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Speaker 1: Hello, Yes, this is the Falcon speaking. Oh Grace, I'm

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glad you called. I'll have to cancel out tonight. Angel,

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I'm more jammed up. Some girl I know just brought

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me a very unusual proposition and I'll be hanged if

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I touch it.

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Speaker 2: The Adventures of the Falcon starring Less Damon. You met

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the Falcon first and his best selling novels. Then you

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saw him in his thrilling motion picture series. Now join

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him on the air. When the Falcon solves the Case

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of the Talented Twins, and now the Case of the

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Talented Twins. It's late evening in New York and the

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yellow convertible tears down riverside drive. At the wheel is

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George Alexander, who operates the car as though he owned

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the streets. Yeah, mister Alexander is a big operator, and

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the blonde alongside of him knows it.

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Speaker 3: You woman up, Masha.

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Speaker 4: Oh, I'm fine, mister Alexander.

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Speaker 3: My friends call me George.

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Speaker 4: Were you passed it? Hm, you should've turned right on

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seventy sixth.

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Speaker 5: What for?

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Speaker 4: Well, that's where I live.

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Speaker 3: Oh I'm not taking your home, Marsha.

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Speaker 4: Now really, mister Alexander.

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Speaker 1: Sure?

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Speaker 4: The only reason I consented to go with you. Was

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because mister Kemp introduced us.

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Speaker 3: You like singing a mister Kemp's.

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Speaker 6: Club, Yes, of course. What's that got to do with him?

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Speaker 3: Got everything to do with sweet as I owned the joint.

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Speaker 1: Oh sure, whose idea you think it is for Kemp

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to give you a job in the first place. I

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didn't know any time you don't know something, Masha, you

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just asked you.

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Speaker 3: He's got all the answers.

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Speaker 7: Well, if you don't mind, mister George, I'd like to

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go home. Really, I've got a splitting headache.

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Speaker 1: That's okay. I have my boy fix up something of

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my place. Why don't you sit a little close.

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Speaker 7: I'm perfectly comfortable over here now it's too far away. Please,

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mister Alexander, you better look where you're going.

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Speaker 1: Come on, I should be solisihab. What do you want

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to sit there all by?

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Speaker 6: You gotta hit that man?

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Speaker 4: You're not going to leave the line there?

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Speaker 3: Why not? You may be dead and we can't do

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any goods.

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Speaker 6: Let me out.

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Speaker 3: Get your hand up that door, Masha. I'll let you go.

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Speaker 1: And I'm getting ready and I'm not ready yet.

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Speaker 6: Yes, I'm looking for Michael.

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Speaker 1: Wearing well, you come to the right place.

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Speaker 6: Are you the one they call the foot when they can't.

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Speaker 1: Think of anything worse? Come on in, miss s.

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Speaker 6: Davis, Ruth Davis, sit down?

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Speaker 3: Thanks?

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Speaker 1: Now, what can I do for you?

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Speaker 4: I'm not quite sure.

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Speaker 8: Did you happen to notice an item in this morning's

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paper about a man being killed in a hit and run.

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Speaker 6: Accident last night?

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Speaker 1: Yeah?

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Speaker 6: That man was my father?

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Speaker 1: Oh, I'm sorry.

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Speaker 6: I want you to find the driver of that car.

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Why isn't it obvious.

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Speaker 8: That man murdered my daddy? Murdered him just as surely

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as if he used a gun. I don't care what it.

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Speaker 1: Costs, Angel, I'd be lying if I didn't tell you

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that anything you invest in a case like this is

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it'd be money thrown down the sewer. As I recall,

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the police don't have a single lead.

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Speaker 6: We yes, they do.

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Speaker 8: There was a man named Arthur Crane who witnessed the accident.

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He might know more than he's told them.

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Speaker 1: What makes you think so.

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Speaker 6: Call it a woman's intuition?

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Speaker 1: You know that's greatly overrated.

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Speaker 6: Maybe, but there's no harm in trying.

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Speaker 1: What did you say? This witness's name was.

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Speaker 6: Again Arthur Crane.

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Speaker 1: Crane all right, Angel, I'll do what I can here.

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It is Audi Alexander, George real Estate seventeen ninety two.

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Speaker 9: Belmore, it's Elwood O six seven for two.

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Speaker 1: Wonder if that's the right Alexander?

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Speaker 9: It has to be.

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Speaker 1: Didn't the license bewer tell you that was the name

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of the party who owned the car? Yep, well it's

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the only George Alexander in the book. All right, hand

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me the phone? Was that number again?

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Speaker 9: Elwood? Oh six seven?

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Speaker 1: To see that is well?

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Speaker 9: Expecting anyone?

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Speaker 1: Nope, too early for Jack to drop around just a second?

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Speaker 3: Yeah, you want the crane?

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Speaker 1: No again? Who is it?

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Speaker 9: Bid? It's some guy who wants to see you.

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Speaker 1: Are you doing, miss Crane? How do you do? My

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name is Mike Wearing. I'm a private detective. Private detective.

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At the moment, I'm working for Ruth Davis. Who Ruth Davis.

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She's the daughter of the man who was killed last

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night and that hit and run accident. Oh, we'll sit down,

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won't you. Pete? See if we got any beer on ice?

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Don't bother mister Jordan.

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Speaker 9: Pete Jordan, and it's no bothered door.

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Speaker 1: Yeah, go on, Pete. Now, what can I do for

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you wearing well. According to the police blodder, you were

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the one who discovered Davis's body after the accident. That's right.

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I was coming home from a club date. Club date,

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I'm a musician. I played piano with a small combo

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round time, we'll go on. Well, just I got out

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of the subway and I saw this guy Davis, laying

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in the gutter. What time was that, Oh, must have

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been around quarter past three. First I thought it was

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just some stupa, you know, I saw that briefcase under

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his arm. Then I realized must have been an accident.

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You couldn't have gotten that much after it happened, that's

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the cap stil me. You didn't notice any sign of

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a car run, Nope, and it couldn't have been too

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many cars out of that hour. This is very important

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to my client caring. If there was any way I

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could possibly help you, I'd be glad to him. Any

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driver pulls or something like that, I'll get it in

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the neck. Yeah. Sure, but you can't tell me any

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more in you had I had a thing. I'm sorry,

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I wish I could.

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Speaker 9: Well, here's you being gents.

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Speaker 1: I'll have to ask for rain check. Jordan. You going already. Yeah,

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I got to but I'll leave my card. If you

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think of anything, just leave it to me worrying. If

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I think of anything, I don't know what to do. Yeah,

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is mister George Alexander around who wants to know? My

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name is Aldie Crane. But I don't think it'll mean

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much to him. Just so, I'd like to talk to

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him about a Yellow Bully convertible. What tell him I

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admire his taste in cars?

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Speaker 2: Yeah, nuts, mister Alexander doesn't already convertible.

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Speaker 1: That's not what the license bureau tell me. Maybe you

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better come in. Yeah, maybe a better should I'll get Alexander.

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It's a nifty looking piano he's got there. Mind if

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I try it?

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Speaker 9: Just so you don't break it?

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Speaker 1: Do do? That's very brilly misname you like?

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Speaker 3: Yeah?

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Speaker 1: What do you call it? I've got those? Gimme gimme blues.

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Speaker 3: It's a very original title.

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Speaker 1: I'm a very original guy, mister Alexander. So well, ninety

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nine guys out of one hundred who know what I

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know would have spilled everything to the cops. But not sure.

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Huh m hmmm. Little already knows when to keep his

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mouth shut for instance, sip out of this finch, go on, Gane. Well,

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for instance, last night, I was coming home late and

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I saw a car bowl over some character who was

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crossing the street. Fortunately I had enough presence of mind

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to copy down the license number. And you think this

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card belongs to me, You're wrong, Okay, I'm perfectly willing

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to leave it to Mike wearing the falcon. That's right.

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He's working for the daughter of the poor slab who

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got hit. He was around to see me this afternoon.

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I wanted to know if I could help him, and

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you told him not a thing. I thought I could

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help you more? How much more about ten thousand dollars worth?

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Well you did let go. Shouldn't be so free with

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your hands. You shouldn't blame him. Mary Vince never liked back. Well,

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a little pushing around is going to cost you one

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of the five Alexander, Well, I take it easy. Events

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you think the money was coming out of your pocket,

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So now you want fifteen thousand dollars ayati, Otherwise I

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go straight to wearings and from there to the cops,

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where I wouldn't want you to make such a trip

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on my account. Then you better get it up Okay, Yatie,

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you'll leave it to me. I'll take care of you

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when I get through. I bet you don't complain. Aw

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Back to the Adventures of the Falcon.

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Speaker 2: Two hours have passed since Artie Krane made his little

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call on mister Alexander. Now we find Mike making a

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call of his own, only his isn't nearly as successful.

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Speaker 6: So when you come right down to it, mister Warren,

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you've made no progress at all.

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Speaker 1: Well, I could give you a big song and dance.

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Speaker 6: Frus no thanks, I mean no mood for entertainment.

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Speaker 1: You see, the truth of the matter is I'm stimied.

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The only potential witness we had was this musician Ardy.

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Speaker 6: Crane, and he couldn't tell you anything.

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Speaker 1: Uh, not a single solitary th Don't wait a minute.

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What's the matter that briefcase your father was carrying?

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Speaker 6: That won't help you. They found it clear across the

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street where it was knock by the car well.

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Speaker 1: If it was not there by the say that again,

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why this Ardie Crane character told me he realized that

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it wasn't some drunk sleeping it off. When you noticed

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the briefcase under your father's arm. What's wrong with that

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he just said it Angel the car sent that briefcase flying.

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If Crane saw it under your father's arm, it could

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only have been while your father was alive.

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Speaker 6: Then Crane was lying that he was what you think?

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Speaker 1: I think I ought having a little talk with that boy.

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Let's see if we can get him up here. He

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won't suspect anything, not if it's put to him the

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right way.

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Speaker 4: What are you chilling?

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Speaker 1: Don't you worry? Hello? And I can speak to Artie Crane. Please,

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Mike Wearing isn't here? Is Pete?

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Speaker 9: Jordan?

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Speaker 5: Ah? Pete isn't here either?

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Speaker 1: Where is everybody?

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Speaker 5: Unless there's been a change in plans, you might try

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the mark. Hello, you're still there, mister.

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Speaker 1: Yeah, I'm just waiting for the top right. Hey, wait

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a minute, is this sergeant Carpet?

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Speaker 5: Sure as Mike?

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Speaker 1: All right? Corpet give it to me gently? Who did

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what to home?

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Speaker 9: Well?

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Speaker 5: Home is your friend, Artie Crane? The wat was a

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half dozen sluts through his hat. As far as the

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who is concerned, we got no idea. Have you missed

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the Warren?

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Speaker 9: Okay, okay, I'm.

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Speaker 1: Coming Hello Pete?

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Speaker 9: Oh hi are you mister Wearing?

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Speaker 1: So I drop around and redeem that rain check, raincheck?

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I asked for one the last time I was here.

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Speaker 9: Oh yeah, well, I guess you heard about Artie.

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Speaker 1: That is piano.

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Speaker 9: Yeah, I think he'll never touch it again.

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Speaker 1: Just how good was he on it?

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Speaker 9: Oh, you can have the duke and count base. He

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had to take an ardie anytime.

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Speaker 1: You're a musician too, Yeah, but I wasn't in his class.

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I used to sing a little. How about an audition?

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What do you mean? We're never gonna tell Pete? I

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may want to sponsor you. So let's hear how well

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you're doing the voice department? Who killed Artie?

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Speaker 9: Look, you can't talk to me like that?

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Speaker 1: Come on, pigeon sing, I did u.

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Speaker 9: I wouldn't try that.

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Speaker 1: Your thing brother wasn't around. It's me yu before we

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have a soul on who killed Artie?

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Speaker 9: Should?

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Speaker 1: I know? You should if anyone would? Who had it

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in for him?

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Speaker 9: And everybody liked him?

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Speaker 1: So one of us admirers pumped six slugs into his face?

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Or even his own mother would recognize him. Incidentally, how

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did you there wasn't a thing on the body?

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Speaker 9: Well, I found him here.

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Speaker 1: Might have been a visitor from Mars. Yeah, but he

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had a flag tattooed on his shoulder. Patriot no less?

250
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Who was the hit and run driver killed Davis? I

251
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don't know what you mean I should do, Pete. Oddie

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must have told you everything he saw the car that

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killed Davis.

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Speaker 9: No, I know he didn't.

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Speaker 1: You know you won't look so good singing without those

256
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dazzling white tee. Well, it's a fellow named Alexander. Does

257
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this fellow have a first name?

258
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Speaker 9: George?

259
00:13:07,480 --> 00:13:10,440
Speaker 1: You mean Arthur tried to shake down George Alexander. You

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know him well enough to realize that Artie made a

261
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serious mistake trying it. Let's hope we all profit by his.

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Speaker 3: Example at your events. Yeah?

263
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Speaker 5: How you making?

264
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Speaker 1: Just look all right?

265
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Speaker 9: Beautiful inside inside?

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Speaker 7: Hello, Marsha, you're not trying to get away with this,

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mister Alexander to my friends.

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Speaker 3: Call me George.

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Speaker 1: You want to be my friend now, no fooling.

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Speaker 4: You can't keep me here.

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Speaker 9: You can't keep me. You can't do this, you can't

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do that. Don't you give that tongue arrest?

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Speaker 3: All right, that's enough, last, and may we understand each other?

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Well don't we? Sweet arts?

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Speaker 6: What do you want?

276
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Speaker 3: I just want to make sure you didn't tell anybody about.

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Speaker 1: I let a Ridelet get it, Vinced, what about Mushia?

278
00:14:06,399 --> 00:14:08,159
So matter kind a gentleman invite a lady up to

279
00:14:08,279 --> 00:14:11,159
the part. After all, we got you for a shepherd.

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Speaker 9: I'll ride alright, hold your horses.

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Speaker 6: What you.

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Speaker 5: Hello is?

283
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Speaker 3: Georgia?

284
00:14:17,360 --> 00:14:19,960
Speaker 1: Oh, I see you? Wait a minute faster, that's so fair.

285
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Speaker 3: There's okay, Vince, there's the park and hiss a old

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friend of mine.

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Speaker 1: Well, I wouldn't go so far as to say that. I. Oh,

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I beg your pardon. Am I interrupting something? No, Marsha,

289
00:14:31,759 --> 00:14:34,039
meet Mike ware. How do you do well? Generally? I

290
00:14:34,159 --> 00:14:36,200
do all right, but I see George does even better?

291
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Speaker 3: And cute kid anh yes, indeed.

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Speaker 4: Well, if you gentlemen through discussing me, I'll say good night.

293
00:14:42,080 --> 00:14:42,960
Speaker 1: Oh it's sister.

294
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Speaker 6: Hm.

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Speaker 1: He's got to hypnotize. Vin's just that maybe I wanna

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00:14:46,720 --> 00:14:48,799
tell her something. It's okay, Mish, I'll give your car later,

297
00:14:49,559 --> 00:14:56,399
all right, George, you wish you're in my shoes anym

298
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I hardly, George. I wouldn't care to face a murder

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00:15:00,440 --> 00:15:02,200
rapp and we prayed.

300
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Speaker 3: I don't understand you.

301
00:15:03,240 --> 00:15:07,440
Speaker 1: Wearing wilet stamens from the manslaughter charge Mansei mm hmm,

302
00:15:07,679 --> 00:15:10,840
for killing Ralph Davis with your car last night. You know,

303
00:15:10,919 --> 00:15:13,720
mister Dia could tell this story very effectively. It's got

304
00:15:13,759 --> 00:15:16,720
a wonderful moorrow how one crime leads to another. Now

305
00:15:16,759 --> 00:15:19,840
the opening scene would show you driving along get out. Well,

306
00:15:19,879 --> 00:15:22,679
you might let me finish George. It's got great grammatic possibility.

307
00:15:22,720 --> 00:15:25,879
You heard him get up? Who's this little sireca? If

308
00:15:25,960 --> 00:15:27,879
you're not out of here with the time I count through,

309
00:15:27,919 --> 00:15:29,600
I mean you're not interested in how my little script?

310
00:15:29,639 --> 00:15:33,679
Then no, and you keep up like this, Mike, and

311
00:15:33,799 --> 00:15:35,360
you won't be around for the end.

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00:15:46,159 --> 00:15:47,399
Speaker 6: Very interesting, mister worrying.

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00:15:47,440 --> 00:15:50,600
Speaker 1: But what happened after that, that's all it was, Ruth.

314
00:15:51,360 --> 00:15:53,200
Speaker 6: You mean you know who killed my.

315
00:15:53,200 --> 00:15:54,080
Speaker 4: Father and you let him go?

316
00:15:54,360 --> 00:15:55,200
Speaker 1: I mean he let me go.

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00:15:56,159 --> 00:15:57,000
Speaker 6: He brought you off.

318
00:15:57,080 --> 00:15:58,080
Speaker 1: No, no, I'll wait a minute.

319
00:15:58,120 --> 00:16:00,840
Speaker 7: Antel, sure I was a fool not to see it before,

320
00:16:01,759 --> 00:16:03,200
but we'll see what the police says.

321
00:16:03,240 --> 00:16:07,279
Speaker 1: I said, Oh, you listen to me, Ruth. I walk

322
00:16:07,320 --> 00:16:09,200
out on Alexander because there was nothing I could do.

323
00:16:09,399 --> 00:16:10,559
Speaker 6: You know, we ran over my father.

324
00:16:10,840 --> 00:16:13,080
Speaker 1: Sure I do it with our evidence. There isn't any

325
00:16:13,080 --> 00:16:14,840
way I could tie it to him, the only witness

326
00:16:14,879 --> 00:16:18,320
was murdered. Well, well, what you know he murdered Arthur Crane.

327
00:16:18,720 --> 00:16:19,480
Can you prove that?

328
00:16:19,840 --> 00:16:21,120
Speaker 6: Well, it stands to reason.

329
00:16:21,279 --> 00:16:23,879
Speaker 1: Angel, you can build as good a case against several

330
00:16:23,960 --> 00:16:28,879
other people who, for example, for example, you what sure

331
00:16:29,879 --> 00:16:31,679
you and you AREDI Crane could identify the man who

332
00:16:31,759 --> 00:16:33,639
killed your father, and when he refused to give you

333
00:16:33,679 --> 00:16:34,960
any information, you murdered him.

334
00:16:35,200 --> 00:16:36,360
Speaker 6: What's the most ridiculous?

335
00:16:36,840 --> 00:16:38,879
Speaker 1: Yes, wearing that's right.

336
00:16:39,120 --> 00:16:41,360
Speaker 4: My name's Marshall West. I don't know if you remember me.

337
00:16:41,720 --> 00:16:44,679
Speaker 1: Oh, you underestimate your charms, Marsham. You're the kind of

338
00:16:44,720 --> 00:16:46,919
a girl, my kind of man could never forget. Well,

339
00:16:46,960 --> 00:16:49,360
I'd like to talk to you. What would be the point?

340
00:16:49,840 --> 00:16:51,759
I thought you were a close friend of Alexander's. I

341
00:16:51,919 --> 00:16:52,519
was in his car.

342
00:16:54,080 --> 00:16:56,000
Speaker 4: Yes, he was taking me home when he killed that man.

343
00:16:56,759 --> 00:16:58,600
Speaker 1: Where are you now at the place where I work?

344
00:16:58,600 --> 00:17:01,200
Speaker 4: It's called a TikTok club? When can I expect you?

345
00:17:01,799 --> 00:17:16,160
Speaker 1: Just open your door? Angel, I'm practically there, now, come on.

346
00:17:16,480 --> 00:17:19,039
Speaker 9: You creep snap into it. We haven't got all night.

347
00:17:19,079 --> 00:17:21,559
The show goes on in a few Yeah, what do

348
00:17:21,640 --> 00:17:22,400
you want mister?

349
00:17:22,799 --> 00:17:25,680
Speaker 1: Where's Marshall West dressing? Room, the first one on your left.

350
00:17:26,039 --> 00:17:26,559
That's one hair.

351
00:17:26,680 --> 00:17:28,480
Speaker 9: Yeah, that's right, I know, keep it too long?

352
00:17:28,559 --> 00:17:35,519
Speaker 1: She's on it ten minutes. Come on, Marsha, Marsha, she

353
00:17:35,599 --> 00:17:36,599
ain't here wearing what?

354
00:17:37,079 --> 00:17:37,119
Speaker 8: No?

355
00:17:37,519 --> 00:17:38,759
Speaker 9: Just stay like you out for.

356
00:17:40,720 --> 00:17:41,599
Speaker 3: Doctor doll Vans.

357
00:17:42,799 --> 00:17:47,079
Speaker 1: All right? Where is she? George? Soon? Marsha? She called

358
00:17:47,119 --> 00:17:49,599
me from here not more than fifteen minutes ago. You say,

359
00:17:49,599 --> 00:17:52,759
events was it that old hag with the mop? And

360
00:17:52,880 --> 00:17:54,960
you boys want to try television? That's a great act

361
00:17:54,960 --> 00:17:56,519
you've got there. I'm glad you like it.

362
00:17:57,279 --> 00:17:57,640
Speaker 3: What am I?

363
00:17:57,680 --> 00:18:01,519
Speaker 1: She tell you on the phone? Who don't be smart?

364
00:18:02,079 --> 00:18:03,559
And I just wanted to show you that two could

365
00:18:03,559 --> 00:18:05,960
play that game? What's you tell him? Enough? You know

366
00:18:06,079 --> 00:18:09,319
I wouldn't need much excuse to paste you one right now? Buster, sit,

367
00:18:09,359 --> 00:18:11,599
don't tempt me. What do you say, Mike? I say,

368
00:18:11,640 --> 00:18:14,279
you boys aren't very smart. There are a dozen people

369
00:18:14,319 --> 00:18:16,519
out there and they all work for me to start talking.

370
00:18:16,680 --> 00:18:19,640
Speaker 3: Well, why you hear um?

371
00:18:21,599 --> 00:18:21,680
Speaker 9: Now?

372
00:18:21,759 --> 00:18:23,720
Speaker 3: Why you want to knock him down? For Vince?

373
00:18:25,160 --> 00:18:26,480
Speaker 1: You only gotta pick him up again.

374
00:18:26,599 --> 00:18:30,240
Speaker 9: That's all right, Alex, I'm in very good shape. I

375
00:18:30,319 --> 00:18:31,599
can keep this up all.

376
00:18:46,559 --> 00:18:49,640
Speaker 5: Well, Sleeping beauty, I didn't even have to kiss you

377
00:18:49,759 --> 00:18:50,319
to wake up.

378
00:18:50,440 --> 00:18:50,640
Speaker 3: Huh.

379
00:18:51,079 --> 00:18:54,519
Speaker 5: Yeah, this isn't a princess palace. It's Bellevue Hospital and

380
00:18:54,759 --> 00:18:58,079
no kidding. Okay, Mike, who slugs you first?

381
00:18:58,119 --> 00:19:00,880
Speaker 1: I want to know where you found me, Sergeant State Street?

382
00:19:01,599 --> 00:19:02,519
How did I get down there?

383
00:19:02,960 --> 00:19:04,599
Speaker 5: I can tell you one thing. I don't think you

384
00:19:04,720 --> 00:19:05,480
made it on foot.

385
00:19:06,240 --> 00:19:08,799
Speaker 1: Someone must have given me a lift. Oh, character named

386
00:19:08,920 --> 00:19:11,920
Vince working at the behest of George Alexander. What do

387
00:19:12,000 --> 00:19:14,000
they want to do that for? Because Alexander was the

388
00:19:14,000 --> 00:19:16,480
one who drove the car that killed Ralph Davis last night?

389
00:19:16,920 --> 00:19:17,480
Speaker 9: Last night?

390
00:19:18,319 --> 00:19:20,359
Speaker 1: What was this Sunday? Where have you ben?

391
00:19:20,680 --> 00:19:21,759
Speaker 3: Don't file answering?

392
00:19:21,799 --> 00:19:24,039
Speaker 1: I know right all right? What day is? It's Monday?

393
00:19:25,599 --> 00:19:28,880
Holy smoke? Whiz marsha Oh, Marshall West. She was in

394
00:19:28,920 --> 00:19:31,759
the car when Alexander killed Davis. She'd tell you that, yes,

395
00:19:31,799 --> 00:19:33,480
And I wouldn't be surprised if she knew all about

396
00:19:33,480 --> 00:19:36,759
the Ardie Crane killing two. Is that tied up with this? Definitely?

397
00:19:37,519 --> 00:19:40,200
You see Crane tried to blackmail Alexander, and he thinks,

398
00:19:40,240 --> 00:19:43,680
so fast? Can you approve that? No? I can't, hear Corbett.

399
00:19:44,160 --> 00:20:01,200
So let's go where I can all back to the

400
00:20:01,240 --> 00:20:02,920
Adventures of the Falcon.

401
00:20:05,960 --> 00:20:08,400
Speaker 2: A half hour has passed since Mike Waring set out

402
00:20:08,400 --> 00:20:11,160
with Sergeant Cobbett to try to tie the case together.

403
00:20:11,960 --> 00:20:15,359
That destination the apartment of George Alexander.

404
00:20:15,680 --> 00:20:18,039
Speaker 3: You're a pretty sick man wearing you don't know what

405
00:20:18,119 --> 00:20:18,559
you're saying.

406
00:20:18,759 --> 00:20:21,720
Speaker 1: It's no use, George, you got all the evidence we need, right, Sergeant, Right,

407
00:20:22,240 --> 00:20:24,240
So why don't I hear from the district attorney? You

408
00:20:24,359 --> 00:20:29,119
will shortly. He's still bluffing. Mike A murdered All right? Then?

409
00:20:29,160 --> 00:20:31,319
How do I know you paid off to Oddie Crane?

410
00:20:31,799 --> 00:20:33,279
You know, yes, and I can prove it.

411
00:20:33,519 --> 00:20:35,160
Speaker 5: I buy that, mister Alexander.

412
00:20:35,759 --> 00:20:39,400
Speaker 1: Well, you see, it's like this, Sergeant. It was no shakedown.

413
00:20:40,200 --> 00:20:43,039
I gave out it the money. Oh, because you were

414
00:20:43,079 --> 00:20:45,400
impressed by his musical talents and wanted to see him

415
00:20:45,400 --> 00:20:47,960
further his career. Where Mike, you take the words right

416
00:20:48,000 --> 00:20:51,559
out of my moud. Oh no, something wrong. You don't

417
00:20:51,559 --> 00:20:52,519
think the d A'll buy that?

418
00:20:52,839 --> 00:20:53,119
Speaker 5: Why not?

419
00:20:53,720 --> 00:20:55,720
Speaker 1: It was okay for me to help young ladies interested

420
00:20:55,720 --> 00:21:00,720
in musical careers? Why not young men? Times lago mon Corbett,

421
00:21:00,759 --> 00:21:02,880
be smart. You don't believe that I didn't say it head.

422
00:21:02,960 --> 00:21:04,200
Speaker 5: I guess that sided liga.

423
00:21:04,279 --> 00:21:04,319
Speaker 1: Go.

424
00:21:04,599 --> 00:21:05,000
Speaker 3: That's all.

425
00:21:05,079 --> 00:21:08,720
Speaker 1: Eh, where's Vince Well? I want to talk to him.

426
00:21:09,319 --> 00:21:13,079
Speaker 3: You're gonna have a long wait. Vince lived down Friday night.

427
00:21:13,440 --> 00:21:17,319
Speaker 1: Friday. Yeah, I suppose that was his double who bounced

428
00:21:17,319 --> 00:21:19,960
me around backstage at the TikTok club on Saturday. I

429
00:21:20,000 --> 00:21:22,519
don't know what you're talking about. Sure, next you'll say

430
00:21:22,519 --> 00:21:24,279
you never heard of a girl named Marsha West.

431
00:21:25,039 --> 00:21:30,920
Speaker 3: Gosh, oh, I swear that you call me George Marsha.

432
00:21:31,799 --> 00:21:32,759
This is the girl you mean?

433
00:21:33,519 --> 00:21:36,279
Speaker 1: All right, never mind the act, George. Let's marsh him.

434
00:21:36,640 --> 00:21:40,599
It's a sergeant Corbett. I want you to tell him everything, everything, yes,

435
00:21:40,680 --> 00:21:43,359
beginning with your call to me on Saturday night, Mike,

436
00:21:43,480 --> 00:21:44,759
call to you, don't you remember?

437
00:21:45,440 --> 00:21:47,920
Speaker 7: I don't see how I could be expected to mister Waring,

438
00:21:48,000 --> 00:21:50,519
seeing this is the first time we've met. What But

439
00:21:50,680 --> 00:21:54,400
it's been a real pleasure to do it again sometimes,

440
00:22:04,559 --> 00:22:04,799
you know.

441
00:22:05,000 --> 00:22:07,599
Speaker 5: Mike, Maybe we ought to go back to the hospital.

442
00:22:07,799 --> 00:22:09,720
It's not a bad place. They got a couple of

443
00:22:09,759 --> 00:22:11,000
good looking nurses there.

444
00:22:11,200 --> 00:22:13,920
Speaker 1: Yay, Okay, so I'm not sergeant, but just humor me

445
00:22:13,960 --> 00:22:14,799
a couple of minutes more.

446
00:22:14,920 --> 00:22:18,319
Speaker 5: I still don't say what you're gonna accomplish with Pete, Jordan.

447
00:22:18,119 --> 00:22:19,880
Speaker 1: I tell you he knows that Oddie Crane went to

448
00:22:19,920 --> 00:22:21,319
see Alexander, and still.

449
00:22:21,119 --> 00:22:24,240
Speaker 5: Don't prove anything. Crane could have gone to see Alexander

450
00:22:24,319 --> 00:22:25,319
for a million reasons.

451
00:22:25,400 --> 00:22:29,079
Speaker 1: We suppose Pete's willing to swear that. Yeah, well if

452
00:22:29,079 --> 00:22:32,000
it isn't the gay Troubadour, Hello, Pete, remember me?

453
00:22:32,480 --> 00:22:33,160
Speaker 9: I look wearing.

454
00:22:33,319 --> 00:22:36,519
Speaker 1: I'm busy, Sure you are. This won't take much of

455
00:22:36,559 --> 00:22:39,839
your time. Did naughty Crane tell you he saw the

456
00:22:39,920 --> 00:22:43,559
car that killed Ralph Davis in that accident? Well, well

457
00:22:43,599 --> 00:22:46,400
didn't he? Yeah? Can't you call it?

458
00:22:46,559 --> 00:22:47,960
Speaker 3: Jordan, we're going downtown.

459
00:22:48,200 --> 00:22:50,680
Speaker 1: I don't rushium, Sergeant, you might break the spell. As

460
00:22:50,759 --> 00:22:53,000
long as Peet's in the mood for singing, maybe he'll

461
00:22:53,000 --> 00:22:55,279
be willing to croon you something else. I told you

462
00:22:55,400 --> 00:22:57,920
everything I know, not quiet. There's one song you forgot,

463
00:22:58,240 --> 00:23:00,440
the one that goes I killed my best friend and

464
00:23:00,519 --> 00:23:03,359
am I sorry? What are you talking about the murder

465
00:23:03,359 --> 00:23:05,759
of Ardie Crane? You know enough about that to give

466
00:23:05,799 --> 00:23:21,400
us a complete chorus, So start singing pigeon how girls.

467
00:23:21,440 --> 00:23:24,200
That's the whole story. Alexander goes up for manslaughter and

468
00:23:24,279 --> 00:23:27,559
Pete Jordan for murder. Any questions I have won mine?

469
00:23:28,000 --> 00:23:28,319
Speaker 6: So have I.

470
00:23:28,880 --> 00:23:32,200
Speaker 1: I think Marshall's first groupe. All right, go on, Marsha.

471
00:23:32,680 --> 00:23:34,559
Speaker 4: Well, first, I think I owe you an explanation.

472
00:23:34,759 --> 00:23:35,880
Speaker 1: Yes, I wouldn't be surprised.

473
00:23:36,200 --> 00:23:38,160
Speaker 4: Well, Alexander made me say I didn't know you. He

474
00:23:38,240 --> 00:23:39,799
and Vince caught me phoning you that night.

475
00:23:39,960 --> 00:23:40,880
Speaker 1: Yes, I figured as much.

476
00:23:41,000 --> 00:23:43,559
Speaker 4: He's afraid of what he might do, not only to me,

477
00:23:44,279 --> 00:23:44,720
but to you.

478
00:23:45,599 --> 00:23:48,839
Speaker 6: Well, I thought she had a question to ask.

479
00:23:49,519 --> 00:23:52,559
Speaker 4: Oh, well, all I wanted to know is what made

480
00:23:52,599 --> 00:23:53,720
you suspect Pete Jordan?

481
00:23:54,200 --> 00:23:57,640
Speaker 1: Very simple thing, Angel, As you recalled. When the police

482
00:23:57,680 --> 00:24:00,119
found the Ardie, there was nothing on him. So oh,

483
00:24:00,160 --> 00:24:02,599
the question arises, Ruth, what happened to the hush money

484
00:24:02,599 --> 00:24:05,680
Alexander paid him? I don't get I pulled one bluff

485
00:24:05,680 --> 00:24:08,559
on Alexander. That works. The only reason he admitted giving

486
00:24:08,640 --> 00:24:10,680
money to Ottie was that he thought I could prove

487
00:24:10,759 --> 00:24:13,000
he did and you couldn't. No, because there was no

488
00:24:13,079 --> 00:24:15,279
money found on the body, and in stood the reason

489
00:24:15,319 --> 00:24:17,880
that Alexander and Vince didn't remove it, otherwise they would

490
00:24:17,880 --> 00:24:21,079
have known I was bluffing. So I figured maybe this

491
00:24:21,240 --> 00:24:23,160
was just a plane everyday murder for money.

492
00:24:23,240 --> 00:24:25,119
Speaker 7: And once you realize that it was just a matter

493
00:24:25,160 --> 00:24:27,160
of picking out the only party who had the opportunity.

494
00:24:27,400 --> 00:24:30,160
Speaker 1: That's right, Matt gave me Pete Jordan. But I'll tell

495
00:24:30,200 --> 00:24:33,039
you one thing this business taught me what never take

496
00:24:33,119 --> 00:24:35,799
a case where two beautiful women are involved. Makes for

497
00:24:35,880 --> 00:24:39,119
complications how soon? Well, it's too much of a good thing,

498
00:24:39,839 --> 00:24:42,519
you know, the old saying two's company, threes a crowd.

499
00:24:43,000 --> 00:24:45,640
Speaker 6: He's got a point there, root, he certainly hap No.

500
00:24:45,680 --> 00:24:48,160
Speaker 1: No, no, no, don't fight. I'm sure we can settle

501
00:24:48,200 --> 00:24:52,039
as peaceably. I'm sure we can. That's the spirit. Now,

502
00:24:52,119 --> 00:24:55,119
how are we going to work it? That's easy? Good night,

503
00:24:55,279 --> 00:24:56,000
mister wearing