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<v Speaker 1>Callarogas Shock Media.

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<v Speaker 2>Hey there, I'm Johnny Mack with your Daily comedy who said, Look,

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<v Speaker 2>I've tried. I did everything I could. But if you

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<v Speaker 2>guys are gonna watch Adam Sandler comedies on Netflix, they're

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<v Speaker 2>gonna keep making them. Happy Gilmore I forty six point

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<v Speaker 2>seven million views, slightly more people consume that than consume

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<v Speaker 2>this podcast. Forty six point seven million views in just

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<v Speaker 2>three days. That made Happy Gilmore Too, the biggest US

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<v Speaker 2>opening weekend ever for a Netflix film and Adam Sandler's

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<v Speaker 2>best Netflix debut. So if you're gonna watch it, and

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<v Speaker 2>Netflix is going to pay Adam Sailor to make these,

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<v Speaker 2>they're gonna keep making them. He's not gonna make uncut

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<v Speaker 2>gems too. If you keep watching this crap. People are

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<v Speaker 2>starting to pay a lot of attention to Bill Burr's

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<v Speaker 2>the interview with Vulture from last week on The Good

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<v Speaker 2>One podcast, Burst said specials aren't just special. Some of

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<v Speaker 2>them are transitionals. So someone will be like, ah, I

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<v Speaker 2>really like Paper Tiger, but then Red Rocks wasn't quite

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<v Speaker 2>as good. It was more of a transitional special because

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<v Speaker 2>I was in the middle of undoing a lot of

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<v Speaker 2>stuff about myself. There's specials where you're catching somebody sort

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<v Speaker 2>of midstry. They haven't plent of that foot or where

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<v Speaker 2>they're going to be. So I'm excited about my new

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<v Speaker 2>hour that I'm writing because this one is more of

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<v Speaker 2>my self examination. But my worldview is apolitical and it's

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<v Speaker 2>trying to bring people together. I'm trying to do the

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<v Speaker 2>opposite of what's going on there because I feel like

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<v Speaker 2>we're going to have a civil war if we're not careful.

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<v Speaker 2>When I was growing up, everybody hated the Russians. Now

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<v Speaker 2>people hate California or Florida or New York at Texas

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<v Speaker 2>and it's like, geist we're on the same team. People

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<v Speaker 2>gonna have different opinions. I don't know. I think what

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<v Speaker 2>this country needs now is a leader. At that point,

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<v Speaker 2>the Good One podcast asked, are you the leader? No, no, no,

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<v Speaker 2>no no. I'm talking about politics and this whole leading

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<v Speaker 2>by dividing. That's we're going off for the last few decades.

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<v Speaker 2>It's going to pull a country apart if they're not careful.

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<v Speaker 2>Lever of corruption with all these politicians and how much

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<v Speaker 2>money they're making from the people, poisonou food supply. I mean,

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<v Speaker 2>are they going to hook up with the pharmaceutical people.

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<v Speaker 2>Like your job's to go out here and eat poison

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<v Speaker 2>and get sick by the drugs. Say live long enough,

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<v Speaker 2>make a claim, haven't denied after you paid insurance, then

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<v Speaker 2>die and I've all that dead passed on to the people.

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<v Speaker 2>And I can tell you right now that people doing

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<v Speaker 2>that are not illegal aliens. Bill is not happy with

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<v Speaker 2>Ben Shapiro saying that Burr has become woke. He doesn't

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<v Speaker 2>even know what the word means. His definition awoke. As

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<v Speaker 2>white liberals, they don't even know what it was. They

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<v Speaker 2>just took the word from black people. It's the worse

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<v Speaker 2>thing about our people. Not only we take from other cultures.

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<v Speaker 2>We don't even take the time to understand the definition.

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<v Speaker 2>You want there to be annoyed so you can have

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<v Speaker 2>something to talk about, and then he can make money

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<v Speaker 2>off dividing his own country. Those people treason us what

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<v Speaker 2>they do. The fact is it worked for what his

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<v Speaker 2>goal was, for it to become a thing online. We're

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<v Speaker 2>a certain portion of the right complain about how you're

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<v Speaker 2>woke racist, they're racists. Let me drop the half ass

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<v Speaker 2>impression here, because this is the next point, is that

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<v Speaker 2>Bill Burr says, they send pictures of monkeys to me

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<v Speaker 2>and my wife. They're effing horrible people and their cowards.

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<v Speaker 2>They never say it to your face. There's an ugliness

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<v Speaker 2>out there right now where if you're a racist, if

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<v Speaker 2>you're an anti semi, if you're a psychoanationalist and you

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<v Speaker 2>want a softball interview, there's podcast out there where you

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<v Speaker 2>can get one, and they'll laugh at you for your

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<v Speaker 2>bad jokes and give you the pass. There's a really

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<v Speaker 2>ugly thing going on out there, and we've already seen

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<v Speaker 2>what it destination. It's not the way to go. Then,

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<v Speaker 2>Vulture said, people on the left have been really embracing

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<v Speaker 2>you and sharing videos of you. Burr said, no, it's

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<v Speaker 2>not true, dude, it's not true. It's common sense on

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<v Speaker 2>both sides. We keep doing this stuff where we're like, oh,

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<v Speaker 2>the right's all f and racist, and dude, the left

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<v Speaker 2>is some of the most Most of the left feels

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<v Speaker 2>like if they have a black friend, they don't have issues.

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<v Speaker 2>I'm oud of that. I don't want to hear any

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<v Speaker 2>more left and right crap. They're all e f and nuts.

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<v Speaker 2>Me too. Where it went from people shouldn't sexually assault

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<v Speaker 2>people absolutely too. I don't like where you're talking about

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<v Speaker 2>in your act was nuts. It was McCarthyism on the left,

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<v Speaker 2>and the left is so fed up that the cycle

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<v Speaker 2>right thinks they're in the middle, and they're not. They're

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<v Speaker 2>out of their f and minds. We're continued and I travel, dude,

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<v Speaker 2>and I'm telling you people who lean right and left

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<v Speaker 2>or chill and they're just sitting in the middle. Like,

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<v Speaker 2>when is everyone going to calm the f down? When

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<v Speaker 2>is this going to go back to live and let live?

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<v Speaker 2>People from construction workers to hairy leg chicks with nose

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<v Speaker 2>rings going, hey, I like what you're saying out there

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<v Speaker 2>about these billionaires, because that's the problem. The other problem

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<v Speaker 2>is people make it like it's political, like if you

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<v Speaker 2>vote for this color tie, those billionaires or somehow going

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<v Speaker 2>to grow a heart, and it's just not the case.

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<v Speaker 2>It isn't. That's on the Good One podcast Vultures podcast.

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<v Speaker 2>I'll continue to pick away at that one. Let me

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<v Speaker 2>go forward promote Saturday. Mike Chisholm from The Letterman Podcast

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<v Speaker 2>and I had a long conversation. I haven't checked with Mike.

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<v Speaker 2>I imagine it'll be The Letterman Podcast on Friday, but

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<v Speaker 2>it will be this podcast on Saturday, and we talked

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<v Speaker 2>about all things Late Night. Very good conversation. We wrapped up.

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<v Speaker 2>We'd gone just about an hour and a half and

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<v Speaker 2>I couldn't believe how long we'd been talking. I can

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<v Speaker 2>talk to that guy forever. John Stewart on his own

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<v Speaker 2>podcast was giving Jay Leno some crap, and that's one

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<v Speaker 2>of the topics I got into with Mike Chisholm on

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<v Speaker 2>The Letterman podcast. John Stewart got annoyed at Jay Leno's

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<v Speaker 2>comments about, you know, being less partisanship in Late Night.

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<v Speaker 2>Stuart said, this is them trying to police and create

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<v Speaker 2>rules they would never follow. That's how Fox is popular.

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<v Speaker 2>That's how any of these people, you know, they all

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<v Speaker 2>talk about Gutfeld. By the way, Gutfeld on Fallon Tomorrow night,

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<v Speaker 2>they'll talk about Gutfeld. It's the most popular. I'm struggling

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<v Speaker 2>here because I'm trying not to slip back into Burr.

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<v Speaker 2>I have to remember I'm doing John Stewart here, or

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<v Speaker 2>I'm not trying to do anyone right now, but that

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<v Speaker 2>burricades I'm kind of locked into it. Let me take

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<v Speaker 2>a breath and just try and speak normally. John Stewart said,

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<v Speaker 2>that's how any of these people, you know, they all

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<v Speaker 2>talk about Gutfeld. It's the most popular. He's not popular

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<v Speaker 2>because he's a both sides guy. He's relentless, and after

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<v Speaker 2>a day of watching Fox News and being bathed in

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<v Speaker 2>their very purposeful propaganda, it's a great way to top

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<v Speaker 2>off the night. If you look at the social media

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<v Speaker 2>profile of all the people to complain about the left

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<v Speaker 2>wing bias, they're all right wing influencers. They all make

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<v Speaker 2>their money. Their entire economy is based on how willing

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<v Speaker 2>they are to attack and to fame and to crush liberals.

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<v Speaker 2>The whole thing is bs. Have you met the chairman

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<v Speaker 2>of the FCC, He's like crap poasting Colbert. He's probably

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<v Speaker 2>right now. Want to search for more right wing billionaires

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<v Speaker 2>that can buy out more of these properties, because there's

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<v Speaker 2>going to be an acquisition in Murger Spree for these

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<v Speaker 2>kind of things. Mark Maren had some opinions on podcasts.

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<v Speaker 2>Mark Maron was on CNN, and I'll let Mark speak for himself.

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<v Speaker 1>You know, we were there at the beginning, and it

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<v Speaker 1>is a media that anyone can really do, that can

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<v Speaker 1>thrill their hat in the ring. And I think as

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<v Speaker 1>it's evolved and into video, you know, people have been

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<v Speaker 1>able to set up their own little show business empires.

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<v Speaker 1>So I mean, like any medium, it can be used.

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<v Speaker 2>For bad or evil.

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<v Speaker 1>So I mean, you know, what are you going to do?

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<v Speaker 1>But it is the way the media landscape is working.

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<v Speaker 1>I look, there's a sort of cultural malignancy to it

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<v Speaker 1>in some ways, but in some areas people are doing

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<v Speaker 1>really interesting stuff.

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<v Speaker 2>I have been enjoying the heck out of a Dusty

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<v Speaker 2>Sligh's opinions about country music Rolling Stone as Dusty Sligh,

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<v Speaker 2>what do you think makes for a good country song?

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<v Speaker 2>Dusty said, sometimes it's a good story, but I think

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<v Speaker 2>voice plays a big, big role. I love a good

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<v Speaker 2>deep voice minus shot right now because I just talked

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<v Speaker 2>to Mike Chisholm for an hour and a half. Dusty said,

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<v Speaker 2>I have a joke where I say, a good country song,

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<v Speaker 2>we'll have you reminiscing about times you never had. And

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<v Speaker 2>I think about that Brooks and Dunn song Brand New Man,

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<v Speaker 2>where he's talking about how basically he's been running around

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<v Speaker 2>while he's women and how he's met a woman and

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<v Speaker 2>changed his life. I was probably eight years old, ready

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<v Speaker 2>to settle down. I was like, I need to change

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<v Speaker 2>my ways and I've never even done anything, but I

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<v Speaker 2>think that's what good country does. Dusty talked about the

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<v Speaker 2>Brooks and Dunn song hard Working Men. Dusty said, I

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<v Speaker 2>love the song and I'm listening and basically he's complaining

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<v Speaker 2>about how he can't get ahead in life. He's working

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<v Speaker 2>so hard he can't get ahead. But he reveals to

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<v Speaker 2>you on the song why he can't get ahead. And

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<v Speaker 2>this guy, this character I feel like they're writing about

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<v Speaker 2>a character, is a guy who's complaining about how he

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<v Speaker 2>never has any money. But if you look at his

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<v Speaker 2>own personal finances, you're like, well, you're spending all your money,

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<v Speaker 2>and you know how you're doing it. Speaking about spending money,

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<v Speaker 2>Colin Chost and Pete Davidson spent it on a ferry.

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<v Speaker 2>The New York Post reported that Jost, Davidson and their partner,

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<v Speaker 2>comedy club owner Paul Atalia Mayo, thirteen five hundred dollars

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<v Speaker 2>to a downtown law firm. That law firm filed a

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<v Speaker 2>lawsuit something something to do with dockage and twing contracts

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<v Speaker 2>from when the comedians and their partner A BoNT the

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<v Speaker 2>original ferry. A source told The New York Post Jostin Davidson,

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<v Speaker 2>we're unaware of this as they don't handle the day

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<v Speaker 2>to day business operations of the Ferry. Out on Amazon

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<v Speaker 2>Prime Video today, The Pickup, starring Pete Davidson and Eddie Murphy.

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<v Speaker 2>The log line a routine cash pickup takes a wild

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<v Speaker 2>turn when mismatched armored truck drivers Russell and Travis or

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<v Speaker 2>ambush by ruthless criminals led by savvy mastermind Zoe played

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<v Speaker 2>by Keky Palmer. As chaos erupts, the unlikely duo must

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<v Speaker 2>navigate danger, clashing personalities, and one very bad day that

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<v Speaker 2>keeps spiraling out of control. The Daily be Sure didn't

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<v Speaker 2>think the movie was good. Their review said, it's been

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<v Speaker 2>decades since Eddie Murphy made an honest to goodness funny

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<v Speaker 2>movie Wait till they find out about Adam Zandler, and

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<v Speaker 2>The Pickup won't break that dispiriting streak. It's going straight

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<v Speaker 2>to Prime video, although in a just world it would

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<v Speaker 2>just be released on DVD and sent directly to a

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<v Speaker 2>big box retailer's bargain bin. This heist comedy is a

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<v Speaker 2>half baked throwaway that's so busy staging third rate action

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<v Speaker 2>sequences that it forgets to concoct a single passable joke. Wow,

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<v Speaker 2>I can't believe Pete day Vidson got the role of

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<v Speaker 2>not Sandler. Most of the reviews I've seen are in

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<v Speaker 2>that vein Late Night are reporting the Daily Show is

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<v Speaker 2>off for five weeks. The Late Nighter has a take.

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<v Speaker 2>I have a slightly different take. Late Nighter says, though

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<v Speaker 2>the timing is shure to raise eyebrows. It sure did

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<v Speaker 2>you know Stephen Colbert and all that. If you're this

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<v Speaker 2>far into this podcast, you know what's going on there.

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<v Speaker 2>Dosi Leidak on last Thursday show said, just to let

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<v Speaker 2>you guys know, we're going on a production break for August,

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<v Speaker 2>which was planned months and months ago. So don't freak out,

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<v Speaker 2>have a great summer, and we'll see you in September

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<v Speaker 2>when we can all freak out together. Late Nighter says

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<v Speaker 2>it's not the first time the show did that. When

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<v Speaker 2>Trevor was hosting in twenty twenty one, they took three

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<v Speaker 2>months off between the end of the Daily Social Distancing

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<v Speaker 2>Show and the show's return in September to a proper show.

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<v Speaker 2>All Right, I don't think that's exactly the same. In

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<v Speaker 2>twenty fifteen, the show took a seven week break between

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<v Speaker 2>the end of Stuart's run and Trevor Noah's debut. I

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<v Speaker 2>don't think that's the same. Comedy Central is filling the

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<v Speaker 2>time slot with repeats of other shows, for example of

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<v Speaker 2>The Family guyd In's Health Park. Now my take here

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<v Speaker 2>and Late Night Er is much more educated in this

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<v Speaker 2>than I am. But my take weren't we told during

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<v Speaker 2>Colbert Gate that the reason for the timing that they

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<v Speaker 2>had to make the decision right then and there was

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<v Speaker 2>because the contracts come up in August for like the

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<v Speaker 2>writers and stuff. So the last show of The Daily

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<v Speaker 2>Show before the five week break was Thursday, July thirty first,

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<v Speaker 2>and then August rolled around They're like, oh, yeah, we're

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<v Speaker 2>on a five week break. So my question is everybody

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<v Speaker 2>being paid for the five weeks because CBS paramount whatever

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<v Speaker 2>they are, skuide ans because the parent company's cool like that.

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<v Speaker 2>So yeah, you guys get have five weeks off, enjoy

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<v Speaker 2>your summer. Maybe or are people not being paid for

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<v Speaker 2>five weeks? And if I divide fifty two by five,

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<v Speaker 2>that's around ten percent. And I don't think The Daily

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<v Speaker 2>Show does a show every week of the year. So

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<v Speaker 2>is this like a secret fifteen percent budget cut? Perhaps?

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<v Speaker 2>Maybe possibly, or I might just be talking out of

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<v Speaker 2>my hat. I have no facts. I'm just a guy

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<v Speaker 2>in the basement. Stephen Colbert is going to appear in

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<v Speaker 2>the upcoming season three episode of Elsbeth, which runs on CBS.

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<v Speaker 2>Stephen Colbert will play a talk show host. In the

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<v Speaker 2>October twelfth episode, Stephen plays the host of a fictional

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<v Speaker 2>late night talk show called Way Late with Scottie Bristol.

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<v Speaker 2>Colbert's episode was just recently filmed, however, the idea has

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<v Speaker 2>been floating around for months. Interesting timing. Eric Idol was

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<v Speaker 2>asked by The Guardian, what comedian from any time do

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<v Speaker 2>you believe would have complimented the Python's ensemble? Great question,

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<v Speaker 2>The answer, Dan Ackroyd, because he was a writer and

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<v Speaker 2>a performer and can melt his ego into a crowd.

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<v Speaker 2>On the whole, we didn't try to upstage each other

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<v Speaker 2>on Python, you were supportive. The Pythons do tend to fight.

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<v Speaker 2>The Guardian was curious if any of the Pythons get

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<v Speaker 2>royalties from spam a lot. Eric Idol said, they get

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<v Speaker 2>more effing money than they've ever been grateful for They

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<v Speaker 2>got effing millions, and they're miserable and horrible and bitchy

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<v Speaker 2>about it. I spent twenty years working for Python and

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<v Speaker 2>then two years at the two Show. They were there

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<v Speaker 2>for two weeks. I'm not really motivated by money, to

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<v Speaker 2>be honest. Anyway, the producers get all the fing money

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<v Speaker 2>and divide it up according to the contract. Someone suit

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<v Speaker 2>us for years saying I was paying the Pythons money

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<v Speaker 2>from my back pocket, and I said, why would I

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<v Speaker 2>risk going to American jail to give John Clees more money.

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<v Speaker 2>Let me tell you about some comedy specials I liked.

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<v Speaker 2>Mark Maren's new one is fantastic. It feels like a

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<v Speaker 2>comedy special, like back in the day when HBO would

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<v Speaker 2>roll out a special every now and then and it

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<v Speaker 2>fell big, and it shot properly, and it's in a

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<v Speaker 2>theater and a comedian has something to say, that's Mark

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<v Speaker 2>Maren's special. Oh, I got to add it to my

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<v Speaker 2>rankers here. Let me open up that file. I'm going

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<v Speaker 2>to put it at number four overall, and it's the

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<v Speaker 2>best special of the year. So my top tier right

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<v Speaker 2>now is the Conan Mark Twain Prize by A Mile

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<v Speaker 2>Shane Gillis's ESPN monologue I have a two Thomsigor's bad

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<v Speaker 2>Thoughts at three. First stand up special on my list

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<v Speaker 2>is Mark Maron's new one, and then Shane Gillis tires

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<v Speaker 2>at five. Number six in the stand up tier would

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<v Speaker 2>be Justin Willman's Magic Lover, and I'll go over the

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<v Speaker 2>list some other day. But Maren, I thought was just fantastic.

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<v Speaker 2>I said this already on this podcast. He's got something

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<v Speaker 2>to say, and I think that makes such a huge difference.

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<v Speaker 2>Don't want to spoil any of it. Absolutely watch it.

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<v Speaker 2>Then I put on Dusty Slayh's a new one which

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<v Speaker 2>is on Netflix, and I like Dusty a lot. It

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<v Speaker 2>sounds like I'm about to bash it. No, this is

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<v Speaker 2>a good special. My hesitation is I think he had

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<v Speaker 2>two specials worth of material. I'm looking here at my ranker.

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<v Speaker 2>I'm gonna slot it after Justin Willman, but ahead of

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<v Speaker 2>Bert Kraser, so that would be my third best special

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<v Speaker 2>of the year and the seventh funniest thing overall. Dusty's

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<v Speaker 2>just doing ratitat jokes. I like that style. The problem

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<v Speaker 2>with that style, whether it's Steven Wright or Mitch Hedberg

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<v Speaker 2>or Dusty Slay your brain fatigues after a while. So

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<v Speaker 2>Maren is telling stories and there's an art to it.

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<v Speaker 2>Dusty's just up there shucking jokes and as he says,

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<v Speaker 2>we're having a good time, and we are having a

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<v Speaker 2>good time at an hour and change, maybe even longer.

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<v Speaker 2>I think it would have been better served as two

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<v Speaker 2>forty minutes specials. But very very very good. Again, the

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<v Speaker 2>Netflix stuff in comparison to City HBO stuff. As I

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<v Speaker 2>said earlier, the Maren felt like a special, and Dusty's

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<v Speaker 2>like a lot of them on Netflix. Feel like somebody

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<v Speaker 2>went to the mall and bought a comedy special off

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<v Speaker 2>the shelf. It just doesn't feel as big, but it's

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<v Speaker 2>definitely funny. I actually watched Dusty in two nights. Again,

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<v Speaker 2>I think it was better as two forty minute specials,

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<v Speaker 2>and that's the way I consumed it. After Dusty, I

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<v Speaker 2>put on ver Dawes, who I like a lot, did

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<v Speaker 2>not like this special. Three and a half minutes in,

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<v Speaker 2>I was struggling. I tried to hang in there. I

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<v Speaker 2>made it maybe five six minutes. Maybe that's an unfair review,

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<v Speaker 2>but dude, we got a lot of things to watch

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<v Speaker 2>out there, and I've only got limited time. Vier was

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<v Speaker 2>just on somebody's podcast. Who was I listening to? Was

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<v Speaker 2>it good one? Yeah? Maybe it just good one? Sorry.

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<v Speaker 2>Whatever I was to do was a really interesting interview

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<v Speaker 2>about the special, but just as a special, just wasn't

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<v Speaker 2>feeling it. Some things I am digging not Comedy Department

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<v Speaker 2>Q on Netflix thumbs up. And I'm not a big

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<v Speaker 2>wrestling fan. I watched it like every week when the

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<v Speaker 2>Rock was red hot twenty five years ago. But I

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<v Speaker 2>put on the new thing they are promoting. That's like

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<v Speaker 2>how the sausage is made at wrestling events, really really good.

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<v Speaker 2>I'm all into that one. That's the one that if

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<v Speaker 2>you hang out with me in real life, I don't

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<v Speaker 2>shut up about. So some other things for you to watch.

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<v Speaker 2>Lloyd Evans wrote about the Fringe and the Spectator. Now,

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<v Speaker 2>if you follow this podcast, no conversation about the Fringe

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<v Speaker 2>is like, the Fringe is awesome, you should go and

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<v Speaker 2>it's a good time and everybody's happy. It just seems

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<v Speaker 2>like the Fringe is making everyone miserable. Lloyd Evans writes,

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<v Speaker 2>every day my inbox fills with stories of panic, madness

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<v Speaker 2>and despair. The Edinburgh fringes upon us and the publicists

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<v Speaker 2>are firing off emails big and critics to cover their shows. Now,

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<v Speaker 2>he comments about how comedy has changed. They're sure is

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<v Speaker 2>full of performers advertising their mental disorders as if they

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<v Speaker 2>were badges of achievement. The fringe once had a sense

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<v Speaker 2>of freedom and danger. I used to head for a

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<v Speaker 2>crimp little basement just off the Royal Mile, where comedians

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<v Speaker 2>performed from noon until midnight. No tickets, A bucket was

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<v Speaker 2>passed around. At the end of the show, comedians showed up.

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<v Speaker 2>They delivered sixty minutes of chit chat and verbal sword play.

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<v Speaker 2>Often this involved singing out members of the crowd for

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<v Speaker 2>good natured abuse. Anyone with a sensitive temperament or heaven forbid,

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<v Speaker 2>an emotional disorder stayed away. There were no rules or

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<v Speaker 2>special protections other than criminal law. I was there in

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<v Speaker 2>twenty ten when a comedian lost patience with a drunken

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<v Speaker 2>heckler and head butted him into the floor. After the

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<v Speaker 2>bleeding victim was carried upstairs to a waiting ambulance. The

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<v Speaker 2>next performer was called on the mic because she was

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<v Speaker 2>an American with a delicate Southern accent. Good evening, Edinburgh,

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<v Speaker 2>I had stepped over a pool of fresh blood in

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<v Speaker 2>order to reach the stage. It's that normal in Scotland. Yes,

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<v Speaker 2>this is the fringe we need back, not the one

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<v Speaker 2>we're complaining about. How much the hotel is what Evans

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<v Speaker 2>continues in The Spectator. Back then, the Fringe specialized in

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<v Speaker 2>monologues about mass murderers and war criminals. An actor would

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<v Speaker 2>dress up as say Hitler Stalin or Jeffrey Dahmer deliver

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<v Speaker 2>an hour of bad taste joked to a crowd of

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<v Speaker 2>unshockable punters. That genre seems to have expired yet right

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<v Speaker 2>now the world stage is full of controversial and even

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<v Speaker 2>monstrous characters who are ripe for mockery. The satirists seem uninterested.

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<v Speaker 2>Another casualty is the joke of the Fringe Award, who

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<v Speaker 2>sponsors have withdrawn their support. Last year's winner suggested that

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<v Speaker 2>the pool of talent had all but dried up. The

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<v Speaker 2>winner was I was going to sail around the globe

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<v Speaker 2>and the world's smallest ship, but I bottled it. Lloyd

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<v Speaker 2>Evans right, it's not great, but it's better than the

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<v Speaker 2>winner from the previous year, which was I started dating

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<v Speaker 2>a zoo keeper, but it turned out he was a cheetah.

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<v Speaker 2>And he goes on and on the premise the Fringe

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<v Speaker 2>used to be more fun, I've never been voicemag dot

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<v Speaker 2>uk has been profiling some of the performers. They caught

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<v Speaker 2>up with cabaret comedian Scott Derwood, who says his new show,

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<v Speaker 2>Apocalypse Cabaret Songs for the End of the World is

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<v Speaker 2>about a karaoke jockey who finds themselves the sole survivor

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<v Speaker 2>of an apocalypse and commits to singing every song on

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<v Speaker 2>the sign up list. What are you excited about? First,

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<v Speaker 2>the opportunity needs to do the same show twenty eight

384
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<v Speaker 2>days in a row is huge because an extended run

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<v Speaker 2>like that is so physically exhausting it knocks you out

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<v Speaker 2>of your head, letting your art brain mak intuitive decisions

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<v Speaker 2>rather than always deferring to one's thinking mind. The second

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<v Speaker 2>is Edinburgh's like going to camp where everyone shares your

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<v Speaker 2>same obsession, and that obsession is live shows. Best advice

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<v Speaker 2>he got about the Fringe assume the weather every day

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<v Speaker 2>is going to be crappy, and if the sun ever

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<v Speaker 2>does come out, you'll be so excited you won't know

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<v Speaker 2>what to do with yourself. You can check out that

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<v Speaker 2>show nightly at the diary room at the Underbelly. Nine

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<v Speaker 2>to twenty pm. Troida went to see Ben Pope's The

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<v Speaker 2>cuts They write for reasons it'd be a spoiler to explain.

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<v Speaker 2>Ben Pope finds himself almost ungooglable. The topic is about circumcision.

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<v Speaker 2>Troda writes what shines out most or the charmingly funny

399
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<v Speaker 2>vocabulary he deploys and the quirky mental pictures he conjures

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<v Speaker 2>up that exquisitely define a microphone, for example, or a CD.

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<v Speaker 2>And I'm a day late on this, but I do

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<v Speaker 2>want to acknowledge the passing of Lonnie Anderson. If you

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<v Speaker 2>are of a certain age, and if you worked in radio,

404
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<v Speaker 2>you sure as heck loved WKRP in Cincinnati. Lonnie Anderson's

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<v Speaker 2>Jennifer was the opposite of the dumb blonde stereotype, refusing

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<v Speaker 2>to take dictation, type letters or make coffee. Lonnie Kay

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<v Speaker 2>Anderson was born August fifth, nineteen forty five, was naturally

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<v Speaker 2>dark haired. She said, I love being a brunette. It

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<v Speaker 2>was exotic. People weren't quite sure what nationality I was.

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<v Speaker 2>There was a mystery when acting I could be the

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<v Speaker 2>bad lady. Lonnie Anderson was seventy nine Natural Comedy News

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<v Speaker 2>for today, I'll see tomorrow
