WEBVTT

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<v Speaker 1>Report to Transporter Room three.

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<v Speaker 2>Oll Brian here, I need you in Transporter Room three.

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<v Speaker 1>This is the Captain. Meet me in Transporter Room three.

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<v Speaker 3>Join us in Transporter Room three.

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<v Speaker 1>Captain. We're heading for Transporter Room three. This is your

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<v Speaker 1>favorite transport room, isn't it. You're listening to Transporter Room

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<v Speaker 1>three with your hosts, Phil Perello and sak Laura Energize.

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<v Speaker 2>Welcome back to a new episode of Transporter Room three.

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<v Speaker 2>Mister Scott. How are you.

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<v Speaker 1>I'm doing all right, Phil. A couple of things going

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<v Speaker 1>on in the world of Star Trek at the moment.

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<v Speaker 1>One of them is the it's just the already fifth

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<v Speaker 1>anniversary of the best of both worlds if you can

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<v Speaker 1>believe it.

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<v Speaker 2>Yes, yes, And we're continuing our celebration of that very

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<v Speaker 2>landmark anniversary for both of us, that landmark episode with

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<v Speaker 2>an interview with Michael Lokuda, which you can check out

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<v Speaker 2>on our Patreon.

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<v Speaker 1>Yeah.

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<v Speaker 2>He does a very very deep dive on the making

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<v Speaker 2>of the episode, his role in shaping the character of

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<v Speaker 2>the tenant Shelby. He also unpacks how the old school

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<v Speaker 2>the analog digital process they used to make the spinny

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<v Speaker 2>Star Drive graphics.

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<v Speaker 1>Oh yeah, right, yeah, yeah, yeah, pretty cool.

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<v Speaker 2>And he also talks about his role in working on

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<v Speaker 2>Star Trek four, his first Star Trek project, and why

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<v Speaker 2>there was only one shot.

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<v Speaker 1>Of the bridge Okay, no beauty.

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<v Speaker 2>Passes, no nothing, just one shot of the new Enterprise

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<v Speaker 2>a bridge at the end of Star Trek four. It's

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<v Speaker 2>a fascinating chat. He's to say this's a nice guy

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<v Speaker 2>would be a an understatement. He's just it was one

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<v Speaker 2>of the coolest chats I've ever had with a Star

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<v Speaker 2>Trek person.

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<v Speaker 1>That's awesome. Yeah, that bridge is like that was a

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<v Speaker 1>one and done bridge too, right, because one and done

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<v Speaker 1>you get to Star Trek five. It's a different bridge, right,

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<v Speaker 1>So yeah, okay, so yeah, go check that out over

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<v Speaker 1>on our Patreon where there's at this point over forty

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<v Speaker 1>exclusive Patreon episodes that we've recorded. So if you guys

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<v Speaker 1>have just been on the free feed here, that's forty

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<v Speaker 1>episodes of Transported Room three just waiting for you to

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<v Speaker 1>check out.

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<v Speaker 2>We have multiple Ron Moore and Brendan Braga interviews. We

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<v Speaker 2>have Sir Patrick Stewart talking about the threest anniversary of

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<v Speaker 2>all Good Things. Yeah, and we got Captain James Tiberius.

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<v Speaker 1>Kirk Yeah, the Shatner the chat, and we edited out

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<v Speaker 1>the part where he almost choked to death as well.

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<v Speaker 2>But I wish I could do that in my memory.

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<v Speaker 2>I wish I could just go to recall get that, take.

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<v Speaker 1>It out, you know what. But just like Captain Kirk,

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<v Speaker 1>he pulled through, He figured out a way through that

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<v Speaker 1>particular quagmire, and he triumphed in the end.

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<v Speaker 2>So he doesn't believe in choking on toast scenarios.

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<v Speaker 1>Okay, so we're gonna talk about Duet the Deep Space

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<v Speaker 1>nine episode on the occasion of the passing of the

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<v Speaker 1>actor from that episode who plays Maritza Harris Jolin. Am

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<v Speaker 1>I pronouncing his name correctly.

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<v Speaker 2>Harish Ellen. Yeah, an incredible actor and terrible coincidence. The

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<v Speaker 2>week before he passed away, I saw him in one

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<v Speaker 2>of his best performances, clear in Present Danger. I went

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<v Speaker 2>to see a revival screening of it and a beautiful

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<v Speaker 2>thirty five millionaire print. His performance killed that movie.

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<v Speaker 1>Yeah, he's great. So before we before we do that,

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<v Speaker 1>let's talk a little bit about the news that just

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<v Speaker 1>came up a couple of days ago, which is that

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<v Speaker 1>Change the Worlds is canceled. It's not done yet, but

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<v Speaker 1>it has officially been canceled. There's season three will be

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<v Speaker 1>airing this summer. I think in July. I think it debuts.

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<v Speaker 1>Season four is in production now.

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<v Speaker 2>Ish, I think it's wrapping up.

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<v Speaker 1>Yeah, okay, and then they so they've they announced that

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<v Speaker 1>there will be a season five, but it will only

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<v Speaker 1>be six episodes and then that's it shows done after that.

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<v Speaker 1>What do you think of that when you heard that news.

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<v Speaker 2>I wasn't surprised. I was more surprised at the timing. Yeah,

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<v Speaker 2>they haven't even done the junket yet for season three, right,

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<v Speaker 2>and the top question is going to be something around

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<v Speaker 2>what's it like to know this early that you're going

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<v Speaker 2>to be canceled? Or how are you preparing for the

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<v Speaker 2>final ups? You know all that stuff. Yeah, that feels

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<v Speaker 2>very questionable and just not I don't know what motivated

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<v Speaker 2>the time. Yeah, traditionally and when news like that hits,

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<v Speaker 2>it's because someone in the trades is sniffing around it. It

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<v Speaker 2>was going to announce it before they did, and they

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<v Speaker 2>wanted to control the narrative. But I don't know, I

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<v Speaker 2>don't know what the rationale was for that.

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<v Speaker 1>Could it be I don't know if this makes sense

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<v Speaker 1>but could it be that they were trying to get

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<v Speaker 1>ahead of of like the company, you know, Paramount potentially,

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<v Speaker 1>you know, like saying like, all right, you guys are done,

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<v Speaker 1>so that once they announced that it's happening, it's kind

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<v Speaker 1>of like, well now we kind of have to do

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<v Speaker 1>it something like that. Maybe I don't know, but but yeah,

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<v Speaker 1>I agree, it's odd because we're so far off, you know,

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<v Speaker 1>we're essentially we're at the halfway point right now, right

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<v Speaker 1>because we've only had two seasons that have actually aired.

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<v Speaker 1>So it also feels.

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<v Speaker 2>Six episode five fifth season, six episodes, like.

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<v Speaker 1>That's it's not even a season, right, but ten episodes,

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<v Speaker 1>which is what they've been doing is barely has barely

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<v Speaker 1>been a season, you know. So it feels a little

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<v Speaker 1>bit like when they ended Lower Decks two, which they

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<v Speaker 1>went out of their way to announce it as a

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<v Speaker 1>not a cancelation, but just the series ending coming to

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<v Speaker 1>its natural end, which is definitely not what Mike McGann,

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<v Speaker 1>the showrunner, He did not feel it was coming to

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<v Speaker 1>its natural end. He's kind of basically said that at

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<v Speaker 1>this point. So so I don't know if it's trying

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<v Speaker 1>to control the narrative, but it does feel it feels

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<v Speaker 1>odd like, as you say, but now that's what everyone's

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<v Speaker 1>going to be talking about as the new season launches.

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<v Speaker 1>So in terms of the show itself, it also feels premature.

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<v Speaker 1>I mean, I'm not, like you said, I'm not surprised

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<v Speaker 1>because it does feel like Paramount plus and Paramount in

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<v Speaker 1>general are there, and there was all this merger talk

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<v Speaker 1>that's going on. They're trying to there's been a lot

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<v Speaker 1>of layoffs, they're trying to say, trying to save money

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<v Speaker 1>anyway they can the Star Trek brand.

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<v Speaker 2>For the guys up top of course, millions of dollars

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<v Speaker 2>for their bad decision that cost people their jobs.

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<v Speaker 1>Yeah yeah, no, oh well that's but those guys they

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<v Speaker 1>deserve that. So yeah, but but uh, it feels like

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<v Speaker 1>Star Trek, the sort of modern age of Star Trek

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<v Speaker 1>on TV is kind of coming to an end.

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<v Speaker 2>Also, Yeah, because there's good I feel confident that there

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<v Speaker 2>will be some change ups when any of sky Dance

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<v Speaker 2>takes over.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, so I know that a priority for them is

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<v Speaker 2>to get another Star Trek feature film.

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<v Speaker 1>Yeah, it makes sense. It's the it's the it's a

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<v Speaker 1>name franchise, right, So and yeah, I mean in terms

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<v Speaker 1>of TV Star Trek, what what's left, what's changed the world?

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<v Speaker 1>You know, it's still got you know, two and a

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<v Speaker 1>half see. But like in terms of new stuff, we've

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<v Speaker 1>got Starfleet Academy and then that's it, right, So unless

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<v Speaker 1>they green light another new Star Trek show, we've just

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<v Speaker 1>got the Starfleet Academy thing, which is this great, this big,

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<v Speaker 1>unknown and kind. So that's quite It's quite different from

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<v Speaker 1>where we were not that long ago, where we had

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<v Speaker 1>how many shows we had? Discovery, Picard, Lower Decks, Prodigy,

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<v Speaker 1>Strange Worlds we had like five shows.

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<v Speaker 2>One of the few good things that come out of

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<v Speaker 2>the streaming boom, you know, when everyone was just throwing

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<v Speaker 2>money at streaming.

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<v Speaker 1>Good good ish, because there was yeah, I mean, yes good,

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<v Speaker 1>but there was some real there were some real highs

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<v Speaker 1>and some real lows in that yeah, in that run. Also, Yeah,

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<v Speaker 1>and I'm nervous about Strange New Worlds. We're in bargoed

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<v Speaker 1>to talk about the new season. I've only seen a

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<v Speaker 1>couple of episodes from it so far, but suffice to

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<v Speaker 1>say that I'm nervous that it's not continuing the trend

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<v Speaker 1>that season one. Season one was was awesome, Season two

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<v Speaker 1>was Season two was good, and I'm not sure we'll

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<v Speaker 1>see where season three goes. But anyway, that's that.

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<v Speaker 2>So we can talk more about season three to Stranger

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<v Speaker 2>Worlds later. But I saw them as well, and my

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<v Speaker 2>sentiments are similar to Scots.

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<v Speaker 1>Okay. Yeah, so, and the other thing is just even

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<v Speaker 1>story wise, like it always felt like Strange New Worlds was.

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<v Speaker 1>The whole idea was it would eventually I think Akiva

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<v Speaker 1>Goldsman had even said like it was meant to, like, uh,

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<v Speaker 1>eventually catch up with the original series.

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<v Speaker 2>Right, And I'm curious to see how they do that.

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<v Speaker 1>Yeah, like how can they? Can they still do that

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<v Speaker 1>with the shortened Hey, what's up? I just heard footsteps

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<v Speaker 1>behind me. I was like, what the heck? No one

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<v Speaker 1>else is in the house.

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<v Speaker 2>Then I tell you his plan to bridge.

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<v Speaker 1>I realized my kid, My kid came home, has had

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<v Speaker 1>the English regents today, so he's done. He's done early.

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<v Speaker 1>But most people listening don't know what the regents is.

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<v Speaker 1>Do you do you know about regency? What is that?

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<v Speaker 1>It's a state. It's a it's like a final example,

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<v Speaker 1>but it's a New York state thing that they do

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<v Speaker 1>in high school where every kid in the state takes

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<v Speaker 1>the same test.

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<v Speaker 2>He changed the conditions of the test.

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<v Speaker 1>He does have an apple in his hand right now.

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<v Speaker 1>So anyway, Okay, so that's it for that. You want

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<v Speaker 1>to move on to do what?

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<v Speaker 2>Let's move on. An episode that never disappoints, it still

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<v Speaker 2>holds up more than thirty years, arguably the first great

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<v Speaker 2>episode of d S nine.

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<v Speaker 1>Yeah, start a run of good ones too, right.

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<v Speaker 2>Yeah, for sure, Like I don't know if this is

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<v Speaker 2>where they found their footing necessarily, but the tone of

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<v Speaker 2>this episode would carry on throughout the rest of the

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<v Speaker 2>show in terms of type of quality and drama you

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<v Speaker 2>can expect. Yeah, it's such a great judgment at Nuremberg

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<v Speaker 2>esque concept, like what would happen if you had to

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<v Speaker 2>defend your worst enemy?

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<v Speaker 1>Yeah, pretty much, right, and you.

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<v Speaker 2>Were responsible for their life, This person who you believe

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<v Speaker 2>is responsible for so much death in your life, you're

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<v Speaker 2>responsible for theirs. What would you do?

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<v Speaker 1>Yeah, And to.

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<v Speaker 2>Put Kira in that situation with someone who she believes

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<v Speaker 2>that the Kredassian involved in a terrible, terrible moment in

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<v Speaker 2>the occupation of Bejor, turns out to be something not

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<v Speaker 2>that to where by the end of the episode, she's

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<v Speaker 2>grieving the loss of this man who she couldn't wait

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<v Speaker 2>to die at the beginning. Yeah, some of the best

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<v Speaker 2>acting in Star Trek history.

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<v Speaker 1>It's great in.

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<v Speaker 2>This best acting on television at that time.

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<v Speaker 1>Yeah, yeah, yeah, going at it like, yeah, it's Eric Yellen.

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<v Speaker 2>Just in a just world, he would have been nominated

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<v Speaker 2>and won a Supporting Actor Emmy. You know it's so

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<v Speaker 2>good or excuse.

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<v Speaker 1>Me, Yeah, let's let's break down the plot just real

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<v Speaker 1>quick for people who haven't seen it. But it's essentially

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<v Speaker 1>a freighter ship arrives at Deep Space nine I think

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<v Speaker 1>or a passenger ship, uh, and there's a someone on

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<v Speaker 1>board who's suffering from this medical condition that the only

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<v Speaker 1>people who have this medical condition were present at this

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<v Speaker 1>Bajoran labor camp during the Krdassian occupation because of a

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<v Speaker 1>mining accident. It turns out that it's this it's this

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<v Speaker 1>Cardassian who they think is this guy. At first they

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<v Speaker 1>think it's this guy Maritza and Kira is loaded to

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<v Speaker 1>bear and ready to go at this guy because she

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<v Speaker 1>figures if he's a Cardassian and he has this disease

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<v Speaker 1>or he has this illness, he must have been working

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<v Speaker 1>at that labor camp, which means he's guilty of at

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<v Speaker 1>least being complicit in the atrocities that were committed at

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<v Speaker 1>this labor camp. But from there it becomes this really twisty,

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<v Speaker 1>turney question they put it. They throw him in a

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<v Speaker 1>jail cell there, and periodically Kira is going in and

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<v Speaker 1>kind of interrogating slash debating with this guy. And then

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<v Speaker 1>on the on the other side, Kira and Odo are

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<v Speaker 1>kind of investigating and Cisco to some degree or investigating

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<v Speaker 1>this guy's past and trying to figure out who he

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<v Speaker 1>really is, and he kind of adopts several identities over

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<v Speaker 1>the course of the episode, as we the viewer don't

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<v Speaker 1>know who he really is either, and eventually it escalates

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<v Speaker 1>to the point where we turns out we think he's

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<v Speaker 1>not Maritza, but instead we think he's the goal who

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<v Speaker 1>ran the labor camp, who is this sort of like,

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<v Speaker 1>you know, really awful figure who who just delighted in

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<v Speaker 1>the murder of Bajorans, and a real turns out he's not.

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<v Speaker 1>He was a file clerk who has just suffered for

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<v Speaker 1>so much guilt over the years because he was there high,

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<v Speaker 1>as he tells it, hiding under his cot, covering his

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<v Speaker 1>ears to try to drown out the screams of the Bajorans.

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<v Speaker 1>So he was just a guy who was who was drafted,

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<v Speaker 1>I guess, and and felt his has felt over the

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<v Speaker 1>years like such guilt for not doing more to try

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<v Speaker 1>to help the people who you know online is he

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<v Speaker 1>probably couldn't have helped any of these Bajorans, right, Like

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<v Speaker 1>what would if a flop file clerk try to intercede

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<v Speaker 1>and help, you know, prevent the killings, what would happen?

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<v Speaker 1>He would have probably been arrested and executed by his

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<v Speaker 1>fellow Kardassians. So and so, Kira has this arc of

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<v Speaker 1>really going from hating this guy, as you said, to

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<v Speaker 1>feeling compassion for him in the end because he has

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<v Speaker 1>this breakdown in the end, and and you think that's

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<v Speaker 1>the end of the episode, and that could kind of

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<v Speaker 1>could have been the end of the episode. But she

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<v Speaker 1>the final moments and it all happens pretty quick. The

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<v Speaker 1>final moments of the episode, she and Odo and Maritza

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<v Speaker 1>are leaving. They're going to like try to get him

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<v Speaker 1>the help he needs, I guess, and he's free to go.

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<v Speaker 1>End up, Bajoring appears out of nowhere and stabs him

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<v Speaker 1>in the back and kills him just because he's a

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<v Speaker 1>Kardassian and like Kira, you know, Kira is like, you know,

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<v Speaker 1>that's not you know, he was just a guy. You know,

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<v Speaker 1>he didn't deserve to die. So a lot happens in

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<v Speaker 1>the forty five minutes of this episode, and it's all

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<v Speaker 1>really great stuff.

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<v Speaker 2>Amazing episode. And to go from thinking this is the

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<v Speaker 2>butcher of Gala tep right two, Oh my god, he

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<v Speaker 2>doesn't deserve this fate. Yeah, it's just it's magnificent writing,

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<v Speaker 2>it's magnificent acting. Yeah, some trivia on Duet Scott. Do

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<v Speaker 2>you remember in twenty twenty two the mini controversy that

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<v Speaker 2>erupted Now this episode was pulled from the streaming service.

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<v Speaker 1>Oh yeah, what happened? I do kind of remember something

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<v Speaker 1>about that now.

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<v Speaker 2>It so it was moving over to Paramount Plus and

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<v Speaker 2>it just wasn't there. And the official line from Paramount

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<v Speaker 2>Plus was, they tweeted on April fourteenth, twenty twenty two,

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<v Speaker 2>We're sorry we don't currently offer season one, episode nineteen

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<v Speaker 2>of D Space nine as part of Paramount Plus due

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<v Speaker 2>to streaming rights. Please check back often, as we're always

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<v Speaker 2>working to make even more available to you.

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<v Speaker 1>Why would there be any.

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<v Speaker 2>Exactly and then Ira Steven Barritt chimed in on the

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<v Speaker 2>same day, don't fuck with Ira duet missing in action.

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<v Speaker 2>That's a hashtag star trek DS nine snafu. For the

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<v Speaker 2>record books, Peter Allen Fields would not approve. He wrote

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<v Speaker 2>the episode he would not be surprised, but he would

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<v Speaker 2>not approve, and then immediately following his tweet, Paramount Plus replied,

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<v Speaker 2>sorry for the miscommunication. There was an issue, but our

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<v Speaker 2>team was able to get the episode back up and

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<v Speaker 2>available to stream, so there's no It's still unknown exactly

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<v Speaker 2>what it was, but apparently streaming rights was not the issue.

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<v Speaker 1>That's weird, even though.

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<v Speaker 2>They said it was and that it's not a miscommunication,

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<v Speaker 2>which is corporate speak for we aft up. We said

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<v Speaker 2>something we probably shouldn't have said. Yeah, we didn't expect

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<v Speaker 2>they want to make us think about this. Was there

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<v Speaker 2>something going on at that time in twenty twenty two where.

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<v Speaker 1>I mean, I was gonna I was going to try

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<v Speaker 1>to somehow tie it to the politics of by the

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<v Speaker 1>Biden was in office then, right, so doesn't Yeah, I

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<v Speaker 1>don't know, I do know that. Did you watch that?

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<v Speaker 1>You watched the new season of the rehearsal?

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<v Speaker 2>Right, no, I have not yet.

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<v Speaker 1>Oh, okay, well, there is a whole thing. There's one

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<v Speaker 1>episode where Nathan Fielder realizes that an episode of his

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<v Speaker 1>one of his.

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<v Speaker 2>Shows was Yes, I read about that Yeah.

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<v Speaker 1>Was pulled from Paramount Plus. He does not give Paramount

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<v Speaker 1>Plus any any room to navigate around either. He's he

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<v Speaker 1>goes hard on them about this, and it's this weird

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<v Speaker 1>thing where the episode apparently the episode was pulled for

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<v Speaker 1>I think it was quote unquote anti semitism in Germany.

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<v Speaker 1>Now Fielder's Jewish, talks about how he was raised Jewish,

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<v Speaker 1>and I don't think there's anything anti Semitic going on,

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<v Speaker 1>but like for some reason it got flagged in Germany

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<v Speaker 1>and then it spread like all these other foreign Paramount

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<v Speaker 1>Plus outlets pulled it as well, and eventually it pulled

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<v Speaker 1>in the United States too, So I wonder if there's

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<v Speaker 1>something weird like that. But I wanted to say real

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<v Speaker 1>quick about Peter Allen Fields. He was one of the

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<v Speaker 1>early because I was just reading the origins of Deep

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<v Speaker 1>Says nine recently, and he was one of the early

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<v Speaker 1>guys who was in the in the bullpen with with

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<v Speaker 1>Iras Stephen Burrer. He really helped build the show in

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<v Speaker 1>the early years, and he didn't eventually, I think was

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<v Speaker 1>let go for some reason. I don't know that. I

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<v Speaker 1>don't know the details, but he was I think, sort

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<v Speaker 1>of a mentor figure to iras Stephen Burr in some

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<v Speaker 1>ways as well. He was he was older, he's he

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<v Speaker 1>has since passed. So yeah, it's cool that Ira shouted

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<v Speaker 1>them out like that, but I think he meant a

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<v Speaker 1>lot to him also. And yeah, I mean, like here

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<v Speaker 1>we go this episode, you had like one of the

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<v Speaker 1>greats which would after this, This was the penultimate episode

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<v Speaker 1>season one. After this we get I think it's called

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<v Speaker 1>in the Hands of the Prophets, which is.

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<v Speaker 2>The Yes, this is another great episode.

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<v Speaker 1>Yeah, the school bombing episode with kai Win or Vedic

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<v Speaker 1>Win at that time, I think. And then from there

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<v Speaker 1>we go.

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<v Speaker 3>Into that great three parter season two opener U Circle,

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<v Speaker 3>the Circle U of the Siege, I can't remember, the

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<v Speaker 3>Circle of the Siege and the something something Great Ones.

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<v Speaker 3>Richard Bimer shows up as the hero of the Bajoran Resistance,

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<v Speaker 3>who's a guy who happened to kill a Kardassian while

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<v Speaker 3>he was taking a bath. Like he did, he becomes

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<v Speaker 3>glorified and a legend and it was just through a happenstance.

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<v Speaker 3>He happened to kill this famous Kardassian and he doesn't want.

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<v Speaker 1>To want the glory or the role he replaced. He

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<v Speaker 1>replaces Major Kura on Deep Slace nine, he doesn't want

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<v Speaker 1>any of it. Great stuff. Frank Langella plays a Bajoran

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<v Speaker 1>in that as well.

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<v Speaker 2>Interesting plays a very interesting villain.

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<v Speaker 1>But yeah, it's a good chunk of episodes right there,

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<v Speaker 1>really like differentiating them itself from the next gen at

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<v Speaker 1>the time as well. But on Duet, you know, I

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<v Speaker 1>wanted to just say real quick, like that the point

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<v Speaker 1>where uh yulan uh, it's near the end where he's

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<v Speaker 1>he's trying to act big and bad about all the

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<v Speaker 1>crimes and atrocities he committed, and Kira is picking away

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<v Speaker 1>at it, but she realizes that they figure out that

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<v Speaker 1>it's he's not who he says he is, or that

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<v Speaker 1>it doesn't make sense, and he starts when he starts

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<v Speaker 1>to break down and say, like, you know, like the

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<v Speaker 1>what we said earlier basically about the hearing the cries

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<v Speaker 1>of the victims and hiding under the cot and everything

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<v Speaker 1>is such a great acting moment, like it's it's it's

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<v Speaker 1>just so strong and and no visitor who's obviously younger

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<v Speaker 1>than him, but she she's just right there with him.

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<v Speaker 2>Yeah, like that's why she this amazing performer. Like both

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<v Speaker 2>her and him should have been nominated for Emmy's just

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<v Speaker 2>like this should have been their Emmy reel, but sci

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<v Speaker 2>Fi was not is not. Yeah, it is not in

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<v Speaker 2>that conversation as much as it should be. Yeah, lessons

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<v Speaker 2>for HBO's type stuff. Yeah, absolutely, that three parter kicked

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<v Speaker 2>off with the Homecoming, then the Circle, then the Siege.

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<v Speaker 2>We're gonna have to do. I think we need to

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<v Speaker 2>explore those three episodes next. Yeah, because those are amazing.

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<v Speaker 1>We should.

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<v Speaker 2>We should so some trivia on on this great episode.

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<v Speaker 2>The working title was The Higher Law, and it was

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<v Speaker 2>pitched by writers Lisa Rich and Genie Carrigan Fauci, and

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<v Speaker 2>it was based on the simple conflict inherent in the

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<v Speaker 2>idea of someone having to defend their worst enemy. Michael

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<v Speaker 2>Piller would later recall that quote duet was pitched to

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<v Speaker 2>us by two of our interns who wanted to do

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<v Speaker 2>something about a war. Criminal about that in the context

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<v Speaker 2>it was pitched, it didn't turn me on the idea

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<v Speaker 2>of a war criminal found aboard d S nine seemed

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<v Speaker 2>to me to be an interesting concept, but at first

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<v Speaker 2>it seemed to me to be a judgment at Nuremberg

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<v Speaker 2>Court show. Since the first season via Sign had already

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<v Speaker 2>included a court episode of Decks, the writing staff didn't

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<v Speaker 2>want to do another too soon, right, But eventually they

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00:23:15.759 --> 00:23:18.960
<v Speaker 2>turned their mind around on that thanks to Iris Stephen Bear.

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<v Speaker 2>He gave us the twist where the guy isn't who

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<v Speaker 2>he says he is, but he is doing it for

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<v Speaker 2>more noble reasons, which was inspired by a stage play,

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<v Speaker 2>Robert Shaw's nineteen sixty seven stage play, The Man in

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<v Speaker 2>the Glass Booth, which tells of a Jewish man accused

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<v Speaker 2>of being a Nazi war criminal, and that man was

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<v Speaker 2>played by Leonard Nimoy.

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<v Speaker 1>Oh wow, okay interesting? Huh Hey did you say one

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<v Speaker 1>of those interns names were was Fauci.

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<v Speaker 2>Yeah, Kerrigan, fau Ci I had.

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<v Speaker 1>Do you think that's why the episode got pulled?

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<v Speaker 2>Oh?

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<v Speaker 1>I mean, I hate to even say it. I don't

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<v Speaker 1>know that would be a really.

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<v Speaker 2>I don't even know if this person is related.

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<v Speaker 1>No, I'm sure they're not. Okay, surreal, Okay?

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<v Speaker 2>Interesting?

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<v Speaker 1>Who directed this one?

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<v Speaker 2>James Conway is that Jim Conway. Yep. Okay, so he

421
00:24:28.599 --> 00:24:32.559
<v Speaker 2>did a great job for an episode that doesn't have

422
00:24:32.599 --> 00:24:36.319
<v Speaker 2>a lot of opportunities for dynamic camera moves. He made

423
00:24:36.319 --> 00:24:37.000
<v Speaker 2>it riveting.

424
00:24:37.519 --> 00:24:40.359
<v Speaker 1>Yeah, no, yeah, for sure, I know this. There was

425
00:24:40.400 --> 00:24:43.799
<v Speaker 1>one cool moment where Cisco is in Odo's office and

426
00:24:43.839 --> 00:24:46.119
<v Speaker 1>he's like, I'm going to go in and talk to

427
00:24:46.200 --> 00:24:49.880
<v Speaker 1>the prisoner, and that they don't cut. They just pan

428
00:24:50.079 --> 00:24:53.200
<v Speaker 1>over to one of Odo's security monitors and then you

429
00:24:53.359 --> 00:24:56.799
<v Speaker 1>see what appears to be Avery Brooks because it is

430
00:24:56.839 --> 00:25:02.160
<v Speaker 1>a CTR monitor like Deep say, unlike next Gen Deep

431
00:25:02.160 --> 00:25:07.000
<v Speaker 1>STA's nine uses actual TV monitors a lot of the times,

432
00:25:07.160 --> 00:25:10.960
<v Speaker 1>and it is an actual, like closed circuit image of

433
00:25:11.000 --> 00:25:13.680
<v Speaker 1>what looks to be Cisco walking into the cell. But

434
00:25:13.759 --> 00:25:17.559
<v Speaker 1>it's one continuous shot. Now, whether that is actually Avery

435
00:25:17.599 --> 00:25:20.440
<v Speaker 1>Brooks or stand in because you only see him from behind,

436
00:25:20.480 --> 00:25:23.119
<v Speaker 1>I'm not sure. But if it's actually Avery Brooks, and

437
00:25:23.200 --> 00:25:26.759
<v Speaker 1>that means that the jail cell set has to be

438
00:25:26.920 --> 00:25:31.079
<v Speaker 1>right behind Odo's office set, because Cisco walks through the

439
00:25:31.119 --> 00:25:33.920
<v Speaker 1>door and within a couple of seconds he's on the

440
00:25:33.960 --> 00:25:37.000
<v Speaker 1>camera walking towards the cell. Whim merits it is But

441
00:25:37.039 --> 00:25:40.480
<v Speaker 1>I thought it was an interesting shot that the director

442
00:25:40.519 --> 00:25:43.279
<v Speaker 1>pulled off was again, as you say, he doesn't have

443
00:25:43.359 --> 00:25:46.599
<v Speaker 1>much much room to play with stuff, and it was

444
00:25:46.640 --> 00:25:49.200
<v Speaker 1>like just a different way of seeing even like the

445
00:25:49.920 --> 00:25:53.359
<v Speaker 1>architecture of or the layout of Deep says nine in

446
00:25:53.480 --> 00:25:55.880
<v Speaker 1>terms of oh, the cells are right behind Odo's office.

447
00:25:55.920 --> 00:25:58.880
<v Speaker 1>I guess something else. I know this when we were

448
00:25:58.880 --> 00:26:02.079
<v Speaker 1>watching this, which is not specific to do it necessarily,

449
00:26:02.119 --> 00:26:04.400
<v Speaker 1>I don't think, but like when they a lot of

450
00:26:04.440 --> 00:26:07.599
<v Speaker 1>times when they when they're because there's some back and

451
00:26:07.640 --> 00:26:12.039
<v Speaker 1>forth with Goldacott at times, right and he's always only

452
00:26:12.079 --> 00:26:16.079
<v Speaker 1>on comms talking to them from Kardassia, I guess whenever

453
00:26:16.119 --> 00:26:18.759
<v Speaker 1>they shoot shoot Goldacott on the view screen, it's like

454
00:26:18.799 --> 00:26:23.480
<v Speaker 1>the tabletop view screen card what Cardassian tabletop view screen.

455
00:26:23.920 --> 00:26:26.680
<v Speaker 1>It's like almost like a canted angle. It's not a

456
00:26:26.720 --> 00:26:30.279
<v Speaker 1>straight on shot of the view screen. It's like the

457
00:26:30.359 --> 00:26:32.480
<v Speaker 1>view screen is kind of down here on Odo's desk

458
00:26:32.599 --> 00:26:34.960
<v Speaker 1>or something, and they shoot it at kind of an angle,

459
00:26:35.000 --> 00:26:38.799
<v Speaker 1>so it's almost like a skewed perspective. It's not just

460
00:26:38.839 --> 00:26:43.720
<v Speaker 1>a flat square in the in the shot. It's more

461
00:26:43.759 --> 00:26:47.440
<v Speaker 1>like it looks like gold Decott's almost he almost looks

462
00:26:47.440 --> 00:26:50.079
<v Speaker 1>warped because it's like a weird angle of a TV

463
00:26:50.240 --> 00:26:53.319
<v Speaker 1>screen of Goldacott talking. It's like a little touch, but

464
00:26:53.359 --> 00:26:55.640
<v Speaker 1>I thought it was interesting. It's another way they differentiate

465
00:26:55.680 --> 00:26:58.799
<v Speaker 1>themselves from the way Next Generation was always shot, which

466
00:26:58.839 --> 00:27:01.720
<v Speaker 1>was which would never have have done. It would have

467
00:27:01.759 --> 00:27:05.880
<v Speaker 1>always been the cards a little like laptop device and

468
00:27:05.880 --> 00:27:07.440
<v Speaker 1>they would just cut to a close up of that,

469
00:27:07.559 --> 00:27:08.079
<v Speaker 1>you know, so.

470
00:27:08.240 --> 00:27:11.240
<v Speaker 2>Right, and uh my chat with the Okuda he talks

471
00:27:11.279 --> 00:27:17.880
<v Speaker 2>about why playback video playback graphics like that were so

472
00:27:18.039 --> 00:27:21.240
<v Speaker 2>cost prohibitive on TNG, but as they moved to DS

473
00:27:21.359 --> 00:27:26.680
<v Speaker 2>nine and and Voyager, they became more popular to use.

474
00:27:26.799 --> 00:27:28.480
<v Speaker 1>Okay, interesting, yeah, because it was.

475
00:27:29.039 --> 00:27:33.640
<v Speaker 2>Very costly, very costly process at the time, and and

476
00:27:33.720 --> 00:27:38.640
<v Speaker 2>a very arduous one. Akuda would have to generate graphics

477
00:27:38.680 --> 00:27:43.200
<v Speaker 2>on his computer, his Macintosh too, and then drive it

478
00:27:43.240 --> 00:27:47.079
<v Speaker 2>from Paramount to Warner Brothers. Warner Brothers had a proprietary

479
00:27:47.200 --> 00:27:51.400
<v Speaker 2>tech that allowed it to be transferred to videotape and

480
00:27:51.400 --> 00:27:55.119
<v Speaker 2>then drive it back down. You got to take his

481
00:27:55.119 --> 00:27:56.359
<v Speaker 2>computer with him.

482
00:27:56.359 --> 00:28:00.440
<v Speaker 1>Right, Okay? Is t I ninety four a yeah?

483
00:28:00.480 --> 00:28:05.920
<v Speaker 2>His mac Yeah, his massive Macintosh too. The irony of

484
00:28:06.000 --> 00:28:10.559
<v Speaker 2>making twenty fourth century computer graphics on that future computer's

485
00:28:10.599 --> 00:28:12.119
<v Speaker 2>precursor that's amazing.

486
00:28:12.400 --> 00:28:15.720
<v Speaker 1>That's amazing. I think on the on the next gen

487
00:28:15.799 --> 00:28:19.119
<v Speaker 1>battle Bridge, I think they had video playback.

488
00:28:19.279 --> 00:28:22.680
<v Speaker 2>I think, yeah, the battle Bridge was got a big update,

489
00:28:23.119 --> 00:28:26.720
<v Speaker 2>big upgrade for for best of both worlds, and they

490
00:28:26.720 --> 00:28:29.279
<v Speaker 2>had the money to do it because it was a finale.

491
00:28:29.480 --> 00:28:31.839
<v Speaker 2>So that's why you see all those video graphics spinning behind.

492
00:28:31.960 --> 00:28:36.119
<v Speaker 1>Okay, okay, okay, but I cut you off. I'm sorry.

493
00:28:36.319 --> 00:28:39.359
<v Speaker 2>No, I was gonna say some other uh, some cool

494
00:28:39.359 --> 00:28:43.759
<v Speaker 2>trivia on uh. On the episode, it's the first mention

495
00:28:43.839 --> 00:28:45.240
<v Speaker 2>of the Chakhar Resistance cell.

496
00:28:45.599 --> 00:28:48.920
<v Speaker 1>Oh yeah, right, right, right right, it's not even clear

497
00:28:49.000 --> 00:28:54.000
<v Speaker 1>that Shakar is a person yet necessarily I don't think either, right, No.

498
00:28:54.480 --> 00:28:59.599
<v Speaker 2>Yeah, and uh now, Visitor and arm Insurance Night this

499
00:28:59.680 --> 00:29:02.079
<v Speaker 2>is cite this as among their favorite episodes.

500
00:29:02.279 --> 00:29:02.680
<v Speaker 1>Yeah.

501
00:29:02.720 --> 00:29:05.079
<v Speaker 2>Shimmerman said that the writing and the directing and the

502
00:29:05.119 --> 00:29:10.480
<v Speaker 2>acting all coalesced perfectly, and Visitor said the action comes

503
00:29:10.480 --> 00:29:12.960
<v Speaker 2>out of big issues on this show. There's action and

504
00:29:13.079 --> 00:29:15.440
<v Speaker 2>intrigue with the writing. Really, lets us deal with issues.

505
00:29:15.480 --> 00:29:19.079
<v Speaker 2>Were not embarrassed to commit ourselves to as actors and people.

506
00:29:19.599 --> 00:29:27.440
<v Speaker 2>Duet was a wonderful episode and bear on the season

507
00:29:27.480 --> 00:29:30.640
<v Speaker 2>one DVD special features if you have them, check out

508
00:29:30.720 --> 00:29:33.839
<v Speaker 2>the interview he gives about the episode. He says, I'm very,

509
00:29:33.960 --> 00:29:36.839
<v Speaker 2>very proud of this show, not in the sense it's

510
00:29:36.880 --> 00:29:39.920
<v Speaker 2>a show for all humanity, that it was a fun

511
00:29:39.960 --> 00:29:42.440
<v Speaker 2>show to work on. You had a character who was

512
00:29:42.519 --> 00:29:45.640
<v Speaker 2>larger than life and living and reveling in his evilness.

513
00:29:45.720 --> 00:29:47.279
<v Speaker 2>It was just a blast. It was a lot of

514
00:29:47.319 --> 00:29:53.480
<v Speaker 2>fun to write. Yeah, Yeah, it's just it's really good

515
00:29:53.680 --> 00:29:58.640
<v Speaker 2>and the DP Marvin Rush talked about Jim Conway's direction,

516
00:29:59.000 --> 00:30:01.759
<v Speaker 2>saying that he came in did a great job. He

517
00:30:01.880 --> 00:30:04.279
<v Speaker 2>was real professional and had a difficult episode because it

518
00:30:04.279 --> 00:30:07.160
<v Speaker 2>didn't have a lot of action or movement. Yeah, and

519
00:30:07.680 --> 00:30:10.599
<v Speaker 2>also of note, a special screening of this episode was

520
00:30:10.640 --> 00:30:14.279
<v Speaker 2>held at the Museum of Television Radio Broadcasting in Los

521
00:30:14.319 --> 00:30:18.440
<v Speaker 2>Angeles as part of its annual celebration of TV that

522
00:30:18.559 --> 00:30:21.240
<v Speaker 2>is considered to be of high quality. Yeah, and it

523
00:30:21.839 --> 00:30:23.440
<v Speaker 2>still is and forever will be.

524
00:30:24.160 --> 00:30:26.880
<v Speaker 1>So that's the thing, right, Like, you don't have to

525
00:30:27.000 --> 00:30:30.640
<v Speaker 1>have phaser battles and spaceships and all that stuff, right

526
00:30:30.720 --> 00:30:35.799
<v Speaker 1>and like, and as long as the performances and the

527
00:30:35.920 --> 00:30:40.640
<v Speaker 1>and the writing are there and have the conflict that

528
00:30:40.680 --> 00:30:45.359
<v Speaker 1>you you need to tell, good drama that's the important thing, right,

529
00:30:45.440 --> 00:30:48.960
<v Speaker 1>And so I think that I think that's something maybe

530
00:30:50.319 --> 00:30:53.440
<v Speaker 1>some of modern modern Star Trek hasn't gotten a message

531
00:30:53.440 --> 00:30:57.240
<v Speaker 1>on at times that we don't need to have like

532
00:30:57.319 --> 00:31:01.480
<v Speaker 1>insane CGI space battles all the time. Like I mean

533
00:31:01.519 --> 00:31:04.920
<v Speaker 1>that stuff can be cool, but like not the not

534
00:31:05.039 --> 00:31:07.559
<v Speaker 1>at the detriment of the other stuff, which is more important,

535
00:31:07.680 --> 00:31:07.920
<v Speaker 1>you know.

536
00:31:08.160 --> 00:31:12.680
<v Speaker 2>So, and it's also amazing that this episode largely exists

537
00:31:13.319 --> 00:31:16.839
<v Speaker 2>due to budget reasons, right, Uh they are the production

538
00:31:16.960 --> 00:31:21.359
<v Speaker 2>approached Peter Fields saying, do us a favor, write us

539
00:31:21.359 --> 00:31:23.559
<v Speaker 2>an episode doesn't cost us any money, so sure will

540
00:31:23.559 --> 00:31:26.400
<v Speaker 2>do And I paraphrase Hi, but he said, so you

541
00:31:26.440 --> 00:31:29.039
<v Speaker 2>go off and you're like shit and you say yes

542
00:31:29.039 --> 00:31:30.440
<v Speaker 2>to your boss, but you're dying a death of a

543
00:31:30.519 --> 00:31:33.759
<v Speaker 2>thousand cuts, right because of what you put yourself into.

544
00:31:33.880 --> 00:31:38.119
<v Speaker 2>How do I do this? Can't spend money because Emissari

545
00:31:38.240 --> 00:31:41.160
<v Speaker 2>costs a ton of money. Yeah, and the season finale

546
00:31:41.240 --> 00:31:44.519
<v Speaker 2>was coming up, so you had to basically do this

547
00:31:44.720 --> 00:31:50.400
<v Speaker 2>one act yeah, fort play. Yeah, it's a there's no

548
00:31:50.799 --> 00:31:53.039
<v Speaker 2>B story in this episode. It's all a story.

549
00:31:53.279 --> 00:31:57.640
<v Speaker 1>Yeah you're right, Yeah, Yeah, that's right. Uh, it's a Yeah,

550
00:31:57.640 --> 00:32:01.400
<v Speaker 1>it's a classic bottle episodes that you right, getting close to

551
00:32:01.440 --> 00:32:03.440
<v Speaker 1>the end of the season, we need to need to

552
00:32:03.440 --> 00:32:07.880
<v Speaker 1>put you know, tighten our tighten our belt a bit

553
00:32:07.960 --> 00:32:13.480
<v Speaker 1>and like you all right, it's a great episode.

554
00:32:13.720 --> 00:32:18.640
<v Speaker 2>Uh, all our condolences to Heshlan's family and friends. Yeah,

555
00:32:18.680 --> 00:32:22.640
<v Speaker 2>an incredible actor. Was an amazing body of work Ghostbusters

556
00:32:22.640 --> 00:32:26.960
<v Speaker 2>to clear in prison danger this I was like, solid actor.

557
00:32:27.200 --> 00:32:29.440
<v Speaker 1>Yeah, I was looking at this credits. I had forgotten

558
00:32:29.480 --> 00:32:31.559
<v Speaker 1>he's in Night Moves, that Gene Hackman movie.

559
00:32:31.680 --> 00:32:32.720
<v Speaker 2>Yes he is, that's right.

560
00:32:32.880 --> 00:32:34.720
<v Speaker 1>Yeah, which you and I both watched great.

561
00:32:34.599 --> 00:32:37.480
<v Speaker 2>Gene Hackman performance and your wife watched that recently.

562
00:32:38.240 --> 00:32:39.839
<v Speaker 1>I had watched it a few months ago, but I

563
00:32:39.880 --> 00:32:42.039
<v Speaker 1>know you had also just watched it not that long ago.

564
00:32:42.359 --> 00:32:45.039
<v Speaker 2>Yes, for the first time. I watched it last year.

565
00:32:45.319 --> 00:32:48.319
<v Speaker 1>It's definitely that's a that's a definitely worth checking out,

566
00:32:48.400 --> 00:32:51.079
<v Speaker 1>especially with you know, obviously Hackman passed as well not

567
00:32:51.119 --> 00:32:54.680
<v Speaker 1>that long ago. It's an Arthur Penn picture. It's a

568
00:32:54.759 --> 00:32:58.640
<v Speaker 1>sort of a sort of a modern day film noir,

569
00:32:59.279 --> 00:33:04.200
<v Speaker 1>you know, sort of a neo noir. I guess. Yeah,

570
00:33:04.240 --> 00:33:07.680
<v Speaker 1>it's a Yeah, it's really good, young, very young Melanie Griffith.

571
00:33:07.759 --> 00:33:10.279
<v Speaker 2>Yeah, so it's got a problematic plot point in.

572
00:33:10.279 --> 00:33:15.519
<v Speaker 1>It, involving a young, very young Melanie Griffith. Yes, it does. Yeah,

573
00:33:15.839 --> 00:33:18.799
<v Speaker 1>but that's a minor, kind of a minor part of

574
00:33:18.839 --> 00:33:21.000
<v Speaker 1>the the bigger picture.

575
00:33:21.319 --> 00:33:24.680
<v Speaker 2>But it's a it's a it's a solid performance from Hackman,

576
00:33:24.720 --> 00:33:27.400
<v Speaker 2>and it's an interesting it's an interesting noir film.

577
00:33:27.839 --> 00:33:32.039
<v Speaker 1>Yeah, so all right, you want to you want to

578
00:33:32.240 --> 00:33:34.200
<v Speaker 1>move over to the replemat maybe.

579
00:33:33.960 --> 00:33:37.440
<v Speaker 2>Sure, Well, let's let's headle over the Replemant. Scout, I

580
00:33:37.480 --> 00:33:38.680
<v Speaker 2>got I got something to share.

581
00:33:39.039 --> 00:33:41.720
<v Speaker 1>All right, I'm going to the Replemant to get something

582
00:33:41.759 --> 00:33:50.480
<v Speaker 1>to eat. What is it?

583
00:33:51.160 --> 00:33:55.400
<v Speaker 2>I recently acquired the new four K Sean Connery James

584
00:33:55.480 --> 00:33:56.440
<v Speaker 2>Bond movie collection.

585
00:33:56.960 --> 00:33:59.319
<v Speaker 1>Oh wow, these.

586
00:33:59.119 --> 00:34:03.759
<v Speaker 2>Films have never looked better, and they obviously it's it's

587
00:34:03.799 --> 00:34:07.720
<v Speaker 2>a brand new scan of I believe the original thirty

588
00:34:07.759 --> 00:34:13.079
<v Speaker 2>five millimeter camera negative and it retains the film grain

589
00:34:14.199 --> 00:34:17.599
<v Speaker 2>very well. Wow, like to the point where you're watching

590
00:34:17.599 --> 00:34:19.760
<v Speaker 2>the opening titles A Doctor No, and you can see

591
00:34:20.119 --> 00:34:21.960
<v Speaker 2>the fuzziness of the optical effects.

592
00:34:21.960 --> 00:34:24.159
<v Speaker 1>Like that's how really.

593
00:34:26.239 --> 00:34:30.559
<v Speaker 2>Exact this transfer is. They look beautiful, they sound great.

594
00:34:30.559 --> 00:34:33.599
<v Speaker 2>It's the best presentation of these classic films you're ever

595
00:34:33.639 --> 00:34:36.719
<v Speaker 2>gonna have until we start getting eight k Imax in

596
00:34:36.760 --> 00:34:40.239
<v Speaker 2>our homes. So that's my recommendation.

597
00:34:40.360 --> 00:34:42.639
<v Speaker 1>Well what is so wait, how many films are there?

598
00:34:43.480 --> 00:34:50.280
<v Speaker 2>Uh? It's Doctor Now from Russia with Love, Goldfinger, Thunderball

599
00:34:50.360 --> 00:34:54.599
<v Speaker 2>which looks amazing. That was my that was my personal favorite.

600
00:34:55.360 --> 00:34:59.760
<v Speaker 2>You Only Live Twice, okay, and Diamonds Are Forever.

601
00:35:00.280 --> 00:35:03.519
<v Speaker 1>So six. So that's that's all the Connery movies, not in.

602
00:35:03.679 --> 00:35:05.800
<v Speaker 2>All the Connors. And it was like ninety four bucks

603
00:35:05.840 --> 00:35:08.119
<v Speaker 2>if you if you pole to afford it. It was

604
00:35:08.159 --> 00:35:10.760
<v Speaker 2>one hundred and thirty four or something when it around

605
00:35:10.760 --> 00:35:13.760
<v Speaker 2>that price point when it initially was announced. But uh,

606
00:35:14.199 --> 00:35:15.800
<v Speaker 2>okay for ninety.

607
00:35:15.480 --> 00:35:19.440
<v Speaker 1>Four okay, and that obviously doesn't include Never Say Never Again,

608
00:35:19.480 --> 00:35:21.920
<v Speaker 1>which is it was not an Eon Well that's.

609
00:35:21.760 --> 00:35:25.960
<v Speaker 2>An unofficial Uh, it's a Winner Bros. Release These you're

610
00:35:26.000 --> 00:35:27.360
<v Speaker 2>the MGM catalog.

611
00:35:29.280 --> 00:35:30.920
<v Speaker 1>My apologies, I'm so sorry.

612
00:35:31.280 --> 00:35:32.119
<v Speaker 2>Yeah you should be.

613
00:35:32.599 --> 00:35:34.679
<v Speaker 1>I don't think i've seen Never Say Never Again since

614
00:35:34.760 --> 00:35:37.360
<v Speaker 1>like the eighties when it came out, like to.

615
00:35:37.320 --> 00:35:39.719
<v Speaker 2>Watch it back when I was at IGN and when

616
00:35:39.800 --> 00:35:40.800
<v Speaker 2>the Blu ray came out.

617
00:35:41.079 --> 00:35:44.960
<v Speaker 1>Yeah yeah, no, dude, I just yeah.

618
00:35:45.480 --> 00:35:47.360
<v Speaker 2>I mean, is it better than If You Do? Is

619
00:35:47.400 --> 00:35:50.039
<v Speaker 2>it better than Octopusy the competing Bond movies of that year.

620
00:35:51.320 --> 00:35:51.960
<v Speaker 2>I don't think so.

621
00:35:52.480 --> 00:35:52.960
<v Speaker 1>Oh wow.

622
00:35:53.159 --> 00:35:56.440
<v Speaker 2>Okay, see I've rewatched more times than never say never again.

623
00:35:56.880 --> 00:35:59.280
<v Speaker 1>Wow Okay, Okay.

624
00:35:59.440 --> 00:36:05.519
<v Speaker 2>Connory was I think younger than Craig was at the

625
00:36:05.559 --> 00:36:10.159
<v Speaker 2>time of doing.

626
00:36:08.079 --> 00:36:10.840
<v Speaker 1>And yet and yet he was considered you're too old,

627
00:36:11.079 --> 00:36:15.800
<v Speaker 1>too old? Yeah right, yeah, huh, that's funny. Okay. I'm

628
00:36:15.840 --> 00:36:20.360
<v Speaker 1>gonna go with and apologies if I've recommended this in

629
00:36:20.400 --> 00:36:22.320
<v Speaker 1>the past, I can't remember, but I'm going to go

630
00:36:22.400 --> 00:36:26.440
<v Speaker 1>with The Loaner, which is this Rod Serling TV show

631
00:36:26.480 --> 00:36:30.000
<v Speaker 1>that nobody remembers it was. It was his the show

632
00:36:30.039 --> 00:36:32.480
<v Speaker 1>that he did after The Twilight Zone. So The Twilight

633
00:36:32.559 --> 00:36:36.960
<v Speaker 1>Zone ended after five seasons, and Serling decided to make

634
00:36:37.000 --> 00:36:39.760
<v Speaker 1>a Western with Lloyd Bridges. It's called The Loaner and

635
00:36:39.800 --> 00:36:44.800
<v Speaker 1>it aired Twiletson ended in sixty four. The Loaner aired

636
00:36:44.840 --> 00:36:47.480
<v Speaker 1>in sixty five sixty six. It only ran for one

637
00:36:47.519 --> 00:36:53.840
<v Speaker 1>season because the network CBS was expecting shoot him up

638
00:36:53.880 --> 00:36:58.760
<v Speaker 1>western with gunfights and you know, bullets flying and horse races,

639
00:36:59.199 --> 00:37:03.599
<v Speaker 1>and instead they got was Rod Sterling doing his introspective,

640
00:37:05.199 --> 00:37:08.960
<v Speaker 1>philosophical moralizing ship that he always did on the twilights

641
00:37:09.000 --> 00:37:11.400
<v Speaker 1>on too, which is he's like using the Western to

642
00:37:11.519 --> 00:37:15.239
<v Speaker 1>like explore the human condition and all that jazz. And

643
00:37:15.239 --> 00:37:17.639
<v Speaker 1>so Lloyd Bridges plays this guy who's just who's a

644
00:37:17.639 --> 00:37:20.320
<v Speaker 1>Civil War vet. The war has just ended and he's

645
00:37:20.360 --> 00:37:24.199
<v Speaker 1>just wandering in the Old West. Goes every episodic every

646
00:37:24.360 --> 00:37:27.239
<v Speaker 1>week he goes from town to town and meets new people.

647
00:37:28.480 --> 00:37:31.880
<v Speaker 1>You know, it's Bill Bixby the style, the Incredible Hulk

648
00:37:32.000 --> 00:37:34.280
<v Speaker 1>or the Fugitive style, where it's every week he's in

649
00:37:34.320 --> 00:37:37.480
<v Speaker 1>a new place with new character, new supporting characters. What's

650
00:37:37.480 --> 00:37:40.679
<v Speaker 1>the show call against Goott the Loner? Nobody's ever heard

651
00:37:40.719 --> 00:37:44.599
<v Speaker 1>of it. It's not pretty cool, it's great. It ran

652
00:37:44.639 --> 00:37:48.079
<v Speaker 1>for one season. Serling Fote fought with the network, publicly

653
00:37:48.119 --> 00:37:50.360
<v Speaker 1>fought with the network. He would call the network exec

654
00:37:50.519 --> 00:37:54.039
<v Speaker 1>out on his bullshit, but the network exec wanted less

655
00:37:54.079 --> 00:37:57.840
<v Speaker 1>talking and more gunfighting and stuff, and and so it went.

656
00:37:57.840 --> 00:38:00.719
<v Speaker 1>It only lasted for one season. So the reason it's

657
00:38:00.760 --> 00:38:02.920
<v Speaker 1>on my mind is because I just wrote an article

658
00:38:02.920 --> 00:38:05.320
<v Speaker 1>about it on IGN, which you can check out. Just

659
00:38:05.960 --> 00:38:06.760
<v Speaker 1>google the loan.

660
00:38:06.840 --> 00:38:09.000
<v Speaker 2>You got to write an article about this for IGN?

661
00:38:09.320 --> 00:38:12.679
<v Speaker 1>Yeah, yeah, get it out. And so I was rewatching

662
00:38:12.719 --> 00:38:15.239
<v Speaker 1>some of the episodes to prep for the article. So

663
00:38:15.280 --> 00:38:19.360
<v Speaker 1>it's been on my mind. But it's on Amazon because

664
00:38:19.360 --> 00:38:22.400
<v Speaker 1>it was only one season. It never was syndicated, so

665
00:38:22.440 --> 00:38:25.360
<v Speaker 1>it slipped into up because back in the day to

666
00:38:25.440 --> 00:38:27.519
<v Speaker 1>syndicate the show you usually need it I think at

667
00:38:27.599 --> 00:38:31.400
<v Speaker 1>least eighty episodes or I can't remember the exact number

668
00:38:31.440 --> 00:38:34.000
<v Speaker 1>you needed to set one hundred, so you needed several,

669
00:38:34.119 --> 00:38:37.920
<v Speaker 1>which I don't understand because the original series of Star

670
00:38:37.960 --> 00:38:42.320
<v Speaker 1>Trek was under one hundred, but that syndicated. But I

671
00:38:42.360 --> 00:38:45.239
<v Speaker 1>think you're right. I think the number usually was one hundred.

672
00:38:45.360 --> 00:38:48.480
<v Speaker 1>But anyway, the Loaner only had like twenty I don't know,

673
00:38:48.519 --> 00:38:52.639
<v Speaker 1>twenty four episodes, and so nobody remembered the show. It

674
00:38:52.679 --> 00:38:56.360
<v Speaker 1>wasn't well received at the time. It was never syndicated.

675
00:38:55.800 --> 00:38:59.840
<v Speaker 1>It played on TV Land for a short period back

676
00:39:00.119 --> 00:39:02.400
<v Speaker 1>like the nineties or something, so there were some VHS

677
00:39:02.440 --> 00:39:06.559
<v Speaker 1>recordings floating around, but that was it. But the Shout

678
00:39:06.599 --> 00:39:09.199
<v Speaker 1>Factory finally released a DVD of it a few years ago.

679
00:39:09.320 --> 00:39:11.360
<v Speaker 1>So it's on Amazon. You get it for twelve bucks

680
00:39:11.719 --> 00:39:14.360
<v Speaker 1>for the whole whole season, and there's even a little

681
00:39:15.000 --> 00:39:20.360
<v Speaker 1>short behind the scenes featurette look back documentary which is,

682
00:39:20.440 --> 00:39:24.119
<v Speaker 1>which is interesting worth checking out. So if you're on Amazon,

683
00:39:24.320 --> 00:39:26.280
<v Speaker 1>it's on Amazon twelve bucks or at least when I

684
00:39:26.360 --> 00:39:27.960
<v Speaker 1>checked the other day with twelve bucks when I was

685
00:39:27.960 --> 00:39:30.800
<v Speaker 1>writing the article, and for the whole season, so it's

686
00:39:30.840 --> 00:39:34.960
<v Speaker 1>like fifty cents an episode basically worth it and uh

687
00:39:35.000 --> 00:39:37.440
<v Speaker 1>and it's good. You can see where a certain point

688
00:39:37.519 --> 00:39:40.440
<v Speaker 1>late in the season, Serling seems to have maybe lost

689
00:39:41.280 --> 00:39:45.360
<v Speaker 1>lost to steam because and he he not, he doesn't.

690
00:39:45.679 --> 00:39:47.679
<v Speaker 1>The last patch Up episodes are not written by him.

691
00:39:47.679 --> 00:39:50.440
<v Speaker 1>They're written by other writers, which is fine.

692
00:39:50.559 --> 00:39:54.039
<v Speaker 2>It fall through ye this episode called man Trap.

693
00:39:54.239 --> 00:39:58.719
<v Speaker 1>Yes there is, yes, yeah. Oh and the Homecoming of

694
00:39:58.840 --> 00:40:03.440
<v Speaker 1>Lemuel sto Stove features Brock Peters, who would eventually play

695
00:40:03.639 --> 00:40:09.400
<v Speaker 1>Ye Papa Cisco and and also Admiral Cartwright as well.

696
00:40:09.480 --> 00:40:12.360
<v Speaker 1>Right right, uh, well, you know what, because of what

697
00:40:12.480 --> 00:40:15.840
<v Speaker 1>it was, it was, it's it was a night aired

698
00:40:15.920 --> 00:40:19.400
<v Speaker 1>nineteen sixty five in nineteen sixty six that season, there's

699
00:40:19.440 --> 00:40:24.199
<v Speaker 1>a lot of Star Trek people, Star Trek adjacent peeple

700
00:40:24.239 --> 00:40:28.239
<v Speaker 1>are involved, like Joseph Pevney directed some episodes, who directed

701
00:40:28.280 --> 00:40:31.559
<v Speaker 1>episodes of the original series. A lot of the act

702
00:40:31.639 --> 00:40:35.519
<v Speaker 1>A lot of familiar actor faces show up that who

703
00:40:35.519 --> 00:40:38.239
<v Speaker 1>will also show up on on Star Trek like you know,

704
00:40:38.280 --> 00:40:39.960
<v Speaker 1>it was just it was that was the time period

705
00:40:40.000 --> 00:40:41.199
<v Speaker 1>people making TV. You know.

706
00:40:41.320 --> 00:40:46.559
<v Speaker 2>So also Alexander Courage and Jerry Goldsmith provided music.

707
00:40:46.760 --> 00:40:50.960
<v Speaker 1>Yep, absolutely, yeah, that's right. Yeah, young Lloyd Bridges of

708
00:40:51.039 --> 00:40:53.559
<v Speaker 1>the young Jeff Bridges both both show up for an

709
00:40:53.559 --> 00:40:57.280
<v Speaker 1>episode each because their dad was the star and uh,

710
00:40:57.440 --> 00:41:01.079
<v Speaker 1>it's interesting stuff. And it's Sarah who was like, I

711
00:41:01.079 --> 00:41:04.320
<v Speaker 1>don't know how commonly known this is, but serling, you know,

712
00:41:04.400 --> 00:41:07.320
<v Speaker 1>he fought World War Two, as did everyone from his generation.

713
00:41:07.480 --> 00:41:11.440
<v Speaker 1>Basically he came back from the war pretty pretty well

714
00:41:11.480 --> 00:41:13.199
<v Speaker 1>fucked up. I think it's one of the reasons he

715
00:41:13.280 --> 00:41:16.079
<v Speaker 1>became a writer and he explores a lot of that stuff.

716
00:41:16.440 --> 00:41:19.360
<v Speaker 1>Like you guys can't see this, but Phil's dog just

717
00:41:19.400 --> 00:41:25.880
<v Speaker 1>showed up on screen here. Yeah he's like dad, Yeah,

718
00:41:25.960 --> 00:41:30.320
<v Speaker 1>time to end this podcast. So anyway, anyway, Sean Connery, Bond,

719
00:41:30.320 --> 00:41:33.760
<v Speaker 1>the Loner, dig In when you guys can both highly

720
00:41:33.920 --> 00:41:34.840
<v Speaker 1>highly recommended.

721
00:41:35.679 --> 00:41:38.639
<v Speaker 2>Thanks for shure, Scott. I like learning new stuff from

722
00:41:38.639 --> 00:41:39.719
<v Speaker 2>your replomat pics.

723
00:41:41.519 --> 00:41:43.840
<v Speaker 1>It's like many years ago, my buddy, my buddy from

724
00:41:43.920 --> 00:41:45.719
<v Speaker 1>high school, was like, Scott, why do you like things

725
00:41:45.719 --> 00:41:49.000
<v Speaker 1>that are old and my wife is. To this day.

726
00:41:49.039 --> 00:41:51.119
<v Speaker 1>My wife always like makes fun of me about that.

727
00:41:51.159 --> 00:41:52.519
<v Speaker 1>She's like, well, yeah, you like things that.

728
00:41:52.480 --> 00:41:57.199
<v Speaker 2>Are old taste.

729
00:41:57.920 --> 00:42:01.280
<v Speaker 1>Yeah right, you know so, But that'll do it for us,

730
00:42:01.360 --> 00:42:02.679
<v Speaker 1>I think, right, yes.

731
00:42:02.920 --> 00:42:06.559
<v Speaker 2>I thank you for listening. Thanks to the late Harris

732
00:42:06.639 --> 00:42:10.960
<v Speaker 2>Yellen for all his amazing performances. Yeah, thank you Scott

733
00:42:11.000 --> 00:42:12.960
<v Speaker 2>for doing this with me. It's always fun talking about

734
00:42:13.000 --> 00:42:14.519
<v Speaker 2>DS and I especially this episode.

735
00:42:14.719 --> 00:42:17.840
<v Speaker 1>Thank you. Go check out that Phil's chat with Okuda

736
00:42:17.880 --> 00:42:19.679
<v Speaker 1>over on Patreon. It's going to be a two parter.

737
00:42:20.079 --> 00:42:20.880
<v Speaker 1>It's well worth it.

738
00:42:22.079 --> 00:42:24.679
<v Speaker 2>And until next time, game, We'll see you on Gervide Island.
