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Speaker 1: We have Benthic Realm here live in studio with us,

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and what we're gonna do now, they're gonna play live.

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They're gonna do a few songs live, and then we're

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gonna we're gonna talk a little bit afterward, which will

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be cool, very interested to learn more about their music.

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But I'm going to start. Let's see, let's get these

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mics up here. We have one person with a vocal mic,

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so tell us, uh, if you could, who you are,

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what you do in the band, and then I'll let

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you introduce the other two members.

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Speaker 2: Thanks, thanks for having us. We're super stoked to be here.

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So I'm Krista. I am the guitar player and singer

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in Benthic Realm. And we also have Maureen here on

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bass and Dan on drums. Today he's actually gonna be

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playing the cajone okay, as we're doing an acoustic set.

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Speaker 1: Very cool, and a tambourine, and.

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Speaker 2: He's pointing out that she wants everyone to know there's

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a tambourine in the room.

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Speaker 1: Oh wonderful, wonderful. Uh, So Christ can you play the

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guitar a little bit, just want to make sure we

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can hear. Oh that sounds nice. That sounds nice, okay,

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and then Maureen, can you play that bass a little bit,

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sounds really good, sounds really good. And then uh yeah,

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can let's hear something something that go home. I'm gonna

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pull this mike up a little bit, make sure, oh yeah,

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that sounds good, that sounds really good. And then can

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you all just kind of play a little bit of

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something together, and before u before you jump into an

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actual full song, I just want to make sure we're

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sounding good here. Can you sing a little something christa.

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Speaker 3: Cheer Less to control joh takes me where it wants

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to go?

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Speaker 1: Manama, Hi, sounds good, sounds good. I think we're ready.

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I think we're ready, all right. So if you're just

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joining us, Benthic Realm is here live in studio, and

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you're gonna do three songs, three songs, three songs, all right,

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and then we're gonna talk and really looking forward to this,

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looking forward to hearing you live. So yeah, whenever you're ready,

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just go for it. Awesome.

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Speaker 2: So this is an acoustic version of our song Vessel

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that it's on our last release, power Less to Control.

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Speaker 4: The tat takes me where it.

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Speaker 5: Once to word.

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Speaker 4: But I'm a lad.

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Speaker 6: Life been straining out your bota got sure that I

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was heady the way.

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Speaker 4: But as I believe.

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Speaker 7: My body is a Venci.

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Speaker 4: Speaks to me, ceves me. People who gaves have believe.

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Speaker 6: My body is a vessel, caps me safe, gives me.

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Speaker 8: Cold.

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Speaker 4: It wasn't easy, scared.

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Speaker 6: When they listen, made a ship to take.

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Speaker 9: But Asia has chaos. Come to the Knight.

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Speaker 6: A car escaped without a fine, and I'm.

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Speaker 10: I believe.

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Speaker 4: My body is a vessel. Speaks to me cause me

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forks have believe my body is a vessel.

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Speaker 7: Here's me saved, kiss.

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Speaker 4: Me cold.

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Speaker 5: At eight. I believe.

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Speaker 4: Body isn't that.

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Speaker 11: So speaks mexuse me, pocus, I believe.

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Speaker 4: My body is of that. So keus me saved.

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Speaker 7: Keuse me cause keeps me.

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Speaker 1: Cause nice if you're just joining us. We have benthic

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realm here live in studio sounding great. Good job everybody. Yeah,

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wait to hear the next one whenever you're ready.

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Speaker 4: All right, This next.

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Speaker 2: One is Adid Burns. Never has the womb closed off,

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Never have nine duties.

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Speaker 4: Tragedies. We witness o the Red.

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Speaker 12: Century. We build over watches, we build up.

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Speaker 13: To a lead show the fory and set people rely,

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has it.

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Speaker 5: Watch you? Has it.

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Speaker 14: Watching money? And vowela drive the auntisi shoon sending a

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common man dime. On the bridges.

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Speaker 12: They hold open grandera.

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Speaker 4: They stop. Also place.

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Speaker 13: Please stays, say fa stayed while they sign the sack

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you drive?

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Speaker 5: Has it wat tru? How's you bad.

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Speaker 4: Wat? True bad.

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Speaker 15: Boot but doomed to make the same mistakes?

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Speaker 4: No big toy had the side casualties.

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Speaker 13: They had all well draining halls up.

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Speaker 5: Has it watch you? Has it watch you go?

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Speaker 16: Ha?

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Speaker 17: M h.

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Speaker 1: Wow. What what's that one called? That's as it burns?

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As it burns me?

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Speaker 4: Do your work?

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Speaker 2: They're working that mic.

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Speaker 1: Yeah, no, that was great. That was great, really good.

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If you're just joining us, we have benthic realm here

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with us live in studio and uh no, that's intense.

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I like the lyrics. I think, I think I know

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what that what's about? That's for sure?

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Speaker 16: Yeah?

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Speaker 1: Yeah, really good, really good. And then you can play

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you can play one more for us, that is correct?

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Is this unusual? By the way, doing an acoustic set

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on a Saturday morning at eleven am?

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Speaker 2: Very very different. We have played acoustic live once earlier

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in February, Americ Old Theater.

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Speaker 1: Oh excellent.

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Speaker 2: That was the first time that we played that live,

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so with a full set. Yeah, this is definitely an

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experience on a Saturday morning.

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Speaker 1: Yeah, good, all right, whenever you're ready.

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Speaker 2: All right, you're good, all right. So this, this next

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song is called fade Away. This is a song that

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we've performed live a couple of different times, and we

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have done this acoustically before. But it's not recorded live

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yet anywhere on any album, so you'll have to stay

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tuned for recording maybe next year. All right, This is

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fade away, A faid.

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Speaker 4: Away into the what smell to me? It's just a man,

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a sweet boy win no.

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Speaker 1: Sound Well, I'm.

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Speaker 10: No longer to to grown.

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Speaker 4: Before can never be found the head on this battle

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ground stay for years?

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Speaker 16: Ha it.

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Speaker 4: Finds man suit.

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Speaker 10: It could only get better, So.

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Speaker 4: Moved on with that.

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Speaker 18: The s.

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Speaker 4: A me a decision. What worlds bear? Can never be.

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Speaker 19: Found as probably head homeless battle round?

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Speaker 5: M h.

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Speaker 8: M hmmmm, whid.

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Speaker 4: Before can double beard bound?

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Speaker 5: Where I was from?

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Speaker 8: Home?

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Speaker 4: This battle Home, this battle round?

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Speaker 16: I love it.

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Speaker 1: I love it. Benthic realm live in studio. We're gonna

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need to play a studio track. This is called course

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correct here on Matt Connorton unleashed. Let's give this a

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spend and then we're gonna we're gonna talk to these

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fine folks. Really looking forward to that. Plenty more to come.

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Stick around here. It is course correct by Benthic Realm.

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Oh man, I don't hear anything, and I apologize, let

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me fix that, let me back that up. Here we

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go this time, I promise, yes said, I'm cool.

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Speaker 10: Don't you know where we're go?

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Speaker 16: Go?

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Speaker 8: No way?

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Speaker 6: Not sure?

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Speaker 20: You know?

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Speaker 5: Way? Well?

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Speaker 21: Be well?

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Speaker 5: So nice?

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Speaker 22: I haven't able day.

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Speaker 16: So bad bird.

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Speaker 8: To of.

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Speaker 1: So you take a ball to.

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Speaker 18: So way?

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Speaker 21: How trying?

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Speaker 22: M m, it's say man's turn, but your.

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Speaker 4: Just spell.

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Speaker 22: I haven't know what does mos?

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Speaker 20: When will we got bad? Comes bout tell me real,

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don't sensitize.

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Speaker 21: Don't know man's man.

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Speaker 10: To wool.

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Speaker 21: Three?

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Speaker 4: Then out.

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Speaker 21: So we taken a long three ll always.

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Speaker 5: How well?

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Speaker 8: Time?

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Speaker 18: M we been.

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Speaker 21: Well at a time.

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Speaker 23: Oh that is so good.

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Speaker 1: We just heard course correct. The band is Benthic Realm

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and we've got let's see so we have Dan, Christa

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and Maureen here with us live in studio. If you

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missed it, they displayed live, so if you did miss it,

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you'll have to go back and uh and give it

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a listen. It sounded great, but and I love that

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studio track too. Course grek really good. So welcome everybody.

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Is it always the three of you? Are there any

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other members of the band who aren't here or just

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the three of us? You got a big sound for

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three people. That's really cool. That's really cool. And how

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do you describe I mean, is it what do you

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call it? Doom? I mean, what do you call how

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do you everyone always Hayt's this question, but in terms

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of genre, how do you describe what you do?

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Speaker 2: Yeah, we call it melodic doom metal.

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Speaker 1: Melodic doom metal, yeah, because we're.

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Speaker 2: Not the classic just you know, just kind of drony,

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kind of you know, always at one ruhthum, you know,

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or one beast for a minute, I guess. Yeah, we

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kind of like to try to mix it up. So

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we all listen to heavy metal as well, so there's

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going to be a little bit of that influence in it.

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Speaker 4: Yeah.

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Speaker 1: And how long has Benthic Ground existed? How long have

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you been a band?

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Speaker 2: So we started this band in twenty sixteen, okay, and

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we actually started with a different drummer. He was in

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the Brian was in the band with us for I

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think about two years, and then he and his wife

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actually moved out to California. Oh, so, Dan, who has

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been a friend for quite some time, also plays in

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the band Conclave with a bunch of other friends of ours.

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Speaker 1: Oh okay, I'm familiar with content. Yeah yeah, yeah, okay.

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Speaker 2: So he like raised his hand and said, I'd love

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to come play with you guys, and we said, yeah, sure, okay.

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So we had a rehearsal and we knew. We knew

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about three minutes.

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Speaker 1: In excellent, excellent, And then Maureen, have you been here

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from the beginning or are you are you an original member?

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Or oh you gotta pull mic right up to you. Yeah, okay, okay,

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very good. So I'm curious about well, actually, let me

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ask you this. I'm sure you get this question all

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the time, but not to be cliche, but what does

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benthic realm mean?

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Speaker 2: So, for all of you oceanographers and people who love

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the sea, the benthic realm is actually the lowest area

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in the ocean, the bottom of the ocean where all

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of those crazy sea creatures live. That have like like

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glowing tentacles and that kind of stuff. Okay, And when

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we were trying to come up with an for this,

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we had a bunch of ones that we were tossing around.

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We really liked this concept because we knew, okay, if

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we call the band benthic realm, there's a lot of

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material we can pull out of this, from also underwater

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adventures to adventures above the ocean on top of it

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different you know, pirate ships and all sorts of stuff.

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So it really lent itself to being able to just

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really experiment with with you know what we wanted to

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do in terms of different material.

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Speaker 1: Yeah, all of our songs and what in terms of

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who writes the lyrics? You write the lyrics? Yes, oh,

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what can you talk a little bit about the lyrical

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content and some of the themes? I mean one of

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them and I made the comment on the ear sid

242
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I don't know what that's about. There's obviously about war. Yeah,

243
00:33:41,759 --> 00:33:43,920
which one was that? So that's as it burns as

244
00:33:43,920 --> 00:33:46,039
it burns? Yeah, I like that one a lot. I

245
00:33:46,200 --> 00:33:50,039
like them all, but like, are those kinds of I mean,

246
00:33:51,079 --> 00:33:52,880
that's probably a bit. You probably have more than one

247
00:33:52,960 --> 00:33:55,480
song about that, right, because it's it's something that's at

248
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the forefront of our minds. Uh, But I mean, what else,

249
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what are some of the things that you write about?

250
00:34:01,079 --> 00:34:01,319
Speaker 18: Sure?

251
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Speaker 2: So yeah, so that song is about war that I

252
00:34:04,319 --> 00:34:07,359
actually wrote that right after Russia had invaded Ukraine. Okay,

253
00:34:07,599 --> 00:34:10,480
so it's an anti war song. Obviously war is bad,

254
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so we are we're not for war, we're against it. Yeah,

255
00:34:12,880 --> 00:34:14,400
and try to talk about, you know, all the bad

256
00:34:14,480 --> 00:34:17,280
things that happened, you know, because of it. Yeah, but

257
00:34:17,440 --> 00:34:19,480
that's not the only topic that we talk about. So

258
00:34:19,800 --> 00:34:21,119
a lot of stuff that might be in the news.

259
00:34:21,199 --> 00:34:23,960
I might get inspiration from a news story something, something

260
00:34:24,000 --> 00:34:27,159
that had happened. Sometimes we just write about, you know,

261
00:34:27,519 --> 00:34:31,239
just fictitious stories. So vessel is I was kind of

262
00:34:31,280 --> 00:34:33,519
thinking about, you know, somebody who had been taken captive

263
00:34:33,599 --> 00:34:36,079
on a ship after they had been floating in the

264
00:34:36,119 --> 00:34:38,440
ocean kind of like you know, their ship had had

265
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blown up or whatever, and so they were trying to

266
00:34:41,280 --> 00:34:44,039
you know, save themselves and then they get taken into

267
00:34:44,079 --> 00:34:46,679
custody by like another ship, and then a fight ensues

268
00:34:46,719 --> 00:34:48,719
and they are able to escape again. And the whole

269
00:34:48,760 --> 00:34:51,119
point is like they have what they need. The inner

270
00:34:51,199 --> 00:34:53,719
strength in order to survive every single one of these

271
00:34:53,760 --> 00:34:56,199
obstacles that keeps coming in front of them. So there

272
00:34:56,280 --> 00:34:59,239
might be something like that with Fade Away. It's actually

273
00:34:59,320 --> 00:35:02,920
inspired by a book that I recently read, Norwegian Wood,

274
00:35:03,320 --> 00:35:07,440
by this Japanese writer. If somebody at work had given

275
00:35:07,519 --> 00:35:09,639
me the book, and it was inspired by that, so

276
00:35:09,760 --> 00:35:12,519
it is it's a bit of a sad song. Suicide

277
00:35:12,639 --> 00:35:15,760
is one of the It's a hard term to talk

278
00:35:15,760 --> 00:35:18,440
about sometimes, but that is one of the prominent things

279
00:35:18,480 --> 00:35:20,800
about the book as these people are coming of age,

280
00:35:20,840 --> 00:35:22,920
and I was inspired by the book to write a

281
00:35:23,000 --> 00:35:25,840
song to try to kind of tap into the feelings

282
00:35:25,880 --> 00:35:28,760
that somebody might be having from actually both sides. The

283
00:35:29,000 --> 00:35:32,360
person who you know, makes that decision, and then the

284
00:35:32,400 --> 00:35:34,719
people who are left to you know, kind of pick

285
00:35:34,800 --> 00:35:37,480
up the pieces afterwards. So it kind of is just

286
00:35:37,559 --> 00:35:41,119
a mix of things. It's whatever I get inspired by. Typically,

287
00:35:41,119 --> 00:35:44,079
I'll write the riffs first for the song, and then

288
00:35:44,119 --> 00:35:48,719
the lyrics will come afterwards, and so the music, the cadence,

289
00:35:48,760 --> 00:35:50,960
the way I'm feeling is going to influence what I'm

290
00:35:50,960 --> 00:35:52,119
going to be singing about as well.

291
00:35:52,320 --> 00:35:54,960
Speaker 1: Okay, so you probably have riffs, You probably have a

292
00:35:55,000 --> 00:35:57,000
lot of ideas that you just don't have lyrics for yet. Right,

293
00:35:57,079 --> 00:35:58,559
Oh yeah, yeah, I would imagine.

294
00:35:58,639 --> 00:36:03,199
Speaker 2: Yeah, they're all on my phone. I do have to

295
00:36:03,239 --> 00:36:04,519
record them so I don't forget them.

296
00:36:04,920 --> 00:36:05,119
Speaker 10: Yes.

297
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Speaker 1: Now, Dan made a comment too off air that you're

298
00:36:07,880 --> 00:36:10,000
the best cap you're as a vocalist. You're like the

299
00:36:10,360 --> 00:36:12,159
best kept secret in Doom and you do have a

300
00:36:12,199 --> 00:36:13,519
great voice. I love your voice.

301
00:36:13,880 --> 00:36:14,159
Speaker 10: Thank you.

302
00:36:14,400 --> 00:36:15,800
Speaker 4: I was really shy about it.

303
00:36:16,039 --> 00:36:18,000
Speaker 1: Yeah, how did you learn to sing like that? Did

304
00:36:18,079 --> 00:36:20,480
you take any lessons or did you just are you

305
00:36:20,519 --> 00:36:21,000
self taught?

306
00:36:21,360 --> 00:36:23,639
Speaker 2: Pretty much, just self taught. I took a handful of

307
00:36:23,760 --> 00:36:26,840
lessons several years ago, but I didn't really. It was

308
00:36:26,880 --> 00:36:29,280
more about like breathing control and that kind of stuff.

309
00:36:29,480 --> 00:36:29,679
Speaker 1: Yeah.

310
00:36:30,960 --> 00:36:32,880
Speaker 2: I think I took like four or five lessons.

311
00:36:32,519 --> 00:36:33,320
Speaker 1: And that was about it.

312
00:36:33,440 --> 00:36:36,079
Speaker 2: So wosta is just self taught. But I come from

313
00:36:36,079 --> 00:36:38,920
a family of musicians. My mother sings, she plays acoustic guitar.

314
00:36:39,159 --> 00:36:42,239
Her brother played guitar and sang in a band as well.

315
00:36:42,360 --> 00:36:43,920
So it's a part of our family.

316
00:36:44,119 --> 00:36:46,400
Speaker 1: Okay, So it's probably a foregone conclusion from a young

317
00:36:46,440 --> 00:36:49,519
age that you're going to be a musician. Pretty much.

318
00:36:49,679 --> 00:36:50,800
Speaker 2: I started pretty young.

319
00:36:50,920 --> 00:36:54,880
Speaker 1: Yeah, yeah, when did you, like, when did you start

320
00:36:54,920 --> 00:36:56,760
writing in this this genre?

321
00:36:57,920 --> 00:37:00,039
Speaker 2: So I started playing guitar when I was twelve, and

322
00:37:00,119 --> 00:37:03,079
I wrote my first song at thirteen, Okay, And when

323
00:37:03,079 --> 00:37:04,719
I think back to what that first song was in

324
00:37:04,760 --> 00:37:08,880
the lyrics, there's they it kind of has stayed the same. Yeah,

325
00:37:09,599 --> 00:37:12,719
I'm a little doomy, A little gloomy. That just part

326
00:37:12,760 --> 00:37:17,519
of my nature, sure, but specifically with doom, I've just

327
00:37:17,559 --> 00:37:20,400
sort of gravitated towards that. So way back in the

328
00:37:20,440 --> 00:37:23,519
mid nineties, I was in a band called Warhorse, and

329
00:37:23,800 --> 00:37:27,440
we were a traditional, more traditional doom I guess, really slow,

330
00:37:27,519 --> 00:37:30,519
really heavy kind of stuff. And it like you can

331
00:37:30,639 --> 00:37:33,000
hear the common thread. Marena said this of all the

332
00:37:33,039 --> 00:37:35,679
different releases I've put out with different bands over the years,

333
00:37:35,760 --> 00:37:37,719
Like you can you hear that common thread of Christa.

334
00:37:37,800 --> 00:37:39,719
You know that it's in there regardless of whether she's

335
00:37:39,760 --> 00:37:42,800
playing guitar, just singing or whatnot. So it's just sort of,

336
00:37:42,880 --> 00:37:44,599
I guess at this point, like just built into my.

337
00:37:44,719 --> 00:37:48,880
Speaker 1: DNA, right right. And then on the uh when I

338
00:37:48,960 --> 00:37:50,719
hear layered vocals and some of the songs, is that

339
00:37:50,840 --> 00:37:53,320
all you yes is yeah? Okay, yeah, okay, Yeah.

340
00:37:53,360 --> 00:37:55,679
Speaker 2: The downside is like, we can't pull that off live. Yeah,

341
00:37:55,719 --> 00:37:58,599
unlus we start using backing tracks. But yeah, so we

342
00:37:58,880 --> 00:38:02,679
definitely play in this studio. Will layer guitars, we layer vocals.

343
00:38:03,239 --> 00:38:05,800
So it's a it's a it's just another way to really,

344
00:38:06,159 --> 00:38:08,440
you know, beef up the songs, bring it to life. Really,

345
00:38:08,639 --> 00:38:09,960
you know, share the vision.

346
00:38:09,760 --> 00:38:11,719
Speaker 1: That we had for it. Okay, are you all from

347
00:38:11,760 --> 00:38:13,480
around here? Are you all from New Hampshire or.

348
00:38:14,400 --> 00:38:18,280
Speaker 2: We're from Massachusetts, Massachusetts from Massachusetts, wester based band.

349
00:38:18,440 --> 00:38:21,440
Speaker 1: Okay, okay, excellent, Well thanks for making the trip up.

350
00:38:21,440 --> 00:38:24,239
I know that's happy, happy to be here. This is

351
00:38:24,400 --> 00:38:26,360
not a terrible drive, No, no, not at all.

352
00:38:26,639 --> 00:38:27,679
Speaker 2: They're sailing the whole way.

353
00:38:28,719 --> 00:38:30,280
Speaker 1: Do you play a lot of shows in Wister because

354
00:38:30,280 --> 00:38:32,800
I used to, so not recently. I'm a musician, but

355
00:38:32,840 --> 00:38:34,280
I haven't played in a long time, but I used to.

356
00:38:34,639 --> 00:38:36,000
I was in bands that we used to play a

357
00:38:36,039 --> 00:38:37,599
lot of shows in Wister, just because there are always

358
00:38:37,599 --> 00:38:39,880
a few like is the atrium still there? That's probably

359
00:38:39,960 --> 00:38:42,119
long gone because I've mentioned it to people, And do

360
00:38:42,159 --> 00:38:45,199
you all remember the atrium that was in Wister? Okay, yeah,

361
00:38:45,280 --> 00:38:47,079
well yeah, that actually does go back a long way

362
00:38:47,119 --> 00:38:48,360
and now that I'm thinking about it, But but like

363
00:38:48,440 --> 00:38:49,880
what's the scene? Like there are there are a lot

364
00:38:49,920 --> 00:38:52,000
of a lot of good places to play and other

365
00:38:52,119 --> 00:38:53,239
bands that you kind of team up with.

366
00:38:53,679 --> 00:38:57,239
Speaker 2: Yeah, so it's Ralph's is the main, main place, the

367
00:38:57,920 --> 00:39:00,440
main place to play. There's a lot of other doom

368
00:39:00,480 --> 00:39:05,400
bands that play faces a bay on Evil eighty Conclave.

369
00:39:06,480 --> 00:39:08,599
We all have to share a rehearsal space as well.

370
00:39:09,360 --> 00:39:10,239
Speaker 1: That's convenient, right.

371
00:39:10,679 --> 00:39:12,639
Speaker 2: I know we've talked about like just taking the Temple

372
00:39:12,679 --> 00:39:15,199
of Doom room and just turning that into a show.

373
00:39:15,239 --> 00:39:16,239
We still have yet to do that.

374
00:39:16,559 --> 00:39:18,280
Speaker 1: By the way, every drummer we have on the show

375
00:39:18,360 --> 00:39:19,960
is in like ten Are you just in two, Dan

376
00:39:20,280 --> 00:39:22,519
or do you have like okay, because most most drummers

377
00:39:22,519 --> 00:39:29,320
are in like ten different bands. Okay, No, But that's

378
00:39:29,360 --> 00:39:33,920
convenient though, right to just share the space. Yeah, So

379
00:39:35,079 --> 00:39:37,920
where do you record? Because the production on the studio

380
00:39:38,000 --> 00:39:40,960
tracks is amazing and I would imagine you have to

381
00:39:41,039 --> 00:39:44,559
work with somebody who really understands the genre right to

382
00:39:44,920 --> 00:39:47,559
capture that sound, I would think. So I'm curious about

383
00:39:47,559 --> 00:39:49,800
what the recording process is like for the band.

384
00:39:50,119 --> 00:39:53,280
Speaker 18: So this last album, Vessel.

385
00:39:53,559 --> 00:39:59,079
Speaker 2: Was shoving the microphone space that you can hear him.

386
00:39:59,199 --> 00:39:59,400
Speaker 5: Yeah.

387
00:40:00,159 --> 00:40:04,000
Speaker 18: It was done out in Western Massachusetts with a place

388
00:40:04,079 --> 00:40:08,880
called Sonic Titan Studios, who has kind of given up

389
00:40:08,920 --> 00:40:12,639
their space that they had, but they'll still do mobile production,

390
00:40:12,880 --> 00:40:17,039
mobile recording events, all kinds of stuff. And Anthony, who

391
00:40:17,119 --> 00:40:20,800
was partners with Brian, was the master of the helm

392
00:40:20,920 --> 00:40:26,920
for this recording. He's a monster musician, an absolutely incredible drummer,

393
00:40:27,039 --> 00:40:30,159
so I was. I was very well taken care of

394
00:40:30,800 --> 00:40:34,239
for this one. Yeah, he kind of guided me through

395
00:40:34,280 --> 00:40:37,079
a lot of setup. He even changed out some heads

396
00:40:37,119 --> 00:40:39,599
and whatnot when we got into the studio instead of

397
00:40:39,639 --> 00:40:41,760
playing on it, stuff that he had that he thought

398
00:40:41,760 --> 00:40:43,760
would sound, you know, sonically sound much better, and he

399
00:40:43,840 --> 00:40:47,480
was right. Came out beautiful. We were extremely happy with

400
00:40:47,559 --> 00:40:53,079
the process for him working with him. Hopefully maybe there's

401
00:40:53,079 --> 00:40:55,239
a potential that, you know, we can still get him

402
00:40:55,239 --> 00:40:57,159
involved in the future. I don't know where it'll be,

403
00:40:57,360 --> 00:40:58,119
how it would happen.

404
00:40:58,440 --> 00:40:58,599
Speaker 1: YEA.

405
00:41:00,079 --> 00:41:02,320
Speaker 18: Yeah, he's touring all the time. He's a guest, but

406
00:41:02,400 --> 00:41:05,679
he's been playing with Jamie Josta recently and all the

407
00:41:05,960 --> 00:41:08,840
kind of individual Jasta stuff that he's been doing. Great

408
00:41:08,920 --> 00:41:12,000
dude too, he's just just a great person. The album

409
00:41:12,079 --> 00:41:17,840
before Vessel, but the EP was done with Benny Grotto

410
00:41:19,000 --> 00:41:26,559
at Madoak Studios in Cambridge, also Cambridge, which he's still

411
00:41:26,599 --> 00:41:28,760
functioning as far as I know, their studio is going

412
00:41:28,800 --> 00:41:30,760
to stay intact. They've been hearing a lot of rumors

413
00:41:30,760 --> 00:41:34,760
about that whole block kind of transforming into something brand new,

414
00:41:35,159 --> 00:41:39,360
and they're they're actually located right behind us at Harvard Square, not.

415
00:41:39,440 --> 00:41:41,599
Speaker 2: Harvard Square, It's I don't know what the square is

416
00:41:41,639 --> 00:41:44,880
where that is, but it's it's the whole area has

417
00:41:44,880 --> 00:41:47,519
been undergoing development has They've been knocking down buildings and

418
00:41:47,559 --> 00:41:51,360
putting up fancy high rises and fancy bars and that

419
00:41:51,440 --> 00:41:54,079
sort of stuff. So, yeah, so there's been talk for

420
00:41:54,199 --> 00:41:57,239
quite some time about O'Brien's, that whole area that O'Brien's

421
00:41:57,559 --> 00:42:00,800
Pub is going to get knocked down in the something. Yeah,

422
00:42:01,039 --> 00:42:03,599
with Benny being right behind it, I'm not sure what's

423
00:42:03,639 --> 00:42:04,360
going to happen.

424
00:42:04,719 --> 00:42:07,280
Speaker 18: Buying any houses or in the additional real estate. And

425
00:42:07,320 --> 00:42:09,920
I're also supposed to have in that building when it

426
00:42:09,920 --> 00:42:12,559
gets built back up, Supposedly it's going to have O'Brien's

427
00:42:12,559 --> 00:42:16,239
will be revived and brought back, but also great Scott.

428
00:42:16,559 --> 00:42:18,679
Oh okay, well we lost in Boston.

429
00:42:18,760 --> 00:42:21,039
Speaker 2: I think that was prior to COVID or right around

430
00:42:21,039 --> 00:42:23,320
I think it was yeah, during COVID. H.

431
00:42:23,639 --> 00:42:25,199
Speaker 18: So the rumor is that they're supposed to have a

432
00:42:25,239 --> 00:42:28,199
twin venue there plus probably some mixture space, maybe residential

433
00:42:28,320 --> 00:42:28,639
or something.

434
00:42:28,800 --> 00:42:30,679
Speaker 1: Okay, okay, but there are.

435
00:42:30,599 --> 00:42:32,320
Speaker 18: Another great studio, and you know we may be able

436
00:42:32,360 --> 00:42:32,960
to work with them.

437
00:42:33,800 --> 00:42:36,320
Speaker 1: Yeah, there's so many different options and different ways to

438
00:42:36,400 --> 00:42:40,280
record now, you know, now more than ever, I'm curious.

439
00:42:40,440 --> 00:42:42,559
You know, COVID came up. Do you have songs about

440
00:42:42,559 --> 00:42:43,079
the pandemic?

441
00:42:44,760 --> 00:42:46,079
Speaker 2: No, songs about the pandemic?

442
00:42:46,559 --> 00:42:49,000
Speaker 1: Surprises surprised me a little bit.

443
00:42:49,760 --> 00:42:52,199
Speaker 18: Wow, the time everyone wants to forget.

444
00:42:52,440 --> 00:42:54,280
Speaker 1: Yeah, kidding.

445
00:42:55,920 --> 00:42:58,679
Speaker 2: Interesting, we are writing for the new album. So perhaps

446
00:42:58,800 --> 00:43:01,519
now that you just planted a se maybe you could you.

447
00:43:01,519 --> 00:43:02,239
Speaker 1: Could still do that?

448
00:43:02,480 --> 00:43:02,679
Speaker 4: Yeah?

449
00:43:02,840 --> 00:43:08,079
Speaker 1: Yeah, yeah, when it when you play live, because again,

450
00:43:08,119 --> 00:43:09,679
it's only the three of you, is it, is it

451
00:43:10,239 --> 00:43:13,360
challenging it at all to duplicate or maybe maybe you

452
00:43:13,400 --> 00:43:15,800
can't duplicate it perfectly. But but I mean, you know,

453
00:43:15,880 --> 00:43:18,119
you've got a big sound for for a three piece.

454
00:43:18,199 --> 00:43:20,599
You know, there's a that maybe a little cliche, but

455
00:43:20,679 --> 00:43:22,320
you know the term power trio.

456
00:43:22,559 --> 00:43:22,960
Speaker 18: We love it.

457
00:43:23,079 --> 00:43:26,280
Speaker 1: But uh good, good? But I mean, is that is

458
00:43:26,360 --> 00:43:28,079
that hard to pull off live at all?

459
00:43:28,280 --> 00:43:29,320
Speaker 5: Or is is it?

460
00:43:29,920 --> 00:43:31,800
Speaker 1: Does it come naturally? I mean, at this point you've

461
00:43:31,800 --> 00:43:33,559
been around a while, it probably is pretty easy. But

462
00:43:33,960 --> 00:43:36,639
maybe not. I don't know. I don't find it challenging.

463
00:43:36,960 --> 00:43:40,280
Speaker 2: I do miss having the backing vocals. Yeah, But the

464
00:43:40,360 --> 00:43:43,840
other piece of it is it we also recorded most.

465
00:43:43,639 --> 00:43:47,719
Speaker 1: Of it live. Oh okay, Oh okay, well that helps, right.

466
00:43:49,239 --> 00:43:51,519
Speaker 18: Yeah, we don't like do separate tracking to a click

467
00:43:51,599 --> 00:43:54,280
or anything like that. Okay, okay, into the space and

468
00:43:54,440 --> 00:43:57,000
do a live track, which usually will grab the drums

469
00:43:57,039 --> 00:43:59,480
out of okay, and then they can go back and

470
00:43:59,559 --> 00:44:03,119
either read or or fix or any they want to actually, and.

471
00:44:03,159 --> 00:44:05,280
Speaker 2: Then just layer on top of it. So usually the

472
00:44:05,599 --> 00:44:08,559
my scratch track that we'd be recording when we're doing

473
00:44:08,719 --> 00:44:10,639
the live and we're all in the room together, that's

474
00:44:11,320 --> 00:44:13,039
we can keep it. Yeah, And then I'll just you know,

475
00:44:13,159 --> 00:44:14,599
punch in here or there just to fix a couple

476
00:44:14,639 --> 00:44:16,559
of bloops that I had, Yeah, and then I'll just

477
00:44:16,800 --> 00:44:18,679
go back and replay through the whole entire thing with

478
00:44:18,800 --> 00:44:21,159
just a different rig a different guitar just to get another,

479
00:44:21,320 --> 00:44:23,559
you know, more fuller sound. Yeah, but I think you know,

480
00:44:23,599 --> 00:44:25,880
we play pretty loud, so I'd like to think that

481
00:44:25,960 --> 00:44:28,880
we fill up the fill up the space. Yeah yeah, yeah,

482
00:44:28,960 --> 00:44:33,159
that advantage right, Yeah, Yeah, my amp goes to eleven.

483
00:44:33,360 --> 00:44:34,239
Speaker 1: Yeah, there you go.

484
00:44:34,440 --> 00:44:36,760
Speaker 18: We play with a lot of passion live, so I

485
00:44:36,840 --> 00:44:39,280
think that comes through so yeah, and it helps fill

486
00:44:39,320 --> 00:44:39,559
it out.

487
00:44:39,840 --> 00:44:41,599
Speaker 1: Are there other bands in the area that you you know,

488
00:44:41,679 --> 00:44:43,960
it kind of happens organically that that you've kind of

489
00:44:43,960 --> 00:44:46,320
teamed up with that you play a lot of shows with. Probably,

490
00:44:46,840 --> 00:44:48,760
Or have you ever done a show where you're playing

491
00:44:48,800 --> 00:44:51,039
with Conclave and spent the realm the same night.

492
00:44:51,280 --> 00:44:53,360
Speaker 18: Yeah, We've had a couple of those with Double Duty.

493
00:44:53,559 --> 00:44:53,760
Speaker 1: Yeah.

494
00:44:54,440 --> 00:44:57,440
Speaker 18: Local bands that we've been spending more time with lately

495
00:44:57,480 --> 00:44:58,719
would be Able Blood Yep.

496
00:44:59,000 --> 00:45:00,599
Speaker 1: I love Able Blood. I've been on the show a

497
00:45:00,639 --> 00:45:01,079
few times.

498
00:45:01,280 --> 00:45:02,760
Speaker 18: Love them great, great people.

499
00:45:02,920 --> 00:45:04,000
Speaker 1: Yeah, absolutely, a.

500
00:45:04,000 --> 00:45:08,519
Speaker 18: Lot of fun to play with, great musicians. Yeah, a

501
00:45:08,599 --> 00:45:11,440
lot of the local scene, they all we all kind

502
00:45:11,480 --> 00:45:13,559
of migrate together, Yeah, in and out and whatnot. But

503
00:45:13,599 --> 00:45:15,920
I'd say in recent time we've spent a lot of

504
00:45:15,960 --> 00:45:16,400
shows with it.

505
00:45:18,039 --> 00:45:18,480
Speaker 1: That's great.

506
00:45:18,559 --> 00:45:20,599
Speaker 18: Yeah, we have another one coming up with them in

507
00:45:20,719 --> 00:45:22,239
November at Kuodo and Salem.

508
00:45:22,480 --> 00:45:24,519
Speaker 1: Okay, excellent, it'll be cool, excellent.

509
00:45:24,599 --> 00:45:26,719
Speaker 18: Yeah them does Profits also on the bill?

510
00:45:27,239 --> 00:45:28,800
Speaker 1: Does Profits great. I used to be in a band

511
00:45:28,800 --> 00:45:31,239
with Auto Kinzell a lot of time. We were in

512
00:45:31,320 --> 00:45:34,400
a band called Chemical Distance together. That was when Otto

513
00:45:34,639 --> 00:45:37,440
was you know, every project he did, you know, it

514
00:45:37,480 --> 00:45:39,480
would only last for you know, because he'd want to

515
00:45:39,599 --> 00:45:41,679
do something else, so it would only last a short time.

516
00:45:41,719 --> 00:45:44,280
But does Profits He's had for for quite a while

517
00:45:44,360 --> 00:45:46,239
now that seems to be found something he can really

518
00:45:46,599 --> 00:45:49,360
stick with that fulfills him and he's incredible. Well, I

519
00:45:49,440 --> 00:45:51,079
love Auto absolutely great guy.

520
00:45:51,360 --> 00:45:53,320
Speaker 18: They're on the bill as well. There's a a band

521
00:45:53,360 --> 00:45:57,639
coming I think from New York, Black Tongue, Reverend Name

522
00:45:59,519 --> 00:46:01,280
and of course Sabled Blood. They're the ones that put

523
00:46:01,320 --> 00:46:01,880
the show together.

524
00:46:02,000 --> 00:46:04,480
Speaker 1: Oh okay, fantastic. And where is that?

525
00:46:04,519 --> 00:46:05,920
Speaker 18: Want to get Quoto and Salem?

526
00:46:06,000 --> 00:46:08,199
Speaker 1: Okay, I haven't been to that venue, but I've heard

527
00:46:08,239 --> 00:46:08,519
about it.

528
00:46:08,679 --> 00:46:13,079
Speaker 2: Yeah, yeah, Salem, Massachusetts, Massachusetts.

529
00:46:13,440 --> 00:46:17,000
Speaker 1: Yeah, yeah, which is oh yes, yeah, oh yeah. Is

530
00:46:17,039 --> 00:46:18,079
that that time of year?

531
00:46:18,639 --> 00:46:21,119
Speaker 2: Well, fortunately it's right afterwards. We don't have to deal

532
00:46:21,159 --> 00:46:25,159
with all the crazy traffic, insane during October. You need

533
00:46:25,480 --> 00:46:28,079
to stay away from it. Anybody who lives in Salem, Like,

534
00:46:28,519 --> 00:46:30,159
I don't know how you do it, because I would

535
00:46:30,239 --> 00:46:31,639
just would be enough to make me move.

536
00:46:31,760 --> 00:46:33,840
Speaker 1: Yeah, oh yeah, no doubt.

537
00:46:34,280 --> 00:46:36,880
Speaker 18: So the show's on November eighth, she said, it's just

538
00:46:36,960 --> 00:46:39,960
passed the whole Yeah, you know wild Halloween time.

539
00:46:40,079 --> 00:46:40,880
Speaker 1: Well that's good.

540
00:46:42,079 --> 00:46:43,719
Speaker 2: When is the October one?

541
00:46:44,800 --> 00:46:45,880
Speaker 18: It's next weekend.

542
00:46:46,119 --> 00:46:51,360
Speaker 2: Yeah, next week nod. It's in two weeks so October

543
00:46:51,519 --> 00:46:55,119
twenty fifth, right, October twenty fifth, I'm saying that right.

544
00:46:55,840 --> 00:46:58,119
We are playing at Terminus Underground.

545
00:46:58,320 --> 00:46:58,599
Speaker 1: Nice.

546
00:46:59,039 --> 00:47:02,000
Speaker 2: Yeah, so that is a New hamh Nashville, New Hampshire.

547
00:47:02,079 --> 00:47:04,800
Speaker 1: Yeap, Yeah, love Terminus. Andrea and Eleanor are great people.

548
00:47:05,480 --> 00:47:06,239
Have you been there yet?

549
00:47:06,519 --> 00:47:07,039
Speaker 16: We have not?

550
00:47:07,519 --> 00:47:11,440
Speaker 18: I did? Oh you okay, because I'm not Vigil. His

551
00:47:11,559 --> 00:47:16,840
other band the World burns World Worth Burning, World Worth Burning.

552
00:47:16,920 --> 00:47:19,920
Speaker 1: Oh oh yeah, okay, that's a great name, but I'm

553
00:47:19,920 --> 00:47:21,719
not familiar with that. I am familiar with Vigil, but

554
00:47:21,840 --> 00:47:24,159
not World Worth Worth Burning. But no, I tell everyone

555
00:47:24,239 --> 00:47:25,960
the same thing about who hasn't been in Terminius yet?

556
00:47:26,000 --> 00:47:27,599
And you'll probably agree. It's like when you walk into

557
00:47:27,599 --> 00:47:29,119
that room, it's like walking into another world.

558
00:47:29,320 --> 00:47:29,880
Speaker 18: It's really cool.

559
00:47:30,000 --> 00:47:33,880
Speaker 1: Yeah, really cool. It's incredible. Yeah, very nice, very nice. Well,

560
00:47:33,880 --> 00:47:35,960
we do have one more studio track that we're gonna play.

561
00:47:35,960 --> 00:47:37,239
I want to make sure we don't run out of time,

562
00:47:37,280 --> 00:47:38,480
so we'll get to that in a moment. But I

563
00:47:38,519 --> 00:47:40,119
really want to thank all three of you for joining

564
00:47:40,199 --> 00:47:42,960
us today us absolutely and thank you for coming and

565
00:47:43,000 --> 00:47:47,119
playing live. Very cool. Where should people go? Like, so

566
00:47:47,199 --> 00:47:49,360
our listeners know where's the best place to go online

567
00:47:49,400 --> 00:47:51,559
to keep up with everything that Benthic Realm is doing.

568
00:47:52,400 --> 00:47:55,880
Speaker 2: So Benthakrealm dot Com has has it everything. That are

569
00:47:55,960 --> 00:47:58,199
all our upcoming shows. Who've got links to all the

570
00:47:58,280 --> 00:48:01,039
merch We're on band camp, We're on Facebook, We're on Instagram,

571
00:48:01,079 --> 00:48:02,760
so you can find us on all the social media platforms.

572
00:48:02,840 --> 00:48:05,559
On YouTube, we've got a YouTube channel too. But if

573
00:48:05,599 --> 00:48:07,960
you go to the website Benthickrealm dot com, then that'll

574
00:48:07,960 --> 00:48:10,159
get your pointers to go to all the other places

575
00:48:10,239 --> 00:48:10,719
that we live.

576
00:48:10,960 --> 00:48:11,840
Speaker 1: Okay, excellent.

577
00:48:12,360 --> 00:48:17,719
Speaker 2: Wise, we're on every platform, yeah, Spotify, Apple, you know, Amazon, everything?

578
00:48:18,119 --> 00:48:20,239
Speaker 1: Very good, very good. Oh does anybody ever mess up

579
00:48:20,239 --> 00:48:22,519
your name on a flyer? Because benthic is not a

580
00:48:22,599 --> 00:48:25,599
word that you hear every day. I'm just curious, does

581
00:48:25,639 --> 00:48:28,039
anybody ever you ever see it misspelled on a flyer

582
00:48:28,119 --> 00:48:28,480
or anything?

583
00:48:28,559 --> 00:48:29,639
Speaker 2: We actually have not.

584
00:48:29,960 --> 00:48:31,000
Speaker 1: That's good, that's good.

585
00:48:31,280 --> 00:48:35,239
Speaker 2: Yeah, we're lucky. Yeah, a lot of people do say wait,

586
00:48:35,320 --> 00:48:38,000
say that again. So yeah, it's definitely not a word

587
00:48:38,039 --> 00:48:38,840
that gets used a lot.

588
00:48:40,280 --> 00:48:42,599
Speaker 1: So we're going to close out in a moment with

589
00:48:43,400 --> 00:48:46,880
summon the Tide? What should we know about this song?

590
00:48:46,960 --> 00:48:47,760
What's this one about?

591
00:48:49,719 --> 00:48:52,760
Speaker 2: So there's a lot of death and destruction that makes

592
00:48:52,800 --> 00:48:55,280
its way into what I write. Yeah, So this song

593
00:48:55,559 --> 00:48:57,679
is a fictitious thing. I was kind of envisioning like

594
00:48:57,800 --> 00:49:01,360
a goddess who has, you know, the control of the

595
00:49:01,440 --> 00:49:03,320
seas and of the water and all of that sort

596
00:49:03,360 --> 00:49:06,119
of thing, and she has gotten really depressed. She's kind of,

597
00:49:06,280 --> 00:49:09,119
you know, coming at the end of questioning her own

598
00:49:09,199 --> 00:49:12,679
existence and everything, and in the in the means of

599
00:49:12,920 --> 00:49:15,760
kind of taking herself out of the picture, she ends up,

600
00:49:16,039 --> 00:49:18,599
unfortunately taking everybody else out with her.

601
00:49:18,880 --> 00:49:19,920
Speaker 4: Yeah, as she is.

602
00:49:19,960 --> 00:49:20,760
Speaker 1: Summoning the tide.

603
00:49:20,840 --> 00:49:24,599
Speaker 2: So it's a bit of a kind of a dark,

604
00:49:25,039 --> 00:49:28,400
dark song, have you Yeah, but I could envision, you know,

605
00:49:28,519 --> 00:49:29,880
all of that, a lot of that. I'm I'm also

606
00:49:29,920 --> 00:49:31,760
a designer so like I, you know, have the visual

607
00:49:31,880 --> 00:49:34,159
is big for me, So I could typically will envision,

608
00:49:34,480 --> 00:49:36,400
you know, the story that's happening in front of me,

609
00:49:36,519 --> 00:49:38,440
and then I'm just sort of writing about what it

610
00:49:38,559 --> 00:49:39,360
is that I'm seeing in.

611
00:49:39,400 --> 00:49:40,760
Speaker 23: My in my in my vision.

612
00:49:41,039 --> 00:49:43,960
Speaker 1: Yeah, ah, wonderful, wonderful. So we're going to play this

613
00:49:44,119 --> 00:49:46,840
and again thank you to everybody who joined us today.

614
00:49:46,840 --> 00:49:48,760
Of course we had let's see, we had Kyle Gordon,

615
00:49:49,360 --> 00:49:52,239
we had Jack from Pacific A's in the first hour.

616
00:49:53,239 --> 00:49:55,800
By the way, keeping eye what Jenny is doing Jencoffee

617
00:49:55,840 --> 00:49:58,280
dot com. She had a very big week and follow

618
00:49:58,320 --> 00:49:59,800
her on social media if you want to know more

619
00:49:59,800 --> 00:50:02,199
abo me and what I do Matt connorton dot com.

620
00:50:02,760 --> 00:50:04,559
And uh, if you miss any part of today's show,

621
00:50:04,559 --> 00:50:05,800
it will be up in just a little bit at

622
00:50:05,960 --> 00:50:08,280
w m n H Radio dot orgon at my website

623
00:50:08,360 --> 00:50:10,719
Matt Connorton dot com. And we will close out with

624
00:50:10,800 --> 00:50:13,239
this and again, uh benthic Realm. Thank you all three

625
00:50:13,280 --> 00:50:16,039
of you so much. You got it, you got it,

626
00:50:16,159 --> 00:50:18,960
and here it is. This is called Summon the tide.

627
00:50:58,760 --> 00:51:10,480
Speaker 24: Glass from the das Mass.

628
00:51:16,480 --> 00:51:30,440
Speaker 17: No things seased to cry, the bound to the coming control.

629
00:51:44,679 --> 00:52:15,400
Speaker 21: Menser Si to ah so be side on will is born,

630
00:52:15,800 --> 00:52:19,159
but th di shall.

631
00:52:42,960 --> 00:52:54,039
Speaker 4: I wall go? Really from seol oh girls and.

632
00:52:56,440 --> 00:53:07,519
Speaker 16: There my mind clean old don't juice.

633
00:53:09,039 --> 00:53:42,920
Speaker 21: Say, oh be wiss man them so also Mata to wars.

634
00:53:45,960 --> 00:53:48,440
Speaker 5: Ban so.

635
00:53:51,559 --> 00:54:05,079
Speaker 21: We bring along as Bill is all beer well than

636
00:55:47,000 --> 00:55:48,280
oh fool so.

637
00:55:48,719 --> 00:55:50,480
Speaker 16: Bow fool.

638
00:55:53,480 --> 00:56:02,559
Speaker 4: So it all just ball answer the to.

639
00:56:07,079 --> 00:56:09,079
Speaker 21: Down the straight.

640
00:56:11,920 --> 00:56:14,039
Speaker 10: Zo change.

641
00:56:16,320 --> 00:56:21,480
Speaker 4: The strand.

642
00:56:22,440 --> 00:56:38,079
Speaker 21: Co and so sad.

643
00:56:45,639 --> 00:56:56,360
Speaker 10: To baby.

644
00:56:57,800 --> 00:57:09,360
Speaker 21: The side gone Bill is small water and di