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<v Speaker 1>Welcome friends.

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<v Speaker 2>Jack, of course, more powerful than any of the world

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<v Speaker 2>has ever known, is about to be unleashed.

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<v Speaker 1>By the two people who should know better. No, lock

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<v Speaker 1>these guys again.

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<v Speaker 3>Next summer, Universal Pictures presents Brendon Fraser, Rachel Wise, John Hannah,

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<v Speaker 3>Arnold de vosslo Odead Fair, Patricia VLAs Caez introducing Freddy

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<v Speaker 3>Both and the Rock as the Scorpion Key.

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<v Speaker 2>The Mummy returns.

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<v Speaker 1>Welcome to a movie film commentary track. My name is

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<v Speaker 1>Zakie is Son. I'm here with Brian.

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<v Speaker 4>Hall Heaylew's going Zachie.

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<v Speaker 1>You know it's it's going well, and I'm just feeling

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<v Speaker 1>this urge to jump back into the way back to

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<v Speaker 1>watch a movie about an adventurer in the nineteen thirties. No,

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<v Speaker 1>not that one. Oh no, we're going to revisit Rick

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<v Speaker 1>O'Connell and company.

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<v Speaker 4>Yeah, I should have been like, oh, Skycaptain in the

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<v Speaker 4>World of Tomorrow.

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<v Speaker 1>No, not that one. Oh the Phantom, No, not that one. Man.

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<v Speaker 1>We can keep going. Uh No, of course, you know

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<v Speaker 1>a few years ago, you and I we talked through

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<v Speaker 1>nineteen ninety nine's The Mummy. Yes, yes, and just like

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<v Speaker 1>the creature in the title, we promised to return for

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<v Speaker 1>the sequel. It's the twentieth anniversary of The Mummy Returns.

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<v Speaker 1>The Mummy Returns, which is back in theaters, or at

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<v Speaker 1>least it was over the last month.

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<v Speaker 4>Oh yeah, right right, they're doing that a lot more

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<v Speaker 4>these days land theater movies. I guess Top Gun is

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<v Speaker 4>in theaters right now.

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<v Speaker 1>Oh is it? It's not right now? I know.

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<v Speaker 4>Yeah, May twenty twenty six, Top Gun and Top Gun

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<v Speaker 4>Maverick are back in theaters. I think for the anniversary

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<v Speaker 4>of the first one.

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<v Speaker 1>I may need to re experience both of those.

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<v Speaker 4>Yeah, same, And I love that they do that. And

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<v Speaker 4>I actually didn't know that The Mummy Returns was there.

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<v Speaker 1>I would have watched it there. I would have preferred

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<v Speaker 1>to watch it on the big screen. Absolutely, yeah. But yeah,

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<v Speaker 1>we're here to celebrate the film's twenty fifth anniversary, which,

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<v Speaker 1>you know, just the week that just passed as we

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<v Speaker 1>record this. So hey, you know, sometimes sometimes you're in

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<v Speaker 1>the mood for gas station candy.

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<v Speaker 4>That's a very good way of putting it.

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<v Speaker 1>Yes, The Mummy Returns, it's gas station candy. Yeah, for

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<v Speaker 1>not an M and M, it's an L and L.

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<v Speaker 1>That's hilarious. So Hey, we're gonna watch the movie. If

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<v Speaker 1>you all want to watch along with us, you certainly

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<v Speaker 1>can do that, although I would recommend if you do

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<v Speaker 1>want to watch the commentary with us as we are.

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<v Speaker 1>If you want to watch the movie with us as

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<v Speaker 1>we are commentarying, well, gosh, Brian, I mean, there's only

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<v Speaker 1>one good way to have that experience, am I right? Oh?

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<v Speaker 4>Absolutely? I mean if you want to have the best

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<v Speaker 4>experience listening to this commentary uninterrupted, the only way to

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<v Speaker 4>do that is to head over to patreon dot com

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<v Speaker 4>slash Movie Film Podcast, where for only five dollars a month,

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<v Speaker 4>he had access to every commentary we've ever done in

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<v Speaker 4>every episode, of course, absolutely ad free, no ads interruptions

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<v Speaker 4>butting into the conversation, which of course is a big deal.

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<v Speaker 4>If you're listening to this commentary and trying to watch

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<v Speaker 4>along with the movie, you don't want an AD bumping

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<v Speaker 4>in and you suddenly have to pause the commentary and

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<v Speaker 4>try to keep everything in sync.

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<v Speaker 1>It's the best way to have that experience. Plus there's

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<v Speaker 1>also plenty of bonus episodes that you know, it's like

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<v Speaker 1>being part of the cool kids club.

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<v Speaker 4>Absolutely, yeah, man, we have That's the thing, Like our

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<v Speaker 4>episodes were starting to go past two hours, like regularly. Yeah,

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<v Speaker 4>and we try to keep it there just a manageable

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<v Speaker 4>length for people to enjoy each week. And we just

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<v Speaker 4>had so many more things we wanted to talk about,

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<v Speaker 4>so we're like, well, let's record them anyway, and then

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<v Speaker 4>we could drop them as bonus episodes, which we do

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<v Speaker 4>about twice a month over there on the feed.

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<v Speaker 1>I'd like to think of those bonus shows. It's sort

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<v Speaker 1>of like it's like you get to sit at our

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<v Speaker 1>table in the cafeteria in high school.

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<v Speaker 4>That's a really good way of putting it.

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<v Speaker 1>Yeah, but you're part of our crew. We got you,

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<v Speaker 1>we let you in. We gesture towards you to join us.

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<v Speaker 4>Yeaheahup, pull up a seat and bring over your tray

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<v Speaker 4>with your rectangle cut pizzas and chocolate milk.

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<v Speaker 1>That's right. And if you have French fries, don't put

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<v Speaker 1>mayonnaise on them because that's freaking gross. You know.

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<v Speaker 4>Don't knock until you tried it, really Yeah, yeah, I

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<v Speaker 4>thought the same thing. And I first heard that in

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<v Speaker 4>pulp fiction, you know, and then when I went over

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<v Speaker 4>to Europe, tried it and I was like, oh, I

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<v Speaker 4>get it.

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<v Speaker 1>A color me intrigued.

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<v Speaker 4>Think of it like an aoli interesting.

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<v Speaker 1>Yeah. See, now this discussion you and I just had,

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<v Speaker 1>I'd like to think that this is what Rick O'Connell

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<v Speaker 1>Evelyn O'Connell talk about. When that's the thing.

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<v Speaker 4>We don't see them traveling so much when they're going

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<v Speaker 4>from place to place. What are they talking about when

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<v Speaker 4>they're on the dirigible or whatever, you.

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<v Speaker 1>Know, when they're when they're not making google eyes at

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<v Speaker 1>each other. Yeah, yeah, but hey, let's just get right

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<v Speaker 1>into the movie. Let's do it all right. So we

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<v Speaker 1>are watching two thousand and ones The Mummy Returns. There's

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<v Speaker 1>only one cut. It is the theatrical cut. Having watched

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<v Speaker 1>the movie just recently, I feel like a special edition

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<v Speaker 1>might have been warranted at some point in the last

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<v Speaker 1>twenty five years. But hm, you know, like special like

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<v Speaker 1>George Lucas style, oh.

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<v Speaker 4>To to sort of plus the visual effects. Yeah, you know,

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<v Speaker 4>just a thought or player or update, I should say.

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<v Speaker 1>Yeah, you know, workout, work out the kinks.

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<v Speaker 4>This definitely is like a marker in time in terms

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<v Speaker 4>of visual effects, like digital effects.

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<v Speaker 1>It is extremely two thousand and one. Yeah, and I

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<v Speaker 1>mean the year, not the movie.

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<v Speaker 4>Right, right, esoteric and penetrable.

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<v Speaker 1>Maybe all right, so we'll do the usual thing. We'll

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<v Speaker 1>hit play on three one two three, Play ready, Brian,

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<v Speaker 1>I'm ready. Here we go one two three, play all right, Universal,

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<v Speaker 1>Well right up top as we see the Universal logo,

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<v Speaker 1>Actually we hear, we hear the chords of Alan Silvestri's music.

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<v Speaker 1>I really like Alan Silvestri's score for this one. M hm.

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<v Speaker 1>And and he came in to score the sequel because

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<v Speaker 1>Jerry Goldsmith wanted nothing to do with the sequel. Did

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<v Speaker 1>you read this story? I did not.

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<v Speaker 4>So apparently he was doing a concert in London in

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<v Speaker 4>the two thousand and uh He's like, hey, and I'm

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<v Speaker 4>gonna do there's the score from The Mummy. And Goldsmith

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<v Speaker 4>said that he basically hated the movie and called it

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<v Speaker 4>quote a piece of shit movie. And apparently Stephen Summers

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<v Speaker 4>was in the audience. Wow, And so Goldsmith wasn't called back.

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<v Speaker 1>That makes me feel bad for Stephen Summers me too,

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<v Speaker 1>you know.

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<v Speaker 4>It's it's I feel like it's a strange thing to

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<v Speaker 4>be putting on a show and playing a song and

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<v Speaker 4>then sort of you've got to assume people are there

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<v Speaker 4>because they like the song, and if they like the song,

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<v Speaker 4>they probably like the movie, So why would you knock

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<v Speaker 4>the thing that the people they probably love.

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<v Speaker 1>Yeah, seems like kind of a funny thing. Now, I

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<v Speaker 1>have to say I have not seen this movie a

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<v Speaker 1>ton of times in the last twenty five years, but

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<v Speaker 1>weirdly I haven't committed to memory that the Rocks. One

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<v Speaker 1>line in this movie is ha cool.

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<v Speaker 4>Macente, Oh funny.

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<v Speaker 1>I don't know why I know that.

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<v Speaker 4>I think I rewatched this last night, probably for the

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<v Speaker 4>first time since I saw it back.

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<v Speaker 1>In two thousand and one. Wow. Okay, yeah, but.

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<v Speaker 4>I've seen the rock as the Scorpion King a lot,

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<v Speaker 4>because that would come up a lot in top ten

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<v Speaker 4>lists of like worst famously terrible visuals and terrible CGI effects. Yeah,

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<v Speaker 4>but you know, to be fair to the artist, apparently

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<v Speaker 4>they didn't have a lot of time to do it.

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<v Speaker 4>It's very early in the era of doing this sort

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<v Speaker 4>of thing, like full CGI characters, I mean we had,

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<v Speaker 4>I mean, I guess technically the first fully CGI character

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<v Speaker 4>was that stained glass window man for just fifteen years earlier. Yeah,

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<v Speaker 4>and then really the first like main character in a

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<v Speaker 4>film fully CGI I think is jar Jar Binks.

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<v Speaker 1>I would say Charger. Yeah you might. You might say

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<v Speaker 1>Kasper perhaps.

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<v Speaker 4>Oh yeah, no, that's true, that's true, But he does,

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<v Speaker 4>I mean, and that's true in full.

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<v Speaker 1>Casper is still a cartoon. A cartoon.

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<v Speaker 4>He doesn't have like a lot of detailed features.

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<v Speaker 1>Yeah, yeah, but still impressive. Yeah. I think with this film,

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<v Speaker 1>the reach was greater than the grasp for sure, right

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<v Speaker 1>in terms of the effect. So you can sort of

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<v Speaker 1>admire the swing. But I think Stephen Summers, who you know,

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<v Speaker 1>one presumes he did not think the first movie was

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<v Speaker 1>a piece of shit, despite what cultsated, but you know

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<v Speaker 1>the way, no, no, And I will say I I

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<v Speaker 1>think I think the first film benefits from restraint, right yeah. Uh,

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<v Speaker 1>and that's certainly really underscored for me having watched this. Uh.

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<v Speaker 1>But but once he his his Stephen Summers, I mean,

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<v Speaker 1>his desire to Helm the sequel is contingent on making

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<v Speaker 1>it bigger and just just more and more of everything.

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<v Speaker 1>And so that I would say works against you know,

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<v Speaker 1>the sort of the the the tone like there isn't

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<v Speaker 1>a lot of there isn't a lot of dread in

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<v Speaker 1>this movie, hm, you know. And and I think, just

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<v Speaker 1>going back to what I was saying about about Silvestry's score.

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<v Speaker 1>Silvestry leans into the spectacle of it. I think it's

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<v Speaker 1>terrific Silvestry score.

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<v Speaker 4>It is, it's but it's big, it's very big.

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<v Speaker 1>And and so the movie like at this point, like

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<v Speaker 1>I don't consider The First Mummy a horror film, right,

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<v Speaker 1>but it has you know, it's at least gesturing towards horror. Sure,

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<v Speaker 1>this one is very much not like these These these

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<v Speaker 1>Annubis soldiers are pretty I mean, they got PlayStation three

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<v Speaker 1>energy definitely well.

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<v Speaker 4>And then that's kind of what the action feels like

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<v Speaker 4>to sort of like a button mashing sort of action

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<v Speaker 4>where it's not, like you said, not a lot of

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<v Speaker 4>tension or dread or watch out with your characters. It's

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<v Speaker 4>just a lot of swinging swords and people exploding into sand.

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<v Speaker 1>And what's weird to me? I had this thought watching

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<v Speaker 1>this as we see this horde of Annubist soldiers just

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<v Speaker 1>overtaking the planet or you know whatever. I'm like, and

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<v Speaker 1>maybe this is the wrong thought, but I'm like, wouldn't

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<v Speaker 1>that be no, Like if something like that, I feel

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<v Speaker 1>like that would be a thing that was recording, you know,

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<v Speaker 1>like like you can buy what the first film is

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<v Speaker 1>putting out there in terms of the mythology, because it's like,

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<v Speaker 1>you know, it's it could be legend or something exactly.

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<v Speaker 4>But I'm like, well, it's like a world events. That's

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<v Speaker 4>a great point. No, but I'm with you. I enjoy

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<v Speaker 4>the first one. I'm not like I didn't like it,

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<v Speaker 4>grow up with it, like I know a lot of

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<v Speaker 4>people who are very passionate about it did.

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<v Speaker 1>But I enjoy it.

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<v Speaker 4>And then it has it captures a real throwbacky feel

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<v Speaker 4>in a way that I enjoy, and I think it

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<v Speaker 4>benefits from having kind of a tactile charm to it.

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<v Speaker 4>Where's this one. I can appreciate the you know, wanting

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<v Speaker 4>to go bigger of course with a sequel, but I

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<v Speaker 4>think this one becomes more it feels kind of convoluted.

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<v Speaker 1>Yeah, well the mythology doesn't doesn't hold up to scrutiny

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<v Speaker 1>very much.

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<v Speaker 2>Well.

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<v Speaker 4>By the way, I after I watched it and admdlely

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<v Speaker 4>been a long day. It was kind of the end

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<v Speaker 4>of the day, I was like, what is going on?

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<v Speaker 4>I was like, you know, I'll just go to the

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<v Speaker 4>Wikipedia page and I'll read the summary when it's over.

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<v Speaker 4>And then I read the Wikipedia page. I was like,

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<v Speaker 4>what the hell is going on? Like I still don't understand.

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<v Speaker 1>Help, but I was like, you know what I mean,

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<v Speaker 1>And it's too bad.

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<v Speaker 4>I wish they had kind of pulled back a little

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<v Speaker 4>bit because I do think the beats are fun. It's

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<v Speaker 4>just too much all the time, and then you just

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<v Speaker 4>sort of lose a little bit of the charm and

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<v Speaker 4>the fun and the right, well the human adventure element

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<v Speaker 4>of it all.

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<v Speaker 1>Yeah, So to that point, I would say a lot

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<v Speaker 1>of the charm for me rests on these characters. You know,

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<v Speaker 1>I actually contrary to my usual views on kids in

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<v Speaker 1>films because usually they have dumb kids syndrome. Yes, I

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<v Speaker 1>find Freddie both as Alex O'Connell quite charming. I find

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<v Speaker 1>him fun in this movie. I think that he's precocious,

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<v Speaker 1>but not annoyingly so I think he got some fun moments.

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<v Speaker 1>And I think especially these scenes with Brendan Fraser, I

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<v Speaker 1>like them together. I might have been in the wrong mood. Wow, Wow,

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<v Speaker 1>let's put it this way.

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<v Speaker 4>I think there's nothing wrong. I think his name is

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<v Speaker 4>Freddie Both Boeth. He is totally fine. He's a good

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<v Speaker 4>actor actually, and he's doing exactly what's asked of him.

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<v Speaker 4>But I did find his precociousness a little really annoying. Yeah,

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<v Speaker 4>I think here in this opening scene where he's hitting

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<v Speaker 4>the guys with the sling shot, I was like, I

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<v Speaker 4>don't know, like it's just him.

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<v Speaker 1>I'll give you, I'll give you that.

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<v Speaker 4>He's just being like a little little snot and that's

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<v Speaker 4>not what I want out of my like young protagonist,

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<v Speaker 4>I guess because it made me think of young Indie

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<v Speaker 4>in Last Crusade, and he is being kind of, you know,

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<v Speaker 4>not Braddy, but you know, a little ego and all

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<v Speaker 4>that stuff. But he's trying to be altruistic, which I

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<v Speaker 4>think to be fair.

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<v Speaker 1>I mean, he's using his slingshot against the bad guys.

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<v Speaker 1>Those are there. They're there to to you know, kill

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<v Speaker 1>the O'Connell's. You know.

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<v Speaker 4>Then I almost wish it's like they weren't just kind

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<v Speaker 4>of minding their own business doing stuff, like if they

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<v Speaker 4>had been approaching or something and he was keeping them

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<v Speaker 4>at bay. That is interesting, Like it just seems like

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<v Speaker 4>he's just kind of enjoying hitting these guys with rocks

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<v Speaker 4>and I and by the way, I don't know, this

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<v Speaker 4>is like I said, I've only seen this like twice,

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<v Speaker 4>but it's just right. At the beginning, I was kind

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<v Speaker 4>of like, I just wish. And that's the other thing too,

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<v Speaker 4>is I think I immediately had that feeling where I'm like,

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<v Speaker 4>why did they always feel like they got to put

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<v Speaker 4>a kid in these movies?

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<v Speaker 1>You know? Like I think I think making the O'Connell's parents,

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<v Speaker 1>I actually like that aspect because I think it adds

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<v Speaker 1>a different dimension to their relationship.

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<v Speaker 4>Yeah, but maybe to what we were saying earlier, if

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<v Speaker 4>this movie had felt a little bit less like a

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<v Speaker 4>VFX sizzle reel and more like an actual grounded story

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<v Speaker 4>about the characters and I really felt all the things

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<v Speaker 4>that were happening, yeah, versus just being sort of distracted

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<v Speaker 4>by everything happening around them, maybe I might have been

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<v Speaker 4>more potent.

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<v Speaker 1>For me interesting, you know.

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<v Speaker 4>So Yeah, I mean I was thinking, I don't know

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<v Speaker 4>why executives always feel like there needs to be some

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<v Speaker 4>sort of avatar for the younger audience.

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<v Speaker 1>Well, okay, so so to your point, what I found

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<v Speaker 1>amusing is that in the earlier scene, O'Connell's like, look,

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<v Speaker 1>just go like, go somewhere else, just stay out of trouble.

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<v Speaker 1>He's like, well, Dad, what do you want me to do.

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<v Speaker 1>He's like, I don't know, it's go build a better

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<v Speaker 1>mouse trap, right, which is just a thing you say,

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<v Speaker 1>And he's like okay, and he does he does it. Yeah,

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<v Speaker 1>I find that amusing.

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<v Speaker 4>I am fully willing to admit I might have just

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<v Speaker 4>been in the wrong frame of mind.

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<v Speaker 1>Like these are obviously bad guys. I don't. I don't

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<v Speaker 1>think you know, taking a taking a rock to the

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<v Speaker 1>kisser is the worst thing in the world.

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<v Speaker 4>You know, now you're You're probably right, But I do

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<v Speaker 4>stand by my Rarely do I enjoy when it's like, oh,

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<v Speaker 4>Superman has a kid, now, oh great?

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<v Speaker 1>You know I'm with you. Oddly, I'm people who listen

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<v Speaker 1>to the show. No, I'm I'm I'm not a fan

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<v Speaker 1>of dumping kids in the movies. This kid, I he

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<v Speaker 1>tickled me. I found him. I found him fun.

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<v Speaker 4>Well, and then it made me think, because I like

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<v Speaker 4>movies about kids on adventures. Of course, when it's from there,

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<v Speaker 4>it's their adventure, the Goonies, Monster Squad, whatever. And then

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<v Speaker 4>I was like, have I ever liked when they just

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<v Speaker 4>awkwardly and inserted a kid into the story and like

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<v Speaker 4>a sequel? And of course short round is like the

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<v Speaker 4>the answer for me, I mean, and I was like, why, like,

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<v Speaker 4>why does he work so? Well, Well, it's because.

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<v Speaker 1>You were a little kid when you watched that movie.

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<v Speaker 4>Actually I was much older. I didn't see that movie

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<v Speaker 4>un till I was older.

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<v Speaker 1>But how much older? Late teens? Really?

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<v Speaker 4>Yeah, I didn't see Temple at Doom. That was like

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<v Speaker 4>the scary one I interest, you know, and so I

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<v Speaker 4>think I only saw Raiders in Last Crusade, and somehow

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<v Speaker 4>I just kind of missed that one.

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<v Speaker 1>You know.

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<v Speaker 4>My parents didn't show it to me. Yeah, they didn't

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<v Speaker 4>see it till I was older. But to this day,

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<v Speaker 4>I still find him very charming because I think he

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<v Speaker 4>he doesn't get in the way. He's not that overly precocious.

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<v Speaker 4>He knows it all kind of thing. He's calibrated perfectly.

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<v Speaker 4>And of course Kihi Kwan is just magic.

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<v Speaker 1>You know. Well, you know what I'm gonna say it,

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<v Speaker 1>I get Indie and short round energy from Rick and

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<v Speaker 1>Alex O'Connell.

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<v Speaker 4>Oh interesting, I wish I did.

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<v Speaker 1>Yeah. Yeah, Now I do want to acknowledge that Evelyn.

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<v Speaker 1>Evelyn's eyebrows are back, and we're grateful for that.

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<v Speaker 4>I forgot about that. They're like that pencil thins. Yeah, right,

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<v Speaker 4>in the first one, she's got beautiful eyebrows.

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<v Speaker 1>Why on earth would they? You know? That is funny.

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<v Speaker 4>Actually when she first appeared, I was like, wow, she

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<v Speaker 4>is beautiful yep, Rachel Weiss.

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<v Speaker 1>Yeah. And and the way this movie came together is

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<v Speaker 1>itself fascinating. The move the first movie opened for the

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<v Speaker 1>first Friday of May nineteen ninety nine, and Saturday morning,

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<v Speaker 1>even Summers gets a call from a universal being like,

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00:18:03.039 --> 00:18:07.240
<v Speaker 1>get get a sequel together. And I mean, two years

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<v Speaker 1>to the day we get the sequel, which is an

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<v Speaker 1>insanely fast turnaround.

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<v Speaker 4>Amazing to write it, to make it, to have all

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<v Speaker 4>the visual effects done.

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<v Speaker 1>Yeah, that's pretty Yeah, I mean that's that's impressive all

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<v Speaker 1>by itself. And so it it is fascinating. Like I

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<v Speaker 1>remember the ads the trailers for this one. It was

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<v Speaker 1>like listing the entire cast, and I'm like, how many

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<v Speaker 1>people even know these cast members by name other than

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<v Speaker 1>other than Brendan Fraser, you know, It's like Brendan Fraser,

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<v Speaker 1>Rachel Weiss, John Hannah oded Fair, like the whole Patricia Velaska.

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<v Speaker 1>I'm like, guys, I'm glad, I'm glad they're being acknowledge,

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<v Speaker 1>But this is a lot. You know.

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<v Speaker 4>I wonder what the impulse is to make it feel

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<v Speaker 4>like it's stacked, like an event or something I suppose,

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<v Speaker 4>or to.

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<v Speaker 1>Be like, hey, everybody's back. But I'm like, it was

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<v Speaker 1>so soon after, right, I'm like, maybe if those bigger

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<v Speaker 1>gap right to be like, oh look we got the

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<v Speaker 1>whole gang back together, you know, right right right? Anyway,

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<v Speaker 1>I did find that amusing. But I like that they

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<v Speaker 1>gave Evelyn Like here's the thing. The first movie ends

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<v Speaker 1>and it's it's O'Connell and and Evy are kissing, and

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<v Speaker 1>you know, it's it's the end of the action hero

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<v Speaker 1>a movie. But they could have very easily just had

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<v Speaker 1>another O'Connell adventure, right, and instead it's like, no, Rick

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<v Speaker 1>has a family and like to me, to me, it's like,

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<v Speaker 1>I like that instinct of like, let's do something different,

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<v Speaker 1>then let's situate a different status quote than Indiana Jones. Yeah,

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<v Speaker 1>by making him a family man. And I like that.

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<v Speaker 1>I like that Rick has the big house and stuff,

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<v Speaker 1>and you know, we there have been the passage of time.

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<v Speaker 1>What is ten set ten years later?

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<v Speaker 4>I think, right, yeah, yeah, yeah, that was funny too

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<v Speaker 4>when they had the huge house is like, good lord,

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<v Speaker 4>what does he do for a living? Like, well, he's

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<v Speaker 4>like a Wayne the Big Mansion.

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<v Speaker 1>Because the beauty of it is the first movie ends

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<v Speaker 1>and they've got uh uh, that's sort of camel loaded

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<v Speaker 1>up with all the treasure. That's true.

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<v Speaker 4>That's true because I read somewhere that Brendan Fraser thought

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<v Speaker 4>they should live in an apartment okay, And I was like, yeah,

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<v Speaker 4>that's what I thought. I was shocked that they lived

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<v Speaker 4>in this like big manner and Summers was like, no,

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<v Speaker 4>but I want this big action sequence in your house,

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<v Speaker 4>so we need a place with a lot of rooms.

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<v Speaker 4>But that that You're right, that makes a lot of sense.

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<v Speaker 1>That's a good moment. By the way, catching the rock

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<v Speaker 1>I like that.

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<v Speaker 4>No, I you know what, I am going to completely

399
00:20:33.759 --> 00:20:35.759
<v Speaker 4>say that I think you've helped me here a little

400
00:20:35.759 --> 00:20:37.680
<v Speaker 4>bit with the opening. I was I got it. I'm

401
00:20:37.680 --> 00:20:39.920
<v Speaker 4>gonna be honest. I hate to admit it, but I

402
00:20:39.920 --> 00:20:42.519
<v Speaker 4>did start this kind of late after a long day,

403
00:20:43.400 --> 00:20:46.079
<v Speaker 4>and I was kind of observing the movie more than

404
00:20:46.160 --> 00:20:49.680
<v Speaker 4>like really, I think letting it seep in. And I

405
00:20:50.119 --> 00:20:54.960
<v Speaker 4>understand better now that yes, like those are antagonists.

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00:20:55.119 --> 00:20:59.720
<v Speaker 1>And they're there to kill the O'Connell's yeah, yeah, although

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<v Speaker 1>I still don't love the character. I don't know why.

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00:21:03.799 --> 00:21:06.759
<v Speaker 1>I don't know why. That's really funny, but this is

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<v Speaker 1>a big opening, you know what I mean? Yeah, right

410
00:21:09.720 --> 00:21:13.559
<v Speaker 1>right away, they're they're establishing well, it's just more right

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<v Speaker 1>like like this right here. If you remember in the

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<v Speaker 1>first film, you have Evelyn, she's putting books on a shelves.

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<v Speaker 1>Do you remember this, And then and then all the

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<v Speaker 1>shelves fall on top of like like a domino. So

415
00:21:23.599 --> 00:21:27.000
<v Speaker 1>let's just do that, but with these stone pillars. Yeah.

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<v Speaker 1>So so it's this is kind of a yes and

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<v Speaker 1>movie where like, let's just that thing in the first.

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00:21:32.640 --> 00:21:36.480
<v Speaker 4>Time, let's just do that but more Yeah, yeah.

419
00:21:36.119 --> 00:21:41.160
<v Speaker 1>And and I think that I understand the instinct and certainly,

420
00:21:41.240 --> 00:21:45.759
<v Speaker 1>look in terms of of monetarily speaking, this movie was

421
00:21:45.799 --> 00:21:49.480
<v Speaker 1>a resounding success. Oh yeah, yeah, you know, so you

422
00:21:49.519 --> 00:21:53.160
<v Speaker 1>can't fault that instinct. I I'm somebody who I prefer

423
00:21:53.279 --> 00:21:57.680
<v Speaker 1>kind of a slow burn mm hmm. But that's just me.

424
00:21:57.799 --> 00:22:00.599
<v Speaker 1>That's how I roll. Well, I by the way, I

425
00:22:00.640 --> 00:22:01.319
<v Speaker 1>do want to.

426
00:22:03.640 --> 00:22:07.039
<v Speaker 4>Praise I mean, look, we're looking at actual pillars falling,

427
00:22:07.799 --> 00:22:11.079
<v Speaker 4>like these aren't visual effects, which now they probably would

428
00:22:11.119 --> 00:22:14.960
<v Speaker 4>be right, because it's probably hard to reset this set frankly,

429
00:22:14.960 --> 00:22:16.519
<v Speaker 4>and I can appreciate.

430
00:22:16.039 --> 00:22:17.680
<v Speaker 1>That that's a one shot.

431
00:22:17.799 --> 00:22:21.319
<v Speaker 4>Yeah, yeah, I think it was the movie Uncharted. A

432
00:22:21.400 --> 00:22:23.319
<v Speaker 4>couple of years ago we were talking about where I

433
00:22:23.359 --> 00:22:27.440
<v Speaker 4>was like, this movie doesn't feel dusty enough. If it's

434
00:22:27.440 --> 00:22:30.599
<v Speaker 4>about an adventurer out in the jungle, it's just.

435
00:22:30.559 --> 00:22:32.880
<v Speaker 1>A bunch of people in front of the green screens. Yeah,

436
00:22:32.960 --> 00:22:33.519
<v Speaker 1>or volumes.

437
00:22:33.559 --> 00:22:35.200
<v Speaker 4>I'm sure they had a couple sets, but they just

438
00:22:36.279 --> 00:22:40.400
<v Speaker 4>you know, there's an overreliance on just filling everything in

439
00:22:40.599 --> 00:22:43.559
<v Speaker 4>later in post. And I really do appreciate that this

440
00:22:43.680 --> 00:22:46.599
<v Speaker 4>does feel like a dusty adventure, Like it does feel

441
00:22:46.599 --> 00:22:49.119
<v Speaker 4>like they're in these places and that is really great

442
00:22:49.200 --> 00:22:51.759
<v Speaker 4>and goes a long way, I think, so. I mean

443
00:22:51.799 --> 00:22:54.240
<v Speaker 4>they add a lot of stuff on top of it

444
00:22:54.440 --> 00:22:57.359
<v Speaker 4>that we can talk about later. Maybe too much, but

445
00:22:58.000 --> 00:23:00.440
<v Speaker 4>I do love that it. I mean, this them and

446
00:23:00.480 --> 00:23:02.720
<v Speaker 4>the water slashing around and the you know.

447
00:23:03.000 --> 00:23:03.440
<v Speaker 1>It's great.

448
00:23:03.880 --> 00:23:13.000
<v Speaker 4>Yeah, I mean it's kindy. That's funny, harl.

449
00:23:13.680 --> 00:23:18.720
<v Speaker 1>He's winning over. We'll see, let's see what happened. I mean,

450
00:23:18.880 --> 00:23:21.039
<v Speaker 1>I mean there there is a moment later in the

451
00:23:21.079 --> 00:23:24.279
<v Speaker 1>film where it's like a Bart Simpson thing, right, like

452
00:23:24.319 --> 00:23:27.400
<v Speaker 1>the are we there yet? Yes? And I was. I

453
00:23:27.440 --> 00:23:28.880
<v Speaker 1>was sitting there. I was sort of chuckling as it

454
00:23:28.920 --> 00:23:30.200
<v Speaker 1>was happening, but I was literally I was like, I

455
00:23:30.240 --> 00:23:32.039
<v Speaker 1>was wondering. I was like, I wonder, does this make

456
00:23:32.079 --> 00:23:34.319
<v Speaker 1>Brian small smile and make him annoying? I was actually

457
00:23:34.359 --> 00:23:37.039
<v Speaker 1>thinking that, you know me so well.

458
00:23:37.400 --> 00:23:40.000
<v Speaker 4>It's so funny because I don't know, I am so

459
00:23:41.440 --> 00:23:43.920
<v Speaker 4>I am wired to enjoy something like that. But something

460
00:23:43.920 --> 00:23:46.519
<v Speaker 4>about my experience last night was just not I was

461
00:23:46.599 --> 00:23:48.480
<v Speaker 4>not resonating with that character.

462
00:23:50.319 --> 00:23:52.200
<v Speaker 1>You weren't in a proper headspace.

463
00:23:52.519 --> 00:23:52.720
<v Speaker 2>Yeah.

464
00:23:52.759 --> 00:23:55.799
<v Speaker 4>I don't know what it was, but but I like

465
00:23:55.920 --> 00:24:00.720
<v Speaker 4>the you know, I can the me being such a

466
00:24:00.720 --> 00:24:03.640
<v Speaker 4>big hit in Universal being like we're making another one tomorrow.

467
00:24:04.319 --> 00:24:07.279
<v Speaker 4>I can totally understand that. I mean, obviously because it

468
00:24:07.279 --> 00:24:10.640
<v Speaker 4>was a hit, but also I think everybody would love

469
00:24:10.680 --> 00:24:13.599
<v Speaker 4>to come up with a new Indiana Jones. And that's

470
00:24:13.720 --> 00:24:15.759
<v Speaker 4>not an easy thing to do because Indiana Jones is

471
00:24:15.799 --> 00:24:19.440
<v Speaker 4>still around, right, and it's Spielberg, and it's hard to

472
00:24:19.440 --> 00:24:23.400
<v Speaker 4>top a movie that's, you know, over forty years old still.

473
00:24:23.880 --> 00:24:29.200
<v Speaker 4>But I really appreciate that this comes pretty darn close. Yeah,

474
00:24:29.240 --> 00:24:31.039
<v Speaker 4>you know what I mean like it is its own thing.

475
00:24:31.319 --> 00:24:33.720
<v Speaker 4>But it captures the spirit of those films in a

476
00:24:33.759 --> 00:24:34.440
<v Speaker 4>lot of ways.

477
00:24:34.799 --> 00:24:34.960
<v Speaker 1>You know.

478
00:24:35.240 --> 00:24:37.559
<v Speaker 4>You can't help but think about all those people digging

479
00:24:37.559 --> 00:24:39.680
<v Speaker 4>in the desert and raiders lost dark. In this moment, right,

480
00:24:40.000 --> 00:24:43.759
<v Speaker 4>we have just all these people, real people, you know,

481
00:24:44.880 --> 00:24:48.279
<v Speaker 4>a real place. It doesn't look you know, there's real depth.

482
00:24:48.319 --> 00:24:51.279
<v Speaker 4>I can tell they shot in an actual location, which

483
00:24:51.319 --> 00:24:54.079
<v Speaker 4>goes a long way for me. And and the camera

484
00:24:54.119 --> 00:24:56.319
<v Speaker 4>work too. There's a lot of sort of pivoting the

485
00:24:56.359 --> 00:24:59.279
<v Speaker 4>camera around and reframing things. That's a lot of fun

486
00:24:59.519 --> 00:25:01.160
<v Speaker 4>that really excites me.

487
00:25:01.839 --> 00:25:08.359
<v Speaker 1>Yeah. So yeah, and and oh and of course we

488
00:25:08.440 --> 00:25:13.119
<v Speaker 1>got to have the scarabs. You gotta have more scaribs.

489
00:25:13.559 --> 00:25:16.039
<v Speaker 1>I don't I don't know, you know, I think, uh,

490
00:25:16.200 --> 00:25:20.079
<v Speaker 1>scarribs to me are like are like movie quicksand mm hmm,

491
00:25:20.599 --> 00:25:22.519
<v Speaker 1>where I'm like, well, if I ever encounter a scab,

492
00:25:22.559 --> 00:25:24.759
<v Speaker 1>it's either gonna you know, him and his cousins are

493
00:25:24.799 --> 00:25:26.640
<v Speaker 1>gonna just eat me alive, or they're gonna crawl into

494
00:25:26.640 --> 00:25:28.440
<v Speaker 1>my skin. I think all because of this movie and

495
00:25:28.720 --> 00:25:31.640
<v Speaker 1>and and the the earlier one that.

496
00:25:31.680 --> 00:25:34.079
<v Speaker 4>Ship this, this is pretty horrifying.

497
00:25:34.599 --> 00:25:39.279
<v Speaker 1>Crawling under your skin and doing all that stuff. Like that. Yeah,

498
00:25:39.480 --> 00:25:40.400
<v Speaker 1>I like that. I like that.

499
00:25:40.480 --> 00:25:42.440
<v Speaker 4>I like the lighting in that that shot. I like

500
00:25:42.519 --> 00:25:44.640
<v Speaker 4>the him spitting them out of his mouth.

501
00:25:44.680 --> 00:25:48.640
<v Speaker 1>It's good. Stephen Summer is interesting, dude, right. I think

502
00:25:48.799 --> 00:25:50.960
<v Speaker 1>I think what works against him to your point about

503
00:25:50.960 --> 00:25:53.720
<v Speaker 1>you know, the the inevitable indie comparisons, is that Steven

504
00:25:53.759 --> 00:25:56.880
<v Speaker 1>Summers is no Steven Spielberg. And that's through no fault

505
00:25:56.880 --> 00:25:57.799
<v Speaker 1>of Stephen Summers.

506
00:25:58.279 --> 00:26:01.480
<v Speaker 4>No, and I wouldn't even I think he does a

507
00:26:01.480 --> 00:26:02.119
<v Speaker 4>good job with.

508
00:26:02.079 --> 00:26:06.279
<v Speaker 1>These movies, you know so, But but I think that

509
00:26:06.480 --> 00:26:14.119
<v Speaker 1>the through line from The Mummy to G I Joe. Yeah,

510
00:26:14.279 --> 00:26:16.240
<v Speaker 1>so you got you got the Mummy Mummy returns Van

511
00:26:16.319 --> 00:26:19.279
<v Speaker 1>Housing g I Joe is that he tends to be

512
00:26:20.319 --> 00:26:25.880
<v Speaker 1>just beholden to the digital end of things to the

513
00:26:25.920 --> 00:26:30.519
<v Speaker 1>point where where you know, there there's an an artificiality

514
00:26:30.519 --> 00:26:34.920
<v Speaker 1>that takes over, you know, that drives me nuts, you know.

515
00:26:35.000 --> 00:26:37.759
<v Speaker 1>I I think that again, it's what we say before,

516
00:26:37.839 --> 00:26:41.559
<v Speaker 1>you know, just your your limitations work in your favor,

517
00:26:43.640 --> 00:26:45.759
<v Speaker 1>and again I mean it it. Look it's the same

518
00:26:46.400 --> 00:26:49.519
<v Speaker 1>critique that so many people had about about the Star

519
00:26:49.559 --> 00:26:51.920
<v Speaker 1>Wars Special editions just a couple of years before this,

520
00:26:52.119 --> 00:26:56.920
<v Speaker 1>right where it's like suddenly, you know, George Lucas wasn't

521
00:26:56.960 --> 00:27:00.559
<v Speaker 1>limited to whatever crayons were in the box. He owned

522
00:27:00.599 --> 00:27:05.599
<v Speaker 1>the crayon factory. Yeah, and so he started making changes

523
00:27:05.640 --> 00:27:08.599
<v Speaker 1>that to many people diminish that experience. Right, and again,

524
00:27:08.640 --> 00:27:09.920
<v Speaker 1>it's just one of those things where you know when

525
00:27:09.920 --> 00:27:11.960
<v Speaker 1>you when when you're forced to be like, well, we

526
00:27:12.519 --> 00:27:17.079
<v Speaker 1>can't do this. What's a way to convey this? I

527
00:27:17.079 --> 00:27:21.359
<v Speaker 1>think that can work in your favor. Yeah. I think

528
00:27:21.400 --> 00:27:24.519
<v Speaker 1>with this movie, kind of to the point you're making

529
00:27:25.240 --> 00:27:28.279
<v Speaker 1>the way Summer stages his action sequence, I think. I

530
00:27:28.279 --> 00:27:31.000
<v Speaker 1>think the scene coming up in the mansion is there's

531
00:27:31.039 --> 00:27:32.400
<v Speaker 1>a lot of fun stuff happening there.

532
00:27:32.599 --> 00:27:35.119
<v Speaker 4>I agree, it's a good playground and they make good

533
00:27:35.160 --> 00:27:35.640
<v Speaker 4>use of it.

534
00:27:35.880 --> 00:27:37.279
<v Speaker 1>There's my man, Our Death Bay.

535
00:27:37.599 --> 00:27:39.200
<v Speaker 4>Yeah, he's great man.

536
00:27:39.480 --> 00:27:41.240
<v Speaker 1>He's got a ton to do in this one. It

537
00:27:41.400 --> 00:27:45.079
<v Speaker 1>made me very happy. Yep. As I mentioned in our

538
00:27:45.200 --> 00:27:48.359
<v Speaker 1>track for the first film, Our Death Bay played by

539
00:27:48.359 --> 00:27:52.640
<v Speaker 1>Odd Fair was kind of a formative film character for

540
00:27:52.720 --> 00:27:55.720
<v Speaker 1>me because I grew my hair out long just because

541
00:27:55.759 --> 00:27:56.400
<v Speaker 1>of this character.

542
00:27:57.759 --> 00:27:59.440
<v Speaker 4>And you know what works too is that you can

543
00:27:59.519 --> 00:28:02.079
<v Speaker 4>rock that. You know, It's not like it looked great

544
00:28:02.079 --> 00:28:02.640
<v Speaker 4>on everybody.

545
00:28:02.680 --> 00:28:07.240
<v Speaker 1>You rocked it. I appreciate that it took several years

546
00:28:07.279 --> 00:28:08.720
<v Speaker 1>to grow it out that long, and then you know,

547
00:28:09.519 --> 00:28:12.359
<v Speaker 1>it peaked a few years ago, but it was it

548
00:28:12.400 --> 00:28:18.000
<v Speaker 1>was truly it was the ar death Bay a memorial haircut.

549
00:28:19.279 --> 00:28:21.400
<v Speaker 4>What was I watching the other day, I don't even remember,

550
00:28:21.440 --> 00:28:23.359
<v Speaker 4>but it was something modern and I was like, man,

551
00:28:23.400 --> 00:28:27.160
<v Speaker 4>everything just looks so flat. It's so frustrating. And then

552
00:28:27.200 --> 00:28:29.000
<v Speaker 4>you know, looking at this, I'm like, just this.

553
00:28:29.119 --> 00:28:32.359
<v Speaker 1>Room, there's depth. There's depth. They're in a room.

554
00:28:33.359 --> 00:28:35.920
<v Speaker 4>Yeah, but you know, it's you know, I don't I know,

555
00:28:36.000 --> 00:28:38.640
<v Speaker 4>this is old man shaking fist at cloud or whatever.

556
00:28:38.680 --> 00:28:40.799
<v Speaker 4>But like, you know, people are going to get used

557
00:28:40.839 --> 00:28:43.759
<v Speaker 4>to it, and that's what movies. But to me, this

558
00:28:43.839 --> 00:28:47.640
<v Speaker 4>is what movies look like, right, and and I just

559
00:28:47.680 --> 00:28:52.880
<v Speaker 4>see shortcuts and things now. But for new generations, that's

560
00:28:52.880 --> 00:28:54.559
<v Speaker 4>what movies are going to look like. And that's just

561
00:28:55.400 --> 00:28:57.480
<v Speaker 4>you know, I'm sure, you know, I'm going to be

562
00:28:57.519 --> 00:28:59.559
<v Speaker 4>like those people generations before who are like, no movie's

563
00:28:59.559 --> 00:29:00.000
<v Speaker 4>black and white?

564
00:29:00.079 --> 00:29:04.000
<v Speaker 1>What are you talking about? Well, just true in the

565
00:29:04.079 --> 00:29:06.759
<v Speaker 1>sense that, like just a couple of years before this

566
00:29:06.839 --> 00:29:09.960
<v Speaker 1>came out, you know, Michael Bay really burst into the

567
00:29:10.000 --> 00:29:14.960
<v Speaker 1>zeitgeist and sort of that that really sun drenched colors

568
00:29:15.039 --> 00:29:19.799
<v Speaker 1>popping view which we saw through you know, Bad Boys

569
00:29:19.799 --> 00:29:24.920
<v Speaker 1>and Rock and arm again Pearl Harbor. This the same summer,

570
00:29:25.119 --> 00:29:25.319
<v Speaker 1>you know.

571
00:29:25.759 --> 00:29:28.400
<v Speaker 4>Ye, Transformers, I think is one of the biggest offenders

572
00:29:28.400 --> 00:29:29.960
<v Speaker 4>where everybody's like orange and.

573
00:29:30.039 --> 00:29:34.039
<v Speaker 1>You know, it's like yeah, and that's very much his style, right,

574
00:29:34.799 --> 00:29:38.680
<v Speaker 1>and yet how many how many people were inspired by that?

575
00:29:42.839 --> 00:29:44.480
<v Speaker 4>I mean it was I think of that as like

576
00:29:44.519 --> 00:29:45.559
<v Speaker 4>an aughts kind of thing.

577
00:29:46.799 --> 00:29:52.440
<v Speaker 1>Oh yeah, very much so. Yeah, yeah, see this stuff.

578
00:29:52.480 --> 00:29:52.920
<v Speaker 1>I like that.

579
00:29:52.920 --> 00:29:55.759
<v Speaker 4>That's that's Panache, you know what I mean. Like this

580
00:29:56.000 --> 00:29:58.200
<v Speaker 4>sort of establishing shot sort of thing and a car

581
00:29:58.240 --> 00:30:00.839
<v Speaker 4>pulling up, but it pulls right up and like ah,

582
00:30:01.960 --> 00:30:04.000
<v Speaker 4>like a shade that's been pulled down over a window

583
00:30:04.119 --> 00:30:04.799
<v Speaker 4>fills the frame.

584
00:30:04.880 --> 00:30:07.039
<v Speaker 1>Then the shade goes up and reveals the villain. That's

585
00:30:07.079 --> 00:30:12.279
<v Speaker 1>the good stuff. People don't do that stuff anymore intentionality.

586
00:30:13.680 --> 00:30:15.359
<v Speaker 1>I miss it. What a concept.

587
00:30:15.599 --> 00:30:18.039
<v Speaker 4>Yeah, that's why I do like even though I can't

588
00:30:18.039 --> 00:30:22.400
<v Speaker 4>say I'm passionate about this movie, but it does. You know,

589
00:30:22.440 --> 00:30:25.599
<v Speaker 4>it delights parts of me that that I love having

590
00:30:25.640 --> 00:30:30.720
<v Speaker 4>delighted by movies, you know, just like Panache in shots,

591
00:30:31.079 --> 00:30:36.079
<v Speaker 4>you know, Yeah, I like it. But that's you know,

592
00:30:36.119 --> 00:30:37.640
<v Speaker 4>I never saw Van helsing by the way.

593
00:30:38.359 --> 00:30:42.599
<v Speaker 1>Yeah, so that is by the way worth mentioning the

594
00:30:42.640 --> 00:30:47.920
<v Speaker 1>O'Connell mansion. That's Wayne Manner, and Bamman begins.

595
00:30:47.720 --> 00:30:49.440
<v Speaker 4>Well, I'll be damned, I didn't even know that. And

596
00:30:49.599 --> 00:30:52.240
<v Speaker 4>when I'm saying that, seriously, the first thing I thought

597
00:30:52.279 --> 00:30:53.759
<v Speaker 4>was like, what are they the Waynes And like, I

598
00:30:54.480 --> 00:30:55.359
<v Speaker 4>didn't even realize that.

599
00:30:55.880 --> 00:31:02.759
<v Speaker 1>Yeah, so, by the way, this you're talking about?

600
00:31:03.920 --> 00:31:07.519
<v Speaker 4>Sorry, oh no, no, no, uh well yeah, yeah, so Van

601
00:31:07.599 --> 00:31:10.559
<v Speaker 4>Helsi Yeah, I guess. So I'm thinking, like Stephen Summers,

602
00:31:10.559 --> 00:31:16.279
<v Speaker 4>I I wouldn't have minded if someone maybe had pulled

603
00:31:16.319 --> 00:31:18.559
<v Speaker 4>him back a little bit story wise, or just sort

604
00:31:18.559 --> 00:31:20.759
<v Speaker 4>of with the set pieces. Keep the set pieces, but

605
00:31:20.880 --> 00:31:23.000
<v Speaker 4>just they don't need to be so much like they're

606
00:31:23.039 --> 00:31:25.079
<v Speaker 4>dying a little too much to the point where like,

607
00:31:25.119 --> 00:31:27.079
<v Speaker 4>you know, the music is so loud, not literally, but

608
00:31:27.240 --> 00:31:28.599
<v Speaker 4>just you know, where everything's peaking.

609
00:31:28.720 --> 00:31:30.640
<v Speaker 1>It's like it's too much for us to.

610
00:31:33.079 --> 00:31:37.319
<v Speaker 4>Grasp what we're supposed to be rooting for or you know, enjoying.

611
00:31:38.200 --> 00:31:40.559
<v Speaker 4>But I like, I like his style, you know, for

612
00:31:40.599 --> 00:31:42.920
<v Speaker 4>the most part generally here, so I it kind of

613
00:31:42.960 --> 00:31:45.279
<v Speaker 4>bums me out that he's not still doing stuff.

614
00:31:46.319 --> 00:31:48.960
<v Speaker 1>I know, he just he just noped out of his career.

615
00:31:49.400 --> 00:31:52.680
<v Speaker 4>Yeah, you know, because I think he's got something, you know.

616
00:31:53.599 --> 00:31:56.920
<v Speaker 1>Well, my thought is maybe he just he got tired

617
00:31:56.960 --> 00:32:02.680
<v Speaker 1>of getting ship on maybe, right, Like I mean, look,

618
00:32:03.599 --> 00:32:05.519
<v Speaker 1>that Jerry Goldsmith story.

619
00:32:05.319 --> 00:32:12.039
<v Speaker 4>Just makes me s hand honestly, Yeah, you know, yeah, totally.

620
00:32:12.799 --> 00:32:15.759
<v Speaker 1>I just feel genuinely bad for him being in the

621
00:32:15.839 --> 00:32:20.160
<v Speaker 1>audience so excited to hear the music from his movie

622
00:32:20.359 --> 00:32:23.839
<v Speaker 1>and you know, like, I don't know, Yeah, here's the music.

623
00:32:24.240 --> 00:32:26.359
<v Speaker 1>Here's the awesome music I wrote for this piece of

624
00:32:26.400 --> 00:32:27.480
<v Speaker 1>shit freaking movie.

625
00:32:28.880 --> 00:32:30.359
<v Speaker 4>Yeah, that's that sucks.

626
00:32:30.640 --> 00:32:32.599
<v Speaker 1>I don't know. And by the.

627
00:32:32.559 --> 00:32:34.920
<v Speaker 4>Way, I just wanted to comment something I like in

628
00:32:35.000 --> 00:32:38.759
<v Speaker 4>movies is when like a couple, they don't feel this

629
00:32:38.920 --> 00:32:41.720
<v Speaker 4>need for them to be skeptical of one another, Like

630
00:32:41.759 --> 00:32:45.039
<v Speaker 4>they're in love and they trust each other, they're a team.

631
00:32:45.279 --> 00:32:47.480
<v Speaker 4>And I like this moment where you see those stockings

632
00:32:48.480 --> 00:32:51.400
<v Speaker 4>hanging from that bookcase and she's like, those aren't mine,

633
00:32:51.640 --> 00:32:54.519
<v Speaker 4>but she never for a second thinks that, you know,

634
00:32:55.200 --> 00:32:58.400
<v Speaker 4>Brendan Fraser is doing anything that's a great get show.

635
00:32:58.680 --> 00:33:01.000
<v Speaker 4>It's just even think about that, right, It's like, wait,

636
00:33:01.680 --> 00:33:04.720
<v Speaker 4>something something's wrong. Yeah, And it has nothing to do

637
00:33:04.759 --> 00:33:06.279
<v Speaker 4>with him, and they're both like, yeah it is, we

638
00:33:06.319 --> 00:33:09.759
<v Speaker 4>got to figure this out. Like, I love when romantic

639
00:33:09.799 --> 00:33:11.559
<v Speaker 4>couples are like teams like that.

640
00:33:12.279 --> 00:33:16.079
<v Speaker 1>Well, I I genuinely I love the Rick and Evy

641
00:33:16.160 --> 00:33:18.400
<v Speaker 1>relationship in this one. I mean they're just a couple

642
00:33:18.480 --> 00:33:21.799
<v Speaker 1>in love. Mm hmm, right, Like you could have done

643
00:33:21.799 --> 00:33:24.880
<v Speaker 1>the thing which we see in so many of these

644
00:33:24.920 --> 00:33:27.440
<v Speaker 1>movies where in the in the years since they have

645
00:33:27.519 --> 00:33:29.839
<v Speaker 1>broken up and this is them getting back together, kind

646
00:33:29.880 --> 00:33:35.039
<v Speaker 1>of the the Peter Venkman Dana Rory right like, or

647
00:33:35.200 --> 00:33:38.039
<v Speaker 1>or you know Indie in in Crystal Scholar whatever they

648
00:33:38.039 --> 00:33:42.200
<v Speaker 1>didn't do that, yep, or Han and Leah, Yeah, right exactly.

649
00:33:42.400 --> 00:33:46.599
<v Speaker 1>You know. Yeah, I like that. I like that idea

650
00:33:46.640 --> 00:33:49.799
<v Speaker 1>that it's like, no, they're just they're they're happily married

651
00:33:49.799 --> 00:33:51.119
<v Speaker 1>and in love. What a concept.

652
00:33:51.359 --> 00:33:53.920
<v Speaker 4>Yeah, And but I mean they can disagree, yeah, you know,

653
00:33:53.960 --> 00:33:56.119
<v Speaker 4>and they cannot like the way that the other does

654
00:33:56.200 --> 00:33:58.000
<v Speaker 4>things from time to time. But I just love that

655
00:33:58.000 --> 00:34:01.880
<v Speaker 4>there's an implicit trust. It's not like, oh, you you're

656
00:34:01.880 --> 00:34:04.279
<v Speaker 4>a dog, like immediately jumping to conclusions about it.

657
00:34:04.319 --> 00:34:10.679
<v Speaker 1>That's the part. Yeah, John Hannah is fun in these

658
00:34:10.760 --> 00:34:15.000
<v Speaker 1>He's he's a very serious English actor, so this this

659
00:34:15.079 --> 00:34:17.440
<v Speaker 1>character lets him kind of be a little sillier.

660
00:34:18.559 --> 00:34:20.599
<v Speaker 4>Yeah, I wish he worked a little bit more for me,

661
00:34:20.639 --> 00:34:23.039
<v Speaker 4>this character. But he's doing it perfectly.

662
00:34:23.400 --> 00:34:26.400
<v Speaker 1>He plays that that type very.

663
00:34:26.199 --> 00:34:29.679
<v Speaker 4>Well, exactly. He's doing a great job. I just wish

664
00:34:29.760 --> 00:34:33.400
<v Speaker 4>I found him funnier in I'm so sorry for people

665
00:34:33.440 --> 00:34:36.159
<v Speaker 4>who love these movies. I wish I was, but I

666
00:34:36.440 --> 00:34:37.480
<v Speaker 4>gotta speak my truth.

667
00:34:40.440 --> 00:34:42.440
<v Speaker 1>What do you think of mister echo here a you're gonna.

668
00:34:42.480 --> 00:34:44.159
<v Speaker 4>I was very happy to see him, Yeah you go.

669
00:34:44.559 --> 00:34:46.880
<v Speaker 4>I mean, come on, the camera pushing in on him

670
00:34:46.920 --> 00:34:48.079
<v Speaker 4>and the lightning on his face.

671
00:34:48.519 --> 00:34:56.559
<v Speaker 1>He's got a great presence. It's fantastic see that right there. Man,

672
00:34:56.719 --> 00:34:59.039
<v Speaker 1>If he's a badass, I know, got our swords. He's

673
00:34:59.079 --> 00:34:59.920
<v Speaker 1>a get out of my house.

674
00:35:00.559 --> 00:35:04.039
<v Speaker 4>And it's funny because sometimes you have a sequel where

675
00:35:04.039 --> 00:35:06.840
<v Speaker 4>a character is kind of thrown into action in the

676
00:35:06.840 --> 00:35:09.599
<v Speaker 4>first movie and then in the second movie. Probably many times,

677
00:35:09.679 --> 00:35:11.400
<v Speaker 4>you know on a story level you want them to

678
00:35:11.400 --> 00:35:13.800
<v Speaker 4>be involved and step up a little bit, but sometimes

679
00:35:13.800 --> 00:35:16.679
<v Speaker 4>the actor themselves wants like, hey, I need something to do,

680
00:35:17.480 --> 00:35:19.119
<v Speaker 4>and so then you give them a scene that just

681
00:35:19.159 --> 00:35:21.119
<v Speaker 4>doesn't fit into the movie just so they can like

682
00:35:21.159 --> 00:35:23.480
<v Speaker 4>do a stunt or something like you can feel it

683
00:35:23.559 --> 00:35:28.400
<v Speaker 4>awkwardly like Jerry Rigg to fulfill some sort of thing. Yeah,

684
00:35:28.440 --> 00:35:30.519
<v Speaker 4>but I thought they did a great job of making

685
00:35:30.559 --> 00:35:33.000
<v Speaker 4>her slip right into being like an action hero in

686
00:35:33.039 --> 00:35:34.440
<v Speaker 4>this alongside Rick.

687
00:35:35.000 --> 00:35:38.320
<v Speaker 1>I agree with that. The only thing I kind of

688
00:35:38.400 --> 00:35:40.800
<v Speaker 1>roll my eyes at is that, oh, she's actually the

689
00:35:41.079 --> 00:35:45.519
<v Speaker 1>Pharaoh's daughter reincarnated. And oh that right there when the

690
00:35:45.519 --> 00:35:48.599
<v Speaker 1>guy throws the knife at Rick and he catches it.

691
00:35:48.719 --> 00:35:51.199
<v Speaker 1>That's very cool. It is cool. But I'm also like,

692
00:35:51.320 --> 00:35:53.639
<v Speaker 1>that knife was not gonna hit him.

693
00:35:54.639 --> 00:35:56.199
<v Speaker 4>He didn't even have to like risk his hand.

694
00:35:56.440 --> 00:35:59.880
<v Speaker 1>Yeah, it was nowhere near him. It's like a well.

695
00:36:00.159 --> 00:36:02.079
<v Speaker 4>I like the way that it's captured. I think it's

696
00:36:02.159 --> 00:36:07.920
<v Speaker 4>like captured well, and it looks cool. But oh dude,

697
00:36:07.960 --> 00:36:10.480
<v Speaker 4>that's where I was going on Wikipedia. I was like, wait, what, like,

698
00:36:10.599 --> 00:36:13.880
<v Speaker 4>she's the daughter the is this literally a reincarnation?

699
00:36:14.159 --> 00:36:17.760
<v Speaker 1>Is this and Rick is a reincarnated man? Guy? Yeah?

700
00:36:17.880 --> 00:36:20.360
<v Speaker 4>Well, was this like post the Matrix. It's like everyone

701
00:36:20.360 --> 00:36:22.920
<v Speaker 4>had to be the one. Jet Lee made a movie

702
00:36:22.960 --> 00:36:23.960
<v Speaker 4>called The One.

703
00:36:23.800 --> 00:36:27.000
<v Speaker 1>The One, you know.

704
00:36:27.039 --> 00:36:31.119
<v Speaker 4>I was like, uh, whatever, it's a lot, But then

705
00:36:31.159 --> 00:36:32.599
<v Speaker 4>I thought about it. I was like, so he didn't

706
00:36:32.599 --> 00:36:34.320
<v Speaker 4>have that tattoo in the first one. I guess he

707
00:36:34.360 --> 00:36:37.639
<v Speaker 4>had those like wrist cuff things on. I mean, was

708
00:36:37.639 --> 00:36:40.519
<v Speaker 4>that like just a great coincidence where they're like, hey,

709
00:36:40.559 --> 00:36:42.119
<v Speaker 4>we can put a tattoo where he had those cuffs

710
00:36:42.119 --> 00:36:42.840
<v Speaker 4>on the whole movie.

711
00:36:43.639 --> 00:36:46.480
<v Speaker 1>I don't even even if he didn't have those wrist cuffs,

712
00:36:46.519 --> 00:36:50.199
<v Speaker 1>they probably wouldn't just you know, I mean, like, how

713
00:36:50.280 --> 00:36:53.519
<v Speaker 1>much time does our death Bay spend looking at O'Connell's wrist.

714
00:36:54.599 --> 00:36:56.400
<v Speaker 4>It's like shawshank, How how often do you really look

715
00:36:56.440 --> 00:36:57.239
<v Speaker 4>at a man's shoes?

716
00:36:57.559 --> 00:36:58.079
<v Speaker 1>Exactly?

717
00:36:58.960 --> 00:37:00.239
<v Speaker 4>How often do you look at the unders out of

718
00:37:00.280 --> 00:37:00.920
<v Speaker 4>a man's wrist?

719
00:37:01.280 --> 00:37:02.039
<v Speaker 1>That's hilarious.

720
00:37:02.719 --> 00:37:06.079
<v Speaker 4>Speak Oh my gosh, Zaki, I have a tattoo here

721
00:37:06.639 --> 00:37:07.280
<v Speaker 4>it's a map.

722
00:37:08.159 --> 00:37:09.920
<v Speaker 1>But well, if I were to tell you that I'm

723
00:37:09.960 --> 00:37:12.119
<v Speaker 1>a stranger traveling at night or whatever.

724
00:37:19.159 --> 00:37:21.920
<v Speaker 4>And just because you know, I can't shy away from

725
00:37:21.920 --> 00:37:23.920
<v Speaker 4>this now it's a commentary. I can't change what I said,

726
00:37:24.239 --> 00:37:26.199
<v Speaker 4>just because I was like looking at the kid just

727
00:37:26.199 --> 00:37:29.480
<v Speaker 4>sort of like a kid, like when he took the

728
00:37:30.000 --> 00:37:32.480
<v Speaker 4>wrist thing, he just finds this cool thing and it's

729
00:37:32.519 --> 00:37:34.519
<v Speaker 4>like I'm taking it and like puts it on and

730
00:37:34.920 --> 00:37:37.639
<v Speaker 4>replaces it with the thing. I was just like, like,

731
00:37:37.679 --> 00:37:39.400
<v Speaker 4>I don't know why. I don't know why that was

732
00:37:39.440 --> 00:37:42.559
<v Speaker 4>the point of view I had. But it's great story wise,

733
00:37:43.079 --> 00:37:43.960
<v Speaker 4>I think it is.

734
00:37:44.000 --> 00:37:46.719
<v Speaker 1>And I again, this is weird because it's like our

735
00:37:46.840 --> 00:37:50.000
<v Speaker 1>roles are reversed. I know, it's so funny. Normally I'm

736
00:37:50.000 --> 00:37:56.760
<v Speaker 1>the guy who's like, goddamn kid, wrong, kid died. Yeah, no,

737
00:37:56.880 --> 00:38:00.159
<v Speaker 1>I yeah, again, I find Alex quite fun in this one.

738
00:38:00.280 --> 00:38:04.719
<v Speaker 1>But no, I think the mechanism of this this ridiculous,

739
00:38:05.239 --> 00:38:08.400
<v Speaker 1>uh you know whatever, the bracelet of Anubis, like okay,

740
00:38:08.519 --> 00:38:13.039
<v Speaker 1>like it's really kakamami, I mean, just all of it. Yeah.

741
00:38:13.119 --> 00:38:15.360
<v Speaker 4>I well, now I know not to ask because I

742
00:38:15.400 --> 00:38:16.280
<v Speaker 4>was gonna be like, wait, why.

743
00:38:16.199 --> 00:38:17.639
<v Speaker 1>Do these people, who are these people?

744
00:38:17.639 --> 00:38:19.119
<v Speaker 4>What do they want? Why are they trying to bring

745
00:38:19.119 --> 00:38:21.039
<v Speaker 4>this about? Who are they trying to stop? You know,

746
00:38:21.119 --> 00:38:21.800
<v Speaker 4>it doesn't matter.

747
00:38:21.880 --> 00:38:25.280
<v Speaker 1>So the kids. So yeah, that's really all you need

748
00:38:25.320 --> 00:38:28.679
<v Speaker 1>to know. But it's so these folks are working for

749
00:38:29.119 --> 00:38:34.239
<v Speaker 1>Patricia Velaska's character, who's the reincarnation that she's the reincarnation

750
00:38:34.320 --> 00:38:36.760
<v Speaker 1>of an Ox Suna Moon. So she wants them to

751
00:38:36.800 --> 00:38:40.280
<v Speaker 1>bring back m Ho Tep so that he will then

752
00:38:40.519 --> 00:38:44.000
<v Speaker 1>unite her with an ox Suna Moon's soul, and since

753
00:38:44.000 --> 00:38:48.559
<v Speaker 1>it's the year of the Scorpion, they can use the

754
00:38:48.599 --> 00:38:54.880
<v Speaker 1>Scepter of Osiris to control the Scorpion King and his army.

755
00:38:56.760 --> 00:38:57.679
<v Speaker 1>So there, I was.

756
00:38:57.679 --> 00:39:01.599
<v Speaker 4>Just picturing Steven Summers in the room, watching like a

757
00:39:01.679 --> 00:39:04.639
<v Speaker 4>slow push camera push in on him as you're speaking,

758
00:39:04.960 --> 00:39:07.639
<v Speaker 4>and like his eyes like a tear is slowly forming,

759
00:39:08.519 --> 00:39:10.119
<v Speaker 4>and then we just cut like a little wide and

760
00:39:10.119 --> 00:39:11.960
<v Speaker 4>he just no words, just gives.

761
00:39:11.760 --> 00:39:17.079
<v Speaker 1>You this huge hug. He gets it. See. I picture

762
00:39:17.159 --> 00:39:19.760
<v Speaker 1>him nodding like Miagi at the end of the first movie.

763
00:39:20.039 --> 00:39:21.400
<v Speaker 1>And then I'm like, that's what's going on in this

764
00:39:21.440 --> 00:39:22.320
<v Speaker 1>piece of shit movie.

765
00:39:22.320 --> 00:39:28.239
<v Speaker 4>And then he's like, God damn it, that's hilarious.

766
00:39:28.840 --> 00:39:34.719
<v Speaker 1>See, like this piece right here where our deathbay is like,

767
00:39:34.760 --> 00:39:36.360
<v Speaker 1>well you're gonna you've said it, and of course the

768
00:39:36.440 --> 00:39:38.880
<v Speaker 1>chain reaction is gonna, you know, and then O'Connor's like,

769
00:39:39.000 --> 00:39:42.159
<v Speaker 1>you settled down, you be in trouble you that's funny

770
00:39:42.239 --> 00:39:42.440
<v Speaker 1>like that.

771
00:39:42.800 --> 00:39:47.320
<v Speaker 4>Yeah, there's a meal thirties sort of tone.

772
00:39:47.800 --> 00:39:50.239
<v Speaker 1>Yeah. And in addition to that, you know, this goes

773
00:39:50.280 --> 00:39:52.719
<v Speaker 1>to a comment you made in when we were talking

774
00:39:52.760 --> 00:39:57.199
<v Speaker 1>through the first film, which is you felt like the

775
00:39:57.719 --> 00:40:00.599
<v Speaker 1>O'Connell character wasn't really working for you because it felt

776
00:40:00.599 --> 00:40:04.239
<v Speaker 1>like Brendan Fraser was playing kind of a tough guy. Yeah,

777
00:40:04.760 --> 00:40:07.400
<v Speaker 1>I feel like this one leans more into his.

778
00:40:07.599 --> 00:40:12.239
<v Speaker 4>Charm, I think, I yes, yes, right, plays more to

779
00:40:12.320 --> 00:40:13.440
<v Speaker 4>his personality.

780
00:40:13.639 --> 00:40:16.880
<v Speaker 1>Yeah, you know, it's it's a little bit like you

781
00:40:16.920 --> 00:40:20.360
<v Speaker 1>know something we said about about Jurassic World, which is

782
00:40:20.360 --> 00:40:23.559
<v Speaker 1>that the Chris Pratt character, it doesn't let him be

783
00:40:24.360 --> 00:40:28.559
<v Speaker 1>Chris Pratty enough, and the sequels kind of let a

784
00:40:28.559 --> 00:40:30.159
<v Speaker 1>little bit more of that shine through.

785
00:40:30.800 --> 00:40:33.119
<v Speaker 4>Yeah, yeah, yeah, yeah, I remember in the first one

786
00:40:33.119 --> 00:40:36.960
<v Speaker 4>it felt like I was watching an actor puff his chest, yes,

787
00:40:37.559 --> 00:40:41.840
<v Speaker 4>acting like an action hero, even though the thing though,

788
00:40:41.880 --> 00:40:44.639
<v Speaker 4>I think Brendan Fraser is kind of like Keanu Reeves

789
00:40:44.639 --> 00:40:48.280
<v Speaker 4>in a way where people just like love the guy like,

790
00:40:48.320 --> 00:40:49.800
<v Speaker 4>and I agree with that, like, and I think he

791
00:40:49.840 --> 00:40:52.079
<v Speaker 4>does feel like Brendan Fraser in most of his roles.

792
00:40:52.239 --> 00:40:55.280
<v Speaker 4>But I love Brendan Fraser, you know what I mean,

793
00:40:55.320 --> 00:40:56.599
<v Speaker 4>And so I agree with you. I think in this

794
00:40:56.639 --> 00:40:58.800
<v Speaker 4>one he gets to be a little bit more himself

795
00:40:58.840 --> 00:41:01.960
<v Speaker 4>and it comes across a little bit more natural for me.

796
00:41:02.599 --> 00:41:06.199
<v Speaker 1>No, I I think I think partly it's just the

797
00:41:06.239 --> 00:41:10.239
<v Speaker 1>comfort level from from uh, coming back to a role

798
00:41:10.320 --> 00:41:13.840
<v Speaker 1>that people liked him in. You know, yeah, I'm sure

799
00:41:13.880 --> 00:41:16.639
<v Speaker 1>he feels happier he got he got twelve, twelve and

800
00:41:16.639 --> 00:41:19.199
<v Speaker 1>a half a million dollars for this movie. Ooh, you

801
00:41:19.239 --> 00:41:21.239
<v Speaker 1>know he got four million for the first one. So

802
00:41:21.280 --> 00:41:22.360
<v Speaker 1>it's a nice little pay grade.

803
00:41:22.599 --> 00:41:25.559
<v Speaker 4>Hey great, you know, so.

804
00:41:25.679 --> 00:41:27.679
<v Speaker 1>Just kind of comfort level. I mean he talked about it.

805
00:41:27.679 --> 00:41:30.000
<v Speaker 1>It's like, you know, coming back for another semester of school.

806
00:41:30.000 --> 00:41:33.880
<v Speaker 1>You know, here the whole gang is back. By the way,

807
00:41:33.960 --> 00:41:36.679
<v Speaker 1>if as we record this, the fourth movie is still

808
00:41:37.280 --> 00:41:39.719
<v Speaker 1>in you know, in in in process. You know, it's

809
00:41:39.920 --> 00:41:42.360
<v Speaker 1>coming out next year. If they don't bring back Ohdad,

810
00:41:42.480 --> 00:41:45.039
<v Speaker 1>fair as our at Bay, they're gonna have a very

811
00:41:45.079 --> 00:41:50.599
<v Speaker 1>angry email from me arriving. I'm gonna be quite perturbed.

812
00:41:50.760 --> 00:41:54.880
<v Speaker 1>They must, right, yeah, they better. Well it's funny because

813
00:41:54.880 --> 00:41:58.239
<v Speaker 1>there's a third one that I've actually never seen. Yeah,

814
00:41:58.280 --> 00:42:04.480
<v Speaker 1>oh you will plan for that next year?

815
00:42:05.239 --> 00:42:09.679
<v Speaker 4>Yeah, because the ride at Universal Studios in Los Angeles,

816
00:42:10.280 --> 00:42:14.079
<v Speaker 4>that's what all the sort of decorations and artwork are.

817
00:42:14.239 --> 00:42:15.119
<v Speaker 1>It's from the third one.

818
00:42:15.599 --> 00:42:18.039
<v Speaker 4>Well, it used to be, at least maybe it's been revised.

819
00:42:18.079 --> 00:42:19.880
<v Speaker 1>I don't know. That seems like a miscalculation.

820
00:42:20.519 --> 00:42:22.840
<v Speaker 4>That's like always the thing, right. It's like when by

821
00:42:22.880 --> 00:42:24.800
<v Speaker 4>the time a theme park can actually put out a ride,

822
00:42:24.840 --> 00:42:28.599
<v Speaker 4>it's like, you know, the steam for that movie is

823
00:42:28.679 --> 00:42:29.280
<v Speaker 4>usually kind.

824
00:42:29.119 --> 00:42:32.280
<v Speaker 1>Of a little Rise of the Republic energy or what

825
00:42:32.360 --> 00:42:33.920
<v Speaker 1>is it, Rise of the Resistance energy?

826
00:42:34.159 --> 00:42:37.440
<v Speaker 4>Yeah, exactly, exactly the Resistance. Yeah, although there was a

827
00:42:38.079 --> 00:42:43.800
<v Speaker 4>year where my friend Chad and I we got Universal

828
00:42:43.840 --> 00:42:46.639
<v Speaker 4>Studios used to have a great deal on year passes,

829
00:42:47.000 --> 00:42:49.880
<v Speaker 4>okay or season passes, and it was like if you

830
00:42:49.920 --> 00:42:53.119
<v Speaker 4>bought a ticket for one day, you got a season

831
00:42:53.159 --> 00:42:55.760
<v Speaker 4>pass or something crazy like that. Oh wow, So we're like,

832
00:42:55.840 --> 00:42:57.880
<v Speaker 4>let's do it. And then we had this thing for

833
00:42:58.000 --> 00:43:01.199
<v Speaker 4>a year. It would be Saturday morning and he'd be like, yo, man,

834
00:43:01.239 --> 00:43:04.159
<v Speaker 4>you want to go ride the Mummy. I was like, yeah,

835
00:43:04.280 --> 00:43:07.239
<v Speaker 4>so we just go to Universal ride the Mummy maybe twice,

836
00:43:08.119 --> 00:43:10.199
<v Speaker 4>you know, do the Simpsons ride then call it. You know,

837
00:43:10.199 --> 00:43:13.480
<v Speaker 4>all right, what now lunch? So I've been on that

838
00:43:13.599 --> 00:43:15.320
<v Speaker 4>ride a lot.

839
00:43:15.639 --> 00:43:19.880
<v Speaker 1>So wait, So the Mummy ride was built around tomb

840
00:43:19.880 --> 00:43:20.840
<v Speaker 1>of the Dragon Emperor.

841
00:43:21.440 --> 00:43:24.159
<v Speaker 4>I do remember when you exit the ride that was

842
00:43:24.199 --> 00:43:26.119
<v Speaker 4>the artwork on the walls.

843
00:43:27.480 --> 00:43:28.079
<v Speaker 1>Fascinating.

844
00:43:28.320 --> 00:43:32.960
<v Speaker 4>Yeah, but the ride itself is a bit you know,

845
00:43:33.000 --> 00:43:34.760
<v Speaker 4>it's more like a roller coaster. It's less like the

846
00:43:34.800 --> 00:43:38.039
<v Speaker 4>Indiana Jones ride at Disney, where it's a real vast

847
00:43:38.159 --> 00:43:40.280
<v Speaker 4>sort of set you're riding through, and it's more like

848
00:43:40.320 --> 00:43:43.079
<v Speaker 4>stuff kind of coming at you. It's it's fun. It's

849
00:43:43.079 --> 00:43:44.360
<v Speaker 4>like a roller coaster in the dark.

850
00:43:44.880 --> 00:43:49.119
<v Speaker 1>I got you. Yeah, so this movie you said you

851
00:43:49.159 --> 00:43:51.119
<v Speaker 1>saw you saw this in the theater when it came out.

852
00:43:51.599 --> 00:43:54.039
<v Speaker 1>I don't remember. If I'm introsed.

853
00:43:56.519 --> 00:43:58.079
<v Speaker 4>There was one movie and I said this in the

854
00:43:58.159 --> 00:44:01.440
<v Speaker 4>last commentary, when you were at that television station and

855
00:44:01.519 --> 00:44:03.239
<v Speaker 4>you guys are like duping a bunch of movies.

856
00:44:04.960 --> 00:44:07.679
<v Speaker 1>Someone gave me one of the Mummy movies. Oh it

857
00:44:07.800 --> 00:44:09.639
<v Speaker 1>was it was the first one, because yeah, I mean,

858
00:44:09.639 --> 00:44:11.360
<v Speaker 1>this is two thousand and one. By then, I definitely

859
00:44:11.400 --> 00:44:12.119
<v Speaker 1>wasn't working there.

860
00:44:12.239 --> 00:44:14.239
<v Speaker 4>Okay, so yeah, I couldn't remember which one it was,

861
00:44:14.280 --> 00:44:16.599
<v Speaker 4>but okay, that's how I watched the first one. And

862
00:44:16.639 --> 00:44:17.960
<v Speaker 4>I don't remember when I saw this.

863
00:44:18.280 --> 00:44:20.679
<v Speaker 1>Yeah, two thousand and one, you were at Trinity, right,

864
00:44:22.000 --> 00:44:23.159
<v Speaker 1>were yet Biola by then?

865
00:44:23.840 --> 00:44:30.320
<v Speaker 4>I guess I was, Yeah, wow, isn't that strange? Like

866
00:44:30.440 --> 00:44:32.880
<v Speaker 4>ten years ago, I would have with complete clarity, been

867
00:44:32.880 --> 00:44:33.400
<v Speaker 4>able to tell you.

868
00:44:33.440 --> 00:44:35.840
<v Speaker 1>Now, I'm like, I don't remember. Wow.

869
00:44:36.760 --> 00:44:38.559
<v Speaker 4>Yeah, I went to a bunch of different colleges.

870
00:44:40.119 --> 00:44:44.480
<v Speaker 1>Yeah, so we gave you. I remember I said, hey, guys,

871
00:44:44.519 --> 00:44:47.199
<v Speaker 1>don't do these illegal.

872
00:44:49.159 --> 00:44:51.599
<v Speaker 4>Tap tap tap this thing on. Yeah yeah, I said no.

873
00:44:52.360 --> 00:44:54.840
<v Speaker 1>They shoved me in the in the storage closet, and

874
00:44:54.880 --> 00:44:57.599
<v Speaker 1>I'm assuming all of the trading went on as I

875
00:44:57.639 --> 00:45:02.719
<v Speaker 1>was desperately trying to get out perfect. I think that

876
00:45:02.719 --> 00:45:09.679
<v Speaker 1>that should cover it. But yeah, that was the first

877
00:45:09.679 --> 00:45:11.719
<v Speaker 1>film and then yeah, this one. I did not see

878
00:45:11.719 --> 00:45:13.599
<v Speaker 1>this opening weekend. I remember very to single. I saw

879
00:45:13.599 --> 00:45:18.199
<v Speaker 1>it the Monday after it opened. Okay. I went with Javier,

880
00:45:18.360 --> 00:45:21.679
<v Speaker 1>my friend from from I used to work at a

881
00:45:21.719 --> 00:45:26.159
<v Speaker 1>wedding videography studio, and I remember that. Yeah. I was like,

882
00:45:26.159 --> 00:45:27.880
<v Speaker 1>I think I'm gonna go watch the moment you return today.

883
00:45:27.880 --> 00:45:31.159
<v Speaker 1>He's like, I'll come with you. And so, you know

884
00:45:31.199 --> 00:45:34.159
<v Speaker 1>what I remember actually is opening weekend stuff that comes back.

885
00:45:34.280 --> 00:45:36.760
<v Speaker 1>I remember I was trying to go see it the

886
00:45:36.880 --> 00:45:40.119
<v Speaker 1>Saturday that it opened and it was sold out. I

887
00:45:40.159 --> 00:45:43.280
<v Speaker 1>just couldn't get in anywhere. Oh wow, So I mean

888
00:45:43.400 --> 00:45:45.079
<v Speaker 1>this movie was a pretty big deal, you know.

889
00:45:46.000 --> 00:45:50.079
<v Speaker 4>Yeah, I mean it was let's see it grows sixty

890
00:45:50.079 --> 00:45:54.360
<v Speaker 4>eight million domestically in its opening weekend, opening weekend, and

891
00:45:54.360 --> 00:45:57.320
<v Speaker 4>that was the second biggest opening in history behind Lost

892
00:45:57.320 --> 00:45:58.280
<v Speaker 4>World Jurassic Park.

893
00:45:58.559 --> 00:46:01.920
<v Speaker 1>Yeah, crazy, yeah yeah, And then and then that record

894
00:46:02.320 --> 00:46:05.679
<v Speaker 1>was broken later this summer by Planet of the Apes.

895
00:46:06.079 --> 00:46:09.760
<v Speaker 1>Mm hmm, right, this summer was crazy. You had just

896
00:46:09.800 --> 00:46:13.440
<v Speaker 1>for Universal, you had you had this, you had the

897
00:46:13.480 --> 00:46:18.199
<v Speaker 1>Past and the Furious. Oh wow? Right? And what else

898
00:46:18.280 --> 00:46:24.239
<v Speaker 1>was American Pie was this summer two? Yeah? American Pie two,

899
00:46:24.280 --> 00:46:28.679
<v Speaker 1>that's right, the sequel Universal did okay this summer? Yeah.

900
00:46:28.760 --> 00:46:31.000
<v Speaker 4>Actually, I was looking because I always get curious to

901
00:46:31.880 --> 00:46:34.039
<v Speaker 4>for me mentally to put it in time.

902
00:46:34.480 --> 00:46:35.920
<v Speaker 1>Rush Hour two was this summer.

903
00:46:36.440 --> 00:46:38.400
<v Speaker 4>Yeah, so the top ten box office I'll just run

904
00:46:38.440 --> 00:46:39.079
<v Speaker 4>through it really fast.

905
00:46:39.119 --> 00:46:39.639
<v Speaker 1>Out of the year.

906
00:46:39.719 --> 00:46:42.800
<v Speaker 4>Harry Potter and the Sorcerer's Stone number one or Philosopher's Stone,

907
00:46:43.000 --> 00:46:46.559
<v Speaker 4>depending on what were the rings, Shrek, Monster z Inc,

908
00:46:46.679 --> 00:46:50.960
<v Speaker 4>Rush Hour two, Mummy Returns, Pearl Harbor, remember that, Jurassic

909
00:46:51.000 --> 00:46:54.119
<v Speaker 4>Park three, Planet of the Apes, Hannibal and the Fellowship

910
00:46:54.159 --> 00:46:55.159
<v Speaker 4>of the Ring was number ten.

911
00:46:55.840 --> 00:47:01.159
<v Speaker 1>Fellowship was number ten. Yep, that's kind of amazing. Actually

912
00:47:02.000 --> 00:47:07.679
<v Speaker 1>that is that Hannibal Hannibal. Yeah, well, I hated that movie.

913
00:47:08.000 --> 00:47:12.599
<v Speaker 1>I don't hate movies. I hated that. Yeah, Ocean's eleven

914
00:47:12.719 --> 00:47:14.480
<v Speaker 1>was this year. Yeah, oh that's a big year.

915
00:47:15.039 --> 00:47:17.159
<v Speaker 4>Castaway, it's a lot of great movies.

916
00:47:17.239 --> 00:47:22.400
<v Speaker 1>Castaway was two thousands, and wasn't it Castaway was the

917
00:47:22.480 --> 00:47:25.159
<v Speaker 1>end of two thousand. Yeah, I agree with you.

918
00:47:25.199 --> 00:47:27.159
<v Speaker 4>So I don't know why this is off box office

919
00:47:27.159 --> 00:47:28.840
<v Speaker 4>Mojo domestic box office for two thousands.

920
00:47:28.880 --> 00:47:30.280
<v Speaker 1>Must because it continued to make.

921
00:47:30.400 --> 00:47:32.880
<v Speaker 4>Oh maybe that has to do also with Lord of

922
00:47:32.880 --> 00:47:33.239
<v Speaker 4>the Rings.

923
00:47:33.320 --> 00:47:34.840
<v Speaker 1>Lord of the Rings. I was about to say, yeah,

924
00:47:34.840 --> 00:47:37.079
<v Speaker 1>that makes sense because Lord of the Rings was like December,

925
00:47:37.119 --> 00:47:42.960
<v Speaker 1>I think, right, yep, Yeah, because Harry Potter was November. Yep.

926
00:47:43.719 --> 00:47:46.119
<v Speaker 1>I remember that. I remember watching Harry Potter opening night

927
00:47:46.119 --> 00:47:49.559
<v Speaker 1>and falling asleep, and then that's just been my experience

928
00:47:49.599 --> 00:47:51.400
<v Speaker 1>with the SORCER's Stone as I keep falling asleep in

929
00:47:51.400 --> 00:47:51.760
<v Speaker 1>that movie.

930
00:47:51.840 --> 00:47:53.440
<v Speaker 4>You've never made it through. I remember, yea, I remember

931
00:47:53.440 --> 00:47:56.079
<v Speaker 4>you talking about that. Well you get you get a

932
00:47:56.119 --> 00:47:57.760
<v Speaker 4>new chance with the HBO series.

933
00:47:58.119 --> 00:48:02.760
<v Speaker 1>I'll get right on it. So let's talk about this

934
00:48:02.800 --> 00:48:05.119
<v Speaker 1>action sequence. I think, going to what you were saying before,

935
00:48:05.000 --> 00:48:06.840
<v Speaker 1>there is a tactility to it.

936
00:48:07.239 --> 00:48:10.519
<v Speaker 4>Oh yeah, it's going to be warehouse real flames. By

937
00:48:10.519 --> 00:48:12.719
<v Speaker 4>the way, I do want to say I can appreciate

938
00:48:12.880 --> 00:48:16.480
<v Speaker 4>why they do fake flames these days. Yeah, truly, it's

939
00:48:16.519 --> 00:48:19.519
<v Speaker 4>it's it's safety should be paramount.

940
00:48:19.880 --> 00:48:25.880
<v Speaker 1>Yeah, you know, and I do and twentieth Century Fox honestly.

941
00:48:26.000 --> 00:48:34.280
<v Speaker 4>Yeah, maybe Warner Brothers looks like but yeah, there's just something.

942
00:48:34.599 --> 00:48:36.079
<v Speaker 4>But but what I do love is it's not like

943
00:48:36.119 --> 00:48:40.239
<v Speaker 4>they like extended the room digitally, you know, So there's

944
00:48:40.360 --> 00:48:42.599
<v Speaker 4>just it doesn't have like a real sort of depth

945
00:48:42.639 --> 00:48:45.159
<v Speaker 4>like you were saying earlier. I love this seeing all

946
00:48:45.199 --> 00:48:49.199
<v Speaker 4>the machine gun fire and flames and things getting knocked over.

947
00:48:49.239 --> 00:48:53.960
<v Speaker 1>It looks great. This is kind of funny.

948
00:48:54.000 --> 00:48:55.920
<v Speaker 4>Although I felt like they should jump out right after

949
00:48:55.960 --> 00:48:56.760
<v Speaker 4>this moment.

950
00:48:57.159 --> 00:49:00.000
<v Speaker 1>Right, that that would sell the gag better.

951
00:49:00.440 --> 00:49:03.800
<v Speaker 4>Yeah, she's, uh, they've just run out of the building,

952
00:49:03.800 --> 00:49:05.840
<v Speaker 4>and she's putting a bench in front of the door,

953
00:49:05.840 --> 00:49:09.119
<v Speaker 4>thinking it'll stop all the supernatural bad guys. He's like, no, no, no,

954
00:49:09.480 --> 00:49:12.400
<v Speaker 4>these kind of people don't use doors. But then they

955
00:49:12.400 --> 00:49:14.280
<v Speaker 4>wait like forty five seconds until.

956
00:49:14.320 --> 00:49:20.360
<v Speaker 1>Yeah, well there's a whole other sequence here. Yeah, so

957
00:49:20.480 --> 00:49:20.800
<v Speaker 1>right here.

958
00:49:20.880 --> 00:49:26.039
<v Speaker 4>Yeah, yeah, I'm a little surprised they didn't do it differently.

959
00:49:26.320 --> 00:49:30.400
<v Speaker 1>See, so the first movie ends with like Mummy, you know,

960
00:49:30.719 --> 00:49:33.679
<v Speaker 1>Mummy soldiers, and so it's like, okay, well we got to,

961
00:49:33.719 --> 00:49:35.639
<v Speaker 1>you know, check the list. We gotta we gotta make

962
00:49:35.639 --> 00:49:38.079
<v Speaker 1>sure we have them in there. And then we got

963
00:49:38.079 --> 00:49:40.239
<v Speaker 1>to make sure we get O'Connell with a nice trailer

964
00:49:40.280 --> 00:49:49.079
<v Speaker 1>line right there. I hate mummies. Yeah, it's ever been

965
00:49:49.079 --> 00:49:51.000
<v Speaker 1>in a double deck or bus? I'm sure you have?

966
00:49:51.119 --> 00:49:55.400
<v Speaker 4>Right, No, I haven't, really, I don't. Well, now I

967
00:49:55.480 --> 00:49:58.119
<v Speaker 4>think about it. I've never been to London, but okay,

968
00:49:58.559 --> 00:50:00.400
<v Speaker 4>maybe like some sort of tour bus sort of thing

969
00:50:00.400 --> 00:50:03.960
<v Speaker 4>where you're sitting on the top, you know, sort of like.

970
00:50:03.920 --> 00:50:07.800
<v Speaker 1>In Hollywood double deckers in Paris. I haven't written one,

971
00:50:08.639 --> 00:50:11.199
<v Speaker 1>I feel like because I've been in one. Yeah, and

972
00:50:11.239 --> 00:50:12.840
<v Speaker 1>I'm like, I don't think it was in London, so

973
00:50:12.880 --> 00:50:18.440
<v Speaker 1>it must have been Paris. Anyway, this I get. I

974
00:50:18.480 --> 00:50:21.840
<v Speaker 1>get heavy T two vibes in this sequence here where

975
00:50:22.760 --> 00:50:25.639
<v Speaker 1>they're there where Rick is like shooting up here right here?

976
00:50:25.960 --> 00:50:28.199
<v Speaker 4>I thought, same thing, right yep.

977
00:50:28.960 --> 00:50:34.199
<v Speaker 1>In the elevator yep, yep is your head the little

978
00:50:34.199 --> 00:50:35.280
<v Speaker 1>boy be like, what the F is it?

979
00:50:36.000 --> 00:50:36.760
<v Speaker 4>What's going on?

980
00:50:42.199 --> 00:50:43.440
<v Speaker 1>Yeah? This is off school. I like it.

981
00:50:43.480 --> 00:50:46.000
<v Speaker 4>I like action sequence on a moving vehicle is a

982
00:50:46.039 --> 00:50:48.360
<v Speaker 4>lot of fun, a lot of opportunity. There's like a

983
00:50:48.360 --> 00:50:52.440
<v Speaker 4>great little, uh sort of Spielbergie I feel set up

984
00:50:52.480 --> 00:50:55.559
<v Speaker 4>thing with him losing the shotgun, right, you know, and

985
00:50:55.599 --> 00:50:59.159
<v Speaker 4>then it uh we follow it on the outside of

986
00:50:59.159 --> 00:51:01.840
<v Speaker 4>the bus and we see Vice look at it, which

987
00:51:01.880 --> 00:51:04.719
<v Speaker 4>is an amazing setup for her having it like twenty

988
00:51:04.719 --> 00:51:05.320
<v Speaker 4>seconds later.

989
00:51:05.599 --> 00:51:07.480
<v Speaker 1>Yeah, that's great.

990
00:51:08.360 --> 00:51:12.039
<v Speaker 4>Yeah, I don't know, I like this stuff speaking of summers,

991
00:51:12.119 --> 00:51:12.360
<v Speaker 4>you know.

992
00:51:12.880 --> 00:51:16.800
<v Speaker 1>Yeah, I think you know, Brandon Fraser, you can see

993
00:51:16.800 --> 00:51:19.960
<v Speaker 1>for a lot of these these close ups. I mean

994
00:51:20.000 --> 00:51:22.760
<v Speaker 1>that's him getting tossed around.

995
00:51:22.719 --> 00:51:25.000
<v Speaker 4>Yeah, you can tell. And a lot later too, a

996
00:51:25.000 --> 00:51:27.519
<v Speaker 4>lot of his flipping around and getting yeah blasted through

997
00:51:27.519 --> 00:51:27.800
<v Speaker 4>the air.

998
00:51:27.840 --> 00:51:30.079
<v Speaker 1>You can see his face. It's clearly him, and you

999
00:51:30.079 --> 00:51:32.800
<v Speaker 1>know he talked about years later how you know it

1000
00:51:32.840 --> 00:51:34.840
<v Speaker 1>looked great for the film, but I mean it left

1001
00:51:34.920 --> 00:51:37.280
<v Speaker 1>him just a broken down husk of a man, you know,

1002
00:51:38.559 --> 00:51:43.000
<v Speaker 1>I bet held together by by spirit gum and baling wire.

1003
00:51:43.079 --> 00:51:49.599
<v Speaker 1>You know. Yeah, that's kind of you know, for a

1004
00:51:49.639 --> 00:51:51.800
<v Speaker 1>lot of these young actors. I mean, Fraser was what

1005
00:51:51.880 --> 00:51:55.559
<v Speaker 1>probably in his early thirties here when needed this, you know,

1006
00:51:55.920 --> 00:52:00.320
<v Speaker 1>you think the check won't come do Yeah, yeah, it

1007
00:52:00.360 --> 00:52:02.840
<v Speaker 1>catches up to you. It catches up to everybody. You know. Yeah,

1008
00:52:02.880 --> 00:52:06.320
<v Speaker 1>there it is that it doesn't well.

1009
00:52:06.320 --> 00:52:07.760
<v Speaker 4>And that's the thing too, is when you do it

1010
00:52:07.840 --> 00:52:11.000
<v Speaker 4>five times, you know, and like just landing on your

1011
00:52:11.079 --> 00:52:14.119
<v Speaker 4>knees hard and yeah, whipped around and you know, like

1012
00:52:14.159 --> 00:52:15.960
<v Speaker 4>we might take a tumble, you know, fall down a

1013
00:52:15.960 --> 00:52:17.840
<v Speaker 4>little hill or something, and that's that.

1014
00:52:17.920 --> 00:52:21.440
<v Speaker 1>But like, well, last night I was, I was coming

1015
00:52:21.440 --> 00:52:23.639
<v Speaker 1>down the stairs because there was a light on in

1016
00:52:23.679 --> 00:52:25.840
<v Speaker 1>the kitchen. I wanted to turn it off. And as

1017
00:52:25.880 --> 00:52:29.039
<v Speaker 1>I was, it was dark enough that I missed a

1018
00:52:29.159 --> 00:52:33.639
<v Speaker 1>step at the bottom of the steps. Yeah, so I

1019
00:52:33.639 --> 00:52:36.519
<v Speaker 1>I just kind of my my feet came out from

1020
00:52:36.599 --> 00:52:39.719
<v Speaker 1>under me, and I sat down and and I was like,

1021
00:52:39.800 --> 00:52:42.000
<v Speaker 1>you know, if I lie down and die right here,

1022
00:52:42.039 --> 00:52:44.039
<v Speaker 1>I think that'd probably be the perfect end to this story,

1023
00:52:44.039 --> 00:52:48.960
<v Speaker 1>because that's what I felt like. I'm sorry I was.

1024
00:52:49.079 --> 00:52:51.360
<v Speaker 1>I was like sitting there, I'm like, oh God, I

1025
00:52:51.360 --> 00:52:58.079
<v Speaker 1>gotta go back up those stairs.

1026
00:52:59.119 --> 00:53:01.519
<v Speaker 4>Those are those like life pains, all right.

1027
00:53:02.719 --> 00:53:05.440
<v Speaker 1>I have nothing but respect for Brandon Fraser getting getting

1028
00:53:05.480 --> 00:53:06.920
<v Speaker 1>tossed hither and thither, you know.

1029
00:53:07.239 --> 00:53:08.559
<v Speaker 4>Yeah, well it had been nice if you got in

1030
00:53:08.559 --> 00:53:09.400
<v Speaker 4>twelve million for it.

1031
00:53:09.920 --> 00:53:11.079
<v Speaker 1>That's that's a good point.

1032
00:53:11.280 --> 00:53:13.840
<v Speaker 4>That which still has no no reason to hurt your body.

1033
00:53:13.840 --> 00:53:15.760
<v Speaker 1>By the way, I just by the way.

1034
00:53:15.719 --> 00:53:18.159
<v Speaker 4>Speaking of T two vibes, we get the top half

1035
00:53:18.159 --> 00:53:20.760
<v Speaker 4>of the bus. Yeah, keeled off there with.

1036
00:53:20.760 --> 00:53:26.320
<v Speaker 1>A low overhang. That's cute. I'll give it to him.

1037
00:53:26.920 --> 00:53:32.920
<v Speaker 1>Great driving, Little Alex is winning you over, by the way.

1038
00:53:32.960 --> 00:53:35.360
<v Speaker 4>So Freddy Boath is how I'm gonna say it. I

1039
00:53:35.400 --> 00:53:38.920
<v Speaker 4>hope that's I'm saying it correct. Apparently he was a

1040
00:53:39.039 --> 00:53:42.280
<v Speaker 4>huge fan of the first Mummy movie. Yeah, yeah, and

1041
00:53:42.360 --> 00:53:45.519
<v Speaker 4>he passed on an opportunity to be in Harry Potter

1042
00:53:46.199 --> 00:53:52.639
<v Speaker 4>because he wanted to audition for okay, to audition, Yeah,

1043
00:53:51.599 --> 00:53:55.159
<v Speaker 4>because he wanted to be in this movie so badly.

1044
00:53:56.119 --> 00:54:00.719
<v Speaker 4>And I was like, oh, man, yeah, you.

1045
00:54:00.719 --> 00:54:02.559
<v Speaker 1>Know what I'm gonna say, because because that kid, that

1046
00:54:02.639 --> 00:54:04.320
<v Speaker 1>kid isn't well, he's not a kid anymore. He's like

1047
00:54:04.480 --> 00:54:07.719
<v Speaker 1>in his thirties now. Yeah, he's working in you know,

1048
00:54:08.039 --> 00:54:12.119
<v Speaker 1>marketing or whatever, just just live in a normal adult life. Yeah,

1049
00:54:12.159 --> 00:54:14.440
<v Speaker 1>And so I'm kind of like, you know what, that

1050
00:54:14.440 --> 00:54:16.440
<v Speaker 1>that's that was the best path for him.

1051
00:54:16.800 --> 00:54:20.119
<v Speaker 4>And you know what if he then looks back on

1052
00:54:20.119 --> 00:54:22.880
<v Speaker 4>his acting career and he gets to see himself in

1053
00:54:22.920 --> 00:54:25.639
<v Speaker 4>his favorite movie franchise. He wins.

1054
00:54:26.920 --> 00:54:30.000
<v Speaker 1>I agree with that. It's you know, in the third film,

1055
00:54:30.119 --> 00:54:34.800
<v Speaker 1>they they Alex is like in his twenties. Oh really yeah,

1056
00:54:34.840 --> 00:54:37.559
<v Speaker 1>and so they recast their role and I was thinking,

1057
00:54:37.599 --> 00:54:39.559
<v Speaker 1>I was thinking about that, like, well that would suck,

1058
00:54:39.599 --> 00:54:42.480
<v Speaker 1>Like if they like this fourth one that they're doing,

1059
00:54:43.440 --> 00:54:45.159
<v Speaker 1>I would say, well, if you're gonna have Alex, you

1060
00:54:45.199 --> 00:54:47.800
<v Speaker 1>should have the original Alex, you know.

1061
00:54:48.760 --> 00:54:51.039
<v Speaker 4>Yeah, which they don't tend to do right when they

1062
00:54:51.039 --> 00:54:54.000
<v Speaker 4>do the sequel. It's sort of like Independence Day. I remember,

1063
00:54:55.119 --> 00:54:58.880
<v Speaker 4>that's right, they recast the president's daughter and yeah, I'm

1064
00:54:58.880 --> 00:54:59.280
<v Speaker 4>a bummer.

1065
00:54:59.559 --> 00:55:05.960
<v Speaker 1>Yeah that was bullshit. Yeah.

1066
00:55:06.039 --> 00:55:08.519
<v Speaker 4>I was curious by the way I was reading that

1067
00:55:08.599 --> 00:55:11.880
<v Speaker 4>they had to close down London's Tower Bridge, you know,

1068
00:55:11.920 --> 00:55:14.320
<v Speaker 4>so they could film. Yeah, and they were only allowed

1069
00:55:14.360 --> 00:55:16.360
<v Speaker 4>to do it for twenty minutes at a time, so

1070
00:55:16.480 --> 00:55:18.800
<v Speaker 4>for that makes sense, which totally makes sense, but it

1071
00:55:18.920 --> 00:55:23.920
<v Speaker 4>created a bunch of traffic jams, and apparently it became

1072
00:55:23.960 --> 00:55:27.400
<v Speaker 4>such a fiasco that they reduced their time to ten minutes.

1073
00:55:28.519 --> 00:55:33.000
<v Speaker 4>And I was just curious, if you've ever encountered something

1074
00:55:33.039 --> 00:55:35.119
<v Speaker 4>like that, like a road closed down for filming or.

1075
00:55:35.679 --> 00:55:39.519
<v Speaker 1>Oh wow, not. I have not, But I guess I've

1076
00:55:39.559 --> 00:55:42.480
<v Speaker 1>been lucky in that way, right because certainly in Chicago

1077
00:55:42.599 --> 00:55:47.480
<v Speaker 1>there's plenty of filming that goes on. I've never encountered it.

1078
00:55:48.760 --> 00:55:50.960
<v Speaker 1>I you know, when when there's filming in the Bay

1079
00:55:51.000 --> 00:55:54.199
<v Speaker 1>areas in the city, right, So so that I'm sure

1080
00:55:54.280 --> 00:55:55.920
<v Speaker 1>you know well ahead of time. I remember a few

1081
00:55:56.000 --> 00:55:59.440
<v Speaker 1>years ago, like you had like you had Matrix f

1082
00:56:00.440 --> 00:56:03.079
<v Speaker 1>and Venom and a couple of other things that we're

1083
00:56:03.119 --> 00:56:07.320
<v Speaker 1>all shooting right around the same time. Yeah, so you know,

1084
00:56:07.360 --> 00:56:09.880
<v Speaker 1>I was getting you know, I was hearing from people

1085
00:56:09.880 --> 00:56:12.000
<v Speaker 1>in the city like, oh, you know, I saw such

1086
00:56:12.039 --> 00:56:13.400
<v Speaker 1>and such and they blocked off. This isn't it. But

1087
00:56:13.599 --> 00:56:15.320
<v Speaker 1>but I'm far enough out of the city that I

1088
00:56:15.320 --> 00:56:18.239
<v Speaker 1>haven't encountered. Yeah.

1089
00:56:18.519 --> 00:56:21.159
<v Speaker 4>Yeah, I haven't encountered anything major like that, where like

1090
00:56:21.159 --> 00:56:24.840
<v Speaker 4>a major freeway has been you know, rerouted or whatever.

1091
00:56:24.880 --> 00:56:27.119
<v Speaker 1>But what about like a James Cordon flash mob.

1092
00:56:28.880 --> 00:56:32.480
<v Speaker 4>Wait, didn't we see that? I do feel like we

1093
00:56:32.519 --> 00:56:33.159
<v Speaker 4>did see something.

1094
00:56:33.199 --> 00:56:33.800
<v Speaker 1>Did we see that?

1095
00:56:34.280 --> 00:56:37.440
<v Speaker 4>I feel like we did because we were right by

1096
00:56:37.440 --> 00:56:41.239
<v Speaker 4>CBS studios and we saw traffic was being stopped and

1097
00:56:41.280 --> 00:56:42.519
<v Speaker 4>people were kind of doing stuff.

1098
00:56:42.760 --> 00:56:45.760
<v Speaker 1>Be yes, cross walks, that's right. Okay, I do remember.

1099
00:56:45.800 --> 00:56:49.800
<v Speaker 4>I don't remember exactly what it was, but I have

1100
00:56:49.880 --> 00:56:52.119
<v Speaker 4>seen there was a car chase that was filmed right

1101
00:56:52.159 --> 00:56:54.320
<v Speaker 4>around the corner from me a couple of months ago.

1102
00:56:54.719 --> 00:56:58.039
<v Speaker 4>Wow and yeah. And so basically, you know, ads or

1103
00:56:58.039 --> 00:57:03.159
<v Speaker 4>whoever PA's were blocking traffic, so they would let traffic go,

1104
00:57:03.360 --> 00:57:05.239
<v Speaker 4>you know, east to west for a little bit, but

1105
00:57:05.239 --> 00:57:07.880
<v Speaker 4>then they would stop them for like five minutes. And

1106
00:57:07.920 --> 00:57:10.639
<v Speaker 4>then there was like a big van chasing after a

1107
00:57:10.679 --> 00:57:14.159
<v Speaker 4>little car, and there were drones following it, and then

1108
00:57:14.199 --> 00:57:16.280
<v Speaker 4>they'd reset and then they'd let the cars go, and

1109
00:57:16.320 --> 00:57:17.719
<v Speaker 4>then they'd do it over and over again.

1110
00:57:17.760 --> 00:57:18.199
<v Speaker 1>And it was fair.

1111
00:57:18.280 --> 00:57:21.760
<v Speaker 4>I mean, cars were pissed, man like I because it

1112
00:57:21.800 --> 00:57:24.079
<v Speaker 4>was right there. I just sat and watched it for

1113
00:57:24.079 --> 00:57:27.320
<v Speaker 4>a while. And I can imagine, like you, you know,

1114
00:57:27.360 --> 00:57:29.440
<v Speaker 4>you think you're gonna be somewhere in five ten minutes

1115
00:57:29.519 --> 00:57:31.039
<v Speaker 4>or something, and then you're just sitting there and you

1116
00:57:31.079 --> 00:57:33.320
<v Speaker 4>don't know what's going on and people are just telling

1117
00:57:33.360 --> 00:57:35.559
<v Speaker 4>you you can't go through a green light. I can

1118
00:57:35.639 --> 00:57:36.920
<v Speaker 4>understand being frustrated with that.

1119
00:57:37.719 --> 00:57:40.920
<v Speaker 1>Well, look, if I'm in, if I'm behind the wheel

1120
00:57:40.920 --> 00:57:43.119
<v Speaker 1>of my car, and then James Corden Flashmob broke out.

1121
00:57:44.679 --> 00:57:47.960
<v Speaker 1>I'm saying my foot might find the gas, that's all.

1122
00:57:48.000 --> 00:57:55.559
<v Speaker 4>I'm James Gordon was understandably run over today by a citizen.

1123
00:57:56.840 --> 00:57:57.800
<v Speaker 1>You know what did happen? Though?

1124
00:57:57.800 --> 00:57:59.719
<v Speaker 4>One time I was driving down the one oh one

1125
00:58:00.679 --> 00:58:04.159
<v Speaker 4>and a band was in a big van or a

1126
00:58:04.199 --> 00:58:08.119
<v Speaker 4>truck or something, okay, and they they cut off traffic,

1127
00:58:08.760 --> 00:58:12.840
<v Speaker 4>like they took over, like cut all the lanes off,

1128
00:58:13.360 --> 00:58:15.880
<v Speaker 4>and then the band stood on top of the truck

1129
00:58:16.280 --> 00:58:17.280
<v Speaker 4>and they filmed.

1130
00:58:17.000 --> 00:58:21.039
<v Speaker 1>A music video. Wow. Yeah, yeah.

1131
00:58:21.119 --> 00:58:23.119
<v Speaker 4>I remember being in that and I was stuck and

1132
00:58:23.159 --> 00:58:24.880
<v Speaker 4>I didn't know what was going on. And I read

1133
00:58:24.880 --> 00:58:29.920
<v Speaker 4>that that's what happened later, and I was like, there's

1134
00:58:30.000 --> 00:58:33.119
<v Speaker 4>like a fraction of a percent of me that is

1135
00:58:33.199 --> 00:58:36.320
<v Speaker 4>just like wow, the audacity or like the yeah, the

1136
00:58:36.320 --> 00:58:38.760
<v Speaker 4>balls or whatever. But mostly I'm like, dude, what if

1137
00:58:38.760 --> 00:58:39.960
<v Speaker 4>an ambulance.

1138
00:58:39.440 --> 00:58:40.840
<v Speaker 1>Needed to get through there? Yeah?

1139
00:58:40.880 --> 00:58:42.400
<v Speaker 4>You know, that's that's crazy.

1140
00:58:42.559 --> 00:58:43.960
<v Speaker 1>Yeah. Those people need a beating.

1141
00:58:44.400 --> 00:58:46.440
<v Speaker 4>Yeah yeah, I mean, can you imagine if you were

1142
00:58:46.480 --> 00:58:49.599
<v Speaker 4>the front row, like blocked off and watching these people

1143
00:58:49.599 --> 00:58:50.159
<v Speaker 4>get up and be.

1144
00:58:50.159 --> 00:58:56.480
<v Speaker 1>Like all right, two three, four? Yeah, I don't know anyway,

1145
00:58:56.480 --> 00:58:58.480
<v Speaker 1>those band members need to be put in a room

1146
00:58:58.679 --> 00:59:04.159
<v Speaker 1>with the corpse of Tep while holding canopic urns yes.

1147
00:59:04.079 --> 00:59:07.440
<v Speaker 4>Yes, and then they get released. So then Mummy four

1148
00:59:07.599 --> 00:59:11.800
<v Speaker 4>is like the Mummy and the ghosts of those guys like, oh, like.

1149
00:59:12.239 --> 00:59:12.960
<v Speaker 1>That's what happens.

1150
00:59:13.079 --> 00:59:19.239
<v Speaker 4>We walk again, lived to Rock another day. And then

1151
00:59:19.239 --> 00:59:23.239
<v Speaker 4>Emotep's just like, h is there like following him around.

1152
00:59:24.960 --> 00:59:26.440
<v Speaker 1>That's hilarious.

1153
00:59:30.199 --> 00:59:32.440
<v Speaker 4>I did love like this this. He's got this timeline

1154
00:59:32.440 --> 00:59:34.440
<v Speaker 4>sort of like the ring, you know, where it's five

1155
00:59:34.519 --> 00:59:36.519
<v Speaker 4>days are gonna die or something, and then he pulls

1156
00:59:36.559 --> 00:59:40.000
<v Speaker 4>the yeah, hourglass thing, and I was like, that feels

1157
00:59:40.039 --> 00:59:40.760
<v Speaker 4>very imprecise.

1158
00:59:44.880 --> 00:59:50.440
<v Speaker 1>That's funny. So this this bit where where Alex is

1159
00:59:51.760 --> 00:59:55.199
<v Speaker 1>so like he's speaking in English to Alex. Yes, I

1160
00:59:55.239 --> 01:00:00.679
<v Speaker 1>was like, is that like, does Alex understand him because

1161
01:00:00.719 --> 01:00:02.639
<v Speaker 1>he speaks ancient Egyptian?

1162
01:00:03.280 --> 01:00:05.599
<v Speaker 4>Well, I was gonna say, yeah, presumably, because I think

1163
01:00:05.599 --> 01:00:07.480
<v Speaker 4>they do the Hunt for Out October thing right where

1164
01:00:07.519 --> 01:00:09.400
<v Speaker 4>they like push in on his lips a little bit.

1165
01:00:09.679 --> 01:00:12.440
<v Speaker 4>That's right, because he's speaking, you know, I don't know

1166
01:00:12.440 --> 01:00:15.199
<v Speaker 4>when he's speaking, but then he like comes back out yeah,

1167
01:00:15.239 --> 01:00:16.960
<v Speaker 4>and then he's speaking English all of a sudden, which

1168
01:00:17.000 --> 01:00:19.599
<v Speaker 4>I every time I see that, I always think, what

1169
01:00:19.639 --> 01:00:20.719
<v Speaker 4>a clever device.

1170
01:00:21.559 --> 01:00:24.280
<v Speaker 1>Yeah, you know they they do that well in the

1171
01:00:24.280 --> 01:00:30.480
<v Speaker 1>Thirteenth Warrior. Mmmm. Except the way the the you've not

1172
01:00:30.679 --> 01:00:33.760
<v Speaker 1>seen that movie, I know, Yeah, so that's that's you know,

1173
01:00:33.800 --> 01:00:38.119
<v Speaker 1>Antonio benderis plays an Arab who's who's with these vikings,

1174
01:00:38.960 --> 01:00:40.800
<v Speaker 1>And but the way they do it there is like

1175
01:00:41.480 --> 01:00:47.679
<v Speaker 1>you just see him like watching them talk. Mmmm. And

1176
01:00:47.760 --> 01:00:50.159
<v Speaker 1>so you're through the passage of time, you're able to

1177
01:00:50.199 --> 01:00:52.400
<v Speaker 1>montage that he just figures out their language just by

1178
01:00:52.400 --> 01:00:55.199
<v Speaker 1>listening to them talking. I like that, but it's done

1179
01:00:55.239 --> 01:01:01.199
<v Speaker 1>in like a very cool way. Yeah. Yeah, I gotta

1180
01:01:01.199 --> 01:01:03.480
<v Speaker 1>be honest. If if you and I were stuck in

1181
01:01:03.840 --> 01:01:07.199
<v Speaker 1>a train car with motype, I would shove you at him.

1182
01:01:08.920 --> 01:01:13.239
<v Speaker 1>I'm just letting you know. I'm sorry. I want you

1183
01:01:13.320 --> 01:01:16.159
<v Speaker 1>to know as your friend, I would I would. I

1184
01:01:16.159 --> 01:01:18.840
<v Speaker 1>would feel bad about it, but I would totally do that.

1185
01:01:19.039 --> 01:01:21.880
<v Speaker 4>And then when I survive, that would be awkward.

1186
01:01:21.960 --> 01:01:25.519
<v Speaker 1>It would make it would make our next episodes very awkward.

1187
01:01:25.760 --> 01:01:28.639
<v Speaker 4>And then I approach you slowly and I'm covered in

1188
01:01:29.079 --> 01:01:32.920
<v Speaker 4>mummy dust. Yeah, just blowing it out of my face.

1189
01:01:33.280 --> 01:01:38.639
<v Speaker 1>Yeah, you'd be like, you'd be like Conan in that

1190
01:01:38.719 --> 01:01:39.760
<v Speaker 1>one where he becomes the Hulk.

1191
01:01:39.840 --> 01:01:43.239
<v Speaker 4>You'd be like, look, look, look what you did exactly exactly.

1192
01:01:43.440 --> 01:01:45.320
<v Speaker 4>I was That's funny, that's actually what I was picturing.

1193
01:01:45.719 --> 01:01:48.119
<v Speaker 4>It's like driving, like just cut to us in a

1194
01:01:48.159 --> 01:01:51.800
<v Speaker 4>car because you drove or whatever, and like it's just silence.

1195
01:01:51.840 --> 01:01:54.039
<v Speaker 4>But I'm still, you know, got dust coming off of

1196
01:01:54.079 --> 01:01:55.960
<v Speaker 4>me in the passenger seat.

1197
01:01:57.159 --> 01:01:58.639
<v Speaker 1>Yeah, that would happen.

1198
01:01:58.920 --> 01:02:02.400
<v Speaker 4>Yeah.

1199
01:02:04.079 --> 01:02:09.239
<v Speaker 1>See, we're getting into like the limits of early aughts

1200
01:02:09.719 --> 01:02:14.880
<v Speaker 1>CG abilities, you know. Yeah, we just weren't quite there yet.

1201
01:02:14.880 --> 01:02:17.800
<v Speaker 1>I think I was thinking about how again, Planet of

1202
01:02:17.800 --> 01:02:20.039
<v Speaker 1>the Apes was this summer, right, the Tim Burton one,

1203
01:02:21.079 --> 01:02:26.440
<v Speaker 1>and how that ten years later, with the Rise of

1204
01:02:26.440 --> 01:02:28.199
<v Speaker 1>the Planet of the Apes, we had the digital the

1205
01:02:28.239 --> 01:02:32.760
<v Speaker 1>Andy Cirkus apes, right, and how at this point you

1206
01:02:32.880 --> 01:02:37.039
<v Speaker 1>still needed Rick Baker real effects to make you know,

1207
01:02:37.119 --> 01:02:40.800
<v Speaker 1>the CG just wasn't there yet. Yep. And it's weird

1208
01:02:40.880 --> 01:02:45.000
<v Speaker 1>because I knew even when I watched this movie, I

1209
01:02:45.079 --> 01:02:46.719
<v Speaker 1>was like, the CGI ain't ain't great.

1210
01:02:47.599 --> 01:02:49.159
<v Speaker 4>I was kind of wondering. I wish I could put

1211
01:02:49.159 --> 01:02:51.639
<v Speaker 4>myself back in two thousand and one. Right, So I'm

1212
01:02:51.639 --> 01:02:53.840
<v Speaker 4>sure some of it some of it looks okay, but.

1213
01:02:53.840 --> 01:02:58.039
<v Speaker 1>Some of it doesn't. Yeah, well, I distinctler. Well, obviously

1214
01:02:58.119 --> 01:03:01.639
<v Speaker 1>the Scorpion King, like everybody knows that, but like even

1215
01:03:01.679 --> 01:03:04.320
<v Speaker 1>even the Nubis soldiers and stuff, I was like, I

1216
01:03:04.360 --> 01:03:08.360
<v Speaker 1>don't know about that. And I didn't have that reaction

1217
01:03:08.480 --> 01:03:13.280
<v Speaker 1>to The Mummy the first film, yeah, which like watching now,

1218
01:03:13.760 --> 01:03:16.039
<v Speaker 1>you're like, well, you know, it's maybe a few renders

1219
01:03:16.199 --> 01:03:18.559
<v Speaker 1>away from where it needs to be. But at the

1220
01:03:18.599 --> 01:03:20.480
<v Speaker 1>time I was like, no, that looks pretty solid. So

1221
01:03:20.679 --> 01:03:26.800
<v Speaker 1>this it felt like they were ahead of their skis. Yeah.

1222
01:03:27.199 --> 01:03:30.960
<v Speaker 4>Yeah, somehow In the first one, I think the Emotep's

1223
01:03:31.000 --> 01:03:34.440
<v Speaker 4>face is in a sand storm or something, yeah, and

1224
01:03:34.480 --> 01:03:37.000
<v Speaker 4>I remember that looking like fine. But this one, when

1225
01:03:37.000 --> 01:03:40.000
<v Speaker 4>he's in the wave, I was like, oh, yeah, exactly.

1226
01:03:39.599 --> 01:03:42.559
<v Speaker 1>How did we go backwards? And I think it's just

1227
01:03:42.679 --> 01:03:44.960
<v Speaker 1>it's the same issue that we have today. Well, you know,

1228
01:03:45.039 --> 01:03:49.719
<v Speaker 1>you give these technicians enough time, they'll give you something special. Yeah.

1229
01:03:49.760 --> 01:03:53.000
<v Speaker 1>But I mean they were literally finishing up the effects

1230
01:03:53.480 --> 01:03:55.920
<v Speaker 1>the week of the premiere. Yeah, that's wild.

1231
01:03:56.280 --> 01:04:00.599
<v Speaker 4>And you know, and also this was the beginning of

1232
01:04:01.840 --> 01:04:05.119
<v Speaker 4>you know, I mean relatively speaking of CGI and new

1233
01:04:05.199 --> 01:04:08.320
<v Speaker 4>sorts of things, and maybe it's easier to create a

1234
01:04:08.360 --> 01:04:12.199
<v Speaker 4>face in sand particles and water had not been quite

1235
01:04:12.239 --> 01:04:13.199
<v Speaker 4>perfected yet.

1236
01:04:13.440 --> 01:04:14.400
<v Speaker 1>I mean maybe, but.

1237
01:04:14.599 --> 01:04:16.519
<v Speaker 4>Because I mean the Perfect Storm I remember was like

1238
01:04:16.559 --> 01:04:18.679
<v Speaker 4>a big leap forward for water.

1239
01:04:19.239 --> 01:04:21.239
<v Speaker 1>Yep, you know what I mean.

1240
01:04:21.280 --> 01:04:24.199
<v Speaker 4>Like this is still kind of early playing with different

1241
01:04:24.280 --> 01:04:27.199
<v Speaker 4>elements and seeing what you can the element's period, just

1242
01:04:27.199 --> 01:04:29.440
<v Speaker 4>coming up with a fake water period, but then trying

1243
01:04:29.480 --> 01:04:32.000
<v Speaker 4>to manipulate the water to put some sort of fantastical

1244
01:04:32.039 --> 01:04:35.000
<v Speaker 4>face in it, and they just weren't quite there yet.

1245
01:04:35.719 --> 01:04:37.920
<v Speaker 1>Perfect Storm was the year before this, I think.

1246
01:04:37.840 --> 01:04:42.920
<v Speaker 4>Right, Okay, Yeah, if you watch that i LM documentary

1247
01:04:43.000 --> 01:04:48.000
<v Speaker 4>on Disney Plus, they talk about that and just the

1248
01:04:48.039 --> 01:04:53.920
<v Speaker 4>math of trying to create fake water. Yeah, it's highly

1249
01:04:53.960 --> 01:04:55.960
<v Speaker 4>recommend that. I don't remember exactly what it's called. It's

1250
01:04:55.960 --> 01:04:59.559
<v Speaker 4>the ILM. It's like a three episodes I think behind

1251
01:04:59.599 --> 01:05:00.199
<v Speaker 4>the scenes.

1252
01:05:00.039 --> 01:05:02.920
<v Speaker 1>About I don't know them, starting.

1253
01:05:02.599 --> 01:05:04.559
<v Speaker 4>With Star Wars all the way up to today, and

1254
01:05:04.559 --> 01:05:05.960
<v Speaker 4>it's really fascinating.

1255
01:05:10.239 --> 01:05:13.119
<v Speaker 1>So tell me you weren't partially expecting that falcon to

1256
01:05:13.199 --> 01:05:15.000
<v Speaker 1>end up served on a dinner plate like in the

1257
01:05:15.360 --> 01:05:19.760
<v Speaker 1>Legend of Zorro movie. Totally yeh found you Like, were

1258
01:05:19.760 --> 01:05:23.079
<v Speaker 1>you trying to send this message? Ah? Yeah, it's kind

1259
01:05:23.119 --> 01:05:26.039
<v Speaker 1>of disappointed we didn't get that, to be honest.

1260
01:05:26.760 --> 01:05:29.159
<v Speaker 4>See how this stuff, like, I know some of those

1261
01:05:29.199 --> 01:05:32.760
<v Speaker 4>things probably in the background aren't real or whatever, but like,

1262
01:05:33.679 --> 01:05:36.159
<v Speaker 4>I don't know, it's just like having the real shrubbery

1263
01:05:36.199 --> 01:05:39.239
<v Speaker 4>back there. I just feel like everything is so overtouched

1264
01:05:39.280 --> 01:05:42.519
<v Speaker 4>these days, yeah, that it just gives the illusion of

1265
01:05:42.599 --> 01:05:44.599
<v Speaker 4>just nothing feels quite right or real.

1266
01:05:46.079 --> 01:05:48.679
<v Speaker 1>Yeah. Well, I think it is kind of the Marvel

1267
01:05:48.719 --> 01:05:53.719
<v Speaker 1>problem right where. You know, what the Marvel folks have

1268
01:05:53.800 --> 01:05:56.159
<v Speaker 1>realized is, in order to get these movies with these

1269
01:05:56.280 --> 01:06:00.000
<v Speaker 1>enormous casts, will you film wherever it's convenient for them,

1270
01:06:00.079 --> 01:06:02.440
<v Speaker 1>and then you just smush them together. Yeah, and then

1271
01:06:02.440 --> 01:06:06.000
<v Speaker 1>you fill it all in later. Yeah, And I think

1272
01:06:06.039 --> 01:06:07.599
<v Speaker 1>that can work up to a point, but you do

1273
01:06:07.639 --> 01:06:09.920
<v Speaker 1>start running into the limitation. Like remember a year ago

1274
01:06:10.000 --> 01:06:12.360
<v Speaker 1>we were talking about Captain America Civil War. How very

1275
01:06:12.440 --> 01:06:15.840
<v Speaker 1>obviously Scarlett Johansson was nowhere near anybody else.

1276
01:06:16.079 --> 01:06:20.119
<v Speaker 4>Yeah, right, right right, you know, yeah, Or it's like

1277
01:06:20.199 --> 01:06:24.480
<v Speaker 4>now because they can, they'll be like, we shot this

1278
01:06:24.639 --> 01:06:27.320
<v Speaker 4>scene to take place in the library, but we decided

1279
01:06:27.360 --> 01:06:30.719
<v Speaker 4>later we'd rather have it be on a basketball court. Yeah,

1280
01:06:30.719 --> 01:06:33.679
<v Speaker 4>So then they just change every element around the actors.

1281
01:06:33.719 --> 01:06:35.440
<v Speaker 4>And I just really do feel like you feel that

1282
01:06:35.559 --> 01:06:37.480
<v Speaker 4>by the way, this whole going across the moon thing

1283
01:06:39.320 --> 01:06:43.480
<v Speaker 4>in the dirigible or whatever. I was like, that's ridiculous,

1284
01:06:43.920 --> 01:06:46.719
<v Speaker 4>and I love it, you know what I mean, Like

1285
01:06:46.880 --> 01:06:49.800
<v Speaker 4>it's a fantasy. Yeah, it feels almost like fairy tale

1286
01:06:49.880 --> 01:06:50.840
<v Speaker 4>like and I kind of liked it.

1287
01:06:51.760 --> 01:06:54.159
<v Speaker 1>I don't know. Do you have feelings about that? Well,

1288
01:06:54.719 --> 01:06:57.719
<v Speaker 1>you can't help but think of Et and Elliott totally totally.

1289
01:07:00.920 --> 01:07:04.519
<v Speaker 4>Oh, by the way, there's this amazing line here. Yeah,

1290
01:07:04.559 --> 01:07:07.079
<v Speaker 4>that where he goes it is written. He's like, where

1291
01:07:07.239 --> 01:07:10.639
<v Speaker 4>is all this stuff written? I love that?

1292
01:07:10.679 --> 01:07:13.239
<v Speaker 1>It's so funny. Well, that's why you have a character

1293
01:07:13.400 --> 01:07:17.440
<v Speaker 1>like like Jonathan is to just kind of, you know,

1294
01:07:17.559 --> 01:07:20.880
<v Speaker 1>put to lampshade some of the silliness of this stuff.

1295
01:07:20.880 --> 01:07:21.079
<v Speaker 1>You know.

1296
01:07:21.400 --> 01:07:23.519
<v Speaker 4>Yeah, but I mean we hear that in so many movies.

1297
01:07:23.559 --> 01:07:26.199
<v Speaker 4>You know it is written, and they're like, okay, you know,

1298
01:07:26.280 --> 01:07:28.000
<v Speaker 4>I believe you because you said it was written somewhere.

1299
01:07:28.079 --> 01:07:29.800
<v Speaker 4>It's like, where where is it written?

1300
01:07:30.320 --> 01:07:32.480
<v Speaker 1>And just the movie stops there, show me, show me

1301
01:07:32.519 --> 01:07:35.199
<v Speaker 1>where it's written. I got nowhere to be.

1302
01:07:35.519 --> 01:07:37.360
<v Speaker 4>That'd be like so family guy. And then you cut

1303
01:07:37.360 --> 01:07:40.000
<v Speaker 4>to them stopping their adventure and having to go to

1304
01:07:40.039 --> 01:07:45.239
<v Speaker 4>some special library and the books checked out. They're like, well,

1305
01:07:46.000 --> 01:07:50.320
<v Speaker 4>it's here. You can see it in the card catalog.

1306
01:07:50.400 --> 01:07:55.920
<v Speaker 1>But see, I like this this moment right here, just

1307
01:07:55.960 --> 01:07:57.679
<v Speaker 1>I want my son back. It's just a nice it's

1308
01:07:57.719 --> 01:07:59.719
<v Speaker 1>a nice moment, you know. Yeah, Yeah, make him feel

1309
01:07:59.719 --> 01:08:03.280
<v Speaker 1>like a fan family. It's it's it's tricky, right because

1310
01:08:04.760 --> 01:08:10.079
<v Speaker 1>you know, we have to feel their sense of peril

1311
01:08:10.159 --> 01:08:12.800
<v Speaker 1>because it's their child, and you know, one can imagine

1312
01:08:12.840 --> 01:08:17.359
<v Speaker 1>what they're going through. But yet, you know Alex he

1313
01:08:17.439 --> 01:08:21.279
<v Speaker 1>can't be helpless either, and so you know he's sort

1314
01:08:21.279 --> 01:08:23.159
<v Speaker 1>of plucky and so I mean there's sort of two

1315
01:08:23.199 --> 01:08:24.680
<v Speaker 1>masters that are being serviced there.

1316
01:08:25.239 --> 01:08:28.800
<v Speaker 4>Yeah, but I think it works. I think it's nice.

1317
01:08:28.840 --> 01:08:30.680
<v Speaker 4>I think it helps a lot. It kind of makes

1318
01:08:30.760 --> 01:08:33.840
<v Speaker 4>me think I wish we had seen a scene of

1319
01:08:33.880 --> 01:08:41.000
<v Speaker 4>them as a trio, yeah, you know, a family unit

1320
01:08:41.439 --> 01:08:44.000
<v Speaker 4>or something, because at the beginning, he like basically almost

1321
01:08:44.079 --> 01:08:48.399
<v Speaker 4>kills his parents, you know, through his tomfoolery in the caves,

1322
01:08:48.920 --> 01:08:50.920
<v Speaker 4>and then like when they're talking at the top of

1323
01:08:50.960 --> 01:08:53.359
<v Speaker 4>the stairs, he's just kind of messing around with the wrist.

1324
01:08:53.439 --> 01:08:55.960
<v Speaker 1>But he doesn't almost kill his parents. I mean, they're

1325
01:08:56.199 --> 01:08:58.680
<v Speaker 1>separately having their own tomfoolery. See this right there, this

1326
01:08:58.760 --> 01:09:01.680
<v Speaker 1>is the Bart Simpson moment. Yeah, yeah, yeah, are we

1327
01:09:01.720 --> 01:09:03.520
<v Speaker 1>there yet? Are we there yet? And then he puts

1328
01:09:03.560 --> 01:09:06.600
<v Speaker 1>the knife in the thing and he's like great, ay man,

1329
01:09:06.600 --> 01:09:10.000
<v Speaker 1>He's like I missed, I miss come on. It's funny.

1330
01:09:10.880 --> 01:09:14.119
<v Speaker 4>Like I can imagine a scene where he's doing something

1331
01:09:14.840 --> 01:09:17.640
<v Speaker 4>and like almost gets into trouble, but then like you know,

1332
01:09:17.800 --> 01:09:20.520
<v Speaker 4>Rick lifts him up and he's like hey, you know,

1333
01:09:20.640 --> 01:09:23.199
<v Speaker 4>like gotta be careful there, like and she's like, just

1334
01:09:23.239 --> 01:09:25.000
<v Speaker 4>like your father, Like we see them as like a

1335
01:09:25.119 --> 01:09:27.920
<v Speaker 4>unit or something. If we don't have that scene.

1336
01:09:27.840 --> 01:09:30.239
<v Speaker 1>Well, we see Alex with his dad, and we see

1337
01:09:30.239 --> 01:09:31.800
<v Speaker 1>Alex with his mom, and we see both of them

1338
01:09:31.840 --> 01:09:33.960
<v Speaker 1>have a fun relationship with him. I think that that

1339
01:09:34.119 --> 01:09:38.800
<v Speaker 1>does some of the work there. Yeah. Yeah, look at

1340
01:09:38.800 --> 01:09:40.840
<v Speaker 1>that Arnold voslu he's back baby.

1341
01:09:41.039 --> 01:09:43.279
<v Speaker 4>Yeah, oh yeah wow. It's uh what do we like

1342
01:09:43.279 --> 01:09:43.840
<v Speaker 4>an hour in?

1343
01:09:44.239 --> 01:09:50.000
<v Speaker 1>Yeah? I don't. I don't know if this new new

1344
01:09:50.079 --> 01:09:53.000
<v Speaker 1>film is going to be im Hotep centric, but that

1345
01:09:53.079 --> 01:09:58.760
<v Speaker 1>would be a challenge to surmount because he's aged. Yeah,

1346
01:09:58.800 --> 01:10:01.600
<v Speaker 1>because you know, yeah, he's that you know, he's an

1347
01:10:01.600 --> 01:10:02.520
<v Speaker 1>old guy now.

1348
01:10:02.439 --> 01:10:04.840
<v Speaker 4>Yeah, like he should just because he is like a

1349
01:10:04.880 --> 01:10:07.119
<v Speaker 4>preserved dead person. Yeah, he should look the same. It

1350
01:10:07.199 --> 01:10:10.920
<v Speaker 4>looked the same yeah, yeah, I don't know what you do.

1351
01:10:12.399 --> 01:10:13.760
<v Speaker 4>Come up with the line. It's like that thank you

1352
01:10:13.800 --> 01:10:16.000
<v Speaker 4>for smoking line, you know, like how do we have

1353
01:10:16.039 --> 01:10:18.520
<v Speaker 4>smoking in space? You know, I don't know, just have

1354
01:10:18.560 --> 01:10:20.239
<v Speaker 4>a line where he said, thank god they invented the

1355
01:10:20.640 --> 01:10:21.239
<v Speaker 4>you know whatever.

1356
01:10:24.319 --> 01:10:28.920
<v Speaker 1>The rejuvenation curse is exactly. It's like, oh, but he

1357
01:10:28.960 --> 01:10:33.520
<v Speaker 1>has to have the appearance of a man in his seventies.

1358
01:10:33.119 --> 01:10:36.840
<v Speaker 4>Or yeah yeah, or it's just he's not fully restored.

1359
01:10:37.199 --> 01:10:40.159
<v Speaker 4>There you go, like like the process is happening, but

1360
01:10:40.199 --> 01:10:42.279
<v Speaker 4>it gets interrupted and he's like partially there.

1361
01:10:45.600 --> 01:10:49.720
<v Speaker 1>Gross. I was about to say that's my option. I

1362
01:10:49.800 --> 01:10:52.920
<v Speaker 1>might just stay on the train. Yeah, toilet toilett so

1363
01:10:53.039 --> 01:10:54.880
<v Speaker 1>climb through a toilet hole.

1364
01:10:55.119 --> 01:10:58.880
<v Speaker 4>Yeah, toilet hole. That'd be a good band name.

1365
01:10:59.319 --> 01:11:03.840
<v Speaker 1>Toilet be a good pan. Was that the band that

1366
01:11:03.880 --> 01:11:09.560
<v Speaker 1>stopped the traffic? Yeah? Right, we are toilet hole. Thank

1367
01:11:09.600 --> 01:11:10.960
<v Speaker 1>you one to one, free.

1368
01:11:10.680 --> 01:11:15.479
<v Speaker 4>Way, two three, four, My love for you.

1369
01:11:16.800 --> 01:11:17.760
<v Speaker 1>That's hilarious.

1370
01:11:18.239 --> 01:11:25.079
<v Speaker 4>They're just not what you expect at all. That's cool looking.

1371
01:11:25.920 --> 01:11:30.760
<v Speaker 4>That was like guys on wires get Yeah, not that,

1372
01:11:30.880 --> 01:11:36.560
<v Speaker 4>but earlier it's scary, you know what I mean, Like

1373
01:11:36.600 --> 01:11:39.159
<v Speaker 4>when the physics feel real and something's being manipulated by

1374
01:11:39.159 --> 01:11:39.680
<v Speaker 4>a bad guy.

1375
01:11:39.720 --> 01:11:43.079
<v Speaker 1>It's scary. That's the thing, right, That's what so many

1376
01:11:43.159 --> 01:11:47.840
<v Speaker 1>movies forget about m m is just keep keep a

1377
01:11:47.920 --> 01:11:51.000
<v Speaker 1>semblance of reality, and that's just gonna work. Wonders for

1378
01:11:51.399 --> 01:11:52.279
<v Speaker 1>pulling us in, you know.

1379
01:11:52.600 --> 01:11:54.920
<v Speaker 4>Yeah, well, I mean, I know the trade off is

1380
01:11:54.960 --> 01:11:57.479
<v Speaker 4>you get, you know, a knee that never works the same,

1381
01:11:57.800 --> 01:12:01.479
<v Speaker 4>you know, or whatever if your printed fraser. But later

1382
01:12:01.560 --> 01:12:04.319
<v Speaker 4>I was thinking, when you see him getting thrown around

1383
01:12:04.399 --> 01:12:06.000
<v Speaker 4>and spinning in the air and you're like, oh crap,

1384
01:12:06.000 --> 01:12:08.960
<v Speaker 4>that really is him. Yeah, and even this this looks

1385
01:12:08.960 --> 01:12:15.359
<v Speaker 4>cool the kid there, Like, now, again, I'm all for

1386
01:12:15.479 --> 01:12:19.880
<v Speaker 4>safety being first, but like, you get these digital doubles

1387
01:12:19.920 --> 01:12:23.239
<v Speaker 4>and they look pretty good. I gotta say, Actually, yeah,

1388
01:12:23.239 --> 01:12:25.239
<v Speaker 4>for the most part, sometimes I don't even realize it's

1389
01:12:25.279 --> 01:12:28.359
<v Speaker 4>a digital double, but there just really is something to

1390
01:12:28.439 --> 01:12:30.479
<v Speaker 4>be said about or at least getting a shot of

1391
01:12:30.520 --> 01:12:33.279
<v Speaker 4>them like rolling into frame or something, and the appearance

1392
01:12:33.399 --> 01:12:37.680
<v Speaker 4>like they're really involved in the action, and like, I

1393
01:12:37.680 --> 01:12:40.479
<v Speaker 4>don't know, I just I noticed it in this film and.

1394
01:12:40.439 --> 01:12:42.800
<v Speaker 1>I appreciated it. That's enough.

1395
01:12:43.279 --> 01:12:46.800
<v Speaker 4>Yeah, So I'm sorry for the aches and the ad

1396
01:12:46.840 --> 01:12:54.399
<v Speaker 4>velvet for taking down. Yeah, but I appreciate you, well,

1397
01:12:54.439 --> 01:12:54.720
<v Speaker 4>you know.

1398
01:12:54.720 --> 01:12:58.840
<v Speaker 1>That that's been nice for you know, especially over the

1399
01:12:58.920 --> 01:13:02.000
<v Speaker 1>last few years. I'm Brandon Fraser has hopefully gotten to

1400
01:13:02.039 --> 01:13:04.359
<v Speaker 1>see how beloved he is totally.

1401
01:13:04.840 --> 01:13:05.119
<v Speaker 2>You know.

1402
01:13:05.920 --> 01:13:08.279
<v Speaker 4>I feel like when he was doing a press tour

1403
01:13:08.399 --> 01:13:09.880
<v Speaker 4>for I don't know if it was The Whale or

1404
01:13:11.359 --> 01:13:15.000
<v Speaker 4>I forgot what the last one was, but I feel

1405
01:13:15.000 --> 01:13:18.159
<v Speaker 4>like people were saying that and reading things to him,

1406
01:13:18.399 --> 01:13:20.520
<v Speaker 4>and there were clips that I saw where he was

1407
01:13:20.600 --> 01:13:25.000
<v Speaker 4>getting like emotional hearing how appreciated he is, and it's.

1408
01:13:24.960 --> 01:13:28.319
<v Speaker 1>He's he's a really like humble dude. That's you know,

1409
01:13:28.960 --> 01:13:31.319
<v Speaker 1>that's the sense that you get. I mean, I don't

1410
01:13:31.319 --> 01:13:33.760
<v Speaker 1>know if you remember when we were at the Hollywood

1411
01:13:34.079 --> 01:13:36.960
<v Speaker 1>Critics Awards a couple of years ago. Remember he was there, Yeah,

1412
01:13:37.000 --> 01:13:39.479
<v Speaker 1>oh yeah, and just I mean I didn't even go

1413
01:13:39.520 --> 01:13:41.079
<v Speaker 1>approach him, but I mean you just see the look

1414
01:13:41.119 --> 01:13:43.239
<v Speaker 1>on his face. It wasn't it was like like what

1415
01:13:43.279 --> 01:13:46.159
<v Speaker 1>am I doing here? Kind of thing, you know, which

1416
01:13:46.199 --> 01:13:46.880
<v Speaker 1>made me happy.

1417
01:13:47.399 --> 01:13:49.479
<v Speaker 4>I remember when he was in Killers of the Flower

1418
01:13:49.520 --> 01:13:52.199
<v Speaker 4>Moon Yep, I was like, dude, you're in a Scorsese movie,

1419
01:13:52.239 --> 01:13:54.520
<v Speaker 4>like he's my friend or something, you know, like, yeah,

1420
01:13:54.600 --> 01:13:55.199
<v Speaker 4>that's awesome.

1421
01:13:59.479 --> 01:14:02.439
<v Speaker 1>Yeah, so all bit here. How much you think this was, like, hey,

1422
01:14:02.439 --> 01:14:04.279
<v Speaker 1>we want to put Rachel bis in like a really

1423
01:14:04.279 --> 01:14:10.399
<v Speaker 1>skim be I mean, yeah, totally right. Yeah, all this

1424
01:14:11.119 --> 01:14:14.159
<v Speaker 1>reincarnation a go go is a little much.

1425
01:14:16.159 --> 01:14:22.760
<v Speaker 4>Yeah, it feels like a few extra steps than we need. However,

1426
01:14:22.800 --> 01:14:24.840
<v Speaker 4>I gotta give credit where it's due. Apparently they really

1427
01:14:24.840 --> 01:14:26.920
<v Speaker 4>did train for all this stuff, and it does. It

1428
01:14:26.920 --> 01:14:30.039
<v Speaker 4>looks cool, like the fighting with size I mean even

1429
01:14:30.079 --> 01:14:32.039
<v Speaker 4>in the inter Turtles struggle to make fighting with sizes

1430
01:14:32.079 --> 01:14:32.439
<v Speaker 4>look good.

1431
01:14:34.079 --> 01:14:36.720
<v Speaker 1>You know, Now, I don't think that's really Rachel mccadams

1432
01:14:36.760 --> 01:14:39.840
<v Speaker 1>doing those summer songs or vice. Yeah no, or yeah,

1433
01:14:40.119 --> 01:14:43.600
<v Speaker 1>did I say Rachel mcaddams. Yeah, it's definitely not Rachel McAdams.

1434
01:14:43.640 --> 01:14:46.279
<v Speaker 1>I know that, as actually did.

1435
01:14:46.319 --> 01:14:54.000
<v Speaker 4>You won't believe this bit of trivia it is, But

1436
01:14:54.000 --> 01:14:57.439
<v Speaker 4>there's enough here of them twirling stuff around and whatever.

1437
01:14:57.479 --> 01:15:00.079
<v Speaker 4>It cuts well there.

1438
01:14:59.640 --> 01:15:02.520
<v Speaker 1>But it's this and then the final fight scene there's

1439
01:15:02.520 --> 01:15:05.479
<v Speaker 1>a little matrix sish stuff happening for sure, for sure

1440
01:15:05.760 --> 01:15:08.119
<v Speaker 1>where it's like where you watch it, you're like, oh, yes,

1441
01:15:08.239 --> 01:15:09.640
<v Speaker 1>as was the style at the time.

1442
01:15:10.800 --> 01:15:13.760
<v Speaker 4>Yeah, I was thinking that with Charlie's Angels right where

1443
01:15:13.800 --> 01:15:15.920
<v Speaker 4>there's just made no sense for them to be doing

1444
01:15:15.960 --> 01:15:18.199
<v Speaker 4>like Matrix like wire fou.

1445
01:15:18.720 --> 01:15:18.920
<v Speaker 1>Yeah.

1446
01:15:19.000 --> 01:15:21.960
<v Speaker 4>Yeah, but it's like, I don't know, we're really into

1447
01:15:22.000 --> 01:15:28.119
<v Speaker 4>that then, Yeah.

1448
01:15:27.960 --> 01:15:29.359
<v Speaker 1>I don't know. I don't. I don't think these two

1449
01:15:29.439 --> 01:15:33.359
<v Speaker 1>like each other very much. Brian seems to me she

1450
01:15:33.399 --> 01:15:35.199
<v Speaker 1>doesn't like her future stepmom. Here.

1451
01:15:35.560 --> 01:15:38.560
<v Speaker 4>Yes, that's kind of strange. Actually, now I think about it,

1452
01:15:39.159 --> 01:15:39.960
<v Speaker 4>like the same age.

1453
01:15:42.680 --> 01:15:44.479
<v Speaker 1>Yeah, this is Pharaoh. I'm gonna say, you know, I

1454
01:15:44.680 --> 01:15:47.760
<v Speaker 1>don't know what the things were like in their time.

1455
01:15:48.600 --> 01:15:50.039
<v Speaker 1>I think maybe he had it coming.

1456
01:15:52.279 --> 01:15:54.760
<v Speaker 4>But now, isn't this touched on in the first movie?

1457
01:15:55.520 --> 01:15:57.439
<v Speaker 1>Yeah, it is, so we we kind of do a

1458
01:15:57.439 --> 01:15:58.520
<v Speaker 1>little back to the future to.

1459
01:15:58.680 --> 01:16:01.760
<v Speaker 4>Action and literally had that thought. Yes, it's like we

1460
01:16:01.840 --> 01:16:05.600
<v Speaker 4>go back into the first movie. Yeah, but we're adding

1461
01:16:05.640 --> 01:16:08.840
<v Speaker 4>on to it right exactly. Mean Rachel Weiss wasn't fighting

1462
01:16:08.920 --> 01:16:09.680
<v Speaker 4>with size.

1463
01:16:10.640 --> 01:16:13.399
<v Speaker 1>Yeah, so like that that definitely did not happen to

1464
01:16:13.399 --> 01:16:16.920
<v Speaker 1>the person. Yeah, like we see, uh the scene where

1465
01:16:18.479 --> 01:16:21.159
<v Speaker 1>where em O tip and and and an Ox him

1466
01:16:21.159 --> 01:16:23.319
<v Speaker 1>and where they killed a pharaoh, but we we see

1467
01:16:23.359 --> 01:16:25.119
<v Speaker 1>it from her perspective right here.

1468
01:16:25.520 --> 01:16:33.760
<v Speaker 4>Yes, yes, yes, which, by the way, the uh.

1469
01:16:35.039 --> 01:16:35.600
<v Speaker 1>What's her name?

1470
01:16:35.800 --> 01:16:39.199
<v Speaker 4>Not Anox suman Anna Moon?

1471
01:16:39.600 --> 01:16:39.960
<v Speaker 1>Damn it.

1472
01:16:40.399 --> 01:16:42.800
<v Speaker 4>I love this by the way, though, where the pharaoh

1473
01:16:42.800 --> 01:16:47.199
<v Speaker 4>comes in and she totally does the like, you know,

1474
01:16:47.319 --> 01:16:49.560
<v Speaker 4>like just standing with the statue kind of.

1475
01:16:50.319 --> 01:16:53.199
<v Speaker 1>Oh hey, I was expecting you.

1476
01:16:53.199 --> 01:17:00.319
<v Speaker 4>You don't talk about like, ye, it's hilarious. Wait here

1477
01:17:00.479 --> 01:17:05.159
<v Speaker 4>is just puts her arm on that statue and.

1478
01:17:05.119 --> 01:17:06.960
<v Speaker 1>They would have gone away with it, except that that

1479
01:17:07.279 --> 01:17:10.199
<v Speaker 1>m O Tep got a little handsy with her with

1480
01:17:10.239 --> 01:17:11.119
<v Speaker 1>her arm tattoo.

1481
01:17:13.079 --> 01:17:14.800
<v Speaker 4>Although I gotta be honest, if I walked in on

1482
01:17:14.840 --> 01:17:17.039
<v Speaker 4>her like that, I'd be too distracted to be thinking

1483
01:17:17.039 --> 01:17:18.199
<v Speaker 4>about michelse.

1484
01:17:18.159 --> 01:17:21.920
<v Speaker 1>Well, not pharaoh. That's that's why he's the pharaoh and

1485
01:17:21.960 --> 01:17:25.760
<v Speaker 1>you're not Brian. That's true. That's true. Although uh, if

1486
01:17:25.760 --> 01:17:29.359
<v Speaker 1>you were the pharaoh, you probably wouldn't be dead then. Yeah,

1487
01:17:29.479 --> 01:17:36.840
<v Speaker 1>to show so there is that whoops?

1488
01:17:36.960 --> 01:17:46.960
<v Speaker 4>So yeah, yeah. How is nepher Tierri's spirit? Like has

1489
01:17:47.000 --> 01:17:48.760
<v Speaker 4>she always been inside ev Like?

1490
01:17:48.880 --> 01:17:50.720
<v Speaker 1>Is it in her line or something? Or is in

1491
01:17:50.760 --> 01:17:53.439
<v Speaker 1>this movie? Was that soul put into her or something?

1492
01:17:53.520 --> 01:17:57.840
<v Speaker 1>Or what's the Well as I see it, m O

1493
01:17:57.920 --> 01:18:01.199
<v Speaker 1>Tep is doing his little ritual to put a Sunamon's

1494
01:18:01.239 --> 01:18:03.159
<v Speaker 1>soul back in this new body.

1495
01:18:04.079 --> 01:18:07.920
<v Speaker 4>Yes, is she in the line of this person? Because

1496
01:18:07.920 --> 01:18:09.760
<v Speaker 4>she looks exactly the same or is it just.

1497
01:18:11.399 --> 01:18:15.279
<v Speaker 1>Uh, you can't see me, but I'm doing the shrug emoji. Okay, Okay,

1498
01:18:15.359 --> 01:18:18.359
<v Speaker 1>that thing just now where she stabs herself and dies, yeah,

1499
01:18:18.520 --> 01:18:20.119
<v Speaker 1>is kind of hilarious. Dude.

1500
01:18:20.199 --> 01:18:23.800
<v Speaker 4>I thought about how everybody gives Marian Kotieri or k

1501
01:18:24.880 --> 01:18:28.279
<v Speaker 4>crap about her death scene and uh, Dark Knight rises yep,

1502
01:18:28.479 --> 01:18:30.199
<v Speaker 4>And I was like, nah, I think we have a

1503
01:18:30.239 --> 01:18:30.840
<v Speaker 4>new contender.

1504
01:18:31.159 --> 01:18:35.479
<v Speaker 1>We may so anyway, Uh, I see it as they're

1505
01:18:35.479 --> 01:18:41.319
<v Speaker 1>doing the ritual, and so because Rachel Vice is also

1506
01:18:42.279 --> 01:18:45.960
<v Speaker 1>Nepher Tieri, which was changed from Neffer TD by the way,

1507
01:18:45.960 --> 01:18:48.640
<v Speaker 1>which is hilarious because they were like, people are gonna

1508
01:18:48.680 --> 01:18:51.600
<v Speaker 1>laugh because of TD ha titty, Yeah, yeah that is

1509
01:18:51.640 --> 01:18:54.960
<v Speaker 1>which which on the one hand, you're like, God, that's stupid,

1510
01:18:55.000 --> 01:18:56.920
<v Speaker 1>but you're like, yeah, you know what, maybe that was

1511
01:18:56.920 --> 01:18:59.399
<v Speaker 1>probably the right instinct because yeah, maybe I don't know

1512
01:18:59.760 --> 01:19:04.520
<v Speaker 1>people being people, but so so as a result of

1513
01:19:04.520 --> 01:19:07.119
<v Speaker 1>the ritual, they're sort of re experiencing it. So so

1514
01:19:07.880 --> 01:19:10.800
<v Speaker 1>like Evy sort of gets caught up in it because

1515
01:19:10.840 --> 01:19:14.159
<v Speaker 1>I see that this is me. I'm just like I'm

1516
01:19:14.199 --> 01:19:18.920
<v Speaker 1>just brainstorming here. You know. Hopefully Stephen Summers is out

1517
01:19:18.920 --> 01:19:21.359
<v Speaker 1>there somewhere giving me a Miagi look, because I don't know.

1518
01:19:23.159 --> 01:19:25.199
<v Speaker 4>It's so funny our different takes on that because I'm

1519
01:19:25.239 --> 01:19:29.479
<v Speaker 4>just like like, oh, hug, it's like that when I

1520
01:19:29.520 --> 01:19:32.079
<v Speaker 4>picture his thing, But I I like giving him a

1521
01:19:32.079 --> 01:19:32.840
<v Speaker 4>more stoic take.

1522
01:19:37.079 --> 01:19:42.279
<v Speaker 1>That's funny. Camels watch out, they spit, they do.

1523
01:19:42.479 --> 01:19:48.000
<v Speaker 4>Just Yeah, have we ever done Aladdin?

1524
01:19:48.439 --> 01:19:55.760
<v Speaker 1>We have not done Aladdin amazingly enough, do we?

1525
01:19:55.760 --> 01:19:57.800
<v Speaker 4>We didn't get here yet, right, But I do love

1526
01:19:57.880 --> 01:20:00.640
<v Speaker 4>the whole conceit where he's leaving these little clue Yeah,

1527
01:20:00.680 --> 01:20:03.279
<v Speaker 4>it's clever, Yeah, little smart castles and stuff.

1528
01:20:05.439 --> 01:20:08.840
<v Speaker 1>It's a good idea. I mean, I find all of

1529
01:20:08.880 --> 01:20:12.119
<v Speaker 1>the scenes with mister Echo and the kid very funny.

1530
01:20:12.199 --> 01:20:14.560
<v Speaker 1>And I know I keep calling him mister Echo. I

1531
01:20:14.600 --> 01:20:17.680
<v Speaker 1>know that's not his name. Yeah, but no, I of

1532
01:20:17.720 --> 01:20:25.199
<v Speaker 1>course his name is extraordinary and I don't want to

1533
01:20:25.199 --> 01:20:30.199
<v Speaker 1>mispronounce it, So instead I will speak of his beloved

1534
01:20:30.239 --> 01:20:33.399
<v Speaker 1>character from Lost. Yeah, beloved question mark character from Lost?

1535
01:20:33.560 --> 01:20:35.039
<v Speaker 4>I think so, right, that's my memory.

1536
01:20:35.239 --> 01:20:38.319
<v Speaker 1>Was mister Echo beloved? I don't know. I thought so.

1537
01:20:39.000 --> 01:20:42.560
<v Speaker 1>He was one of the tailies, right, oh man? He was?

1538
01:20:42.880 --> 01:20:44.039
<v Speaker 1>Did people like the tailies?

1539
01:20:46.840 --> 01:20:48.600
<v Speaker 4>It's just like all a blur in my head now,

1540
01:20:48.640 --> 01:20:50.479
<v Speaker 4>But man, was I into that show?

1541
01:20:51.079 --> 01:20:53.119
<v Speaker 1>No, when it was on, I'd like to watch it.

1542
01:20:53.159 --> 01:20:55.159
<v Speaker 1>Sometimes I owe my Master's thesis to lust.

1543
01:20:56.159 --> 01:21:01.880
<v Speaker 4>Yeah that's right, dude. You know it'd be hilarious. I

1544
01:21:01.920 --> 01:21:04.680
<v Speaker 4>would have loved because he looks at the hourglass in

1545
01:21:04.720 --> 01:21:07.479
<v Speaker 4>the sand, and I'm just loving how not precise that

1546
01:21:07.520 --> 01:21:09.720
<v Speaker 4>would actually be. I think it would be funny if

1547
01:21:10.359 --> 01:21:12.600
<v Speaker 4>Emo tep he's the one who did it right, he

1548
01:21:12.640 --> 01:21:14.840
<v Speaker 4>started it. He had the mask on, so it'd be

1549
01:21:14.840 --> 01:21:17.439
<v Speaker 4>funny if he's like, now we must go, and then

1550
01:21:17.439 --> 01:21:18.279
<v Speaker 4>he knocks it over.

1551
01:21:19.359 --> 01:21:21.560
<v Speaker 1>I was like, who the like has to put it

1552
01:21:21.600 --> 01:21:24.199
<v Speaker 1>back up? You know what I mean. So it's like, hey,

1553
01:21:24.560 --> 01:21:27.960
<v Speaker 1>to be fair. I think when he I don't think

1554
01:21:28.000 --> 01:21:30.399
<v Speaker 1>he's like from now, Like when he flips it over,

1555
01:21:30.479 --> 01:21:34.399
<v Speaker 1>he's using it as a metaphor. I know. Just I

1556
01:21:34.439 --> 01:21:36.920
<v Speaker 1>don't know, because it's seven days from when he put

1557
01:21:37.000 --> 01:21:37.399
<v Speaker 1>the thing on.

1558
01:21:37.760 --> 01:21:40.960
<v Speaker 4>Yeah, so just so the kid understands the passage of time.

1559
01:21:40.960 --> 01:21:42.520
<v Speaker 1>That's right, because kids don't.

1560
01:21:42.960 --> 01:21:47.399
<v Speaker 4>Yeah, you know, I the kid's fine.

1561
01:21:47.520 --> 01:21:48.159
<v Speaker 1>The kid's fine.

1562
01:21:49.159 --> 01:21:52.680
<v Speaker 4>Something something occurred to me watching him with mister Echo.

1563
01:21:52.720 --> 01:21:53.600
<v Speaker 1>I'm going to join you.

1564
01:21:55.159 --> 01:21:58.920
<v Speaker 4>I think he's a little cocky for me, sure, And

1565
01:21:59.000 --> 01:22:03.880
<v Speaker 4>I think short Round is confident, but he also experiences

1566
01:22:04.039 --> 01:22:06.520
<v Speaker 4>doubt and fear and all sorts of things that a

1567
01:22:06.560 --> 01:22:10.399
<v Speaker 4>person might. And I think if this kid did have

1568
01:22:10.479 --> 01:22:14.199
<v Speaker 4>maybe a few more moments of where are you mom,

1569
01:22:14.479 --> 01:22:16.880
<v Speaker 4>you know, or something like, it might might endear me

1570
01:22:16.920 --> 01:22:18.520
<v Speaker 4>to him a little bit more. But he's just always

1571
01:22:18.600 --> 01:22:22.479
<v Speaker 4>very cocky and and I don't know, I don't know.

1572
01:22:23.359 --> 01:22:35.680
<v Speaker 1>I think you just don't like kids my temple. That's funny.

1573
01:22:38.840 --> 01:22:41.600
<v Speaker 1>See he keeps spotting the falcon.

1574
01:22:42.159 --> 01:22:44.920
<v Speaker 4>Yeah yeah, yeah, yeah, And you're right, that would have

1575
01:22:44.920 --> 01:22:48.760
<v Speaker 4>been a good moment because they shoot it later, right.

1576
01:22:48.800 --> 01:22:53.359
<v Speaker 1>Yeah, yeah yeah, And he's like Horace. It'd be funny

1577
01:22:53.359 --> 01:22:57.760
<v Speaker 1>if they serve them chicken and he's like Horas. I'm

1578
01:22:57.800 --> 01:23:00.000
<v Speaker 1>just I think, just because we just saw that recently

1579
01:23:00.079 --> 01:23:01.479
<v Speaker 1>in Thatzro movie.

1580
01:23:01.680 --> 01:23:03.600
<v Speaker 4>That I feel like I watched something else recently where

1581
01:23:03.600 --> 01:23:05.119
<v Speaker 4>they did that and they fed someone a bird?

1582
01:23:06.199 --> 01:23:08.760
<v Speaker 1>Is that like a recurring? Is that a trope that

1583
01:23:08.880 --> 01:23:11.760
<v Speaker 1>I wasn't even aware of? Oh man, what was I'm

1584
01:23:11.800 --> 01:23:16.680
<v Speaker 1>not gonna remember what it was. But so you have

1585
01:23:16.880 --> 01:23:21.399
<v Speaker 1>not seen the third one? No, So, by the way,

1586
01:23:21.439 --> 01:23:24.239
<v Speaker 1>there is almost that you never felt that urge to

1587
01:23:25.600 --> 01:23:29.279
<v Speaker 1>see the Rachel Viceless Mummy movie. Right, and she's it's

1588
01:23:29.279 --> 01:23:31.720
<v Speaker 1>not like she's the character is gone, right, They just

1589
01:23:31.800 --> 01:23:36.000
<v Speaker 1>recast that character. Yeah, with somebody who no disrespect to

1590
01:23:36.079 --> 01:23:38.039
<v Speaker 1>Maria Bellow, who I think is a good actress. But god,

1591
01:23:38.039 --> 01:23:40.880
<v Speaker 1>could you have found somebody who looks less like Rachel Weiss? Yeah?

1592
01:23:40.960 --> 01:23:43.399
<v Speaker 4>Yeah, like don't even feel like they're related.

1593
01:23:43.880 --> 01:23:48.279
<v Speaker 1>Yeah, yeah, so weird. Yeah, I've seen that movie just

1594
01:23:48.319 --> 01:23:49.920
<v Speaker 1>the one time. That was directed by Rob Cohen.

1595
01:23:50.479 --> 01:23:57.920
<v Speaker 4>Oh interesting, Okay, Yeah, I gotta admit. As I was

1596
01:23:57.960 --> 01:24:02.119
<v Speaker 4>watching this, I thought, oh, there's like another adventure with

1597
01:24:02.399 --> 01:24:04.920
<v Speaker 4>most of these characters, like that seems like something I

1598
01:24:04.920 --> 01:24:07.479
<v Speaker 4>could see one night being in the movie for But yeah,

1599
01:24:07.479 --> 01:24:10.279
<v Speaker 4>I just haven't seen it.

1600
01:24:10.399 --> 01:24:14.359
<v Speaker 1>I mean that, Yeah, I I've saw I've seen it

1601
01:24:14.479 --> 01:24:17.600
<v Speaker 1>one time back around when it came out, and I

1602
01:24:17.600 --> 01:24:21.159
<v Speaker 1>didn't see it in the theater. I saw it on cable. Uh.

1603
01:24:21.279 --> 01:24:24.359
<v Speaker 1>But that that's like Britton Fraser is doing a lot

1604
01:24:24.399 --> 01:24:27.920
<v Speaker 1>of lifting for that one. Sure, sure, sure, because I.

1605
01:24:27.880 --> 01:24:30.239
<v Speaker 4>Mean what's what? What what's different about it? Or what

1606
01:24:30.319 --> 01:24:33.359
<v Speaker 4>doesn't work as well? I mean what because it also

1607
01:24:33.359 --> 01:24:34.399
<v Speaker 4>didn't perform very well?

1608
01:24:35.800 --> 01:24:38.960
<v Speaker 1>Yeah? Uh, well, what's different? Is just about everything, right,

1609
01:24:39.000 --> 01:24:42.439
<v Speaker 1>I mean ev is different for one. Yeah, uh, it's

1610
01:24:42.479 --> 01:24:44.800
<v Speaker 1>it's no No m O tep so. So it's the

1611
01:24:44.880 --> 01:24:51.399
<v Speaker 1>Terracotta Warriors, and it's the it's the Dragon Emperor. Okay. Uh.

1612
01:24:51.600 --> 01:24:53.800
<v Speaker 1>Rob Cohen is not not a great director.

1613
01:24:54.079 --> 01:24:57.640
<v Speaker 4>I would say, did he do the first Fast and Furious?

1614
01:24:57.800 --> 01:25:01.000
<v Speaker 1>He did? Yeah, yeah, just a few weeks after this

1615
01:25:01.079 --> 01:25:05.119
<v Speaker 1>came out. Well, uh, it's just everything. Yeah, you know

1616
01:25:05.239 --> 01:25:11.039
<v Speaker 1>the Yeah, it's again. I I I suspect we will

1617
01:25:11.079 --> 01:25:14.039
<v Speaker 1>be watching it for you know, whenever, whenever the third,

1618
01:25:14.359 --> 01:25:15.840
<v Speaker 1>whenever the fourth one of these comes out.

1619
01:25:16.000 --> 01:25:17.319
<v Speaker 4>It's the path we've chosen.

1620
01:25:17.560 --> 01:25:19.760
<v Speaker 1>It is the path we're on. So so you know,

1621
01:25:19.800 --> 01:25:22.239
<v Speaker 1>I'll almost withhold my thoughts until it's fresher. But I

1622
01:25:22.600 --> 01:25:25.199
<v Speaker 1>I remember it not blowing me away. It's weird because

1623
01:25:25.239 --> 01:25:29.199
<v Speaker 1>because jet Lee is the the the heel, Michelle Yeoh

1624
01:25:29.279 --> 01:25:30.640
<v Speaker 1>is in it. I mean, it's got a good cast.

1625
01:25:30.720 --> 01:25:33.680
<v Speaker 1>Oh interesting, okay, Yeah, it's just kind of you know,

1626
01:25:33.920 --> 01:25:37.000
<v Speaker 1>at some point, I know there there is one scene

1627
01:25:37.479 --> 01:25:42.880
<v Speaker 1>where they the characters crash in the Himalayas and they

1628
01:25:42.920 --> 01:25:49.279
<v Speaker 1>have to they face off with Yeti's okay, and I'm like, no,

1629
01:25:49.880 --> 01:25:53.760
<v Speaker 1>don't right, that's that's my no no, yeah, yeah, yeah,

1630
01:25:53.800 --> 01:25:57.199
<v Speaker 1>yeah yeah, because it's just one bridge too far. See.

1631
01:25:57.199 --> 01:25:59.399
<v Speaker 4>Then I love it if they were saved by a

1632
01:25:59.439 --> 01:26:01.560
<v Speaker 4>snowman and like what do we call you?

1633
01:26:01.600 --> 01:26:04.880
<v Speaker 1>And he's like frosty, Like why not just go full

1634
01:26:05.000 --> 01:26:07.960
<v Speaker 1>myth that's the only thing missing and yeah yeah. At

1635
01:26:08.000 --> 01:26:12.199
<v Speaker 1>one point they're throwing something and you've got Yeti's doing

1636
01:26:12.439 --> 01:26:14.039
<v Speaker 1>like field goal signals.

1637
01:26:16.039 --> 01:26:18.520
<v Speaker 4>Oh really yeah, okay, so that's what we're doing.

1638
01:26:18.840 --> 01:26:22.479
<v Speaker 1>That's that. Yeah, So actually I want to revise what

1639
01:26:22.560 --> 01:26:22.880
<v Speaker 1>I did.

1640
01:26:23.199 --> 01:26:26.520
<v Speaker 4>So they the snowman he doesn't have a name because

1641
01:26:26.520 --> 01:26:29.560
<v Speaker 4>he doesn't have hees he's been separated from his people,

1642
01:26:29.680 --> 01:26:32.159
<v Speaker 4>he's never really interacted with someone, and he's just like,

1643
01:26:32.199 --> 01:26:35.119
<v Speaker 4>I don't have a name. And then they shake hands.

1644
01:26:35.119 --> 01:26:38.840
<v Speaker 4>He goes, oh that's a little frosty. And then someone goes,

1645
01:26:38.920 --> 01:26:46.079
<v Speaker 4>say that again, that's what we do credits. Yeah, thank

1646
01:26:46.119 --> 01:26:46.960
<v Speaker 4>you for letting me do that.

1647
01:26:47.520 --> 01:26:49.800
<v Speaker 1>I you know what, it wouldn't have been a commentary

1648
01:26:49.840 --> 01:26:55.359
<v Speaker 1>without it. I look at Arnold Bosley, who like performing

1649
01:26:55.680 --> 01:26:59.680
<v Speaker 1>the like swallowing the ship or whatever, yeah, and I'm like,

1650
01:26:59.720 --> 01:27:04.640
<v Speaker 1>did he feel weird doing all that? Yeah? Right, this

1651
01:27:04.720 --> 01:27:07.520
<v Speaker 1>is weird. That said I like this piece right here,

1652
01:27:07.560 --> 01:27:10.880
<v Speaker 1>he walks by the kid and he like tussles his hair. Yes, yes,

1653
01:27:11.199 --> 01:27:13.079
<v Speaker 1>And there you go. There's a nice moment for you

1654
01:27:13.439 --> 01:27:15.239
<v Speaker 1>when you were wanting. There you go.

1655
01:27:15.439 --> 01:27:18.119
<v Speaker 4>Finally he's been humbled. Now his parents are dead exactly.

1656
01:27:19.000 --> 01:27:21.039
<v Speaker 1>I like that whole bit where he's he seems genuinely

1657
01:27:21.079 --> 01:27:23.199
<v Speaker 1>scared and and and the mummy is such a piece

1658
01:27:23.239 --> 01:27:25.000
<v Speaker 1>of shit asshole that he just tussles his hair.

1659
01:27:25.119 --> 01:27:28.760
<v Speaker 4>Yeah, I just killed your parents, Pat, Pat Okay, Now,

1660
01:27:28.920 --> 01:27:33.800
<v Speaker 4>now look at the state of this airship. I didn't

1661
01:27:33.840 --> 01:27:34.800
<v Speaker 4>even think about it.

1662
01:27:35.279 --> 01:27:38.600
<v Speaker 1>There is there is no universe where he's able to

1663
01:27:38.960 --> 01:27:40.159
<v Speaker 1>pull a last minute safe.

1664
01:27:40.520 --> 01:27:46.439
<v Speaker 4>That is hilarious. I can't believe I didn't. I do

1665
01:27:46.479 --> 01:27:49.359
<v Speaker 4>remember getting up to make popcorn at one point. Maybe

1666
01:27:49.359 --> 01:27:53.319
<v Speaker 4>it was this point. That is really funny. They should

1667
01:27:53.359 --> 01:27:57.479
<v Speaker 4>have put more like, I don't know, you know, tournique

1668
01:27:57.760 --> 01:27:59.199
<v Speaker 4>sort of whatever you want. I don't know what you

1669
01:27:59.199 --> 01:28:01.039
<v Speaker 4>put on a ship that's busted, but like made it

1670
01:28:01.039 --> 01:28:03.439
<v Speaker 4>look way more cobbled back together at the.

1671
01:28:03.479 --> 01:28:06.920
<v Speaker 1>End, because literally you have o'connorall like, well is he

1672
01:28:06.920 --> 01:28:11.359
<v Speaker 1>if anybody can find hot air, it's you. And I'm like, okay,

1673
01:28:11.399 --> 01:28:15.039
<v Speaker 1>ha ha but no, seriously, doesn't he say something about

1674
01:28:15.039 --> 01:28:15.640
<v Speaker 1>its gas.

1675
01:28:16.399 --> 01:28:21.079
<v Speaker 4>It's not we're gonna we're gonna fill it up. Yeah.

1676
01:28:21.840 --> 01:28:27.800
<v Speaker 1>Anyway, there goes horace. Poor little bird. He's trying to help.

1677
01:28:28.239 --> 01:28:30.000
<v Speaker 4>Yeah, he's just helping him out.

1678
01:28:30.199 --> 01:28:31.760
<v Speaker 1>He was helping our death. But look at look at

1679
01:28:31.800 --> 01:28:36.720
<v Speaker 1>the poor lady. He's so sad.

1680
01:28:37.119 --> 01:28:40.359
<v Speaker 4>I wish it had landed right in front of him.

1681
01:28:40.560 --> 01:28:41.199
<v Speaker 1>And it was like.

1682
01:28:42.840 --> 01:28:44.760
<v Speaker 4>And it just said, like its subtitles, I don't think

1683
01:28:44.800 --> 01:28:47.800
<v Speaker 4>I'm gonna make it, and it's just like, you know.

1684
01:28:47.800 --> 01:28:49.960
<v Speaker 1>He's just like, don't talk that way. Rest now.

1685
01:28:50.720 --> 01:28:52.560
<v Speaker 4>Yeah, and then yeah, and then it dies with its

1686
01:28:52.560 --> 01:28:55.359
<v Speaker 4>eyes open and he has to close his little eye

1687
01:28:55.439 --> 01:28:56.279
<v Speaker 4>bird eyelids.

1688
01:28:57.600 --> 01:29:03.960
<v Speaker 1>Just do it. We missed out. Oh, by the way,

1689
01:29:04.000 --> 01:29:04.800
<v Speaker 1>there's a wipe there.

1690
01:29:04.880 --> 01:29:06.840
<v Speaker 4>Sort of reminds me of Star Wars because most movies

1691
01:29:06.840 --> 01:29:08.920
<v Speaker 4>don't do that a lot. I saw a movie recently

1692
01:29:08.960 --> 01:29:11.439
<v Speaker 4>that I'm forgetting what it was, which is the trend

1693
01:29:11.479 --> 01:29:14.560
<v Speaker 4>in this commentary, and they did wipes and I was like,

1694
01:29:14.600 --> 01:29:17.159
<v Speaker 4>you know, I love it when I see them because

1695
01:29:17.159 --> 01:29:19.399
<v Speaker 4>I'm like, yeah, let's try that. Maybe we can bring

1696
01:29:19.439 --> 01:29:22.520
<v Speaker 4>that back. But I don't know that I would risk

1697
01:29:22.560 --> 01:29:23.720
<v Speaker 4>it if I was making a movie.

1698
01:29:23.920 --> 01:29:26.239
<v Speaker 1>Oh, you wouldn't put a star wipe a star.

1699
01:29:25.920 --> 01:29:27.680
<v Speaker 4>Wipe you know what I mean, Like, you know, wipe

1700
01:29:27.760 --> 01:29:30.600
<v Speaker 4>left to right or something like. Yeah, if you're making

1701
01:29:30.640 --> 01:29:32.880
<v Speaker 4>an adventure or a fantasy or something, there's something kind

1702
01:29:32.920 --> 01:29:35.359
<v Speaker 4>of fun and playful about it.

1703
01:29:35.720 --> 01:29:38.159
<v Speaker 1>Yeah. I don't know that is true, don't. We don't

1704
01:29:38.199 --> 01:29:45.560
<v Speaker 1>see them as much. Yeah, So these pigmy mummies, if

1705
01:29:45.640 --> 01:29:46.840
<v Speaker 1>you think of them.

1706
01:29:46.760 --> 01:29:48.199
<v Speaker 4>Yeah, what do I think of them?

1707
01:29:48.359 --> 01:29:51.119
<v Speaker 1>Yeah?

1708
01:29:51.199 --> 01:29:52.520
<v Speaker 4>I think you lift them out of the movie and

1709
01:29:52.520 --> 01:29:53.239
<v Speaker 4>you wouldn't miss it.

1710
01:29:53.640 --> 01:29:57.159
<v Speaker 1>That My thought was, it's weird because I start thinking

1711
01:29:57.239 --> 01:30:01.560
<v Speaker 1>like in terms of like so like just like there's

1712
01:30:01.560 --> 01:30:04.159
<v Speaker 1>like mummy cultures everywhere and they're all just all coming

1713
01:30:04.199 --> 01:30:07.479
<v Speaker 1>back to life everywhere. It's weird. But then you know

1714
01:30:07.920 --> 01:30:12.880
<v Speaker 1>it's clearly there's at least some like velociraptors in oh,

1715
01:30:13.159 --> 01:30:16.640
<v Speaker 1>the Lost World. That's that's what came to my mind.

1716
01:30:16.840 --> 01:30:18.760
<v Speaker 4>Now actually think about it, and I'm not accusing anyone

1717
01:30:18.760 --> 01:30:20.640
<v Speaker 4>of anything, but like you've you got those sort of

1718
01:30:20.640 --> 01:30:23.359
<v Speaker 4>t two moments earlier. I thought of that too, because

1719
01:30:23.479 --> 01:30:26.760
<v Speaker 4>you got the people walking through that tall grass basically

1720
01:30:26.840 --> 01:30:29.560
<v Speaker 4>being sucked down like the people, you know, the people

1721
01:30:29.560 --> 01:30:33.359
<v Speaker 4>in Lost World a lot of like feeling the influences.

1722
01:30:33.359 --> 01:30:37.479
<v Speaker 1>Maybe, well, I mean this this movie is such a

1723
01:30:37.520 --> 01:30:41.760
<v Speaker 1>pastiche right, yeah, the so it makes sense that it

1724
01:30:42.079 --> 01:30:45.359
<v Speaker 1>seems like Summers is is that type of filmmaker who

1725
01:30:45.479 --> 01:30:48.000
<v Speaker 1>just who wears those influences on a sleeve. Yeah.

1726
01:30:48.039 --> 01:30:50.840
<v Speaker 4>And by the way, most artists do, you know what

1727
01:30:50.840 --> 01:30:53.119
<v Speaker 4>I mean. So that's sure that and if you can

1728
01:30:53.159 --> 01:30:55.439
<v Speaker 4>take something that you've seen before and run with it

1729
01:30:55.479 --> 01:30:57.520
<v Speaker 4>and make it your own, I mean, hey, that's yeah,

1730
01:30:57.560 --> 01:31:01.840
<v Speaker 4>good artists do. So it's not an accusation, is what

1731
01:31:01.840 --> 01:31:02.640
<v Speaker 4>I'm trying to say.

1732
01:31:02.960 --> 01:31:06.439
<v Speaker 1>Yeah, no, no, I mean look, look, George Lucas and

1733
01:31:06.439 --> 01:31:08.960
<v Speaker 1>Steven Spielberg were their inspirations in their sleep, so I mean.

1734
01:31:08.880 --> 01:31:10.640
<v Speaker 4>That's exactly exactly exactly.

1735
01:31:11.000 --> 01:31:11.880
<v Speaker 1>We talk about that a lot.

1736
01:31:11.920 --> 01:31:15.439
<v Speaker 4>But their inspirations didn't live on as long as their

1737
01:31:15.520 --> 01:31:18.640
<v Speaker 4>work has. So when people rip on Spielberg and Lucas,

1738
01:31:18.680 --> 01:31:20.760
<v Speaker 4>immediately you go, oh, I know what that is because

1739
01:31:20.760 --> 01:31:22.880
<v Speaker 4>we're still watching that stuff and they're still making sequels

1740
01:31:22.920 --> 01:31:25.720
<v Speaker 4>to that stuff. But the things that you know, Lucas

1741
01:31:25.720 --> 01:31:30.439
<v Speaker 4>and Spielberg watched, we don't generally tend to see as much, right,

1742
01:31:30.479 --> 01:31:32.800
<v Speaker 4>And so it's almost like they have reclaimed those things

1743
01:31:32.800 --> 01:31:35.800
<v Speaker 4>and made them they get associated with those true exactly.

1744
01:31:36.359 --> 01:31:38.359
<v Speaker 1>Well it's I mean, just a few weeks after this,

1745
01:31:38.800 --> 01:31:40.359
<v Speaker 1>we had The Fast and the Furious, which is a

1746
01:31:40.359 --> 01:31:44.880
<v Speaker 1>pretty transparent ripoff of Point Break. Yeah, right, right exactly.

1747
01:31:45.199 --> 01:31:48.439
<v Speaker 1>You know, but I suspect less people remember Point Break

1748
01:31:48.520 --> 01:31:52.239
<v Speaker 1>than are fully enveloped in the Fast and Furious franchise,

1749
01:31:52.960 --> 01:31:53.159
<v Speaker 1>you know.

1750
01:31:53.239 --> 01:31:58.319
<v Speaker 4>And there was a year where I was watching all

1751
01:31:58.399 --> 01:32:01.399
<v Speaker 4>the Simpsons or listening to all this's commentaries for every

1752
01:32:01.399 --> 01:32:05.079
<v Speaker 4>episode for like the first ten seasons, and I love it.

1753
01:32:05.119 --> 01:32:08.760
<v Speaker 4>They're amazing, and it was amazing to learn how many

1754
01:32:08.880 --> 01:32:11.239
<v Speaker 4>jokes they're like, oh, we got that from when I

1755
01:32:11.239 --> 01:32:12.720
<v Speaker 4>was a kid. I watched the show and the guy

1756
01:32:12.840 --> 01:32:15.119
<v Speaker 4>used to say that, and I'm like, oh, you didn't

1757
01:32:15.159 --> 01:32:19.680
<v Speaker 4>make that up, you know. Like it was illuminating, and

1758
01:32:19.760 --> 01:32:25.239
<v Speaker 4>also like kind of it gave me like relief to

1759
01:32:25.319 --> 01:32:28.560
<v Speaker 4>know that these people aren't supernatural comedic geniuses, you know

1760
01:32:28.560 --> 01:32:30.399
<v Speaker 4>what I mean. They're just learned how to take things

1761
01:32:30.439 --> 01:32:32.840
<v Speaker 4>that they remembered or were inspired by and put them

1762
01:32:32.840 --> 01:32:34.880
<v Speaker 4>into the Simpsons universe in a unique sort of way.

1763
01:32:34.920 --> 01:32:37.640
<v Speaker 4>And so it made it seem like, oh, that's it's

1764
01:32:37.680 --> 01:32:41.439
<v Speaker 4>possible to be that funny, right, what I mean, I

1765
01:32:41.479 --> 01:32:42.960
<v Speaker 4>don't know. I found it to be a cool thing

1766
01:32:43.000 --> 01:32:44.680
<v Speaker 4>instead of like a disappointment to learn that.

1767
01:32:45.840 --> 01:32:47.600
<v Speaker 1>Yeah. Well, I mean, look, it's it's all part of

1768
01:32:47.600 --> 01:32:49.800
<v Speaker 1>a lineage. M hm. That makes sense.

1769
01:32:53.439 --> 01:32:55.560
<v Speaker 4>But I also feel like with these Pigmy characters, they're

1770
01:32:55.600 --> 01:32:59.800
<v Speaker 4>not the technology isn't there, right, So that doesn't help

1771
01:32:59.800 --> 01:33:03.680
<v Speaker 4>on of everything else. You know, you just got these

1772
01:33:03.680 --> 01:33:08.199
<v Speaker 4>little cartoon characters just kind of like like the Critters

1773
01:33:08.960 --> 01:33:10.760
<v Speaker 4>you know what I mean, from the movie Critters in

1774
01:33:10.880 --> 01:33:13.720
<v Speaker 4>the eighties, Like just kind of running around just ahha,

1775
01:33:13.720 --> 01:33:17.840
<v Speaker 4>cackling a camera. I don't know, I wouldn't mind moving along.

1776
01:33:18.239 --> 01:33:21.079
<v Speaker 1>That's it's it's weird because the movie's over two hours.

1777
01:33:21.159 --> 01:33:23.159
<v Speaker 1>I think I think there's one sequence who could have

1778
01:33:23.159 --> 01:33:23.640
<v Speaker 1>done without.

1779
01:33:23.920 --> 01:33:28.600
<v Speaker 4>Yeah, although I do like the way this looks like,

1780
01:33:28.640 --> 01:33:30.399
<v Speaker 4>I like seeing them out there and all this real,

1781
01:33:32.000 --> 01:33:32.199
<v Speaker 4>you know.

1782
01:33:32.680 --> 01:33:34.720
<v Speaker 1>So as I was watching this, I was like, is

1783
01:33:34.800 --> 01:33:39.239
<v Speaker 1>this a sound stage or is this location? It could

1784
01:33:39.279 --> 01:33:39.680
<v Speaker 1>be either.

1785
01:33:39.680 --> 01:33:43.159
<v Speaker 4>Frankly, yeah, but I do like that I can tell

1786
01:33:43.239 --> 01:33:47.479
<v Speaker 4>that they're wandering through real stuff, right, and just seeing

1787
01:33:47.520 --> 01:33:51.000
<v Speaker 4>the light, like real light dancing off of all.

1788
01:33:50.920 --> 01:33:54.720
<v Speaker 1>These leaves just feels good. I was reading something too

1789
01:33:54.760 --> 01:33:55.399
<v Speaker 1>about how.

1790
01:33:55.359 --> 01:33:58.079
<v Speaker 4>Difficult it was with the torches because they only burned

1791
01:33:58.079 --> 01:33:59.319
<v Speaker 4>for about three minutes at a time.

1792
01:33:59.680 --> 01:34:03.119
<v Speaker 1>Oh. Interesting, And sometimes I think about that in movies.

1793
01:34:03.119 --> 01:34:06.800
<v Speaker 4>You know, you watch you know, Indiana Jones take a bone, right,

1794
01:34:06.800 --> 01:34:08.600
<v Speaker 4>you know, and they wrap like something around it, and

1795
01:34:08.640 --> 01:34:10.119
<v Speaker 4>then he's got like this torch.

1796
01:34:09.920 --> 01:34:12.239
<v Speaker 1>That's just like burning and forever.

1797
01:34:12.680 --> 01:34:15.239
<v Speaker 4>Yeah, and it's just it's just funny to think in

1798
01:34:15.279 --> 01:34:17.399
<v Speaker 4>real life, like half the things we would love to

1799
01:34:17.560 --> 01:34:19.159
<v Speaker 4>try just would ever work.

1800
01:34:22.920 --> 01:34:25.319
<v Speaker 1>Well, if there's one thing that horror movies have taught

1801
01:34:25.319 --> 01:34:31.600
<v Speaker 1>me is never go like close to stuff. Oh yeah, yeah,

1802
01:34:31.680 --> 01:34:34.800
<v Speaker 1>yeah this, Yeah, what's that weird looking thing? Let me

1803
01:34:34.840 --> 01:34:37.439
<v Speaker 1>get closer. No, there's your first mistake. Yeah, it's a

1804
01:34:37.479 --> 01:34:41.600
<v Speaker 1>good get further away. Yeah, well, let me pull out

1805
01:34:41.640 --> 01:34:44.199
<v Speaker 1>my iPhone camera and do like the zoom in. That's

1806
01:34:44.239 --> 01:34:45.880
<v Speaker 1>how I'm gonna see what it looks like.

1807
01:34:46.239 --> 01:34:50.960
<v Speaker 4>That is hilarious. You know, I'm like of two minds. Actually, now,

1808
01:34:51.039 --> 01:34:54.000
<v Speaker 4>I do think the sequence is fun. I guess I

1809
01:34:54.079 --> 01:34:56.840
<v Speaker 4>just don't care for those creatures very much. And then

1810
01:34:56.880 --> 01:34:58.840
<v Speaker 4>when they come back later, it's just like an extra

1811
01:34:58.960 --> 01:35:03.199
<v Speaker 4>thing that maybe we didn't need. But but this this is fun.

1812
01:35:04.319 --> 01:35:07.039
<v Speaker 4>Seeing all those darts hit their chests and they fall over.

1813
01:35:08.079 --> 01:35:11.680
<v Speaker 1>That stuff is great. Yeah. Yeah, I didn't even make

1814
01:35:11.720 --> 01:35:14.039
<v Speaker 1>the critter's connection. That's that's good. That's kind of what.

1815
01:35:13.960 --> 01:35:16.439
<v Speaker 4>They look like, right, I mean they're like faster Gremlins

1816
01:35:16.520 --> 01:35:16.920
<v Speaker 4>or something.

1817
01:35:17.359 --> 01:35:23.600
<v Speaker 1>Yeah, and they have that kind of comical Gremlins energy.

1818
01:35:23.920 --> 01:35:28.159
<v Speaker 4>Yeah yeah, I do like that when they see Emo

1819
01:35:28.199 --> 01:35:31.520
<v Speaker 4>tap and like ooh sorry, you know back in a way.

1820
01:35:31.560 --> 01:35:39.199
<v Speaker 1>You don't mess with Demo tap. Yeah. Yeah, this is yeah,

1821
01:35:39.319 --> 01:35:43.439
<v Speaker 1>very very he lost world. This where they're getting pulled

1822
01:35:43.439 --> 01:35:44.680
<v Speaker 1>into the grass.

1823
01:35:47.079 --> 01:35:49.159
<v Speaker 4>Yeah that was That was so like Jurassic Park, right,

1824
01:35:49.359 --> 01:35:51.359
<v Speaker 4>like drag a guy off screen and then just see

1825
01:35:51.399 --> 01:35:54.239
<v Speaker 4>a bunch of bushes swaying. Yep, so you like know

1826
01:35:54.319 --> 01:35:59.039
<v Speaker 4>what's happening behind the bush?

1827
01:35:59.199 --> 01:36:02.840
<v Speaker 1>Say, they give Jonathan a little hero moment here, yes,

1828
01:36:03.880 --> 01:36:07.119
<v Speaker 1>where Yeah, he's not a stumbling dufist when it comes

1829
01:36:07.119 --> 01:36:11.199
<v Speaker 1>to firing. I do like that. That almost feels like

1830
01:36:10.880 --> 01:36:13.960
<v Speaker 1>a like a John Hannah note. Yeah yeah, yeah, give me,

1831
01:36:14.920 --> 01:36:21.159
<v Speaker 1>give me something, you know. Yeah yeah, so this this

1832
01:36:21.600 --> 01:36:23.439
<v Speaker 1>coming up. Yeah, So so the way the movie is

1833
01:36:23.479 --> 01:36:27.159
<v Speaker 1>situating it, it's like, oh, our death Bay and Lochnaw

1834
01:36:27.359 --> 01:36:31.960
<v Speaker 1>they have like this this age's old rivalry, which like

1835
01:36:33.359 --> 01:36:37.840
<v Speaker 1>I mean, I guess you know sure, right because because

1836
01:36:37.960 --> 01:36:40.520
<v Speaker 1>when when when our death Bay kills him, it's supposed

1837
01:36:40.520 --> 01:36:42.039
<v Speaker 1>to be it's like he has this look on his

1838
01:36:42.079 --> 01:36:46.560
<v Speaker 1>face like oh me, you know, and I was like, well,

1839
01:36:47.319 --> 01:36:51.000
<v Speaker 1>what what do you want us to feel? Like? You

1840
01:36:51.000 --> 01:36:54.159
<v Speaker 1>know what I mean? Like I feel like if he

1841
01:36:54.319 --> 01:36:57.880
<v Speaker 1>was and just through some some expo, like you know,

1842
01:36:58.119 --> 01:37:01.079
<v Speaker 1>we were like brothers, he was a madgi yeah, and

1843
01:37:01.159 --> 01:37:03.279
<v Speaker 1>he turned his back on the order like something like that.

1844
01:37:03.399 --> 01:37:06.960
<v Speaker 4>Right, I would lose this sequence happily to gain that moment.

1845
01:37:07.720 --> 01:37:10.880
<v Speaker 4>It's so odd, like make this moment mean something, yeah,

1846
01:37:11.000 --> 01:37:13.159
<v Speaker 4>or you know what I'm saying, like it, I know

1847
01:37:13.239 --> 01:37:15.199
<v Speaker 4>I'm saying this moment and that's where the moment happens.

1848
01:37:15.239 --> 01:37:18.680
<v Speaker 4>But like that thing between them, Yeah, I would give

1849
01:37:18.760 --> 01:37:22.359
<v Speaker 4>up any you know, special effects thing for three minutes

1850
01:37:22.800 --> 01:37:24.159
<v Speaker 4>to make this mean more.

1851
01:37:25.199 --> 01:37:27.760
<v Speaker 1>That's exactly it, because because the look on his face

1852
01:37:28.000 --> 01:37:31.600
<v Speaker 1>right right, it's kind of it's like supposed to be

1853
01:37:31.640 --> 01:37:32.000
<v Speaker 1>a thing.

1854
01:37:32.319 --> 01:37:34.680
<v Speaker 4>Yeah, and maybe it was. Maybe they deleted the scene right.

1855
01:37:34.680 --> 01:37:36.079
<v Speaker 1>Right there at look at a look on his face.

1856
01:37:36.199 --> 01:37:43.359
<v Speaker 1>Yeah right, yeah, that's odd anyway, those are like little things,

1857
01:37:43.399 --> 01:37:45.800
<v Speaker 1>right because it would have been very easy to just

1858
01:37:45.880 --> 01:37:49.800
<v Speaker 1>have a line of dialogue here there to add some

1859
01:37:49.880 --> 01:37:50.439
<v Speaker 1>weight to that.

1860
01:37:51.279 --> 01:37:52.199
<v Speaker 4>Completely agree.

1861
01:37:52.479 --> 01:37:52.680
<v Speaker 1>You know.

1862
01:37:55.439 --> 01:37:57.159
<v Speaker 4>Actually it'd be kind of funny if they like made

1863
01:37:57.319 --> 01:38:02.439
<v Speaker 4>up in that moment and then Jonathan shoots him. He's

1864
01:38:02.479 --> 01:38:03.479
<v Speaker 4>like I got him.

1865
01:38:04.439 --> 01:38:07.079
<v Speaker 1>They like shake hands. Yeah, he's smiling, and then his

1866
01:38:07.159 --> 01:38:21.479
<v Speaker 1>head explodes like a balloon, yeah, all over him missed out. Yeah,

1867
01:38:21.479 --> 01:38:23.800
<v Speaker 1>that that what we just saw there where the little

1868
01:38:23.800 --> 01:38:25.520
<v Speaker 1>Pigmy guy comes right at the camera. That was in

1869
01:38:25.560 --> 01:38:26.359
<v Speaker 1>the trailer for sure.

1870
01:38:26.399 --> 01:38:30.680
<v Speaker 4>I remember that, sure, and it was probably a new

1871
01:38:30.880 --> 01:38:32.399
<v Speaker 4>sort of thing that we hadn't seen a lot at.

1872
01:38:32.359 --> 01:38:34.079
<v Speaker 1>This I think. I think the Pigmy Guy was also

1873
01:38:34.119 --> 01:38:39.399
<v Speaker 1>listed by name in the in the trailer and little

1874
01:38:39.399 --> 01:38:43.479
<v Speaker 1>Pigmy Man and the Rock as the Scorpion King. You know.

1875
01:38:43.600 --> 01:38:44.079
<v Speaker 1>That's right.

1876
01:38:45.640 --> 01:38:49.760
<v Speaker 4>Well, we've hadn't really talked about the Rock much. I

1877
01:38:49.760 --> 01:38:51.960
<v Speaker 4>think he is done, right, I mean, the rest of

1878
01:38:52.000 --> 01:38:52.520
<v Speaker 4>it is just.

1879
01:38:52.520 --> 01:38:55.199
<v Speaker 1>Yeah, he was in like three minutes of just sort

1880
01:38:55.239 --> 01:38:57.520
<v Speaker 1>of doing the rock bottom and walking around in the desert.

1881
01:38:57.920 --> 01:39:06.840
<v Speaker 4>Yeah, but this was his first movie, right, I think, Yeah,

1882
01:39:06.880 --> 01:39:07.319
<v Speaker 4>that's right.

1883
01:39:07.680 --> 01:39:14.279
<v Speaker 1>Yeah, he he did his whatever like two days. That's

1884
01:39:14.279 --> 01:39:16.039
<v Speaker 1>what Stephen Summer said. It was like two days because

1885
01:39:16.039 --> 01:39:20.079
<v Speaker 1>he it was like in between wrestling bouts, so he

1886
01:39:20.199 --> 01:39:22.399
<v Speaker 1>just showed up in Marrakesha where they were shooting and

1887
01:39:22.439 --> 01:39:25.880
<v Speaker 1>then you know Haku Machente and then you know they

1888
01:39:25.920 --> 01:39:30.560
<v Speaker 1>sent him. Yeah, and those rushes were enough for Universal

1889
01:39:30.600 --> 01:39:32.520
<v Speaker 1>to be like, hey, give this man his own movie.

1890
01:39:34.159 --> 01:39:39.600
<v Speaker 4>Yeah, it's funny because I did not follow wrestling very much. Yeah,

1891
01:39:39.600 --> 01:39:41.760
<v Speaker 4>but I know that he I mean I knew who

1892
01:39:41.760 --> 01:39:45.000
<v Speaker 4>he was because he was that big popular of a figure.

1893
01:39:45.319 --> 01:39:50.119
<v Speaker 1>Yeah right, so yeah he he. I feel like he

1894
01:39:50.680 --> 01:39:54.359
<v Speaker 1>gained a new round of credibility when he hosted SNL

1895
01:39:55.359 --> 01:39:58.760
<v Speaker 1>mmmm because he you know, showed a lot of range.

1896
01:40:00.760 --> 01:40:02.760
<v Speaker 1>This is a funny moment right here when O'Connell throws

1897
01:40:02.800 --> 01:40:07.119
<v Speaker 1>the I do like this, Yeah, the dynamite stick like that.

1898
01:40:07.520 --> 01:40:10.920
<v Speaker 1>I like the the the profile shot we get. This

1899
01:40:10.960 --> 01:40:15.119
<v Speaker 1>is hilarious. Just all of them little guys just running

1900
01:40:15.119 --> 01:40:19.439
<v Speaker 1>across the log as it explodes. Very funny. So anyway,

1901
01:40:19.439 --> 01:40:21.039
<v Speaker 1>that was like two thousand, I think when when the

1902
01:40:21.119 --> 01:40:24.079
<v Speaker 1>Rock hosted SNL Okay, he gets this job again. They

1903
01:40:24.079 --> 01:40:25.960
<v Speaker 1>look at his rushes, They're like, give that man a

1904
01:40:26.000 --> 01:40:28.119
<v Speaker 1>spin off. And literally within a year of this movie

1905
01:40:28.119 --> 01:40:32.720
<v Speaker 1>coming out because April of two, the Scorpion King came out, wow,

1906
01:40:33.000 --> 01:40:37.119
<v Speaker 1>and the rest was history Wow April o two, right,

1907
01:40:37.159 --> 01:40:40.399
<v Speaker 1>and then the Rundown was three. I mean, you know,

1908
01:40:40.760 --> 01:40:43.800
<v Speaker 1>he came out the he came out the gate hot. Yeah.

1909
01:40:43.840 --> 01:40:47.760
<v Speaker 4>And I remember the Rundown because I remember Sean really

1910
01:40:47.800 --> 01:40:50.279
<v Speaker 4>liked that movie a lot. Yeah, and so I think

1911
01:40:50.319 --> 01:40:52.239
<v Speaker 4>I watched it with him, and it was sort of

1912
01:40:52.279 --> 01:40:55.800
<v Speaker 4>like him doing like a real you know, acting role

1913
01:40:55.800 --> 01:40:57.760
<v Speaker 4>where it wasn't sort of like a novelty having this

1914
01:40:57.800 --> 01:40:59.920
<v Speaker 4>wrestlers show up as a villain for half that, right

1915
01:41:00.119 --> 01:41:03.159
<v Speaker 4>or something. And then real quick, real good, please.

1916
01:41:03.000 --> 01:41:07.760
<v Speaker 1>It's this bit where O'Connell is outracing the sun for

1917
01:41:07.920 --> 01:41:09.439
<v Speaker 1>it is ridiculous obviously.

1918
01:41:09.640 --> 01:41:11.399
<v Speaker 4>Can you imagine if the sun did move that fast?

1919
01:41:11.760 --> 01:41:16.039
<v Speaker 1>Right? Like it defies physics. But but I love this

1920
01:41:16.159 --> 01:41:19.600
<v Speaker 1>moment right here where he's like, it's not easy being

1921
01:41:19.600 --> 01:41:22.079
<v Speaker 1>a dad and his son's like, yeah, but you do

1922
01:41:22.119 --> 01:41:25.119
<v Speaker 1>it really good. Yeah, It's just it's just a nice moment.

1923
01:41:25.159 --> 01:41:26.960
<v Speaker 1>I don't know, like, I like that you have a

1924
01:41:27.000 --> 01:41:29.880
<v Speaker 1>father and son they're not at odds with each other. Yeah, sure,

1925
01:41:30.039 --> 01:41:33.640
<v Speaker 1>the son loves It's just a nice moment. Okay, yeah.

1926
01:41:33.680 --> 01:41:36.560
<v Speaker 1>And then I'll also say this piece coming up where

1927
01:41:36.920 --> 01:41:41.680
<v Speaker 1>where Ev gets stabbed. Yes, and and you know it's

1928
01:41:41.680 --> 01:41:43.760
<v Speaker 1>like you're like, okay, well obviously she's not really dead.

1929
01:41:43.880 --> 01:41:45.640
<v Speaker 1>Like I. You know, even when I watched this, I

1930
01:41:45.680 --> 01:41:47.560
<v Speaker 1>was like, well, there, this isn't that kind of you know,

1931
01:41:47.720 --> 01:41:51.159
<v Speaker 1>it ain't that kind of movie. You know, right, that's

1932
01:41:51.520 --> 01:41:54.640
<v Speaker 1>Mark Hamill his imitation of Harrison Ford, you know, right

1933
01:41:54.920 --> 01:41:58.920
<v Speaker 1>about Star Wars. But tell me if I'm wrong. Great

1934
01:41:58.960 --> 01:42:02.079
<v Speaker 1>performance by both them. Yeah, and it looks like she's dying.

1935
01:42:02.159 --> 01:42:03.800
<v Speaker 1>Brendan Fraser is awesome here.

1936
01:42:04.000 --> 01:42:07.399
<v Speaker 4>I love him tearing out of that you know place

1937
01:42:07.640 --> 01:42:09.000
<v Speaker 4>after her that and.

1938
01:42:08.960 --> 01:42:12.279
<v Speaker 1>Then just his his despair when it looks like she's dying.

1939
01:42:12.319 --> 01:42:16.520
<v Speaker 1>It's it's heartbreaking. I just love. I love the idea

1940
01:42:16.640 --> 01:42:20.439
<v Speaker 1>that this guy, this macho guy, and it's just you know,

1941
01:42:20.640 --> 01:42:24.359
<v Speaker 1>he's just his heart is tied up in how much

1942
01:42:24.399 --> 01:42:27.399
<v Speaker 1>he loves his wife. I don't know. I think it's great. Yeah, yeah, no,

1943
01:42:27.439 --> 01:42:29.479
<v Speaker 1>I agree. And I think it's a great performance by

1944
01:42:29.640 --> 01:42:31.560
<v Speaker 1>Brendan Fraser right here. I think both of them. I

1945
01:42:31.560 --> 01:42:35.039
<v Speaker 1>think that's just Yeah.

1946
01:42:35.119 --> 01:42:38.439
<v Speaker 4>I do remember this standing out to me last night,

1947
01:42:38.520 --> 01:42:41.439
<v Speaker 4>because you know, this movie is it's fun. You know,

1948
01:42:41.479 --> 01:42:46.000
<v Speaker 4>it's a romp and this felt so sincere, right, yeah,

1949
01:42:46.079 --> 01:42:46.520
<v Speaker 4>it really does.

1950
01:42:46.640 --> 01:42:49.680
<v Speaker 1>Yeah, And again, like it's almost like it's so sincere

1951
01:42:49.720 --> 01:42:52.960
<v Speaker 1>you don't want them to undo it, you know, yeah, sure, sure,

1952
01:42:53.000 --> 01:42:54.520
<v Speaker 1>you know what I mean. But it's like, again, that's

1953
01:42:54.560 --> 01:42:56.439
<v Speaker 1>that's the movie, you know. You know, well, it's not

1954
01:42:56.479 --> 01:42:58.000
<v Speaker 1>gonna end that way. But I think it's a great

1955
01:42:58.000 --> 01:42:59.920
<v Speaker 1>performance regardless, and it goes.

1956
01:42:59.840 --> 01:43:03.439
<v Speaker 4>A long way in making us understand how much they.

1957
01:43:03.319 --> 01:43:07.760
<v Speaker 1>Love each other. I totally agree with that. But yeah, sorry,

1958
01:43:07.760 --> 01:43:10.600
<v Speaker 1>we were talking about the rock No, no, no, it's just well.

1959
01:43:10.600 --> 01:43:12.920
<v Speaker 4>And then I thought it was interesting because he did

1960
01:43:12.960 --> 01:43:16.479
<v Speaker 4>the Rundown thing, and you know there's that scene where

1961
01:43:16.720 --> 01:43:19.920
<v Speaker 4>Schwartznigger's in there, right yeah, basically like hands off the

1962
01:43:20.520 --> 01:43:22.640
<v Speaker 4>action hero mantle to him says something like.

1963
01:43:22.680 --> 01:43:24.359
<v Speaker 1>That fun or something.

1964
01:43:25.159 --> 01:43:31.640
<v Speaker 4>But then I remember he did Southland Tails.

1965
01:43:29.439 --> 01:43:32.199
<v Speaker 1>And I remember be cool.

1966
01:43:32.399 --> 01:43:35.119
<v Speaker 4>Yeah, like he right out of the gate didn't put

1967
01:43:35.159 --> 01:43:38.119
<v Speaker 4>himself in one lane. I think that was what he

1968
01:43:38.159 --> 01:43:40.079
<v Speaker 4>suffered from a little bit after that, where he was

1969
01:43:40.159 --> 01:43:42.159
<v Speaker 4>just kind of kept playing the same character over the

1970
01:43:42.159 --> 01:43:44.239
<v Speaker 4>same guy. But right out of the gate, it's kind

1971
01:43:44.239 --> 01:43:47.960
<v Speaker 4>of bold and fascinating that he experimented a lot, and

1972
01:43:47.960 --> 01:43:50.359
<v Speaker 4>maybe even in movies that you would think the audience

1973
01:43:50.359 --> 01:43:55.359
<v Speaker 4>who would follow him might not might not be their bag,

1974
01:43:55.560 --> 01:43:55.760
<v Speaker 4>you know.

1975
01:43:56.680 --> 01:43:59.279
<v Speaker 1>So it loved that he pushed himself a lot in

1976
01:43:59.319 --> 01:44:02.680
<v Speaker 1>those early you know, I saw the trailer for Coyote

1977
01:44:02.760 --> 01:44:06.159
<v Speaker 1>versus z Acme, which I don't know, did you see that?

1978
01:44:06.880 --> 01:44:09.880
<v Speaker 1>I did? And you know, you got John Cena playing

1979
01:44:09.920 --> 01:44:14.640
<v Speaker 1>a lawyer, right, and I'm like, oh, that's novel, you know, sure,

1980
01:44:15.239 --> 01:44:18.800
<v Speaker 1>And you know, partly it's because John Cena is sort

1981
01:44:18.800 --> 01:44:23.119
<v Speaker 1>of I feel like Sena and maybe to a lesser extent,

1982
01:44:23.199 --> 01:44:27.159
<v Speaker 1>Dave Batista have like looked at the Duyne Johnson arc

1983
01:44:28.560 --> 01:44:33.760
<v Speaker 1>and and been like, Okay, what can we learn from this? Yeah?

1984
01:44:34.199 --> 01:44:37.199
<v Speaker 4>Well again, I mean at the beginning, Dwayne Johnson was

1985
01:44:37.239 --> 01:44:40.840
<v Speaker 4>willing to play silly characters, or rather of his characters,

1986
01:44:41.000 --> 01:44:43.920
<v Speaker 4>and then it feels like, for some reason later he

1987
01:44:44.000 --> 01:44:45.840
<v Speaker 4>got it in his head that he always had to

1988
01:44:45.880 --> 01:44:46.520
<v Speaker 4>win every.

1989
01:44:46.359 --> 01:44:49.600
<v Speaker 1>Fight, and I think he just got invested in his brand,

1990
01:44:49.720 --> 01:44:53.239
<v Speaker 1>whatever that is, you know. Yeah, yeah, the perception, you know,

1991
01:44:54.359 --> 01:44:57.239
<v Speaker 1>and you know the problem there is eventually it gets

1992
01:44:57.239 --> 01:45:01.439
<v Speaker 1>played out. Yeah, yeah, if people see you don't have

1993
01:45:01.479 --> 01:45:06.199
<v Speaker 1>any other notes to play then then they move on right,

1994
01:45:07.600 --> 01:45:11.399
<v Speaker 1>like like Schwarzenegger handing it off. But you know this

1995
01:45:11.479 --> 01:45:15.960
<v Speaker 1>movie came out what was it September October three at

1996
01:45:16.000 --> 01:45:21.119
<v Speaker 1>the Rundown? I mean Schwarzenegger did Terminator three, that that

1997
01:45:21.560 --> 01:45:25.560
<v Speaker 1>earlier that year, right, and really that T three is

1998
01:45:25.680 --> 01:45:29.439
<v Speaker 1>arguably like the final Schwarzenegger movie of the of his

1999
01:45:29.960 --> 01:45:34.520
<v Speaker 1>peak era. Sure, so it's the timing is entirely apropos

2000
01:45:35.800 --> 01:45:38.399
<v Speaker 1>but yeah, yeah, right, so it's like he does his

2001
01:45:38.439 --> 01:45:40.560
<v Speaker 1>final action movie, then becomes governor. He became governor and

2002
01:45:40.600 --> 01:45:43.640
<v Speaker 1>O three, I'm pretty sure hands hands the ball to

2003
01:45:43.920 --> 01:45:46.720
<v Speaker 1>Duwayn Johnson. It took Dwyne Johnson a couple of years

2004
01:45:46.800 --> 01:45:50.439
<v Speaker 1>to figure out what his movie star a persona was,

2005
01:45:50.880 --> 01:45:54.119
<v Speaker 1>but he got locked into that. Yeah, and then he

2006
01:45:54.119 --> 01:45:58.000
<v Speaker 1>got stuck. Yeah, then got stuck. But yeah, what do

2007
01:45:58.079 --> 01:46:04.920
<v Speaker 1>you do the thing this last year? Oh? The machine? Right?

2008
01:46:05.000 --> 01:46:08.600
<v Speaker 1>The what is the smashing machine? Smashing machine? Yeah, which

2009
01:46:08.640 --> 01:46:10.680
<v Speaker 1>did too? We are two old men? Can I just

2010
01:46:10.680 --> 01:46:11.319
<v Speaker 1>say that? Dude?

2011
01:46:11.359 --> 01:46:12.960
<v Speaker 4>I was like, I can't believe I don't even remember

2012
01:46:13.000 --> 01:46:17.399
<v Speaker 4>the title. I'm getting bad with titles. But which is

2013
01:46:17.399 --> 01:46:20.000
<v Speaker 4>funny because that used to be our strength. I know,

2014
01:46:22.199 --> 01:46:25.920
<v Speaker 4>there's just too much stuff up there anyway. But he

2015
01:46:26.039 --> 01:46:28.359
<v Speaker 4>was very very good in that. I mean that movie

2016
01:46:28.359 --> 01:46:31.319
<v Speaker 4>didn't land or hit. I think the way that they

2017
01:46:31.359 --> 01:46:33.039
<v Speaker 4>had hoped for him, you know, thought it'd be like

2018
01:46:33.039 --> 01:46:34.479
<v Speaker 4>an Awards contender kind of thing.

2019
01:46:34.920 --> 01:46:36.640
<v Speaker 1>He is really good in it.

2020
01:46:36.640 --> 01:46:40.279
<v Speaker 4>He's playing a character, he's doing something different, and so

2021
01:46:41.000 --> 01:46:42.720
<v Speaker 4>it was nice to see him stretching again.

2022
01:46:43.680 --> 01:46:46.199
<v Speaker 1>Well and just as much as the film. His performance

2023
01:46:46.239 --> 01:46:49.159
<v Speaker 1>while promoting the movie with his with his glass on

2024
01:46:49.199 --> 01:46:51.760
<v Speaker 1>his nose, his fingers steepled.

2025
01:46:52.720 --> 01:46:56.439
<v Speaker 4>Yes, I know. I for some reason that has just

2026
01:46:56.479 --> 01:47:01.359
<v Speaker 4>become like a thing in our minds. And I saw him.

2027
01:47:01.439 --> 01:47:04.239
<v Speaker 4>I think it was like Emily Blunt's Walk of Fame ceremony,

2028
01:47:04.279 --> 01:47:05.720
<v Speaker 4>and he had like the glasses on. It's like, oh,

2029
01:47:05.760 --> 01:47:11.039
<v Speaker 4>it's glasses, rock classes rock. See this stupid idiot he

2030
01:47:11.079 --> 01:47:13.640
<v Speaker 4>sticks his hand in the thing. Dude, don't stick your

2031
01:47:13.640 --> 01:47:14.359
<v Speaker 4>hand in the thing.

2032
01:47:14.800 --> 01:47:17.279
<v Speaker 1>Yeah. Never, never, Like it's like he's never seen a

2033
01:47:17.279 --> 01:47:18.119
<v Speaker 1>horror movie. You know.

2034
01:47:18.119 --> 01:47:19.880
<v Speaker 4>Where I learned that, The Ewalk Adventure.

2035
01:47:20.399 --> 01:47:21.560
<v Speaker 1>Exactly there you go.

2036
01:47:21.720 --> 01:47:23.520
<v Speaker 4>The boy sticks the hand in the hole in the tree,

2037
01:47:23.720 --> 01:47:26.079
<v Speaker 4>and I never forgot it.

2038
01:47:26.600 --> 01:47:27.920
<v Speaker 1>That's what we learned from Mace.

2039
01:47:28.600 --> 01:47:30.359
<v Speaker 4>Yeah, holy crab.

2040
01:47:30.479 --> 01:47:31.680
<v Speaker 1>Nice Mace and Sindele.

2041
01:47:32.239 --> 01:47:36.359
<v Speaker 4>Yes, wow, okay, okay, you know what, whatever titles you

2042
01:47:36.840 --> 01:47:39.600
<v Speaker 4>have forgotten, you're forgiven for remembering that.

2043
01:47:40.039 --> 01:47:41.960
<v Speaker 1>I think I'm realizing there's like a cut off date.

2044
01:47:43.680 --> 01:47:46.560
<v Speaker 1>Oh yeah, yeah yeah, anything passed like ten years ago

2045
01:47:46.680 --> 01:47:54.359
<v Speaker 1>is gonna be a push. That's amazing. So John Hannah,

2046
01:47:54.399 --> 01:47:56.399
<v Speaker 1>I don't know if you remember this, In the very

2047
01:47:56.479 --> 01:48:00.199
<v Speaker 1>first episode of the Last of Us television show, he's

2048
01:48:00.279 --> 01:48:04.159
<v Speaker 1>the he's the like it starts with like a a

2049
01:48:04.199 --> 01:48:07.239
<v Speaker 1>TV broadcast from like the seventies, and he's the professor.

2050
01:48:07.680 --> 01:48:10.800
<v Speaker 1>He's like, oh, yeah, you know, the the fun guy

2051
01:48:10.960 --> 01:48:13.399
<v Speaker 1>can metamorphos or whatever. I don't know what he says,

2052
01:48:13.439 --> 01:48:15.159
<v Speaker 1>but like that it's him. I was like, hey, it's

2053
01:48:15.399 --> 01:48:16.119
<v Speaker 1>it's Jonathan.

2054
01:48:16.439 --> 01:48:18.800
<v Speaker 4>I remember that moment, but I forgot that it was him.

2055
01:48:19.159 --> 01:48:22.760
<v Speaker 1>Yeah. Wow. He's also in Sliding Doors. That's I think

2056
01:48:22.920 --> 01:48:24.239
<v Speaker 1>what most American audiences not.

2057
01:48:24.640 --> 01:48:27.640
<v Speaker 4>Yeah, that's a movie where it's become you know, like

2058
01:48:27.880 --> 01:48:30.359
<v Speaker 4>it's like people know the concept more than the movie. Yeah,

2059
01:48:30.560 --> 01:48:32.319
<v Speaker 4>and that phrase, I mean, is that where it comes

2060
01:48:32.359 --> 01:48:35.560
<v Speaker 4>from literally that film when people say that sliding doors, Yeah, yeah,

2061
01:48:35.560 --> 01:48:36.199
<v Speaker 4>that's amazing.

2062
01:48:36.880 --> 01:48:41.960
<v Speaker 1>Yeah, it's sort of like h groundhog Day.

2063
01:48:42.399 --> 01:48:45.439
<v Speaker 4>Yeah, exactly right, exactly.

2064
01:48:45.039 --> 01:48:49.159
<v Speaker 1>How like the movie changed what that phrase means. M

2065
01:48:49.359 --> 01:48:52.319
<v Speaker 1>m m m right. If you say it feels like

2066
01:48:52.319 --> 01:48:53.960
<v Speaker 1>groundhog Day, you're not like, oh, it feels like winter

2067
01:48:54.079 --> 01:48:56.920
<v Speaker 1>and we don't know if we're gonna have six more weeks. Yeah,

2068
01:48:57.199 --> 01:48:59.119
<v Speaker 1>it's no, it feels like we're just living the same

2069
01:48:59.199 --> 01:49:01.199
<v Speaker 1>day a getting. That's an nice thing right here. I

2070
01:49:01.239 --> 01:49:01.680
<v Speaker 1>love this.

2071
01:49:02.159 --> 01:49:06.000
<v Speaker 4>That's great, that's great, very stylish.

2072
01:49:05.560 --> 01:49:06.720
<v Speaker 1>The flicker.

2073
01:49:06.840 --> 01:49:09.319
<v Speaker 4>I realized, like we're seeing all this stuff on it

2074
01:49:09.600 --> 01:49:10.600
<v Speaker 4>on the screen here, but.

2075
01:49:11.439 --> 01:49:13.880
<v Speaker 1>Oh, you gotta subscribe on Patreon watch and.

2076
01:49:15.079 --> 01:49:18.800
<v Speaker 4>Yeah, but basically Fraser's entering like a big I don't know,

2077
01:49:18.920 --> 01:49:21.680
<v Speaker 4>throne room or something, and like it's a close up

2078
01:49:21.680 --> 01:49:25.720
<v Speaker 4>on his face and the flames, you know, they're flickering

2079
01:49:25.760 --> 01:49:27.760
<v Speaker 4>on him, and when it goes dark you can't see anything,

2080
01:49:27.800 --> 01:49:31.119
<v Speaker 4>so his face is just sort of like light on

2081
01:49:31.199 --> 01:49:33.359
<v Speaker 4>his flate. I'm not describing it as well.

2082
01:49:33.439 --> 01:49:36.920
<v Speaker 1>It was really cool. You should watch it. It looked neat. Yeah,

2083
01:49:37.079 --> 01:49:37.479
<v Speaker 1>there you go.

2084
01:49:37.920 --> 01:49:39.279
<v Speaker 4>I can tell him like slowing down.

2085
01:49:39.920 --> 01:49:43.720
<v Speaker 1>So well, two things. Number one, you have this this

2086
01:49:43.800 --> 01:49:48.760
<v Speaker 1>speed ramping during this fight, Yeah, which looks cool, no doubt. Yeah,

2087
01:49:48.800 --> 01:49:51.720
<v Speaker 1>But also it feels like weirdly out of step with

2088
01:49:51.560 --> 01:49:54.560
<v Speaker 1>the with the style of the movie. Am I wrong?

2089
01:49:55.279 --> 01:49:55.479
<v Speaker 1>Is that?

2090
01:49:55.560 --> 01:49:58.479
<v Speaker 4>Yeah, there's like a weird stutter sort of thing moment.

2091
01:49:58.560 --> 01:49:58.760
<v Speaker 1>Yeah.

2092
01:49:58.760 --> 01:50:01.319
<v Speaker 4>I didn't understand because you would think if that was happening,

2093
01:50:01.359 --> 01:50:05.960
<v Speaker 4>we're supposed to understand something is happening in that moment, right,

2094
01:50:07.199 --> 01:50:08.039
<v Speaker 4>But to your point.

2095
01:50:07.880 --> 01:50:10.880
<v Speaker 1>They don't do it anywhere else. It's just matrix inspired.

2096
01:50:11.680 --> 01:50:14.479
<v Speaker 4>Yeah, that's a good I didn't even I clocked it,

2097
01:50:14.520 --> 01:50:16.079
<v Speaker 4>but I didn't understand why it was there.

2098
01:50:16.199 --> 01:50:20.560
<v Speaker 1>Yeah, it's the new Yeah, new technique was the.

2099
01:50:20.560 --> 01:50:25.000
<v Speaker 4>Style at the time exactly. But there's a great I

2100
01:50:25.000 --> 01:50:27.119
<v Speaker 4>imagine he's on wires, a great shot in slow o

2101
01:50:27.199 --> 01:50:30.680
<v Speaker 4>where he's like spinning in the air. Yeah, and you

2102
01:50:30.680 --> 01:50:32.319
<v Speaker 4>could see it's his face, and I was like, wow,

2103
01:50:36.199 --> 01:50:37.000
<v Speaker 4>like this kind of stuff.

2104
01:50:37.039 --> 01:50:39.199
<v Speaker 1>Is that what you're saying? No, well, they're even more.

2105
01:50:39.279 --> 01:50:41.079
<v Speaker 1>I mean you see the speed ramping where it slows

2106
01:50:41.119 --> 01:50:44.800
<v Speaker 1>down and then speeds up. Mmm. Yeah, I remember seeing it,

2107
01:50:44.880 --> 01:50:46.640
<v Speaker 1>and and you know, I mentioned I went and saw

2108
01:50:46.680 --> 01:50:49.560
<v Speaker 1>this with my friend Javier at the at the videography studio,

2109
01:50:49.560 --> 01:50:51.600
<v Speaker 1>and he's like he used to edit like the the

2110
01:50:51.680 --> 01:50:53.279
<v Speaker 1>highlight tapes. He's like I'm going to try to do

2111
01:50:53.319 --> 01:50:56.359
<v Speaker 1>that that speed up, slow down stuff m hmm, into

2112
01:50:56.439 --> 01:51:00.680
<v Speaker 1>like wedding videos. I need you did a good job

2113
01:51:00.680 --> 01:51:02.199
<v Speaker 1>with it. He figure that. So this is back when

2114
01:51:02.279 --> 01:51:05.199
<v Speaker 1>you would like be key framing things and it's a

2115
01:51:05.199 --> 01:51:08.760
<v Speaker 1>whole different thing, you know. Yeah, that's funny. See these

2116
01:51:08.760 --> 01:51:10.279
<v Speaker 1>Annubis soldiers look kind of goofy.

2117
01:51:10.319 --> 01:51:13.000
<v Speaker 4>I don't know, it's funny some shots I feel like

2118
01:51:13.039 --> 01:51:17.600
<v Speaker 4>they look better than others, like they're actually, yeah, this

2119
01:51:17.600 --> 01:51:18.399
<v Speaker 4>looks a little goofy.

2120
01:51:18.760 --> 01:51:19.399
<v Speaker 1>Like when it was the.

2121
01:51:19.359 --> 01:51:21.720
<v Speaker 4>Wide shots, I was actually thinking, oh, wow, this is

2122
01:51:21.880 --> 01:51:23.800
<v Speaker 4>that's kind of impressive. But I guess when you get

2123
01:51:23.800 --> 01:51:27.000
<v Speaker 4>close to them and then when they start fighting them and.

2124
01:51:27.439 --> 01:51:31.600
<v Speaker 1>Yeah, I think that when it comes to use of CGI, right,

2125
01:51:31.680 --> 01:51:36.399
<v Speaker 1>it's like too often it's oh, CGI allows us to

2126
01:51:36.439 --> 01:51:41.319
<v Speaker 1>create something that couldn't exist, And I think that's the

2127
01:51:41.399 --> 01:51:47.000
<v Speaker 1>mistake because if it couldn't exist, we sort of we

2128
01:51:47.239 --> 01:51:50.600
<v Speaker 1>recognize that and yeah, at a distance, you know what

2129
01:51:50.680 --> 01:51:54.600
<v Speaker 1>I mean. Yeah, so it should be done to allow

2130
01:51:54.680 --> 01:51:57.399
<v Speaker 1>you more more flexibility, but it should still be something

2131
01:51:57.439 --> 01:52:03.000
<v Speaker 1>that could conceivably believably be here. Yeah, no, I agree,

2132
01:52:03.199 --> 01:52:05.920
<v Speaker 1>you know, it's it's sort of like an interstellar you

2133
01:52:06.039 --> 01:52:10.880
<v Speaker 1>had tars and and you know, the robots and Christopher

2134
01:52:11.039 --> 01:52:13.439
<v Speaker 1>like that could very easily have been CG. But Nolan

2135
01:52:13.600 --> 01:52:15.800
<v Speaker 1>was like, no, let's let's figure out a way to

2136
01:52:15.800 --> 01:52:18.680
<v Speaker 1>do it practically. Mm hmm. And there's just like one

2137
01:52:18.840 --> 01:52:21.439
<v Speaker 1>level of disbelief that we're able to get right past.

2138
01:52:21.800 --> 01:52:24.800
<v Speaker 4>Yeah, and for all we know, there could be a

2139
01:52:24.880 --> 01:52:27.399
<v Speaker 4>number of shots where maybe it is exactly CG.

2140
01:52:27.680 --> 01:52:28.520
<v Speaker 1>But because he's.

2141
01:52:28.479 --> 01:52:33.399
<v Speaker 4>Established so many that we've seen that we know really happened,

2142
01:52:33.439 --> 01:52:36.760
<v Speaker 4>and McConaughey really touched it, you know, right, then we

2143
01:52:36.800 --> 01:52:38.359
<v Speaker 4>don't pay attention to that any longer.

2144
01:52:38.680 --> 01:52:41.760
<v Speaker 1>That's the thing, right, So I think what I see here,

2145
01:52:41.840 --> 01:52:46.800
<v Speaker 1>Like these things, these these Anubis soldiers look very silly

2146
01:52:47.319 --> 01:52:51.920
<v Speaker 1>when contrasted with our armies of of Medgai. Yeah, it

2147
01:52:51.960 --> 01:52:55.760
<v Speaker 1>looks kind of goofy, you know, like the way they

2148
01:52:55.840 --> 01:52:57.640
<v Speaker 1>just turn into a big thing of ash and then

2149
01:52:57.640 --> 01:53:00.760
<v Speaker 1>that ash disappears. I'm like, but that's not doesn't happen

2150
01:53:00.760 --> 01:53:05.479
<v Speaker 1>that way? Yeah, look at the speed ramping here. I

2151
01:53:05.479 --> 01:53:08.479
<v Speaker 1>don't even miss tell that much. I just remember a weird,

2152
01:53:08.560 --> 01:53:12.720
<v Speaker 1>stuttering looking shot. We'll see it in a second, I think,

2153
01:53:14.119 --> 01:53:14.479
<v Speaker 1>come on.

2154
01:53:15.039 --> 01:53:17.279
<v Speaker 4>I do like that moment when a hero and a

2155
01:53:17.319 --> 01:53:20.159
<v Speaker 4>villain are fighting and then like a bigger threat appears

2156
01:53:20.199 --> 01:53:22.880
<v Speaker 4>to both of them and they have this moment where

2157
01:53:22.880 --> 01:53:25.600
<v Speaker 4>it's like, well, they have to put on their conflict.

2158
01:53:26.079 --> 01:53:30.720
<v Speaker 4>That's right, that doesn't look terrible. That's sand explosion stuff.

2159
01:53:31.079 --> 01:53:33.880
<v Speaker 1>No, but I'm thinking of the shot near the end

2160
01:53:33.960 --> 01:53:35.680
<v Speaker 1>where the whole horde just kind of disc.

2161
01:53:35.880 --> 01:53:38.840
<v Speaker 4>That shot is I remember that shot specifically because it

2162
01:53:38.840 --> 01:53:42.640
<v Speaker 4>doesn't look like that sand, that black sand element is

2163
01:53:42.760 --> 01:53:44.079
<v Speaker 4>actually in the environment.

2164
01:53:44.119 --> 01:53:47.079
<v Speaker 1>It looks like it's on top of the frame exactly. Yeah,

2165
01:53:47.119 --> 01:53:49.399
<v Speaker 1>it just they weren't there yet, so and maybe it

2166
01:53:49.439 --> 01:53:52.000
<v Speaker 1>was just lack of time. I don't know. Yeah.

2167
01:53:53.000 --> 01:53:58.279
<v Speaker 4>Ah, she gets to use her her skill set that

2168
01:53:58.439 --> 01:53:59.640
<v Speaker 4>somehow she's been imbued with.

2169
01:54:01.079 --> 01:54:03.039
<v Speaker 1>Yeah, hurt effertiery powers.

2170
01:54:03.199 --> 01:54:07.359
<v Speaker 4>Yeah, see that, it's always like kind of it's always

2171
01:54:07.399 --> 01:54:07.960
<v Speaker 4>a bigger fish.

2172
01:54:08.039 --> 01:54:14.000
<v Speaker 1>Yeah, maybe we need to see now now again. Obviously

2173
01:54:14.039 --> 01:54:20.439
<v Speaker 1>these effects are famously awful, But but you wonder what

2174
01:54:20.439 --> 01:54:24.760
<v Speaker 1>what would have prevented them from just getting Dwayne Johnson's

2175
01:54:25.119 --> 01:54:29.199
<v Speaker 1>top half and then compositing that into an effect like

2176
01:54:29.239 --> 01:54:31.840
<v Speaker 1>why would you think that you were able to pull

2177
01:54:31.880 --> 01:54:32.319
<v Speaker 1>this off?

2178
01:54:32.800 --> 01:54:35.560
<v Speaker 4>See this this wide shot? Then maybe you do the

2179
01:54:35.560 --> 01:54:38.520
<v Speaker 4>CGI guy. But then yeah, you get these close ups

2180
01:54:38.560 --> 01:54:40.199
<v Speaker 4>of him or something, you try to like mix. I

2181
01:54:40.199 --> 01:54:43.239
<v Speaker 4>mean that's why he famously Jurassic Park holds up so

2182
01:54:43.279 --> 01:54:47.399
<v Speaker 4>well because it's a combination, right, because he's got.

2183
01:54:47.239 --> 01:54:50.399
<v Speaker 1>The he's got the dead eyes. Yes, the eyes are

2184
01:54:50.439 --> 01:54:51.760
<v Speaker 1>just they're like a doll's eyes.

2185
01:54:51.880 --> 01:54:55.000
<v Speaker 4>See here, use use the rock here in this shot, right,

2186
01:54:55.199 --> 01:54:58.159
<v Speaker 4>and and you can add your CG extensions and things.

2187
01:54:58.920 --> 01:55:01.680
<v Speaker 4>But then when you do the wide and he's doing flips,

2188
01:55:01.680 --> 01:55:02.520
<v Speaker 4>are crawling up a wall.

2189
01:55:02.600 --> 01:55:05.640
<v Speaker 1>I'm thinking of technology at the time, and I'm like

2190
01:55:05.720 --> 01:55:10.720
<v Speaker 1>that would have been perfectly fine, you know, a cromulent

2191
01:55:10.800 --> 01:55:15.279
<v Speaker 1>one might say, So it's weird, like were they just

2192
01:55:15.279 --> 01:55:17.239
<v Speaker 1>just like getting cocky like oh we got this.

2193
01:55:17.680 --> 01:55:19.319
<v Speaker 4>I don't know, or maybe they didn't have access to

2194
01:55:19.359 --> 01:55:19.680
<v Speaker 4>the rock.

2195
01:55:21.359 --> 01:55:24.760
<v Speaker 1>That's weird too, because it's like, well, universal, you don't

2196
01:55:24.760 --> 01:55:29.159
<v Speaker 1>sign him to a contract that allows for you know, reshoots.

2197
01:55:29.680 --> 01:55:32.680
<v Speaker 4>Yeah, or maybe that's the thing they're like, oh no, no,

2198
01:55:32.720 --> 01:55:33.159
<v Speaker 4>we got this.

2199
01:55:34.000 --> 01:55:36.920
<v Speaker 1>Yeah, three days in and out, you're good. Yeah. Yeah,

2200
01:55:37.000 --> 01:55:42.000
<v Speaker 1>Now you have not seen Scorpion King. No, no, okay,

2201
01:55:42.159 --> 01:55:45.239
<v Speaker 1>you yeah, I saw it. I saw it Opening Night

2202
01:55:45.279 --> 01:55:50.039
<v Speaker 1>actually with Sean at remember in Chicago that it was

2203
01:55:50.079 --> 01:55:52.279
<v Speaker 1>that theater. It's like four Rivers or something like that.

2204
01:55:53.039 --> 01:55:53.680
<v Speaker 4>I remember the name.

2205
01:55:53.720 --> 01:55:56.319
<v Speaker 1>I don't know if it's it's near where a zero

2206
01:55:56.399 --> 01:55:57.199
<v Speaker 1>Gravity used to be.

2207
01:55:58.000 --> 01:56:00.119
<v Speaker 4>You remember zero Gravity.

2208
01:55:59.840 --> 01:56:02.279
<v Speaker 1>Are Chicago Land listeners are nodding their heads while everyone

2209
01:56:02.279 --> 01:56:04.199
<v Speaker 1>else is like the ho these guys talking about anyway,

2210
01:56:04.239 --> 01:56:05.720
<v Speaker 1>it's like kind of near there. So we went and

2211
01:56:05.760 --> 01:56:09.159
<v Speaker 1>saw it there. Yeah, And so twenty four years ago

2212
01:56:09.199 --> 01:56:10.560
<v Speaker 1>this last time I saw the Scorpion King.

2213
01:56:10.800 --> 01:56:12.960
<v Speaker 4>Okay, okay, is any good? I mean even on like

2214
01:56:13.039 --> 01:56:14.319
<v Speaker 4>sort of like a B movie level.

2215
01:56:15.159 --> 01:56:20.520
<v Speaker 1>Uh yeah, you know, yeah, it's it's like, uh, it's

2216
01:56:20.640 --> 01:56:28.119
<v Speaker 1>paste and produced like a Hercules Legendary Journeys episode. I gotcha, gotcha.

2217
01:56:28.159 --> 01:56:31.880
<v Speaker 1>But Dwayne Johnson is more charming than Kevin Sorbo. M

2218
01:56:32.760 --> 01:56:34.960
<v Speaker 1>sure this where that guy's like helped me and mo

2219
01:56:35.119 --> 01:56:38.520
<v Speaker 1>Tip is such a rat bastard. He's like why, Yeah,

2220
01:56:39.159 --> 01:56:39.760
<v Speaker 1>what's weird though?

2221
01:56:40.159 --> 01:56:43.840
<v Speaker 4>The way that he performs that, Yeah, he almost just

2222
01:56:43.880 --> 01:56:47.039
<v Speaker 4>seems like genuinely confounded why the person would ask him.

2223
01:56:47.399 --> 01:56:49.800
<v Speaker 1>Yeah. I kind of liked that, to be honest.

2224
01:56:50.000 --> 01:56:51.319
<v Speaker 4>Oh that's kind of funny. I was gonna say, it

2225
01:56:51.359 --> 01:56:53.199
<v Speaker 4>seems like you'd be a little more sinister or something.

2226
01:56:53.600 --> 01:56:56.800
<v Speaker 1>No, I like, he's like, okay, why yeah?

2227
01:56:57.479 --> 01:56:59.479
<v Speaker 4>Or is there even that? Like he genuinely is just

2228
01:56:59.520 --> 01:57:01.279
<v Speaker 4>like why well.

2229
01:57:01.319 --> 01:57:03.439
<v Speaker 1>I kind of like I like that this, this fricking

2230
01:57:03.520 --> 01:57:05.920
<v Speaker 1>guy thinks he's on the same level as my man

2231
01:57:06.079 --> 01:57:08.600
<v Speaker 1>m O Tep. Yeah yeah yeah yeah, and m O

2232
01:57:08.720 --> 01:57:10.279
<v Speaker 1>Tep don't share power with anybody.

2233
01:57:10.319 --> 01:57:10.479
<v Speaker 4>Bro.

2234
01:57:10.600 --> 01:57:11.039
<v Speaker 1>Sorry, I.

2235
01:57:12.560 --> 01:57:15.199
<v Speaker 4>Sorry, I'm sorry to cut you off. That was that

2236
01:57:15.239 --> 01:57:16.920
<v Speaker 4>weird stutter thing, and I was like, why did they

2237
01:57:16.920 --> 01:57:17.119
<v Speaker 4>do that?

2238
01:57:17.159 --> 01:57:17.319
<v Speaker 1>Oh?

2239
01:57:17.319 --> 01:57:20.359
<v Speaker 4>Here, yeah, it just happened. Yeah, but it didn't.

2240
01:57:20.439 --> 01:57:21.760
<v Speaker 1>Yeah, it wasn't.

2241
01:57:21.479 --> 01:57:24.880
<v Speaker 4>In service of anything like story or or I wonder.

2242
01:57:24.680 --> 01:57:27.119
<v Speaker 1>If it was like a post production like covering up

2243
01:57:27.159 --> 01:57:28.239
<v Speaker 1>a screw up type thing.

2244
01:57:28.319 --> 01:57:31.439
<v Speaker 4>Like someone elbowed the keyboard, like some few Frameston didn't

2245
01:57:31.439 --> 01:57:33.039
<v Speaker 4>realize it and they're like, oh, shoot, we already printed

2246
01:57:33.079 --> 01:57:33.520
<v Speaker 4>in the film.

2247
01:57:33.439 --> 01:57:38.159
<v Speaker 1>Something like that. Now this here, this little comic strip

2248
01:57:38.199 --> 01:57:42.520
<v Speaker 1>that Rick O'Connell discovers with the I'm like, I wanted

2249
01:57:42.520 --> 01:57:48.039
<v Speaker 1>to keep. I wanted like four more panels, yes, because

2250
01:57:48.079 --> 01:57:49.920
<v Speaker 1>it's like you then they opened the thing and it

2251
01:57:49.960 --> 01:57:51.800
<v Speaker 1>goes like this, and then you throw the thing and

2252
01:57:51.840 --> 01:57:53.720
<v Speaker 1>then it goes you know, and then it kills the scorping,

2253
01:57:53.760 --> 01:57:55.319
<v Speaker 1>and I'm like, we need one more where the Scorpion

2254
01:57:55.399 --> 01:57:56.960
<v Speaker 1>King is on the ground and there's like ex's for

2255
01:57:57.000 --> 01:58:00.239
<v Speaker 1>his eyes and like the Medgi guys like jumping up

2256
01:58:00.239 --> 01:58:05.399
<v Speaker 1>and down in triumph, right right, you know, we could

2257
01:58:05.479 --> 01:58:07.479
<v Speaker 1>keep going. We can get like several more frames of it.

2258
01:58:08.560 --> 01:58:09.600
<v Speaker 1>That would be hilarious.

2259
01:58:09.760 --> 01:58:12.199
<v Speaker 4>And I'm like them on the plane with his family

2260
01:58:12.760 --> 01:58:15.399
<v Speaker 4>flying home, you know, over.

2261
01:58:15.239 --> 01:58:18.279
<v Speaker 1>The gravesite of the Scorpion King with with the scepter.

2262
01:58:18.840 --> 01:58:21.439
<v Speaker 1>I mean, because I'm like, Rick O'Connell's not an idiot, Like,

2263
01:58:21.479 --> 01:58:23.239
<v Speaker 1>I think we could have gotten him there with that

2264
01:58:23.359 --> 01:58:25.800
<v Speaker 1>with like half the frames, you know, totally.

2265
01:58:27.239 --> 01:58:29.279
<v Speaker 4>I think that was I read somewhere Even in the

2266
01:58:29.279 --> 01:58:33.800
<v Speaker 4>director's commentary, Stephen Summers said that the stone carving directions

2267
01:58:33.800 --> 01:58:36.560
<v Speaker 4>of how to kill the Scorpion King with the sceptor

2268
01:58:36.640 --> 01:58:37.359
<v Speaker 4>was ridiculous.

2269
01:58:38.119 --> 01:58:40.399
<v Speaker 1>It feels like a studio note that went too far.

2270
01:58:40.920 --> 01:58:46.079
<v Speaker 4>Although there's a moment where Eve says something like, yeah,

2271
01:58:46.119 --> 01:58:47.439
<v Speaker 4>you got to put the spirit through the guy and

2272
01:58:47.479 --> 01:58:49.800
<v Speaker 4>it'll stop the army, and that you like, she explains everything,

2273
01:58:49.880 --> 01:58:52.319
<v Speaker 4>and honestly I was like, yeah, no, thank you. I

2274
01:58:52.319 --> 01:58:53.760
<v Speaker 4>think I knew that got it.

2275
01:58:53.880 --> 01:58:58.439
<v Speaker 1>We figured it out, Yeah, well she doesn't know. She

2276
01:58:58.520 --> 01:59:00.600
<v Speaker 1>just woke up from being dead, so maybe she doesn't

2277
01:59:00.640 --> 01:59:02.680
<v Speaker 1>know what. She doesn't know what Rick is caught up on.

2278
01:59:03.039 --> 01:59:06.199
<v Speaker 4>No, I'm saying I'll put myself on blast here. I

2279
01:59:06.199 --> 01:59:07.920
<v Speaker 4>was like, yeah, thank you for the reminder. I don't

2280
01:59:07.960 --> 01:59:09.720
<v Speaker 4>I don't remember what's at stake care Like, I just.

2281
01:59:10.840 --> 01:59:13.880
<v Speaker 1>We really do need this. This is anticipating the Netflix

2282
01:59:13.920 --> 01:59:15.800
<v Speaker 1>era of people. Yes, exactly.

2283
01:59:16.039 --> 01:59:18.640
<v Speaker 4>I mean that's the thing. Sometimes you don't need it

2284
01:59:18.680 --> 01:59:20.479
<v Speaker 4>and it's insulting, and sometimes.

2285
01:59:20.079 --> 01:59:21.800
<v Speaker 1>It's okay to have a little bit of a recap.

2286
01:59:21.880 --> 01:59:24.439
<v Speaker 1>I think that's truly well, it's it's like the example

2287
01:59:24.439 --> 01:59:27.880
<v Speaker 1>you always use of in the Dark Knight Rises, you know, oh,

2288
01:59:27.720 --> 01:59:30.720
<v Speaker 1>the program with the thing that erases your identity, that thing.

2289
01:59:30.760 --> 01:59:33.800
<v Speaker 4>Yeah, right right, it's my favorite example of it.

2290
01:59:34.159 --> 01:59:35.079
<v Speaker 1>Yeah no, no, we got it.

2291
01:59:35.159 --> 01:59:40.399
<v Speaker 4>Yeah ah oh good thing they had that pointed away

2292
01:59:40.439 --> 01:59:40.920
<v Speaker 4>from them.

2293
01:59:42.520 --> 01:59:45.000
<v Speaker 1>It reminds me of in that vein. You know, Mulaney

2294
01:59:45.079 --> 01:59:48.159
<v Speaker 1>has that thing about about watching a special Victims Unit

2295
01:59:48.239 --> 01:59:52.239
<v Speaker 1>where Ice cubes character like they some character is like

2296
01:59:52.239 --> 01:59:55.600
<v Speaker 1>a pedophile and he's like, so you're telling me that

2297
01:59:55.720 --> 01:59:58.399
<v Speaker 1>this guy looks at pictures of kids and gets off

2298
01:59:58.760 --> 02:00:01.159
<v Speaker 1>right right right. Melandy's like, yeah, no, that's yeah, it's

2299
02:00:01.159 --> 02:00:09.600
<v Speaker 1>pedophlex what it is? Yeah, we got it. See this

2300
02:00:09.680 --> 02:00:14.000
<v Speaker 1>right here the speed ramping, yeah yeah, yeah right, it

2301
02:00:14.079 --> 02:00:16.680
<v Speaker 1>slows down and then we get like hyper speeded up,

2302
02:00:18.079 --> 02:00:19.640
<v Speaker 1>and but they do that throughout the fight.

2303
02:00:20.520 --> 02:00:24.520
<v Speaker 4>When I associate that stuff with like Zack Snyder, oh yeah,

2304
02:00:24.680 --> 02:00:26.520
<v Speaker 4>I mean I know, I'm sure it happened before then,

2305
02:00:26.560 --> 02:00:27.199
<v Speaker 4>but like when.

2306
02:00:27.079 --> 02:00:28.960
<v Speaker 1>Was three X Snyder took it into overdrive.

2307
02:00:29.319 --> 02:00:32.800
<v Speaker 4>Yeah, I would say for that effect.

2308
02:00:32.479 --> 02:00:35.640
<v Speaker 1>Or whatever, he kind of perfected it really Snyder. Yeah,

2309
02:00:35.720 --> 02:00:37.760
<v Speaker 1>oh yeah, it's total. This is sparta.

2310
02:00:38.359 --> 02:00:38.800
<v Speaker 2>Yeah.

2311
02:00:38.960 --> 02:00:41.239
<v Speaker 1>Now here's my question. Those like dudes that are like

2312
02:00:41.319 --> 02:00:44.760
<v Speaker 1>in the ground there, those are all yeah right, like

2313
02:00:44.800 --> 02:00:46.600
<v Speaker 1>they're like I don't know what, what.

2314
02:00:46.600 --> 02:00:48.600
<v Speaker 4>Are they souls in hell or something?

2315
02:00:49.039 --> 02:00:51.199
<v Speaker 1>So I'm just like, what are they doing when the

2316
02:00:51.239 --> 02:00:53.560
<v Speaker 1>scorpion Kings NodD are like right now, they're like all

2317
02:00:53.640 --> 02:00:56.479
<v Speaker 1>riled up? Yeah yeah yeah yeah yeah. But otherwise is

2318
02:00:56.479 --> 02:00:58.920
<v Speaker 1>it just like a really crowded night at the club.

2319
02:00:59.640 --> 02:01:04.319
<v Speaker 4>Right right, but you can never get the bartender's attention exactly. Hell,

2320
02:01:06.159 --> 02:01:08.239
<v Speaker 4>but see this, like that effect looks very much like

2321
02:01:08.319 --> 02:01:10.279
<v Speaker 4>just kind of slept on top.

2322
02:01:10.560 --> 02:01:14.800
<v Speaker 1>Yeah, because it has no bearing on them, you know. Yeah, yeah,

2323
02:01:15.960 --> 02:01:18.560
<v Speaker 1>my man are at bay he got this.

2324
02:01:24.720 --> 02:01:30.399
<v Speaker 4>So this was two thousand and one. They were able

2325
02:01:30.399 --> 02:01:32.119
<v Speaker 4>to do whatever they were able to do. But I

2326
02:01:32.239 --> 02:01:34.520
<v Speaker 4>was thinking this moment reminded me so much of the

2327
02:01:34.560 --> 02:01:37.319
<v Speaker 4>end of Crystal Skull. Oh yeah, you know, where like

2328
02:01:37.359 --> 02:01:40.720
<v Speaker 4>the landscape is well, I guess I'm getting ahead of myself,

2329
02:01:40.720 --> 02:01:45.159
<v Speaker 4>but like sort of swirling and you know, coming apart.

2330
02:01:46.239 --> 02:01:49.359
<v Speaker 4>And for as much as I complain about that movie,

2331
02:01:50.000 --> 02:01:52.680
<v Speaker 4>I mean that effect looks incredible.

2332
02:01:52.960 --> 02:01:55.800
<v Speaker 1>Oh yeah, well that shot of like Indie in the

2333
02:01:55.800 --> 02:01:57.359
<v Speaker 1>corner of the frame and as you see the whole

2334
02:01:57.439 --> 02:01:59.039
<v Speaker 1>that's incredible.

2335
02:01:58.680 --> 02:02:00.439
<v Speaker 4>And you really I mean you know it's not real

2336
02:02:00.479 --> 02:02:04.479
<v Speaker 4>because whatever your brain, but like it looks really really

2337
02:02:04.520 --> 02:02:08.119
<v Speaker 4>good and him Yeah, just like it's like the camera

2338
02:02:08.159 --> 02:02:11.439
<v Speaker 4>can barely keep Indian frame as it's trying to capture

2339
02:02:11.479 --> 02:02:14.000
<v Speaker 4>the action, and that does such a great job of

2340
02:02:14.039 --> 02:02:15.800
<v Speaker 4>making you feel the scope.

2341
02:02:16.560 --> 02:02:18.920
<v Speaker 1>You know, Yeah, we don't really get that sense here.

2342
02:02:19.239 --> 02:02:21.439
<v Speaker 4>Yeah, this feels like an early attempt at that kind

2343
02:02:21.439 --> 02:02:21.680
<v Speaker 4>of thing.

2344
02:02:21.680 --> 02:02:26.199
<v Speaker 1>There's just too much a cgi flimflam. Yeah, you know. Now,

2345
02:02:26.439 --> 02:02:29.079
<v Speaker 1>now this piece here I really like where Rick tells

2346
02:02:29.119 --> 02:02:32.000
<v Speaker 1>ev hey get out of here, and she's like, no,

2347
02:02:32.119 --> 02:02:34.840
<v Speaker 1>I'm gonna get you. Meanwhile, m O Tip is like hey,

2348
02:02:34.880 --> 02:02:36.560
<v Speaker 1>come help me, and she's like peace out.

2349
02:02:36.800 --> 02:02:38.399
<v Speaker 4>I do love that where they just kind of look

2350
02:02:38.399 --> 02:02:41.800
<v Speaker 4>at him, because I wonder sometimes you have this instinct

2351
02:02:41.840 --> 02:02:43.760
<v Speaker 4>where it's like, well, even if you're the hero or

2352
02:02:43.880 --> 02:02:45.000
<v Speaker 4>you know that's the villain.

2353
02:02:44.760 --> 02:02:46.000
<v Speaker 1>You like kind of extend your hand.

2354
02:02:46.359 --> 02:02:48.439
<v Speaker 4>Yeah, but I was like, no, all the things he's done,

2355
02:02:48.479 --> 02:02:50.800
<v Speaker 4>like yeah, why would you let him back out?

2356
02:02:51.039 --> 02:02:56.119
<v Speaker 1>I agree? This stuff looks great though, this all stuff

2357
02:02:56.159 --> 02:03:04.199
<v Speaker 1>I like, yeah, yeah, see that's how much she loves that.

2358
02:03:04.319 --> 02:03:07.840
<v Speaker 1>She loves Rick. She runs across a collapsing thing to

2359
02:03:07.880 --> 02:03:10.560
<v Speaker 1>get him. Look at my man, tep.

2360
02:03:10.560 --> 02:03:13.079
<v Speaker 4>Oh, this is kind of strangely. I felt bad for

2361
02:03:13.159 --> 02:03:16.640
<v Speaker 4>him right that, the love of his life, he's like,

2362
02:03:16.840 --> 02:03:19.079
<v Speaker 4>he's like watching, like we get these shots of him

2363
02:03:19.119 --> 02:03:22.119
<v Speaker 4>observing this other loving couple helping each other. I know

2364
02:03:22.199 --> 02:03:24.319
<v Speaker 4>that he turns and looks at his the love of

2365
02:03:24.359 --> 02:03:25.039
<v Speaker 4>his life.

2366
02:03:24.880 --> 02:03:28.119
<v Speaker 1>Is so he's got tears in his eyes. I know.

2367
02:03:28.159 --> 02:03:31.880
<v Speaker 1>It's kind of said he just wanted companionship while he

2368
02:03:32.560 --> 02:03:37.319
<v Speaker 1>condemned the earth to colonels servitude under his boot heel.

2369
02:03:37.279 --> 02:03:45.359
<v Speaker 4>And murdered to be with her, and.

2370
02:03:42.359 --> 02:03:46.039
<v Speaker 1>And weirdly, like when when an Oxuna Moon gets swallowed

2371
02:03:46.079 --> 02:03:50.520
<v Speaker 1>up by the scorpions, there's a little party that's like yeah, good, yeah,

2372
02:03:50.520 --> 02:03:52.359
<v Speaker 1>but not for all the other horrible shit just because

2373
02:03:52.359 --> 02:03:55.039
<v Speaker 1>she abandoned Amo tep right, right, It's weird.

2374
02:03:55.880 --> 02:03:57.760
<v Speaker 4>This did remind me, speaking of Crystal Skull, of that

2375
02:03:58.319 --> 02:04:01.760
<v Speaker 4>oh yeah dance yep. I think this looks pretty good though,

2376
02:04:02.520 --> 02:04:05.359
<v Speaker 4>for you know, relatively for the era. Yeah, and in

2377
02:04:05.479 --> 02:04:06.840
<v Speaker 4>this film compared to I mean, we.

2378
02:04:06.840 --> 02:04:09.439
<v Speaker 1>Forget that the Third Mummy movie came out the same

2379
02:04:09.479 --> 02:04:15.000
<v Speaker 1>summer as Crystal Skull. Yeah, I remember. I remember that.

2380
02:04:15.159 --> 02:04:17.479
<v Speaker 1>I remember seeing the trailer for it in front of

2381
02:04:17.520 --> 02:04:27.560
<v Speaker 1>Crystal Skull. Oh really yeah, okay, yeah, because I obviously

2382
02:04:27.600 --> 02:04:29.560
<v Speaker 1>after that movie ended and we all had our you

2383
02:04:29.600 --> 02:04:35.560
<v Speaker 1>know process, you know, yeah, our moment. Yeah, I remember

2384
02:04:35.640 --> 02:04:37.800
<v Speaker 1>having that thought like does the Third Mummy movie look

2385
02:04:37.840 --> 02:04:41.359
<v Speaker 1>better than the fourth Indiana Jones movie? And in fact

2386
02:04:41.399 --> 02:04:45.520
<v Speaker 1>it didn't, so yeah, water found its level there too.

2387
02:04:45.560 --> 02:04:51.520
<v Speaker 1>But I remember having that thought, yeah, see this this

2388
02:04:51.640 --> 02:04:53.319
<v Speaker 1>all it doesn't make a lot of sense to me,

2389
02:04:53.439 --> 02:04:57.039
<v Speaker 1>and it just feels like just too much. I think

2390
02:04:57.039 --> 02:04:58.960
<v Speaker 1>the idea here is like, oh, it just goes back

2391
02:04:58.960 --> 02:05:03.159
<v Speaker 1>from whence it came, since the oasis sprang up because

2392
02:05:03.199 --> 02:05:07.279
<v Speaker 1>of the Scorpion Kings deal with Anubis. So of course

2393
02:05:07.279 --> 02:05:11.199
<v Speaker 1>now that the Scorpion King is dead, but like, I

2394
02:05:11.199 --> 02:05:13.199
<v Speaker 1>don't know if you followed, but you know Rick kills

2395
02:05:13.199 --> 02:05:16.359
<v Speaker 1>the Scorpion King, and so because he kills the Scorpion King,

2396
02:05:16.640 --> 02:05:19.159
<v Speaker 1>you know, the army is his to commands, and he says,

2397
02:05:19.199 --> 02:05:21.000
<v Speaker 1>go back to Hell and take your friends with you.

2398
02:05:21.079 --> 02:05:25.720
<v Speaker 1>And that's why the army all disappears. But there's just

2399
02:05:25.760 --> 02:05:28.239
<v Speaker 1>so much going it's like too much. Yeah.

2400
02:05:28.319 --> 02:05:30.279
<v Speaker 4>I do remember thinking I need to look this stuff

2401
02:05:30.319 --> 02:05:33.159
<v Speaker 4>up because I was like confused, why Emotep when he

2402
02:05:33.239 --> 02:05:34.640
<v Speaker 4>was going to spear the guy? I was like, wait,

2403
02:05:34.640 --> 02:05:36.720
<v Speaker 4>so why is that bad? I assume that gives him

2404
02:05:36.720 --> 02:05:37.720
<v Speaker 4>some power or something.

2405
02:05:37.800 --> 02:05:43.239
<v Speaker 1>Whoever kills him commands his army. Yeah, which again this

2406
02:05:43.319 --> 02:05:45.840
<v Speaker 1>goes to what I said before when we did our

2407
02:05:46.279 --> 02:05:48.840
<v Speaker 1>commentary for the first one, and we have the prologue

2408
02:05:48.840 --> 02:05:50.720
<v Speaker 1>showing what happens to m o Tep and you've got

2409
02:05:51.359 --> 02:05:53.600
<v Speaker 1>you know, our death bay is narration, Like, oh, but

2410
02:05:53.640 --> 02:05:55.399
<v Speaker 1>if he was ever brought back to life, then he

2411
02:05:55.399 --> 02:05:58.000
<v Speaker 1>would have power over all the elements and he would

2412
02:05:58.239 --> 02:06:03.239
<v Speaker 1>you know, the you know, the the invincibility and everything,

2413
02:06:03.359 --> 02:06:05.199
<v Speaker 1>like just this litany of horrible things.

2414
02:06:05.279 --> 02:06:07.960
<v Speaker 4>Right, he could do a mile in under four minutes.

2415
02:06:08.159 --> 02:06:10.880
<v Speaker 1>I basically, And I'm like, why don't you guys just

2416
02:06:10.960 --> 02:06:13.920
<v Speaker 1>kill him? Then? Like why maybe don't mum ify him alive?

2417
02:06:14.399 --> 02:06:16.600
<v Speaker 1>I remember that? Yeah, yeah, yeah right, and so kind

2418
02:06:16.600 --> 02:06:18.600
<v Speaker 1>of the same thing with the Scorpion King, like like

2419
02:06:19.560 --> 02:06:23.119
<v Speaker 1>the whole notion of like why does he come back exactly?

2420
02:06:23.199 --> 02:06:26.800
<v Speaker 1>And what you know, and then the whole movie is

2421
02:06:26.880 --> 02:06:29.279
<v Speaker 1>like leading up to, Oh, when the Scorpion comes back,

2422
02:06:29.319 --> 02:06:30.880
<v Speaker 1>it is gonna be all kinds of hell to pay.

2423
02:06:31.039 --> 02:06:34.439
<v Speaker 1>I don't know, he goes out pretty easy, yeah, Like

2424
02:06:35.119 --> 02:06:38.159
<v Speaker 1>granted I wasn't getting tossed around by bym O tep

2425
02:06:38.159 --> 02:06:40.000
<v Speaker 1>and the lead up, but it seems like he goes

2426
02:06:40.039 --> 02:06:48.279
<v Speaker 1>down like a punk. That's me, Yeah, that's me. So again,

2427
02:06:48.319 --> 02:06:51.439
<v Speaker 1>where did he How did he fill this thing up? Yeah?

2428
02:06:51.479 --> 02:06:53.439
<v Speaker 4>It doesn't even look well, yeah filled it up? And

2429
02:06:53.479 --> 02:06:56.239
<v Speaker 4>then even just how did he how many nails did

2430
02:06:56.279 --> 02:06:56.840
<v Speaker 4>he have to put?

2431
02:06:56.880 --> 02:07:00.920
<v Speaker 1>That looks fine? Yeah? Yeah, that's so funny.

2432
02:07:02.079 --> 02:07:03.760
<v Speaker 4>By the way, have we talked about the fact that

2433
02:07:03.800 --> 02:07:06.000
<v Speaker 4>there was an animated TV series based on.

2434
02:07:06.159 --> 02:07:08.800
<v Speaker 1>Oh yeah, we we mentioned at least in the first commentary.

2435
02:07:08.800 --> 02:07:11.720
<v Speaker 4>We mentioned it briefly, Okay, because I guess this, you know,

2436
02:07:12.640 --> 02:07:15.800
<v Speaker 4>dirigible or whatever is something to use in it, and

2437
02:07:15.840 --> 02:07:19.920
<v Speaker 4>so that led me down the path of the animated series.

2438
02:07:19.960 --> 02:07:23.079
<v Speaker 4>And basically the characters don't look like the actors because

2439
02:07:23.119 --> 02:07:24.800
<v Speaker 4>they didn't want to pay for their likenesses.

2440
02:07:25.119 --> 02:07:28.479
<v Speaker 1>Yeah, rick O'Connell is blonde, Evelyn is a redhead. Yeah,

2441
02:07:28.960 --> 02:07:34.720
<v Speaker 1>alex is American for some reason. M and it basically

2442
02:07:34.760 --> 02:07:38.680
<v Speaker 1>does its own like it. It creates a new backstory

2443
02:07:38.720 --> 02:07:39.399
<v Speaker 1>form o tep.

2444
02:07:40.479 --> 02:07:43.920
<v Speaker 4>Yes, because no adultery exactly.

2445
02:07:44.000 --> 02:07:45.880
<v Speaker 1>Yeah. So it's like, oh, he tried to steal these

2446
02:07:45.920 --> 02:07:49.960
<v Speaker 1>scrolls and then you know or whatever, and he was mommified.

2447
02:07:50.479 --> 02:07:56.479
<v Speaker 1>And John Schneider is the voice of Rick O'Connell. Oh yeah,

2448
02:07:56.560 --> 02:07:59.479
<v Speaker 1>Gray Delisle who is Daphne, and the she's the current

2449
02:07:59.560 --> 02:08:05.840
<v Speaker 1>voice of Afne. She's Evelyn. Ok yeah, and I don't

2450
02:08:05.840 --> 02:08:09.760
<v Speaker 1>know voiced Jmo Tipmotep speaks English. I know that. And

2451
02:08:09.800 --> 02:08:11.760
<v Speaker 1>it's just like, yeah, it lasted like two seasons actually,

2452
02:08:11.800 --> 02:08:13.119
<v Speaker 1>which is more than I would have expected.

2453
02:08:13.319 --> 02:08:16.159
<v Speaker 4>Yeah, saw Tom Kinney was in it, Yes.

2454
02:08:16.079 --> 02:08:19.840
<v Speaker 1>That's right. Yeah, so here we go. Mummy returns.

2455
02:08:20.439 --> 02:08:23.439
<v Speaker 4>Yeah, well, just last little bit of trivia had jotted down.

2456
02:08:23.520 --> 02:08:26.439
<v Speaker 4>So when it came out on DVD and VHS.

2457
02:08:26.000 --> 02:08:27.880
<v Speaker 1>Best selling DVD of all time.

2458
02:08:27.840 --> 02:08:30.760
<v Speaker 4>Of all time, two million copies sold in its first week.

2459
02:08:31.920 --> 02:08:34.720
<v Speaker 1>And and then like two weeks later, the Phantom Menace

2460
02:08:34.760 --> 02:08:38.039
<v Speaker 1>came out on DVD. That's right, and that took care

2461
02:08:38.079 --> 02:08:38.359
<v Speaker 1>of that.

2462
02:08:38.960 --> 02:08:41.760
<v Speaker 4>But it sold two point two million copies in its

2463
02:08:41.760 --> 02:08:45.359
<v Speaker 4>first week. So not by a ton I mean that

2464
02:08:45.520 --> 02:08:47.640
<v Speaker 4>is like equal footing there.

2465
02:08:47.840 --> 02:08:51.119
<v Speaker 1>That's incredible. Yeah, this this, it's it outsold the Matrix,

2466
02:08:51.159 --> 02:08:55.520
<v Speaker 1>It outsold Gladiator, yeah, which is really nuts. I mean

2467
02:08:55.560 --> 02:08:57.840
<v Speaker 1>that certainly it tells you two things. First of all,

2468
02:08:58.039 --> 02:09:02.640
<v Speaker 1>how much primacy DVD had in people's lives. Oh man, yeah, right,

2469
02:09:02.720 --> 02:09:05.279
<v Speaker 1>like people. I don't think people in twenty twenty six

2470
02:09:05.359 --> 02:09:06.880
<v Speaker 1>can fully understand that.

2471
02:09:08.199 --> 02:09:12.720
<v Speaker 4>Yeah, how different it was before that and after and after. Yeah,

2472
02:09:12.800 --> 02:09:13.479
<v Speaker 4>it was a moment.

2473
02:09:13.960 --> 02:09:18.800
<v Speaker 1>It was a moment where people everybody would would buy movies.

2474
02:09:19.199 --> 02:09:22.399
<v Speaker 4>And not just like cinophiles, right exactly.

2475
02:09:24.439 --> 02:09:26.119
<v Speaker 1>You know if you were at Walmart, oh, here's DVD,

2476
02:09:26.199 --> 02:09:28.760
<v Speaker 1>let's get it, so you know, so you had the

2477
02:09:28.760 --> 02:09:31.319
<v Speaker 1>primacy of that format. But also, I mean this movie

2478
02:09:31.520 --> 02:09:35.880
<v Speaker 1>was kind of a phenomenon, you know, it was whatever

2479
02:09:36.159 --> 02:09:39.199
<v Speaker 1>gamble they thought the first one might have been, this

2480
02:09:39.239 --> 02:09:45.159
<v Speaker 1>one bore out, you know, the confidence they had, which

2481
02:09:45.199 --> 02:09:47.720
<v Speaker 1>makes it even more baffling that they waited seven years

2482
02:09:47.760 --> 02:09:50.359
<v Speaker 1>to do the next one. Mm. Yeah, yeah, that's a

2483
02:09:50.359 --> 02:09:52.439
<v Speaker 1>good point, right, Like you think they would have struck.

2484
02:09:52.439 --> 02:09:54.079
<v Speaker 1>I'm not saying you needed to crank out three more

2485
02:09:54.119 --> 02:09:56.800
<v Speaker 1>of these in that time, but at least one, maybe

2486
02:09:56.800 --> 02:10:00.840
<v Speaker 1>two more. Yeah, you know, I'm sure, I'm sure. I'm

2487
02:10:00.880 --> 02:10:02.760
<v Speaker 1>sure Brandon Fraser would have liked that. But I also

2488
02:10:02.880 --> 02:10:05.960
<v Speaker 1>suspect that part of the slowdown was because his career

2489
02:10:06.079 --> 02:10:08.840
<v Speaker 1>hit a bit of a rough patch, you know, doing

2490
02:10:08.840 --> 02:10:10.600
<v Speaker 1>stuff like Monkey Bone and whatever.

2491
02:10:10.960 --> 02:10:11.239
<v Speaker 4>Yeah.

2492
02:10:11.319 --> 02:10:14.399
<v Speaker 1>Oh, I haven't got it. I've never seen that movie. Yeah,

2493
02:10:14.439 --> 02:10:16.239
<v Speaker 1>I mean I haven't seen it either, but I.

2494
02:10:16.279 --> 02:10:19.399
<v Speaker 4>Kind of want to, right just to see what a

2495
02:10:19.600 --> 02:10:21.079
<v Speaker 4>like a weird curiosity it is.

2496
02:10:21.399 --> 02:10:26.159
<v Speaker 1>Yeah yeah, but uh also also weird. Uh No, no

2497
02:10:26.399 --> 02:10:30.560
<v Speaker 1>mid credits scene as we're conditioned to expect. Yeah, that's funny,

2498
02:10:31.000 --> 02:10:34.840
<v Speaker 1>after the title sequence and before the scroll. That's a

2499
02:10:34.880 --> 02:10:38.119
<v Speaker 1>really good point. There's no like Jonathan dusting off his

2500
02:10:38.199 --> 02:10:44.199
<v Speaker 1>jeans be like here it is, you know, like yeah, yeah, exactly. Well,

2501
02:10:44.199 --> 02:10:45.880
<v Speaker 1>here we go some mommy returns. What do you think, Brian,

2502
02:10:47.239 --> 02:10:50.760
<v Speaker 1>You know, I.

2503
02:10:50.520 --> 02:10:55.319
<v Speaker 4>Just didn't get endeared to these at the right moment. Yeah,

2504
02:10:55.359 --> 02:10:58.880
<v Speaker 4>so I almost feel more like an observer with these films.

2505
02:10:59.560 --> 02:11:01.720
<v Speaker 4>I like the first one. I think the first one

2506
02:11:01.760 --> 02:11:03.279
<v Speaker 4>is a lot of fun. Like we were saying, it's

2507
02:11:03.279 --> 02:11:05.640
<v Speaker 4>a little more tactile. It feels a little bit more grounded,

2508
02:11:06.079 --> 02:11:09.279
<v Speaker 4>as fantastical as it is, and this one feels a

2509
02:11:09.399 --> 02:11:12.920
<v Speaker 4>bit like it drowns in its spectacle a bit. So

2510
02:11:13.159 --> 02:11:15.159
<v Speaker 4>I think it's fun to watch as it for me

2511
02:11:15.640 --> 02:11:17.960
<v Speaker 4>as an artifact from two thousand and one. It's fun

2512
02:11:18.000 --> 02:11:20.479
<v Speaker 4>to see, you know, the actors and the characters and stuff.

2513
02:11:20.479 --> 02:11:23.680
<v Speaker 4>But I just don't feel as much for it. Yeah,

2514
02:11:24.279 --> 02:11:26.560
<v Speaker 4>as I do, I don't enjoy it as much as

2515
02:11:26.560 --> 02:11:27.039
<v Speaker 4>the first one.

2516
02:11:27.159 --> 02:11:31.359
<v Speaker 1>Yeah, No, I'm with you. I think of the Mummy

2517
02:11:32.119 --> 02:11:34.439
<v Speaker 1>trilogy up up to this point as one and a

2518
02:11:34.479 --> 02:11:35.960
<v Speaker 1>half good movies out of three.

2519
02:11:36.640 --> 02:11:38.600
<v Speaker 4>That's yeah. I mean I haven't seen a third one,

2520
02:11:38.600 --> 02:11:39.800
<v Speaker 4>but I bet I agree.

2521
02:11:40.039 --> 02:11:40.319
<v Speaker 2>Yeah.

2522
02:11:40.399 --> 02:11:43.039
<v Speaker 1>You know, it's like, I think there's enough in this

2523
02:11:43.199 --> 02:11:45.960
<v Speaker 1>that I like to give it like a half score,

2524
02:11:46.279 --> 02:11:48.239
<v Speaker 1>but I just think it's just too much of everything.

2525
02:11:48.279 --> 02:11:53.520
<v Speaker 1>And I think too much of everything becomes numbing. Numbing exactly.

2526
02:11:53.600 --> 02:11:57.880
<v Speaker 1>It's just overwhelming. And it's you know, I think going

2527
02:11:57.920 --> 02:12:02.680
<v Speaker 1>smaller is better, but that wasn't the agenda, you know.

2528
02:12:02.760 --> 02:12:07.680
<v Speaker 1>I think Steven Summers went into this being like just bigger, bigger, louder,

2529
02:12:07.800 --> 02:12:11.840
<v Speaker 1>and well he certainly got that. Now I should say this,

2530
02:12:11.840 --> 02:12:13.920
<v Speaker 1>this song that's playing over these credits by Live, it's

2531
02:12:13.920 --> 02:12:17.520
<v Speaker 1>a pretty good song. Oh Forever may not be long enough.

2532
02:12:18.560 --> 02:12:21.319
<v Speaker 4>I I think I turned it off at this point.

2533
02:12:21.359 --> 02:12:23.279
<v Speaker 4>Now I'm kind of curious a lot. It's that's interesting.

2534
02:12:23.399 --> 02:12:26.720
<v Speaker 1>Yeah, it's a nice song, but it is weird in this.

2535
02:12:26.640 --> 02:12:29.920
<v Speaker 4>Movie, you know, Yeah, right right right.

2536
02:12:30.560 --> 02:12:32.399
<v Speaker 1>But I will say again, I think it has a

2537
02:12:32.479 --> 02:12:35.760
<v Speaker 1>terrific soundtrack. I listened to this album quite a bit.

2538
02:12:36.760 --> 02:12:39.319
<v Speaker 1>I think it's Sevestry. I love sevest Yeah, it's great.

2539
02:12:39.359 --> 02:12:43.720
<v Speaker 1>And and unlike with Jerry Goldsmith, Stephen Summers ended up

2540
02:12:43.760 --> 02:12:48.359
<v Speaker 1>really catching on with with his relationship with Aln Sylvestry

2541
02:12:48.359 --> 02:12:51.840
<v Speaker 1>because Silvestrie did he did Van Helsing and he did

2542
02:12:52.000 --> 02:12:55.199
<v Speaker 1>G I Joe and and say with You about those

2543
02:12:55.239 --> 02:13:01.039
<v Speaker 1>movies both have great scores, you know, So there we go. Hey,

2544
02:13:01.039 --> 02:13:03.920
<v Speaker 1>but hey, let us know your thoughts about the Bummy returns,

2545
02:13:03.960 --> 02:13:05.880
<v Speaker 1>or let us know your thoughts about our thoughts. You

2546
02:13:05.880 --> 02:13:07.840
<v Speaker 1>can I know, I know these movies have lots of fans.

2547
02:13:07.880 --> 02:13:10.159
<v Speaker 1>I'm certainly looking forward to hearing what you have to say.

2548
02:13:10.720 --> 02:13:13.600
<v Speaker 1>You can email us at Moviefilm Podcast at gmail dot com.

2549
02:13:13.640 --> 02:13:15.720
<v Speaker 1>You can also hit like on our Facebook page Facebook

2550
02:13:15.760 --> 02:13:18.920
<v Speaker 1>dot com slash movie Film Podcast and message us there.

2551
02:13:19.399 --> 02:13:22.119
<v Speaker 1>As always, please go to Apple Podcasts and leave review,

2552
02:13:22.199 --> 02:13:25.159
<v Speaker 1>leave a star rating. Every little bit helps, And if

2553
02:13:25.159 --> 02:13:28.640
<v Speaker 1>you're listening to this on YouTube, please hit like, hit subscribe,

2554
02:13:28.800 --> 02:13:31.039
<v Speaker 1>and leave comments because we do read those on the show.

2555
02:13:31.479 --> 02:13:33.560
<v Speaker 1>We also have a Patreon page, Brian Yes.

2556
02:13:33.640 --> 02:13:36.560
<v Speaker 4>If you head over to Patreon dot com slash Moviefilm

2557
02:13:36.600 --> 02:13:39.560
<v Speaker 4>Podcast and hit subscribe for only five dollars a month,

2558
02:13:39.640 --> 02:13:42.840
<v Speaker 4>you find every commentary we've ever done and every episode

2559
02:13:42.840 --> 02:13:48.000
<v Speaker 4>moving forward absolutely ad free. We also drop bonus conversations

2560
02:13:48.000 --> 02:13:51.319
<v Speaker 4>as we mentioned earlier, that go over there about twice

2561
02:13:51.319 --> 02:13:54.039
<v Speaker 4>a month. Our free feed will always be available, but

2562
02:13:54.119 --> 02:13:55.760
<v Speaker 4>this is our way of providing what we believe is

2563
02:13:55.760 --> 02:13:57.600
<v Speaker 4>the most satisfying way to enjoy the show.

2564
02:13:57.680 --> 02:13:59.399
<v Speaker 1>So no ads or interruptions, butting in.

2565
02:13:59.520 --> 02:14:01.279
<v Speaker 4>Like we said, you're trying to watch along, you don't

2566
02:14:01.279 --> 02:14:04.640
<v Speaker 4>want to get an ad for mail Chimp or something

2567
02:14:05.520 --> 02:14:09.800
<v Speaker 4>interrupting the Mummy action. Plus, your subscription goes a long

2568
02:14:09.840 --> 02:14:12.159
<v Speaker 4>way and helping to support us and helping to sustain

2569
02:14:12.239 --> 02:14:14.680
<v Speaker 4>producing the show. So if you're interested in able, please

2570
02:14:14.680 --> 02:14:17.399
<v Speaker 4>head over to patreon dot com slash Movie Film Podcast

2571
02:14:17.600 --> 02:14:18.319
<v Speaker 4>and subscribe.

2572
02:14:18.399 --> 02:14:22.119
<v Speaker 1>We'd be very grateful and with that on behalf of

2573
02:14:22.159 --> 02:14:24.319
<v Speaker 1>my partner Brian Hall. My name is Zachi Hassan. This

2574
02:14:24.319 --> 02:14:27.399
<v Speaker 1>has been our commentary track for The Mummy returns. We'll

2575
02:14:27.399 --> 02:14:37.800
<v Speaker 1>catch you next time. Thanks everybody,
