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<v Speaker 1>We're all owned by the Syndicate, body and soul.

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<v Speaker 2>Or should I just say body?

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<v Speaker 3>Hello, filthy movie lovers, something weirdos, and anti-criterion bros, to

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<v Speaker 3>the 45th episode of The Sin Syndicate, which can always

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<v Speaker 3>be found on a border's end cap, and will always

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<v Speaker 3>go to bat for the big snatch. My name is

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<v Speaker 3>Gentry Austin, writer and researcher, and I'm here with my co-host,

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<v Speaker 3>adult film historian Casey Scott. And in this week's episode,

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<v Speaker 3>we will be returning to the early aughts for a

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<v Speaker 3>look at the DVD era, specifically the legendary partnership between

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<v Speaker 3>Image Entertainment and Something Weird Video. a collaboration which brought

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<v Speaker 3>many of our sexploitation faves to disc for the very

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<v Speaker 3>first time, jam-packed with extras and carefully programmed with thematic

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<v Speaker 3>double and triple features. We're going to be talking with

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<v Speaker 3>someone who was there, Nathaniel Thompson. Someone who has been

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<v Speaker 3>in the trenches fighting for B and Z grade movies

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<v Speaker 3>since the earliest days. He's a frequent contributor to home

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<v Speaker 3>video releases and is the webmaster and editor in charge

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<v Speaker 3>of our favorite website, Mondo Digital. We are super excited

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<v Speaker 3>to chat with Nat. But before we travel back in time,

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<v Speaker 3>we've got another guest lined up. Eli Oldsberg from our

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<v Speaker 3>podcast network partner, Punk Vacation, has graciously agreed to spend

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<v Speaker 3>half an hour of his very busy Sunday with us

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<v Speaker 3>to recap a special sexploitation screening he attended at the

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<v Speaker 3>New Beverly Theater in Los Angeles. We will let the

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<v Speaker 3>conversation speak for itself.

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<v Speaker 1>Enjoy.

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<v Speaker 3>Hollywood california.

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<v Speaker 4>Yeah i uh i'm recording from the new beverly bathroom coming.

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<v Speaker 3>To you you never leave.

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<v Speaker 2>You live in the walls it's a crawl space situation

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<v Speaker 2>you're class kinsky and then yeah you're bad ronald you're

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<v Speaker 2>bad ronald you that's right beverly is yeah right Yeah,

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<v Speaker 2>so a little background.

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<v Speaker 3>We wanted to bring Eli on to talk about a

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<v Speaker 3>double feature that he saw at the new Beverly Theater.

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<v Speaker 3>I don't have the date off the top of my head.

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<v Speaker 3>It was a couple weeks ago.

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<v Speaker 4>August 17th, literally six days ago.

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<v Speaker 3>Oh, okay. Less than a week ago.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, so this was a 60s movie. uh sexploitation double

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<v Speaker 3>feature of the thrill killers ray dennis steckler and psychedelic

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<v Speaker 3>sexualis or on her bed of roses are two titles

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<v Speaker 3>it goes by yeah i.

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<v Speaker 2>Don't know where the psychedelic sexualis came from because i

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<v Speaker 2>feel like it's a made-up title it's psychedelia it's it's

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<v Speaker 2>psychopathia sexualis right that's the title on the poster Right.

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<v Speaker 4>But on the print, it says psychedelic sexualist.

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<v Speaker 5>That's the funny part.

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<v Speaker 3>I wonder if that was a way to distance themselves

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<v Speaker 3>a bit from like getting sued for mentioning the book.

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<v Speaker 3>I don't know.

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<v Speaker 2>Oh, possibly. Totally. Who knows?

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<v Speaker 1>Yeah.

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<v Speaker 2>Zuck Smith. Yeah.

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<v Speaker 3>So, yeah, just tell us about your experience. I'm always

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<v Speaker 3>curious about the crowd at these things.

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<v Speaker 4>Yeah, this one was about– now, I don't remember how

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<v Speaker 4>much we talked about this when we had a– I

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<v Speaker 4>know when you guys were on Punk Vacation, we talked

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<v Speaker 4>a bit about Eros like here and there. And Casey

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<v Speaker 4>and I are talking about like doing something later in

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<v Speaker 4>regards to this, not just Eros but like repertory programming

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<v Speaker 4>with not just adult films but roughies. I actually think

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<v Speaker 4>like this particular brand of sexploitation is harder to sell

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<v Speaker 4>than if you were just showing hardcore. Because, I mean,

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<v Speaker 4>the example I think of is when they did the

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<v Speaker 4>double that Agfa put out as the Blu-ray. They had

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<v Speaker 4>the Prince of the Defilers and Smell of Honey Swallow Brine.

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<v Speaker 4>That was the lightest of the bunch that time. And

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<v Speaker 4>it shocked me. But I forgot it was like a

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<v Speaker 4>holiday weekend. It was raining. It had all the elements

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<v Speaker 4>you could think of that worked against it. So without hyperbole,

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<v Speaker 4>I think 20 to 25 people topped. So in some ways,

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<v Speaker 4>it did recreate.

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<v Speaker 2>That room, not great.

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<v Speaker 1>No.

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<v Speaker 4>Because that's about a 230 cap room or 225. So, yeah,

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<v Speaker 4>it was like a 20% turnout if that.

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<v Speaker 5>And so 10%.

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<v Speaker 4>But it.

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<v Speaker 2>Was one night only, right? So I guess that's kind

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<v Speaker 2>of worse, actually.

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<v Speaker 5>Yes, exactly.

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<v Speaker 4>And this one was a one night only. So I

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<v Speaker 4>use that as a metric of– and this one has

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<v Speaker 4>a little bit more, I would argue– Putting Ray Dennis

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<v Speaker 4>Steckler's name is the closest thing you can get to

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<v Speaker 4>a marquee title in this double. Because I think even

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<v Speaker 4>amongst the devout of cult cinema, even this is– Steckler

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<v Speaker 4>and Milligan, those can be pulls for people. And I

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<v Speaker 4>feel like Steckler is an even harder sell than Andy

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<v Speaker 4>Milligan actually.

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<v Speaker 2>Oh, absolutely. Yeah.

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<v Speaker 3>But yeah, Honor of Red and Rose is a pretty

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<v Speaker 3>deep cut for sure.

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<v Speaker 5>On top of that, yeah.

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<v Speaker 2>How are you going to sell that? Nobody cares about

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<v Speaker 2>Zucksmith unless you're doing Touch of Evil, which was this

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<v Speaker 2>big thing that he lived on for a long time. Yeah.

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<v Speaker 1>Right.

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<v Speaker 3>Well, let me back up real quick because you mentioned

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<v Speaker 3>hardcore is more or less like an easier sell. I

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<v Speaker 3>wonder if part of that is because it's easy to

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<v Speaker 3>understand for an audience. Like, look, I'm going to go

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<v Speaker 3>to see a hardcore movie with people fucking, like, you're

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<v Speaker 3>going to be able to see everything. With these movies,

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<v Speaker 3>I think it's still not completely understood by a more

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<v Speaker 3>general audience that, yeah, like, why are these people having

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<v Speaker 3>sex with their clothes on? Like, what's going on, you know,

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<v Speaker 3>at this period in time?

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<v Speaker 5>Oh, absolutely.

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<v Speaker 4>And I think also, I don't know how many people

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<v Speaker 4>who go to repertory theaters in general. And here's the

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<v Speaker 4>other thing I'll say is, the new Bev is, if

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<v Speaker 4>you're going to do this, this is the only place

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<v Speaker 4>I think it can really even stand a chance. I

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<v Speaker 4>think if you do this at any other theater here,

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<v Speaker 4>unless you have like some kind of celebrity presenter, like

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<v Speaker 4>if John Waters is presenting something or, you know, something

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<v Speaker 4>like that, um, you'll, yeah, it's already dead in the

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<v Speaker 4>water in my opinion. So I think the new Beverly, obviously,

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<v Speaker 4>cause they have grindhouse Mondays. They have, And, you know,

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<v Speaker 4>they obviously have a lot of cachet with that for

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<v Speaker 4>a variety of reasons from the programmers and obviously from

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<v Speaker 4>the owner.

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<v Speaker 3>So I mean, these didn't get an intro, did they?

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<v Speaker 4>Yeah, they do. So they always get intros from either.

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<v Speaker 4>Oftentimes it's not special guests. If they have someone who

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<v Speaker 4>like worked on the movie that happens to be there,

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<v Speaker 4>they'll they'll bring them up. But for the most part,

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<v Speaker 4>it's usually whoever's working the box office that night, which

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<v Speaker 4>it was Jeff, I believe, was the person who introduced it.

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<v Speaker 5>But yeah.

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<v Speaker 4>Sometimes it's Michael Torgan or the other, I'm forgetting the

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<v Speaker 4>third person.

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<v Speaker 5>Beck, I believe.

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<v Speaker 4>So they'll have a list of notes. And depending on

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<v Speaker 4>who does the intros, they're usually, they'll have a lot

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<v Speaker 4>of notes about them. Most often the print quality, because

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<v Speaker 4>that's what a lot of people who go to the

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<v Speaker 4>theater care about. So they'll let you know like where

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<v Speaker 4>the print quality is. And with these being mostly black

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<v Speaker 4>and white, I think, you know, Thrill Killers is what,

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<v Speaker 4>like three minutes of color. Obviously that was- That was

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<v Speaker 4>a nice reddish hue. But otherwise, you know, with black

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<v Speaker 4>and white, it's just more some wear and tear. And

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<v Speaker 4>I would say the print quality for both of these

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<v Speaker 4>were actually really good relative to they certainly weren't struck

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<v Speaker 4>anytime recently.

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<v Speaker 5>And by recently, I mean 30 years. So, yeah.

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<v Speaker 4>And so I guess to answer your question, Gentry, just

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<v Speaker 4>to go back for a second in terms of turnout,

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<v Speaker 4>I would say this was about half full.

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<v Speaker 2>Okay.

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<v Speaker 5>So it wasn't a bad turnout at all. No, not

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<v Speaker 5>at all.

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<v Speaker 4>And if you spread that and because, you know, obviously

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<v Speaker 4>not everyone's not sitting together, they're spread out. It actually

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<v Speaker 4>does feel like you're in a more full house than

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<v Speaker 4>it is.

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<v Speaker 3>Right.

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<v Speaker 4>So and as far as the audience, I do wonder,

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<v Speaker 4>you know, I don't know how they see. the value

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<v Speaker 4>in a program like this, other than like, it's something

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<v Speaker 4>fun or it's, you know, I don't know how much

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<v Speaker 4>of their context. And, and I guess to, to talk

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<v Speaker 4>more about the intro, sometimes there isn't context about like

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<v Speaker 4>how these films performed or what that, you know, sometimes

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<v Speaker 4>there is for the most part there is though. I, I, I,

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<v Speaker 4>I'm just not remembering now if this intro had much

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<v Speaker 4>about beyond saying who Zug Smith was obviously working with

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<v Speaker 4>Orson Welles and obviously Ray Dennis Steckler and what they're

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<v Speaker 4>known for. And then they obviously provide like a great

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<v Speaker 4>trailer pack with both of these. It was some Zugsmith

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<v Speaker 4>trailers like Confessions of an Opium Eater.

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<v Speaker 1>Oh, Lord.

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<v Speaker 3>And what was the other trailer? Well, that at least

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<v Speaker 3>provides some context.

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<v Speaker 5>It does. No, it does.

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<v Speaker 4>I think most people going once they have that, they

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<v Speaker 4>should know what they're in for. And obviously, I still

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<v Speaker 4>think some people don't. There were– and the Thrill Killers

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<v Speaker 4>at 70 minutes, nobody– Nobody left for that one. But,

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<v Speaker 4>you know, given that Honor Bed of Roses or Psychedelic

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<v Speaker 4>Sexualis is longer. Yeah, that's that's had a full, you know,

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<v Speaker 4>this cut, though, felt and maybe you guys can answer

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<v Speaker 4>this because I actually I've had the DVD.

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<v Speaker 5>I've had it for years. It's still sealed.

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<v Speaker 4>And it was really great to not have to pop

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<v Speaker 4>it open, to be honest, because.

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<v Speaker 5>I never got around to it.

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<v Speaker 4>It's like it's such a battle to even get to

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<v Speaker 4>my DVDs now from the V.S.

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<v Speaker 1>Side.

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<v Speaker 4>I don't upgrade them very often, but like if something

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<v Speaker 4>screens here and it's obviously an excuse to not have

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<v Speaker 4>to crack it open, that's great.

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<v Speaker 2>Is it Incredible Sex Revolution? Yes, actually, I believe you're right.

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<v Speaker 2>Which is also terrible. Yeah.

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<v Speaker 3>Unfortunately.

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<v Speaker 2>That's right.

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<v Speaker 1>Yeah.

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<v Speaker 5>It is paired with that one.

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<v Speaker 4>And the reason I didn't, I will usually try to

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<v Speaker 4>watch the second movie on my own. And the only

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<v Speaker 4>reason I didn't is I saw it's actually on like

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<v Speaker 4>Fossum or one of the Tubi or something. So I'll

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<v Speaker 4>just watch it there. So as far as this cut goes,

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<v Speaker 4>it did feel about five minutes shorter. And I don't

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<v Speaker 4>think that was because of splices.

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<v Speaker 1>Interesting.

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<v Speaker 2>Interesting.

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<v Speaker 4>Um, and I know on the back of the case,

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<v Speaker 4>there's something about it being like a hot version.

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<v Speaker 1>Um, yes.

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<v Speaker 2>And he did that first. I think he also did

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<v Speaker 2>that for incredible sex revolution as well. And I feel

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<v Speaker 2>like there was another one. He did a four too.

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<v Speaker 2>I think it was to get more, I think it

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<v Speaker 2>was to get more play in other areas that would

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<v Speaker 2>be more accepting of that type of material. And then

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<v Speaker 2>that way he could, he had a, it's kind of like, um, Oh, gosh. Like,

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<v Speaker 2>Saturday Night Fever was prepared in a PG version.

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<v Speaker 5>Oh, God, yeah.

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<v Speaker 2>For, like, TV and stuff and for reissue so they

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<v Speaker 2>could get more play. And for this situation, it's kind

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<v Speaker 2>of similar, where it's just like, well, we can have

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<v Speaker 2>a hot version that we know can play in, like,

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<v Speaker 2>larger metro areas, but then in, like, more conservative areas,

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<v Speaker 2>we can just have this basically an R-rated version rather than, like,

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<v Speaker 2>a soft X.

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<v Speaker 3>Version, essentially. Right.

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<v Speaker 5>That makes sense.

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<v Speaker 2>So I wonder what version you had then. I guess

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<v Speaker 2>you probably had an R-rated version, potentially.

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<v Speaker 1>Yeah.

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<v Speaker 4>Yeah, it definitely was the cooler version because if it

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<v Speaker 4>was shorter– it's just funny what hot and cool means

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<v Speaker 4>when you're talking about hardcore versus like in this context.

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<v Speaker 2>When you're talking about Zugsmith, like how much hotter can

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<v Speaker 2>it be? Those movies are not that.

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<v Speaker 1>100%.

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<v Speaker 5>Yeah, they're not that hot in any version.

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<v Speaker 2>They're– They're not that great. Yeah. So I think it

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<v Speaker 2>really is just, it really is just kind of like, well,

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<v Speaker 2>this is hotter and it's, I don't know, some extra tits.

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<v Speaker 3>Yeah, I'm trying to think what it would have been. Well,

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00:12:09.409 --> 00:12:14.230
<v Speaker 3>that release has, it has the soft scene outtakes as

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<v Speaker 3>like a separate. a special feature you could look at.

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<v Speaker 3>So you could see what the soft version is.

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<v Speaker 4>Yeah.

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<v Speaker 2>Oh, you do have a curious now that disc.

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00:12:23.500 --> 00:12:26.700
<v Speaker 5>Yeah, I got, I know it.

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<v Speaker 2>Is a long time ago. Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 2>I hate both movies on that. Well, not good.

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00:12:32.529 --> 00:12:32.769
<v Speaker 1>Yeah.

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<v Speaker 4>Most people, when I went to this double who had

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<v Speaker 4>seen it were like, when, with thrill killers, everyone was like,

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<v Speaker 4>you know, the people who like, like it, like it.

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<v Speaker 5>And I, I did enjoy it.

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<v Speaker 2>Yeah.

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<v Speaker 4>I had a great time with it. I mean, it's

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<v Speaker 4>often considered, steckler's most polished uh i put that in

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<v Speaker 4>quotation marks but it is considered as like most polished

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<v Speaker 4>and the closest he got to making something that looks

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<v Speaker 4>like anything you would find in any other you know

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<v Speaker 4>uh where was i going with that with like like

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<v Speaker 4>if you did a um uh like if you wanted

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<v Speaker 4>to screen this for someone who's never seen something by

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<v Speaker 4>steckler obviously i guess that's and that's yeah that's.

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<v Speaker 2>A good entry point yes absolutely because that's even more

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<v Speaker 2>accessible than like incredibly strange creatures is something that i

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00:13:14.070 --> 00:13:17.580
<v Speaker 2>think people know from MSC3K. I think Flue Killers is

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00:13:17.639 --> 00:13:20.009
<v Speaker 2>kind of like reminds me of like the sadist or

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00:13:20.090 --> 00:13:22.200
<v Speaker 2>it's something that you could probably show someone. but then

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00:13:22.240 --> 00:13:24.279
<v Speaker 2>they see our tall junior and anything else. And they're like,

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<v Speaker 2>what the fuck is this?

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<v Speaker 1>Right. Right.

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<v Speaker 5>No, totally.

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00:13:27.139 --> 00:13:29.590
<v Speaker 4>Like if you watch why I, um, I actually have

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00:13:29.669 --> 00:13:31.009
<v Speaker 4>never seen wild guitar.

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00:13:31.389 --> 00:13:31.629
<v Speaker 1>Yeah.

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00:13:31.690 --> 00:13:33.250
<v Speaker 5>And I've never seen it in its entirety.

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00:13:33.490 --> 00:13:36.269
<v Speaker 4>I actually, I have the, Oh, it's just off kind

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00:13:36.309 --> 00:13:39.830
<v Speaker 4>of a camera here, but I have the Steckler box set. And, um, I,

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00:13:40.700 --> 00:13:42.759
<v Speaker 4>I remember I tried watching it. I was just too tired.

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<v Speaker 4>So that's why I stopped it. And the transfer is magnificent.

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00:13:46.179 --> 00:13:48.320
<v Speaker 2>Um, It was good when Something Weird put it out.

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00:13:48.600 --> 00:13:50.399
<v Speaker 2>I think they had the negative to that. I think

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00:13:50.419 --> 00:13:52.639
<v Speaker 2>they had OCN or the original negative. So when that

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00:13:52.659 --> 00:13:55.120
<v Speaker 2>came out with the choppers, the choppers looked bad, but

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00:13:55.179 --> 00:13:57.360
<v Speaker 2>Wild Guitar was stunning. And you really get a good

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00:13:57.399 --> 00:14:00.639
<v Speaker 2>idea of what a good photographer Steckler was. I'm not

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00:14:00.679 --> 00:14:02.950
<v Speaker 2>someone to give Steckler a lot of credit for anything.

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00:14:03.250 --> 00:14:05.210
<v Speaker 2>But he also photographed Day of the Nightmare, which is

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00:14:05.259 --> 00:14:08.269
<v Speaker 2>very well photographed. Or maybe it was Scream of the Butterfly.

300
00:14:08.289 --> 00:14:11.029
<v Speaker 2>I think it was Day of the Nightmare. But he

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00:14:11.070 --> 00:14:13.509
<v Speaker 2>was a very good photographer in black and white. His

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00:14:13.529 --> 00:14:17.470
<v Speaker 2>stuff is really crisp and clear and very well lit. So, yeah.

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00:14:17.750 --> 00:14:20.269
<v Speaker 2>And you see that here, by the way, his movies

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00:14:20.309 --> 00:14:23.110
<v Speaker 2>go on, they get progressively less well photographed.

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00:14:23.580 --> 00:14:25.139
<v Speaker 1>Oh yeah. Yeah. Yeah.

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00:14:25.159 --> 00:14:27.240
<v Speaker 4>The values and other things for sure. I don't, I

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00:14:27.259 --> 00:14:28.340
<v Speaker 4>don't disagree with that at all.

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00:14:28.799 --> 00:14:29.460
<v Speaker 1>Right. Right.

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00:14:30.019 --> 00:14:33.600
<v Speaker 4>You know, here, like, and, and this is part, thankfully

310
00:14:33.639 --> 00:14:35.750
<v Speaker 4>because it's far enough in the movie that the, the print,

311
00:14:35.769 --> 00:14:37.490
<v Speaker 4>you know, where as usual with these kinds of prints,

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00:14:37.529 --> 00:14:38.950
<v Speaker 4>the beginning and the end is where you see the

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00:14:39.009 --> 00:14:42.990
<v Speaker 4>most wear and tear outside of the real changes. And yeah,

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00:14:43.480 --> 00:14:45.120
<v Speaker 4>You know, that scene in the in the when he

315
00:14:45.139 --> 00:14:47.179
<v Speaker 4>goes back with the woman to her apartment and there's

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00:14:47.220 --> 00:14:50.750
<v Speaker 4>like the the the flashing lights outside that are making

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00:14:50.799 --> 00:14:53.529
<v Speaker 4>it flash inside. You really get a great idea of

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00:14:53.669 --> 00:14:57.269
<v Speaker 4>how skillful Steckler is with a camera and those kinds

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00:14:57.309 --> 00:15:00.600
<v Speaker 4>of things. That's like beautiful stuff. And, you know, we

320
00:15:00.620 --> 00:15:02.879
<v Speaker 4>were talking about how much this moves even in the last.

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00:15:02.879 --> 00:15:05.480
<v Speaker 4>10 minutes where you kind of start feeling the padding,

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00:15:06.049 --> 00:15:08.320
<v Speaker 4>which is also where he becomes the Marlboro man. Like

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00:15:08.340 --> 00:15:11.259
<v Speaker 4>he gets on a fucking horse with a cowboy hat.

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00:15:13.759 --> 00:15:16.899
<v Speaker 2>Another one. He cannot avoid showing up in his own movies.

325
00:15:17.000 --> 00:15:19.120
<v Speaker 2>He just can't. You're never going to have him not

326
00:15:19.159 --> 00:15:20.759
<v Speaker 2>show up in one of his movies in some way.

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00:15:21.240 --> 00:15:21.360
<v Speaker 1>Yeah.

328
00:15:21.440 --> 00:15:24.600
<v Speaker 4>And, and boy, does he really like, like milk that,

329
00:15:24.879 --> 00:15:28.129
<v Speaker 4>that horse budget or riding the horse and, and, But

330
00:15:28.149 --> 00:15:30.750
<v Speaker 4>I have to say, it's even his padding in this movie,

331
00:15:30.870 --> 00:15:34.190
<v Speaker 4>like what I wrote in my Letterboxd review is that

332
00:15:34.789 --> 00:15:37.669
<v Speaker 4>it's an artistic accomplishment how Steckler pads this out.

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00:15:38.870 --> 00:15:39.649
<v Speaker 5>Like, it really is.

334
00:15:39.690 --> 00:15:42.250
<v Speaker 4>Like, even his padding is an art form in this movie.

335
00:15:43.100 --> 00:15:45.129
<v Speaker 5>And that's not even hyperbole. I mean, it really is.

336
00:15:45.200 --> 00:15:47.480
<v Speaker 4>Like, you even see, like, the last 10 minutes where

337
00:15:47.500 --> 00:15:49.279
<v Speaker 4>he's kind of drawing it out. You are like, all right, well,

338
00:15:49.320 --> 00:15:52.379
<v Speaker 4>let's kind of start wrapping it up. There's still, like,

339
00:15:52.580 --> 00:15:55.139
<v Speaker 4>some worthwhile stuff you're looking at because, you know, he's

340
00:15:55.220 --> 00:15:58.360
<v Speaker 4>out in, like, some Valley out in, uh, probably near

341
00:15:58.399 --> 00:16:04.710
<v Speaker 4>Lancaster or, uh, or like, you know, Santa Clarita or something. And, uh, uh, yeah,

342
00:16:04.870 --> 00:16:07.049
<v Speaker 4>it just looks fantastic. Even when he's doing, you know,

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00:16:07.470 --> 00:16:09.870
<v Speaker 4>what's essentially becomes like a stage play in the restaurant.

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00:16:11.370 --> 00:16:11.570
<v Speaker 1>Yeah.

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00:16:11.590 --> 00:16:12.409
<v Speaker 3>That's the best part.

346
00:16:13.230 --> 00:16:13.750
<v Speaker 6>Absolutely.

347
00:16:13.769 --> 00:16:15.009
<v Speaker 3>Yeah.

348
00:16:15.029 --> 00:16:18.039
<v Speaker 2>That's well, it's interesting because the, because he eventually would

349
00:16:18.059 --> 00:16:23.669
<v Speaker 2>become terrible with padding. Like, yeah, It was interesting how he, yeah,

350
00:16:23.870 --> 00:16:26.490
<v Speaker 2>he kind of goes downhill, I think, once he realizes

351
00:16:27.190 --> 00:16:29.889
<v Speaker 2>that he can still make a profit with that, with

352
00:16:30.549 --> 00:16:33.740
<v Speaker 2>making less effort. It's kind of like he degraded as

353
00:16:33.799 --> 00:16:36.240
<v Speaker 2>a filmmaker, because he was just like, well, whatever, I'll

354
00:16:36.259 --> 00:16:38.759
<v Speaker 2>make the same amount of money without having to do

355
00:16:38.840 --> 00:16:42.360
<v Speaker 2>anything of quality, which is a bummer, because you see

356
00:16:42.379 --> 00:16:44.460
<v Speaker 2>the early stuff, and you're like, I don't know what

357
00:16:44.500 --> 00:16:47.149
<v Speaker 2>happened there, and that's probably what happened. He was just like, well,

358
00:16:47.450 --> 00:16:49.330
<v Speaker 2>the budget's low, I have a little amount of time,

359
00:16:49.350 --> 00:16:53.039
<v Speaker 2>I don't need to waste time on niceties in my stuff.

360
00:16:53.500 --> 00:16:55.860
<v Speaker 4>Oh, that's a, that's a pretty, uh, I would say

361
00:16:55.899 --> 00:16:59.919
<v Speaker 4>that's 1000% right. Because like what you're constantly surrounded by

362
00:16:59.960 --> 00:17:02.840
<v Speaker 4>people who can only give you so much money and they,

363
00:17:03.360 --> 00:17:05.539
<v Speaker 4>and they have a, they obviously, even at that level,

364
00:17:05.619 --> 00:17:07.279
<v Speaker 4>even though they're not a corporation, they're still going to

365
00:17:07.319 --> 00:17:08.859
<v Speaker 4>think like one in terms of profit.

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00:17:08.920 --> 00:17:10.480
<v Speaker 5>So it's like, what are you going to, what are

367
00:17:10.500 --> 00:17:11.019
<v Speaker 5>you going to do?

368
00:17:11.039 --> 00:17:13.160
<v Speaker 4>You're just going to, if you hang around those people

369
00:17:13.200 --> 00:17:15.230
<v Speaker 4>long enough, you're going to turn into those people, whether you,

370
00:17:16.140 --> 00:17:17.539
<v Speaker 4>you know, you even know it or not.

371
00:17:17.619 --> 00:17:19.079
<v Speaker 5>So That's a really good point.

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00:17:19.099 --> 00:17:21.019
<v Speaker 4>I didn't think of it that way because some people

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00:17:21.059 --> 00:17:23.519
<v Speaker 4>like Andy– I guess that's the difference with.

374
00:17:23.400 --> 00:17:24.500
<v Speaker 5>Andy Milligan too, right?

375
00:17:24.539 --> 00:17:27.859
<v Speaker 4>Where like he constantly– it was always like from the

376
00:17:27.960 --> 00:17:31.119
<v Speaker 4>bottom pit of his soul that he was like plumbing

377
00:17:31.140 --> 00:17:34.170
<v Speaker 4>the depths to get out whatever histrionic or no matter

378
00:17:34.210 --> 00:17:35.950
<v Speaker 4>what– say what you will, whether it works for you

379
00:17:35.970 --> 00:17:39.430
<v Speaker 4>or not. But it is coming from a very, very

380
00:17:39.990 --> 00:17:42.329
<v Speaker 4>personal place and at a certain point with Steckler as

381
00:17:42.369 --> 00:17:46.150
<v Speaker 4>much as he obviously loves movies and making movies. He

382
00:17:46.170 --> 00:17:47.950
<v Speaker 4>probably was just like, all right, well, this is the

383
00:17:47.990 --> 00:17:49.710
<v Speaker 4>money I got, and these are the people I'm with.

384
00:17:49.750 --> 00:17:51.029
<v Speaker 3>This was like his gore.

385
00:17:50.769 --> 00:17:51.500
<v Speaker 6>Film, sort of.

386
00:17:52.210 --> 00:17:55.029
<v Speaker 3>He wasn't invested in this kind of movie. He just

387
00:17:55.529 --> 00:17:57.549
<v Speaker 3>knew that it would sell, and he could take it

388
00:17:57.589 --> 00:17:59.890
<v Speaker 3>on the road. I mean, he roadshowed this thing for

389
00:18:00.029 --> 00:18:03.440
<v Speaker 3>a while. That just kind of shows sold little masks

390
00:18:03.519 --> 00:18:04.920
<v Speaker 3>and stuff of the Mad Dog.

391
00:18:04.940 --> 00:18:05.660
<v Speaker 1>Oh, right.

392
00:18:05.700 --> 00:18:06.359
<v Speaker 2>I forgot about that.

393
00:18:06.460 --> 00:18:08.619
<v Speaker 3>Very old school style, yeah.

394
00:18:09.140 --> 00:18:10.480
<v Speaker 5>That's right. That's right.

395
00:18:12.079 --> 00:18:15.200
<v Speaker 4>Well, also he, you know, putting in like the hypnosis

396
00:18:15.240 --> 00:18:16.819
<v Speaker 4>stuff that that killed with the crowd.

397
00:18:16.839 --> 00:18:18.420
<v Speaker 5>I just wanted to say that, you know.

398
00:18:18.440 --> 00:18:22.549
<v Speaker 2>With the with the little swirling, which is incredibly strange creatures.

399
00:18:22.609 --> 00:18:25.730
<v Speaker 2>He already had that. I guess he was like, well,

400
00:18:25.769 --> 00:18:27.710
<v Speaker 2>I guess I'll use it again.

401
00:18:27.789 --> 00:18:28.029
<v Speaker 1>Yeah.

402
00:18:29.089 --> 00:18:29.250
<v Speaker 3>Yeah.

403
00:18:30.579 --> 00:18:32.680
<v Speaker 2>I love Incredibly Strange Creatures. Actually, I would like to

404
00:18:32.720 --> 00:18:35.799
<v Speaker 2>see that with an audience. I like all the musical. Yeah. Sorry.

405
00:18:36.660 --> 00:18:38.799
<v Speaker 5>Oh, I think I think it's super fun.

406
00:18:38.839 --> 00:18:41.680
<v Speaker 4>And I think MST3K kind of put a like like

407
00:18:41.720 --> 00:18:43.539
<v Speaker 4>I'm glad we're getting to the point now that if

408
00:18:43.579 --> 00:18:46.759
<v Speaker 4>there's enough distance between that where certain movies can now

409
00:18:46.819 --> 00:18:49.359
<v Speaker 4>get there, though, I'll say some stuff I watched. Like

410
00:18:50.119 --> 00:18:53.559
<v Speaker 4>I remember the the Sumeru one that. blue underground put

411
00:18:53.579 --> 00:18:55.500
<v Speaker 4>out the 4k of i'm forgetting i think it's million

412
00:18:55.519 --> 00:18:55.880
<v Speaker 4>eyes of.

413
00:18:55.799 --> 00:18:59.140
<v Speaker 7>Sumaru million eyes of sumaru oh no i i that

414
00:18:59.160 --> 00:19:01.460
<v Speaker 7>i was like you know what and it's that's 10

415
00:19:01.460 --> 00:19:03.460
<v Speaker 7>minutes longer that cut and i in my head was

416
00:19:03.500 --> 00:19:05.680
<v Speaker 7>like i could have gone with the original cut and

417
00:19:05.720 --> 00:19:08.660
<v Speaker 7>the mst3k fellas talking over this and even though even

418
00:19:08.680 --> 00:19:10.779
<v Speaker 7>though i think that might have been from the rebooted

419
00:19:10.819 --> 00:19:13.220
<v Speaker 7>show for netflix but still i was like it was

420
00:19:13.279 --> 00:19:16.680
<v Speaker 7>yeah oh okay yeah but I disagree.

421
00:19:16.759 --> 00:19:20.799
<v Speaker 3>Do not talk over Klaus Kinski as President Boing or

422
00:19:20.819 --> 00:19:23.599
<v Speaker 3>whatever his name is. Just let him do his thing.

423
00:19:23.680 --> 00:19:24.480
<v Speaker 3>I don't want to watch.

424
00:19:27.000 --> 00:19:30.019
<v Speaker 2>I mean, I like the MSC3K of Incredibly Strange Creatures,

425
00:19:30.059 --> 00:19:32.119
<v Speaker 2>but then I saw the... And then I picked up

426
00:19:32.140 --> 00:19:34.670
<v Speaker 2>the Media Blasters DVD of it, and I was like, oh,

427
00:19:34.730 --> 00:19:36.569
<v Speaker 2>it still works on its own. I mean, it's just...

428
00:19:36.829 --> 00:19:39.710
<v Speaker 2>It throws everything into it. And it kind of lives

429
00:19:39.769 --> 00:19:41.650
<v Speaker 2>up to this poster that promises you the moon. And

430
00:19:41.670 --> 00:19:43.069
<v Speaker 2>it's like, well, there really is a little... There is

431
00:19:43.170 --> 00:19:46.859
<v Speaker 2>everything in this movie. It's really... Oh, I agree. Yeah, yeah.

432
00:19:46.900 --> 00:19:47.720
<v Speaker 5>I think it's a lot of fun.

433
00:19:47.839 --> 00:19:49.710
<v Speaker 4>I didn't get to see it when it screened here

434
00:19:49.730 --> 00:19:52.839
<v Speaker 4>i it screened a couple years ago um and i

435
00:19:52.950 --> 00:19:55.740
<v Speaker 4>forget why i missed it but uh but i know

436
00:19:55.799 --> 00:19:58.839
<v Speaker 4>that what the one flaw with the print that's available

437
00:19:58.859 --> 00:20:00.460
<v Speaker 4>and my understanding this is the only print that anyone

438
00:20:00.480 --> 00:20:02.759
<v Speaker 4>knows that exists that is can at least be theatrically

439
00:20:02.799 --> 00:20:07.569
<v Speaker 4>played is it's missing a reel a whole reel wow

440
00:20:08.130 --> 00:20:11.150
<v Speaker 4>so it's it's it makes it makes a short movie

441
00:20:11.170 --> 00:20:13.049
<v Speaker 4>a lot shorter yeah.

442
00:20:12.849 --> 00:20:16.200
<v Speaker 3>Yeah right at that point yeah just play the dcp

443
00:20:16.279 --> 00:20:19.400
<v Speaker 3>yeah just play the like nice dcp for that that's

444
00:20:19.460 --> 00:20:20.559
<v Speaker 3>fine right i.

445
00:20:20.539 --> 00:20:22.519
<v Speaker 2>Don't want like if it's if that rail is missing

446
00:20:22.559 --> 00:20:25.680
<v Speaker 2>shook out of shape then it's a wrap like i

447
00:20:25.720 --> 00:20:27.519
<v Speaker 2>needed i need shook out of shape if i'm going

448
00:20:27.539 --> 00:20:31.130
<v Speaker 2>to see it in theater so i i love that Yeah.

449
00:20:31.150 --> 00:20:33.549
<v Speaker 4>I don't know which one it's missing. If it does

450
00:20:33.589 --> 00:20:36.349
<v Speaker 4>screen again, you better believe I'll be there. It was

451
00:20:36.569 --> 00:20:40.549
<v Speaker 4>recently enough, though, so I suspect it'll be a little while. But, yeah,

452
00:20:40.910 --> 00:20:43.339
<v Speaker 4>any Steckler that screens, I'll be there, even if it's digital,

453
00:20:43.359 --> 00:20:45.039
<v Speaker 4>to be honest. Just because, like, how often do you

454
00:20:45.079 --> 00:20:47.759
<v Speaker 4>get to see that in a dark setting with strangers?

455
00:20:47.799 --> 00:20:48.920
<v Speaker 5>You know, it's, like, the ideal.

456
00:20:49.740 --> 00:20:53.750
<v Speaker 3>Well, tell us more about what you thought about On

457
00:20:53.789 --> 00:20:54.490
<v Speaker 3>Her Bed of Roses.

458
00:20:54.809 --> 00:20:55.109
<v Speaker 5>Yes.

459
00:20:55.269 --> 00:20:55.950
<v Speaker 2>Okay. Yeah, yeah.

460
00:20:55.970 --> 00:20:59.630
<v Speaker 3>That's right. that is a longer film and it is

461
00:20:59.730 --> 00:21:02.680
<v Speaker 3>very leisurely paced for sure.

462
00:21:03.339 --> 00:21:04.859
<v Speaker 2>Yes. Being nice.

463
00:21:05.460 --> 00:21:05.859
<v Speaker 1>Yes.

464
00:21:05.940 --> 00:21:08.960
<v Speaker 4>Yes. I, so I, I gave it, I, I couldn't

465
00:21:09.019 --> 00:21:12.339
<v Speaker 4>find them. I ultimately settled on just again to, I

466
00:21:12.359 --> 00:21:13.579
<v Speaker 4>hate to do it this way, but just to make

467
00:21:13.619 --> 00:21:16.230
<v Speaker 4>it easier to explain it in letterbox terms. I didn't

468
00:21:16.250 --> 00:21:18.190
<v Speaker 4>give it any stars because it was kind of halfway

469
00:21:18.230 --> 00:21:19.650
<v Speaker 4>between a two and a half and three to me.

470
00:21:19.670 --> 00:21:21.339
<v Speaker 4>I just threw it a heart because I did have

471
00:21:21.359 --> 00:21:23.700
<v Speaker 4>a good time with an audience. If I watch this

472
00:21:23.740 --> 00:21:26.500
<v Speaker 4>at home, absolutely would have been like a two star affair.

473
00:21:26.519 --> 00:21:28.759
<v Speaker 5>Do you know what I mean? Like I did make it.

474
00:21:29.039 --> 00:21:30.460
<v Speaker 2>I think that's my rating now.

475
00:21:30.970 --> 00:21:31.549
<v Speaker 5>Yeah, it didn't.

476
00:21:31.710 --> 00:21:31.910
<v Speaker 1>Yeah.

477
00:21:32.009 --> 00:21:34.069
<v Speaker 5>I'm looking at it right here. You got got two stars.

478
00:21:34.210 --> 00:21:35.210
<v Speaker 3>Not good.

479
00:21:35.269 --> 00:21:35.450
<v Speaker 1>Yeah.

480
00:21:35.829 --> 00:21:38.670
<v Speaker 4>My friends that I was with, they they didn't they weren't.

481
00:21:39.440 --> 00:21:41.079
<v Speaker 4>They were both– they gave it two and a half

482
00:21:41.119 --> 00:21:43.309
<v Speaker 4>from what I see here. And they kind of felt

483
00:21:43.329 --> 00:21:45.250
<v Speaker 4>the same way I did. But what pushed it over

484
00:21:45.329 --> 00:21:47.509
<v Speaker 4>for me was just watching it with an audience and

485
00:21:47.549 --> 00:21:52.519
<v Speaker 4>having to be locked in. Surprisingly, when I got up

486
00:21:52.539 --> 00:21:54.519
<v Speaker 4>to use the restroom to check the time, I was

487
00:21:54.559 --> 00:21:56.400
<v Speaker 4>actually an hour and 20 minutes into the movie.

488
00:21:56.420 --> 00:21:58.079
<v Speaker 2>Oh, my God.

489
00:21:58.579 --> 00:21:59.019
<v Speaker 5>Yeah.

490
00:21:59.039 --> 00:22:00.779
<v Speaker 2>And that made me think– I forget how long that

491
00:22:00.799 --> 00:22:02.099
<v Speaker 2>movie is. And I'm like, yeah.

492
00:22:02.119 --> 00:22:02.900
<v Speaker 5>I'm like, oh, okay.

493
00:22:03.049 --> 00:22:03.509
<v Speaker 2>No, I know.

494
00:22:03.640 --> 00:22:07.279
<v Speaker 4>Once you pass– I was talking to Phil, the programmer

495
00:22:07.319 --> 00:22:09.259
<v Speaker 4>about this. I said, you know, when you pass 70 minutes,

496
00:22:10.299 --> 00:22:12.240
<v Speaker 4>you really have to kind of earn it. But when

497
00:22:12.259 --> 00:22:16.740
<v Speaker 4>you pass 80, you truly not every minute, every second counts.

498
00:22:17.569 --> 00:22:18.089
<v Speaker 3>Exactly.

499
00:22:18.109 --> 00:22:20.410
<v Speaker 2>In this genre. Absolutely.

500
00:22:20.450 --> 00:22:20.650
<v Speaker 1>Yeah.

501
00:22:20.670 --> 00:22:23.490
<v Speaker 3>You can see the scenes that in your head as

502
00:22:23.529 --> 00:22:25.789
<v Speaker 3>you're watching. You're like, this could have been five. Every

503
00:22:25.930 --> 00:22:28.440
<v Speaker 3>scene could have been five minutes shorter. this would have

504
00:22:28.460 --> 00:22:30.880
<v Speaker 3>been like an amazing 70 minute movie, but 100%.

505
00:22:30.839 --> 00:22:33.730
<v Speaker 2>I watched too. I watched with an editor's eye way

506
00:22:33.750 --> 00:22:36.210
<v Speaker 2>too often. I'm just like, wait, this could have been sliced.

507
00:22:36.230 --> 00:22:38.289
<v Speaker 2>This pacing could have been. Yeah. It's yeah. Which it

508
00:22:38.329 --> 00:22:40.789
<v Speaker 2>was crazy because I haven't been an editor in a

509
00:22:40.789 --> 00:22:42.789
<v Speaker 2>long time, but it's just like, yeah, I'm just like, okay,

510
00:22:42.809 --> 00:22:44.450
<v Speaker 2>this could have been tight in the pace. Yeah.

511
00:22:44.470 --> 00:22:46.799
<v Speaker 3>It's just, you know, like there's that pool scene where

512
00:22:46.819 --> 00:22:49.640
<v Speaker 3>they're like, the two girls are fighting with her dad.

513
00:22:49.920 --> 00:22:52.079
<v Speaker 3>And it's just like, they're slapping each other for like,

514
00:22:52.119 --> 00:22:55.910
<v Speaker 3>what seems like an eternity. It's like, It just trimmed this.

515
00:22:56.319 --> 00:22:58.660
<v Speaker 4>It actually got– see, and that's an example of why

516
00:22:58.680 --> 00:23:00.759
<v Speaker 4>that played well with the crowd because you could feel

517
00:23:00.819 --> 00:23:03.200
<v Speaker 4>the– the audience actually laughed at the moment where you

518
00:23:03.240 --> 00:23:04.900
<v Speaker 4>could feel it going too long.

519
00:23:04.940 --> 00:23:06.039
<v Speaker 3>Yeah, exactly.

520
00:23:06.299 --> 00:23:07.700
<v Speaker 4>And if I did watch it at home, I'd be

521
00:23:07.720 --> 00:23:09.059
<v Speaker 4>like– I'd be the same way. I'd be like, can

522
00:23:09.079 --> 00:23:11.460
<v Speaker 4>we wrap this the fuck up? Like what is going on?

523
00:23:11.740 --> 00:23:13.680
<v Speaker 4>But there we all kind of laughed at how we

524
00:23:13.700 --> 00:23:15.279
<v Speaker 4>were being held hostage by it.

525
00:23:15.319 --> 00:23:17.579
<v Speaker 6>Yes. That's kind of fun.

526
00:23:37.970 --> 00:23:40.559
<v Speaker 4>But every time I still to this day, when I

527
00:23:40.619 --> 00:23:42.859
<v Speaker 4>see something like that, I get fucking locked in. I'm like,

528
00:23:42.940 --> 00:23:44.680
<v Speaker 4>all right, you know what? I think people I think

529
00:23:44.700 --> 00:23:46.640
<v Speaker 4>people are being too hard on this. Let's fucking party.

530
00:23:47.019 --> 00:23:49.819
<v Speaker 4>But then naturally, 30, 40 minutes in.

531
00:23:50.319 --> 00:23:52.309
<v Speaker 5>Yeah, right.

532
00:23:52.829 --> 00:23:53.329
<v Speaker 6>Exactly.

533
00:23:53.849 --> 00:23:56.289
<v Speaker 2>Yeah. But the crazy thing is, though, like this is

534
00:23:56.329 --> 00:23:58.670
<v Speaker 2>the guy who was giving notes to Well saying Touch

535
00:23:58.710 --> 00:23:59.670
<v Speaker 2>of Viva was too long.

536
00:24:00.230 --> 00:24:00.509
<v Speaker 1>Yeah.

537
00:24:00.950 --> 00:24:04.390
<v Speaker 2>And then his self-indulgent stuff. He's like, oh, no. Yeah,

538
00:24:04.430 --> 00:24:07.099
<v Speaker 2>let's let it be as long as we need. Good God.

539
00:24:07.140 --> 00:24:08.440
<v Speaker 5>That is, I didn't even know that.

540
00:24:08.480 --> 00:24:09.640
<v Speaker 2>Well, it's over a touch of evil.

541
00:24:09.980 --> 00:24:10.440
<v Speaker 1>Oh yeah.

542
00:24:10.500 --> 00:24:14.099
<v Speaker 2>It's like memos back and forth. Yeah. Like, yeah, not great.

543
00:24:14.119 --> 00:24:16.160
<v Speaker 2>So that's where the, that's where the restoration was such

544
00:24:16.180 --> 00:24:17.359
<v Speaker 2>a big deal when it happened. Cause it was all

545
00:24:17.380 --> 00:24:19.380
<v Speaker 2>this stuff that Zugsmith is like, cut it out, cut

546
00:24:19.400 --> 00:24:21.220
<v Speaker 2>it out, you know? Well, yeah.

547
00:24:22.000 --> 00:24:23.000
<v Speaker 5>I counted.

548
00:24:23.619 --> 00:24:25.299
<v Speaker 4>So I was sitting in a I have a specific

549
00:24:25.400 --> 00:24:27.059
<v Speaker 4>area that I sit in, so I can only see

550
00:24:27.099 --> 00:24:29.420
<v Speaker 4>about half the theater at best. And I counted about

551
00:24:29.500 --> 00:24:31.980
<v Speaker 4>from my side, I counted, I think, about five walkouts

552
00:24:32.259 --> 00:24:36.779
<v Speaker 4>for this one. But here's the thing. It's a Monday

553
00:24:37.109 --> 00:24:38.220
<v Speaker 4>approaching 11 o'clock.

554
00:24:38.329 --> 00:24:38.460
<v Speaker 1>So.

555
00:24:39.049 --> 00:24:41.009
<v Speaker 4>When people are there for something like that, unless it's

556
00:24:41.190 --> 00:24:43.970
<v Speaker 4>absolutely pulling them in in a way that they are like,

557
00:24:44.319 --> 00:24:45.359
<v Speaker 4>I must stay for this.

558
00:24:45.490 --> 00:24:47.339
<v Speaker 5>I don't blame them. I totally get it.

559
00:24:47.359 --> 00:24:49.680
<v Speaker 3>They're like, I saw Pat Barrington do her belly dance.

560
00:24:49.759 --> 00:24:50.160
<v Speaker 3>I can leave.

561
00:24:50.200 --> 00:24:50.779
<v Speaker 1>Right, right, right.

562
00:24:50.799 --> 00:24:52.240
<v Speaker 5>They're like, yeah, yeah.

563
00:24:52.279 --> 00:24:54.359
<v Speaker 2>Wait, I forgot stuff. I forgot what happened.

564
00:24:54.500 --> 00:24:59.059
<v Speaker 5>That sequence is fantastic. I love that party sequence.

565
00:24:59.099 --> 00:25:01.640
<v Speaker 3>Yeah, that whole party sequence with Pat and everybody else.

566
00:25:01.680 --> 00:25:03.289
<v Speaker 3>That's the best part of the movie. And then it

567
00:25:03.329 --> 00:25:03.740
<v Speaker 3>just kind of.

568
00:25:04.250 --> 00:25:06.349
<v Speaker 4>Absolutely yeah yeah it's right up there with the opening

569
00:25:06.390 --> 00:25:08.630
<v Speaker 4>for me and that's kind of where i got after

570
00:25:08.670 --> 00:25:11.440
<v Speaker 4>that it definitely becomes more of an endurance because of

571
00:25:11.539 --> 00:25:14.500
<v Speaker 4>how that movie is you know also the opening sells

572
00:25:14.539 --> 00:25:16.500
<v Speaker 4>a movie that you're going to follow a socially awkward

573
00:25:16.539 --> 00:25:18.539
<v Speaker 4>guy that you don't meet again for the most part

574
00:25:18.940 --> 00:25:22.019
<v Speaker 4>yeah and the last 15 minutes yeah which in some

575
00:25:22.059 --> 00:25:24.119
<v Speaker 4>ways could be a feature in the right hands but

576
00:25:24.140 --> 00:25:27.240
<v Speaker 4>it obviously is sure more of a bug here.

577
00:25:27.869 --> 00:25:30.250
<v Speaker 2>Yes i feel like i feel like lee frost could

578
00:25:30.269 --> 00:25:31.950
<v Speaker 2>pull that off because he did some he ran he

579
00:25:31.970 --> 00:25:35.339
<v Speaker 2>did like zero and then scream which is similar in

580
00:25:35.359 --> 00:25:36.900
<v Speaker 2>several ways. Yeah.

581
00:25:37.269 --> 00:25:40.390
<v Speaker 4>And if you guys want, if you guys want the

582
00:25:40.470 --> 00:25:42.869
<v Speaker 4>first and only thing I bought an advanced ticket for,

583
00:25:42.930 --> 00:25:46.029
<v Speaker 4>for the new Beverly in September is that Lee Frost double.

584
00:25:46.049 --> 00:25:48.049
<v Speaker 4>So I'm happy to come back and talk about those

585
00:25:48.109 --> 00:25:50.430
<v Speaker 4>because I've, I've not actually seen either.

586
00:25:50.450 --> 00:25:53.170
<v Speaker 5>No pressure, but these are first.

587
00:25:53.009 --> 00:25:55.809
<v Speaker 2>Time watches about the all American girl, which you have

588
00:25:55.829 --> 00:25:56.230
<v Speaker 2>to see.

589
00:25:56.250 --> 00:25:57.490
<v Speaker 5>I will be going to.

590
00:25:57.529 --> 00:25:57.690
<v Speaker 2>Yes.

591
00:25:57.730 --> 00:25:57.849
<v Speaker 1>Yes.

592
00:25:57.869 --> 00:26:00.430
<v Speaker 4>So I'm actually going to, I, so I wanted to

593
00:26:00.450 --> 00:26:02.509
<v Speaker 4>go see cuddly toys to just support Kansas. Cause I

594
00:26:02.529 --> 00:26:05.569
<v Speaker 4>really did enjoy that movie, but, Unfortunately, I forgot I

595
00:26:05.589 --> 00:26:07.730
<v Speaker 4>had bought tickets and made plans to go see Assault

596
00:26:07.750 --> 00:26:10.470
<v Speaker 4>of the Killer Bimbos on 35, which I have not seen.

597
00:26:10.490 --> 00:26:13.289
<v Speaker 2>That's fun. Yes, that's good. Okay, great, great.

598
00:26:13.309 --> 00:26:16.250
<v Speaker 4>So it's early enough that I can actually see that,

599
00:26:16.529 --> 00:26:19.359
<v Speaker 4>be out of there, and drive to New Bev and

600
00:26:19.410 --> 00:26:21.059
<v Speaker 4>still make it in time for All-American Girl.

601
00:26:21.119 --> 00:26:22.440
<v Speaker 5>So that's my double feature.

602
00:26:22.180 --> 00:26:24.279
<v Speaker 3>For that night. Yeah, that's a good plan.

603
00:26:24.299 --> 00:26:27.519
<v Speaker 2>Because that one, seeing that on a big screen would

604
00:26:27.579 --> 00:26:28.680
<v Speaker 2>really blow my mind.

605
00:26:28.700 --> 00:26:31.480
<v Speaker 3>Yeah, that's such a good movie. We need all the

606
00:26:31.539 --> 00:26:32.559
<v Speaker 3>notes on that screening.

607
00:26:32.619 --> 00:26:33.000
<v Speaker 1>Yes.

608
00:26:33.279 --> 00:26:36.799
<v Speaker 3>About the prints, about how many walkouts there are during

609
00:26:36.819 --> 00:26:38.779
<v Speaker 3>the snowballing scene.

610
00:26:38.839 --> 00:26:41.319
<v Speaker 2>I know, the walkouts, I'm worried.

611
00:26:41.339 --> 00:26:43.759
<v Speaker 4>So that's before the Lee Frost double, I believe a

612
00:26:43.799 --> 00:26:46.460
<v Speaker 4>week or two before. So like I said, if you

613
00:26:46.480 --> 00:26:48.069
<v Speaker 4>guys do want, I'm happy to come back and talk

614
00:26:48.089 --> 00:26:50.329
<v Speaker 4>about all four. We can even throw in bimbos if

615
00:26:50.349 --> 00:26:52.049
<v Speaker 4>you want to do a longer chat at some point.

616
00:26:52.369 --> 00:26:53.170
<v Speaker 5>And like I said, no big deal.

617
00:26:53.190 --> 00:26:55.349
<v Speaker 4>If you don't, I can just send it in writing

618
00:26:55.390 --> 00:26:57.190
<v Speaker 4>if you guys want to just chat about it either or.

619
00:26:57.230 --> 00:26:58.789
<v Speaker 4>I just wanted to put that out there because I

620
00:26:59.250 --> 00:27:02.799
<v Speaker 4>feel like those are... I, I, I didn't realize I'm

621
00:27:02.819 --> 00:27:05.140
<v Speaker 4>becoming a Lee Frost completionist, but it's happening.

622
00:27:06.299 --> 00:27:08.380
<v Speaker 3>It does happen to a lot of us. Yeah.

623
00:27:08.440 --> 00:27:12.539
<v Speaker 2>It's like, yeah. He's very consistent, which is nice. Like

624
00:27:12.779 --> 00:27:17.369
<v Speaker 2>there are very few hiccups across that career, honestly. Yeah.

625
00:27:17.410 --> 00:27:18.730
<v Speaker 2>He's very, very underrated.

626
00:27:19.349 --> 00:27:20.369
<v Speaker 5>So far. So good for me.

627
00:27:20.410 --> 00:27:20.549
<v Speaker 1>Yeah.

628
00:27:20.609 --> 00:27:22.170
<v Speaker 4>It's been a great ride watching Lee stuff.

629
00:27:22.190 --> 00:27:23.289
<v Speaker 2>Even like thing, but two heads.

630
00:27:23.670 --> 00:27:23.910
<v Speaker 1>Great.

631
00:27:24.339 --> 00:27:24.680
<v Speaker 2>Love it.

632
00:27:25.039 --> 00:27:25.619
<v Speaker 5>Can't wait.

633
00:27:25.799 --> 00:27:26.500
<v Speaker 2>Yeah, yeah.

634
00:27:26.579 --> 00:27:27.680
<v Speaker 5>I'm so stoked for that, too.

635
00:27:28.049 --> 00:27:30.549
<v Speaker 2>Yeah, yeah. The only one I really don't like, I think,

636
00:27:30.650 --> 00:27:32.670
<v Speaker 2>is Chang Gang Women.

637
00:27:33.029 --> 00:27:33.400
<v Speaker 3>That's it.

638
00:27:33.410 --> 00:27:35.109
<v Speaker 2>And even that has enough points of interest that I

639
00:27:35.130 --> 00:27:36.440
<v Speaker 2>wouldn't tell people not to watch it.

640
00:27:36.990 --> 00:27:39.079
<v Speaker 4>You know, I just told a friend to watch a

641
00:27:39.099 --> 00:27:40.059
<v Speaker 4>climax of Blue Power.

642
00:27:40.119 --> 00:27:41.180
<v Speaker 5>Two people, actually, I know.

643
00:27:41.259 --> 00:27:43.339
<v Speaker 4>So I can't wait to hear what they have to

644
00:27:43.380 --> 00:27:45.140
<v Speaker 4>say about it, because one I know is going to

645
00:27:45.160 --> 00:27:45.410
<v Speaker 4>love it.

646
00:27:45.440 --> 00:27:45.839
<v Speaker 5>The other one.

647
00:27:46.369 --> 00:27:49.750
<v Speaker 3>That's, that's one that I would be careful about recommending.

648
00:27:50.130 --> 00:27:50.630
<v Speaker 5>For sure.

649
00:27:50.650 --> 00:27:53.150
<v Speaker 2>Yeah, for sure. Well, I want to see the original

650
00:27:53.190 --> 00:27:55.440
<v Speaker 2>version because of course it was shot soft. And then

651
00:27:55.519 --> 00:27:58.519
<v Speaker 2>all the inserts were, I don't know if they were

652
00:27:58.539 --> 00:28:00.579
<v Speaker 2>him or there was somebody else. That whole thing is,

653
00:28:01.200 --> 00:28:03.359
<v Speaker 2>I don't know who would know what happened with.

654
00:28:03.299 --> 00:28:03.660
<v Speaker 6>That, but.

655
00:28:04.900 --> 00:28:06.690
<v Speaker 2>That's a good one. It's a really good one. Good

656
00:28:06.789 --> 00:28:08.910
<v Speaker 2>stolen music from the Together Brothers soundtrack.

657
00:28:08.950 --> 00:28:09.430
<v Speaker 3>Yes.

658
00:28:09.950 --> 00:28:10.289
<v Speaker 1>On that.

659
00:28:10.529 --> 00:28:15.109
<v Speaker 2>Yes. Well, we love good stolen music. Refer back to

660
00:28:15.150 --> 00:28:17.390
<v Speaker 2>our conversation last episode.

661
00:28:17.609 --> 00:28:19.650
<v Speaker 3>Yeah, I like that idea, though, Eli. We will be

662
00:28:19.690 --> 00:28:23.019
<v Speaker 3>in touch. We absolutely want to hear about how those go.

663
00:28:23.759 --> 00:28:24.619
<v Speaker 2>Wonderful. Thank you.

664
00:28:24.640 --> 00:28:26.599
<v Speaker 4>Thank you guys again for having me. This was so fun.

665
00:28:26.640 --> 00:28:26.900
<v Speaker 6>I could.

666
00:28:26.920 --> 00:28:27.720
<v Speaker 3>Yeah.

667
00:28:27.759 --> 00:28:28.420
<v Speaker 2>No, we love you.

668
00:28:29.220 --> 00:28:30.859
<v Speaker 5>As we always say, we could have, this is what

669
00:28:30.940 --> 00:28:31.200
<v Speaker 5>we did.

670
00:28:31.380 --> 00:28:33.099
<v Speaker 4>I mean, it's a miracle that we got to half

671
00:28:33.140 --> 00:28:35.900
<v Speaker 4>an hour, just about like, I feel like it's truly

672
00:28:35.980 --> 00:28:37.579
<v Speaker 4>could have been two plus hours.

673
00:28:37.920 --> 00:28:39.500
<v Speaker 5>Just talking about Zugg Smith.

674
00:28:58.599 --> 00:29:03.359
<v Speaker 2>Well, hi. Hello. How are you? Very good.

675
00:29:03.400 --> 00:29:05.019
<v Speaker 1>How are you? I'm good.

676
00:29:05.059 --> 00:29:07.069
<v Speaker 2>We've actually never met. Isn't that wild?

677
00:29:07.220 --> 00:29:07.910
<v Speaker 6>That's crazy.

678
00:29:08.809 --> 00:29:12.650
<v Speaker 3>This is a reoccurring theme with these podcasts. He runs

679
00:29:12.710 --> 00:29:15.950
<v Speaker 3>into people again. He's like, you know what? I realize

680
00:29:15.970 --> 00:29:18.390
<v Speaker 3>that we've never actually met, but we've known each other

681
00:29:18.430 --> 00:29:19.109
<v Speaker 3>for like 20 years.

682
00:29:19.150 --> 00:29:19.309
<v Speaker 1>Yeah.

683
00:29:20.970 --> 00:29:23.480
<v Speaker 2>Mobius home video days. Yeah, well, that's like John Charles.

684
00:29:23.519 --> 00:29:25.779
<v Speaker 2>We have an ongoing chat with John Charles. And I'm like, John,

685
00:29:25.799 --> 00:29:27.579
<v Speaker 2>I've known you for a quarter of a century. Isn't

686
00:29:27.619 --> 00:29:28.019
<v Speaker 2>that crazy?

687
00:29:28.759 --> 00:29:30.920
<v Speaker 6>Now, John, I have met.

688
00:29:32.369 --> 00:29:34.609
<v Speaker 2>That's good. Okay. Yeah, most of them, none of the

689
00:29:34.650 --> 00:29:36.710
<v Speaker 2>Mobius people I've met, not even Bruce. And I lived

690
00:29:36.750 --> 00:29:39.049
<v Speaker 2>very close to Bruce. But yeah, we never met.

691
00:29:39.059 --> 00:29:42.660
<v Speaker 8>And i'm bruce i've met many times i know yes

692
00:29:42.720 --> 00:29:45.559
<v Speaker 8>exactly bruce is great but uh thank.

693
00:29:45.460 --> 00:29:48.200
<v Speaker 2>You for joining us thank you for thank you gentry

694
00:29:48.240 --> 00:29:53.759
<v Speaker 2>for coordinating this yeah oh well first of all I

695
00:29:53.799 --> 00:29:56.619
<v Speaker 2>know I've talked to you about one of your former coworkers,

696
00:29:57.140 --> 00:30:03.069
<v Speaker 2>Diana Flaherty. We actually just, she just retired several, a

697
00:30:03.549 --> 00:30:05.750
<v Speaker 2>few weeks ago. And the last conversation we had was

698
00:30:05.789 --> 00:30:07.230
<v Speaker 2>about you actually.

699
00:30:08.150 --> 00:30:09.150
<v Speaker 6>I miss her so much.

700
00:30:09.890 --> 00:30:12.470
<v Speaker 2>I know she was like, well, I remember, I remember when,

701
00:30:12.509 --> 00:30:16.089
<v Speaker 2>you know, he left, he left image and I was

702
00:30:16.109 --> 00:30:18.750
<v Speaker 2>like crying as we all left him, saw him walk,

703
00:30:18.869 --> 00:30:20.599
<v Speaker 2>walk to his car. It was, she was like, it

704
00:30:20.619 --> 00:30:22.140
<v Speaker 2>was like, I left, it was, she said it was

705
00:30:22.160 --> 00:30:24.960
<v Speaker 2>like she lost a family member. I was like, yeah,

706
00:30:25.099 --> 00:30:26.839
<v Speaker 2>I mean, I can see him having that effect on

707
00:30:26.880 --> 00:30:27.839
<v Speaker 2>people for sure.

708
00:30:27.859 --> 00:30:28.400
<v Speaker 1>Yeah. Yeah.

709
00:30:28.940 --> 00:30:30.859
<v Speaker 3>So I guess the impetus for bringing you on.

710
00:30:30.900 --> 00:30:31.119
<v Speaker 1>Yeah.

711
00:30:31.160 --> 00:30:34.829
<v Speaker 3>Was specifically to talk about sort of your work with

712
00:30:34.970 --> 00:30:38.069
<v Speaker 3>image entertainment. Jeez. How long ago was this now? A

713
00:30:38.109 --> 00:30:39.789
<v Speaker 3>couple of decades ago. Yeah.

714
00:30:40.190 --> 00:30:40.670
<v Speaker 1>Yeah.

715
00:30:40.730 --> 00:30:42.309
<v Speaker 6>I roughly, it's like around like late 2000 till 20,

716
00:30:42.289 --> 00:30:47.410
<v Speaker 6>like late 2010, I think about 10 years. Yeah, no,

717
00:30:47.420 --> 00:30:48.900
<v Speaker 6>I just thought you had like an intro thing about

718
00:30:48.920 --> 00:30:50.440
<v Speaker 6>some of those exploitation announcements. I don't know if you

719
00:30:50.460 --> 00:30:52.160
<v Speaker 6>were doing that first or how that was going to work.

720
00:30:52.319 --> 00:30:54.180
<v Speaker 2>Oh, actually, let's do that.

721
00:30:54.640 --> 00:30:55.339
<v Speaker 3>Yeah, let's do that.

722
00:30:55.359 --> 00:30:56.240
<v Speaker 2>That's a good icebreaker.

723
00:30:56.400 --> 00:30:56.680
<v Speaker 1>Yeah.

724
00:30:57.720 --> 00:30:59.289
<v Speaker 6>I don't know if you saw the sexorcist that you

725
00:30:59.329 --> 00:31:01.420
<v Speaker 6>had down. It's not that sexorcist. It's the other one.

726
00:31:01.430 --> 00:31:02.170
<v Speaker 6>It's the Italian one.

727
00:31:02.609 --> 00:31:05.410
<v Speaker 2>Yeah, it's Sexorcist Devil, isn't it? Yeah, yeah.

728
00:31:05.509 --> 00:31:07.430
<v Speaker 6>The Eerie Midnight Horror Show, Torment, whatever you want to

729
00:31:07.470 --> 00:31:09.670
<v Speaker 6>call it. Yeah, it's the other one. Because in the UK,

730
00:31:09.690 --> 00:31:11.869
<v Speaker 6>it's called sexorcist. Everybody got confused and they're like, But

731
00:31:11.890 --> 00:31:13.470
<v Speaker 6>they already did the Cedricist, the Stegler one.

732
00:31:13.789 --> 00:31:16.269
<v Speaker 2>Oh, they're doing Iriman and Horus, so I can get

733
00:31:16.309 --> 00:31:18.490
<v Speaker 2>rid of my code red Blu-ray, is what you're saying.

734
00:31:18.880 --> 00:31:19.430
<v Speaker 6>Okay, good.

735
00:31:19.450 --> 00:31:21.259
<v Speaker 2>Because that code red Blu-ray was rough.

736
00:31:21.400 --> 00:31:23.019
<v Speaker 6>Yeah, that was rough, yeah.

737
00:31:23.440 --> 00:31:23.940
<v Speaker 2>Okay, good.

738
00:31:24.000 --> 00:31:24.420
<v Speaker 3>Okay.

739
00:31:24.900 --> 00:31:27.579
<v Speaker 2>I like the movie. Ivan Razumov is great in it.

740
00:31:28.160 --> 00:31:28.319
<v Speaker 1>Yeah.

741
00:31:28.619 --> 00:31:30.900
<v Speaker 6>Yeah, that's a fun one. I'm glad they're doing it. Yeah,

742
00:31:30.960 --> 00:31:32.640
<v Speaker 6>I hope it'll be the longer cut, too. We'll see.

743
00:31:33.279 --> 00:31:34.049
<v Speaker 3>Yeah, okay.

744
00:31:34.069 --> 00:31:34.349
<v Speaker 1>I hope so.

745
00:31:34.349 --> 00:31:37.089
<v Speaker 3>That clarifies things. Yeah, I was wondering about that as well.

746
00:31:37.910 --> 00:31:39.650
<v Speaker 6>Yeah, everybody was like, why are they doing the Stuckler

747
00:31:39.710 --> 00:31:41.069
<v Speaker 6>one again? They're like, no, no, no. In the UK,

748
00:31:41.089 --> 00:31:43.329
<v Speaker 6>that one's called Sexorcist, and there's two Sexorcists that came

749
00:31:43.349 --> 00:31:45.849
<v Speaker 6>out the same year, and people are like, what? It's

750
00:31:45.890 --> 00:31:46.490
<v Speaker 6>really confusing.

751
00:31:47.390 --> 00:31:50.279
<v Speaker 3>It's a hot title. I mean, you put that out,

752
00:31:50.680 --> 00:31:52.400
<v Speaker 3>people are going to go see it. You call something

753
00:31:52.420 --> 00:31:53.480
<v Speaker 3>the Sexorcist, right?

754
00:31:55.599 --> 00:31:59.440
<v Speaker 2>One would hope, right? Yeah, I don't know.

755
00:32:01.740 --> 00:32:04.859
<v Speaker 3>Well, yeah, we were saying how– you know we're always

756
00:32:04.880 --> 00:32:07.619
<v Speaker 3>talking about severin is seems to do well with their

757
00:32:07.660 --> 00:32:10.819
<v Speaker 3>sex and horror hybrid films and so that seems like

758
00:32:10.859 --> 00:32:13.039
<v Speaker 3>kind of a no-brainer so yeah so i.

759
00:32:13.039 --> 00:32:14.980
<v Speaker 2>Wish they would go back to the novaks like we

760
00:32:15.019 --> 00:32:17.730
<v Speaker 2>talk about that a lot like i'm i want mantis

761
00:32:17.789 --> 00:32:20.509
<v Speaker 2>and lace i want kiss me quick i mean.

762
00:32:20.349 --> 00:32:22.490
<v Speaker 3>We'll talk about him later it's kind of.

763
00:32:22.190 --> 00:32:24.390
<v Speaker 2>The mad butcher is right there i'm not sure why

764
00:32:24.430 --> 00:32:26.609
<v Speaker 2>mad butcher and castle castle of freaks too i mean

765
00:32:26.750 --> 00:32:29.099
<v Speaker 2>i don't want it but i'm surprised it hasn't been

766
00:32:29.759 --> 00:32:30.039
<v Speaker 2>Taking it.

767
00:32:30.039 --> 00:32:30.619
<v Speaker 3>I'm taking it.

768
00:32:30.640 --> 00:32:32.440
<v Speaker 6>There's a lot of biggies that are just sitting there.

769
00:32:32.500 --> 00:32:34.019
<v Speaker 6>It's like, what's going on?

770
00:32:35.539 --> 00:32:35.799
<v Speaker 1>Yeah.

771
00:32:35.859 --> 00:32:37.079
<v Speaker 2>Well, we have a lot of, we have a lot

772
00:32:37.140 --> 00:32:38.480
<v Speaker 2>of no back to talk to you.

773
00:32:38.900 --> 00:32:39.700
<v Speaker 6>Yeah.

774
00:32:39.720 --> 00:32:42.160
<v Speaker 2>Someone who sat in a room with him multiple times.

775
00:32:42.839 --> 00:32:43.160
<v Speaker 1>Yeah. Yeah.

776
00:32:43.180 --> 00:32:43.839
<v Speaker 6>I certainly did.

777
00:32:46.940 --> 00:32:48.920
<v Speaker 3>Well, we, um, I talked with Casey a little bit

778
00:32:48.980 --> 00:32:51.210
<v Speaker 3>offline about this cause I already know how he feels

779
00:32:51.269 --> 00:32:54.349
<v Speaker 3>about it, but, uh, Cherry, Harry and Raquel is getting

780
00:32:54.470 --> 00:32:58.869
<v Speaker 3>the next Severn Russmeyer treatment, uh, I mean, I'm just, look,

781
00:32:58.930 --> 00:33:02.369
<v Speaker 3>I'm happy that they're continuing this partnership and it didn't

782
00:33:02.470 --> 00:33:05.930
<v Speaker 3>fall apart. So that's good news. Is this my favorite

783
00:33:05.950 --> 00:33:09.900
<v Speaker 3>Russ Meyer? No, but some people love it. What are

784
00:33:09.920 --> 00:33:10.319
<v Speaker 3>your thoughts?

785
00:33:10.890 --> 00:33:11.450
<v Speaker 2>You don't know.

786
00:33:11.609 --> 00:33:13.890
<v Speaker 3>You know my thoughts. Well, I guess, but we haven't

787
00:33:13.930 --> 00:33:15.109
<v Speaker 3>heard them publicly, so.

788
00:33:15.269 --> 00:33:18.210
<v Speaker 2>Yeah, so my thoughts are, like, yes, I will echo.

789
00:33:18.279 --> 00:33:21.319
<v Speaker 2>I'm glad that the partnership is going. But, like, I

790
00:33:21.339 --> 00:33:23.980
<v Speaker 2>would have even rather seen Mondo topless than this. Like,

791
00:33:24.180 --> 00:33:26.900
<v Speaker 2>and that's barely a movie. It should be. I think

792
00:33:27.019 --> 00:33:31.160
<v Speaker 2>the story behind this one is... I mean, it becomes

793
00:33:31.220 --> 00:33:33.180
<v Speaker 2>vividly clear when you find out why this movie is

794
00:33:33.200 --> 00:33:36.359
<v Speaker 2>such a hodgepodge and so... all over the place because

795
00:33:36.400 --> 00:33:38.319
<v Speaker 2>it was barely a movie that had to be saved

796
00:33:38.359 --> 00:33:40.359
<v Speaker 2>in post it had to be saved in the editing

797
00:33:40.400 --> 00:33:43.599
<v Speaker 2>room um and it's too as i've said it in

798
00:33:43.619 --> 00:33:47.019
<v Speaker 2>my letterboxd museum on here a sexploitation focus on a

799
00:33:47.039 --> 00:33:50.109
<v Speaker 2>man is always going to lose my interest and this

800
00:33:50.289 --> 00:33:52.960
<v Speaker 2>is cherry and raquel are barely in this this is

801
00:33:53.009 --> 00:33:54.509
<v Speaker 2>just the hairy show and.

802
00:33:54.410 --> 00:33:57.349
<v Speaker 3>We get to see cherry walked off set which.

803
00:33:57.230 --> 00:34:00.430
<v Speaker 2>Is fine Yes, because she thought that he was shooting

804
00:34:00.880 --> 00:34:04.960
<v Speaker 2>secret footage of her nether regions, and so she walked

805
00:34:05.019 --> 00:34:08.019
<v Speaker 2>off the set. Which is weird, because she was in

806
00:34:08.039 --> 00:34:11.760
<v Speaker 2>the blue hour, which is, I think, much more graphic.

807
00:34:12.159 --> 00:34:14.679
<v Speaker 3>I've heard other stories, too, that she had a dog

808
00:34:14.780 --> 00:34:18.150
<v Speaker 3>on set that was shitting everywhere, and she was getting

809
00:34:18.190 --> 00:34:19.730
<v Speaker 3>yelled at and upset about it.

810
00:34:21.530 --> 00:34:24.110
<v Speaker 2>I'm surprised Russ even let it get to that point, actually.

811
00:34:24.250 --> 00:34:25.650
<v Speaker 2>That he was like, yeah, sure, bring your dog to

812
00:34:25.710 --> 00:34:29.110
<v Speaker 2>the set. That does not sound like... Yeah. Unless it

813
00:34:29.130 --> 00:34:31.929
<v Speaker 2>was some kind of contraband pet that was brought on set.

814
00:34:31.969 --> 00:34:37.070
<v Speaker 2>But yeah, I just wish it was something else. I'm

815
00:34:37.110 --> 00:34:39.110
<v Speaker 2>glad that the partnership is still going. I'm glad that

816
00:34:39.230 --> 00:34:41.210
<v Speaker 2>they're still able to work with Janice and the estate.

817
00:34:41.889 --> 00:34:43.530
<v Speaker 2>I just wish it was not this movie. I wish

818
00:34:43.570 --> 00:34:46.139
<v Speaker 2>it was something else. I would have even taken Finders, Keepers, Lovers,

819
00:34:46.179 --> 00:34:48.519
<v Speaker 2>Weepers over this. Because at least that has Ravel Roby

820
00:34:48.559 --> 00:34:51.420
<v Speaker 2>and she's amazing. And she'll do an interview because she's around.

821
00:34:52.050 --> 00:34:54.389
<v Speaker 2>I think they're going to have Ushi on this release though,

822
00:34:54.630 --> 00:34:58.269
<v Speaker 2>because David Gregory posted a picture of him with Ushi,

823
00:34:59.030 --> 00:35:02.860
<v Speaker 2>which a mind blower. So at the very least, I

824
00:35:02.880 --> 00:35:04.219
<v Speaker 2>guess I have to pick it up because we get

825
00:35:04.300 --> 00:35:06.320
<v Speaker 2>Ushi on camera potentially. Yeah.

826
00:35:06.420 --> 00:35:06.619
<v Speaker 1>Yeah.

827
00:35:07.119 --> 00:35:10.960
<v Speaker 3>I know that she's not a central player in this movie,

828
00:35:11.000 --> 00:35:13.760
<v Speaker 3>but she has a heavy presence in it. So I

829
00:35:13.780 --> 00:35:15.900
<v Speaker 3>can see why she's the only good thing about it.

830
00:35:15.920 --> 00:35:18.199
<v Speaker 3>I can see why they want to have her on

831
00:35:18.239 --> 00:35:20.820
<v Speaker 3>this release. If, if that's what's happening.

832
00:35:21.039 --> 00:35:21.340
<v Speaker 6>Right.

833
00:35:21.599 --> 00:35:23.000
<v Speaker 2>Cause they didn't get it for super vixens.

834
00:35:23.880 --> 00:35:24.159
<v Speaker 1>Yeah.

835
00:35:24.840 --> 00:35:26.820
<v Speaker 6>It's, it's going to be an amazing looking disc though.

836
00:35:26.940 --> 00:35:30.010
<v Speaker 6>Cause I mean, I, I, I, it's an important movie.

837
00:35:30.090 --> 00:35:31.469
<v Speaker 6>I mean, it's a huge mess of a movie, but

838
00:35:31.510 --> 00:35:32.989
<v Speaker 6>it is an important one. So it makes sense for

839
00:35:33.010 --> 00:35:35.789
<v Speaker 6>them to do it. But I mean, I think they

840
00:35:35.809 --> 00:35:37.130
<v Speaker 6>were going to be shocked at how nice it looks.

841
00:35:37.210 --> 00:35:39.190
<v Speaker 6>Cause I, my, my, this memory of this movie is

842
00:35:39.750 --> 00:35:42.710
<v Speaker 6>back in the late 90 at 99 at the Egyptian

843
00:35:42.730 --> 00:35:44.710
<v Speaker 6>here in LA, they did that huge Russ Meyer retrospective.

844
00:35:44.750 --> 00:35:47.909
<v Speaker 6>They showed almost everything. And, um, but the, the print

845
00:35:47.929 --> 00:35:49.860
<v Speaker 6>that rang was just gorgeous. So this should look stunning.

846
00:35:50.010 --> 00:35:52.440
<v Speaker 6>And I always have a soft spot because, um, Charles

847
00:35:52.480 --> 00:35:54.199
<v Speaker 6>Napier was there with Russ for the Q and a,

848
00:35:54.219 --> 00:35:57.539
<v Speaker 6>and afterwards, I just remember walking out of the lobby

849
00:35:57.559 --> 00:35:58.739
<v Speaker 6>and Charles Napier was standing next to me. All of

850
00:35:58.760 --> 00:36:01.880
<v Speaker 6>a sudden kitten runs up and she's, and she's like, hi,

851
00:36:01.920 --> 00:36:08.050
<v Speaker 6>full frontal scene, Chucky. And like, and, um, and then

852
00:36:08.070 --> 00:36:09.340
<v Speaker 6>she made me take a picture of me putting my

853
00:36:09.360 --> 00:36:11.550
<v Speaker 6>hand on her boobs for some reason. So, um, yeah,

854
00:36:11.889 --> 00:36:12.429
<v Speaker 6>she loves that.

855
00:36:12.610 --> 00:36:13.690
<v Speaker 2>She loves past tense.

856
00:36:13.710 --> 00:36:17.329
<v Speaker 6>Yeah. Yeah, I, you know, I can't I can't hate

857
00:36:17.369 --> 00:36:19.429
<v Speaker 6>the movie just because of that. It's, you know, it's

858
00:36:19.550 --> 00:36:21.590
<v Speaker 6>a it's a sentimental favorite just for that reason.

859
00:36:22.170 --> 00:36:22.670
<v Speaker 3>Yeah, that is.

860
00:36:22.690 --> 00:36:25.150
<v Speaker 2>Yeah, that would make me want to own a nice

861
00:36:25.250 --> 00:36:27.329
<v Speaker 2>cleaned up version of that just for that memory alone.

862
00:36:27.369 --> 00:36:29.869
<v Speaker 3>Just so you can freeze frame the Charles Napier naked

863
00:36:30.530 --> 00:36:32.090
<v Speaker 3>nude frontal nudity scene.

864
00:36:34.389 --> 00:36:37.170
<v Speaker 2>He's not Foreman Shane. He's not, yeah, he's not Foreman Shane.

865
00:36:37.190 --> 00:36:40.650
<v Speaker 2>He's not Bill Ratzler. Like, whatever. I came up with

866
00:36:40.690 --> 00:36:42.750
<v Speaker 2>my own Juliet on 4K so I can get my

867
00:36:42.809 --> 00:36:45.829
<v Speaker 2>Ratzler nudity in 4K and I'll be, yeah.

868
00:36:45.869 --> 00:36:48.150
<v Speaker 3>Well, speaking of, have they said if this is going

869
00:36:48.170 --> 00:36:50.409
<v Speaker 3>to be UHD or if this is Blu-ray?

870
00:36:51.010 --> 00:36:51.880
<v Speaker 6>All of them are UHD.

871
00:36:52.280 --> 00:36:53.050
<v Speaker 3>They're all going to be UHD.

872
00:36:53.110 --> 00:36:53.570
<v Speaker 6>Really?

873
00:36:53.840 --> 00:36:54.260
<v Speaker 2>Okay.

874
00:36:54.699 --> 00:36:56.599
<v Speaker 6>Every Myers title is going to be UHD as far

875
00:36:56.619 --> 00:36:57.980
<v Speaker 6>as I know. And, you know, they do them in pairs,

876
00:36:58.000 --> 00:37:00.000
<v Speaker 6>so you'll have another one.

877
00:37:00.099 --> 00:37:02.969
<v Speaker 2>Oh, you know what I want. I want common law cabin.

878
00:37:04.309 --> 00:37:05.409
<v Speaker 2>That is my favorite.

879
00:37:06.210 --> 00:37:08.210
<v Speaker 6>Would you call this, maybe is this Russ Meyer's like

880
00:37:08.250 --> 00:37:09.559
<v Speaker 6>night to dismember sort of?

881
00:37:10.590 --> 00:37:14.199
<v Speaker 2>Yes, I would actually. Yes, I would.

882
00:37:15.639 --> 00:37:15.980
<v Speaker 6>Yes.

883
00:37:16.059 --> 00:37:18.739
<v Speaker 2>That actually makes, that's, that's a good comparison, except I

884
00:37:18.780 --> 00:37:21.519
<v Speaker 2>much prefer night to dismember. There is something much more

885
00:37:21.619 --> 00:37:23.980
<v Speaker 2>charming about the insanity of that.

886
00:37:24.639 --> 00:37:24.860
<v Speaker 1>Yeah.

887
00:37:25.480 --> 00:37:27.659
<v Speaker 2>And the fact that the story behind that is that

888
00:37:27.719 --> 00:37:29.760
<v Speaker 2>basically like that, Samantha Fox had a swoop in and

889
00:37:29.780 --> 00:37:32.599
<v Speaker 2>actually paid to be in the movie. And then it

890
00:37:32.619 --> 00:37:34.480
<v Speaker 2>was her money that was financing all the reshoots. I'm

891
00:37:34.500 --> 00:37:40.150
<v Speaker 2>just like, that's really crazy. Yeah, really bad on Blu-ray.

892
00:37:40.369 --> 00:37:42.309
<v Speaker 2>That's kind of being held up for some reason.

893
00:37:43.190 --> 00:37:45.269
<v Speaker 6>That makes no sense. I want both versions of that

894
00:37:45.309 --> 00:37:46.130
<v Speaker 6>on Blu-ray so bad.

895
00:37:46.150 --> 00:37:48.909
<v Speaker 2>I do too. The original version's great. I was very

896
00:37:48.929 --> 00:37:52.570
<v Speaker 2>surprised when that started making the rounds again. It works.

897
00:37:52.650 --> 00:37:53.670
<v Speaker 2>It's really a lot of fun too.

898
00:37:54.539 --> 00:37:55.900
<v Speaker 6>Oh my god, it's coherent.

899
00:37:56.079 --> 00:37:56.300
<v Speaker 1>What?

900
00:37:57.159 --> 00:37:58.480
<v Speaker 3>Yes, exactly.

901
00:37:58.500 --> 00:38:01.699
<v Speaker 2>I'm like, oh wow, their story beats. It's point A,

902
00:38:01.739 --> 00:38:04.289
<v Speaker 2>point B, point C and it meets them. It is

903
00:38:04.309 --> 00:38:07.349
<v Speaker 2>very much like a Chesty Morgan. They're like the Chesty

904
00:38:07.389 --> 00:38:09.650
<v Speaker 2>Morgans or something. I feel like she became more coherent

905
00:38:10.269 --> 00:38:14.969
<v Speaker 2>in the 70s maybe after a certain point. I wonder

906
00:38:14.989 --> 00:38:18.090
<v Speaker 2>what the second one would be then. I would love

907
00:38:18.130 --> 00:38:20.429
<v Speaker 2>Black Snake too, but they really want to bury that.

908
00:38:20.650 --> 00:38:23.090
<v Speaker 2>They want to bury Black Snake. I love Black Snake.

909
00:38:23.309 --> 00:38:26.059
<v Speaker 2>I'm maybe the one from person who loves it.

910
00:38:26.070 --> 00:38:30.159
<v Speaker 6>So it's possible. I don't, I don't think it's off

911
00:38:30.179 --> 00:38:30.550
<v Speaker 6>the table.

912
00:38:30.889 --> 00:38:34.820
<v Speaker 3>No, I wouldn't say so. Yeah. Like you said, Nate,

913
00:38:34.920 --> 00:38:37.260
<v Speaker 3>I think it'll look, I think this movie will look great.

914
00:38:37.500 --> 00:38:41.159
<v Speaker 3>And I like a lot of the Russ Myers past

915
00:38:41.179 --> 00:38:43.900
<v Speaker 3>couple of decades. They haven't been, I mean, you had to,

916
00:38:44.480 --> 00:38:46.480
<v Speaker 3>you haven't been able to easily get them through a

917
00:38:46.519 --> 00:38:49.019
<v Speaker 3>boutique label or anything like this. You had to kind

918
00:38:49.039 --> 00:38:51.099
<v Speaker 3>of find them on eBay or through the, I mean,

919
00:38:51.139 --> 00:38:53.059
<v Speaker 3>is that Russ Meyer? Can you even still purchase them

920
00:38:53.099 --> 00:38:54.760
<v Speaker 3>straight from, The Russ Meyer estate?

921
00:38:54.780 --> 00:38:55.639
<v Speaker 6>I think so.

922
00:38:55.659 --> 00:38:58.860
<v Speaker 3>I mean, but there's those crazy overpriced DVDs. Yeah, those

923
00:38:58.880 --> 00:39:00.960
<v Speaker 3>crazy overpriced DVDs are like $ 50.

924
00:39:00.760 --> 00:39:02.860
<v Speaker 2>And those are old, old, old. Yeah, like the ones

925
00:39:02.880 --> 00:39:05.480
<v Speaker 2>you would want would be the Arrow ones, which David

926
00:39:05.519 --> 00:39:08.119
<v Speaker 2>Gregory worked on. So it's like, it's a nice through

927
00:39:08.159 --> 00:39:11.579
<v Speaker 2>line of... Those are out of print though, aren't they?

928
00:39:12.420 --> 00:39:14.969
<v Speaker 2>They're all out of print. Yeah, so what I'm saying

929
00:39:14.989 --> 00:39:17.510
<v Speaker 2>is if you're going to buy them from the RM estate,

930
00:39:17.550 --> 00:39:19.449
<v Speaker 2>they're going to be the same gross transfers they put

931
00:39:19.510 --> 00:39:21.869
<v Speaker 2>out before the Arrow transfers. At least Arrow tried to

932
00:39:21.869 --> 00:39:24.340
<v Speaker 2>clean those up as best they could without having access

933
00:39:24.340 --> 00:39:29.179
<v Speaker 2>to like the materials that severance does now yeah yeah i.

934
00:39:29.179 --> 00:39:30.920
<v Speaker 6>Can't imagine anyone would actually go through the trouble but

935
00:39:31.400 --> 00:39:33.780
<v Speaker 6>and until the uhds the servant is um is doing

936
00:39:33.800 --> 00:39:35.800
<v Speaker 6>you know until those are complete but the best options

937
00:39:35.820 --> 00:39:37.659
<v Speaker 6>out there are probably the image laser discs that they

938
00:39:37.679 --> 00:39:40.559
<v Speaker 6>did of the russ meyers because those were actually better

939
00:39:40.579 --> 00:39:42.519
<v Speaker 6>quality than the dvds but believe it or not they're

940
00:39:42.539 --> 00:39:44.420
<v Speaker 6>actually better because the dvds are like super compressed and

941
00:39:44.440 --> 00:39:46.840
<v Speaker 6>really cheaply done in the arrows are fine but they're

942
00:39:46.960 --> 00:39:48.079
<v Speaker 6>they're pal and they have like a lot of like

943
00:39:48.099 --> 00:39:49.760
<v Speaker 6>blurring problems so like the laser discs are kind of

944
00:39:49.780 --> 00:39:51.400
<v Speaker 6>the best game in town you can find them so

945
00:39:51.780 --> 00:39:54.300
<v Speaker 6>you seem to have been it's a record shop yeah oh.

946
00:39:54.300 --> 00:39:56.380
<v Speaker 2>And i guess i should note well something else i

947
00:39:56.420 --> 00:39:58.659
<v Speaker 2>don't know gentry i don't know if the listeners also

948
00:39:58.960 --> 00:40:01.559
<v Speaker 2>nathaniel is like one of my go-to people for soundtracks

949
00:40:02.159 --> 00:40:06.260
<v Speaker 2>his taste is like chef's kiss peerless so like the

950
00:40:06.300 --> 00:40:09.179
<v Speaker 2>soundtrack on this the toys of our time is yeah

951
00:40:10.280 --> 00:40:13.500
<v Speaker 2>the best original song for a Russ Meyer movie that

952
00:40:13.539 --> 00:40:15.679
<v Speaker 2>is not beyond the belly of the dogs. Like that

953
00:40:15.739 --> 00:40:18.010
<v Speaker 2>is a great song. Well, yeah, that, that soundtrack is

954
00:40:18.070 --> 00:40:20.889
<v Speaker 2>really good. Um, so that's worth it.

955
00:40:21.449 --> 00:40:23.429
<v Speaker 3>Do you have the soundtrack? Is there a soundtrack single?

956
00:40:23.610 --> 00:40:24.989
<v Speaker 6>Yeah, it's out. It was on vinyl and CD.

957
00:40:25.030 --> 00:40:25.150
<v Speaker 1>Yeah.

958
00:40:25.469 --> 00:40:26.150
<v Speaker 6>Yeah.

959
00:40:26.889 --> 00:40:29.510
<v Speaker 2>And I think it's streaming too, actually. I think you

960
00:40:29.530 --> 00:40:32.289
<v Speaker 2>can stream the soundtrack to this. Yeah. Yeah.

961
00:40:32.329 --> 00:40:32.429
<v Speaker 1>Yeah.

962
00:40:34.829 --> 00:40:38.050
<v Speaker 2>Yes, that's right. Well, actually, I say the best, and

963
00:40:38.070 --> 00:40:40.739
<v Speaker 2>I'm completely forgetting Faster Pussycat by the Boss Weeds, so

964
00:40:40.760 --> 00:40:42.880
<v Speaker 2>I don't know what I'm talking about. But it's definitely

965
00:40:42.940 --> 00:40:45.079
<v Speaker 2>up there. Toys of Our Time is like, so when

966
00:40:45.139 --> 00:40:46.860
<v Speaker 2>I had the DVD, I wouldn't watch the rest of

967
00:40:46.880 --> 00:40:48.920
<v Speaker 2>the movie. I would just play the opening credits over

968
00:40:48.940 --> 00:40:52.179
<v Speaker 2>and over, which I did a lot. DVD, I just

969
00:40:52.199 --> 00:40:54.989
<v Speaker 2>leave the menu on and then just have a song

970
00:40:55.010 --> 00:40:55.750
<v Speaker 2>on repeat.

971
00:40:57.210 --> 00:41:00.210
<v Speaker 3>So yeah, the other film that we wanted to quickly

972
00:41:00.250 --> 00:41:03.329
<v Speaker 3>discuss is The rock nights of the living dead is.

973
00:41:03.650 --> 00:41:06.050
<v Speaker 6>Uh, well, code red did a blu-ray like for like

974
00:41:06.070 --> 00:41:06.630
<v Speaker 6>a second.

975
00:41:07.070 --> 00:41:10.130
<v Speaker 2>Oh yes, they did. Yes. It was really, I remember that.

976
00:41:10.150 --> 00:41:13.199
<v Speaker 2>I think that review, that was one of George Eastman,

977
00:41:13.579 --> 00:41:16.039
<v Speaker 2>rest in peace. One of his most scathing interviews, I believe.

978
00:41:16.639 --> 00:41:17.960
<v Speaker 3>They're all scathing.

979
00:41:18.019 --> 00:41:19.360
<v Speaker 6>Yeah.

980
00:41:19.400 --> 00:41:21.119
<v Speaker 2>You catch him on it. One day he'll talk shit

981
00:41:21.139 --> 00:41:23.199
<v Speaker 2>about Lombardo Bava. And then on a good day, he'll

982
00:41:23.239 --> 00:41:25.420
<v Speaker 2>say nice shit about Lombardo Bava. And then the same

983
00:41:25.480 --> 00:41:28.260
<v Speaker 2>about like Mark Shannon and all the people who did

984
00:41:28.300 --> 00:41:32.400
<v Speaker 2>the porn stuff. Um, yeah interesting guy those interviews are

985
00:41:32.420 --> 00:41:36.929
<v Speaker 2>very documentary just those interviews put together i'd watch that

986
00:41:36.949 --> 00:41:37.210
<v Speaker 2>oh yeah.

987
00:41:38.670 --> 00:41:41.570
<v Speaker 3>I totally forgot about that code red yeah from 2018

988
00:41:41.570 --> 00:41:44.909
<v Speaker 3>that wasn't too long ago that's and mark shannon's interviewed

989
00:41:44.929 --> 00:41:45.909
<v Speaker 3>on that too.

990
00:41:45.710 --> 00:41:48.150
<v Speaker 2>Yeah it's a two-part because they put out that in

991
00:41:48.230 --> 00:41:49.309
<v Speaker 2>porno holocaust.

992
00:41:48.949 --> 00:41:51.010
<v Speaker 3>So that begs the question then is this going to

993
00:41:51.030 --> 00:41:53.940
<v Speaker 3>be uhd i mean do you think that they would

994
00:41:54.000 --> 00:41:55.179
<v Speaker 3>upgrade that they would.

995
00:41:55.409 --> 00:41:58.170
<v Speaker 2>That was shot on very cheap 60mm short ends. I

996
00:41:58.190 --> 00:42:00.409
<v Speaker 2>think all of his stuff in the Caribbean was. I

997
00:42:01.030 --> 00:42:04.510
<v Speaker 2>don't know how good that could look. I prefer Seso Nero,

998
00:42:04.989 --> 00:42:09.889
<v Speaker 2>which is where Mark Shannon is given a terminal cancer

999
00:42:09.909 --> 00:42:13.570
<v Speaker 2>diagnosis and decides to fuck his way through the island

1000
00:42:13.750 --> 00:42:15.010
<v Speaker 2>and then castrate himself.

1001
00:42:15.090 --> 00:42:15.690
<v Speaker 3>Or he dies, yeah.

1002
00:42:16.449 --> 00:42:17.570
<v Speaker 2>I do prefer that one.

1003
00:42:18.590 --> 00:42:20.590
<v Speaker 6>That whole Santo Domingo cycle is a lot of fun, though.

1004
00:42:21.130 --> 00:42:23.840
<v Speaker 6>It's weird, like just the target audience for those movies.

1005
00:42:23.860 --> 00:42:25.960
<v Speaker 6>You sit there and you're just like, where did these play?

1006
00:42:25.980 --> 00:42:28.679
<v Speaker 6>And like, what, how did audiences sit through these? Like what's,

1007
00:42:29.079 --> 00:42:31.429
<v Speaker 6>I think you're getting like a porn movie. And then,

1008
00:42:31.530 --> 00:42:34.070
<v Speaker 6>I mean, technically you get some of that, but like,

1009
00:42:34.130 --> 00:42:35.909
<v Speaker 6>I can't imagine it being aroused watching some of those.

1010
00:42:35.929 --> 00:42:40.090
<v Speaker 2>No, this one in particular, rock nights, the living dead

1011
00:42:40.130 --> 00:42:45.199
<v Speaker 2>is not erotic. You're just showing up. Cause she's like, well, yeah, sure.

1012
00:42:45.219 --> 00:42:48.840
<v Speaker 2>I'll just, I'll just hang out with Aristide in the Caribbean.

1013
00:42:49.719 --> 00:42:52.309
<v Speaker 2>yeah that's what it was all about taking his pants

1014
00:42:52.429 --> 00:42:54.849
<v Speaker 2>off in a sex scene yeah george eastman refusing to

1015
00:42:54.889 --> 00:42:58.030
<v Speaker 2>do nudity in this film for some reason yeah.

1016
00:42:58.969 --> 00:43:00.969
<v Speaker 3>Well this begs the question too yeah i wonder if

1017
00:43:01.010 --> 00:43:04.869
<v Speaker 3>they're going to be doing more of the joe caribbean films.

1018
00:43:05.070 --> 00:43:07.670
<v Speaker 2>Listen if the disco at the italian disco stuff can

1019
00:43:07.690 --> 00:43:08.909
<v Speaker 2>get a box.

1020
00:43:08.719 --> 00:43:11.820
<v Speaker 3>Set then joe in the caribbean.

1021
00:43:11.380 --> 00:43:14.019
<v Speaker 2>Commentary then i feel like we can get a joe

1022
00:43:14.059 --> 00:43:16.960
<v Speaker 2>d'amato dominican movies yeah.

1023
00:43:19.489 --> 00:43:22.230
<v Speaker 3>Yeah, that'd be a hard sell for people. Like, yeah,

1024
00:43:22.429 --> 00:43:25.610
<v Speaker 3>Sex and Black Magic and Exotic Malice and all those.

1025
00:43:26.250 --> 00:43:28.889
<v Speaker 2>Well, it's like, it's D'Amato, which they already have a

1026
00:43:28.909 --> 00:43:31.170
<v Speaker 2>lot of his stuff. It's Laura Jemzer, who they already

1027
00:43:31.230 --> 00:43:35.539
<v Speaker 2>really promote. George Eastman, who they did Anthropophagus and Absurd.

1028
00:43:36.099 --> 00:43:37.739
<v Speaker 2>I think it's a slam dunk. I think that whole

1029
00:43:37.780 --> 00:43:40.199
<v Speaker 2>collection would, that's a no-brainer for them, I would think.

1030
00:43:40.219 --> 00:43:43.260
<v Speaker 2>But maybe we'll be getting that. I don't know.

1031
00:43:44.300 --> 00:43:44.659
<v Speaker 1>Yeah.

1032
00:43:58.619 --> 00:44:04.929
<v Speaker 3>But yeah, let's jump back into image entertainment. You can

1033
00:44:05.730 --> 00:44:08.289
<v Speaker 3>reminisce about the good old days, Nate.

1034
00:44:08.710 --> 00:44:10.449
<v Speaker 6>Yeah, no, I'm glad we're going to talk about this

1035
00:44:10.489 --> 00:44:12.969
<v Speaker 6>because I think the home video side of sexploitation is

1036
00:44:13.010 --> 00:44:16.099
<v Speaker 6>something that gets glossed over a lot, especially kind of

1037
00:44:16.119 --> 00:44:18.139
<v Speaker 6>the early days. I mean, now that the Blu-rays obviously

1038
00:44:18.159 --> 00:44:19.480
<v Speaker 6>get covered a lot, but I think in the early

1039
00:44:19.519 --> 00:44:21.760
<v Speaker 6>Wild West days of DVDs, especially, it's kind of like

1040
00:44:21.820 --> 00:44:25.500
<v Speaker 6>a big black hole of information because... even when they

1041
00:44:25.519 --> 00:44:27.360
<v Speaker 6>got covered online, a lot of those sites have since

1042
00:44:27.719 --> 00:44:29.579
<v Speaker 6>long gone, you know, on the way back machine, they're gone.

1043
00:44:29.659 --> 00:44:33.010
<v Speaker 6>So there's just, there's huge gaps in the history. So I, yeah,

1044
00:44:33.070 --> 00:44:34.269
<v Speaker 6>I'm glad we can sort of go on the record

1045
00:44:34.289 --> 00:44:36.550
<v Speaker 6>and sort of let people know where the, you know,

1046
00:44:36.949 --> 00:44:38.710
<v Speaker 6>where some of the things that they're buying now came from.

1047
00:44:38.889 --> 00:44:42.269
<v Speaker 6>But yeah, image was, I don't know how detailed you

1048
00:44:42.289 --> 00:44:44.800
<v Speaker 6>want me to go, but image entertainment was originally one

1049
00:44:44.820 --> 00:44:46.539
<v Speaker 6>of the big players on the laser disc scene. Cause

1050
00:44:46.559 --> 00:44:48.900
<v Speaker 6>they'd been around in the eighties and they put out

1051
00:44:48.920 --> 00:44:52.000
<v Speaker 6>these magazines every month, like your catalogs of announcements. And

1052
00:44:52.019 --> 00:44:53.579
<v Speaker 6>they have a letter from a guy named Garrett Lee,

1053
00:44:53.599 --> 00:44:55.710
<v Speaker 6>who was kind of the head of marketing. And so

1054
00:44:55.750 --> 00:44:57.849
<v Speaker 6>when you walk into a laser shop, if you're in

1055
00:44:57.929 --> 00:45:00.170
<v Speaker 6>any major city, you would see these image, you know,

1056
00:45:00.510 --> 00:45:02.849
<v Speaker 6>monthly magazines that were out there. And the company was

1057
00:45:02.869 --> 00:45:04.909
<v Speaker 6>founded by a guy named Marty Greenwald, who was the

1058
00:45:04.949 --> 00:45:08.769
<v Speaker 6>CEO for basically the entire time that it existed under its,

1059
00:45:09.030 --> 00:45:11.909
<v Speaker 6>before it got bought, which was a whole tumultuous process.

1060
00:45:13.030 --> 00:45:16.139
<v Speaker 6>But he actually was a sort of a movie. He

1061
00:45:16.179 --> 00:45:18.400
<v Speaker 6>was kind of a backend movie producer. He wasn't credited

1062
00:45:18.440 --> 00:45:19.639
<v Speaker 6>on most of the stuff that he worked on. If

1063
00:45:19.659 --> 00:45:21.139
<v Speaker 6>you go to IMDb and you look him up, you

1064
00:45:21.179 --> 00:45:23.400
<v Speaker 6>only see like a tiny handful of credits. That's kind

1065
00:45:23.420 --> 00:45:25.579
<v Speaker 6>of misleading, but he worked on tons of stuff. but

1066
00:45:25.599 --> 00:45:26.840
<v Speaker 6>a lot of it was hardcore porn.

1067
00:45:27.579 --> 00:45:28.760
<v Speaker 2>Yeah, that's right.

1068
00:45:29.079 --> 00:45:29.340
<v Speaker 1>Yeah.

1069
00:45:29.900 --> 00:45:31.719
<v Speaker 6>And the funny thing is that the image office, which

1070
00:45:31.760 --> 00:45:34.179
<v Speaker 6>was in Chatsworth. And if you know what Chatsworth that's, it's,

1071
00:45:34.320 --> 00:45:35.699
<v Speaker 6>that's sort of known as the porn capital of the

1072
00:45:35.760 --> 00:45:37.139
<v Speaker 6>U S or at least it used to be for

1073
00:45:37.159 --> 00:45:39.239
<v Speaker 6>Vegas kind of siphoned off a lot of it with

1074
00:45:39.260 --> 00:45:41.960
<v Speaker 6>the condom laws. But the Chatsworth is a weird place

1075
00:45:42.000 --> 00:45:46.030
<v Speaker 6>because it's kind of half crazy Bacchanalia. And the other

1076
00:45:46.050 --> 00:45:49.309
<v Speaker 6>half is like super right-wing orange County, Christian conservative. And

1077
00:45:49.329 --> 00:45:51.730
<v Speaker 6>I think that kind of plays a part in the

1078
00:45:51.769 --> 00:45:53.250
<v Speaker 6>history of image and why it worked the way that

1079
00:45:53.289 --> 00:45:54.780
<v Speaker 6>it did, which we'll go into is kind of a,

1080
00:45:55.289 --> 00:45:57.070
<v Speaker 6>It was a little schizophrenic, but it was a great

1081
00:45:57.090 --> 00:45:58.980
<v Speaker 6>place to work. I mean, I loved it. It was

1082
00:45:59.019 --> 00:46:01.579
<v Speaker 6>really fun. But Marty was a really cool guy. But

1083
00:46:01.639 --> 00:46:03.679
<v Speaker 6>the one legit credit that he always talked about was

1084
00:46:03.699 --> 00:46:06.039
<v Speaker 6>Driving Massacre. Even though he doesn't have a credit, he

1085
00:46:06.059 --> 00:46:07.780
<v Speaker 6>was really the guy who got it going. And a

1086
00:46:07.800 --> 00:46:09.159
<v Speaker 6>lot of his buddies worked on it. Like he was

1087
00:46:09.179 --> 00:46:11.860
<v Speaker 6>good friends with John Tull, who he was in touch

1088
00:46:11.880 --> 00:46:13.019
<v Speaker 6>with Harry Novak movies.

1089
00:46:13.389 --> 00:46:15.670
<v Speaker 3>Yeah, we love John Tull.

1090
00:46:15.690 --> 00:46:17.670
<v Speaker 2>I'm saying we have to contact Marty to see if

1091
00:46:17.849 --> 00:46:18.989
<v Speaker 2>he's in touch with John Tull.

1092
00:46:19.400 --> 00:46:22.119
<v Speaker 6>Yeah, I've always wanted to talk to John. I begged

1093
00:46:22.139 --> 00:46:23.300
<v Speaker 6>to get him to come in to talk about some

1094
00:46:23.320 --> 00:46:24.739
<v Speaker 6>of his movies, but we could never get him to

1095
00:46:24.780 --> 00:46:25.679
<v Speaker 6>come in, unfortunately.

1096
00:46:25.719 --> 00:46:28.179
<v Speaker 2>You could have gotten him on a– wait, we could

1097
00:46:28.199 --> 00:46:30.429
<v Speaker 2>have gotten a Midnight Plowboy soundtrack if they'd been able

1098
00:46:30.449 --> 00:46:31.010
<v Speaker 2>to convince him.

1099
00:46:31.030 --> 00:46:31.969
<v Speaker 3>A commentary, yeah.

1100
00:46:32.849 --> 00:46:33.909
<v Speaker 2>Oh, my God.

1101
00:46:34.389 --> 00:46:37.090
<v Speaker 3>So people were in contact with him, but he declined?

1102
00:46:38.949 --> 00:46:40.690
<v Speaker 6>Yeah, I mean, yeah, he was in contact, but yeah,

1103
00:46:40.710 --> 00:46:42.769
<v Speaker 6>he just doesn't– he couldn't convince him to talk about

1104
00:46:42.809 --> 00:46:44.750
<v Speaker 6>his acting. I don't know why. I don't know the

1105
00:46:44.789 --> 00:46:48.980
<v Speaker 6>whole story about it. Interesting. But yeah, they were good buddies.

1106
00:46:49.059 --> 00:46:52.530
<v Speaker 6>Because John was an AD on Dragon Massacre. And he

1107
00:46:52.550 --> 00:46:54.630
<v Speaker 6>did lots of behind-the-scenes stuff on the movies. I mean,

1108
00:46:54.650 --> 00:46:56.349
<v Speaker 6>we know him as being starring in all the Hillbilly,

1109
00:46:56.389 --> 00:46:57.210
<v Speaker 6>Harry Novak movies.

1110
00:46:57.230 --> 00:46:59.860
<v Speaker 3>Yeah, but after that, yeah, he did behind-the-scenes stuff.

1111
00:47:00.619 --> 00:47:02.360
<v Speaker 2>And then he worked in hardcore, too. I mean, he

1112
00:47:02.400 --> 00:47:05.079
<v Speaker 2>shows up in non-sex roles in certain things. And I

1113
00:47:05.159 --> 00:47:07.840
<v Speaker 2>imagine he probably worked on some of those behind-the-scenes, too.

1114
00:47:07.900 --> 00:47:10.190
<v Speaker 2>We just don't know. Because, yeah, interesting.

1115
00:47:10.230 --> 00:47:10.710
<v Speaker 3>Interesting.

1116
00:47:11.289 --> 00:47:14.869
<v Speaker 2>OK, I have my I have my mission. If you

1117
00:47:14.989 --> 00:47:16.989
<v Speaker 2>guys couldn't get him, then I don't stand a chance.

1118
00:47:17.070 --> 00:47:19.590
<v Speaker 6>But, you know, you could try. Maybe he's softened up.

1119
00:47:19.610 --> 00:47:23.289
<v Speaker 3>Yeah, it's been so many years now since. So, you know,

1120
00:47:23.309 --> 00:47:26.010
<v Speaker 3>people change their mind. And I mean, are we assuming

1121
00:47:26.030 --> 00:47:27.050
<v Speaker 3>he's still alive?

1122
00:47:27.650 --> 00:47:29.389
<v Speaker 6>I hope so. Yeah, I hope so.

1123
00:47:29.849 --> 00:47:31.130
<v Speaker 3>He was kind of young when he did those.

1124
00:47:31.409 --> 00:47:32.750
<v Speaker 2>I don't know. Yeah, I don't know.

1125
00:47:33.489 --> 00:47:34.590
<v Speaker 1>So, yeah.

1126
00:47:34.650 --> 00:47:37.710
<v Speaker 6>So so that's where image came from. Basically got founded

1127
00:47:37.750 --> 00:47:40.090
<v Speaker 6>with with porn money, essentially, and horror money, driving money.

1128
00:47:41.079 --> 00:47:43.539
<v Speaker 6>um and so marty had all those connections he was

1129
00:47:43.559 --> 00:47:45.619
<v Speaker 6>connected a lot of sort of indie producers and and

1130
00:47:45.730 --> 00:47:47.789
<v Speaker 6>guys who sort of were connected to the adult scene

1131
00:47:47.829 --> 00:47:50.309
<v Speaker 6>in some way or another and so um you know

1132
00:47:50.570 --> 00:47:52.309
<v Speaker 6>i i i know you've sort of mentioned but the

1133
00:47:52.349 --> 00:47:54.610
<v Speaker 6>rule with home video is whichever format goes with goes

1134
00:47:54.630 --> 00:47:56.400
<v Speaker 6>with porn that's the one that wins so that's why

1135
00:47:56.440 --> 00:48:00.400
<v Speaker 6>vhs beta etc and so image to start off doing

1136
00:48:00.460 --> 00:48:02.820
<v Speaker 6>adult laser discs as well you know cafe flash all

1137
00:48:02.840 --> 00:48:06.119
<v Speaker 6>the biggies um all those big sort of flagship titles

1138
00:48:06.219 --> 00:48:08.949
<v Speaker 6>but they also had a deal with playboy and penthouse

1139
00:48:09.030 --> 00:48:11.090
<v Speaker 6>to do all their softcore stuff and so like on

1140
00:48:11.110 --> 00:48:13.230
<v Speaker 6>vhs all of that came through image and the laser

1141
00:48:13.250 --> 00:48:15.670
<v Speaker 6>discs of all those which just the idea of those

1142
00:48:15.969 --> 00:48:18.360
<v Speaker 6>those hour-long playboy videos being a laser disc is i

1143
00:48:18.380 --> 00:48:21.219
<v Speaker 6>still just think is hilarious but you know whatever it

1144
00:48:21.239 --> 00:48:24.639
<v Speaker 6>had a market so people bought that stuff um but

1145
00:48:24.659 --> 00:48:26.800
<v Speaker 6>he was very i mean the company is very receptive

1146
00:48:26.820 --> 00:48:30.610
<v Speaker 6>to doing exploitation and softcore but it wasn't really something

1147
00:48:30.670 --> 00:48:33.610
<v Speaker 6>that People didn't really know about these movies for a

1148
00:48:33.650 --> 00:48:36.489
<v Speaker 6>long time because we're talking like pre-something weird. And so

1149
00:48:36.510 --> 00:48:38.429
<v Speaker 6>there was kind of a void for about 15 years

1150
00:48:38.449 --> 00:48:42.300
<v Speaker 6>where these movies just didn't really exist. And from my perspective,

1151
00:48:42.380 --> 00:48:43.539
<v Speaker 6>I didn't even really know about them when I was

1152
00:48:43.579 --> 00:48:47.000
<v Speaker 6>a kid until I think it was 1986, I think,

1153
00:48:47.579 --> 00:48:49.940
<v Speaker 6>whenever Texas Chainsaw Massacre 2 came out. But Film Comment

1154
00:48:50.000 --> 00:48:51.219
<v Speaker 6>did an issue. I don't know if you guys have

1155
00:48:51.239 --> 00:48:53.269
<v Speaker 6>seen that one, but we had Texas Chainsaw 2 on

1156
00:48:53.309 --> 00:48:56.389
<v Speaker 6>the cover. But they did this long spread inside all

1157
00:48:56.449 --> 00:48:59.559
<v Speaker 6>about sexploitation. And like they went in depth on the

1158
00:48:59.579 --> 00:49:01.300
<v Speaker 6>David Freedman's and they had all the posters, like these

1159
00:49:01.340 --> 00:49:03.460
<v Speaker 6>gorgeous color reproductions. And then they talked about like there

1160
00:49:03.480 --> 00:49:04.840
<v Speaker 6>was like the raw ones was in there and all

1161
00:49:04.860 --> 00:49:06.809
<v Speaker 6>these things. And I was like, what are these movies?

1162
00:49:06.829 --> 00:49:08.269
<v Speaker 6>You know, and I'm just like, I was like 13

1163
00:49:08.269 --> 00:49:09.769
<v Speaker 6>or something. I was like, what is this stuff? This

1164
00:49:09.809 --> 00:49:12.889
<v Speaker 6>wasn't in Psychotronic. It wasn't any of that stuff. And

1165
00:49:13.969 --> 00:49:15.530
<v Speaker 6>but those movies, you just couldn't see most of them,

1166
00:49:15.670 --> 00:49:18.429
<v Speaker 6>as you know, as you know. And so I think that,

1167
00:49:18.579 --> 00:49:20.480
<v Speaker 6>um you know when something weird came along that was

1168
00:49:20.900 --> 00:49:22.920
<v Speaker 6>um that was a huge game changer of course and

1169
00:49:23.039 --> 00:49:25.489
<v Speaker 6>and being a you know crazy cult movie kid you

1170
00:49:25.510 --> 00:49:27.309
<v Speaker 6>know i'd scour every video store to find them because

1171
00:49:27.329 --> 00:49:29.030
<v Speaker 6>you couldn't pay 20 bucks a pop to see every

1172
00:49:29.070 --> 00:49:31.789
<v Speaker 6>single one of those because yeah no high school kid

1173
00:49:31.809 --> 00:49:33.829
<v Speaker 6>can afford that um your allowance isn't that big but

1174
00:49:34.150 --> 00:49:37.539
<v Speaker 6>um no And of course, Tim Lucas covering in Video Watchdog, etc.

1175
00:49:37.679 --> 00:49:39.900
<v Speaker 6>So the ground was really primed, I think, for those.

1176
00:49:40.699 --> 00:49:42.550
<v Speaker 6>I think Mike Rainey came along at the right time

1177
00:49:42.610 --> 00:49:44.159
<v Speaker 6>because people were starting to go, what is this stuff?

1178
00:49:44.179 --> 00:49:48.190
<v Speaker 6>We want something different. And Image jumped in right when

1179
00:49:48.250 --> 00:49:51.769
<v Speaker 6>there was that transition from Laserdisc to DVD. So that's

1180
00:49:51.789 --> 00:49:53.570
<v Speaker 6>right when they jumped in with companies like Redemption and

1181
00:49:53.590 --> 00:49:55.989
<v Speaker 6>they started doing stuff like Devil's Nightmare and Cold Eyes

1182
00:49:56.030 --> 00:49:59.769
<v Speaker 6>of Fear and all that stuff. And Mike Rainey, obviously,

1183
00:50:00.250 --> 00:50:01.750
<v Speaker 6>the movies that he owned, because Something Weird was kind

1184
00:50:01.789 --> 00:50:03.469
<v Speaker 6>of a great market company when it started off, but

1185
00:50:03.489 --> 00:50:06.110
<v Speaker 6>the Friedman thing really Legitimize him.

1186
00:50:06.190 --> 00:50:06.949
<v Speaker 1>Yeah. Yeah.

1187
00:50:07.650 --> 00:50:09.409
<v Speaker 6>And I think and I think that's when Harry Novak

1188
00:50:09.449 --> 00:50:11.070
<v Speaker 6>kind of noticed. And there was a whole like I

1189
00:50:11.070 --> 00:50:12.690
<v Speaker 6>think there's a little bit of a rivalry thing going

1190
00:50:12.769 --> 00:50:16.269
<v Speaker 6>on there through the whole something weird period kind of escalated,

1191
00:50:16.449 --> 00:50:17.289
<v Speaker 6>which we'll go into.

1192
00:50:17.590 --> 00:50:21.579
<v Speaker 3>Harry's like, I see I see my old my old nemesis, Dave,

1193
00:50:21.639 --> 00:50:23.760
<v Speaker 3>making money off this. How do I get in on it?

1194
00:50:24.119 --> 00:50:24.659
<v Speaker 1>Exactly, yeah.

1195
00:50:24.719 --> 00:50:26.539
<v Speaker 6>I mean, I think Harry was like, why is he

1196
00:50:26.679 --> 00:50:28.380
<v Speaker 6>loving Dave Friedman so much? What about me?

1197
00:50:28.400 --> 00:50:32.880
<v Speaker 2>That seems like that paid off, though. I feel like

1198
00:50:32.900 --> 00:50:35.059
<v Speaker 2>there were more Novaks than Friedmans at the end of

1199
00:50:35.099 --> 00:50:35.460
<v Speaker 2>the day.

1200
00:50:35.480 --> 00:50:35.559
<v Speaker 1>Yeah.

1201
00:50:35.800 --> 00:50:38.139
<v Speaker 2>Because his library was, I think, bigger. Yeah, I mean.

1202
00:50:38.280 --> 00:50:40.280
<v Speaker 6>Oh, yeah. Not that I'm not Friedman.

1203
00:50:40.320 --> 00:50:42.400
<v Speaker 2>But yeah, Novak built up that library, yeah.

1204
00:50:42.780 --> 00:50:44.719
<v Speaker 6>And it's funny, I mean, because again, obviously you pair

1205
00:50:44.739 --> 00:50:46.500
<v Speaker 6>something up. You've got, you know, Kiss Me Quick and

1206
00:50:46.519 --> 00:50:48.559
<v Speaker 6>House on Bear Mountain. You know, you have like, it's

1207
00:50:48.619 --> 00:50:50.550
<v Speaker 6>funny how there's a synchronicity between the two that I

1208
00:50:50.570 --> 00:50:52.630
<v Speaker 6>don't think they would have. Because, again, they were sort

1209
00:50:52.650 --> 00:50:54.969
<v Speaker 6>of rivals. But it's funny how their tomographies kind of

1210
00:50:54.989 --> 00:50:57.219
<v Speaker 6>line up with what they own. It's funny that, again,

1211
00:50:57.239 --> 00:50:58.679
<v Speaker 6>it was just really good synchronicity.

1212
00:50:58.699 --> 00:51:00.699
<v Speaker 3>Well, who would decide on those pairings?

1213
00:51:01.500 --> 00:51:05.920
<v Speaker 6>So, yeah. So, Image did a deal with Mike. So,

1214
00:51:05.940 --> 00:51:07.920
<v Speaker 6>they would do like 20 titles to 25 titles at

1215
00:51:07.940 --> 00:51:10.369
<v Speaker 6>a time. They would keep doing new contracts for these things.

1216
00:51:11.250 --> 00:51:14.789
<v Speaker 6>And so, yeah. So, let me back up. So, Image,

1217
00:51:14.849 --> 00:51:17.190
<v Speaker 6>of course, jumped into DVDs pretty early on. And they

1218
00:51:17.230 --> 00:51:18.889
<v Speaker 6>did it. Mike was one of the earliest deals they did,

1219
00:51:18.909 --> 00:51:21.840
<v Speaker 6>I believe. Because they ported over the Redemptions. But they

1220
00:51:21.860 --> 00:51:24.019
<v Speaker 6>were like, yeah, let's do some of the horror and exploitation.

1221
00:51:24.059 --> 00:51:25.739
<v Speaker 6>And stuff like Blood Feast and Color Me Blood Red,

1222
00:51:25.760 --> 00:51:27.480
<v Speaker 6>those were the obvious ones. Because people knew those because

1223
00:51:27.500 --> 00:51:30.269
<v Speaker 6>those had been on tape. And Basket Case, which Frank

1224
00:51:30.309 --> 00:51:32.949
<v Speaker 6>let them do as something weird for a while. But

1225
00:51:32.969 --> 00:51:35.369
<v Speaker 6>those were standalones. But Mike had all this stuff to

1226
00:51:35.409 --> 00:51:38.510
<v Speaker 6>do bonus features. And he would do his own commentaries

1227
00:51:38.550 --> 00:51:40.949
<v Speaker 6>with Dave Friedman. But the problem is a lot of

1228
00:51:41.190 --> 00:51:43.630
<v Speaker 6>these folks were in LA. And Mike was in Seattle.

1229
00:51:43.650 --> 00:51:47.090
<v Speaker 6>And he couldn't always come down. So luckily, Image was

1230
00:51:47.150 --> 00:51:49.449
<v Speaker 6>kind of its own self-sufficient thing. Like it was a big,

1231
00:51:49.469 --> 00:51:53.829
<v Speaker 6>a big. kind of double building thing in Chatsworth. And

1232
00:51:54.030 --> 00:51:57.639
<v Speaker 6>they had their own production wing, their own production department,

1233
00:51:57.760 --> 00:51:59.800
<v Speaker 6>which had about maybe 12 employees, I think. They had

1234
00:51:59.820 --> 00:52:03.219
<v Speaker 6>their own art department, which was about seven employees. Basically,

1235
00:52:03.239 --> 00:52:06.860
<v Speaker 6>they did everything in-house except for printing, the actual manufacturing,

1236
00:52:06.960 --> 00:52:09.280
<v Speaker 6>replicating of the discs, that all got done outside. But

1237
00:52:09.300 --> 00:52:11.929
<v Speaker 6>aside from that, everything was inside. They had their own

1238
00:52:11.969 --> 00:52:15.349
<v Speaker 6>QC people, which is a lost art, unfortunately. Nobody QCs

1239
00:52:15.369 --> 00:52:17.170
<v Speaker 6>discs anymore. That's why you have recalls all the time

1240
00:52:17.230 --> 00:52:17.530
<v Speaker 6>on stuff.

1241
00:52:18.030 --> 00:52:20.340
<v Speaker 2>Um, I know it's, it seems like way more than

1242
00:52:20.489 --> 00:52:21.380
<v Speaker 2>ever these days.

1243
00:52:21.389 --> 00:52:21.489
<v Speaker 1>Yeah.

1244
00:52:21.510 --> 00:52:23.880
<v Speaker 6>It's far more. We don't need to pay QC people.

1245
00:52:23.920 --> 00:52:25.980
<v Speaker 6>It's like, it saves so much money. Like, I'm sorry

1246
00:52:26.000 --> 00:52:28.320
<v Speaker 6>you got to pay regular paycheck, but you know, these

1247
00:52:28.360 --> 00:52:30.460
<v Speaker 6>recalls cost a ton of money. Um, cause I mean,

1248
00:52:30.480 --> 00:52:32.699
<v Speaker 6>we QC people at every, not just image, but like,

1249
00:52:32.840 --> 00:52:35.599
<v Speaker 6>you know, Blunderground and Anchor Bay. Like, I mean, every,

1250
00:52:35.619 --> 00:52:38.000
<v Speaker 6>all these companies, like they used to just QC everything,

1251
00:52:38.079 --> 00:52:40.659
<v Speaker 6>every company would like, you would QC every audio track,

1252
00:52:40.739 --> 00:52:42.699
<v Speaker 6>you'd QC on multiple players, you'd make sure everything worked.

1253
00:52:43.460 --> 00:52:45.139
<v Speaker 6>You know, they don't do it anymore. Um, which is

1254
00:52:45.219 --> 00:52:49.420
<v Speaker 6>a shame. Um, So Mike would actually, so there are three,

1255
00:52:49.500 --> 00:52:52.679
<v Speaker 6>really three people involved. There's Mike Rainey and Lisa, his wife,

1256
00:52:52.760 --> 00:52:55.489
<v Speaker 6>and then Frank Hennenlotter. So they would kind of come

1257
00:52:55.510 --> 00:52:58.150
<v Speaker 6>up with what eventually became the double features because these

1258
00:52:58.190 --> 00:53:01.389
<v Speaker 6>were singles at first in those snapper cases. And they started,

1259
00:53:01.409 --> 00:53:03.050
<v Speaker 6>they were like, well, these movies are short and we

1260
00:53:03.090 --> 00:53:06.230
<v Speaker 6>can have all these extras. So let's start pairing them up. And, um,

1261
00:53:06.369 --> 00:53:08.289
<v Speaker 6>cause originally you'd have stuff like erotic adventures of Zorro

1262
00:53:08.309 --> 00:53:10.230
<v Speaker 6>just came out by itself, you know, just, you know,

1263
00:53:10.869 --> 00:53:12.489
<v Speaker 6>not much on it, you know, it was kind of,

1264
00:53:12.530 --> 00:53:14.349
<v Speaker 6>kind of sparse. And so he thought it'd be fun

1265
00:53:14.369 --> 00:53:16.030
<v Speaker 6>to start pairing these up because you had all the

1266
00:53:16.070 --> 00:53:18.619
<v Speaker 6>space on the disc. This isn't like a VHS tape

1267
00:53:18.639 --> 00:53:20.820
<v Speaker 6>you've only got two hours to work with. You could

1268
00:53:21.260 --> 00:53:23.900
<v Speaker 6>kind of go nuts.

1269
00:53:23.960 --> 00:53:26.500
<v Speaker 3>He was careful about he wanted to give them as

1270
00:53:26.699 --> 00:53:30.699
<v Speaker 3>much content as he could with the space on the disc.

1271
00:53:30.880 --> 00:53:32.969
<v Speaker 6>They would actually do the math because they would figure, okay,

1272
00:53:33.409 --> 00:53:35.090
<v Speaker 6>we have this space. How much can we fit on

1273
00:53:35.110 --> 00:53:37.230
<v Speaker 6>there before we have to start knocking the compression down,

1274
00:53:37.429 --> 00:53:41.349
<v Speaker 6>before it starts looking like crap? Those discs still look good.

1275
00:53:41.389 --> 00:53:43.750
<v Speaker 6>Those DVDs look really nice. Those were beautiful scans, but

1276
00:53:43.789 --> 00:53:46.820
<v Speaker 6>almost all off the negatives for the most part. And

1277
00:53:46.960 --> 00:53:48.760
<v Speaker 6>it was really funny because I would actually see they

1278
00:53:48.780 --> 00:53:51.019
<v Speaker 6>would send, once they figure out double feature, Mike would

1279
00:53:51.059 --> 00:53:52.659
<v Speaker 6>figure out like, okay, how much can we get on there?

1280
00:53:52.699 --> 00:53:54.719
<v Speaker 6>Like down to the minute, like what, how many, how

1281
00:53:54.760 --> 00:53:57.610
<v Speaker 6>much can we cram onto these discs? I think the

1282
00:53:57.630 --> 00:53:59.510
<v Speaker 6>funniest one was monster's crust, the pajama party. Cause that

1283
00:53:59.550 --> 00:54:01.630
<v Speaker 6>disc was like, I mean, it was literally down to

1284
00:54:01.670 --> 00:54:03.929
<v Speaker 6>like no room left on that disc. I was like,

1285
00:54:04.170 --> 00:54:05.489
<v Speaker 6>how much can we just shove in there?

1286
00:54:06.150 --> 00:54:08.070
<v Speaker 2>But it was such a masterpiece. You know, it's funny.

1287
00:54:08.449 --> 00:54:13.090
<v Speaker 2>I remember that I, went through that thing and actually

1288
00:54:13.210 --> 00:54:17.309
<v Speaker 2>wrote down myself a little roadmap. So I have it

1289
00:54:17.409 --> 00:54:20.389
<v Speaker 2>in there with the chat, with the chapter listing insert.

1290
00:54:20.690 --> 00:54:22.489
<v Speaker 2>And I think there's a booklet that with the interviews

1291
00:54:22.530 --> 00:54:24.570
<v Speaker 2>with some spook show people. And yeah, I have, I

1292
00:54:24.610 --> 00:54:26.309
<v Speaker 2>have my map in there. Cause I'm like, I need

1293
00:54:26.329 --> 00:54:30.480
<v Speaker 2>to be able to find certain things. That was like,

1294
00:54:30.519 --> 00:54:33.739
<v Speaker 2>that was, I think the, the crowning achievement of, of

1295
00:54:33.800 --> 00:54:37.619
<v Speaker 2>that programming, because let's go to the drive-in already. Um,

1296
00:54:37.989 --> 00:54:40.469
<v Speaker 2>like a game changer. Like that was incredible. But yeah,

1297
00:54:40.510 --> 00:54:43.309
<v Speaker 2>the monsters crossed the pajama party was such a wonderful experience.

1298
00:54:43.349 --> 00:54:46.309
<v Speaker 2>Just that whole disc was like, you could tell the

1299
00:54:46.349 --> 00:54:47.530
<v Speaker 2>joy that went into making that.

1300
00:54:48.010 --> 00:54:49.159
<v Speaker 6>Oh, so that was a real labor of love.

1301
00:54:49.179 --> 00:54:49.519
<v Speaker 2>Yeah.

1302
00:54:49.579 --> 00:54:51.800
<v Speaker 6>I'll never forget. We had, we had multiple meetings about

1303
00:54:51.820 --> 00:54:52.050
<v Speaker 6>that one.

1304
00:54:53.039 --> 00:54:53.519
<v Speaker 2>Really?

1305
00:54:54.119 --> 00:54:54.300
<v Speaker 1>Yeah.

1306
00:54:54.940 --> 00:54:56.739
<v Speaker 6>Um, because we had our own menu artists, um, we

1307
00:54:56.760 --> 00:54:58.639
<v Speaker 6>had our own menu designers. And so like Mike would

1308
00:54:58.659 --> 00:55:00.420
<v Speaker 6>actually get on the phone with our menu guy who was,

1309
00:55:00.440 --> 00:55:02.530
<v Speaker 6>cause he would assign many people to these movies and

1310
00:55:02.550 --> 00:55:05.230
<v Speaker 6>they were actually like There were two menu artists and

1311
00:55:05.250 --> 00:55:07.610
<v Speaker 6>there were two cover designers who loved something with weird titles.

1312
00:55:07.849 --> 00:55:09.630
<v Speaker 6>They would ask for them and they loved working on them.

1313
00:55:09.670 --> 00:55:13.659
<v Speaker 6>So these were really inside images. These were really beloved movies.

1314
00:55:13.820 --> 00:55:15.639
<v Speaker 6>But yeah, just having Mike on the phone laying out, okay,

1315
00:55:15.659 --> 00:55:16.559
<v Speaker 6>I want to do this. I want you to go

1316
00:55:16.599 --> 00:55:18.119
<v Speaker 6>in here and go to the hall. Laying it out

1317
00:55:18.139 --> 00:55:19.420
<v Speaker 6>in the menu artist. We have to sit there and

1318
00:55:19.440 --> 00:55:21.739
<v Speaker 6>just figure out how can I make this happen? What

1319
00:55:21.760 --> 00:55:24.300
<v Speaker 6>kind of madness is this? I'm building a house in

1320
00:55:24.360 --> 00:55:26.840
<v Speaker 6>the menu and hiding all the stuff in it. How

1321
00:55:26.860 --> 00:55:28.550
<v Speaker 6>is this going to work? But they did it somehow.

1322
00:55:28.570 --> 00:55:28.650
<v Speaker 1>Yeah.

1323
00:55:30.050 --> 00:55:32.889
<v Speaker 2>It really is like there there's no other release like

1324
00:55:32.969 --> 00:55:34.280
<v Speaker 2>it and i don't think you could do it like

1325
00:55:34.300 --> 00:55:36.500
<v Speaker 2>that i don't think you could try to replicate something

1326
00:55:36.539 --> 00:55:41.179
<v Speaker 2>like that now yeah i don't think the technology has

1327
00:55:41.360 --> 00:55:43.400
<v Speaker 2>improved in so many ways but i feel like it's

1328
00:55:43.579 --> 00:55:46.679
<v Speaker 2>gone in the reverse as far as menus i feel

1329
00:55:46.699 --> 00:55:50.050
<v Speaker 2>like the menus do not have that fun interactive way

1330
00:55:50.389 --> 00:55:52.329
<v Speaker 2>like there's a dvd of a movie called girls would

1331
00:55:52.349 --> 00:55:54.610
<v Speaker 2>be girls that dvd that mgm put out of this

1332
00:55:54.650 --> 00:55:57.480
<v Speaker 2>drag queen comedy Where, like, the characters are on the

1333
00:55:57.519 --> 00:56:00.559
<v Speaker 2>menu and they have, like, comic business while they're telling

1334
00:56:00.579 --> 00:56:03.539
<v Speaker 2>you to, like, press chapter or special features. And it's

1335
00:56:03.559 --> 00:56:06.739
<v Speaker 2>just like, that's gone. I don't know why that.

1336
00:56:06.679 --> 00:56:08.239
<v Speaker 3>Isn't done now. It's a lost art, for sure.

1337
00:56:08.340 --> 00:56:08.639
<v Speaker 6>It is.

1338
00:56:08.699 --> 00:56:09.639
<v Speaker 3>It's a lost art.

1339
00:56:10.030 --> 00:56:10.800
<v Speaker 2>The DVD menu is a lost art.

1340
00:56:10.809 --> 00:56:12.670
<v Speaker 3>We don't know how to do it anymore. It's like

1341
00:56:12.690 --> 00:56:13.329
<v Speaker 3>that joke.

1342
00:56:14.110 --> 00:56:16.110
<v Speaker 2>It's kind of like Easter eggs. Easter eggs used to

1343
00:56:16.150 --> 00:56:18.900
<v Speaker 2>be much more prevalent. It's not that they've gone away completely, but...

1344
00:56:20.179 --> 00:56:23.000
<v Speaker 2>they used to be much more fun to try to

1345
00:56:23.059 --> 00:56:25.980
<v Speaker 2>find them. And actually, you, sir, were always really good

1346
00:56:26.000 --> 00:56:29.280
<v Speaker 2>about letting people know, click around, you're going to be

1347
00:56:29.300 --> 00:56:32.070
<v Speaker 2>able to find something fun. So I was like, okay, good,

1348
00:56:32.090 --> 00:56:33.070
<v Speaker 2>Nathaniel knows.

1349
00:56:33.190 --> 00:56:38.630
<v Speaker 3>But not telling exactly where to find it either. Exactly.

1350
00:56:39.210 --> 00:56:40.630
<v Speaker 6>At least you knew to look, though. That's something that

1351
00:56:40.650 --> 00:56:42.909
<v Speaker 6>just triggers people to punch around your menus. As long

1352
00:56:42.949 --> 00:56:44.989
<v Speaker 6>as you know something's there, then you can go and

1353
00:56:45.010 --> 00:56:45.840
<v Speaker 6>start messing around with it.

1354
00:56:46.309 --> 00:56:48.949
<v Speaker 2>Yes and that was why it was yeah that's why

1355
00:56:48.969 --> 00:56:51.389
<v Speaker 2>that i think that well home video i like that

1356
00:56:51.469 --> 00:56:53.710
<v Speaker 2>it's still going and boutique labels which are going but

1357
00:56:54.030 --> 00:56:56.280
<v Speaker 2>i feel like there's that level of creativity that is

1358
00:56:56.480 --> 00:56:59.159
<v Speaker 2>just not there for some reason and i don't know

1359
00:56:59.559 --> 00:57:01.500
<v Speaker 2>i don't know why that is but i would love

1360
00:57:01.539 --> 00:57:04.920
<v Speaker 2>it to come back in that way um but yeah.

1361
00:57:04.719 --> 00:57:06.360
<v Speaker 6>I would too i think because everything's so far out

1362
00:57:06.400 --> 00:57:08.280
<v Speaker 6>now i think is when you have people like when

1363
00:57:08.300 --> 00:57:09.940
<v Speaker 6>someone is sitting at their desk right from you who's

1364
00:57:09.980 --> 00:57:12.510
<v Speaker 6>doing the menus i think it there's much more spontaneous

1365
00:57:12.619 --> 00:57:14.699
<v Speaker 6>i think you kind of you know, you're more willing

1366
00:57:14.719 --> 00:57:15.889
<v Speaker 6>to have like fun with it. And you're all sitting

1367
00:57:15.909 --> 00:57:17.449
<v Speaker 6>in the same meetings together. I just think it's a

1368
00:57:17.469 --> 00:57:19.309
<v Speaker 6>different thing. I mean, I think grindhouse is still keeping

1369
00:57:19.329 --> 00:57:21.489
<v Speaker 6>it alive as far as like the menu craziness. Like

1370
00:57:22.030 --> 00:57:23.329
<v Speaker 6>I still look forward to it.

1371
00:57:23.869 --> 00:57:24.670
<v Speaker 3>Yes, that's true.

1372
00:57:24.769 --> 00:57:27.530
<v Speaker 2>They do. Yeah. Well, and, but also they're also, they've

1373
00:57:27.550 --> 00:57:30.190
<v Speaker 2>been doing it for so long that they, yeah, they

1374
00:57:30.230 --> 00:57:32.960
<v Speaker 2>have mastered that. We're doing that in the DVD era.

1375
00:57:33.139 --> 00:57:34.929
<v Speaker 2>So yeah, it's like, we're just going to keep doing it.

1376
00:57:35.260 --> 00:57:37.519
<v Speaker 2>I feel like it's been the same people that entire time.

1377
00:57:37.539 --> 00:57:42.349
<v Speaker 2>So yeah, I don't know. Gosh, I get very wistful

1378
00:57:42.369 --> 00:57:43.230
<v Speaker 2>thinking about that.

1379
00:57:43.289 --> 00:57:49.710
<v Speaker 3>I'm thinking about who's doing good maze today. I think Reinhardt.

1380
00:57:50.730 --> 00:57:55.130
<v Speaker 2>They're really good. They know what they're doing. Sorry, everyone else.

1381
00:57:57.449 --> 00:57:59.590
<v Speaker 2>Go look at MonsterCrest the Pajama Party and try to

1382
00:57:59.639 --> 00:58:02.219
<v Speaker 2>make something like that happen. it doesn't have to be

1383
00:58:02.239 --> 00:58:05.190
<v Speaker 2>exactly that, but something fun, you know, like something that it,

1384
00:58:05.800 --> 00:58:07.969
<v Speaker 2>cause it is that it's an extra level of engagement

1385
00:58:08.010 --> 00:58:10.429
<v Speaker 2>with the, with the person who bought it, where it's like,

1386
00:58:11.030 --> 00:58:13.489
<v Speaker 2>it's now become like a treasured part of their collection

1387
00:58:13.530 --> 00:58:15.050
<v Speaker 2>and they can still go back.

1388
00:58:14.809 --> 00:58:16.789
<v Speaker 3>And find fun stuff potentially.

1389
00:58:16.829 --> 00:58:20.550
<v Speaker 2>And yeah, I don't know.

1390
00:58:20.989 --> 00:58:21.199
<v Speaker 1>Yeah.

1391
00:58:22.400 --> 00:58:25.500
<v Speaker 3>It almost feels like Mike's mindset was, this is it.

1392
00:58:25.579 --> 00:58:28.000
<v Speaker 3>This is like the last time this is ever going

1393
00:58:28.019 --> 00:58:31.019
<v Speaker 3>to be released on home video. Let's do it big.

1394
00:58:32.159 --> 00:58:34.559
<v Speaker 3>and like put as much as we can on here

1395
00:58:34.619 --> 00:58:37.679
<v Speaker 3>make it look as good as possible because i think

1396
00:58:37.719 --> 00:58:40.159
<v Speaker 3>he did have that mindset of like he wasn't interested

1397
00:58:40.179 --> 00:58:42.510
<v Speaker 3>in blu-ray when it came around he was like why

1398
00:58:42.550 --> 00:58:44.130
<v Speaker 3>are we doing this so.

1399
00:58:43.989 --> 00:58:45.809
<v Speaker 6>Oh yeah i mean the only time mike and i

1400
00:58:45.849 --> 00:58:48.070
<v Speaker 6>i mean like sort of amicably we butt heads because

1401
00:58:48.130 --> 00:58:50.670
<v Speaker 6>he did not want to go anamorphic widescreen on anything

1402
00:58:50.769 --> 00:58:53.730
<v Speaker 6>like he hated it because he watched everything yeah like

1403
00:58:53.750 --> 00:58:55.630
<v Speaker 6>he watched everything in like an old like two crt

1404
00:58:55.670 --> 00:58:57.369
<v Speaker 6>tv like he wanted everything to look like a beaver

1405
00:58:57.840 --> 00:58:59.679
<v Speaker 6>Cause he watched that, um, which is funny. He loved

1406
00:58:59.699 --> 00:59:01.900
<v Speaker 6>that aesthetic. And like, I had to actually like really

1407
00:59:02.039 --> 00:59:04.449
<v Speaker 6>twist his arm hard to get two titles done that way. Um,

1408
00:59:05.389 --> 00:59:07.409
<v Speaker 6>unfortunately that was one where the replicator screwed up and

1409
00:59:07.429 --> 00:59:09.610
<v Speaker 6>that was Hercules, um, versus the moon man where they

1410
00:59:09.909 --> 00:59:12.429
<v Speaker 6>actually flagged it wrong i mean he's like see i told.

1411
00:59:12.289 --> 00:59:17.989
<v Speaker 2>You i remember when that happened yes i.

1412
00:59:17.929 --> 00:59:21.409
<v Speaker 6>Did um so that's why you have so many flat

1413
00:59:21.429 --> 00:59:23.889
<v Speaker 6>letterbox transfers from them for like the scope luckily like

1414
00:59:24.010 --> 00:59:26.099
<v Speaker 6>almost none of his movies were scoped thank god um

1415
00:59:26.380 --> 00:59:28.570
<v Speaker 6>so you Um, usually he would just transfer, like get

1416
00:59:28.610 --> 00:59:30.050
<v Speaker 6>the next and they would just do open mat or like,

1417
00:59:30.090 --> 00:59:31.449
<v Speaker 6>you know, letterbox in a little bit where it had

1418
00:59:31.469 --> 00:59:33.510
<v Speaker 6>to be when it was hard matted. Um, so for

1419
00:59:33.530 --> 00:59:34.710
<v Speaker 6>the most part, it was fine. It wasn't even really

1420
00:59:34.730 --> 00:59:36.230
<v Speaker 6>a big deal. And thank God they were open max

1421
00:59:36.269 --> 00:59:38.210
<v Speaker 6>and you got extra sleazy stuff at the top and bottom.

1422
00:59:38.269 --> 00:59:41.090
<v Speaker 6>So whatever, everybody wins. So it's all good.

1423
00:59:41.469 --> 00:59:41.590
<v Speaker 1>Yeah.

1424
00:59:41.610 --> 00:59:44.170
<v Speaker 2>There weren't that many scope. I'm trying to think of like, uh, well,

1425
00:59:44.190 --> 00:59:47.309
<v Speaker 2>labyrinth of sex was a scope one and they never

1426
00:59:47.349 --> 00:59:51.269
<v Speaker 2>put out sexy pro a bitissimo except in little clips

1427
00:59:51.449 --> 00:59:54.869
<v Speaker 2>all over different releases. They never put it out on

1428
00:59:54.909 --> 00:59:57.190
<v Speaker 2>its own, but yeah, that was, yeah, it's funny. I

1429
00:59:57.510 --> 00:59:59.489
<v Speaker 2>think that's kind of the nature of that genre. It's like,

1430
00:59:59.530 --> 01:00:01.559
<v Speaker 2>who's shooting in scope? Who has the money for that?

1431
01:00:02.500 --> 01:00:02.800
<v Speaker 4>You know?

1432
01:00:03.099 --> 01:00:04.579
<v Speaker 2>So it kind of works out, just put out all

1433
01:00:04.619 --> 01:00:05.599
<v Speaker 2>this stuff in full frame.

1434
01:00:07.719 --> 01:00:09.760
<v Speaker 6>Um, so backing up. So the way that I got

1435
01:00:09.820 --> 01:00:12.320
<v Speaker 6>an image was I, after I finished college, I had

1436
01:00:12.409 --> 01:00:15.409
<v Speaker 6>started my website and I was doing the whole Mobius thing, um,

1437
01:00:15.590 --> 01:00:18.530
<v Speaker 6>which we've mentioned. And, um, so I moved to LA

1438
01:00:18.550 --> 01:00:20.050
<v Speaker 6>and I was working at DreamWorks for about a year. Um,

1439
01:00:20.050 --> 01:00:21.989
<v Speaker 6>and I was like, this is fine. I really don't

1440
01:00:22.010 --> 01:00:23.170
<v Speaker 6>want to do a studio thing. Cause it was just

1441
01:00:23.190 --> 01:00:25.320
<v Speaker 6>kind of corporate and you know, whatever. It was fun,

1442
01:00:25.389 --> 01:00:29.219
<v Speaker 6>but whatever. Um, but at image, um, DVD had really

1443
01:00:29.239 --> 01:00:31.590
<v Speaker 6>just kicked off and they had actually started a company

1444
01:00:31.610 --> 01:00:34.250
<v Speaker 6>called DVD planet, which had bought out. There's a chain

1445
01:00:34.269 --> 01:00:37.250
<v Speaker 6>of laser distorsion called Ken cranes, which was also getting

1446
01:00:37.269 --> 01:00:39.309
<v Speaker 6>into DVDs. It's like, well, we want to get on

1447
01:00:39.329 --> 01:00:40.650
<v Speaker 6>the bottom floor of this. So he started this company

1448
01:00:40.670 --> 01:00:43.219
<v Speaker 6>called DVD planet, which was actually on the same property

1449
01:00:43.239 --> 01:00:45.480
<v Speaker 6>as image. Like I said, there was basically two huge

1450
01:00:45.500 --> 01:00:49.519
<v Speaker 6>converted warehouses. So the other warehouse became DVD planet. And so, um,

1451
01:00:50.159 --> 01:00:53.090
<v Speaker 6>They hired me on because the guy who had just

1452
01:00:53.119 --> 01:00:54.829
<v Speaker 6>come over, he had moved to L.A. from Philly, a

1453
01:00:54.829 --> 01:00:56.769
<v Speaker 6>man named Mark Walco. He's a good friend of mine.

1454
01:00:57.110 --> 01:00:57.869
<v Speaker 2>Oh, I love Mark.

1455
01:00:57.889 --> 01:00:59.130
<v Speaker 6>Yeah. Yeah, Mark is awesome.

1456
01:00:59.150 --> 01:01:00.650
<v Speaker 2>I'm the Mobius person, right?

1457
01:01:01.050 --> 01:01:01.650
<v Speaker 1>Yep, yep.

1458
01:01:02.550 --> 01:01:04.510
<v Speaker 2>I'm telling you, it's the Rosetta Stone of everybody in

1459
01:01:04.530 --> 01:01:08.380
<v Speaker 2>this business. I think everybody who's still working in this business,

1460
01:01:08.389 --> 01:01:10.039
<v Speaker 2>they all started at Mobius, honestly.

1461
01:01:10.059 --> 01:01:11.699
<v Speaker 6>Yeah, it seems like it, yeah. I mean, it's such

1462
01:01:11.719 --> 01:01:13.380
<v Speaker 6>a tiny pond, really, and it still is.

1463
01:01:13.400 --> 01:01:15.099
<v Speaker 2>Right, yep.

1464
01:01:15.539 --> 01:01:18.539
<v Speaker 6>And so Mark had gone over to image to do PR.

1465
01:01:18.800 --> 01:01:20.820
<v Speaker 6>And so he was the guy who was involved in

1466
01:01:20.860 --> 01:01:23.300
<v Speaker 6>the very first batch of snapper case titles or something weird.

1467
01:01:23.940 --> 01:01:26.389
<v Speaker 6>And I was basically the editor at DVD planet because

1468
01:01:26.409 --> 01:01:29.530
<v Speaker 6>they would do regular weekly update things. And I worked

1469
01:01:29.550 --> 01:01:31.130
<v Speaker 6>a lot with Frank Henenlotter because he was going to

1470
01:01:31.230 --> 01:01:32.909
<v Speaker 6>be the spokesperson for something weird. So Frank and I

1471
01:01:32.929 --> 01:01:35.869
<v Speaker 6>were like, you know, super tight work because he wrote,

1472
01:01:36.429 --> 01:01:38.739
<v Speaker 6>it kills me. This is an archive because they took

1473
01:01:38.780 --> 01:01:40.880
<v Speaker 6>my computer and I don't have, he wrote the most

1474
01:01:40.940 --> 01:01:43.989
<v Speaker 6>amazing columns ever. about all the DVDs that were coming out.

1475
01:01:44.050 --> 01:01:45.369
<v Speaker 6>He did write up some things like for your height

1476
01:01:45.449 --> 01:01:47.300
<v Speaker 6>only and stuff like that. There were just like the

1477
01:01:47.570 --> 01:01:50.500
<v Speaker 6>funniest crap I've ever read in my life. And, um,

1478
01:01:50.659 --> 01:01:53.059
<v Speaker 6>and they're just genius like columns that he wrote for

1479
01:01:53.079 --> 01:01:56.340
<v Speaker 6>DVD planet. And, um, so just working with Frank, you know,

1480
01:01:56.380 --> 01:02:00.400
<v Speaker 6>for that, that was amazing. Um, but so, but I would,

1481
01:02:00.420 --> 01:02:02.320
<v Speaker 6>you know, go back and forth between DVD planet and

1482
01:02:02.340 --> 01:02:04.099
<v Speaker 6>the image offices all the time. We'd all have lunch

1483
01:02:04.119 --> 01:02:06.860
<v Speaker 6>and all that. And, um, so then what happened was,

1484
01:02:06.920 --> 01:02:08.559
<v Speaker 6>and that originally this wasn't common knowledge, but I think

1485
01:02:08.579 --> 01:02:11.320
<v Speaker 6>I can say now, cause they're, you know, it's long gone. Um,

1486
01:02:11.480 --> 01:02:13.099
<v Speaker 6>but they got a blackmail call from some guy in

1487
01:02:13.159 --> 01:02:16.800
<v Speaker 6>Russia who would like hack the site. And, um, he

1488
01:02:16.820 --> 01:02:19.380
<v Speaker 6>was like, you will pay me, you know, $ 600, 000 or

1489
01:02:19.539 --> 01:02:21.860
<v Speaker 6>I will leak all of your customer info or something

1490
01:02:21.900 --> 01:02:25.719
<v Speaker 6>like that. And, um, and they were like, uh, whatever.

1491
01:02:25.780 --> 01:02:27.039
<v Speaker 6>I think they want to pay the guy off, but

1492
01:02:27.059 --> 01:02:29.469
<v Speaker 6>they want to just dumping DVD planet. They essentially just

1493
01:02:29.489 --> 01:02:33.320
<v Speaker 6>closed because of this blackmail guy. Yeah, all because of

1494
01:02:33.340 --> 01:02:35.920
<v Speaker 6>this extortion guy. I wasn't in all the meetings about it,

1495
01:02:35.920 --> 01:02:37.440
<v Speaker 6>but yeah, it's basically because it's blackmailer. And they were

1496
01:02:37.460 --> 01:02:38.639
<v Speaker 6>just like, this is way too much of a hassle.

1497
01:02:38.679 --> 01:02:40.179
<v Speaker 6>It was just such a nightmare dealing with this.

1498
01:02:40.280 --> 01:02:43.409
<v Speaker 3>Oh, my God. Yeah.

1499
01:02:43.840 --> 01:02:46.210
<v Speaker 6>But the timing worked out because at the same time

1500
01:02:46.250 --> 01:02:47.530
<v Speaker 6>this happened. And so they were like, so they cut

1501
01:02:47.550 --> 01:02:49.510
<v Speaker 6>the staff and they wanted to absorb all the DVD

1502
01:02:49.550 --> 01:02:52.429
<v Speaker 6>Planet folks back into Image. At the same time, Mark

1503
01:02:52.469 --> 01:02:55.289
<v Speaker 6>wanted to move to New York to marry his then fiance,

1504
01:02:55.329 --> 01:02:57.230
<v Speaker 6>which he did. So he went off to go work

1505
01:02:57.250 --> 01:02:59.829
<v Speaker 6>for Criterion in New York. And Image was also at

1506
01:02:59.849 --> 01:03:02.409
<v Speaker 6>the time, they were the distributor for Criterion. And were

1507
01:03:02.449 --> 01:03:04.190
<v Speaker 6>for many, many years, which people tend to forget that.

1508
01:03:05.449 --> 01:03:07.730
<v Speaker 6>We had our own dedicated criterion person in-house. And so

1509
01:03:07.809 --> 01:03:09.449
<v Speaker 6>I just sort of leapfrogged over and I took over

1510
01:03:09.469 --> 01:03:12.510
<v Speaker 6>for Mark. So I inherited something weird line, right? As

1511
01:03:12.550 --> 01:03:14.329
<v Speaker 6>it was, you know, like, you know, and it's, as

1512
01:03:14.349 --> 01:03:17.230
<v Speaker 6>it was getting off the ground and like all the,

1513
01:03:17.369 --> 01:03:21.860
<v Speaker 6>the Euro, the Euro shock titles, anything weird, the Ted B.

1514
01:03:21.889 --> 01:03:25.760
<v Speaker 6>Michael stuff, all the, all the British sexploitation stuff, the

1515
01:03:25.780 --> 01:03:28.599
<v Speaker 6>British sex comedies, all that wound up going over to me.

1516
01:03:28.659 --> 01:03:28.820
<v Speaker 1>Right.

1517
01:03:28.840 --> 01:03:30.019
<v Speaker 2>Like the, what was that? Jezebel?

1518
01:03:30.829 --> 01:03:37.639
<v Speaker 6>Yeah, Jezebel was like Redemption's exploitation line was Jezebel. Redemption, Salvation,

1519
01:03:37.679 --> 01:03:40.800
<v Speaker 6>Jezebel thing, it's kind of fuzzy. They sort of rotate around.

1520
01:03:40.860 --> 01:03:44.639
<v Speaker 6>It's a little confusing. But it was really fun. And

1521
01:03:44.659 --> 01:03:48.090
<v Speaker 6>the nice thing was that because Mike, again, was in

1522
01:03:48.119 --> 01:03:49.590
<v Speaker 6>Seattle most of the time, he would come down maybe

1523
01:03:49.650 --> 01:03:54.610
<v Speaker 6>twice a year. He and Lisa would come. But for

1524
01:03:54.630 --> 01:03:56.309
<v Speaker 6>the most part, he was based out of there. But

1525
01:03:56.329 --> 01:03:58.469
<v Speaker 6>they wanted to keep upping their special features. And so

1526
01:03:59.110 --> 01:04:00.989
<v Speaker 6>They were like, well, we want commentaries, but these are

1527
01:04:01.010 --> 01:04:02.429
<v Speaker 6>LA folks. So can I just send them over to you?

1528
01:04:02.449 --> 01:04:03.710
<v Speaker 6>And I was like, yeah, I'll do it. So that's

1529
01:04:03.869 --> 01:04:05.949
<v Speaker 6>kind of how the commentary thing started with me because

1530
01:04:06.070 --> 01:04:08.829
<v Speaker 6>we would do all of our commentaries in house. Um,

1531
01:04:08.989 --> 01:04:10.809
<v Speaker 6>we normally record them on dad tapes, which is what

1532
01:04:10.849 --> 01:04:13.010
<v Speaker 6>Mike did as well. Um, for those who don't remember

1533
01:04:13.050 --> 01:04:14.929
<v Speaker 6>dad tapes for like digital audio tapes or like little

1534
01:04:15.210 --> 01:04:18.070
<v Speaker 6>tiny things, I'm sure. Um, old timers might remember what

1535
01:04:18.090 --> 01:04:20.449
<v Speaker 6>those are, um, because of good sound quality, they were

1536
01:04:20.469 --> 01:04:22.559
<v Speaker 6>good for archiving. And so he'd be like, you know, Oh,

1537
01:04:22.599 --> 01:04:25.219
<v Speaker 6>can I send Larry Buchanan over to you? And you'll,

1538
01:04:25.239 --> 01:04:27.320
<v Speaker 6>you know, for a commentary. I'm like, sure, whatever. So,

1539
01:04:27.329 --> 01:04:28.550
<v Speaker 6>you know, I'll take two hours of my day, just

1540
01:04:28.570 --> 01:04:30.650
<v Speaker 6>block it off. And later I'll come, we'll sit down

1541
01:04:30.670 --> 01:04:32.429
<v Speaker 6>with the mics and just watch the movie and chat

1542
01:04:32.449 --> 01:04:35.369
<v Speaker 6>about it. Um, you know, because I guess he trusted

1543
01:04:35.409 --> 01:04:36.829
<v Speaker 6>me that I knew what the movies were and that

1544
01:04:36.869 --> 01:04:38.449
<v Speaker 6>he knew what a fan I was. Cause again, I

1545
01:04:38.510 --> 01:04:40.329
<v Speaker 6>just sort of cut my teeth on these movies. Um,

1546
01:04:40.989 --> 01:04:43.929
<v Speaker 6>and so it, you know, it worked out. Um, but

1547
01:04:43.949 --> 01:04:45.849
<v Speaker 6>you know, but Mike stayed with like the Friedman stuff was,

1548
01:04:45.929 --> 01:04:47.469
<v Speaker 6>was all his. I mean, he did all those, obviously

1549
01:04:47.690 --> 01:04:50.159
<v Speaker 6>you could hear him on those. And, um, The really

1550
01:04:50.199 --> 01:04:52.320
<v Speaker 6>fun thing is that image would also, um, let me

1551
01:04:52.500 --> 01:04:54.219
<v Speaker 6>go to the chiller convention, which they would, you know,

1552
01:04:54.239 --> 01:04:55.679
<v Speaker 6>they have multiples, but the big one is the Halloween

1553
01:04:55.699 --> 01:04:57.139
<v Speaker 6>one they would have every year in New Jersey. And

1554
01:04:57.179 --> 01:04:59.139
<v Speaker 6>so I would get a dealer pass and I would

1555
01:04:59.159 --> 01:05:01.139
<v Speaker 6>basically go help out at something weird table with them.

1556
01:05:01.159 --> 01:05:02.980
<v Speaker 6>And then we'd all just sort of hang out. And

1557
01:05:03.500 --> 01:05:05.099
<v Speaker 6>like we were saying, cause like Mark Walco would be

1558
01:05:05.119 --> 01:05:07.360
<v Speaker 6>there and like, you know, Mike Felsher, Mike Engel, and

1559
01:05:07.400 --> 01:05:09.559
<v Speaker 6>like all the, all the video guys were there every year.

1560
01:05:09.619 --> 01:05:10.500
<v Speaker 6>So it's kind of, we would all just go out

1561
01:05:10.519 --> 01:05:12.340
<v Speaker 6>and have pizza and drink beers after. And it was,

1562
01:05:12.500 --> 01:05:14.559
<v Speaker 6>it was, people think we're all competitors, but it was

1563
01:05:14.599 --> 01:05:16.159
<v Speaker 6>kind of like more cause we all love the same movie.

1564
01:05:16.179 --> 01:05:17.260
<v Speaker 6>So it was kind of more like a family kind

1565
01:05:17.280 --> 01:05:19.809
<v Speaker 6>of thing. Um, But it was really fun. But Mike

1566
01:05:19.869 --> 01:05:23.980
<v Speaker 6>would bring Dave Friedman a lot to chiller. So you're

1567
01:05:24.019 --> 01:05:25.820
<v Speaker 6>hanging out with Dave Friedman for like a whole weekend.

1568
01:05:25.840 --> 01:05:31.340
<v Speaker 6>You're like, this is heaven. He's just the best. And

1569
01:05:31.360 --> 01:05:32.429
<v Speaker 6>I'm just glad I got to hang out with all

1570
01:05:32.469 --> 01:05:34.210
<v Speaker 6>these guys before they left us. I mean, I know

1571
01:05:34.230 --> 01:05:38.010
<v Speaker 6>because you've talked to Dave too. It really felt like

1572
01:05:38.030 --> 01:05:40.309
<v Speaker 6>the end of an era when they started leaving us because, yeah,

1573
01:05:40.329 --> 01:05:41.710
<v Speaker 6>it was really strange.

1574
01:05:42.650 --> 01:05:42.909
<v Speaker 1>Yeah.

1575
01:05:43.190 --> 01:05:44.949
<v Speaker 2>Well, it was just, well, when day, and it was funny,

1576
01:05:44.969 --> 01:05:46.789
<v Speaker 2>cause there are still people who are still, who were

1577
01:05:46.849 --> 01:05:50.369
<v Speaker 2>around after date pass, but it still felt like that was,

1578
01:05:50.389 --> 01:05:53.210
<v Speaker 2>it was the end when he passed. Cause it was

1579
01:05:53.250 --> 01:05:56.010
<v Speaker 2>because he really was kind of like, he knew everybody.

1580
01:05:56.030 --> 01:05:57.949
<v Speaker 2>And cause he really reached the top of the industry

1581
01:05:57.989 --> 01:06:01.070
<v Speaker 2>as far as the AFAA goes. So he knew literally everybody.

1582
01:06:01.559 --> 01:06:03.880
<v Speaker 2>So when he went, it really was kind of like, okay,

1583
01:06:03.900 --> 01:06:05.559
<v Speaker 2>there are some people left, but it felt like there

1584
01:06:05.579 --> 01:06:08.360
<v Speaker 2>were like, they were, they were scattered. It wasn't, there

1585
01:06:08.400 --> 01:06:10.340
<v Speaker 2>wasn't like a central figure that you could go to.

1586
01:06:11.329 --> 01:06:13.550
<v Speaker 2>it's going to give you like the best version of

1587
01:06:13.570 --> 01:06:17.630
<v Speaker 2>the history of the industry. So, yeah, that was, and

1588
01:06:17.670 --> 01:06:20.260
<v Speaker 2>he wasn't even that old really. I mean, he was old, obviously,

1589
01:06:20.300 --> 01:06:22.960
<v Speaker 2>but like, I know people that are still alive now

1590
01:06:22.980 --> 01:06:26.780
<v Speaker 2>that I just found out that Ray Anthony's still alive

1591
01:06:26.840 --> 01:06:29.539
<v Speaker 2>and maybe the endurance still alive. So not, not as

1592
01:06:29.599 --> 01:06:32.619
<v Speaker 2>old as them when he passed away, you know? Yeah.

1593
01:06:33.489 --> 01:06:35.929
<v Speaker 3>Well, what were some of your favorite commentaries to do?

1594
01:06:35.949 --> 01:06:37.289
<v Speaker 1>Oh gosh.

1595
01:06:37.610 --> 01:06:39.909
<v Speaker 6>Well, getting to do Larry Buchanan was really fun. That was,

1596
01:06:39.929 --> 01:06:44.340
<v Speaker 6>that was really cool. And, Let me think. Which one

1597
01:06:44.360 --> 01:06:44.550
<v Speaker 6>was that?

1598
01:06:44.570 --> 01:06:46.559
<v Speaker 2>Was that for Naked Witch or was that for Common

1599
01:06:46.599 --> 01:06:47.760
<v Speaker 2>Law Wife?

1600
01:06:48.059 --> 01:06:48.840
<v Speaker 6>Or did you do both?

1601
01:06:48.900 --> 01:06:49.780
<v Speaker 2>I'm trying to remember now.

1602
01:06:49.980 --> 01:06:52.500
<v Speaker 6>That, I think, wasn't that, no, it was for, I

1603
01:06:52.599 --> 01:06:53.619
<v Speaker 6>think it was Lee Harvey Oswald.

1604
01:06:53.679 --> 01:06:55.760
<v Speaker 2>Oh, Lee Harvey Oswald. Oh, right.

1605
01:06:55.980 --> 01:06:58.210
<v Speaker 3>Okay, that's right. I keep forgetting that came out.

1606
01:06:58.690 --> 01:07:01.449
<v Speaker 6>Yeah. I wish it was Naked Witch. Naked Witch would

1607
01:07:01.469 --> 01:07:06.429
<v Speaker 6>have been really fun. But yeah, I mean, yeah, but

1608
01:07:06.469 --> 01:07:08.269
<v Speaker 6>it was a blast. And I mean, it also, getting

1609
01:07:08.289 --> 01:07:10.280
<v Speaker 6>to the tracks, so it gave me a little bit of,

1610
01:07:10.780 --> 01:07:12.340
<v Speaker 6>I guess leverage where I could actually sort of like

1611
01:07:12.539 --> 01:07:14.639
<v Speaker 6>for some titles through that I wanted done that they

1612
01:07:14.659 --> 01:07:17.570
<v Speaker 6>weren't kind of resistant to. Cause like then, Oh, so

1613
01:07:17.670 --> 01:07:19.469
<v Speaker 6>I should back up just a second. So image, like

1614
01:07:19.510 --> 01:07:21.469
<v Speaker 6>I said, was doing porn on Laserdisc, but when DVD

1615
01:07:21.510 --> 01:07:24.829
<v Speaker 6>came along, um, they had actually changed a bit because, um,

1616
01:07:25.250 --> 01:07:27.269
<v Speaker 6>during the Laserdisc thing, they were image and pioneer were

1617
01:07:27.289 --> 01:07:29.510
<v Speaker 6>the two biggies and image wanted to work more with

1618
01:07:29.530 --> 01:07:32.610
<v Speaker 6>the studios. And they've somehow been able to wait to

1619
01:07:32.639 --> 01:07:36.280
<v Speaker 6>becoming Disney's Laserdisc replicator and distributor. And so suddenly they

1620
01:07:36.300 --> 01:07:38.360
<v Speaker 6>were doing Bambi and Pinocchio, but Disney was like, you're

1621
01:07:38.380 --> 01:07:40.300
<v Speaker 6>not doing the porn. Like, Like you can stick with

1622
01:07:40.320 --> 01:07:42.090
<v Speaker 6>the Playboy in the penthouse. That's fine. The soft core

1623
01:07:42.110 --> 01:07:44.829
<v Speaker 6>is fine. But the hard core is out. And so

1624
01:07:44.849 --> 01:07:46.690
<v Speaker 6>they immediately had to stop doing the hard core Laserdiscs.

1625
01:07:46.769 --> 01:07:48.789
<v Speaker 6>And so when DVD came on, they were doing deals

1626
01:07:48.809 --> 01:07:51.250
<v Speaker 6>with Universal and people like that. And so still hard

1627
01:07:51.289 --> 01:07:52.010
<v Speaker 6>core was a no-no.

1628
01:07:52.829 --> 01:07:54.880
<v Speaker 3>Well, just because they had a deal with Disney. But

1629
01:07:54.889 --> 01:07:57.320
<v Speaker 3>I mean Disney didn't own any stock in the company.

1630
01:07:57.380 --> 01:08:00.219
<v Speaker 3>It's just like Disney didn't want it to be anywhere

1631
01:08:00.320 --> 01:08:01.079
<v Speaker 3>near their stuff.

1632
01:08:01.139 --> 01:08:01.480
<v Speaker 5>Is that the idea?

1633
01:08:01.500 --> 01:08:02.659
<v Speaker 6>Yeah, it's like if you want to carry your stuff,

1634
01:08:02.699 --> 01:08:04.179
<v Speaker 6>you're not– we don't want to be associated with it.

1635
01:08:04.179 --> 01:08:04.940
<v Speaker 6>It makes sense.

1636
01:08:06.800 --> 01:08:08.980
<v Speaker 2>Vendor syndrome is going through the same thing. Exactly.

1637
01:08:09.119 --> 01:08:12.360
<v Speaker 6>That's why Melia's scene exists, is because they're doing Paramount,

1638
01:08:12.590 --> 01:08:14.800
<v Speaker 6>they're doing MGM, they're doing Warner Brothers. It's like, you

1639
01:08:14.820 --> 01:08:17.350
<v Speaker 6>can't have that butting up against, you know, Tobolino movies.

1640
01:08:17.750 --> 01:08:18.630
<v Speaker 6>It's not going to happen.

1641
01:08:19.010 --> 01:08:21.329
<v Speaker 2>It's bad enough that their logo is still a sexy woman.

1642
01:08:21.350 --> 01:08:25.130
<v Speaker 2>That's bad enough. Yeah, I'm surprised they haven't changed that. Yeah,

1643
01:08:25.170 --> 01:08:26.989
<v Speaker 2>I'm surprised they haven't changed it either. I'm surprised that

1644
01:08:27.029 --> 01:08:31.369
<v Speaker 2>wasn't any kind of discussion. Yeah, I think it was that.

1645
01:08:31.449 --> 01:08:34.109
<v Speaker 2>It was a combo with that and credit card processors,

1646
01:08:34.189 --> 01:08:36.779
<v Speaker 2>where they didn't want to process porn. But it's the

1647
01:08:36.819 --> 01:08:38.529
<v Speaker 2>same thing. It's like the people with the money are

1648
01:08:38.550 --> 01:08:41.270
<v Speaker 2>going to make those decisions, and you have to go

1649
01:08:41.329 --> 01:08:44.109
<v Speaker 2>with what they want to make sure that you still

1650
01:08:44.229 --> 01:08:46.350
<v Speaker 2>keep getting their money. Yeah, exactly.

1651
01:08:46.850 --> 01:08:49.890
<v Speaker 6>Makes sense. And also another concern, this isn't really something

1652
01:08:49.909 --> 01:08:51.409
<v Speaker 6>people talk about now because the internet is taking over,

1653
01:08:51.430 --> 01:08:54.430
<v Speaker 6>but also there was a thing about crossing state lines

1654
01:08:54.590 --> 01:08:58.390
<v Speaker 6>with certain products. If it was just normal porn, that

1655
01:08:58.409 --> 01:08:59.510
<v Speaker 6>was okay, but if it was something that was kind

1656
01:08:59.529 --> 01:09:01.819
<v Speaker 6>of a little dicey, we'll talk about this later. It

1657
01:09:01.840 --> 01:09:03.779
<v Speaker 6>was one of the something weird titles where I think

1658
01:09:03.819 --> 01:09:06.100
<v Speaker 6>this was probably a factor. I can't say for sure,

1659
01:09:06.119 --> 01:09:06.739
<v Speaker 6>but I think it was.

1660
01:09:06.760 --> 01:09:07.260
<v Speaker 2>Oh, God.

1661
01:09:07.899 --> 01:09:10.819
<v Speaker 6>But Mike had run into trouble with two titles, which

1662
01:09:10.859 --> 01:09:13.939
<v Speaker 6>were Sex Psycho, which is actually Widow Blue. Um, but

1663
01:09:13.960 --> 01:09:15.340
<v Speaker 6>he carried that for a little while, but that, that

1664
01:09:15.380 --> 01:09:17.579
<v Speaker 6>actually got flagged. Um, I think it was in Alabama.

1665
01:09:17.600 --> 01:09:19.140
<v Speaker 6>Somebody flagged that one and they got in trouble with

1666
01:09:19.159 --> 01:09:21.699
<v Speaker 6>that one. And there was a gay porn called hold

1667
01:09:21.739 --> 01:09:23.380
<v Speaker 6>your peace, which they only sold.

1668
01:09:23.239 --> 01:09:25.279
<v Speaker 2>For that thing. Oh my God.

1669
01:09:25.619 --> 01:09:27.779
<v Speaker 6>Which also, yeah.

1670
01:09:28.479 --> 01:09:30.800
<v Speaker 2>Um, I know the scene probably that was flagged.

1671
01:09:31.159 --> 01:09:31.720
<v Speaker 1>Oh, I bet you do.

1672
01:09:31.739 --> 01:09:33.020
<v Speaker 3>Yeah.

1673
01:09:33.420 --> 01:09:33.779
<v Speaker 1>Yeah.

1674
01:09:33.920 --> 01:09:34.970
<v Speaker 6>One scene never forgotten.

1675
01:09:36.739 --> 01:09:39.130
<v Speaker 2>Yeah. Let's just say, do not use a knife as

1676
01:09:39.170 --> 01:09:39.810
<v Speaker 2>a dildo.

1677
01:09:40.229 --> 01:09:40.550
<v Speaker 1>Yeah.

1678
01:09:40.729 --> 01:09:44.750
<v Speaker 2>Yeah. And don't try to make it sexy either. Because

1679
01:09:45.130 --> 01:09:46.510
<v Speaker 2>there's no way that can be sexy.

1680
01:09:46.909 --> 01:09:49.729
<v Speaker 3>Well, I mean, Widow Blue, doesn't Widow Blue have some violent,

1681
01:09:50.439 --> 01:09:52.260
<v Speaker 3>really violent sexual content in that too?

1682
01:09:52.270 --> 01:09:55.239
<v Speaker 6>Yeah, that's the problem. Anything that has like, anything that's, yeah,

1683
01:09:55.279 --> 01:09:57.380
<v Speaker 6>because any movie where you have like hardcore sex with

1684
01:09:57.399 --> 01:09:58.539
<v Speaker 6>people covered in blood, it's like.

1685
01:09:58.640 --> 01:10:00.500
<v Speaker 3>Yes, that's what it is.

1686
01:10:00.819 --> 01:10:04.199
<v Speaker 2>Yeah, you can't combine. It's very, it's actually very BBFC actually.

1687
01:10:04.420 --> 01:10:07.380
<v Speaker 2>It's very like, yeah, it's very unusual that that still,

1688
01:10:07.399 --> 01:10:09.199
<v Speaker 2>that remained a thing for so long. And then I

1689
01:10:09.220 --> 01:10:11.159
<v Speaker 2>guess people stopped caring somehow. Yeah.

1690
01:10:11.260 --> 01:10:12.239
<v Speaker 6>Like I said, I think the internet just kind of

1691
01:10:12.260 --> 01:10:13.739
<v Speaker 6>wrecked it all. Cause now it's just like, whatever you

1692
01:10:13.760 --> 01:10:15.819
<v Speaker 6>can't like, who cares if you're shipping discs over to

1693
01:10:15.840 --> 01:10:17.939
<v Speaker 6>state lines anymore. It doesn't matter. Like nobody cares.

1694
01:10:17.979 --> 01:10:18.310
<v Speaker 2>Yeah.

1695
01:10:18.560 --> 01:10:18.930
<v Speaker 6>Right.

1696
01:10:19.199 --> 01:10:21.050
<v Speaker 2>Well, I think that's how, that's how vinegar son was

1697
01:10:21.090 --> 01:10:23.689
<v Speaker 2>putting out like pretty peaches on cut and baby face

1698
01:10:23.770 --> 01:10:26.829
<v Speaker 2>on cut and releasing a widow blue on DVD.

1699
01:10:27.170 --> 01:10:27.409
<v Speaker 1>Yeah.

1700
01:10:28.010 --> 01:10:29.890
<v Speaker 6>Yeah. Or both ways. I was surprised they put that

1701
01:10:29.949 --> 01:10:32.270
<v Speaker 6>on cut. Cause the whole thing was like, and through

1702
01:10:32.289 --> 01:10:33.529
<v Speaker 6>the looking glass too, cause they had the whole thing.

1703
01:10:33.550 --> 01:10:35.750
<v Speaker 6>It's like, well, you can't have a kid. And even

1704
01:10:35.770 --> 01:10:37.329
<v Speaker 6>if the kid has nothing, you can remotely sexual in

1705
01:10:37.350 --> 01:10:39.010
<v Speaker 6>the movie. Like having a child actor in these movies was,

1706
01:10:39.029 --> 01:10:40.229
<v Speaker 6>you know, they would start cutting them out.

1707
01:10:41.039 --> 01:10:45.689
<v Speaker 2>Exactly. Well, that happened with Dr. Sex. I have that

1708
01:10:45.739 --> 01:10:47.329
<v Speaker 2>noted to bring that up. There was a digital zoom.

1709
01:10:47.350 --> 01:10:49.010
<v Speaker 6>Yeah, that's what I was referring to. Yeah, I'm pretty

1710
01:10:49.069 --> 01:10:50.750
<v Speaker 6>sure that was, I think that actually came to us

1711
01:10:50.789 --> 01:10:51.850
<v Speaker 6>like pre-zoomed.

1712
01:10:52.470 --> 01:10:53.069
<v Speaker 9>Oh, really?

1713
01:10:53.090 --> 01:10:54.270
<v Speaker 2>So they knew it was going to be a problem.

1714
01:10:54.289 --> 01:10:56.369
<v Speaker 6>Yeah, I think I'm pretty sure that that zoom was

1715
01:10:56.409 --> 01:10:58.270
<v Speaker 6>because of what they had gone through with those two titles.

1716
01:10:58.289 --> 01:10:59.569
<v Speaker 6>I think they were just like, screw it. We're just

1717
01:10:59.590 --> 01:11:01.010
<v Speaker 6>not going to mess with this anymore. So I think

1718
01:11:01.029 --> 01:11:03.229
<v Speaker 6>that was already pre-zoomed when we got it. Because the

1719
01:11:03.250 --> 01:11:04.689
<v Speaker 6>thing at Image was we did not want to cut

1720
01:11:04.710 --> 01:11:06.649
<v Speaker 6>movies at all. Like it was like if we had

1721
01:11:06.670 --> 01:11:08.050
<v Speaker 6>to cut it, we were just going to like let

1722
01:11:08.069 --> 01:11:11.560
<v Speaker 6>somebody else do it. Um, the only exception, um, because

1723
01:11:11.600 --> 01:11:14.760
<v Speaker 6>we really, I really wanted to do it was female vampire, um,

1724
01:11:14.779 --> 01:11:16.479
<v Speaker 6>where we actually had to wind up because there's a

1725
01:11:16.500 --> 01:11:19.140
<v Speaker 6>couple of seconds of like unsimulated, like oral sex in it.

1726
01:11:19.159 --> 01:11:21.020
<v Speaker 6>And we wound up having to loop other footage because

1727
01:11:21.810 --> 01:11:23.409
<v Speaker 6>it was such a huge title. And I was just like,

1728
01:11:23.550 --> 01:11:25.329
<v Speaker 6>I hate doing it, but like, I really want to

1729
01:11:25.350 --> 01:11:26.710
<v Speaker 6>put this out. So that was the only work run

1730
01:11:26.729 --> 01:11:28.050
<v Speaker 6>we could do. But other than that, like we did

1731
01:11:28.069 --> 01:11:30.390
<v Speaker 6>not want to cut anything. I'm not counting stuff like that,

1732
01:11:30.569 --> 01:11:32.489
<v Speaker 6>like the cut down hardcore feature as stuff like the

1733
01:11:32.529 --> 01:11:34.350
<v Speaker 6>geek that Mike put on his extras. That doesn't count.

1734
01:11:34.369 --> 01:11:34.729
<v Speaker 1>Right.

1735
01:11:35.270 --> 01:11:37.210
<v Speaker 6>Um, But as far as like full movies go, it's like,

1736
01:11:37.229 --> 01:11:38.810
<v Speaker 6>we really did our best not to cut anything. Cause

1737
01:11:38.829 --> 01:11:40.510
<v Speaker 6>I did not want to censor anything if possible.

1738
01:11:41.229 --> 01:11:45.750
<v Speaker 2>Well, Dr. Sex, that, that should have been zoomed. That zoom,

1739
01:11:45.810 --> 01:11:48.479
<v Speaker 2>that zoom was justified. Like I don't need to see

1740
01:11:48.850 --> 01:11:51.310
<v Speaker 2>a naked little girl. I don't care if it's just

1741
01:11:51.350 --> 01:11:53.319
<v Speaker 2>like fun or like, it's supposed to be like a joke.

1742
01:11:53.840 --> 01:11:55.680
<v Speaker 2>Cause it's, yeah. The segment in that is like, it's

1743
01:11:55.720 --> 01:11:57.899
<v Speaker 2>a girl who was a woman who was an infomaniac.

1744
01:11:57.939 --> 01:11:59.939
<v Speaker 2>And it's like, well, even as a little girl, like

1745
01:12:00.020 --> 01:12:02.600
<v Speaker 2>she was like running around naked. And so it's this

1746
01:12:02.640 --> 01:12:04.539
<v Speaker 2>little girl running around naked. And it's like, I didn't

1747
01:12:04.579 --> 01:12:08.420
<v Speaker 2>need to see that to know that she, I'm fine

1748
01:12:08.460 --> 01:12:10.159
<v Speaker 2>zooming in on that. And I'm, and I don't need

1749
01:12:10.180 --> 01:12:12.079
<v Speaker 2>to start thinking about like, well, whose little girl was this?

1750
01:12:12.140 --> 01:12:15.529
<v Speaker 2>Like it, it really makes you think about different levels

1751
01:12:15.609 --> 01:12:19.250
<v Speaker 2>of that. And it's very discomforting, but yeah. Yeah.

1752
01:12:19.750 --> 01:12:19.989
<v Speaker 1>So, yeah.

1753
01:12:20.050 --> 01:12:21.489
<v Speaker 6>So that's my theory about why that was zoomed in.

1754
01:12:21.649 --> 01:12:23.229
<v Speaker 6>I mean, I'm pretty sure cause the timing matches up.

1755
01:12:23.270 --> 01:12:24.689
<v Speaker 6>Like I don't think we ever really talked about it,

1756
01:12:24.689 --> 01:12:25.989
<v Speaker 6>but I was just like, yeah, I can see why.

1757
01:12:26.109 --> 01:12:27.949
<v Speaker 6>Cause yeah, you just don't want to go down that road.

1758
01:12:27.979 --> 01:12:29.609
<v Speaker 6>Especially when at the time that came out.

1759
01:12:30.380 --> 01:12:32.220
<v Speaker 2>Yeah, well, that was also when they, I remember they

1760
01:12:32.239 --> 01:12:34.670
<v Speaker 2>had to, they discontinued a lot of titles with teen

1761
01:12:34.750 --> 01:12:37.289
<v Speaker 2>in title. And then they reissued them. Like I remember

1762
01:12:37.329 --> 01:12:40.590
<v Speaker 2>Teenage Fantasies, they had to reissue as Renee Bond's Fantasies.

1763
01:12:41.409 --> 01:12:43.250
<v Speaker 2>And because that's such a big seller, you have to

1764
01:12:43.310 --> 01:12:43.869
<v Speaker 2>have that.

1765
01:12:43.930 --> 01:12:44.869
<v Speaker 3>In your collection.

1766
01:12:44.949 --> 01:12:46.909
<v Speaker 2>If you're a Renee Bond person, that's like her, one

1767
01:12:46.939 --> 01:12:49.739
<v Speaker 2>of her key films. So they had to reissue that.

1768
01:12:49.859 --> 01:12:51.779
<v Speaker 2>But I remember when Hold Your Peace went out. Actually,

1769
01:12:51.800 --> 01:12:54.140
<v Speaker 2>you know what? You sent me Hold Your Peace, I think.

1770
01:12:56.260 --> 01:12:58.020
<v Speaker 2>You send me that and heavy equipment.

1771
01:12:58.319 --> 01:12:58.520
<v Speaker 1>Yeah.

1772
01:12:58.699 --> 01:13:00.539
<v Speaker 2>And I think you sent me some other burn stuff.

1773
01:13:00.640 --> 01:13:02.739
<v Speaker 2>And I was like, cause we did a trade or

1774
01:13:02.760 --> 01:13:04.869
<v Speaker 2>something and I still have it with your handwriting on it.

1775
01:13:04.859 --> 01:13:08.409
<v Speaker 2>I think it's and finger licking good and then heavy equipment.

1776
01:13:08.449 --> 01:13:10.329
<v Speaker 2>And then I think you sent me, I a woman too,

1777
01:13:10.949 --> 01:13:13.829
<v Speaker 2>something else. Yeah. Cause you had all the good, you

1778
01:13:13.970 --> 01:13:16.470
<v Speaker 2>had all the good, all the rare, something weird stuff.

1779
01:13:16.489 --> 01:13:18.270
<v Speaker 2>So I was like, I need it. This is before

1780
01:13:18.310 --> 01:13:20.960
<v Speaker 2>we had Alex slip case. Who was one of our

1781
01:13:21.119 --> 01:13:23.880
<v Speaker 2>regular guys who now collects these things and rips it

1782
01:13:23.920 --> 01:13:26.890
<v Speaker 2>for us. But yeah.

1783
01:13:26.909 --> 01:13:27.130
<v Speaker 6>Yeah.

1784
01:13:27.350 --> 01:13:29.439
<v Speaker 2>Don't watch it. Don't watch that gentry. You don't need

1785
01:13:29.449 --> 01:13:32.380
<v Speaker 2>to watch, uh, you don't need to watch, hold your peace.

1786
01:13:32.899 --> 01:13:37.399
<v Speaker 6>It's not, it's not, it's not a pleasant experience. It's like,

1787
01:13:37.479 --> 01:13:39.579
<v Speaker 6>it's the threads of gay porn. Just don't do it.

1788
01:13:39.979 --> 01:13:40.600
<v Speaker 3>It's so bad.

1789
01:13:40.840 --> 01:13:41.039
<v Speaker 1>Yeah.

1790
01:13:41.060 --> 01:13:41.500
<v Speaker 2>It's not good.

1791
01:13:41.939 --> 01:13:44.399
<v Speaker 3>So was this the same time? What, where's like big

1792
01:13:44.479 --> 01:13:47.189
<v Speaker 3>snatch that controversy and like love?

1793
01:13:47.229 --> 01:13:50.449
<v Speaker 6>That was early. That was actually a really early one. So, okay. So,

1794
01:13:51.420 --> 01:13:53.579
<v Speaker 6>So like I said earlier, the thing about Chatsworth, like

1795
01:13:53.619 --> 01:13:56.520
<v Speaker 6>I said, is that it's very porny but really prudish

1796
01:13:56.560 --> 01:13:58.590
<v Speaker 6>at the same time. And that's true at Image because,

1797
01:13:58.609 --> 01:14:00.390
<v Speaker 6>like I said, we had our own departments. And in

1798
01:14:00.430 --> 01:14:05.229
<v Speaker 6>our production department, we had two particularly conservative people working

1799
01:14:05.250 --> 01:14:07.369
<v Speaker 6>in the production department. I won't say their names. And

1800
01:14:07.390 --> 01:14:09.010
<v Speaker 6>they're very nice people. I mean, we got along fine.

1801
01:14:09.170 --> 01:14:12.069
<v Speaker 6>But I had to sort of be very political and

1802
01:14:12.109 --> 01:14:14.399
<v Speaker 6>work around them a lot and sort of tap dance

1803
01:14:14.439 --> 01:14:17.520
<v Speaker 6>because I knew there were certain lines we couldn't go past. Um,

1804
01:14:17.689 --> 01:14:19.010
<v Speaker 6>and as I found with big snatch was one of

1805
01:14:19.050 --> 01:14:21.050
<v Speaker 6>the first movies that triggered that as was love camp seven.

1806
01:14:21.189 --> 01:14:24.069
<v Speaker 6>So anything that got like, even if it was soft core,

1807
01:14:24.090 --> 01:14:27.329
<v Speaker 6>if it was like super, super rapey, then it would

1808
01:14:27.350 --> 01:14:29.949
<v Speaker 6>start setting off some flags. If it was like one

1809
01:14:29.989 --> 01:14:31.850
<v Speaker 6>rape scene in a movie, like they would let it slide.

1810
01:14:31.890 --> 01:14:33.270
<v Speaker 6>But if that was the whole focus of the movie

1811
01:14:33.289 --> 01:14:34.840
<v Speaker 6>and there was just people just screaming and getting raped

1812
01:14:34.850 --> 01:14:36.409
<v Speaker 6>for the whole thing, it's just like, no, we're not

1813
01:14:36.609 --> 01:14:36.909
<v Speaker 6>doing this.

1814
01:14:36.949 --> 01:14:38.800
<v Speaker 3>Well, sorry. Are these people watching the movies?

1815
01:14:39.060 --> 01:14:40.000
<v Speaker 1>Yeah. Okay.

1816
01:14:40.039 --> 01:14:41.800
<v Speaker 3>So they're watching it front to back.

1817
01:14:41.840 --> 01:14:42.079
<v Speaker 1>Okay.

1818
01:14:42.100 --> 01:14:44.260
<v Speaker 3>They're not just like looking at the campaign or anything

1819
01:14:44.300 --> 01:14:45.640
<v Speaker 3>like that. It's okay.

1820
01:14:45.659 --> 01:14:45.729
<v Speaker 1>Hmm.

1821
01:14:46.329 --> 01:14:48.130
<v Speaker 6>And unfortunately there were the two people who were, it

1822
01:14:48.149 --> 01:14:49.500
<v Speaker 6>was like the number one and two person in the,

1823
01:14:49.590 --> 01:14:51.770
<v Speaker 6>in the department. This wasn't like just, these weren't just

1824
01:14:51.890 --> 01:14:54.390
<v Speaker 6>the normal production grunts. These were the two in charge.

1825
01:14:55.130 --> 01:14:56.989
<v Speaker 6>And I mean, and like I said, they let stuff

1826
01:14:57.010 --> 01:14:59.430
<v Speaker 6>go that I was kind of shocked by. Things slipped through.

1827
01:14:59.449 --> 01:15:04.189
<v Speaker 6>But I would have some really surreal days at work

1828
01:15:04.220 --> 01:15:05.939
<v Speaker 6>where it's like the weirdest one ever, I think was

1829
01:15:05.979 --> 01:15:09.560
<v Speaker 6>when screaming the streets came in. And, and so, and they,

1830
01:15:09.640 --> 01:15:11.140
<v Speaker 6>they had pulled it up and they were like, can

1831
01:15:11.159 --> 01:15:13.000
<v Speaker 6>you come back here? And I was like, okay, sure.

1832
01:15:13.640 --> 01:15:14.840
<v Speaker 6>And it's like, so we just got this here. It was,

1833
01:15:14.859 --> 01:15:16.619
<v Speaker 6>you know, we just got this movie, Scream in the Streets.

1834
01:15:16.640 --> 01:15:17.640
<v Speaker 6>We want you to look at it because we think

1835
01:15:17.680 --> 01:15:19.640
<v Speaker 6>it's hardcore. And I was like, okay.

1836
01:15:20.399 --> 01:15:21.079
<v Speaker 3>It's close.

1837
01:15:21.420 --> 01:15:21.800
<v Speaker 1>Yeah.

1838
01:15:21.840 --> 01:15:23.140
<v Speaker 6>And so I'm sitting there. I mean, we're sitting there

1839
01:15:23.159 --> 01:15:25.399
<v Speaker 6>for like an hour, like going frame by frame.

1840
01:15:25.470 --> 01:15:28.710
<v Speaker 3>Oh, my God. Where the guy's, you know, inserting forward.

1841
01:15:29.390 --> 01:15:32.550
<v Speaker 6>But you don't see anything. The angle is just enough

1842
01:15:32.569 --> 01:15:34.430
<v Speaker 6>where you don't actually see anything go in. I'm like, no,

1843
01:15:34.529 --> 01:15:37.109
<v Speaker 6>it's not. Like, show me actual penetration. You're not going

1844
01:15:37.130 --> 01:15:38.890
<v Speaker 6>to see it. And they're like, he's clearly doing it.

1845
01:15:38.890 --> 01:15:41.000
<v Speaker 6>I'm like, well, maybe, but you can't prove it.

1846
01:15:41.109 --> 01:15:41.970
<v Speaker 1>Right. Right.

1847
01:15:43.239 --> 01:15:47.270
<v Speaker 6>And it finally got through uncut. And again, I think,

1848
01:15:47.350 --> 01:15:49.350
<v Speaker 6>please don't get my mother, it was actually pre-cut when

1849
01:15:49.390 --> 01:15:55.270
<v Speaker 6>we got it, I believe. Interesting. It's missing the one

1850
01:15:56.470 --> 01:15:59.729
<v Speaker 6>shot in there. But the other funny thing is that

1851
01:16:00.380 --> 01:16:03.109
<v Speaker 6>I think that, I don't know what the ordering process was,

1852
01:16:03.119 --> 01:16:04.840
<v Speaker 6>but I think when Mike would have the scans commissioned,

1853
01:16:04.859 --> 01:16:06.340
<v Speaker 6>they would just pull the negs and scan them and

1854
01:16:06.380 --> 01:16:08.300
<v Speaker 6>send them over. And I'm not sure whether he actually

1855
01:16:08.359 --> 01:16:09.920
<v Speaker 6>saw them after they were done because there were a

1856
01:16:09.960 --> 01:16:12.489
<v Speaker 6>lot of cases where The Novaks would come to us,

1857
01:16:12.810 --> 01:16:15.550
<v Speaker 6>especially the Southern ones would come to us and they

1858
01:16:15.569 --> 01:16:18.279
<v Speaker 6>would have extra stuff tacked at the end, like extra

1859
01:16:18.300 --> 01:16:24.859
<v Speaker 6>hardcore stuff. Oh, right. So like, but with different actors,

1860
01:16:24.899 --> 01:16:27.260
<v Speaker 6>that's the weird thing. It wasn't even the main cast.

1861
01:16:27.300 --> 01:16:27.619
<v Speaker 1>Yeah.

1862
01:16:27.840 --> 01:16:29.699
<v Speaker 6>Like he would just get these random people to like,

1863
01:16:29.729 --> 01:16:30.970
<v Speaker 6>just sit in a barn on top of some hay

1864
01:16:30.989 --> 01:16:32.470
<v Speaker 6>and just go at it for like five minutes. So

1865
01:16:32.489 --> 01:16:34.649
<v Speaker 6>they could, if somebody wanted to sell it as adult film,

1866
01:16:34.670 --> 01:16:36.649
<v Speaker 6>they could just splice that at any point in the

1867
01:16:36.670 --> 01:16:38.409
<v Speaker 6>movie and it wouldn't matter. Right.

1868
01:16:38.449 --> 01:16:38.789
<v Speaker 1>Right.

1869
01:16:39.699 --> 01:16:42.729
<v Speaker 2>With his fake r rating on the poster right which

1870
01:16:42.770 --> 01:16:45.060
<v Speaker 2>he loved to do yeah.

1871
01:16:44.649 --> 01:16:45.869
<v Speaker 6>And like i would have loved to put those on

1872
01:16:45.890 --> 01:16:47.489
<v Speaker 6>his extras but we couldn't because again they were just

1873
01:16:47.510 --> 01:16:49.250
<v Speaker 6>they were full-on um.

1874
01:16:49.489 --> 01:16:51.569
<v Speaker 2>Yeah we couldn't they wouldn't even let you have done

1875
01:16:51.590 --> 01:16:53.050
<v Speaker 2>that as an easter egg right you.

1876
01:16:52.970 --> 01:16:56.630
<v Speaker 6>Couldn't yeah yeah there's no way it's not really censorship

1877
01:16:56.649 --> 01:16:57.989
<v Speaker 6>because they were never part of the movie it was

1878
01:16:58.010 --> 01:16:59.390
<v Speaker 6>just sort of like an optional thing where it's like

1879
01:16:59.470 --> 01:17:00.949
<v Speaker 6>you know hey if you if you can get away

1880
01:17:01.180 --> 01:17:02.779
<v Speaker 6>with it feel free to drop the scene in somewhere

1881
01:17:02.819 --> 01:17:06.229
<v Speaker 6>with these other people you know um but it wasn't

1882
01:17:06.250 --> 01:17:08.409
<v Speaker 6>like Renee Bond or like John or any of those folks,

1883
01:17:08.470 --> 01:17:10.409
<v Speaker 6>you know, Sandy or any of those, none of the

1884
01:17:10.449 --> 01:17:13.710
<v Speaker 6>Novak players. So that's so interesting though.

1885
01:17:13.729 --> 01:17:15.970
<v Speaker 2>Because they're on this, we were like, we talked about

1886
01:17:16.010 --> 01:17:18.609
<v Speaker 2>sassy Sue and I think there were only two people

1887
01:17:18.649 --> 01:17:20.689
<v Speaker 2>in a movie who weren't doing hardcore at the time

1888
01:17:20.729 --> 01:17:24.340
<v Speaker 2>that was being made. And so you would think that, yeah,

1889
01:17:24.350 --> 01:17:27.180
<v Speaker 2>Sandy Carey would do something hardcore on the set. Cause

1890
01:17:27.199 --> 01:17:28.840
<v Speaker 2>she was there and they were going to pay her

1891
01:17:28.859 --> 01:17:31.340
<v Speaker 2>a little extra to do something hardcore, but that's really wild.

1892
01:17:31.380 --> 01:17:34.880
<v Speaker 2>They would just get like some random people to just

1893
01:17:34.920 --> 01:17:37.739
<v Speaker 2>do whatever. Or even like for the, what is it,

1894
01:17:37.770 --> 01:17:40.810
<v Speaker 2>Southern Comfort. So like Judy Angel, huge, huge in porn.

1895
01:17:41.029 --> 01:17:41.729
<v Speaker 2>Tons of porn.

1896
01:17:42.520 --> 01:17:44.779
<v Speaker 3>Yeah. Well, again, it just makes it easier if you

1897
01:17:44.840 --> 01:17:47.220
<v Speaker 3>can't see them, if they can't see their faces, they

1898
01:17:47.239 --> 01:17:48.460
<v Speaker 3>can just splice it in wherever.

1899
01:17:48.600 --> 01:17:48.840
<v Speaker 1>Yeah.

1900
01:17:48.859 --> 01:17:49.579
<v Speaker 3>If it's just a body.

1901
01:17:49.600 --> 01:17:51.359
<v Speaker 2>That is true. That is true.

1902
01:17:51.380 --> 01:17:51.859
<v Speaker 3>Yeah.

1903
01:17:52.119 --> 01:17:55.779
<v Speaker 2>Well, actually, Sassy Sue, I was revisiting that for our episode,

1904
01:17:56.140 --> 01:17:58.539
<v Speaker 2>and I was shocked that I was like, oh, right,

1905
01:17:58.579 --> 01:18:03.789
<v Speaker 2>Tali Cochran is basically giving Jontel a blowjob. She's slapping

1906
01:18:04.069 --> 01:18:04.829
<v Speaker 2>her face.

1907
01:18:05.470 --> 01:18:08.010
<v Speaker 3>Her head is right next to it.

1908
01:18:08.369 --> 01:18:10.989
<v Speaker 2>Yeah, I'm just like, I can't believe that this didn't

1909
01:18:11.069 --> 01:18:14.569
<v Speaker 2>raise any flags. It probably did, but they were like, well,

1910
01:18:14.590 --> 01:18:18.409
<v Speaker 2>it's technically not hardcore. It's just a lot of manual manipulation,

1911
01:18:18.430 --> 01:18:21.989
<v Speaker 2>I guess. You have to use the censor terms.

1912
01:18:23.430 --> 01:18:24.829
<v Speaker 6>That scene is hilarious to me, though. Remember the first

1913
01:18:24.850 --> 01:18:26.430
<v Speaker 6>time I saw it when the tape came out, and

1914
01:18:26.449 --> 01:18:27.810
<v Speaker 6>I was just like, does she just not know how

1915
01:18:27.850 --> 01:18:29.210
<v Speaker 6>to do this? Like, what's going on.

1916
01:18:29.180 --> 01:18:30.189
<v Speaker 2>In this scene?

1917
01:18:30.310 --> 01:18:31.500
<v Speaker 3>She's just being silly.

1918
01:18:31.520 --> 01:18:33.699
<v Speaker 6>I was like, I don't know either of them are

1919
01:18:33.720 --> 01:18:35.560
<v Speaker 6>getting much out of this, but okay.

1920
01:18:35.619 --> 01:18:36.960
<v Speaker 1>No, no.

1921
01:18:37.279 --> 01:18:39.760
<v Speaker 2>It's just for the audience to kind of be like, oh,

1922
01:18:39.819 --> 01:18:42.850
<v Speaker 2>I saw something extra dirty tonight at the drive-in.

1923
01:18:42.850 --> 01:18:43.149
<v Speaker 6>Yeah.

1924
01:18:43.149 --> 01:18:45.510
<v Speaker 3>Well, that is so funny that you, you like had

1925
01:18:45.550 --> 01:18:50.789
<v Speaker 3>those conversations with co-workers like frame by frame it was.

1926
01:18:50.750 --> 01:18:52.310
<v Speaker 6>So bizarre yeah so you come back from lunch all

1927
01:18:52.329 --> 01:18:54.329
<v Speaker 6>of a sudden you're looking at screaming the streets like

1928
01:18:54.909 --> 01:18:57.039
<v Speaker 6>yeah i framed sexy yeah it was bizarre well.

1929
01:18:56.939 --> 01:19:00.109
<v Speaker 3>I mean i was surprised when that got the uh

1930
01:19:00.380 --> 01:19:02.659
<v Speaker 3>veneer or cyber entreatment of all.

1931
01:19:02.520 --> 01:19:05.579
<v Speaker 2>The random choice random choice.

1932
01:19:05.819 --> 01:19:07.640
<v Speaker 3>Yeah what are your thoughts on that.

1933
01:19:08.930 --> 01:19:10.510
<v Speaker 6>Well, I mean, at least that, that's all the mystery

1934
01:19:10.569 --> 01:19:12.850
<v Speaker 6>of like where that mystery junkie scene came from. That's

1935
01:19:12.890 --> 01:19:14.470
<v Speaker 6>in the trailer, you know, cause that wasn't, that was

1936
01:19:14.489 --> 01:19:16.470
<v Speaker 6>a short that he had cut out separately, um, along

1937
01:19:16.489 --> 01:19:19.779
<v Speaker 6>with the other, the, the buck short. Um, cause again,

1938
01:19:19.840 --> 01:19:20.859
<v Speaker 6>that was the same case. I think it was kind

1939
01:19:20.880 --> 01:19:22.340
<v Speaker 6>of like with the, the hardcore stuff. I think he

1940
01:19:22.359 --> 01:19:23.800
<v Speaker 6>just shot some extra segments, you.

1941
01:19:23.760 --> 01:19:24.880
<v Speaker 3>Know, something that was at the end.

1942
01:19:25.000 --> 01:19:25.399
<v Speaker 1>Yeah. Yeah.

1943
01:19:25.420 --> 01:19:27.560
<v Speaker 6>So I can spice your stuff. And if it didn't use,

1944
01:19:27.579 --> 01:19:29.029
<v Speaker 6>you could just, you know, tear it off and make

1945
01:19:29.050 --> 01:19:30.569
<v Speaker 6>a short film out of it. They could slot in

1946
01:19:30.670 --> 01:19:31.090
<v Speaker 6>between movies.

1947
01:19:31.109 --> 01:19:31.210
<v Speaker 1>Yeah.

1948
01:19:32.000 --> 01:19:33.600
<v Speaker 6>Um, so I was actually really glad that came out

1949
01:19:33.619 --> 01:19:35.520
<v Speaker 6>cause it kind of like, I was like, okay, so that's,

1950
01:19:35.760 --> 01:19:37.319
<v Speaker 6>that's the connection. Cause I couldn't figure it out from

1951
01:19:37.340 --> 01:19:39.119
<v Speaker 6>the trailer. I was like, what, what's going on? Cause

1952
01:19:39.140 --> 01:19:40.640
<v Speaker 6>like half the stuff in the trailer isn't in the movie.

1953
01:19:41.560 --> 01:19:41.800
<v Speaker 1>Right.

1954
01:19:41.819 --> 01:19:42.760
<v Speaker 6>It's just baffling.

1955
01:19:43.550 --> 01:19:46.810
<v Speaker 2>Well, then that makes me wonder then, cause you know, the, the, the,

1956
01:19:46.890 --> 01:19:49.689
<v Speaker 2>the mindset is that like when he, when Novak reissued

1957
01:19:49.750 --> 01:19:52.189
<v Speaker 2>booby trap as love explosions, and then he did behind

1958
01:19:52.229 --> 01:19:55.109
<v Speaker 2>the green doors as then came ecstasy, that those were

1959
01:19:55.149 --> 01:19:59.310
<v Speaker 2>like 70, I think 76 and 78 respectively, maybe. And

1960
01:19:59.329 --> 01:20:01.909
<v Speaker 2>I always thought those were inserts, but from the sounds

1961
01:20:01.949 --> 01:20:04.609
<v Speaker 2>of it, they might not have been inserts that were

1962
01:20:04.649 --> 01:20:06.770
<v Speaker 2>shot later. They could have just been like, yeah, these

1963
01:20:06.810 --> 01:20:08.829
<v Speaker 2>were shot at the time and we're just going to

1964
01:20:08.869 --> 01:20:10.350
<v Speaker 2>shove them in and finally put them out now that

1965
01:20:10.390 --> 01:20:14.909
<v Speaker 2>it's legal. And that's why I'm kind of like, even

1966
01:20:14.930 --> 01:20:16.149
<v Speaker 2>if it's a movie that I don't like in the

1967
01:20:16.189 --> 01:20:20.449
<v Speaker 2>Novak library, this kind of, this information confirms that like,

1968
01:20:20.649 --> 01:20:22.170
<v Speaker 2>I kind of want to see all of them out

1969
01:20:22.189 --> 01:20:24.100
<v Speaker 2>just because I want to go back to those vaults

1970
01:20:24.149 --> 01:20:26.939
<v Speaker 2>and have everything available that has like, the name of

1971
01:20:26.960 --> 01:20:29.539
<v Speaker 2>the movie on it. Like what, what, what extra footage

1972
01:20:29.579 --> 01:20:30.039
<v Speaker 2>is there?

1973
01:20:30.060 --> 01:20:35.930
<v Speaker 3>Um, those vaults, Casey, those vaults are like what Harry's closet,

1974
01:20:36.270 --> 01:20:39.390
<v Speaker 3>you know, I don't know what's still, they.

1975
01:20:39.310 --> 01:20:42.750
<v Speaker 2>Look like a, they look like a degenerates like shed

1976
01:20:42.789 --> 01:20:45.329
<v Speaker 2>in the back that they hold hostages. And like, when

1977
01:20:45.369 --> 01:20:47.069
<v Speaker 2>you see the videos on, there's something weird. It's of,

1978
01:20:47.369 --> 01:20:50.109
<v Speaker 2>of no, of, of rainy going to visit. It's like this,

1979
01:20:50.380 --> 01:20:53.250
<v Speaker 2>it has like a decrepit falling apart shed in the,

1980
01:20:53.380 --> 01:20:55.760
<v Speaker 2>in his backyard. And it's just like, or in the,

1981
01:20:56.010 --> 01:20:58.069
<v Speaker 2>in the back of his building. And it's just like this,

1982
01:20:58.090 --> 01:20:59.630
<v Speaker 2>they're not temperature controlled.

1983
01:20:59.890 --> 01:21:04.100
<v Speaker 3>So, well, even on the ax, that ax and kidnapped, uh,

1984
01:21:04.199 --> 01:21:07.279
<v Speaker 3>that release too, they show, um, I can't remember who's

1985
01:21:07.319 --> 01:21:10.659
<v Speaker 3>all there, but they, uh, go digging around, uh, for

1986
01:21:10.880 --> 01:21:12.239
<v Speaker 3>Frederick's negative.

1987
01:21:12.279 --> 01:21:12.439
<v Speaker 1>Yeah.

1988
01:21:12.460 --> 01:21:16.180
<v Speaker 3>And it's the same deal. It's just like, just, you know,

1989
01:21:16.899 --> 01:21:20.739
<v Speaker 3>shoulder height, like just full of canisters.

1990
01:21:20.779 --> 01:21:21.020
<v Speaker 1>Yeah.

1991
01:21:21.039 --> 01:21:23.340
<v Speaker 3>They just have dig through and find his, find his negative.

1992
01:21:24.520 --> 01:21:26.850
<v Speaker 2>Well, actually that reminds me, that makes me think of something.

1993
01:21:27.149 --> 01:21:30.569
<v Speaker 2>Do you know? So like, for example, the Friedel film.

1994
01:21:30.649 --> 01:21:34.109
<v Speaker 2>So we know now about the issue with Friedel and

1995
01:21:34.590 --> 01:21:38.149
<v Speaker 2>how Novak really basically was like, I don't owe you

1996
01:21:38.210 --> 01:21:39.890
<v Speaker 2>any money. You owe me money. Cause I went out

1997
01:21:39.909 --> 01:21:42.510
<v Speaker 2>of business or whatever, whatever. What did image of it

1998
01:21:42.529 --> 01:21:44.770
<v Speaker 2>get contacted by any of these filmmakers for these movies

1999
01:21:44.789 --> 01:21:47.880
<v Speaker 2>who were kind of like, no. Oh, okay. Cause something

2000
01:21:47.920 --> 01:21:51.420
<v Speaker 2>weird kind of didn't either. So I don't, yeah, it's interesting.

2001
01:21:51.720 --> 01:21:51.920
<v Speaker 1>Okay.

2002
01:21:51.939 --> 01:21:55.520
<v Speaker 6>Um, Yeah, it's kind of amazing, actually. I mean, the

2003
01:21:55.529 --> 01:21:58.819
<v Speaker 6>only time we ran into trouble was with actually the

2004
01:21:58.840 --> 01:22:04.899
<v Speaker 6>movie The Dead One, which is technically PD. Yeah, we

2005
01:22:04.920 --> 01:22:05.460
<v Speaker 6>announced it.

2006
01:22:05.979 --> 01:22:07.479
<v Speaker 2>Yeah, the zombie one. It was supposed to come out

2007
01:22:07.560 --> 01:22:11.310
<v Speaker 2>with the atomic brain as monstrosity. It was announced, and

2008
01:22:11.329 --> 01:22:12.430
<v Speaker 2>there was cover art and everything.

2009
01:22:13.829 --> 01:22:18.869
<v Speaker 6>Yeah, we announced that one. So Sam Sherman kind of

2010
01:22:19.029 --> 01:22:20.979
<v Speaker 6>pulled a fast one. He suddenly changed his title card

2011
01:22:21.300 --> 01:22:23.529
<v Speaker 6>because he owned he found an egg. And so he

2012
01:22:23.550 --> 01:22:25.029
<v Speaker 6>was like, Oh, I own it. It's my movie. It's like, well,

2013
01:22:25.130 --> 01:22:26.649
<v Speaker 6>that's not really how it works, but okay, whatever. And

2014
01:22:26.670 --> 01:22:27.869
<v Speaker 6>he started throwing a fit and we had a deal

2015
01:22:27.890 --> 01:22:30.470
<v Speaker 6>with Sam and we're just like, Oh, whatever. Cause like,

2016
01:22:30.630 --> 01:22:31.970
<v Speaker 6>cause we had to keep doing Sam stuff and it

2017
01:22:32.010 --> 01:22:36.060
<v Speaker 6>was like, fine, just whatever, just something else, Mike, you know? Um,

2018
01:22:36.109 --> 01:22:37.670
<v Speaker 6>and then Sam totally screwed that DVD up anyway. It

2019
01:22:37.689 --> 01:22:40.590
<v Speaker 6>was unwatchable. So, um, but luckily began serving, came back

2020
01:22:40.630 --> 01:22:42.329
<v Speaker 6>into the Blu-ray and fixed it. Cause the DVD was

2021
01:22:42.350 --> 01:22:43.800
<v Speaker 6>all like squashed and it looked like crap.

2022
01:22:44.529 --> 01:22:46.739
<v Speaker 2>Yeah, that's right. It was. Cause that was media blasters, right?

2023
01:22:46.760 --> 01:22:47.659
<v Speaker 2>They finally put that out.

2024
01:22:48.069 --> 01:22:50.220
<v Speaker 6>I was so angry when that came out. He changed

2025
01:22:50.260 --> 01:22:52.340
<v Speaker 6>that digital title card replacement.

2026
01:22:52.380 --> 01:22:53.880
<v Speaker 3>I was like, come on, man.

2027
01:22:53.899 --> 01:22:57.340
<v Speaker 2>What are you doing? Rest in peace, Sam, but some

2028
01:22:57.380 --> 01:23:03.970
<v Speaker 2>questionable stuff there. As with everyone in this business. Even Dave,

2029
01:23:04.029 --> 01:23:04.869
<v Speaker 2>there's some stuff there.

2030
01:23:06.670 --> 01:23:09.750
<v Speaker 6>Sam and Alfredo Leone took it to a new level.

2031
01:23:09.829 --> 01:23:13.010
<v Speaker 6>I would be sitting down at lunch with them and

2032
01:23:13.029 --> 01:23:14.409
<v Speaker 6>they would give me a list of titles they were

2033
01:23:14.430 --> 01:23:16.729
<v Speaker 6>pitching and I was just like, you don't own any

2034
01:23:16.750 --> 01:23:18.430
<v Speaker 6>of these movies. Like I know who owns these. You

2035
01:23:18.449 --> 01:23:20.930
<v Speaker 6>don't own a single one of these. Like there's no way.

2036
01:23:21.750 --> 01:23:26.329
<v Speaker 2>Nope. Well, Novak did that too. Like there's a ton

2037
01:23:26.369 --> 01:23:28.840
<v Speaker 2>of stuff that came out in the Something Weird catalog

2038
01:23:28.880 --> 01:23:31.279
<v Speaker 2>that said like from the vaults of Harry Novak. And

2039
01:23:31.300 --> 01:23:32.640
<v Speaker 2>it just was like a print that he had.

2040
01:23:32.899 --> 01:23:33.199
<v Speaker 6>Yeah.

2041
01:23:33.239 --> 01:23:35.920
<v Speaker 2>For whatever reason. And he may have handled regional distribution

2042
01:23:35.960 --> 01:23:39.140
<v Speaker 2>or he might not at all. Like you, I know

2043
01:23:39.180 --> 01:23:41.840
<v Speaker 2>you're a genre law person. Like the fact that he

2044
01:23:41.899 --> 01:23:44.119
<v Speaker 2>put out, he gave them a print of like the

2045
01:23:44.159 --> 01:23:46.270
<v Speaker 2>Shiver of the Vampires. It's like, I don't think there's

2046
01:23:46.310 --> 01:23:49.270
<v Speaker 2>any evidence he ever distributed that. Yeah. I don't know

2047
01:23:49.289 --> 01:23:52.250
<v Speaker 2>where that came from. You know, it's just like, it's

2048
01:23:52.270 --> 01:23:55.689
<v Speaker 2>really weird. And now we'll never know what he really,

2049
01:23:55.720 --> 01:23:57.619
<v Speaker 2>I don't know what he didn't. Cause I, yeah, I don't,

2050
01:23:57.739 --> 01:23:59.060
<v Speaker 2>I don't know what the situation was with that.

2051
01:23:59.840 --> 01:24:01.760
<v Speaker 6>We know, we know Cage Virgins was legit. That's about it.

2052
01:24:02.000 --> 01:24:02.439
<v Speaker 3>So yeah.

2053
01:24:02.479 --> 01:24:02.739
<v Speaker 6>Yes.

2054
01:24:03.300 --> 01:24:03.520
<v Speaker 1>Right.

2055
01:24:03.619 --> 01:24:05.859
<v Speaker 2>That one, that one you can't refute, but everything.

2056
01:24:05.680 --> 01:24:07.899
<v Speaker 3>Else, it's got the artwork. That one at least has

2057
01:24:07.920 --> 01:24:11.100
<v Speaker 3>the Novak like cover artwork that we can point back to.

2058
01:24:11.159 --> 01:24:11.340
<v Speaker 1>Yeah.

2059
01:24:12.060 --> 01:24:14.340
<v Speaker 2>Right. If there's a paper trail, that's kind of like

2060
01:24:14.359 --> 01:24:18.659
<v Speaker 2>Toys R Us for Children. That was released first by what,

2061
01:24:20.180 --> 01:24:23.020
<v Speaker 2>Maren Films put that out, I think. And then he bought,

2062
01:24:23.050 --> 01:24:24.510
<v Speaker 2>and then he sold it to Novak because the company

2063
01:24:24.520 --> 01:24:27.829
<v Speaker 2>went out of business. You can trace it eventually, but

2064
01:24:27.850 --> 01:24:30.109
<v Speaker 2>there's so much stuff that the Devil's Garden does. He

2065
01:24:30.130 --> 01:24:33.810
<v Speaker 2>never had that. So I'm like, he never released this.

2066
01:24:34.149 --> 01:24:34.729
<v Speaker 2>You liar.

2067
01:24:35.970 --> 01:24:37.810
<v Speaker 3>How did you get along with him, Nate?

2068
01:24:39.789 --> 01:24:43.350
<v Speaker 6>Like, fine. I mean, he's... I mean, he was sort

2069
01:24:43.390 --> 01:24:45.069
<v Speaker 6>of like kind of endearing in a weird way because

2070
01:24:45.369 --> 01:24:48.090
<v Speaker 6>he was such just an utter businessman. I mean, because

2071
01:24:48.130 --> 01:24:50.640
<v Speaker 6>David Friedman cared about his movies. I mean, he was

2072
01:24:50.649 --> 01:24:53.500
<v Speaker 6>there on the set. He was like very hands-on. I mean,

2073
01:24:53.779 --> 01:24:55.819
<v Speaker 6>he was– I don't want to say he was a

2074
01:24:55.880 --> 01:24:58.739
<v Speaker 6>cinephile necessarily, but he really put the effort into the

2075
01:24:58.760 --> 01:25:00.279
<v Speaker 6>stuff that he put– even the movies that he wasn't

2076
01:25:00.600 --> 01:25:03.729
<v Speaker 6>really that involved in, but he cared about them. I mean,

2077
01:25:03.750 --> 01:25:06.630
<v Speaker 6>Novak was never on the sets really except just occasionally

2078
01:25:06.729 --> 01:25:08.270
<v Speaker 6>when the actors get naked. But I mean, he really

2079
01:25:08.569 --> 01:25:10.590
<v Speaker 6>didn't– the nuts and bolts part of putting the movies together,

2080
01:25:10.630 --> 01:25:12.909
<v Speaker 6>he didn't really know about. But he was a funny guy.

2081
01:25:12.930 --> 01:25:14.750
<v Speaker 6>He was sort of very much like a huckster. I mean,

2082
01:25:15.449 --> 01:25:19.170
<v Speaker 6>you know, but he was fine. But so, you know,

2083
01:25:19.189 --> 01:25:20.770
<v Speaker 6>then of course Mike calls me up and he's like, Hey,

2084
01:25:20.810 --> 01:25:22.750
<v Speaker 6>Harry wants to do some tracks like, like Dave, you know,

2085
01:25:22.909 --> 01:25:25.250
<v Speaker 6>he wants to be on the tracks. And I was like, okay.

2086
01:25:25.289 --> 01:25:30.550
<v Speaker 6>Don't know what he's going to say. Cause all he

2087
01:25:30.569 --> 01:25:34.069
<v Speaker 6>did was release them. He wasn't really there. I don't

2088
01:25:34.149 --> 01:25:37.010
<v Speaker 6>think he was going up to, you know, Porter ranch

2089
01:25:37.069 --> 01:25:38.750
<v Speaker 6>or whatever, where they were on the set too much.

2090
01:25:38.770 --> 01:25:41.189
<v Speaker 6>I don't think he was hanging out there, but okay. Sure.

2091
01:25:42.760 --> 01:25:44.500
<v Speaker 6>So as a test run, we did a couple of

2092
01:25:44.760 --> 01:25:47.479
<v Speaker 6>the country ones. And I was just like, I cannot

2093
01:25:47.500 --> 01:25:49.159
<v Speaker 6>do this myself. So we brought in a squad of

2094
01:25:49.180 --> 01:25:50.159
<v Speaker 6>Archie Galentine.

2095
01:25:50.199 --> 01:25:51.939
<v Speaker 3>Surrounded him with people.

2096
01:25:52.090 --> 01:25:52.659
<v Speaker 2>Exactly.

2097
01:25:52.869 --> 01:25:54.890
<v Speaker 6>So everybody came to the image office, and we all

2098
01:25:54.930 --> 01:25:57.050
<v Speaker 6>jammed into a room, and we got the mics hooked

2099
01:25:57.109 --> 01:25:59.409
<v Speaker 6>up and everything. And thank God, at least, because if

2100
01:25:59.430 --> 01:26:01.670
<v Speaker 6>you hear the tracks, we're still flailing through a lot

2101
01:26:01.689 --> 01:26:05.489
<v Speaker 6>of those. Because all Harry's sitting there, we're just asking questions,

2102
01:26:05.510 --> 01:26:07.880
<v Speaker 6>and he's just like, hey, look at that bush.

2103
01:26:08.539 --> 01:26:09.500
<v Speaker 2>That's all he can say.

2104
01:26:10.020 --> 01:26:10.319
<v Speaker 1>It's like.

2105
01:26:12.060 --> 01:26:14.479
<v Speaker 6>How do I work with this? So we're all bringing

2106
01:26:14.520 --> 01:26:16.380
<v Speaker 6>what we know about the actors and the production into

2107
01:26:16.399 --> 01:26:22.180
<v Speaker 6>this as much as we can. But yeah. Again, Mike

2108
01:26:22.300 --> 01:26:23.739
<v Speaker 6>was trying to make him happy and let him do

2109
01:26:23.779 --> 01:26:27.770
<v Speaker 6>his commentaries. So it is what it is. I've had

2110
01:26:27.810 --> 01:26:30.289
<v Speaker 6>more uncomfortable commentaries than that. I had worse ones there

2111
01:26:30.310 --> 01:26:31.909
<v Speaker 6>than him. So it could happen.

2112
01:26:31.949 --> 01:26:32.350
<v Speaker 1>Really?

2113
01:26:32.529 --> 01:26:32.989
<v Speaker 2>Okay.

2114
01:26:33.329 --> 01:26:33.590
<v Speaker 1>Well.

2115
01:26:34.159 --> 01:26:35.520
<v Speaker 6>that's not great.

2116
01:26:35.560 --> 01:26:38.239
<v Speaker 2>Cause I feel like Novak, those are very tough. I

2117
01:26:38.260 --> 01:26:39.760
<v Speaker 2>was just, I felt so bad listening to those. I

2118
01:26:39.779 --> 01:26:42.159
<v Speaker 2>was just like, ah, I know that they, they're, I

2119
01:26:42.220 --> 01:26:44.000
<v Speaker 2>know they want to make these good and Novak is

2120
01:26:44.039 --> 01:26:47.529
<v Speaker 2>not going to make it easy for them. It's just not, no.

2121
01:26:48.449 --> 01:26:51.829
<v Speaker 6>No, I, but he's not a malicious person. I mean,

2122
01:26:51.850 --> 01:26:53.770
<v Speaker 6>he wasn't like a jerk. I mean, I've definitely had

2123
01:26:53.789 --> 01:26:55.149
<v Speaker 6>more unpleasant people I've been in the room with, but

2124
01:26:55.170 --> 01:26:56.329
<v Speaker 6>it was just, it was just nothing to work with.

2125
01:26:56.550 --> 01:26:57.109
<v Speaker 6>I mean, at all.

2126
01:26:57.149 --> 01:26:57.590
<v Speaker 1>Yeah.

2127
01:26:58.390 --> 01:26:58.670
<v Speaker 6>Right.

2128
01:26:58.689 --> 01:26:58.890
<v Speaker 1>Yeah.

2129
01:26:59.210 --> 01:27:02.199
<v Speaker 2>Well, he, um, I think, I think Brainy got an

2130
01:27:02.260 --> 01:27:03.899
<v Speaker 2>idea of that. Cause he did like two, I think

2131
01:27:03.920 --> 01:27:05.859
<v Speaker 2>he did two or three comments. Here's the Novak first.

2132
01:27:05.939 --> 01:27:07.319
<v Speaker 2>I guess he did. Please don't meet my mother.

2133
01:27:07.340 --> 01:27:07.420
<v Speaker 1>Yeah.

2134
01:27:08.399 --> 01:27:09.399
<v Speaker 2>Do you do kiss me quick?

2135
01:27:09.420 --> 01:27:11.479
<v Speaker 9>He did do kiss me quick.

2136
01:27:11.579 --> 01:27:13.180
<v Speaker 2>And then I think it was like, it probably was

2137
01:27:13.199 --> 01:27:15.319
<v Speaker 2>a situation of like, I don't need to fly down

2138
01:27:15.359 --> 01:27:16.020
<v Speaker 2>to LA to do.

2139
01:27:16.199 --> 01:27:16.430
<v Speaker 6>Yes.

2140
01:27:16.619 --> 01:27:16.979
<v Speaker 1>I'm sure.

2141
01:27:17.010 --> 01:27:22.189
<v Speaker 2>He pushed him into your hands. He's like, these guys

2142
01:27:22.250 --> 01:27:24.550
<v Speaker 2>are knowledgeable. They can, they can work with Harry and

2143
01:27:24.590 --> 01:27:28.189
<v Speaker 2>figure it out. Cause I've, I've tried and these guys will.

2144
01:27:28.090 --> 01:27:30.939
<v Speaker 6>Figure it out. In our defense, I think we did

2145
01:27:31.000 --> 01:27:32.180
<v Speaker 6>as good a job as Mike could have done.

2146
01:27:32.979 --> 01:27:38.119
<v Speaker 2>Yeah, I think so. Because Mike, those commentaries are interesting

2147
01:27:38.149 --> 01:27:40.270
<v Speaker 2>because he really tries to keep Harry focused. And he

2148
01:27:40.310 --> 01:27:43.350
<v Speaker 2>doesn't really, Harry doesn't know how to stay focused. Because

2149
01:27:43.390 --> 01:27:46.029
<v Speaker 2>he wasn't, like you said, he wasn't there. Kiss me quick.

2150
01:27:46.270 --> 01:27:49.869
<v Speaker 2>I remember on that commentary, he misidentifies Althea Currier three times.

2151
01:27:50.630 --> 01:27:52.590
<v Speaker 2>He says, this woman's her, and then that woman's her,

2152
01:27:52.609 --> 01:27:54.850
<v Speaker 2>and then that one's her. I'm like, well, no, no.

2153
01:27:55.310 --> 01:27:57.960
<v Speaker 2>That's why I wish Pete Perry hadn't clammed up. I

2154
01:27:57.979 --> 01:27:59.939
<v Speaker 2>would have loved Pete Perry to do these commentaries.

2155
01:27:59.960 --> 01:28:01.020
<v Speaker 3>That would have been amazing.

2156
01:28:01.039 --> 01:28:02.720
<v Speaker 2>It wasn't happening.

2157
01:28:03.520 --> 01:28:05.020
<v Speaker 6>There's so many of those guys from that period that

2158
01:28:05.039 --> 01:28:08.399
<v Speaker 6>I would love to hear do commentaries. It's nuts what

2159
01:28:08.439 --> 01:28:09.029
<v Speaker 6>he missed out on.

2160
01:28:09.430 --> 01:28:12.430
<v Speaker 2>It's a shame. I know. Watzler died just before the

2161
01:28:12.449 --> 01:28:15.470
<v Speaker 2>DVD started, which is so devastating.

2162
01:28:15.489 --> 01:28:17.970
<v Speaker 3>Those would have been incredible. Because, yeah, he was such

2163
01:28:17.989 --> 01:28:20.189
<v Speaker 3>a talker. He was a raconteur.

2164
01:28:20.760 --> 01:28:24.800
<v Speaker 2>Big storyteller. The Orson Welles of sexploitation. Sort of.

2165
01:28:25.470 --> 01:28:25.880
<v Speaker 1>Sort of.

2166
01:28:27.619 --> 01:28:32.279
<v Speaker 2>Not age-wise and not talent-wise, looks-wise and rock contour-wise. Yes,

2167
01:28:32.359 --> 01:28:34.020
<v Speaker 2>very much the Wilson Wells.

2168
01:28:34.699 --> 01:28:38.579
<v Speaker 3>Did you have any interactions with the, um, Harry's widow?

2169
01:28:38.619 --> 01:28:42.340
<v Speaker 3>That's kind of taken over his, um, estate.

2170
01:28:42.899 --> 01:28:45.930
<v Speaker 6>Not really. Like once, once Harry and Mike split, that

2171
01:28:45.949 --> 01:28:48.210
<v Speaker 6>was kind of it. Like I didn't see Harry after that. Um,

2172
01:28:48.329 --> 01:28:49.609
<v Speaker 6>cause I really wouldn't have been able to, I mean,

2173
01:28:49.630 --> 01:28:51.329
<v Speaker 6>I would have had his office, you know, in LA,

2174
01:28:51.369 --> 01:28:54.359
<v Speaker 6>but yeah, that was pretty much it. which is unfortunate.

2175
01:28:54.380 --> 01:28:55.880
<v Speaker 6>I mean, it really kind of bums me out that

2176
01:28:55.899 --> 01:28:58.680
<v Speaker 6>it happened the way it did, you know, because luckily

2177
01:28:58.720 --> 01:29:00.739
<v Speaker 6>Mike had the, has the Freedman's, you know, in perpetuity,

2178
01:29:00.800 --> 01:29:03.729
<v Speaker 6>but I wish that library kind of stuck together and

2179
01:29:03.770 --> 01:29:05.270
<v Speaker 6>now it's been kind of diced up and scattered to

2180
01:29:05.310 --> 01:29:06.850
<v Speaker 6>the winds. And, you know, we've got a few titles,

2181
01:29:06.930 --> 01:29:08.470
<v Speaker 6>but I just don't know if some of those other

2182
01:29:08.529 --> 01:29:10.430
<v Speaker 6>ones will ever come out. I mean, but then again,

2183
01:29:10.470 --> 01:29:12.390
<v Speaker 6>that's true. Most of something weird. Cause I thought when,

2184
01:29:13.489 --> 01:29:15.050
<v Speaker 6>you know, I thought when, when Mike died and when

2185
01:29:15.069 --> 01:29:16.949
<v Speaker 6>image went under, like, I was like, is that it? Like,

2186
01:29:16.989 --> 01:29:18.960
<v Speaker 6>are these just never going to come out ever again?

2187
01:29:19.000 --> 01:29:20.100
<v Speaker 6>Is that the end of the road for all this stuff?

2188
01:29:20.140 --> 01:29:22.000
<v Speaker 6>And thank God that's not the case. We've had this,

2189
01:29:22.779 --> 01:29:26.430
<v Speaker 6>you know, amazing resurgence that's happened, which delights me.

2190
01:29:26.439 --> 01:29:28.479
<v Speaker 3>I've never been more happy to be wrong in my life.

2191
01:29:28.689 --> 01:29:31.829
<v Speaker 3>Partnerships with so many different companies now, yeah.

2192
01:29:32.590 --> 01:29:34.510
<v Speaker 6>Yeah, but I really wish that, like, Novak's Widow would, like,

2193
01:29:34.529 --> 01:29:37.010
<v Speaker 6>just deal with somebody for everything, you know, just, like,

2194
01:29:38.210 --> 01:29:39.630
<v Speaker 6>just sell it off and let somebody do it right,

2195
01:29:39.829 --> 01:29:42.109
<v Speaker 6>you know, leak it out like it's nice. UHDs of

2196
01:29:42.130 --> 01:29:44.909
<v Speaker 6>the whole Novak line, that'd be great. Oh, yeah.

2197
01:29:45.550 --> 01:29:46.100
<v Speaker 2>I would love it.

2198
01:29:46.350 --> 01:29:48.619
<v Speaker 3>You know, I know Severn did a few, but I

2199
01:29:48.659 --> 01:29:50.939
<v Speaker 3>don't know if Severn was the best home for them, because,

2200
01:29:50.979 --> 01:29:54.109
<v Speaker 3>like you said, there might be hardcore stuff at the

2201
01:29:54.170 --> 01:29:57.090
<v Speaker 3>end of the reel, at the end of the print

2202
01:29:57.130 --> 01:29:58.449
<v Speaker 3>that you might want to include.

2203
01:29:58.890 --> 01:30:03.029
<v Speaker 2>Perseverant will. I mean, they've included hardcore stuff on a

2204
01:30:03.029 --> 01:30:03.710
<v Speaker 2>few releases.

2205
01:30:03.750 --> 01:30:07.689
<v Speaker 6>They've done Malibu, but they've done... Very, yes.

2206
01:30:08.380 --> 01:30:10.439
<v Speaker 2>They've also run the Black Emanuel box set.

2207
01:30:10.579 --> 01:30:12.699
<v Speaker 3>So how do they get around doing that and not

2208
01:30:12.720 --> 01:30:14.720
<v Speaker 3>having to separate it into a separate company?

2209
01:30:14.739 --> 01:30:17.460
<v Speaker 2>They're an independent company.

2210
01:30:17.960 --> 01:30:18.920
<v Speaker 6>I don't think they care.

2211
01:30:18.939 --> 01:30:19.239
<v Speaker 2>No.

2212
01:30:19.380 --> 01:30:19.479
<v Speaker 1>No.

2213
01:30:21.770 --> 01:30:23.149
<v Speaker 6>Um, which I think that's how you, that's how you

2214
01:30:23.170 --> 01:30:25.430
<v Speaker 6>want it with the drop dead fried situation. So, um, um,

2215
01:30:25.750 --> 01:30:29.210
<v Speaker 6>cause I think, you know, cause then universal was like,

2216
01:30:29.229 --> 01:30:33.689
<v Speaker 6>Oh wait, hold on guys. Uh, but yeah, they kind

2217
01:30:33.729 --> 01:30:34.970
<v Speaker 6>of do their own thing, which I love. I mean,

2218
01:30:34.989 --> 01:30:36.750
<v Speaker 6>they just, it's kind of like whatever. I mean, you

2219
01:30:36.770 --> 01:30:38.050
<v Speaker 6>could tell with some of the slip cases that the

2220
01:30:38.090 --> 01:30:40.069
<v Speaker 6>limited slip cases they do, they're just like, how far

2221
01:30:40.109 --> 01:30:40.729
<v Speaker 6>can we go with this?

2222
01:30:40.970 --> 01:30:41.649
<v Speaker 3>Oh, sure.

2223
01:30:41.989 --> 01:30:42.409
<v Speaker 6>You know?

2224
01:30:42.489 --> 01:30:42.750
<v Speaker 1>Yes.

2225
01:30:43.029 --> 01:30:44.970
<v Speaker 6>Um, they push the envelope harder than anybody does with

2226
01:30:44.989 --> 01:30:46.930
<v Speaker 6>that stuff. I mean, God bless them. I'm glad they do.

2227
01:30:47.109 --> 01:30:49.369
<v Speaker 6>So I don't, Yeah, I don't think they care that much.

2228
01:30:49.430 --> 01:30:51.100
<v Speaker 6>And Ragnarok Nights of the Living Dead is hardcore too,

2229
01:30:51.260 --> 01:30:51.979
<v Speaker 6>which they just announced.

2230
01:30:52.020 --> 01:30:52.260
<v Speaker 1>Right.

2231
01:30:52.979 --> 01:30:53.220
<v Speaker 2>Yes.

2232
01:30:53.979 --> 01:30:54.199
<v Speaker 1>Yeah.

2233
01:30:54.760 --> 01:30:57.399
<v Speaker 2>Yeah, I don't think they're– I don't think that they're–

2234
01:30:57.880 --> 01:30:59.579
<v Speaker 2>I don't think they're as concerned about that because they

2235
01:30:59.619 --> 01:31:02.479
<v Speaker 2>know that it's not– well, also, they're not doing something

2236
01:31:02.520 --> 01:31:05.119
<v Speaker 2>that's fully hardcore. Like, I don't see them doing, like,

2237
01:31:05.199 --> 01:31:08.609
<v Speaker 2>Night Dreams. I don't even see Mondo Macabre doing Night Dreams, unfortunately,

2238
01:31:08.630 --> 01:31:11.210
<v Speaker 2>because I think it's not– Cafe Flush, they can market

2239
01:31:11.250 --> 01:31:13.989
<v Speaker 2>to a non-porno crowd. Night Dreams is the better movie,

2240
01:31:14.050 --> 01:31:17.390
<v Speaker 2>but it's way harder to market. because it's much more

2241
01:31:17.449 --> 01:31:23.029
<v Speaker 2>sexually graphic and more of a porno movie.

2242
01:31:23.069 --> 01:31:24.800
<v Speaker 6>It's not socially relevant.

2243
01:31:25.180 --> 01:31:30.300
<v Speaker 2>No, yeah, exactly. It's socially relevant to porno people. It's

2244
01:31:30.340 --> 01:31:33.340
<v Speaker 2>not socially relevant to the midnight movie crowd who know

2245
01:31:33.380 --> 01:31:36.739
<v Speaker 2>Cafe Flesh for decades. Yeah, Night Dreams never got that midnight.

2246
01:31:37.359 --> 01:31:40.109
<v Speaker 2>I would have loved it to get some midnight longevity,

2247
01:31:40.430 --> 01:31:45.069
<v Speaker 2>but it's also just too graphic. Yeah. Michelle Bauer in it.

2248
01:31:45.250 --> 01:31:47.399
<v Speaker 2>It should have gotten actually Michelle Bauer being in it.

2249
01:31:48.470 --> 01:31:51.720
<v Speaker 2>So it would be marketable. I just don't think. Yeah,

2250
01:31:51.760 --> 01:31:54.840
<v Speaker 2>I don't know. She's in both movies. She's in Cafe

2251
01:31:54.859 --> 01:31:55.300
<v Speaker 2>Flash too.

2252
01:31:55.720 --> 01:31:55.960
<v Speaker 3>Yeah.

2253
01:31:56.560 --> 01:31:58.359
<v Speaker 6>I'm sure somebody will do it at some point, but yeah.

2254
01:31:59.619 --> 01:31:59.739
<v Speaker 3>Yeah.

2255
01:31:59.779 --> 01:32:00.579
<v Speaker 6>It's kind of a thin line, but yeah.

2256
01:32:01.470 --> 01:32:03.430
<v Speaker 2>Yeah, I don't think they care as much. Well, also,

2257
01:32:03.529 --> 01:32:06.229
<v Speaker 2>they put out... No, that was Mondo Macabre, too. See,

2258
01:32:06.250 --> 01:32:09.600
<v Speaker 2>Mondo Macabre doesn't care either. Because they put out Ava Man,

2259
01:32:09.720 --> 01:32:12.800
<v Speaker 2>and they put out something with Hardcore. Oh, Apocalypse is Sexual,

2260
01:32:12.819 --> 01:32:13.180
<v Speaker 2>that thing.

2261
01:32:13.199 --> 01:32:15.600
<v Speaker 6>Yeah, Apocalypse is Sexual is the hardest one. That one is... Whoa.

2262
01:32:16.020 --> 01:32:16.500
<v Speaker 6>Holy crap.

2263
01:32:16.539 --> 01:32:17.600
<v Speaker 3>Yeah.

2264
01:32:17.979 --> 01:32:19.979
<v Speaker 2>They don't see that's a thing. They know that they

2265
01:32:20.000 --> 01:32:22.619
<v Speaker 2>can put it out, and they'll be like, people will

2266
01:32:22.640 --> 01:32:27.210
<v Speaker 2>buy this because it's us, and this is our brand. Yeah.

2267
01:32:28.050 --> 01:32:29.689
<v Speaker 2>They don't need to separate it into a separate thing.

2268
01:32:30.300 --> 01:32:31.850
<v Speaker 6>But I mean, Severin did do the hard, they did

2269
01:32:31.899 --> 01:32:33.970
<v Speaker 6>put a simple dwarf out with the hard stuff in it. So,

2270
01:32:33.989 --> 01:32:34.750
<v Speaker 6>you know.

2271
01:32:34.909 --> 01:32:37.810
<v Speaker 2>Yes. Which I think that, wasn't that another one that

2272
01:32:37.869 --> 01:32:40.380
<v Speaker 2>Image would never have done? I don't think. Yeah.

2273
01:32:40.560 --> 01:32:40.640
<v Speaker 1>Yeah.

2274
01:32:40.659 --> 01:32:41.760
<v Speaker 6>I think that one was too rapey too.

2275
01:32:41.779 --> 01:32:41.859
<v Speaker 1>Yeah.

2276
01:32:43.739 --> 01:32:44.739
<v Speaker 2>Yes. Very much so.

2277
01:32:44.760 --> 01:32:45.189
<v Speaker 6>There's a lot.

2278
01:32:45.199 --> 01:32:45.300
<v Speaker 1>Yeah.

2279
01:32:46.710 --> 01:32:47.109
<v Speaker 3>It was.

2280
01:32:47.470 --> 01:32:50.029
<v Speaker 2>Well, even talking about that, it's like, yeah, like you said,

2281
01:32:50.060 --> 01:32:51.500
<v Speaker 2>there's some stuff that came out where it's like, well,

2282
01:32:51.520 --> 01:32:54.140
<v Speaker 2>then how did the Flesh trilogy come out? And how

2283
01:32:54.159 --> 01:32:57.600
<v Speaker 2>did like the Olga films come out? It's like, I mean,

2284
01:32:57.939 --> 01:32:59.319
<v Speaker 2>for a while there, we'd be getting all the really

2285
01:32:59.359 --> 01:33:00.060
<v Speaker 2>good roughies.

2286
01:33:00.220 --> 01:33:00.699
<v Speaker 6>I mean, yeah.

2287
01:33:01.180 --> 01:33:01.279
<v Speaker 1>Yeah.

2288
01:33:01.340 --> 01:33:03.649
<v Speaker 6>It's weird. Like the black and white roughies, we never

2289
01:33:03.659 --> 01:33:05.409
<v Speaker 6>had any problems with those. And I think because they

2290
01:33:05.430 --> 01:33:08.130
<v Speaker 6>kind of feel like horror movies. So I think that's

2291
01:33:08.149 --> 01:33:11.029
<v Speaker 6>why they got away with it. They don't feel like,

2292
01:33:11.529 --> 01:33:13.310
<v Speaker 6>Once it goes into color and it starts lingering on,

2293
01:33:13.449 --> 01:33:15.569
<v Speaker 6>I don't know, the tone's a little different. But I

2294
01:33:15.569 --> 01:33:17.630
<v Speaker 6>think with the black and white exploitation, I don't think

2295
01:33:17.670 --> 01:33:19.529
<v Speaker 6>any of those ever caused any problems at all that

2296
01:33:19.560 --> 01:33:20.079
<v Speaker 6>I can think of.

2297
01:33:20.960 --> 01:33:25.180
<v Speaker 2>And that may be why Love Toy was never going

2298
01:33:25.199 --> 01:33:28.220
<v Speaker 2>to come out. As far as Doris Wishman's, that Love

2299
01:33:28.239 --> 01:33:31.510
<v Speaker 2>Toy was not going to come out. I don't remember

2300
01:33:31.529 --> 01:33:32.909
<v Speaker 2>that one being on the list for some reason.

2301
01:33:33.109 --> 01:33:34.069
<v Speaker 6>I don't know why. I don't think that ever even

2302
01:33:34.090 --> 01:33:34.550
<v Speaker 6>got pitched.

2303
01:33:35.210 --> 01:33:37.789
<v Speaker 2>For whatever reason interesting okay because i love that one

2304
01:33:37.930 --> 01:33:40.850
<v Speaker 2>but yeah that one seems that negative didn't maybe that

2305
01:33:40.890 --> 01:33:44.100
<v Speaker 2>negative didn't appear to fill recently more recently i don't

2306
01:33:44.119 --> 01:33:46.100
<v Speaker 2>know the story behind that one no i think it

2307
01:33:46.140 --> 01:33:48.960
<v Speaker 2>was there i think it was i think the dvdr

2308
01:33:49.000 --> 01:33:52.460
<v Speaker 2>i had said transferred from the 35 millimeter negative yeah.

2309
01:33:52.939 --> 01:33:54.939
<v Speaker 6>I mean there were certain titles that i really wanted

2310
01:33:54.960 --> 01:33:56.640
<v Speaker 6>to do that i kept begging mike for that they're

2311
01:33:56.659 --> 01:33:58.439
<v Speaker 6>just the elements couldn't be done like i kept asking

2312
01:33:58.470 --> 01:34:00.710
<v Speaker 6>him to do roseland and like he's like there's nothing

2313
01:34:00.729 --> 01:34:01.489
<v Speaker 6>to transfer.

2314
01:34:01.409 --> 01:34:03.750
<v Speaker 2>It's just it's gone oh god you're kidding.

2315
01:34:03.850 --> 01:34:06.100
<v Speaker 6>Yeah Because what they took the tape from, it just

2316
01:34:06.140 --> 01:34:07.720
<v Speaker 6>fell apart after they scanned it.

2317
01:34:07.840 --> 01:34:09.739
<v Speaker 3>That's happened numerous times, yeah.

2318
01:34:10.420 --> 01:34:13.180
<v Speaker 2>That sucks. Because I know that Stephen Thorough probably wanted

2319
01:34:13.199 --> 01:34:16.119
<v Speaker 2>someone to put that out, too. I imagine, actually, because

2320
01:34:16.159 --> 01:34:17.970
<v Speaker 2>I think he's the one who convinced Arrow to do

2321
01:34:17.989 --> 01:34:21.149
<v Speaker 2>Toys Not For Children. And I'm sure that Roseland was

2322
01:34:21.210 --> 01:34:23.310
<v Speaker 2>on that list, too. Because that's another one from Nightmare

2323
01:34:23.390 --> 01:34:26.050
<v Speaker 2>USA that he would have wanted to be reissued because

2324
01:34:26.090 --> 01:34:30.569
<v Speaker 2>of the Hobbs connection. That's a bummer. I love Roseland.

2325
01:34:30.590 --> 01:34:32.449
<v Speaker 6>I do, too. It broke my heart when he told

2326
01:34:32.470 --> 01:34:35.090
<v Speaker 6>me that. I'm like, oh, come on. I keep hoping

2327
01:34:35.149 --> 01:34:37.170
<v Speaker 6>a really nice print or maybe an IP will pop

2328
01:34:37.229 --> 01:34:39.930
<v Speaker 6>up somewhere that got stuck in some other lab somewhere.

2329
01:34:39.949 --> 01:34:45.420
<v Speaker 2>It has that good loading zone footage too, which is

2330
01:34:45.460 --> 01:34:47.819
<v Speaker 2>like you don't really have footage of the loading zone

2331
01:34:47.840 --> 01:34:53.140
<v Speaker 2>with that singer who's so great. That's such a bummer.

2332
01:34:55.909 --> 01:34:58.710
<v Speaker 1>I know what's on your mind. Escape. Escape.

2333
01:34:59.420 --> 01:35:00.460
<v Speaker 2>Forget it, ladies.

2334
01:35:00.880 --> 01:35:03.229
<v Speaker 1>I planned this too well to have one of you

2335
01:35:03.289 --> 01:35:07.210
<v Speaker 1>run off and mess things up. You'll all be fed

2336
01:35:07.270 --> 01:35:10.229
<v Speaker 1>the best I can. You'll have a place to sleep.

2337
01:35:11.449 --> 01:35:14.680
<v Speaker 1>If any of you have inhibitions, I'll help you lose them.

2338
01:35:15.159 --> 01:35:18.239
<v Speaker 1>I'll call you pigs and you call me master.

2339
01:35:18.420 --> 01:35:21.500
<v Speaker 3>Well, so Big Snatch got flagged because of the title, though,

2340
01:35:21.539 --> 01:35:24.250
<v Speaker 3>more than the content. Is that how I'm understanding it?

2341
01:35:24.250 --> 01:35:28.100
<v Speaker 6>I think it's both. I think, I think that one

2342
01:35:28.119 --> 01:35:29.939
<v Speaker 6>was a pretty quick, you know, that love camp seven,

2343
01:35:29.960 --> 01:35:33.479
<v Speaker 6>I think got, got next really fast. Yeah. But then,

2344
01:35:33.720 --> 01:35:35.359
<v Speaker 6>and sometimes I just think they weren't looking carefully because

2345
01:35:35.380 --> 01:35:37.619
<v Speaker 6>sometimes stuff would slip through. I was like, really? Like,

2346
01:35:37.920 --> 01:35:39.699
<v Speaker 6>I mean, early on, like they let a recommendation of

2347
01:35:39.729 --> 01:35:42.289
<v Speaker 6>Zorro go through with the one, that one shot, you know,

2348
01:35:42.350 --> 01:35:44.149
<v Speaker 6>just kind of distant, but still there's that shot in there.

2349
01:35:44.170 --> 01:35:46.810
<v Speaker 6>And I'm like, okay, I guess nobody noticed, but.

2350
01:35:47.489 --> 01:35:48.789
<v Speaker 3>That one's easy not to notice.

2351
01:35:48.810 --> 01:35:48.909
<v Speaker 1>Yeah.

2352
01:35:48.949 --> 01:35:50.729
<v Speaker 3>If you're not just like going frame by frame.

2353
01:35:51.310 --> 01:35:51.470
<v Speaker 6>Yeah.

2354
01:35:51.670 --> 01:35:52.550
<v Speaker 3>Right.

2355
01:35:52.590 --> 01:35:53.479
<v Speaker 1>Right. Yeah.

2356
01:35:53.500 --> 01:35:55.420
<v Speaker 2>Big snatch. A lot of those interesting. Cause I thought

2357
01:35:55.439 --> 01:35:57.640
<v Speaker 2>that after like the guy Richie movie came out, that

2358
01:35:57.680 --> 01:36:00.600
<v Speaker 2>like snatch was okay to have in a title now.

2359
01:36:00.810 --> 01:36:03.409
<v Speaker 2>I thought that's what I would think, but you're right.

2360
01:36:03.449 --> 01:36:06.109
<v Speaker 2>The content is really, the whole movie is just women being, uh,

2361
01:36:07.970 --> 01:36:12.500
<v Speaker 2>you know, just held captive and raped and, peggy church

2362
01:36:12.600 --> 01:36:14.800
<v Speaker 2>on the roof of a car getting her clam steamed

2363
01:36:14.859 --> 01:36:17.960
<v Speaker 2>open or whatever he says yeah yeah which is wild

2364
01:36:18.199 --> 01:36:20.279
<v Speaker 2>if it was if it was more competently made it

2365
01:36:20.300 --> 01:36:22.960
<v Speaker 2>would actually be offensive but because it's not it's just

2366
01:36:23.039 --> 01:36:24.600
<v Speaker 2>kind of like well this is so this is so

2367
01:36:24.659 --> 01:36:27.939
<v Speaker 2>stupid like you know that's made by some lapd douchebag

2368
01:36:27.960 --> 01:36:32.750
<v Speaker 2>to make a sex movie yeah i mean yeah there's

2369
01:36:32.770 --> 01:36:34.710
<v Speaker 2>some good women in that though tracy hanfush is very

2370
01:36:34.750 --> 01:36:35.949
<v Speaker 2>good in that Yeah.

2371
01:36:36.210 --> 01:36:36.430
<v Speaker 1>Yeah.

2372
01:36:36.970 --> 01:36:38.710
<v Speaker 6>I kind of, I wish at some point he'd put

2373
01:36:38.750 --> 01:36:40.270
<v Speaker 6>us down to do Tanya. Cause I would be curious

2374
01:36:40.289 --> 01:36:41.880
<v Speaker 6>to see if that got through, but I don't think

2375
01:36:41.899 --> 01:36:43.039
<v Speaker 6>they ever got submitted as far.

2376
01:36:42.979 --> 01:36:43.220
<v Speaker 1>As I know.

2377
01:36:43.340 --> 01:36:45.739
<v Speaker 2>Oh, Tanya did go through. Tanya did come out.

2378
01:36:46.260 --> 01:36:46.600
<v Speaker 6>Oh, did it?

2379
01:36:47.380 --> 01:36:48.579
<v Speaker 2>With Roblox and the baby factory.

2380
01:36:48.760 --> 01:36:48.979
<v Speaker 1>Yeah.

2381
01:36:49.239 --> 01:36:50.079
<v Speaker 2>Oh, that's right. It did.

2382
01:36:50.100 --> 01:36:50.739
<v Speaker 1>It did. Yeah.

2383
01:36:50.840 --> 01:36:54.529
<v Speaker 2>Yeah. Which was a surprise. Yeah. Tanya was very graphic.

2384
01:36:54.729 --> 01:36:57.229
<v Speaker 2>I remember I reviewed that and I raved about it.

2385
01:36:57.229 --> 01:36:58.489
<v Speaker 2>I was like, everyone buys it.

2386
01:36:58.510 --> 01:37:00.289
<v Speaker 6>That was the co-feature.

2387
01:37:00.310 --> 01:37:05.189
<v Speaker 2>That's right. Very strange co-feature, but it's Novak. It was

2388
01:37:05.210 --> 01:37:06.250
<v Speaker 2>a Novak connection, I think.

2389
01:37:06.390 --> 01:37:09.890
<v Speaker 3>Well, they're both like semi-political. They have like a political

2390
01:37:09.930 --> 01:37:10.710
<v Speaker 3>overtone to them.

2391
01:37:11.109 --> 01:37:11.409
<v Speaker 2>True.

2392
01:37:11.770 --> 01:37:12.350
<v Speaker 3>That's true.

2393
01:37:12.930 --> 01:37:18.329
<v Speaker 2>Very polar ends of the decade. One is very early 60s,

2394
01:37:18.350 --> 01:37:20.300
<v Speaker 2>late 60s. One is very late 70s.

2395
01:37:20.649 --> 01:37:22.020
<v Speaker 3>Yeah.

2396
01:37:22.760 --> 01:37:25.460
<v Speaker 2>Well, that was something else that I wondered about, because

2397
01:37:25.500 --> 01:37:29.779
<v Speaker 2>I know... Did you do the Jeffery C. Hogue commentaries, too?

2398
01:37:31.060 --> 01:37:31.859
<v Speaker 2>Was he LA based?

2399
01:37:31.920 --> 01:37:34.140
<v Speaker 6>He came in. I wasn't on them, but he came

2400
01:37:34.159 --> 01:37:34.880
<v Speaker 6>in the office for those.

2401
01:37:35.140 --> 01:37:35.319
<v Speaker 1>Yeah.

2402
01:37:35.800 --> 01:37:36.260
<v Speaker 2>Interesting.

2403
01:37:36.359 --> 01:37:36.479
<v Speaker 1>Okay.

2404
01:37:36.500 --> 01:37:39.800
<v Speaker 2>Cause I remember that deal was brief and they, I

2405
01:37:39.819 --> 01:37:41.939
<v Speaker 2>think there was the asylum of Satan was through him.

2406
01:37:41.960 --> 01:37:45.500
<v Speaker 2>I think psych by the 40, which was through him. Right.

2407
01:37:45.880 --> 01:37:46.720
<v Speaker 3>And there was something else.

2408
01:37:46.760 --> 01:37:49.039
<v Speaker 2>He did a commentary. Oh, Dr. Gore, the body shop,

2409
01:37:49.060 --> 01:37:49.699
<v Speaker 2>I think was him.

2410
01:37:50.260 --> 01:37:50.539
<v Speaker 1>Right.

2411
01:37:50.760 --> 01:37:53.479
<v Speaker 2>So it wasn't as many as I thought it was, but, um,

2412
01:37:54.239 --> 01:37:55.909
<v Speaker 2>I feel like that was one of their last libraries

2413
01:37:55.949 --> 01:38:01.489
<v Speaker 2>that they actually got from an outside party. And some

2414
01:38:01.529 --> 01:38:03.170
<v Speaker 2>of them never came out. Like, I had that deal

2415
01:38:03.189 --> 01:38:06.069
<v Speaker 2>with Steve Apostoloff's library, and that never translated to Image,

2416
01:38:06.140 --> 01:38:10.039
<v Speaker 2>which I thought was very interesting. And then I think

2417
01:38:10.060 --> 01:38:13.760
<v Speaker 2>there was only one Distropix double feature, which we've bemoaned,

2418
01:38:13.779 --> 01:38:17.359
<v Speaker 2>because now that we all love the Grand Place movies,

2419
01:38:17.420 --> 01:38:19.439
<v Speaker 2>we're kind of like, why weren't the Grand Place movies

2420
01:38:19.479 --> 01:38:22.260
<v Speaker 2>put out? We could have gotten The Procurer and Roman Broad,

2421
01:38:22.319 --> 01:38:27.430
<v Speaker 2>but we got Scare Their Pants Off and for some

2422
01:38:27.489 --> 01:38:32.029
<v Speaker 2>reason yeah well i'm sure those are the those are

2423
01:38:32.050 --> 01:38:34.220
<v Speaker 2>the tamest ones i think that might be why those

2424
01:38:34.229 --> 01:38:35.880
<v Speaker 2>are probably easier to pitch it was.

2425
01:38:35.840 --> 01:38:37.279
<v Speaker 6>A title scare their pants off as a might bring

2426
01:38:37.319 --> 01:38:39.199
<v Speaker 6>you title i'm sure that just the title alone he

2427
01:38:39.220 --> 01:38:39.500
<v Speaker 6>was like.

2428
01:38:39.420 --> 01:38:44.680
<v Speaker 8>Yeah you know that tracks i guarantee it that's a

2429
01:38:44.680 --> 01:38:46.500
<v Speaker 8>title you can sell you know because anything that's like

2430
01:38:46.659 --> 01:38:49.880
<v Speaker 8>you know spooky sexy like done The movie sucks.

2431
01:38:49.920 --> 01:38:51.840
<v Speaker 2>That's true. Yeah, that's true.

2432
01:38:52.340 --> 01:38:54.880
<v Speaker 3>Spooky sexy or sci-fi sexy.

2433
01:38:55.560 --> 01:38:55.819
<v Speaker 1>Yeah.

2434
01:38:55.939 --> 01:38:56.140
<v Speaker 2>Yeah.

2435
01:38:56.880 --> 01:38:57.220
<v Speaker 1>Yes.

2436
01:38:57.460 --> 01:38:59.960
<v Speaker 2>Like, man, man, thank you, Spaceman. That thing.

2437
01:38:59.979 --> 01:39:00.659
<v Speaker 1>Right.

2438
01:39:01.460 --> 01:39:03.600
<v Speaker 2>I forget if there was another Novak commentary on that.

2439
01:39:03.680 --> 01:39:04.460
<v Speaker 2>I don't think there was.

2440
01:39:04.479 --> 01:39:05.159
<v Speaker 1>No, no, no.

2441
01:39:05.199 --> 01:39:06.039
<v Speaker 3>I don't think there was.

2442
01:39:07.279 --> 01:39:07.479
<v Speaker 1>No.

2443
01:39:08.189 --> 01:39:08.689
<v Speaker 6>Can you imagine?

2444
01:39:09.470 --> 01:39:10.029
<v Speaker 3>No.

2445
01:39:10.470 --> 01:39:11.989
<v Speaker 6>Yeah, no, we got enough.

2446
01:39:13.289 --> 01:39:13.550
<v Speaker 8>Right.

2447
01:39:14.350 --> 01:39:16.430
<v Speaker 2>Well, that was something else. That's the only thing that

2448
01:39:16.470 --> 01:39:18.520
<v Speaker 2>I kind of That was the only thing that I

2449
01:39:18.520 --> 01:39:20.600
<v Speaker 2>think I commented on when I was reviewing these for

2450
01:39:20.659 --> 01:39:23.859
<v Speaker 2>DVD drive-in. And because I was trying to actually, when

2451
01:39:23.880 --> 01:39:25.560
<v Speaker 2>I saw these movies that I liked, I would try

2452
01:39:25.590 --> 01:39:29.109
<v Speaker 2>to contact like cast and crew. And then I would

2453
01:39:29.149 --> 01:39:30.630
<v Speaker 2>find out that they were still around. And I'm like, well,

2454
01:39:30.649 --> 01:39:32.789
<v Speaker 2>why didn't we get a commentary by them? And then

2455
01:39:32.829 --> 01:39:34.909
<v Speaker 2>it wasn't until I started talking to Mike and Lisa more.

2456
01:39:34.949 --> 01:39:36.130
<v Speaker 2>And it was like, well, you know, they're going to

2457
01:39:36.149 --> 01:39:38.010
<v Speaker 2>claim they own these movies, but they might not own

2458
01:39:38.050 --> 01:39:39.609
<v Speaker 2>the movie. So we're just opening a can of worms.

2459
01:39:39.649 --> 01:39:41.989
<v Speaker 2>If we contact everyone that we want to talk to.

2460
01:39:42.350 --> 01:39:44.479
<v Speaker 2>So eventually it kind of dawned on me. It's like,

2461
01:39:44.579 --> 01:39:47.750
<v Speaker 2>and then as I went on back, Novak's, mo in

2462
01:39:47.770 --> 01:39:49.380
<v Speaker 2>terms of his business then it was like well yeah

2463
01:39:49.399 --> 01:39:51.600
<v Speaker 2>you can't really call directors back to talk about their

2464
01:39:51.619 --> 01:39:53.659
<v Speaker 2>work with novak because they don't want to talk about

2465
01:39:54.079 --> 01:39:56.939
<v Speaker 2>dealing with novak i think people did that with the

2466
01:39:56.979 --> 01:39:59.899
<v Speaker 2>crown internationals too there were people that didn't want to

2467
01:39:59.920 --> 01:40:02.500
<v Speaker 2>do extras for crown international releases because they didn't want

2468
01:40:02.520 --> 01:40:06.020
<v Speaker 2>to talk about uh the tensors and how they were

2469
01:40:06.060 --> 01:40:08.039
<v Speaker 2>treated with the tensors yeah.

2470
01:40:09.140 --> 01:40:11.140
<v Speaker 6>Well yeah because you think they're making money off of

2471
01:40:11.159 --> 01:40:12.779
<v Speaker 6>their track if they if they contribute to it'll sell

2472
01:40:12.859 --> 01:40:14.260
<v Speaker 6>and they won't see a time of it again so

2473
01:40:14.319 --> 01:40:16.659
<v Speaker 6>yeah they just want to get screwed over so yeah

2474
01:40:17.109 --> 01:40:19.250
<v Speaker 6>Which is fair enough. But then the– I don't know.

2475
01:40:19.369 --> 01:40:21.130
<v Speaker 6>I really wish that– and I also wish there was

2476
01:40:21.149 --> 01:40:23.369
<v Speaker 6>a budget to give for commentaries because usually– that's the

2477
01:40:23.390 --> 01:40:25.390
<v Speaker 6>other thing is that back then, you didn't get paid

2478
01:40:25.409 --> 01:40:26.550
<v Speaker 6>to do these. It was just out of the love

2479
01:40:26.569 --> 01:40:27.600
<v Speaker 6>of your heart because you wanted to come in and

2480
01:40:27.649 --> 01:40:31.500
<v Speaker 6>do it. And then Schwarzenegger had to screw it all

2481
01:40:31.539 --> 01:40:33.079
<v Speaker 6>up and he demanded whatever for total recall.

2482
01:40:33.180 --> 01:40:35.560
<v Speaker 2>And then after that, it was like– What was it? $ 25, 000

2483
01:40:35.460 --> 01:40:36.420
<v Speaker 2>or something? I don't remember.

2484
01:40:36.439 --> 01:40:37.939
<v Speaker 6>No more than that. Oh, it was way more than that.

2485
01:40:37.979 --> 01:40:39.020
<v Speaker 3>Oh, was it? Oh, God.

2486
01:40:39.039 --> 01:40:39.460
<v Speaker 6>Way more, yeah.

2487
01:40:40.609 --> 01:40:43.970
<v Speaker 2>Um demanding that much money for audio only.

2488
01:40:43.729 --> 01:40:45.640
<v Speaker 6>Yeah and it wasn't even a good track i mean

2489
01:40:45.680 --> 01:40:46.720
<v Speaker 6>it sucked no.

2490
01:40:49.060 --> 01:40:52.239
<v Speaker 2>No that was bad i remember that yeah.

2491
01:40:52.399 --> 01:40:54.720
<v Speaker 6>Yeah and at image also we had um you know

2492
01:40:54.739 --> 01:40:56.789
<v Speaker 6>because we kept the dad copies of all the commentaries

2493
01:40:56.829 --> 01:40:58.250
<v Speaker 6>even the ones that never came out which was kind

2494
01:40:58.270 --> 01:41:00.369
<v Speaker 6>of heartbreaker because like we had the original first track

2495
01:41:00.390 --> 01:41:02.310
<v Speaker 6>that friedkin did for the exorcist which has never been

2496
01:41:02.350 --> 01:41:04.670
<v Speaker 6>heard um which is way better than the one that

2497
01:41:04.689 --> 01:41:07.710
<v Speaker 6>we got damn but he Yeah. But he changed his mind.

2498
01:41:07.729 --> 01:41:08.710
<v Speaker 6>He's like, I want to redo it. And he did

2499
01:41:08.729 --> 01:41:10.149
<v Speaker 6>it again. He just sits there and just narrates the movie.

2500
01:41:10.170 --> 01:41:11.930
<v Speaker 6>And he was like, oh, this is awful. What are

2501
01:41:11.949 --> 01:41:12.390
<v Speaker 6>you doing?

2502
01:41:12.409 --> 01:41:14.189
<v Speaker 3>I hate that.

2503
01:41:14.210 --> 01:41:14.670
<v Speaker 2>But yeah.

2504
01:41:14.789 --> 01:41:17.310
<v Speaker 6>And they have dads with all these isolated music tracks

2505
01:41:17.430 --> 01:41:18.949
<v Speaker 6>from Masters that never came out. Like all the Corman

2506
01:41:18.970 --> 01:41:22.710
<v Speaker 6>Poe movies. Stuff like that. I really hope it's all

2507
01:41:22.729 --> 01:41:24.689
<v Speaker 6>sitting over in the RLJ office still. Like if they've

2508
01:41:24.710 --> 01:41:27.649
<v Speaker 6>got it archived somewhere. Because AMC owns them now. Right.

2509
01:41:28.130 --> 01:41:28.409
<v Speaker 3>I don't know.

2510
01:41:28.449 --> 01:41:30.109
<v Speaker 6>But I hope all that stuff is still preserved. Because

2511
01:41:30.130 --> 01:41:32.229
<v Speaker 6>there's things in there that will never, ever cross anyone's

2512
01:41:32.250 --> 01:41:34.090
<v Speaker 6>path again. Yeah.

2513
01:41:34.260 --> 01:41:36.189
<v Speaker 3>Is there any other commentaries you can think of that

2514
01:41:36.819 --> 01:41:40.420
<v Speaker 3>got recorded that didn't get released for some reason or another.

2515
01:41:41.180 --> 01:41:42.939
<v Speaker 6>Yeah there was a new line one that we did

2516
01:41:43.000 --> 01:41:45.819
<v Speaker 6>called man of the century um which we did with

2517
01:41:45.859 --> 01:41:49.270
<v Speaker 6>the producer and then the director like for some reason

2518
01:41:49.310 --> 01:41:51.449
<v Speaker 6>threw a fit and told them not to use it

2519
01:41:51.930 --> 01:41:53.630
<v Speaker 6>and so he went back into this gag one where

2520
01:41:53.649 --> 01:41:55.149
<v Speaker 6>it's he just he's like he starts it and he

2521
01:41:55.189 --> 01:41:57.250
<v Speaker 6>has a sound but director stopping him like a minute

2522
01:41:57.270 --> 01:42:00.069
<v Speaker 6>into it it's stupid yeah but like that one never

2523
01:42:00.100 --> 01:42:02.159
<v Speaker 6>saw the light of day um which is too bad

2524
01:42:02.279 --> 01:42:04.720
<v Speaker 6>i'd other than that I mean obviously Acid Eaters at

2525
01:42:04.760 --> 01:42:06.140
<v Speaker 6>the time that wasn't ours though that was one that

2526
01:42:06.159 --> 01:42:08.300
<v Speaker 6>Mike had done with Dave and I guess I think

2527
01:42:08.399 --> 01:42:11.000
<v Speaker 6>his dad had like gone missing or something and so

2528
01:42:11.020 --> 01:42:12.380
<v Speaker 6>when it came up to do the DVD they couldn't

2529
01:42:12.399 --> 01:42:14.220
<v Speaker 6>find it or whatever so thank god they found it

2530
01:42:14.439 --> 01:42:18.060
<v Speaker 6>later now it's on the Blu-ray which god that was

2531
01:42:18.100 --> 01:42:20.439
<v Speaker 6>a gorgeous release like I could not believe those transfers

2532
01:42:20.500 --> 01:42:21.239
<v Speaker 6>on Acid Eaters and Space.

2533
01:42:21.159 --> 01:42:23.689
<v Speaker 9>Thing oh I'm excited to see it I'm excited because

2534
01:42:24.149 --> 01:42:27.770
<v Speaker 9>that's the thing I don't love either of those but

2535
01:42:28.189 --> 01:42:31.689
<v Speaker 9>I'm not well Space Thing I mean Kara Peters is

2536
01:42:31.750 --> 01:42:33.319
<v Speaker 9>like a drag queen in that.

2537
01:42:33.520 --> 01:42:36.079
<v Speaker 2>So like, I like, I want the high camp. I

2538
01:42:36.119 --> 01:42:38.159
<v Speaker 2>want to see that nice look, short, gorgeous, but also

2539
01:42:38.279 --> 01:42:41.789
<v Speaker 2>acid is considering how not great it is. Like it's

2540
01:42:41.850 --> 01:42:44.989
<v Speaker 2>photographed so beautifully. The color are so gorgeous in that.

2541
01:42:45.050 --> 01:42:47.310
<v Speaker 2>And the DVD looks great already. So I know that

2542
01:42:47.350 --> 01:42:49.210
<v Speaker 2>that Blu-ray is going to look good. Yeah.

2543
01:42:49.750 --> 01:42:49.909
<v Speaker 3>Yeah.

2544
01:42:50.050 --> 01:42:52.350
<v Speaker 6>Both of like acid eaters. I didn't realize looked the

2545
01:42:52.369 --> 01:42:54.770
<v Speaker 6>way that it does now. It's stupefying how beautiful it

2546
01:42:54.840 --> 01:42:57.199
<v Speaker 6>is now. Both of those movies. It's just insane.

2547
01:42:57.439 --> 01:42:57.619
<v Speaker 1>Yeah.

2548
01:42:57.720 --> 01:43:01.180
<v Speaker 3>You're always, I'm so excited. yeah excited yeah it's shocking

2549
01:43:01.199 --> 01:43:01.479
<v Speaker 3>which is.

2550
01:43:01.460 --> 01:43:03.279
<v Speaker 2>Funny because i never thought i'd ever get excited about

2551
01:43:03.340 --> 01:43:06.359
<v Speaker 2>either of those movies ever again but but i saw

2552
01:43:06.380 --> 01:43:09.289
<v Speaker 2>the screenshots and i was like okay this might be

2553
01:43:09.369 --> 01:43:10.989
<v Speaker 2>time for me to reevaluate these.

2554
01:43:11.069 --> 01:43:13.789
<v Speaker 3>Have you done the comparison screenshots yet nate.

2555
01:43:13.909 --> 01:43:15.149
<v Speaker 6>I haven't done it yet i'm working on it'll be

2556
01:43:15.189 --> 01:43:15.829
<v Speaker 6>up sometime this.

2557
01:43:15.770 --> 01:43:19.680
<v Speaker 3>Week yeah okay yeah nice yeah those are always helpful

2558
01:43:20.020 --> 01:43:21.420
<v Speaker 3>those are always very helpful.

2559
01:43:21.609 --> 01:43:23.130
<v Speaker 6>I try, yeah. And I think I'm the only one

2560
01:43:23.149 --> 01:43:25.369
<v Speaker 6>who does screenshots with something weird DVDs because most people

2561
01:43:25.390 --> 01:43:27.020
<v Speaker 6>don't have those handy. So I think it's important to

2562
01:43:27.029 --> 01:43:29.319
<v Speaker 6>have the comparisons so people know what the differences are.

2563
01:43:29.340 --> 01:43:32.079
<v Speaker 6>It's pretty radical on some of those.

2564
01:43:33.020 --> 01:43:33.300
<v Speaker 1>Yeah.

2565
01:43:33.720 --> 01:43:36.359
<v Speaker 2>Well, and that reminds me, I mean, you mentioned that

2566
01:43:36.380 --> 01:43:38.859
<v Speaker 2>you started Modo Digital, like you said, out of college?

2567
01:43:39.899 --> 01:43:41.119
<v Speaker 6>Yeah, I was still in college. I think I was

2568
01:43:41.140 --> 01:43:42.699
<v Speaker 6>like my last year in college. It was like 98,

2569
01:43:42.699 --> 01:43:45.500
<v Speaker 6>I think, when I started it. Which was kind of

2570
01:43:45.520 --> 01:43:47.420
<v Speaker 6>like for fun because I was so frustrated because there

2571
01:43:47.439 --> 01:43:50.050
<v Speaker 6>were all these review sites that they either did only

2572
01:43:50.100 --> 01:43:52.810
<v Speaker 6>horror or only mainstream studio stuff. And I was like,

2573
01:43:52.850 --> 01:43:55.649
<v Speaker 6>but there's all this in between, like what I want

2574
01:43:55.670 --> 01:43:57.789
<v Speaker 6>to do is like, let's do art films and just

2575
01:43:57.810 --> 01:43:59.789
<v Speaker 6>kind of the weird, unclassifiable stuff and the horror and

2576
01:43:59.810 --> 01:44:01.909
<v Speaker 6>just the exploitation, the stuff that nobody was really covering.

2577
01:44:01.930 --> 01:44:04.760
<v Speaker 6>So that was the whole point. Um, and some other stuff. And,

2578
01:44:04.770 --> 01:44:06.500
<v Speaker 6>you know, and then, then thank God you were ready

2579
01:44:06.520 --> 01:44:08.479
<v Speaker 6>for DVD drive in. Cause your reviews were amazing. I mean,

2580
01:44:08.500 --> 01:44:09.319
<v Speaker 6>you were coming up with stuff.

2581
01:44:09.340 --> 01:44:09.439
<v Speaker 1>Yeah.

2582
01:44:10.359 --> 01:44:11.949
<v Speaker 6>I had no idea. I was like, oh my God,

2583
01:44:11.970 --> 01:44:13.670
<v Speaker 6>how is he putting these dots together? I had no idea.

2584
01:44:14.350 --> 01:44:16.770
<v Speaker 2>Well, and that's kind of the crazy thing because I

2585
01:44:16.789 --> 01:44:20.930
<v Speaker 2>think you are the, you're like the longest running site

2586
01:44:21.130 --> 01:44:24.470
<v Speaker 2>in this sphere that's still around. So you can, we

2587
01:44:24.489 --> 01:44:27.310
<v Speaker 2>can access, like what did I just read? I read

2588
01:44:27.329 --> 01:44:30.359
<v Speaker 2>an early article I was watching I, a woman for

2589
01:44:30.380 --> 01:44:33.000
<v Speaker 2>the first time. And I was like, Oh yeah, I forgot.

2590
01:44:33.159 --> 01:44:36.640
<v Speaker 2>I have this DVD from, so I'll watch it. And

2591
01:44:36.920 --> 01:44:38.579
<v Speaker 2>then I was like, did he review it? And he,

2592
01:44:38.699 --> 01:44:40.279
<v Speaker 2>and your review is on there and you're like the

2593
01:44:40.380 --> 01:44:44.590
<v Speaker 2>only surviving review of that DVD anywhere on the internet.

2594
01:44:44.850 --> 01:44:47.409
<v Speaker 2>And so like, cause DVD arriving is gone. Like a

2595
01:44:47.470 --> 01:44:50.130
<v Speaker 2>lot of the DVD talk stuff is gone. AV maniacs

2596
01:44:50.189 --> 01:44:53.810
<v Speaker 2>is gone. I'm trying to remember who I also digital

2597
01:44:53.850 --> 01:44:55.869
<v Speaker 2>bits is hit or miss. I don't see them that

2598
01:44:55.909 --> 01:45:00.689
<v Speaker 2>much anymore, but like it's, Yeah, you're like a go-to place. Like,

2599
01:45:00.750 --> 01:45:04.850
<v Speaker 2>if I know I need to know what a release

2600
01:45:04.890 --> 01:45:07.579
<v Speaker 2>looked like, or also if all the extras have been

2601
01:45:07.619 --> 01:45:11.119
<v Speaker 2>ported over from one release to another, that's very important

2602
01:45:11.159 --> 01:45:14.359
<v Speaker 2>to me. Because then I'm like, I said on here

2603
01:45:14.390 --> 01:45:17.409
<v Speaker 2>in an earlier episode, yeah, I have the Montemar Cabra 4K,

2604
01:45:17.569 --> 01:45:20.810
<v Speaker 2>or Blood Rose. But there's that behind-the-scenes footage on the

2605
01:45:21.210 --> 01:45:25.390
<v Speaker 2>less-shocky Foo version, which I still need, and Nathaniel's review

2606
01:45:25.649 --> 01:45:27.489
<v Speaker 2>reminded me of that. So I'm like, okay, I guess

2607
01:45:27.529 --> 01:45:29.149
<v Speaker 2>I have to have two 4Ks of this.

2608
01:45:29.989 --> 01:45:30.810
<v Speaker 6>Just because.

2609
01:45:32.130 --> 01:45:33.909
<v Speaker 2>But that's kind of the nature of the beast. We

2610
01:45:33.949 --> 01:45:35.920
<v Speaker 2>have to own multiple versions of these things in a

2611
01:45:35.939 --> 01:45:39.279
<v Speaker 2>lot of cases, just because it's the way it is.

2612
01:45:39.640 --> 01:45:41.100
<v Speaker 3>Do you know what I go to your site for

2613
01:45:41.140 --> 01:45:46.329
<v Speaker 3>a lot, Nathan? is to hear which audio track you

2614
01:45:46.510 --> 01:45:48.409
<v Speaker 3>think is best to like start with.

2615
01:45:48.710 --> 01:45:49.050
<v Speaker 1>Oh yeah.

2616
01:45:49.069 --> 01:45:50.789
<v Speaker 2>Watching that for the first time.

2617
01:45:51.149 --> 01:45:53.130
<v Speaker 3>I always go to your Sam. Okay, wait, I got

2618
01:45:53.149 --> 01:45:55.300
<v Speaker 3>these options. Which one should I listen to first?

2619
01:45:55.779 --> 01:45:56.020
<v Speaker 2>Yes.

2620
01:45:56.739 --> 01:45:58.279
<v Speaker 6>So like the one, but the area where a lot

2621
01:45:58.300 --> 01:46:00.619
<v Speaker 6>of companies are like, unfortunately not really paying attention, I

2622
01:46:00.640 --> 01:46:03.420
<v Speaker 6>think our audio and subtitles, like they don't really seem

2623
01:46:03.439 --> 01:46:05.439
<v Speaker 6>to be checking those very carefully, which drives me nuts

2624
01:46:05.500 --> 01:46:06.920
<v Speaker 6>as great as a lot of boutique labels are. Um,

2625
01:46:08.300 --> 01:46:10.079
<v Speaker 6>And God is, I love inner syndrome, but they've dropped

2626
01:46:10.100 --> 01:46:11.439
<v Speaker 6>the ball on the audio on some things and the

2627
01:46:11.460 --> 01:46:13.699
<v Speaker 6>subs where it's like, like primal fear is the one that, um,

2628
01:46:13.960 --> 01:46:17.899
<v Speaker 6>or primal rage, sorry, primal rage. Um, you know, cause

2629
01:46:17.920 --> 01:46:19.560
<v Speaker 6>it has like the wrong, the wrong English track on there.

2630
01:46:19.579 --> 01:46:23.220
<v Speaker 6>It's like, ah, come on. Um, yeah, it's this really

2631
01:46:23.239 --> 01:46:24.960
<v Speaker 6>crappy mono track. It just sounds like garbage. And I'm

2632
01:46:24.979 --> 01:46:28.520
<v Speaker 6>just like, ah, why you do this nice 4k. And it's, ah,

2633
01:46:28.659 --> 01:46:29.260
<v Speaker 6>how'd that happen?

2634
01:46:29.699 --> 01:46:32.020
<v Speaker 3>How can, how can you tell that it's the wrong track?

2635
01:46:33.340 --> 01:46:35.859
<v Speaker 6>Because every other release, I mean, the VHS, the DVD,

2636
01:46:35.939 --> 01:46:37.600
<v Speaker 6>the earlier Blu-ray, like, they're all stereo. It had a

2637
01:46:37.600 --> 01:46:40.319
<v Speaker 6>Dolby Stereo mix. It sounds amazing. It's a great mix.

2638
01:46:40.890 --> 01:46:42.029
<v Speaker 6>And I popped in the 4K, and I was like,

2639
01:46:42.350 --> 01:46:45.670
<v Speaker 6>this sounds like it's in a tin can. Like, what happened? Like,

2640
01:46:45.689 --> 01:46:48.229
<v Speaker 6>this is not the way this is supposed to sound. Like, immediately,

2641
01:46:48.829 --> 01:46:49.909
<v Speaker 6>it's like, this is wrong.

2642
01:46:50.689 --> 01:46:52.850
<v Speaker 2>It makes you wonder where that mix went. It's like,

2643
01:46:52.909 --> 01:46:56.399
<v Speaker 2>did they not have that original mix? Well, another stiff

2644
01:46:56.439 --> 01:46:59.119
<v Speaker 2>competition was that. Because stiff competition, they put out in 4K,

2645
01:46:59.220 --> 01:47:03.000
<v Speaker 2>and that was one of, that was an early... Well, actually,

2646
01:47:03.020 --> 01:47:04.760
<v Speaker 2>I think it was one of the last adult movies

2647
01:47:04.800 --> 01:47:07.579
<v Speaker 2>that was shown in theaters with stereo. And it came

2648
01:47:07.699 --> 01:47:09.699
<v Speaker 2>out on the 4K with mono. And I was like, well,

2649
01:47:09.720 --> 01:47:11.979
<v Speaker 2>I would have loved to have had this looking and

2650
01:47:12.020 --> 01:47:17.069
<v Speaker 2>sounding state-of-the-art top quality, but I don't think they had

2651
01:47:17.149 --> 01:47:21.149
<v Speaker 2>access to the original Dolby Stereo tracks of that. Caballero

2652
01:47:21.189 --> 01:47:23.779
<v Speaker 2>threw away so much stuff. But for something like Parable Rage,

2653
01:47:23.800 --> 01:47:27.359
<v Speaker 2>that's very surprising with the home video track record of

2654
01:47:27.399 --> 01:47:27.699
<v Speaker 2>that one.

2655
01:47:27.939 --> 01:47:28.579
<v Speaker 3>That's interesting.

2656
01:47:29.140 --> 01:47:30.960
<v Speaker 6>Yeah, it's too bad. And that's something that Mike was

2657
01:47:31.079 --> 01:47:33.699
<v Speaker 6>actually good about, because whenever they would transfer, like, especially

2658
01:47:33.720 --> 01:47:35.220
<v Speaker 6>the Novaks and the Freedmans, because they had access to

2659
01:47:35.239 --> 01:47:36.340
<v Speaker 6>all the Knicks, but they would always go to the

2660
01:47:36.359 --> 01:47:40.239
<v Speaker 6>original Magtracks for those. That's why those DVDs still sound good, too,

2661
01:47:40.260 --> 01:47:43.000
<v Speaker 6>because the sound of those is just pristine, which I

2662
01:47:43.039 --> 01:47:45.680
<v Speaker 6>don't think people, because, you know, with exploitation, if you're watching, like,

2663
01:47:45.779 --> 01:47:47.819
<v Speaker 6>some banged-up print, you don't realize, like, just how really

2664
01:47:47.840 --> 01:47:48.840
<v Speaker 6>well-recorded some of those were.

2665
01:47:48.859 --> 01:47:49.640
<v Speaker 3>Right.

2666
01:47:50.479 --> 01:47:52.319
<v Speaker 6>Especially with music. I mean, they really paid more attention

2667
01:47:52.340 --> 01:47:53.560
<v Speaker 6>to the sound mix on those than a lot of

2668
01:47:53.579 --> 01:47:55.020
<v Speaker 6>people tend to give them credit for, I think.

2669
01:47:55.479 --> 01:47:55.699
<v Speaker 1>Mm-hmm.

2670
01:47:56.720 --> 01:47:59.529
<v Speaker 2>Well, what is it? There are some, oh, well, A

2671
01:47:59.550 --> 01:48:05.020
<v Speaker 2>Hot-Blooded Woman. The soundtrack on that, the sound on that

2672
01:48:05.079 --> 01:48:08.460
<v Speaker 2>is crazy. It's like I'm listening to a CD recording

2673
01:48:09.020 --> 01:48:11.319
<v Speaker 2>of those library tracks. I'm like, why does it sound

2674
01:48:11.340 --> 01:48:13.350
<v Speaker 2>so good? This is from a beaten up print. And

2675
01:48:13.390 --> 01:48:15.210
<v Speaker 2>I was like, I know it's not from a CD

2676
01:48:15.250 --> 01:48:17.949
<v Speaker 2>because no one knows what those tracks are. They don't

2677
01:48:17.989 --> 01:48:20.159
<v Speaker 2>exist right now as far as we know. So, yeah

2678
01:48:20.220 --> 01:48:22.060
<v Speaker 2>it always is very impressive to me when i'm like

2679
01:48:22.119 --> 01:48:24.600
<v Speaker 2>oh actually this is why does it sound so good

2680
01:48:24.819 --> 01:48:41.689
<v Speaker 2>like it's this cheap shot in texas thing that's interesting.

2681
01:48:41.770 --> 01:48:41.970
<v Speaker 1>Yeah.

2682
01:48:41.989 --> 01:48:44.050
<v Speaker 2>That's something that I don't, I don't think enough people

2683
01:48:44.109 --> 01:48:47.149
<v Speaker 2>really cover is, are the audio and the subtitle options.

2684
01:48:47.439 --> 01:48:49.000
<v Speaker 2>And also you make a very good point of noting

2685
01:48:49.039 --> 01:48:52.340
<v Speaker 2>when it's dubbed titles, which I cannot stand. I don't,

2686
01:48:52.359 --> 01:48:55.479
<v Speaker 2>I want those because there are so many differences between

2687
01:48:55.520 --> 01:48:59.199
<v Speaker 2>languages that, yeah, you can't go by what the dub says, like,

2688
01:48:59.479 --> 01:49:02.680
<v Speaker 2>especially because it's been put on record, like from what's

2689
01:49:02.720 --> 01:49:05.550
<v Speaker 2>his face. Um, nick alexander where he's like oh yeah

2690
01:49:05.569 --> 01:49:07.390
<v Speaker 2>sometimes we just make stuff up i'm like oh so

2691
01:49:07.409 --> 01:49:10.010
<v Speaker 2>that doesn't match the italian dub that with the original

2692
01:49:10.090 --> 01:49:13.189
<v Speaker 2>script okay so yeah i want the options of both

2693
01:49:13.329 --> 01:49:15.550
<v Speaker 2>i think it's just a case of like i don't

2694
01:49:15.569 --> 01:49:17.020
<v Speaker 2>know what the budget is for that i don't know

2695
01:49:17.029 --> 01:49:19.189
<v Speaker 2>how much more budget it would cost to just translate

2696
01:49:19.220 --> 01:49:20.680
<v Speaker 2>it but it's.

2697
01:49:20.579 --> 01:49:22.119
<v Speaker 6>Not that much more i mean and i think that

2698
01:49:22.140 --> 01:49:23.880
<v Speaker 6>now people it's sort of obligatory you have to put

2699
01:49:24.119 --> 01:49:25.880
<v Speaker 6>sgh subs on your movies anyway now like if you

2700
01:49:25.920 --> 01:49:27.479
<v Speaker 6>don't kind of get dragged to the mug for it

2701
01:49:27.500 --> 01:49:28.779
<v Speaker 6>so it's like well forgetting that i might as well

2702
01:49:28.800 --> 01:49:30.970
<v Speaker 6>just do the translation same And I mean, even cause

2703
01:49:30.989 --> 01:49:32.930
<v Speaker 6>like there were some holdouts, like sovereign didn't do it

2704
01:49:32.970 --> 01:49:34.310
<v Speaker 6>for some stuff like beyond the darkness. And there were

2705
01:49:34.329 --> 01:49:36.010
<v Speaker 6>a couple other titles where they didn't, they only put

2706
01:49:36.029 --> 01:49:38.329
<v Speaker 6>dub titles on. And I was like, that's the titles

2707
01:49:38.350 --> 01:49:40.859
<v Speaker 6>for beyond the darkness are useless. Cause like, there's a

2708
01:49:40.979 --> 01:49:43.760
<v Speaker 6>completely different dialogue. I mean, like in different places, different

2709
01:49:44.039 --> 01:49:46.560
<v Speaker 6>offscreen dialogue. I mean, it's, it's wildly different. Like you can't,

2710
01:49:46.640 --> 01:49:47.739
<v Speaker 6>it was, it was used to thank God during the

2711
01:49:47.899 --> 01:49:50.140
<v Speaker 6>4k and they'll have that fixed. Um, or like the other,

2712
01:49:50.239 --> 01:49:52.539
<v Speaker 6>the other hell was one that did that. But, um,

2713
01:49:52.739 --> 01:49:54.100
<v Speaker 6>you know, but yeah, like on something we were like,

2714
01:49:54.119 --> 01:49:55.640
<v Speaker 6>we never, back then we never captioned any of those.

2715
01:49:55.960 --> 01:49:57.590
<v Speaker 1>Um, yeah. Yeah.

2716
01:49:57.649 --> 01:49:59.010
<v Speaker 6>For, for what, whatever.

2717
01:49:59.510 --> 01:50:02.020
<v Speaker 2>Um, That's why I'm glad we're getting some of those

2718
01:50:02.069 --> 01:50:06.800
<v Speaker 2>now with subtitles now. Some of it is hard.

2719
01:50:06.979 --> 01:50:09.399
<v Speaker 3>To hear the dialogue.

2720
01:50:10.640 --> 01:50:13.000
<v Speaker 6>Some of the subtitles should do those because there's some

2721
01:50:13.039 --> 01:50:14.899
<v Speaker 6>of those for some of the dialogue. If you say

2722
01:50:14.920 --> 01:50:16.300
<v Speaker 6>that's what they're saying, I'll take your word for it

2723
01:50:16.319 --> 01:50:19.159
<v Speaker 6>because I don't know.

2724
01:50:19.220 --> 01:50:21.500
<v Speaker 2>That's something else that I... Oh, that was something that

2725
01:50:21.539 --> 01:50:27.000
<v Speaker 2>irritated me. It was on the Disco Italia release where

2726
01:50:28.149 --> 01:50:30.970
<v Speaker 2>The name, the St. Peckinpah, the name was misspelled.

2727
01:50:31.130 --> 01:50:31.470
<v Speaker 1>Oh, yeah.

2728
01:50:31.630 --> 01:50:34.729
<v Speaker 2>And I was like, how do you misspell Peckinpah? And

2729
01:50:34.789 --> 01:50:36.989
<v Speaker 2>I think some of the lyrics were off, and I

2730
01:50:37.010 --> 01:50:40.149
<v Speaker 2>was like, oh, Lord. These are popular songs. You should

2731
01:50:40.170 --> 01:50:42.079
<v Speaker 2>be able to at least Google the lyrics. But then

2732
01:50:42.100 --> 01:50:45.380
<v Speaker 2>I wonder, did they make the mistake because it's a

2733
01:50:45.399 --> 01:50:48.619
<v Speaker 2>legal thing about reprinting lyrics of things? I don't think

2734
01:50:48.659 --> 01:50:49.819
<v Speaker 2>they think of that.

2735
01:50:50.300 --> 01:50:52.899
<v Speaker 6>I doubt it. Well, another problem is that sometimes you'll

2736
01:50:52.939 --> 01:50:56.090
<v Speaker 6>have subtitles who are obviously... like in their twenties or something.

2737
01:50:56.130 --> 01:50:57.729
<v Speaker 6>And they have no reference for all of this stuff.

2738
01:50:57.770 --> 01:50:59.909
<v Speaker 6>Cause I, Oh yeah. I've noticed on some of your,

2739
01:50:59.930 --> 01:51:01.449
<v Speaker 6>so there was one video where it was like, obviously

2740
01:51:01.470 --> 01:51:03.710
<v Speaker 6>the subtitler must've been like 21 or something. Cause there

2741
01:51:03.729 --> 01:51:04.979
<v Speaker 6>was a movie with, I can't remember what movie it was,

2742
01:51:04.989 --> 01:51:06.649
<v Speaker 6>but there was like constant pop culture from this, like

2743
01:51:06.710 --> 01:51:08.949
<v Speaker 6>Ursula Anderson stuff. And they were just making up subtitles.

2744
01:51:09.029 --> 01:51:12.050
<v Speaker 6>It was like just gibberish. And I was like, I

2745
01:51:12.130 --> 01:51:15.180
<v Speaker 6>don't know what you're typing here, but I don't know

2746
01:51:15.189 --> 01:51:15.569
<v Speaker 6>what that is.

2747
01:51:16.279 --> 01:51:16.960
<v Speaker 1>Oh no.

2748
01:51:17.560 --> 01:51:19.560
<v Speaker 2>Yeah, that was my, so that was it for Face

2749
01:51:19.600 --> 01:51:22.960
<v Speaker 2>With Two Left Feet. It was the Kwando, Kwando, Kwando.

2750
01:51:23.039 --> 01:51:24.819
<v Speaker 2>And I was like, well, this is a standard. Like,

2751
01:51:24.859 --> 01:51:26.539
<v Speaker 2>you can look up the lyrics to this. And instead,

2752
01:51:26.560 --> 01:51:28.920
<v Speaker 2>they were just doing whatever. I was like, oh, okay.

2753
01:51:29.399 --> 01:51:31.399
<v Speaker 2>At least I know the lyrics to this great song.

2754
01:51:31.460 --> 01:51:35.779
<v Speaker 2>It's fine. But, you know. Yoruba songs are tougher, though,

2755
01:51:35.840 --> 01:51:39.600
<v Speaker 2>because you have those heavy accents in some of their songs. So, like,

2756
01:51:39.649 --> 01:51:42.149
<v Speaker 2>if you're going to do, like, well, I don't have

2757
01:51:42.210 --> 01:51:44.569
<v Speaker 2>a Night Train Murders release, but if you're going to subtitle, like,

2758
01:51:45.550 --> 01:51:48.720
<v Speaker 2>Demise Rousseau's theme song to that. I don't know if

2759
01:51:48.800 --> 01:51:51.500
<v Speaker 2>I could subtitle that. I don't know what he's singing

2760
01:51:51.560 --> 01:51:55.539
<v Speaker 2>half the time. Very thick Greek accent. But, you know,

2761
01:51:56.380 --> 01:51:56.659
<v Speaker 2>it's tough.

2762
01:51:56.680 --> 01:52:01.539
<v Speaker 6>Take a flower in your hand. That's all I know.

2763
01:52:01.560 --> 01:52:04.239
<v Speaker 2>Yeah, a flower's all you need. That's kind of all

2764
01:52:04.260 --> 01:52:10.149
<v Speaker 2>I know from that. I know Gentry... Something else, Gentry,

2765
01:52:10.649 --> 01:52:12.029
<v Speaker 2>and I definitely want to ask about this, too, because

2766
01:52:12.069 --> 01:52:14.960
<v Speaker 2>I remember this. I lived through this, was the Borders

2767
01:52:15.060 --> 01:52:19.460
<v Speaker 2>extra weird DVD situation. Well, first of all, the Borders

2768
01:52:19.500 --> 01:52:23.609
<v Speaker 2>deal with image and something weird stuff. That was like genius.

2769
01:52:23.789 --> 01:52:26.109
<v Speaker 2>And I think that really amplified a lot of people's

2770
01:52:26.250 --> 01:52:28.390
<v Speaker 2>access to the stuff because it was like, oh, yeah, sure,

2771
01:52:28.409 --> 01:52:30.170
<v Speaker 2>this is on sale. Yeah, we'll buy it, you know.

2772
01:52:30.739 --> 01:52:32.289
<v Speaker 2>And I know that it opened a lot of, a

2773
01:52:32.329 --> 01:52:34.890
<v Speaker 2>lot of eyes to, to these movies that otherwise wouldn't

2774
01:52:34.909 --> 01:52:35.510
<v Speaker 2>have accessed them.

2775
01:52:35.689 --> 01:52:38.890
<v Speaker 3>It wasn't hidden anywhere. It was like prominently placed, you know.

2776
01:52:38.989 --> 01:52:42.510
<v Speaker 2>End cap. Yes. I would run in. I'd be like, Ooh, yeah, exactly.

2777
01:52:43.050 --> 01:52:44.989
<v Speaker 6>And they sold, I mean, they really sold. I don't,

2778
01:52:45.010 --> 01:52:48.069
<v Speaker 6>I don't think people realize like the difference in sales

2779
01:52:48.130 --> 01:52:50.369
<v Speaker 6>numbers between, like I said, sort of the heyday of

2780
01:52:50.409 --> 01:52:52.149
<v Speaker 6>when DVDs were at their peak versus what it is now.

2781
01:52:52.170 --> 01:52:54.189
<v Speaker 6>But I mean, it was nuts, like a really high

2782
01:52:54.229 --> 01:52:56.609
<v Speaker 6>selling title. I mean like blood fees would sell like

2783
01:52:57.630 --> 01:52:59.729
<v Speaker 6>in the first year, he'd sell like 150,000 units, you know,

2784
01:52:59.760 --> 01:53:01.689
<v Speaker 6>which is, For a title like that, it's pretty nuts.

2785
01:53:02.430 --> 01:53:02.689
<v Speaker 1>Yeah.

2786
01:53:03.390 --> 01:53:04.529
<v Speaker 6>You know, which is now, I mean, we think of

2787
01:53:04.550 --> 01:53:05.789
<v Speaker 6>it as a huge title, but like, you know, if

2788
01:53:05.829 --> 01:53:07.510
<v Speaker 6>you put out a 4K Blood Feast, it's not going

2789
01:53:07.529 --> 01:53:10.170
<v Speaker 6>to sell near that much. Like remotely close. Like Black

2790
01:53:10.210 --> 01:53:12.489
<v Speaker 6>Sunday sold like 300,000, you know, which is crazy.

2791
01:53:12.800 --> 01:53:13.189
<v Speaker 1>Yeah.

2792
01:53:13.640 --> 01:53:15.579
<v Speaker 6>But the Something Weird was like sold really well at boarders.

2793
01:53:15.619 --> 01:53:16.880
<v Speaker 6>I was kind of shocked. Like it was kind of,

2794
01:53:16.920 --> 01:53:18.739
<v Speaker 6>it was almost like if something, if people saw the

2795
01:53:18.760 --> 01:53:20.180
<v Speaker 6>Something Weird banner on it, they would just buy it

2796
01:53:20.439 --> 01:53:22.060
<v Speaker 6>after a certain point. Like it didn't matter what it was.

2797
01:53:22.880 --> 01:53:24.420
<v Speaker 6>But those were really just flying off the shelves because

2798
01:53:24.460 --> 01:53:26.899
<v Speaker 6>Best Buy didn't really go in for it that much,

2799
01:53:27.520 --> 01:53:29.420
<v Speaker 6>which is probably– and Barnes & Noble. Like, they were

2800
01:53:29.439 --> 01:53:32.340
<v Speaker 6>a little more prudish about it. But Borders, yeah, they

2801
01:53:32.380 --> 01:53:34.939
<v Speaker 6>were all in with it, and they stocked them pretty heavily. And, yeah,

2802
01:53:35.300 --> 01:53:38.539
<v Speaker 6>it worked really, really well. And so, for those who

2803
01:53:38.560 --> 01:53:40.159
<v Speaker 6>don't remember, Borders was kind of like the other Barnes

2804
01:53:40.229 --> 01:53:42.220
<v Speaker 6>& Noble. They were kind of like a slightly hepper

2805
01:53:42.239 --> 01:53:43.619
<v Speaker 6>version of Barnes & Noble, I guess.

2806
01:53:43.520 --> 01:53:44.479
<v Speaker 3>You might say.

2807
01:53:44.560 --> 01:53:45.560
<v Speaker 6>But they were in, like, all the major cities.

2808
01:53:45.579 --> 01:53:46.199
<v Speaker 2>Yeah, I think so.

2809
01:53:46.850 --> 01:53:47.930
<v Speaker 6>Yeah, I really miss Borders.

2810
01:53:47.939 --> 01:53:48.350
<v Speaker 1>Yeah.

2811
01:53:49.220 --> 01:53:50.140
<v Speaker 3>I do.

2812
01:53:50.159 --> 01:53:54.020
<v Speaker 2>I mean, that's where I got both copies, both Psychotronic books.

2813
01:53:54.399 --> 01:53:57.260
<v Speaker 2>I got my first copy of Pink Flamingos, and it

2814
01:53:57.279 --> 01:53:59.970
<v Speaker 2>was actually 17. It was under 17, and I was

2815
01:54:00.010 --> 01:54:01.170
<v Speaker 2>afraid they were going to card me and I was

2816
01:54:01.210 --> 01:54:03.850
<v Speaker 2>going to get busted when I bought it. So I

2817
01:54:04.189 --> 01:54:08.609
<v Speaker 2>have all these memories tied to Borders and my discovery

2818
01:54:08.649 --> 01:54:11.250
<v Speaker 2>of a lot of these films. And now that it's gone,

2819
01:54:11.310 --> 01:54:13.569
<v Speaker 2>it really is like, oh, God. Wistful for something that

2820
01:54:13.590 --> 01:54:17.210
<v Speaker 2>I probably shouldn't miss that much. But, you know, yeah.

2821
01:54:17.840 --> 01:54:19.319
<v Speaker 6>Well, there's something in that for a bit. That's also

2822
01:54:19.340 --> 01:54:20.899
<v Speaker 6>one reason why I love the, the something weird stuff

2823
01:54:20.939 --> 01:54:22.260
<v Speaker 6>is because when I was on my radar and it

2824
01:54:22.279 --> 01:54:24.630
<v Speaker 6>was coming out again, I was way under 21, way,

2825
01:54:25.270 --> 01:54:27.890
<v Speaker 6>way under. And, um, but there was a video store, um,

2826
01:54:28.189 --> 01:54:29.970
<v Speaker 6>and I was going to school is in Florida, but they,

2827
01:54:30.270 --> 01:54:32.109
<v Speaker 6>they were pretty heavy with the something weird types, but they,

2828
01:54:32.229 --> 01:54:33.710
<v Speaker 6>they weren't in the porn section. Cause they would have

2829
01:54:33.729 --> 01:54:35.050
<v Speaker 6>like the adult room, you know, where you had to

2830
01:54:35.090 --> 01:54:37.710
<v Speaker 6>like have a driver's license or whatever, but it's something

2831
01:54:37.729 --> 01:54:40.970
<v Speaker 6>weird stuff. It had its own like back wall area

2832
01:54:41.090 --> 01:54:43.960
<v Speaker 6>because it wasn't really porn. And so even though I'm like,

2833
01:54:44.100 --> 01:54:46.569
<v Speaker 6>you know, like, you know, 18, 19, whatever. I could

2834
01:54:46.590 --> 01:54:48.109
<v Speaker 6>rent whatever I wanted. Like I could just grab all

2835
01:54:48.140 --> 01:54:48.310
<v Speaker 6>of it.

2836
01:54:48.640 --> 01:54:49.600
<v Speaker 3>Um, you know, they didn't care.

2837
01:54:50.420 --> 01:54:51.920
<v Speaker 6>So whatever, cause didn't classify as adult, even the stuff

2838
01:54:51.939 --> 01:54:53.739
<v Speaker 6>that had technically hardcore in it, but it wasn't really

2839
01:54:53.779 --> 01:54:55.920
<v Speaker 6>sold as porn. So yeah. So you feel, if we

2840
01:54:55.939 --> 01:54:57.460
<v Speaker 6>feel you're getting away with something, I think it makes

2841
01:54:57.500 --> 01:54:59.460
<v Speaker 6>it extra special, which I think that that thrill is

2842
01:54:59.479 --> 01:55:01.810
<v Speaker 6>probably gone now. Cause you know, you're going to admit

2843
01:55:01.850 --> 01:55:03.550
<v Speaker 6>no matter what your age is to see whatever you want, which,

2844
01:55:03.630 --> 01:55:07.149
<v Speaker 6>you know, yay. But yeah, it's, it's not as delicious anymore.

2845
01:55:07.750 --> 01:55:07.949
<v Speaker 1>Yeah.

2846
01:55:08.050 --> 01:55:10.050
<v Speaker 2>No, there was a thrill about going up with like,

2847
01:55:11.159 --> 01:55:14.289
<v Speaker 2>a collection of cassettes and trying to make sure that

2848
01:55:14.350 --> 01:55:17.550
<v Speaker 2>the naughty one is hidden in between like the normal

2849
01:55:17.710 --> 01:55:19.890
<v Speaker 2>ones and so it's just a quick scan and they

2850
01:55:19.930 --> 01:55:22.109
<v Speaker 2>won't notice what the naughty one is like that is

2851
01:55:22.170 --> 01:55:26.060
<v Speaker 2>something that that's a generational thing i think that's probably

2852
01:55:26.109 --> 01:55:28.039
<v Speaker 2>lost you know you don't need to be worrying about

2853
01:55:28.079 --> 01:55:31.600
<v Speaker 2>trying to slip in some something forbidden into like normal

2854
01:55:31.659 --> 01:55:34.020
<v Speaker 2>purchases yeah.

2855
01:55:33.800 --> 01:55:35.960
<v Speaker 6>Or the charge when you walk into a movie gallery

2856
01:55:35.979 --> 01:55:37.989
<v Speaker 6>and you see they have accidentally put the uncut Caligula

2857
01:55:38.010 --> 01:55:42.909
<v Speaker 6>or Aphrodite inside the case for the R-rated one. You're like, ooh.

2858
01:55:44.109 --> 01:55:46.729
<v Speaker 2>Yes. Well, that was me with Last House on the Left.

2859
01:55:46.770 --> 01:55:48.189
<v Speaker 2>I would kind of be like, okay, this one's the

2860
01:55:48.229 --> 01:55:52.319
<v Speaker 2>Vestron one, but which Vestron one? Let me rent this

2861
01:55:52.380 --> 01:55:54.399
<v Speaker 2>and see if this is the first run or the

2862
01:55:54.439 --> 01:55:55.380
<v Speaker 2>second run of this.

2863
01:55:55.760 --> 01:55:57.979
<v Speaker 6>Well, they had the same running time, so you were screwed.

2864
01:55:58.000 --> 01:55:58.619
<v Speaker 6>You couldn't tell.

2865
01:55:58.770 --> 01:55:58.899
<v Speaker 3>Yeah.

2866
01:55:59.239 --> 01:56:01.050
<v Speaker 2>Exactly so i just like yeah i just had to

2867
01:56:01.069 --> 01:56:03.029
<v Speaker 2>be like does this look like it's uncut i don't

2868
01:56:03.069 --> 01:56:05.649
<v Speaker 2>know i i can hear music jump so probably not

2869
01:56:05.949 --> 01:56:07.149
<v Speaker 2>right yeah.

2870
01:56:06.770 --> 01:56:10.010
<v Speaker 6>Yeah well we should we should finish the border story.

2871
01:56:09.869 --> 01:56:12.800
<v Speaker 2>Real quick yeah the borders yeah so this yeah so

2872
01:56:12.850 --> 01:56:14.699
<v Speaker 2>this was like a special thing that came if you

2873
01:56:14.739 --> 01:56:17.619
<v Speaker 2>bought a something weird dvd you got like a combo

2874
01:56:17.680 --> 01:56:19.880
<v Speaker 2>like a like a like a it was like a

2875
01:56:19.920 --> 01:56:22.039
<v Speaker 2>grab bag dvd of like clips and trailers and.

2876
01:56:22.020 --> 01:56:23.829
<v Speaker 3>Stuff yeah Yeah.

2877
01:56:23.850 --> 01:56:25.569
<v Speaker 6>So this is called extra weird. And this was Mike's idea.

2878
01:56:25.649 --> 01:56:27.369
<v Speaker 6>Cause he was like, well, border has been so good

2879
01:56:27.390 --> 01:56:29.170
<v Speaker 6>to us. Let's have a little extra, you know, a

2880
01:56:29.609 --> 01:56:31.729
<v Speaker 6>little promotional item that we'll make. It was called extra weird.

2881
01:56:31.840 --> 01:56:34.039
<v Speaker 6>And it was like a trailer sampler. And it's basically

2882
01:56:34.079 --> 01:56:35.439
<v Speaker 6>every single trailer. And some of these were like new

2883
01:56:35.460 --> 01:56:37.399
<v Speaker 6>scans of trailers that were like, you know, old, old

2884
01:56:37.420 --> 01:56:39.199
<v Speaker 6>message on the old DVDs. It was pretty much all

2885
01:56:39.239 --> 01:56:42.520
<v Speaker 6>new scans, I think. And, um, which is a great idea.

2886
01:56:42.539 --> 01:56:44.460
<v Speaker 6>And so the deal was if you bought something weird movie,

2887
01:56:44.560 --> 01:56:47.100
<v Speaker 6>then you would get this thrown in the bag. Um,

2888
01:56:47.439 --> 01:56:49.560
<v Speaker 6>sounds great in theory. The problem is that he insisted

2889
01:56:49.680 --> 01:56:52.479
<v Speaker 6>instead of doing chronologically, they want to do everything alphabetically.

2890
01:56:53.119 --> 01:56:54.920
<v Speaker 6>And the problem with that is the first trailer that

2891
01:56:54.960 --> 01:56:56.840
<v Speaker 6>comes up is the adult version of Jekyll and Hyde.

2892
01:56:59.699 --> 01:57:01.680
<v Speaker 6>And so some executive boarders popped it in. And that's

2893
01:57:01.699 --> 01:57:03.829
<v Speaker 6>the first thing they see is that trailer. They were like, oh,

2894
01:57:03.890 --> 01:57:04.250
<v Speaker 6>hell no.

2895
01:57:04.810 --> 01:57:07.050
<v Speaker 3>Yeah, not great.

2896
01:57:07.550 --> 01:57:09.109
<v Speaker 6>And so they yanked it off the shelves. And that

2897
01:57:09.130 --> 01:57:11.189
<v Speaker 6>pretty much like that really hurt the whole something weird deal.

2898
01:57:11.210 --> 01:57:13.310
<v Speaker 6>Like they really cooled off after that because this one

2899
01:57:13.329 --> 01:57:14.729
<v Speaker 6>guy who got so offended by that trailer.

2900
01:57:14.810 --> 01:57:17.229
<v Speaker 3>Wait, so if it was chronologically, what would have been

2901
01:57:17.300 --> 01:57:19.340
<v Speaker 3>the first trailer on the tape?

2902
01:57:19.779 --> 01:57:20.920
<v Speaker 6>That is a good question.

2903
01:57:20.960 --> 01:57:23.920
<v Speaker 2>Probably like probably marijuana or reefer madness.

2904
01:57:24.000 --> 01:57:25.760
<v Speaker 6>I think something like that.

2905
01:57:25.779 --> 01:57:27.420
<v Speaker 2>Something in the thirties. Yeah.

2906
01:57:28.119 --> 01:57:28.939
<v Speaker 1>Wow. Yeah.

2907
01:57:29.060 --> 01:57:30.560
<v Speaker 6>I kind of, I wish it had been chronological. I

2908
01:57:30.579 --> 01:57:31.340
<v Speaker 6>think that would have been better.

2909
01:57:32.300 --> 01:57:33.699
<v Speaker 2>Assassin of youth. Maybe.

2910
01:57:33.779 --> 01:57:33.960
<v Speaker 1>Yeah.

2911
01:57:34.020 --> 01:57:36.739
<v Speaker 2>One of those three, probably. Cause I think those were the,

2912
01:57:37.170 --> 01:57:39.050
<v Speaker 2>I think those are the oldest titles that were ever

2913
01:57:39.090 --> 01:57:41.649
<v Speaker 2>came out on those releases. There were some forties ones too,

2914
01:57:41.670 --> 01:57:42.590
<v Speaker 2>but those were all thirties.

2915
01:57:42.609 --> 01:57:44.630
<v Speaker 3>I think that was the oldest ones.

2916
01:57:45.109 --> 01:57:47.609
<v Speaker 2>Never did child bride either. Probably a good thing.

2917
01:57:48.399 --> 01:57:49.399
<v Speaker 6>Yeah, he won't start that.

2918
01:57:49.619 --> 01:57:52.739
<v Speaker 2>That one's tougher. That's tougher. I was surprised Kino did it,

2919
01:57:52.850 --> 01:57:55.289
<v Speaker 2>to be honest. I was like, okay, we're going to

2920
01:57:55.310 --> 01:57:56.869
<v Speaker 2>go with this. Okay. All right.

2921
01:57:57.409 --> 01:58:00.909
<v Speaker 3>But they were able to frame it within context. And

2922
01:58:01.029 --> 01:58:05.739
<v Speaker 3>I think there's a commentary by Eric.

2923
01:58:05.779 --> 01:58:06.840
<v Speaker 2>It was Eric Schaefer, right?

2924
01:58:06.920 --> 01:58:07.819
<v Speaker 1>Yeah. Yeah.

2925
01:58:08.500 --> 01:58:09.119
<v Speaker 3>So that got us.

2926
01:58:09.779 --> 01:58:09.859
<v Speaker 1>Yeah.

2927
01:58:10.239 --> 01:58:11.939
<v Speaker 8>I was a little surprised that one came out even

2928
01:58:11.960 --> 01:58:16.119
<v Speaker 8>so exactly okay i guess i guess if we can

2929
01:58:16.180 --> 01:58:18.140
<v Speaker 8>still get so you still get copies of pretty.

2930
01:58:17.979 --> 01:58:21.149
<v Speaker 2>Baby and blue lagoon i guess anybody can do anything

2931
01:58:21.789 --> 01:58:26.689
<v Speaker 2>except Maladella Genza and some other things that nobody.

2932
01:58:27.090 --> 01:58:29.170
<v Speaker 6>Yeah. And I think Limerale, Limerale is not going to

2933
01:58:29.189 --> 01:58:30.250
<v Speaker 6>come out over here anytime soon.

2934
01:58:31.510 --> 01:58:34.350
<v Speaker 2>Probably not Emmanuel Queen of Sados. That's probably not going

2935
01:58:34.390 --> 01:58:35.510
<v Speaker 2>to be issued either. Yeah.

2936
01:58:35.529 --> 01:58:36.470
<v Speaker 6>That can't, that sucks.

2937
01:58:37.890 --> 01:58:38.189
<v Speaker 2>Too bad.

2938
01:58:38.229 --> 01:58:40.170
<v Speaker 3>I love that movie, but yeah.

2939
01:58:40.189 --> 01:58:40.369
<v Speaker 1>Yeah.

2940
01:58:40.390 --> 01:58:41.689
<v Speaker 6>Well, at least you can get away with it. Cause

2941
01:58:41.710 --> 01:58:43.229
<v Speaker 6>it has a body double, but yeah, pretty babies.

2942
01:58:44.170 --> 01:58:44.409
<v Speaker 1>Yes.

2943
01:58:44.609 --> 01:58:45.689
<v Speaker 6>It's out there. So yeah.

2944
01:58:46.149 --> 01:58:46.430
<v Speaker 7>Yeah.

2945
01:58:46.649 --> 01:58:48.729
<v Speaker 2>It's out there. It's art. It's Louis mall. So it's

2946
01:58:48.810 --> 01:58:49.550
<v Speaker 2>art technically.

2947
01:58:49.829 --> 01:58:49.949
<v Speaker 1>Yeah.

2948
01:58:51.180 --> 01:58:53.619
<v Speaker 6>Um, so the deal, so the extra weird DVD, so

2949
01:58:53.649 --> 01:58:55.449
<v Speaker 6>it started going for like stupid money. Cause people immediately,

2950
01:58:55.489 --> 01:58:57.069
<v Speaker 6>as soon as the word got out, like any stores

2951
01:58:57.090 --> 01:58:58.649
<v Speaker 6>still had them, there were people, you know, trying to

2952
01:58:58.689 --> 01:59:00.470
<v Speaker 6>get copies. And so it's, I mean, I remember like

2953
01:59:00.510 --> 01:59:03.350
<v Speaker 6>on eBay copies were going for like absolutely just ridiculous

2954
01:59:03.369 --> 01:59:05.800
<v Speaker 6>amounts of money. Um, so eventually they kind of forced

2955
01:59:06.060 --> 01:59:08.199
<v Speaker 6>our hand and we wound up doing it. Um, I

2956
01:59:08.220 --> 01:59:10.100
<v Speaker 6>think I can't remember if I actually put a retail

2957
01:59:10.119 --> 01:59:11.800
<v Speaker 6>price on it, but we reissued it without the borders

2958
01:59:11.819 --> 01:59:13.359
<v Speaker 6>thing on the cover. So if you have one of

2959
01:59:13.380 --> 01:59:15.000
<v Speaker 6>the borders, like a logo on the, like print on

2960
01:59:15.020 --> 01:59:16.880
<v Speaker 6>the actual cover, that's actually still worth some money, I think.

2961
01:59:17.880 --> 01:59:19.899
<v Speaker 6>But there are versions out there that are standard ones.

2962
01:59:19.920 --> 01:59:21.079
<v Speaker 6>But if you have a borders one, don't ever get

2963
01:59:21.119 --> 01:59:23.020
<v Speaker 6>rid of it, because that's never going to increase. It'll

2964
01:59:23.060 --> 01:59:24.319
<v Speaker 6>never happen again, obviously.

2965
01:59:25.079 --> 01:59:27.590
<v Speaker 3>It's part of the legend, yeah, at this point.

2966
01:59:28.390 --> 01:59:28.609
<v Speaker 1>Right.

2967
01:59:29.090 --> 01:59:31.250
<v Speaker 2>Well, the other ones that I think are legendary and

2968
01:59:31.270 --> 01:59:34.470
<v Speaker 2>that go for money are the K. Gord Murray ones.

2969
01:59:34.930 --> 01:59:35.229
<v Speaker 6>Yeah.

2970
01:59:35.250 --> 01:59:37.590
<v Speaker 2>Which, the only one I think that came out was

2971
01:59:37.710 --> 01:59:41.060
<v Speaker 2>Doctor of Doom and Robot vs. the Aztec Mummy. And

2972
01:59:41.100 --> 01:59:44.039
<v Speaker 2>it was funny, because George Reese at DVD Drive and

2973
01:59:44.060 --> 01:59:47.819
<v Speaker 2>my editor... he reviewed all the horror adjacent stuff of

2974
01:59:47.909 --> 01:59:50.689
<v Speaker 2>something weird. He gave me the sexy stuff. So he

2975
01:59:50.710 --> 01:59:54.270
<v Speaker 2>got all those copies of those, the screener copies. Right.

2976
01:59:54.289 --> 01:59:54.890
<v Speaker 6>The check desks.

2977
01:59:54.909 --> 01:59:55.750
<v Speaker 1>Yeah. Yes.

2978
01:59:55.789 --> 01:59:58.109
<v Speaker 2>The check desks, which I still have all of my

2979
01:59:58.149 --> 02:00:00.960
<v Speaker 2>check desks. So I have all the image entertainment check

2980
02:00:00.979 --> 02:00:03.539
<v Speaker 2>desks with the date and everything on them. But yeah,

2981
02:00:03.560 --> 02:00:06.420
<v Speaker 2>he was, I was excited about that, that, that collection.

2982
02:00:06.439 --> 02:00:09.279
<v Speaker 2>And what was that? Something with the GATT act or

2983
02:00:09.319 --> 02:00:13.010
<v Speaker 2>something with like the copy, they weren't public domain technically anymore.

2984
02:00:15.279 --> 02:00:16.340
<v Speaker 3>It wasn't the GAD Act.

2985
02:00:16.359 --> 02:00:18.939
<v Speaker 6>It was, yeah, somebody else. I think... No, I think

2986
02:00:18.979 --> 02:00:19.220
<v Speaker 6>it was the.

2987
02:00:20.939 --> 02:00:22.539
<v Speaker 6>Somebody sent a cease and desist on those. I can't

2988
02:00:22.560 --> 02:00:25.250
<v Speaker 6>remember who it was. But yeah, it was like immediate. Yeah.

2989
02:00:25.970 --> 02:00:27.909
<v Speaker 6>Because again, several of them in the pipeline. And I

2990
02:00:28.029 --> 02:00:29.609
<v Speaker 6>think like maybe three other ones had actually gone to

2991
02:00:29.630 --> 02:00:30.970
<v Speaker 6>the check disk phase. And all of a sudden it

2992
02:00:31.010 --> 02:00:32.829
<v Speaker 6>was like, bam, horse land. League was like, nope, can't

2993
02:00:32.850 --> 02:00:33.829
<v Speaker 6>do it.

2994
02:00:33.869 --> 02:00:36.470
<v Speaker 2>The artwork on those was gorgeous. And it came with like...

2995
02:00:36.340 --> 02:00:38.359
<v Speaker 2>There was a booklet too because I have my Doctor

2996
02:00:38.380 --> 02:00:40.520
<v Speaker 2>of Doom. I was just like, these are going to

2997
02:00:40.539 --> 02:00:41.100
<v Speaker 2>be great.

2998
02:00:41.319 --> 02:00:41.619
<v Speaker 4>And then.

2999
02:00:42.590 --> 02:00:45.619
<v Speaker 2>We had to wait for Casanegra to release them and

3000
02:00:45.640 --> 02:00:48.439
<v Speaker 2>then go out of business. And then hopefully those will

3001
02:00:48.460 --> 02:00:49.500
<v Speaker 2>be reissued at some point.

3002
02:00:50.260 --> 02:00:50.359
<v Speaker 3>Yeah.

3003
02:00:50.380 --> 02:00:51.899
<v Speaker 6>I mean, they got indicator did a few, but there's

3004
02:00:51.920 --> 02:00:53.159
<v Speaker 6>still a lot that haven't been done yet.

3005
02:00:53.319 --> 02:00:54.159
<v Speaker 3>So yeah.

3006
02:00:54.180 --> 02:00:56.640
<v Speaker 2>I don't know. BCI did a few and then they

3007
02:00:56.659 --> 02:00:57.399
<v Speaker 2>went out of business.

3008
02:00:57.819 --> 02:00:58.189
<v Speaker 1>Yeah.

3009
02:00:58.350 --> 02:01:00.890
<v Speaker 2>There's a lot of Mexican horror. Horror is not really

3010
02:01:00.930 --> 02:01:01.710
<v Speaker 2>well represented.

3011
02:01:03.210 --> 02:01:05.789
<v Speaker 3>Yeah. Indicator did.

3012
02:01:05.829 --> 02:01:05.970
<v Speaker 1>Yeah.

3013
02:01:06.010 --> 02:01:07.609
<v Speaker 3>Like Panther woman, stuff like that.

3014
02:01:07.630 --> 02:01:11.090
<v Speaker 2>Well, I mean like, well, something we're doing like curse

3015
02:01:11.109 --> 02:01:16.590
<v Speaker 2>of the doll people. which is Mirror, and that kind

3016
02:01:16.630 --> 02:01:19.170
<v Speaker 2>of stuff. All the K. Gordon Murray imports, basically. I

3017
02:01:19.489 --> 02:01:22.130
<v Speaker 2>think Spiritism. All the stuff Beverly Wilshire was putting out

3018
02:01:22.409 --> 02:01:25.829
<v Speaker 2>way back when. And those garbage that you could buy

3019
02:01:25.850 --> 02:01:26.550
<v Speaker 2>at Best Buy.

3020
02:01:26.989 --> 02:01:28.529
<v Speaker 6>Yeah.

3021
02:01:29.869 --> 02:01:32.010
<v Speaker 2>Those terrible things. Well, that's why it was exciting, because

3022
02:01:32.029 --> 02:01:36.829
<v Speaker 2>something there was going to basically revamp these. Obviously, they

3023
02:01:36.850 --> 02:01:38.569
<v Speaker 2>were going to be huge sellers, because there's a big

3024
02:01:38.630 --> 02:01:41.289
<v Speaker 2>cult over those. Um, so I remember when that happened,

3025
02:01:41.310 --> 02:01:43.310
<v Speaker 2>it was like, Oh God, come on. I don't want,

3026
02:01:43.329 --> 02:01:46.430
<v Speaker 2>I don't want legal problems for my, for my, my buddies.

3027
02:01:46.489 --> 02:01:49.479
<v Speaker 2>It's something weird. Yeah. I think that was the big

3028
02:01:49.560 --> 02:01:51.560
<v Speaker 2>one that I was like, I was very nervous about

3029
02:01:51.579 --> 02:01:54.579
<v Speaker 2>what was going to go on moving forward with the company.

3030
02:01:54.619 --> 02:01:56.100
<v Speaker 2>Just cause I was like, this could bankrupt them. I

3031
02:01:56.140 --> 02:01:58.159
<v Speaker 2>hope it doesn't go that way. And it didn't, but

3032
02:01:58.199 --> 02:01:59.439
<v Speaker 2>I was very nervous about it.

3033
02:02:00.659 --> 02:02:02.020
<v Speaker 6>Yeah, thank God there was never a lawsuit. I mean,

3034
02:02:02.039 --> 02:02:03.500
<v Speaker 6>there was nothing financial. It was just like, you can't

3035
02:02:03.520 --> 02:02:06.000
<v Speaker 6>do them. Because when you get the season's disc, you

3036
02:02:06.020 --> 02:02:08.020
<v Speaker 6>just don't put it out. That's all that happens. There's

3037
02:02:08.039 --> 02:02:09.560
<v Speaker 6>no financial damage. So I don't want you wasted on

3038
02:02:09.619 --> 02:02:10.359
<v Speaker 6>making the discs.

3039
02:02:11.220 --> 02:02:12.180
<v Speaker 3>Right, right, right.

3040
02:02:12.239 --> 02:02:14.479
<v Speaker 6>Meanwhile, I'm still sitting here waiting for an Isabel Sarli

3041
02:02:14.500 --> 02:02:16.390
<v Speaker 6>box set that's probably never going to happen.

3042
02:02:16.739 --> 02:02:19.319
<v Speaker 2>I have been begging Manda Macabre for one for literally

3043
02:02:19.359 --> 02:02:22.729
<v Speaker 2>decades at this point. I'm like, guys, you also are

3044
02:02:22.750 --> 02:02:27.869
<v Speaker 2>the only people to interview her. You have a full

3045
02:02:27.909 --> 02:02:31.250
<v Speaker 2>interview with her that you cut up for your TV show. Yeah,

3046
02:02:31.529 --> 02:02:35.319
<v Speaker 2>I don't know. I think there's a market potentially for it.

3047
02:02:36.020 --> 02:02:37.079
<v Speaker 6>I think if you market it right, I mean, if

3048
02:02:37.119 --> 02:02:39.699
<v Speaker 6>you say it's like, this is like pre-John Waters, because

3049
02:02:39.720 --> 02:02:41.119
<v Speaker 6>they have that feel for it. If you're into just

3050
02:02:41.159 --> 02:02:44.119
<v Speaker 6>super high melodrama, sexploitation, I mean, they're so fun.

3051
02:02:44.140 --> 02:02:45.699
<v Speaker 3>They're so great.

3052
02:02:46.319 --> 02:02:52.069
<v Speaker 2>Fuego is nuts. Cindy Sherman programmed a series at MoMA

3053
02:02:52.210 --> 02:02:55.510
<v Speaker 2>one year, and she programmed Fuego, and they showed it

3054
02:02:55.529 --> 02:02:57.479
<v Speaker 2>on 35mm, and I went with a teacher of mine

3055
02:02:57.520 --> 02:03:00.489
<v Speaker 2>who was from Columbia, And we both loved it. It

3056
02:03:00.510 --> 02:03:02.829
<v Speaker 2>was high camp. There were so many walkouts in that

3057
02:03:02.869 --> 02:03:05.149
<v Speaker 2>movie because people showed up. And there was a Cindy

3058
02:03:05.189 --> 02:03:07.000
<v Speaker 2>Sherman thing. They're like, oh, this is going to be art.

3059
02:03:07.119 --> 02:03:10.819
<v Speaker 2>And it's Isabel Sarli being an infomaniac running around in snow,

3060
02:03:10.840 --> 02:03:13.600
<v Speaker 2>naked under a fur coat. And I'm just like, this

3061
02:03:13.680 --> 02:03:17.060
<v Speaker 2>is art. And you'll never see this on the big

3062
02:03:17.079 --> 02:03:20.180
<v Speaker 2>screen again on a print. Like, this is crazy. Yeah,

3063
02:03:20.199 --> 02:03:24.239
<v Speaker 2>that was a great experience. Yeah, yeah. See Fuego, if

3064
02:03:24.260 --> 02:03:26.279
<v Speaker 2>you have not already, Gentry. Fuego is.

3065
02:03:26.359 --> 02:03:30.409
<v Speaker 3>They've got a few up on cultpics.com. I remember seeing...

3066
02:03:30.210 --> 02:03:31.069
<v Speaker 3>I think they've got Fuego.

3067
02:03:31.090 --> 02:03:32.369
<v Speaker 2>I think they're on to something weird.

3068
02:03:32.550 --> 02:03:34.810
<v Speaker 6>It's also in the VHS masters. Yeah.

3069
02:03:34.930 --> 02:03:38.229
<v Speaker 2>Yeah. So they put out Heat, Naked Temptation, which is incomplete.

3070
02:03:38.789 --> 02:03:44.579
<v Speaker 2>And then Female 70x7, which has American inserts on that.

3071
02:03:44.920 --> 02:03:47.479
<v Speaker 2>But there's so many more. I mean, she did one

3072
02:03:47.520 --> 02:03:50.439
<v Speaker 2>movie after another for her husband, Armando Bo. So there

3073
02:03:50.479 --> 02:03:52.760
<v Speaker 2>are so many you could put out. what's the one

3074
02:03:52.779 --> 02:03:55.359
<v Speaker 2>where she tries wants to fuck a horse carne.

3075
02:03:55.640 --> 02:03:58.560
<v Speaker 6>Or fiebre thanks for every i think.

3076
02:03:58.640 --> 02:04:01.779
<v Speaker 2>I for yeah i forget basically a lot of them

3077
02:04:01.819 --> 02:04:04.189
<v Speaker 2>are her being an infomaniac so they're kind of interchangeable

3078
02:04:04.989 --> 02:04:07.689
<v Speaker 2>but there's so much fun and i've been begging for

3079
02:04:07.710 --> 02:04:09.289
<v Speaker 2>them on the macabre box set.

3080
02:04:09.489 --> 02:04:12.050
<v Speaker 3>Yeah they would be a good home for that yeah

3081
02:04:12.090 --> 02:04:14.970
<v Speaker 3>for sure yeah yeah maybe maybe seven two.

3082
02:04:15.270 --> 02:04:16.770
<v Speaker 6>I was about to say, yeah, come on, Severin, where's

3083
02:04:16.810 --> 02:04:17.489
<v Speaker 6>our box set of those?

3084
02:04:17.560 --> 02:04:19.560
<v Speaker 3>Yeah, they love the boxes.

3085
02:04:19.640 --> 02:04:22.640
<v Speaker 2>Yeah, I think so. And they could do a pin.

3086
02:04:22.659 --> 02:04:25.720
<v Speaker 2>I know they like doing the pins of Severin ladies.

3087
02:04:25.779 --> 02:04:28.500
<v Speaker 2>She could be a Severin lady. I would want an

3088
02:04:28.579 --> 02:04:29.479
<v Speaker 2>Isabelle Sarli pin.

3089
02:04:30.090 --> 02:04:30.960
<v Speaker 3>Yeah, I like her a lot.

3090
02:04:30.970 --> 02:04:31.670
<v Speaker 6>I want an action figure.

3091
02:04:32.510 --> 02:04:34.829
<v Speaker 2>Oh, my God. Can you imagine with the fur coat?

3092
02:04:35.409 --> 02:04:37.529
<v Speaker 6>Yeah, you pull a string on the back and she

3093
02:04:37.550 --> 02:04:38.649
<v Speaker 6>starts heaving heavily.

3094
02:04:38.670 --> 02:04:43.140
<v Speaker 2>That would be amazing. Yes, I think that's a good idea. Yes,

3095
02:04:43.180 --> 02:04:45.350
<v Speaker 2>let's do that. See, that would be something that I

3096
02:04:45.359 --> 02:04:50.310
<v Speaker 2>could see old Scream Factory doing. You know, they love

3097
02:04:50.329 --> 02:04:54.649
<v Speaker 2>their action figures, or they're used to anyway. But yeah, no,

3098
02:04:54.710 --> 02:04:57.260
<v Speaker 2>these are ideas we could be bringing to these companies.

3099
02:04:57.579 --> 02:04:59.119
<v Speaker 2>They wanted to do more sexploitation.

3100
02:04:59.140 --> 02:05:03.420
<v Speaker 3>They write themselves, right? They do, yes.

3101
02:05:04.500 --> 02:05:09.470
<v Speaker 2>She is very John Waters-coded. She's very, yes, she's very over-the-top.

3102
02:05:09.550 --> 02:05:13.680
<v Speaker 2>She's very Russ Meyer-coded. Yeah, like she is so Erica

3103
02:05:14.300 --> 02:05:18.569
<v Speaker 2>Gavin in Vixen, except not a racist. She's so over

3104
02:05:18.609 --> 02:05:21.770
<v Speaker 2>the top. She's great. Yeah, that's a good one.

3105
02:05:21.789 --> 02:05:22.630
<v Speaker 3>That's a good one.

3106
02:05:23.109 --> 02:05:24.829
<v Speaker 6>Yeah, her movie is more comfortable to sit through than

3107
02:05:24.869 --> 02:05:25.489
<v Speaker 6>Vixen these days.

3108
02:05:26.869 --> 02:05:29.109
<v Speaker 2>Way more comfortable, yes. Fuego is great because you're rooting

3109
02:05:29.130 --> 02:05:32.489
<v Speaker 2>for her the whole time, and she's so captivating. Yeah,

3110
02:05:33.510 --> 02:05:36.289
<v Speaker 2>that's such a good one. I'm glad that that came

3111
02:05:36.310 --> 02:05:38.470
<v Speaker 2>out through Image. That was one of my favorite double

3112
02:05:38.489 --> 02:05:39.649
<v Speaker 2>features was that release.

3113
02:05:40.329 --> 02:05:42.210
<v Speaker 6>Oh, I was giddy when that came out. I was

3114
02:05:42.350 --> 02:05:43.770
<v Speaker 6>so happy when I saw it on the list. I

3115
02:05:43.810 --> 02:05:44.890
<v Speaker 6>was like, oh, here we go.

3116
02:05:45.489 --> 02:05:50.250
<v Speaker 3>What was the second film on that? The Female. The Female, okay.

3117
02:05:50.250 --> 02:05:52.470
<v Speaker 2>70 times 7. And then there were extras. I think

3118
02:05:52.510 --> 02:05:56.390
<v Speaker 2>there were inserts or something. There was extra footage as

3119
02:05:56.430 --> 02:05:58.270
<v Speaker 2>a bonus on that. And I think it was from

3120
02:05:58.310 --> 02:06:02.060
<v Speaker 2>the American Negative. I don't remember now. Yeah, so much

3121
02:06:02.100 --> 02:06:04.579
<v Speaker 2>good stuff. Well, that's something we talk about a lot

3122
02:06:04.640 --> 02:06:07.199
<v Speaker 2>on this. Or I talk about because I won't shut

3123
02:06:07.239 --> 02:06:09.520
<v Speaker 2>up about it. is that we were really spoiled with

3124
02:06:09.539 --> 02:06:12.619
<v Speaker 2>this deal because we were getting like two to three

3125
02:06:12.659 --> 02:06:13.510
<v Speaker 2>releases a month.

3126
02:06:14.020 --> 02:06:14.189
<v Speaker 1>Yeah.

3127
02:06:14.350 --> 02:06:16.010
<v Speaker 2>Like it was a huge output deal.

3128
02:06:16.170 --> 02:06:18.890
<v Speaker 3>And so now, but now we can kind of understand why,

3129
02:06:18.970 --> 02:06:22.989
<v Speaker 3>because we heard Nate talk about like the production line

3130
02:06:23.149 --> 02:06:25.489
<v Speaker 3>that you guys had down there at image. Like it wasn't,

3131
02:06:25.829 --> 02:06:28.109
<v Speaker 3>it sounds like it was a pretty well-oiled operation.

3132
02:06:28.590 --> 02:06:28.750
<v Speaker 1>Yeah.

3133
02:06:28.970 --> 02:06:30.829
<v Speaker 6>And again, again, I, I liked, again, I keep calling

3134
02:06:30.930 --> 02:06:32.680
<v Speaker 6>it the wild West year, which is what it really

3135
02:06:32.689 --> 02:06:34.279
<v Speaker 6>was like, because there were no rules. There wasn't like

3136
02:06:34.300 --> 02:06:37.149
<v Speaker 6>protocols that you followed. So it's like, you know, our, our,

3137
02:06:37.369 --> 02:06:39.350
<v Speaker 6>our artists just kind of pretty much the ones who

3138
02:06:39.369 --> 02:06:40.590
<v Speaker 6>like working on these, they print out free range, whatever

3139
02:06:40.609 --> 02:06:42.159
<v Speaker 6>they want, as long as Mike was okay with it.

3140
02:06:42.350 --> 02:06:43.329
<v Speaker 6>I mean, he would just laugh at some of the

3141
02:06:43.350 --> 02:06:44.569
<v Speaker 6>stuff we came up with. Cause like I would sit

3142
02:06:44.590 --> 02:06:46.109
<v Speaker 6>down and be like, Oh, we're doing the black cat,

3143
02:06:46.140 --> 02:06:47.420
<v Speaker 6>the fat black pussy cat. Let's just go nuts with

3144
02:06:47.439 --> 02:06:47.800
<v Speaker 6>the cover.

3145
02:06:48.180 --> 02:06:50.199
<v Speaker 3>So you can have the.

3146
02:06:50.380 --> 02:06:54.239
<v Speaker 6>Big, I love that cover so much. And the hitchhike

3147
02:06:54.260 --> 02:06:55.800
<v Speaker 6>to hell DVD cover. I love that one. The way

3148
02:06:55.819 --> 02:06:59.659
<v Speaker 6>they merge those together, kidnap coed. I love that cover. Um,

3149
02:06:59.970 --> 02:07:01.470
<v Speaker 6>but yeah, we just had a blast putting all the

3150
02:07:01.510 --> 02:07:03.350
<v Speaker 6>artwork together and the marketing material could put together one

3151
02:07:03.390 --> 02:07:04.649
<v Speaker 6>sheets that we, you know, that we used to sell

3152
02:07:04.670 --> 02:07:07.689
<v Speaker 6>the titles and all that. That's the thing. Again, my

3153
02:07:07.710 --> 02:07:09.289
<v Speaker 6>title is brand manager, but it was kind of like

3154
02:07:09.329 --> 02:07:11.149
<v Speaker 6>I was the guy who babysat the movie from the

3155
02:07:11.189 --> 02:07:13.699
<v Speaker 6>minute that the contract came in to when it got released.

3156
02:07:13.720 --> 02:07:15.079
<v Speaker 6>It was kind of like I was the guy who

3157
02:07:15.100 --> 02:07:17.859
<v Speaker 6>sort of shepherded it through all the way through promoting

3158
02:07:17.880 --> 02:07:20.479
<v Speaker 6>it and getting it out there. It was just kind

3159
02:07:20.539 --> 02:07:22.659
<v Speaker 6>of a real joy to watch the evolution of each

3160
02:07:22.699 --> 02:07:25.020
<v Speaker 6>title kind of trickle through the pipeline and working with everybody,

3161
02:07:25.039 --> 02:07:27.329
<v Speaker 6>making sure that it got treated correctly. I mean, and

3162
02:07:27.350 --> 02:07:29.649
<v Speaker 6>we did some really nutty ideas for the covers. Cause like,

3163
02:07:29.670 --> 02:07:31.010
<v Speaker 6>it's just a joke to Mike, you know, we got

3164
02:07:31.050 --> 02:07:32.340
<v Speaker 6>God monster, but in class and I was like, Oh,

3165
02:07:32.350 --> 02:07:33.609
<v Speaker 6>let's do a wanted poster and see if you've seen

3166
02:07:33.630 --> 02:07:34.920
<v Speaker 6>the sheep, put a picture of the sheep on it.

3167
02:07:35.210 --> 02:07:37.869
<v Speaker 6>He was like, okay. I was like, all right, I

3168
02:07:37.890 --> 02:07:38.520
<v Speaker 6>guess we'll do that.

3169
02:07:38.720 --> 02:07:44.000
<v Speaker 2>Like that to the Agfa cover. It's like night and day.

3170
02:07:47.039 --> 02:07:49.359
<v Speaker 2>I still kept my something weird one. Cause it has

3171
02:07:49.399 --> 02:07:53.779
<v Speaker 2>that extra feature on it, which is not available. Isn't girl.

3172
02:07:53.840 --> 02:07:55.949
<v Speaker 2>Is it passion in the sun? Girl and the Geek,

3173
02:07:56.069 --> 02:07:57.329
<v Speaker 2>I think, is the extra feature on that.

3174
02:07:57.350 --> 02:07:58.010
<v Speaker 6>I think so, yeah.

3175
02:07:58.130 --> 02:08:01.909
<v Speaker 2>I think it is, which is that's a masterpiece that's

3176
02:08:02.020 --> 02:08:03.520
<v Speaker 2>insane but yeah.

3177
02:08:04.060 --> 02:08:06.199
<v Speaker 6>Yeah there's so many of those titles though that were

3178
02:08:06.239 --> 02:08:08.220
<v Speaker 6>like chopped up as extras that i wish would come

3179
02:08:08.279 --> 02:08:09.479
<v Speaker 6>out fully well it's kind of like in the one

3180
02:08:09.500 --> 02:08:10.920
<v Speaker 6>we just got i really had you know driving miss

3181
02:08:10.939 --> 02:08:12.800
<v Speaker 6>daisy crazy i'm like well that's nice but can we

3182
02:08:12.819 --> 02:08:13.979
<v Speaker 6>get after the ball's over.

3183
02:08:13.840 --> 02:08:16.539
<v Speaker 2>Now the ball was over exactly well and that's one

3184
02:08:16.579 --> 02:08:18.890
<v Speaker 2>i'm trying to i was trying to like Because that

3185
02:08:18.930 --> 02:08:21.229
<v Speaker 2>was something when we were doing the extras for Degenerate

3186
02:08:21.250 --> 02:08:22.930
<v Speaker 2>and Pleasures, I was like, well, this could be an

3187
02:08:22.949 --> 02:08:26.109
<v Speaker 2>opportunity for me to try to find Susan Landau. Or

3188
02:08:26.729 --> 02:08:28.489
<v Speaker 2>I can try to beg them to put out After

3189
02:08:28.510 --> 02:08:30.489
<v Speaker 2>the Ball Was Over and they have talent releases. I

3190
02:08:30.510 --> 02:08:32.869
<v Speaker 2>could try to actually find her and be like, let

3191
02:08:32.909 --> 02:08:35.789
<v Speaker 2>me find Miss Daisy or, you know, this After the

3192
02:08:35.810 --> 02:08:39.170
<v Speaker 2>Ball Was Over star. Yeah, I like that one. I

3193
02:08:39.649 --> 02:08:40.189
<v Speaker 2>like that one.

3194
02:08:40.850 --> 02:08:41.270
<v Speaker 3>It's fun.

3195
02:08:41.609 --> 02:08:45.390
<v Speaker 2>You know, Alex doesn't like it. Alex describes it as

3196
02:08:45.430 --> 02:08:47.529
<v Speaker 2>bottom feeder. I'm like, it's not that bad. It's not

3197
02:08:47.609 --> 02:08:50.930
<v Speaker 2>a Leonard Kirkman movie. It's, you know, it's not that bad. Yeah.

3198
02:08:51.109 --> 02:08:52.909
<v Speaker 3>Now that it's come out, like in that sort of

3199
02:08:52.970 --> 02:08:56.850
<v Speaker 3>truncated version though, I wonder if it ever will through

3200
02:08:56.989 --> 02:08:59.949
<v Speaker 3>district picks or anything, because it's like, well, they already just,

3201
02:08:59.989 --> 02:09:02.649
<v Speaker 3>they just released a piece of it. It's like, eh,

3202
02:09:02.659 --> 02:09:05.800
<v Speaker 3>we'll probably never, it's probably not high on their priority list.

3203
02:09:06.380 --> 02:09:06.520
<v Speaker 1>Yeah.

3204
02:09:06.659 --> 02:09:08.020
<v Speaker 6>That's what I'm afraid of. But yeah, it's a shame

3205
02:09:08.039 --> 02:09:09.340
<v Speaker 6>that a lot of those ones that got diced up,

3206
02:09:09.399 --> 02:09:11.020
<v Speaker 6>I'm just, I, it kind of, it's kind of heartbreaking

3207
02:09:11.039 --> 02:09:12.539
<v Speaker 6>that it might never get the full versions of those.

3208
02:09:12.560 --> 02:09:13.520
<v Speaker 2>Cause right.

3209
02:09:14.000 --> 02:09:15.119
<v Speaker 6>There are a few that are real gems.

3210
02:09:15.779 --> 02:09:18.060
<v Speaker 2>Sex Witches of the Occult is another one. And I

3211
02:09:18.079 --> 02:09:20.439
<v Speaker 2>just re-watched that and I was like, oh, there's substantial

3212
02:09:20.479 --> 02:09:23.060
<v Speaker 2>hardcore in this. So they could never have released this

3213
02:09:23.149 --> 02:09:27.329
<v Speaker 2>on Image, including the gay scene on the bench. It's like, okay,

3214
02:09:27.350 --> 02:09:32.310
<v Speaker 2>this is actual hardcore. Can't put this out. But I

3215
02:09:32.350 --> 02:09:34.250
<v Speaker 2>think they have the negative to that. That's something I

3216
02:09:34.289 --> 02:09:36.390
<v Speaker 2>can see Distropix putting out, but you have to put

3217
02:09:36.430 --> 02:09:41.609
<v Speaker 2>it with something. You couldn't put it on its own. But, yeah, so,

3218
02:09:41.890 --> 02:09:42.329
<v Speaker 2>I mean, the.

3219
02:09:43.659 --> 02:09:43.859
<v Speaker 1>the.

3220
02:09:43.819 --> 02:09:46.399
<v Speaker 2>Process of putting it all out and the creative aspects

3221
02:09:46.439 --> 02:09:48.729
<v Speaker 2>and everything. But the fact that there is this deadline

3222
02:09:48.770 --> 02:09:50.689
<v Speaker 2>and it's an output deal where you're putting out a

3223
02:09:50.750 --> 02:09:54.289
<v Speaker 2>number of releases a month. I mean, I think it's very,

3224
02:09:54.390 --> 02:09:57.550
<v Speaker 2>I think it spoiled us as exploitation fans. Cause it

3225
02:09:57.569 --> 02:10:00.699
<v Speaker 2>was like, okay, we're going to be getting really nice

3226
02:10:00.739 --> 02:10:04.859
<v Speaker 2>special editions with like trailers and the gallery and bonus features.

3227
02:10:04.899 --> 02:10:08.300
<v Speaker 2>And for me, it was like discovering, it was like getting,

3228
02:10:09.479 --> 02:10:11.699
<v Speaker 2>a gift of brand new movies that I didn't know

3229
02:10:11.760 --> 02:10:13.829
<v Speaker 2>existed every month. And I knew they were going to

3230
02:10:13.869 --> 02:10:15.270
<v Speaker 2>like blow my mind nine.

3231
02:10:15.109 --> 02:10:15.829
<v Speaker 3>Out of 10 times.

3232
02:10:16.449 --> 02:10:20.810
<v Speaker 2>And so now I feel like that isn't there. I

3233
02:10:20.829 --> 02:10:23.329
<v Speaker 2>feel like Blu-ray also changed that because Blu-ray is more

3234
02:10:23.369 --> 02:10:27.880
<v Speaker 2>expensive to replicate and license and everything. But there's so much, there,

3235
02:10:28.180 --> 02:10:30.000
<v Speaker 2>there's so much stuff that's in the vaults at a

3236
02:10:30.060 --> 02:10:32.340
<v Speaker 2>lot of these companies. I'm like, you could be doing

3237
02:10:32.380 --> 02:10:34.020
<v Speaker 2>two to three a month if you were just cranking

3238
02:10:34.039 --> 02:10:34.359
<v Speaker 2>them out.

3239
02:10:35.380 --> 02:10:36.060
<v Speaker 6>It's just tough.

3240
02:10:36.420 --> 02:10:39.310
<v Speaker 2>It's the, yeah, the, the business is not what it

3241
02:10:39.369 --> 02:10:41.010
<v Speaker 2>used to be. And I know you know that because

3242
02:10:41.270 --> 02:10:45.029
<v Speaker 2>it's just, yeah, it's not like it was when you

3243
02:10:45.050 --> 02:10:49.619
<v Speaker 2>were involved, heavily involved with these, which is like, yeah,

3244
02:10:49.640 --> 02:10:51.859
<v Speaker 2>I don't know. It makes me sound like old man

3245
02:10:51.880 --> 02:10:53.579
<v Speaker 2>yells at cloud anytime I bring it up. And I'm

3246
02:10:53.600 --> 02:10:55.100
<v Speaker 2>just like, well, no, I mean, this is how I

3247
02:10:55.140 --> 02:10:59.279
<v Speaker 2>became the passionate weirdo that I am is because I

3248
02:10:59.319 --> 02:11:01.739
<v Speaker 2>was getting these every month. Like I was getting, I was,

3249
02:11:01.890 --> 02:11:05.130
<v Speaker 2>I was having education on a consistent basis, you know?

3250
02:11:05.729 --> 02:11:08.270
<v Speaker 2>And so, we're only getting like two or three a

3251
02:11:08.319 --> 02:11:13.029
<v Speaker 2>year now from, from most companies, uh, combined, you know, like,

3252
02:11:13.329 --> 02:11:15.489
<v Speaker 2>I think we get max, you know, five or six

3253
02:11:15.529 --> 02:11:19.710
<v Speaker 2>a year from everybody combined of these types of titles. Um, well,

3254
02:11:19.729 --> 02:11:21.789
<v Speaker 2>that's the element.

3255
02:11:21.090 --> 02:11:23.289
<v Speaker 6>Of surprise is something that's been lost because I get

3256
02:11:23.350 --> 02:11:25.130
<v Speaker 6>really excited when something comes out. Like when we're going

3257
02:11:25.149 --> 02:11:27.359
<v Speaker 6>to show them, did the last picture show set. Um,

3258
02:11:27.369 --> 02:11:28.649
<v Speaker 6>so I remember like when they first came to me

3259
02:11:28.670 --> 02:11:30.250
<v Speaker 6>and they were like, we're doing this and we're like,

3260
02:11:30.270 --> 02:11:32.109
<v Speaker 6>we're considering these 20 titles and we're going to pare

3261
02:11:32.130 --> 02:11:33.810
<v Speaker 6>it down to 10 or whatever. And I didn't even

3262
02:11:33.829 --> 02:11:34.869
<v Speaker 6>know which 10 they were going to be because I

3263
02:11:34.890 --> 02:11:36.630
<v Speaker 6>didn't decide until late in the game. But I was like, oh,

3264
02:11:36.630 --> 02:11:39.569
<v Speaker 6>this is amazing. Because, like, obviously no one's ever seen these,

3265
02:11:39.630 --> 02:11:43.199
<v Speaker 6>you know. Or like when Severin did the Clasificat S,

3266
02:11:43.560 --> 02:11:46.119
<v Speaker 6>the Spanish S set, you know. Because, again, most of

3267
02:11:46.140 --> 02:11:48.880
<v Speaker 6>those movies nobody had seen. So I love stuff like

3268
02:11:48.899 --> 02:11:50.399
<v Speaker 6>that where you're just like, this is a totally unknown

3269
02:11:50.439 --> 02:11:51.979
<v Speaker 6>quantity to me. Like, I don't know what I'm going

3270
02:11:52.010 --> 02:11:53.590
<v Speaker 6>to be getting into when I open this box up.

3271
02:11:53.630 --> 02:11:54.689
<v Speaker 6>So I think that was something you had with the

3272
02:11:54.710 --> 02:11:57.020
<v Speaker 6>Something Weird titles. Because even if you knew one movie

3273
02:11:57.039 --> 02:11:58.920
<v Speaker 6>on there, chances were, if it was a triple feature,

3274
02:11:59.010 --> 02:12:00.819
<v Speaker 6>you're like, I don't know what I'm going to be

3275
02:12:00.850 --> 02:12:02.090
<v Speaker 6>like by the time I'm done with this thing, because

3276
02:12:02.189 --> 02:12:02.600
<v Speaker 6>who knows?

3277
02:12:02.689 --> 02:12:03.619
<v Speaker 2>Right.

3278
02:12:04.270 --> 02:12:04.560
<v Speaker 1>Yes.

3279
02:12:04.739 --> 02:12:08.850
<v Speaker 2>If you're watching something like Vibrations, Fluctuation, and Submission, who

3280
02:12:08.869 --> 02:12:11.430
<v Speaker 2>knows how you end up with an ultimate degenerate in

3281
02:12:11.470 --> 02:12:13.550
<v Speaker 2>hot blood and lusting hours? I don't know what your

3282
02:12:13.569 --> 02:12:17.770
<v Speaker 2>mind is after that. Right. But that's fun, you know?

3283
02:12:18.189 --> 02:12:23.689
<v Speaker 2>What was the other one? Aroused? Rent-A-Girl, Help Wanted Female. Like, incredible. Yeah,

3284
02:12:23.850 --> 02:12:25.170
<v Speaker 2>I mean, but it is one of those things where

3285
02:12:25.189 --> 02:12:28.510
<v Speaker 2>it's like, The goal is to, and I guess that

3286
02:12:28.529 --> 02:12:30.770
<v Speaker 2>ties into your, when you discuss Mike's mindset of like,

3287
02:12:30.829 --> 02:12:33.579
<v Speaker 2>how much can we pack onto this and make it

3288
02:12:33.600 --> 02:12:37.960
<v Speaker 2>a quality product? And it's not that. I don't think

3289
02:12:38.000 --> 02:12:39.880
<v Speaker 2>it's speaking too much out of turn, but like, for example,

3290
02:12:39.920 --> 02:12:43.180
<v Speaker 2>the Mitchell Brothers stuff is all with vinegar syndrome. They

3291
02:12:43.199 --> 02:12:46.729
<v Speaker 2>have so many shorts that the Mitchell Brothers shot and

3292
02:12:47.210 --> 02:12:50.630
<v Speaker 2>short featurettes that were shot. All those could be packed

3293
02:12:50.710 --> 02:12:53.210
<v Speaker 2>onto there and the bit rate wouldn't go down, but

3294
02:12:53.229 --> 02:12:55.069
<v Speaker 2>they're not doing that. And so it just feels kind

3295
02:12:55.109 --> 02:12:57.770
<v Speaker 2>of like I wish there was that Mike Brainy mindset

3296
02:12:57.789 --> 02:12:59.810
<v Speaker 2>of like, how can we package, how can we make

3297
02:12:59.829 --> 02:13:02.689
<v Speaker 2>this package as jam-packed as possible without it affecting the

3298
02:13:02.729 --> 02:13:05.270
<v Speaker 2>visual quality? I think it can be done. I just

3299
02:13:05.300 --> 02:13:09.159
<v Speaker 2>think it's a question of wanting to do it. We

3300
02:13:10.319 --> 02:13:13.619
<v Speaker 2>have a different kind of mindset, I think. And yeah,

3301
02:13:13.640 --> 02:13:15.159
<v Speaker 2>like you said, I think it is the Wild West

3302
02:13:16.020 --> 02:13:18.010
<v Speaker 2>scenario where it's like, we can do whatever we want.

3303
02:13:18.090 --> 02:13:20.850
<v Speaker 2>Let's just do, let's just experiment and have fun with

3304
02:13:20.890 --> 02:13:22.819
<v Speaker 2>as much stuff as we can. but then that's kind

3305
02:13:22.840 --> 02:13:24.619
<v Speaker 2>of lost. I think you, people should be still be

3306
02:13:24.640 --> 02:13:26.300
<v Speaker 2>taking those risks and having fun like that.

3307
02:13:27.720 --> 02:13:27.859
<v Speaker 1>Yeah.

3308
02:13:27.880 --> 02:13:29.119
<v Speaker 6>I mean, at least people still care. I mean, you've

3309
02:13:29.140 --> 02:13:30.619
<v Speaker 6>got people in the business who care about these movies,

3310
02:13:30.640 --> 02:13:32.060
<v Speaker 6>you know, which I think that's really the main thing.

3311
02:13:32.079 --> 02:13:34.409
<v Speaker 6>You know, you've got labels like severing the vinegar syndrome

3312
02:13:34.430 --> 02:13:36.569
<v Speaker 6>and all that. And as long as there's like that

3313
02:13:36.609 --> 02:13:38.090
<v Speaker 6>drive that people out there want to put these out,

3314
02:13:38.189 --> 02:13:39.789
<v Speaker 6>I think that's, what's really important. And as long as,

3315
02:13:40.010 --> 02:13:41.829
<v Speaker 6>you know, younger audiences are still finding them out. Cause

3316
02:13:41.850 --> 02:13:44.180
<v Speaker 6>like when someone's like, Oh, I just discovered these. I'm like, great.

3317
02:13:44.189 --> 02:13:46.159
<v Speaker 6>You have an amazing journey ahead of you. Like, don't

3318
02:13:46.180 --> 02:13:48.060
<v Speaker 6>feel like a neophyte, like just go at your own

3319
02:13:48.100 --> 02:13:50.699
<v Speaker 6>pace and just, you know, watch watch season anywhere that

3320
02:13:50.720 --> 02:13:52.479
<v Speaker 6>you want it doesn't matter like just dive in and

3321
02:13:52.510 --> 02:13:54.250
<v Speaker 6>just wallow in the stuff because yeah you're just yeah

3322
02:13:54.270 --> 02:13:57.369
<v Speaker 6>you've got great times ahead of you so yep yeah.

3323
02:13:57.270 --> 02:13:58.810
<v Speaker 2>We have a few people that we talk to who

3324
02:13:58.850 --> 02:14:01.250
<v Speaker 2>are like yeah we have listeners that we talk to

3325
02:14:01.289 --> 02:14:03.789
<v Speaker 2>on the regular who are like in their 20s and

3326
02:14:03.810 --> 02:14:05.310
<v Speaker 2>they're like okay i'm gonna watch this i'm gonna watch

3327
02:14:05.340 --> 02:14:07.579
<v Speaker 2>that i'm just like oh my god to to be

3328
02:14:07.680 --> 02:14:11.159
<v Speaker 2>able to watch this for the first time ever.

3329
02:14:13.119 --> 02:14:15.029
<v Speaker 6>Yeah like wiping your mind and just starting these fresh

3330
02:14:15.050 --> 02:14:16.529
<v Speaker 6>again it would just be incredible like.

3331
02:14:16.550 --> 02:14:19.750
<v Speaker 2>Yes yes who did I just talk to oh well

3332
02:14:19.850 --> 02:14:21.390
<v Speaker 2>Jeffrey who comes on the show he's like I think

3333
02:14:21.430 --> 02:14:24.550
<v Speaker 2>I've only seen two Russ Meyer movies so and I

3334
02:14:24.569 --> 02:14:26.369
<v Speaker 2>think he was like Cherry Hair and Raquel what do

3335
02:14:26.390 --> 02:14:27.470
<v Speaker 2>you think about that and I was like well if

3336
02:14:27.489 --> 02:14:31.010
<v Speaker 2>you haven't seen Faster Pussycat or Motor Psycho or Super

3337
02:14:31.050 --> 02:14:34.500
<v Speaker 2>Vixens or any of that like Prioritize all of those.

3338
02:14:34.640 --> 02:14:38.380
<v Speaker 2>And for directors, there are right and wrong choices in

3339
02:14:38.420 --> 02:14:41.539
<v Speaker 2>that journey. But the genre in general, jump all over

3340
02:14:41.579 --> 02:14:43.199
<v Speaker 2>the place. You can go to a nudie cutie. You

3341
02:14:43.220 --> 02:14:44.579
<v Speaker 2>can go to a roughie. You can go to like

3342
02:14:44.619 --> 02:14:47.479
<v Speaker 2>a 70s thing. Yeah, just jump all over. And that's

3343
02:14:47.520 --> 02:14:50.260
<v Speaker 2>kind of what the image thing was. It was like,

3344
02:14:50.300 --> 02:14:51.479
<v Speaker 2>you didn't know what you were going to get. You

3345
02:14:51.500 --> 02:14:54.050
<v Speaker 2>were getting Wonderful Land of Oz and Jack and the Beanstalk.

3346
02:14:54.550 --> 02:14:59.289
<v Speaker 2>You know, the Starman movies. You know? Or, yeah, there

3347
02:14:59.329 --> 02:15:00.890
<v Speaker 2>was some other kiddie one that I was just like,

3348
02:15:00.930 --> 02:15:05.699
<v Speaker 2>this is truly... I can't believe it. Yeah, it was

3349
02:15:05.840 --> 02:15:09.590
<v Speaker 2>it was. Yeah, there's just a lot of variety there.

3350
02:15:10.310 --> 02:15:12.329
<v Speaker 2>And that was what made it so exciting. You just

3351
02:15:12.350 --> 02:15:13.170
<v Speaker 2>never knew what you're going to get.

3352
02:15:13.189 --> 02:15:15.229
<v Speaker 6>I think that's something that took a while for me

3353
02:15:15.250 --> 02:15:17.489
<v Speaker 6>to sort of realize is that especially with the huge,

3354
02:15:17.590 --> 02:15:19.890
<v Speaker 6>the big, really big directors like Russ Meyer and Bradley Massacre,

3355
02:15:19.909 --> 02:15:22.409
<v Speaker 6>like they're actually like at least a couple of generations

3356
02:15:22.449 --> 02:15:25.729
<v Speaker 6>who haven't seen those movies because they are not easily accessible,

3357
02:15:25.770 --> 02:15:27.479
<v Speaker 6>you know. So yeah, so being in like early 20s

3358
02:15:27.520 --> 02:15:29.260
<v Speaker 6>and being able to start with Russ Meyer, like that just,

3359
02:15:29.340 --> 02:15:31.340
<v Speaker 6>that amazed me. I mean, because I found those in

3360
02:15:31.479 --> 02:15:33.300
<v Speaker 6>the 80s on tape and that just like ripped my

3361
02:15:33.340 --> 02:15:35.600
<v Speaker 6>skull open, you know, watching those. So yeah, just sitting

3362
02:15:35.619 --> 02:15:38.149
<v Speaker 6>down and watching Faster Pussycat or like Super Vixens or

3363
02:15:38.159 --> 02:15:40.670
<v Speaker 6>something like that with no warning. Like I can't even

3364
02:15:40.710 --> 02:15:43.069
<v Speaker 6>imagine that. And I can't, I hope probably the Radley

3365
02:15:43.090 --> 02:15:44.850
<v Speaker 6>stuff will like come back out again. I want that

3366
02:15:44.869 --> 02:15:46.449
<v Speaker 6>whole catalog back. I've just been sort of floating around.

3367
02:15:46.470 --> 02:15:47.989
<v Speaker 6>So hopefully they'll sort that out because he was another

3368
02:15:48.029 --> 02:15:51.449
<v Speaker 6>one that just like, like seeing LaCroix and Camille, like,

3369
02:15:51.569 --> 02:15:53.029
<v Speaker 6>you know, within like a week of each other, I

3370
02:15:53.050 --> 02:15:55.210
<v Speaker 6>was just like, what, what is this? Like, how can

3371
02:15:55.229 --> 02:15:56.060
<v Speaker 6>this exist? You know?

3372
02:15:57.350 --> 02:15:59.840
<v Speaker 2>Well, do you deal with– well, because first run was

3373
02:15:59.899 --> 02:16:02.180
<v Speaker 2>Image as well, right? So there was a deal where

3374
02:16:02.199 --> 02:16:04.720
<v Speaker 2>they put out the Libertine, which is absolutely amazing.

3375
02:16:04.880 --> 02:16:05.680
<v Speaker 6>Yeah.

3376
02:16:06.119 --> 02:16:08.560
<v Speaker 2>Yeah, that was– and then that came out through Nucleus.

3377
02:16:08.619 --> 02:16:11.979
<v Speaker 2>It hasn't come out here yet. But yeah, like the

3378
02:16:12.010 --> 02:16:15.109
<v Speaker 2>first run stuff, that kept a lot of those Metzgers

3379
02:16:15.270 --> 02:16:17.449
<v Speaker 2>available for a while in the digital era.

3380
02:16:17.510 --> 02:16:17.789
<v Speaker 1>Yeah. Yeah.

3381
02:16:19.880 --> 02:16:21.220
<v Speaker 6>Um, and I luckily I got to hang with Bradley

3382
02:16:21.260 --> 02:16:23.430
<v Speaker 6>a lot. Um, cause we were, cause, um, you know,

3383
02:16:23.439 --> 02:16:24.489
<v Speaker 6>cause I knew him stuff really well. And so I

3384
02:16:24.489 --> 02:16:25.829
<v Speaker 6>would do Q and A's with him and, um, there

3385
02:16:25.850 --> 02:16:27.010
<v Speaker 6>was talk of me doing a book about him at

3386
02:16:27.029 --> 02:16:29.970
<v Speaker 6>some point. Um, which sadly, um, hasn't happened. I wish

3387
02:16:30.010 --> 02:16:32.270
<v Speaker 6>I'd sort of like maybe hit the gas a little

3388
02:16:32.290 --> 02:16:35.549
<v Speaker 6>bit harder before he died. Um, cause, um, you know,

3389
02:16:35.569 --> 02:16:37.049
<v Speaker 6>but the problem isn't that they started doing the commentaries

3390
02:16:37.069 --> 02:16:38.090
<v Speaker 6>for his movies and I was like, well, that just

3391
02:16:38.110 --> 02:16:41.159
<v Speaker 6>kind of like covered everything I wanted to do. So, um,

3392
02:16:41.459 --> 02:16:43.020
<v Speaker 6>I have to find a new angle on that. But, um,

3393
02:16:43.040 --> 02:16:44.879
<v Speaker 6>but yeah, Bradley was amazing. Just like getting to hang

3394
02:16:44.899 --> 02:16:47.100
<v Speaker 6>with him. I mean, what a guy he was, just

3395
02:16:47.120 --> 02:16:48.379
<v Speaker 6>the stories were phenomenal.

3396
02:16:49.719 --> 02:16:52.260
<v Speaker 2>Yeah, well, the one I want is Therese and Isabel.

3397
02:16:52.340 --> 02:16:54.549
<v Speaker 3>That's my absolute favorite.

3398
02:16:54.989 --> 02:16:58.030
<v Speaker 2>I love that movie. Because I saw that at Lincoln Center,

3399
02:16:58.129 --> 02:17:00.190
<v Speaker 2>and that was one where, like, it was great seeing

3400
02:17:00.209 --> 02:17:02.030
<v Speaker 2>it on the big screen, but actually the audience was

3401
02:17:02.090 --> 02:17:03.069
<v Speaker 2>so receptive to it.

3402
02:17:03.670 --> 02:17:03.989
<v Speaker 1>Oh, good.

3403
02:17:04.090 --> 02:17:04.930
<v Speaker 3>Yeah.

3404
02:17:05.500 --> 02:17:08.100
<v Speaker 2>But then, apparently, it showed at the New Beverly a

3405
02:17:08.280 --> 02:17:11.459
<v Speaker 2>couple months ago, and during the Arrow schedule, and people

3406
02:17:11.500 --> 02:17:14.719
<v Speaker 2>were apparently being really restless about it. And I was

3407
02:17:14.760 --> 02:17:17.159
<v Speaker 2>just like, well... When they paired it with Liquorice Quartet,

3408
02:17:17.180 --> 02:17:19.799
<v Speaker 2>which those are my two favorites of his, but I

3409
02:17:19.819 --> 02:17:21.729
<v Speaker 2>can imagine if you're watching them back to back, it's

3410
02:17:21.760 --> 02:17:25.190
<v Speaker 2>probably a lot. Like I saw those, I saw those theatrically,

3411
02:17:25.250 --> 02:17:29.969
<v Speaker 2>but individually, like separately. That was quite a double feature.

3412
02:17:31.049 --> 02:17:33.969
<v Speaker 2>His stuff is tough to double feature, I think. Yeah.

3413
02:17:34.530 --> 02:17:34.770
<v Speaker 1>Yeah.

3414
02:17:35.129 --> 02:17:35.969
<v Speaker 2>There's a lot to take in.

3415
02:17:36.409 --> 02:17:37.750
<v Speaker 6>It depends on the crowd.

3416
02:17:38.149 --> 02:17:38.430
<v Speaker 1>Yeah.

3417
02:17:38.469 --> 02:17:39.950
<v Speaker 6>I mean, I've seen a lot of his stuff theatrically

3418
02:17:39.989 --> 02:17:42.059
<v Speaker 6>multiple times and yeah, it is interesting. The crowd, I

3419
02:17:42.079 --> 02:17:44.170
<v Speaker 6>can see how Trish Isabel could like really misfire with

3420
02:17:44.170 --> 02:17:45.579
<v Speaker 6>the wrong group at the wrong time.

3421
02:17:45.579 --> 02:17:45.790
<v Speaker 1>Yeah.

3422
02:17:45.790 --> 02:17:46.590
<v Speaker 6>Um, that makes sense.

3423
02:17:46.709 --> 02:17:46.969
<v Speaker 2>I suppose.

3424
02:17:46.989 --> 02:17:49.129
<v Speaker 6>I mean, like, like score always kills with the crowd.

3425
02:17:49.209 --> 02:17:53.309
<v Speaker 6>Like you said, it never fails. I mean, it always,

3426
02:17:53.370 --> 02:17:55.309
<v Speaker 6>I mean, it just brings the house down, like, like

3427
02:17:56.049 --> 02:17:58.319
<v Speaker 6>start to finish. Um, Camille works really well.

3428
02:17:58.399 --> 02:17:58.719
<v Speaker 2>Yeah.

3429
02:17:59.139 --> 02:18:01.190
<v Speaker 6>You know, we'll see. But yeah, I really hope they,

3430
02:18:01.719 --> 02:18:03.500
<v Speaker 6>now they're starting restoring them. I know Tristan Isabel has been,

3431
02:18:03.780 --> 02:18:05.520
<v Speaker 6>done a beautiful restoration on that. So hopefully they'll get

3432
02:18:05.540 --> 02:18:07.360
<v Speaker 6>them back out there and people can start, you know,

3433
02:18:07.379 --> 02:18:08.000
<v Speaker 6>seeing more widely.

3434
02:18:08.020 --> 02:18:08.639
<v Speaker 2>I hope so.

3435
02:18:09.329 --> 02:18:10.149
<v Speaker 1>Yeah. Score.

3436
02:18:10.170 --> 02:18:10.610
<v Speaker 3>I know.

3437
02:18:10.750 --> 02:18:13.469
<v Speaker 2>Well, I know that basically all the hardcores are eventually

3438
02:18:13.510 --> 02:18:16.149
<v Speaker 2>coming from, from Melusine. Cause I think they still have

3439
02:18:16.209 --> 02:18:18.469
<v Speaker 2>all of those, but I think score is going to be,

3440
02:18:18.510 --> 02:18:20.069
<v Speaker 2>they haven't put it out before, but I think they

3441
02:18:20.090 --> 02:18:24.069
<v Speaker 2>are going to, I think. I love that.

3442
02:18:24.250 --> 02:18:24.430
<v Speaker 1>Yeah.

3443
02:18:24.469 --> 02:18:25.090
<v Speaker 3>I love that one.

3444
02:18:25.190 --> 02:18:27.280
<v Speaker 2>I wish Jared Douglas was still around to do a commentary.

3445
02:18:27.299 --> 02:18:30.180
<v Speaker 2>Cause he was kind of the co-director of that. He

3446
02:18:30.219 --> 02:18:32.979
<v Speaker 2>directed the actors and everything. Cause it was a play.

3447
02:18:34.479 --> 02:18:38.450
<v Speaker 2>But yeah, that is there. there were other like sexploitation

3448
02:18:38.489 --> 02:18:40.889
<v Speaker 2>things that came out through image. Were you involved with

3449
02:18:40.909 --> 02:18:43.190
<v Speaker 2>those either as well? Or was it just the, the

3450
02:18:43.409 --> 02:18:45.739
<v Speaker 2>image stuff? Like I'm thinking of like the, the Ted V.

3451
02:18:45.770 --> 02:18:47.559
<v Speaker 2>Michaels with like girl in gold boots, which.

3452
02:18:47.579 --> 02:18:48.700
<v Speaker 3>Is kind of sexploitation.

3453
02:18:49.100 --> 02:18:50.920
<v Speaker 6>Oh yeah. I worked with Ted a lot. Um, actually

3454
02:18:50.940 --> 02:18:52.540
<v Speaker 6>I had to teach, I had to teach Ted how

3455
02:18:52.579 --> 02:18:53.500
<v Speaker 6>to do an audio commentary.

3456
02:18:54.680 --> 02:18:55.500
<v Speaker 2>God. Yeah.

3457
02:18:55.559 --> 02:18:55.860
<v Speaker 3>Yeah.

3458
02:18:56.000 --> 02:18:58.620
<v Speaker 2>I bet you did. Cause I remember some of those

3459
02:18:58.680 --> 02:18:59.459
<v Speaker 2>early comments.

3460
02:19:00.780 --> 02:19:00.979
<v Speaker 3>Yeah.

3461
02:19:01.000 --> 02:19:02.360
<v Speaker 6>Cause he turned in his first couple of ones when

3462
02:19:02.379 --> 02:19:04.729
<v Speaker 6>he was just like, And now he's opening the door.

3463
02:19:04.750 --> 02:19:06.809
<v Speaker 6>And now he's walking in the other room. And I

3464
02:19:06.809 --> 02:19:10.549
<v Speaker 6>was like, Ted, Ted, come on. People don't want to

3465
02:19:10.590 --> 02:19:10.829
<v Speaker 6>hear this.

3466
02:19:12.290 --> 02:19:12.610
<v Speaker 1>No.

3467
02:19:13.069 --> 02:19:13.569
<v Speaker 2>Poor guy.

3468
02:19:13.590 --> 02:19:15.850
<v Speaker 6>I love Ted, though.

3469
02:19:15.909 --> 02:19:17.170
<v Speaker 3>He was a nice guy.

3470
02:19:17.190 --> 02:19:18.450
<v Speaker 6>He's such a sweetheart.

3471
02:19:19.129 --> 02:19:19.930
<v Speaker 3>He was a nice guy.

3472
02:19:20.010 --> 02:19:21.790
<v Speaker 2>I love Girl in Blue. That was the one he

3473
02:19:21.829 --> 02:19:24.290
<v Speaker 2>always told me to watch. That and Black Klansman. Anytime

3474
02:19:24.309 --> 02:19:26.149
<v Speaker 2>I'd have a question about a movie that he knew

3475
02:19:26.209 --> 02:19:28.479
<v Speaker 2>was garbage, he'd be like, yeah, not one of my

3476
02:19:28.500 --> 02:19:30.940
<v Speaker 2>better movies. Make sure you watch black Klansman and girl

3477
02:19:30.959 --> 02:19:32.879
<v Speaker 2>in gold boots. I was like, I've seen them. I

3478
02:19:32.920 --> 02:19:36.579
<v Speaker 2>love them. I agree. I don't have any questions about those.

3479
02:19:36.600 --> 02:19:36.680
<v Speaker 1>Yeah.

3480
02:19:37.600 --> 02:19:42.360
<v Speaker 6>Anything that was under the, the, um, basically any, any

3481
02:19:42.409 --> 02:19:45.549
<v Speaker 6>of the cult movie stuff pretty much like went through me. Um,

3482
02:19:45.850 --> 02:19:46.530
<v Speaker 6>all of those.

3483
02:19:46.549 --> 02:19:46.770
<v Speaker 1>Yeah.

3484
02:19:47.110 --> 02:19:48.790
<v Speaker 6>Um, any other stuff, even some of the later stuff,

3485
02:19:48.809 --> 02:19:50.989
<v Speaker 6>you know, like there's nothing out there, even like the eighties, nineties,

3486
02:19:51.030 --> 02:19:53.209
<v Speaker 6>whatever that I usually handled anyway, because people were like,

3487
02:19:53.670 --> 02:19:57.180
<v Speaker 6>it's weird. Give it to Daniel. Um, And they tried

3488
02:19:57.219 --> 02:19:58.760
<v Speaker 6>to change things up for a while because they started

3489
02:19:58.799 --> 02:20:00.540
<v Speaker 6>shifting stuff around. They're like, oh, now you can handle

3490
02:20:00.559 --> 02:20:04.889
<v Speaker 6>all the music concert titles. I was like, really? Why? Like, no,

3491
02:20:04.909 --> 02:20:05.200
<v Speaker 6>thank you.

3492
02:20:07.309 --> 02:20:09.129
<v Speaker 3>What was your timeline at Image?

3493
02:20:09.790 --> 02:20:14.229
<v Speaker 6>It was around late 2000, I think is when I started. Well,

3494
02:20:14.250 --> 02:20:15.850
<v Speaker 6>it's when I started DVD Planet. And so that ran

3495
02:20:15.870 --> 02:20:17.430
<v Speaker 6>about a year. And so then I jumped over to Image.

3496
02:20:17.690 --> 02:20:20.590
<v Speaker 6>And then it went till around, I think it was

3497
02:20:20.610 --> 02:20:21.899
<v Speaker 6>late 2010, I think.

3498
02:20:22.350 --> 02:20:23.319
<v Speaker 3>Okay.

3499
02:20:23.399 --> 02:20:29.889
<v Speaker 6>Because this was right when we were in... Because there was... Okay,

3500
02:20:29.950 --> 02:20:32.090
<v Speaker 6>so Image decided in its infinite wisdom, this is a

3501
02:20:32.110 --> 02:20:34.129
<v Speaker 6>mistake other companies have done, that they wanted to be

3502
02:20:34.149 --> 02:20:35.950
<v Speaker 6>a big player. They wanted to go theatrical. They wanted

3503
02:20:35.969 --> 02:20:38.590
<v Speaker 6>to put out their own movies. And they spent a

3504
02:20:38.629 --> 02:20:41.770
<v Speaker 6>ton of money on this movie called Management, which Jennifer

3505
02:20:41.790 --> 02:20:42.670
<v Speaker 6>Aniston and Steve Zahn.

3506
02:20:43.409 --> 02:20:43.629
<v Speaker 1>Oh.

3507
02:20:48.379 --> 02:20:49.760
<v Speaker 10>Who is it? Management.

3508
02:20:50.319 --> 02:20:51.020
<v Speaker 2>Champagne.

3509
02:20:51.440 --> 02:20:51.790
<v Speaker 1>Why? Why?

3510
02:20:52.540 --> 02:20:55.020
<v Speaker 3>Would you like me to open it for you? Here's

3511
02:20:55.100 --> 02:20:59.450
<v Speaker 3>to people being happy. You have a great butt.

3512
02:20:59.469 --> 02:21:01.010
<v Speaker 2>Do you do this a lot, Mike?

3513
02:21:01.489 --> 02:21:03.489
<v Speaker 6>Very rarely. Does it ever work?

3514
02:21:03.790 --> 02:21:04.110
<v Speaker 1>Never.

3515
02:21:05.190 --> 02:21:06.549
<v Speaker 6>I don't know why. I don't know why I thought

3516
02:21:06.569 --> 02:21:07.739
<v Speaker 6>it would be a big hit. Oh, she's on Friends.

3517
02:21:07.770 --> 02:21:08.979
<v Speaker 6>You were going to come see this.

3518
02:21:09.000 --> 02:21:12.780
<v Speaker 2>Was it Sidney Kimmel or something? I forget the producer.

3519
02:21:13.620 --> 02:21:16.340
<v Speaker 2>I work with his company. We represent that for airlines

3520
02:21:16.379 --> 02:21:16.940
<v Speaker 2>at our company.

3521
02:21:17.520 --> 02:21:18.969
<v Speaker 1>Yeah. Yeah. Weirdly.

3522
02:21:20.680 --> 02:21:26.409
<v Speaker 6>So that happened. Didn't make a dime. And then they decided, oh, well,

3523
02:21:26.510 --> 02:21:29.149
<v Speaker 6>Walmart was really huge at the time because Walmart would

3524
02:21:29.170 --> 02:21:31.110
<v Speaker 6>buy huge quantities and they would spend a lot of

3525
02:21:31.149 --> 02:21:34.270
<v Speaker 6>money and they would dump and they would buy stuff

3526
02:21:34.290 --> 02:21:36.090
<v Speaker 6>for their $ 5 bin, which was like, if you got

3527
02:21:36.110 --> 02:21:39.909
<v Speaker 6>a $ 5 bin, you were, you know, you're great. But

3528
02:21:39.930 --> 02:21:41.510
<v Speaker 6>they didn't take into account, a lot of labels got

3529
02:21:41.530 --> 02:21:43.450
<v Speaker 6>screwed over the entertainment account. If it doesn't sell, it's

3530
02:21:43.489 --> 02:21:45.649
<v Speaker 6>coming back and you're going to take a hit on

3531
02:21:45.670 --> 02:21:48.899
<v Speaker 6>that stuff. And so they sold... They went out selling, oh,

3532
02:21:48.899 --> 02:21:51.340
<v Speaker 6>we'll sell 300,000 copies of Short Circuit to Walmart. It's like,

3533
02:21:51.620 --> 02:21:54.120
<v Speaker 6>are you insane? Why are you doing that? Because it's

3534
02:21:54.200 --> 02:22:00.340
<v Speaker 6>all going to come back. So decisions like that were ill-advised.

3535
02:22:01.040 --> 02:22:04.959
<v Speaker 6>And in the meantime, there was a very aggressive hostile

3536
02:22:04.979 --> 02:22:08.139
<v Speaker 6>takeover attempt by Lionsgate. They really wanted to buy Image out,

3537
02:22:08.180 --> 02:22:10.040
<v Speaker 6>and they were going to the shareholders, and they were

3538
02:22:10.059 --> 02:22:12.260
<v Speaker 6>really trying to do it. And Image just barely managed

3539
02:22:12.280 --> 02:22:13.729
<v Speaker 6>to fend them off. It was grim. It was grim.

3540
02:22:14.389 --> 02:22:16.110
<v Speaker 6>like a few months when that was going on. Um,

3541
02:22:16.209 --> 02:22:17.549
<v Speaker 6>cause they really just wanted to like suck up the

3542
02:22:17.709 --> 02:22:19.290
<v Speaker 6>library and just dissolve the whole company. And that was

3543
02:22:19.309 --> 02:22:22.459
<v Speaker 6>going to be it. Uh, and eventually they realized, well,

3544
02:22:22.879 --> 02:22:25.000
<v Speaker 6>you know, after we've, after all this stuff had gone down,

3545
02:22:25.020 --> 02:22:27.079
<v Speaker 6>they're like, well, we've got to do something with this company.

3546
02:22:27.100 --> 02:22:28.540
<v Speaker 6>We got to find somebody to buy it out. Cause

3547
02:22:28.600 --> 02:22:29.979
<v Speaker 6>you know, otherwise we're going to be in hot water.

3548
02:22:30.180 --> 02:22:32.379
<v Speaker 6>And so they wound up getting bought by a company

3549
02:22:32.399 --> 02:22:34.639
<v Speaker 6>called RLJ entertainment, which was run by the guy who

3550
02:22:34.659 --> 02:22:39.430
<v Speaker 6>owned BET. And he, um, also bought, um, acorns. And

3551
02:22:39.450 --> 02:22:42.239
<v Speaker 6>since then, they've been bought out by AMC. And so

3552
02:22:42.260 --> 02:22:44.059
<v Speaker 6>that's why Image is involved in stuff by Shudder. And

3553
02:22:44.340 --> 02:22:47.260
<v Speaker 6>it's all just a big conglomerate of things. The Image

3554
02:22:47.280 --> 02:22:49.200
<v Speaker 6>Entertainment name still exists on some things, but it's just

3555
02:22:49.219 --> 02:22:52.180
<v Speaker 6>a filing cabinet. It's not really a company anymore. So

3556
02:22:52.600 --> 02:22:54.590
<v Speaker 6>when RLJ first bought them out, there was one round

3557
02:22:54.610 --> 02:22:56.530
<v Speaker 6>of layoffs where they laid off maybe a couple of

3558
02:22:56.549 --> 02:22:59.590
<v Speaker 6>QC people, a couple of artists, a little bit of

3559
02:22:59.610 --> 02:23:01.590
<v Speaker 6>trimming off the top. And we knew there was going

3560
02:23:01.610 --> 02:23:02.850
<v Speaker 6>to be more than that. But that was one round.

3561
02:23:02.870 --> 02:23:05.389
<v Speaker 6>We were like, oh, here it comes. And that was

3562
02:23:05.430 --> 02:23:06.950
<v Speaker 6>going down. But I'm just chugging ahead doing my thing.

3563
02:23:07.340 --> 02:23:08.790
<v Speaker 6>And I also had worked on a lot of TV

3564
02:23:08.809 --> 02:23:10.729
<v Speaker 6>stuff at the time because one of my real babies,

3565
02:23:11.350 --> 02:23:12.889
<v Speaker 6>my real babies later on in the image was one

3566
02:23:12.930 --> 02:23:15.049
<v Speaker 6>was getting the Sylvester Stump Caligula done, which I spent

3567
02:23:15.069 --> 02:23:15.629
<v Speaker 6>like a year on.

3568
02:23:15.649 --> 02:23:16.170
<v Speaker 1>Yes.

3569
02:23:16.430 --> 02:23:17.909
<v Speaker 6>Because that was just like.

3570
02:23:18.190 --> 02:23:21.479
<v Speaker 2>What a labor of love. What an incredible release. Good grief.

3571
02:23:22.780 --> 02:23:23.819
<v Speaker 2>So comprehensive.

3572
02:23:24.379 --> 02:23:24.620
<v Speaker 1>Yeah.

3573
02:23:24.879 --> 02:23:26.920
<v Speaker 6>Because I pushed hard because I was like, you guys

3574
02:23:27.319 --> 02:23:28.700
<v Speaker 6>have the penthouse thing. Why has no one done a

3575
02:23:28.700 --> 02:23:30.139
<v Speaker 6>special edition? They were like, well, what could you do?

3576
02:23:30.159 --> 02:23:32.120
<v Speaker 6>And I'm like, it is the most amazing behind the

3577
02:23:32.139 --> 02:23:35.020
<v Speaker 6>scenes story of any movie ever. Like you can't. It's

3578
02:23:35.059 --> 02:23:37.659
<v Speaker 6>the craziest thing. I mean, like the movie has flaws,

3579
02:23:37.860 --> 02:23:40.100
<v Speaker 6>but like just, you could do the most amazing addition

3580
02:23:40.120 --> 02:23:42.280
<v Speaker 6>for this. So they were like, fine, we'll, we'll just,

3581
02:23:42.329 --> 02:23:44.270
<v Speaker 6>you know, kind of check the penthouse and they're, you know, they'll,

3582
02:23:44.389 --> 02:23:47.010
<v Speaker 6>they'll fund the special edition. So I got everybody involved

3583
02:23:47.030 --> 02:23:49.229
<v Speaker 6>with it. Um, and the other one that I really

3584
02:23:49.250 --> 02:23:50.489
<v Speaker 6>want to do, cause we had to deal with NBC

3585
02:23:50.549 --> 02:23:52.469
<v Speaker 6>universal and I was like, I really want to do thriller,

3586
02:23:52.610 --> 02:23:53.989
<v Speaker 6>the TV series, the Boris Karloff one.

3587
02:23:54.670 --> 02:23:55.209
<v Speaker 1>Oh yeah.

3588
02:23:55.790 --> 02:23:57.229
<v Speaker 6>Um, that was like a real baby of mine that

3589
02:23:57.250 --> 02:23:59.309
<v Speaker 6>I wanted done. And so I brought in, um, Steve Mitchell,

3590
02:23:59.329 --> 02:24:00.790
<v Speaker 6>who I still do tracks with sometimes I brought him

3591
02:24:00.829 --> 02:24:03.450
<v Speaker 6>in to, um, he basically kind of lived in our

3592
02:24:03.469 --> 02:24:05.309
<v Speaker 6>office for a while, um, helping out doing all the

3593
02:24:05.350 --> 02:24:07.319
<v Speaker 6>commentaries and interviews and stuff like that. Cause I just

3594
02:24:07.340 --> 02:24:09.180
<v Speaker 6>didn't have time. Cause it was, if you, if you

3595
02:24:09.200 --> 02:24:11.940
<v Speaker 6>have the set, you know, there's like, there's like commentaries

3596
02:24:11.979 --> 02:24:13.260
<v Speaker 6>on every single episode on that.

3597
02:24:13.280 --> 02:24:14.219
<v Speaker 3>And I was like, I can't do that.

3598
02:24:15.280 --> 02:24:17.989
<v Speaker 6>Um, it was stacked. So we did the first season

3599
02:24:18.030 --> 02:24:20.350
<v Speaker 6>of thriller and I was just starting season two. And

3600
02:24:20.370 --> 02:24:23.049
<v Speaker 6>that's when the next round of layoffs hit. And, uh,

3601
02:24:24.149 --> 02:24:25.989
<v Speaker 6>So the guy who was heading marketing at the time,

3602
02:24:26.010 --> 02:24:28.270
<v Speaker 6>this guy named Steve DeMille, they were doing all the

3603
02:24:28.290 --> 02:24:30.370
<v Speaker 6>layoffs that morning, and they thought they were done. I

3604
02:24:30.370 --> 02:24:32.379
<v Speaker 6>was about to go to lunch with our Criterion person

3605
02:24:32.520 --> 02:24:33.739
<v Speaker 6>named Julianne. I was about to walk out the door,

3606
02:24:33.760 --> 02:24:35.280
<v Speaker 6>and they were like, oh, Nathaniel, come here for a second.

3607
02:24:35.299 --> 02:24:38.659
<v Speaker 6>I was like, oh, shit. So I went in his office,

3608
02:24:38.680 --> 02:24:41.500
<v Speaker 6>and sure enough, got the layoff papers. It was like

3609
02:24:41.540 --> 02:24:43.569
<v Speaker 6>a total, I mean, I think like half the staff

3610
02:24:43.579 --> 02:24:46.709
<v Speaker 6>was gone that day. It was really bad. But then

3611
02:24:47.069 --> 02:24:48.610
<v Speaker 6>it's like a week later, they realized it was like

3612
02:24:48.649 --> 02:24:50.590
<v Speaker 6>I was working on like 30 projects that they had

3613
02:24:50.610 --> 02:24:53.670
<v Speaker 6>a lot of money sunk into, including Thriller Season 2.

3614
02:24:53.670 --> 02:24:55.450
<v Speaker 6>And they were like, uh, we have no idea how

3615
02:24:55.479 --> 02:24:57.879
<v Speaker 6>to do this. Like, we don't know at what stage

3616
02:24:57.920 --> 02:24:59.959
<v Speaker 6>these are in. Like what? Cause you know, it's all

3617
02:24:59.979 --> 02:25:01.379
<v Speaker 6>on my computer and they'd shut it down. And I

3618
02:25:01.399 --> 02:25:03.719
<v Speaker 6>was like, okay. So they had to bring me back

3619
02:25:04.120 --> 02:25:06.059
<v Speaker 6>to work for like another eight months, a freelance and

3620
02:25:06.079 --> 02:25:07.680
<v Speaker 6>basically pay me twice as much to work and finish

3621
02:25:07.700 --> 02:25:08.700
<v Speaker 6>all the stuff I was doing.

3622
02:25:08.899 --> 02:25:10.659
<v Speaker 3>Oh my God.

3623
02:25:11.020 --> 02:25:11.219
<v Speaker 2>Okay.

3624
02:25:11.340 --> 02:25:11.600
<v Speaker 1>Thanks.

3625
02:25:14.920 --> 02:25:16.500
<v Speaker 6>So it wasn't like an unfriendly split. I mean, I

3626
02:25:16.520 --> 02:25:17.920
<v Speaker 6>know why it happened. You could tell that things were

3627
02:25:17.940 --> 02:25:21.180
<v Speaker 6>sort of winding down, you know, obviously. Um, and like,

3628
02:25:21.219 --> 02:25:22.370
<v Speaker 6>as soon as I was done with that, I mean, I,

3629
02:25:22.889 --> 02:25:24.889
<v Speaker 6>like a year after that, I think hardly anybody was

3630
02:25:24.920 --> 02:25:27.049
<v Speaker 6>left from the original gang. They got sort of sucked

3631
02:25:27.090 --> 02:25:29.290
<v Speaker 6>up in RLJ. They kept like maybe two of the

3632
02:25:29.329 --> 02:25:32.030
<v Speaker 6>art people and maybe one or two other, like the

3633
02:25:32.069 --> 02:25:32.549
<v Speaker 6>legal person.

3634
02:25:32.569 --> 02:25:34.309
<v Speaker 3>I think it kind of worked out well for you.

3635
02:25:34.930 --> 02:25:35.129
<v Speaker 1>Yeah.

3636
02:25:35.170 --> 02:25:36.209
<v Speaker 6>Oh, it was totally fine.

3637
02:25:36.270 --> 02:25:36.549
<v Speaker 2>Cause yeah.

3638
02:25:36.590 --> 02:25:37.590
<v Speaker 6>Once I finished, then I went to work for the

3639
02:25:37.649 --> 02:25:42.709
<v Speaker 6>Oscars and I was like, woo. So, um, it all

3640
02:25:42.729 --> 02:25:44.229
<v Speaker 6>worked out, but I mean, I do miss it because

3641
02:25:44.250 --> 02:25:45.530
<v Speaker 6>like I said, it was a dream gig. It was

3642
02:25:45.569 --> 02:25:46.989
<v Speaker 6>just fun. Cause like you never knew week to week

3643
02:25:47.010 --> 02:25:49.309
<v Speaker 6>who you were going to be talking to. Um, you know,

3644
02:25:49.329 --> 02:25:51.229
<v Speaker 6>it's like, Oh, you want to, tomorrow, you want to

3645
02:25:51.250 --> 02:25:53.649
<v Speaker 6>go talk to Johnny legend for a commentary? I'm like, okay, fine. Sure.

3646
02:25:53.709 --> 02:25:53.969
<v Speaker 2>Whatever.

3647
02:25:56.290 --> 02:25:57.510
<v Speaker 6>Um, or like, you know, or Hey, Mike and Lisa

3648
02:25:57.530 --> 02:25:58.989
<v Speaker 6>are coming into town, you know, let's, let's plot out

3649
02:25:59.010 --> 02:26:02.100
<v Speaker 6>the next 20 titles. I was like, great. Um, so,

3650
02:26:02.120 --> 02:26:03.760
<v Speaker 6>you know, there, that aspect is gone, um, which I

3651
02:26:03.780 --> 02:26:05.540
<v Speaker 6>don't think any job would ever get that bad.

3652
02:26:05.559 --> 02:26:07.840
<v Speaker 3>Cause that time, that's what I was going to say.

3653
02:26:07.899 --> 02:26:08.239
<v Speaker 6>Yeah.

3654
02:26:08.399 --> 02:26:09.379
<v Speaker 3>It just doesn't exist.

3655
02:26:10.680 --> 02:26:12.100
<v Speaker 6>But I mean, just that the amount of like sex

3656
02:26:12.120 --> 02:26:14.090
<v Speaker 6>exploitation stuff that, that we managed to get out in

3657
02:26:14.129 --> 02:26:15.889
<v Speaker 6>front of the public, it just still kind of like

3658
02:26:16.309 --> 02:26:17.870
<v Speaker 6>freaks me out that we got away with murder. I

3659
02:26:17.909 --> 02:26:20.500
<v Speaker 6>think against some of those things, like, There's the last

3660
02:26:20.520 --> 02:26:23.899
<v Speaker 6>trilogy on DVD, you know, sitting there in borders. What

3661
02:26:23.920 --> 02:26:26.000
<v Speaker 6>kind of world is this?

3662
02:26:26.319 --> 02:26:28.559
<v Speaker 2>Just corrupting one mind after another.

3663
02:26:28.579 --> 02:26:30.639
<v Speaker 6>Yeah, I just like to think that like.

3664
02:26:30.700 --> 02:26:35.309
<v Speaker 2>Under the corporate umbrella. She's so crazy. Yeah, it really

3665
02:26:35.350 --> 02:26:38.069
<v Speaker 2>is crazy when you think about it. Yeah, a lot

3666
02:26:38.090 --> 02:26:41.969
<v Speaker 2>of corruption going on. One mind at a time.

3667
02:26:42.510 --> 02:26:45.790
<v Speaker 6>Yeah, some crazy 15-year-old kid out in the boonies of

3668
02:26:45.829 --> 02:26:47.829
<v Speaker 6>Illinois or something might have gotten that disc and changed

3669
02:26:47.850 --> 02:26:48.510
<v Speaker 6>their life. Who knows?

3670
02:26:48.909 --> 02:26:48.989
<v Speaker 1>Yeah.

3671
02:26:50.079 --> 02:26:55.809
<v Speaker 2>Exactly. They could be listening right now. I keep forgetting

3672
02:26:55.909 --> 02:26:57.809
<v Speaker 2>that people actually listen to this thing and people are like,

3673
02:26:57.870 --> 02:26:58.510
<v Speaker 2>Oh yeah, sure.

3674
02:26:58.790 --> 02:26:59.430
<v Speaker 3>Yeah.

3675
02:27:00.110 --> 02:27:02.909
<v Speaker 2>Um, yeah, actually Johnny legend. I wanted to ask about,

3676
02:27:02.930 --> 02:27:06.370
<v Speaker 2>because those two commentaries I love on the Mondo mod

3677
02:27:06.870 --> 02:27:09.799
<v Speaker 2>can't be revolt because it really is just like them

3678
02:27:09.829 --> 02:27:13.200
<v Speaker 2>talking about what LA used to be like at that time.

3679
02:27:13.239 --> 02:27:15.100
<v Speaker 2>And then they also cover San Francisco. And it really

3680
02:27:15.180 --> 02:27:18.370
<v Speaker 2>is like a great look at counterculture and like, movie

3681
02:27:18.409 --> 02:27:19.629
<v Speaker 2>culture and stuff like that in.

3682
02:27:19.590 --> 02:27:22.309
<v Speaker 3>The town those dudes were like actually on those streets

3683
02:27:22.370 --> 02:27:24.350
<v Speaker 3>like they know them so well yeah.

3684
02:27:24.489 --> 02:27:28.530
<v Speaker 2>Yes those are great commentaries and uh that's yeah i

3685
02:27:28.670 --> 02:27:31.110
<v Speaker 2>that's the thing that's those are those are two others

3686
02:27:31.149 --> 02:27:33.489
<v Speaker 2>or at least i know mondo mods with novak i'm

3687
02:27:33.549 --> 02:27:35.530
<v Speaker 2>just like i would love those to get reissued just

3688
02:27:35.569 --> 02:27:38.590
<v Speaker 2>because those commentaries are so great there's just as exciting

3689
02:27:38.610 --> 02:27:40.409
<v Speaker 2>and interesting as the movies Yeah.

3690
02:27:40.489 --> 02:27:42.989
<v Speaker 6>I remember like wrestling 211 USA was a fun one

3691
02:27:43.030 --> 02:27:45.729
<v Speaker 6>to do too. The track we did on that one. Yeah.

3692
02:27:46.049 --> 02:27:46.350
<v Speaker 2>Yes.

3693
02:27:46.409 --> 02:27:46.889
<v Speaker 3>That's right.

3694
02:27:47.010 --> 02:27:52.040
<v Speaker 2>Oh yeah. I forgot about that one. It's just jumping

3695
02:27:52.079 --> 02:27:53.479
<v Speaker 2>all over the place. You never knew.

3696
02:27:53.540 --> 02:27:53.739
<v Speaker 7>Yeah.

3697
02:27:53.760 --> 02:27:56.879
<v Speaker 2>It's like a disc all it's all about wrestling. See,

3698
02:27:57.000 --> 02:27:59.239
<v Speaker 2>and that's the funny thing. When it was reissued by Kino,

3699
02:27:59.399 --> 02:28:01.729
<v Speaker 2>it was paired with something else. And I was like, well,

3700
02:28:01.829 --> 02:28:06.670
<v Speaker 2>it's not a disc packed with nonstop wrestling. All over

3701
02:28:06.850 --> 02:28:08.950
<v Speaker 2>the disc. Yeah, that's wrestling content.

3702
02:28:10.670 --> 02:28:11.909
<v Speaker 3>Start to finish that whole disc.

3703
02:28:12.149 --> 02:28:12.729
<v Speaker 1>Yeah. Oh yeah.

3704
02:28:12.750 --> 02:28:12.909
<v Speaker 3>Yeah.

3705
02:28:12.930 --> 02:28:13.069
<v Speaker 9>Yeah.

3706
02:28:13.209 --> 02:28:15.610
<v Speaker 6>No, I love the keynote call. They're doing, they're putting out,

3707
02:28:15.639 --> 02:28:17.100
<v Speaker 6>but yeah, it doesn't have the whole sort of like

3708
02:28:17.139 --> 02:28:19.000
<v Speaker 6>just free for all like buffet pack to the gills

3709
02:28:19.040 --> 02:28:20.200
<v Speaker 6>feeling you got on those DVDs.

3710
02:28:20.559 --> 02:28:20.879
<v Speaker 1>Right.

3711
02:28:21.040 --> 02:28:22.540
<v Speaker 2>No, it's a little more.

3712
02:28:22.559 --> 02:28:22.639
<v Speaker 1>Yeah.

3713
02:28:22.879 --> 02:28:24.659
<v Speaker 2>It's a little more like Eric Schaefer. It's a little

3714
02:28:24.680 --> 02:28:27.659
<v Speaker 2>more historical. It's a little more, not respectful, but it's

3715
02:28:27.700 --> 02:28:32.149
<v Speaker 2>a little more like, it's like, it's like institutional care.

3716
02:28:32.350 --> 02:28:35.190
<v Speaker 2>Whereas it imaged in something weird feels like, well, this

3717
02:28:35.209 --> 02:28:38.469
<v Speaker 2>is a free for all. It's wrestling. Here's wrestling. Right.

3718
02:28:38.510 --> 02:28:41.860
<v Speaker 3>You know, Brett Wood has a perspective on these films

3719
02:28:41.899 --> 02:28:43.639
<v Speaker 3>that is different. You know, he's coming from, like, a

3720
02:28:43.700 --> 02:28:45.579
<v Speaker 3>restorationist's perspective.

3721
02:28:46.219 --> 02:28:46.440
<v Speaker 2>Great.

3722
02:28:46.459 --> 02:28:51.200
<v Speaker 3>Like, a historian of, like, early exploitation. That's, like, his mindset,

3723
02:28:51.219 --> 02:28:51.520
<v Speaker 3>sort of.

3724
02:28:51.579 --> 02:28:52.479
<v Speaker 1>Yeah. Right.

3725
02:28:52.659 --> 02:28:53.639
<v Speaker 3>And Shakespeare's the same way.

3726
02:28:53.659 --> 02:28:56.780
<v Speaker 2>Because Shakespeare literally wrote the book on that genre.

3727
02:28:56.819 --> 02:28:57.079
<v Speaker 1>Yeah.

3728
02:28:57.420 --> 02:29:01.309
<v Speaker 3>But, like, the Sexploiter's raw love, like, that release feels

3729
02:29:01.409 --> 02:29:03.850
<v Speaker 3>like kind of a throwback to the Image days. Because,

3730
02:29:03.889 --> 02:29:06.329
<v Speaker 3>you know, raw love, nobody expected that.

3731
02:29:07.069 --> 02:29:07.350
<v Speaker 6>Right.

3732
02:29:07.909 --> 02:29:08.290
<v Speaker 1>Yeah. Yeah.

3733
02:29:08.610 --> 02:29:09.649
<v Speaker 6>I mean, they do get the vibe back, like the

3734
02:29:09.829 --> 02:29:11.979
<v Speaker 6>3D nudie cutie disc, I think, kind of gets that

3735
02:29:12.030 --> 02:29:12.829
<v Speaker 6>vibe back as well.

3736
02:29:13.659 --> 02:29:13.959
<v Speaker 2>Yes.

3737
02:29:14.680 --> 02:29:15.659
<v Speaker 1>Yeah.

3738
02:29:15.719 --> 02:29:17.399
<v Speaker 2>I'm going to hit you back to Monster Across the

3739
02:29:17.420 --> 02:29:19.680
<v Speaker 2>Pajama Party. That's the first place you could see the

3740
02:29:19.799 --> 02:29:21.260
<v Speaker 2>Asylum of the Insane footage.

3741
02:29:23.399 --> 02:29:23.620
<v Speaker 1>3D!

3742
02:29:23.879 --> 02:29:26.559
<v Speaker 2>Like, do we get, I don't know, I guess you

3743
02:29:26.600 --> 02:29:29.540
<v Speaker 2>get Blu-ray releases with 3D glasses in them, but it

3744
02:29:29.579 --> 02:29:33.350
<v Speaker 2>feels like something that I really only remember getting with DVDs.

3745
02:29:33.729 --> 02:29:37.299
<v Speaker 2>And like, Monster Across the Pajama Party... Well, when the

3746
02:29:37.340 --> 02:29:39.659
<v Speaker 2>monsters crossed the pajama party, it was kind of like, oh,

3747
02:29:39.719 --> 02:29:41.979
<v Speaker 2>why do I need 3D glasses for this? Because the

3748
02:29:42.020 --> 02:29:44.120
<v Speaker 2>movie's not in 3D, right? And it's like, well, you'll

3749
02:29:44.229 --> 02:29:46.829
<v Speaker 2>find out why. You know, in the back it says

3750
02:29:46.870 --> 02:29:49.110
<v Speaker 2>there's stuff in 3D, so you're going to see stuff

3751
02:29:49.149 --> 02:29:49.280
<v Speaker 2>in 3D.

3752
02:30:01.010 --> 02:30:04.100
<v Speaker 3>Well, before we let you go, maybe we could run

3753
02:30:04.139 --> 02:30:10.079
<v Speaker 3>through the most wanted image. Something that was released on ImageDVD,

3754
02:30:10.120 --> 02:30:11.780
<v Speaker 3>but that hasn't been upgraded yet.

3755
02:30:12.840 --> 02:30:13.840
<v Speaker 6>There's so many.

3756
02:30:13.840 --> 02:30:14.899
<v Speaker 2>90% of them.

3757
02:30:14.920 --> 02:30:18.879
<v Speaker 3>Yeah, give us, Nate, one or two that you can

3758
02:30:18.940 --> 02:30:20.520
<v Speaker 3>think of off the top of your head.

3759
02:30:20.840 --> 02:30:23.940
<v Speaker 6>Oh, gosh. Well, there's plenty of Novaks. I would say Toybox.

3760
02:30:23.979 --> 02:30:25.700
<v Speaker 6>Toybox and Wilbur are way up on my list.

3761
02:30:26.000 --> 02:30:27.739
<v Speaker 2>Toybox is so high on my list.

3762
02:30:27.760 --> 02:30:28.340
<v Speaker 5>Good picks, yeah.

3763
02:30:29.120 --> 02:30:31.819
<v Speaker 6>Yeah, I really want those badly. Obviously, Fuego is a

3764
02:30:31.840 --> 02:30:33.870
<v Speaker 6>huge one for me. I would kill to get Fuego

3765
02:30:33.930 --> 02:30:39.569
<v Speaker 6>on Blu-ray or whatever. Love of God, make it happen. Somebody, please. God,

3766
02:30:39.590 --> 02:30:44.440
<v Speaker 6>what else? Oh my God, there's so many of those things. Yeah,

3767
02:30:44.459 --> 02:30:47.260
<v Speaker 6>I mean... They're not great movies, but I really would

3768
02:30:47.280 --> 02:30:50.149
<v Speaker 6>love just a box of all the Novak Southern nudie movies.

3769
02:30:51.370 --> 02:30:55.670
<v Speaker 2>We both do as well. Yes, we both do. Yeah,

3770
02:30:56.370 --> 02:30:59.069
<v Speaker 2>I don't know. Well, I think I just discovered Bethel

3771
02:30:59.110 --> 02:31:02.729
<v Speaker 2>Buckler only died like three years ago. He'd been around

3772
02:31:02.770 --> 02:31:04.059
<v Speaker 2>this whole time. He died at like, I think he

3773
02:31:04.079 --> 02:31:06.600
<v Speaker 2>was like 99 or something. I was like, damn it.

3774
02:31:06.620 --> 02:31:08.239
<v Speaker 2>I would have loved to call him to know more

3775
02:31:08.280 --> 02:31:10.620
<v Speaker 2>about this stuff. But his son Mark is still around

3776
02:31:10.659 --> 02:31:13.389
<v Speaker 2>and Mark is in Which one is he in? I

3777
02:31:13.670 --> 02:31:17.030
<v Speaker 2>think it's he's in Country Cousins because he's molested by

3778
02:31:17.049 --> 02:31:20.530
<v Speaker 2>Renee Vaughn in that movie. And I'm just like, your

3779
02:31:20.579 --> 02:31:25.299
<v Speaker 2>dad was directing you getting jumped on by Renee Vaughn.

3780
02:31:26.340 --> 02:31:28.440
<v Speaker 2>So I know he has good stories if we'll talk.

3781
02:31:28.729 --> 02:31:29.420
<v Speaker 3>But yeah.

3782
02:31:31.520 --> 02:31:32.899
<v Speaker 2>I would love those. I just don't know what the

3783
02:31:32.940 --> 02:31:36.659
<v Speaker 2>marketability is with those. Did those do well for image? Oh, yeah.

3784
02:31:37.319 --> 02:31:37.579
<v Speaker 6>Wow.

3785
02:31:37.780 --> 02:31:38.069
<v Speaker 1>Yeah.

3786
02:31:38.149 --> 02:31:40.069
<v Speaker 6>I think if people, if people looked at the sales spectrum,

3787
02:31:40.090 --> 02:31:41.469
<v Speaker 6>some of these, it would be really shocked at what

3788
02:31:41.489 --> 02:31:43.350
<v Speaker 6>sold and what didn't. Cause I think, I think the

3789
02:31:43.389 --> 02:31:45.430
<v Speaker 6>certain directors, people assume they do better than they do.

3790
02:31:45.489 --> 02:31:47.530
<v Speaker 6>And some people think things sell worse than they do.

3791
02:31:47.549 --> 02:31:49.829
<v Speaker 6>The Harry Novak's pretty much across the board sold really well.

3792
02:31:50.629 --> 02:31:53.479
<v Speaker 6>Anything freedom sold well, um, any, any freedom titles pretty

3793
02:31:53.520 --> 02:31:55.719
<v Speaker 6>much because they had the, you know, they had the

3794
02:31:55.739 --> 02:31:57.799
<v Speaker 6>catchy titles, they had the marketing, they just, they had

3795
02:31:57.819 --> 02:32:00.319
<v Speaker 6>the oomph behind them. Um, the worst ones by a

3796
02:32:00.360 --> 02:32:02.440
<v Speaker 6>long shot were the Joe Sarno's like not even close,

3797
02:32:03.200 --> 02:32:05.719
<v Speaker 6>like absolute bottom. Like, I mean, and we, I mean,

3798
02:32:05.780 --> 02:32:07.079
<v Speaker 6>and Mike loved them and I loved them. I mean,

3799
02:32:07.100 --> 02:32:08.590
<v Speaker 6>we kept putting them out, but like we knew it

3800
02:32:08.610 --> 02:32:09.829
<v Speaker 6>was like, it's going to be the very bottom. Like

3801
02:32:09.850 --> 02:32:12.690
<v Speaker 6>if it sells a thousand, great, but it's yeah. Nobody

3802
02:32:12.729 --> 02:32:15.569
<v Speaker 6>bought those, which I think, I think Sarno just has

3803
02:32:15.590 --> 02:32:16.889
<v Speaker 6>that cachet as a name that he's sort of a

3804
02:32:16.909 --> 02:32:19.329
<v Speaker 6>respectable exploitation guy. And I think they found out with

3805
02:32:19.350 --> 02:32:20.920
<v Speaker 6>the Blu-ray story coming on, they're like, you know, why

3806
02:32:20.940 --> 02:32:25.280
<v Speaker 6>is nobody buying these? Like, well, they never did. Like, yeah. Um,

3807
02:32:25.299 --> 02:32:27.299
<v Speaker 6>which is a shame. And you know, I love them,

3808
02:32:27.319 --> 02:32:30.569
<v Speaker 6>but it's like, they don't, they're almost like too respectable.

3809
02:32:30.610 --> 02:32:33.950
<v Speaker 6>They're a little too arty. I think, um, people just

3810
02:32:33.969 --> 02:32:35.270
<v Speaker 6>don't really know how to process it. Cause they don't

3811
02:32:35.319 --> 02:32:37.799
<v Speaker 6>really give you the goods. I think, um, even though

3812
02:32:37.819 --> 02:32:38.760
<v Speaker 6>they're very well made movies.

3813
02:32:39.059 --> 02:32:41.920
<v Speaker 3>Right. Like a Harry Novak, you get the goods.

3814
02:32:42.159 --> 02:32:45.899
<v Speaker 6>You do. You know, like Doris, Doris Wishman sold like hotcakes.

3815
02:32:45.959 --> 02:32:48.379
<v Speaker 6>I mean, Doris sold like crazy, no matter what it was.

3816
02:32:48.899 --> 02:32:51.219
<v Speaker 3>But the Sarnels give you a different kind of goods,

3817
02:32:51.440 --> 02:32:55.139
<v Speaker 3>you know, depends on what you're in it for, you know? Yeah.

3818
02:32:55.299 --> 02:32:56.860
<v Speaker 6>But it's, it's much harder to sell.

3819
02:32:57.709 --> 02:33:00.040
<v Speaker 2>Very much so. And I think that's probably why he

3820
02:33:00.059 --> 02:33:03.360
<v Speaker 2>jumped from producer to producer because people were like, well,

3821
02:33:03.440 --> 02:33:04.540
<v Speaker 2>we like the work you do and you do it

3822
02:33:04.600 --> 02:33:06.659
<v Speaker 2>quick and we like the movies, but they're not making money.

3823
02:33:06.959 --> 02:33:09.680
<v Speaker 2>So like, we can't keep doing business with you because

3824
02:33:09.819 --> 02:33:13.719
<v Speaker 2>we're not making money from you. And yeah, that's, and

3825
02:33:13.760 --> 02:33:15.899
<v Speaker 2>that is kind of, I thank you for confirming that.

3826
02:33:15.940 --> 02:33:17.719
<v Speaker 2>Cause I have been saying that for years. Cause Lisa

3827
02:33:17.760 --> 02:33:19.440
<v Speaker 2>and Mike have been like, yeah, Saunders don't really sell.

3828
02:33:19.459 --> 02:33:24.079
<v Speaker 2>And I'm like, well, Nathaniel would know. Hallows are sending

3829
02:33:24.100 --> 02:33:27.610
<v Speaker 2>the suburbs sold. And unfortunately, Yeah.

3830
02:33:27.989 --> 02:33:30.909
<v Speaker 3>I'm cutting this from the podcast so nobody hears this.

3831
02:33:31.389 --> 02:33:34.819
<v Speaker 3>Because we want to put out more Sarnos.

3832
02:33:35.579 --> 02:33:38.360
<v Speaker 2>Well, especially because now the ones that are lost are

3833
02:33:38.979 --> 02:33:43.620
<v Speaker 2>basically found. They just are... in a holding cell waiting

3834
02:33:43.680 --> 02:33:46.600
<v Speaker 2>to come out but if they don't accept it the

3835
02:33:46.639 --> 02:33:48.729
<v Speaker 2>problem is they won't sell so the question is how

3836
02:33:48.750 --> 02:33:50.280
<v Speaker 2>to get them in front of the eyes that's why.

3837
02:33:50.229 --> 02:33:53.829
<v Speaker 3>Yeah you put these out in like budget budget releases

3838
02:33:53.850 --> 02:33:55.969
<v Speaker 3>you know just pack them all on some kind of

3839
02:33:56.010 --> 02:33:58.950
<v Speaker 3>budget release that's you know i i don't see any

3840
02:33:58.989 --> 02:33:59.629
<v Speaker 3>other way to do it.

3841
02:33:59.610 --> 02:34:02.649
<v Speaker 2>I don't know maybe another lost picture show but that's

3842
02:34:02.690 --> 02:34:04.350
<v Speaker 2>how deep inside came out if they put out deep

3843
02:34:04.409 --> 02:34:06.549
<v Speaker 2>inside by itself that would have tanked Yeah.

3844
02:34:06.610 --> 02:34:06.829
<v Speaker 1>Yeah.

3845
02:34:07.670 --> 02:34:07.950
<v Speaker 2>Yeah.

3846
02:34:08.010 --> 02:34:09.649
<v Speaker 6>No, if you mix it with something else, that's how

3847
02:34:09.670 --> 02:34:10.909
<v Speaker 6>it's going to work. You can't, but if you do

3848
02:34:10.950 --> 02:34:13.530
<v Speaker 6>sort of by themselves, it's like, it just doesn't happen. Like,

3849
02:34:13.870 --> 02:34:15.469
<v Speaker 6>I don't know why it is, but there's just, there's

3850
02:34:15.489 --> 02:34:17.389
<v Speaker 6>a resistance in the public. There always has been. And I,

3851
02:34:17.510 --> 02:34:19.290
<v Speaker 6>I can never figure out how to crack it. It's like,

3852
02:34:19.309 --> 02:34:21.110
<v Speaker 6>how do you make people buy these things? And they

3853
02:34:21.149 --> 02:34:21.920
<v Speaker 6>just would not do it.

3854
02:34:22.930 --> 02:34:23.170
<v Speaker 3>Right.

3855
02:34:23.329 --> 02:34:26.280
<v Speaker 2>Well, it's interesting because I feel like retro seduction was

3856
02:34:26.340 --> 02:34:28.479
<v Speaker 2>able to make those work. And I don't know if

3857
02:34:28.500 --> 02:34:30.629
<v Speaker 2>it's because they were color and in seventies and they had,

3858
02:34:30.879 --> 02:34:34.040
<v Speaker 2>they had familiar porno people in them, like Jennifer Wells.

3859
02:34:34.059 --> 02:34:34.139
<v Speaker 1>Yeah.

3860
02:34:34.670 --> 02:34:37.469
<v Speaker 2>And also the Swedish stuff, so like Marie Forza and Butterflies,

3861
02:34:37.530 --> 02:34:39.829
<v Speaker 2>and they put those out. They were able to do

3862
02:34:39.889 --> 02:34:41.469
<v Speaker 2>very well with those, and I don't know if it

3863
02:34:41.510 --> 02:34:45.420
<v Speaker 2>was because they're not black and white and they're sexier.

3864
02:34:45.579 --> 02:34:48.739
<v Speaker 2>They kind of deliver more of the goods that you're expecting, maybe.

3865
02:34:48.760 --> 02:34:52.360
<v Speaker 6>Well, I think a title like Adventures of an American Housewife,

3866
02:34:52.399 --> 02:34:57.219
<v Speaker 6>that sells better. Great title. When you hear all the

3867
02:34:57.239 --> 02:34:58.459
<v Speaker 6>Sons of Sodom, like, what?

3868
02:34:58.879 --> 02:34:59.819
<v Speaker 3>I don't like that title.

3869
02:35:03.329 --> 02:35:03.670
<v Speaker 2>Okay.

3870
02:35:03.930 --> 02:35:05.510
<v Speaker 6>Yeah.

3871
02:35:06.670 --> 02:35:09.430
<v Speaker 2>Yeah. Red Rose is a passion. Great title though. But yeah,

3872
02:35:09.569 --> 02:35:11.979
<v Speaker 2>a lot of them not great. Well, was there ever

3873
02:35:12.000 --> 02:35:14.780
<v Speaker 2>a difference between sales for stuff that was clearly black

3874
02:35:14.840 --> 02:35:16.899
<v Speaker 2>and white versus stuff that was color? Was that ever

3875
02:35:16.959 --> 02:35:20.200
<v Speaker 2>like a big thing that you can think I can notice?

3876
02:35:21.120 --> 02:35:24.579
<v Speaker 6>Not so much as long as it has something exploitable. Um,

3877
02:35:24.600 --> 02:35:27.059
<v Speaker 6>like I said, the rough is also really well, um,

3878
02:35:27.620 --> 02:35:29.120
<v Speaker 6>I mean, even like odd things. I mean, even like

3879
02:35:29.139 --> 02:35:32.520
<v Speaker 6>something like Bwanga Bwanga, which is a ridiculous double feature,

3880
02:35:32.579 --> 02:35:34.739
<v Speaker 6>but it's all fine. Like it actually did pretty well.

3881
02:35:34.760 --> 02:35:35.459
<v Speaker 6>That's a good release.

3882
02:35:35.520 --> 02:35:36.059
<v Speaker 2>I like that one.

3883
02:35:36.079 --> 02:35:37.940
<v Speaker 6>Yeah, it is. But like, I thought it was going

3884
02:35:37.959 --> 02:35:39.040
<v Speaker 6>to be a tougher sell than it was. Like I

3885
02:35:39.079 --> 02:35:41.620
<v Speaker 6>like people going, what? But it actually did okay. Like

3886
02:35:41.639 --> 02:35:44.260
<v Speaker 6>it did better than I thought it would. You know,

3887
02:35:44.280 --> 02:35:45.520
<v Speaker 6>but yeah, the black and white stuff, it tended to

3888
02:35:45.639 --> 02:35:48.139
<v Speaker 6>sell pretty well. The JD stuff, maybe not quite as,

3889
02:35:48.239 --> 02:35:49.280
<v Speaker 6>it did okay. Like the.

3890
02:35:49.459 --> 02:35:50.079
<v Speaker 2>How interesting.

3891
02:35:50.100 --> 02:35:50.879
<v Speaker 6>Teenage movies.

3892
02:35:51.639 --> 02:35:52.200
<v Speaker 3>Right.

3893
02:35:52.239 --> 02:35:54.219
<v Speaker 6>They did fine. Like better than the Sarnas for sure.

3894
02:35:55.129 --> 02:35:55.389
<v Speaker 1>Sure.

3895
02:35:55.729 --> 02:35:57.829
<v Speaker 2>Well, like Violent Years at least has the Ed Wood angle,

3896
02:35:57.930 --> 02:36:01.979
<v Speaker 2>but stuff like Lost, Lonely, and Vicious in Jacktown, probably

3897
02:36:02.000 --> 02:36:04.520
<v Speaker 2>a little tougher. Or like High School Big Shot, High

3898
02:36:04.540 --> 02:36:06.989
<v Speaker 2>School Caesar, and Date Bait. I love that triple feature,

3899
02:36:07.000 --> 02:36:09.850
<v Speaker 2>but I can see that being a little tougher. Okay.

3900
02:36:09.870 --> 02:36:09.989
<v Speaker 1>Yeah.

3901
02:36:10.829 --> 02:36:14.430
<v Speaker 2>Well, my least favorite was always 50,000 BC and When

3902
02:36:14.489 --> 02:36:17.770
<v Speaker 2>Women Play Ding Dong or When Women Whatever. And I

3903
02:36:17.850 --> 02:36:19.659
<v Speaker 2>think that was the one that I really raked over

3904
02:36:19.690 --> 02:36:21.020
<v Speaker 2>the coals and I thought that I was going to

3905
02:36:21.040 --> 02:36:25.180
<v Speaker 2>get banned from reviewing those. I was like, guys, this

3906
02:36:25.239 --> 02:36:27.920
<v Speaker 2>is garbage. The transfers are garbage. The movies are garbage.

3907
02:36:28.420 --> 02:36:29.959
<v Speaker 2>And I was like, well, they're allowed to have a

3908
02:36:30.040 --> 02:36:32.760
<v Speaker 2>miss every once in a while. It can't all be great.

3909
02:36:33.440 --> 02:36:35.399
<v Speaker 2>you know, sometimes it really is just by getting as

3910
02:36:35.459 --> 02:36:37.620
<v Speaker 2>much out as you can. And these were available and

3911
02:36:37.639 --> 02:36:39.340
<v Speaker 2>they thought they could market it, you know?

3912
02:36:39.600 --> 02:36:40.079
<v Speaker 1>No, exactly.

3913
02:36:40.159 --> 02:36:41.540
<v Speaker 6>I mean, yeah, there's no way that everyone's going to

3914
02:36:41.559 --> 02:36:43.049
<v Speaker 6>like every title that they put out. I mean, it was,

3915
02:36:43.059 --> 02:36:44.959
<v Speaker 6>it was so all over the map. Like there's, there's

3916
02:36:45.059 --> 02:36:45.920
<v Speaker 6>absolutely impossible.

3917
02:36:46.100 --> 02:36:46.819
<v Speaker 1>Yeah. Yeah.

3918
02:36:47.159 --> 02:36:49.739
<v Speaker 2>Or like mighty Gorga, 1 million ACDC.

3919
02:36:49.879 --> 02:36:50.360
<v Speaker 6>Oh my Lord.

3920
02:36:51.370 --> 02:36:51.510
<v Speaker 1>Yeah.

3921
02:36:51.549 --> 02:36:53.409
<v Speaker 6>Like you said, like the, the kitty double features, it's like,

3922
02:36:53.450 --> 02:36:55.010
<v Speaker 6>I mean, there are certain, some of the weird customers

3923
02:36:55.030 --> 02:36:56.440
<v Speaker 6>are going to like, they won't even know how to

3924
02:36:56.459 --> 02:36:57.719
<v Speaker 6>process what's in front of their eyes.

3925
02:36:57.879 --> 02:37:02.040
<v Speaker 2>Like, I was like, Oh, great. Barry Mahon. Great. Yeah.

3926
02:37:02.579 --> 02:37:04.579
<v Speaker 2>Let's see what he can do with a kitty movie,

3927
02:37:04.620 --> 02:37:06.930
<v Speaker 2>you know? Uh, but yeah, I could see how that'd

3928
02:37:06.950 --> 02:37:07.629
<v Speaker 2>be a tougher sell.

3929
02:37:07.969 --> 02:37:08.129
<v Speaker 1>Yeah.

3930
02:37:09.399 --> 02:37:11.299
<v Speaker 3>Well, that's what like Agfa has been doing is like

3931
02:37:11.340 --> 02:37:14.340
<v Speaker 3>putting some of that stuff in like those big drive-in

3932
02:37:14.500 --> 02:37:17.430
<v Speaker 3>releases and just like, Hey, just hit play. Just let

3933
02:37:17.469 --> 02:37:18.030
<v Speaker 3>it go.

3934
02:37:18.190 --> 02:37:19.329
<v Speaker 6>And just, Oh yeah.

3935
02:37:19.870 --> 02:37:20.030
<v Speaker 1>Yeah.

3936
02:37:20.110 --> 02:37:21.850
<v Speaker 6>I like their kitty. Their kitty said actually it was fun.

3937
02:37:21.870 --> 02:37:23.079
<v Speaker 6>Like that's kind of how you have to do it.

3938
02:37:23.090 --> 02:37:25.170
<v Speaker 6>Just make it like a nonstop, like marathon experience.

3939
02:37:25.209 --> 02:37:26.350
<v Speaker 3>It just video party.

3940
02:37:26.750 --> 02:37:27.010
<v Speaker 1>Yeah.

3941
02:37:27.090 --> 02:37:28.370
<v Speaker 6>It just like turns your brain to mush as you're

3942
02:37:28.389 --> 02:37:30.549
<v Speaker 6>watching it by the end. You're just drooling on your sofa.

3943
02:37:30.610 --> 02:37:31.530
<v Speaker 6>It's fine.

3944
02:37:32.069 --> 02:37:35.100
<v Speaker 2>Pretty much, yeah. I mean, Princess and the Frog is

3945
02:37:35.120 --> 02:37:37.579
<v Speaker 2>the good one on that, I think. I enjoy Princess

3946
02:37:37.620 --> 02:37:39.520
<v Speaker 2>and the Frog. I mean, it's no Jimmy the Boy Wonder,

3947
02:37:39.600 --> 02:37:41.569
<v Speaker 2>but I love that one.

3948
02:37:41.809 --> 02:37:43.239
<v Speaker 3>You love Jimmy's Boy Wonder.

3949
02:37:43.739 --> 02:37:47.520
<v Speaker 2>I do. I'm surprised that actually wasn't put out, but again,

3950
02:37:47.559 --> 02:37:51.239
<v Speaker 2>it's a kiddie thing. Actually, we were talking about these

3951
02:37:51.280 --> 02:37:54.309
<v Speaker 2>cut-down versions that you wish the full versions were released.

3952
02:37:54.360 --> 02:37:56.010
<v Speaker 2>We don't need the full version of Magic Land of

3953
02:37:56.049 --> 02:38:01.329
<v Speaker 2>Mother Goose. The cut-down version is fine. We don't need

3954
02:38:01.350 --> 02:38:06.600
<v Speaker 2>the full version of that. 30 minutes is perfect. I

3955
02:38:06.639 --> 02:38:07.579
<v Speaker 2>don't want the whole thing of that.

3956
02:38:08.120 --> 02:38:10.319
<v Speaker 6>Just like a Bellator movie where it's just like, oh,

3957
02:38:10.399 --> 02:38:11.200
<v Speaker 6>it's abstract.

3958
02:38:12.110 --> 02:38:16.090
<v Speaker 2>Yeah, yeah, yeah. I'm surprised that Herschel didn't try to

3959
02:38:16.110 --> 02:38:19.020
<v Speaker 2>make that argument. He was very honest. He was like, no,

3960
02:38:19.079 --> 02:38:20.479
<v Speaker 2>it's just some piece of shit that we were paid

3961
02:38:20.500 --> 02:38:22.799
<v Speaker 2>to make. Like this guy at a stage show and

3962
02:38:22.840 --> 02:38:23.430
<v Speaker 2>paid us to do it.

3963
02:38:23.719 --> 02:38:24.139
<v Speaker 3>Like, okay.

3964
02:38:24.889 --> 02:38:26.190
<v Speaker 2>That's what it looks like. That's what it is.

3965
02:38:26.229 --> 02:38:28.489
<v Speaker 6>It's like, it's like Dogville. It's all the stage. Life

3966
02:38:28.549 --> 02:38:29.010
<v Speaker 6>is a stage.

3967
02:38:29.049 --> 02:38:29.870
<v Speaker 2>Oh my God.

3968
02:38:30.229 --> 02:38:30.569
<v Speaker 3>Actually.

3969
02:38:30.629 --> 02:38:34.770
<v Speaker 2>Yes. It's very, it's a large venture. It's Dogman 95.

3970
02:38:34.770 --> 02:38:42.319
<v Speaker 2>It's a Dogman 95 experience, right? Jesus. Um, well, so,

3971
02:38:43.020 --> 02:38:45.280
<v Speaker 2>but so you're doing a lot of commentaries now for

3972
02:38:45.299 --> 02:38:47.299
<v Speaker 2>like Kino and a few other places, but are you,

3973
02:38:47.540 --> 02:38:49.239
<v Speaker 2>I'm trying to remember if you've been doing anything on

3974
02:38:49.280 --> 02:38:51.520
<v Speaker 2>like sexploitation or sexploitation adjacent stuff.

3975
02:38:53.010 --> 02:38:55.090
<v Speaker 6>Not a ton i mean i did do apocalypse sexual

3976
02:38:55.370 --> 02:38:57.770
<v Speaker 6>uh sex apocalypse of that from under macabre i've done

3977
02:38:57.790 --> 02:39:00.530
<v Speaker 6>a lot of euro sexploitation um but the thing is

3978
02:39:00.549 --> 02:39:02.469
<v Speaker 6>yeah like a lot of them are with bender syndrome

3979
02:39:02.489 --> 02:39:03.790
<v Speaker 6>rag for whoever it's like they kind of have their

3980
02:39:03.809 --> 02:39:06.170
<v Speaker 6>own stable um and for some reason i've done stuff

3981
02:39:06.190 --> 02:39:08.360
<v Speaker 6>for them in other capacities for some reason they don't

3982
02:39:08.399 --> 02:39:10.219
<v Speaker 6>they have their own sexploitation folks they do which is

3983
02:39:10.260 --> 02:39:13.700
<v Speaker 6>fine um so yeah for whatever reason i've done sexploitation

3984
02:39:13.719 --> 02:39:16.059
<v Speaker 6>in a while um but who knows if the novaks

3985
02:39:16.100 --> 02:39:17.479
<v Speaker 6>ever come around i'd be happy to jump on one

3986
02:39:17.520 --> 02:39:20.139
<v Speaker 6>and doing without Harry around would probably be a lot.

3987
02:39:20.379 --> 02:39:24.750
<v Speaker 2>Oh my God. Exactly. We can get you on a

3988
02:39:24.770 --> 02:39:29.110
<v Speaker 2>commentary with Mark Buckaloo. Get the real deal on what

3989
02:39:29.129 --> 02:39:30.649
<v Speaker 2>it was like to shoot these movies down the middle

3990
02:39:30.690 --> 02:39:31.129
<v Speaker 2>of nowhere.

3991
02:39:33.049 --> 02:39:34.950
<v Speaker 3>Those are fun.

3992
02:39:35.010 --> 02:39:36.520
<v Speaker 6>And there's so much more stuff coming out now that,

3993
02:39:36.540 --> 02:39:37.959
<v Speaker 6>I mean, I've done my ton of just Frank goes

3994
02:39:37.979 --> 02:39:39.100
<v Speaker 6>and all that kind of stuff, but I mean, it's,

3995
02:39:39.139 --> 02:39:41.760
<v Speaker 6>it's just a, it's a nonstop pile of stuff. So.

3996
02:39:42.420 --> 02:39:45.659
<v Speaker 3>Well, in your tape, like your knowledge and your tastes

3997
02:39:45.899 --> 02:39:49.680
<v Speaker 3>are so well, broad you know you could cover just

3998
02:39:49.780 --> 02:39:50.739
<v Speaker 3>about anything.

3999
02:39:51.200 --> 02:39:52.750
<v Speaker 6>Yeah i mean it's kind of psychotic like i remember

4000
02:39:52.829 --> 02:39:54.209
<v Speaker 6>in like a one-week period i think i was doing

4001
02:39:54.250 --> 02:39:56.149
<v Speaker 6>like oh today i'm doing super coach where i'm doing

4002
02:39:56.170 --> 02:39:58.950
<v Speaker 6>dead and buried it's like yeah okay sure whatever like.

4003
02:40:00.170 --> 02:40:04.389
<v Speaker 2>Lord i'm sure this could be connected somehow.

4004
02:40:04.510 --> 02:40:06.969
<v Speaker 6>I don't know how probably in some way but.

4005
02:40:07.389 --> 02:40:11.680
<v Speaker 3>In some weird way right Yeah, those Buckaloos, you know,

4006
02:40:11.739 --> 02:40:14.420
<v Speaker 3>that I always look every now and then on eBay

4007
02:40:14.479 --> 02:40:18.440
<v Speaker 3>for that Southern collection that came out on DVD. And yeah,

4008
02:40:18.520 --> 02:40:19.000
<v Speaker 3>it's like.

4009
02:40:19.020 --> 02:40:19.739
<v Speaker 2>The repackaging.

4010
02:40:20.399 --> 02:40:23.170
<v Speaker 3>It's like hundreds of dollars to get that set these days.

4011
02:40:23.200 --> 02:40:26.350
<v Speaker 3>So it's like, just redo that set in Blu-ray. I mean,

4012
02:40:26.370 --> 02:40:27.209
<v Speaker 3>you could basically just like.

4013
02:40:27.290 --> 02:40:27.889
<v Speaker 2>Yeah, exactly.

4014
02:40:27.909 --> 02:40:29.190
<v Speaker 6>It's right there.

4015
02:40:29.510 --> 02:40:31.010
<v Speaker 3>Yeah, that template is already set.

4016
02:40:31.629 --> 02:40:33.129
<v Speaker 6>It's quite promising, though.

4017
02:40:33.530 --> 02:40:37.290
<v Speaker 2>Actually, if it's going for good money, that's potentially... I mean, honestly,

4018
02:40:37.309 --> 02:40:39.250
<v Speaker 2>that's what the Code Red boys did when they were like,

4019
02:40:39.600 --> 02:40:41.989
<v Speaker 2>how much does this VHS sell for on Amazon? Oh,

4020
02:40:42.069 --> 02:40:44.229
<v Speaker 2>like $ 300. We're going to try to re we're going

4021
02:40:44.250 --> 02:40:46.129
<v Speaker 2>to try to license this movie and get it for Blu-ray.

4022
02:40:46.430 --> 02:40:49.790
<v Speaker 2>Sometimes it works. Sometimes it didn't, but sometimes you go

4023
02:40:49.829 --> 02:40:50.129
<v Speaker 2>by that.

4024
02:40:50.590 --> 02:40:50.770
<v Speaker 1>Yeah.

4025
02:40:50.889 --> 02:40:53.129
<v Speaker 6>Exploitation still sells like a lot. I think it would

4026
02:40:53.149 --> 02:40:54.690
<v Speaker 6>actually do really, really well if they did it as

4027
02:40:54.770 --> 02:40:56.870
<v Speaker 6>a set. And I was actually a little surprised because

4028
02:40:56.889 --> 02:40:58.229
<v Speaker 6>it image, but that was kind of later in the game.

4029
02:40:58.250 --> 02:41:01.069
<v Speaker 6>But when we're, you know, cause our sales team was

4030
02:41:01.090 --> 02:41:02.850
<v Speaker 6>talking to Mike and we were like, let's try it.

4031
02:41:02.850 --> 02:41:04.170
<v Speaker 6>Cause they were into doing box sets for a while.

4032
02:41:04.190 --> 02:41:06.790
<v Speaker 6>Cause that's what stores want. Like again, Walmart borders all

4033
02:41:06.809 --> 02:41:09.500
<v Speaker 6>that they wanted, you know, discounted sets and so we're

4034
02:41:09.520 --> 02:41:11.319
<v Speaker 6>like how can we do these and something where mike

4035
02:41:11.340 --> 02:41:13.040
<v Speaker 6>was to plot out how we could box set these

4036
02:41:13.059 --> 02:41:15.139
<v Speaker 6>things and what can we call them you know so

4037
02:41:15.159 --> 02:41:16.420
<v Speaker 6>we did like the storybook set.

4038
02:41:16.239 --> 02:41:19.020
<v Speaker 3>You know the storybook yeah yeah that was a really fun.

4039
02:41:18.959 --> 02:41:21.440
<v Speaker 6>One i love that set um but yeah they're all

4040
02:41:21.459 --> 02:41:22.799
<v Speaker 6>these pre-existing discs that we had out there it's like

4041
02:41:22.819 --> 02:41:24.600
<v Speaker 6>how can we just pack them together and did the

4042
02:41:24.620 --> 02:41:26.809
<v Speaker 6>southern set yeah we did all those and yeah they

4043
02:41:26.829 --> 02:41:28.790
<v Speaker 6>sold great so a lot of people still didn't have

4044
02:41:28.829 --> 02:41:30.370
<v Speaker 6>those and we're like oh okay i'll gamble on getting

4045
02:41:30.389 --> 02:41:32.530
<v Speaker 6>these you know these four or five you know dvds

4046
02:41:32.549 --> 02:41:34.950
<v Speaker 6>because i get like nine movies or whatever you know

4047
02:41:34.969 --> 02:41:35.670
<v Speaker 6>it was a great deal.

4048
02:41:36.469 --> 02:41:37.149
<v Speaker 3>That is a good deal.

4049
02:41:37.170 --> 02:41:39.110
<v Speaker 2>What was the one that Beast that Killed Women and

4050
02:41:39.250 --> 02:41:41.930
<v Speaker 2>Monster Came Sunshine went into? Was it like Beasts and

4051
02:41:42.209 --> 02:41:45.430
<v Speaker 2>Blondes or something? Something like that, yeah.

4052
02:41:45.450 --> 02:41:46.790
<v Speaker 6>Beast and Beauties, I think.

4053
02:41:47.069 --> 02:41:49.649
<v Speaker 2>Beast and Beauties, yeah, because I think Mighty Gorga might

4054
02:41:49.690 --> 02:41:53.079
<v Speaker 2>have been in there. Maybe. I don't remember. Yeah, because

4055
02:41:53.100 --> 02:41:54.559
<v Speaker 2>I just remember Beast that Killed Women was in there

4056
02:41:54.579 --> 02:41:56.540
<v Speaker 2>and I was like, what a great way to fool

4057
02:41:56.559 --> 02:42:02.860
<v Speaker 2>more people into watching this Barry Mahon movie. So, any

4058
02:42:02.899 --> 02:42:04.659
<v Speaker 2>way to trick people into watching Barry Mahon.

4059
02:42:05.409 --> 02:42:07.290
<v Speaker 6>Well, you know, it's all in the title. I mean,

4060
02:42:07.309 --> 02:42:09.299
<v Speaker 6>that thing sold like crazy. That's all it takes.

4061
02:42:10.260 --> 02:42:12.639
<v Speaker 2>That was something I would... Well, and that was always

4062
02:42:12.680 --> 02:42:15.440
<v Speaker 2>something nice. All the Barry Mahon shorts that would just

4063
02:42:15.459 --> 02:42:18.819
<v Speaker 2>show up randomly on basically every other release would have

4064
02:42:18.879 --> 02:42:21.420
<v Speaker 2>a Barry Mahon short on there. And the Instant Moonshine

4065
02:42:21.459 --> 02:42:24.319
<v Speaker 2>was on... Or Instant Orgy was on most of them,

4066
02:42:24.379 --> 02:42:29.250
<v Speaker 2>I think. That was a go-to. Yeah. Or Naked Moonshine.

4067
02:42:29.270 --> 02:42:32.389
<v Speaker 2>I think that's the other one, but... Yeah. Yeah, I

4068
02:42:32.430 --> 02:42:35.940
<v Speaker 2>miss it. I miss the good old days. As a consumer... Ask.

4069
02:42:35.860 --> 02:42:39.450
<v Speaker 3>Brett how the nude camera, nude Las Vegas is doing

4070
02:42:39.510 --> 02:42:41.770
<v Speaker 3>just because of the title. I wonder if it's seen

4071
02:42:41.809 --> 02:42:44.200
<v Speaker 3>a little uptick in sales because it has nude in the,

4072
02:42:44.450 --> 02:42:46.530
<v Speaker 3>in the name or if that hurts it these days.

4073
02:42:46.590 --> 02:42:48.969
<v Speaker 3>I don't know. People are scared.

4074
02:42:48.989 --> 02:42:51.690
<v Speaker 2>The slip cover is good on that. Like, and I

4075
02:42:52.030 --> 02:42:54.590
<v Speaker 2>can't believe the restoration work that went into that. Like,

4076
02:42:54.610 --> 02:42:56.540
<v Speaker 2>cause when we got, we got our comp, we got

4077
02:42:56.579 --> 02:42:59.200
<v Speaker 2>our comp copies on that. And I, I was excited

4078
02:42:59.219 --> 02:43:01.500
<v Speaker 2>to hear Brett did commentary on the outtakes and his

4079
02:43:01.540 --> 02:43:05.110
<v Speaker 2>commentary was essentially like, they had to recreate the movie

4080
02:43:05.149 --> 02:43:07.899
<v Speaker 2>essentially for a lot of it from the 16 millimeter

4081
02:43:07.950 --> 02:43:10.579
<v Speaker 2>originals that they found at the burlesque hall of fame

4082
02:43:10.620 --> 02:43:14.280
<v Speaker 2>and museum. So most of the movie is from that

4083
02:43:14.280 --> 02:43:16.479
<v Speaker 2>16 millimeter original, and then it cuts to a 35

4084
02:43:16.479 --> 02:43:18.639
<v Speaker 2>print and you can see the difference, but like, that's

4085
02:43:18.680 --> 02:43:21.299
<v Speaker 2>the best looking color Barry Mahon movie that we have

4086
02:43:21.340 --> 02:43:24.219
<v Speaker 2>outside of the dead one on, on Blu-ray. And I,

4087
02:43:24.299 --> 02:43:26.180
<v Speaker 2>that might be the way it is. I don't see

4088
02:43:26.219 --> 02:43:29.260
<v Speaker 2>us getting a nice nudes on tiger reef or beast

4089
02:43:29.280 --> 02:43:33.989
<v Speaker 2>to kill women, actually piece to kill women maybe, but, um, Yeah,

4090
02:43:34.190 --> 02:43:36.149
<v Speaker 2>I don't know. I want the black and whites. I

4091
02:43:36.190 --> 02:43:40.750
<v Speaker 2>want sex killer. I want prostitutes' protective society. Yes. Hot skin,

4092
02:43:40.790 --> 02:43:41.409
<v Speaker 2>cold cash.

4093
02:43:41.709 --> 02:43:43.870
<v Speaker 3>That'd be another good box set to do.

4094
02:43:44.750 --> 02:43:45.569
<v Speaker 2>The black and white Mahons?

4095
02:43:45.610 --> 02:43:49.219
<v Speaker 3>Put those all together, yep. Kind of like the, yeah,

4096
02:43:49.299 --> 02:43:52.459
<v Speaker 3>the roughy Mahon era. Something like that, yeah.

4097
02:43:52.899 --> 02:43:53.079
<v Speaker 1>Yeah.

4098
02:43:53.479 --> 02:43:56.340
<v Speaker 2>So basically, you and I need, so Nathaniel, you and

4099
02:43:56.420 --> 02:44:02.500
<v Speaker 2>I then need to basically... Do a group work on

4100
02:44:02.510 --> 02:44:05.139
<v Speaker 2>Mondo Macabro to convince them to do the Isabel Sarli.

4101
02:44:06.280 --> 02:44:08.479
<v Speaker 6>I will do whatever it takes to make that happen.

4102
02:44:09.100 --> 02:44:11.899
<v Speaker 2>I know. Well, the thing was, I was begging Pete

4103
02:44:11.940 --> 02:44:16.340
<v Speaker 2>and Andy for years. Now that Jared is so involved,

4104
02:44:16.520 --> 02:44:21.420
<v Speaker 2>I'm like, Jared, let me reintroduce you to a suggestion

4105
02:44:21.440 --> 02:44:25.680
<v Speaker 2>that I suggested for years. Maybe you'll be more receptive. Yeah,

4106
02:44:25.700 --> 02:44:27.239
<v Speaker 2>I think he would be. But he also has Neon

4107
02:44:27.280 --> 02:44:29.920
<v Speaker 2>Eagle now, so I don't know. He does a lot

4108
02:44:29.940 --> 02:44:32.899
<v Speaker 2>of stuff for Neon Eagle, which I love, too. But, yeah,

4109
02:44:33.700 --> 02:44:38.180
<v Speaker 2>I feel like Surly is a no-brainer. I say no-brainers

4110
02:44:38.200 --> 02:44:39.260
<v Speaker 2>for a lot of stuff, but I'm like, well, I'd

4111
02:44:39.309 --> 02:44:42.090
<v Speaker 2>buy it. But I guess the question is the marketability.

4112
02:44:42.129 --> 02:44:45.829
<v Speaker 3>Yeah, we're coming from the perspective of fans as well.

4113
02:44:46.489 --> 02:44:49.889
<v Speaker 3>But we also know that there are other factors going

4114
02:44:49.930 --> 02:44:51.530
<v Speaker 3>into decisions.

4115
02:44:51.549 --> 02:44:54.809
<v Speaker 2>I'm trying to think of crossover... Yeah. Like I'm thinking

4116
02:44:54.829 --> 02:44:58.430
<v Speaker 2>of like market it to like Latin, Latin, Latin Spanish

4117
02:44:58.469 --> 02:45:02.430
<v Speaker 2>speaking viewers who they potentially know who she is because

4118
02:45:02.489 --> 02:45:04.690
<v Speaker 2>there were like Spanish language prints of her stuff that

4119
02:45:04.729 --> 02:45:08.209
<v Speaker 2>would show in like Spanish only theaters in America. So

4120
02:45:08.229 --> 02:45:13.229
<v Speaker 2>like they would potentially know who she is. I think, uh, yeah,

4121
02:45:13.250 --> 02:45:17.799
<v Speaker 2>I mean, she's the Argentinian Elizabeth Taylor. Margo is that,

4122
02:45:17.819 --> 02:45:19.780
<v Speaker 2>you know, she's in, she, yeah, I don't know.

4123
02:45:20.719 --> 02:45:20.979
<v Speaker 1>Yeah.

4124
02:45:21.079 --> 02:45:24.559
<v Speaker 2>It's kind of like, uh, Well, yeah, Gentry knows. Gentry's

4125
02:45:24.579 --> 02:45:26.520
<v Speaker 2>writing the book on Annie Bell. I feel like there

4126
02:45:26.559 --> 02:45:30.610
<v Speaker 2>are so many unsung women that don't really get any attention.

4127
02:45:31.489 --> 02:45:34.790
<v Speaker 2>We can all love Laura Gemser, obviously, but then there's

4128
02:45:34.809 --> 02:45:39.610
<v Speaker 2>people like Isabel Sarli or Dagmar Lissander that don't really

4129
02:45:39.649 --> 02:45:40.329
<v Speaker 2>get enough attention.

4130
02:45:40.350 --> 02:45:45.500
<v Speaker 6>Yeah, no kidding. Where's our Laura Blu-ray, by the way?

4131
02:45:46.139 --> 02:45:50.239
<v Speaker 2>I've gotten, yeah, I am triggered. Yeah.

4132
02:45:50.909 --> 02:45:51.989
<v Speaker 3>David Gregory.

4133
02:45:52.389 --> 02:45:52.549
<v Speaker 1>Yeah.

4134
02:45:52.579 --> 02:45:54.790
<v Speaker 3>They tried looking for the elements and they kind of disappeared.

4135
02:45:55.290 --> 02:45:55.870
<v Speaker 6>Oh no.

4136
02:45:56.069 --> 02:45:56.469
<v Speaker 1>Yeah.

4137
02:45:56.489 --> 02:45:57.930
<v Speaker 2>I thought it was the rights owner. I thought it

4138
02:45:57.950 --> 02:45:58.870
<v Speaker 2>was a rights owner issue.

4139
02:45:58.909 --> 02:46:00.549
<v Speaker 3>The rights owner couldn't find the elements.

4140
02:46:00.809 --> 02:46:00.930
<v Speaker 1>Yeah.

4141
02:46:00.989 --> 02:46:03.350
<v Speaker 3>I looked back at the correspondence.

4142
02:46:03.969 --> 02:46:06.629
<v Speaker 2>The rights owner problem was for Bluebell, right? Was that

4143
02:46:06.649 --> 02:46:08.549
<v Speaker 2>the problem? Yeah.

4144
02:46:08.950 --> 02:46:12.389
<v Speaker 3>But you know, it's always worth a shot to ask again.

4145
02:46:12.959 --> 02:46:15.329
<v Speaker 3>That's what I say, you know, because they might turn up.

4146
02:46:15.420 --> 02:46:20.229
<v Speaker 3>They might find him in another room, you know. Right.

4147
02:46:20.250 --> 02:46:22.049
<v Speaker 6>Like the Acid Eaters commentary, like, yeah, he's checking in

4148
02:46:22.069 --> 02:46:23.610
<v Speaker 6>fighters later. Like, oh, it's right in front of me

4149
02:46:23.629 --> 02:46:24.389
<v Speaker 6>the whole time.

4150
02:46:24.450 --> 02:46:25.909
<v Speaker 2>Yeah. Right.

4151
02:46:25.930 --> 02:46:29.010
<v Speaker 3>Or, you know, that Love Camp 7 audio commentary, that

4152
02:46:29.049 --> 02:46:33.040
<v Speaker 3>piece of that showed up on the Hotspur release. So, yeah,

4153
02:46:33.100 --> 02:46:36.040
<v Speaker 3>these things show up. Well, actually, as Mr.

4154
02:46:36.079 --> 02:46:38.239
<v Speaker 2>Caligula, I do have to ask you before we end.

4155
02:46:38.579 --> 02:46:41.440
<v Speaker 2>What did you think of the ultimate cut of that?

4156
02:46:42.500 --> 02:46:42.959
<v Speaker 6>Interesting.

4157
02:46:45.950 --> 02:46:50.110
<v Speaker 2>I came from it as, I don't know. Well, you

4158
02:46:50.170 --> 02:46:53.170
<v Speaker 2>might know because you were involved with the Blu-ray, which

4159
02:46:53.250 --> 02:46:55.500
<v Speaker 2>is kind of the ultimate edition that's come out in general.

4160
02:46:56.680 --> 02:46:58.879
<v Speaker 2>I don't know why they didn't ask Tinto Brass to

4161
02:46:58.920 --> 02:47:01.500
<v Speaker 2>just recreate what he wanted to do. I don't know

4162
02:47:01.540 --> 02:47:02.959
<v Speaker 2>if it's because he's too old. I don't know if

4163
02:47:02.979 --> 02:47:06.040
<v Speaker 2>because he said no, but the fact that he basically

4164
02:47:06.100 --> 02:47:10.649
<v Speaker 2>was vocally publicly saying, don't watch this. I was like,

4165
02:47:10.670 --> 02:47:12.549
<v Speaker 2>I feel like this is a missed opportunity. I would

4166
02:47:12.569 --> 02:47:14.319
<v Speaker 2>have liked to have seen what his was. I don't

4167
02:47:14.329 --> 02:47:16.180
<v Speaker 2>know if Penthouse didn't want that, though.

4168
02:47:16.319 --> 02:47:16.840
<v Speaker 3>That's the thing.

4169
02:47:16.879 --> 02:47:18.579
<v Speaker 2>I don't know if there's still legal things where they're like,

4170
02:47:18.620 --> 02:47:19.440
<v Speaker 2>keep him away from this.

4171
02:47:20.110 --> 02:47:22.500
<v Speaker 6>No, it's not a legal thing. It is a long,

4172
02:47:22.819 --> 02:47:24.920
<v Speaker 6>contentious story, which I can't say on the record.

4173
02:47:25.090 --> 02:47:28.159
<v Speaker 3>I was going to say, maybe it's time to hit the.

4174
02:47:28.680 --> 02:47:30.299
<v Speaker 6>I know.

4175
02:47:30.739 --> 02:47:31.379
<v Speaker 9>I know.

4176
02:47:39.260 --> 02:47:40.159
<v Speaker 1>Come on.

4177
02:48:08.659 --> 02:48:09.299
<v Speaker 4>Thank you.

4178
02:48:42.350 --> 02:48:46.969
<v Speaker 3>Oh girls, we can't just sit here feeling sorry for ourselves.

4179
02:48:52.530 --> 02:48:53.450
<v Speaker 3>Thank you for listening.

4180
02:48:54.090 --> 02:48:57.670
<v Speaker 4>To hear more shows from the Someone's Favorite Productions podcast network,

4181
02:48:58.149 --> 02:48:59.809
<v Speaker 4>please select the link in the description.

4182
02:49:04.879 --> 02:49:07.670
<v Speaker 10>Hey everybody, this is Ryan from the New World Pictures Podcast,

4183
02:49:07.709 --> 02:49:10.610
<v Speaker 10>where we're on a mission to watch every movie ever

4184
02:49:10.649 --> 02:49:13.510
<v Speaker 10>made by New World Pictures. With me as always is Mark.

4185
02:49:13.850 --> 02:49:18.110
<v Speaker 10>Every movie? Every movie! Every movie? From the Roger Corman

4186
02:49:18.139 --> 02:49:20.500
<v Speaker 10>cult classics like Battle Beyond the Stars.

4187
02:49:21.520 --> 02:49:22.079
<v Speaker 3>Help!

4188
02:49:22.180 --> 02:49:24.620
<v Speaker 2>And the super weird stuff you've never even heard of

4189
02:49:24.659 --> 02:49:26.979
<v Speaker 2>like Eat and Run. Makes your tongue want to say, hey,

4190
02:49:27.059 --> 02:49:28.459
<v Speaker 2>it's nice in here.

4191
02:49:28.500 --> 02:49:30.350
<v Speaker 10>Yes, Mark. Every movie.

4192
02:49:30.770 --> 02:49:31.370
<v Speaker 6>And Erica.

4193
02:49:31.729 --> 02:49:32.709
<v Speaker 3>Every movie?

4194
02:49:32.870 --> 02:49:34.889
<v Speaker 10>Yes, Erica, every movie.

4195
02:49:35.329 --> 02:49:36.770
<v Speaker 3>Every movie.

4196
02:49:36.829 --> 02:49:38.709
<v Speaker 10>So we're still talking about Night 2.

4197
02:49:38.690 --> 02:49:39.729
<v Speaker 2>I've seen it.

4198
02:49:40.090 --> 02:49:41.350
<v Speaker 3>And all the bonus stuff too.

4199
02:49:41.409 --> 02:49:44.790
<v Speaker 2>We're talking things we love, things we hated, favorite scenes,

4200
02:49:44.989 --> 02:49:48.229
<v Speaker 2>inside jokes. And I know we're not at final questions,

4201
02:49:48.629 --> 02:49:50.809
<v Speaker 2>but are we still talking about Ryan's research?

4202
02:49:51.030 --> 02:49:51.770
<v Speaker 5>I know I am.

4203
02:49:52.010 --> 02:49:55.870
<v Speaker 10>So check out our website, newworldpicturespodcast.com or subscribe to the

4204
02:49:55.909 --> 02:49:58.579
<v Speaker 10>New World Pictures Podcast wherever you listen to your podcasts.

4205
02:49:58.799 --> 02:50:00.780
<v Speaker 10>Follow us on the socials. And we'll see you next

4206
02:50:00.840 --> 02:50:03.420
<v Speaker 10>time at the new world pictures podcast. Proud to be

4207
02:50:03.459 --> 02:50:05.969
<v Speaker 10>a part of someone's favorite productions podcast network.
