WEBVTT

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<v Speaker 1>It speaking from London from the Black Museum, a museum

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<v Speaker 1>of death. Yes, here in the grim stone structure on

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<v Speaker 1>the Thames which houses Scotland Yard is a warehouse of homicide,

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<v Speaker 1>a warehouse where everyday objects a paper weight, of broken

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<v Speaker 1>wine bottle, a shaded lamp all are touched by murder.

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<v Speaker 2>To take his jackets.

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<v Speaker 1>Woolen handed is a baby's garment, dusty with age and

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<v Speaker 1>only half completed sleeves are missing, Inspector, and it still

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<v Speaker 1>has to be stitched up. Yes, looks rather pathetic, doesn't it, Sergeant?

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<v Speaker 1>It does help? Yes, got to put it back to

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<v Speaker 1>me a test case. I've been needing it before. On today.

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<v Speaker 1>That jacket's sleeveless and unstitch can be seen in the

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<v Speaker 1>Black Museum. From the annals of the Criminal Investigation Department

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<v Speaker 1>of the London Police.

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<v Speaker 3>We bring you the dramatic stories of the crimes recorded

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<v Speaker 3>by the objects in Scotland Yard's Gallery of Death, the

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<v Speaker 3>Black Museum. In just the moment, you will hear the

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<v Speaker 3>Black Museum starring Awesome Wells now the Black Museum steyn

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<v Speaker 3>Awesome Wells.

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<v Speaker 1>But here we are in the Black Museum, Scotland Yards,

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<v Speaker 1>Museum of murder. Herelive death, dressed in its Sunday best. Here,

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<v Speaker 1>for example's the nail file was once used by a

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<v Speaker 1>manicurist suprembent Ay finkingails was a beautiful woman, later used

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<v Speaker 1>by an insane killer. Here's a length of cord weighted

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<v Speaker 1>with lead and either ends pomis enough to look at,

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<v Speaker 1>but lethal in its effect. Is a weapon of murder. Ah,

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<v Speaker 1>Heilia says. The jacket muffles and dusty, somewhat inconspicuous in

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<v Speaker 1>its place on the shelf, a tragic relic of passion

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<v Speaker 1>and violence. I'm going to take you back quite a

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<v Speaker 1>few years to a warm Sunday morning in June of

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<v Speaker 1>the year nineteen twenty one. We are outside a small

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<v Speaker 1>chapel in the London suburb of Kensal Rise. The service

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<v Speaker 1>is not long ended, and the congregation files slowly from within.

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<v Speaker 1>Out of the brilliant sunshine. A young girl emerges, who

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<v Speaker 1>waves till a few friends gathered near the entrance, and

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<v Speaker 1>turns along the dusty yellow road in the direction of

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<v Speaker 1>the tarniship. She's gone but half a block, and she

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<v Speaker 1>hears an unfamiliar voice calling out to miss Miss. She

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<v Speaker 1>turns and finds herself face to face with a man

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<v Speaker 1>she has never seen before, a stocky, broad shouldered young

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<v Speaker 1>man with a round face and black penetrating eyes. I

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<v Speaker 1>beg your pardon, miss, I think you'll drop this.

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<v Speaker 4>Oh, my him.

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<v Speaker 1>It is yours?

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<v Speaker 2>Then?

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<v Speaker 1>Oh yes, I wasn't quite sure. Hate you ever so much?

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<v Speaker 1>Oh that's all right.

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<v Speaker 5>I don't know what i'd have done if i'd lost it.

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<v Speaker 4>Mother never forgiven me. She gave it to me my

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<v Speaker 4>twelfth person. Yet I've had it ever since.

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<v Speaker 1>In that case, it is a good thing.

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<v Speaker 6>And I happened to be looking your way.

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<v Speaker 5>Yes, well, I must be old het you again.

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<v Speaker 1>You're getting towards the village.

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<v Speaker 5>Yes, I live on the other side of the eyes.

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<v Speaker 1>I'm going that way myself. Perhaps you wouldn't mind my

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<v Speaker 1>walking with you, not at all, Sonny.

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<v Speaker 5>I thought I knew most of the posts about these thoughts,

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<v Speaker 5>but I don't ever remember.

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<v Speaker 4>Seeing you before.

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<v Speaker 1>That's not surprising. I mean, newcomer to kensal rise. I

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<v Speaker 1>already been here a few days, and that explains it.

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<v Speaker 6>Yes, I've been transferred to the bank here.

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<v Speaker 1>Oh you're except to be staying long, No longer than

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<v Speaker 1>I can help. I'm trying to save enough money to

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<v Speaker 1>buy a chicken farm.

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<v Speaker 4>A chicken farm, it.

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<v Speaker 1>Probably strikes you as being a queer ambition tell to have,

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<v Speaker 1>but I've always wanted one ever.

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<v Speaker 6>Since I was a youngster.

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<v Speaker 1>I've even got a small piece of land picked out

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<v Speaker 1>half an eggre at Clobra in Sussex.

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<v Speaker 5>Ciber as a friend who lived there on the land. Yes,

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<v Speaker 5>it's a wonderful spot.

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<v Speaker 4>I've stayed there for a week once, and.

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<v Speaker 1>After every minute of it, well then you've probably learn

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<v Speaker 1>more about the place than I do. I mean, had

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<v Speaker 1>just passed through it. But that's when I saw the

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<v Speaker 1>lamb for sale.

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<v Speaker 4>How long ago was that?

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<v Speaker 1>All? About six or seven months?

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<v Speaker 6>Have it's been sold in the meantime, No, that's hardly likely.

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<v Speaker 6>You see, I spoke to the agent.

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<v Speaker 1>His home years had already been up for sale two years,

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<v Speaker 1>and looked like saying that waiting for the next ten Oh,

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<v Speaker 1>I see, I really hope he knew what he was

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<v Speaker 1>talking about. The two walked on in silence for several moments,

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<v Speaker 1>then suddenly the young man laughed. I say, I've been

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<v Speaker 1>walking along telling you my inmost secrets, and I haven't

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<v Speaker 1>even introduced myself.

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<v Speaker 4>I was just about to say the same thing.

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<v Speaker 6>Well, the name's Move, Trevor Move, and mine's evening Rose.

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<v Speaker 4>Every one calls me Edie.

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<v Speaker 1>And that's how it all began, a romance destined to

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<v Speaker 1>flower with all the beauty of young love, only to

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<v Speaker 1>wither and die of tragic death. But let us not anticipate,

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<v Speaker 1>let us follow the course of that romance, or rather

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<v Speaker 1>let us pick out the more pertinent of its developments.

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<v Speaker 1>After their first meeting, Trevor Moon and Evie Rose spent

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<v Speaker 1>most of their time in each other's company. For twelve months,

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<v Speaker 1>they were rarely seen apart, and then one evening, while

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<v Speaker 1>strolling in the moonlight, Moon asked Stevie to Mellian, I

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<v Speaker 1>haven't much you off. You're dying and well, apart from

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<v Speaker 1>what I put aside from the farmize no money. But

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<v Speaker 1>if there is such a thing as loud as I've

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<v Speaker 1>really fallen victim.

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<v Speaker 4>To it, Oh time.

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<v Speaker 6>You're sure it's what you want, my dear, as easie

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<v Speaker 6>as it wasn't, I wouldn't.

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<v Speaker 4>Have asked you. I suppose he would.

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<v Speaker 1>It's just that, said the flat.

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<v Speaker 4>Well, I wasn't expecting it. You took me unawares.

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<v Speaker 1>I would be quite truthful, darning, I.

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<v Speaker 6>Took myself unawares to.

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<v Speaker 1>He hasn't given me an answer yet. Now to be

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<v Speaker 1>or not to be? That is the question.

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<v Speaker 4>Silly, of course, how merry you are, son, you just

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<v Speaker 4>as soon as you want you to.

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<v Speaker 1>But Moon was in no hurry. The contrary, he was

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<v Speaker 1>the type who could not be hustled, and a further

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<v Speaker 1>twelve months passed, during which time he remained as devoted

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<v Speaker 1>as ever, but appeared singularly reluctant to take the proverbial plunge. Easy,

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<v Speaker 1>on the other hand, became more impatient as the days

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<v Speaker 1>went by, and when informed by her suitor that he

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<v Speaker 1>had at last saved enough money to leave the bank

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<v Speaker 1>and purchased his precious chicken farm in Sussex, her emotions

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<v Speaker 1>gave them to words.

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<v Speaker 4>Oh, trebble, I'm so tired of all this waiting. How

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<v Speaker 4>much longer was we going like this?

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<v Speaker 1>Just a few men, darling, till I get the farms straightened,

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<v Speaker 1>eyes and ready for business.

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<v Speaker 5>But why com'ping me married right away?

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<v Speaker 4>Till I a shop your straightening down?

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<v Speaker 7>You can help me, immerse, darling by being just a

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<v Speaker 7>little more patient at the moment.

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<v Speaker 1>I get things in order down at Crowborough. I was

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<v Speaker 1>sent for you. Let's a promise, so Evie had to

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<v Speaker 1>consent to go on waiting. Two weeks later, matters having

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<v Speaker 1>been settled, Moon busy sweetheart a fawn, farewell and left

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<v Speaker 1>for Sussex. A month passed and no word from him.

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<v Speaker 1>Evie had done her best to be patient as hee

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<v Speaker 1>he dies, but this was too much. Packing a bag,

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<v Speaker 1>she took a train for Crowborough, and, upon reaching a destination,

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<v Speaker 1>checked in at the local inn, but she made inquiries

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<v Speaker 1>as to the location of the Moon property. Within the hour,

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<v Speaker 1>she was knocking at the door of a small shack

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<v Speaker 1>on the outskirts of the village.

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<v Speaker 6>Evie shall a darlick.

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<v Speaker 4>She don't be angry with.

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<v Speaker 5>Me, but God to see you.

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<v Speaker 1>Ask how did you get here?

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<v Speaker 4>By train? I had to come, darny.

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<v Speaker 5>If I've waited another day, i'd i'd have got out

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<v Speaker 5>of my mind.

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<v Speaker 6>It's been you can't stay here.

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<v Speaker 1>You'll realize that.

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<v Speaker 5>Why I don't have to stay at the hotel.

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<v Speaker 6>No, you're touching the next train back home.

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<v Speaker 1>I'll walk to the station.

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<v Speaker 4>No, trigger, No, I'm not going.

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<v Speaker 1>You're not going.

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<v Speaker 5>I'm staying in Kroger till I'm marriage.

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<v Speaker 1>I see, and if I happen to decide against going through.

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<v Speaker 4>With it, I must prad you haven't haven't any alternative? Triver?

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<v Speaker 5>Why you see I'm going to have.

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<v Speaker 6>A child, your child, Well you'd better stay.

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<v Speaker 1>The scene changes just three months later, we're in the

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<v Speaker 1>office of the Kromer a police station. Constable's Harris and

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<v Speaker 1>Vernon for playing checkers. Oh, didn't see that one coming him?

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<v Speaker 1>Playing for that a while? Alarm puts me in a

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<v Speaker 1>bit of a spot. Hey, does that all right? Right enough?

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<v Speaker 1>I'll get it. No fancy moves one and back's to

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<v Speaker 1>neither do you? If I will? It wouldn't be the

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<v Speaker 1>first time over at police Staton comfortable out of his feeling.

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<v Speaker 1>What's that? Yes? Yes, hold of a pickle? I get

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<v Speaker 1>me no book and take down a few particulars.

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<v Speaker 2>Now, what name.

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<v Speaker 1>Was it again?

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<v Speaker 2>Rose?

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<v Speaker 1>Missus Lena Rose? Yeah, and the missing girl daughter Evelyn

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<v Speaker 1>known as Evie andres fourteen miles of variet kindle Rise years?

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<v Speaker 1>How long has your thought have been going, Missus Rose?

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<v Speaker 1>Since seventy morning? I see, Yes, we'll let you do

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<v Speaker 1>with the prison, Missus Rose. You'll be hearing promise.

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<v Speaker 6>Yeah, that's right, Yes, good night, ma'am.

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<v Speaker 1>Trouble how now it won't keep now? A missing girl,

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<v Speaker 1>that's all. But Constable Hallis was in error. It was

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<v Speaker 1>not simply a case of another missing girl who disappeared

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<v Speaker 1>for a few days. There's a case of a missing

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<v Speaker 1>girl who disappeared for good.

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<v Speaker 6>Today.

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<v Speaker 1>Evidence of that fact can be seen here in the

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<v Speaker 1>Black Museum.

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<v Speaker 3>In just a moment, we will continue with the Black

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<v Speaker 3>Museum starring awesome Wells. And now we continue with the

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<v Speaker 3>Black Museum starring awesome Wells.

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<v Speaker 1>Just another missing girl. Yes, that's how the reported disappearance

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<v Speaker 1>of ev Rose was first described. Nothing particularly unusual about

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<v Speaker 1>such a report. Almost every day of the week, someone

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<v Speaker 1>or other vanishes without any apparent reason or cause to

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<v Speaker 1>show up again in due course, the perfectly simple explanation

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<v Speaker 1>for the supposedly mysterious absence. But of course there's always

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<v Speaker 1>the exception, which is why the police wasted little time

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<v Speaker 1>as possible in checking up on such matters. So it

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<v Speaker 1>was that the following day Missus Lena Rose received a

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<v Speaker 1>visit from Sergeant Cross as the Crower Police station. Well, then,

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<v Speaker 1>Missus Rose, let's get the fact. Wait, tall we according

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<v Speaker 1>to this report you had brought her left home early

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<v Speaker 1>on Saturday morning.

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<v Speaker 8>That's right, Sergeant. Two days ago she told us she

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<v Speaker 8>was going out.

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<v Speaker 4>Of Clobra for the day.

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<v Speaker 8>Cobra, he's a visit, has to answer. He has a

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<v Speaker 8>chicken farm there had a very big one. I understand

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<v Speaker 8>he only bought it a few months ago.

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<v Speaker 4>But she's doing very well.

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<v Speaker 1>You've been in touch with him, I take it.

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<v Speaker 8>Oh, yes, he said he was expecting easy for lunch

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<v Speaker 8>on Saturday, but she didn't arrive.

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<v Speaker 1>Was she in the habit of visiting him often? No.

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<v Speaker 8>Several weeks ago she went down to see how he

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<v Speaker 8>was getting long.

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<v Speaker 1>That was the only time she returned the same name get.

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<v Speaker 8>In time for tea. I come to think of it,

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<v Speaker 8>just about that time that.

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<v Speaker 1>She changed so changed.

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<v Speaker 8>Yes, she used to be such a hatty sort of girl,

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<v Speaker 8>you know, A was laughing and joking, and then suddenly

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<v Speaker 8>she became moody, sullen, and so as if something was worrying.

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<v Speaker 4>Her, something she couldn't speak of, even to me.

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<v Speaker 1>I have no idea what it could have been. I suppose.

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<v Speaker 8>Oh, well, perhaps I shouldn't tell you this, but I

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<v Speaker 8>had a feeding. It has something to do with Trevor

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<v Speaker 8>Trevor Trevor Moon had thence.

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<v Speaker 1>Oh what kind of something, missus Rose.

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<v Speaker 4>Well, that's what heavy puzzle.

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<v Speaker 8>I just come to an agent. Trefford was such a

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<v Speaker 8>nice boy and.

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<v Speaker 1>So fond of Ev.

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<v Speaker 8>I'm quite sure he wouldn't have done or said anything

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<v Speaker 8>to hurt her, well, not intentionally, that is.

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<v Speaker 1>How long have they been keeping company? All?

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<v Speaker 4>About two and a half years?

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<v Speaker 1>As long as that? Eh? And when were they to

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<v Speaker 1>be married?

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<v Speaker 4>Well, I'm not sure, sergeant.

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<v Speaker 8>Besides, I know they haven't actually set at date.

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<v Speaker 1>I see, well, I think I might pop down the

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00:14:45.279 --> 00:14:47.080
<v Speaker 1>crow but I don't have a chat with mister Moon.

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<v Speaker 1>He may be aboko on me something. Thanks for your help,

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<v Speaker 1>Missus Rose, and don't worry, we'll find your daughter. You're

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<v Speaker 1>probably be hearing from me again in a day two.

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<v Speaker 1>With an encouraging smile, Sergeant Cross took his leave at

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<v Speaker 1>the anxious mother and said for the railway station, of

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00:15:01.200 --> 00:15:04.879
<v Speaker 1>thoughtful expression crowding his wrinkled brow. That same expression was

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00:15:04.919 --> 00:15:06.720
<v Speaker 1>still present when he stepped from the train on the

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00:15:06.720 --> 00:15:09.360
<v Speaker 1>platform at Crowborough and headed along the lonely lane that

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00:15:09.480 --> 00:15:12.320
<v Speaker 1>led to the Moon Chicken farm. The gate was open,

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00:15:12.360 --> 00:15:13.279
<v Speaker 1>and seeing no one about.

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00:15:13.720 --> 00:15:15.159
<v Speaker 2>He made his way up to the front.

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00:15:14.919 --> 00:15:24.960
<v Speaker 1>Doors with shacked not. Yes, mister Moon, that's right. I'm

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00:15:25.039 --> 00:15:26.919
<v Speaker 1>sergeant Cross, so I wonder if you could spare a

263
00:15:26.960 --> 00:15:30.159
<v Speaker 1>few months. Your silent fire means sergeants come right in.

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<v Speaker 6>Place. Is in a bit of a mess?

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00:15:35.279 --> 00:15:40.440
<v Speaker 1>I'm afraid that's all right. Sit down, yer, thanks. I

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00:15:40.519 --> 00:15:42.639
<v Speaker 1>suppose you know why I'm here. Well, I have a

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00:15:42.679 --> 00:15:45.320
<v Speaker 1>fair idea. It's about ev Rose, isn't it.

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<v Speaker 6>Yes, still near a signpa, I'm afraid not.

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<v Speaker 1>There are just a few questions i'd like to ask you,

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00:15:51.799 --> 00:15:54.759
<v Speaker 1>mister Moon, ut thine, you understand nothing more. But of

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<v Speaker 1>course I've just come from kencel Rise. I've been talking

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00:15:57.840 --> 00:16:00.559
<v Speaker 1>to missus Rose, who gave me full of details. She's

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00:16:00.639 --> 00:16:02.960
<v Speaker 1>only the sight of her mind with worry. Well, under

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00:16:03.000 --> 00:16:05.240
<v Speaker 1>the circumstances, I think she's taken it very well.

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<v Speaker 7>I understand that you and the missing girl and engaged

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00:16:08.919 --> 00:16:11.679
<v Speaker 7>to be married, that's heir, and that she was on

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00:16:11.679 --> 00:16:14.120
<v Speaker 7>her way down here to visit you when she disappeared. Yes,

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00:16:14.200 --> 00:16:15.840
<v Speaker 7>I was at the station to meet her, but she

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00:16:15.960 --> 00:16:16.679
<v Speaker 7>wasn't on the train.

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<v Speaker 1>What train was that? The eleven o'clock I waited an

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00:16:20.600 --> 00:16:22.519
<v Speaker 1>hour for the next one, but she wasn't on that either,

282
00:16:22.600 --> 00:16:25.840
<v Speaker 1>So I came back home. Were you worried at all? No? Not,

283
00:16:25.879 --> 00:16:28.519
<v Speaker 1>And Julia I just assumed she'd changed her mind about coming.

284
00:16:28.840 --> 00:16:31.519
<v Speaker 1>You didn't think it's odd that you hadn't heard from her? No,

285
00:16:31.720 --> 00:16:34.000
<v Speaker 1>I can't say I did. How long is it since

286
00:16:34.000 --> 00:16:39.000
<v Speaker 1>you last saw her? Oh? Roughly speaking about for two months?

287
00:16:39.159 --> 00:16:42.240
<v Speaker 1>That was when she last visited you. Yes, she only

288
00:16:42.279 --> 00:16:45.440
<v Speaker 1>came here once. And I see, how did she seem then?

289
00:16:46.120 --> 00:16:49.320
<v Speaker 1>How did you mean? Well? Did she seem depressed or

290
00:16:49.600 --> 00:16:56.320
<v Speaker 1>worried about it? Nothing? Not that I can recall. No why, Oh,

291
00:16:56.480 --> 00:16:59.960
<v Speaker 1>no particular reason. Not for one second during the intellgame

292
00:17:00.240 --> 00:17:04.119
<v Speaker 1>did Sergeant Cross shift his gaze from Moon's face. He

293
00:17:04.160 --> 00:17:06.680
<v Speaker 1>had never trusted black eyes, and he wasn't quite sure

294
00:17:06.720 --> 00:17:10.400
<v Speaker 1>he liked the look of this young fellow. But despite this,

295
00:17:10.720 --> 00:17:14.240
<v Speaker 1>the inscrutable mister Moon gave no indication that he knew

296
00:17:14.279 --> 00:17:17.119
<v Speaker 1>any more about the missing Evil Rose than he was

297
00:17:17.160 --> 00:17:20.240
<v Speaker 1>ready to admit, and certainly did not appear.

298
00:17:20.000 --> 00:17:21.680
<v Speaker 2>To have anything to hide.

299
00:17:22.359 --> 00:17:25.519
<v Speaker 1>It's the country. In fact, Back at the Krograth police

300
00:17:25.519 --> 00:17:29.160
<v Speaker 1>station later that same day, Cross admitted as much to

301
00:17:29.240 --> 00:17:33.119
<v Speaker 1>his superior to visional Inspector Broughton. So you think you

302
00:17:33.240 --> 00:17:35.960
<v Speaker 1>so all he knows as Argant. Well, so let's just

303
00:17:36.039 --> 00:17:38.839
<v Speaker 1>say that he gave me that impression. It was those

304
00:17:38.920 --> 00:17:41.480
<v Speaker 1>black eyes of his that set me thinking, sure, you've

305
00:17:41.480 --> 00:17:43.680
<v Speaker 1>got a shifty look about them. You can hardly hold

306
00:17:43.720 --> 00:17:45.880
<v Speaker 1>the color of a man's eyes against his. His sergeants

307
00:17:46.119 --> 00:17:49.039
<v Speaker 1>perhaps not said even so, I think the best thing

308
00:17:49.039 --> 00:17:50.440
<v Speaker 1>we can do at the stage is to give the

309
00:17:50.440 --> 00:17:53.759
<v Speaker 1>newspapers the photograph of the missing girl and the description

310
00:17:53.799 --> 00:17:55.440
<v Speaker 1>of the coach he was wearing on the day of

311
00:17:55.480 --> 00:17:58.079
<v Speaker 1>a disappearance. Just as you say that, I'll attend to

312
00:17:58.119 --> 00:18:00.400
<v Speaker 1>it right away. First it was that a photo graph

313
00:18:00.480 --> 00:18:04.720
<v Speaker 1>of ev Rose, together with a description, found its way

314
00:18:04.759 --> 00:18:09.880
<v Speaker 1>onto the front page of three London newspapers. Well that

315
00:18:09.960 --> 00:18:13.640
<v Speaker 1>should do the trick. Yes, let's hip, says Argent. Two

316
00:18:13.680 --> 00:18:17.279
<v Speaker 1>weeks past, during which time no information regarding missing girl

317
00:18:17.319 --> 00:18:21.799
<v Speaker 1>was forthcoming. Yet a third week went by and still

318
00:18:21.839 --> 00:18:25.000
<v Speaker 1>there was no trace for d. V. Rose, Well Sardan,

319
00:18:25.440 --> 00:18:29.680
<v Speaker 1>which as if we've borne a blank her. What's to

320
00:18:29.720 --> 00:18:33.000
<v Speaker 1>do now, that's the question. I think I might pay

321
00:18:33.039 --> 00:18:36.119
<v Speaker 1>your friend miss the Moon visit by that if you'll

322
00:18:36.160 --> 00:18:38.799
<v Speaker 1>get much more from him than I got. Possibly not

323
00:18:39.680 --> 00:18:43.799
<v Speaker 1>no harm. In trying to this day, Inspector Broughton could

324
00:18:43.839 --> 00:18:47.000
<v Speaker 1>not say exactly why he so suddenly decided to pay

325
00:18:47.000 --> 00:18:50.279
<v Speaker 1>Moon a call. Perhaps it was the prompting of fate.

326
00:18:50.640 --> 00:18:53.680
<v Speaker 1>Perhaps he acted simply on a blind impulse. Whatever it was,

327
00:18:54.240 --> 00:18:57.359
<v Speaker 1>he wasted no time about it, and that same afternoon

328
00:18:57.440 --> 00:19:00.000
<v Speaker 1>he made his way out to the moon Fire found

329
00:19:00.160 --> 00:19:03.839
<v Speaker 1>Borne seated on the narrow land, thoughtfully puffing at a

330
00:19:03.960 --> 00:19:09.480
<v Speaker 1>much smoked play. Hello, you are another of those tempoor reporters.

331
00:19:09.039 --> 00:19:09.559
<v Speaker 8>You can go to.

332
00:19:09.960 --> 00:19:14.559
<v Speaker 1>No, No, I'm not a reporter. Well that's a relief anyway.

333
00:19:15.000 --> 00:19:16.839
<v Speaker 1>He'd been showing up here in a says stream for

334
00:19:16.880 --> 00:19:20.519
<v Speaker 1>the past three weeks. Is that a fact? Yes, you know.

335
00:19:20.599 --> 00:19:22.119
<v Speaker 6>I'm convinced they really believe I'm.

336
00:19:22.000 --> 00:19:26.359
<v Speaker 1>Murdered that girl, that easy rose, prying fools that they are,

337
00:19:26.359 --> 00:19:28.519
<v Speaker 1>the way they asked questions to think I was on trial.

338
00:19:28.680 --> 00:19:30.119
<v Speaker 6>Yes, bes you are.

339
00:19:30.480 --> 00:19:34.519
<v Speaker 1>But I mean I think you will know more than

340
00:19:34.559 --> 00:19:38.599
<v Speaker 1>you're telling. Why should facing that? No, he was supposed

341
00:19:38.640 --> 00:19:40.960
<v Speaker 1>to be on a way to visit you and she disappeared.

342
00:19:41.200 --> 00:19:44.039
<v Speaker 1>It doesn't mean I'm murderer, No, I mean anyone could

343
00:19:44.039 --> 00:19:50.759
<v Speaker 1>have done it, done one murderer who said she was murdered? Why? No,

344
00:19:51.079 --> 00:19:54.559
<v Speaker 1>one not in so many words. But that's what they're inferred,

345
00:19:55.400 --> 00:19:57.839
<v Speaker 1>those special reporters. You're sure you're not imagining it.

346
00:19:57.920 --> 00:20:00.200
<v Speaker 6>Of course I'm not imagining it. Oh I should I

347
00:20:00.039 --> 00:20:00.759
<v Speaker 6>imagine it?

348
00:20:00.799 --> 00:20:06.440
<v Speaker 1>Whoa? Why should you? Indeed, you're shy on not a reporter?

349
00:20:08.000 --> 00:20:09.599
<v Speaker 1>Quite sure? Who are you?

350
00:20:09.680 --> 00:20:09.880
<v Speaker 2>Then?

351
00:20:10.480 --> 00:20:14.000
<v Speaker 6>Oh, they're okay, I'm a.

352
00:20:14.000 --> 00:20:20.039
<v Speaker 1>Detective detective, His thicker pardons the name. Oh well, I'm

353
00:20:21.119 --> 00:20:25.599
<v Speaker 1>I'm gad it's not inspect that what caught you here?

354
00:20:25.720 --> 00:20:25.839
<v Speaker 2>Oh?

355
00:20:25.960 --> 00:20:28.680
<v Speaker 1>I just want to ever look about the place, quite clearly,

356
00:20:28.720 --> 00:20:31.920
<v Speaker 1>answered him. I suppose you wanted to question me too, Well,

357
00:20:32.799 --> 00:20:33.200
<v Speaker 1>thank you.

358
00:20:33.440 --> 00:20:35.480
<v Speaker 6>I did want to, but I don't.

359
00:20:35.200 --> 00:20:38.759
<v Speaker 1>Want to anymore. I think you're giving me all the

360
00:20:38.839 --> 00:20:41.640
<v Speaker 1>answers I need. With a nod, the inspector turned and

361
00:20:41.640 --> 00:20:43.799
<v Speaker 1>walked back down the path. He didn't look back, but

362
00:20:43.839 --> 00:20:46.799
<v Speaker 1>he could feel Moon's eyes staring after him, the eyes

363
00:20:46.839 --> 00:20:51.359
<v Speaker 1>that had told him so much, so convincingly. It's just

364
00:20:51.440 --> 00:20:54.119
<v Speaker 1>like that, almost like the sort of stuff one reads

365
00:20:54.119 --> 00:20:57.599
<v Speaker 1>in a cheap detective fiction magazine. Well this was cheap.

366
00:20:58.480 --> 00:21:03.599
<v Speaker 1>It wasn't fiction. Was life life, and its first is

367
00:21:03.599 --> 00:21:08.839
<v Speaker 1>suit that was quick, Inspector, how do you make us

368
00:21:08.880 --> 00:21:12.799
<v Speaker 1>you could kill us? And we yes, I'm sure that

369
00:21:12.880 --> 00:21:14.200
<v Speaker 1>as I am, I think that we'll see the end

370
00:21:14.200 --> 00:21:16.319
<v Speaker 1>of the v reast case to night. You think he

371
00:21:16.400 --> 00:21:17.559
<v Speaker 1>killed it, well if he didn't like NI to be

372
00:21:17.559 --> 00:21:18.839
<v Speaker 1>out of a job. And I've benn know of your

373
00:21:18.880 --> 00:21:21.720
<v Speaker 1>chime because I'm thanking everything on the huntspit he did

374
00:21:21.759 --> 00:21:25.000
<v Speaker 1>my repetition included, and don't ask me why if I

375
00:21:25.079 --> 00:21:27.680
<v Speaker 1>told you your t is mad. We're wasting valuable time.

376
00:21:27.680 --> 00:21:30.119
<v Speaker 1>Con get a squad together. We got work to do. Work.

377
00:21:30.279 --> 00:21:32.160
<v Speaker 1>We're off back the Moon's place and they're gonna search

378
00:21:32.200 --> 00:21:34.319
<v Speaker 1>every inch of it. If we don't find anything inside

379
00:21:34.319 --> 00:21:36.319
<v Speaker 1>the house, we start on the ground. And even if

380
00:21:36.359 --> 00:21:38.640
<v Speaker 1>we dig all night, Pargeant, we're gonna keep on digging

381
00:21:38.680 --> 00:21:41.440
<v Speaker 1>to the strike oil. So less than an hour later,

382
00:21:41.519 --> 00:21:44.599
<v Speaker 1>Inspector Broughton was back at the chickilar a touch across

383
00:21:44.920 --> 00:21:48.960
<v Speaker 1>and four constables, but the shack was searched from top

384
00:21:49.000 --> 00:21:52.480
<v Speaker 1>to bottom and finding nothing on the inside, they started

385
00:21:52.519 --> 00:21:55.880
<v Speaker 1>on the outside with picks and shovels and everything. A

386
00:21:55.960 --> 00:21:59.279
<v Speaker 1>good lader hands on, Broughton was risking his career on

387
00:21:59.319 --> 00:22:03.400
<v Speaker 1>an intangib impulse and he hear wis so he didn't

388
00:22:03.400 --> 00:22:08.119
<v Speaker 1>think it was much of this nothing so far, and

389
00:22:08.119 --> 00:22:10.400
<v Speaker 1>inspect up, we've got a lot of ground to cover yet. O.

390
00:22:11.279 --> 00:22:13.599
<v Speaker 1>I hope you're not making a mistakes that I am.

391
00:22:13.640 --> 00:22:15.319
<v Speaker 1>But if I am, you and up a boy, and

392
00:22:15.400 --> 00:22:16.079
<v Speaker 1>you promise.

393
00:22:15.880 --> 00:22:19.000
<v Speaker 6>You that I wasn't thinking of don't worry about me.

394
00:22:19.279 --> 00:22:22.680
<v Speaker 1>My shoulders are broad enough. The deking continued, but it

395
00:22:22.720 --> 00:22:26.200
<v Speaker 1>was too dark to see. Lanterns were lift four hours

396
00:22:26.240 --> 00:22:28.359
<v Speaker 1>slipped by, and Eaton brought was ready to throw in

397
00:22:28.440 --> 00:22:33.920
<v Speaker 1>us all and ye inspect, Mmmm, what is it doing?

398
00:22:34.319 --> 00:22:37.039
<v Speaker 1>Just look what handsome has dug up the head against

399
00:22:37.200 --> 00:22:38.200
<v Speaker 1>want to get a knifel of.

400
00:22:38.160 --> 00:22:38.920
<v Speaker 6>The initials on it.

401
00:22:39.160 --> 00:22:41.759
<v Speaker 1>And he seems as if.

402
00:22:41.680 --> 00:22:43.160
<v Speaker 6>Your hunch might have been right after all.

403
00:22:43.200 --> 00:22:44.200
<v Speaker 1>Yeah, come on, open it up.

404
00:22:44.400 --> 00:22:45.559
<v Speaker 6>Maybe it's something in it right.

405
00:22:47.920 --> 00:22:53.039
<v Speaker 1>Well, it doesn't feel like it. Hello, what's this? Looks

406
00:22:53.119 --> 00:22:56.640
<v Speaker 1>like a jacket of zamzor a baby's jacket. That's what

407
00:22:56.720 --> 00:23:00.400
<v Speaker 1>it is, all right, only half complete it seeleaves are

408
00:23:00.400 --> 00:23:03.000
<v Speaker 1>missing and it too has to be stitched up. Yes,

409
00:23:04.279 --> 00:23:08.200
<v Speaker 1>looks rather pathetic, doesn't it, Garden it does her? Yes?

410
00:23:08.359 --> 00:23:11.640
<v Speaker 1>Better put it back in the case. Probably rending it.

411
00:23:11.680 --> 00:23:14.839
<v Speaker 1>Before long, with the discovery of the attache case, the

412
00:23:14.920 --> 00:23:18.319
<v Speaker 1>search was renewed with an added vigor, and stray articles

413
00:23:18.319 --> 00:23:21.200
<v Speaker 1>of clothing were brought to light one by one, clothes

414
00:23:21.319 --> 00:23:24.200
<v Speaker 1>identical to those worn by the missing girl on the

415
00:23:24.279 --> 00:23:28.279
<v Speaker 1>day of a disappearance. A green scarf, a yellow jumper,

416
00:23:28.519 --> 00:23:31.720
<v Speaker 1>a brown skirt, had leather shoes.

417
00:23:32.079 --> 00:23:32.960
<v Speaker 2>A brown beret.

418
00:23:34.759 --> 00:23:37.480
<v Speaker 1>Doesn't leave much to the imagination and specked up. Yeah,

419
00:23:37.920 --> 00:23:42.240
<v Speaker 1>not much. But we still had to find the body. Yes,

420
00:23:42.319 --> 00:23:45.480
<v Speaker 1>they still had to find a body. But they thought

421
00:23:45.480 --> 00:23:49.519
<v Speaker 1>it couldn't be far away, and they were right, except

422
00:23:49.519 --> 00:23:53.079
<v Speaker 1>that it wasn't a body, but rather a scattering of

423
00:23:53.200 --> 00:23:56.440
<v Speaker 1>bits and pieces at once had.

424
00:23:56.279 --> 00:24:01.079
<v Speaker 2>Been a body.

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<v Speaker 1>Confronted with the evidence, Trevor Moon made no attempt to

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<v Speaker 1>deny the charge of murder that was subsequently leveled at him.

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<v Speaker 1>He seemed, in fact, somewhat relieved to relate his gruesome

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<v Speaker 1>story of how he had sent for if he rose and,

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<v Speaker 1>knowing that she was soon to bear his child, strangled her,

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<v Speaker 1>later dismembering her body and burying it together with her

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<v Speaker 1>clothing and the Attacha case, the contents of which today

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<v Speaker 1>occupies its place in the Black Museum.

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<v Speaker 3>Arson Wells will be back with you in just a moment.

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<v Speaker 3>Now Here in person is Arson Wells.

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<v Speaker 1>Moon's defense, if it could be called a defense, was

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<v Speaker 1>a great let down to the hundreds who kicked and

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<v Speaker 1>shoved their way into the old Baileys who witness his trial.

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<v Speaker 1>For mister Moo pleaded guilty. There was much more to

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<v Speaker 1>it than that. Oh yes, he had an excuse, brandied excuses.

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<v Speaker 1>There are no excuses for murder. That Fury's verdict was

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<v Speaker 1>never in doubt. Trevor Moon was found guilty of murder

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<v Speaker 1>in the first degree, and two months later the day

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<v Speaker 1>he was hanged. So there you have it, And now

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<v Speaker 1>do we need next time in the same place, and

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<v Speaker 1>I'll tell you another story about the Black Museum.

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<v Speaker 2>Harry Mayne is always OpEd of fields.

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<v Speaker 3>A Black Museum starring Orson Wells is presented by arrangement

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<v Speaker 3>with Metro Goldwyn Mayor Radio Attraction, with original music composed

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<v Speaker 3>and conducted by Sydney Torsch, produced by Harry Allen twas

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<v Speaker 1>La
