1 00:00:00,120 --> 00:00:25,039 Speaker 1: And now mystery fig come in. Welcome. I'm e. G. Marshall, 2 00:00:26,280 --> 00:00:30,399 As the poet says, let us fill the cup. What 3 00:00:30,440 --> 00:00:35,439 are you having? How about equal parts suspense and mystery, 4 00:00:36,119 --> 00:00:40,679 with just a dash of terror and kill to taste. 5 00:00:41,439 --> 00:00:45,520 So they say that a lie is only the truth 6 00:00:46,039 --> 00:00:51,119 in masquerade? But does the opposite also hold? Can we 7 00:00:51,200 --> 00:00:56,640 say that the truth is a lie in masquerade? What 8 00:00:56,880 --> 00:01:01,359 is masquerade? For that matter? What is reality? 9 00:01:02,079 --> 00:01:02,719 Speaker 2: Who are we? 10 00:01:03,799 --> 00:01:06,400 Speaker 1: Who do we really see when we look in the mirror? 11 00:01:07,719 --> 00:01:11,560 The image that gazes steadily back at us, that anticipates 12 00:01:11,599 --> 00:01:15,200 our every move, our every breath. Who is it? Or 13 00:01:15,920 --> 00:01:21,200 what is it? Darling? Hello, dear? Dinner ready? 14 00:01:21,799 --> 00:01:21,840 Speaker 2: No? 15 00:01:23,319 --> 00:01:26,640 Speaker 1: Oh, you planned for us to dine out? No? Gerald, Well, 16 00:01:26,719 --> 00:01:27,719 why it isn't dinner ready? 17 00:01:27,760 --> 00:01:27,920 Speaker 3: Then? 18 00:01:28,319 --> 00:01:29,760 Speaker 4: I haven't had a chance to prepare it. 19 00:01:30,400 --> 00:01:33,359 Speaker 1: I was busy doing what setly? Oh? 20 00:01:33,519 --> 00:01:34,519 Speaker 4: Learning how to load? 21 00:01:34,840 --> 00:01:36,400 Speaker 1: What what are you doing with that pistol? 22 00:01:36,680 --> 00:01:39,400 Speaker 4: Learning how to aim specially don't point that at me? 23 00:01:39,519 --> 00:01:41,280 And learning how to fire? 24 00:01:41,719 --> 00:01:57,120 Speaker 3: U Uh? Why what h our? 25 00:01:57,239 --> 00:02:01,359 Speaker 1: Mystery drama The Many Names of Death was written especially 26 00:02:01,400 --> 00:02:05,840 for the Mystery Theater by Sam Dan and stars Alexander Scorbie. 27 00:02:17,039 --> 00:02:19,840 You know how it is with some people. They go 28 00:02:19,919 --> 00:02:23,879 along for years in a groove, a routine, or a rut. 29 00:02:24,159 --> 00:02:28,039 Characterize it any way, alike, ten twenty years, the same job, 30 00:02:28,680 --> 00:02:32,840 the same apartment, same wife. It might just occur to 31 00:02:32,919 --> 00:02:35,879 a man to ask himself, is this all I have 32 00:02:35,960 --> 00:02:39,520 to look forward to? There are those men who ask 33 00:02:39,599 --> 00:02:43,120 this question and keep asking it. But these are the 34 00:02:43,159 --> 00:02:46,639 men who rarely do anything about it. It's the men 35 00:02:46,680 --> 00:02:52,280 who don't ask, who seemingly plod along contentedly and quietly. 36 00:02:52,840 --> 00:02:58,280 Oh yes, look out, look out for Gerald Furlong fills 37 00:02:58,400 --> 00:03:01,240 all the specifications we've just stated. 38 00:03:01,879 --> 00:03:07,400 Speaker 2: Mister Furlong. Yes, good morning. My name is Helene LaRue. Yes, 39 00:03:07,840 --> 00:03:09,360 I'm your new secretary. 40 00:03:09,639 --> 00:03:13,120 Speaker 5: Oh, mister Spruance, you know him, the personnel manager. 41 00:03:13,240 --> 00:03:13,560 Speaker 1: Yes. 42 00:03:13,919 --> 00:03:14,560 Speaker 3: Well, when I. 43 00:03:14,680 --> 00:03:17,360 Speaker 5: Heard that old lady McKay, uh oh, I beg your 44 00:03:17,400 --> 00:03:21,919 pardon Miss McKay was leaving, I asked for the job, 45 00:03:22,360 --> 00:03:23,759 and he said I could have it. 46 00:03:23,759 --> 00:03:28,280 Speaker 2: Unless you had someone else in mind. Well, actually, I'm. 47 00:03:28,080 --> 00:03:31,080 Speaker 5: The best typist in the pool, are you. Oh, yes, 48 00:03:31,319 --> 00:03:34,520 you can check it. Everybody always asks for me. 49 00:03:35,000 --> 00:03:35,520 Speaker 1: But I don't. 50 00:03:35,840 --> 00:03:39,080 Speaker 2: Of course, you don't know, how could you unless we 51 00:03:39,360 --> 00:03:42,800 try it? What have you got to lose. Well, then 52 00:03:42,840 --> 00:03:46,080 it's settled. Now all you have to do is sign 53 00:03:46,159 --> 00:03:46,680 this memo. 54 00:03:47,080 --> 00:03:50,199 Speaker 5: What memo the memo to mister Spruan's which says you 55 00:03:50,319 --> 00:03:55,080 authorize my appointment as your secretary. And now I don't 56 00:03:55,120 --> 00:03:56,680 want you to think I'm pushing you. 57 00:03:57,159 --> 00:03:58,960 Speaker 2: Or taking too much on myself. 58 00:03:59,360 --> 00:04:02,560 Speaker 5: But a good secretary handles all the details, ties up 59 00:04:02,639 --> 00:04:06,120 all the loose ends, keeps the desk clear. And as 60 00:04:06,120 --> 00:04:10,919 soon as you sign that, I can call mister Spruance's secretary. Ah, 61 00:04:11,159 --> 00:04:16,480 that's it, yes, sir. Oh, mister Furlong, you do have 62 00:04:16,560 --> 00:04:20,959 a bold, strong handwriting unusual. 63 00:04:20,480 --> 00:04:24,680 Speaker 2: Sir, but that's to be expected expected. 64 00:04:24,839 --> 00:04:29,439 Speaker 5: Oh, yes, you see your name is Gerald. Yeah, and 65 00:04:29,759 --> 00:04:32,920 do you know what the name Gerald means? No, but 66 00:04:33,079 --> 00:04:36,600 it's an old German name. It means strong, leader. 67 00:04:36,319 --> 00:04:39,519 Speaker 2: Of an army. Hello. Hello, this is Elaine LaRue. 68 00:04:39,959 --> 00:04:43,399 Speaker 5: Tell mister Spruance that mister Furlong wants me to be 69 00:04:43,519 --> 00:04:44,360 his secretary. 70 00:04:44,759 --> 00:04:46,199 Speaker 2: The memos on its way. 71 00:04:46,839 --> 00:04:51,160 Speaker 1: Thank you, Oh strong leader of an army. 72 00:04:51,199 --> 00:04:53,480 Speaker 2: EMM, don't you feel like one? 73 00:04:53,759 --> 00:04:55,879 Speaker 1: I'm afraid I don't live up to my name. 74 00:04:56,079 --> 00:04:57,720 Speaker 2: Oh you think you. 75 00:04:57,759 --> 00:05:00,920 Speaker 1: Don't, My dear young lady I know I don't do would. 76 00:05:00,720 --> 00:05:04,439 Speaker 5: Call me that your dear young lady? 77 00:05:04,759 --> 00:05:05,759 Speaker 1: Why does it offend you? 78 00:05:06,079 --> 00:05:06,319 Speaker 2: Yes? 79 00:05:06,759 --> 00:05:08,600 Speaker 1: Oh, I'm sorry. 80 00:05:08,759 --> 00:05:13,519 Speaker 5: When you call me your dear young lady, you're putting 81 00:05:13,600 --> 00:05:14,399 yourself down. 82 00:05:15,959 --> 00:05:17,319 Speaker 1: I'm'a tree. It don't understand. 83 00:05:17,439 --> 00:05:19,920 Speaker 5: W you make yourself found like an old nap m 84 00:05:20,480 --> 00:05:21,319 ah and you're not. 85 00:05:21,560 --> 00:05:24,319 Speaker 2: You See, I worked in person up. I had to 86 00:05:24,439 --> 00:05:25,759 check everyone's record, No. 87 00:05:25,800 --> 00:05:28,480 Speaker 1: Miss Lorue. Those records are highly confidential. 88 00:05:28,560 --> 00:05:33,319 Speaker 2: And the you're only forty five. It's true that you 89 00:05:33,319 --> 00:05:34,439 look thirty five. 90 00:05:34,319 --> 00:05:38,319 Speaker 1: N No, Miss LaRue. One thing I found upon in 91 00:05:38,399 --> 00:05:41,560 this office is the discussion of personal matters. 92 00:05:41,560 --> 00:05:45,600 Speaker 5: Of course, of course, if you went about things differently, mm, 93 00:05:45,639 --> 00:05:47,800 you would look thirty five. 94 00:05:48,480 --> 00:05:50,879 Speaker 1: Miss LaRue. And I have some letters to dictate. Yes, sir, 95 00:05:52,680 --> 00:05:57,680 this is to uh to Mr Oliver Stevens at Carpenter 96 00:05:57,680 --> 00:06:04,279 and Stevens. Uh you'll find the address files, dear sir, pursuant. 97 00:06:03,759 --> 00:06:07,279 Speaker 2: To Yes, sir. 98 00:06:09,120 --> 00:06:11,759 Speaker 1: UH read that backer Oh you said, was. 99 00:06:11,759 --> 00:06:14,279 Speaker 2: Uh p pursuant too? 100 00:06:14,439 --> 00:06:14,519 Speaker 3: Oh? 101 00:06:14,639 --> 00:06:18,199 Speaker 1: Yes, yes, sir, pursuant to our agreement, I must inquire 102 00:06:18,319 --> 00:06:23,000 of you uh at Miss LaRue. Yes, you know you've 103 00:06:23,000 --> 00:06:26,720 gotten off here on the wrong foot. But I dislike flattery. 104 00:06:26,759 --> 00:06:29,959 I intensely dislike it. I despise it. Please do not 105 00:06:30,040 --> 00:06:32,959 interrupt me. I am not a fool. 106 00:06:33,000 --> 00:06:34,839 Speaker 2: Oh, I never said you were. 107 00:06:35,040 --> 00:06:38,160 Speaker 1: Your flattery is doubly obnoxious because it's I it's so 108 00:06:38,160 --> 00:06:43,560 so so what mister, because it's so extravagant, so obvious. 109 00:06:43,879 --> 00:06:44,879 Speaker 3: But I wasn't. 110 00:06:45,040 --> 00:06:49,319 Speaker 1: I might tolerate flattery. That's that's clever. But you, my 111 00:06:49,399 --> 00:06:50,879 dear young lady, are ludicrous. 112 00:06:51,000 --> 00:06:54,839 Speaker 2: There you go again, calling me your dear young lady. 113 00:06:54,920 --> 00:06:57,439 Speaker 1: I'll call you anything I like. I'm your employer. Why 114 00:06:57,519 --> 00:07:00,920 am I ludicrous? How can you tell me that I 115 00:07:00,959 --> 00:07:02,680 could look like a man of thirty five? 116 00:07:02,800 --> 00:07:04,199 Speaker 2: Because it's true. 117 00:07:04,720 --> 00:07:07,120 Speaker 1: Do you know what thirty five is? I know what 118 00:07:07,240 --> 00:07:10,319 it looks like thirty five. That that's that's another world, 119 00:07:10,319 --> 00:07:13,600 another another generation. I know. Tell me that I could 120 00:07:13,639 --> 00:07:16,759 look thirty five? Again, it's well, it's an insult to 121 00:07:16,800 --> 00:07:17,560 my intelligence. 122 00:07:18,600 --> 00:07:22,160 Speaker 5: I could make you look thirty five. 123 00:07:24,399 --> 00:07:25,160 Speaker 1: What did you say? 124 00:07:25,600 --> 00:07:28,959 Speaker 5: Well, you'd have to dress differently, where colored. 125 00:07:28,959 --> 00:07:30,600 Speaker 2: Let your hair grow long. 126 00:07:30,839 --> 00:07:33,480 Speaker 1: LaRue, this conversation has become far too person. 127 00:07:33,399 --> 00:07:37,000 Speaker 2: They can end at any time. You say er mm. 128 00:07:36,920 --> 00:07:43,800 Speaker 1: Mm, now pursuant to our agreement. I must inquire of 129 00:07:43,839 --> 00:07:51,319 you if you feel obligated to provide financing for Yes, 130 00:07:51,439 --> 00:07:57,800 mister Fullong, I at the risk of sounding foolish, why 131 00:07:57,800 --> 00:07:59,279 did you say I could look thirty five? 132 00:07:59,720 --> 00:08:02,160 Speaker 2: I learned something about you, mister Fuller. 133 00:08:02,360 --> 00:08:04,439 Speaker 1: Would you learn anything about me in so short a time? 134 00:08:04,519 --> 00:08:05,199 Speaker 2: Will I learn? 135 00:08:05,360 --> 00:08:05,480 Speaker 3: That? 136 00:08:05,519 --> 00:08:09,480 Speaker 5: You're a man who fights against his name. 137 00:08:09,639 --> 00:08:11,720 Speaker 1: Haven't the faintest idea of what that means? 138 00:08:11,879 --> 00:08:15,360 Speaker 2: Your name? Gerald Strong? Leader of men? 139 00:08:15,720 --> 00:08:19,720 Speaker 5: Oh well, why do you fight it? Why do you 140 00:08:19,839 --> 00:08:22,800 deny it? It's what you were meant to be. 141 00:08:23,040 --> 00:08:24,560 Speaker 1: Really, it's true? Who says so? 142 00:08:24,839 --> 00:08:25,360 Speaker 2: I do? 143 00:08:25,600 --> 00:08:26,480 Speaker 1: And how would you know? 144 00:08:26,680 --> 00:08:29,439 Speaker 5: Because I believe in norminology? 145 00:08:29,600 --> 00:08:31,279 Speaker 1: Uh uh oh. 146 00:08:31,079 --> 00:08:35,720 Speaker 5: It's the science of names. I believe that all names 147 00:08:35,919 --> 00:08:37,279 tell us what we are. 148 00:08:37,600 --> 00:08:40,120 Speaker 1: I think that's ridiculous, do you well? 149 00:08:40,159 --> 00:08:45,000 Speaker 5: I think birth itself is a mysterious happening, and that 150 00:08:45,200 --> 00:08:50,480 parents unconsciously have an insight into what their child could be, 151 00:08:50,679 --> 00:08:52,399 and they name him accordingly. 152 00:08:53,320 --> 00:08:55,159 Speaker 2: They might not even be aware of it. 153 00:08:56,200 --> 00:09:00,000 Speaker 1: Gerald, Well, I'm certainly not a strong leader of men. 154 00:09:00,120 --> 00:09:03,000 Speaker 2: You could be. You have it in your work. 155 00:09:03,080 --> 00:09:06,080 Speaker 1: It's ridiculous. Oh you said that before, I'll say it again. 156 00:09:06,480 --> 00:09:10,519 Speaker 5: Why is it any more ridiculous than any other belief? 157 00:09:11,440 --> 00:09:13,840 Speaker 2: Why is it any more ridiculous. 158 00:09:13,279 --> 00:09:16,399 Speaker 5: Than say, astrology? 159 00:09:17,480 --> 00:09:17,639 Speaker 1: Hell? 160 00:09:17,720 --> 00:09:19,960 Speaker 3: Yeah? 161 00:09:20,039 --> 00:09:21,639 Speaker 1: What does helene mean? 162 00:09:22,720 --> 00:09:22,960 Speaker 2: Light? 163 00:09:24,159 --> 00:09:29,600 Speaker 1: Mm? A torch from the Greek light? Yes? 164 00:09:29,720 --> 00:09:32,960 Speaker 2: Light? Have I brought you any. 165 00:09:43,399 --> 00:09:43,519 Speaker 1: Uh? 166 00:09:43,600 --> 00:09:44,360 Speaker 4: Is the fish deer? 167 00:09:45,519 --> 00:09:45,679 Speaker 3: Oh? 168 00:09:45,919 --> 00:09:46,559 Speaker 1: Bit blind? 169 00:09:47,080 --> 00:09:47,440 Speaker 4: Blind? 170 00:09:47,559 --> 00:09:48,720 Speaker 1: M that's all. 171 00:09:49,519 --> 00:09:51,279 Speaker 6: It's been prepared exactly as usual. 172 00:09:51,320 --> 00:09:52,559 Speaker 4: And you never complained before. 173 00:09:53,080 --> 00:09:56,120 Speaker 1: Well, h just happens to lack taste. 174 00:09:56,399 --> 00:09:58,840 Speaker 4: But you have to watch your intake of pills. Why 175 00:09:59,799 --> 00:10:01,039 wh why? 176 00:10:01,240 --> 00:10:04,159 Speaker 6: Well, it's it's just the prudent thing, isn't it. 177 00:10:04,159 --> 00:10:05,320 Speaker 4: That's what you always say. 178 00:10:05,559 --> 00:10:06,559 Speaker 1: Yes, so I suppose so. 179 00:10:07,799 --> 00:10:09,159 Speaker 4: Did they replace Ms McKay? 180 00:10:09,639 --> 00:10:09,840 Speaker 3: Yes? 181 00:10:10,600 --> 00:10:12,159 Speaker 4: I hope they gave you a mature woman. 182 00:10:12,759 --> 00:10:15,720 Speaker 6: If you can't stand those flighty young girls, what's your 183 00:10:15,759 --> 00:10:16,120 new one? 184 00:10:16,279 --> 00:10:16,320 Speaker 5: Like? 185 00:10:17,039 --> 00:10:18,399 Speaker 1: Well, I really haven't noticed yet. 186 00:10:18,799 --> 00:10:20,279 Speaker 4: Oh how did that go? 187 00:10:20,480 --> 00:10:22,200 Speaker 1: Oh? Look, Cecily, my dear, I have so much to do. 188 00:10:22,240 --> 00:10:24,120 I simply can't bother to note those things that have 189 00:10:24,200 --> 00:10:25,320 nothing to do with business. 190 00:10:25,840 --> 00:10:28,080 Speaker 4: You are of a work, dear, that's true. 191 00:10:28,639 --> 00:10:31,360 Speaker 1: I'm aware that I have a secretary that I dictate 192 00:10:31,480 --> 00:10:36,759 letters to her. That she has a name in this case, Uh, 193 00:10:36,799 --> 00:10:38,000 what she looks like? It were? 194 00:10:38,879 --> 00:10:39,039 Speaker 3: Well? 195 00:10:39,080 --> 00:10:40,679 Speaker 1: I simply couldn't remember. 196 00:10:41,320 --> 00:10:42,240 Speaker 4: Poor dear. 197 00:10:44,240 --> 00:10:50,120 Speaker 1: Cecily tell me something. How old do I look to you? 198 00:10:51,559 --> 00:10:51,799 Speaker 4: Why? 199 00:10:52,000 --> 00:10:53,399 Speaker 1: Oh? Just curious? 200 00:10:54,559 --> 00:10:55,559 Speaker 4: I hadn't thought about it. 201 00:10:55,559 --> 00:10:59,360 Speaker 1: Well, you don't have to think about it. Just tell me, well, darling, 202 00:10:59,399 --> 00:10:59,960 you look your. 203 00:11:01,919 --> 00:11:04,240 Speaker 4: Do I, if anything? A bit older? 204 00:11:05,440 --> 00:11:05,720 Speaker 1: Really? 205 00:11:06,399 --> 00:11:08,759 Speaker 6: And that's been responsible for your success. 206 00:11:09,639 --> 00:11:10,440 Speaker 4: A man who had. 207 00:11:10,559 --> 00:11:14,240 Speaker 6: A trust department, who's responsible for other people's money, can 208 00:11:14,320 --> 00:11:18,320 only inspire confidence if he looks mature and and uh 209 00:11:18,559 --> 00:11:21,799 settle huh oh, yes, dear, and you certainly do. 210 00:11:23,320 --> 00:11:27,200 Speaker 1: Is it possible that it is it possible that anyone 211 00:11:27,240 --> 00:11:29,679 could ever take me for say, thirty. 212 00:11:29,360 --> 00:11:36,720 Speaker 4: Five verty five? I'm darling. I I don't see how Why. 213 00:11:36,679 --> 00:11:38,000 Speaker 1: Do you act all no reason? 214 00:11:38,240 --> 00:11:38,759 Speaker 4: Are you sure? 215 00:11:38,799 --> 00:11:39,840 Speaker 1: Well? Please forget it. 216 00:11:40,399 --> 00:11:43,759 Speaker 6: I simply can't imagine why you'd even ask such a strange. 217 00:11:43,440 --> 00:11:46,399 Speaker 1: Question, especially especially. 218 00:11:47,360 --> 00:11:50,440 Speaker 6: Especially since you're not in the habit of asking idle questions. 219 00:11:51,240 --> 00:11:54,519 Speaker 1: Coffee, No, no, darling, If you'll excuse me, I'll go 220 00:11:54,519 --> 00:11:55,919 to the library. I have some work. 221 00:11:56,159 --> 00:11:58,960 Speaker 4: Oh, ger, this this goes against everything you ever. 222 00:12:00,120 --> 00:12:02,159 Speaker 6: Well, you made it almost a religion not to bring 223 00:12:02,200 --> 00:12:03,279 work home from the office. 224 00:12:03,360 --> 00:12:06,120 Speaker 1: Yes, dear, I know, but every religion encounters a bit 225 00:12:06,120 --> 00:12:07,720 of heresy now and then. 226 00:12:08,600 --> 00:12:09,720 Speaker 4: Don't stay up too late. 227 00:12:09,919 --> 00:12:22,159 Speaker 1: Oh dear, I just have a few things to check out. Hello, 228 00:12:23,360 --> 00:12:24,480 miss uh LaRue. 229 00:12:24,679 --> 00:12:26,679 Speaker 4: Oh, good evening, mister. 230 00:12:27,080 --> 00:12:27,639 Speaker 1: Good evening. 231 00:12:28,279 --> 00:12:29,600 Speaker 2: I was waiting for your call. 232 00:12:30,440 --> 00:12:32,519 Speaker 1: But what do you mean you were waiting for my call? 233 00:12:32,559 --> 00:12:33,360 And I was right? 234 00:12:33,840 --> 00:12:35,240 Speaker 6: You did call, don't you. 235 00:12:36,120 --> 00:12:39,360 Speaker 1: Well? Yes, Uh, However, my secretary has to expect to 236 00:12:39,399 --> 00:12:42,639 work all hours, and if you object, then perhaps you'd 237 00:12:42,679 --> 00:12:43,279 better resign. 238 00:12:43,399 --> 00:12:44,759 Speaker 2: Oh I don't mind. 239 00:12:45,279 --> 00:12:46,279 Speaker 1: I don't mind at all. 240 00:12:46,399 --> 00:12:49,360 Speaker 4: You have such a fascinating for you now. 241 00:12:49,440 --> 00:12:53,080 Speaker 1: See here, missus LaRue, this is a business call, of course. Look, 242 00:12:53,120 --> 00:12:54,840 I had so many things to do today that I 243 00:12:54,840 --> 00:12:57,399 I can't recall if I sent a letter to mister 244 00:12:57,480 --> 00:12:59,039 Oliver Stephens. 245 00:12:58,919 --> 00:13:00,840 Speaker 2: Mister Oliver Stevens and left comfort. 246 00:13:00,960 --> 00:13:04,799 Speaker 1: Uh Stephen, that's right, because if I forget to write one, 247 00:13:05,000 --> 00:13:05,919 well you did it for. 248 00:13:06,000 --> 00:13:09,159 Speaker 2: Long, you dictated it, and I take it and nailed it. 249 00:13:09,399 --> 00:13:12,519 Speaker 1: Good. That is a relief U. Otherwise I'd have to 250 00:13:12,559 --> 00:13:15,159 call him this evening and explained that he shouldn't expect 251 00:13:15,200 --> 00:13:19,519 to op the letter went out. Well, that's well, th 252 00:13:19,639 --> 00:13:20,919 that's what I I I wanted to know. 253 00:13:21,679 --> 00:13:22,600 Speaker 5: Is there anything else? 254 00:13:23,720 --> 00:13:27,440 Speaker 1: No? I I can't think of anything. Uh the good night, sir, 255 00:13:27,919 --> 00:13:30,159 good night? I oh well, I d just another minute. 256 00:13:31,799 --> 00:13:33,000 C could you tell me what? 257 00:13:35,360 --> 00:13:35,399 Speaker 2: What? 258 00:13:35,679 --> 00:13:37,320 Speaker 1: What the name Cecily means? 259 00:13:37,440 --> 00:13:41,799 Speaker 4: Til Oh, yes, sir, that a Latin name. 260 00:13:42,399 --> 00:13:46,440 Speaker 3: It means one who was in the talk or blind? 261 00:13:55,360 --> 00:13:59,840 Speaker 1: Mm. J yes, dear, did I wake? 262 00:14:00,200 --> 00:14:03,360 Speaker 6: I'm sorry, work hednight's the worst thing in the world 263 00:14:03,440 --> 00:14:04,559 for your nervous system. 264 00:14:04,840 --> 00:14:07,200 Speaker 1: And still I'll just brush my teeth and get right 265 00:14:07,240 --> 00:14:24,960 to bed. The girl who's that? Girld he who's talking 266 00:14:25,039 --> 00:14:29,519 to me? Look in the mirror of Herald? I ah my, 267 00:14:30,720 --> 00:14:35,240 I'm looking at what is all? 268 00:14:35,360 --> 00:14:35,519 Speaker 2: Is it? 269 00:14:36,879 --> 00:14:40,679 Speaker 1: She must be having? Now you see me? Look in 270 00:14:40,879 --> 00:14:41,840 the mirror of Herald? 271 00:14:42,840 --> 00:14:43,519 Speaker 2: Who do you see? 272 00:14:44,519 --> 00:14:47,759 Speaker 1: I see myself? You see me? 273 00:14:50,639 --> 00:14:51,000 Speaker 2: Who are you? 274 00:14:51,840 --> 00:14:57,399 Speaker 1: The image you cast in the mirror? That's me, isn't it? 275 00:14:59,320 --> 00:15:04,120 That's me? I can't believe you, for I'm you're what 276 00:15:04,679 --> 00:15:08,440 what drunk? You never drink mad? You're the samest manner. 277 00:15:08,639 --> 00:15:11,440 And if you see thinks, why what's happening to me? 278 00:15:11,559 --> 00:15:17,159 That's in Jerry? What is happening? We've gone mad? You 279 00:15:17,240 --> 00:15:22,679 will be soon, Jerry, unless you fire that girl? Which girl? 280 00:15:22,879 --> 00:15:22,960 Speaker 2: Uh? 281 00:15:23,039 --> 00:15:26,320 Speaker 1: Oh, don't play games with me. I've looked at your 282 00:15:26,360 --> 00:15:28,799 face for the last forty five years. You have no 283 00:15:28,919 --> 00:15:32,159 secrets from me. Why should I fire her? You know why? 284 00:15:32,559 --> 00:15:34,360 You don't know what you're talking about. If you don't 285 00:15:34,360 --> 00:15:37,399 get rid of her, you're added for ruin, disgrace, death. 286 00:15:37,519 --> 00:15:40,559 I'm gonna say that it's true. You know it's true, 287 00:15:41,879 --> 00:15:47,039 don't you, Gerald, Deep down, way down. Don't you know 288 00:15:47,120 --> 00:15:47,759 where it must. 289 00:15:47,759 --> 00:15:49,720 Speaker 7: End, how it must end. 290 00:15:52,080 --> 00:15:57,919 Speaker 1: Yes, here's your common sense, and fire her first thing 291 00:15:57,960 --> 00:16:02,759 in the morning. Let you do that, Gerald, Eh, first 292 00:16:02,840 --> 00:16:12,799 thing in the morning, I'll fire her. You look in 293 00:16:12,879 --> 00:16:16,519 the mirror and a perfect stranger starts to talk to you. 294 00:16:17,440 --> 00:16:21,240 He wears your face, but you know he isn't you. 295 00:16:22,559 --> 00:16:25,759 He knows every thought in your head and every emotion 296 00:16:25,960 --> 00:16:31,240 in your heart, but you know he isn't you. Who 297 00:16:31,399 --> 00:16:35,720 is he? We shall acquire some new insights when I 298 00:16:35,840 --> 00:16:50,159 return shortly with that too. If there's a face that 299 00:16:50,320 --> 00:16:52,960 looks back at our own each time we gaze into 300 00:16:53,039 --> 00:16:58,240 a mirror, but is it always the same face? The 301 00:16:58,360 --> 00:17:01,559 quick answer, the automatic answer is yes, certainly. Of course. 302 00:17:02,799 --> 00:17:06,319 This teachers that we should never answer anything without pausing 303 00:17:06,440 --> 00:17:09,880 for thought. Mm we might get the same surprise that 304 00:17:10,000 --> 00:17:14,759 happened to Gerald Furlong. It was the same face, but 305 00:17:14,960 --> 00:17:15,799 it wasn't his. 306 00:17:18,279 --> 00:17:21,839 Speaker 2: Good morning, mister Furlong, Good. 307 00:17:21,680 --> 00:17:28,400 Speaker 1: Morning, Miss LaRue. Come into my office please, yes, sir, Now, 308 00:17:28,480 --> 00:17:30,039 Miss LaRue, I have something to tell you. 309 00:17:30,240 --> 00:17:31,920 Speaker 2: Oh I know you want to fire me. 310 00:17:32,279 --> 00:17:35,200 Speaker 1: Well, I've been thinking a a man and his secretary. 311 00:17:35,240 --> 00:17:38,119 They they spend considerable time together, and therefore they should 312 00:17:38,160 --> 00:17:39,440 have similar temperament. 313 00:17:39,519 --> 00:17:42,000 Speaker 2: Mm and you're too busy thinking to have fire. 314 00:17:42,119 --> 00:17:44,960 Speaker 1: Obviously we don't have a similar temperament, Miss LaRue. 315 00:17:45,200 --> 00:17:47,519 Speaker 2: Very well, I'll go back to the. 316 00:17:47,559 --> 00:17:50,359 Speaker 5: Pool and you can kick yourself another dried up old 317 00:17:50,440 --> 00:17:52,200 maid to match the one you've got at home. 318 00:17:52,440 --> 00:17:54,920 Speaker 1: Now, see here, Yes, what is it you. 319 00:17:55,000 --> 00:17:55,759 Speaker 2: Want me to see? 320 00:17:57,519 --> 00:17:59,680 Speaker 1: How? How did you know? How did you know? I 321 00:17:59,759 --> 00:18:00,480 was wire you? 322 00:18:01,200 --> 00:18:01,359 Speaker 3: Well? 323 00:18:01,440 --> 00:18:05,799 Speaker 2: You keep fighting your name? You're not a Gerald. What 324 00:18:05,920 --> 00:18:09,319 are you fighting? You know you never had a good 325 00:18:09,440 --> 00:18:10,680 time in your life. 326 00:18:10,759 --> 00:18:11,559 Speaker 1: Why should you care? 327 00:18:13,039 --> 00:18:14,440 Speaker 2: Because I'm in love with you? 328 00:18:17,839 --> 00:18:21,599 Speaker 1: That's impossible. We don't know each other. We we have 329 00:18:21,720 --> 00:18:22,400 nothing in common. 330 00:18:22,559 --> 00:18:23,839 Speaker 2: Oh, that's all nonsense. 331 00:18:23,920 --> 00:18:26,920 Speaker 5: You fall in love because you hear a certain tone 332 00:18:27,039 --> 00:18:31,359 in somebody's voice, you see a certain light in someone's eye. 333 00:18:31,480 --> 00:18:33,279 Speaker 1: But how can such a love be lasting? Oh? 334 00:18:33,359 --> 00:18:35,279 Speaker 2: Who says love has to last? 335 00:18:36,359 --> 00:18:36,559 Speaker 1: You know? 336 00:18:36,759 --> 00:18:41,559 Speaker 5: Love comes and goes, Love is, and then one day 337 00:18:42,559 --> 00:18:46,599 it just isn't and it's gone and nobody knows why. 338 00:18:46,720 --> 00:18:49,440 And it doesn't matter, because sooner or later it will 339 00:18:49,519 --> 00:18:51,920 come again with someone else. 340 00:18:54,119 --> 00:18:58,839 Speaker 1: You're a strange girl. Oh well strange We look, look, 341 00:18:58,880 --> 00:19:03,200 we we can't talk here. I I'll take you take 342 00:19:03,240 --> 00:19:03,799 you out to lunch. 343 00:19:04,039 --> 00:19:06,599 Speaker 2: No no, no, no, no, no, no lunch. Why not 344 00:19:06,799 --> 00:19:16,880 because you must lose weight. I'll take you shopping. Oh 345 00:19:17,319 --> 00:19:20,759 I like that jacket and with the awkle shirt. 346 00:19:20,839 --> 00:19:22,440 Speaker 1: Oh but I only wear a white shirt. 347 00:19:22,640 --> 00:19:26,319 Speaker 2: Oh that's all in the past, darling. Now look at 348 00:19:26,359 --> 00:19:27,680 yourself in the mirror. 349 00:19:27,880 --> 00:19:30,640 Speaker 1: No, no, no, absolutely not. 350 00:19:30,799 --> 00:19:31,799 Speaker 2: What hell can you tell? 351 00:19:31,920 --> 00:19:34,119 Speaker 1: If I just don't want to, I insist. 352 00:19:34,359 --> 00:19:38,240 Speaker 2: Now, come on, look in the mirror. Have you ever 353 00:19:38,319 --> 00:19:39,200 seen anything so. 354 00:19:42,759 --> 00:19:42,960 Speaker 1: Well? 355 00:19:43,359 --> 00:19:45,720 Speaker 2: It's it's a work of art. 356 00:19:47,599 --> 00:19:53,519 Speaker 1: Gerald, No, Carold, there's lace. There's ace to see it. 357 00:19:54,160 --> 00:20:00,240 It's my lace anymore, Carold, don't don't kill me. Keep 358 00:20:00,359 --> 00:20:00,680 killing you? 359 00:20:01,359 --> 00:20:02,480 Speaker 2: What are you saying, darling? 360 00:20:02,880 --> 00:20:07,559 Speaker 1: Darling? Already, darling, you can't go away with me, dearld, 361 00:20:08,079 --> 00:20:10,640 we lived together too long. We built up a whole 362 00:20:10,680 --> 00:20:12,960 world together. You just can't get rid of me and 363 00:20:13,039 --> 00:20:13,720 get another in it. 364 00:20:14,079 --> 00:20:17,559 Speaker 7: Well, what do you think, darling, wire are your full 365 00:20:17,680 --> 00:20:18,319 Get rid of her? 366 00:20:18,799 --> 00:20:21,799 Speaker 1: Walk out of here before it's too late, save yourself. 367 00:20:22,000 --> 00:20:24,559 Speaker 2: I think what's there to think about? 368 00:20:25,039 --> 00:20:26,920 Speaker 7: He'll take it and now. 369 00:20:27,480 --> 00:20:28,640 Speaker 2: Or some sportswear. 370 00:20:33,799 --> 00:20:37,400 Speaker 6: Good morning, darling, Bacan is ready. We have two eggs, 371 00:20:37,640 --> 00:20:39,279 we have cereal or. 372 00:20:39,400 --> 00:20:42,640 Speaker 1: Just uh cup of coffee, but you must have brexit. No, no, 373 00:20:42,759 --> 00:20:45,839 I'm fine, Just coffee, darling. 374 00:20:46,039 --> 00:20:48,279 Speaker 4: Where did you get that sued Oh? 375 00:20:48,440 --> 00:20:51,119 Speaker 1: Uh? I did some shopping last week. You like it? 376 00:20:52,039 --> 00:20:57,039 Speaker 6: Well it it looks a bit yeah, young, few young 377 00:20:57,759 --> 00:21:01,039 and that shirt and the tide, but those colors are 378 00:21:01,240 --> 00:21:02,039 quite violent. 379 00:21:03,079 --> 00:21:03,480 Speaker 1: Violent. 380 00:21:03,759 --> 00:21:07,319 Speaker 6: It's hardly the image for a trust officer. I'm besides 381 00:21:07,400 --> 00:21:11,200 dear middle aged man who strived for a a juvenile look, 382 00:21:11,799 --> 00:21:13,759 only succeed in making themselves appear. 383 00:21:13,599 --> 00:21:15,680 Speaker 1: Ludicrous, which is how I appear to you. 384 00:21:16,119 --> 00:21:17,240 Speaker 4: No, no, I didn't mean that. 385 00:21:17,359 --> 00:21:19,799 Speaker 1: I only love look. We shouldn't quarrel, especially today. I 386 00:21:19,839 --> 00:21:22,319 I had to go to Chicago. Oh, oh, just for 387 00:21:22,400 --> 00:21:25,480 a few days. We have to investigate a financial. 388 00:21:25,160 --> 00:21:26,599 Speaker 4: But you'll never travel there. 389 00:21:27,519 --> 00:21:29,079 Speaker 1: Oh, I can't refuse this client. 390 00:21:29,960 --> 00:21:31,039 Speaker 4: No, I suppose not. 391 00:21:31,119 --> 00:21:33,240 Speaker 1: I'll cut the trip as short as I possibly can. 392 00:21:33,759 --> 00:21:43,119 Speaker 4: Yes, dear, well how do you like it? 393 00:21:43,920 --> 00:21:45,680 Speaker 1: I must say it's convenient to the office. 394 00:21:45,799 --> 00:21:48,119 Speaker 2: Well, the rent was higher than you said you could go. 395 00:21:48,400 --> 00:21:51,519 Speaker 1: Well, it's alright. Tell me m. 396 00:21:54,200 --> 00:21:57,759 Speaker 2: Uh, I must say, you learn fast. 397 00:21:59,880 --> 00:22:02,200 Speaker 1: I didn't have to learn. I was knew it. It 398 00:22:02,319 --> 00:22:03,640 was just out of practice. It's all. 399 00:22:04,720 --> 00:22:07,519 Speaker 2: Let me show you what I bought me this afternoon. 400 00:22:07,759 --> 00:22:09,880 Speaker 1: Look, I hope you are a contestant to overdrawn again. 401 00:22:11,759 --> 00:22:16,519 My first mink? Oh was it necessary? 402 00:22:16,720 --> 00:22:21,559 Speaker 2: No, that's not my child, the king of the Army. 403 00:22:22,079 --> 00:22:25,319 It's the old trust officer speaking right. Just so, do 404 00:22:25,359 --> 00:22:26,359 you want me to keep one? 405 00:22:26,559 --> 00:22:27,000 Speaker 3: Of course? 406 00:22:29,480 --> 00:22:30,839 Speaker 1: What would you like to do tonight? Oh? 407 00:22:31,240 --> 00:22:32,559 Speaker 2: What are we supposed to be doing? 408 00:22:32,759 --> 00:22:34,880 Speaker 1: I'm supposed to be taking a client to a long 409 00:22:34,960 --> 00:22:36,480 and involved business dinner. 410 00:22:36,680 --> 00:22:39,440 Speaker 2: Oh well, then let's go to the high hot club. 411 00:22:40,079 --> 00:22:42,119 Speaker 1: Mm. And I think I heard of that place? 412 00:22:42,279 --> 00:22:42,799 Speaker 2: What'd you hear? 413 00:22:43,599 --> 00:22:45,480 Speaker 1: I don't think it's the kind of establishment I should 414 00:22:45,480 --> 00:22:46,000 be seen at. 415 00:22:46,359 --> 00:22:48,319 Speaker 2: And what are we waiting for. 416 00:22:56,119 --> 00:23:00,880 Speaker 1: My turn again? I'll bet mighty Hi, Hey, Gerrold. 417 00:23:00,680 --> 00:23:03,759 Speaker 2: This is Marty Chainer. He opens the place jail. 418 00:23:03,640 --> 00:23:05,960 Speaker 1: For a long How do you do wow for along? Huh? 419 00:23:06,359 --> 00:23:08,279 That's uh the name for a horse player. 420 00:23:08,440 --> 00:23:09,200 Speaker 2: Oh, he doesn't have. 421 00:23:09,200 --> 00:23:11,599 Speaker 5: To play with the horses, Marty, he's too skillful with 422 00:23:11,720 --> 00:23:12,119 the time. 423 00:23:12,359 --> 00:23:15,559 Speaker 1: I'm afraid it's beginning of luck. But you're hot. You're hot. 424 00:23:15,799 --> 00:23:23,039 You're on the street riding. I will pet it all, darling. 425 00:23:23,240 --> 00:23:25,559 Speaker 2: You want what you want? 426 00:23:25,759 --> 00:23:33,559 Speaker 1: Wet it ride, Darling. 427 00:23:34,039 --> 00:23:39,559 Speaker 2: It's getting late. Yes, I know you should be getting home. 428 00:23:41,319 --> 00:23:43,519 Speaker 1: Oh, I wish I didn't have to go, so I 429 00:23:46,079 --> 00:23:50,160 you know the right thing to do. I should divorce Cecily, 430 00:23:50,240 --> 00:23:51,200 and we ought to get married. 431 00:23:53,480 --> 00:23:55,799 Speaker 2: Oh why should we get married? 432 00:23:56,119 --> 00:23:57,240 Speaker 1: Because we're in love? 433 00:23:57,680 --> 00:23:59,799 Speaker 2: The call weren't you in loud? 434 00:24:00,160 --> 00:24:05,400 Speaker 5: Especially once? Well, yeah, that's why you married her. But 435 00:24:05,480 --> 00:24:08,519 it didn't help, but didn't keep the love alive. 436 00:24:08,880 --> 00:24:12,880 Speaker 1: You and I will be different, No, we won't. 437 00:24:12,960 --> 00:24:15,720 Speaker 2: We may love each other till the day we die, 438 00:24:16,000 --> 00:24:18,119 and we may fall out of love tomorrow morning. 439 00:24:18,640 --> 00:24:20,319 Speaker 1: But I want us to keep our love. 440 00:24:20,599 --> 00:24:25,880 Speaker 5: Oh, love can't be a guaranteed investment. Isn't the here 441 00:24:26,079 --> 00:24:26,480 and now? 442 00:24:35,920 --> 00:24:43,920 Speaker 1: Gerald? Huh, Gerald, please don't kill me. Oh, I'd better 443 00:24:44,039 --> 00:24:46,759 take a pail or see a doctor. Why I'm the 444 00:24:46,839 --> 00:24:49,759 one who's sick. You're killing me. No, don't tell your 445 00:24:49,799 --> 00:24:53,319 face away. Look in the mirror, look at me, I'm looking. 446 00:24:53,640 --> 00:24:58,680 Don't you see now I've changed you? I look w 447 00:24:58,839 --> 00:25:02,680 We've never looked so good. You'll have a new image, 448 00:25:03,200 --> 00:25:04,200 and what becomes of me. 449 00:25:05,000 --> 00:25:05,599 Speaker 2: I'll be dead. 450 00:25:06,440 --> 00:25:09,440 Speaker 1: Frankly, I couldn't care less. But I'm the only image 451 00:25:09,440 --> 00:25:11,960 you're comfortable with. I'm the only image you can live with. 452 00:25:12,200 --> 00:25:14,039 I used to think. So I'm learning different and you're 453 00:25:14,039 --> 00:25:17,480 a fool. Get rid of her own. She'll get tired 454 00:25:17,519 --> 00:25:20,039 of you sooner or later, and then what would you have? 455 00:25:20,279 --> 00:25:23,640 The lanes? But I've always wanted I never had the 456 00:25:23,759 --> 00:25:26,440 nerve to let myself believe it. You can't afford her, 457 00:25:26,519 --> 00:25:30,119 who says so Apart the clothes, the gifts, the jewels, 458 00:25:30,759 --> 00:25:33,119 and now the gambling. Who knows more about gambling than 459 00:25:33,160 --> 00:25:33,319 I do? 460 00:25:33,480 --> 00:25:33,519 Speaker 5: Have? 461 00:25:33,640 --> 00:25:36,480 Speaker 1: I gambled with investments all my life. It's not the 462 00:25:36,559 --> 00:25:39,960 same thing, except this time I'm enjoying it. I'm enjoying 463 00:25:40,119 --> 00:25:43,039 life can turn all at once. He can sweep you 464 00:25:43,079 --> 00:25:46,559 away swiftly, suddenly, like a tidal wave, can ring of her. 465 00:25:47,000 --> 00:25:49,640 Speaker 3: You'll never know what hits you no, you. 466 00:25:50,039 --> 00:25:54,720 Speaker 1: Kill both of us. I don't care. I don't care. Joe, 467 00:25:56,000 --> 00:25:56,640 what do you want? 468 00:25:57,160 --> 00:25:58,839 Speaker 4: I thought I d you talking to someone? 469 00:25:58,960 --> 00:25:59,759 Speaker 1: You want? 470 00:26:00,240 --> 00:26:01,599 Speaker 4: I heard you talking to someone? 471 00:26:01,640 --> 00:26:03,079 Speaker 1: Oh, come on that that's ridiculous. 472 00:26:03,240 --> 00:26:06,200 Speaker 6: I thought so too at first, But lately it seems 473 00:26:07,319 --> 00:26:09,960 w will You seem to be having angry. 474 00:26:09,720 --> 00:26:11,839 Speaker 1: Conversations indeed about what. 475 00:26:12,720 --> 00:26:14,759 Speaker 4: I don't know, but I'm sure I hear voices. 476 00:26:16,720 --> 00:26:20,960 Speaker 1: You're sure you're all right? Dear? It's something wrong? No 477 00:26:22,839 --> 00:26:24,079 and no, it sounds like yes. 478 00:26:24,920 --> 00:26:28,319 Speaker 4: Oh, I suppose I'm a little bit lonesome these days. 479 00:26:28,359 --> 00:26:29,519 I see so little of you. 480 00:26:30,279 --> 00:26:33,240 Speaker 1: Oh, darling. Things are becoming impossible at the office. You 481 00:26:33,279 --> 00:26:34,759 know the way the market is behaving. 482 00:26:34,920 --> 00:26:37,440 Speaker 4: I know, I know there are terrible pressures on you. 483 00:26:37,519 --> 00:26:38,440 Why don't you quit? 484 00:26:39,039 --> 00:26:39,279 Speaker 1: Quit? 485 00:26:39,759 --> 00:26:42,160 Speaker 4: Yes, dear, quit find something else. 486 00:26:42,960 --> 00:26:45,799 Speaker 1: It isn't easy to get a new job at forty five, But. 487 00:26:45,880 --> 00:26:48,160 Speaker 4: You don't look forty five. You look at least ten 488 00:26:48,240 --> 00:26:48,920 years younger. 489 00:26:50,559 --> 00:26:54,279 Speaker 1: Well, how would we make out? While I was looking around? 490 00:26:54,880 --> 00:26:58,039 Speaker 6: Well, you've been very judicious with our money. We should 491 00:26:58,079 --> 00:27:00,799 have quite a bit put by, so sleep we don't 492 00:27:00,960 --> 00:27:04,839 have in the present market. Our holdings have well, they 493 00:27:04,880 --> 00:27:07,960 haven't done well they've lost, they've lost considerable value. 494 00:27:08,640 --> 00:27:12,279 Speaker 1: Oh it's my fault. I'm sorry. 495 00:27:13,000 --> 00:27:14,079 Speaker 4: Who there's my inheritance? 496 00:27:14,079 --> 00:27:16,039 Speaker 1: Oh no, no, no, no, we couldn't. 497 00:27:16,319 --> 00:27:17,759 Speaker 4: It's fifty thousand dollars. 498 00:27:17,839 --> 00:27:19,519 Speaker 1: Oh no, no, no, we we must never touch it. 499 00:27:19,599 --> 00:27:20,960 Speaker 4: It could help ease us along. 500 00:27:23,640 --> 00:27:27,519 Speaker 1: Oh ccely, you you're too good to me. 501 00:27:27,839 --> 00:27:28,519 Speaker 4: Don't say that. 502 00:27:28,680 --> 00:27:29,240 Speaker 2: I love you. 503 00:27:30,400 --> 00:27:34,319 Speaker 4: Let start like all over. Is it something to think about? 504 00:27:35,839 --> 00:27:38,440 Speaker 1: Yes, it is something to think about. 505 00:27:46,119 --> 00:27:47,279 Speaker 2: Where are we going? 506 00:27:47,640 --> 00:27:48,480 Speaker 1: The usual place? 507 00:27:49,279 --> 00:27:49,519 Speaker 5: Ah? 508 00:27:51,000 --> 00:27:52,359 Speaker 1: What does that mean? Oh? 509 00:27:52,759 --> 00:27:56,960 Speaker 5: You just said the usual place, which means our lives 510 00:27:57,000 --> 00:27:58,079 are becoming predictable. 511 00:27:58,200 --> 00:27:59,359 Speaker 1: Well, don't you enjoy it there? 512 00:27:59,720 --> 00:27:59,839 Speaker 3: Then? 513 00:27:59,839 --> 00:28:01,599 Speaker 2: I I'd like to go dancing. 514 00:28:01,839 --> 00:28:04,640 Speaker 1: They're dancing Marty Hires, the best band in town. Howl. 515 00:28:04,799 --> 00:28:06,559 You know you never danced to it? You want to 516 00:28:06,640 --> 00:28:08,039 dance tonight? That's what we'll do. 517 00:28:08,240 --> 00:28:09,440 Speaker 2: Let's go somewhere else. 518 00:28:09,519 --> 00:28:12,440 Speaker 5: Why because if we go to Marty's, you'll get involved 519 00:28:12,440 --> 00:28:13,279 in a card game. 520 00:28:13,880 --> 00:28:15,039 Speaker 1: No, I won't. I promise you. 521 00:28:15,119 --> 00:28:17,160 Speaker 2: Oh, you make that promise every night, and you break 522 00:28:17,279 --> 00:28:18,279 that promise. 523 00:28:17,920 --> 00:28:20,519 Speaker 1: Every night, the night will be different, You'll see. 524 00:28:26,039 --> 00:28:29,160 Speaker 2: Gerald, I want to go home, darling. 525 00:28:29,240 --> 00:28:30,839 Speaker 1: We we we can't go just here? 526 00:28:31,279 --> 00:28:33,599 Speaker 5: I see no reason why we can't do anything we 527 00:28:33,720 --> 00:28:35,839 please anytime we want to do it. 528 00:28:36,079 --> 00:28:37,359 Speaker 1: I've lost too much money. 529 00:28:37,480 --> 00:28:38,920 Speaker 2: Oh word, it's only money. 530 00:28:39,119 --> 00:28:40,000 Speaker 1: I can't quit now. 531 00:28:40,440 --> 00:28:43,319 Speaker 2: Oh this place is becoming a board. I can't afford 532 00:28:43,400 --> 00:28:45,480 to it, and you'll becoming a board too. 533 00:28:45,759 --> 00:28:48,960 Speaker 1: Don't say that, but I love you. Do you understand well? 534 00:28:49,359 --> 00:28:50,200 Speaker 2: I love you too? 535 00:28:51,359 --> 00:28:56,400 Speaker 1: Just another hilf hour, mister Furlough. Guess Martyn, No. 536 00:28:56,599 --> 00:29:00,640 Speaker 2: Gerald, No, don't play with him. Please. You can't beat him? 537 00:29:00,680 --> 00:29:02,519 Speaker 1: Are you talking about? The curds are going to come 538 00:29:02,599 --> 00:29:03,759 my way? I can feel him. 539 00:29:03,799 --> 00:29:05,599 Speaker 2: You can't beat him. His name is. 540 00:29:05,799 --> 00:29:08,559 Speaker 1: Martin work after Mars, the god of war. 541 00:29:08,759 --> 00:29:11,839 Speaker 2: He's a child of Mars trold let lead. 542 00:29:12,160 --> 00:29:14,440 Speaker 1: No, sure, sure, Look, all I need is just one 543 00:29:14,559 --> 00:29:15,680 good pot till. 544 00:29:16,279 --> 00:29:18,440 Speaker 2: Don't play with him, but you go. 545 00:29:18,559 --> 00:29:26,480 Speaker 1: Get your coat and meet me here. Oh well, mister Furlong, 546 00:29:27,240 --> 00:29:29,720 just you and I left. Huh so, no fight for 547 00:29:29,839 --> 00:29:34,039 the pot. I believe you were the opener. Five hundred. Ah, 548 00:29:34,480 --> 00:29:37,960 very good bet. I think I'll raise make it a 549 00:29:38,039 --> 00:29:42,799 thousand and a thousand better a man with confidence. However, 550 00:29:43,599 --> 00:29:49,079 another thousand a thousand to you again? Money, Well, I 551 00:29:49,240 --> 00:29:55,640 must respect that. I call you should I have a 552 00:29:55,799 --> 00:29:58,599 full house, an excellent hand, good enough to win most 553 00:29:58,640 --> 00:30:01,839 of the time, but not good enough this time. What 554 00:30:02,039 --> 00:30:08,559 I I have four little juices? Oh, so, let's see 555 00:30:09,160 --> 00:30:11,519 in the part where your overall bets are fifty five 556 00:30:11,640 --> 00:30:14,799 hundred dollars and added to your previous indebtedness, we have, uh, 557 00:30:15,279 --> 00:30:19,400 a total of thirty five thousand. What that's impossible? Have 558 00:30:19,519 --> 00:30:24,880 your markers here, mister Furlong can't to check the arithmetic? Well, no, 559 00:30:25,000 --> 00:30:28,200 I look, I I don't carry thirty five thousand dollars 560 00:30:28,240 --> 00:30:31,359 around with me in cash? Who does? We can wait 561 00:30:32,319 --> 00:30:33,039 till tomorrow. 562 00:30:33,640 --> 00:30:38,240 Speaker 2: Ye are you ready to go? Gold? 563 00:30:39,920 --> 00:30:50,640 Speaker 1: Yes, an Selene, We're ready to go, he says, he's 564 00:30:50,680 --> 00:30:55,319 ready to go. But the question is where where do 565 00:30:55,440 --> 00:30:58,519 you go? When you've just lost thirty five thousand dollars 566 00:30:58,599 --> 00:30:59,200 that you don't have. 567 00:31:00,480 --> 00:31:02,680 Speaker 3: Where do you go and what do you do? 568 00:31:04,000 --> 00:31:06,480 Speaker 1: Well? This could be as good a time as any 569 00:31:06,640 --> 00:31:08,759 for Gerro to find out if he can live up 570 00:31:08,799 --> 00:31:13,440 to his name, strong leader of men. We'll know everything 571 00:31:13,759 --> 00:31:24,279 when I returned shortly with Act three. It's not the 572 00:31:24,400 --> 00:31:27,480 first time. It won't be the last time a man 573 00:31:27,599 --> 00:31:31,799 will seek to change his image. But is an image 574 00:31:32,279 --> 00:31:35,160 like a shoe or coat, a tie, something a man 575 00:31:35,279 --> 00:31:39,279 may take off and cast aside. Can an image refuse 576 00:31:39,839 --> 00:31:44,559 to be changed? Can it fight back? It's very late 577 00:31:44,599 --> 00:31:48,759 at night, after a disastrous evening, and Gerro Furlong is 578 00:31:48,839 --> 00:31:52,240 once again confronting an image in the mirror, the image 579 00:31:52,720 --> 00:31:56,599 he seeks to change. And until recently it was such 580 00:31:56,599 --> 00:32:01,920 a quiet, unobtrusive, submissive image. Now would you leave Helene? 581 00:32:02,720 --> 00:32:03,920 Speaker 3: No, she's ruined you. 582 00:32:04,079 --> 00:32:08,000 Speaker 1: I can't blame her. Tell Cecily confess. Why where else 583 00:32:08,039 --> 00:32:10,960 could you get the money? Money? The thirty five thousand 584 00:32:11,000 --> 00:32:14,359 dollars you gambled away? I ope your what you counted 585 00:32:14,440 --> 00:32:15,359 on Cecily's money. 586 00:32:15,599 --> 00:32:17,799 Speaker 3: You knew it was there, That's why you gambled. 587 00:32:17,839 --> 00:32:22,359 Speaker 1: That's a lie you're talking to me. I can raise 588 00:32:22,400 --> 00:32:27,200 it where how she she loves me, She'll let me 589 00:32:27,279 --> 00:32:31,200 have it. That's what I've been telling you. Confessed to Cecily, 590 00:32:32,240 --> 00:32:43,799 Confess everything, not Cecily. Helene, Helene, I'm I'm in over 591 00:32:43,880 --> 00:32:47,519 my head. Please help me. Of course I knew you would. 592 00:32:48,880 --> 00:32:52,799 That's what love is. Now your necklace, your bracelet, and 593 00:32:52,920 --> 00:32:55,599 the fur you want me to sell them? We can 594 00:32:55,680 --> 00:32:58,000 raise quite a bit of money, maybe not all of it, 595 00:32:58,119 --> 00:32:59,799 but enough to give me breathing world. 596 00:33:00,440 --> 00:33:00,640 Speaker 3: See. 597 00:33:00,839 --> 00:33:02,799 Speaker 1: I I'll make it up to you later, darling. 598 00:33:03,440 --> 00:33:04,279 Speaker 2: I won't do it. 599 00:33:04,519 --> 00:33:09,920 Speaker 1: But you we're we're in love. Yes, you said you'd help. 600 00:33:09,799 --> 00:33:12,559 Speaker 5: Me, help you in the right way, the way you 601 00:33:12,720 --> 00:33:15,240 should be helped. What do you mean the way a 602 00:33:15,319 --> 00:33:19,680 man named Gerald should be helped? I don't unders strong 603 00:33:19,960 --> 00:33:22,720 leader of the army. Are you going to bow down 604 00:33:22,799 --> 00:33:24,720 before the demands of a cheap gambler? 605 00:33:25,160 --> 00:33:26,519 Speaker 1: I I lost the money? 606 00:33:26,640 --> 00:33:27,880 Speaker 3: Well, how do you know you lost it? 607 00:33:28,160 --> 00:33:28,680 Speaker 1: Honestly? 608 00:33:29,519 --> 00:33:31,319 Speaker 2: How do you know the cards weren't fixed? 609 00:33:31,799 --> 00:33:34,039 Speaker 1: I don't a stand. 610 00:33:33,880 --> 00:33:37,119 Speaker 2: Up to him, refuse to pay him? What? 611 00:33:37,559 --> 00:33:41,240 Speaker 5: But but he'll gill what gamblings against. 612 00:33:40,960 --> 00:33:41,519 Speaker 1: The law here? 613 00:33:42,000 --> 00:33:43,319 Speaker 2: His club is illegal. 614 00:33:43,720 --> 00:33:46,440 Speaker 5: He has no claims on you, he can't go to 615 00:33:46,599 --> 00:33:49,680 court about it. Yes, but still still are you going 616 00:33:49,759 --> 00:33:52,839 to hold still be Gerald? 617 00:33:54,160 --> 00:33:58,640 Speaker 2: This is how I love you, This is how I 618 00:33:58,920 --> 00:33:59,279 help you. 619 00:34:00,480 --> 00:34:10,880 Speaker 1: Yes, yes, he has no legal claim. Yeah, y, you're right. Yeah, 620 00:34:10,960 --> 00:34:16,119 you're right, mister Frolong, Absolutely right. I have no legal recourse. 621 00:34:16,440 --> 00:34:18,039 Then I shall say good day to you, sir. But 622 00:34:18,480 --> 00:34:22,360 I have other alternatives. Yes, I can imagine, huh can you? 623 00:34:22,639 --> 00:34:24,760 I can imagine that you'll try to frighten me with 624 00:34:24,920 --> 00:34:31,000 your Uh underworld connections. Underworld connections. You've seen too many movies. 625 00:34:31,239 --> 00:34:33,960 You you can scare me with strong arm tactics. I'm 626 00:34:34,000 --> 00:34:36,360 not afraid of you. Why should you be or anyone else. 627 00:34:37,840 --> 00:34:40,159 I've been in a war. I know how to use 628 00:34:40,199 --> 00:34:42,480 a weapon. I have one in my house. I can 629 00:34:42,559 --> 00:34:46,159 defend myself and I will. Now you are a trust 630 00:34:46,239 --> 00:34:50,719 officer for an important brookerage house. Oh, I see blackmail. 631 00:34:52,119 --> 00:34:54,760 I'm not afraid. I'll deny I was ever in here. Huh, 632 00:34:55,320 --> 00:35:01,159 you can't you see? We have proof? What do you 633 00:35:01,320 --> 00:35:02,119 mean by proof? 634 00:35:02,360 --> 00:35:03,039 Speaker 6: Well, now when I. 635 00:35:03,119 --> 00:35:07,079 Speaker 1: Press this button, that white screen comes down from the ceiling. 636 00:35:10,199 --> 00:35:15,320 And another button. We have a projector, and now we 637 00:35:15,440 --> 00:35:16,320 have a motion picture. 638 00:35:16,400 --> 00:35:17,440 Speaker 3: And look who the hero is. 639 00:35:17,719 --> 00:35:23,280 Speaker 1: Oh, quiet's you. I don't believe it, mister Furlong. Isn't 640 00:35:23,320 --> 00:35:26,239 it true? One picture is worth a thousand words? How 641 00:35:26,320 --> 00:35:30,480 were you your photograph? I mean there you are betting, 642 00:35:30,679 --> 00:35:33,159 raking in the money. Oh you are a gambler, said, 643 00:35:33,199 --> 00:35:35,639 that's obvious. How you relish what you're doing? 644 00:35:35,760 --> 00:35:35,920 Speaker 2: Huh? 645 00:35:37,719 --> 00:35:42,400 Speaker 1: Well, have you seen enough what we do with it? 646 00:35:43,239 --> 00:35:47,360 Show it to my my my management people oh yes, 647 00:35:47,880 --> 00:35:49,840 or won't do any good. They'll fire me. That won't 648 00:35:49,880 --> 00:35:52,559 get you your money? Oh yes, well, what do you 649 00:35:52,679 --> 00:35:56,360 mean they're not responsible? Wells, and we exhibit this little documentary. 650 00:35:56,440 --> 00:35:58,760 We tell you management, unless they make good on your debt, 651 00:35:58,800 --> 00:36:01,199 we will show the picture of that. We will say 652 00:36:01,239 --> 00:36:04,039 to them. Here here is how a man who handles 653 00:36:04,039 --> 00:36:07,360 your money amuses himself in his spare time. Is he 654 00:36:07,559 --> 00:36:12,519 doing this with your money? I think your management will 655 00:36:12,599 --> 00:36:16,800 pay us off, don't you what? You violence? Who needs violence? 656 00:36:16,840 --> 00:36:19,440 When this kind of persuasion is so much more uh 657 00:36:20,519 --> 00:36:26,760 persuasive anytime? Of course, Take a few days, take a 658 00:36:26,880 --> 00:36:32,079 week even more, and think about it. I'm sure something 659 00:36:32,159 --> 00:36:49,480 will occur to you. Helene, Helene, what the place? It's empty? 660 00:36:50,519 --> 00:36:54,639 What happened? She's gone, She's disappeared, and she took everything? 661 00:36:56,039 --> 00:37:04,599 What's this? Darling? Love comes, love goes, and for us 662 00:37:04,639 --> 00:37:07,239 it's over. Think about me as I shall think about you, 663 00:37:07,960 --> 00:37:11,920 and remember always remember your name is Gerald's strong leader 664 00:37:12,000 --> 00:37:20,440 of a host. She's gone, He's gone, of course, he's gone. 665 00:37:20,920 --> 00:37:21,760 What did you expect? 666 00:37:21,960 --> 00:37:22,400 Speaker 3: Where are you? 667 00:37:22,599 --> 00:37:24,800 Speaker 1: What do you think I am? Look in the mirror, 668 00:37:25,119 --> 00:37:28,880 the mirror, what small mirror with the pearl and crust border. 669 00:37:29,480 --> 00:37:31,280 She was going to take it along with everything else, 670 00:37:31,320 --> 00:37:37,239 but she forgot. Well what are you going to do now? No, no, 671 00:37:37,480 --> 00:37:40,119 I'm I'm going to not too late. Get down on 672 00:37:40,199 --> 00:37:43,159 your knees to Cecily. Pray to her to forgive you. 673 00:37:43,360 --> 00:37:45,559 Never No, not to her, not to cecil You can't 674 00:37:45,559 --> 00:37:50,800 afford to her pride. I get the money somehow. Oh no, 675 00:37:52,039 --> 00:37:54,760 not that way. I know what you're thinking it. Look 676 00:37:54,840 --> 00:37:57,760 it's the only way. I won't let you. I won't 677 00:37:57,800 --> 00:38:00,320 let you kill her. I'll stop you. It'll it'll be 678 00:38:00,320 --> 00:38:02,679 a burglar. No, yes, a burglar and a and he 679 00:38:02,840 --> 00:38:05,000 killed her. Now, no, it's he. That's how it happened. 680 00:38:05,000 --> 00:38:07,519 I cut the gun at home doing She'll be angry, 681 00:38:07,559 --> 00:38:10,000 but in the end she'll forgive you heaven alibi. They'll 682 00:38:10,000 --> 00:38:13,079 never be able to prove her. Don't don't kill her 683 00:38:13,119 --> 00:38:15,480 for her money. I have to. I won't let you. 684 00:38:15,679 --> 00:38:18,440 You can't stop me, wre Cecily. I could you you 685 00:38:18,599 --> 00:38:19,239 you you can't. 686 00:38:19,360 --> 00:38:20,000 Speaker 3: I'll stop you. 687 00:38:20,760 --> 00:38:34,760 Speaker 7: I'll kill you first, Cecily, Cecily, where are you here? 688 00:38:36,320 --> 00:38:38,000 Speaker 4: I'm here, darling, in the living room. 689 00:38:38,800 --> 00:38:41,039 Speaker 1: Oh how are you? 690 00:38:42,480 --> 00:38:43,800 Speaker 4: As well as can be expected? 691 00:38:45,639 --> 00:38:46,400 Speaker 1: What does that mean? 692 00:38:47,280 --> 00:38:51,880 Speaker 6: Considering that my husband has a deceived me with another woman, 693 00:38:52,960 --> 00:38:56,920 be squandered every dollar he has in the world, and 694 00:38:57,280 --> 00:38:59,760 c plans to murder me for my inheritance. 695 00:39:00,079 --> 00:39:03,239 Speaker 4: I don't feel too badly. What is it true? 696 00:39:04,519 --> 00:39:07,199 Speaker 1: But where where could you possibly get such a clue? Idea? 697 00:39:07,599 --> 00:39:13,599 Speaker 4: You told me? I told you, Yes, strangest thing happened. 698 00:39:14,599 --> 00:39:18,000 Speaker 6: I was sitting in the mirror, combing my hair, and 699 00:39:18,159 --> 00:39:20,599 I looked in the mirror and it wasn't my face 700 00:39:20,679 --> 00:39:22,280 at all, but yours. 701 00:39:23,880 --> 00:39:25,800 Speaker 1: That's that's impossible. 702 00:39:26,800 --> 00:39:30,559 Speaker 6: And you started to talk to me and you told 703 00:39:30,639 --> 00:39:33,679 me everything, including the fact that you want to kill me. 704 00:39:34,400 --> 00:39:37,920 Speaker 1: No, it isn't true, l How could you? How could 705 00:39:37,920 --> 00:39:39,239 you see my face in the mirror? 706 00:39:39,360 --> 00:39:41,559 Speaker 4: But I did, and you spoke to me. 707 00:39:41,719 --> 00:39:45,639 Speaker 1: It could have been a dream perhaps, But does it matter, Darling? 708 00:39:45,719 --> 00:39:48,239 I I love you? Why would I? 709 00:39:48,599 --> 00:39:51,519 Speaker 4: I suppose I've been blind? But no more. I wish 710 00:39:51,559 --> 00:39:54,800 I could convince you, what are you looking for in 711 00:39:54,880 --> 00:39:55,280 that drawer? 712 00:39:55,559 --> 00:39:58,360 Speaker 1: For not looking for anything that's not true? You were 713 00:39:58,440 --> 00:40:04,079 looking for this Cecily, don't you You couldn't shoot me. 714 00:40:04,519 --> 00:40:06,159 Speaker 4: No, I couldn't. I'm not like you. 715 00:40:07,800 --> 00:40:10,199 Speaker 1: Why are you pointing that pistol at me. Get out, 716 00:40:11,559 --> 00:40:11,960 Get out. 717 00:40:12,119 --> 00:40:13,360 Speaker 4: This is no longer your home. 718 00:40:13,800 --> 00:40:17,199 Speaker 6: I'm no longer your wife, and I'm holding this gun 719 00:40:17,280 --> 00:40:19,440 because as long as I hold it, you won't be 720 00:40:19,480 --> 00:40:20,119 able to kill me. 721 00:40:20,960 --> 00:40:23,880 Speaker 1: Cecily, you're mad. It's all in your imagination, Steve, that's 722 00:40:23,920 --> 00:40:26,239 where you are. Well, we've been married twenty two years. 723 00:40:26,280 --> 00:40:28,280 Speaker 4: We love each other, not another step. 724 00:40:28,320 --> 00:40:31,119 Speaker 1: I warned you. You wouldn't shoot me. You couldn't stop. 725 00:40:31,280 --> 00:40:32,000 Give me that gun. 726 00:40:32,119 --> 00:40:36,440 Speaker 2: No, you want to kill me? 727 00:40:36,519 --> 00:40:40,000 Speaker 4: Help shut up, telp me somebody he wants to kill me. 728 00:40:40,360 --> 00:40:41,679 Speaker 1: I'll help you. Keep out of this. 729 00:40:41,800 --> 00:40:42,840 Speaker 7: You keep out of that car. 730 00:40:43,760 --> 00:40:45,519 Speaker 1: Get back back in the mirror with you alone. 731 00:40:45,559 --> 00:40:47,400 Speaker 3: Now I don't I don't belong here anymore. 732 00:40:47,719 --> 00:40:57,800 Speaker 1: Got another of it, get away, I'll call it child. 733 00:40:58,119 --> 00:41:05,679 He saved you, Seriously, he saved you. Gerald, h better 734 00:41:05,840 --> 00:41:10,559 man than I am. Who look in the mirror. 735 00:41:11,440 --> 00:41:12,280 Speaker 4: Let me get a doctor. 736 00:41:12,519 --> 00:41:14,000 Speaker 1: Look in the mirror, in the mirror, do you see 737 00:41:14,079 --> 00:41:14,760 him him? 738 00:41:16,719 --> 00:41:17,719 Speaker 4: I don't see him. 739 00:41:19,320 --> 00:41:32,440 Speaker 1: Then he's gone too. He's gone. M Gerald, Oh, Gerald, 740 00:41:39,760 --> 00:41:44,760 they're both gone. Gerald, and the image I know. We 741 00:41:44,960 --> 00:41:48,840 have the realists in the house, and the psychologists will 742 00:41:48,920 --> 00:41:50,960 tell us that they can reduce it all to a 743 00:41:51,039 --> 00:41:55,960 matter of the inner self, split personality, guilty conscience, well 744 00:41:56,719 --> 00:41:59,760 to each his own. It could have been an image 745 00:42:00,400 --> 00:42:06,599 acting independently. Proof absolute proof is missing for both sides. 746 00:42:07,639 --> 00:42:21,280 Our return in a few minutes. A French philosopher once said, 747 00:42:22,199 --> 00:42:25,360 we leave a part of ourselves behind us each day. 748 00:42:26,679 --> 00:42:31,639 That's true, but where do we leave it? Sometimes a 749 00:42:31,800 --> 00:42:35,480 very close and introspective look in the mirror might help 750 00:42:35,559 --> 00:42:40,440 us arrive at the answer answers so much in demand 751 00:42:40,559 --> 00:42:44,840 and so short in supply, however, we do have the 752 00:42:44,960 --> 00:42:49,239 full answer for your mystery, suspense and excitement needs right here. 753 00:42:50,760 --> 00:42:55,079 Our cast included Alexander Scurby, Laurie marsh William Redfield, and 754 00:42:55,239 --> 00:42:58,760 Marion Haley. The entire production was under the direction of 755 00:42:58,880 --> 00:43:02,039 Hyman Brown. This is E. G. Marshall inviting you to 756 00:43:02,159 --> 00:43:06,599 return to our Mystery Theater for another adventure in the macabre. 757 00:43:07,760 --> 00:43:11,679 Until next time, pleasant dreams.