>the gatekeeper for Rader. And I saw her on Facebook

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<v Speaker 4>and asked her whatever happened to her book, because I

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<v Speaker 4>had heard about her through news reports, And she asked

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<v Speaker 4>me if I would take it over, which was not

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<v Speaker 4>as simple as it sounds, because it was an easy

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<v Speaker 4>yes for me because I had already written a book

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<v Speaker 4>about how health experts over the past century had spent

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<v Speaker 4>a lot of time with extreme offenders to learn about

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<v Speaker 4>their development and their crimes and their attitudes, et cetera.

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<v Speaker 4>So I already had a template and it was a

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<v Speaker 4>great opportunity, but I needed to be approved by this

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<v Speaker 4>concertium of the victim's family members, their surviving family members,

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<v Speaker 4>because they wanted to have some control over the kind

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<v Speaker 4>of thing that would be put out that they didn't

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<v Speaker 4>want anything out there. Certainly something was going to be

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<v Speaker 4>and they wanted some control over it and as well

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<v Speaker 4>as benefiting from it, which was fine with me. So

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<v Speaker 4>I wrote a proposal. I sent it to the attorney

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<v Speaker 4>Jim Thompson for the families and told them what I

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<v Speaker 4>wanted to do, and they did like what I wanted

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<v Speaker 4>to do. They liked my credentials and you know, in

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<v Speaker 4>the academic world in terms of teaching forensic psychology and

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<v Speaker 4>being very prominent in the research arena for serial killers

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<v Speaker 4>and mass murderers. So they liked all that. But still

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<v Speaker 4>it was a long drawn out process. And during this

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<v Speaker 4>time I also got to know Raider, who wasn't so

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<v Speaker 4>keen about transferring all this from the original person because

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<v Speaker 4>he really liked to someone he didn't know. So we

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<v Speaker 4>ended up playing chess, and he also wanted me to

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<v Speaker 4>solve a series of codes in part because he liked

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<v Speaker 4>to communicate with codes, because he founded himself as kind

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<v Speaker 4>of a spy, and it was also a way to

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<v Speaker 4>keep prison guards from knowing what he was saying doing.

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<v Speaker 4>But also it was a test for me to see

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<v Speaker 4>what I play. But I played the code game, and

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<v Speaker 4>of course I will because my interest in him was

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<v Speaker 4>the whole picture. Who is this guy? What motivates him?

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<v Speaker 4>How does he create these codes and respond to them?

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<v Speaker 4>And so fine. I mean, it was actually pretty intriguing

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<v Speaker 4>to be sent these weird codes to see if I

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<v Speaker 4>could figure them out. And I needed the other person

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<v Speaker 4>true grit to help me because she had He had

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<v Speaker 4>sent part to me in part to her, and you know,

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<v Speaker 4>kind of a zoniac thing. Everybody get together and figure

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<v Speaker 4>this out. But for me, that was all behavior. I

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<v Speaker 4>was interested in everything that he would do, whether it

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<v Speaker 4>was manipulating, lying, telling the truth, whatever, it didn't matter.

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<v Speaker 4>I wanted to see all the layers.

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<v Speaker 6>In that as well.

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<v Speaker 7>That you talk about these layers that you wanted to see,

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<v Speaker 7>what are some of the things that he told you about,

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<v Speaker 7>influence from other serial killers and some of the fatasies

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<v Speaker 7>that it seemed that he shared with some of these

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<v Speaker 7>role models.

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<v Speaker 4>Yeah, a lot of that came along the way. We

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<v Speaker 4>worked for five years on this book. Initially, he of

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<v Speaker 4>course talked about what everybody knows that he who has

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<v Speaker 4>read anything about him, that he had role models. H. H.

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<v Speaker 4>Holmes for his his tortured castles, and Raider would put

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<v Speaker 4>his torture fantasies into a barn because he's from Kansas.

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<v Speaker 4>And also Harvey Glatman, who would bind his victims with ropes,

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<v Speaker 4>because for Rader, rope was a pretty significant fetish object

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<v Speaker 4>in his own fantasies. So those are the two that

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<v Speaker 4>many people are aware he uses role models. But along

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<v Speaker 4>the way, as we were talking and reading and looking

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<v Speaker 4>at comparisons to others, you know, he honed some of that,

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<v Speaker 4>and he got interested in some that he didn't know

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<v Speaker 4>about before, and talked more about some of the readings

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<v Speaker 4>he had done, and it was pretty clear that most

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<v Speaker 4>of what he did wasn't really original to him. He

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<v Speaker 4>had gotten it either out of true crime magazines or fiction.

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<v Speaker 4>He read about what some serial killers had done in novels,

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<v Speaker 4>and some of the things he was doing was trying

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<v Speaker 4>to replicate all of that. So he wasn't really that imaginative,

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<v Speaker 4>and you know, unfortunately in fiction and film, we get

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<v Speaker 4>this notion of this mastermind mentality, you know, the great puppeteer, manipulator,

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<v Speaker 4>and most of that just isn't what these serial killers

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<v Speaker 4>are like. They're just out to achieve their goals and

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<v Speaker 4>get it the way they need to get it. So

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<v Speaker 4>he would find ideas in these various sources and try

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<v Speaker 4>them out.

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<v Speaker 7>He'd used a lot of Again, he didn't make this

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<v Speaker 7>easy for you, and you had to collaborate with the

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<v Speaker 7>initial contact to be able to do any of this

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<v Speaker 7>and figure out a bunch of things.

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<v Speaker 6>Because he mentioned is trying to be.

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<v Speaker 7>Clever, but you talk about him talking about the victims

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<v Speaker 7>and talking about the murders and using expressions like going

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<v Speaker 7>into the cookie jar and meals.

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<v Speaker 6>So explain that language that you deciphered.

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<v Speaker 4>That was probably one of the very first things that

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<v Speaker 4>he did was send me clippings from newspapers and magazines

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<v Speaker 4>with things circled, and then he would write a letter,

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<v Speaker 4>sometimes a twenty page letter. In his handwriting is pretty

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<v Speaker 4>terrible in he'dnt bed in the letter along the way

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<v Speaker 4>the clues to what he had circled. So I had

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<v Speaker 4>to make my way through the letter and then look

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<v Speaker 4>back at the clippings. And for example, one of the

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<v Speaker 4>most puzzling to me was when he talked about that

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<v Speaker 4>my interest in recipes of the three layer kind, and

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<v Speaker 4>I thought, what, I don't cook the talking about. But

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<v Speaker 4>then I realized as I saw what he circled would

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<v Speaker 4>have a B, a T, or a K, and so

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<v Speaker 4>I realized, oh, that's the that's the three layer thing.

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<v Speaker 4>And subsequently I learned about his magical number three. He

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<v Speaker 4>thinks the whole world is sort of organized around threes

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<v Speaker 4>and that threes had somehow protected him, and so he

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<v Speaker 4>has this attunement to threes. So there was that, and

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<v Speaker 4>then then he had some metaphors like castles and trains

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<v Speaker 4>and such things as that, but it became unwieldy. I

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<v Speaker 4>mean we'd be talking along about, you know, using trains

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<v Speaker 4>and canyons and passengers and whatnot, as we were talking

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<v Speaker 4>about whether this book was even going to sell or not,

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<v Speaker 4>because I did have a lot of issues with that,

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<v Speaker 4>and then we had finally, when the book did sell,

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<v Speaker 4>I decided I would make the metaphor the codes that

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<v Speaker 4>we would use. So it's kind of an irony because

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<v Speaker 4>he did not want any woman kind of dominating him

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<v Speaker 4>in any way. That was That was one of his

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<v Speaker 4>key issues is how females threw him off ballots. And

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<v Speaker 4>there I was making the code, but I used threes,

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<v Speaker 4>and I used the cave and all the stuff that

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<v Speaker 4>was appealing to him. And also he sometimes would forget

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<v Speaker 4>what sort of this code's meant. So well, you know,

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<v Speaker 4>so this way we had a record, you know, that

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<v Speaker 4>we could both refer to. And but in the end

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<v Speaker 4>the irony is that I to the book to my

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<v Speaker 4>codes using when I knew it would be his preferential style.

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<v Speaker 7>You had already done with your book The Mind of

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<v Speaker 7>a Murderer. You already had extensive experience dealing with extreme offenders.

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<v Speaker 7>How did that help you in this regard with BTK?

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<v Speaker 4>Well, the Mind of a Murderer is really looking at

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<v Speaker 4>what others had done. I wanted to look at accounts

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<v Speaker 4>not by detectives or journalists, but by mental health experts

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<v Speaker 4>to see how they had approached extreme offenders, mass and

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<v Speaker 4>serial killers. So that wasn't really my work, although I've

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<v Speaker 4>certainly approached other offenders, but not to this degree and

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<v Speaker 4>not to the degree that those professionals had done. So

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<v Speaker 4>they really gave me role models in terms of the

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<v Speaker 4>persistence and the kinds of things you had to put

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<v Speaker 4>up with the way to approach somebody who's very egotistical

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<v Speaker 4>or narcissistic, you know. And I also trained. I have

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<v Speaker 4>one master's degree in clinical psychology that has a specific

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<v Speaker 4>type of training of really bracketing your preconceptions and your

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<v Speaker 4>biases so that you could listen and let that person's

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<v Speaker 4>world be what it is, rather than you imposing some

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<v Speaker 4>theoretical perspective on them. But it's listening to them. So

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<v Speaker 4>I already had really been solidly trained in that approach,

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<v Speaker 4>and that's certainly the one I used to with Rader

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<v Speaker 4>and would use with anybody else. Is what is your world?

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<v Speaker 4>It doesn't matter if it corresponds to reality or corresponds

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<v Speaker 4>to morality. It matters that you yield to me, what

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<v Speaker 4>your experience is, what your perspective is, and how you

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<v Speaker 4>came to be this way. So that's I learned from

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<v Speaker 4>looking to others as well as my own training in

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<v Speaker 4>clinical psychology.

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<v Speaker 7>Now, an important part of this is when you asked

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<v Speaker 7>him the crucial important question about his torture fantasies, how

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<v Speaker 7>did you approach.

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<v Speaker 4>That One of the things I did was to collect

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<v Speaker 4>what I knew from others. And I knew I was

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<v Speaker 4>already friends with the DA on that case, right, so

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<v Speaker 4>she wasn't keen about me doing this, but she was

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<v Speaker 4>one over and she showed me her whole stashus stuff.

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<v Speaker 4>I saw the interrogation, the whole police interrogation notes, so

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<v Speaker 4>I had the way he presented himself to them. I

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<v Speaker 4>had letters from the first person, I had letters from

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<v Speaker 4>other people, so I had this multiple perspectives on him

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<v Speaker 4>in terms of the way, you know, he'd spent doctor

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<v Speaker 4>really everything for you know, whoever he was talking to.

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<v Speaker 4>So this way I had. If you wanted to talk

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<v Speaker 4>about torturing animals, for example, I already knew some things

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<v Speaker 4>that I knew he didn't want to tell me, so

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<v Speaker 4>then I could call him out on it. But I

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<v Speaker 4>didn't call him out on it in a confrontational way.

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<v Speaker 4>I would simply say, oh, well, you know you told

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<v Speaker 4>them this, so you're telling me something a little different.

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<v Speaker 4>How do you how do you make sense of that?

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<v Speaker 4>And then and he'd sometimes get upset if we're on

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<v Speaker 4>the phone, but then he'd write a long letter justifying

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<v Speaker 4>everything'sid And again, for me, that's behavior. It's not necessarily

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<v Speaker 4>that I'm after the truth, because really you can look

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<v Speaker 4>at any of us. We all form our narratives to

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<v Speaker 4>serve our purposes out of earth system. So I'm looking

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<v Speaker 4>at how does he approach being confronted, how does he

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<v Speaker 4>approach being told, well, I know that you also tortured rabbits?

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<v Speaker 4>What was he going to do with that? Since he

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00:17:41.119 --> 00:17:43.240
<v Speaker 4>didn't tell it to me, but I knew about it,

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<v Speaker 4>so it really was. And again you're looking at a

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00:17:47.039 --> 00:17:50.960
<v Speaker 4>very extended investment of time, which very few people can do.

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00:17:51.160 --> 00:17:54.680
<v Speaker 4>And psychologists they charge and they know nobody's paying them

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<v Speaker 4>for this kind of time. So you have to see

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00:17:57.279 --> 00:17:59.599
<v Speaker 4>this as an opportunity the way I did and be

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<v Speaker 4>willing to take the hit in terms of the investment

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00:18:02.799 --> 00:18:05.559
<v Speaker 4>of time and money. And I was because I really

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<v Speaker 4>believe in this kind of work. I think it's very

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<v Speaker 4>valuable and beneficial. It helps us to prevent us from

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<v Speaker 4>seeing the serial killers as all collected under a profile

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<v Speaker 4>where it's a coopee cutter approach, and I think that's

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<v Speaker 4>a mistake that I'm hoping this book can rectify.

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<v Speaker 7>What did the late doctor al Carlyle contribute to this.

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<v Speaker 6>How did he help in what area?

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<v Speaker 4>Oh? Al Carlisle was so terrific, He's such a loss.

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<v Speaker 4>He had interviewed He was a Utah prison psychologist who

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<v Speaker 4>had interviewed Ted Bundy when Bundy was first picked up

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<v Speaker 4>on suspicion of burglary and then attempted abduction, and Carlisle

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<v Speaker 4>had gone to have been at the prison and he'd

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<v Speaker 4>given him a number of assessments. He wasn't the only one.

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<v Speaker 4>There was another psychologists or psychiatrist who put him through

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<v Speaker 4>a bunch of things. But Carlile's task was to decide

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<v Speaker 4>if Bundy might be a danger if he were released,

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<v Speaker 4>and so he did a lot of work. He interviewed

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<v Speaker 4>a number of people in knew Bundy and really again

329
00:19:05.279 --> 00:19:09.519
<v Speaker 4>gave us a very nice approach to how do you

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<v Speaker 4>look at someone like this. You can't just go with

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<v Speaker 4>what they say because they're going to put themselves in

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<v Speaker 4>the very best light. And Bundy was a master at that.

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<v Speaker 4>So Carlisle had not just done this assessment of Bundy,

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<v Speaker 4>but he also had interviewed a few other serial killers

335
00:19:23.960 --> 00:19:26.680
<v Speaker 4>while there, and so he came up with this idea

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<v Speaker 4>of how are they able to pass as if they

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00:19:30.480 --> 00:19:33.400
<v Speaker 4>are like us and yet have this very very dark,

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00:19:33.519 --> 00:19:36.559
<v Speaker 4>awful side to them and then not have any remorse

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00:19:36.759 --> 00:19:40.279
<v Speaker 4>and etc. So, because he had come up with this

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<v Speaker 4>very interesting description of a compartmentalized person, I asked him

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<v Speaker 4>if I could show this to Raider, as I want

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<v Speaker 4>to see Raider's response to it, because one of the

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<v Speaker 4>things I was trying to do is get Raider to

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<v Speaker 4>not just say what he knew, but to look at

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<v Speaker 4>one of the people had said and reflect on that

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<v Speaker 4>in terms of how it applied to him. And he

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<v Speaker 4>worked hard at it. I have to give him a

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<v Speaker 4>lot of credit. When he saw Harlysle's analysis of Bundy

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<v Speaker 4>as being like an actor taken on a lot of

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<v Speaker 4>different roles, he said, yeah, that's that's very very accurate.

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<v Speaker 4>That really captures it. But then he responded with what

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<v Speaker 4>I thought was even more interesting than what Al gave me,

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<v Speaker 4>which was this idea of cubing instead of compartmentalizing, because

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<v Speaker 4>when you think about like compartments on the shelving unit,

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<v Speaker 4>for example, right, and as if they're all distinctly different

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<v Speaker 4>and almost unrelated to one another, it's just a bunch

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<v Speaker 4>of different personalities and similar to an actor. They take

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<v Speaker 4>on different roles, but those roles aren't related to one another.

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<v Speaker 4>When Raider came up with his metaphor, which is cubing,

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<v Speaker 4>it's the idea that all the faces are there, but

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<v Speaker 4>you only show one face at a time in any

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<v Speaker 4>given circumstance. So if you need to be the good

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00:21:01.839 --> 00:21:05.480
<v Speaker 4>father or good husband or churchgoer, you show that face

364
00:21:05.599 --> 00:21:08.880
<v Speaker 4>and then but if you see someone you want to stalk,

365
00:21:09.119 --> 00:21:12.319
<v Speaker 4>you immediately can switch out. Because all the faces are

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<v Speaker 4>part of you, they are all connected and associated to you.

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<v Speaker 4>And because people like Rater are not emotionally rooted in

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<v Speaker 4>the notion of integrity or truth or morality, they can

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<v Speaker 4>make that switch very easily. They're really mentally dexterous in

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<v Speaker 4>terms of being able to adopt a different persona for

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<v Speaker 4>a different circumstance. So to me, not only is c

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<v Speaker 4>being easier to spell than compartmentalizing, I think it gets

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<v Speaker 4>out of better and I kind of wish I could

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<v Speaker 4>have talked with Carlisle about that, but orsay has passed on,

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<v Speaker 4>and I think you would have really appreciated that metaphor

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<v Speaker 4>because I think it works very well.

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<v Speaker 7>When you talk to BTK Dennis Reader. He mentions this

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<v Speaker 7>mythical figure, this minutor, and he calls it the minutor.

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<v Speaker 7>Sense tell us more about this mythological symbol that he

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<v Speaker 7>uses to describe.

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<v Speaker 4>Yeah, then the minotaur was a code name for serial killers.

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<v Speaker 4>So he'll talk about the Kansas Minotaur, or he'll read

383
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<v Speaker 4>about somebody like there was a guy in South Carolina

384
00:22:22.359 --> 00:22:24.480
<v Speaker 4>a couple of years ago who about calling He'll call

385
00:22:24.519 --> 00:22:28.319
<v Speaker 4>him the South Carolina Minotaur. So that's just a way

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00:22:28.480 --> 00:22:31.559
<v Speaker 4>to be able to write about this in letters without

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<v Speaker 4>guards confiscating it, you know, because I've had a few

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00:22:35.720 --> 00:22:38.440
<v Speaker 4>letters sent back to me by the prison. You may

389
00:22:38.480 --> 00:22:40.960
<v Speaker 4>not do this, you may not do that. Well, they

390
00:22:41.000 --> 00:22:44.599
<v Speaker 4>have to always be careful about the how he'll contraband angle,

391
00:22:45.079 --> 00:22:47.720
<v Speaker 4>And so I think he adopted that. But also he

392
00:22:47.759 --> 00:22:50.559
<v Speaker 4>had read about it in a novel and he liked

393
00:22:50.599 --> 00:22:54.920
<v Speaker 4>the image of that, of this this beast that's inside

394
00:22:55.000 --> 00:22:59.519
<v Speaker 4>this maze, that's that's fed these innocent virgins, and you know,

395
00:22:59.599 --> 00:23:02.200
<v Speaker 4>he just he liked that to use to describe what

396
00:23:02.240 --> 00:23:04.960
<v Speaker 4>a serial killer was like. And then for him that

397
00:23:05.000 --> 00:23:07.559
<v Speaker 4>would be a cave like a cave monster. And he

398
00:23:07.640 --> 00:23:11.400
<v Speaker 4>thinks that these cave monsters are part of him, not

399
00:23:11.599 --> 00:23:14.319
<v Speaker 4>like he's demon possessed. That was a that was a

400
00:23:14.400 --> 00:23:19.079
<v Speaker 4>narrative he initially had used after his minister had visited

401
00:23:19.160 --> 00:23:21.759
<v Speaker 4>him and spaid to him. The only way I can

402
00:23:21.799 --> 00:23:24.680
<v Speaker 4>make sense of this is if your demon possessed, so

403
00:23:24.839 --> 00:23:28.920
<v Speaker 4>ritogred on to that. He does that. He immediately absorbs

404
00:23:29.000 --> 00:23:31.400
<v Speaker 4>things that make sense, and then for a little while

405
00:23:31.440 --> 00:23:34.960
<v Speaker 4>he'll use he'll use the narrative, but he doesn't any

406
00:23:35.039 --> 00:23:37.279
<v Speaker 4>longer think of it that way. But he does think

407
00:23:37.279 --> 00:23:41.279
<v Speaker 4>about that there is this monstrous part of him that

408
00:23:41.400 --> 00:23:46.400
<v Speaker 4>he himself doesn't understand. Well. It's really compulsion that comes

409
00:23:46.400 --> 00:23:50.480
<v Speaker 4>from his fantasy life, from a very vivid fantasy life

410
00:23:50.480 --> 00:23:54.400
<v Speaker 4>in which he's highly invested for his identity. So he

411
00:23:54.440 --> 00:23:58.119
<v Speaker 4>has more control than he often will say. But the

412
00:23:58.240 --> 00:24:02.240
<v Speaker 4>minotaur image or metaphor peeled to him in that way.

413
00:24:03.000 --> 00:24:06.559
<v Speaker 1>Right with Lucky Land slots, you can get lucky just

414
00:24:06.640 --> 00:24:07.920
<v Speaker 1>about anywhere.

415
00:24:07.640 --> 00:24:11.039
<v Speaker 6>Dearly beloved, we are gathered here today. Has anyone seen

416
00:24:11.079 --> 00:24:12.359
<v Speaker 6>the bride and groom?

417
00:24:12.400 --> 00:24:15.319
<v Speaker 4>Sorry, sorry we're here. We were getting lucky in the

418
00:24:15.359 --> 00:24:16.640
<v Speaker 4>limo and we lost track of time.

419
00:24:17.359 --> 00:24:20.200
<v Speaker 5>No lucky Land casino with cash prizes that add up

420
00:24:20.240 --> 00:24:21.400
<v Speaker 5>quicker than a guess registry.

421
00:24:21.720 --> 00:24:25.359
<v Speaker 6>In that case, I pronounce you Lucky cis for free.

422
00:24:25.160 --> 00:24:28.599
<v Speaker 1>At lucky landslots dot com. Daily bonuses are waiting, no

423
00:24:28.720 --> 00:24:31.519
<v Speaker 1>purchase necessary board. We're prohibited by long team plus terms

424
00:24:31.519 --> 00:24:33.759
<v Speaker 1>and conditions applying see website for details.

425
00:24:34.039 --> 00:24:37.160
<v Speaker 7>Now we're talking about some of the things that Dennis

426
00:24:37.279 --> 00:24:40.920
<v Speaker 7>Raider used and utilized to describe some of the things

427
00:24:40.960 --> 00:24:47.000
<v Speaker 7>A statasies to evade a censorship through the prison guards

428
00:24:47.000 --> 00:24:50.279
<v Speaker 7>that would read this material. So there was an underlying reason,

429
00:24:50.319 --> 00:24:53.480
<v Speaker 7>but also he was being clever and getting you to

430
00:24:53.519 --> 00:24:56.960
<v Speaker 7>work a little bit what about which was really the

431
00:24:57.039 --> 00:24:59.240
<v Speaker 7>crux of what you're doing, to try to find out

432
00:24:59.240 --> 00:25:02.319
<v Speaker 7>what his cycle sexual development was when he was young,

433
00:25:02.480 --> 00:25:07.119
<v Speaker 7>how murder and sexuality got all mixed up and saw

434
00:25:07.240 --> 00:25:10.400
<v Speaker 7>these fantasies and this murderous rampage.

435
00:25:10.599 --> 00:25:13.160
<v Speaker 6>So tell us a little bit about what you discovered.

436
00:25:13.880 --> 00:25:18.160
<v Speaker 4>Well, one of the difficulties of working with him was

437
00:25:18.720 --> 00:25:23.519
<v Speaker 4>he's really a minutia collector, and so many of his

438
00:25:23.640 --> 00:25:28.079
<v Speaker 4>early letters were long, long, long descriptions out of his

439
00:25:28.279 --> 00:25:32.680
<v Speaker 4>family history and things that really had no bearing on

440
00:25:33.000 --> 00:25:34.519
<v Speaker 4>what I was trying to do. But I had to

441
00:25:34.559 --> 00:25:39.720
<v Speaker 4>be patient and showed certainly show interest and finally he

442
00:25:40.039 --> 00:25:43.880
<v Speaker 4>suddenly realized this book was the book for him to

443
00:25:44.119 --> 00:25:48.119
<v Speaker 4>get his story out to be the definitive one, and

444
00:25:48.559 --> 00:25:51.519
<v Speaker 4>he might never have this opportunity again. And all of

445
00:25:51.559 --> 00:25:55.599
<v Speaker 4>a sudden, and the letters just turned many shades darker

446
00:25:56.079 --> 00:25:58.359
<v Speaker 4>in terms of the things he wanted to explore. Part

447
00:25:58.359 --> 00:26:00.720
<v Speaker 4>of that was he had done through a lot of

448
00:26:01.200 --> 00:26:03.440
<v Speaker 4>the papers he keeps in his cell, and he had

449
00:26:03.440 --> 00:26:08.319
<v Speaker 4>found original police reports. They were summaries of police reports,

450
00:26:08.799 --> 00:26:12.000
<v Speaker 4>and he sent them to me, all marked up with

451
00:26:12.200 --> 00:26:16.079
<v Speaker 4>what they got wrong and what this meant or what

452
00:26:16.119 --> 00:26:19.799
<v Speaker 4>that meant. So here's the whole description of when they

453
00:26:19.839 --> 00:26:23.880
<v Speaker 4>went into the Otaro's and what they saw. And he

454
00:26:24.079 --> 00:26:27.440
<v Speaker 4>then elaborate on what did that mean? And that's basically

455
00:26:27.440 --> 00:26:30.599
<v Speaker 4>how I presented in the book. Here's the report, and

456
00:26:30.640 --> 00:26:32.759
<v Speaker 4>here are the things that he had to say about

457
00:26:33.000 --> 00:26:36.599
<v Speaker 4>various aspects of this report. How about his experience of

458
00:26:37.119 --> 00:26:40.759
<v Speaker 4>stalking a particular victim, or what did he do afterward?

459
00:26:40.880 --> 00:26:42.799
<v Speaker 4>And how did he feel after it? So it was

460
00:26:43.000 --> 00:26:45.240
<v Speaker 4>like all of a sudden, he felt the pressure of

461
00:26:45.279 --> 00:26:47.839
<v Speaker 4>a deadline. Oh my god, I have to get busy

462
00:26:48.039 --> 00:26:51.279
<v Speaker 4>because I wanted this to be my dark journey, and

463
00:26:51.400 --> 00:26:54.599
<v Speaker 4>all of the other stuff that was about his family

464
00:26:54.680 --> 00:26:58.559
<v Speaker 4>dropped away, but he then began to start thinking about

465
00:26:59.240 --> 00:27:03.160
<v Speaker 4>where does this originate. He talked a lot about his boyhood,

466
00:27:03.599 --> 00:27:06.160
<v Speaker 4>and then it was up to me really to look

467
00:27:06.200 --> 00:27:09.319
<v Speaker 4>at the themes of that and see how they related

468
00:27:09.599 --> 00:27:14.279
<v Speaker 4>to potential development. The kind of dark fantasies he had

469
00:27:14.319 --> 00:27:17.319
<v Speaker 4>that then really led the dance for him. So it

470
00:27:17.400 --> 00:27:21.279
<v Speaker 4>was really kind of figuring out he needed to do

471
00:27:21.440 --> 00:27:25.839
<v Speaker 4>some work and me finding through this. I mean lots

472
00:27:25.839 --> 00:27:28.960
<v Speaker 4>and lots of lots of detail the things that would

473
00:27:29.039 --> 00:27:32.200
<v Speaker 4>be useful for my goals. So hard thing about doing

474
00:27:32.279 --> 00:27:35.319
<v Speaker 4>a book of this length is all the data UMSS

475
00:27:35.720 --> 00:27:39.799
<v Speaker 4>and keeping your goals always in front, so you know

476
00:27:39.880 --> 00:27:42.240
<v Speaker 4>what you're focusing on, but not to the point where

477
00:27:42.279 --> 00:27:46.079
<v Speaker 4>you're working with tunnel vision or you know, a cognitive

478
00:27:46.119 --> 00:27:50.400
<v Speaker 4>bias that limits the world. So I had to watch

479
00:27:50.960 --> 00:27:54.480
<v Speaker 4>my own expectations and what I was hoping to see,

480
00:27:54.880 --> 00:27:57.759
<v Speaker 4>but also I needed to guide him away from all

481
00:27:57.759 --> 00:28:00.839
<v Speaker 4>the minutia. Like one of the earliest letters he sent

482
00:28:00.920 --> 00:28:04.200
<v Speaker 4>me had a journal of his day and it was

483
00:28:04.599 --> 00:28:09.279
<v Speaker 4>like minute by minute, Oh, getting up at this time,

484
00:28:09.359 --> 00:28:12.000
<v Speaker 4>and this is what they gave me for breakfast. And

485
00:28:12.039 --> 00:28:14.440
<v Speaker 4>then I did this, and then I did that, and

486
00:28:15.720 --> 00:28:18.880
<v Speaker 4>he and he kept one for every single day, thinking

487
00:28:19.079 --> 00:28:22.599
<v Speaker 4>someone was going to really find this to be very important.

488
00:28:22.960 --> 00:28:26.279
<v Speaker 4>He's just sitting in a single prison cell. He's not

489
00:28:26.359 --> 00:28:30.200
<v Speaker 4>in general population. He doesn't interact with anybody. You know,

490
00:28:30.240 --> 00:28:32.440
<v Speaker 4>he'll read he was at the time. He's listening to

491
00:28:32.480 --> 00:28:36.319
<v Speaker 4>the stock report because he had imaginary stocks and listened

492
00:28:36.319 --> 00:28:37.640
<v Speaker 4>to the farmer's reports.

493
00:28:37.680 --> 00:28:37.960
<v Speaker 3>So what not.

494
00:28:38.160 --> 00:28:41.559
<v Speaker 4>But wow, it was up to me to make my

495
00:28:41.680 --> 00:28:45.079
<v Speaker 4>way through all this data and see the things that

496
00:28:45.119 --> 00:28:47.160
<v Speaker 4>were really going to make this into a book. And

497
00:28:47.640 --> 00:28:49.519
<v Speaker 4>I will admit there were times I didn't think I

498
00:28:49.559 --> 00:28:52.519
<v Speaker 4>had a book, really yeah, because I just I didn't

499
00:28:52.559 --> 00:28:54.799
<v Speaker 4>think he was up to it. And then all of

500
00:28:54.839 --> 00:29:00.000
<v Speaker 4>a sudden will come letters filled with very rich eye

501
00:29:00.039 --> 00:29:04.759
<v Speaker 4>ideas and memories and reflections. Okay, now I can move forward.

502
00:29:04.839 --> 00:29:07.759
<v Speaker 4>But I'd say for the first two years I wasn't sure.

503
00:29:08.160 --> 00:29:10.559
<v Speaker 7>You were trying to get him to be insightful about

504
00:29:10.559 --> 00:29:14.000
<v Speaker 7>his own life. And you say, this is a guided autobiography,

505
00:29:14.079 --> 00:29:17.160
<v Speaker 7>so you had to help him be able to learn

506
00:29:17.480 --> 00:29:21.319
<v Speaker 7>and decipher some of the things that have happened when

507
00:29:21.400 --> 00:29:24.799
<v Speaker 7>he got to his development. When he talks about his childhood,

508
00:29:24.880 --> 00:29:27.799
<v Speaker 7>and some of the things that again seemed to turn

509
00:29:28.000 --> 00:29:31.359
<v Speaker 7>are directly related to his sexual fantasies. What did he

510
00:29:31.400 --> 00:29:34.039
<v Speaker 7>tell you about his early childhood and bullying and the

511
00:29:34.119 --> 00:29:37.039
<v Speaker 7>barn tell us a little bit about some of the

512
00:29:37.039 --> 00:29:38.799
<v Speaker 7>things that he finally divorced to you.

513
00:29:38.759 --> 00:29:41.880
<v Speaker 4>About that, Yeah, I mean, he would always kind of

514
00:29:41.920 --> 00:29:46.599
<v Speaker 4>go to what had excited him, whether and even very young.

515
00:29:47.200 --> 00:29:51.160
<v Speaker 4>It wasn't necessarily sexual, but it was certainly physical, right,

516
00:29:51.200 --> 00:29:53.559
<v Speaker 4>and so he would talk about that. But I will say, like,

517
00:29:53.640 --> 00:29:56.359
<v Speaker 4>at one point he told me about a movie he

518
00:29:56.359 --> 00:29:59.160
<v Speaker 4>had a thing with his mother. She was a brunette

519
00:29:59.200 --> 00:30:01.839
<v Speaker 4>and she had kind of movie star looks, as as

520
00:30:01.920 --> 00:30:05.160
<v Speaker 4>many people described her, and he would go to the

521
00:30:05.200 --> 00:30:07.519
<v Speaker 4>movies with her. And he told me he had the

522
00:30:07.559 --> 00:30:10.200
<v Speaker 4>movies he had watched. So I watched them to get

523
00:30:10.200 --> 00:30:13.200
<v Speaker 4>a sense of that little voice perspective sitting with his

524
00:30:14.319 --> 00:30:17.519
<v Speaker 4>beautiful mother. And there was one the House of Wax.

525
00:30:18.200 --> 00:30:18.359
<v Speaker 1>Guy.

526
00:30:19.240 --> 00:30:24.359
<v Speaker 4>Oh my god, it's a naked woman bound in this thing.

527
00:30:25.119 --> 00:30:30.000
<v Speaker 4>She's brunette, naked, struggling in all the most titillating ways.

528
00:30:30.160 --> 00:30:34.079
<v Speaker 4>It's not that, oh lord, it's exactly I watched this

529
00:30:34.279 --> 00:30:37.039
<v Speaker 4>rather than just heard him say, we watched the House

530
00:30:37.079 --> 00:30:39.960
<v Speaker 4>of Wax, and that had an effect on me. Well,

531
00:30:40.000 --> 00:30:43.279
<v Speaker 4>I can imagine it did, because he already was thinking

532
00:30:43.319 --> 00:30:48.440
<v Speaker 4>about binding girls who made him feel uncomfortable or took

533
00:30:48.480 --> 00:30:51.359
<v Speaker 4>away his self esteem. He was thinking of binding them

534
00:30:51.400 --> 00:30:55.240
<v Speaker 4>at railroad tracks or building girl traps for them. And

535
00:30:55.319 --> 00:30:59.720
<v Speaker 4>so here he is with his mother who's already humiliated him,

536
00:31:00.279 --> 00:31:04.640
<v Speaker 4>and he's seen her stuck helpless, and he's seen the

537
00:31:04.680 --> 00:31:07.839
<v Speaker 4>look on her face that made him feel powerful. And

538
00:31:07.880 --> 00:31:12.960
<v Speaker 4>now he's watching this movie with it clearly showing obviously

539
00:31:13.079 --> 00:31:16.039
<v Speaker 4>full frontal nudity back in those days. But oh, the

540
00:31:16.160 --> 00:31:19.880
<v Speaker 4>suggestion of it was very strong in that movie, And

541
00:31:20.160 --> 00:31:24.119
<v Speaker 4>I thought, whoa right there? That's the kind of thing.

542
00:31:24.640 --> 00:31:27.319
<v Speaker 4>And the weird wolf who can shape shift, and that's

543
00:31:27.359 --> 00:31:31.000
<v Speaker 4>the kind of thing. What's a little boy thinking about.

544
00:31:31.400 --> 00:31:34.240
<v Speaker 4>So he's seen, not just seeing these movies, but they

545
00:31:34.359 --> 00:31:37.440
<v Speaker 4>haunt him. He has nightmares, he has dreams about them,

546
00:31:37.480 --> 00:31:41.200
<v Speaker 4>he thinks about them. And how is that affecting the

547
00:31:41.359 --> 00:31:45.119
<v Speaker 4>kinds of fantasy fantasy life he is going to develop

548
00:31:45.240 --> 00:31:48.599
<v Speaker 4>as he enters into puberty, and it does become all

549
00:31:48.640 --> 00:31:51.839
<v Speaker 4>about sexual arousal. So he had the sexual arousal as

550
00:31:51.880 --> 00:31:55.279
<v Speaker 4>a boy getting tied up playing the cowboy games, and

551
00:31:55.759 --> 00:31:58.599
<v Speaker 4>he got trapped once in a silo and it was scared,

552
00:31:58.680 --> 00:32:02.319
<v Speaker 4>but also it was exciting. So he had some of

553
00:32:02.319 --> 00:32:06.039
<v Speaker 4>those experiences early to the point where he would tie

554
00:32:06.160 --> 00:32:10.799
<v Speaker 4>ropes around his waist because it felt good. And as

555
00:32:10.839 --> 00:32:15.599
<v Speaker 4>he's developing into his sexual being, it feels very good.

556
00:32:16.119 --> 00:32:18.079
<v Speaker 4>It's the kind of thing he's not going to give up.

557
00:32:18.279 --> 00:32:22.720
<v Speaker 7>Yeah, you also talk about innocuous things were seemingly like

558
00:32:23.160 --> 00:32:26.799
<v Speaker 7>the Dudley do Write cartoon that we all watched.

559
00:32:27.160 --> 00:32:31.680
<v Speaker 4>Yeah, well, I mean for Raider, immediately it was tying

560
00:32:31.759 --> 00:32:36.160
<v Speaker 4>the redheaded girl on the train track. It wasn't about

561
00:32:36.279 --> 00:32:40.160
<v Speaker 4>hur getting rescued. It was about get that train to

562
00:32:40.319 --> 00:32:42.440
<v Speaker 4>hit her and run her over so that she was

563
00:32:42.559 --> 00:32:46.400
<v Speaker 4>bound and helpless though was the thing. And then as

564
00:32:46.480 --> 00:32:49.960
<v Speaker 4>a fourteen year old, he found a True Detective magazine

565
00:32:49.960 --> 00:32:54.000
<v Speaker 4>that had the Harvey Glatman pictures on the cover and

566
00:32:54.359 --> 00:32:58.160
<v Speaker 4>saw this image of this utterly helpless, bound woman who

567
00:32:58.200 --> 00:33:02.119
<v Speaker 4>was about to be murdered, and he masturbated to that.

568
00:33:02.119 --> 00:33:04.720
<v Speaker 4>That was highly exciting to him. And we do know

569
00:33:04.920 --> 00:33:11.440
<v Speaker 4>that when certain stimuli are paired with masturbation as a

570
00:33:11.480 --> 00:33:15.599
<v Speaker 4>young boy is becoming a young man, that becomes part

571
00:33:15.640 --> 00:33:19.279
<v Speaker 4>of the sexual fetish, and it might need something that

572
00:33:19.359 --> 00:33:22.680
<v Speaker 4>less the rest of his life because it gets paired

573
00:33:22.759 --> 00:33:26.839
<v Speaker 4>and it gets fused together with the process of sexual development.

574
00:33:27.359 --> 00:33:30.599
<v Speaker 4>And for him, that was the image he wanted to

575
00:33:30.680 --> 00:33:33.440
<v Speaker 4>replicate in his own victims, so.

576
00:33:33.400 --> 00:33:35.880
<v Speaker 6>He graduated to stalking.

577
00:33:36.440 --> 00:33:40.319
<v Speaker 7>Initially, that was his first foray into criminality.

578
00:33:40.880 --> 00:33:44.160
<v Speaker 4>Was the stalking. Well, it's hard to say. You know,

579
00:33:44.200 --> 00:33:47.400
<v Speaker 4>he went into the military and he was in countries,

580
00:33:47.440 --> 00:33:50.559
<v Speaker 4>and I think he did a lot of voyeuristic activity

581
00:33:50.599 --> 00:33:54.119
<v Speaker 4>at that point, and then that became stalking. So the

582
00:33:54.240 --> 00:33:59.680
<v Speaker 4>voyeurism was looking into people's windows, imagining power over them,

583
00:34:00.359 --> 00:34:03.759
<v Speaker 4>and then as he would see someone, he might follow

584
00:34:03.799 --> 00:34:07.400
<v Speaker 4>that person. So I think the voyeurism came before the stocking.

585
00:34:07.480 --> 00:34:11.440
<v Speaker 4>But then the stocking arrived with the idea that he

586
00:34:11.480 --> 00:34:15.039
<v Speaker 4>would kidnap somebody. And he did make an attempt to

587
00:34:15.159 --> 00:34:19.360
<v Speaker 4>kidnap a bank clerk and it failed utterly, and he

588
00:34:19.400 --> 00:34:22.239
<v Speaker 4>got scared and he was going to get identified. So

589
00:34:23.800 --> 00:34:27.760
<v Speaker 4>he began to break into houses and when he did that,

590
00:34:28.239 --> 00:34:30.679
<v Speaker 4>it made him feel very powerful. Were the people who

591
00:34:30.719 --> 00:34:33.119
<v Speaker 4>lived there, I mean often they weren't home, but just

592
00:34:33.280 --> 00:34:36.679
<v Speaker 4>he would take something like a hammer, you know, whatever,

593
00:34:36.960 --> 00:34:40.599
<v Speaker 4>just because he had invaded their space, he owned the place,

594
00:34:40.880 --> 00:34:44.480
<v Speaker 4>he had a position over them, and so that then

595
00:34:44.599 --> 00:34:48.039
<v Speaker 4>became he's not going to try to capture someone and

596
00:34:48.159 --> 00:34:51.760
<v Speaker 4>kidnap her. He's going to go into a house and

597
00:34:51.920 --> 00:34:55.360
<v Speaker 4>subdue the person he wants. And then that leads, of

598
00:34:55.360 --> 00:34:57.559
<v Speaker 4>course to the Otero murders.

599
00:34:58.639 --> 00:35:03.960
<v Speaker 7>You utilized for this documentary, but also for this book.

600
00:35:04.360 --> 00:35:08.280
<v Speaker 7>Letters and drawings that he had sent you explain what

601
00:35:08.480 --> 00:35:12.000
<v Speaker 7>we'll be on this documentary regarding those letters and those drawings.

602
00:35:12.079 --> 00:35:15.360
<v Speaker 4>Yeah, I mean, I have thousands of pages of his handwriting,

603
00:35:15.559 --> 00:35:19.719
<v Speaker 4>and God bless the documentary maker, Prisp going through all

604
00:35:19.719 --> 00:35:23.480
<v Speaker 4>about to pick out passages, but there will be passages highlighted.

605
00:35:23.840 --> 00:35:26.880
<v Speaker 4>We also interviewed him and recorded it, so you will

606
00:35:26.920 --> 00:35:31.599
<v Speaker 4>hear him responding to some of my questions. Well highlighted

607
00:35:31.639 --> 00:35:35.920
<v Speaker 4>passages of things he said that are either ironic in

608
00:35:36.000 --> 00:35:39.159
<v Speaker 4>terms of how can he not see how this makes

609
00:35:39.199 --> 00:35:43.639
<v Speaker 4>no sense in the polarization morally in the same person.

610
00:35:44.000 --> 00:35:48.400
<v Speaker 4>You'll see drawings that he's done. For example, he drew

611
00:35:48.480 --> 00:35:51.360
<v Speaker 4>for me what he had hoped one day to build

612
00:35:52.119 --> 00:35:56.400
<v Speaker 4>was the silo filled with torture instruments similar to aj

613
00:35:56.639 --> 00:36:01.320
<v Speaker 4>toungs and his castle, right, and so it's very meticulous,

614
00:36:02.199 --> 00:36:06.239
<v Speaker 4>full color. And you know, he said to me it

615
00:36:06.320 --> 00:36:09.920
<v Speaker 4>wasn't He really had not wanted to do this because

616
00:36:09.960 --> 00:36:12.159
<v Speaker 4>it took him back into the world he knew he

617
00:36:12.199 --> 00:36:14.480
<v Speaker 4>had to avoid. And yet when you look at all

618
00:36:14.480 --> 00:36:17.960
<v Speaker 4>the detail, you see how much Funny had doing it.

619
00:36:18.079 --> 00:36:20.079
<v Speaker 4>He did want to do it. He wanted to do

620
00:36:20.119 --> 00:36:25.039
<v Speaker 4>it very much. And so that's the interesting dynamic I

621
00:36:25.079 --> 00:36:28.960
<v Speaker 4>had with him, as he had a verbal narrative and

622
00:36:29.000 --> 00:36:31.440
<v Speaker 4>he's kind of like Ted Bundy in that thinking when

623
00:36:31.440 --> 00:36:36.320
<v Speaker 4>he says something that controls reality, right, language controls reality,

624
00:36:36.320 --> 00:36:38.679
<v Speaker 4>and Bundy was very much like that too. But then

625
00:36:38.840 --> 00:36:42.480
<v Speaker 4>you see he's presenting one thing and he's showing in

626
00:36:42.519 --> 00:36:46.519
<v Speaker 4>his behavior something altogether different. For me, that's the most

627
00:36:46.599 --> 00:36:49.920
<v Speaker 4>interesting and intriguing aspect of him is how does he

628
00:36:50.039 --> 00:36:53.320
<v Speaker 4>not see? How does he develop these blind spots, these

629
00:36:53.400 --> 00:36:56.239
<v Speaker 4>walls between what he says about him so up and

630
00:36:56.280 --> 00:36:59.199
<v Speaker 4>what he's showing about himself. Well, we all do it.

631
00:36:59.199 --> 00:37:05.199
<v Speaker 4>It's a human tendency, but in a serial killer's particularly interesting.

632
00:37:05.880 --> 00:37:09.519
<v Speaker 7>It's much more profound and seems much more out of

633
00:37:09.559 --> 00:37:13.400
<v Speaker 7>touch from reality. Despite being a fairly intelligent person, it

634
00:37:13.400 --> 00:37:16.519
<v Speaker 7>would seem that there's this out of touch with reality

635
00:37:16.599 --> 00:37:21.559
<v Speaker 7>completely even at this time, even after this many years, right,

636
00:37:21.880 --> 00:37:25.000
<v Speaker 7>there's not a recognition or realization by him.

637
00:37:25.199 --> 00:37:28.800
<v Speaker 4>And that is the role of a very rich and

638
00:37:29.199 --> 00:37:33.400
<v Speaker 4>real feeling fantasy life. That's where he comes alive. That's

639
00:37:33.440 --> 00:37:37.800
<v Speaker 4>where his whole identity is wrapped up in the fantasy person.

640
00:37:38.079 --> 00:37:41.559
<v Speaker 4>And so it's very easy for him to develop these

641
00:37:41.599 --> 00:37:45.119
<v Speaker 4>blind spots and these walls between what's real and what

642
00:37:45.800 --> 00:37:48.960
<v Speaker 4>he thinks is real because he's so immersed in to

643
00:37:49.519 --> 00:37:53.880
<v Speaker 4>you know, this image of himself again a human tendency.

644
00:37:53.960 --> 00:37:56.159
<v Speaker 4>And at the end of the book I talk about this,

645
00:37:56.320 --> 00:38:00.159
<v Speaker 4>it's it's not that he's such a different creature, but

646
00:38:00.440 --> 00:38:03.519
<v Speaker 4>as you use the word profound, he's profoundly different in

647
00:38:03.599 --> 00:38:06.920
<v Speaker 4>some ways. But all of those ways are attached to

648
00:38:07.599 --> 00:38:11.239
<v Speaker 4>who we all are to some degree. But he just

649
00:38:11.320 --> 00:38:17.079
<v Speaker 4>doesn't have the emotional rootedness in wanting a sense of

650
00:38:17.159 --> 00:38:20.599
<v Speaker 4>integrity of presenting. You know, a lot of us want

651
00:38:20.599 --> 00:38:24.760
<v Speaker 4>to present ourselves with uniformity. Whatever I do in this

652
00:38:24.840 --> 00:38:29.800
<v Speaker 4>situation would come through in a different situation because I'm

653
00:38:29.840 --> 00:38:32.679
<v Speaker 4>who I am. That's often how we think of ourselves.

654
00:38:33.000 --> 00:38:36.760
<v Speaker 4>That isn't the way someone like him operates is whatever

655
00:38:36.800 --> 00:38:41.679
<v Speaker 4>I need for this situation is what matters, not presenting

656
00:38:41.679 --> 00:38:44.000
<v Speaker 4>myself in the same way all the time.

657
00:38:44.800 --> 00:38:49.360
<v Speaker 7>Was there any reaction from him to say that he

658
00:38:49.599 --> 00:38:54.400
<v Speaker 7>discovered things through this process that you asked him specifically

659
00:38:54.519 --> 00:38:57.159
<v Speaker 7>questions so that he could learn to be able to

660
00:38:57.199 --> 00:38:59.480
<v Speaker 7>respond in the way you would like him to respond

661
00:38:59.679 --> 00:39:02.639
<v Speaker 7>rather than just talking. You say that lots of his

662
00:39:02.800 --> 00:39:06.199
<v Speaker 7>thinking was convoluted. What was his reaction to some of

663
00:39:06.239 --> 00:39:10.039
<v Speaker 7>this if there was some of this discovery of the

664
00:39:10.079 --> 00:39:14.559
<v Speaker 7>connection the psycho sexual development, was there any recognition that

665
00:39:14.599 --> 00:39:17.440
<v Speaker 7>he had learned something from this and what was that reaction?

666
00:39:17.639 --> 00:39:19.719
<v Speaker 4>Yeah, he hasn't read the book, by the way, He

667
00:39:19.760 --> 00:39:22.920
<v Speaker 4>has no response to that because it's contraband right, But

668
00:39:23.360 --> 00:39:26.599
<v Speaker 4>yes he had. There's a chapter in which it's really

669
00:39:26.840 --> 00:39:31.199
<v Speaker 4>his thinking about himself to some extent, guided by assessment

670
00:39:31.280 --> 00:39:35.119
<v Speaker 4>instruments that I use. But he's thinking his way through

671
00:39:35.679 --> 00:39:39.239
<v Speaker 4>where does this all come from? What's salient in his

672
00:39:39.480 --> 00:39:44.239
<v Speaker 4>memory and his reflective process that keeps coming back to

673
00:39:44.280 --> 00:39:46.840
<v Speaker 4>him over and over and he makes the list. See,

674
00:39:47.159 --> 00:39:49.199
<v Speaker 4>but he does do it. And also I used a

675
00:39:49.239 --> 00:39:54.199
<v Speaker 4>few books like Adrian Raine's Things anatomy of violence that

676
00:39:54.360 --> 00:39:58.199
<v Speaker 4>helped him frame it out. Al Carlisle's ideas helped him

677
00:39:58.280 --> 00:40:01.920
<v Speaker 4>to articulate things that he had really been able to understand.

678
00:40:02.400 --> 00:40:05.320
<v Speaker 4>But in the end he did his own self analysis,

679
00:40:05.360 --> 00:40:08.599
<v Speaker 4>which I thought was, you know, to some extent, insightful.

680
00:40:08.880 --> 00:40:11.880
<v Speaker 4>I mean, he's not he's a particularly bright guy. He

681
00:40:11.920 --> 00:40:16.880
<v Speaker 4>didn't do well in school, but he's certainly worked at

682
00:40:17.039 --> 00:40:20.079
<v Speaker 4>trying to understand this. And of course I will hear

683
00:40:20.320 --> 00:40:23.800
<v Speaker 4>from people saying, oh, he just he's just squirrel with you.

684
00:40:23.960 --> 00:40:27.920
<v Speaker 4>He's manipulating him. Certainly he's manipulating me to some extent.

685
00:40:28.440 --> 00:40:31.360
<v Speaker 4>But I think everybody wants to try to understand themselves,

686
00:40:31.400 --> 00:40:35.719
<v Speaker 4>particularly narcissists, And I think he did want to take

687
00:40:35.760 --> 00:40:39.199
<v Speaker 4>advantage of the fact that he had someone here with crudentials,

688
00:40:39.599 --> 00:40:43.320
<v Speaker 4>with the sense of structure, who could possibly guide him

689
00:40:43.360 --> 00:40:45.480
<v Speaker 4>through some of this. And I think I think I

690
00:40:45.559 --> 00:40:47.559
<v Speaker 4>guided him through some I don't know that I have

691
00:40:48.000 --> 00:40:51.559
<v Speaker 4>the whole truth and nothing but the truth, but I

692
00:40:51.599 --> 00:40:55.280
<v Speaker 4>have a lot from him for which I think he needs,

693
00:40:55.400 --> 00:40:56.440
<v Speaker 4>he deserves some credit.

694
00:40:56.719 --> 00:40:59.039
<v Speaker 6>It's an extraordinary book. Is he sure that?

695
00:40:59.159 --> 00:41:02.800
<v Speaker 7>When I interviewed you in twenty sixteen about this book,

696
00:41:03.119 --> 00:41:06.239
<v Speaker 7>Confession of a Serial Killer, The Untold Story of Dennis Raider,

697
00:41:06.360 --> 00:41:10.440
<v Speaker 7>the BTK Killer, which was released in twenty sixteen. Just

698
00:41:10.800 --> 00:41:13.920
<v Speaker 7>tell our audience before I let you go about the

699
00:41:14.039 --> 00:41:18.239
<v Speaker 7>A and E two part documentary Confession of a Serial

700
00:41:18.320 --> 00:41:21.400
<v Speaker 7>Killer a BTK Killer, tell us just a little bit

701
00:41:21.400 --> 00:41:25.199
<v Speaker 7>about when that will air and when that will air.

702
00:41:25.239 --> 00:41:28.800
<v Speaker 4>On any Okay on any is actually a four parts,

703
00:41:28.920 --> 00:41:33.639
<v Speaker 4>two nights, but four parts, and it's an arc over

704
00:41:33.679 --> 00:41:36.719
<v Speaker 4>the whole story. But there's a lot more in it

705
00:41:37.159 --> 00:41:39.880
<v Speaker 4>than just what's in the book. We've found people to

706
00:41:39.920 --> 00:41:42.800
<v Speaker 4>talk to who had more to say and also there

707
00:41:43.119 --> 00:41:46.280
<v Speaker 4>like I did not interview the victim's family, so we

708
00:41:46.360 --> 00:41:48.840
<v Speaker 4>do have some of them in the documentary. I did

709
00:41:48.880 --> 00:41:53.119
<v Speaker 4>not interview the impact on people in which Stah because

710
00:41:53.119 --> 00:41:56.800
<v Speaker 4>I was doing an autobiography. So there's a lot more

711
00:41:56.880 --> 00:42:00.400
<v Speaker 4>about Wichita, the effect of a serial killer in town

712
00:42:00.760 --> 00:42:03.599
<v Speaker 4>and anyway. So it's it's on A and E January

713
00:42:03.599 --> 00:42:06.679
<v Speaker 4>eighth and ninth, four parts, so two hours each night.

714
00:42:06.920 --> 00:42:12.760
<v Speaker 4>And I think it personally, I think that's very it's multifaceted.

715
00:42:12.800 --> 00:42:16.559
<v Speaker 4>There's there's a lot there that may never have heard

716
00:42:16.719 --> 00:42:18.840
<v Speaker 4>or read before about Dennis Raider.

717
00:42:19.039 --> 00:42:22.000
<v Speaker 7>Absolutely, I want to thank you so much, Katherine Ramslin

718
00:42:22.079 --> 00:42:24.880
<v Speaker 7>for coming on and talking about first your book Confession

719
00:42:24.880 --> 00:42:27.360
<v Speaker 7>of a Serial Killer, the untold story of Dennis Raider,

720
00:42:27.400 --> 00:42:32.400
<v Speaker 7>the BTK Killer, and also the documentary BTK Confession of

721
00:42:32.400 --> 00:42:36.000
<v Speaker 7>a Serial Killer premiers on a Andy. Thank you so much,

722
00:42:36.199 --> 00:42:39.079
<v Speaker 7>doctor Kathleen Ramsland for this interview. Thank you so much,

723
00:42:39.119 --> 00:42:40.079
<v Speaker 7>and have a great evening.

724
00:42:40.159 --> 00:42:41.920
<v Speaker 4>Thank you. I appreciate being here.

725
00:42:42.000 --> 00:42:43.280
<v Speaker 6>Thank you, good night, Bi
