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<v Speaker 1>It's Maria's MutS and Stuff. What a great idea. On iHeartRadio,

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<v Speaker 1>Welcome to Maria's Mutts and Stuff. And with me is

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<v Speaker 1>naturalist and adventurer Charles Hood with his new beautiful book

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<v Speaker 1>Nature at Night, Discover the hidden world that comes alive

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<v Speaker 1>after dark. So, Charles, thank you for taking some time out.

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<v Speaker 1>Thank you for writing this amazing book. I love it.

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<v Speaker 2>Well, I'm so happy to be with you today. And

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<v Speaker 2>I appreciate those kind words. And I'll just alert your

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<v Speaker 2>listeners if I sound distracted. My dogs may hear my voice.

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<v Speaker 2>He sounds like there's somebody in the room to see. Yeah, someone,

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<v Speaker 2>What does he bring over? Friends? Do they have to write?

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<v Speaker 1>Oh? I love that. Oh that's good. And if they

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<v Speaker 1>bark in the background, that's even better. I don't mind

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<v Speaker 1>that at all. It's very dog right now.

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<v Speaker 2>Okay, so I'm hoping they'll leave me.

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<v Speaker 1>Oh my goodness, that's so cute. What are your dog's names?

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<v Speaker 2>I have two rescue dogs, and one is Fo she's

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<v Speaker 2>a a sort of a Siberian husky kind of thing.

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<v Speaker 2>And then we have sam Wise, who is a Shepherd

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<v Speaker 2>husky mix. And they have different personalities, but they both

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<v Speaker 2>are interested in, you know, if they hear my voice

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<v Speaker 2>sound together, animated, like, what's going on?

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<v Speaker 1>What's going on? We want to be part of it.

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<v Speaker 1>Of course, what's Dad doing? I get it exactly, I

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<v Speaker 1>get it. I get it. Ah, I love it. That's

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<v Speaker 1>so cool. I know it's funny too, because in your

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<v Speaker 1>bio that comes in your book. I love that it

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<v Speaker 1>says that you're the proud caretaker of two dogs, two kayaks,

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<v Speaker 1>and two mountain bikes. I love it. It's our unique description.

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<v Speaker 1>But it's perfect.

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<v Speaker 2>Well, and you mentioned there's also five thousand books mentioned

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<v Speaker 2>in there.

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<v Speaker 1>Oh, I forgot about that part. That part, Yeah, that's.

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<v Speaker 2>The bibe these others.

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<v Speaker 1>Yes, it's true, the five thousand books. So okay. So

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<v Speaker 1>I just have to tell you. You know, way back

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<v Speaker 1>when when I first started radio, and I did an

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<v Speaker 1>overnight show, and I did overnights for years, and there's

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<v Speaker 1>a whole nother world out there in the middle of

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<v Speaker 1>the night, and your book just supports that, right, things

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<v Speaker 1>come out only at night. And so tell me, so,

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<v Speaker 1>why did you write this book?

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<v Speaker 2>You know, for those of us who are sort of

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<v Speaker 2>outdoorsy or kind of nature affiliated, we're trained by society

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<v Speaker 2>to mistrust the night. This is true for most people.

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<v Speaker 2>I suppose, like you have to have security security lights

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<v Speaker 2>and a ring camera and when you open your car door,

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<v Speaker 2>all the lights go on, and that's just you know,

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<v Speaker 2>that's that's a false shouldn't be a scared afraid of

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<v Speaker 2>the dark. But of course if you like nature, then

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<v Speaker 2>nature didn't turn itself off on nature, right, and so

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<v Speaker 2>twenty four hours of nature would include understanding, appreciating, celebrating

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<v Speaker 2>what's happening after dark.

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<v Speaker 1>Sure, and I mean there's a whole another world at

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<v Speaker 1>night when it comes to nature, which I think probably

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<v Speaker 1>many people don't realize, or not that they don't care

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<v Speaker 1>about it, but they don't realize because they're probably sleeping

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<v Speaker 1>or I think it's what you said, it's almost like

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<v Speaker 1>that fear. You know, I'm not going to go out

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<v Speaker 1>at night. But if you do go out night, go

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<v Speaker 1>out at night. I mean, I love the fact your

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<v Speaker 1>big four words is have fun, be safe. Let's talk

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<v Speaker 1>about that. Why is that a good good advice for

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<v Speaker 1>people who go out and explore nature at night.

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<v Speaker 2>Well, it's important for us to protect our night vision.

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<v Speaker 2>And actually as humans, we actually anybody can see fine

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<v Speaker 2>at night if we couldn't see at night, our ancestors

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<v Speaker 2>would have never walked home from the farm or you know,

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<v Speaker 2>just gathered in the crops. But where we lose our

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<v Speaker 2>night vision when the headlights go on and the porch

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<v Speaker 2>light goes on. So if we're going to go out

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<v Speaker 2>at night, when I say be safe, not really thinking

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<v Speaker 2>about bad people assaulting us so much as protect your

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<v Speaker 2>night vision. Have a backup flashlight. Everyone's lost their keys

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<v Speaker 2>or dropped something, and so what if you've got at night,

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<v Speaker 2>have a second flashlight in case you break the first one.

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<v Speaker 2>And so that's also tied into the idea of it's fun,

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<v Speaker 2>it's easy, but take normal precautions right right, you go,

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<v Speaker 2>if you're going to go on your first night hike,

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<v Speaker 2>maybe go during the day, kind of learn the routine

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<v Speaker 2>a little bit, and then come back after dark.

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<v Speaker 1>Right yeah, which is just kind of common sense advice

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<v Speaker 1>which I think sometimes a lot of people don't have anymore.

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<v Speaker 2>Well, I don't know if it's just because I grew

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<v Speaker 2>up in an older generation, but that's sort of idea

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<v Speaker 2>that you're responsible for yourself, you know, So it's not

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<v Speaker 2>like I, you know, I'm so old, I don't have

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<v Speaker 2>a cell phone in my childhood, you know, so right, no, right,

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<v Speaker 2>be responsible, ride your bike, don't get it stolen, don't

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<v Speaker 2>get you know, don't.

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<v Speaker 1>Get arrested, right exactly. Yeah, it's true. That's the stuff

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<v Speaker 1>I grew up with too. I didn't have a cell

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<v Speaker 1>phone growing up as well. So yeah, it's a it's

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<v Speaker 1>a whole nother world. It's true. It's actually just very

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<v Speaker 1>simple common sense. So let's talk about a little bit

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<v Speaker 1>about what happens at night. Like I love the fact

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<v Speaker 1>that you talk about that animals, like, how do they

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<v Speaker 1>know what time it is? So let's talk a little

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<v Speaker 1>bit about that.

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<v Speaker 2>We know from various scientific studies that there are circadian rhythms.

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<v Speaker 2>I mean, all of all of your listeners know that

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<v Speaker 2>for themselves, and they so you know that our that

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<v Speaker 2>our pets in our house, household, you know know what

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<v Speaker 2>time it is. That my wife has fish and they

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<v Speaker 2>know what time it is. Of course we didn't have

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<v Speaker 2>life on the tank. They would know what morning is

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<v Speaker 2>because it's time to get fed. Those circadium rhythms apply

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<v Speaker 2>across the entire spectrum of animals and some you know,

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<v Speaker 2>including plants, and you know why else they should say

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<v Speaker 2>in the natural world. But for some things, they realize

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<v Speaker 2>I can exploit the world in a more efficient way

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<v Speaker 2>if I just switch my orientation. So if we think

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<v Speaker 2>about the typical flower, it's used to kind of in

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<v Speaker 2>our minds, we're picturing something yellow or red and the

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<v Speaker 2>sun is shining and the pollinators like hummingbirds, are buzzing around.

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<v Speaker 2>But everybody else is a red flower all around us,

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<v Speaker 2>or a yellow flower whatever. So some flowers thought, you

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<v Speaker 2>know what, what if we switch over, it will be

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<v Speaker 2>the nighttime flowers. And yeah, we're gonna have maths instead

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<v Speaker 2>of butterflies. So we don't care, you know what the

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<v Speaker 2>name is as long as of things. So these are

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<v Speaker 2>often white flowers or in the case of like suarrow

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<v Speaker 2>cacti in the desert southwest, they like bats. So this

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<v Speaker 2>cacti that are that have these big, showy white flowers, tubular,

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<v Speaker 2>they're producing nectar, same as anything that would attract a hummingbird,

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<v Speaker 2>but they're attracting these long nosed bats in the desert

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<v Speaker 2>southwest and in northern Mexico, same thing pollinating tequila plants,

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<v Speaker 2>by the way, to call it yegatti for tequila, and

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<v Speaker 2>so they're getting pollinated, but they are able to get

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<v Speaker 2>a really great pollinator because bats are big long distance flyers,

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<v Speaker 2>and so you can get your genetic material way the

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<v Speaker 2>heck out the one hundreds of miles away. The bats

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<v Speaker 2>can do that in part because they're digesting the nectar,

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<v Speaker 2>but they can also digest pollen a hummingbird can't do.

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<v Speaker 2>Hummingbirds actually have to catch insects to round out their diet.

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<v Speaker 2>You know, they're not just drinking from our hummingbird feeders exclusively.

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<v Speaker 2>But bats can actually make do the you know, the

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<v Speaker 2>pollinating bats can make do just simply off of nectar

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<v Speaker 2>and pollen, and that's a satisfactory diet for them. So

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<v Speaker 2>they've focused on that instead of doing things that other

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<v Speaker 2>bats are doing, catching frogs or catching mosquitoes.

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<v Speaker 1>Right, yeah, yeah, so and it's funny too because people

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<v Speaker 1>are scared of bats. Bats come out at night. So

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<v Speaker 1>it goes full circle to what you said at the beginning,

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<v Speaker 1>which you know, human nature just being odd, being weird,

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<v Speaker 1>or just the way they're we're wired.

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<v Speaker 2>Well, of course we want to be cautious. If I'm

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<v Speaker 2>at night and I see something on the trail, is

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<v Speaker 2>it a snake or is it a stick? That's a

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<v Speaker 2>very healthy response way to respond to the world, but

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<v Speaker 2>it's been made about a thousand times worse by this

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<v Speaker 2>sort of cultural idea that the darkness is inherently menacing.

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<v Speaker 2>That's where the horror films are, that where wolves are,

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<v Speaker 2>and almost I don't want to get political, but it

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<v Speaker 2>almost extends kind of our racial profiling of you know,

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<v Speaker 2>darker things in general should be are the menacing things,

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<v Speaker 2>and the whiter, more brightly lit things are kind of this.

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<v Speaker 2>You know, Heaven is brightly, that hell is dark. Right

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<v Speaker 2>if we think about these sort of extensions, and that's

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<v Speaker 2>just robbing us of our heritage. We have every reason

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<v Speaker 2>to be happy all the long. First of all, exactly

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<v Speaker 2>no reason not to enjoy the nocturnal moth, right, No.

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<v Speaker 1>No, I mean it's funny. I just had this conversation

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<v Speaker 1>with somebody about black dog syndrome. Black dogs black cats

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<v Speaker 1>are scary. Why they're not scary at all, but people

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<v Speaker 1>think they are because the movies. You know, the mean

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<v Speaker 1>dog is always the black dog, which is a Rottweiler

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<v Speaker 1>or a Doberman. Black cats, Oh, it's bad luck, not true,

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<v Speaker 1>so I think it goes. It's all it's all with

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<v Speaker 1>the same theme. You know what I mean, it goes

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<v Speaker 1>along with what you just said.

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<v Speaker 2>You are so right about that. And in terms of

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<v Speaker 2>like you know, I mentioned I have two dogs, and

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<v Speaker 2>the husky happens to be what they call sable. I

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<v Speaker 2>just call it the white dog. And then my shepherd

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<v Speaker 2>mix is pure black. And even when people come over

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<v Speaker 2>to my house and they trust me and they know

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<v Speaker 2>I'm not going to stick the dog off them, they

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<v Speaker 2>like the white dog. You know, the husky is somehow

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<v Speaker 2>known or friendly or perceived to be a better product.

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<v Speaker 1>Isn't that crazy? It's just so bizarre to me. I mean,

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<v Speaker 1>it's just crazy. I just had this conversation and that

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<v Speaker 1>we're having it as well. It's just so crazy. But

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<v Speaker 1>I think it's also it's gotten drummed into people's heads

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<v Speaker 1>from what they see on TV, in the movies, you know,

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<v Speaker 1>fantasy stuff, but you know, with a whole like black dog,

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<v Speaker 1>black cat syndrome and that. And you're right. And I

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<v Speaker 1>was just having this conversation and the person said, yeah,

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<v Speaker 1>people are more afraid of black animals than they are

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<v Speaker 1>and I was like, but it doesn't make sense. But

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<v Speaker 1>like you just said, yeah.

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<v Speaker 2>I love what you're bringing up because I never thought

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<v Speaker 2>about this, but now every were wolf I've ever seen

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<v Speaker 2>is always dark brown or black like, even though real

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<v Speaker 2>wolves can be pure white nature, right, lots of wolves

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<v Speaker 2>are sort of gray with even a tan undercoat. So

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<v Speaker 2>black wolves are the rare ones, but were wolves are

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<v Speaker 2>not never can never variegated, right, and I mean not

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<v Speaker 2>having their wolf imaginations broad It's true.

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<v Speaker 1>Well, it's true. I mean, and think about it. That

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<v Speaker 1>were really going off tangent because I want to get

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<v Speaker 1>back to your book, but it's just funny, not off

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<v Speaker 1>off off the subject. But I'm just that you just

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<v Speaker 1>popped in my head talking about wolves. I'm thinking of

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<v Speaker 1>member Game of Thrones and the you know, John Snow's

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<v Speaker 1>wolves were pure white wolves and they were like the

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<v Speaker 1>friendly helper wolves, right right, Yes, you know.

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<v Speaker 2>And that goes into you know, racial relations and how

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<v Speaker 2>people even from Southern Europe were devalued historically in North

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<v Speaker 2>America compared to Northern Europeans. Yeah, you know, it's all interconnected.

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<v Speaker 2>And I don't try to make a big deal out

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<v Speaker 2>of this in the book because that gets into sort

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<v Speaker 2>of some messy politics. Of course, that is the reality

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<v Speaker 2>that we're just as scared of that we're praying to

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<v Speaker 2>be afraid of the dark more than.

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<v Speaker 1>Is reasonable, right, which is true.

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<v Speaker 2>So we don't want our listeners to go out stepping

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<v Speaker 2>on snakes, bad for the snake, for.

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<v Speaker 1>You, bad for you, right exactly.

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<v Speaker 2>But use your flashlights your.

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<v Speaker 1>Flash light, yes, and go out and actually to get

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<v Speaker 1>you exactly.

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<v Speaker 2>The animals that didn't have with the night or not,

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<v Speaker 2>you know, the bats or not. They don't want to

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<v Speaker 2>get in your hair. They're not going to give you rabies.

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<v Speaker 1>They're not going to bother you. They just want to

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<v Speaker 1>be themselves, right, And that's why your book is so perfect,

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<v Speaker 1>discover the hidden world that comes alive after dark. How

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<v Speaker 1>long did it take you to put all the research

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<v Speaker 1>together for the book? Like, how long did it take

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<v Speaker 1>you to write it?

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<v Speaker 2>Once I get my notes together, I can usually work quickly.

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<v Speaker 2>I'm kind of different than some of the other writers,

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<v Speaker 2>So it might only be a year. So those those

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<v Speaker 2>of our listeners who don't earn in the trade, then

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<v Speaker 2>it's another two years of production, you know, they have

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<v Speaker 2>we have to go through all the photo editing and

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<v Speaker 2>copy editing, and then the production. The books are on

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<v Speaker 2>you know, on boats coming from China, and you know,

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<v Speaker 2>sure and that's good to a warehouse. So I was

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<v Speaker 2>working on this years ago, plural, but my writing is

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<v Speaker 2>relatively swift.

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<v Speaker 1>Mm hmmm. Oh that's pretty good actually. And what number

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<v Speaker 1>book is this for you to have written?

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<v Speaker 2>You've written a lot of books I have, I think,

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<v Speaker 2>depending how we count a lot of the poetry publications,

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<v Speaker 2>this will be a round book. Twenty two ish.

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<v Speaker 1>Yeah, that's a lot.

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<v Speaker 2>Yeah, that's yeah. It's like anything in life. If you

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<v Speaker 2>do it all your life, it'll your resume will accumulate

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<v Speaker 2>by the end of your life.

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<v Speaker 1>Well that's true, that's true. And you are not at

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<v Speaker 1>the end of your life, so you have plenty more

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<v Speaker 1>books in you. I know, when you were doing of

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<v Speaker 1>putting this book together, doing the research, was there anything

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<v Speaker 1>that you learn that surprised you, something that you didn't realize?

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<v Speaker 2>You know? And again, I'm used to the daytime, I'm

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<v Speaker 2>used to listen to the land, and I hadn't appreciated

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<v Speaker 2>the largest migration on Earth is actually in the ocean.

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<v Speaker 2>So it's not the caribou in Alaska, and it's not

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<v Speaker 2>the serengetti will the beast, but trillions and trillions and

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<v Speaker 2>trillions of organisms are rising up out of the depths

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<v Speaker 2>during the night time to come up to the surface

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<v Speaker 2>where the phytoplankton are the little planty things that need

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<v Speaker 2>sunlight or a surface. But that's where the predators are.

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<v Speaker 2>So during the day, the lesser animals, the zol plankton

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<v Speaker 2>and other things, they're down there a thousand feet to

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<v Speaker 2>house feet buol the surface and a nice safe darkness.

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<v Speaker 2>The light kind of ends around three hundred feet roughly speaking,

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<v Speaker 2>and they make a vertical migration to come up to

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<v Speaker 2>the surface to feed. Well, that stand means things are

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<v Speaker 2>following them, so like squid are coming up to the surface,

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<v Speaker 2>and that then means the dolphins are feeding at night.

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<v Speaker 2>When we go on a whale watching trip and we

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<v Speaker 2>see the happy, splashy dolphins, they're happy and they're splashy,

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<v Speaker 2>probably because they've already fad. They're feeding all night long

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<v Speaker 2>because they have like a location they don't need daylight

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<v Speaker 2>to eat a fish, sure catch a squid, and so

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<v Speaker 2>they're up as a surface during the daytime socializing because

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<v Speaker 2>that's there. That's their day off, so to speak. Right,

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<v Speaker 2>I didn't really appreciate the scale of this is global

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<v Speaker 2>in scale, and you know, it's not even seasonal. It

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<v Speaker 2>is depending on where we are. Obviously the artic is

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<v Speaker 2>a little bit different. But everything is moving up and

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<v Speaker 2>down vertically every day of the year. I just found

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<v Speaker 2>that fascinating.

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<v Speaker 1>It is no, it is. It's like it's like the

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<v Speaker 1>food chain is happening, but it's happening at night because

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<v Speaker 1>the blanks about it.

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<v Speaker 2>I have a picture of a dolphin during the day

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<v Speaker 2>and it's got these little rosettes of whiteness on its flanks.

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<v Speaker 2>This was in Indonesia, and I realized, oh, those are

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<v Speaker 2>scars from cookie cutter sharks. So as the animals are

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<v Speaker 2>going up and down, there's some sharks hanging around, pretty small,

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<v Speaker 2>like a foot and a half long. They've got a circular,

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<v Speaker 2>round mouth and they latch onto things quickly, do a

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<v Speaker 2>little spin, take a little divid of skin out, and

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<v Speaker 2>peel away. These are called cookie cutter sharks, right, And

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<v Speaker 2>you can see the scars on dolphins and whales. And

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<v Speaker 2>I happened to see a dolphin that was breaching out

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<v Speaker 2>of the water and I got a picture like, what

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<v Speaker 2>of that? What's this long series of white circles on

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<v Speaker 2>this poor animal's flanks? Right? And that's when I realized

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<v Speaker 2>oh at night, it's been it's been predated itself as

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<v Speaker 2>it was chasing the squid by these sharks.

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<v Speaker 1>Wow, and that's fascinating because most people wouldn't know that, right,

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<v Speaker 1>How would we know that? They didn't teach us that

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<v Speaker 1>in school.

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<v Speaker 2>Yeah, I got a pretty good picture, you know, for

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<v Speaker 2>those of those of you who like to learn through imagery,

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<v Speaker 2>which includes me, you know, I like pretty pictures. So

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<v Speaker 2>there's actually a pretty good picture of that in the book.

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<v Speaker 2>One of the two and forty pictures is of this

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<v Speaker 2>leaping dolphin that shows very clearly the shark bites along

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<v Speaker 2>its flank.

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<v Speaker 1>The pictures in your book are stunning.

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<v Speaker 2>Just so you know, well, you're very kind. I appreciate that.

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<v Speaker 2>I'll hear I hold a copy up to the microphone

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<v Speaker 2>so that your reader's compete a little bit better.

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<v Speaker 1>Well, you know, when I when I make this live,

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<v Speaker 1>I will post some of the phone from it because

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<v Speaker 1>it's really I really the photos are just they really

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<v Speaker 1>are stunning. I mean, I'm right now, I'm looking at

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<v Speaker 1>the owl and it starts owls and night jars, Moonlight's

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<v Speaker 1>mystery birds. So let's let's talk a little bit. Why

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<v Speaker 1>are owls there? The mystery birds at night with the

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<v Speaker 1>moonlight especially.

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<v Speaker 2>Yeah, and again there's a long cultural history, particularly in

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<v Speaker 2>North America. You know, the idea if you see an owl,

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<v Speaker 2>then someone's going to die, and that sort of thing.

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<v Speaker 2>And you know what, can we say, Folklore can give

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<v Speaker 2>us great wisdom but also a lot of boulder dash.

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<v Speaker 1>Yeah, that's a great word, by the way, boulder dash.

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<v Speaker 1>I haven't heard that in a long time. I love it.

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<v Speaker 2>Well, we're trying to we keep this show g rated.

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<v Speaker 2>We want everybody to feel.

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<v Speaker 1>Coming, right, that's true, but we don't have to trail. Yes,

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<v Speaker 1>if you find a word you want, you can just

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<v Speaker 1>say it. It's okay, but yes, so I'm sorry to

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<v Speaker 1>mean to interrupt you. I just love that word, but

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<v Speaker 1>go ahead.

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<v Speaker 2>So you know, there are hundreds of species of owls

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<v Speaker 2>all the way down to the elf owl that lives

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<v Speaker 2>in woodpecker holes and smirow cacti up to the eagle owls,

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<v Speaker 2>and they are finding lots and lots of ways to

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<v Speaker 2>exploit their environment or fit into their environment. And I

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<v Speaker 2>just thought it'd be interesting to show those but also

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<v Speaker 2>to have photography that wasn't deer in the headlights. If

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<v Speaker 2>we know that express expression. Tell your listeners there ain't

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<v Speaker 2>a single deer in a single headlight in that book,

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<v Speaker 2>simply because I refuse to allow that kind of photography

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<v Speaker 2>to happen. It harasses the animals and it makes a

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<v Speaker 2>very garish, lured kind of photograph. So on average, the

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<v Speaker 2>flash or the flash units we're using or turned to

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<v Speaker 2>a very low setting and often diffused with fashion fashion

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<v Speaker 2>model lighting, if that makes sense to do a fashion shoot,

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<v Speaker 2>they have these diffusers they use so that wraps the

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<v Speaker 2>light around the model. And we brought those same lights

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<v Speaker 2>into the rainforest in Nicaragua, for example, and in Peru

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<v Speaker 2>in order to photograph owls and bats in a more

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<v Speaker 2>i'll say encouraging way or a more welcoming way to

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<v Speaker 2>make them seem less fearsome. And that's just a matter

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<v Speaker 2>of you know, how do we want to manipulate the

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<v Speaker 2>image and try to move the camera around and maybe

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<v Speaker 2>move the lighting and say, hey, here's a flattering angle.

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<v Speaker 2>This is actually a nice portrait.

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<v Speaker 1>I just found everything amazing, and in fact I just

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<v Speaker 1>found the photo on page two fifty, two hundred and

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<v Speaker 1>fifty of the rough tooth Dolphin. Yeah, well there you go,

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<v Speaker 1>there you go. Yeah, and you can see all the

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<v Speaker 1>marks on it. It's it's pretty incredible.

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<v Speaker 2>And that's the tropical species that normally we wouldn't see

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<v Speaker 2>in North America. There are a few records for southern California.

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<v Speaker 2>But yeah, that picture was in Indonesia on a boat.

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<v Speaker 2>Gosh darn it. I had to go to the flight

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<v Speaker 2>of Bali and get on a boat. Oh, oh my goodness.

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<v Speaker 2>Started this book was so much.

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<v Speaker 1>It was Oh my goodness, you poor thing. Had to

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<v Speaker 1>go to Bali. Oh my god.

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<v Speaker 2>I go to Bali and they upgraded my room and

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<v Speaker 2>I had to have to stay in a private suite

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<v Speaker 2>with my own swimming pool.

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<v Speaker 1>Oh my no, poor poor things.

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<v Speaker 2>They kept bringing them to me. It was dreadful being

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<v Speaker 2>a naturalists. I just can't believe it.

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<v Speaker 1>Oh my god, that's so funny. So yeah, So obviously

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<v Speaker 1>this book took you all around the world, right, and

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<v Speaker 1>I I mean, I assume you've already been all around

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<v Speaker 1>the world, because this is book number twenty two. Was

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<v Speaker 1>there any place that you went to for this book

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<v Speaker 1>that was the first time.

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<v Speaker 2>Sure, Metagascar. Oh my goodness. I've been waiting to go

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<v Speaker 2>to Madagascar all my life and I hadn't really appreciated.

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<v Speaker 2>You know, we see the daytime lemurs if you've been

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<v Speaker 2>to a zoo, if you ringtail lemurs or something, but

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<v Speaker 2>most lemurs are actually nocturnal. Many are quite small and

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<v Speaker 2>quite cute.

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<v Speaker 1>Uh huh, yeah, so I hadn't really.

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<v Speaker 2>Again, you know, there's oh now I think we're up

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<v Speaker 2>to is our eighty species of but there been le's.

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<v Speaker 2>They call it splitting. They've been taking one and making

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<v Speaker 2>it into two units. So taxonomically it's very diverse now.

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<v Speaker 2>But I didn't appreciate how many lemurs are just only

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<v Speaker 2>out at night.

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<v Speaker 1>M Yeah, I never knew that until your book.

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<v Speaker 2>For your listeners, there's a picture of me in Madagascar,

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<v Speaker 2>me myself, the author. Because I saw animal number one

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<v Speaker 2>thousand in terms of mammals, I'm actually that trip and so.

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<v Speaker 1>Yeah, I'm actually flipping to that page so I can

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<v Speaker 1>also tell my listeners where they are with that. There

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<v Speaker 1>you are one thousand, page two twenty seven, holding number

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<v Speaker 1>one thousand. That's great.

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<v Speaker 2>Yeah, I thought it might happen. So we made a

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<v Speaker 2>sign up in America before we got in the airplane

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<v Speaker 2>to fly to Madagascar, and my assistant and I Crossley's

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<v Speaker 2>dwarf from Memur and there's a we got a picture

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<v Speaker 2>of it. Uh, you know, I don't know what to say, Like,

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<v Speaker 2>it was just fun to do, you know, it's like

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<v Speaker 2>birdwatching anything else. Lists are fun.

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<v Speaker 1>Yeah.

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<v Speaker 2>Fun to have a big number.

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<v Speaker 1>Yeah, and that Lemur is very adorable, by the way.

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<v Speaker 1>That's that's the one that's next to you with the

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<v Speaker 1>one thousand you got, no very Yeah. So for my

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<v Speaker 1>listeners who are like, I'm fascinated, I have to see

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00:19:32.279 --> 00:19:34.440
<v Speaker 1>these photos. I have to see this book Nature at Night?

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<v Speaker 1>Where can they get it?

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<v Speaker 2>I really want to support our local bookstores. If you

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<v Speaker 2>have anything that's independent and local, please order it through them.

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00:19:41.759 --> 00:19:45.039
<v Speaker 2>They need your business, yes, but it's where you live.

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00:19:45.119 --> 00:19:47.559
<v Speaker 2>The only thing that services you is Amazon. I have

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<v Speaker 2>an Amazon account too. I will not look down on you,

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<v Speaker 2>right or the publisher itself. Timber has its own website

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<v Speaker 2>and you can get the book through Timber as well.

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<v Speaker 1>Okay, all right, and what is on what's on the

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<v Speaker 1>agenda next for you?

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<v Speaker 2>Well, I'm working on a book about acorns, which it

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<v Speaker 2>can turn out to be culturally relevant, but also there's

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<v Speaker 2>hundreds and hundreds of species of oaks on the way

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<v Speaker 2>that you know, a given oak tree is actually supporting many, many,

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<v Speaker 2>hundreds and hundreds and hundreds of insects besides the birds

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<v Speaker 2>and the fung guy and the other kind of things

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<v Speaker 2>you'd be associated with. It turns out as a much

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<v Speaker 2>richer topic than I expected.

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<v Speaker 1>Wow, so that will be your next book? And is

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<v Speaker 1>it going to be another fast one? You think?

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<v Speaker 2>Well? God willing right?

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<v Speaker 1>All right, well you Charleshood, thank you so much. Thanks

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<v Speaker 1>for chatting about your book Nature at Night, and I

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<v Speaker 1>look forward to talking to you again, because now I'm

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<v Speaker 1>looking forward to and I'm intrigued by your next book

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<v Speaker 1>about you know, about the acorns. I think it's probably

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<v Speaker 1>going to be just as fascinating. So thank you, thank.

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<v Speaker 2>You, so happy to talk to you. Thank you, Bye

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<v Speaker 2>bye
