WEBVTT

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<v Speaker 1>All right, listen up Cave's I Got your assignments riga

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<v Speaker 1>six four three wheeler one four eight not eight oh

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<v Speaker 1>four and only you. You need to join host HP

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<v Speaker 1>and fatherm Alone as they examine one of the greatest

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<v Speaker 1>sitcoms in television history, Taxi in Night Mister Walters a

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<v Speaker 1>taxi podcast BANDA zero like your boxing record.

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<v Speaker 2>Thank mister Walters, weird wave.

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<v Speaker 1>Him. Welcome back to Midnight Viewing, the horror anthology podcast,

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<v Speaker 1>where this season we're taking a look at George A.

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<v Speaker 1>Romero's nineteen eighties series Tales from the Dark Side. Sharing

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<v Speaker 1>the Midnight view with me. Are the Projection Booths, Mike White,

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<v Speaker 1>you Dirty Rats, and from the Culturecast mister Chris Statue.

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<v Speaker 2>I prefer to be referred to as my stage names

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<v Speaker 2>if he remo.

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<v Speaker 1>Coming right up tonight. We're looking at two episodes from

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<v Speaker 1>season one. They are The Impressionist and Life Bomb. The

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<v Speaker 1>Impressionist season two episode one. This originally aired on September

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<v Speaker 1>the twenty sixth, nineteen eighty five. Written by Evidently Darkseided

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<v Speaker 1>Do mainstay Haskell Barkin from a story by M Coleman Easton,

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<v Speaker 1>and this was directed by friend of Midnight viewing armand Bastriani.

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<v Speaker 1>We interviewed mister Mostriani a few weeks back. That episode

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<v Speaker 1>is available separately. I encourage you to go to check

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<v Speaker 1>it out. The man is fascinating and talented and incredibly affable. Anyway,

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<v Speaker 1>This one stars Chuck McCann, Bobby Ta Chico, Jack Andreazzi,

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<v Speaker 1>and Claudia Templeton as hof Gosh. This is about a

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<v Speaker 1>past his prime nightclub comic impressionist who's roped into a

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<v Speaker 1>Men in Black like scenario where he is tasked with

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<v Speaker 1>communicating with a captured alien by the power of mimicry. Chris,

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<v Speaker 1>what did you think of this one?

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<v Speaker 2>I'm surprised you didn't draw the more apt comparison to

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<v Speaker 2>was that movie Contact?

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<v Speaker 1>Is that a.

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<v Speaker 2>Rival the Amy Adams movie where it's like right on

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<v Speaker 2>the board and then the aliens? Is that not what

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<v Speaker 2>this is, but with a little frog alien instead.

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<v Speaker 1>I actually thought it was Close Encounters while I was

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<v Speaker 1>watching it.

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<v Speaker 2>I thought I was having a close encounter of the

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<v Speaker 2>bizarre kind. It's fine, It was a fine It's fine.

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<v Speaker 2>I mean the conceit is bizarre, to say the least.

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<v Speaker 2>It's very it's very Last. Yeah, last Starfighter e if

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<v Speaker 2>Last Starfighter is less tenuous than this, they're just like,

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<v Speaker 2>this guy does impressions, so he's the most reasonably suited

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<v Speaker 2>person to interact with an alien. I will say, because

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<v Speaker 2>you were unable to join us for the episode of

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<v Speaker 2>Columba that we did with Chuck McCann, at least we

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<v Speaker 2>get to Chuck about Chuck McCann. Finally. Yeah, so here's

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<v Speaker 2>Chuck mccannon doing, doing a little whatever. I don't know

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<v Speaker 2>what he's doing. This is This is a strange segment

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<v Speaker 2>because I ultimately, what's the point? I guess I couldn't

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<v Speaker 2>figure out what the point was. Let me just say

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<v Speaker 2>that much and see what everyone else has to say.

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<v Speaker 3>I felt more confused watching this than I did most

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<v Speaker 3>Night Gallery episodes.

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<v Speaker 1>Wow.

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<v Speaker 3>Yeah, just that whole idea of the washed up comic

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<v Speaker 3>slash impressionist who gets recruited by I'm guessing the army

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<v Speaker 3>or some sort of you know, Area fifty one type guys,

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<v Speaker 3>and then yeah, come in and because you're such a

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<v Speaker 3>good impressionist. And is he impersonating the body movements in

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<v Speaker 3>the language at the same time or is.

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<v Speaker 1>It that's part of the language.

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<v Speaker 2>Theoretically Apparently allegedly.

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<v Speaker 3>Yeah, and he's there trying to get the formula for fusion,

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<v Speaker 3>which will change everything. Thank you, Bobby to Chico Chico. Yeah,

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<v Speaker 3>I this one left me very very cold. And then

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<v Speaker 3>when it ended, it just man, oh man did it end?

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<v Speaker 2>It ended? And it sure did.

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<v Speaker 1>Yeah, Fiffy Rimo, mister Personalities, Spiffy Rimo. It's it was.

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<v Speaker 1>His act was kind of like get listening to Dana

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<v Speaker 1>Carvey nowadays, you know, doing George Bush and stuff. In

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<v Speaker 1>that nineteen eighty he's doing Stan Laurel from nineteen forty.

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<v Speaker 2>Well, I just thinn't wondering. I'm in the club to

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<v Speaker 2>see him do Charlie Chaplin. Everybody hilarius the fuck is

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<v Speaker 2>finding this funny.

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<v Speaker 3>And the audience is eating it up. And that's what

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<v Speaker 3>I thought that this gig was. When it came to

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<v Speaker 3>the whole episode, I was like, Oh, he must be

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<v Speaker 3>in some sort of healthscape nightclub where he can do

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<v Speaker 3>or say anything and it will make the audience laugh

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<v Speaker 3>because he's not funny. I thought this was kind of

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<v Speaker 3>like one of those Twilight Zone reboots where it was like,

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<v Speaker 3>oh yeah, and then my wife cheated on me and

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<v Speaker 3>the whole audience.

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<v Speaker 2>Goes crazy and Thomerson, Baby.

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<v Speaker 3>I'm like waiting for that, you know. Oh and yeah

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<v Speaker 3>that was Bizarro when they were laughing like crazy. Oh,

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<v Speaker 3>the ACX just not what it is, says his agent

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<v Speaker 3>slash manager Pudgy.

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<v Speaker 2>At least he was named the Offendi because that was

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<v Speaker 2>the other thing that reminded me of this. It was like, oh,

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<v Speaker 2>we need another story about comedians. God no. And also,

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<v Speaker 2>on top of everything else, comedians are the least interesting

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<v Speaker 2>people according to media, because they're all just like the

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<v Speaker 2>most obvious stereotypes of human beings. Like he's an impressionist

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<v Speaker 2>who does the most on the nose lazy impressions known

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<v Speaker 2>to man, even at the time they would be lazy.

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<v Speaker 3>He does both laurel and hardy.

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<v Speaker 1>And announces each impression. That's the best part of the act,

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<v Speaker 1>Stan Laurel. Oh, wait what you okay? Now you stacked

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<v Speaker 1>against me there, even though it's still not going to

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<v Speaker 1>be an enjoyable impression. Hit us with Jack Benny TJ. Castronova,

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<v Speaker 1>producer on the shows. In the front row of this

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<v Speaker 1>audience during the nightclub act, he might be to blame

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<v Speaker 1>for nudging the audience into his oxysms of fucking hilarity.

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<v Speaker 1>Pudgy using a tiny pen knife to slowly, slowly, slowly

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<v Speaker 1>cut open an arm rae. It's the most horrific thing

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<v Speaker 1>we've seen. Ontel's in the dark side. A sign from

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<v Speaker 1>his little fucking cokenail, his little pinky cocnail. Yeah, yay sign.

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<v Speaker 1>It's nineteen eighty four, eighty five. Now, I think it

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<v Speaker 1>would take more than a hastily thrown together at National

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<v Speaker 1>security badge to let somebody put a bag over my

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<v Speaker 1>head and put me in the car.

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<v Speaker 2>And oh my god, and again it's Chuck McCann. Everybody,

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<v Speaker 2>our our singular soul hope in this in this world

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<v Speaker 2>is Chuck McCann.

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<v Speaker 1>Chuck McCann, I don't you know what I was not

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<v Speaker 1>on that Columbo episode. So what is your It sounds

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<v Speaker 1>like you're goofing on, mister Chuck mccannon, and I want

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<v Speaker 1>to know what you're actually.

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<v Speaker 2>I can Chuck McCann's hilarious. It's just don't expect me

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<v Speaker 2>to take him seriously in this episode, because our one

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<v Speaker 2>singular hope for nuclear fusion is with Chuck McCann. It's

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<v Speaker 2>in his goofy hands.

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<v Speaker 1>So are you saying you do not buy him as

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<v Speaker 1>a dramatic actor.

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<v Speaker 2>Then I don't buy him as the I just don't

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<v Speaker 2>buy the conceit of this episode. He has nothing to

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<v Speaker 2>do with him as an actor. I concede of this

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<v Speaker 2>episode's goofiest. Look, that is what I'm getting at.

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<v Speaker 1>Yeah, well, I like the conceit of the episode. It's

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<v Speaker 1>just that they put the wrong comic in here. They

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<v Speaker 1>put in this It shouldn't be a comic at all.

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<v Speaker 1>It should be some actor or something or something. It

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<v Speaker 1>could be some other reason that this guy's really good

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<v Speaker 1>at mimicking things, other than he's been doing impressions of

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<v Speaker 1>fucking Laurel and Hardy.

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<v Speaker 2>You know, he's the best. He's working at some shitty

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<v Speaker 2>ass club. Do this is the guy we want? Like

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<v Speaker 2>you're telling me there's not. This is who you're going

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<v Speaker 2>to for impersonations, like like a dialect coach on the phone.

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<v Speaker 1>You know. Now, early in the episode, when we get

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<v Speaker 1>introduced to Bobby Chico, I wrote in my notes, what's

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<v Speaker 1>wrong with Bobby to Chico? Look, he was the lead

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<v Speaker 1>in nineteen forty one and now he's doing bit stuff

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<v Speaker 1>on Talales from the Dark Side, Right, what's wrong with

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<v Speaker 1>that guy? Is that, you know. But here's the thing.

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<v Speaker 1>Later in the episode, I answered my own question because

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<v Speaker 1>later I wrote, Oh, Chico is a terrible actor. Now

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<v Speaker 1>I get it. He's he can't pull. He's doing this

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<v Speaker 1>whispery sort of like high school drama, kind of I'm

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<v Speaker 1>a scientist kind of a performance. I could not We're

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<v Speaker 1>supposed to take all so much of this, seriously, the

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<v Speaker 1>trash bag monster, the Chuck McCann's old routines them sort

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<v Speaker 1>of wobbling around, looking at each other and murmuring. And

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<v Speaker 1>on top of that, we got to deal with the Chico. No,

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<v Speaker 1>I reject they.

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<v Speaker 2>And half Gosh. Don't forget half Gud, the alien named

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<v Speaker 2>half Gosh.

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<v Speaker 3>And fingered with a big old butt for a head.

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<v Speaker 1>Hey, you know what, I actually liked the design of

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<v Speaker 1>the head of that creature. I thought that looked good.

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<v Speaker 1>I don't know, I'm just a sucker for that era.

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<v Speaker 1>You know, it was basically a mask. It wasn't a

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<v Speaker 1>prosthetic rinding anyway.

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<v Speaker 2>I like like I like the cold weather blanket that

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<v Speaker 2>is his outfit, you know, the thing that you're supposed

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<v Speaker 2>to keep in your car in case your car breaks

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<v Speaker 2>down in a blizzard. And you need to cover. It's

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<v Speaker 2>like one of those metallic blank It's that's you know,

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<v Speaker 2>we joked a long time ago on Cold Chat about

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<v Speaker 2>oh my god, look there's no monster. We don't get

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<v Speaker 2>to see it. It's invisible. This is why this is

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<v Speaker 2>the reason why shit's invisible in shows, because when you

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<v Speaker 2>see it, it's, oh god, it's just like a guy.

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<v Speaker 2>It's a guy in a mask. It's a guy in

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<v Speaker 2>a really cheap looking mask.

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<v Speaker 1>Actually a woman this time.

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<v Speaker 3>Yeah, and she heard all these weird body motion things.

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<v Speaker 3>I'm just like, what is It almost looks like half

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<v Speaker 3>gosh is dancing. At times, I'm like what is happening?

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<v Speaker 3>And then I'm like it was actually dancing. Then maybe

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<v Speaker 3>that would be a better form of communication.

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<v Speaker 2>You know, by the way, communicating through interpretive dance.

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<v Speaker 1>Yes.

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<v Speaker 3>Oh, and I have all of the information about it

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<v Speaker 3>right here on this compact disc.

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<v Speaker 2>Yeah, the CD. Everybody, it's a new technology.

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<v Speaker 1>Language and communication. I had to draw this inference from

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<v Speaker 1>this episode. But language and communication are so important to

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<v Speaker 1>this creature that if you get it wrong and all,

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<v Speaker 1>it has to fucking smack you.

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<v Speaker 2>Yeah.

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<v Speaker 1>So we're very surly alien, but yeah, not not. It's

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<v Speaker 1>it's the most in between alien we've ever seen. It's

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<v Speaker 1>not et and it's not some monster trying to eat everybody,

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<v Speaker 1>but it will smack you if you get out of line.

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<v Speaker 2>Psychically smack you. It roots around in your brain for

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<v Speaker 2>a little bit. And Chuck McCann's just cold sweat. Oh god,

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<v Speaker 2>oh no. And some of this was filmed and reversed

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<v Speaker 2>to and then played forward so much.

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<v Speaker 1>Yeah, they love that here at it's the next and

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<v Speaker 1>it's always when somebody is jumping. We haven't seen reverse anything,

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<v Speaker 1>but somebody jumping onto something. It's really right.

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<v Speaker 2>Well I love that jumping a bit, jumping backwards and

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<v Speaker 2>then back again. I was like, this is just funny.

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<v Speaker 2>It's just funny to look at it. Can't take this seriously.

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<v Speaker 1>Oh yeah, it's okay.

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<v Speaker 3>And what's the story with the other scientists the one

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<v Speaker 3>that actually kidnaps them, because it's I'm going to bring

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<v Speaker 3>you over here, and then immediately be like, no, this

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<v Speaker 3>guy sucks.

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<v Speaker 1>Let's go.

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<v Speaker 3>It's wait wait, give him a shot, would you?

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<v Speaker 1>Yeah? The like the killer outside agent, Yeah, who's all intimidation?

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<v Speaker 1>And then yeah, why go to such length? Was he?

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<v Speaker 1>I guess he was expecting him to just do it overnight.

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<v Speaker 1>But it's been three weeks.

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<v Speaker 2>Three weeks with an alien, an alien only three weeks,

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<v Speaker 2>only three weeks.

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<v Speaker 1>They when they send him in for the first time,

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<v Speaker 1>they say, put on this headset, you'll be able to

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<v Speaker 1>understand him in English. And I'm like, well, if you

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<v Speaker 1>already have that?

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<v Speaker 2>What mimic cry Charlie Chaplin, did it? Remember Buster Keaton?

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<v Speaker 2>That's it's in the age old tradition. This is the

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<v Speaker 2>bizarre conceit. It's a bizarre conceit. It's strangers, you know.

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<v Speaker 1>They would have just strapped the thing down and started

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<v Speaker 1>they can if it can communicate in English already. They

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<v Speaker 1>would be torturing the thing, going tell us about fusion.

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<v Speaker 2>Brains, I want brains. I'm in pain. Strap it down

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<v Speaker 2>and start taking the information by force. Yeah, that's what

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<v Speaker 2>they would do. The US government wouldn't ask a comedian

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<v Speaker 2>to come help out. Just cut its fucking head off

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<v Speaker 2>and start doing all sorts of experiments on it.

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<v Speaker 1>The sounds that it made were quite off putting.

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<v Speaker 2>It is off putting in general. The name alone is

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<v Speaker 2>off put it.

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<v Speaker 1>Yes, off gosh, haf got like hof scotch butterscotch.

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<v Speaker 3>Missus Emmelda, Hey.

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<v Speaker 2>What Jimmy hoff Gosh.

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<v Speaker 1>By the end of this episode, it turns straight up

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<v Speaker 1>surling like he's back at the club and he now

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<v Speaker 1>realizes the meaningless and the meaningless of it all. And

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<v Speaker 1>Pudge comes in like Chuck McCann actually says, you don't

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<v Speaker 1>get it, Pudge, just don't get it. And then he goes,

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<v Speaker 1>it's so fucking surling that I was expecting somebody start

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<v Speaker 1>singing if he's a jelly good fellow. As he goes

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<v Speaker 1>at the door.

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<v Speaker 2>As they hold hands and walk into the spaceship together.

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<v Speaker 1>I will say in that last segment he walks out

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<v Speaker 1>that door and then ends up on location. Yeah, and suddenly,

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<v Speaker 1>no matter how shitty the rest of the episode was,

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<v Speaker 1>it came alive.

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<v Speaker 2>I mean again, when we get to see it close

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<v Speaker 2>above that alien again and we get to see it

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<v Speaker 2>tilt its head and attempt to emote. How do you

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<v Speaker 2>think Glenn Hetrick would feel about this makeup? That's the

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<v Speaker 2>question that I'm asking Would he buy it?

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<v Speaker 3>Open your mouth?

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<v Speaker 2>Okay, show me your tongue. All right, look at this

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<v Speaker 2>fucking headshat can you turn this is not original? Yeah,

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<v Speaker 2>let me see your profile.

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<v Speaker 3>You got you got any referal vision over here?

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<v Speaker 2>Yeah. I like the hand. My favorite detail is the hand.

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<v Speaker 2>That's just there's no nothing, It's just like a hand.

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<v Speaker 2>It's stick your fingers, all four of your fingers into

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<v Speaker 2>this one thing, and then your thumb off to the side.

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<v Speaker 2>It's just look the show. The show, for the most part,

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<v Speaker 2>has a really high production value until it doesn't. This

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<v Speaker 2>is one of those episodes where it's like, what was

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<v Speaker 2>this Just one of the ones that they were like, yeah,

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<v Speaker 2>we tried.

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<v Speaker 1>Now, you know. I spoke to Robert Draper, the DP,

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<v Speaker 1>one of the dps on Teslam Dark Side, and he

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<v Speaker 1>told me that the mandate was to do noir lighting,

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<v Speaker 1>so hard lighting or rather low lighting, which is quick

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<v Speaker 1>and that's most of the episodes of the first season

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<v Speaker 1>are definitely adhere to that. But when I spoke to

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<v Speaker 1>armand Mastriani, he said he was given no such directive,

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<v Speaker 1>so he just lit. They lit however they wanted, if

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<v Speaker 1>they could make day basically no.

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<v Speaker 2>I was gonna say, like, I would like to go

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<v Speaker 2>back and rewatch the first season to compare it to

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<v Speaker 2>this then, because I mean, I feel like I feel

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<v Speaker 2>like we did say it in the first season. A

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<v Speaker 2>couple times, this looks rather set bound. I don't necessarily

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<v Speaker 2>consider set bound to be noir lighting that over lit

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<v Speaker 2>is normally the way I look at set bound stuff.

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<v Speaker 1>You can you can noir light something and make it

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<v Speaker 1>look threadbare and just painted. You know, the lighting. The

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<v Speaker 1>lighting package itself doesn't save it. But what it does

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<v Speaker 1>save twice now for mister Mastriani, is he created a

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<v Speaker 1>UFO here at the end with just the lighting package,

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00:15:35.919 --> 00:15:38.879
<v Speaker 1>and back in that if the shoe fits, he created

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<v Speaker 1>a circus tent basically with just just lights. I love

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<v Speaker 1>the guy. Those are those are a little short film

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<v Speaker 1>like moments that it makes me happy when we see

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<v Speaker 1>these episodes. Even if everything that came before, and I'm sorry,

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00:15:50.000 --> 00:15:55.000
<v Speaker 1>mister Mostrianni, everything that came before was just suspect at best, it.

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<v Speaker 2>Feels very set bound. I mean, ultimately, like this does.

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00:15:58.159 --> 00:16:01.000
<v Speaker 2>I mean most of the episode takes place in being

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<v Speaker 2>shot from high angles in like a square room, a

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00:16:03.679 --> 00:16:05.080
<v Speaker 2>gray square room.

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<v Speaker 1>There's no way you could shoot those scientists breaking into

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00:16:08.879 --> 00:16:12.440
<v Speaker 1>applause when he's made the breakthrough with the fucking hof

307
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<v Speaker 1>gosh in the next ro it is so melodramatic and weird.

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00:16:16.240 --> 00:16:20.639
<v Speaker 1>It's just sort of representative of the episode sentiment overall.

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00:16:20.799 --> 00:16:22.879
<v Speaker 1>This is a weird I don't understand this is the

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<v Speaker 1>town from the dark Side episode?

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<v Speaker 2>What is this better suited like amazing stories?

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00:16:27.840 --> 00:16:28.799
<v Speaker 1>Yeah, there you go.

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<v Speaker 2>Directed by Steven Spielberg, even.

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00:16:32.000 --> 00:16:33.639
<v Speaker 1>He already made this movie a few times.

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<v Speaker 2>Yeah, pretty much.

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<v Speaker 3>I don't know what it was about this series of episodes,

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00:16:37.559 --> 00:16:42.600
<v Speaker 3>but I really noticed the film rating during these four

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00:16:42.679 --> 00:16:44.799
<v Speaker 3>that we we're gonna be talking about too now and

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00:16:44.919 --> 00:16:48.639
<v Speaker 3>two next week or next month, well whatever our schedule

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00:16:48.759 --> 00:16:50.600
<v Speaker 3>is now with this, it feels like you're releasing these

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<v Speaker 3>every day now even though we haven't for.

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00:16:55.120 --> 00:16:56.159
<v Speaker 1>We're going through August.

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<v Speaker 3>Oh, fantastic, fantastic. Yeah, but it just feels like I

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00:16:59.480 --> 00:17:02.720
<v Speaker 3>was seeing a lot of dirt on the film, and

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00:17:02.759 --> 00:17:06.240
<v Speaker 3>I'm just like, oh man, these are really rough looking

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<v Speaker 3>at times.

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<v Speaker 1>I was very surprised. Yeah. I wonder if then is

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00:17:10.359 --> 00:17:12.519
<v Speaker 1>some sort of you know, this is a new season now,

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00:17:12.599 --> 00:17:16.440
<v Speaker 1>so perhaps they're using new facilities. I'll find all that

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00:17:16.559 --> 00:17:19.680
<v Speaker 1>out basically, but yes, there is a definite changed kind

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00:17:19.720 --> 00:17:22.839
<v Speaker 1>of overall about the approach to the segments here, to

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00:17:22.920 --> 00:17:25.240
<v Speaker 1>the episodes now, I think I think they might have

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00:17:25.359 --> 00:17:28.400
<v Speaker 1>loosened up because the season one was a success.

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00:17:28.720 --> 00:17:31.480
<v Speaker 3>And I think I think the most goofy thing about

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00:17:31.599 --> 00:17:34.359
<v Speaker 3>Chuck mccannon is probably the hairdo, which I know, you know,

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00:17:34.880 --> 00:17:38.279
<v Speaker 3>it's the eighties. He's an older man, but just always

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00:17:38.319 --> 00:17:40.759
<v Speaker 3>something about the way that he wore his hair would

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00:17:40.759 --> 00:17:44.440
<v Speaker 3>throw me. So I have absolutely nothing against mister McCann.

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00:17:44.599 --> 00:17:47.480
<v Speaker 3>I like him in quite a few things. I tried

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00:17:47.519 --> 00:17:50.880
<v Speaker 3>to interview him about Linda Lovelace for President, because he

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00:17:50.920 --> 00:17:54.200
<v Speaker 3>plays a fairly substantial role in that, And of course

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00:17:54.240 --> 00:17:56.839
<v Speaker 3>I love The Projectionists. Though I haven't seen it since

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00:17:58.240 --> 00:18:01.519
<v Speaker 3>Naty two, so maybe I wouldn't like it as much now,

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00:18:01.599 --> 00:18:03.279
<v Speaker 3>but I remember really enjoying it.

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<v Speaker 2>He's the best part of the episode. He's just horribly miscast.

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<v Speaker 1>Yeah, but I will say that when they do go

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00:18:08.559 --> 00:18:11.200
<v Speaker 1>to that on location shot, he steps out in the

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00:18:11.200 --> 00:18:14.160
<v Speaker 1>street and the car nearly hits him. That car nearly

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00:18:14.240 --> 00:18:17.400
<v Speaker 1>hits him, like Chuck mccannon doing stunts for Townsend The

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00:18:17.480 --> 00:18:19.000
<v Speaker 1>Dark Side here, I was.

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<v Speaker 3>Really hoping when the alien comes down and he's coming

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<v Speaker 3>off the ship all waddling along, I was really hoping

353
00:18:25.759 --> 00:18:29.960
<v Speaker 3>that Chuck McCann would start waddling his way towards hawf gosh, like.

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<v Speaker 2>You came back. They're gonna go away together and live

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<v Speaker 2>a happy life.

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<v Speaker 1>Half gosh or what if it was the opposite and

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<v Speaker 1>half Gosh.

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<v Speaker 2>Was like, what's going on?

359
00:18:39.680 --> 00:18:40.400
<v Speaker 3>Just comes down?

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<v Speaker 1>Yeah, great life, Bob. This is season two, episode two.

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<v Speaker 1>It aired originally on October the sixth, nineteen eighty five.

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<v Speaker 1>This one was written by This one was written by

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00:18:53.279 --> 00:18:56.680
<v Speaker 1>Michael CB McDowell from his story what are the odds

364
00:18:56.920 --> 00:18:59.319
<v Speaker 1>that there are two writers effectively on staff at Toe

365
00:18:59.440 --> 00:19:01.440
<v Speaker 1>Some of the dark STI I'd named Michael McDowell. It's

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00:19:01.480 --> 00:19:05.559
<v Speaker 1>really Will. Directed by Frank DePalma. This one stars Bill Macy,

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<v Speaker 1>who I get most people probably know him from Mad

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<v Speaker 1>Mod from the nineteen seventies. He was also in The

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<v Speaker 1>Jerk you know, Damn These Glasses, Yes, sir, I damn

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00:19:15.400 --> 00:19:18.400
<v Speaker 1>thee and he was in My Favorite Year he shows

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<v Speaker 1>up in Colombo in the nineties. He has a special

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<v Speaker 1>place in my heart because he's one of the three

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<v Speaker 1>known celebrities that are from my hometown of Verre, Massachusetts.

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<v Speaker 1>Bill Macy is one of them. I'm always excited when

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<v Speaker 1>he shows up anywhere anyway. This also stars are Robert

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00:19:32.799 --> 00:19:35.960
<v Speaker 1>Reisel and Samantha Harper. This is the story of an

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00:19:36.039 --> 00:19:40.240
<v Speaker 1>insurance agent and a most unusual product that doesn't it

378
00:19:40.279 --> 00:19:43.440
<v Speaker 1>doesn't pay dividends after you diet. Make sure you never

379
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<v Speaker 1>do which you think of this one.

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<v Speaker 3>Mike Man, oh man, it took me so long to

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<v Speaker 3>figure out the bad part of this. I was just like, Okay, yeah, cool,

382
00:19:53.359 --> 00:19:57.480
<v Speaker 3>there's this goofy suit thing that pops out of your

383
00:19:57.519 --> 00:20:02.160
<v Speaker 3>back and wraps you up and keeps you safe, and okay,

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00:20:02.519 --> 00:20:05.039
<v Speaker 3>I don't see any downside to this until he starts

385
00:20:05.079 --> 00:20:08.119
<v Speaker 3>having heart attacks and coming back, and I really kind

386
00:20:08.119 --> 00:20:11.680
<v Speaker 3>of wish that there have been more to that to show.

387
00:20:11.400 --> 00:20:12.960
<v Speaker 2>Just oh oh.

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00:20:13.240 --> 00:20:15.640
<v Speaker 3>It took me almost until the very last minute of

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<v Speaker 3>this episode to be like, he's doomed to live forever.

390
00:20:20.319 --> 00:20:24.000
<v Speaker 3>Oh okay, this suit is going to keep him alive,

391
00:20:24.039 --> 00:20:25.880
<v Speaker 3>and they're going to he's going to keep having heart

392
00:20:25.920 --> 00:20:30.319
<v Speaker 3>attacks because he's a complete asshole, and then he's going

393
00:20:30.400 --> 00:20:32.200
<v Speaker 3>to be brought back to life by this guy in

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00:20:32.240 --> 00:20:35.720
<v Speaker 3>the red suit and that's it. And I'm like, Okay,

395
00:20:35.839 --> 00:20:39.119
<v Speaker 3>it took us twenty nine minutes to get there. It

396
00:20:39.200 --> 00:20:41.640
<v Speaker 3>took a long time for me to finally get to

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00:20:41.680 --> 00:20:44.279
<v Speaker 3>this endpoint and just say it's sorry twenty two minutes

398
00:20:44.839 --> 00:20:48.480
<v Speaker 3>and just go oh oh, okay, that was a clever idea,

399
00:20:48.799 --> 00:20:49.960
<v Speaker 3>very poorly executed.

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00:20:50.519 --> 00:20:54.079
<v Speaker 2>What do you think, Chris, Yeah, no, I feel almost

401
00:20:54.160 --> 00:20:56.119
<v Speaker 2>identical to the way that you do. I mean, I

402
00:20:56.240 --> 00:20:59.200
<v Speaker 2>like the idea, the conceit is interesting, but.

403
00:21:00.160 --> 00:21:01.519
<v Speaker 3>The special effects are amazing.

404
00:21:02.000 --> 00:21:04.759
<v Speaker 2>Okay, we didn't have to know that far. No game.

405
00:21:04.839 --> 00:21:07.680
<v Speaker 2>Now we're just being on bearing.

406
00:21:06.720 --> 00:21:10.039
<v Speaker 1>Off that stop motion madness like the shields on the

407
00:21:10.079 --> 00:21:11.160
<v Speaker 1>eighty nine Batmobile.

408
00:21:12.119 --> 00:21:14.680
<v Speaker 3>The Wizard of Speed and Time is just like, what

409
00:21:14.720 --> 00:21:15.400
<v Speaker 3>the fuck was that.

410
00:21:16.160 --> 00:21:18.720
<v Speaker 2>There's a moment where they where the little thing is

411
00:21:18.759 --> 00:21:20.640
<v Speaker 2>like cocooning the guy, and you can see that they

412
00:21:20.640 --> 00:21:22.319
<v Speaker 2>didn't do a very good job of keeping the sheet

413
00:21:22.359 --> 00:21:24.279
<v Speaker 2>on the bed in the same spot, because the sheet

414
00:21:24.319 --> 00:21:27.319
<v Speaker 2>in the bed like moving around like crazy. I'm with

415
00:21:27.359 --> 00:21:29.039
<v Speaker 2>you one hundred percent. I mean, I think it's an

416
00:21:29.079 --> 00:21:33.240
<v Speaker 2>interesting idea, but it's so poorly executed. In the top

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00:21:33.240 --> 00:21:37.119
<v Speaker 2>of everything else, the guy who's selling the product is

418
00:21:37.279 --> 00:21:41.240
<v Speaker 2>using the product, so what incentive does he have to

419
00:21:41.279 --> 00:21:43.920
<v Speaker 2>sell it to this guy? There needed to be something

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00:21:43.920 --> 00:21:46.079
<v Speaker 2>of Once I pass it on to you, I am

421
00:21:46.160 --> 00:21:48.720
<v Speaker 2>now forgiven of this and I no longer have to

422
00:21:48.759 --> 00:21:51.880
<v Speaker 2>deal with it. There needed to be some aspect to this,

423
00:21:52.039 --> 00:21:54.559
<v Speaker 2>some some sort of stakes, because there aren't. It me,

424
00:21:54.680 --> 00:21:56.880
<v Speaker 2>this reminds me a lot of the one with James

425
00:21:56.960 --> 00:21:59.160
<v Speaker 2>Hong that we just talked about, where it's like it's

426
00:21:59.200 --> 00:22:02.960
<v Speaker 2>just this like busy asshole kind of getting his just desserts,

427
00:22:03.039 --> 00:22:05.599
<v Speaker 2>I guess. But again, this is another one of these

428
00:22:05.640 --> 00:22:08.119
<v Speaker 2>weird things where it's like the guy is just a workaholic.

429
00:22:08.240 --> 00:22:10.720
<v Speaker 2>I don't think that makes you a bad person. It

430
00:22:10.839 --> 00:22:14.880
<v Speaker 2>just means that you're like not prioritizing certain things. It's

431
00:22:14.920 --> 00:22:17.440
<v Speaker 2>like in all those nineties movies where you know, okay,

432
00:22:17.480 --> 00:22:19.720
<v Speaker 2>just for example, Jingle all the way, it's Arnot Schwarzenegger

433
00:22:19.799 --> 00:22:22.880
<v Speaker 2>is a terrible dad in that movie because he works

434
00:22:22.880 --> 00:22:25.480
<v Speaker 2>a lot. And it's but yet this family lives in

435
00:22:25.519 --> 00:22:27.200
<v Speaker 2>a giant house and all this sudden it's I've never

436
00:22:27.279 --> 00:22:30.599
<v Speaker 2>understood demonizing people for working a lot, And this is

437
00:22:30.640 --> 00:22:32.559
<v Speaker 2>another one of these kinds of characters where it's like

438
00:22:32.759 --> 00:22:35.599
<v Speaker 2>he works a lot, therefore he's an asshole, and it's like, yeah,

439
00:22:35.599 --> 00:22:39.279
<v Speaker 2>I guess the other character in the other episode where

440
00:22:39.319 --> 00:22:41.799
<v Speaker 2>he's like murdering people he doesn't like, makes a lot

441
00:22:41.880 --> 00:22:44.519
<v Speaker 2>more sense to have him get this. You know, there's

442
00:22:44.559 --> 00:22:47.599
<v Speaker 2>a fate worse than death treatment. I don't think the

443
00:22:47.640 --> 00:22:49.559
<v Speaker 2>premise in this episode makes a lot of sense. And

444
00:22:49.599 --> 00:22:52.839
<v Speaker 2>if you're gonna go the direction they go, the lead

445
00:22:53.079 --> 00:22:55.119
<v Speaker 2>of the piece has to be a real piece of shit,

446
00:22:55.359 --> 00:22:59.400
<v Speaker 2>and he's just kind of an old man's.

447
00:22:58.240 --> 00:23:01.079
<v Speaker 3>Pretty pretty wilid piece of shit. I mean he running

448
00:23:01.119 --> 00:23:02.079
<v Speaker 3>this mining company.

449
00:23:02.119 --> 00:23:04.079
<v Speaker 1>Yeah, he runs a mining company. There was a cave

450
00:23:04.160 --> 00:23:06.759
<v Speaker 1>in and more than twenty people dined, and he's fucking

451
00:23:06.960 --> 00:23:10.799
<v Speaker 1>bitching the entire time about the thirty million dollar payout

452
00:23:10.799 --> 00:23:14.599
<v Speaker 1>that will absolve them of any future trouble with those people.

453
00:23:14.799 --> 00:23:17.799
<v Speaker 1>Are you kidding me? I was like, I loved this episode,

454
00:23:17.880 --> 00:23:20.039
<v Speaker 1>and I was loving this episode, and like you said, Mike,

455
00:23:20.079 --> 00:23:22.079
<v Speaker 1>I was going, I don't really see the outs identity

456
00:23:22.079 --> 00:23:24.400
<v Speaker 1>of this. This is pretty good. And then I what

457
00:23:24.480 --> 00:23:27.039
<v Speaker 1>I wrote in my notes was, oh no, the miners,

458
00:23:27.359 --> 00:23:32.200
<v Speaker 1>Now I get it, and that he's he's worse than

459
00:23:32.240 --> 00:23:34.480
<v Speaker 1>that other guy. That other guy was just a caricature

460
00:23:34.519 --> 00:23:37.319
<v Speaker 1>of ups and Pratt. This is a real guy running

461
00:23:37.319 --> 00:23:40.799
<v Speaker 1>a corporation trying to fuck everyone out of every last time.

462
00:23:41.119 --> 00:23:43.519
<v Speaker 1>At the end of this episode is a tragedy, and

463
00:23:43.559 --> 00:23:46.000
<v Speaker 1>I feel bad for the character. It's a horrible thing.

464
00:23:46.039 --> 00:23:48.200
<v Speaker 1>But at the same time, as far as just desserts go,

465
00:23:48.640 --> 00:23:51.480
<v Speaker 1>this is perfect for me. This is exactly what I'm

466
00:23:51.519 --> 00:23:53.559
<v Speaker 1>looking for from a Tails from the Dark Side episode.

467
00:23:53.640 --> 00:23:57.200
<v Speaker 1>I agree, it's a little clunkily sort of constructed because

468
00:23:57.240 --> 00:24:00.279
<v Speaker 1>they don't give us the actual here's what the twist

469
00:24:00.440 --> 00:24:03.279
<v Speaker 1>is until like the final few moments of the episode.

470
00:24:03.359 --> 00:24:06.799
<v Speaker 1>It would have come better earlier, but once the twist

471
00:24:07.039 --> 00:24:09.519
<v Speaker 1>sort of popped into my head that these corporations are

472
00:24:09.559 --> 00:24:13.839
<v Speaker 1>going to keep you enslaved forever, which I did not

473
00:24:14.000 --> 00:24:17.559
<v Speaker 1>see the angle coming at all. That marvel. That's a

474
00:24:17.599 --> 00:24:21.000
<v Speaker 1>marvel to me. And then what that scenario does, It

475
00:24:21.119 --> 00:24:25.359
<v Speaker 1>makes death the only win. And that's why I love

476
00:24:25.400 --> 00:24:27.720
<v Speaker 1>Tamson the Dark's Eye. Yeah, that's going to get him

477
00:24:27.720 --> 00:24:27.960
<v Speaker 1>for that.

478
00:24:28.599 --> 00:24:31.000
<v Speaker 2>I mean, I'm yeah, I don't, I don't. I don't

479
00:24:31.000 --> 00:24:33.319
<v Speaker 2>disagree with you. I mean, I see where I see

480
00:24:33.319 --> 00:24:36.960
<v Speaker 2>where you're coming from. I hmm, yeah, I mean I

481
00:24:37.000 --> 00:24:41.480
<v Speaker 2>think I think in terms of what it is going for, yeah,

482
00:24:41.519 --> 00:24:43.039
<v Speaker 2>it does pull it off, but I think, yeah, I

483
00:24:43.079 --> 00:24:46.440
<v Speaker 2>think we are at least in agreement. It's clunky, right, Yeah.

484
00:24:46.319 --> 00:24:49.319
<v Speaker 1>Yeah, yeah, it's it's not well directed. That's the problem

485
00:24:49.319 --> 00:24:51.720
<v Speaker 1>with it, because the writing is good, all the performances

486
00:24:51.759 --> 00:24:53.960
<v Speaker 1>are super solid. A little bit not on his wife,

487
00:24:54.039 --> 00:24:56.640
<v Speaker 1>but even that sort of those exchanges between him and

488
00:24:56.680 --> 00:24:59.759
<v Speaker 1>his wife because he's a cocksucker at home too. Yeah,

489
00:25:00.160 --> 00:25:04.720
<v Speaker 1>like she's not great, but that scenario. I never felt,

490
00:25:04.799 --> 00:25:06.759
<v Speaker 1>let's get to the supernatural or anything. When I was

491
00:25:06.799 --> 00:25:10.160
<v Speaker 1>with these characters. I was in it, but I don't know.

492
00:25:10.240 --> 00:25:13.160
<v Speaker 1>I you know, my ledge may vary, but I bought

493
00:25:13.160 --> 00:25:16.799
<v Speaker 1>into this one mostly because Bill Macy seems like a

494
00:25:16.880 --> 00:25:20.680
<v Speaker 1>genuine and decent human being. So when he's playing an asshole,

495
00:25:20.799 --> 00:25:24.039
<v Speaker 1>oh my god. I haven't wanted a character to burn

496
00:25:24.359 --> 00:25:27.359
<v Speaker 1>this hard in forever because a character hasn't been this

497
00:25:27.440 --> 00:25:29.680
<v Speaker 1>well defined or portrayed on the show in a while.

498
00:25:30.279 --> 00:25:33.599
<v Speaker 3>His performance is really spectacular, especially when he just goes

499
00:25:33.640 --> 00:25:37.359
<v Speaker 3>off the deep end and starts screaming as lungs out.

500
00:25:37.599 --> 00:25:40.880
<v Speaker 3>It's pretty impressive, and I'm just very happy every time

501
00:25:40.920 --> 00:25:43.279
<v Speaker 3>he goes to reach for his chest, I'm like, yeah,

502
00:25:43.279 --> 00:25:44.480
<v Speaker 3>this is what you get, motherfucker.

503
00:25:45.039 --> 00:25:47.319
<v Speaker 1>The first thing, the first note I have on this

504
00:25:47.400 --> 00:25:49.720
<v Speaker 1>is that I loved the music, and this is a

505
00:25:49.759 --> 00:25:53.440
<v Speaker 1>different contributor than ordinarily on the show. Ken Lobber is

506
00:25:53.440 --> 00:25:56.400
<v Speaker 1>his name, so I looked him up and he composed

507
00:25:56.400 --> 00:25:59.480
<v Speaker 1>the music for a sitcom from nineteen eighty called Mister

508
00:25:59.599 --> 00:26:02.279
<v Speaker 1>and Missus is Dracula. Do you know this one, Mike, No,

509
00:26:02.359 --> 00:26:04.200
<v Speaker 1>I can't say I've ever heard of this one. Oh, boy,

510
00:26:04.519 --> 00:26:07.519
<v Speaker 1>Tails from the Dark Side double double Whammy, starring Dick

511
00:26:07.559 --> 00:26:12.400
<v Speaker 1>Shawn as Dracula whoa and Paul Apprentice as Missus Dracula.

512
00:26:12.799 --> 00:26:15.799
<v Speaker 1>Oh wow, the Dracula family moves into an apartment in

513
00:26:15.839 --> 00:26:17.480
<v Speaker 1>the Bronx, wasn't she?

514
00:26:17.960 --> 00:26:20.960
<v Speaker 3>Because I always get the princess the sisters right, and

515
00:26:21.039 --> 00:26:23.400
<v Speaker 3>one of them was in Saturday the fourteenth. I mean

516
00:26:23.400 --> 00:26:25.279
<v Speaker 3>it sounds like it's cut right out of that cloth.

517
00:26:25.400 --> 00:26:31.200
<v Speaker 1>That is Paul Apprentice. Yes, marriage Richard Benjamin. Uh that

518
00:26:31.200 --> 00:26:35.799
<v Speaker 1>that episode that Dracula shot Mister Missus Dracula. It's on YouTube.

519
00:26:36.160 --> 00:26:39.839
<v Speaker 1>Everyone go watch it. It's Mister and Missus Dracula the Pilot.

520
00:26:39.839 --> 00:26:42.519
<v Speaker 1>You're gonna You're gonna have a blast. Oh. I don't

521
00:26:42.559 --> 00:26:43.920
<v Speaker 1>know you guys got any more in this one.

522
00:26:44.319 --> 00:26:46.079
<v Speaker 3>No, I'm just gonna sign out and go watch Mister

523
00:26:46.079 --> 00:26:47.279
<v Speaker 3>and Missus dragett I.

524
00:26:47.599 --> 00:26:49.759
<v Speaker 2>Do like the Tails from the Dark Side. Does seem

525
00:26:49.799 --> 00:26:54.440
<v Speaker 2>to be bothering itself with sticking it to corporate dickheads

526
00:26:54.440 --> 00:26:57.000
<v Speaker 2>of the eighties, because this is what the second or

527
00:26:57.160 --> 00:26:59.440
<v Speaker 2>third episode that we've gotten like this in the run

528
00:26:59.480 --> 00:27:00.240
<v Speaker 2>of the show so far.

529
00:27:00.640 --> 00:27:03.039
<v Speaker 1>And compare and contrast that to Twilight Zone eighty five,

530
00:27:03.079 --> 00:27:06.160
<v Speaker 1>where we would be with that corporation owner trying to

531
00:27:06.160 --> 00:27:08.279
<v Speaker 1>figure out where he went wrong and what he needs

532
00:27:08.279 --> 00:27:10.359
<v Speaker 1>to do it fix if some magic come help me?

533
00:27:11.039 --> 00:27:13.480
<v Speaker 2>What turn did I take that should have been left

534
00:27:13.480 --> 00:27:16.240
<v Speaker 2>when I went right? Did I marry the wrong woman?

535
00:27:16.799 --> 00:27:18.160
<v Speaker 2>Am I a jolly good fellow?

536
00:27:18.759 --> 00:27:21.759
<v Speaker 1>We all come into a path in the road, the.

537
00:27:21.680 --> 00:27:25.839
<v Speaker 2>Path less travel in the Twilight Zone? Yep, yep, yep.

538
00:27:26.400 --> 00:27:28.680
<v Speaker 2>But you know, though, that is the thing about this show,

539
00:27:28.759 --> 00:27:32.000
<v Speaker 2>at least this show at the end of the episodes

540
00:27:32.039 --> 00:27:34.960
<v Speaker 2>it is. Towilets one eighty five didn't feel as mean

541
00:27:35.039 --> 00:27:37.839
<v Speaker 2>spirited at times as this show does. This show has

542
00:27:37.839 --> 00:27:39.680
<v Speaker 2>a little bit of that mean spirit to it, which

543
00:27:39.720 --> 00:27:43.160
<v Speaker 2>I appreciate. I mean now that it's kind of continuing

544
00:27:43.200 --> 00:27:44.759
<v Speaker 2>to do it, because towards the end of the last

545
00:27:44.759 --> 00:27:47.039
<v Speaker 2>season it started doing it a lot more, and I

546
00:27:47.119 --> 00:27:48.920
<v Speaker 2>was like, oh man, where is it going? But now

547
00:27:48.920 --> 00:27:51.119
<v Speaker 2>it's just like it's just it's sticking to it, which

548
00:27:51.160 --> 00:27:54.559
<v Speaker 2>is fine by me. Give these assholes what they deserve.

549
00:27:54.359 --> 00:27:56.400
<v Speaker 1>Right, this show will kick you in the crotch if

550
00:27:56.400 --> 00:28:00.920
<v Speaker 1>it has to about it all right, the next episode

551
00:28:00.920 --> 00:28:03.319
<v Speaker 1>of Midnight Viewing, We're gonna be taking it. Two more

552
00:28:03.319 --> 00:28:06.920
<v Speaker 1>episodes from season two. Those are Ring Around the Redhead

553
00:28:07.240 --> 00:28:10.440
<v Speaker 1>and Parlor Floor Front Until next time. What are you

554
00:28:10.480 --> 00:28:12.960
<v Speaker 1>working on? Where can people find it? Mike White?

555
00:28:13.559 --> 00:28:15.559
<v Speaker 3>Everything that I do is I think this is going

556
00:28:15.640 --> 00:28:17.680
<v Speaker 3>to get repetitive, But everything I do is over at

557
00:28:17.720 --> 00:28:20.000
<v Speaker 3>weirding Way to come, including the show that I've been

558
00:28:20.000 --> 00:28:23.559
<v Speaker 3>working on for over thirteen years, the Projection Booth, and yeah,

559
00:28:23.599 --> 00:28:26.400
<v Speaker 3>still as fresh as ever, brushes me after a long

560
00:28:26.480 --> 00:28:29.839
<v Speaker 3>hard day at the office in the mines. How about you, Chris?

561
00:28:29.920 --> 00:28:31.039
<v Speaker 1>How about you Chris?

562
00:28:31.359 --> 00:28:35.559
<v Speaker 2>Yeah, same same spiel, Same same place, Weirdingwaymedia dot com,

563
00:28:35.680 --> 00:28:37.720
<v Speaker 2>where you can find everything that I work on other

564
00:28:37.839 --> 00:28:40.240
<v Speaker 2>than ranking on Bond, which can be found at to

565
00:28:40.240 --> 00:28:43.839
<v Speaker 2>Patreon dot com, slash, Projection Booth or culture Cast, respectively.

566
00:28:44.400 --> 00:28:45.200
<v Speaker 2>You fought them alone.

567
00:28:45.440 --> 00:28:48.880
<v Speaker 1>As for me, everything I do, I do it for you. You

568
00:28:48.720 --> 00:28:50.960
<v Speaker 1>go listen, Go over to weirdoway dot com. Keep listening.

569
00:28:50.960 --> 00:28:53.400
<v Speaker 1>To midnight viewing. This show started off as a monthly

570
00:28:53.799 --> 00:28:55.720
<v Speaker 1>slowly worked its way up to a weekly and notice

571
00:28:55.720 --> 00:28:58.119
<v Speaker 1>it twice weekly. Bi weekly? Is that the word? I

572
00:28:58.160 --> 00:29:02.359
<v Speaker 1>don't know, but twice a week now midnight viewing? Everybody, jesus, bro,

573
00:29:02.480 --> 00:29:03.680
<v Speaker 1>what the fuck is? What are?

574
00:29:04.200 --> 00:29:05.680
<v Speaker 2>What's wrong with you?

575
00:29:05.440 --> 00:29:08.200
<v Speaker 1>I don't know, but you ramped it up a lot.

576
00:29:08.279 --> 00:29:10.720
<v Speaker 2>Yeah, you went from biweekly every other week to the

577
00:29:10.799 --> 00:29:14.400
<v Speaker 2>other definition of biweekly twice a week, which nobody uses

578
00:29:14.480 --> 00:29:15.440
<v Speaker 2>bro other than you.

579
00:29:15.640 --> 00:29:18.319
<v Speaker 1>Now, I don't I don't know why I've done this,

580
00:29:18.440 --> 00:29:20.119
<v Speaker 1>but if you want to give me a hand with

581
00:29:20.160 --> 00:29:22.160
<v Speaker 1>any of them, head on over to patreon dot com

582
00:29:22.160 --> 00:29:25.799
<v Speaker 1>slash fatherm alone. You can subscribe to get episodes early,

583
00:29:25.960 --> 00:29:29.039
<v Speaker 1>commercial free, and bonus episodes not available to the public.

584
00:29:29.319 --> 00:29:31.480
<v Speaker 1>Thank you all for joining us here at midnight viewing.

585
00:29:31.799 --> 00:29:35.960
<v Speaker 1>Until next time, try to enjoy the daylight midnight viewing.

586
00:29:36.039 --> 00:29:40.759
<v Speaker 4>The Horror Anthology Podcast is a proud member of Weirdingway Media.

587
00:29:40.839 --> 00:29:43.799
<v Speaker 4>Our theme song was composed by HP with an assist

588
00:29:43.799 --> 00:29:47.920
<v Speaker 4>from Donald Rubinstein and Erica Lindsay. If you want to

589
00:29:47.920 --> 00:29:50.759
<v Speaker 4>hear these episodes early and commercial free, become a patron

590
00:29:50.880 --> 00:29:52.359
<v Speaker 4>over at patreon dot com.

591
00:29:52.400 --> 00:29:53.759
<v Speaker 1>Slash fatherom alone.

592
00:29:54.400 --> 00:29:56.680
<v Speaker 4>Not only are the episodes up early, but we have

593
00:29:56.799 --> 00:30:00.519
<v Speaker 4>extended interviews and bonus podcasts where we spawn the best

594
00:30:00.559 --> 00:30:04.480
<v Speaker 4>episodes of horror anthologies from every series. But if you

595
00:30:04.599 --> 00:30:06.359
<v Speaker 4>just like the show and wanna help, please share it

596
00:30:06.400 --> 00:30:08.079
<v Speaker 4>with your friends and give us a rating on your

597
00:30:08.079 --> 00:30:09.119
<v Speaker 4>favorite podcatcher.

598
00:30:09.640 --> 00:30:12.319
<v Speaker 1>Together, we'll keep journeying through the places that are just

599
00:30:12.400 --> 00:30:14.960
<v Speaker 1>as real, but not as brightly lit.
