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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What What's going to happen?

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<v Speaker 3>Heine? What help?

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<v Speaker 2>What is?

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<v Speaker 4>What is Plato? But Moses speaking Attic Greek right right,

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<v Speaker 4>and he's he's he's Numinius is subtle like he's making

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<v Speaker 4>a point there and what and and that point speaks

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<v Speaker 4>to what American conclusions are that that rabbis in exile

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<v Speaker 4>encountered the writings of Plato, probably at the library of Alexandria,

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<v Speaker 4>and those writings particularly were the Tamaeis and the laws,

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<v Speaker 4>and whether or not the Torah existed in some form

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<v Speaker 4>prior to that. He demonstrates it argues very very well

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<v Speaker 4>that if it did exist, it was rewritten after the

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<v Speaker 4>encounter with Plato. Plato's work after their encounter with Hellenism,

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<v Speaker 4>which explains why we get like a mercaba, you know,

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<v Speaker 4>a soul, the sole chariot that has no precedent other

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<v Speaker 4>than the okeema that which means chariot. And it's this

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<v Speaker 4>sole vehicle, right, So lots of problems there, if you

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<v Speaker 4>know what I mean.

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<v Speaker 5>That plays into the the you know, the whole origin

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<v Speaker 5>of the septuagen translation, which took place in right and

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<v Speaker 5>right there in Alexandria at that time, and it's it

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<v Speaker 5>really points to Okay, so like why is it called Genesis?

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<v Speaker 6>Why is it called exo Thos? Why is it called.

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<v Speaker 5>You know, du These are Greek words.

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<v Speaker 6>Yeah, the titles of the books are Greek.

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<v Speaker 7>And the substugen number as itself, I think beckons to

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<v Speaker 7>the harmony of the spheres and the sevenfold celebration of that.

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<v Speaker 7>The Alexandria really the average person would have known about

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<v Speaker 7>and you know, realized that title might have beckoned to.

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<v Speaker 7>I wonder, and even the allegory of the cave too,

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<v Speaker 7>I feel like is similar to, if not influential on

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<v Speaker 7>the Genesis Garden of Eden, right, And I wonder too,

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<v Speaker 7>what does it say the relationship of the influence, But

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<v Speaker 7>also that it would seem that there's different expressions and

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<v Speaker 7>sayings in the Bible from Paul that beckoned directly to Plato.

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<v Speaker 7>And I wonder, I wonder if you guys have looked

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<v Speaker 7>into that or just seen seeing that and what that

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<v Speaker 7>might say.

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<v Speaker 6>That Well, yeah, I mean.

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<v Speaker 5>Paul Is is very much associated with uh, not not

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<v Speaker 5>necessarily Greek philosophy, but certainly with with a place like Athens, right,

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<v Speaker 5>because he goes there to the ari Opagas rock and

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<v Speaker 5>he makes that which if you're standing on the ari

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<v Speaker 5>O Pagas, you can see the acropolis directly across, and

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<v Speaker 5>it would would have been just above the the the Uh,

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<v Speaker 5>the Placauy and the Agora where everybody met in central

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<v Speaker 5>Athens converting people. And if you if you go there today,

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<v Speaker 5>there's still there's a plaque with with you know that

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<v Speaker 5>famous speech about telling people like you don't know what

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<v Speaker 5>you worship. But in Christianity it's different. We understand these

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<v Speaker 5>and so on and so forth.

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<v Speaker 6>To me, it it.

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<v Speaker 5>I think that he was part of a deeper tradition,

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<v Speaker 5>a more profound tradition having to do with a platonic worldview.

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<v Speaker 5>And here's the thing. If you were educated your science

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<v Speaker 5>in that time, your science was basically platonic, this whole

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<v Speaker 5>idea of the cosmos and the nested spheres and stuff

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<v Speaker 5>like that. The first time we understand the harmony of

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<v Speaker 5>the spheres, really that is later. It's in neo Pythagoreanism

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<v Speaker 5>and the fragments of the early Pythagoreans like Philo Lais,

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<v Speaker 5>and they're they're more interested in politics and community living

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<v Speaker 5>and what you shouldn't eat and what you should eat,

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<v Speaker 5>and that kind of stuff is really all the number

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<v Speaker 5>and harmony stuff comes around this time that we're talking about,

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<v Speaker 5>you know, Hellenistic period, maybe three hundred years before the

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<v Speaker 5>first Entry, so on and so forth.

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<v Speaker 6>But all of that stuff.

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<v Speaker 5>You get this, this this cosmology of nested spheres and

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<v Speaker 5>things like this, these eight spheres. The first time that

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<v Speaker 5>we see that it's positive almost contemporaneous.

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<v Speaker 6>These two things. You have Eudoxus who gives us that model.

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<v Speaker 5>He puts that forth into the UH, into the you know,

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<v Speaker 5>the the learned society of that time. And right around

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<v Speaker 5>that same time, like within a year or two, you know,

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<v Speaker 5>most scholars agree, is when Plato writes or finishes the Republic.

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<v Speaker 5>And at the end of book ten of the Republic,

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<v Speaker 5>there's this little section called the myth of Earth that

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<v Speaker 5>gives us that whole kind of nested sphere cosmology. And

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<v Speaker 5>you'll see in the writings of Paul, which kind of

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<v Speaker 5>tie into what pt was saying about the Mrkova tradition.

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<v Speaker 6>He talks about how.

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<v Speaker 5>You know, he most uh, you know, biblical scholars and

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<v Speaker 5>you know, people engaging in hermanutics, they'll say that he

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<v Speaker 5>was talking about himself. I don't know, but sure he's

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<v Speaker 5>talking about I once knew a brother who was assumed,

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<v Speaker 5>who was taken up into the Third Heaven. So he's

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<v Speaker 5>using Platonic verbiage to discuss this is But I don't

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<v Speaker 5>I don't necessarily know that he's like specifically part of

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<v Speaker 5>a of a Platonic I don't know, a Neil, you know,

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<v Speaker 5>you know, a Hellenistic sort of like mystery cult.

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<v Speaker 6>So much as it's like if you just.

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<v Speaker 5>Look around at the knowledge of the world at that time,

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<v Speaker 5>the ancient Mediterranean's all based on Plato already, you know.

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<v Speaker 5>So it's like that's like me coming and talking about gravity,

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<v Speaker 5>and then like you know, in a thousand years people

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<v Speaker 5>are like, well, maybe this guy.

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<v Speaker 6>Was in like you know, the cult of Newton, you know.

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<v Speaker 6>It's like, no, it's just everybody fucking knew it. Every

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<v Speaker 6>everybody knows that guy.

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<v Speaker 5>Everybody knows it's taught widely so and that's how we

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<v Speaker 5>orient like think of that. That's weird, right, the entire

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<v Speaker 5>globe almost or orients. There were, at least in the

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<v Speaker 5>in the educated aspects. They already they know the concept

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<v Speaker 5>of gravity.

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<v Speaker 1>And stuff like that.

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<v Speaker 6>So I think it's a similar concept there where Paul is.

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<v Speaker 5>It's just the vernacular that he's using, uh, is so

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<v Speaker 5>embedded in any kind of learned society. And we know

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<v Speaker 5>he you know, he had to have been somewhat learned

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<v Speaker 5>because he wrote you know, people people Again, you know

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<v Speaker 5>p D pointed out earlier, like the ancient worldview and

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<v Speaker 5>that experience. We've been completely abstracted from that, so we

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<v Speaker 5>don't think about like, oh, not everybody could read and write.

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<v Speaker 5>As a matter of fact, most people couldn't read or write,

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<v Speaker 5>you know. So if he's if he's dealing in these circles,

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<v Speaker 5>he likely has some grounding in the quote unquote science

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<v Speaker 5>of his time, which was which was very much so platonic.

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<v Speaker 2>Yeah, just my thought.

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<v Speaker 4>The entire tradition of a sacred book, Yeah, incredibly new idea.

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<v Speaker 4>And in the ancient world, religion was something that was practiced,

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<v Speaker 4>it was physical, it was you were completely immersed in it.

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<v Speaker 4>There wasn't a sacred text that those kinds of things

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<v Speaker 4>entered with these mystery traditions when you would get the

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<v Speaker 4>symbolon the password to get into whatever tradition it is

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<v Speaker 4>you're exploring, and in regard to Paul. You know, I

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<v Speaker 4>think it's there's great. What I said is spot on

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<v Speaker 4>about him ascending into the third heaven. Again, this is

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<v Speaker 4>another confirmation of a Greek cosmo conception. It doesn't exist

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<v Speaker 4>in a vacuum. But as as far as what he

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<v Speaker 4>might have been involved with, I can't remember the author's name.

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<v Speaker 4>There's a book on Paul in the Mysteries of Baptism.

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<v Speaker 4>I've got it in the other room, but I don't.

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<v Speaker 4>I don't want to leave you guys and go dig

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<v Speaker 4>it up. But I can.

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<v Speaker 2>I can.

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<v Speaker 4>If anybody's interested, reach out to me later. I'll give

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<v Speaker 4>you the title of the book. But it's looking at

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<v Speaker 4>Paul's very likely involvement with non Christian mystery traditions prior

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<v Speaker 4>to his conversion. And he is a soldier type figure,

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<v Speaker 4>which really makes the cult of Methras of very possible.

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<v Speaker 4>And and they have that same model of assent of

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<v Speaker 4>of traveling up through the through the heavens, right to

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<v Speaker 4>get to the final grade of Pater of Father, to

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<v Speaker 4>meet with the Father, become one with the Father, and

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<v Speaker 4>then embody the Father as a as a higher event

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<v Speaker 4>on earth. So it's been argued that he was involved

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<v Speaker 4>with them. But as to whether he was and whether

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<v Speaker 4>he's even talking about him self, like I said, we

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<v Speaker 4>we don't know that, but the but we can be

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<v Speaker 4>certain that he's drawing on Greek tradition when he says that.

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<v Speaker 8>I do recall reading about Paul as far as Saul

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<v Speaker 8>of Tarsus and Tarsus there was a figure called Z's

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<v Speaker 8>that was a dead and as sinded god that actually

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<v Speaker 8>rose to become Osdi's, which is light. So there was

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<v Speaker 8>a tradition in that region of these this ascended form

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<v Speaker 8>that kind of and you see this, that's this development

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<v Speaker 8>of transcendentalism from going to you know, Shoal, you know

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<v Speaker 8>this place, or with the Zoroastrians, the idea of burning

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<v Speaker 8>off the bad parts so that you could return to

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<v Speaker 8>the to the monad. It kind of you just see

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<v Speaker 8>this evolving and like you said, as far traveling out

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<v Speaker 8>and then you have the various night journeys that begin

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<v Speaker 8>of all the different profits and how they're taken into

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<v Speaker 8>the heavens and showing the workings of the cosmos. So

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<v Speaker 8>you're seeing this evolution of these transcendental forms of people

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<v Speaker 8>realizing that there are you know, higher realms of understanding,

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<v Speaker 8>you know, in time and space.

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<v Speaker 4>Yeah, you get a perfect example of that in the

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<v Speaker 4>Greek magical PAPYRII if you look at the the Methrist liturgy.

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<v Speaker 4>In the ritual, they call it a ritual apothenitismos, which

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<v Speaker 4>means of not dying, of becoming a mortal. But it's

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<v Speaker 4>it's interesting because this applethitismos isn't permanent. When you come

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<v Speaker 4>down from the ascent, you are thanitismos again. You can die,

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<v Speaker 4>You're no longer mortal, you know. So immortality is this

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<v Speaker 4>glimpse into eternity. And and yeah, and like the language

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<v Speaker 4>is so problematic because if if you say to someone, well,

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<v Speaker 4>I experienced eternity, logically, know the fuck you didn't. You're

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<v Speaker 4>you you weren't at the beginning, there is no end,

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<v Speaker 4>You're right here. How can you say that you participated

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<v Speaker 4>in eternity. But that's that's how we know that. It's

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<v Speaker 4>it's not about a duration of time. It's it's it's

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<v Speaker 4>that methraic, aon that transcends time, something more like the pleroma. Right,

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<v Speaker 4>it's it's outside of time, which young would say that

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<v Speaker 4>means it's it's a it's a quality of a quality

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<v Speaker 4>of consciousness, not a quanta that we can count and

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<v Speaker 4>say there's the beginning, there's the end. So in the

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<v Speaker 4>in that assent ritual really I think the best example

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<v Speaker 4>of one uh from from that era. It's wrapped up

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<v Speaker 4>with the same expansion of vision, expansion of consciousness. But

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<v Speaker 4>we always have to come back down, and I think

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<v Speaker 4>that's important because we're useless as a hermit on top

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<v Speaker 4>of a mountain praying for the world somewhere like Zarathustra

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<v Speaker 4>in Nietzsche, you have to come back down the mountain.

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<v Speaker 4>Enlightenment isn't climbing the top of the mountain staying there.

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<v Speaker 4>Enlightenment is is summiting the mountain, coming back down and

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<v Speaker 4>then allowing what you saw from that perspective to inform

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<v Speaker 4>your behavior. When you're late for work, right or when

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<v Speaker 4>you're trying to check out at the grocery store, or

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<v Speaker 4>you're beginning to have road rage. You know, that's the

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<v Speaker 4>real enlightenment experience. If we don't come back down, we

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<v Speaker 4>don't complete the cycle. And that's what I was mentioning

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<v Speaker 4>moment A of these cycles that Proclust talks so much about,

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<v Speaker 4>we have the Pruodos, the descent, into a body that

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<v Speaker 4>coming down from the mountain. But then we have that epistrophae,

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<v Speaker 4>the return, that anagogic ascent, and it's this cyclic process

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<v Speaker 4>that maintains a connection between the to you know, to

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<v Speaker 4>use a spatial category, which is really fallacious, but we

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<v Speaker 4>have to think about it. Somehow maintains that connection between

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<v Speaker 4>the gods and man at the bottom of the chain.

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<v Speaker 4>We have to go up and come back down over

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<v Speaker 4>and over and over, even to the point of death

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<v Speaker 4>and rebirth.

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<v Speaker 2>Right.

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<v Speaker 4>But but really there's no motion, there's no movement. It's

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<v Speaker 4>happening every second. Genesis is happening constantly, is what the

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<v Speaker 4>Kabbala is saying, and I believe that. And then there's

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<v Speaker 4>a there's an article that came out a few years

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<v Speaker 4>ago in Esquire about this guy who went to a

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<v Speaker 4>ten deboot retreat and they're practicing vipisana and he goes psychotic,

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<v Speaker 4>ends up being carried away in handcuffs and taken to

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<v Speaker 4>a mental institution because he enters that space where the

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<v Speaker 4>world is simultaneously dying and being reborn every second, you know,

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<v Speaker 4>every second, right, So the idea of going up and

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<v Speaker 4>going down, it's just a convenient way to articulate something

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<v Speaker 4>that is really ineffable, but is so close and so

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<v Speaker 4>present that it's like the fish asking what is water?

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<v Speaker 4>You know, it's it's you can't put your finger on it.

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<v Speaker 6>Yeah, and it's it's.

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<v Speaker 5>We have this is This is an issue I find

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<v Speaker 5>with people that come to magic and learn things like

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<v Speaker 5>the kabbala and and or at least the hermatic kabala, right,

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<v Speaker 5>the magical kabala, but especially also in taking students through

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<v Speaker 5>the Platonic dialogue is something that I that I I

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<v Speaker 5>kind of have to combat where it's like, you know,

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<v Speaker 5>this stuff should be a scaffolding to to the project

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<v Speaker 5>of what should be an internal experience, a nosis.

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<v Speaker 6>Somebody asked me.

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<v Speaker 5>I spoke at the Sacred Space between the World's Conference

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<v Speaker 5>yesterday in Maryland, and I gave a whole thing on theorgy, right,

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<v Speaker 5>but magic and myth in it. And I got a

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<v Speaker 5>question that was as a valid question. It's like, would

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<v Speaker 5>you consider theurgy mystical? I said no, because it's ceremonial,

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<v Speaker 5>But theorgy should make you a mystic because the experiences

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<v Speaker 5>that we are having are here in the in the

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<v Speaker 5>eye of the soul, you know, type of thing, and

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<v Speaker 5>again in the active imagination that's being seized by the

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<v Speaker 5>divine and divinized.

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<v Speaker 6>This is a big, big thing. When we say catharsis right.

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<v Speaker 5>Purification, A lot of people think it's it's this moral

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<v Speaker 5>things like.

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<v Speaker 6>My soul feels pure, I don't feel like any you know.

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<v Speaker 5>It's purification is the removal of obstructions to write view.

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<v Speaker 5>A lot of people think insight is the accumulation of

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<v Speaker 5>information in reality. To PD's point, the top of that

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<v Speaker 5>mountain is you divesting yourself of things that you that

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<v Speaker 5>you accumulated from that perspective, and so insight is clarity.

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<v Speaker 5>It's not, you know, it's not about how much of

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<v Speaker 5>this stuff you can pack into your brain if you're

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<v Speaker 5>gonna like put the cart before the horse, you know.

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<v Speaker 5>So it's every all this stuff has to remain a

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<v Speaker 5>scaffolding for us to approach and talk about. And this

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<v Speaker 5>is very big in the Platonic Dialogue, particularly in the

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<v Speaker 5>time Aus. When the chief interlocutor of that dialogue, Timius,

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<v Speaker 5>is about to start talking about time and eternity, that's

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<v Speaker 5>how he starts his discussion of cosmogony. He distinguishes, Okay,

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<v Speaker 5>there's an eternal component that the demiurge some for some

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<v Speaker 5>reason looks at and sees perfection in eternity and decides

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<v Speaker 5>to make a copy of it. And that copy he

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<v Speaker 5>calls the moving image of Eternity. And it's based on

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<v Speaker 5>space and therefore time. And if you notice, there's a

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<v Speaker 5>threefold nature to it, right, And this might be a

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<v Speaker 5>little lesoteric for people, but I'm assuming if you're if

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<v Speaker 5>you're into me and what PD do, you're kind of.

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<v Speaker 6>Familiar with this stuff.

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<v Speaker 5>He takes the circuit of the same in the circuit

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<v Speaker 5>of the different comprised of this kind of even an

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<v Speaker 5>odd quality. They're two dimensional, the circles two dimensional. Now

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<v Speaker 5>how do you create three dimensions from two dimensional figures?

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<v Speaker 5>Insert them into each other, and now you've created a sphere.

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<v Speaker 5>You've created three dimensions beginning middle an end. That is,

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<v Speaker 5>he's creating the paradigm of time. Right, Because then he says,

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<v Speaker 5>this isn't the cosmos. This is the blueprint of the cosmos, right,

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<v Speaker 5>time cyclical nature? But what time ason talking about all this?

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<v Speaker 5>He says, listen, there's really no way that we're going

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<v Speaker 5>to be able to actually put this shit into words.

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<v Speaker 5>So I'm going to do my best to talk about

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<v Speaker 5>it mythopoetically, I like to say, rather than mythologically, because there's.

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<v Speaker 6>A stigma to that.

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<v Speaker 5>Mythopoetically we we only have recourse to mythology to really

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<v Speaker 5>really show this to us. And as Socrates says, I think,

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<v Speaker 5>I think at the end of the myth of Er

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<v Speaker 5>in book ten, he does a brief digression where he says,

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<v Speaker 5>I if the myth had convinced us, it would save.

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<v Speaker 8>Us well with tim Ais in that cosmology. You also

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<v Speaker 8>see a very similar aspect in Zoraster in regard to

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<v Speaker 8>the beginning, the middle, and the end and bringing about

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<v Speaker 8>the end Time's philosophy through Judaism into modern Christianity and is.

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<v Speaker 4>Law and these these these the necessity of these myths,

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<v Speaker 4>Like I said, it's what allows us to discuss this.

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<v Speaker 4>Our minds need a picture, it needs something to hang

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<v Speaker 4>on to. Without that, what we're left with is what's

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<v Speaker 4>called apo faticism, apophatic mysticism, which is is a mysticism

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<v Speaker 4>of negation. Anything we say about the divine is wrong

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<v Speaker 4>because it's limiting it to that thing. Anything we could

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<v Speaker 4>possibly say. So we deconstruct our picture of the transcendent

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<v Speaker 4>step by step until we face what Deonysius the Areopagit

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<v Speaker 4>called the bright darkness, you know. But he doesn't leave

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<v Speaker 4>us with that. He goes on to say, but we

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<v Speaker 4>need cataphatic mysticism and cataphatic meaning to bring it down,

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<v Speaker 4>to bring that high, lofty transcended something down into something

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<v Speaker 4>we can discuss and talk about, like a crucifix or

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<v Speaker 4>a tree of life, you know, something that can give

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<v Speaker 4>us a picture, because the human mind needs a picture

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<v Speaker 4>to hang onto. Even if that picture is completely superfluous, fallacious,

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<v Speaker 4>it'll never do justice to what we're talking about. But

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<v Speaker 4>without that picture, without that myth, there's nothing to talk about,

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<v Speaker 4>you know. And then you fall into that that zen

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<v Speaker 4>that zen trap. And you know, a zen master they're

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<v Speaker 4>fine in that trap. But trying to take a novice

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<v Speaker 4>into that territory without something like a cone or something

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<v Speaker 4>they can hold onto, h it's an insurmountable gap.

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<v Speaker 1>Yeah.

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<v Speaker 4>So the myths, I agree with you. It's they're essential,

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<v Speaker 4>but really cannot get us there. But if anything's going

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<v Speaker 4>to they will.

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<v Speaker 6>Yeah, that's it.

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<v Speaker 5>Yeah, that's that's a good way to put it. If

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<v Speaker 5>anything can I get us there, that will. My myths

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<v Speaker 5>will or because it's it's really I kind of characterize

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<v Speaker 5>it as a symbolic vocabulary. You know, that's almost like algebraic.

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<v Speaker 5>It's trying to break right, like the Pythagorean theorem. You're

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<v Speaker 5>taking two knowns to find an unknown. And that's that's

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<v Speaker 5>we know these images, We understand these relationships between a

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<v Speaker 5>hawk and the sun, you know, Horus and raw and

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<v Speaker 5>so on and so forth, and we're using two known

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<v Speaker 5>things to find an unknown. The one thing I would

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<v Speaker 5>recommend people who are interested in studying Plato first start

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<v Speaker 5>with the first Alcibiety's and you, I would say, move

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<v Speaker 5>through the twelve dialogues of the Iamblikian curriculum.

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<v Speaker 4>But in editing those right now, so maybe in six

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<v Speaker 4>months I'll have it published.

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<v Speaker 6>That's incredible, that's incredible.

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<v Speaker 5>And I would say when you when you do dive

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<v Speaker 5>into these dialogues, keep this mythopoetic structure in mind. There's

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<v Speaker 5>a lot that you will extract from the for instance,

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<v Speaker 5>in the cratalysts, right the sort of prologue to the

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<v Speaker 5>epistemological tetrad. For anybody who's caught up on that term,

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<v Speaker 5>it's just you know, epistemology is what can and cannot

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<v Speaker 5>be known?

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<v Speaker 6>Why or why not?

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<v Speaker 5>And and there's a series of dialogues where it's it's

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<v Speaker 5>it becomes very mercurial. Now in the Cratalysts, he's talking

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<v Speaker 5>about the suitability of names and things of the person

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<v Speaker 5>that Socrates is talking to. His name is Hermogeny's right,

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<v Speaker 5>her born of Hermes, right.

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<v Speaker 6>So it's there's little there's.

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<v Speaker 5>Tons of stuff like that all over the dialogues. There's

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<v Speaker 5>completely saturated with little things like that, little tells, little layers,

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<v Speaker 5>little tiny things. I mean, you look at there's the

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<v Speaker 5>there's the divided line. There's the allegory of the cave.

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<v Speaker 5>There's the myth of er, there's the myth of the

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<v Speaker 5>afterlife in in in Fato uh. You know, there's that

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<v Speaker 5>cosmogon or cosmological uh, a scent caravan of the feedris

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<v Speaker 5>up in the the the celestial vault. He's constantly using myths,

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<v Speaker 5>he's constantly creating myths. So it's if you look at

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<v Speaker 5>those dialogues like that, I think that you're going to

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<v Speaker 5>extract much more. And like what was ancient Greece famous

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<v Speaker 5>for mythology, you know, Orpheus, even pythography, Pythagoras or Pythagoras

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<v Speaker 5>is quote unquote teacher, especially Pherisiites, they were mythographers. If

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<v Speaker 5>you look at the Dervani Papyrus, which is the oldest

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<v Speaker 5>actual primary source in Europe in terms of that literature,

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<v Speaker 5>it's the oldest document. It's it appears to be this

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<v Speaker 5>pedagogical commentary on philosophically and ontologically interpreting mythology through through

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<v Speaker 5>the lens of Orpheus. So so this was kind of

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<v Speaker 5>like what ped was saying before they would have known

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<v Speaker 5>this stuff, especially people in the academy. And the final

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<v Speaker 5>point I want to put on that and I'm interested

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<v Speaker 5>to say what what Pedia has to say about this.

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<v Speaker 5>I've had a couple of confirmations from others that I

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<v Speaker 5>really really respect. But when I started taking I take

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<v Speaker 5>students through this this curriculum, we do the the the

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<v Speaker 5>Eamblikian curriculum plus porphyrish Isago gay uh, the organ On

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<v Speaker 5>of Aristotlin. Of course the Republic. You can't not do

385
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<v Speaker 5>the Republic. And then from there we move into we

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00:25:37.319 --> 00:25:42.160
<v Speaker 5>go into uh like uh uh introductions to arithmetic, start

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<v Speaker 5>getting into the quadrivium sort of thing like Nicomachus Theano Smyrna.

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<v Speaker 6>All these guys.

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<v Speaker 5>But then you get into the geometric stuff. Okay, the

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00:25:51.200 --> 00:25:56.559
<v Speaker 5>geometry and what was over you know, the fabled uh

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<v Speaker 5>inscription over the gate to Platonic Academy. Let no one

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<v Speaker 5>enter here who is ignorant of geometry. And I always

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<v Speaker 5>wondered why that was the case, And I said, Okay,

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<v Speaker 5>the divided line is geometric. There's a whole way to

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<v Speaker 5>geometrically kind of recreate that line and show the golden ratio.

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<v Speaker 5>You've got things like the moving image of Eternity and

397
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<v Speaker 5>the time. It's very geometric, the geometric proof in the Mino.

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<v Speaker 5>But here's the interesting thing. When you begin to actually

399
00:26:25.599 --> 00:26:32.279
<v Speaker 5>practice geometry. I use starting out, I use Lawlor, not Euclid,

400
00:26:32.640 --> 00:26:36.599
<v Speaker 5>because Euclid is tough for people.

401
00:26:36.319 --> 00:26:37.640
<v Speaker 6>That don't understand this stuff.

402
00:26:37.960 --> 00:26:42.759
<v Speaker 5>And it's all about proofs, it's all about logic. There's

403
00:26:42.839 --> 00:26:46.559
<v Speaker 5>nothing there's no spiritual commentary, there's no metaphysical commentary. So

404
00:26:46.880 --> 00:26:50.400
<v Speaker 5>in using the first couple of books of Lawler, who

405
00:26:50.440 --> 00:26:54.319
<v Speaker 5>translated through the Ono Smyrna, so it's nice, it fits

406
00:26:54.359 --> 00:26:56.960
<v Speaker 5>in nicely where there's a gap in the literature, because

407
00:26:57.000 --> 00:26:59.440
<v Speaker 5>there is there's a tremendous gap in the in the

408
00:26:59.480 --> 00:27:04.240
<v Speaker 5>ancient neopythagorea and geometric stuff. What you realize is that

409
00:27:05.440 --> 00:27:11.039
<v Speaker 5>in just silence of practicing that geometry and understanding it,

410
00:27:11.119 --> 00:27:17.400
<v Speaker 5>you realize this, I am learning literally the coding for

411
00:27:17.480 --> 00:27:22.160
<v Speaker 5>the universe. Now, what the Platonists and Neoplatonists say is

412
00:27:22.240 --> 00:27:26.559
<v Speaker 5>you are assimilating yourself to the way that the divine thinks.

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<v Speaker 5>And I personally believe that the reason why you couldn't

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<v Speaker 5>be ignorant of geometry to enter into Plato's academy, even

415
00:27:35.400 --> 00:27:37.799
<v Speaker 5>if it's just a fable, is because it isn't was

416
00:27:37.880 --> 00:27:42.720
<v Speaker 5>in the practice of geometry that taught these people how

417
00:27:42.799 --> 00:27:45.200
<v Speaker 5>to think philosophically, not.

418
00:27:45.240 --> 00:27:46.920
<v Speaker 6>The other way around. The practice.

419
00:27:47.000 --> 00:27:50.119
<v Speaker 5>What geometry does, the practice of geometry does to your

420
00:27:50.200 --> 00:27:55.920
<v Speaker 5>fucking mind is teaches you how to think philosophically. It's

421
00:27:56.039 --> 00:27:59.359
<v Speaker 5>like going to the gym for like, you know, noetic assent.

422
00:28:00.640 --> 00:28:04.759
<v Speaker 5>You know, it's just practicing geometry. It's unbelievable, But I'm

423
00:28:04.880 --> 00:28:08.039
<v Speaker 5>I'm interested to hear if that sounds just like batshit

424
00:28:08.160 --> 00:28:09.400
<v Speaker 5>crazy off the rails to.

425
00:28:09.400 --> 00:28:12.839
<v Speaker 4>You, No, I don't at all. I don't at all.

426
00:28:14.920 --> 00:28:19.599
<v Speaker 4>I think another aspect of why it's so important has

427
00:28:19.640 --> 00:28:27.200
<v Speaker 4>to do with with beauty, right, we get we get

428
00:28:27.359 --> 00:28:32.480
<v Speaker 4>these when the forms are discussed directly, the ones that

429
00:28:32.519 --> 00:28:35.279
<v Speaker 4>are confirmed. We hear about the form of the good,

430
00:28:36.680 --> 00:28:38.680
<v Speaker 4>the form of the beautiful, and the form of the

431
00:28:38.799 --> 00:28:43.079
<v Speaker 4>true right and and the truth and the beauty are

432
00:28:43.240 --> 00:28:46.279
<v Speaker 4>hallmarks of the good. If we see that, we know

433
00:28:46.599 --> 00:28:51.559
<v Speaker 4>it's close to and participating in the form of the good.

434
00:28:52.279 --> 00:28:55.079
<v Speaker 4>And I think the beauty and the truth of it

435
00:28:56.880 --> 00:28:58.640
<v Speaker 4>I have a lot to do with why it's so

436
00:28:58.720 --> 00:29:03.759
<v Speaker 4>effective in that regard. We know it's true because true

437
00:29:06.279 --> 00:29:10.480
<v Speaker 4>we're talking about when that word is used in in freemasonry,

438
00:29:10.680 --> 00:29:14.279
<v Speaker 4>we're talking about something that's square right, that's that that

439
00:29:14.960 --> 00:29:18.920
<v Speaker 4>works mathematically, it's going to fit together perfectly. So when

440
00:29:18.920 --> 00:29:23.240
<v Speaker 4>we're talking about is something true, we're really saying is

441
00:29:23.359 --> 00:29:29.519
<v Speaker 4>does it fit together in a harmonious manner. But the

442
00:29:29.559 --> 00:29:35.359
<v Speaker 4>beauty aspect geometry is is arguably arguably the most beautiful

443
00:29:35.359 --> 00:29:40.079
<v Speaker 4>thing about existing on on this planet in this domain.

444
00:29:42.200 --> 00:29:47.200
<v Speaker 4>But there is word play that Socrates uses that proclus

445
00:29:47.279 --> 00:29:54.519
<v Speaker 4>unpacks where he he uses the word against claytor because

446
00:29:54.559 --> 00:29:57.400
<v Speaker 4>the word for beauty in claytor, which means to call

447
00:29:57.559 --> 00:30:01.400
<v Speaker 4>to call out, are almost identical. And you know how

448
00:30:01.440 --> 00:30:04.960
<v Speaker 4>how Plato is with his wordplay, it's almost if you

449
00:30:05.079 --> 00:30:08.240
<v Speaker 4>if you don't know the Greek, you miss it. But

450
00:30:08.319 --> 00:30:11.680
<v Speaker 4>it's it's all through the dialogues. But what he's getting

451
00:30:11.759 --> 00:30:16.279
<v Speaker 4>at is like, where does a rose.

452
00:30:18.039 --> 00:30:18.240
<v Speaker 3>End?

453
00:30:18.839 --> 00:30:19.200
<v Speaker 1>Is it?

454
00:30:19.240 --> 00:30:22.400
<v Speaker 4>Is it just at the rose itself? Or is it

455
00:30:22.480 --> 00:30:26.200
<v Speaker 4>as far as I can smell that rose? And that

456
00:30:26.440 --> 00:30:32.599
<v Speaker 4>smell is what Socrates is likening to a call. It's

457
00:30:32.759 --> 00:30:39.440
<v Speaker 4>calling us, and that call is the mean that exists

458
00:30:39.480 --> 00:30:44.119
<v Speaker 4>between the observer and the observed. And remember what Proclus

459
00:30:44.119 --> 00:30:46.920
<v Speaker 4>says about the soul. The soul is a mean. It's

460
00:30:46.960 --> 00:30:50.960
<v Speaker 4>a mean. It's a ratio between the physical and the

461
00:30:51.079 --> 00:30:56.559
<v Speaker 4>non physical. Between suke and physicis like between noose and

462
00:30:56.640 --> 00:31:04.880
<v Speaker 4>physicis is what suke is. So when we see something

463
00:31:05.720 --> 00:31:09.839
<v Speaker 4>and are attracted to its beauty, that's a physical, a

464
00:31:09.960 --> 00:31:15.559
<v Speaker 4>visual call, and it tells us something about the radio

465
00:31:15.599 --> 00:31:18.839
<v Speaker 4>between us. Where do I end and where does that begin?

466
00:31:19.559 --> 00:31:23.319
<v Speaker 4>Is there a line where we can say it begins

467
00:31:23.440 --> 00:31:27.079
<v Speaker 4>or ends? And to take the next step and say, well,

468
00:31:27.839 --> 00:31:33.880
<v Speaker 4>that call, that beauty, that mean, that ratio, that's our soul.

469
00:31:35.720 --> 00:31:42.160
<v Speaker 4>I think really speaks to the efficacy of geometry. Even

470
00:31:42.319 --> 00:31:47.039
<v Speaker 4>working at what we might call an unconscious level. It

471
00:31:48.839 --> 00:31:53.880
<v Speaker 4>forces the harmonies of the universe, including ourselves and our

472
00:31:54.000 --> 00:31:57.640
<v Speaker 4>interaction with the world, to be put right in our face.

473
00:31:59.000 --> 00:32:02.519
<v Speaker 8>And to that point when you look in what is

474
00:32:02.559 --> 00:32:09.079
<v Speaker 8>it Piedeo where he talks about harmony in essence, when

475
00:32:09.119 --> 00:32:12.880
<v Speaker 8>you create an instrument and you play that instrument and

476
00:32:12.960 --> 00:32:17.480
<v Speaker 8>you bring these beautiful sounds out of it, that those

477
00:32:17.680 --> 00:32:22.240
<v Speaker 8>aren't like you're talking about the line between where a

478
00:32:22.319 --> 00:32:25.119
<v Speaker 8>thing ends and where thing begins. If you take that

479
00:32:25.240 --> 00:32:28.960
<v Speaker 8>instrument and destroy it, you're in no way, you know,

480
00:32:29.119 --> 00:32:32.640
<v Speaker 8>destroying the harmony, because you can build another instrument to

481
00:32:32.720 --> 00:32:36.920
<v Speaker 8>recreate it's it's always existing, It's always there. It's just

482
00:32:36.960 --> 00:32:40.519
<v Speaker 8>a matter of how we're able to draw it.

483
00:32:40.480 --> 00:32:47.200
<v Speaker 5>Out yea, which requires skill and requires knowledge right to

484
00:32:47.279 --> 00:32:48.240
<v Speaker 5>tune an instrument.

485
00:32:48.480 --> 00:32:49.000
<v Speaker 6>Particularly.

486
00:32:49.559 --> 00:32:51.039
<v Speaker 5>The one thing I want to add on to there

487
00:32:51.079 --> 00:32:54.680
<v Speaker 5>is that in the ancient conception of harmonics, there were

488
00:32:54.680 --> 00:33:01.000
<v Speaker 5>effectively three three ratios sesqui alters, sesquitertiin, and sesqui. Okay,

489
00:33:01.079 --> 00:33:04.119
<v Speaker 5>so that's the root and octave, which are you know,

490
00:33:04.440 --> 00:33:07.559
<v Speaker 5>basically the same thing. There's the fourth and the fifth,

491
00:33:07.839 --> 00:33:12.559
<v Speaker 5>so there's there's three perfect ratios right there now in

492
00:33:12.720 --> 00:33:17.519
<v Speaker 5>the in the uh Platonic Uh, the dialogue, the Fato

493
00:33:17.759 --> 00:33:21.039
<v Speaker 5>that you were just mentioning talks about the three the

494
00:33:21.079 --> 00:33:25.920
<v Speaker 5>tripartite soul. This actually is an extension from the Pythagorean

495
00:33:26.119 --> 00:33:29.440
<v Speaker 5>so where they thought there were three types of people. Okay,

496
00:33:29.519 --> 00:33:33.559
<v Speaker 5>you know, the curious was the rational, the ambitious was

497
00:33:33.599 --> 00:33:38.400
<v Speaker 5>the spirited, and the covetous was the appetitive, and Plato

498
00:33:38.440 --> 00:33:41.119
<v Speaker 5>puts those into the tripartite nature of the soul.

499
00:33:41.480 --> 00:33:43.920
<v Speaker 6>Now, think of it this way.

500
00:33:43.960 --> 00:33:47.519
<v Speaker 5>These three ratios that have to have relationship to each other,

501
00:33:47.599 --> 00:33:51.680
<v Speaker 5>the appetites, the emotions, and then.

502
00:33:51.599 --> 00:33:55.039
<v Speaker 6>The the rational. They have to be this they have

503
00:33:55.119 --> 00:33:56.759
<v Speaker 6>to the same way. Think of it this way.

504
00:33:56.799 --> 00:33:58.960
<v Speaker 5>If you, if you understand the piano and music theory,

505
00:33:59.720 --> 00:34:02.839
<v Speaker 5>a chord, a proper chord consists of three tones.

506
00:34:03.720 --> 00:34:05.559
<v Speaker 6>Okay, now if.

507
00:34:05.559 --> 00:34:09.920
<v Speaker 5>You if one tone is playing a blue note, it's

508
00:34:09.920 --> 00:34:13.159
<v Speaker 5>off by a half step. We don't have harmony anymore.

509
00:34:13.199 --> 00:34:18.400
<v Speaker 5>We have dissonance. Classically, classically, you know, the modern mind

510
00:34:18.880 --> 00:34:22.039
<v Speaker 5>delights in ugly things. It's just what we've done. We've

511
00:34:22.039 --> 00:34:24.880
<v Speaker 5>created a new paradigm of inversion, and it's one of

512
00:34:24.920 --> 00:34:27.760
<v Speaker 5>the reasons why everything is fucked everybody looking out at

513
00:34:27.760 --> 00:34:30.320
<v Speaker 5>this and that's like you like ugly shit, you love

514
00:34:30.400 --> 00:34:33.599
<v Speaker 5>the disharmonious. What the fuck do you think you're gonna get?

515
00:34:34.000 --> 00:34:36.320
<v Speaker 5>You can get the harmony out of disarmony, you know.

516
00:34:36.440 --> 00:34:39.079
<v Speaker 5>So It's the thing is now, if you if you

517
00:34:39.199 --> 00:34:43.119
<v Speaker 5>orient that chord, that chordal structure, and it's right relationships

518
00:34:43.159 --> 00:34:45.119
<v Speaker 5>to each other, and then you think about that as

519
00:34:45.159 --> 00:34:49.159
<v Speaker 5>the three the tripartite nature of the soul. Everybody knows

520
00:34:49.239 --> 00:34:53.199
<v Speaker 5>the discomfort automatically when you when you play a blue note,

521
00:34:53.199 --> 00:34:56.840
<v Speaker 5>when you play something that's in accidental, something that's inharmonious,

522
00:34:57.280 --> 00:35:01.880
<v Speaker 5>it's ooh. Now can you imagine the existence discomfort, the

523
00:35:02.079 --> 00:35:07.199
<v Speaker 5>existential discomfort of having one of those three parts of

524
00:35:07.239 --> 00:35:09.639
<v Speaker 5>the soul not where it's supposed to be.

525
00:35:10.480 --> 00:35:10.719
<v Speaker 1>You know.

526
00:35:10.840 --> 00:35:14.719
<v Speaker 5>So, and now his his his medicine, his philosophical medicine

527
00:35:14.719 --> 00:35:17.159
<v Speaker 5>for us, is the application of the four virtues. You

528
00:35:17.199 --> 00:35:20.000
<v Speaker 5>see it in the Alcibiades, you see it in the

529
00:35:20.039 --> 00:35:23.159
<v Speaker 5>Gorgeous you see it's fucking everywhere. A lot of people

530
00:35:23.199 --> 00:35:25.360
<v Speaker 5>love to talk about it. In the context of the Republic.

531
00:35:25.840 --> 00:35:27.639
<v Speaker 6>He literally takes.

532
00:35:27.280 --> 00:35:31.719
<v Speaker 5>You through all four, all four of those cardinal virtues

533
00:35:31.719 --> 00:35:33.840
<v Speaker 5>in almost every single dialogue in the in the.

534
00:35:35.760 --> 00:35:38.440
<v Speaker 6>Exactly why, because like this is the medicine.

535
00:35:38.559 --> 00:35:41.800
<v Speaker 5>These four things make it so that you will always

536
00:35:41.800 --> 00:35:45.440
<v Speaker 5>be harmonious. If you conform yourself to these things, you

537
00:35:45.480 --> 00:35:48.239
<v Speaker 5>will always be you will always be creating harmony.

538
00:35:49.559 --> 00:35:52.760
<v Speaker 8>And and to that point, in regard to the creation

539
00:35:52.920 --> 00:35:56.559
<v Speaker 8>of the state, Plato even at one point talks about

540
00:35:57.519 --> 00:36:01.639
<v Speaker 8>doing gymnastics in the womb in order to train. And

541
00:36:01.840 --> 00:36:04.679
<v Speaker 8>basically you have to learn these things from the earliest

542
00:36:04.719 --> 00:36:07.920
<v Speaker 8>ages and be edified in these things as you come up.

543
00:36:08.079 --> 00:36:11.800
<v Speaker 8>And the building of that whole individual person is what

544
00:36:12.079 --> 00:36:16.360
<v Speaker 8>creates the solidity of what is the macro to the

545
00:36:16.400 --> 00:36:20.519
<v Speaker 8>micro the larger state, you know, in essence, So it's

546
00:36:20.519 --> 00:36:24.360
<v Speaker 8>a matter of this this system of again like the

547
00:36:24.440 --> 00:36:28.760
<v Speaker 8>transcendent aspect of moving up towards the monad. You know,

548
00:36:29.239 --> 00:36:31.519
<v Speaker 8>it's it's the same idea with the state in the

549
00:36:31.559 --> 00:36:38.519
<v Speaker 8>individual within the state, and it's it's always in larger ideas,

550
00:36:39.199 --> 00:36:44.760
<v Speaker 8>uh than then, you know, like it's it's the multi entendres.

551
00:36:45.079 --> 00:36:45.320
<v Speaker 2>You know.

552
00:36:45.880 --> 00:36:48.239
<v Speaker 6>I like to I like to cut your jib sailor.

553
00:36:50.519 --> 00:36:54.960
<v Speaker 4>I like what you said, like about about tritones and

554
00:36:55.079 --> 00:37:04.039
<v Speaker 4>about you know, flattening the third and entering these these

555
00:37:04.199 --> 00:37:10.280
<v Speaker 4>these you know, sustained to chords that that that they're

556
00:37:10.440 --> 00:37:14.880
<v Speaker 4>they they do not qualify as beauty. You'll hear people

557
00:37:14.920 --> 00:37:18.480
<v Speaker 4>say beauty is in the eye of the beholder. Plato

558
00:37:18.519 --> 00:37:21.559
<v Speaker 4>would say, get the fuck out of here with that bullshit.

559
00:37:22.760 --> 00:37:29.519
<v Speaker 4>The the the weirdness of an off chord is interesting, right,

560
00:37:29.679 --> 00:37:34.000
<v Speaker 4>it's curious, it's fascinating. It's not beautiful. And this is

561
00:37:34.000 --> 00:37:39.599
<v Speaker 4>coming from somebody that listens to Orni Coleman and John Zorn.

562
00:37:39.840 --> 00:37:46.280
<v Speaker 4>You know, I love love chaotic, dissonant music, but I

563
00:37:46.320 --> 00:37:51.320
<v Speaker 4>would never call it beautiful. Beauty is a specific form,

564
00:37:51.559 --> 00:37:56.599
<v Speaker 4>and learning to recognize that is really the first step

565
00:37:56.599 --> 00:37:59.000
<v Speaker 4>to getting anywhere in Platonism.

566
00:37:59.280 --> 00:37:59.480
<v Speaker 9>Right.

567
00:38:02.800 --> 00:38:06.159
<v Speaker 8>I think there's one point, and this is just recently

568
00:38:06.360 --> 00:38:08.719
<v Speaker 8>in what I've been looking into in regard to the laws.

569
00:38:08.760 --> 00:38:11.239
<v Speaker 8>I think it's four or five where they're talking about

570
00:38:11.800 --> 00:38:15.639
<v Speaker 8>comedy and then he goes into the tragedyans and he

571
00:38:15.719 --> 00:38:17.800
<v Speaker 8>says of a group of trail you know, a troop

572
00:38:17.880 --> 00:38:20.800
<v Speaker 8>of tragedians showed up at the city and wanted to

573
00:38:20.840 --> 00:38:24.920
<v Speaker 8>set up in the town square. It's like, first off, no,

574
00:38:25.000 --> 00:38:27.199
<v Speaker 8>that's not gonna happen. You need to check what their

575
00:38:27.239 --> 00:38:30.360
<v Speaker 8>material is. You need to check like what the philosophy

576
00:38:30.400 --> 00:38:34.840
<v Speaker 8>is and whether it's in accordance, in resonance with the

577
00:38:34.880 --> 00:38:38.440
<v Speaker 8>structure of the state itself, and if it's not, then

578
00:38:38.960 --> 00:38:42.039
<v Speaker 8>you run them off. So it's and you see this

579
00:38:42.119 --> 00:38:46.519
<v Speaker 8>symbolically from lower levels to higher levels, talking about children,

580
00:38:46.679 --> 00:38:50.719
<v Speaker 8>talking about comedy talking. It's in every aspect. What one

581
00:38:50.840 --> 00:38:53.599
<v Speaker 8>does in their younger life, they'll do less than their

582
00:38:53.639 --> 00:38:59.079
<v Speaker 8>older life. It's aschotomy between the play between the existence

583
00:38:59.119 --> 00:39:02.360
<v Speaker 8>and the non exist. In simlitude, I have I.

584
00:39:02.320 --> 00:39:05.199
<v Speaker 4>Have a question for for anyone who wants.

585
00:39:05.039 --> 00:39:06.840
<v Speaker 1>To answer.

586
00:39:08.800 --> 00:39:14.400
<v Speaker 4>And I and this is, you know, a legitimate, honest question.

587
00:39:17.239 --> 00:39:24.760
<v Speaker 4>How how do you distinguish beyond beyond the understanding that

588
00:39:25.079 --> 00:39:31.760
<v Speaker 4>republic is very much talking about the proper constitution of

589
00:39:31.800 --> 00:39:34.639
<v Speaker 4>the of the soul of an individual, of the mind,

590
00:39:35.079 --> 00:39:41.840
<v Speaker 4>of the of the body, because that that is acceptable

591
00:39:42.599 --> 00:39:48.800
<v Speaker 4>to most people. But how do you defend, if you

592
00:39:48.840 --> 00:39:55.519
<v Speaker 4>would even want to, the objection that what's being described

593
00:39:55.519 --> 00:39:57.039
<v Speaker 4>as a totalitarian or.

594
00:39:57.079 --> 00:40:03.159
<v Speaker 8>Fascist it is one percent of fascist, totalitarian monarchical dictator state.

595
00:40:03.880 --> 00:40:06.519
<v Speaker 5>Well, here's the thing, though, here's here's where it differs.

596
00:40:07.280 --> 00:40:09.320
<v Speaker 5>And this is the key to what you said before

597
00:40:09.679 --> 00:40:12.719
<v Speaker 5>about the tragedians in the laws. He talks about that

598
00:40:12.800 --> 00:40:15.719
<v Speaker 5>in the Republic. He basically says, look, we're not gonna

599
00:40:15.719 --> 00:40:19.199
<v Speaker 5>have poets. That's not what's gonna happen. And he says

600
00:40:19.360 --> 00:40:22.840
<v Speaker 5>it is much lamentable, very lamentable. But the thing is

601
00:40:23.239 --> 00:40:28.000
<v Speaker 5>they can say things that are pleasant and convincing and

602
00:40:28.920 --> 00:40:31.679
<v Speaker 5>not have the truth in them. In the same way

603
00:40:31.719 --> 00:40:36.519
<v Speaker 5>there's no beauty in a susscord. There's novelty and interest,

604
00:40:37.199 --> 00:40:39.920
<v Speaker 5>you know, piquing your interest in the same way in

605
00:40:39.960 --> 00:40:43.079
<v Speaker 5>poetry could sound you know, it could fill you with

606
00:40:43.119 --> 00:40:47.400
<v Speaker 5>this sense of righteousness or what have you, but doesn't

607
00:40:47.440 --> 00:40:50.039
<v Speaker 5>mean anything they're saying has any truth in it, even

608
00:40:50.039 --> 00:40:53.039
<v Speaker 5>though it sounds good. Okay, that's something we all got

609
00:40:53.039 --> 00:40:58.119
<v Speaker 5>to keep in mind today. Okay, Now, what's interesting is

610
00:40:58.199 --> 00:41:03.039
<v Speaker 5>he says, he basically makes a caveat unless we know

611
00:41:03.880 --> 00:41:08.920
<v Speaker 5>we can definitively know that they have become philosophers. And

612
00:41:08.960 --> 00:41:12.960
<v Speaker 5>it's the same thing with the philosopher regent, is that

613
00:41:13.280 --> 00:41:15.760
<v Speaker 5>the only person who's fit to rule is the person

614
00:41:15.800 --> 00:41:18.800
<v Speaker 5>who understands this shit and applies it to themselves. So

615
00:41:19.320 --> 00:41:24.800
<v Speaker 5>here's the thing. If the ruler applies this system to themselves.

616
00:41:25.159 --> 00:41:28.920
<v Speaker 5>It's not tyrannical, right, and therefore it's not tyrannical to

617
00:41:29.000 --> 00:41:29.559
<v Speaker 5>apply it.

618
00:41:29.440 --> 00:41:30.239
<v Speaker 6>To a civilization.

619
00:41:30.320 --> 00:41:34.639
<v Speaker 5>Why because the definition Plato gives us a tyranny, he says.

620
00:41:35.239 --> 00:41:39.599
<v Speaker 5>First of all, he says democracy inevitably leads to tyranny

621
00:41:39.679 --> 00:41:44.559
<v Speaker 5>because it allows us too many liberties. Every time he says,

622
00:41:44.639 --> 00:41:50.119
<v Speaker 5>the democratic man is the father of the tyrant. Why

623
00:41:50.559 --> 00:41:53.280
<v Speaker 5>because the tyrant is not just somebody who has control.

624
00:41:54.360 --> 00:41:57.360
<v Speaker 5>The tyrant is somebody who abuses that control because they

625
00:41:57.360 --> 00:42:00.920
<v Speaker 5>are a slave. What are they a slave to their

626
00:42:00.960 --> 00:42:06.880
<v Speaker 5>own appetites? The tyrant is actually the fucking slave in

627
00:42:06.960 --> 00:42:13.119
<v Speaker 5>the Platonic system. This is a system of liberation through philosophy. Okay,

628
00:42:13.159 --> 00:42:15.079
<v Speaker 5>So I don't consider that fascistic.

629
00:42:15.880 --> 00:42:18.039
<v Speaker 8>It well, and that's the whole thing. You can call

630
00:42:18.079 --> 00:42:20.920
<v Speaker 8>it these things. But at the same time, because it's

631
00:42:20.920 --> 00:42:24.280
<v Speaker 8>based on this idea of ascendance and the higher thought forms,

632
00:42:25.199 --> 00:42:29.199
<v Speaker 8>it's an alternate way to look at the monarchy or

633
00:42:29.880 --> 00:42:34.320
<v Speaker 8>a system that becomes fascist in essence, but you know,

634
00:42:34.440 --> 00:42:36.760
<v Speaker 8>in accordance with the higher realms. That's one thing. This

635
00:42:36.840 --> 00:42:40.000
<v Speaker 8>is very utopian in essence as far as philosophy. But

636
00:42:40.079 --> 00:42:43.920
<v Speaker 8>when you sink into the more crystallized, you know, realm

637
00:42:44.119 --> 00:42:48.519
<v Speaker 8>of doggy dog and greed and everyone out for their

638
00:42:48.559 --> 00:42:54.719
<v Speaker 8>own it turns into this corrupted every you know, everything's corrupted.

639
00:42:55.280 --> 00:42:59.840
<v Speaker 8>So it's it's this idea of in this realm. It's like,

640
00:43:00.199 --> 00:43:03.119
<v Speaker 8>you know, communism works on a small level, but once

641
00:43:03.159 --> 00:43:07.320
<v Speaker 8>it gets so big, you know, it creates a cast system.

642
00:43:07.440 --> 00:43:11.519
<v Speaker 8>Whereas with this, because you know, we're in the physical realm,

643
00:43:12.199 --> 00:43:18.519
<v Speaker 8>this utopian idea, this mindset of higher forms, unfortunately, because

644
00:43:18.559 --> 00:43:22.159
<v Speaker 8>of the corrupted state of man, has a tendency to

645
00:43:22.199 --> 00:43:22.840
<v Speaker 8>eat itself.

646
00:43:24.159 --> 00:43:30.880
<v Speaker 10>I I also have an idea to answer your question, PD,

647
00:43:31.519 --> 00:43:35.800
<v Speaker 10>and that idea is that I think we forget not

648
00:43:35.840 --> 00:43:40.239
<v Speaker 10>maybe anyone here, but that this is a dialogue and

649
00:43:40.280 --> 00:43:43.119
<v Speaker 10>that this is a drama. And the idea of this

650
00:43:43.199 --> 00:43:46.760
<v Speaker 10>being a drama would mean that there are outrageous things

651
00:43:46.760 --> 00:43:50.599
<v Speaker 10>that are going to be stated, like the ideals of eugenics,

652
00:43:51.079 --> 00:43:55.199
<v Speaker 10>the ideals of you know, different ideas of like only

653
00:43:55.239 --> 00:43:59.320
<v Speaker 10>the philosopher kings now know whose children are parented to who,

654
00:44:00.079 --> 00:44:02.920
<v Speaker 10>and all these strange things that we today in a

655
00:44:02.960 --> 00:44:06.480
<v Speaker 10>modern society would deem to be a totalitarian or be

656
00:44:07.159 --> 00:44:11.519
<v Speaker 10>fascist or see murderous and really it is what it's

657
00:44:11.639 --> 00:44:13.519
<v Speaker 10>meant to do. And I think this is a really

658
00:44:13.559 --> 00:44:17.559
<v Speaker 10>important distinction, is that it's meant to show the contradictory

659
00:44:17.719 --> 00:44:20.280
<v Speaker 10>nature of not only the human soul and not only

660
00:44:20.320 --> 00:44:24.559
<v Speaker 10>the police, but that when we are taken outside of

661
00:44:24.599 --> 00:44:28.360
<v Speaker 10>our normal, everyday nois we can start to understand the

662
00:44:28.400 --> 00:44:32.639
<v Speaker 10>true nature of what Plato through Socrates, was trying to do.

663
00:44:33.039 --> 00:44:35.320
<v Speaker 9>And he's trying to teach us how to philosophize.

664
00:44:35.840 --> 00:44:41.079
<v Speaker 4>And we we don't know what Plato thought. That's what

665
00:44:41.199 --> 00:44:44.400
<v Speaker 4>That's what you're getting at as well, is that as

666
00:44:44.480 --> 00:44:46.039
<v Speaker 4>a dialogue.

667
00:44:45.920 --> 00:44:50.280
<v Speaker 10>That's exactly that is exactly.

668
00:44:49.840 --> 00:44:51.800
<v Speaker 6>Says that too. And well, again we don't.

669
00:44:51.880 --> 00:44:52.159
<v Speaker 1>We don't.

670
00:44:52.199 --> 00:44:55.199
<v Speaker 5>Scholars are are It's a coin toss whether or not

671
00:44:55.239 --> 00:44:58.719
<v Speaker 5>they it's authentic. But in his second letter, Plato says,

672
00:44:59.039 --> 00:45:01.920
<v Speaker 5>the thoughts of the the beliefs of Plato will never

673
00:45:01.960 --> 00:45:05.079
<v Speaker 5>be written down. The dialogues are Socrates made beautiful?

674
00:45:07.719 --> 00:45:11.480
<v Speaker 8>Yeah, And I wanted to bring up one more thing

675
00:45:11.480 --> 00:45:15.239
<v Speaker 8>in regard to the Abrahamic religion. I find it interesting.

676
00:45:15.280 --> 00:45:18.840
<v Speaker 8>I've been going through the Talmood lately, and I'm about

677
00:45:18.840 --> 00:45:20.719
<v Speaker 8>a tenth of the way through it, and I find

678
00:45:20.719 --> 00:45:24.800
<v Speaker 8>it's very much set up in the same methodology of

679
00:45:24.840 --> 00:45:28.519
<v Speaker 8>the Platonic philosophies in regard to the rabbi is coming

680
00:45:28.559 --> 00:45:33.280
<v Speaker 8>together and basically having a dialogue about a subject matter

681
00:45:33.559 --> 00:45:37.000
<v Speaker 8>that oftentimes has never resolved. So I think there you

682
00:45:37.079 --> 00:45:40.119
<v Speaker 8>may also have kind of a carry because that wasn't

683
00:45:40.119 --> 00:45:44.039
<v Speaker 8>written until what four to six hundred AD, So I

684
00:45:44.079 --> 00:45:46.960
<v Speaker 8>think there you may also have some carryover with kind

685
00:45:47.000 --> 00:45:50.840
<v Speaker 8>of these ideas and how the philosophy has kind of

686
00:45:50.880 --> 00:45:55.840
<v Speaker 8>played into the growing strands of the different religions as well.

687
00:45:56.440 --> 00:46:00.239
<v Speaker 5>And I want to just point out one thing that

688
00:46:00.360 --> 00:46:03.440
<v Speaker 5>was that was pointed out to me by David kim Smith.

689
00:46:04.039 --> 00:46:04.480
<v Speaker 1>Uh.

690
00:46:04.960 --> 00:46:08.559
<v Speaker 5>You know, he had studied with he's you know, one

691
00:46:08.559 --> 00:46:11.159
<v Speaker 5>of my kabala teachers, but he had studied with with

692
00:46:12.440 --> 00:46:16.519
<v Speaker 5>some Hasidics, right, And there's a very richly preserved tradition

693
00:46:16.800 --> 00:46:20.440
<v Speaker 5>of Hebrew kabbala in there. And also there's a rich

694
00:46:20.559 --> 00:46:25.800
<v Speaker 5>preservation within their Cabalistic vernacular of Greek words like, for instance,

695
00:46:25.840 --> 00:46:29.519
<v Speaker 5>there's the name for them of like matter, or the

696
00:46:29.559 --> 00:46:34.800
<v Speaker 5>first principle of of of formation is huli. That's you know,

697
00:46:34.880 --> 00:46:38.719
<v Speaker 5>the the el or the the hula of the Greeks.

698
00:46:38.760 --> 00:46:41.760
<v Speaker 5>There's all sorts of ship like that all over there capitalism.

699
00:46:41.760 --> 00:46:43.440
<v Speaker 5>But what he said is when he went in and

700
00:46:43.440 --> 00:46:48.920
<v Speaker 5>he and to to engage in this pedagogical kind of

701
00:46:49.000 --> 00:46:53.400
<v Speaker 5>discourse at a long table like banquet style, and at

702
00:46:53.440 --> 00:46:55.920
<v Speaker 5>either end there was a rabbi on one side and

703
00:46:56.000 --> 00:46:57.119
<v Speaker 5>an acolyte on the other.

704
00:46:57.400 --> 00:46:58.840
<v Speaker 6>They were only working with each other.

705
00:46:58.880 --> 00:47:01.320
<v Speaker 5>Similar way you'd see people playing chess and they would

706
00:47:01.400 --> 00:47:05.079
<v Speaker 5>have their the text open in front of them, and

707
00:47:06.119 --> 00:47:09.199
<v Speaker 5>the idea was not that the text has the answers,

708
00:47:10.039 --> 00:47:14.480
<v Speaker 5>but that the text is a prompting for further insight.

709
00:47:14.599 --> 00:47:17.639
<v Speaker 5>And so this is having understood that, I see the

710
00:47:17.639 --> 00:47:22.199
<v Speaker 5>influence of the dialectic of the Platonic school the Deocratic school,

711
00:47:22.519 --> 00:47:25.639
<v Speaker 5>and now I apply that to the dialogues with students saying,

712
00:47:25.679 --> 00:47:29.280
<v Speaker 5>we're not this is not our Bible, it's not gospel.

713
00:47:29.679 --> 00:47:32.480
<v Speaker 5>But what it is is we're going to use this

714
00:47:33.159 --> 00:47:37.079
<v Speaker 5>to do what they're doing about about what they're doing

715
00:47:38.000 --> 00:47:40.400
<v Speaker 5>in dialectic.

716
00:47:40.280 --> 00:47:43.280
<v Speaker 8>Of elevating the spirit and finding the wholeness of the

717
00:47:43.360 --> 00:47:44.239
<v Speaker 8>self and the soul.

718
00:47:44.360 --> 00:47:48.840
<v Speaker 11>And yes, yes, well, I think it just to reiterate

719
00:47:48.880 --> 00:47:52.719
<v Speaker 11>the idea that Socrates is bringing upon the precarious and

720
00:47:53.000 --> 00:47:57.800
<v Speaker 11>the subversive position of the philosopher and how the philosopher

721
00:47:57.960 --> 00:48:01.280
<v Speaker 11>is the true rebel in the Republic and in Athens

722
00:48:01.320 --> 00:48:04.880
<v Speaker 11>at that time, due to obviously Socrates trying to prove

723
00:48:04.920 --> 00:48:05.360
<v Speaker 11>the point.

724
00:48:05.519 --> 00:48:07.480
<v Speaker 9>And I would think, and I think Leo.

725
00:48:07.360 --> 00:48:09.840
<v Speaker 10>Strauss and a few other philosophers in that timeframe, Alan

726
00:48:09.840 --> 00:48:13.599
<v Speaker 10>Bloom being one of them in our time frame, is

727
00:48:13.639 --> 00:48:17.199
<v Speaker 10>saying how important it is to know that the apology,

728
00:48:17.719 --> 00:48:19.840
<v Speaker 10>the actual true apology, was the Republic.

729
00:48:20.280 --> 00:48:22.320
<v Speaker 9>And I think that's really fascinating to think about.

730
00:48:23.119 --> 00:48:23.440
<v Speaker 1>Hm.

731
00:48:25.639 --> 00:48:28.519
<v Speaker 5>Well, I just want to say, man, Danny pd every

732
00:48:28.519 --> 00:48:31.559
<v Speaker 5>time I learned so much, every time I talk to you, dude,

733
00:48:31.920 --> 00:48:34.880
<v Speaker 5>I really you know, I love you.

734
00:48:34.960 --> 00:48:36.800
<v Speaker 6>I miss you. I got to come out and see you.

735
00:48:37.960 --> 00:48:40.079
<v Speaker 4>Definitely, definitely we need you out here.

736
00:48:40.559 --> 00:48:41.880
<v Speaker 6>Yeah, you need to go.

737
00:48:41.960 --> 00:48:44.119
<v Speaker 4>I need to come to I need to come to you. Next,

738
00:48:44.119 --> 00:48:47.519
<v Speaker 4>we're supposed to do some some crystal digging.

739
00:48:48.400 --> 00:48:51.400
<v Speaker 6>Oh that's right. Yeah, yeah at the gem minds over.

740
00:48:51.239 --> 00:48:56.360
<v Speaker 4>Here, Yeah, yeah, your place next.

741
00:48:56.800 --> 00:49:03.960
<v Speaker 12>Yes, I really wanted to ask a question. You were

742
00:49:04.000 --> 00:49:09.480
<v Speaker 12>talking about purification, right, It made me think of Platinus

743
00:49:09.679 --> 00:49:14.480
<v Speaker 12>and he reiterates over and over this stripping of what's

744
00:49:14.559 --> 00:49:20.519
<v Speaker 12>alien to yourself, and I think that's like Marx was saying,

745
00:49:20.559 --> 00:49:23.280
<v Speaker 12>I think like you were all saying, like that is

746
00:49:23.480 --> 00:49:27.599
<v Speaker 12>the process of dialectic to an extent, at least dialectic

747
00:49:27.639 --> 00:49:33.519
<v Speaker 12>of yourself. But it made me think of this other

748
00:49:33.639 --> 00:49:38.880
<v Speaker 12>concept of Plato's that is very unique to Plato, which

749
00:49:38.920 --> 00:49:45.119
<v Speaker 12>is the idea of the intelligibles and of them as

750
00:49:45.199 --> 00:49:54.000
<v Speaker 12>like these divine beings, right, and the further that you

751
00:49:55.280 --> 00:50:03.440
<v Speaker 12>kind of ascend and strip yourself of those alien things,

752
00:50:03.480 --> 00:50:09.360
<v Speaker 12>you know, you kind of assent and and if you

753
00:50:09.480 --> 00:50:15.079
<v Speaker 12>compare those intelligibles to humans, right, a big difference is

754
00:50:15.119 --> 00:50:20.039
<v Speaker 12>that those intelligibles, I mean obviously, not only do they

755
00:50:20.079 --> 00:50:26.880
<v Speaker 12>not have the sensory faculties, but they are not necessarily human.

756
00:50:27.239 --> 00:50:34.320
<v Speaker 12>You know, they're almost mechanical. They have they don't have

757
00:50:34.440 --> 00:50:39.480
<v Speaker 12>like perhaps changing will. But a big question that I

758
00:50:39.480 --> 00:50:43.039
<v Speaker 12>always have is, you know, when when we're looking at

759
00:50:43.079 --> 00:50:50.599
<v Speaker 12>these hierarchies, when we're looking at these intelligences, how I

760
00:50:50.639 --> 00:50:53.639
<v Speaker 12>know this is kind of off base, perhaps, but how

761
00:50:53.679 --> 00:51:01.159
<v Speaker 12>do you differentiate the planetary forces or intelligences and the

762
00:51:01.199 --> 00:51:02.079
<v Speaker 12>angelic ones.

763
00:51:05.079 --> 00:51:08.199
<v Speaker 4>That's that's a good question. I'll take a quick stab

764
00:51:08.360 --> 00:51:11.920
<v Speaker 4>and I think Ike, I know, Ike has a good

765
00:51:11.920 --> 00:51:15.239
<v Speaker 4>answer for this because We've talked about something similar at

766
00:51:15.880 --> 00:51:22.800
<v Speaker 4>New Hermopolis. When we're talking about the hierarchy of being,

767
00:51:23.199 --> 00:51:27.639
<v Speaker 4>let's refer back to the principles the limit and the limitless.

768
00:51:28.199 --> 00:51:31.360
<v Speaker 4>At the top is pure limit, at the bottom is

769
00:51:31.480 --> 00:51:38.079
<v Speaker 4>pure limitlessness, the indefinite diad. As we progress from the

770
00:51:38.119 --> 00:51:41.800
<v Speaker 4>top to the bottom, towards the middle, these become mixed.

771
00:51:42.679 --> 00:51:49.440
<v Speaker 4>So there's there's When you say they're mechanical, I don't

772
00:51:49.440 --> 00:51:53.559
<v Speaker 4>take you to mean robotic, but rather they have more

773
00:51:53.679 --> 00:51:58.079
<v Speaker 4>limit than they do limitlessness. They don't they can't swerve,

774
00:51:58.800 --> 00:52:04.800
<v Speaker 4>for instance, from the orbit for which they exist. If

775
00:52:04.800 --> 00:52:07.480
<v Speaker 4>I understood you properly there.

776
00:52:08.239 --> 00:52:13.199
<v Speaker 12>Yes, exactly like they they are more restricted. They have

777
00:52:13.280 --> 00:52:18.000
<v Speaker 12>like a certain role, or they're maybe closer to the forms,

778
00:52:18.079 --> 00:52:27.880
<v Speaker 12>and so they they have more distinct and consolidated properties

779
00:52:27.960 --> 00:52:32.639
<v Speaker 12>or identifiers about themselves, their way of behaving, maybe even

780
00:52:33.480 --> 00:52:38.800
<v Speaker 12>metaphysical properties of you know, the further up that you go,

781
00:52:39.239 --> 00:52:43.360
<v Speaker 12>like I would say that the planetary intelligences are also

782
00:52:44.039 --> 00:52:46.360
<v Speaker 12>metaphysical properties of the universe.

783
00:52:47.519 --> 00:52:51.000
<v Speaker 4>That's a great way. And if you look at Proclus's

784
00:52:51.199 --> 00:52:54.559
<v Speaker 4>breakdown with the hierarchy of being, and you see it

785
00:52:54.599 --> 00:52:56.440
<v Speaker 4>earlier and Iamblicus.

786
00:52:56.440 --> 00:53:00.840
<v Speaker 13>But there's the when he talks about the n cosm gods,

787
00:53:02.039 --> 00:53:05.840
<v Speaker 13>he also refers to as the visible gods, and we're like,

788
00:53:05.880 --> 00:53:08.360
<v Speaker 13>what do you mean visible gods where you're seeing them?

789
00:53:08.800 --> 00:53:12.679
<v Speaker 4>He's talking about the planets, you know, these are these

790
00:53:12.719 --> 00:53:16.559
<v Speaker 4>are in cosmic gods that we can see visibly, but

791
00:53:17.239 --> 00:53:21.239
<v Speaker 4>in cosmic meaning, they're in matter, so they have more

792
00:53:21.280 --> 00:53:26.719
<v Speaker 4>connection with the limitless than they do with limit Whereas

793
00:53:26.840 --> 00:53:32.320
<v Speaker 4>the further we go up the chain beyond the sun

794
00:53:33.000 --> 00:53:39.199
<v Speaker 4>is Helios, right, which has even more limit less limitlessness.

795
00:53:39.840 --> 00:53:44.639
<v Speaker 4>So we're really talking about the tension, like Ike said earlier,

796
00:53:44.719 --> 00:53:50.239
<v Speaker 4>between these two extreme opposites. And I think it is

797
00:53:50.239 --> 00:53:53.800
<v Speaker 4>at Heraclitis that talks about the tension of the bowstring

798
00:53:54.000 --> 00:53:58.920
<v Speaker 4>that that is necessary that produces the music that shoots

799
00:53:58.920 --> 00:54:03.119
<v Speaker 4>the arrow. It's it's that same tension. But when you say,

800
00:54:03.119 --> 00:54:08.480
<v Speaker 4>how do you distinguish an angelic being from a planetary being,

801
00:54:11.039 --> 00:54:15.119
<v Speaker 4>the real criteria is how much or how much less

802
00:54:15.199 --> 00:54:20.719
<v Speaker 4>of limit or limitlessness do they participate in?

803
00:54:23.519 --> 00:54:28.920
<v Speaker 5>That's a great answer, yeah, I And of course I

804
00:54:29.000 --> 00:54:30.639
<v Speaker 5>look at it in the same way where we're looking

805
00:54:30.679 --> 00:54:36.000
<v Speaker 5>at like ontological chains. Again, this is an analogy the

806
00:54:36.119 --> 00:54:39.280
<v Speaker 5>verticality of it like the tree of life. We're not

807
00:54:39.320 --> 00:54:42.880
<v Speaker 5>saying that it's literally like a beam of consciousness being

808
00:54:42.960 --> 00:54:47.039
<v Speaker 5>projected downward, but it's you're meeting the same consciousness at

809
00:54:47.119 --> 00:54:50.679
<v Speaker 5>different you know, I have to be a little new

810
00:54:50.719 --> 00:54:53.840
<v Speaker 5>agy about it, at a different frequency level.

811
00:54:54.400 --> 00:54:54.559
<v Speaker 1>You know.

812
00:54:54.679 --> 00:54:56.960
<v Speaker 5>It's it's kind of like, here's a good example, like

813
00:54:56.960 --> 00:55:00.360
<v Speaker 5>a cladney plate, right, So the cladney plate is people

814
00:55:00.400 --> 00:55:04.800
<v Speaker 5>associate with heart with simatics. I made one and did

815
00:55:04.880 --> 00:55:08.679
<v Speaker 5>a demo for the Institute of Hermetic Studies a couple

816
00:55:08.719 --> 00:55:15.960
<v Speaker 5>of years ago. And you you you you connect a

817
00:55:15.960 --> 00:55:18.239
<v Speaker 5>a piece of metal sheet piece of sheet metal to

818
00:55:19.559 --> 00:55:22.400
<v Speaker 5>a speaker. There's a sophisticated way to do this because

819
00:55:22.400 --> 00:55:23.719
<v Speaker 5>you don't want to deaden it. You just want the

820
00:55:23.800 --> 00:55:26.440
<v Speaker 5>vibrations to go into it. And then I have like

821
00:55:26.480 --> 00:55:29.079
<v Speaker 5>a frequency generator that's hooked up to the to this

822
00:55:29.239 --> 00:55:31.719
<v Speaker 5>to this speaker, and I'm moving up and down these

823
00:55:31.760 --> 00:55:34.559
<v Speaker 5>frequency lines. Okay, you pour a little bit of very

824
00:55:34.679 --> 00:55:37.639
<v Speaker 5>very very fine sand or very very fine salt on it,

825
00:55:38.000 --> 00:55:42.239
<v Speaker 5>and once you hit a certain frequency, that will the

826
00:55:42.280 --> 00:55:45.159
<v Speaker 5>sand will begin to generate a geometric shape. That's not

827
00:55:45.239 --> 00:55:48.280
<v Speaker 5>the shape of the frequency. That's the shape of the

828
00:55:48.320 --> 00:55:52.360
<v Speaker 5>piece of metal. It's geometry that's holding it together. It's

829
00:55:52.440 --> 00:55:55.880
<v Speaker 5>geometric signature. Now you move a little bit further, and

830
00:55:55.920 --> 00:55:57.400
<v Speaker 5>the frequent the sand doesn't do anything.

831
00:55:58.159 --> 00:55:59.760
<v Speaker 6>You keep going, you keep going boom.

832
00:55:59.760 --> 00:56:03.639
<v Speaker 5>Okay, look now there's another frequency and for some reason

833
00:56:03.679 --> 00:56:06.159
<v Speaker 5>the sands moving again. Maybe it's kind of like quadrupled.

834
00:56:06.159 --> 00:56:10.559
<v Speaker 5>And it's what's the reason for that, The relationships that

835
00:56:10.599 --> 00:56:15.480
<v Speaker 5>these frequencies have to each other. There's frequencies all throughout.

836
00:56:15.920 --> 00:56:19.199
<v Speaker 6>You could move all the way down that line, you know,

837
00:56:19.440 --> 00:56:20.599
<v Speaker 6>just do this weird thing.

838
00:56:20.639 --> 00:56:26.360
<v Speaker 5>But for a specific phenomenal object, there's just there's a

839
00:56:26.400 --> 00:56:30.880
<v Speaker 5>specific frequency that reveals its inherent patterns. Is geometric patterns.

840
00:56:30.880 --> 00:56:33.639
<v Speaker 5>To me, this is evidence of the synthema though. Okay,

841
00:56:33.679 --> 00:56:37.559
<v Speaker 5>this is like what they were intuiting. You know, it's

842
00:56:37.679 --> 00:56:40.440
<v Speaker 5>like there's the God in there and it has different

843
00:56:41.039 --> 00:56:48.320
<v Speaker 5>levels or expressions on that specific frequency line, like a

844
00:56:48.400 --> 00:56:51.480
<v Speaker 5>musical scale, like a diatonic musical scale.

845
00:56:51.639 --> 00:56:53.320
<v Speaker 6>So when you're.

846
00:56:53.159 --> 00:56:57.639
<v Speaker 5>Tuning into these different beings, I think of it in

847
00:56:57.679 --> 00:57:01.039
<v Speaker 5>that way. I'm working this frequency, working the I'm playing

848
00:57:01.320 --> 00:57:03.920
<v Speaker 5>I'm playing the scale of Mars. I'm you know, I'm

849
00:57:04.239 --> 00:57:08.800
<v Speaker 5>I'm working the scale of the sun and pd makes

850
00:57:08.840 --> 00:57:11.320
<v Speaker 5>a very very good point which is at the core

851
00:57:11.920 --> 00:57:16.800
<v Speaker 5>of Platonism, neo Platonism, uh and early Christianity.

852
00:57:17.920 --> 00:57:18.440
<v Speaker 6>Free will.

853
00:57:19.280 --> 00:57:22.960
<v Speaker 5>That's what that unlimit is free well, he said, you know,

854
00:57:22.960 --> 00:57:25.920
<v Speaker 5>if there's more limit, they can't like turn it there, right.

855
00:57:26.239 --> 00:57:28.559
<v Speaker 6>Free will is really really important.

856
00:57:29.199 --> 00:57:31.360
<v Speaker 5>So a lot of times in working with them practically,

857
00:57:31.360 --> 00:57:33.039
<v Speaker 5>which is kind of outside of the scope of this

858
00:57:33.079 --> 00:57:36.119
<v Speaker 5>particular conversation, but in say saying something of you know,

859
00:57:36.159 --> 00:57:39.760
<v Speaker 5>we work with the pseudo a derivative of the pseudo

860
00:57:39.840 --> 00:57:43.840
<v Speaker 5>Deanesian hierarchies in the Golden Dawn, because that's what Agrippa's

861
00:57:44.119 --> 00:57:46.880
<v Speaker 5>mostly using, and that's where we get our our things.

862
00:57:48.039 --> 00:57:53.719
<v Speaker 5>The the type of and let's not forget these images

863
00:57:54.159 --> 00:57:57.000
<v Speaker 5>of the of the deities, of the of the angels

864
00:57:57.000 --> 00:57:57.280
<v Speaker 5>of the.

865
00:57:58.719 --> 00:57:59.719
<v Speaker 6>That's not what they are.

866
00:58:00.159 --> 00:58:04.039
<v Speaker 5>Okay, we have to create an image in order to interact.

867
00:58:04.039 --> 00:58:06.440
<v Speaker 5>This is what what he what Pete was saying before.

868
00:58:06.920 --> 00:58:10.159
<v Speaker 5>Our mind needs an image, right, otherwise just things start

869
00:58:10.159 --> 00:58:10.519
<v Speaker 5>talking to you.

870
00:58:10.599 --> 00:58:13.280
<v Speaker 6>What happens you go to the mental hospital. Oh yeah,

871
00:58:13.440 --> 00:58:15.199
<v Speaker 6>like you need you need to set this.

872
00:58:15.280 --> 00:58:18.159
<v Speaker 5>Up so that I'm intentionally this is you. I want

873
00:58:18.199 --> 00:58:20.199
<v Speaker 5>you to talk to me through this. It's an agreed

874
00:58:20.280 --> 00:58:23.559
<v Speaker 5>upon image that is ultimately relying on your available imagery.

875
00:58:24.719 --> 00:58:27.840
<v Speaker 5>The type of the Amlicus talks about this, he's he

876
00:58:27.840 --> 00:58:32.039
<v Speaker 5>he delineates what he calls theurgic appearance, he says, and

877
00:58:32.079 --> 00:58:34.239
<v Speaker 5>it all has to do with how much light they

878
00:58:34.280 --> 00:58:37.840
<v Speaker 5>give off and what quality it is. So gods will

879
00:58:37.840 --> 00:58:41.960
<v Speaker 5>give off this pure white, overwhelming light, whereas like daimone

880
00:58:42.079 --> 00:58:44.920
<v Speaker 5>is or they're a little darker, little murkier, a little ruddier.

881
00:58:45.280 --> 00:58:48.599
<v Speaker 5>And I write light is also synonymous with intelligence in

882
00:58:48.639 --> 00:58:52.159
<v Speaker 5>these these traditions as as uh, you know, the great

883
00:58:52.199 --> 00:58:55.159
<v Speaker 5>professor Valter Honograph has pointed out many times there's an

884
00:58:55.199 --> 00:59:00.039
<v Speaker 5>etymological connection between the word noose and light, particularly in

885
00:59:00.119 --> 00:59:05.559
<v Speaker 5>the Hermetica. So there's that quality of consciousness. But I

886
00:59:05.599 --> 00:59:08.320
<v Speaker 5>want to just sum it up by also kind of

887
00:59:08.519 --> 00:59:11.679
<v Speaker 5>bringing it full circle to what we've spoken about in

888
00:59:11.760 --> 00:59:17.199
<v Speaker 5>terms of Platonism. In the Platonic Paedia by the right

889
00:59:17.360 --> 00:59:18.199
<v Speaker 5>means education.

890
00:59:18.960 --> 00:59:19.519
<v Speaker 6>What is that?

891
00:59:19.719 --> 00:59:22.719
<v Speaker 5>It's because what do you think education was not the

892
00:59:22.800 --> 00:59:25.800
<v Speaker 5>learning of new information but the recollection of things your

893
00:59:25.840 --> 00:59:30.760
<v Speaker 5>soul already knows. An omnisis okay, the word the Greek

894
00:59:30.760 --> 00:59:35.760
<v Speaker 5>word for truth is alithia. That means not forgotten. It's

895
00:59:35.880 --> 00:59:40.559
<v Speaker 5>all about remembering, and it ties into this free will. Okay,

896
00:59:41.400 --> 00:59:45.159
<v Speaker 5>the ethical training in the beginning of the Platonic padia

897
00:59:46.039 --> 00:59:50.199
<v Speaker 5>allows you more free will. You can you have a

898
00:59:50.239 --> 00:59:53.960
<v Speaker 5>greater ability to make choices based on what you know

899
00:59:54.159 --> 00:59:57.280
<v Speaker 5>is best, which is allowing the rational part of the

900
00:59:57.320 --> 01:00:01.320
<v Speaker 5>soul to govern the other two. Okay, that's the beginning

901
01:00:01.320 --> 01:00:02.679
<v Speaker 5>of you gain more free will.

902
01:00:02.800 --> 01:00:02.920
<v Speaker 14>Right.

903
01:00:02.960 --> 01:00:09.440
<v Speaker 5>As Jocko Willink, very very philosophically puts it, discipline is freedom.

904
01:00:09.920 --> 01:00:11.960
<v Speaker 6>Discipline is freedom.

905
01:00:12.039 --> 01:00:15.719
<v Speaker 5>And they there's this word for discipline, self control, and

906
01:00:15.840 --> 01:00:19.679
<v Speaker 5>temperance that gets translated across the board, and depending on

907
01:00:20.039 --> 01:00:24.519
<v Speaker 5>which translation you're using a Plato Sofrosini, it can mean balance,

908
01:00:24.599 --> 01:00:28.519
<v Speaker 5>but it also gets translated as self control or discipline,

909
01:00:28.519 --> 01:00:32.039
<v Speaker 5>and it is appropriate in all those contexts. Now, that's

910
01:00:32.039 --> 01:00:35.199
<v Speaker 5>a little bit lower down the ontological line. As you

911
01:00:35.280 --> 01:00:38.719
<v Speaker 5>go through the theurgic theophania and the the anosis, right,

912
01:00:38.800 --> 01:00:42.199
<v Speaker 5>the revelation of deities, and then the the eventual union,

913
01:00:42.559 --> 01:00:46.880
<v Speaker 5>you gain more free will higher up the line. Okay,

914
01:00:46.960 --> 01:00:50.360
<v Speaker 5>why because you're constantly identifying with what you actually are

915
01:00:51.480 --> 01:00:55.920
<v Speaker 5>and not having this this not the the the rational soul,

916
01:00:56.079 --> 01:01:00.440
<v Speaker 5>not being impelled to the the imperatives and the pulses

917
01:01:00.440 --> 01:01:03.840
<v Speaker 5>of physical matter, because they're they're they're fundamentally different, the

918
01:01:03.880 --> 01:01:06.960
<v Speaker 5>soul and the and the body in terms of their natures.

919
01:01:07.000 --> 01:01:10.920
<v Speaker 5>The soul is effervescent, it rises up, It is immortal,

920
01:01:11.000 --> 01:01:13.159
<v Speaker 5>It is not spatially specific.

921
01:01:13.800 --> 01:01:14.679
<v Speaker 6>The body is different.

922
01:01:15.000 --> 01:01:15.159
<v Speaker 2>You know.

923
01:01:15.199 --> 01:01:16.400
<v Speaker 6>The soul has no needs.

924
01:01:16.679 --> 01:01:19.119
<v Speaker 5>Plato says, the only time the soul needs anything is

925
01:01:19.119 --> 01:01:21.119
<v Speaker 5>when it's in a body and it has to get

926
01:01:21.159 --> 01:01:23.920
<v Speaker 5>into the noetic realm to be nourished by the beauty there.

927
01:01:24.360 --> 01:01:25.599
<v Speaker 6>Okay, but it.

928
01:01:26.239 --> 01:01:28.719
<v Speaker 5>Inherently has no needs. The body is different. The body

929
01:01:28.760 --> 01:01:31.480
<v Speaker 5>has needs. I gotta pee, I gotta eat, I gotta sleep.

930
01:01:31.880 --> 01:01:32.039
<v Speaker 2>You know.

931
01:01:32.119 --> 01:01:34.920
<v Speaker 5>The body is spatially specific. The body is not immortal.

932
01:01:34.920 --> 01:01:37.840
<v Speaker 5>It will die. So there's this constant like we're confounded,

933
01:01:37.880 --> 01:01:42.079
<v Speaker 5>which direction do we orient our our intelligence? Which which

934
01:01:42.480 --> 01:01:44.920
<v Speaker 5>which direction are we are we working in? And it

935
01:01:44.960 --> 01:01:48.320
<v Speaker 5>all has to do with with with with free will.

936
01:01:48.639 --> 01:01:52.559
<v Speaker 5>So I think, believe it or not, as you get

937
01:01:52.639 --> 01:01:58.119
<v Speaker 5>higher up the line, these things have less free will.

938
01:01:58.159 --> 01:02:02.239
<v Speaker 5>In my experience, they have great power and less free will.

939
01:02:04.719 --> 01:02:08.719
<v Speaker 5>Why because there and an the Amblicus says this, when

940
01:02:08.800 --> 01:02:14.320
<v Speaker 5>deities appear in theretic appearance, they're accompanied by their diamones,

941
01:02:15.320 --> 01:02:18.880
<v Speaker 5>they're accompanied by the there they're entourage. Why because it's

942
01:02:18.920 --> 01:02:23.639
<v Speaker 5>those things that that that like execute its divine will there,

943
01:02:25.239 --> 01:02:28.119
<v Speaker 5>which yeah, which is which is kind of interesting, but

944
01:02:28.119 --> 01:02:30.320
<v Speaker 5>but I know it's interesting to me also how like

945
01:02:32.159 --> 01:02:34.519
<v Speaker 5>the soul is really the only thing that gains more

946
01:02:34.559 --> 01:02:37.960
<v Speaker 5>free will as it as it rises, which in that

947
01:02:38.119 --> 01:02:42.079
<v Speaker 5>and that's just my personal anecdotal experience of these things.

948
01:02:42.199 --> 01:02:48.000
<v Speaker 5>Is nothing like definitively tying anything I said to Platonism.

949
01:02:48.440 --> 01:02:53.199
<v Speaker 4>No, that's that's it does You're you're absolutely right. We see.

950
01:02:53.519 --> 01:02:57.199
<v Speaker 4>There's a great quote in Usta Vinis where he says,

951
01:02:59.159 --> 01:03:06.679
<v Speaker 4>he says, philophy in the ancient world entailed trials and

952
01:03:06.920 --> 01:03:12.239
<v Speaker 4>ordeals and modes of initiation, you know, And he said,

953
01:03:12.480 --> 01:03:20.280
<v Speaker 4>and most importantly, it consolidated all of one's ethics, politics,

954
01:03:20.400 --> 01:03:26.679
<v Speaker 4>economy into one thing, he said. So to philosophize is

955
01:03:26.840 --> 01:03:30.960
<v Speaker 4>essentially to orientate yourself properly to the world. And he

956
01:03:31.280 --> 01:03:35.199
<v Speaker 4>describes as he illustrates this by saying, it's like moving

957
01:03:35.239 --> 01:03:39.960
<v Speaker 4>through a sacred calendar like the liturgical cycle, and following

958
01:03:40.639 --> 01:03:44.440
<v Speaker 4>the natural patterns that the demi urge has laid forth

959
01:03:44.519 --> 01:03:49.920
<v Speaker 4>because the urgy, first and foremost is demi urgy, participating

960
01:03:50.199 --> 01:03:56.920
<v Speaker 4>in the demi urge by Mathexis through Mesis, by mimicking him.

961
01:03:57.639 --> 01:04:04.000
<v Speaker 4>So he says, to to philosophize, then it's not to

962
01:04:04.039 --> 01:04:08.360
<v Speaker 4>be a radical exception to the rule to have some

963
01:04:08.559 --> 01:04:12.320
<v Speaker 4>new idea, to try and make your mark. To philosophize

964
01:04:12.559 --> 01:04:15.679
<v Speaker 4>is to do exactly what you came here to do,

965
01:04:16.280 --> 01:04:20.559
<v Speaker 4>which is the most liberating thing, because it's the most

966
01:04:20.760 --> 01:04:25.039
<v Speaker 4>limiting thing. And we see echoes of that, and Mike

967
01:04:25.119 --> 01:04:28.840
<v Speaker 4>Alister Crowley, do find your true will, do only that

968
01:04:29.119 --> 01:04:36.280
<v Speaker 4>nothing else. That's a very Platonic idea, which speaks again

969
01:04:36.320 --> 01:04:40.119
<v Speaker 4>to where do we see Plato in these modern traditions.

970
01:04:40.960 --> 01:04:43.360
<v Speaker 4>Crowley is a great example when you look at his text,

971
01:04:44.760 --> 01:04:50.559
<v Speaker 4>it's very obscure these days. But and the Oto we

972
01:04:50.639 --> 01:04:54.800
<v Speaker 4>received a copy of Atlantis, a text called Atlantis which

973
01:04:54.840 --> 01:05:02.039
<v Speaker 4>is completely based around the Republic, Crowley's picture of the

974
01:05:02.039 --> 01:05:07.480
<v Speaker 4>republic for a thelemic for thlymic group of people. But

975
01:05:07.840 --> 01:05:12.320
<v Speaker 4>that idea that that you're talking about, the further you

976
01:05:12.480 --> 01:05:16.960
<v Speaker 4>get and in the in progress, the less free will

977
01:05:17.000 --> 01:05:22.679
<v Speaker 4>we have. And uh cast but Bernardo Castrom, you familiar

978
01:05:22.719 --> 01:05:27.679
<v Speaker 4>with him, Now Philosophy recently wrote a book on the Damon,

979
01:05:27.760 --> 01:05:32.679
<v Speaker 4>but one of the points he makes is that really

980
01:05:34.199 --> 01:05:39.039
<v Speaker 4>the closer we get to embodying our damon, the less

981
01:05:39.039 --> 01:05:42.599
<v Speaker 4>free will we really have, because it's it's all about

982
01:05:42.599 --> 01:05:47.199
<v Speaker 4>a surrender to the daemon. And we could say, well,

983
01:05:47.239 --> 01:05:49.880
<v Speaker 4>I'm not going to do what the Damon has set

984
01:05:49.920 --> 01:05:52.559
<v Speaker 4>forth for me. I'm going to pretend that I have

985
01:05:52.639 --> 01:05:56.119
<v Speaker 4>free will and do something else. You still do what

986
01:05:56.239 --> 01:05:58.559
<v Speaker 4>the Daman has set forth for you. The question is

987
01:05:59.280 --> 01:06:03.159
<v Speaker 4>do I surrend under and surf on this title wave

988
01:06:03.719 --> 01:06:06.239
<v Speaker 4>or do I get crushed by the tidal wave and

989
01:06:06.440 --> 01:06:10.880
<v Speaker 4>still go that fucking direction, because that's where the chips fall.

990
01:06:11.159 --> 01:06:15.199
<v Speaker 4>Where the daemons say they fall, and the daemons say

991
01:06:15.239 --> 01:06:20.480
<v Speaker 4>where they fall based on what the gods have already

992
01:06:20.559 --> 01:06:24.760
<v Speaker 4>decreed is the nature of reality. This is truth, right.

993
01:06:25.400 --> 01:06:30.079
<v Speaker 4>So the further we get in the direction of of

994
01:06:30.320 --> 01:06:34.480
<v Speaker 4>our daemon, and especially of the head of our chain,

995
01:06:35.079 --> 01:06:39.519
<v Speaker 4>of our of our Syrah, free will is non existent.

996
01:06:40.159 --> 01:06:41.480
<v Speaker 9>M yeah.

997
01:06:41.559 --> 01:06:41.760
<v Speaker 2>Yeah.

998
01:06:41.800 --> 01:06:44.199
<v Speaker 5>The only free will that we that we attain here

999
01:06:44.760 --> 01:06:48.519
<v Speaker 5>is freedom from the illusion that we are the body.

1000
01:06:49.079 --> 01:06:51.519
<v Speaker 5>And then we move up and dedicate ourselves. And that's

1001
01:06:51.559 --> 01:06:54.760
<v Speaker 5>interesting too because the Amlicus talks about the punishing di daemon,

1002
01:06:55.119 --> 01:06:58.480
<v Speaker 5>you know, which is like there there are yeah, this

1003
01:06:58.599 --> 01:07:03.960
<v Speaker 5>is these these are are to These are spirits that

1004
01:07:04.039 --> 01:07:07.719
<v Speaker 5>are meant to sort of smack your hand or smack

1005
01:07:07.800 --> 01:07:09.639
<v Speaker 5>your face if you know, like he give you a

1006
01:07:09.639 --> 01:07:10.559
<v Speaker 5>little bit of punishment.

1007
01:07:11.400 --> 01:07:16.199
<v Speaker 4>They also contain, like he mentions that their job is

1008
01:07:16.280 --> 01:07:21.320
<v Speaker 4>to keep us from spilling out of ourselves. Right, and

1009
01:07:21.440 --> 01:07:26.480
<v Speaker 4>if if man has to occupy this segment in the

1010
01:07:26.559 --> 01:07:30.159
<v Speaker 4>hierarchy of being, or there's a gap, there's no continuation

1011
01:07:30.400 --> 01:07:31.119
<v Speaker 4>of the flow.

1012
01:07:31.320 --> 01:07:31.559
<v Speaker 1>Right.

1013
01:07:31.639 --> 01:07:36.960
<v Speaker 4>So if I want to ascend, like i Amboa says,

1014
01:07:37.039 --> 01:07:39.920
<v Speaker 4>first I need to be making offerings to my damon,

1015
01:07:40.599 --> 01:07:45.079
<v Speaker 4>you know, and then hopefully eventually to the god. But

1016
01:07:46.639 --> 01:07:52.039
<v Speaker 4>that punishing damon, it's punishing because it won't take its

1017
01:07:52.119 --> 01:07:57.239
<v Speaker 4>hand off of us saying you're going to be contained

1018
01:07:57.480 --> 01:08:00.639
<v Speaker 4>in this form in this you know, it's like a

1019
01:08:00.719 --> 01:08:04.920
<v Speaker 4>parent holding a kid down that you know, it's it's punishing,

1020
01:08:05.719 --> 01:08:12.039
<v Speaker 4>and but it's also containing so that the universe doesn't

1021
01:08:12.079 --> 01:08:16.000
<v Speaker 4>fall apart because there's a gaping black hole where I

1022
01:08:16.119 --> 01:08:17.159
<v Speaker 4>should be you know.

1023
01:08:17.479 --> 01:08:19.640
<v Speaker 5>Yeah, yeah, And that's an important point I think for

1024
01:08:19.680 --> 01:08:21.640
<v Speaker 5>a lot of people that are interested in some of

1025
01:08:21.680 --> 01:08:24.560
<v Speaker 5>the things that we're interested in, because that idea of

1026
01:08:25.279 --> 01:08:31.399
<v Speaker 5>punishment slash containment to to our society feels oppressive, you know.

1027
01:08:31.479 --> 01:08:35.520
<v Speaker 5>And really it's like some in my in my life's experience,

1028
01:08:35.600 --> 01:08:39.560
<v Speaker 5>I mean a lot of times, punishment and containment was

1029
01:08:39.600 --> 01:08:42.600
<v Speaker 5>an ultimate mercy. It was an ultimate benevolence, right, because

1030
01:08:42.600 --> 01:08:47.239
<v Speaker 5>it gets you to sort of you know, uh, straightened

1031
01:08:47.239 --> 01:08:49.640
<v Speaker 5>out and fly right type of situation.

1032
01:08:50.560 --> 01:08:53.520
<v Speaker 8>There is no love without correction. It's an old baddage.

1033
01:08:54.399 --> 01:08:59.079
<v Speaker 4>I like that, that's true. Ye, when you have kids,

1034
01:09:00.199 --> 01:09:04.920
<v Speaker 4>you definitely definitely know the importance of containment.

1035
01:09:05.600 --> 01:09:10.359
<v Speaker 12>Yes, what could really be better than living aligned anyway?

1036
01:09:11.840 --> 01:09:12.800
<v Speaker 4>I agree?

1037
01:09:13.000 --> 01:09:18.199
<v Speaker 5>Yeah, Yeah, every anything else is basically that existential dissonance, right,

1038
01:09:19.119 --> 01:09:22.039
<v Speaker 5>that's right, which is not comfortable at all. But we

1039
01:09:22.159 --> 01:09:24.560
<v Speaker 5>you know, we've I think and this is just me,

1040
01:09:24.680 --> 01:09:27.479
<v Speaker 5>you know, right, because I'm always I'm a little outspoken

1041
01:09:27.640 --> 01:09:31.800
<v Speaker 5>about things, but I think we've normalized that that dissonance.

1042
01:09:33.359 --> 01:09:35.159
<v Speaker 6>That's that's existential state.

1043
01:09:35.039 --> 01:09:40.800
<v Speaker 8>Of music and art and media. You just see it consistently.

1044
01:09:43.119 --> 01:09:43.520
<v Speaker 4>Yeah.

1045
01:09:44.199 --> 01:09:45.840
<v Speaker 6>Yeah, you guys are beautiful.

1046
01:09:48.199 --> 01:09:49.720
<v Speaker 8>Everybody here is beautiful.

1047
01:09:49.920 --> 01:09:53.479
<v Speaker 4>Yeah, I agree. This has been a great grill.

1048
01:09:53.560 --> 01:09:57.680
<v Speaker 15>Yeah, Unfortunately, we do have people that need to leave too,

1049
01:09:57.760 --> 01:10:00.600
<v Speaker 15>so probably just gonna have a wrapping here.

1050
01:10:03.560 --> 01:10:07.319
<v Speaker 8>We didn't even get to talk about Atlantis.

1051
01:10:05.399 --> 01:10:12.560
<v Speaker 2>Yeah, I know, and.

1052
01:10:12.880 --> 01:10:16.359
<v Speaker 15>You know what, our buddy, you know what, At first

1053
01:10:16.399 --> 01:10:17.920
<v Speaker 15>I was actually going to be like but I was like,

1054
01:10:17.920 --> 01:10:19.880
<v Speaker 15>you know, I don't want to be a fascist censor.

1055
01:10:19.920 --> 01:10:21.399
<v Speaker 15>But I did won't even say I didn't even want

1056
01:10:21.399 --> 01:10:25.399
<v Speaker 15>to touch Atlantis because you're gonna get people fucking bitching

1057
01:10:25.439 --> 01:10:27.359
<v Speaker 15>and arguing about stuff that's stupid in my opinion.

1058
01:10:27.960 --> 01:10:30.279
<v Speaker 5>Oh yeah, that's that's the best way to get people

1059
01:10:30.279 --> 01:10:32.399
<v Speaker 5>in the peanut gallery start ringing their bellies.

1060
01:10:35.000 --> 01:10:38.880
<v Speaker 12>Is defeated Atlantis. And that's the end.

1061
01:10:38.760 --> 01:10:41.840
<v Speaker 2>Of it, right, That's what.

1062
01:10:43.760 --> 01:10:45.560
<v Speaker 5>Well, the thing is to a lot of and I'll

1063
01:10:45.600 --> 01:10:49.600
<v Speaker 5>just say this orienting it a platonic context. The the

1064
01:10:50.039 --> 01:10:55.239
<v Speaker 5>time ass which is where it's mentioned, is Socrates has

1065
01:10:55.279 --> 01:10:58.560
<v Speaker 5>traveled to the Pures, which is the port for these

1066
01:10:58.720 --> 01:11:03.840
<v Speaker 5>uh Athenian games. The other dialogue where that happens is

1067
01:11:03.880 --> 01:11:06.920
<v Speaker 5>the Republic. So it is typically thought, even though we

1068
01:11:06.960 --> 01:11:11.159
<v Speaker 5>don't have the definitive connective tissue, historically typically thought that

1069
01:11:11.199 --> 01:11:14.359
<v Speaker 5>the timeus is the next day. It's a con and

1070
01:11:14.399 --> 01:11:18.560
<v Speaker 5>you even have the same interlock. Hue tears with one missing, right,

1071
01:11:18.640 --> 01:11:21.640
<v Speaker 5>Socrates says, I see the three, where's the fourth? Uh,

1072
01:11:21.720 --> 01:11:24.520
<v Speaker 5>one of one of the guys is missing. So he

1073
01:11:24.760 --> 01:11:27.840
<v Speaker 5>just talked about the right way to govern, the police

1074
01:11:27.920 --> 01:11:31.279
<v Speaker 5>and the internal police, and now we're looking at Atlantis,

1075
01:11:31.319 --> 01:11:34.560
<v Speaker 5>which is the dark twin of the Republic, which is

1076
01:11:34.600 --> 01:11:36.039
<v Speaker 5>like this is how you fuck.

1077
01:11:35.920 --> 01:11:40.039
<v Speaker 8>Up destroy society or yourself.

1078
01:11:41.359 --> 01:11:44.439
<v Speaker 5>And also aliens and Bigfoot and all that they were.

1079
01:11:44.600 --> 01:11:48.399
<v Speaker 5>They were all there with the muppets. They were all yeah,

1080
01:11:48.760 --> 01:11:54.239
<v Speaker 5>synthetic Mercabas and Cimerassen.

1081
01:11:54.319 --> 01:11:56.039
<v Speaker 2>Thank you very much, Bob, both of you guys.

1082
01:11:56.159 --> 01:11:58.800
<v Speaker 15>Uh, let me start off with Brandon real quick, because

1083
01:11:58.800 --> 01:12:00.960
<v Speaker 15>I know he's going to leave it in sort of Brandon,

1084
01:12:01.000 --> 01:12:03.079
<v Speaker 15>please let everybody know what's up with you and where

1085
01:12:03.079 --> 01:12:04.680
<v Speaker 15>they can find all your amazing words.

1086
01:12:05.399 --> 01:12:08.640
<v Speaker 10>Thank you, Nick, Cardinal electric Head, Thank you Ike, and

1087
01:12:08.720 --> 01:12:09.399
<v Speaker 10>thank you P. D.

1088
01:12:09.640 --> 01:12:09.960
<v Speaker 1>Newman.

1089
01:12:10.039 --> 01:12:11.279
<v Speaker 9>Thank you. It's wonderful to meet you.

1090
01:12:11.359 --> 01:12:11.600
<v Speaker 2>PD.

1091
01:12:11.920 --> 01:12:15.000
<v Speaker 10>This is fantastic. I've been reading through your book. It's

1092
01:12:15.039 --> 01:12:17.920
<v Speaker 10>on my nightstand. It's amazing and I tell everybody to

1093
01:12:17.960 --> 01:12:20.279
<v Speaker 10>read it. I've posted it on my Instagram as well.

1094
01:12:20.479 --> 01:12:24.680
<v Speaker 10>An X so I am an avid pusher of your documentation.

1095
01:12:24.920 --> 01:12:27.079
<v Speaker 10>So again, thank you for showing up and I'd love

1096
01:12:27.119 --> 01:12:30.800
<v Speaker 10>to chat with you more another day. Everyone, like I

1097
01:12:30.920 --> 01:12:34.840
<v Speaker 10>always say thank you to the occult rejects for all things,

1098
01:12:35.239 --> 01:12:37.439
<v Speaker 10>head over to Magas in the media, where we break

1099
01:12:37.479 --> 01:12:42.600
<v Speaker 10>down myth, magic and meaning in the stories that we love.

1100
01:12:42.800 --> 01:12:46.840
<v Speaker 10>The world is wild, aliens are real, and reality is

1101
01:12:46.920 --> 01:12:51.399
<v Speaker 10>bending in its Epstein strings. Let's make sure we understand

1102
01:12:51.439 --> 01:12:55.079
<v Speaker 10>the meaning within the soul with stories like this and

1103
01:12:55.159 --> 01:12:59.319
<v Speaker 10>the media that is breaking, it's breaking its stranglehold on

1104
01:12:59.359 --> 01:13:03.640
<v Speaker 10>our conscious. Please like, subscribe and share not only to

1105
01:13:03.720 --> 01:13:07.760
<v Speaker 10>my channel, but everyone here, buy all their things, and

1106
01:13:07.840 --> 01:13:10.760
<v Speaker 10>make sure you know that no matter what happens out

1107
01:13:10.760 --> 01:13:14.840
<v Speaker 10>in reality, it's not the true reality we stem from

1108
01:13:15.239 --> 01:13:18.640
<v Speaker 10>the mind. Thank you again, Nick and everyone, have a

1109
01:13:18.640 --> 01:13:19.399
<v Speaker 10>wonderful evening.

1110
01:13:19.720 --> 01:13:23.359
<v Speaker 2>Of course, thank you for joining us. Awesome, Liwesome and

1111
01:13:23.479 --> 01:13:26.960
<v Speaker 2>Judith the Loon. What is going on, guys?

1112
01:13:27.760 --> 01:13:28.680
<v Speaker 14>Thank you for having me.

1113
01:13:28.920 --> 01:13:30.079
<v Speaker 6>Thank you Ike and PD.

1114
01:13:30.399 --> 01:13:34.359
<v Speaker 14>You put a different perspective on Plato for me, which

1115
01:13:34.800 --> 01:13:36.920
<v Speaker 14>I didn't even fathom. So I thank you for that

1116
01:13:38.000 --> 01:13:40.720
<v Speaker 14>you could catch you could find me on YouTube and

1117
01:13:40.960 --> 01:13:44.520
<v Speaker 14>on X as the Loon. I almost said Twitter there

1118
01:13:45.199 --> 01:13:48.800
<v Speaker 14>as the Loon and just feel free to drop by

1119
01:13:48.840 --> 01:13:50.359
<v Speaker 14>and join our conversations there.

1120
01:13:51.000 --> 01:13:53.000
<v Speaker 6>Thank you again, of course, no, thank you.

1121
01:13:53.960 --> 01:13:57.840
<v Speaker 2>And Jules my man, what is going on? Oh?

1122
01:13:57.920 --> 01:14:01.479
<v Speaker 16>This was a great show. Uh learned a lot, maybe

1123
01:14:01.479 --> 01:14:05.520
<v Speaker 16>a little too much, man ah Man. I have a

1124
01:14:05.520 --> 01:14:08.880
<v Speaker 16>lot of questions myself, but I didn't feel the need

1125
01:14:08.920 --> 01:14:11.560
<v Speaker 16>to ask them right now. So maybe we can do it,

1126
01:14:11.880 --> 01:14:14.800
<v Speaker 16>you know, I'm sure I'll see you guys on another episode.

1127
01:14:15.199 --> 01:14:15.920
<v Speaker 1>It was really good.

1128
01:14:15.800 --> 01:14:19.720
<v Speaker 16>Meeting you all though. Great pilled Pod on Twitter.

1129
01:14:21.039 --> 01:14:22.520
<v Speaker 9>We we may be streaming later.

1130
01:14:22.760 --> 01:14:23.279
<v Speaker 6>I don't know.

1131
01:14:24.399 --> 01:14:28.439
<v Speaker 16>Brandon will be on my show soon, hopefully this next

1132
01:14:28.439 --> 01:14:32.319
<v Speaker 16>week or so, Grey Horn, Pagan's coming on Fair Toss

1133
01:14:32.479 --> 01:14:35.880
<v Speaker 16>Road and a on Bite and a few other people

1134
01:14:35.920 --> 01:14:39.479
<v Speaker 16>I think I have getting scheduled. So this this this

1135
01:14:39.640 --> 01:14:43.960
<v Speaker 16>was a banger. And like I said, I didn't know

1136
01:14:44.000 --> 01:14:48.760
<v Speaker 16>anything about Plato, hardly anything before this. So it's good

1137
01:14:48.760 --> 01:14:51.239
<v Speaker 16>to know where a lot of these ideas come from.

1138
01:14:52.039 --> 01:14:55.840
<v Speaker 16>And I think it is important for people to focus

1139
01:14:55.920 --> 01:14:56.760
<v Speaker 16>on their spirit.

1140
01:14:56.960 --> 01:14:59.319
<v Speaker 9>You know, someone had mentioned earlier.

1141
01:14:59.520 --> 01:15:02.399
<v Speaker 16>People kind to focus on or maybe it was this morning,

1142
01:15:02.439 --> 01:15:07.039
<v Speaker 16>even they focus on the afterlife, you know, they kind

1143
01:15:07.039 --> 01:15:09.520
<v Speaker 16>of don't focus on here and now and doing the

1144
01:15:09.560 --> 01:15:12.960
<v Speaker 16>work that can help you ascend to that final level,

1145
01:15:13.079 --> 01:15:15.600
<v Speaker 16>and so I think it's important to have these conversations

1146
01:15:15.680 --> 01:15:19.119
<v Speaker 16>and to get that information out there. So thank you

1147
01:15:19.119 --> 01:15:20.920
<v Speaker 16>guys for coming on, and it's good to see all

1148
01:15:21.079 --> 01:15:24.640
<v Speaker 16>all my fellow rejects. Again, as always, thank.

1149
01:15:24.439 --> 01:15:26.960
<v Speaker 2>You, Guls and Robbie Boxx. What is up?

1150
01:15:28.239 --> 01:15:30.800
<v Speaker 8>Yeah, this was a great talk. It was great to

1151
01:15:30.800 --> 01:15:32.880
<v Speaker 8>meet you Ike and always good to hang out PD.

1152
01:15:33.119 --> 01:15:37.279
<v Speaker 8>It's just some beautiful stuff to get into these ideas,

1153
01:15:37.319 --> 01:15:41.039
<v Speaker 8>you know. As far as myself, I'm Robbie or R

1154
01:15:41.159 --> 01:15:44.960
<v Speaker 8>Marx and I'm an artist illustrator And if you want

1155
01:15:45.000 --> 01:15:47.199
<v Speaker 8>to check out my other stuff, I have my metamind

1156
01:15:47.239 --> 01:15:51.039
<v Speaker 8>Cast podcast as well as all my artwork, you can

1157
01:15:51.079 --> 01:15:53.439
<v Speaker 8>go to my website. All my links you can find

1158
01:15:53.479 --> 01:15:56.119
<v Speaker 8>at my link tree, which are link tree, R M

1159
01:15:56.159 --> 01:15:59.600
<v Speaker 8>A ar X and always a pleasure. Nick, thanks for

1160
01:16:00.119 --> 01:16:03.359
<v Speaker 8>for getting me out of the little hermit hole on me.

1161
01:16:04.279 --> 01:16:07.279
<v Speaker 2>Thank you for doing man, thank you appreciating it. And

1162
01:16:07.439 --> 01:16:08.520
<v Speaker 2>Arrows what is up? Arrows?

1163
01:16:11.119 --> 01:16:15.119
<v Speaker 12>Hello? This was great. I learned so much. I really

1164
01:16:15.359 --> 01:16:18.359
<v Speaker 12>especially liked all the biblical history, a lot of that

1165
01:16:18.479 --> 01:16:21.920
<v Speaker 12>I didn't know, so this was great. Thanks for coming

1166
01:16:22.000 --> 01:16:25.600
<v Speaker 12>on and having this discussion with us and it was

1167
01:16:25.640 --> 01:16:28.359
<v Speaker 12>great to hang out with all of you rejects again.

1168
01:16:30.720 --> 01:16:35.359
<v Speaker 12>You can find me on YouTube at arrows up. I

1169
01:16:35.399 --> 01:16:40.720
<v Speaker 12>post a lot about Platinus and chaos and order and

1170
01:16:42.000 --> 01:16:46.239
<v Speaker 12>multiplicity and all sorts of things, so definitely go check

1171
01:16:46.279 --> 01:16:48.880
<v Speaker 12>that out if you're interested, and then you can find

1172
01:16:48.920 --> 01:16:52.319
<v Speaker 12>me at arrows to Ethos on x as well.

1173
01:16:53.720 --> 01:16:56.520
<v Speaker 2>Thank you very much. I was, and Ethan sir.

1174
01:16:58.479 --> 01:17:01.880
<v Speaker 7>Well, Thank you everyone. I PD that was awesome. Thank

1175
01:17:01.880 --> 01:17:04.239
<v Speaker 7>you so much for sharing all your knowledge and wisdom.

1176
01:17:04.279 --> 01:17:08.760
<v Speaker 7>And everyone always appreciate communicating with you guys. Ethan Indigo

1177
01:17:08.840 --> 01:17:13.880
<v Speaker 7>Smith on all the social media YouTube even and yeah,

1178
01:17:13.880 --> 01:17:17.720
<v Speaker 7>I'm easy to find and appreciate everyone's communication if they

1179
01:17:17.880 --> 01:17:18.680
<v Speaker 7>decide to reach out.

1180
01:17:20.039 --> 01:17:22.760
<v Speaker 15>Thank you very much, Ethan, appreciate it. And I please

1181
01:17:22.800 --> 01:17:24.680
<v Speaker 15>let everybody know where they can find all your amazing work.

1182
01:17:26.560 --> 01:17:29.399
<v Speaker 5>Ikebager dot com I K E b A k E R.

1183
01:17:30.239 --> 01:17:33.039
<v Speaker 5>I'll put that in the chat. You can check me

1184
01:17:33.079 --> 01:17:35.279
<v Speaker 5>out there. I've got my.

1185
01:17:37.279 --> 01:17:38.399
<v Speaker 6>The latest YouTube video.

1186
01:17:38.439 --> 01:17:41.680
<v Speaker 5>I do documentary style presentations on the history, theory, and

1187
01:17:41.720 --> 01:17:45.960
<v Speaker 5>practice of the Western esoteric traditions. A bunch of it's platonic.

1188
01:17:46.279 --> 01:17:47.840
<v Speaker 5>The last one I did actually was a while ago.

1189
01:17:47.880 --> 01:17:52.439
<v Speaker 5>But it's it's basically an introduction to theoretic neoplatonism. I've

1190
01:17:52.479 --> 01:17:55.680
<v Speaker 5>got the latest three episodes of my podcast that you

1191
01:17:55.720 --> 01:17:56.560
<v Speaker 5>can stream from there.

1192
01:17:56.600 --> 01:17:57.199
<v Speaker 6>You can read my.

1193
01:17:57.159 --> 01:18:00.079
<v Speaker 5>Blog find out a little bit more about what it

1194
01:18:00.199 --> 01:18:04.479
<v Speaker 5>is I do. I give quarterly group classes that are

1195
01:18:04.520 --> 01:18:09.359
<v Speaker 5>open to the public at an extremely somebody has said

1196
01:18:09.479 --> 01:18:11.720
<v Speaker 5>fair rate, but it's not really fair to me, but

1197
01:18:12.079 --> 01:18:17.640
<v Speaker 5>it's fair to everyone else. Yeah, so you can check

1198
01:18:17.680 --> 01:18:19.640
<v Speaker 5>that out if you're interested. I have a newsletter that

1199
01:18:19.720 --> 01:18:22.720
<v Speaker 5>goes out just about every Thursday, and it's completely free.

1200
01:18:23.000 --> 01:18:25.840
<v Speaker 5>You can sign up for it there and then also

1201
01:18:26.039 --> 01:18:28.680
<v Speaker 5>check out the Arcanem podcast that put that in the

1202
01:18:28.880 --> 01:18:35.920
<v Speaker 5>chat as well. And again, I cannot understate how much

1203
01:18:36.000 --> 01:18:39.439
<v Speaker 5>I respect you PD and how much I think you

1204
01:18:39.600 --> 01:18:43.600
<v Speaker 5>are contributing to the dialogue here in ways that are unprecedented,

1205
01:18:43.920 --> 01:18:46.840
<v Speaker 5>and I think we'll influence the way we go forward

1206
01:18:47.159 --> 01:18:50.680
<v Speaker 5>in the future with these subjects, which, as you know,

1207
01:18:50.760 --> 01:18:51.800
<v Speaker 5>they're close to my heart.

1208
01:18:51.920 --> 01:18:55.199
<v Speaker 6>So and therefore so are you well.

1209
01:18:55.000 --> 01:18:58.000
<v Speaker 4>Thank you so much, I thank you for inviting me.

1210
01:18:59.439 --> 01:19:02.960
<v Speaker 4>I've had so much fun these past We've been doing

1211
01:19:03.000 --> 01:19:06.600
<v Speaker 4>this for two and a half hoursat Yeah, this is

1212
01:19:06.760 --> 01:19:09.000
<v Speaker 4>this has been this has been great, So thank you'

1213
01:19:09.000 --> 01:19:12.920
<v Speaker 4>all all for having me. What I've got coming up.

1214
01:19:13.520 --> 01:19:16.680
<v Speaker 4>My partner in crime, Alan Hawkins and I we are

1215
01:19:16.840 --> 01:19:19.840
<v Speaker 4>wrapping up a documentary that we've been working on for

1216
01:19:19.840 --> 01:19:24.520
<v Speaker 4>the last three years that traces the trajectory of a

1217
01:19:24.560 --> 01:19:29.119
<v Speaker 4>certain tradition of alchemy from late antiquity into the Enlightenment.

1218
01:19:29.600 --> 01:19:33.600
<v Speaker 4>Hopefully that we'll be done in April and we'll start

1219
01:19:34.119 --> 01:19:38.079
<v Speaker 4>putting it in some film festivals and then release it properly.

1220
01:19:38.119 --> 01:19:41.479
<v Speaker 4>We were in talks with a couple of different streamers,

1221
01:19:42.680 --> 01:19:47.920
<v Speaker 4>and beyond that, I will be speaking at the Anthropology

1222
01:19:48.000 --> 01:19:53.239
<v Speaker 4>of Consciousness conference. It's happening in Las Vegas from March

1223
01:19:53.279 --> 01:19:57.239
<v Speaker 4>twenty ninth to April first, and I will be asking

1224
01:19:57.279 --> 01:20:01.680
<v Speaker 4>the question is AI the new la uh? And you

1225
01:20:02.079 --> 01:20:05.079
<v Speaker 4>might be surprised by my answers, So if any of

1226
01:20:05.159 --> 01:20:08.800
<v Speaker 4>y'all are in the Las Vegas area, come see me.

1227
01:20:10.159 --> 01:20:12.000
<v Speaker 2>Awesome, very interesting on that idea.

1228
01:20:13.520 --> 01:20:15.960
<v Speaker 15>Thank you both very much, Ike PD that was an

1229
01:20:15.960 --> 01:20:20.319
<v Speaker 15>amazing episode. I thank you all to the Rejects again.

1230
01:20:20.479 --> 01:20:22.000
<v Speaker 15>You know, hopefully maybe one day in the future we

1231
01:20:22.039 --> 01:20:24.079
<v Speaker 15>can continue this talk on more of his other stuff,

1232
01:20:24.119 --> 01:20:28.199
<v Speaker 15>but I think that would be if you ever make

1233
01:20:28.239 --> 01:20:29.199
<v Speaker 15>your way up to Jackson.

1234
01:20:29.279 --> 01:20:33.720
<v Speaker 16>I'll I'll be sure to buy you a beer man, so.

1235
01:20:32.520 --> 01:20:33.079
<v Speaker 1>I'll be there.

1236
01:20:33.720 --> 01:20:35.159
<v Speaker 4>Yeah, I'll be there.

1237
01:20:36.600 --> 01:20:38.960
<v Speaker 15>But uh yeah again, I thought this was amazing and

1238
01:20:39.000 --> 01:20:40.800
<v Speaker 15>I can't really you know, I don't want to kind

1239
01:20:40.800 --> 01:20:42.840
<v Speaker 15>of reiterate what Ike says, but I do think having

1240
01:20:42.880 --> 01:20:45.000
<v Speaker 15>these discussions and having you guys on and talk about

1241
01:20:45.000 --> 01:20:47.800
<v Speaker 15>this stuff really helps a lot for us to understand,

1242
01:20:47.840 --> 01:20:49.800
<v Speaker 15>like maybe you know where some of our ideas are

1243
01:20:49.840 --> 01:20:50.520
<v Speaker 15>coming from.

1244
01:20:51.119 --> 01:20:52.199
<v Speaker 2>This was an amazing show.

1245
01:20:52.399 --> 01:20:54.520
<v Speaker 15>I really can't thank you guys enough, and all the

1246
01:20:54.560 --> 01:20:56.680
<v Speaker 15>rejects and everybody in the chat that's what's up. I

1247
01:20:56.680 --> 01:20:59.800
<v Speaker 15>appreciate it. And until the next one, everybody be well,

1248
01:21:02.960 --> 01:21:06.119
<v Speaker 15>oh yeah, dog doll.

1249
01:21:06.079 --> 01:21:11.640
<v Speaker 16>Line four, there got eight up damn doll?

1250
01:21:12.640 --> 01:21:23.119
<v Speaker 3>Are doggy doll?

1251
01:21:23.359 --> 01:21:43.159
<v Speaker 1>Line four? There got eight up damn dolls? She are

1252
01:21:43.159 --> 01:21:48.600
<v Speaker 1>you sting? Laugh like at old lad? He's simple than

1253
01:21:48.760 --> 01:22:04.439
<v Speaker 1>laps and forty spar She like, I don't laugh, it's

1254
01:22:04.600 --> 01:22:11.159
<v Speaker 1>never don't lass and don't stom where forty knt?

1255
01:22:11.279 --> 01:22:11.399
<v Speaker 12>Uh?

1256
01:22:12.279 --> 01:22:13.640
<v Speaker 1>How are you stuck?

1257
01:22:15.880 --> 01:22:16.520
<v Speaker 3>All? Are you.

1258
01:22:18.800 --> 01:22:20.359
<v Speaker 1>Looking too? Miss dons?

1259
01:22:21.279 --> 01:22:21.560
<v Speaker 12>Alright?

1260
01:22:22.680 --> 01:22:27.439
<v Speaker 1>Fine like Lacy Stuno, alight, let it be come humble

1261
01:22:27.600 --> 01:22:31.640
<v Speaker 1>then you clips? Are you don't, don't.

1262
01:22:33.520 --> 01:22:33.840
<v Speaker 3>How are you.

1263
01:22:37.760 --> 01:22:42.560
<v Speaker 1>Fine? Like lacy stuff? Let it be coluble? Then you clips?

1264
01:22:43.800 --> 01:22:49.000
<v Speaker 1>Are you shto where forty can go? A?

1265
01:22:50.439 --> 01:22:52.880
<v Speaker 3>Sh alright?

1266
01:22:53.800 --> 01:23:00.439
<v Speaker 1>Are you wait? The change? So sweet? Are you? Are

1267
01:23:00.560 --> 01:23:06.359
<v Speaker 1>you beward the way? How must it become? The eclipse?

1268
01:23:06.840 --> 01:23:11.520
<v Speaker 2>Hor attention pastors like eighty eight

1269
01:23:11.640 --> 01:23:15.119
<v Speaker 1>To the optic nerve is now boarding Gate seventeen scheduled

1270
01:23:15.159 --> 01:23:17.279
<v Speaker 1>to depart at times thirty am.
