Speaker 1: Hello, everyone, Welcome to episode six of Space Pirates, Dungeons
Speaker 1: and Dragons. Who thought would get this far? Six whole
Speaker 1: episodes in twenty twenty six. It's also I think the
Speaker 1: two hundred and second episode I've ever done of.
Speaker 2: D and D.
Speaker 1: My god, I forgot to it would have been episode five.
Speaker 1: That would have been the two hundredth episode. I forgot
Speaker 1: to say that then, so now you know, happy but
Speaker 1: later to two hundred episode.
Speaker 2: Everybody, My contrack gets read up at two fifty, so
Speaker 2: we gotta oh god, no.
Speaker 1: Yeah, you'll be signed by which.
Speaker 2: Is funny because I've never signed a single contract. I
Speaker 2: don't know why this keeps happening. I don't know.
Speaker 1: Yeah, well, have you ever signed a contract like in
Speaker 1: your life? Oh yeah, oh okay, Yeah.
Speaker 2: When I did my MCM the full screen back in
Speaker 2: twenty fourteen and I was twenty and I had no
Speaker 2: idea what the hell I was doing. Yeah, yeah, I
Speaker 2: remember that.
Speaker 1: We've all had those times we signed multichannel networks in
Speaker 1: like are you?
Speaker 2: They went out of business, so I don't have to
Speaker 2: worry about it anymore. Was cured, I think, I remember.
Speaker 2: Oh I never heard of that one. They just called
Speaker 2: YouTuber agencies.
Speaker 1: Now, oh yeah, anyway, I'm here as always with Rick Flan, Joshtripace.
Speaker 3: Hello chaps, we're going to be continuing to push through
Speaker 3: the food planet. I believe we've just opened a door
Speaker 3: and found the man behind the curtain who might quite
Speaker 3: possibly be controlling the giant gingerbread man with the human
Speaker 3: cog that is not, in fact the King.
Speaker 1: I mean, it's a good suffering. I don't need to
Speaker 1: do the subbary anymore. I'm here with Sigma Swabadi.
Speaker 4: I think this was a Wizard of Oz reference.
Speaker 1: I'm here in the Vina Collar Quest.
Speaker 5: I don't know what that is.
Speaker 2: And I'm here with crack taking quater One. The ashcar
Speaker 2: know well about the Wizard of Oz, do they do?
Speaker 1: You have your own versus of the Wizard of Oz
Speaker 1: and the Ask Kingdom.
Speaker 2: Some rock people except you know, yeah, Dorothy, I mean
Speaker 2: the World City.
Speaker 5: Right, yeah, rock and Stone Stone.
Speaker 2: Yeah no, no, Dorothy is still a human. She's the protagonist.
Speaker 2: Oh yes, everybody else but a rock is a rock.
Speaker 2: The Munchkins are pieces of slate, you know.
Speaker 1: It's just yeah, I mean the tin man. Oh I guess, yeah,
Speaker 1: oh yeah, yeah, I.
Speaker 4: Guess Oz does sound like an ash com to be fun.
Speaker 2: Yes, many Ashcar named Oz. My second cousin is named Oz.
Speaker 1: Your second cousin, yes, so is that is that your
Speaker 1: cousin's son or the cousin.
Speaker 2: I just looked into this. It would be my uncle's
Speaker 2: my uncle's like daughter's daughter or son would be something like.
Speaker 2: I was trying to figure this out. My own family
Speaker 2: recently related to somebody in my family is getting married,
Speaker 2: and I was like, how am I related to? Congratulations?
Speaker 4: All right?
Speaker 2: Yeah, yeah, so that is the Okay.
Speaker 1: The Cragg family expands consistently every episode. Last times we
Speaker 1: found we had a younger brother. This is what we
Speaker 1: found out.
Speaker 2: He is a Yeah, Micah is not a name. That's yes,
Speaker 2: it is clearly what are you talking about? No, it
Speaker 2: isn't Micah. That's a type of rock, you idiot, racist?
Speaker 1: Sorry, Ashcar just named after types of rock.
Speaker 2: They haven't, Yes, they got Crag is from is, yes, Okay,
Speaker 2: Mike is Crag a type of rock. Crag is named
Speaker 2: after a kind of rock formation. You just don't.
Speaker 1: Sorry, Okay, so so how do you how are you
Speaker 1: spelling Micah?
Speaker 2: However, the actual rock Micah is that I guess what
Speaker 2: I was asking. Yeah, yeah, yeah, I don't know. Okay,
Speaker 2: sure your second cousin Micah, but the thing rock or
Speaker 2: mineral adjacent or related is Ashcar. Yeah, I love. They
Speaker 2: probably just call him Mike. Yeah maybe yeah.
Speaker 1: Right, but this does imply you ought to have a
Speaker 1: cousin and an uncle slash aunt.
Speaker 2: So you all have family, Rick, who is your father? Right?
Speaker 3: I guess I'm married to the Book of King's Regulations
Speaker 3: back when I was in the army.
Speaker 2: Right, that's that's my father and family. So your father
Speaker 2: is my family? All just medals.
Speaker 1: I do really like being asked who your father is
Speaker 1: and then you answer who you're married to, because the
Speaker 1: implication is that otherwise you'd be married to your father.
Speaker 3: Plan let's have complex ways. But now my my family,
Speaker 3: I replaced them are many years ago with the army.
Speaker 2: Well, but you've lost that now, so.
Speaker 3: Bad choice in the long run to be out a
Speaker 3: chapter gon on parents here.
Speaker 1: Okay, So on the last episode, you guys opened a
Speaker 1: hidden door that you got with a critical perception. I'm
Speaker 1: saying that nobody has ever found this hidden door before.
Speaker 2: Wow, and we're good.
Speaker 1: That's how incredible. Sigma's perception was four.
Speaker 2: Eyes a baby, four eyes or a nose.
Speaker 1: Yeah, if if you had glasses, would you have four
Speaker 1: frames or two frames?
Speaker 6: Oh?
Speaker 4: I bet, I bet? Like the different pairs of eyes
Speaker 4: see differently. M Yeah, yeah, yeah, I think I get
Speaker 4: like very focals. But it's just like the top ones
Speaker 4: and the bottom ones are different.
Speaker 1: Confirmed that they actually can move independently, like the tops
Speaker 1: of the bottom set. I did that in the end,
Speaker 1: like I had mocks looked down with some of them
Speaker 1: and look ahead with the others. So I think you
Speaker 1: can kind.
Speaker 5: Of do that.
Speaker 2: Yeah, Mark does Does Sigma have a scouter on one
Speaker 2: of his eyes? Yeah?
Speaker 4: Yeah, it's it's okay, Yeah, it's a scouter, all right,
Speaker 4: it's kind of.
Speaker 2: Why not. Yeah, we can read power levels. What the
Speaker 2: book is a power level? I'm not getting enough. It
Speaker 2: just gives you a random number. It's not really like.
Speaker 4: I assume it lets me see people's like biometrics and
Speaker 4: like if they have any techwar on the macan seat.
Speaker 1: Oh that's cool, that's yeah, x ray, So as you
Speaker 1: use your scouter to scan the power level of Kaiser.
Speaker 1: So the last thing that happened was he opened up
Speaker 1: this wall and he found this small man I'm saying
Speaker 1: he is. He is a human, but he is like
Speaker 1: quite tiny, like a four foot man. He's got a
Speaker 1: big pink beard, big pink rolls on his head, and
Speaker 1: he's in his pajamas. He's got like sweet pajamas, and
Speaker 1: he's controlling the gingerbread mech through this computer setup and
Speaker 1: your scanner.
Speaker 2: You scan his power level and it's.
Speaker 1: Like zero oh, and he goes oh shizer as he
Speaker 1: looks around at you. And that's where we did to
Speaker 1: be continued. So that's where we're piking off sigma. What
Speaker 1: would you like to do?
Speaker 4: I want to grab him by like the collar of
Speaker 4: his pajamas and pull him out of whatever device.
Speaker 1: He's in as you approach him, if that's possible, because
Speaker 1: because to be fair, there is a little bit of
Speaker 1: space between you and him. It's not like you open
Speaker 1: the door and he's right there within grabbing range. As
Speaker 1: you take a step into the room, he hovers his
Speaker 1: hand over a butt and he goes, no.
Speaker 7: Don't don't come any closer.
Speaker 1: I shall push this.
Speaker 4: Can I roll and never mind, my insight is so
Speaker 4: bad insight to see if, like you know, it's like
Speaker 4: a real danger or whatever. This button does.
Speaker 2: Can I just see what the button does? Is it obvious?
Speaker 2: Is it level?
Speaker 1: It's just a pink button in the shape of a
Speaker 1: gummy bear.
Speaker 2: Oh, that seems quite good. It's a gummy bear. But
Speaker 2: that's not obvious for anything. Really, I don't think at
Speaker 2: that point. Yeah.
Speaker 4: Well, and then, okay, Castleton, you're going to the rest
Speaker 4: of the party. Okay, I think we've found the guys there.
Speaker 2: I am Kaiser. I am the king. It's not it's
Speaker 2: not the Kaiser. I think we found the Kaiser. Well,
Speaker 2: you mean the former king, because spot is the new king.
Speaker 2: He's the one sitting on the throne. Is not sitting
Speaker 2: on the throat.
Speaker 1: I got off the throne because of all of its
Speaker 1: lights and stuff. I didn't like it very much. Lord, Okay, okay, I.
Speaker 3: Need you to do something here, so it's very important
Speaker 3: somebody be on the throne.
Speaker 1: I do want to remind you that the throne has
Speaker 1: turned into a bed. But I can lie down if
Speaker 1: you want.
Speaker 2: Get on the bed.
Speaker 1: Yeah, okay, I am a married man. Well as far
Speaker 1: as I know. Oh yeah, we got to deal with
Speaker 1: that later to okay, see, I guess he lies down
Speaker 1: on the bed. It's Lord bumbon out of the fridge. Yeah, yeah, okay,
Speaker 1: so get on one knee and said, my king, it's
Speaker 1: such an honor. We are here to protect you from assassins.
Speaker 2: Hi.
Speaker 1: I've put my faith in these men, true patriots, and
Speaker 1: I assume you've sent them to find me because I
Speaker 1: am the greatest lord amongst men.
Speaker 5: Thank you.
Speaker 2: I did not expect this lie to go this far.
Speaker 7: Kai, what's the city you're talking about? Let's keep going.
Speaker 7: I don't even though who his mandy is. Lords? What
Speaker 7: I have so many lords? You know, it's hard to
Speaker 7: keep checkers the ball Lord bard Bogos?
Speaker 2: What this is?
Speaker 8: Monarchuy matifest? Hi, Kaiser seems distracted. Can I make a
Speaker 8: slight of handcheck to try and.
Speaker 4: Pull them away from the console of the button that
Speaker 4: he's hovering over?
Speaker 1: Yes, I think you can. Yeah, you can do a
Speaker 1: slide of hand here. Uh, you just got to beat
Speaker 1: his pass perception. So let's see you don't and nine
Speaker 1: a nine.
Speaker 2: Suitably.
Speaker 4: He then goes nine, do I have not a conspiration
Speaker 4: from the last session?
Speaker 3: I don't think it might be able to add my
Speaker 3: Bardic inspiration to that role. How attractively, there's a reaction
Speaker 3: when a preacher makes a role.
Speaker 2: My bad. I can't do it. I can't do cumming
Speaker 2: words to make him worse that it's slight to that.
Speaker 2: I don't want to do anything relating to that role,
Speaker 2: like pulling him out. But can Crag attempt to figure
Speaker 2: out what all of these machines and stuff like the
Speaker 2: gummy bear button? Can I make some kind of intelligence
Speaker 2: check on what all this is?
Speaker 1: Okay, so you're you're you've now also come into this doorway.
Speaker 1: I guess, yeah, you're sort of you can't get any
Speaker 1: closer because he's he's saying he's going to push the button.
Speaker 1: Yeah yeah, I'm like, wow, this is okay. But the
Speaker 1: situation is is like liking, I didn't. I just called
Speaker 1: you by your.
Speaker 2: Liking.
Speaker 1: The Liking has attempted to get in there, right, he
Speaker 1: just failed to do so stealthily. So I do think?
Speaker 1: I mean the Kaiser says nine. He says, I am
Speaker 1: voting you. I will push this button.
Speaker 2: I'm not going in the room. I'm just kind of
Speaker 2: ducking down to look into the room to see what
Speaker 2: the room looks like. Sigma to be fair, okay, yeah,
Speaker 2: but I'm like, what's going on in here? Guys. Oh boy,
Speaker 2: all right, there's a lot of stuff going on in here.
Speaker 9: Uh look ahead in there as well.
Speaker 2: What's going on? Nine nine of us? I will I
Speaker 2: will defer to the captain, cap captain, what do we
Speaker 2: do here? Sigma?
Speaker 3: Let me just check that I've got all the understood.
Speaker 3: You have discovered a secret door. Phenomenal work on that,
Speaker 3: by the way, apparently no one's discovered this for a
Speaker 3: long time, remarkably well hidden. That pullback and we found
Speaker 3: a small man with a pink beard who seems to
Speaker 3: be controlling the entire kingdom. This is Kaiser the King,
Speaker 3: a man who has a title as his name, as
Speaker 3: is his wont as is his wish. I am assuming
Speaker 3: correct me if I'm wrong on the sigma that the
Speaker 3: computers and the buttons that we see within this room
Speaker 3: probably control parts of the kingdom, potentially even the giant
Speaker 3: gingerbread man that we've seen walking around with the human penis,
Speaker 3: which might be an automaton. Yes, it's not not a
Speaker 3: huge leap to make.
Speaker 2: The question.
Speaker 3: Is the big gum drop button that he's currently hovering
Speaker 3: his handover when he presses that.
Speaker 2: The gum drop button, the gum drop button, what did
Speaker 2: you think would happen, Sigma?
Speaker 4: Maybe like an army of little angry gummy bears run
Speaker 4: out and attack us.
Speaker 2: I wasn't.
Speaker 3: What I was thinking was far far nicer. That's worse
Speaker 3: than what I was thinking. But now I'm thinking that
Speaker 3: now that button just means that to me. So step one,
Speaker 3: we need to get this person out of this room
Speaker 3: to make sure the button isn't pressed. Can I just
Speaker 3: have a word with you over here, out of sight
Speaker 3: of everyone for a moment, please?
Speaker 1: Yeah, Yi, Sigma? Okay, yeah, side.
Speaker 3: I was gonna grab him and casting visibility onto him, okay,
Speaker 3: on the on.
Speaker 1: The journey after the Twizzler situation, right they had, it
Speaker 1: just hasn't come up yet, So you do.
Speaker 2: As Sigma walks away to go do that, I'm just
Speaker 2: gonna like distract or keep him at attention talking to me.
Speaker 2: He's like, Hey, my name's Crag, nice to meet you.
Speaker 2: You're here. Answer my questions? Why are you here? It
Speaker 2: is a very important evening for me. Well, I'm doing
Speaker 2: a job. I'm a working man kind of you know,
Speaker 2: I'm here just doing work job.
Speaker 7: Yeah, yes, yeah, I uh okay, what were we to do?
Speaker 3: Listen while Crags keeping them distracted the side and through
Speaker 3: leveling up reaching level three, can I reveal to the
Speaker 3: chat the subclasses we've all gone for.
Speaker 2: Yeah, I mean I guess would you use an ability
Speaker 2: from it? You can?
Speaker 3: Yeah, Yes, I've gone into the College of Law, which
Speaker 3: effectively allows me to add way more proficiencies. Use my
Speaker 3: bartic inspiration as cutting words as a reaction, I can
Speaker 3: make enemy rolls worth. And I also believe I know
Speaker 3: some spells. And one of the spells I went for
Speaker 3: was invisibility, which I'm going to cast onto Sigma. And
Speaker 3: they're like, Sigma, listen, excellent job. Trying to just distract
Speaker 3: him and get past him and grab him and throw
Speaker 3: him out the room might be a tab easier if
Speaker 3: you're invisible.
Speaker 1: And when you say the word invisible, the waves around
Speaker 1: Sigma like switch and transform, and Sigma you just go
Speaker 1: completely into cloak into invisibility, as the power of Rick
Speaker 1: plans authoritay of voice touches into the magic in the
Speaker 1: in the eon.
Speaker 3: Must, however, inform your Sigma that I also cannot see you.
Speaker 3: So I am assuming yourself stood in front of me
Speaker 3: still hearing this. Please go and get the small angry
Speaker 3: king out of the room with the big dangerous button.
Speaker 2: Yeah.
Speaker 4: Meanwhile to delve into the room after that.
Speaker 1: Okay, Meanwhile, Lord Bond and irate, Lord Bonbon is going
Speaker 1: to approach rick plan and.
Speaker 10: Go you you you lie for me.
Speaker 1: The King doesn't even know who I am.
Speaker 2: That's because Lord Bonbon, that is not the king. All right,
Speaker 2: it's the test, isn't it.
Speaker 1: You're gonna give you a crazy qurazy persuasion here crazy
Speaker 1: The real king would be hiding inside a little room inside.
Speaker 3: This main room. No, he'd be out there. And you
Speaker 3: must believe me because.
Speaker 1: I'll give you this role bad.
Speaker 2: I don't think you have anything here. No, hang on,
Speaker 2: hang on, hang on, let me look at my character
Speaker 2: can make more you know what? I think you're right
Speaker 2: on this one, hive or would it be deception?
Speaker 1: It's the same, it's going to be the same thing.
Speaker 1: I'm not I'm not going to.
Speaker 2: Let him roll.
Speaker 3: He wrote it to in regardless of and I don't
Speaker 3: think it either way, So it's not good.
Speaker 2: I'm going to just shouder. You know what, Lord Bonbon,
Speaker 2: that's a bloody good point.
Speaker 1: You you've showered you feend why did you do this?
Speaker 2: Keep saying words the longer you say in, the more
Speaker 2: time we buy.
Speaker 1: I should I should have your struggle.
Speaker 2: You should go and find someone who can do that.
Speaker 2: He's like tears in his eyes. He doesn't know what
Speaker 2: to do.
Speaker 1: How do you do this to me?
Speaker 2: I am Lord Bonbond, the Lord of Bonbond's. That means
Speaker 2: really good.
Speaker 1: That means I'm a really good lord. Now I'm the
Speaker 1: king hates me because I let you in here, your swine.
Speaker 1: He's actually gonna charge you now, despite having no combat prowess.
Speaker 2: I will roll his t hit.
Speaker 1: What he got an eleven. I don't know if that
Speaker 1: hits you. I don't think it.
Speaker 2: Thirteen.
Speaker 1: Yeah, he sort of hits lifelessly against you, and he.
Speaker 2: Generally slaps me.
Speaker 8: All.
Speaker 3: I know you've been tricked. It hurts, it's emotionally damaging.
Speaker 3: Yet let it all out. I'll get the guards, That's
Speaker 3: what I'll do. And he started. He turns and he's
Speaker 3: gonna running towards me. The guard that you sent away
Speaker 3: and let us into the castle. I'm sure they'd be
Speaker 3: absolutely thrilled to understand and learn that you were a
Speaker 3: major part of this deception.
Speaker 10: Oh oh, you're not just You're not just with us,
Speaker 10: Lord bonbon, you're part of this life is over.
Speaker 2: You have a wife who meets you, and you're made
Speaker 2: of sweets. I do not even have been an insult,
Speaker 2: but it is. Your king is a man who hides
Speaker 2: in a box in a room with a pink beard.
Speaker 2: You've been worshiping a gingerbread man with a giant cock.
Speaker 1: Oh he's nout, just weeping on the floor.
Speaker 6: My lord.
Speaker 2: I'm not you, Thank God, I'm not you. But if
Speaker 2: I were you, I think I would just cut up
Speaker 2: in the corner and die. A point does this become
Speaker 2: vicious mockery.
Speaker 3: I'm trying to save the supplies the chance he just
Speaker 3: dies genuinely.
Speaker 1: At this point, I do think maybe you should roll
Speaker 1: your vicious mockery die because I I think, even because
Speaker 1: of your the way that you cast your spell as
Speaker 1: being just your authoritative voice, I do think you if
Speaker 1: you would sat someone hard enough, would you have which
Speaker 1: three damage?
Speaker 2: You do? Three damage?
Speaker 1: I'm going to have him do that saving throw, which
Speaker 1: is a flat D twenty for him, which he critically fails.
Speaker 2: God, yeah, of course he does. He's there, which means
Speaker 2: he dies. So this is like a rough plan. Tomedy
Speaker 2: Central original roasting of Lord bon Bon. He's going full up,
Speaker 2: racked with pain jacks, one problem has been solved, racked
Speaker 2: with paying Ratford, guilt, racked with everything, his life over.
Speaker 1: He collapses to the ground, blood starts dripping out his wealth,
Speaker 1: and he crap pulls down dead.
Speaker 3: So his wife asked to say he died heroically or something.
Speaker 3: Don't tell her this story. It's not a good story.
Speaker 2: So okay, now, not paying attention to that, I'm I'm
Speaker 2: talking to the Kaiser while Sigma is sneaking.
Speaker 4: About to sneak into the room. I will whisper to Novena.
Speaker 4: I'm just gonna be like gun Levina, Sigma, I'm invisible.
Speaker 4: I'm about to attempt to grapple this guy and pull
Speaker 4: him away. Stop looking around. Try and grapple this guy
Speaker 4: and pull him away from the console. When you see
Speaker 4: him start to struggle with me, I might need you
Speaker 4: to jump in and help.
Speaker 5: Okay, I have you all right?
Speaker 1: Who is talking to.
Speaker 2: Don't worry about don't worry about her anyway. That job
Speaker 2: you want me to do? What is it again? I
Speaker 2: pull out a piece of slate and like a little
Speaker 2: chisel to like write down the job.
Speaker 1: My job he needs more men to face these VODs.
Speaker 2: More men are I can get you, and I could
Speaker 2: get you an ashcr army. How's that sound you could do?
Speaker 1: If the self check's really just to cover your sound,
Speaker 1: I guess, but yeah, go ahead and with advantage or
Speaker 1: whatever the yeah ten ten you'll find it's loud too.
Speaker 2: Yeah, yeah, yeah, okay, thank you, Craig. So now what
Speaker 2: you want an army? All right, I get you an army.
Speaker 2: I get your whole damn army. They go boom march
Speaker 2: in here.
Speaker 4: Okay, okay, and this guy seems pretty weak. I'll be honest,
Speaker 4: I'm not terribly strong myself, so I just want to
Speaker 4: try and tackle him by surprise off the chair.
Speaker 2: Yeah yeah, give me and away from the console.
Speaker 1: Okay, give me a I mean it, just give me
Speaker 1: a roll to hit with advantage.
Speaker 2: You don't have to do the damage right there. Okay,
Speaker 2: yeah with you?
Speaker 1: Yes, So you just jump out of nowhere, grab him
Speaker 1: and rip him out of his chair onto the ground.
Speaker 2: He goes out.
Speaker 1: Doing that does take you out of invisibility.
Speaker 7: Yeah, he goes an gets.
Speaker 2: Off of me.
Speaker 4: This is that That's the signal for Navena then to
Speaker 4: try and grab this guy because I don't think I
Speaker 4: can really.
Speaker 2: Hold him down myself. I'll be honest. I'm just a
Speaker 2: little guy as well as far as jump in as well.
Speaker 1: And yeah, give me like a strength from both of you,
Speaker 1: give me strengths. I mean, he's gonna he rolls a four,
Speaker 1: so I don't I don't even know if you need
Speaker 1: some guys roll you could just hold it down.
Speaker 2: He's just this little bit crag, shouldn't I But that's fine,
Speaker 2: you guys all right, minus two strang.
Speaker 3: Crag, could you give me a hand please, I'd like
Speaker 3: to start rolling the corpse of Lord Bonbon into the
Speaker 3: room that the king was in.
Speaker 2: Okay, yeah, sure, I mean I can to help you
Speaker 2: with that, boss, absolutely, thank you, Crag. It's quite heavy.
Speaker 2: I'm used to handling corpses. I'm not happy about it,
Speaker 2: but I do have expertise here, all right. And I
Speaker 2: said this wouldn't happen. And here we are again, Yeah,
Speaker 2: here we are. I actually killed a guy. You didn't
Speaker 2: see it earlier, but there was this dude made a
Speaker 2: fire that was trying to get into the city. I
Speaker 2: threw him into the syrup and he died too. I
Speaker 2: assumed you would have done something like that. I didn't
Speaker 2: need to see that, just thought it may have happened. Yeah. Yeah,
Speaker 2: he did say he was a domestic terrorist though, so
Speaker 2: I'm gonna say kind of even on that one, you know,
Speaker 2: totally justified, absolutely justified. All right, So what we're putting
Speaker 2: him in there? We're putting him in the room. Okay,
Speaker 2: I just.
Speaker 3: Think that if anyone comes into the room, it's going
Speaker 3: to benefit does to close the secret room off and
Speaker 3: not have a corpse of the Lord on our hands.
Speaker 2: That's fair. I drag him into the room, I set
Speaker 2: him down, okay with them with the what's this button?
Speaker 2: I don't press it, but I'm like, hey, what's the spot?
Speaker 4: That's what I'm about to discover with with Navena now
Speaker 4: like grappling this guy, I go, I just want to
Speaker 4: kind of like as an insurance policy in case this
Speaker 4: guy somehow gets a way back to his console with
Speaker 4: all the mysterious buttons on it, I want to somehow
Speaker 4: deactivate it, if that's possible.
Speaker 1: Yeah, could you give me like a perception just to
Speaker 1: look around it? Yeah, sure, you're good at that, that's
Speaker 1: like your thing. Yeah fourteen I.
Speaker 4: Have I Oh, you're right, because I have because you
Speaker 4: you forgot.
Speaker 1: Yeah, exactly you Your scouter peop is plugged into the wall,
Speaker 1: so you can just unplug it.
Speaker 2: Oh, you just take it. When you do that.
Speaker 1: In the distance, you hear a giant thud.
Speaker 6: Fuck.
Speaker 2: I was on my way out to the city with him.
Speaker 1: Did he probably probably hits a building?
Speaker 2: Do we hear a thud? And then just the screams
Speaker 2: of townspeople? It just reacted the giant gingerbread be because
Speaker 2: it was. I think people are freaking out smashed into
Speaker 2: a building. Let's let's see if it happens again. I
Speaker 2: plug it back in. Do you plug it back in? Yeah?
Speaker 2: Do we hear?
Speaker 1: I mean, you don't hear anything because it it's it
Speaker 1: needs to be moved by the by the console.
Speaker 2: Okay, but yeah, he's uh yeah, let's let's leave it unplugged.
Speaker 1: All right, Okay, you'll plug it again.
Speaker 4: Yeah, I'm sure it won't hurt our cause if any
Speaker 4: civilians see it, their giant gingerbread king splayed out in
Speaker 4: the street.
Speaker 1: You're now getting a cool from pocket with you. This
Speaker 1: gingerbread man just collapsed through some of the apartments next
Speaker 1: to us. Is important dead, I think, Duke crumbled. He
Speaker 1: was staying there. But I mean that's a good thing. Apparently,
Speaker 1: according to do groly Poly, he hated the guy. Listen,
Speaker 1: I've got I've got really good news for you, guys.
Speaker 1: Are you I love good news? Go for it, am
Speaker 1: my own speaker. This is private information. Hi Parker, Hello, Hello,
Speaker 1: I'm just in all your ears right?
Speaker 2: Okay? Good? So I know so I know how you
Speaker 2: guys want to kill kill the the Kaiser sorry Kaiser
Speaker 2: the king.
Speaker 3: Yes, Pocket, don't make that mistake. We've all been making
Speaker 3: that mistake, my goodness. Yeah, yeah, So okay, I got
Speaker 3: to be up in the air right now. We've kind
Speaker 3: of we've found him on him.
Speaker 5: I don't think we've planned to kill him.
Speaker 1: Da are you planning to kill me?
Speaker 6: Is planning a coup Once he marries the daughter, he's
Speaker 6: going to kill Kaiser and then because he's wedded to
Speaker 6: the daughter, he will He's gonna, you know, essentially take
Speaker 6: over the.
Speaker 3: Kingdom and Pocket. I can't believe I'm going to ask
Speaker 3: you this. What is your professional opinion of Duke Rolli
Speaker 3: Poly's ability as a leader. Is he a kind and
Speaker 3: generous man?
Speaker 1: Fuck? Now, he's a prank He's been talking about Princess
Speaker 1: Marcy pad with words.
Speaker 2: I do know whatever, repeat right from you, pocket exactly
Speaker 2: how far have you ingratiated yourself into the government of this.
Speaker 1: You don't want to know the less I have gone
Speaker 1: to his trust.
Speaker 2: Okay, I don't want to know that. Then there's blood
Speaker 2: on these bands, crack. I thought it was like some
Speaker 2: other stuff. Okay, all right, there's other fluids as well,
Speaker 2: some unidentifiable fluids and some other identifiable fluids.
Speaker 1: Yeah, mostly syrup and ice cream.
Speaker 2: Oh okay, yeah, that's fine. Can I have a team
Speaker 2: meeting for a second.
Speaker 3: We have lord, kill the lord, capture the king, and
Speaker 3: apparently our skive a pet is fucking all of the
Speaker 3: other lords.
Speaker 2: This is not a situation now, and digits just being
Speaker 2: in it is not my either, Boss. I don't see
Speaker 2: where this is going.
Speaker 3: Honestly, what do you believe the best outcome for this
Speaker 3: would be the point of all of this. I believe
Speaker 3: was to stop the civil war between the warlords, and
Speaker 3: all we've done so far is and correct me if
Speaker 3: I'm wrong, kill a lot of people.
Speaker 2: That is true. We have done that.
Speaker 7: If you want to stop just we could work together.
Speaker 7: I also want to stop the civil var I don't
Speaker 7: want var. I would peace with peace, happy you do
Speaker 7: some kindness a lot?
Speaker 2: All right, what's your plan on stopping the civil war?
Speaker 2: We killed the other warlords? Is simply that's not that's.
Speaker 3: That's that's part of the to be fair, we're being
Speaker 3: hypocritical saying that we wouldn't do that.
Speaker 7: We would, however, and Gastrophia needs to be rude by
Speaker 7: somebody who knows about the feudal pyramids. That's the best
Speaker 7: way to real historically, I'm reading about it.
Speaker 2: I didn't see any the feudal pyramids.
Speaker 1: Yes, us is some greed about as this is that vied?
Speaker 3: Why true pyramid joke based on organizational stres isn't it?
Speaker 2: Yes? Yes it's yes.
Speaker 7: But but the thing about the few food pyramids is
Speaker 7: it's good have balanced, uh think.
Speaker 2: Shut up. But the thing about the feudal.
Speaker 1: Pyramid is all the powers at the top, baby, all
Speaker 1: the sweets at the top.
Speaker 2: Okay, it's a good metaphor bloody well, may.
Speaker 9: Mister Dan Daniel. What can I can I clock on
Speaker 9: what year we are in currently?
Speaker 2: What space? Do you mean?
Speaker 6: What?
Speaker 2: Yeah? What's what's the year that we were in?
Speaker 9: Because I do just want to get a grasp of
Speaker 9: how long ago, like moneterial of feudal time.
Speaker 2: It depends on.
Speaker 1: The planet, right, But yeah, I guess for Gastrophia because
Speaker 1: it's like Milton Keynes, it was new so it's like, yeah,
Speaker 1: that's arguably that's why they're still living other medieval times.
Speaker 1: But the the I get Listen, right, I can't give
Speaker 1: you a year based on our current time because we
Speaker 1: don't even know if this is the same universe as ours.
Speaker 2: We don't know. I assumed it was.
Speaker 1: But let's let's say hypothetically Earth did exist in this universe.
Speaker 1: This would be like maybe like ten thousand plus years
Speaker 1: minimum from that point, do you know what I mean?
Speaker 2: Like that's like superhi history.
Speaker 1: Yeah yeah yeah, But for some planets that's not superhistory.
Speaker 1: There will be some planets in this universe that are
Speaker 1: still in the medieval times because they're not a lot
Speaker 1: of Ashcar planets probably yeah, yeah, about a thousand years ago.
Speaker 2: So yeah, I guess you're it's not linear as it. Yeah, yeah,
Speaker 2: take your thought.
Speaker 3: Getting involved in our planets diplomacy would have been complicated.
Speaker 4: Well, actually that is what I was about to say, Captain.
Speaker 4: I think some of the politics here are a little
Speaker 4: beyond us, but you know there was our secondary goal
Speaker 4: of shutting this whole system down.
Speaker 2: Absolutely, Yes, Kaiser, there's a thing where people can't eat
Speaker 2: and there's a machine somewhere on the planet that's preventing them.
Speaker 2: Tell us about that. It's an incredible system.
Speaker 1: It means that, you know, you can enforce laws way
Speaker 1: easier because usually it's eating is like the core thing
Speaker 1: about humanity. But that fear of not being able to
Speaker 1: eat and slowly feeling those effects means that people fallow
Speaker 1: live way easier. It's the one thing me and the
Speaker 1: other warlords agree on ohoheartedly.
Speaker 2: Are you here in this case?
Speaker 3: In that case, it's definitely going to be the one
Speaker 3: thing we absolutely continuously need to destroy.
Speaker 2: Where is it? Fuck, I've I've I not tell you. Besides,
Speaker 2: you're not going You're not going to tell us that.
Speaker 2: You're one hundred percent not going to tell us that verdie. Okay, So.
Speaker 1: What you do know is that each of the war
Speaker 1: oods has a key that it needed to deactivate the machine. Right,
Speaker 1: so he feels say he will say something along the
Speaker 1: lines of, I don't I've never needed to go to
Speaker 1: the machine it would have been my great great great
Speaker 1: great ancestor, who, like we've used to tell each other,
Speaker 1: was a time, but then it was like, well, why
Speaker 1: would we fucking bother?
Speaker 2: We love we love the machine. I'd say, first of all,
Speaker 2: you're going French. Second, if you were, if you were
Speaker 2: to go to the machine, do you know the route?
Speaker 2: Do you know how to get there? Nine? Nine? N
Speaker 2: nick noan dame nine routine? Who does know that?
Speaker 1: Size? Maybe one of the other world who cares a
Speaker 1: bit more. Sierra is most likely he's the most intelligent one.
Speaker 2: And do you have a map?
Speaker 11: Nine?
Speaker 2: I see listen, so you're useless as one of the
Speaker 2: bearers of the keys. There you have the key, one
Speaker 2: of the five keys.
Speaker 1: I mean, yes, you could put that, Veddy, but I'm
Speaker 1: not going to give that to you unless you threaten
Speaker 1: my life.
Speaker 2: I mean we've kind of done that. Could you could
Speaker 2: you kill Kaiser? Yes, it would be my great pleasure.
Speaker 2: Hold on, okay, don't make it. Listen, please stick, but
Speaker 2: do we don't We don't have to do this. Just
Speaker 2: give us the key. Okay. I think he will thank you.
Speaker 2: I just I just will fold.
Speaker 1: I mean, you've got him, You've really got him in
Speaker 1: such a videable position that he never, like you know,
Speaker 1: he expected you guys would have to fight bridge these
Speaker 1: sort of things.
Speaker 2: He didn't even get.
Speaker 5: His Did did you kill Carl Senior?
Speaker 2: Nine? Nine?
Speaker 1: I think never I've liked the Why would I kill
Speaker 1: Carlsinia when I had a wedding already planned? If I
Speaker 1: was going to try and start a civil war and
Speaker 1: started far after zavetting. Honestly, that's all I the main
Speaker 1: thing I want to happen right now. I want to
Speaker 1: make sure I could still ruin my kingdom and have zavetding,
Speaker 1: and also, you know, end the civil war by taking
Speaker 1: over all the other wolords and so expending my kingdom
Speaker 1: is very good. If I if you were to put
Speaker 1: a gun to my head, which you have, and ask
Speaker 1: me who I think killed Carlsenia? Is my opinion it
Speaker 1: is Rack Grillmaster Rack. He is the most vicious or
Speaker 1: is his spork because spok is the one that is
Speaker 1: most likely to blow things up and his head excluded?
Speaker 1: Did not we also wit on the news?
Speaker 2: Yeah we were there? Actually happened? You were there? Yeah?
Speaker 1: Right?
Speaker 2: He didn't he looks at your feet.
Speaker 1: I mean he goes he looks at your feet and
Speaker 1: he's like, I thought they recognized the feet, because that
Speaker 1: was if you remember, they didn't the camera wasn't all
Speaker 1: your faces, it was on the body, and so just
Speaker 1: showed the lower legs of you guys.
Speaker 2: I mean, I feel like my feet would kind of
Speaker 2: be give a giveaway on that one different species of feet.
Speaker 3: Have you got a moment, Yeah, crag, I completely understand
Speaker 3: your desire to not kill. It's going to be a
Speaker 3: great boon for us to be able to not kill
Speaker 3: as we go. But this is one of the five
Speaker 3: people who has enforced this effective you know, ideology and
Speaker 3: feudal lordship, keeping food out of people's mouths for effectively years.
Speaker 3: He's clearly one of the most evil people on the planet,
Speaker 3: and if we don't take care of him now, then
Speaker 3: I hate to say it, he might come back and
Speaker 3: do something.
Speaker 2: I mean, he told us. He told us too, he
Speaker 2: gave us the key, right, and I think we could
Speaker 2: just he doesn't have any power anymore. I don't know,
Speaker 2: he could just like go out there and live as
Speaker 2: a you know, just a dude. I guess. I mean,
Speaker 2: what's he going to do? You know what that's true, Kaiser,
Speaker 2: how many people have actually ever seen you? Is the
Speaker 2: this appearance of me? Just it's just the dukes?
Speaker 3: Excellent, fantastic. So all right, we're just thrown out onto
Speaker 3: the street. Everyone's going to assume you're a raving lunatic and.
Speaker 2: Not the king. All right, Kaiser, do you want to
Speaker 2: live and die or die and live?
Speaker 7: But listen, I'd still be what do you do? Are
Speaker 7: you taking over my castle?
Speaker 3: No, Kaiser, we're taken you out of the castle, putting
Speaker 3: you onto the street and making you live as one
Speaker 3: of the citizens that you've been so carefully taking care
Speaker 3: of the last couple of years.
Speaker 1: But what do you doing to my castle?
Speaker 9: Then?
Speaker 2: I don't care about your castle.
Speaker 3: We're going to go and find a way to get
Speaker 3: to the machine that stops people eating.
Speaker 2: Wait this and I can, I mean, we could probably
Speaker 2: turn it into like you know, low cost like condos,
Speaker 2: I mean, like you know, or like a homeless shelter.
Speaker 1: Let's I can, just I can just get back into
Speaker 1: my castle. You doing what I've been doing?
Speaker 6: Then?
Speaker 1: Right, Like I just talked to my daughter and one
Speaker 1: of the dukes I loved.
Speaker 4: Especially, you should go see Duke ro Poly.
Speaker 1: Yes, absolutely, say it, but your sorry. Navina was saying something.
Speaker 1: I heard it over the you thing.
Speaker 5: We could put him in the fridge.
Speaker 2: Don't worry. The fridge is always here. We always have
Speaker 2: the fridge. The boulder is Duke Roley poly with you
Speaker 2: pocket and he's sleeping right now. He still hates the king.
Speaker 3: Yeah, well, I mean he hasn't changed his mind. Fantastic right,
Speaker 3: we might be bringing you the king.
Speaker 2: It's the best thing anyone's ever said to me. Fantastic crack.
Speaker 2: How about this.
Speaker 3: We won't kill the king, however, we will put him
Speaker 3: in the fridge and maybe use him later.
Speaker 2: That works fun for me. Also, I want to stop
Speaker 2: at a I want to stop at a gift shop.
Speaker 2: I want to start putting like little magnets on the
Speaker 2: fridge to kind of like track our journey. You have
Speaker 2: a gift shop in your kingdom, shop in the castle.
Speaker 2: I listen.
Speaker 1: I do not depreciate the way this conversation is going.
Speaker 2: If you if you had, I just saved your life,
Speaker 2: so I would really just shut up at this point.
Speaker 12: Onward, I was going to shoot you. He was going
Speaker 12: to shoot you. He would have done it straight away.
Speaker 12: He's still Sigma is a cold blooded killer.
Speaker 2: I've seen him straight up kill seventeen men bare handed.
Speaker 2: If my absolutely, if he started fighting then he woke up.
Speaker 1: If my actions die or get in a fridge and
Speaker 1: give you the key cut, I guess. I guess I
Speaker 1: don't really have a choice. He looks around and of
Speaker 1: the fridge and he hands over a key card.
Speaker 2: This is my key I'll give it to identify that.
Speaker 2: This is actually like the oh yeah, yeah, yeah, yeah,
Speaker 2: here you go. Yeah, you guys know there's more better
Speaker 2: than I do. It's not like like a cost card
Speaker 2: membership that he's just pulled out.
Speaker 1: I don't actually think he's that smart enough to do that,
Speaker 1: but that is I mean, might as well inside your.
Speaker 2: Double check, it's probably yeah, yeah, yeah.
Speaker 4: I mean, if anyone has some insight that they want
Speaker 4: to roll, I mean, you're the.
Speaker 1: Only oneho's suspicious, so you give me the Unless it's
Speaker 1: a crit, we also just would not fucking Knownio.
Speaker 2: While we get to where we need still in the fridge.
Speaker 1: It definitely looks like a key card of some kind
Speaker 1: there and it is. It's like pink a.
Speaker 2: Right, guys, in the fridge, you get where was it? Ship?
Speaker 2: Was it chip or Spud.
Speaker 1: Spud Russet. Yeah, he's here. Yeah, he was on the
Speaker 1: best and aren't they Yeah?
Speaker 2: Yeah?
Speaker 1: And Crumb is like sitting on a chair near the bed. Yeah.
Speaker 2: Do you guys want to stay here or come with us?
Speaker 2: The castle is now free.
Speaker 1: Crumb turns and says, I mean, I don't have any
Speaker 1: reason to stay here.
Speaker 2: I I might as well come with you. That's right,
Speaker 2: if I hang on, Sigma, did you find a way
Speaker 2: to operate the giant gingerbread man using the machine in
Speaker 2: the room that's now got a Lord Bonbon's corpse in it?
Speaker 2: It's in that console somewhere. If I think it around
Speaker 2: with it, I could probably figure it out. Is it
Speaker 2: worth us leaving one of our chaps here? Not ours? Obviously?
Speaker 3: And then maybe in the future we use a giant
Speaker 3: gingerbread man as an ally?
Speaker 2: Who's better at controlling spud our chip? Which one? Or
Speaker 2: you were better at controlling a giant? My name is Crumb. Crumb,
Speaker 2: that's the one.
Speaker 5: Yeah, Crumb handles big food all the time.
Speaker 2: That is true, he didn't.
Speaker 1: I mean, I am a scientist after all, and I
Speaker 1: am you know, as Davida says, I, I have expert
Speaker 1: my expertise is large food.
Speaker 3: Yes, the orange pilots are giant gingerbread man and in
Speaker 3: effect become de facto king for a while.
Speaker 1: Well, I've been waiting for the day for somebody to
Speaker 1: ask me that. Of course. I mean, how hard can
Speaker 1: it be? This is where you you smash cut to
Speaker 1: like people dying in the city's gingerbreads, like walking around
Speaker 1: like a tackle titan.
Speaker 2: Okay, so great. He walks into the into the room
Speaker 2: squared away.
Speaker 1: You're plugging the console back end, and I assume, yeah,
Speaker 1: turns on sigma. Do you want to give me in
Speaker 1: the talent?
Speaker 2: Yeah?
Speaker 4: Sure, Crumb has like a ear piece.
Speaker 1: Right, No he didn't, he didn't get one. Sorry, someone
Speaker 1: will have to Crumb.
Speaker 3: It's been phenomenal adventuring with you for these last few days.
Speaker 3: We've we've left, We've cried, people have died. Are you
Speaker 3: going to be comfortable staying in this secret room? Ignore
Speaker 3: the corps in the corner piloting a giant gingerbread man
Speaker 3: with and I cannot overstate this a human penis.
Speaker 1: I mean, you're coming back for me, right, I'm not
Speaker 1: going to be stuck here forever.
Speaker 2: I swimming back for you. Crumb, absolutely I have an idea.
Speaker 2: Why don't I just like, because I'm gonna be with
Speaker 2: you guys, why don't I just lend him my calm
Speaker 2: unit and then he could talk to you and then
Speaker 2: like you know, you can film me in on the
Speaker 2: loop whenever, you know, something happens. I think it's more
Speaker 2: important that he has a calm unit right now. The
Speaker 2: Crag's got a good point there, Navena. I agree with that, yes,
Speaker 2: of course, Yeah, all right, and I take off my Yeah,
Speaker 2: here you go. You're okay, Well, they're very oversighted. Well,
Speaker 2: it's like a it's like a it's just like I
Speaker 2: finally feel like I'm part of the group hat all right,
Speaker 2: and just as you are part of the group, Crumb,
Speaker 2: we're all going to leave you. Okay. So you seventeen?
Speaker 1: Yeah, with a seventeen, you can understand the controls. It's
Speaker 1: actually quite simple. It's like a Microsoft flight simulator, but
Speaker 1: for a gingerbreadic.
Speaker 3: Yeah all right, Michauld, you very quickly teach Chrumb exactly
Speaker 3: how to pilot this thing.
Speaker 5: Please.
Speaker 2: Yeah.
Speaker 4: I think I'll point out what I can figure out
Speaker 4: to Crumb, I understand, yeah, yeah, I zoom.
Speaker 2: He can figure out most of it as well on it.
Speaker 1: Yeah, he starts putting down a leaven and you can
Speaker 1: see the gingerbread Man sort of rise on the screen
Speaker 1: and you could see the debris underneath him, and people
Speaker 1: rudd it around and screaming, and he goes, all right,
Speaker 1: what do you want me to do with this crime?
Speaker 2: Right now? Just kind of the whole fire, And when
Speaker 2: we need you to do something, we'll let you know.
Speaker 1: Oh and here's here's the button that I could talk
Speaker 1: through it.
Speaker 13: Hello, his voice, it's Crumb's voice, because if you remember
Speaker 13: when Kaiser was talking for gingerbread Man in the in
Speaker 13: the church, it was just Kaiser's voice.
Speaker 1: So, and then there's a need to you need to
Speaker 1: pretend to be the king.
Speaker 2: Oh fuck, I'm not very good at that. I'll try.
Speaker 2: I'll give him, like I guess performance eight. He goes,
Speaker 2: I uh, glug and gag.
Speaker 4: Crumb, Perhaps while you are masquerading is the king, the
Speaker 4: best thing would be to stay.
Speaker 1: Quiet, all right. Oh and here's another button. I can
Speaker 1: hear what's going on like outside of gingerbread met and
Speaker 1: he turns up. But on you just here, I'll leave
Speaker 1: that one.
Speaker 2: It's probably.
Speaker 1: Calm down, everybody everything is fine, everything is is really
Speaker 1: sare goot we go absolutely notices that there's a book
Speaker 1: on the desk that says handy German phrases that doesn't
Speaker 1: make any sense.
Speaker 2: No, it says, it.
Speaker 1: Says, it says how to speak like the Kaiser, and
Speaker 1: then it has the word the crusted out.
Speaker 3: Yes, find the English phrases in a German perfect the
Speaker 3: Kaiser Kaiser King. He said that one of the other
Speaker 3: warlords knew the the route to reach the giant strange
Speaker 3: food limiting machine. Who was, well, should we head over
Speaker 3: and have a chat with them?
Speaker 2: I thought we were going to a wedding.
Speaker 4: No, we don't care about the wedding, craw I was.
Speaker 2: I was thinking about like a present to get. I
Speaker 2: was gonna pick up some flowers at the gift shop
Speaker 2: or something. I was already I need to ask this
Speaker 2: question again. You do realize you're still not an emissary.
Speaker 2: I just wanted to go to a wedding, all right.
Speaker 2: When my sister got married, it was a beautiful chas.
Speaker 9: Oh yeah, okay, I think I think Crag might have
Speaker 9: every type of family member there is.
Speaker 2: Yeah, oh okay, he's got siblings.
Speaker 4: How about this drop off, We drop off the king
Speaker 4: at King roly Polis in the in the company of
Speaker 4: Pocket and then do croly Poly and then we go
Speaker 4: to Sierra wherever she might be.
Speaker 1: Yeah, okay, all right, so you guys are gonna leave
Speaker 1: the castle. I guess the same way you came in.
Speaker 1: Bear in mind there are still gods in the castle.
Speaker 1: They just uh you had to like stealth through them.
Speaker 1: But I'm gonna just ease of simplicity, the same steuth
Speaker 1: froes you came in.
Speaker 2: I'm ending it there. Crag's a middle choud. He has
Speaker 2: a little brother and an older sister. There there's no
Speaker 2: more there's no more siblings.
Speaker 9: So Navida will will wish her crumb good luck as
Speaker 9: well just before before she leaves.
Speaker 5: Like, great luck, Crumb, You're going to do great.
Speaker 2: Oh I appreciate that, Levina.
Speaker 5: Remember practice self restraint.
Speaker 1: Uh right, you're talking about the huge cock on this
Speaker 1: gingerbread BG.
Speaker 2: Right, Crumb, you've got your hand on the dork button
Speaker 2: to everyone.
Speaker 5: I'm going to close the door now.
Speaker 1: Okay, Well wait, as you closed the door, it becomes
Speaker 1: a wall.
Speaker 2: Again, and he's like, I had over this your crumb. Wait, wait,
Speaker 2: I don't know how are.
Speaker 1: You over this and you guys are just leaving somewhere.
Speaker 2: He'll figure it out. He's good with levels. Smart.
Speaker 1: Yeah, all right, okay, okay, So you guys do this.
Speaker 1: You self out the same way you came in, which
Speaker 1: was as spherical objects. So you roll out of there
Speaker 1: and you go through that side entrance that's no longer guarded,
Speaker 1: and you you know from what Pocket said before, if
Speaker 1: you remember that, they're at the Shortbread apartments. But you
Speaker 1: could also just follow the destruction because the building's next
Speaker 1: to the short had broad departments, so you can see
Speaker 1: the Gingerbread meta at a distance, so you just have
Speaker 1: to follow. He's like a good signpost. So you're running
Speaker 1: through the streets. It's like the middle of the night now,
Speaker 1: to be fair, So you're running through the streets.
Speaker 2: While we're doing this.
Speaker 3: I just want to quickly point out we took one
Speaker 3: of the key cards from Kaiser, one of the five
Speaker 3: that apparently when it's turned to the machine. Did we
Speaker 3: take the other one? When Carl Juniors had blew up,
Speaker 3: he would have had the other one. Carl Senior, Yeah, no,
Speaker 3: he might have had it on him.
Speaker 2: Carl Jor. We didn't know anything. About that at that point.
Speaker 2: But you know, we'll have to figure that out at
Speaker 2: some point. Bloody hell. Okay, right, we're gonna have to
Speaker 2: find the other four of these at some point.
Speaker 4: Yes, I think it makes sense that Carl Junior would
Speaker 4: be our last call for that.
Speaker 2: Absolutely. I think we're just talking. Okay, we go all
Speaker 2: the way around, makes good, good point, sure, Okay.
Speaker 1: I don't want to say you've lost your communication with
Speaker 1: Carl Junior because Crumb's car exploded and that was like
Speaker 1: he had he had his whole like communication set up
Speaker 1: in there with with Carl Jr. So you guys run
Speaker 1: to the Shortbread apartments and it's it looks incredible. I mean,
Speaker 1: you guys, picture a shortbread add windows at a door
Speaker 1: Banne incredible. One of the best like confectionery items is
Speaker 1: shortbread as well. I think we can all agree.
Speaker 2: I'm just gonna google that really quick because about oh
Speaker 2: it's those things, okay.
Speaker 1: Yeah, lovely differm and tea are great.
Speaker 2: The buildings next to it destroyed.
Speaker 1: The gingerbread mechs standing over and it's just sort of
Speaker 1: like t posing there because he Drumb doesn't quite under
Speaker 1: control it yet. So just and Crumb then goes, oh, hey,
Speaker 1: guys out right, so he says it in your ear
Speaker 1: Oh hey, guys, I see you on the monitor now,
Speaker 1: cr I just from the point of view of these civilians,
Speaker 1: they've just seen their king collapse into a building and
Speaker 1: is now just standing there saying stuff in a completely
Speaker 1: different voice and accent that makes no sense.
Speaker 4: I will, I'll say, I'll say in my earpiece, I'll
Speaker 4: be like Crumb. Perhaps, you know, usually the king disappears
Speaker 4: into the woods at night. Maybe you should do the
Speaker 4: same for now, keep up their appearances.
Speaker 2: Right, But wasn't that gingerbread dragon in the woods? Watch
Speaker 2: out for the dragon. I was just gonna say, yeah,
Speaker 2: maybe you could make friends.
Speaker 1: I don't know, right, well, just watch he is interesting
Speaker 1: that the king made a giant gingerbread man when he
Speaker 1: had a giant gingerbread. I wonder if they're related somehow.
Speaker 1: And he starts working, all right, let me walk it
Speaker 1: just steps on somebody right now. Sorry, I haven't got
Speaker 1: quite that all of them everything sorted.
Speaker 2: I go check on the body he just just stepped on.
Speaker 1: Yeah, he's just some some chocolate bar man who's like.
Speaker 2: Oh, I don't know, I'm like Navina could you say
Speaker 2: a prayer for this poor son of a bitch. Right now,
Speaker 2: I'm like, like something, I feel so bad for that guy.
Speaker 2: How damaged is he?
Speaker 1: Is he?
Speaker 2: Like is he you know, like like a kitt or.
Speaker 1: He's like little squares had come off him, so he's
Speaker 1: like ins of little squares?
Speaker 2: How many squares? Forty two?
Speaker 5: There's no saving him.
Speaker 2: I mean, he's so he's dead as ship. He just
Speaker 2: uh yeah in a way anyway, so your death will
Speaker 2: not be in vain. I saw. I did just gloss
Speaker 2: over the fact that this is mental.
Speaker 4: The only person who is in this kingdom who is
Speaker 4: actually made of food, the only person whose kingdom is
Speaker 4: actually made of food, is the automatous automaton king that
Speaker 4: isn't actually a person.
Speaker 2: Yeah, he is an actual chocolate. Yeah, well he's the
Speaker 2: only one in the whole kingdom. And now he's dead.
Speaker 1: Sorry, Gingerbread make leaves into the forest. He says good
Speaker 1: bye everywhere, oh sorry, as.
Speaker 2: I think goes over the turn to everybody, and I'm like, guys,
Speaker 2: this is fucking weird. Yeah, there's a weird thing that
Speaker 2: we're doing. Oh god, yeah, right.
Speaker 1: It's a weird castrange new planet.
Speaker 2: You know, crack.
Speaker 3: Sometimes I think I should have let that tanker crash
Speaker 3: into the planets.
Speaker 2: Yeah, entire moral.
Speaker 3: They say travel broadens the mind, but so far I've
Speaker 3: come to one planet and I'm thinking we just leave
Speaker 3: and nuke it from orbit.
Speaker 2: Rick listen, I've been to a lot of different places.
Speaker 2: I went to college, I've done a lot of jobs,
Speaker 2: and a lot of people have died. But I'll keep
Speaker 2: on doing it because at some point people are probably
Speaker 2: not gonna die. You know what, crack, I needed that,
Speaker 2: thank you. That was important. People need us.
Speaker 3: And right now what we need to do is go
Speaker 3: into those apartments and have a long sleep.
Speaker 1: Okay, so you bring the fridge of kaiser up the
Speaker 1: stairs of the apartment, or the elevator. We're in the future.
Speaker 1: You guys all get into the elevator and it goes up.
Speaker 1: It plays elevator music that goes.
Speaker 9: Like at the point of the elevator, Navina will like
Speaker 9: nudge Sigma.
Speaker 5: For what it's worth, I'm having quite a bit of fun.
Speaker 4: It's it's It hasn't been terrible so far.
Speaker 2: I didn't finish with that.
Speaker 5: Get out that much as a as a child, you know,
Speaker 5: it was very secluded. My planet. So this is all different,
Speaker 5: but but.
Speaker 2: Fun well out of it, because because I'm in here
Speaker 2: and I weigh like a lot, I'm slow. This is
Speaker 2: definitely over command. Oh yeah.
Speaker 1: It gets to the top floor where the duke is,
Speaker 1: and you leave, and you can know which apartment the
Speaker 1: Duke is because he's got two guards posted outside of it,
Speaker 1: and they're standing there in their candy armor.
Speaker 2: One of them is.
Speaker 1: A vellinari, one of them is a human, and they
Speaker 1: sort of look at you and they say.
Speaker 14: If you want to, if you want, okay to the
Speaker 14: other one.
Speaker 1: I had a long night. It is a oh. And
Speaker 1: the other one goes, yeah, he drinks a lot of
Speaker 1: that you know that that sugar water. So yeah, if
Speaker 1: you want to talk to the Duke, come by in
Speaker 1: the morning. He's a he's asleep right now.
Speaker 3: General a level with you will also going to be
Speaker 3: asleep very soon. Have you seen a small skivett about? Yeah,
Speaker 3: Hi carries two guns. God, remarkably close to the Duke.
Speaker 3: Probably annoying, but you grow used to him.
Speaker 2: Right, So.
Speaker 1: Pocket has been in disguise this whole time, right, I
Speaker 1: don't think they realize he's a skivet. I think they
Speaker 1: just think he's a small man because he's been in
Speaker 1: full armor. So they will respond by saying, no, we don't.
Speaker 1: We've not seen a skippet.
Speaker 3: Okay, that's absolutely fine, right, I've not got enough time
Speaker 3: to explain what's going on here, but we're on your side.
Speaker 2: We're going to head inside, have a nap, and be
Speaker 2: gone in the morning. You guys be relieved. You're relieved
Speaker 2: of duty. We'll take over from here.
Speaker 1: I think at this point though, the door will open
Speaker 1: slightly and you will see a small guy just head
Speaker 1: to toe with golden armor, and he will go, what's
Speaker 1: going on out here? Go? Oh, oh, don't worry, guys.
Speaker 1: These are honored guests. These are the men he hired
Speaker 1: for tonight's activities. And the two of the guards look
Speaker 1: at you guys, and they like look at each other.
Speaker 2: And they go, wha.
Speaker 1: Well, I mean, we're not going to judge.
Speaker 2: We are a man that we're hired for tonight's activities.
Speaker 2: I don't like the way they said or he said activities, crag.
Speaker 3: I need to again address this. We're not actually doing
Speaker 3: the activities.
Speaker 2: We're not going to the wedding crack. There are other
Speaker 2: things we're doing on the planet.
Speaker 1: I wanted to go to that wedding, all right, okay,
Speaker 1: so he they they turn round to the small guy
Speaker 1: and goes, all right, lord jelly baby, we'll let him in,
Speaker 1: and you follow this golden armored man into the room.
Speaker 1: And he shuts the door and then he takes off
Speaker 1: his helmet and it is Pocket, and Pocket goes, okay,
Speaker 1: why did you not call me when you got here?
Speaker 1: Why do you try and talk to the front guards.
Speaker 3: I'm going to be honest, Pocket, I thought it'd be
Speaker 3: far easier than it was. Great to see you're alive anyway,
Speaker 3: Well done fully, gold armor?
Speaker 2: How well?
Speaker 1: So he had a like a close advisor, Lord jelly
Speaker 1: what's his name, jelly baby. I don't know what that is. So,
Speaker 1: but he was a small guy. You know, he might
Speaker 1: have been a baby, like a boss baby. He might
Speaker 1: have been like a child or something. But I just
Speaker 1: I just killed him and took his armor. These lords
Speaker 1: are really weak. If you ever run into them, you know,
Speaker 1: you could say a mean thing and they'll die instantly.
Speaker 3: I wouldn't know anything about that. Now, Pocket, we're going
Speaker 3: to have a nap. Are we safe in this room?
Speaker 2: At least? Well?
Speaker 1: He turns around and now you can see on the
Speaker 1: big double bed, king size bed is a giant man.
Speaker 2: You know.
Speaker 1: He's got swirly brown hair, brown and red hair, and
Speaker 1: he's sleeping and he's snoring.
Speaker 2: Well, I don't want to wake him up. That's well,
Speaker 2: I mean, I guess so.
Speaker 1: But as long as we get up before the duke
Speaker 1: wakes up, I'm not going to be able to explain
Speaker 1: all you guys.
Speaker 2: What happens when the duke wakes up Pocket.
Speaker 1: He gets married, Well, obviously he's going to wake up
Speaker 1: quite early to get ready for the wedding, probably around seven.
Speaker 2: In the morning, that makes sense.
Speaker 1: Yeah, the wedding's around ten or eleven. He's got to
Speaker 1: get ready and then he heads on heads on out.
Speaker 2: Pocket.
Speaker 3: Is there another room in this apartment block that maybe
Speaker 3: we could all go and sleep?
Speaker 2: Are you only here to sleep?
Speaker 1: There's so many places in the city you could have
Speaker 1: found a sleep.
Speaker 2: There's there's one. Just nice you were here.
Speaker 4: We're also here to deliver the king.
Speaker 2: You got the king. It's a working progress plan. Well wait,
Speaker 2: why wait, why didn't you mention that in the first place?
Speaker 3: Rick, You're just gonna think I'm going to tell two
Speaker 3: guards that are standing on the front door that we've
Speaker 3: got the King in a fridge. Wit said, they haven't
Speaker 3: heard that one twenty times a day.
Speaker 1: Tell me now, by the way, I mean, you came
Speaker 1: in here just talking about sleeping. You had the King
Speaker 1: in the fridge.
Speaker 3: We do, and as soon as we use the King
Speaker 3: in the fridge, we have lost our bargaining chip. You
Speaker 3: only get to use the King in a fridge once.
Speaker 2: Yeah, that's true. Well okay, Well, what's your objective with
Speaker 2: the King of the fridge.
Speaker 3: Well, the plan is collect all four other access cards
Speaker 3: to the machine that's preventing people from eating.
Speaker 2: Wait, you're going to do that before you use the
Speaker 2: King of the Fridge. I kind of sworn you were
Speaker 2: going to say, collect all four other kings and stuff
Speaker 2: from the fridge. That would have been We're going to
Speaker 2: connect all four access all four other access cards that
Speaker 2: are required to access the food the machine that stole
Speaker 2: people from eating food. During that process, we may at
Speaker 2: some point encounter a level of resistance that could be
Speaker 2: passed via the reveal of a King in a fridge.
Speaker 2: I don't know. This is a new plan. It's one
Speaker 2: of those situations. It's better to have it and not
Speaker 2: need it than need it to not have it. I'm
Speaker 2: so glad I picked up that fridge in episode two.
Speaker 4: I thought that we were here to deliver the king
Speaker 4: into the hands of his enemy.
Speaker 2: That's true.
Speaker 3: Same, but if we give the king across, the King
Speaker 3: is definitely going to get killed, and Crag isn't keen
Speaker 3: on that.
Speaker 4: That's not our fault.
Speaker 2: That's not our fault at all.
Speaker 3: But we can avoid a bit of death here by
Speaker 3: potentially having a bit of death later.
Speaker 5: He wouldn't kill him just for the wedding.
Speaker 2: He would absolutely kill him before the wedding.
Speaker 5: Maybe he's marrying his daughter. He would have to be
Speaker 5: there to give her away.
Speaker 2: He's not killing the daughter, he's just killing the king.
Speaker 5: No, but he would have The king would have to
Speaker 5: be at the wedding to give his through away. That's
Speaker 5: our weddings work. You cannot.
Speaker 2: As far as far as anyone cares. The king is
Speaker 2: a giant gingerbread man.
Speaker 5: Crum is going to give her away.
Speaker 1: I assume that he doesn't know that crumbs in the chair.
Speaker 1: So maybe Duke roly Poly was planning I mean, I
Speaker 1: imagine Duke roly Poly was planning on killing the king
Speaker 1: post wedding.
Speaker 3: Okay, how about this? How about this? I think this
Speaker 3: will pease everyone and Craig, you'll like this plan, I'm
Speaker 3: sure I will.
Speaker 2: Boss. We open the fridge right now. We supply the
Speaker 2: king to pocket. Here. Pocket gives the King to duke
Speaker 2: was it roly Poly? Yeah?
Speaker 3: You know like that Juke roly Poly as a gift,
Speaker 3: thus ingratiating you into Juke roly Poly's service even more,
Speaker 3: which gives us leverage in the future. The King at
Speaker 3: this point is not dead. We find somewhere safe to sleep,
Speaker 3: have a nice long rest, get all prepared, go and
Speaker 3: find all other four key cards as fast as we
Speaker 3: bloody well can. Then after the wedding, which crack we
Speaker 3: will make.
Speaker 1: Yeah, so you've got to get the four key cards.
Speaker 1: Pre wedding we have you have seven the wedding nine hours.
Speaker 2: Yeah that's great. Eight hours to sleep and then one
Speaker 2: hour to tie it all together. It is perfect. Yeah, right,
Speaker 2: new plan in the fridge parket the king Parking gives
Speaker 2: the King to do roly Poly.
Speaker 3: We go and have a nap somewhere that isn't here.
Speaker 3: Tomorrow morning, we go to the wedding, observe and joy
Speaker 3: maybe even revel who knows. Then after the wedding has happened,
Speaker 3: we kidnap the king again.
Speaker 2: Put him back in the fridge so he's not killed.
Speaker 3: Then we return to finding all other four key cards.
Speaker 2: We didn't like it the king away from the first place.
Speaker 2: I'm just happy I get to go to the park
Speaker 2: it park it? Do you think I could be part
Speaker 2: of the wedding? Does he have a best man?
Speaker 9: We?
Speaker 2: Does he have a best man? Or is it you?
Speaker 2: I assume you've already kind of got I think it
Speaker 2: might be me. I never inquired about it. I didn't
Speaker 2: think I was going to the wedding. Well I was
Speaker 2: going to be a groomsman. Then oh, okay, we could
Speaker 2: do that. Listen, I don't think we should go to
Speaker 2: the wedding.
Speaker 4: I think we should sleep here and in the morning,
Speaker 4: when the Duke wakes up, we give him the king.
Speaker 4: We our group ingratiate ourselves to the Duke, who will
Speaker 4: no doubt become the king. And about the day we
Speaker 4: have the key card, we can leave this kingdom with
Speaker 4: a potential ally here running the place, and then we
Speaker 4: just go and we get the next key cards as
Speaker 4: soon as possible. We don't need to attend the wedding.
Speaker 4: We don't need to keep the king with us. Ah,
Speaker 4: we can wipe our hands clean of this king.
Speaker 3: I enjoy the simplicity that you're going for here, Sigma. However,
Speaker 3: we have it on all forward from Pocket. This, this
Speaker 3: Jukerolepo is a much worse person than the previous king was.
Speaker 3: That's not feel We may be going kind of out
Speaker 3: of the frying pan into the fire here.
Speaker 4: That's two things. He may be a worse person, but
Speaker 4: he will be an ally to us. And once we
Speaker 4: have all the key cards, he won't have any real power.
Speaker 2: That's a good point. And he does seem absolutely huge.
Speaker 2: He's also if he's not going to move. If I'm
Speaker 2: part of the wedding and become his friend, maybe I
Speaker 2: could change him.
Speaker 1: Spot is going to make the point here that I think,
Speaker 1: even if the food system is demolished, the you know,
Speaker 1: dictatorships still exist on planets without this convolated food system.
Speaker 15: Yeah, sure, I really care about the politics of this planet.
Speaker 2: We just want to leave, right. I've got an idea.
Speaker 2: I've got a plan.
Speaker 3: We open the fridge right now, give the king to Pocket,
Speaker 3: have a nap here, wake up in the morning the
Speaker 3: Duke wakes up, we present the king with pocket as well.
Speaker 3: We all become Juke roly Poly's friend. We go to
Speaker 3: the wedding, enjoy the wedding revel. I know you're gonna
Speaker 3: hate in Sigma. Just smile for a few hours. It'll
Speaker 3: be fine. Crag, have a good time, Navena, do some
Speaker 3: religious stuff. We watch the wedding happen, he gets married.
Speaker 3: Then we go and find the other four key cards
Speaker 3: once we have destroyed the machine. If this guy turns
Speaker 3: out to be a bit of a bastard, we just
Speaker 3: call Crumb and he crushes him with a giant gingerbread man.
Speaker 2: See bass, I love that plan. Let's go with that.
Speaker 2: I hope for that. Okay, guys, log rest a right,
Speaker 2: so sleep. The morning comes, you've all recovered to.
Speaker 1: HP and all your stuff, all right, And the Duke
Speaker 1: roly Poly starts to stir in his bed and he
Speaker 1: opens his eyes on this wonderful morning, the day he
Speaker 1: is to be married.
Speaker 2: I'm standing next to him with a hot towel. You go,
Speaker 2: Oh the thug's going on here? Oh, good morning. I
Speaker 2: am My name's Crag. I am tasked to be your groomsman,
Speaker 2: have a hot towel, and we have a nice shower
Speaker 2: ready for you. Over here, we're getting ready for your wedding. Sir.
Speaker 1: Pocket's gonna run up now and go eather people I
Speaker 1: hired to make things more comfortable to you, my leegh
Speaker 1: And they've come bury gifts. He turns around. I think
Speaker 1: some of you might still be asleep, and he's like,
Speaker 1: I can't.
Speaker 2: Get anna anyway.
Speaker 11: You've come burying gifts to me, the Duke roly Poly.
Speaker 11: What gift could possibly be greater than any gift I
Speaker 11: have been given before?
Speaker 3: Well, Duke roly Poly, we are aware in your humble presence,
Speaker 3: that's and correct me if I'm wrong.
Speaker 2: You are going to be marrying the princess? Is that true? Yes?
Speaker 2: I am hell lovely mudy pen Skin would be all mine.
Speaker 3: All right with her after the wedding is entirely up
Speaker 3: to you all. And I have been told on good authority,
Speaker 3: and we're all friends here that you're not exactly friends
Speaker 3: with the current king. Is that correct?
Speaker 1: He looks suspiciously over it at at Pockets, and Pocket goes.
Speaker 2: Don't worry, they're on our side. Oh well, yes, yes, indeed,
Speaker 2: Well are you here to help me.
Speaker 3: I'm here to show you that we don't need to
Speaker 3: help you. Happy wedding gift. I'd like to just open
Speaker 3: Crag's fridge.
Speaker 2: Yeah, I got right out.
Speaker 1: Yeah, he's with g He's like, oh, Gril Martha, Rack
Speaker 1: will be so please, and he walks over to the
Speaker 1: kaiva and he's like, oh, and with about his tinderbread man.
Speaker 3: We have placed a proxy in control of that, and
Speaker 3: it will be handed over to you posthaste, as soon
Speaker 3: as the wedding is completed. But right now it's no
Speaker 3: danger to you.
Speaker 14: Amazing, So I can kill him now and you can
Speaker 14: affiliate the wedding through that dinnerbred man.
Speaker 2: This is the best day ever.
Speaker 3: You humiliate him one step further and you make him
Speaker 3: officiate the wedding because he'd hate that.
Speaker 2: Oh he really would, he really would. But I'd rather
Speaker 2: just kill him.
Speaker 1: That's made zob And he pulls out a giant, say,
Speaker 1: a giant stick of roly poly, you know, like a
Speaker 1: long roll.
Speaker 2: How big is this guy compared to me?
Speaker 1: He's smaller than you, but he's bigger than everyone else.
Speaker 1: He's a large man, all right, fair point.
Speaker 2: He's in the fridge. I don't know if he would.
Speaker 2: Actually it is like an industrial sized fridge. But still
Speaker 2: if he's a big.
Speaker 1: King two pudgy. Unless anybody stops in, he's going to
Speaker 1: kill the king.
Speaker 2: I'm like, well, okay, now, wait a minute, you, sir,
Speaker 2: I don't think that's a great idea. Wait, wait are
Speaker 2: we letting him do this? Guy's like, Sigma, what's going
Speaker 2: on here again? Yeah? All right, he is still waking up. Yeah, okay, listen,
Speaker 2: I'll be gonna be straight up. I'll be honest with you, Sigma.
Speaker 2: I was really excited to go to this wedding. I
Speaker 2: was more lost in my own fantasy. This guy seems
Speaker 2: like kind of.
Speaker 4: A Listen, Craig, and I like, patting back, you can
Speaker 4: still go to the wedding after this.
Speaker 1: Okay, he's gonna okay, he's gonna stab the king.
Speaker 3: Then was a regius size situation going on?
Speaker 1: It divida doesn't seem okay, crag, do you want to
Speaker 1: stop the killing? You're the only one who wants to
Speaker 1: stop it, apparently.
Speaker 2: I I'm just I'm conflicted.
Speaker 1: Honestly, you don't have a little time to be conflicted.
Speaker 1: He's swinging so so the rolling poly rolling pin comes
Speaker 1: down hard on the Kaiser and Kaiser like, yeah, fuss.
Speaker 2: Is going on my dog nine.
Speaker 1: His head explodes across the fucking fridge, blood everywhere. It's incredible,
Speaker 1: Thank you. You will all be third in my new kingdom.
Speaker 1: Oh wonderful. I guess they don't need the help of
Speaker 1: Grilmuth the wreck after all.
Speaker 2: But a deal, the deal through. Will you be at
Speaker 2: the wedding? Come and crumb, Yes, good morning, Crumb. Do
Speaker 2: you know where we are? Remember the apartments that you
Speaker 2: saw us go into.
Speaker 1: Yes, the the shipbread apartments.
Speaker 2: Yes, I need you to come and stamp on them
Speaker 2: with you in there.
Speaker 3: No, we'll be out of here in about five minutes,
Speaker 3: but I think the thing you're going to be standing
Speaker 3: on definitely won't be.
Speaker 1: It would take them a while to get into the city.
Speaker 1: That the mech quite slowly, but everybody the apartment.
Speaker 3: Plan is currently turned into jam and is across the floor.
Speaker 3: Now we have no king in the fridge. We've put
Speaker 3: associopath in charge.
Speaker 2: So captain Captain. That was the plan was to die.
Speaker 15: Now now we've got the fridge. Now nothing's in the
Speaker 15: fridge at all. Now we have to just convinced think
Speaker 15: people are in the fridge. The king dies, we were
Speaker 15: going to keep him as long as possible.
Speaker 4: The king is going to be cray poorly in approximately
Speaker 4: one day, and then the King of the Swiss Kingdom
Speaker 4: will be our ally until such a time as so you.
Speaker 2: Think a man this insane will be our ally?
Speaker 1: I mean do you guys haven't work for me now right?
Speaker 1: That's the whole point, is like to me? We will yeah, yes, well,
Speaker 1: oh all right, thorry your your Grillmarthur Racks.
Speaker 2: Guys, I should have known this was so.
Speaker 1: I appreciate that. Let Rack know that the job has
Speaker 1: been done and the kingdom will soon be under his control.
Speaker 3: Absolutely, we will do ste. You're right, we should probably
Speaker 3: going to chorte of grill master Rack. He seems to
Speaker 3: be the one that's in charge of about all of us.
Speaker 2: Yes, maybe that's car right, Yeah, probably need him.
Speaker 3: Yeah, I believe if you look around, some of the
Speaker 3: king is on you.
Speaker 5: Oh oh gosh, oh.
Speaker 2: Classic rolling then yeah, well.
Speaker 1: I must you know I've been I've been working out
Speaker 1: if you notice.
Speaker 2: We can tell.
Speaker 11: Yeah, believe maybe I've got to get ready for my
Speaker 11: wedding and you will I know what you will hear
Speaker 11: was a change Lord jelly Baby could stay.
Speaker 1: I don't mind him seeing.
Speaker 3: I think we all maybe need a bit of a break.
Speaker 3: Shall we go to the wedding?
Speaker 2: I would love to go to the wedding. I grab
Speaker 2: is there like a bow tie laying around? I could
Speaker 2: just kind of like put on my like you so
Speaker 2: just yes, I have a little I have that little
Speaker 2: like the little part, like the frill of it. But
Speaker 2: that's all I got, stigma.
Speaker 3: Shall we just let our hair down for a night
Speaker 3: and go to a lovely wedding, get back to liberating
Speaker 3: this planet from whatever fuxed up system it seems to have.
Speaker 4: Yeah, let's let's just have a part.
Speaker 2: Okay, wipe the ex king off you and let's go
Speaker 2: and enjoy the wedding.
Speaker 1: Okay, Well, you get invitations from the Duke because he's
Speaker 1: you know, it's his wedding.
Speaker 2: Thank you, So he there. Unfortunately you will are you
Speaker 2: guys doing this? Oh? This princess Marty's apparent like you
Speaker 2: guys are like you know each other really well?
Speaker 1: Right? Never we never well if he has to agree
Speaker 1: to it, that the other though, But I mean I've
Speaker 1: never met her before in my life, but he'th freshly
Speaker 1: of age of marrying.
Speaker 5: If not like the way you said that, I'm not
Speaker 5: trying like the way anything is said.
Speaker 2: Can you see what I'm saying when I say sometimes
Speaker 2: you just have to kill people based on vibes before
Speaker 2: what they've done. If you killed and knock him out
Speaker 2: of a four story building, are you doing that?
Speaker 3: Fuck?
Speaker 2: Fuck this guy? Fuck this guy?
Speaker 1: All right, I will say, do grony Poly isn't isn't
Speaker 1: your I think I just cut myself.
Speaker 2: Do grotty Poly isn't your? Age? Guy?
Speaker 1: He is of some strength, right, so this will be
Speaker 1: initiative if you're fighting croly Poly.
Speaker 2: I mean this guy. I do not think this is
Speaker 2: a good idea. You should not do this. I'm gonna
Speaker 2: say that right now. All right, my plan. I knew
Speaker 2: about this fucker, knowing about him. We've just said we're leaving.
Speaker 2: You will die. He will die eventually. You don't have
Speaker 2: time to have a team huddle.
Speaker 1: He is telling you to get out his his apartments.
Speaker 2: All right, yeah, yeah, yeah, okay, okay, so allow, yeah,
Speaker 2: we leave, we walk out. I'm like, all kay, now,
Speaker 2: you're this guy.
Speaker 4: Can we just go out of character for a moment,
Speaker 4: just in case there was a misedbeat in the previous
Speaker 4: sort of role player session.
Speaker 2: Yeah, no, go ahead.
Speaker 4: The the plan that everyone here agreed, yeah, was to
Speaker 4: let this guy kill the king. He marries the king's daughter,
Speaker 4: becomes the king, then we kill him with the giant
Speaker 4: gingerbread crew.
Speaker 3: Well, yeah, getting him with the giant gingerbread man after
Speaker 3: we had collected all four key cards, and only.
Speaker 2: If he was a bad king. Well, it's clearly a
Speaker 2: piece of so yeah, he's clearly a piece of ship. Yeah. Yeah,
Speaker 2: you know what, has anyone spoke to Princess Malespan and
Speaker 2: asked her what she thinks about all of this? Yeah?
Speaker 2: I think that might be not a bad idea.
Speaker 1: Uh yeah, it's I are you taking pocket with?
Speaker 2: You know, we're going to leave him with the duke.
Speaker 2: I think Pocket is probably safest with the duke. I mean,
Speaker 2: he could probably take care of himself, to be honest.
Speaker 1: With you, Okay, okay, So yeah, you go down the elevator.
Speaker 1: All right, Wait, do you want to go visit? Is
Speaker 1: that what you're doing pre wedding is visiting Princess Marsupan?
Speaker 2: We should go and that's an option? Yeah, yeah, Well
Speaker 2: you don't know. It's a wedding.
Speaker 4: Yeah, he be at the wedding, so we can speak
Speaker 4: to her at the wedding.
Speaker 2: Do you want to go to you want to be there? Yeah,
Speaker 2: but she has to she hasked to.
Speaker 1: H Yeah, so are you going to go into the
Speaker 1: castle pre wedding and hope that she turns up early,
Speaker 1: which she probably will.
Speaker 9: Well, we should go see Lady Bonbond and let her
Speaker 9: know that her invitation is open.
Speaker 3: If we go and see Lady Bonbon, we will also
Speaker 3: have to explain that her husband is no longer he's
Speaker 3: now gone gone.
Speaker 2: Yeah.
Speaker 1: This this series is.
Speaker 2: This Yeah? Oh, minimum, this is great. I think is
Speaker 2: going to be one hundred episodes. This is like the
Speaker 2: first major arc. No one will be alive on this planet.
Speaker 2: Three people.
Speaker 16: Okay, imagine if Holcake was first. Right in that case,
Speaker 16: that's a really good point. Maybe we should sneak back
Speaker 16: into the castle and wait for the princess and ask
Speaker 16: her what she actually thinks of all this.
Speaker 2: Yeah, that might get her opinion. That might be a
Speaker 2: good idea.
Speaker 3: Yeah, Sigmte, I need you to understand that she stands
Speaker 3: around and says that she absolutely hates this guy and
Speaker 3: doesn't want to go through with the wedding and we
Speaker 3: are killing him.
Speaker 2: But think about it. I agree with that.
Speaker 4: If we kill the duke, now there is no there
Speaker 4: is no king in this candy kingdom.
Speaker 2: There is a queen. I don't know. Yeah, I couldn't,
Speaker 2: couldn't like Marzapron just take over. Is there a queen
Speaker 2: in fact right now there's a queen?
Speaker 5: Hmm, there will be.
Speaker 2: I don't know how the succession works.
Speaker 4: I was just gonna say, if she marries the duke
Speaker 4: and becomes the queen through marriage, then we killed the duke.
Speaker 4: She's the queen anyway.
Speaker 1: But Vina, you are a queen, all right, you guys, okay,
Speaker 1: get into the castle. So you guys are going to
Speaker 1: the castle. You have the invitation specifically from Duke Rodi
Speaker 1: Poly so you should be able to get in by
Speaker 1: just saying that you are part of his entourage. He
Speaker 1: needs to get in to sort. You don't need to
Speaker 1: role play that. You guys, get into the castle now
Speaker 1: as esteemed guests of Duke roly police entourage, and the
Speaker 1: guards are leading you through and they're showing you what
Speaker 1: all the decorations are being set up, and she's like, well,
Speaker 1: this is why we're gonna have the dance, and this
Speaker 1: is blah blah blah. And you get led into the
Speaker 1: main room and there is Princess Marzipan sort of her.
Speaker 1: She's being attended to by a bunch of candied women,
Speaker 1: sweets in their hair, and they're like doing her like
Speaker 1: her hair, and you know, all of the she's getting.
Speaker 2: Prepared candy maids of honor.
Speaker 1: Yeah, and she yeah, she She looks up at you
Speaker 1: and she goes, oh, hello, are you it's one of
Speaker 1: you Duke roly Poly or one of you Doke roly
Speaker 1: police men.
Speaker 2: No, we are. This is the emissary of Duke roly Poly.
Speaker 2: Nice to meet you. I am the Amazon area of
Speaker 2: the Duke roly Poly.
Speaker 1: And the ashcar she's got today, they're quite goofy, I guess,
Speaker 1: but fair light yellow hair that comes down. She's dressed
Speaker 1: quite resplendently. She looks up, she goes, oh, okay, well,
Speaker 1: it's so nice to meet you.
Speaker 2: Oh I'm so yes, I understand. I was just here
Speaker 2: to send like a quick survey on a scale of
Speaker 2: one to ten. How attracted to Duke roly Poly are you?
Speaker 1: I mean, I've never met him, but you know it's
Speaker 1: he must be down for my father and this is
Speaker 1: the this is this is the role that I've taken
Speaker 1: as a as a princess of the kingdom. It comes
Speaker 1: with a lot of privileges and unfortunately, you know.
Speaker 2: So on a scale of one to ten, how happy
Speaker 2: are you with this arrangement? Oh, I mean, I can't.
Speaker 1: I can't possibly say my opinions are not supposed to
Speaker 1: be taken into a consideration here. There's more to.
Speaker 2: Life than marriage. That's a problem.
Speaker 1: Okay, I'm just I'm just concerned because I haven't seen
Speaker 1: my father in a while, and he's supposed to come
Speaker 1: and talk to me before the before the wedding, princess.
Speaker 2: That's a question exactly what your father sent us to
Speaker 2: talk to you about.
Speaker 1: Actually, Oh, so you're not Duke Rodi police men. You're
Speaker 1: my father's men.
Speaker 2: We we have multi classed into represented and your father.
Speaker 1: Oh so you're like mediarities meat, meat, you're like in
Speaker 1: between people. Your wedding planners were wedding planners.
Speaker 2: We're wedding. Yes, yes, What do you think of the
Speaker 2: wedding plans so far? Scale of one to ten.
Speaker 1: Oh, it's it looks incredible. I love the decor. I
Speaker 1: love the sweets, the candy, all of that. Yeah, well
Speaker 1: it's going great.
Speaker 2: Idea, wasn't it, Sigma. You you said we should have
Speaker 2: sweets and candy here.
Speaker 4: It just seemed right, you know, you.
Speaker 1: Bet there was very kind of you. I love sweets
Speaker 1: and candy. When me and my father when when we
Speaker 1: were younger, I remember he used to hide little bits
Speaker 1: of candy in the in the in the sugar soil,
Speaker 1: and I had to run around and find them, and.
Speaker 2: Oh it's what I was. Was he a good father?
Speaker 9: Oh?
Speaker 2: He was the best.
Speaker 1: I mean, it's one of the reasons why I I'm
Speaker 1: fine with this situation, because as long as it makes
Speaker 1: him happy and the kingdom happy. I just want what's
Speaker 1: best for my people and for my father.
Speaker 2: I see, Sigma, Can I have a word.
Speaker 9: A lot of there's a lot of a lot of this,
Speaker 9: so you guys, God will be yeah, crag Sigma.
Speaker 3: Yes, yes, I feel that she might be only going
Speaker 3: through with this wedding because her father told her to
Speaker 3: go through with it.
Speaker 2: I have gleamed that as well. Boss. Yes, Now I
Speaker 2: just bear with me, just just this blue sky. Think
Speaker 2: with me here. What if her father were to walk
Speaker 2: up to her and tell her that he's proud of
Speaker 2: her and can't wait to see her running the kingdom
Speaker 2: on her own because he needs to go on a
Speaker 2: long journey and then he leaves, never to be seen again.
Speaker 2: Well that would be great, boss, but he's how are
Speaker 2: we going.
Speaker 16: To do that?
Speaker 2: Crag?
Speaker 3: You're not going to believe this. I believe I can
Speaker 3: disguise myself as the king. There anybody conversation.
Speaker 2: I do want anybody to do this.
Speaker 1: Guyself doesn't let you change your height, and he is
Speaker 1: about two foot smaller than you.
Speaker 2: Ah, it does slightly, I think, does it.
Speaker 4: It doesn't let you change very size, but you can't
Speaker 4: change your height with it. I see, I see, captain,
Speaker 4: Captain Sigma plan. I think that you're right. She doesn't
Speaker 4: really want to go through with this. She only wants
Speaker 4: to do it because her father wants her to do
Speaker 4: with and her father is dead. The question is if
Speaker 4: she found out her father was dead, would she then
Speaker 4: be the queen of this kingdom? And would she then
Speaker 4: have the power to make her own decisions.
Speaker 2: That's a good question. Let's ask Princess Mazapan. We're back.
Speaker 3: Oh, yes, theoretically, I'm sure you're educating these kind of things.
Speaker 3: If your father were to, Heaven's forbid, die, what would
Speaker 3: happen to you within the hierarchy of this kingdom.
Speaker 1: Well, this is a weird question for the wedding planners
Speaker 1: to ask me.
Speaker 2: You want to be very, We're very. You need to
Speaker 2: cover all We've got different colored flowers, and we need
Speaker 2: sure exactly which cons we're bringing in. The wedding questions
Speaker 2: are coming up later. I'm a yellow all white.
Speaker 1: Yes, after my after my mother died, he never remarried,
Speaker 1: so I'm his only only child, and I guess, I
Speaker 1: guess I would I would naturally become the queen. But
Speaker 1: I think in the situation, I mean, I don't really
Speaker 1: know how to run a country. I just let if
Speaker 1: you know, if I was married to I just let
Speaker 1: he's a duke, he knows, I just let him do everything.
Speaker 3: That's that's absolutely spot on answer. But let's let's make
Speaker 3: this hypothetical a little bit more specific. Let's imagine that
Speaker 3: your father died within the next half an hour, thus
Speaker 3: dying before you are married. I know it's horrible to
Speaker 3: think about, but just it's a it's a mind game,
Speaker 3: it's a it's a it's a logic puzzle. Let's say
Speaker 3: that your father died in the next half an hour,
Speaker 3: you thus became queen, and you didn't want to marry
Speaker 3: the duke.
Speaker 2: Well, would you just stay as the queen? I guess
Speaker 2: I would.
Speaker 1: But if my father died in such a manner like
Speaker 1: I would be, I would fear for my own life
Speaker 1: and my own safety.
Speaker 3: Oh no, I understand. I I don't think your father's
Speaker 3: going to die in the next half an hour. That's
Speaker 3: pretty spot on. I can guarantee that's not going to happen.
Speaker 2: Not going to happen.
Speaker 3: If that situation did happen in a way that nobody
Speaker 3: was to blame, you would be strong enough to survive
Speaker 3: on your own.
Speaker 2: I am, I'm not so sure. I'm I'm sorry. I
Speaker 2: I wish, I wish I could say yes, I wish.
Speaker 1: But my father always told me that my heart was
Speaker 1: made of too much sugar and not the hardest mind
Speaker 1: soft and sifts through to my rest of my veins.
Speaker 3: Okay, Well, I need you to focus Miles plan because
Speaker 3: the wedding planning heavily revolves around you. Understanding that that
Speaker 3: may be a situation you find yourself in.
Speaker 2: Is my father's life in danger. Sorry, your father is
Speaker 2: definitely not going to die in the next half an hour.
Speaker 2: Is he already dead? Old? Make you say that? What
Speaker 2: a crazy thing to stay with.
Speaker 1: Phrasing of your centers is very particular. And I may,
Speaker 1: I may, I may seem docile, but I am an
Speaker 1: educated lady.
Speaker 2: That's what I was hoping say. You can run a country, right, guys,
Speaker 2: I've got a plan for you to say that. I'm
Speaker 2: only I'm only sixteen years of age. I'm afraid my
Speaker 2: all right, we'll chaps.
Speaker 3: I've got an idea. I've got a settle. It's out there,
Speaker 3: but it's it's an idea. Okay, here's here's the idea, right, Sigma,
Speaker 3: I'm going to need you to catch me if I
Speaker 3: fall from a great heights.
Speaker 2: Do you think you can do that?
Speaker 4: I perhaps there are two other more qualified people here
Speaker 4: for that.
Speaker 3: I'm going to need you to Sigma catching me if
Speaker 3: I fall from a great height.
Speaker 5: Yeah, I'm sure if you land on me it would
Speaker 5: be softer crag.
Speaker 3: I'm going to need you to cause a distraction which
Speaker 3: momentarily gets everyone to look one way, and then I'll
Speaker 3: be able to put this plan into.
Speaker 2: Action, all right, like right now, or like when you
Speaker 2: get a cry there.
Speaker 1: Yes, I'm here pocket the guys. We're on our way
Speaker 1: to the castle. Now we've left apartments. Oh quick, can
Speaker 1: you get the giant gingerbread titan here? Well, I'm in
Speaker 1: the city now and buy the shortbread apartments. But I
Speaker 1: can make it over.
Speaker 3: I walk over to the palace. Made me round the
Speaker 3: back on the floor. I need to put your hand
Speaker 3: on the ground and I'll be climbing onto it. Then
Speaker 3: I need you to lift me up into the air.
Speaker 1: Oh okay, right, I will try my best.
Speaker 2: So this is going to work. Okay, straight at willbox?
Speaker 6: Is this.
Speaker 2: In the distance?
Speaker 1: Giant gingerbread man approached the castle and Marsipan turns around
Speaker 1: and says, oh, my father, he's on his way.
Speaker 2: Yes, this is going to be difficult to explain.
Speaker 3: But what I need you to do is look at
Speaker 3: the gingerbread man unless you hear a distraction, in which
Speaker 3: case you'll look away.
Speaker 1: That doesn't make sense sense to me.
Speaker 5: Are you guys?
Speaker 8: Are just I.
Speaker 2: Listened in the middle of this conversation. I would like
Speaker 2: to leave. Okay, you leave.
Speaker 1: You run out of the castle towards the ground of bread.
Speaker 2: I've got the little thing. Everywhere you see a procession.
Speaker 1: Poly's men are coming now slowly, like approaching the castle.
Speaker 1: You Crumb puts his hand on the ground with a
Speaker 1: massive thud, squishing like a candy rabbit or something, and
Speaker 1: and you get on his hand.
Speaker 2: Yes, and he lifts to signal over to crag drag
Speaker 2: to a distraction. What's around me? What's an immediate vicinity
Speaker 2: of me?
Speaker 1: Were you in the throne room right now where everything
Speaker 1: is being set up? So I guess you've got the
Speaker 1: throne that has all the buttons on it.
Speaker 2: Oh okay, yeah, uh, just do you just smashed the throne?
Speaker 2: Do something? I mean, I guess that you smashed the throne.
Speaker 1: A bunch of the disco lights come on, and now
Speaker 1: it's broken, so they can't be turned off.
Speaker 2: So now it's just goes.
Speaker 1: Music's now flashing, manap distraction order up?
Speaker 6: Yeah?
Speaker 2: Yeah? What are you doing? What's going on?
Speaker 1: No? I leave this, She's she's flustered, confused, brickplan.
Speaker 2: What are you doing?
Speaker 3: As the hand of the giant gingerbread man is being
Speaker 3: lifted up, I would like to disguise myself as the king.
Speaker 2: Okay, so I've read a description.
Speaker 1: You can make yourself one foot taller or shorter, so
Speaker 1: you cannot make yourself as short as the king.
Speaker 3: But that's okay, because I'm going to be hiding behind
Speaker 3: bits of gingerbread on this hand as I kind of
Speaker 3: lean over the edge of the giant hand.
Speaker 2: Yeah okay. So, and then you would like to.
Speaker 3: Make sure that Sigma and Navena can see this and
Speaker 3: they know that it's actually me.
Speaker 2: Oh, we see it, And I would like to shout
Speaker 2: down mind the daughter.
Speaker 1: Okay, you've so through. Now you've come around the castles.
Speaker 1: It's a big blazing behind the like the stained glass
Speaker 1: behind the castle. And Martypan goes, father, father, Oh oh
Speaker 1: you're control yeah right, okay, father.
Speaker 2: To have on the message for you? Oh what is
Speaker 2: what is the message?
Speaker 1: Sorry, there's a madman in here smashing things up.
Speaker 2: It's okay, look at me. Don't look at him. That
Speaker 2: was just not distracting, But you must look at me.
Speaker 1: And staters really loud in here.
Speaker 2: I are always very proud of you. We're also believed
Speaker 2: in you.
Speaker 1: How are you controlling the mech from out there?
Speaker 2: Daughter? Listen to my ones? Okay.
Speaker 1: At this point, Duke roly Poly and his entourage enter
Speaker 1: the throne room with Pocket at his side. He's got
Speaker 1: a big force and he goes, my beautiful muthy pen. Oh,
Speaker 1: we've come to see you before you're ing and he
Speaker 1: he looks and he now sees Kaiser on the hand.
Speaker 1: He goes, what that's impossible.
Speaker 2: Mary looks over. What do you mean it's impossible? What's
Speaker 2: going on here? What are you saying? I have always
Speaker 2: loved you. You are wise, you are clever, you are brilliant.
Speaker 2: You'll get this. You can lead the kingdom by yourself.
Speaker 2: You do not need anybody else. If I were to
Speaker 2: somehow die, you would becomes a queen. And it is
Speaker 2: my dying wish that you ruled as a queen alone.
Speaker 2: Oh when you jump and try and get caught by.
Speaker 1: So Sigma and a Vina, I guess give me your
Speaker 1: fucking acrobat. How are you catching Rick plan smashed through
Speaker 1: the window.
Speaker 9: Yeah, but Jed jumping out the window for a start, Okay,
Speaker 9: because there.
Speaker 2: Is to be caught with nobody else seeing.
Speaker 1: Changing back to me this one do Sigma will do
Speaker 1: the stealthy aspect when the Vina will do the acrobatic aspect.
Speaker 1: So Sigma, you give me a stealth Rowvina, you give
Speaker 1: me an acrobatics roll.
Speaker 2: This will work, This will work, will work. Yeah, it's
Speaker 2: very hidden, white sock. I guess you create like a
Speaker 2: Warfrey landing pad of jealous landing.
Speaker 1: I just saw on your board like a flatfish the
Speaker 1: MARSI pan is distressed, go for the.
Speaker 2: Off thevena and landed back in the room as Rick plan. Yes, okay, ah,
Speaker 2: I've just seen your father fall to his death. But
Speaker 2: I think we all heard his final words. A duke
Speaker 2: roly Pony.
Speaker 1: Goes, well, no matter, fridge, Adam, would you throw the
Speaker 1: fridge of mars. Give me your rod to hit with
Speaker 1: the fridge. Give me a roll to hit with a fridge.
Speaker 1: You hit him, do the damage. Thirteen The fridge hits
Speaker 1: him in the forehead.
Speaker 2: He goes.
Speaker 1: I think, oh, I see how it is, and I
Speaker 1: guess at this point I will be rolling initiative.
Speaker 2: He's not dead. Mark. I'm sorry the plan didn't go
Speaker 2: the way that your plan was smarter. It was, but
Speaker 2: this is where we're at now.
Speaker 3: I don't think there was a single aspect of my plan.
Speaker 3: I think we have convinced the princess that she is
Speaker 3: a capable queen. We have traumatized her just enough with
Speaker 3: the death of her father in front of her eyes
Speaker 3: that she's going to do a damn good job at
Speaker 3: being queen. And the best one is nobody finds out
Speaker 3: that we actually killed her dad.
Speaker 4: I really enjoy the fact that you didn't think just
Speaker 4: to tell her that Roly Folly had killed her dad.
Speaker 2: And that his corps is in the apartment. Yeah, that's
Speaker 2: actually a good point. She would never have married.
Speaker 5: I don't think Mazupan has any reason to be on
Speaker 5: our side about that.
Speaker 3: I feel that, yeah, Princess Marzapan might not understand that
Speaker 3: we're the good guys in this situation.
Speaker 2: Yeah, yeah, yeah.
Speaker 9: We are.
Speaker 2: We are the reason the king's dead. You've just thrown
Speaker 2: a fridge at the duke. Yes.
Speaker 1: He takes the thirteen damage and he go, wa, we
Speaker 1: are here. He pulls out his gamerally pony weapons, his
Speaker 1: knights get out their swords and armor. Pocket looks round
Speaker 1: and he's like, well things have gone to shit. Mary
Speaker 1: Pan's like, what is going on? The fucking disco music
Speaker 1: still pumping. Nevena, you are first.
Speaker 9: To go A Navena is going to run towards the princess,
Speaker 9: and I guess dash, yeah, because I'm gonna have to
Speaker 9: to move there.
Speaker 2: It's a big phone room.
Speaker 1: I start ten feet of movement. Yeah, you're going to
Speaker 1: the princess, my queen.
Speaker 5: I believe this is probably not going to be a
Speaker 5: safe enviroument's very soon. Perhaps it is best if you
Speaker 5: come with me.
Speaker 2: Wait wait would they Why would I come? You just
Speaker 2: attacked the.
Speaker 5: Duke to be first crack attacked to the duke.
Speaker 2: I did not actually the fridge attack. Are you not
Speaker 2: even winning planners?
Speaker 1: I don't think she'll come with you, uh, unless you
Speaker 1: have to convince her somehow.
Speaker 2: Okay, what have I said?
Speaker 5: There will be a fight soon. It is no place
Speaker 5: for ladies.
Speaker 2: I mean I think she won't come with you, but
Speaker 2: she will hide.
Speaker 1: Okay, fine, yeah, pockets turned, I can convince her to hide. Yeah,
Speaker 1: pocket goes all right, Duke, he turns around. Let's get
Speaker 1: these motherfuckers. But first let's shake on it. Oh god,
Speaker 1: and the duke goes down towards him. He goes, I mean,
Speaker 1: his own conventional jelly baby, but head fake before a
Speaker 1: bat if, very cordeous. He puts out his hand. They
Speaker 1: shake each other's hand and then they explode and saving
Speaker 1: this they're both just going to take the damage.
Speaker 2: Did Pocket just blow up his own hand? Yes? Yes,
Speaker 2: so he described this weapon like, yeah, yeah, I think
Speaker 2: Park it's just insane. So it's great.
Speaker 1: So Pocket gets blasted back, his hand flies off, he
Speaker 1: falls on the ground unconscious.
Speaker 2: The duke takes William No, he did it right, William
Speaker 2: fucked that up.
Speaker 6: He did it right.
Speaker 1: The Duke takes a big chunk of damage, and the
Speaker 1: two nights next to him will have to do saving
Speaker 1: throws because there is within the explosion range, but unfortunately not.
Speaker 2: Like it's not instant losses. So one of them succeeds,
Speaker 2: the other one explodes as well and dies. How much
Speaker 2: was the success needed for that role? It needed to
Speaker 2: be a I think a fifteen. I don't think you can.
Speaker 3: Can I take a cutting word reaction to attempts to
Speaker 3: reduce their role using one of my Bardic inspirations.
Speaker 1: Did you do that for saving throes?
Speaker 2: For saving those it's an ability check or a attack role, so.
Speaker 1: Not saving throw not a same yeah, because Bards have
Speaker 1: a different thing that can you can do for saving floes,
Speaker 1: and I think it's a different subclass. So unfortunately not.
Speaker 2: Anyway.
Speaker 1: Yeah, this bomb goes off, it sayds, pocket flying probably
Speaker 1: crashy against one of the pillars in this room. He
Speaker 1: is now unconscious. His hand is missing. The duke has
Speaker 1: scars across his body, his arms and burst it open,
Speaker 1: and he looks weak and wounded.
Speaker 2: Crag it is your turn, all right. I just look
Speaker 2: down at the duke and it's just I pull out
Speaker 2: my great war pick and I start charging towards him.
Speaker 2: Now he's far away from me. He's about fifty sixty
Speaker 2: feet away from me. I'm gonna use my action to
Speaker 2: dash sixty feet get right up to his face. Yes,
Speaker 2: then action surge to attack him. Okay, great, Yes, yeah great.
Speaker 2: I don't think is action surge a bonus action or
Speaker 2: is just a thing I'm doing. It's just a thing
Speaker 2: you do, so you still have your bonus action. Bonus action.
Speaker 2: Giants mighte to increase in size too huge, okay, so you.
Speaker 1: Just grow in this room, your body feels out. I
Speaker 1: know rules is written and it only goes up to large,
Speaker 1: but for this large, so he's turning into a giant ashcar.
Speaker 1: As I guess, the molten lava from your body is
Speaker 1: increasing your size as it hardens, but also the core
Speaker 1: inside of you is pulling parts of the scenery around,
Speaker 1: so you're like bits of hardened candies being attached to
Speaker 1: your body to increase your size.
Speaker 2: And I'm looking down at myself and my war pick
Speaker 2: as these weird runes begin to appear and burn into
Speaker 2: my weapon, and I'm like the red of Obscar Ashcar magic.
Speaker 2: I have become the the Riz, the ancient, the language
Speaker 2: of my ancient people, the Riz nights or whatever. I
Speaker 2: don't know. I just making this up. I bring it down, okay, yeah,
Speaker 2: him the damage, Yes, yes, I got that. I got
Speaker 2: the extra damaged fire shackles with giants MICUs. The fire
Speaker 2: room is on the war pick. Of this hits, which
Speaker 2: I hope it does.
Speaker 1: No, it's a critical fail. So wait, so you bring
Speaker 1: the war pick down and the Duke he puts up
Speaker 1: some suet jam roly poly in the way and he
Speaker 1: blocks it and he goes maybe big, but I know
Speaker 1: how to handle big ones.
Speaker 2: I was really really into the magic powers I just received.
Speaker 2: I thought that this would actually hurt you. Okay, it's
Speaker 2: no Duke's turn. It is now the Duke's turn.
Speaker 1: Bring it on. He pulls out his giant Yeah, of course,
Speaker 1: and he's going to try and he says, pierce through
Speaker 1: your body with it. He comes the roly Poly. He's
Speaker 1: a strong guy.
Speaker 2: He hits.
Speaker 1: Oh man, it extends through your body, ripping through your
Speaker 1: eighteen damage.
Speaker 2: What does it need to hit? What? What's your armor class? Crack?
Speaker 2: It's fifteen. You can cutting words that if you want to.
Speaker 2: But it's cutting words it. But you'd need to roll
Speaker 2: a five or a six. You roll, but yes, you
Speaker 2: would need to roll.
Speaker 10: That.
Speaker 2: I think I think it's well now if it's a
Speaker 2: if it's a five, it still hits right, Yes, appoint
Speaker 2: it would need to roll a six. Do you want
Speaker 2: me to try and reduce the damage on that slightly?
Speaker 2: I mean, if you want to, these are your resources.
Speaker 2: I'm I'm not down, so yeah, you're not down, but
Speaker 2: I think it's going to be important to reduce the damage.
Speaker 2: You tell what you got to do.
Speaker 3: As as you stabbed through, I want to try and
Speaker 3: shout out some attempt to instruction to you to dodge
Speaker 3: because I can see where this attack is coming from,
Speaker 3: which is not going to help you enough to dodge,
Speaker 3: but might help you enough just to avoid as much
Speaker 3: damage which means I'm going to expend a bardic inspiration
Speaker 3: dice to do cutting words which will reduce the damage
Speaker 3: of that attack.
Speaker 1: Okay, great, So the roly Poly rolls through you, penetrates
Speaker 1: your molten core, sort of ripping some of the stone apart.
Speaker 1: But the dama is produced by six as you manage
Speaker 1: to like something dodge slightly out the way, so it's
Speaker 1: only going through maybe the side of your body, so
Speaker 1: you take twelve damage total.
Speaker 2: All right, sigma.
Speaker 4: So I'm all the way back at the back of
Speaker 4: this room, right near the brooken thrown. I'm going to
Speaker 4: cover a little bit of the distance kind of in
Speaker 4: the direction of where Marzipan is hiding behind like the
Speaker 4: tables and decorations or whatever. Yeah, yeah, yeah, I'm just
Speaker 4: gonna I am gonna like call out to her as
Speaker 4: a like hiding behind some stuff. Yeah, Princess, your father's
Speaker 4: final words. He believed in you to rule this kingdom.
Speaker 4: You cannot rule. Well, this evil man thrives to take
Speaker 4: your hand.
Speaker 2: You're a queen. Now we do this for you.
Speaker 1: He's I've only heard good things about Duke roly Poly.
Speaker 1: You were the ones who attacked him.
Speaker 2: That to pick my word for it.
Speaker 4: I'm going to try to shoot.
Speaker 2: Fourteen just misses.
Speaker 1: You guys are not hitting he just like he's blocking
Speaker 1: it with fucking roly Poly's out his asshole.
Speaker 4: I don't think I can do anything else right now.
Speaker 2: That's it.
Speaker 5: That's it, that's it for me.
Speaker 2: Doctor Cone.
Speaker 1: Crumb he is, he's got his mech and he's speaking
Speaker 1: through the thing right now. He goes, guys, what do
Speaker 1: you need me to do? Guys, I don't have the calm. Yeah, Rick,
Speaker 1: tick Manavena, anyone, what do you need? Can you can
Speaker 1: you see through the eyes of the giant mech? Yes,
Speaker 1: I hate all my monitor right now. I need you
Speaker 1: to make sure the pocket is okay. Can you pick
Speaker 1: him up and get him out of this fight? He
Speaker 1: just did an incredibly heroic thing. I don't know if
Speaker 1: I can get in through the wit like he's he's
Speaker 1: quite far deep in there. I mean I'll have to
Speaker 1: I mean I'll have to enter the room. Oh boy,
Speaker 1: wait Worth wait, wait, wait, need to say. I'm gonna
Speaker 1: I'm gonna speak to Crumb. I'm gonna speak to Crumb
Speaker 1: while we are fighting. Currently, there is no corpse of
Speaker 1: the king where he supposedly fell, could you please retrieve
Speaker 1: the corpse of the king from the apartments and put
Speaker 1: him where he fell.
Speaker 3: Same, I'm just gonna update you that the cause of
Speaker 3: the king is remarkably more liquid than the last time
Speaker 3: she saw him.
Speaker 1: But you could just pretend that on his head.
Speaker 2: Yeah that's true.
Speaker 1: Yeah, okay, that so the mech starts moving away at
Speaker 1: this point, to which then Marsypan goes, wait, if my
Speaker 1: father's not controlling the who's controlling the gingerbread?
Speaker 9: Meg?
Speaker 4: Where was the pie of your father's.
Speaker 2: Well, it's in It's in a side, secret room.
Speaker 4: It's in Crumb's room.
Speaker 2: It was the bottom. Wasn't on the throne? That no no, no, no, no,
Speaker 2: no no no.
Speaker 1: Yeah, but he's just stuck in there. It was a
Speaker 1: thing on the on the wall, like a panel. Okay, Rick,
Speaker 1: it's your turn.
Speaker 3: I'm going to look around and go well, so far
Speaker 3: this plan has gone remarkably well. However, I don't appreciate
Speaker 3: the fact that Pocket has just sacrificed himself and done
Speaker 3: a great deal of damage. So I would like to
Speaker 3: attempt to run over the Pocket.
Speaker 1: And yeah, yeah, he's crushed against here. You can I
Speaker 1: think you could use all your movement to just said
Speaker 1: you get up to him. You're in that group when
Speaker 1: a vena marsipanded Pockets on conscious body.
Speaker 3: Right, I want to have a look at Pocket and
Speaker 3: assessed the damage he's on.
Speaker 2: He looks like he's going to die. Potentially his head
Speaker 2: has fallen off. Not on my watch. I'd like to
Speaker 2: kneel down and cast healing word on Pocket.
Speaker 3: Go ahead, two D four rolls to total sevens Charisma's four,
Speaker 3: so a total of eleven eleven.
Speaker 1: So Pocket opens his eyes I know, and it's your
Speaker 1: bonus action as well, so you can still do an
Speaker 1: action as long as it's not a leveled spell. Pocket
Speaker 1: opens his eyes and goes, yeah, Ricky.
Speaker 5: Did I do a good job.
Speaker 3: You did a bloody good job, Pockets. You did one
Speaker 3: of the most selfless things I've ever seen. Now, I
Speaker 3: need you to get the hell out of here before.
Speaker 1: Then looks over at Sigma, who's in his eye line now,
Speaker 1: and goes, yeah, yeah.
Speaker 2: That Sigma, he did a good job. Good thing that's
Speaker 2: not ruin it. Yeah.
Speaker 1: He gets up and he pulls out his pistol and
Speaker 1: he's like, I mean, I'm ready to keep that in
Speaker 1: the good fight, all right, Rick.
Speaker 3: You know, I don't think you're that good a shot.
Speaker 3: I don't think you could hit the hit the juke
Speaker 3: while he's lying on the floor. Do you think you could?
Speaker 2: And he's standing up?
Speaker 1: But I could obviously.
Speaker 2: Okay, Well see if you can do a better shot
Speaker 2: than this.
Speaker 3: I would like to turn around, pull out one of
Speaker 3: the knives that I've got from Crag's endless body and
Speaker 3: just throw it through their attempt to roll it into
Speaker 3: Duke roly Poly.
Speaker 1: Okay, give me that, give me that knife attack It
Speaker 1: flies to the Oh my god, nothing's hitting this guy.
Speaker 2: He's got a shield like Garra of Just like I
Speaker 2: would to expend a luck points to be able to.
Speaker 1: Roll, you cannot do that. I have now learned that
Speaker 1: luck is not retroactive anymore. You have to say before
Speaker 1: you make the roll if you're using it.
Speaker 6: Yes.
Speaker 2: So Pocket just sees me throw a knife at the
Speaker 2: distant Pocket goes, let's see you do that. Pocket.
Speaker 1: Oh, I don't think he's looking at you. He's still
Speaker 1: making eye contact with Sigma and just grinning.
Speaker 2: Ok.
Speaker 1: The Knight, who's still alive, turns round to the Duke
Speaker 1: and says, they seem stronger than we expected.
Speaker 2: And they did go.
Speaker 1: They fain contact Rack for me. We may need a
Speaker 1: plan B the night goes. OKAYO, Rack, do it. And
Speaker 1: what you now see in the distance, the giant gingerbread
Speaker 1: dragon is now flying towards the castle.
Speaker 2: That finally came back around from Yes ever seen Godzilla
Speaker 2: versus Mathra. I wasn't allowed to watch movies. We couldn't
Speaker 2: afford a TV.
Speaker 3: Right, I'm going to need you to get the giant
Speaker 3: gingerbread mech back here, right, take out the giant gingerbread dragon.
Speaker 2: Right, will do kid you time?
Speaker 1: And yeah, the giant gingerbread mech turns round. You see
Speaker 1: the giant gingerbread dragon approaching the throne room at this moment,
Speaker 1: riding on its back. You see this ashcar man wielding
Speaker 1: a flaming hammer. And at this point we will do it.
Speaker 1: To be continued, Ah damn, okay is Rack on his back.
Speaker 1: The engine hummed beneath them, uneven and irritable, like it
Speaker 1: resented being asked to work at all. Sweet sat in
Speaker 1: the back seat, knees drawn in every jolt of the road,
Speaker 1: rattling up through his spine to his left mock sprawled
Speaker 1: as much as the cramp space allowed metal gauntlets Resting
Speaker 1: casually on its thighs. Sweet noticed with a flicker of
Speaker 1: misplaced concern that the lichen wasn't wearing a seat belt.
Speaker 1: He wisely kept the observation to himself. At the wheel
Speaker 1: was the woman from the camp Corrigan. Apparently he'd picked
Speaker 1: up the name for the other's chatter. She drove with
Speaker 1: one hand, relaxed but alert, eyes forward, as if the
Speaker 1: rattling death trap beneath there was exactly what she'd expected
Speaker 1: from the day the truck itself was stolen. That much,
Speaker 1: Sweet had gathered one of spork and his sizzle yard
Speaker 1: as old machines. It looked like he had been assembled
Speaker 1: from spare parts that had once dreamed of being useful,
Speaker 1: and the way it lurched over the terrain suggested it
Speaker 1: was still bitter about the outcome. Beyond that, he still
Speaker 1: didn't have a clear picture of what was happening, only
Speaker 1: that it evolved violence to people who are very comfortable
Speaker 1: with it. Yet his armor back now the familiar weight
Speaker 1: helped his weapon too, resting where it belonged like an
Speaker 1: old friend, but the collar still sat heavy around his neck,
Speaker 1: cold against his skin, a reminder that being armed didn't
Speaker 1: necessarily mean being free, if it's not too great of
Speaker 1: an imposition, Sweet ventured carefully, Might I inquire as to
Speaker 1: our destination? Mox cut him a sideways glance, one eye
Speaker 1: lingering longer than the others. We're headed to the seasonly hard.
Speaker 1: Sweet nodded as though that explained things. In fairness, it
Speaker 1: did explain the vehicle choice. They were likely hoping to
Speaker 1: blend in with it, slipping by similar vehicles unoticed, and
Speaker 1: may I further inquire it? Then he said, unable to
Speaker 1: stop himself, now why the sizzle yard Mox's side and
Speaker 1: shifted upright the seat, protesting beneath his weight. He looked
Speaker 1: like a man annoyed by the question, but more annoyed
Speaker 1: by the idea of not answering them were dealing with
Speaker 1: the consequences later. Out of all the warlods, he said,
Speaker 1: spork is the most explosive.
Speaker 2: He rolled the word around like he enjoyed it. Moment
Speaker 2: the war.
Speaker 1: Kicked off, he went straight on the offensive, sent his
Speaker 1: best people out in every direction to spread chaos and destruction.
Speaker 1: Outside the window of the world darkened, rivers of oil
Speaker 1: slid sluggishly through the land, reflecting the sky and slick rainbows.
Speaker 1: The spice plains gave way to scorched earth and blackened rock.
Speaker 1: Steam guys is hissing up from the ground like overwort
Speaker 1: kettles in a giant, badly managed kitchen. Fuse, flashbang, even smoke.
Speaker 1: Mox continued, All sent off to different kingdoms, left home, thin, careless,
Speaker 1: Sweet frowned, and how exactly do you know all this?
Speaker 1: The lichen shrugged. You used to be a scissor yarder myself.
Speaker 1: You don't really stopped listening. After that, he reached up
Speaker 1: and patted the roof of the truck fondly.
Speaker 2: That's how I got this sord beauty, with.
Speaker 1: My help, Corragan added flatly from the front. Yes, yes,
Speaker 1: mok said, grinning with her help. Turns out are not
Speaker 1: so great at the whole eyed jacking part. There was
Speaker 1: something about the way he was talking, casual, almost cheerful,
Speaker 1: that made Sweet Stomach Titan Moxhin's sound like a man
Speaker 1: heading into danger. He sounded like a man heading into
Speaker 1: familiar inconvenience. Back at the camp, he had spoken of
Speaker 1: blood and backstabbing. The objective seemed obvious to Sweet, but
Speaker 1: he swallowed and asked the question anyway, So he said,
Speaker 1: we are to drive in there and kill him. Mox's
Speaker 1: grin widened, sharp and pleased.
Speaker 2: That's the spirit.
Speaker 1: Sweet leaned back against the rattling frame of the truck,
Speaker 1: dread setting in deep and heavy. When he'd set out
Speaker 1: to find a greater purpose, he'd imagined hardship, self discovery,
Speaker 1: perhaps a moral dilemma or two. He not expected murder
Speaker 1: to arrive quite so promptly. Mox must have caught the
Speaker 1: look of Sweet's face because a heavy iron cladded hand
Speaker 1: him down on his shoulder. The weight of it was
Speaker 1: meant to be comforting, it was not. Don't worry, sir Knight,
Speaker 1: he said, voice bright, with entirely unearned confidence.
Speaker 2: We've got a plan.
Speaker 1: It's not a great plan, Corragan added from the front,
Speaker 1: without looking back, neatly, undoing whatever reassurance he'd been aiming for.
Speaker 1: Mox waved it off.
Speaker 2: Don't listen to her.
Speaker 1: You're going to do great. Sweet felt a tightness in
Speaker 1: his chest that suggested crying might be imminent, undignified and
Speaker 1: entirely reasonable. And it's really just the three of us,
Speaker 1: he asked quietly. He found himself hoping absurdly that a
Speaker 1: small army might suddenly rise from the plains, ready to
Speaker 1: share the weight of what was coming. Mok shrugged, Well,
Speaker 1: he said, I don't know if you noticed that most
Speaker 1: of my people aren't exactly in fighting shape. Lack of
Speaker 1: food does that to you?
Speaker 2: I was fair enough.
Speaker 1: They were called the starved, after all. Still the thought lingered.
Speaker 1: He glanced sideways at his captor. For a man leading
Speaker 1: the hungry and half broken, he was not broad shoulders,
Speaker 1: solid muscle, no hollow cheeks, no weakness in the way
Speaker 1: he moved. If it is not impolite to inquire, he said, carefully,
Speaker 1: how is it, then, that you remain in such excellent condition?
Speaker 1: Moxs' His hand slipped from his shoulder. He turned his
Speaker 1: head towards the window, suddenly very interested in the passing wasteland.
Speaker 1: That's not important right now, he said. There was a
Speaker 1: strange look about him now, one of uneasy awkwardness. Sweet
Speaker 1: had seen men do this before, officers, veterans, nobles who'd
Speaker 1: laughed easily until a single word struck too close. It
Speaker 1: was a look of a door slammed shut in a hurry.
Speaker 1: Whatever Mox had been willing to share, it clearly stopped there.
Speaker 1: He opened his mouth to say something, maybe apologize, maybe not.
Speaker 1: But whatever might have been said next was torn away
Speaker 1: by noise, not just a loud noise, and all consuming one,
Speaker 1: the sort that didn't merely fill the air, but replaced
Speaker 1: it entirely, as if the universe had decided to shout
Speaker 1: directly into their skulls. The explosion came from beneath them.
Speaker 1: The truck ceased to be a vehicle and became briefly
Speaker 1: a very badly thought out idea. The world flipped, The
Speaker 1: engine screamed, metal shrieked to something important, gave up on
Speaker 1: being attached, sweet felt weight, vanish, stomach lurching as gravity
Speaker 1: took a moment to reconsider its priorities. He was flung sideways,
Speaker 1: up then down directions, losing or meaning armor, slammed into metal,
Speaker 1: His head cracked against something unforgiving. Somewhere nearby, Mock's roared
Speaker 1: anger or pain, he couldn't tell which. The truck spun
Speaker 1: through the air slow enough for him to register a
Speaker 1: sky where the ground should be, and then impact. The
Speaker 1: world folded in on itself, glass exploded inwards. The vehicle
Speaker 1: hit upside down with a bone rastling, crunch, metal, screaming
Speaker 1: as it skidded and finally collapsed into stillness. Sweet's vision
Speaker 1: flashed white, then red, then nothing at all. He felt
Speaker 1: himself losing consciousness.