Speaker 1: It speaking from London from the Black Museum, a museum
Speaker 1: of death. Yes, here in the grim stone structure on
Speaker 1: the Thames which houses Scotland Yard is a warehouse of homicide,
Speaker 1: a warehouse where everyday objects a paper weight, of broken
Speaker 1: wine bottle, a shaded lamp all are touched by murder.
Speaker 2: To take his jackets.
Speaker 1: Woolen handed is a baby's garment, dusty with age and
Speaker 1: only half completed sleeves are missing, Inspector, and it still
Speaker 1: has to be stitched up. Yes, looks rather pathetic, doesn't it, Sergeant?
Speaker 1: It does help? Yes, got to put it back to
Speaker 1: me a test case. I've been needing it before. On today.
Speaker 1: That jacket's sleeveless and unstitch can be seen in the
Speaker 1: Black Museum. From the annals of the Criminal Investigation Department
Speaker 1: of the London Police.
Speaker 3: We bring you the dramatic stories of the crimes recorded
Speaker 3: by the objects in Scotland Yard's Gallery of Death, the
Speaker 3: Black Museum. In just the moment, you will hear the
Speaker 3: Black Museum starring Awesome Wells now the Black Museum steyn
Speaker 3: Awesome Wells.
Speaker 1: But here we are in the Black Museum, Scotland Yards,
Speaker 1: Museum of murder. Herelive death, dressed in its Sunday best. Here,
Speaker 1: for example's the nail file was once used by a
Speaker 1: manicurist suprembent Ay finkingails was a beautiful woman, later used
Speaker 1: by an insane killer. Here's a length of cord weighted
Speaker 1: with lead and either ends pomis enough to look at,
Speaker 1: but lethal in its effect. Is a weapon of murder. Ah,
Speaker 1: Heilia says. The jacket muffles and dusty, somewhat inconspicuous in
Speaker 1: its place on the shelf, a tragic relic of passion
Speaker 1: and violence. I'm going to take you back quite a
Speaker 1: few years to a warm Sunday morning in June of
Speaker 1: the year nineteen twenty one. We are outside a small
Speaker 1: chapel in the London suburb of Kensal Rise. The service
Speaker 1: is not long ended, and the congregation files slowly from within.
Speaker 1: Out of the brilliant sunshine. A young girl emerges, who
Speaker 1: waves till a few friends gathered near the entrance, and
Speaker 1: turns along the dusty yellow road in the direction of
Speaker 1: the tarniship. She's gone but half a block, and she
Speaker 1: hears an unfamiliar voice calling out to miss Miss. She
Speaker 1: turns and finds herself face to face with a man
Speaker 1: she has never seen before, a stocky, broad shouldered young
Speaker 1: man with a round face and black penetrating eyes. I
Speaker 1: beg your pardon, miss, I think you'll drop this.
Speaker 4: Oh, my him.
Speaker 1: It is yours?
Speaker 2: Then?
Speaker 1: Oh yes, I wasn't quite sure. Hate you ever so much?
Speaker 1: Oh that's all right.
Speaker 5: I don't know what i'd have done if i'd lost it.
Speaker 4: Mother never forgiven me. She gave it to me my
Speaker 4: twelfth person. Yet I've had it ever since.
Speaker 1: In that case, it is a good thing.
Speaker 6: And I happened to be looking your way.
Speaker 5: Yes, well, I must be old het you again.
Speaker 1: You're getting towards the village.
Speaker 5: Yes, I live on the other side of the eyes.
Speaker 1: I'm going that way myself. Perhaps you wouldn't mind my
Speaker 1: walking with you, not at all, Sonny.
Speaker 5: I thought I knew most of the posts about these thoughts,
Speaker 5: but I don't ever remember.
Speaker 4: Seeing you before.
Speaker 1: That's not surprising. I mean, newcomer to kensal rise. I
Speaker 1: already been here a few days, and that explains it.
Speaker 6: Yes, I've been transferred to the bank here.
Speaker 1: Oh you're except to be staying long, No longer than
Speaker 1: I can help. I'm trying to save enough money to
Speaker 1: buy a chicken farm.
Speaker 4: A chicken farm, it.
Speaker 1: Probably strikes you as being a queer ambition tell to have,
Speaker 1: but I've always wanted one ever.
Speaker 6: Since I was a youngster.
Speaker 1: I've even got a small piece of land picked out
Speaker 1: half an eggre at Clobra in Sussex.
Speaker 5: Ciber as a friend who lived there on the land. Yes,
Speaker 5: it's a wonderful spot.
Speaker 4: I've stayed there for a week once, and.
Speaker 1: After every minute of it, well then you've probably learn
Speaker 1: more about the place than I do. I mean, had
Speaker 1: just passed through it. But that's when I saw the
Speaker 1: lamb for sale.
Speaker 4: How long ago was that?
Speaker 1: All? About six or seven months?
Speaker 6: Have it's been sold in the meantime, No, that's hardly likely.
Speaker 6: You see, I spoke to the agent.
Speaker 1: His home years had already been up for sale two years,
Speaker 1: and looked like saying that waiting for the next ten Oh,
Speaker 1: I see, I really hope he knew what he was
Speaker 1: talking about. The two walked on in silence for several moments,
Speaker 1: then suddenly the young man laughed. I say, I've been
Speaker 1: walking along telling you my inmost secrets, and I haven't
Speaker 1: even introduced myself.
Speaker 4: I was just about to say the same thing.
Speaker 6: Well, the name's Move, Trevor Move, and mine's evening Rose.
Speaker 4: Every one calls me Edie.
Speaker 1: And that's how it all began, a romance destined to
Speaker 1: flower with all the beauty of young love, only to
Speaker 1: wither and die of tragic death. But let us not anticipate,
Speaker 1: let us follow the course of that romance, or rather
Speaker 1: let us pick out the more pertinent of its developments.
Speaker 1: After their first meeting, Trevor Moon and Evie Rose spent
Speaker 1: most of their time in each other's company. For twelve months,
Speaker 1: they were rarely seen apart, and then one evening, while
Speaker 1: strolling in the moonlight, Moon asked Stevie to Mellian, I
Speaker 1: haven't much you off. You're dying and well, apart from
Speaker 1: what I put aside from the farmize no money. But
Speaker 1: if there is such a thing as loud as I've
Speaker 1: really fallen victim.
Speaker 4: To it, Oh time.
Speaker 6: You're sure it's what you want, my dear, as easie
Speaker 6: as it wasn't, I wouldn't.
Speaker 4: Have asked you. I suppose he would.
Speaker 1: It's just that, said the flat.
Speaker 4: Well, I wasn't expecting it. You took me unawares.
Speaker 1: I would be quite truthful, darning, I.
Speaker 6: Took myself unawares to.
Speaker 1: He hasn't given me an answer yet. Now to be
Speaker 1: or not to be? That is the question.
Speaker 4: Silly, of course, how merry you are, son, you just
Speaker 4: as soon as you want you to.
Speaker 1: But Moon was in no hurry. The contrary, he was
Speaker 1: the type who could not be hustled, and a further
Speaker 1: twelve months passed, during which time he remained as devoted
Speaker 1: as ever, but appeared singularly reluctant to take the proverbial plunge. Easy,
Speaker 1: on the other hand, became more impatient as the days
Speaker 1: went by, and when informed by her suitor that he
Speaker 1: had at last saved enough money to leave the bank
Speaker 1: and purchased his precious chicken farm in Sussex, her emotions
Speaker 1: gave them to words.
Speaker 4: Oh, trebble, I'm so tired of all this waiting. How
Speaker 4: much longer was we going like this?
Speaker 1: Just a few men, darling, till I get the farms straightened,
Speaker 1: eyes and ready for business.
Speaker 5: But why com'ping me married right away?
Speaker 4: Till I a shop your straightening down?
Speaker 7: You can help me, immerse, darling by being just a
Speaker 7: little more patient at the moment.
Speaker 1: I get things in order down at Crowborough. I was
Speaker 1: sent for you. Let's a promise, so Evie had to
Speaker 1: consent to go on waiting. Two weeks later, matters having
Speaker 1: been settled, Moon busy sweetheart a fawn, farewell and left
Speaker 1: for Sussex. A month passed and no word from him.
Speaker 1: Evie had done her best to be patient as hee
Speaker 1: he dies, but this was too much. Packing a bag,
Speaker 1: she took a train for Crowborough, and, upon reaching a destination,
Speaker 1: checked in at the local inn, but she made inquiries
Speaker 1: as to the location of the Moon property. Within the hour,
Speaker 1: she was knocking at the door of a small shack
Speaker 1: on the outskirts of the village.
Speaker 6: Evie shall a darlick.
Speaker 4: She don't be angry with.
Speaker 5: Me, but God to see you.
Speaker 1: Ask how did you get here?
Speaker 4: By train? I had to come, darny.
Speaker 5: If I've waited another day, i'd i'd have got out
Speaker 5: of my mind.
Speaker 6: It's been you can't stay here.
Speaker 1: You'll realize that.
Speaker 5: Why I don't have to stay at the hotel.
Speaker 6: No, you're touching the next train back home.
Speaker 1: I'll walk to the station.
Speaker 4: No, trigger, No, I'm not going.
Speaker 1: You're not going.
Speaker 5: I'm staying in Kroger till I'm marriage.
Speaker 1: I see, and if I happen to decide against going through.
Speaker 4: With it, I must prad you haven't haven't any alternative? Triver?
Speaker 5: Why you see I'm going to have.
Speaker 6: A child, your child, Well you'd better stay.
Speaker 1: The scene changes just three months later, we're in the
Speaker 1: office of the Kromer a police station. Constable's Harris and
Speaker 1: Vernon for playing checkers. Oh, didn't see that one coming him?
Speaker 1: Playing for that a while? Alarm puts me in a
Speaker 1: bit of a spot. Hey, does that all right? Right enough?
Speaker 1: I'll get it. No fancy moves one and back's to
Speaker 1: neither do you? If I will? It wouldn't be the
Speaker 1: first time over at police Staton comfortable out of his feeling.
Speaker 1: What's that? Yes? Yes, hold of a pickle? I get
Speaker 1: me no book and take down a few particulars.
Speaker 2: Now, what name.
Speaker 1: Was it again?
Speaker 2: Rose?
Speaker 1: Missus Lena Rose? Yeah, and the missing girl daughter Evelyn
Speaker 1: known as Evie andres fourteen miles of variet kindle Rise years?
Speaker 1: How long has your thought have been going, Missus Rose?
Speaker 1: Since seventy morning? I see, Yes, we'll let you do
Speaker 1: with the prison, Missus Rose. You'll be hearing promise.
Speaker 6: Yeah, that's right, Yes, good night, ma'am.
Speaker 1: Trouble how now it won't keep now? A missing girl,
Speaker 1: that's all. But Constable Hallis was in error. It was
Speaker 1: not simply a case of another missing girl who disappeared
Speaker 1: for a few days. There's a case of a missing
Speaker 1: girl who disappeared for good.
Speaker 6: Today.
Speaker 1: Evidence of that fact can be seen here in the
Speaker 1: Black Museum.
Speaker 3: In just a moment, we will continue with the Black
Speaker 3: Museum starring awesome Wells. And now we continue with the
Speaker 3: Black Museum starring awesome Wells.
Speaker 1: Just another missing girl. Yes, that's how the reported disappearance
Speaker 1: of ev Rose was first described. Nothing particularly unusual about
Speaker 1: such a report. Almost every day of the week, someone
Speaker 1: or other vanishes without any apparent reason or cause to
Speaker 1: show up again in due course, the perfectly simple explanation
Speaker 1: for the supposedly mysterious absence. But of course there's always
Speaker 1: the exception, which is why the police wasted little time
Speaker 1: as possible in checking up on such matters. So it
Speaker 1: was that the following day Missus Lena Rose received a
Speaker 1: visit from Sergeant Cross as the Crower Police station. Well, then,
Speaker 1: Missus Rose, let's get the fact. Wait, tall we according
Speaker 1: to this report you had brought her left home early
Speaker 1: on Saturday morning.
Speaker 8: That's right, Sergeant. Two days ago she told us she
Speaker 8: was going out.
Speaker 4: Of Clobra for the day.
Speaker 8: Cobra, he's a visit, has to answer. He has a
Speaker 8: chicken farm there had a very big one. I understand
Speaker 8: he only bought it a few months ago.
Speaker 4: But she's doing very well.
Speaker 1: You've been in touch with him, I take it.
Speaker 8: Oh, yes, he said he was expecting easy for lunch
Speaker 8: on Saturday, but she didn't arrive.
Speaker 1: Was she in the habit of visiting him often? No.
Speaker 8: Several weeks ago she went down to see how he
Speaker 8: was getting long.
Speaker 1: That was the only time she returned the same name get.
Speaker 8: In time for tea. I come to think of it,
Speaker 8: just about that time that.
Speaker 1: She changed so changed.
Speaker 8: Yes, she used to be such a hatty sort of girl,
Speaker 8: you know, A was laughing and joking, and then suddenly
Speaker 8: she became moody, sullen, and so as if something was worrying.
Speaker 4: Her, something she couldn't speak of, even to me.
Speaker 1: I have no idea what it could have been. I suppose.
Speaker 8: Oh, well, perhaps I shouldn't tell you this, but I
Speaker 8: had a feeding. It has something to do with Trevor
Speaker 8: Trevor Trevor Moon had thence.
Speaker 1: Oh what kind of something, missus Rose.
Speaker 4: Well, that's what heavy puzzle.
Speaker 8: I just come to an agent. Trefford was such a
Speaker 8: nice boy and.
Speaker 1: So fond of Ev.
Speaker 8: I'm quite sure he wouldn't have done or said anything
Speaker 8: to hurt her, well, not intentionally, that is.
Speaker 1: How long have they been keeping company? All?
Speaker 4: About two and a half years?
Speaker 1: As long as that? Eh? And when were they to
Speaker 1: be married?
Speaker 4: Well, I'm not sure, sergeant.
Speaker 8: Besides, I know they haven't actually set at date.
Speaker 1: I see, well, I think I might pop down the
Speaker 1: crow but I don't have a chat with mister Moon.
Speaker 1: He may be aboko on me something. Thanks for your help,
Speaker 1: Missus Rose, and don't worry, we'll find your daughter. You're
Speaker 1: probably be hearing from me again in a day two.
Speaker 1: With an encouraging smile, Sergeant Cross took his leave at
Speaker 1: the anxious mother and said for the railway station, of
Speaker 1: thoughtful expression crowding his wrinkled brow. That same expression was
Speaker 1: still present when he stepped from the train on the
Speaker 1: platform at Crowborough and headed along the lonely lane that
Speaker 1: led to the Moon Chicken farm. The gate was open,
Speaker 1: and seeing no one about.
Speaker 2: He made his way up to the front.
Speaker 1: Doors with shacked not. Yes, mister Moon, that's right. I'm
Speaker 1: sergeant Cross, so I wonder if you could spare a
Speaker 1: few months. Your silent fire means sergeants come right in.
Speaker 6: Place. Is in a bit of a mess?
Speaker 1: I'm afraid that's all right. Sit down, yer, thanks. I
Speaker 1: suppose you know why I'm here. Well, I have a
Speaker 1: fair idea. It's about ev Rose, isn't it.
Speaker 6: Yes, still near a signpa, I'm afraid not.
Speaker 1: There are just a few questions i'd like to ask you,
Speaker 1: mister Moon, ut thine, you understand nothing more. But of
Speaker 1: course I've just come from kencel Rise. I've been talking
Speaker 1: to missus Rose, who gave me full of details. She's
Speaker 1: only the sight of her mind with worry. Well, under
Speaker 1: the circumstances, I think she's taken it very well.
Speaker 7: I understand that you and the missing girl and engaged
Speaker 7: to be married, that's heir, and that she was on
Speaker 7: her way down here to visit you when she disappeared. Yes,
Speaker 7: I was at the station to meet her, but she
Speaker 7: wasn't on the train.
Speaker 1: What train was that? The eleven o'clock I waited an
Speaker 1: hour for the next one, but she wasn't on that either,
Speaker 1: So I came back home. Were you worried at all? No? Not,
Speaker 1: And Julia I just assumed she'd changed her mind about coming.
Speaker 1: You didn't think it's odd that you hadn't heard from her? No,
Speaker 1: I can't say I did. How long is it since
Speaker 1: you last saw her? Oh? Roughly speaking about for two months?
Speaker 1: That was when she last visited you. Yes, she only
Speaker 1: came here once. And I see, how did she seem then?
Speaker 1: How did you mean? Well? Did she seem depressed or
Speaker 1: worried about it? Nothing? Not that I can recall. No why, Oh,
Speaker 1: no particular reason. Not for one second during the intellgame
Speaker 1: did Sergeant Cross shift his gaze from Moon's face. He
Speaker 1: had never trusted black eyes, and he wasn't quite sure
Speaker 1: he liked the look of this young fellow. But despite this,
Speaker 1: the inscrutable mister Moon gave no indication that he knew
Speaker 1: any more about the missing Evil Rose than he was
Speaker 1: ready to admit, and certainly did not appear.
Speaker 2: To have anything to hide.
Speaker 1: It's the country. In fact, Back at the Krograth police
Speaker 1: station later that same day, Cross admitted as much to
Speaker 1: his superior to visional Inspector Broughton. So you think you
Speaker 1: so all he knows as Argant. Well, so let's just
Speaker 1: say that he gave me that impression. It was those
Speaker 1: black eyes of his that set me thinking, sure, you've
Speaker 1: got a shifty look about them. You can hardly hold
Speaker 1: the color of a man's eyes against his. His sergeants
Speaker 1: perhaps not said even so, I think the best thing
Speaker 1: we can do at the stage is to give the
Speaker 1: newspapers the photograph of the missing girl and the description
Speaker 1: of the coach he was wearing on the day of
Speaker 1: a disappearance. Just as you say that, I'll attend to
Speaker 1: it right away. First it was that a photo graph
Speaker 1: of ev Rose, together with a description, found its way
Speaker 1: onto the front page of three London newspapers. Well that
Speaker 1: should do the trick. Yes, let's hip, says Argent. Two
Speaker 1: weeks past, during which time no information regarding missing girl
Speaker 1: was forthcoming. Yet a third week went by and still
Speaker 1: there was no trace for d. V. Rose, Well Sardan,
Speaker 1: which as if we've borne a blank her. What's to
Speaker 1: do now, that's the question. I think I might pay
Speaker 1: your friend miss the Moon visit by that if you'll
Speaker 1: get much more from him than I got. Possibly not
Speaker 1: no harm. In trying to this day, Inspector Broughton could
Speaker 1: not say exactly why he so suddenly decided to pay
Speaker 1: Moon a call. Perhaps it was the prompting of fate.
Speaker 1: Perhaps he acted simply on a blind impulse. Whatever it was,
Speaker 1: he wasted no time about it, and that same afternoon
Speaker 1: he made his way out to the moon Fire found
Speaker 1: Borne seated on the narrow land, thoughtfully puffing at a
Speaker 1: much smoked play. Hello, you are another of those tempoor reporters.
Speaker 8: You can go to.
Speaker 1: No, No, I'm not a reporter. Well that's a relief anyway.
Speaker 1: He'd been showing up here in a says stream for
Speaker 1: the past three weeks. Is that a fact? Yes, you know.
Speaker 6: I'm convinced they really believe I'm.
Speaker 1: Murdered that girl, that easy rose, prying fools that they are,
Speaker 1: the way they asked questions to think I was on trial.
Speaker 6: Yes, bes you are.
Speaker 1: But I mean I think you will know more than
Speaker 1: you're telling. Why should facing that? No, he was supposed
Speaker 1: to be on a way to visit you and she disappeared.
Speaker 1: It doesn't mean I'm murderer, No, I mean anyone could
Speaker 1: have done it, done one murderer who said she was murdered? Why? No,
Speaker 1: one not in so many words. But that's what they're inferred,
Speaker 1: those special reporters. You're sure you're not imagining it.
Speaker 6: Of course I'm not imagining it. Oh I should I
Speaker 6: imagine it?
Speaker 1: Whoa? Why should you? Indeed, you're shy on not a reporter?
Speaker 1: Quite sure? Who are you?
Speaker 2: Then?
Speaker 6: Oh, they're okay, I'm a.
Speaker 1: Detective detective, His thicker pardons the name. Oh well, I'm
Speaker 1: I'm gad it's not inspect that what caught you here?
Speaker 2: Oh?
Speaker 1: I just want to ever look about the place, quite clearly,
Speaker 1: answered him. I suppose you wanted to question me too, Well,
Speaker 1: thank you.
Speaker 6: I did want to, but I don't.
Speaker 1: Want to anymore. I think you're giving me all the
Speaker 1: answers I need. With a nod, the inspector turned and
Speaker 1: walked back down the path. He didn't look back, but
Speaker 1: he could feel Moon's eyes staring after him, the eyes
Speaker 1: that had told him so much, so convincingly. It's just
Speaker 1: like that, almost like the sort of stuff one reads
Speaker 1: in a cheap detective fiction magazine. Well this was cheap.
Speaker 1: It wasn't fiction. Was life life, and its first is
Speaker 1: suit that was quick, Inspector, how do you make us
Speaker 1: you could kill us? And we yes, I'm sure that
Speaker 1: as I am, I think that we'll see the end
Speaker 1: of the v reast case to night. You think he
Speaker 1: killed it, well if he didn't like NI to be
Speaker 1: out of a job. And I've benn know of your
Speaker 1: chime because I'm thanking everything on the huntspit he did
Speaker 1: my repetition included, and don't ask me why if I
Speaker 1: told you your t is mad. We're wasting valuable time.
Speaker 1: Con get a squad together. We got work to do. Work.
Speaker 1: We're off back the Moon's place and they're gonna search
Speaker 1: every inch of it. If we don't find anything inside
Speaker 1: the house, we start on the ground. And even if
Speaker 1: we dig all night, Pargeant, we're gonna keep on digging
Speaker 1: to the strike oil. So less than an hour later,
Speaker 1: Inspector Broughton was back at the chickilar a touch across
Speaker 1: and four constables, but the shack was searched from top
Speaker 1: to bottom and finding nothing on the inside, they started
Speaker 1: on the outside with picks and shovels and everything. A
Speaker 1: good lader hands on, Broughton was risking his career on
Speaker 1: an intangib impulse and he hear wis so he didn't
Speaker 1: think it was much of this nothing so far, and
Speaker 1: inspect up, we've got a lot of ground to cover yet. O.
Speaker 1: I hope you're not making a mistakes that I am.
Speaker 1: But if I am, you and up a boy, and
Speaker 1: you promise.
Speaker 6: You that I wasn't thinking of don't worry about me.
Speaker 1: My shoulders are broad enough. The deking continued, but it
Speaker 1: was too dark to see. Lanterns were lift four hours
Speaker 1: slipped by, and Eaton brought was ready to throw in
Speaker 1: us all and ye inspect, Mmmm, what is it doing?
Speaker 1: Just look what handsome has dug up the head against
Speaker 1: want to get a knifel of.
Speaker 6: The initials on it.
Speaker 1: And he seems as if.
Speaker 6: Your hunch might have been right after all.
Speaker 1: Yeah, come on, open it up.
Speaker 6: Maybe it's something in it right.
Speaker 1: Well, it doesn't feel like it. Hello, what's this? Looks
Speaker 1: like a jacket of zamzor a baby's jacket. That's what
Speaker 1: it is, all right, only half complete it seeleaves are
Speaker 1: missing and it too has to be stitched up. Yes,
Speaker 1: looks rather pathetic, doesn't it, Garden it does her? Yes?
Speaker 1: Better put it back in the case. Probably rending it.
Speaker 1: Before long, with the discovery of the attache case, the
Speaker 1: search was renewed with an added vigor, and stray articles
Speaker 1: of clothing were brought to light one by one, clothes
Speaker 1: identical to those worn by the missing girl on the
Speaker 1: day of a disappearance. A green scarf, a yellow jumper,
Speaker 1: a brown skirt, had leather shoes.
Speaker 2: A brown beret.
Speaker 1: Doesn't leave much to the imagination and specked up. Yeah,
Speaker 1: not much. But we still had to find the body. Yes,
Speaker 1: they still had to find a body. But they thought
Speaker 1: it couldn't be far away, and they were right, except
Speaker 1: that it wasn't a body, but rather a scattering of
Speaker 1: bits and pieces at once had.
Speaker 2: Been a body.
Speaker 1: Confronted with the evidence, Trevor Moon made no attempt to
Speaker 1: deny the charge of murder that was subsequently leveled at him.
Speaker 1: He seemed, in fact, somewhat relieved to relate his gruesome
Speaker 1: story of how he had sent for if he rose and,
Speaker 1: knowing that she was soon to bear his child, strangled her,
Speaker 1: later dismembering her body and burying it together with her
Speaker 1: clothing and the Attacha case, the contents of which today
Speaker 1: occupies its place in the Black Museum.
Speaker 3: Arson Wells will be back with you in just a moment.
Speaker 3: Now Here in person is Arson Wells.
Speaker 1: Moon's defense, if it could be called a defense, was
Speaker 1: a great let down to the hundreds who kicked and
Speaker 1: shoved their way into the old Baileys who witness his trial.
Speaker 1: For mister Moo pleaded guilty. There was much more to
Speaker 1: it than that. Oh yes, he had an excuse, brandied excuses.
Speaker 1: There are no excuses for murder. That Fury's verdict was
Speaker 1: never in doubt. Trevor Moon was found guilty of murder
Speaker 1: in the first degree, and two months later the day
Speaker 1: he was hanged. So there you have it, And now
Speaker 1: do we need next time in the same place, and
Speaker 1: I'll tell you another story about the Black Museum.
Speaker 2: Harry Mayne is always OpEd of fields.
Speaker 3: A Black Museum starring Orson Wells is presented by arrangement
Speaker 3: with Metro Goldwyn Mayor Radio Attraction, with original music composed
Speaker 3: and conducted by Sydney Torsch, produced by Harry Allen twas
Speaker 1: La