Speaker 1: W m n H rips the novels.
Speaker 2: At Oh that is cool.
Speaker 3: That is brand new from Kenny Troon, who is here
with us and we're going to speak with him in
just a moment. But if you are just joining us
live on this Saturday morning, March twenty two, twenty twenty five,
this is Matt Connorton Unleashed and we are live from
the studios of wm n H ninety five point three FM, Inglorious, Manchester,
New Hampshire. Of course, you can also stream the show
from anywhere. Go to Matt connorton dot com, slash live
for all your live streaming options, social media links, contact infos,
show archives, et cetera, et cetera. Jenny is here at
the news desk for the news table. I'm sorry we
have a news table. I I I'm so used to
saying that.
Speaker 4: You have to fix.
Speaker 3: Well, we were we were talking about time travel in
a in a certain sense, because can.
Speaker 2: We do that yet?
Speaker 4: Well, we'll we'll explain things we need to do.
Speaker 3: Yes, yes, uh, we get that. We get that mic
up there, Jenny. I, Well, you know who did not
believe in time was Prince I only know that from
a Larry King interview. Oh no, I'm sorry. It was
Kurt Loader. Remember Kurt Loader from the TV news. Yeah, yeah,
and he uh he asked Prince. Uh well, Prince said
he didn't believe in time, and Kurt Loder was like,
so what do you use and uh, Prince said, uh,
I believe in the truth. And that was kind of
the end of the interview.
Speaker 4: I love that.
Speaker 3: Was that the same interview where he wanted he said
he wanted to create Prince to Gram.
Speaker 4: Uh, probably Insta.
Speaker 3: This would have been before because Instagram was not around
when current Loader was still interviewing people on MTV.
Speaker 4: Yeah.
Speaker 3: Yeah, different, very very different era, very different era. But yeah,
we're very happy to have Kenny truon here. It's been
a while. Yeah, we have since we've been at this
location here, this location for WM and H. We did
have a gentleman named Kenneth Wood here, but we have
not had Kenny truon here at the former bus station. Yeah.
So it's great to see you.
Speaker 4: Yeah, it's awesome, Bat guys. I love hanging with you guys.
Speaker 3: Absolutely tell us about that track we just heard.
Speaker 4: Yeah, that track I was trying to explain to you.
It was labeled playing with myself. Now that sounds a
little weird, but this is what I labeled it as
I was doing it. But it's called recording music with
my past self from the future in the present. Now. Yes,
I know it's.
Speaker 3: It's a very long title, and it almost sounds like
part of it should be in parentheses or you know,
it's it's a long title.
Speaker 4: Yeah, it is, but it makes sense to me because
I'm constantly when I build a track, I start, especially
with that song that you just heard, I started with
the drums, so I go into it not knowing what
I'm gonna do. I have a tempo to work with
and I just go so it's kind of free form
improv whatever. So then by the time I recorded the
next instrument, bass, it was already a month after I
did the drums, and at this point I don't really
remember what I did, but I'm jamming with myself when
I'm recording the bass makes sense, so that is improv
as well. And then the next step was guitar, and
then I did the guitar a month later after that,
so I'm constantly playing with myself a different phases of
I don't know throughout we call time if that's.
Speaker 3: I guess truth if we accept time as.
Speaker 4: A time is Yeah, so basically it's a mouthful, but
that's that's the ideology behind.
Speaker 3: If you worked that way before, or was this track
your first time doing it that way?
Speaker 4: I think I've kind of figured out my workflow with
starting with drums first. I'm a drummer as well, but
I like to literally play the drums verst and then
jams and myself. And that became a thing that I
figured out, you know, after a while producing music. That
was just you know, I used to come up with
the ideas first and the guitar singing or whatever. But
then I started working backwards. I'm like, I want to
start with the beat. What's driving me? Is it dis tempo?
Is it that? You know what I mean? That's the
most important thing I think now when I create music
is where I start from. Okay, so I work backwards, Okay,
Okay for me? Are the drums live on that or
are they drums are live? Yeah? Okay, that's me playing
them actual drums. Yeah. I recorded them in New York, Okay,
at rich Roy Studios Mike Bercillo and uh so, then
I recorded the base in New Hampshire. Okay, so it's
like where am I Like, I'm different points of time
meeting each other in the This is why it's like whatever,
if you're into that kind of thing, it's it's kind
of fun.
Speaker 3: You're playing with yourself in different times but also different
geographical location.
Speaker 4: And I'm not really writing anything. I'm just kind of
like going with whatever was put before me. Yeah, me,
and I'm just following myself and I might get lost,
but it's kind of making sense. It makes it a
little but you know, right, it's fun, Like I don't know,
I'm just experimenting with different yeah ideas all the time.
Speaker 3: No, I dig it. The reason I was particularly curious
about the drums is know, there was a time where
you could you could program drums, but they wouldn't sound realistic, yeah,
or like like some of the early drum machines. For example,
as I'm sure you know, uh, you could get a
really good, convincing snare, of course, but the toms would
sound terrible, you know what I mean. This is an example.
But now the drum sounds that you can get with
program drums are I mean, my jaw was on the
floor when Nathan Hill told us in the first hour,
like that track Breaking Waves those you know, uh, those
aren't live acoustic drums. I was like, what you know,
it's it's really amazing. So but but you but you
so you actually play the drums and guitar. Yeah, you play,
and you play keyboard too, right, I assume I dabble.
Speaker 4: Yeah, I I have, you know, some skills with that,
but I'm not like a piano player.
Speaker 3: I know, we I know we talked about it before,
but it was at least a couple of years ago. Now,
what was your first instrument?
Speaker 4: Bass?
Speaker 3: You started on bass, Okay, bassis, and then guitar probably.
Speaker 4: Or yeah, guitar definitely followed after that. It's like once
you get the first route to the bass that you
start doing the chords. It's like graduating next yeah, yeah,
level of uh let's learn to how to play instruments.
Speaker 3: Yeah. For me. For me, it was the opposite because
I started out on guitar when I was a kid.
I took guitar lessons, but I was very undisciplined. I
hate this about myself, but I was one of those
I'm a very motivated person as an adult, but growing up,
I was one of those lazy kids who if I
wasn't good at something right away, I'd get bored and frustrated.
Speaker 4: Yeah.
Speaker 3: And then in high school I picked up a bass
and I was I know, bass players hate when I
say this, but I have to speak my truth. I
picked up a bass in high school and I was like, oh,
two less strings and I don't have to know any chords.
I think I found my instrument. Yeah, it turned out
I did, because I you know, I ended up playing
in a bunch of bands, and you know, I'm not
a bad bass player, but that's awesome, but that was
kind of but that was kind of my path. And
then did drums come? So did drums come much later
to you? Because I feel like too most musicians I
meet who play several instruments, including drums, it's like drums
ends up being kind of the last thing they learn.
Is that? Is that the case with you?
Speaker 4: I guess I'm I was like a fake drummer for
a while. Yeah, in the sense of my older brother's
band would practice in the basement and I lived in
the basement as well. Yeah, and there was a drum
set down there, and so like I would hash it out. Yeah, yeah,
you know, what I mean, But I do have feel,
and I knew I had feel, and I picked it
up like pretty much. I just taught myself it. And
then when I was it's funny because you were saying
you took guitar lessons. I was a music teacher and
I had students like you, Oh yeah, yeah, who just
went you know? But what we did when I found
that they were losing interest, we would what was cool
when I had lessons? I had a drum set in
my room, yeah, lessons, So we would. I would just
be like, all right, you don't want to look at
this paper, play these notes?
Speaker 3: All right?
Speaker 4: What are you going to do with this beat? Bro?
And then he would be like I don't know, and
like all of a sudden, they're playing and they're like, oh,
I'm just foul. You know what I mean. You gotta
grab them, like, if you're losing attention, maybe figure out
a way to get them more interested.
Speaker 3: Yeah. I wish someone had done that with me. I
think with me, they were more.
Speaker 4: Like because you got it, probably got a guitar, guy
and guitar and I'm just like, hey, we can do
a bunch of things. How am I going to get
you to.
Speaker 3: Play right right?
Speaker 4: Yeah, How am I gonna get you to come back
and want to learn?
Speaker 3: Yeah?
Speaker 4: I want to grow with that.
Speaker 3: Yeah. I add instructors who I think were more I
don't know if apathetic is the word, but you know
they weren't that invested in me.
Speaker 4: I don't. I guess not hey, but your idea.
Speaker 3: You know I turned out all right, I guess, but
you know I ended up ended up being an okay
bass player.
Speaker 4: That's awesome win win in my book, No, not playing,
but I.
Speaker 3: Always I've always admired people who can do like what
you do where you you you're doing all of this,
You're you're creating all of this and on your on
your or sort of mainstream you know, not not instrumentals,
but some of the music that you've released. Are you
doing everything on those as well?
Speaker 4: Like yeah, yeah, usually, But I do all the foundation work,
like I produce it, I record it, I engineer and
mix it whatever. But I also bring in people to
play on things to add what you know. I have
great musician friends that I rely on, yeah, that play
with me, you know, for years and have amazing connections
with that. And I keep it in the house. I
keep everything in house and I keep it's all self sufficient. Yeah,
I could do whatever I want and I like it,
and I just that's that's all it matters to me.
Speaker 3: Yeah, you know what I mean, which is nice right
because I too. I remember too we talked about before
your history in a band and how that turned out
and everything, and to be able to do everything yourself,
if I remember correctly from a previous conversation. Wasn't that
a big motivation for you in terms of being able
to get to a point where you could do Do you
think yourself? Was your previous experience with the band?
Speaker 4: Always? Yeah, it's just like when you deal with other
people and the mishaps that happen, and so you just
want to take control of your thing, ye Like yeah,
cut everyone out, all the middlemen, you know what I mean.
And I just took the long route, and I just
I would rather that. I still would to this day.
Like I mean, it's just all about making making the
art that means you know something to you, that's all
it matters, exactly exactly we had talked about off air.
So for those of you watching online, of course you
can see, but for those listening, Kenny does have his
guitar with him. Now, there's a particular song you have
that Jenny loves and she plays it all the time.
I hear it all the time at home.
Speaker 3: A song that you release, it has a unfortunately in
the course, it has a bad word, so we can't
play it. We can't play it on the air, the
studio track as it was as it well, I guess
I can say it, don't f this thing up. But uh,
and you know, and usually if I really want to
play something on the show, I'll make a radio edit
of it where I just take where the where the
word is that's a problem, and I do. I call
it a poor man's radio edit. I just reverse it.
But I never attempted to do that with that song
because I felt like with that song it would have
actually ruined it. You know, like if somebody has a
song with one you know s word, you know, you
just you just reverse it and it becomes ish, you know.
But I felt I felt it would ruin the song. Yeah,
but we were talking off air, you said you could
replace that word and maybe play that live. Yeah, a
self edited version of it, which I would love to hear.
I think the audience would love. And I know, and
I know Jenny would love to hear it because she absolutely.
Speaker 4: Loves I gotta you know, if Jen's listened to that,
I got not many people are, so I gotta you know,
I gotta give credit. No, it's it's got to you
know what I mean.
Speaker 3: It is a great song. Yeah, so so.
Speaker 4: Got to change the word though, we're not going to
use the subject a different word like broccoli or anything.
We're gonna right so many syllables there to find the
right So I think I think we came up with one.
Speaker 3: Yes, yes, I think we we came up with the
ideal word. And uh yeah, if if you're if you're
willing to give it a go, and you know, we
are on an eight second delay, so if the worst
happens and you forget, I can catch it.
Speaker 4: But that's cool.
Speaker 3: I won't but I don't think.
Speaker 4: Yeah, you're you're a pro, very fresher.
Speaker 3: But I don't think he'll have a I don't think
you'll have an issue. So yeah, if you're open to
if you're open to playing that, we'd love to hear it.
Speaker 4: Yeah, if you want me to do it right now,
that would be great. Yeah.
Speaker 3: Yeah, we talked it up so if you are just
joining us. Kenny Troon is here with us, live in studio,
and he's going to play something for us, right.
Speaker 4: Check it out.
Speaker 5: M h m hmmm mm hmmm hm hm hm.
Speaker 1: So many times.
Speaker 4: I thought I had a good thing goo when.
Speaker 5: With side line.
Speaker 6: By the next man came in.
Speaker 4: I see the.
Speaker 7: Pattern for me. I can't help to nor I was
smoking me verse just.
Speaker 8: When I get invited in my life. All I here
is my father telling me, don't mess this one. Don't
mess this one. Uh down, mess this one? Uh yeah, yeah, down.
Speaker 4: Mess this one.
Speaker 1: So many times.
Speaker 8: Think cows onto some.
Speaker 4: Things ain't right?
Speaker 8: How all of this sads up to nothing? When you
see just a little glimmer of folk at the end
of my rope, take a deep breath of will it
just choke?
Speaker 4: When he gets turns into know.
Speaker 8: How I'm so used to it now questioning why and how?
Because I'm the denominator and every equation can help my sits.
Ya see the pattern for me? I can't help but
to no worry. How this smoke can me Verse, it's
just when I getting by live my life. But that
I hear is my father telling me, don't mess this one.
Uh don't mess this one. Don't mess this one. Yeah, yeah,
don't mess this one. I see the pattern for name.
I can't help, but you know, I.
Speaker 5: Smoke and verse. I just want to get vied in
my die. That I hear is my.
Speaker 6: Father telling me, don't mess this one.
Speaker 8: Don't mess it all up, don't mess all up? Yeah,
down mess?
Speaker 4: Oh that see the pad for me.
Speaker 5: I can't help.
Speaker 4: Two, No, man, how are you? The next man can
come in? How you the next man? Come in?
Speaker 5: Down? Mess?
Speaker 2: Oh?
Speaker 4: Wonderful?
Speaker 3: Wonderful Kenny Troon live in studio. That was fantastic and
that Jenny, Yeah, yeah.
Speaker 4: We played that. I don't think I've ever played it
like that.
Speaker 3: Oh really, yeah, yeah, I've never.
Speaker 4: Played it live. Really, it's it's the first time I
think i've actually, no kidding, you've got it in practices,
Like it's funny because we less showing did we practiced
it on the show. We didn't play it always, like
you know, I have a list, yeah on a napkin
maybe the day and we're like, but never got to
play it. This is the first time I.
Speaker 3: Think, like, oh wow, yeah, yeah, well, we're very we're
very happy with the radio edit.
Speaker 4: You got your radio, I got ready edit and we
got it.
Speaker 3: Yeah, that's awesome. That is awesome now I know how
now I can see that's that's true.
Speaker 4: You can.
Speaker 5: Yeah.
Speaker 3: Absolutely. By the way, Nathan Hill, who is with us
in the first hour today, says, this guy sounds great.
Thanks again. Yep, getting some love man from Nathan Hill.
Kenny Truon is here with us.
Speaker 5: Uh.
Speaker 3: DJ Steve is in the chat room and says, good morning, Matt,
great show so far, thank you, thank you. Uh, let's see, uh.
Will Wagner Music is in the chat room.
Speaker 9: Someone you know, yes, well well says howdy howdy duty
and Kurt Loader hype Kurt Loader and and suggest now
will Ed made a suggestion, Uh, don't flock this one up.
Speaker 4: See we were talking about it. It's too close, too close,
will I asked Matt and Jen if I could say
funk right.
Speaker 10: Yeah.
Speaker 3: They were like no, because someone will miss hear it.
So flock might be obvious someone someone someone will miss
hear it, and then I'll get a I'll get an
angry message.
Speaker 4: The context, we could say just flock right right, you
can say the word flope.
Speaker 3: I mean there's even a band flock.
Speaker 4: Yeah, yeah, there you go got them off the H.
Speaker 3: No, I've got a I've got a really good streak
of not getting in trouble, so I'm trying to keep
that going.
Speaker 4: I've always said, I'll tell you what.
Speaker 3: So in April. Wow, it's almost April, it'll be eight
years that I've been here at w M and H.
And I've always said, from the beginning, my number one
Jenny s heard me say this a thousand times. My
number one goal in doing this show is to come
in here every day, get through the show, and not
get fired. That's that's my number one objective.
Speaker 4: Objective. Keep what you do and what you love going.
Speaker 3: Everything else is gravy. Yeah, as long as I get
to come back for the next head down. Yeah, Yeah,
it work hard. That's that. It was more, it was
more more of an issue when I was on in afternoons,
But that was this show was a little different. But
also our friends Bfraid Boston's Final Raid, great band from
Boston there in the chat room as well. And should
we talk about the new You also sent us another
studio track and I did, and this is going to
be a world premiere, correct world world premiere.
Speaker 4: Yah. I don't think I've I kind of like. I
mixed it the new record I've been working on for
about a little over a year, not like every day
on it, but like i've had maybe it was a
January twenty twenty three. January twenty twenty four. I started it. Okay,
and it's about done, I guess because I mixed it,
and on the way here I listened to it and
I was like, oh, wow, I think it's there. Yeah,
because sometimes when i'm mixing it, I'm over and over
I'm hearing it and I'm like liking it. Then I'm
not liking it, I'm nitpicking it, and I'm just like
all right, And I left it alone for a while,
but I listened to it on the way here and
I'm very hyped about it.
Speaker 3: Actually, yeah, yeah, should we give this the spin and
then we'll.
Speaker 4: Yeah, this song is called house Spider. Yeah, and it's
off my new album Pearls that's gonna be coming out. Oh,
very cool, very cool, no date yet, but here's the
test in the waters.
Speaker 3: I'll give it the I'll play the world premiere bumper
and everything. I have a cool world premiere bumper. I
don't know how cool it is. I like it, but
I'm a nerd that way. And then we'll play the
track and then we'll come back and talk about it,
and we'll talk about the new album and all of it.
But if you're just joining us, Kenny Troon is here
with us live in studio, and it's time for the
This is the world radio premiere, this is old House Spider.
Speaker 1: You're listening to Wuminate.
Speaker 4: World Premiere.
Speaker 11: So it just studing way. You know, let's to lay
looking back, no, because.
Speaker 4: Stay in the fact that you may.
Speaker 5: No we can not stay. Let's just say pec.
Speaker 12: To jump rain just not already left us look on ray,
so many things left up? Say not is me that
I was une mile in the corner like a house
Spider sign.
Speaker 13: I was signing my own how ya caught up? And
Nick Truss saying the tap of the phones. I was
founding mound when they tried to tip him out and
die by killing his song. And I was turning down
with both and as a good five we already.
Speaker 8: Know a good.
Speaker 4: Speak, headdy.
Speaker 11: It just stooding way. You know it's too lay looking back.
Speaker 10: No.
Speaker 1: Slaying the bab to make.
Speaker 5: Canescay.
Speaker 12: Let's say take tip your frame.
Speaker 7: Just already have to smark on Pray, so anythings left
us saying what is reason?
Speaker 14: I was walking the road and traveled like a thout.
I'm signed a bat walk in this road from what
feels like for miles now just stop it the Joe
to walk in this road and Mary no selling weapon's kind.
Speaker 13: Of com because in the end we all fall off.
The stroke be turn balk just existed. Childe x five
got the cut simply.
Speaker 5: Good die you musty daddy. It's just cutting way.
Speaker 11: Now let's to lay looking back, No.
Speaker 5: Staying in the back that Spay, No, we can't escape.
Let's just say let's get.
Speaker 4: Jo Pray just.
Speaker 5: Left to smoking Ray. So I left us was old.
Speaker 3: Oh, very cool, very cool. That is house Spider. That
is Kenny Truon who is here with us live in
a studio. And now that is from the upcoming album Pearls.
Speaker 4: Is that Pearls? Yes?
Speaker 3: All right, tell us about that?
Speaker 4: Yeah, this the album is a special one. I don't know,
just been it just it just feels different. I made
a lot of the songs and uh was it one
weekend by myself, like the structure of them, and then
my boy Chris Pachanka came up and we tracked his
guitars okay, and then my boy Evan came up and
we tracked his bass at different times, like all because
it's hard to get everyone together. I'm from New York, yeah,
and I live in New Hampshire, so we have lives jobs, yeah,
but we make it work when when we can. And
it's and then Josh came in. He dos keys on
the album. And then I had the brothers Nylon do
strings on the album.
Speaker 3: Oh that's right, I remember we talked about them. Yeah, yeah, yeah, and.
Speaker 4: It's yeah, I just building this big theater piece almost.
It feels like a movie to me.
Speaker 3: That track has that vibe definitely. Yeah.
Speaker 4: Yeah, And uh, you know, I don't I don't really
know where it all comes from, but like it came
from a weekend of me house sitting for my parents
watching the animals, and uh, I was alone for the
weekend and the whole album just came out. I was
just recording, you know, non stop, and how Spider came
out out and a bunch of other songs and it's
just been building from there. And yeah, I mean kind
of like really, I like, I release a lot of
music under different things almost Yeah, just kind of like
it just comes out of me and I'm posting and whatever.
But I've been holding this one back really, you know
what I mean, because it is a little different. It's
that my baby's out in the world now, kind of
like I never really sides of people that were working
on it with me have heard it. Yeah, but I
don't know. Yeah, it's it's a lot put into it,
a lot of good content that I'm talking about and like,
it's all real stuff and I think is something we
need and I'm very proud of it and I can't
wait for people to hear more of it. I hope
people are excited. Yeah, guys are exciting.
Speaker 3: Yeah, definitely. So when is When is it out?
Speaker 4: I have no date for it. It's done, like, but
but I'm leaving breadcrumbs. I'm like, you know, I don't
need to put it out like a hold it back,
but yeah, I want to make sure that I have
really good visuals for it. Yeah. I don't want to
just put it out and have.
Speaker 3: It be overlooked, right, that makes sense.
Speaker 4: You know. So I'm taking my time with it. And yeah,
so maybe if there's some people want to hear more
hype prove it to me. Yeah, yeah, no, that makes
you know what I mean, Like, it makes I want
to see if people want to hear more. Otherwise I'm
just going to go on my timeline, right right, you
know what I mean?
Speaker 3: Yeah, No, that makes sense. You know, you got to
do it right. And and I think that's something that
a lot of musicians don't think about, is is really
you know you don't. I mean, it depends on what
your goals are, too, But so I I yeah, so
there's nothing wrong with saying, Okay, I'm just going to
record this and put it out, throw it out there
and see what happens and see if people like it
or not or whatever.
Speaker 4: But do it all the time.
Speaker 3: Yeah, yeah, but I think But I think also too,
like it probably doesn't occur to a lot of people
that you know, maybe maybe you want to be a
little more deliberate about how you approach it and really
kind of think it through so that you can say
it up for you know, you want to set it
up for success. You want to make sure you reach
the largest audience possible with it, and that's going to
require a little more for a thought, you know. But
but it depends on where your goals are and how
serious you are about it, And it sounds like you're
pretty serious about this one.
Speaker 4: Yeah, yeah, yeah, which is cool. Certain art needs to
be you know, handled with care like absolute. I'm trying
to say something here like, not not in the sense
of like right now, I'm trying to say something to
this point right now, but like like I want you
to digest it, you know, visually, yeah, and auditorially, and
you know, I don't know. Yeah, maybe I'm overthinking it,
but it's it's important to me. Yeah, that's I gotta
follow that.
Speaker 3: Yeah. You know how many tracks it is?
Speaker 4: Eight?
Speaker 6: Eight?
Speaker 4: Yeah, eight tracks.
Speaker 3: Yeah.
Speaker 4: The ninth is a outro track with no vocals, but
it's yeah, it's eight songs.
Speaker 3: Yeah cool. Cool. Do you want to play another live
one for us?
Speaker 4: Yeah? I could, uh, let me try to do something
if you're just joining any Troon is here with us
live in studio, and he did bring his guitar and
we love to hear him play live. Yeah. I don't
never plan what I'm gonna do, but I had to
had to do that one for you. Yeah, Okay, I'm
gonna try this. I released this song a month ago.
It's called it Elated okay, So I'm gonna try this one,
all right.
Speaker 15: M h m h.
Speaker 8: M hmmm. I bet you look into the mirror every day.
No see you notice something that hand change?
Speaker 5: You can't be ways stand? Oh ye.
Speaker 4: Wait? Did I you wait?
Speaker 5: In far?
Speaker 4: This time?
Speaker 8: The end Chanty coming. They are digging up the grade.
Speaker 5: Start.
Speaker 8: My existence was to celebrate today, matter what will happen.
I've been happy as if lay the inner Shady Common,
and I choose to celebrate. I'm sorry late, My love
for you goes on in nine. This ground is say
Chris the bath fid which we're walking nine, I'm so
we lay to love for you goes on in nine
ground to say, Chris bath Field, which were walking nine?
You looking to the voiding ask for help? Nopes to
you would notice something in yourself?
Speaker 7: She can't be ways stead all your life?
Speaker 8: What are you wait? Tail Father's time and Shirley coming.
They are digging up the grave.
Speaker 4: Starting.
Speaker 8: My existence was to celebrate today, no matter what will happen.
I've been happy as lay me and Surley Common, and
I choose to celebrate because I'm so elated. Love for
you goes on in nine ground is sacred. The bathroom
with sweater Walking Non, I'm so elate love all you
goes on and on this ground is say Chris Batho
is sweater walking on?
Speaker 4: All right?
Speaker 3: I love it. That is really good. That is really good.
Speaker 4: I've never done that one either.
Speaker 3: No kidding really Oh that's outstandings. Yeah yeah yeah here, yeah,
we love it, We love it. If you are just
joining us, we have Kenny True here with us live
in studio and uh no, that was that was amazing.
Are you playing out a lot? Are you doing a
lot of shows?
Speaker 8: Choose?
Speaker 3: It sounds like you've been pretty busy with recordings.
Speaker 4: So something big with the New Hampshire's biggest and best
concert promoter Jiggy Stardust Jordan Paul. No affiliation with Logan
Paul or any of that, right right, No, But uh
at the shaskiing, we're gonna we're gonna plan something pretty
big there.
Speaker 3: Oh very good.
Speaker 4: Ex U Not no dates yet, but you know, we
like to we like to build hype and not just
go out there and play to nobody, right, And I
get that, like it's fun, but I think open mics
are good to go out and play and stuff because
though that's like really important for community and like for
testing stuff out, just like bouncing stuff off people off
people in real time. And yeah, but when you throw
want to have a really good show and show out,
you gotta build it. Yeah and feel the dreams. Me
and Jordan Paul are gonna do that.
Speaker 3: Excellent. No, I think that's jiggy. I think that's excellent.
If you used to do jewel that. Yeah, you know him,
so I feel like I know him. I'm sure I've
met him at some point, but I'm just not entirely like,
but I'm sure I've met him at the point.
Speaker 4: Yeah, I might have met him at the casino if
you were there at the casino. He goes to the casino.
Speaker 3: Okay, I'm not a casino.
Speaker 4: No, but you know we all have vices. Yeah are you?
Speaker 3: Are you entirely focused uh at the moment on the
Kenny Troon stuff, because obviously you have these other modalities
like Kenneth Wood and so forth.
Speaker 4: I'm just kind of doing it. No real this is
this or that is. It's just kind of like music
every day. Yeah, music is everything and it's just coming
out of me, so I might as well give it
to people.
Speaker 3: Yeah, exactly exactly. If you do you have any recent
and music videos and know you've done some music videos
in the past too. Do you have anything.
Speaker 4: Yeah, I've our YouTube channel Kenny Troon. You could follow
that t r u h N. And I've been releasing
content there, some recording music when I pass off from
the future in the present now stuff is on there.
I've been making the videos myself.
Speaker 3: And because that's important too, righte. That's something a lot
of musicians don't think about too. Yeah, or they or
they think about it, but they just don't want to
do that.
Speaker 4: Yeah, you kind of have, Like like I said, if
you want to do what I'm doing where you take
control of every aspect of it, yep, you just got
to learn it. You got to, you know, put your
best foot forward. And I'm trying yea. But I also
was doing some some fun Sonic the Hedgehog music flips
with Kendrick Lamar. Oh really, yep, over it? No kidding, Yeah,
it's on there. I did two of them, Greenhill Zone
from Sonic the Hedgehog. Have you do you remember Sonic?
I do, Yeah, hill Zones the first level, so I
put Kendrick Lamar's humble over that.
Speaker 3: Really.
Speaker 4: Yeah, it sounds really fun. And then spring Yard Zone
from Sonic One, I put the Beastie Boys root down
and jay z Germaine dupri Money and Money. Yeah. Yeah,
so there's a fun there's some fun stuff. I'm always
doing some whatever, weird whatever things that pique my interest.
Speaker 13: Yeah.
Speaker 4: But there's a bunch of bunch of my music videos
on there and content. So yeah, Instagram too, like you
you can follow me there and see all sorts of
stuff that I'm dropping daily.
Speaker 3: Yeah. Absolutely, Well, you're very prolific. You know, you got
a lot of a lot of content, a lot of
great music.
Speaker 4: And gotta get it out somehow.
Speaker 3: Yeah, exactly, exactly.
Speaker 4: We have time.
Speaker 3: Do you want to play one more? Yeah? Selfishly, I
would love to hear one more.
Speaker 4: Ye too. Yeah, I'm gonna try some I never Yeah,
this is the day of never trying.
Speaker 3: Okay on live radio, We're very honored.
Speaker 4: Okay, So I'm gonna I'm gonna try this guy.
Speaker 15: M m hmmm.
Speaker 4: Mm hmmm.
Speaker 8: H I just can't relax, h.
Speaker 16: M hmm.
Speaker 6: Gotta close my lids and drift away.
Speaker 1: M h.
Speaker 15: M hm.
Speaker 6: Inhale all the socks, engine and exhales smoking all the pain.
We gotta relive this every day till the memory is
all that from Maine. I gotta break the cycle in
to stay too strong, to run away, face the change,
Brace the day, take the ascid, explore internally, take the bath,
wash the soul. Just sing the note, strike the corn.
Must follow the frequency and the vibration down to the
end of the manuscript paper, up to the heaven, from
the bellows of my being, down to the wire left
to tap in the street.
Speaker 4: Th red County's crows at the feast.
Speaker 6: Nobody's perfect getting away with murder, Just praying on the miracle.
Speaker 4: What we're all waiting for.
Speaker 6: No vert it all just light, light that shines righter
than the next. As we go down, the light keeps
getting it every time when you don't have to try.
Speaker 17: Just there is no compromise. Justice, Justice is no compromise.
But maybe all you really need is love. Set of
all out attention.
Speaker 6: Maybe all you really need is luck, some patience, a
born hug. But maybe all you really need is love
instead of all that attention.
Speaker 4: Maybe all you really need is love.
Speaker 6: Instead of all those drugs. Many all you really need
is love. Uh, Maybe all you really need is love?
Speaker 18: Yeah, love, love, love love, no dusty snop, but it's
stuff that day.
Speaker 3: It's stuff dumping, stop stun.
Speaker 6: They had attention, un warrants and attention.
Speaker 5: Un warrant and attention.
Speaker 6: Lord, let shine.
Speaker 1: Time. It's stubtention.
Speaker 2: Oh this snother attention, Oh thisnther.
Speaker 4: Attention needs some patience and a warm home.
Speaker 3: That is awesome. So going in the place, list.
Speaker 4: Stuff out.
Speaker 3: No, that is so good music.
Speaker 4: That's going that I do.
Speaker 3: I get creative when I listen to Yeah, she likes
she likes to paint while you're while you're listening to
your stuff.
Speaker 4: That makes me so happy to hear. And I'm honored
and you're just grateful. Thank you, guys.
Speaker 3: We love you.
Speaker 4: We love it absolutely, guys.
Speaker 3: Absolutely You'll have to keep us.
Speaker 1: Posted on that.
Speaker 16: Uh.
Speaker 3: I bet your planing there.
Speaker 4: Yeah, it's gonna be awesome. I think I'm gonna try
to do the impossible where it's not you knows, opens
up for Kenneth Wood, opens up for Kenny True.
Speaker 3: Oh I love that. Yeah, that was of course.
Speaker 4: Well it's all I'm telling you. If I'm gonna go hard, go,
I gotta go, We're gonna make a spectacle of it.
Speaker 3: So I think that's a great idea.
Speaker 4: You heard everything here first, I just want you to guess.
Speaker 3: So if you want to know what's next, yeah, stay tuned. No,
I appreciate that. I appreciate that, and I appreciate you
coming in. We are approaching the top of the hour,
so I want to make sure everyone knows where to
find you online, where to keep up with everything that
you're doing, and if you do have anything coming up too,
if I don't know, I mean we talked a little
bit about gigs, and you know you're you've been busy recording,
but anything specific you want to promote coming up?
Speaker 4: Yeah, I'm basically just stay tuned, honestly. Instagram, Kenny truon,
t r U h N, it's Kenny truon music obviously
the AT symbol, and on YouTube Kenny troon every platform
Kenny truon or if you want to look up Kenneth
Wood and the Brothers, Nylon. Yes not, no's one word,
don't forget the A up in the middle and uh yeah,
I mean I don't even know half the time what's happening.
I just uh, every day it changes. So that's you guys,
just got to tune in if you want to hear
some what's going on?
Speaker 3: Yeah? Absolutely, absolutely, Well, we were really appreciate you being
here today, and I think I would like to close
out the segment. You know, I still love this song.
I don't think we're ever alone.
Speaker 4: Oh okay, Yeah, I think I think I might have.
Speaker 3: Played this the last time you were here, too, just
because I love it so much. Do you want to
just remind people or for people who are who maybe
newer listeners who don't know what this song is about,
because I just think this is so cool.
Speaker 4: Right, Yeah, I was living it was a pandemic, and
I moved in with a bunch of just like five
roommates and there was a brand new place and it's
a hectic time because pandemic. Everyone's like, oh, you know,
so think about moving during that time. But but yeah,
a lot of weird stuff was happening in the house.
I didn't know, but before I moved in, someone had
overdosed and I was the guy filling in the room. Yeah. Yeah,
I didn't take the actual room there was there was.
I had a choice taking the basement or the yeah,
and I chose the basement. Chris can vouch for that.
He was there when I was picking the room. He
was like, take the downstairs. Okay, now that I know
what happened in the other room, that's what. That's whatever.
But but yeah, a lot of weird stuff was happening
in that house, let me just say, and uh it
inspired this song. A lot of weird things, like, uh,
randomly the deck being set on fire while I'm oh, yeah,
that was.
Speaker 3: The that was the wildest part. When you first told
us about that, I was like, oh my god.
Speaker 4: And I was smoking cigarettes at the time, so I
was like blaming myself. I did that, But I did
find shards of a mirror on the ground. That was
the sun was hitting the mirror and the mirror was
hitting dried leaves. Yeah, started the fire. Yeah, you would
have thought of some boy scout stuff, but it was
uh yeah, because what are the odds? Yeah, and then
that and then there was also another weird incident where
there was blood from out of nowhere.
Speaker 3: Just it's crazy.
Speaker 4: Yeah, hauntings, it's a real thing.
Speaker 3: Yeah, yeah, wow, the.
Speaker 4: Souls are among us.
Speaker 3: Yes, yes, well, so I think we should end the
segment with this track. And if you are listening live
on Saturday, we have two towns coming up in the
third hour. But Kenny Truan always wonderful to have you
on my friend. Absolutely absolutely we will, we will do
it again. And here it is again. This is such
a great song. This is called I don't think we're
ever alone.
Speaker 5: Just crept in through the door.
Speaker 14: I cat in the shadow?
Speaker 1: Do you hear that?
Speaker 5: Do you smell that? I think something's burning?
Speaker 8: The blood was spilled, loaves were lost, spells lurk within
these walls.
Speaker 16: Something weird going one. I don't think we're ever alone.
Speaker 5: I don't think we're everone. I don't think we're ever long.
Speaker 13: I don't think we're ever alone.
Speaker 16: I don't think that we I ever alone.
Speaker 5: Just fell off.
Speaker 4: The ball was dead like that mouse in the corner.
Speaker 8: Did you see that leg got in the trap? No,
I don't want to remember.
Speaker 5: The blood was spills.
Speaker 8: Does spirits lived with them?
Speaker 5: These balls? Something weird going on.
Speaker 16: I don't think we're ever lone.
Speaker 13: I don't sit where ever lone, and I don't sit whereever.
Speaker 17: I don't think where ever lone.
Speaker 1: I don't think that we I ever said.
Speaker 8: I don't think that we I have a sent don't
think that we I have I don't date that we
I ever.
Speaker 15: A home.
Speaker 8: Don't I do think that we are ever alone?
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Speaker 1: Street, where innovation and sound collode.
Speaker 25: They're the impro moder of Manchester Public Television Service in
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Speaker 1: Won, dude, WMNH rip the novels.
Speaker 15: Yeah, see sitting and living room.
Speaker 5: Your life's gone now, way too soon.
Speaker 15: We can be going back in the bas we live
by the times.
Speaker 4: They went to face rob.
Speaker 15: Downs that we shall now. I know you did knockets.
You can seeking around with another, dude. I can't stand
up being packet. Soon, I'm running away.
Speaker 10: I'm leaving today.
Speaker 5: Coming by to.
Speaker 2: Sorry to leave you.
Speaker 5: So I'm running away.
Speaker 10: Oh, I'm leaving to day. I'm calling by too, sorry
lead you so. Yeah, I was making.
Speaker 15: My chance of an hour or two, the thought of
being somewhere else alone with you having me shook up
and shake him.
Speaker 5: Don't know what to do.
Speaker 15: So where you're from, where you ban up from heaven?
Speaker 2: Done nothing And I don't really want to be the one.
Speaker 4: Who got caught.
Speaker 5: I'll start always and all away.
Speaker 10: And I'm saying I'm running away.
Speaker 5: I'm leaving to Day. I call me by to.
Speaker 10: Sorry to lead you, su, I'm running Oh, I'm leaving
to Day.
Speaker 2: I'm calling back.