Speaker 1: Wait Wait, said a.
Speaker 2: Welcome back to midnight Viewing, where this season we're taking
Speaker 2: a look at George Ramiro's nineteen eighty series Tails from
Speaker 2: the Dark Side. Sharing the midnight view with me are
Speaker 2: the culture cast Chris Statue.
Speaker 1: I'm part of the Beatles that was dumb.
Speaker 2: Top of the poppermost My friend also joining us as
Speaker 2: the projection is Mike White.
Speaker 3: I'm gonna make a reference to both episodes when I say, Mary, Mary,
Speaker 3: why you buggin'.
Speaker 2: Wow ah nonother run DMC comes true? Got it?
Speaker 1: Okay? God damn Now. I was trying to figure out
Speaker 1: where the run DMC was gonna come in, and boy,
Speaker 1: they had me going in the first half.
Speaker 2: Nail Tonight. We are taking a look at the first
Speaker 2: two episodes of season four, the final season of Tails
Speaker 2: from the Dark Side. Those are Beatles and Mary Mary
Speaker 2: Beatles is season four episode one. It aired originally on
Speaker 2: September the twenty seventh, nineteen eighty seven. Written by Robert
Speaker 2: Block from a short story by Robert Block and directed
Speaker 2: by Frank de Palma, this one stars Rod McCarey, Cole Meanie,
Speaker 2: and Donald mckeckney. This is about a wannabe art dealer
Speaker 2: who lays hands on an ancient mummy whose treasures include many,
Speaker 2: many legs, which I think of this one, Chris, I.
Speaker 1: Know what I should have said at the beginning of
Speaker 1: the episode. It said bugs, I hate bugs, to reference
Speaker 1: one of the best times sarcophaguses and beetles have been
Speaker 1: in a thing together, which is not this. It would
Speaker 1: be The Mummy, which scared I think most people into
Speaker 1: thinking scare of beetles eat people's brains, which I will
Speaker 1: tell you anyone who's listening, if you didn't know this,
Speaker 1: they don't, they don't, they don't know.
Speaker 3: I've been terrified ever since I saw that guy we
Speaker 3: were talking about running into a wall last time.
Speaker 1: Yeah, bugs, I hate bugs. This is fine. I love
Speaker 1: anything Egyptian adjacent. It's one of my like, I don't know,
Speaker 1: it's one of those things that kind of just gets
Speaker 1: after me again, to quote to The Mummy from nineteen
Speaker 1: ninety nine, that movie has a very special place in
Speaker 1: my heart. And so anything that's Egyptology or Egyptian adjacent
Speaker 1: has been something that I've been interested in since I
Speaker 1: was a king. So this was right up my alley.
Speaker 1: I remember, I want to say Father Malone was there
Speaker 1: not an episode of Tails from the Crypt featuring a
Speaker 1: mummy which is like sacrifices.
Speaker 3: And wasn't the one with Christian Slater.
Speaker 1: Was it?
Speaker 2: Yeah, ac no, no, no, no, that is it Tails
Speaker 2: from the Dark Side.
Speaker 3: Oh from the movie this their.
Speaker 2: By Arthur Conan Doyle.
Speaker 1: But there is one in Tails from the Crypt that's
Speaker 1: again like about getting a woman to sat be sacrificed
Speaker 1: to a mummy and all this like wacky ass shit.
Speaker 1: Like I appreciate that these kinds of episodes exist in
Speaker 1: these I don't think this one nails all the points
Speaker 1: that I hoped it was going to nail in terms
Speaker 1: of utilizing the Egyptian theming and the Egyptology of it all.
Speaker 1: I like Rod McCrary a lot. I think he's perfectly cast,
Speaker 1: and he looks suitably Andrew Ryan enough or of a
Speaker 1: time and of a place to pull off that kind
Speaker 1: of the mustache and the shirt and the suspenders and
Speaker 1: everything that look. I think it's fun. I just I
Speaker 1: wish there had been a little bit more to it,
Speaker 1: But I think that's been my complile now is it
Speaker 1: just feels like maybe they're expounded go further, is what
Speaker 1: I would say to the writers of the shows, give
Speaker 1: me a little bit more, just punch it up a
Speaker 1: little bit. But this is a good way to start
Speaker 1: the fourth season. How about you, Mike? What about you? Mike? Yep?
Speaker 3: Like this better when e. G. Marshall was playing this
Speaker 3: role and they're creeping up on you. That's all I
Speaker 3: kept thinking of. I did think of the Mummy though,
Speaker 3: as well. I liked the little twists at the end.
Speaker 3: That was nice. I just felt that this went on
Speaker 3: for a little too long. There wasn't enough again twists
Speaker 3: to it. It just felt, Oh, there's beatles, those are
Speaker 3: going to get them and just watch them get them,
Speaker 3: and that's not interesting to me. So I was really
Speaker 3: hoping for a little bit more on this. I feel
Speaker 3: like I'm being very negative about this show. I do
Speaker 3: enjoy these and most of the time. Though the last episode,
Speaker 3: the last time we talked, I was having a little
Speaker 3: bit of trouble with one of those. But yeah, this
Speaker 3: one was decent. There's nothing for me to write home about.
Speaker 3: How about you father them?
Speaker 2: Yeah, I thought it was okay. I thought, like you said, Chris,
Speaker 2: if you put a if you slap a layer of
Speaker 2: Egyptology on something, I'm automatically, the interest level just goes up,
Speaker 2: and I'm jars and shit, I'm not gonna hate in veins.
Speaker 2: I'm not gonna hate anything that ends up focusing on
Speaker 2: that for twenty two They're like, that wasn't a total
Speaker 2: waste of time. I saw some hieroglyphs, but that doesn't
Speaker 2: make this any good. I do think it's interesting that
Speaker 2: every horror author of a certain age had a mummy
Speaker 2: story in them. Edgar Allan Poe had a fucking mummy story,
Speaker 2: and I'm like, now we find out Robert Block had one.
Speaker 2: I mentioned Arthur Conan Doyle he had one that will
Speaker 2: eventually show up in another Channil from the dark Side episode.
Speaker 2: And not only that, but every anthology series will We'll
Speaker 2: dip their toe into the to the Mummy. I think
Speaker 2: the best one overall ended up being over on Amazing Stories.
Speaker 2: They had a story called Mummy Daddy, which is one
Speaker 2: of the scariest and funniest fucking half hours of television
Speaker 2: I've ever seen. This one doesn't compare to that. I
Speaker 2: do like Rod McCarey. He's just like a human cartoon.
Speaker 2: There just seems like it's a certain time and place
Speaker 2: for that type of act Duran. He might have been
Speaker 2: past his prime here, but that's what kind of makes
Speaker 2: him interesting. Weird to see Cole Meani this early on
Speaker 2: American television without a fucking Starfleet uniform.
Speaker 3: I thought I recognized him, but I didn't go and
Speaker 3: watch look at the credits front. Yeah, that was nice
Speaker 3: to see. He fits into this world pretty well too.
Speaker 3: He I know he's played han't He played like older
Speaker 3: Irish gangster kind of roles and stuff, but like him
Speaker 3: with a I don't know. I picture him with a
Speaker 3: Derby hat and I'm just like, yeah, yeah, that's a
Speaker 3: good Cole meaning.
Speaker 2: I always liked him in The Commitments and The Man
Speaker 2: and in The Snapper. He was in all three of
Speaker 2: those movies as that dad. He was great in those.
Speaker 1: Yeah.
Speaker 2: Overall, this is just an okay episode. I think it's
Speaker 2: a step up from what we were getting at the
Speaker 2: end of season three. Hopefully this is just a stepping
Speaker 2: stone to bigger things. I know there are a couple
Speaker 2: of episodes that I really do like later, I'm not
Speaker 2: that concerned. I just think I think in a case
Speaker 2: like this, when you have a teleplay by Robert Block
Speaker 2: from his shirt story, you don't really fuck with it.
Speaker 1: No, No, I would like to say Hammad Bay like that.
Speaker 1: I like that, like we have to pay lip service
Speaker 1: to the og Mummy every time we do it. Yeah,
Speaker 1: every time I want to mention something as well, because
Speaker 1: this is the thing, Father Blon, you were expousing the
Speaker 1: mummy stories in these anthologies, most of them are the
Speaker 1: fucking same on top of everything else.
Speaker 2: I've been seeing how many of them are comedies. How
Speaker 2: many of them are comedy, like almost all of them, right, Yeah.
Speaker 1: They're all like vaguely comedic or because again, like in
Speaker 1: a lot of ways, mummies are. And this is the
Speaker 1: thing that it's almost like that let me grab my
Speaker 1: soapbox out that I didn't know I was gonna stand on.
Speaker 1: Mummies are scary, Yes, idea of a mummy is scary,
Speaker 1: like horror. The Mummy nineteen ninety nine is probably as
Speaker 1: good of a movie as it is for me, because
Speaker 1: it's still kind of a scary movie even now, like
Speaker 1: he's eating their body parts like it's a jeepers, creepers thing.
Speaker 1: And I think most, if not all, of the Mummy
Speaker 1: media that I've seen since I've been doing this podcast,
Speaker 1: since I've been watching Moon enjoying them most. Nothing can
Speaker 1: live up to that nineteen ninety nine Mummy movie because
Speaker 1: they actually go down some avenues that nothing else goes down,
Speaker 1: and all these things just feel very there was it,
Speaker 1: Like even the Mummy movie from ninety nine, does it
Speaker 1: like Emo tips Forever Love kills herself and he wants
Speaker 1: to bring her back to life. There's a lot of that, Like, yeah,
Speaker 1: there's a forbidden love and sacrifice in what feels like
Speaker 1: most of these stories. So I just I wish there
Speaker 1: was more variety to the stories of the mummies that
Speaker 1: we're getting on these shows. But I understand why there.
Speaker 1: It's not because it seems like the easiest way to
Speaker 1: go is just there's some sort of curse on the
Speaker 1: corpse itself, or that the corpse can reanimate. That's it.
Speaker 1: Like they don't really go further than that, And it
Speaker 1: seems a little unfair because the vampires and Frankenstein's monsters
Speaker 1: get all sorts of weird shit and mummies are just
Speaker 1: given short shrift. It feels.
Speaker 2: I will say that I think the best television anthology
Speaker 2: series was the What was the Amazing Stories? Episode? But
Speaker 2: I think teals some of dark sent actually nails the
Speaker 2: horror Mummy when we'll I mean, we're going to review
Speaker 2: the movie at the end of the season because it
Speaker 2: is the next logical state with Taels the Dark Side.
Speaker 2: But Lot two forty nine, that to me was an
Speaker 2: actual scary Mummy. That's a fun story and it has
Speaker 2: an awesome payoff.
Speaker 1: I've never seen it, so I'm excited, Like Mummy stuff is,
Speaker 1: that's definitely in my wheelhouse. That nineteen ninety nine Mummy
Speaker 1: movie really hit the right note at the right time
Speaker 1: for me, and I am not I don't think I've
Speaker 1: ever had. There are a few highs that I've had
Speaker 1: in a movie, the one like that's rewatching it last year,
Speaker 1: Like it was a pretty high moment. Even the movies
Speaker 1: holds up still a lot of fun. But even then,
Speaker 1: like that movie's scary, but it's also funny and fun
Speaker 1: Like they it's almost like when you have a Mummy
Speaker 1: in there, it's we can't just play it straight, Like why, I.
Speaker 3: Know it's supposed to be funny, but that bumper sticker
Speaker 3: that says I'd much rather be watching the nineteen ninety
Speaker 3: nine cinematic masterpiece The Mummy. That is true. There's so
Speaker 3: many times where I'm watching a movie and I'm like, yeah,
Speaker 3: I'd rather be watching that, and then it gets it
Speaker 3: like that Keith shit Tom Cruise Mummy movie, Like why
Speaker 3: are you messing with perfection? There is nothing wrong with
Speaker 3: the Brendan Fraser Mummy movie is one of the highlights
Speaker 3: of cinema.
Speaker 1: For me, give me a fourth movie, you fucking cowards.
Speaker 3: I know a littlebody in the cast is still around
Speaker 3: and still looking good.
Speaker 1: And would it be weird to recast a recast, to
Speaker 1: have Rachel Weiss come back after they recast her as Maria?
Speaker 2: But why not?
Speaker 1: I don't think has that ever happened?
Speaker 2: I believe that well, Sabata Lee van Cleve stepped away
Speaker 2: from SAA and he came back a character.
Speaker 3: Connery came back for one more after labieh.
Speaker 1: Yeah, I've tried to forget that one, but that's yeah.
Speaker 3: Sorry, it is kind of our responsibility to know, though.
Speaker 1: Yeah, boy, it feels like it.
Speaker 3: Uh.
Speaker 1: Robert Block as a writer is a really good writer.
Speaker 1: I don't feel like this is indicative of his best work.
Speaker 2: Oh no, like at all. And he's a better novelist
Speaker 2: than he's a short story writer, first of all, and
Speaker 2: second of all, he is not a very good screenwrid
Speaker 2: must be said, Sorry, Bob, anything else on this one?
Speaker 1: All right?
Speaker 2: Our next episode is Mary Mary. This is season four,
Speaker 2: episode two, aired originally on October fourth, nineteen eighty seven,
Speaker 2: Written by Julie Selbo from a story by Julie Selbo
Speaker 2: and Katerina Vitch and Katerinavitch. Directed by Katerina Vitch, starring
Speaker 2: Margaret written, Ac Weary and Fred Burstein. This is a
Speaker 2: story about a woman who relates more to inanimate objects
Speaker 2: and regular people, and then she ends up as one.
Speaker 2: There I buried the lead. This is a blackout sketch.
Speaker 1: What the fuck I should have you know what I
Speaker 1: should have quoted at the beginning of this episode, blah
Speaker 1: blah bah because you just said it. There you're in
Speaker 1: a nanimate fucking obcheck, because that is how this episode ends.
Speaker 1: That is what a bizarre what he's a shit.
Speaker 2: May let me just say I I hate this writerly
Speaker 2: thing where just the having a character talk to inanimate
Speaker 2: objects in their house like that thing reads good on
Speaker 2: the page, and then you see somebody doing it and
Speaker 2: it's so fucking false. It's hard to fucking imagine. When
Speaker 2: I hear people quoting lines from Batman Returns. When Michelle
Speaker 2: Pfeifer comes back to her apartment and she's talking to
Speaker 2: herself like that whole routine, I'm like, yeah, that's cute,
Speaker 2: but it's completely fucking fake. And that's what's going on here.
Speaker 2: For twenty two minutes. I wanted to pull my own
Speaker 2: head off.
Speaker 1: It's in suffered. This is a fucking insufferable episode.
Speaker 2: Going from stuffed animal to stuffed animal and like, oh, well, hello, mister,
Speaker 2: what are you doing?
Speaker 1: Hey? You know, Mike White. You know something I've learned
Speaker 1: about you as your friend and creative collaborator over the
Speaker 1: last decade is you don't like when people pretend to
Speaker 1: be movies. Yeah, you know what I don't like in
Speaker 1: movies when people pretend to talk to shit that isn't
Speaker 1: there and it serves no purpose and then the things
Speaker 1: aren't even doing anything. It is a tired And it
Speaker 1: works in literature because often in literature it's being used
Speaker 1: to convey the unreliableness of the narrator and it's done
Speaker 1: in a way where it's injected into the story in
Speaker 1: a meaningful way. Here, it's just that's all it is.
Speaker 1: That's literally all it is. There's nothing else for twenty
Speaker 1: two minutes. To your point, Father Malone's we get it. Oh,
Speaker 1: we get it. We still get it. We didn't stop
Speaker 1: getting it and we're still getting it. And what's the reveal.
Speaker 1: We still got it. I promise we get it.
Speaker 3: Yeah. This whole thing of what the dating stuff that's
Speaker 3: going on? Wow, that was a real throwback for me
Speaker 3: to see these VHS tapes and these things. Such high
Speaker 3: production value on a lot of these tapes as well,
Speaker 3: really impressive for me. But god damn, just I don't
Speaker 3: want to be on camera, so I shoot this mannequin
Speaker 3: and then my creepy neighbor I would not be a
Speaker 3: big fan. Oh yeah, I got your name off the
Speaker 3: letterbox and stuff like maybe you meet her outside, don't
Speaker 3: just randomly call this woman. But at the same time,
Speaker 3: she's such a fucking psycho. It's just, yeah, what are
Speaker 3: you doing? Oh I don't want real pets. I used
Speaker 3: to stuff the animals. Yeah, nothing worked for me in
Speaker 3: this whole thing at all. And then yeah, when the
Speaker 3: it didn't help either that the little thumbnail on plex
Speaker 3: I think had two mannequins, So I'm like, yeah, she's
Speaker 3: going to turn into me, and then we just had
Speaker 3: that Anecan episode like three or four episodes ago with yeah.
Speaker 1: Oh no, oh god, another mannequin story.
Speaker 3: Yes, I'm just like, what the fuck, man.
Speaker 1: What is it with this show, with these anthology shows
Speaker 1: and mannequin TJ Castronova.
Speaker 2: TJ Castanova knows somebody who can make mannequins that look
Speaker 2: like actors that so like, give me another mannequin episode.
Speaker 2: As far as the video dating thing, it seems like
Speaker 2: they were told that such a thing exists and then
Speaker 2: just made up their own rules, because I don't think
Speaker 2: that's the way it works. I think you make a
Speaker 2: video tape or you made a videotape because they don't
Speaker 2: do it anymore, and then one right, and then they
Speaker 2: would dupe that and then send it to prospective members
Speaker 2: that you might match. But then you would watch that
Speaker 2: videotape and go, oh, okay, this one. It's like they're sending
Speaker 2: personalized videotapes to each other. It's like this primitive form
Speaker 2: of like direct messaging. It's so weird.
Speaker 3: Hello me, I just want to tell you more about me.
Speaker 1: And I'm like, what if someone throws a letter through
Speaker 1: your window?
Speaker 2: They're a fucking yeah, you're no romantic sir.
Speaker 1: Oh sorry, you're right. I try not to. I try
Speaker 1: not to impose my will on other people against theirs.
Speaker 1: What cuckoo ass shit were they going after when they said,
Speaker 1: here's what we're gonna show at the end of it,
Speaker 1: she's just gonna be sitting there as a man to
Speaker 1: what end?
Speaker 2: If you don't engage in life, life will be taken
Speaker 2: from you?
Speaker 1: What? Yes? Okay, So now she's just like Jared Padilechia
Speaker 1: and House of Wax. You're forever just in that mannequin shell.
Speaker 1: I don't even what are the logistics of what we
Speaker 1: see happen at the end of this episode? Does the
Speaker 1: episode care? Is it just we just need to see
Speaker 1: a pair of eyes moving mannequin body and we get it,
Speaker 1: We got we got it?
Speaker 2: Okay, those are the gods wish to destroy First make mannequins.
Speaker 3: I mean, I mean mannequins worked well. That there's the
Speaker 3: space alien that goes into people and moves around and stuff.
Speaker 3: There's a great scene in a mannequin factory in that movie,
Speaker 3: and it just really helps enforce this whole idea of
Speaker 3: false fronts and false bodies and this kind of stuff,
Speaker 3: and yes, that's great, really works with the story. I
Speaker 3: think we talked during the last Mannequin episode about the
Speaker 3: classic twilight zone where the one's alive at night and
Speaker 3: to the mannequin during the day. There's the classic cinematic
Speaker 3: universe of the mannequin films. This is no mannequin film.
Speaker 3: There is no one that this is nowhere near of
Speaker 3: Kim cattrall level of performance.
Speaker 2: Where's Hollywood. He's not here. He's not going to hang
Speaker 2: around with these goddamn allkins, I'll tell you that much.
Speaker 1: Oh, this episode made me weird.
Speaker 2: Was it GW. Bailey? Was he the villain in the
Speaker 2: first this movie with fucking with James Spader?
Speaker 3: Is it James Spader in that?
Speaker 1: It's so god the other guy? Right, Yeah, it's the
Speaker 1: other dude. It's Andrew McCarthy.
Speaker 2: He's the lead. Andrew McCarthy is the lead. The villain
Speaker 2: is James Spader.
Speaker 3: Yeah, yeah, yeah, okay.
Speaker 1: Yeah yeah. I thought you were asking who the lead was.
Speaker 2: No, no, no, no, no, no.
Speaker 1: Movie.
Speaker 2: And g W. Bailey is like, is like number one,
Speaker 2: He's like a security I like.
Speaker 1: I like Maniquin. I I think I've even gone on
Speaker 1: the record saying I like Mannequin when we did the
Speaker 1: episode on it, nothing's going to stop us. Now a
Speaker 1: good movie.
Speaker 2: What are you gonna do?
Speaker 1: I mean, you got kills a Manquan. Yeah, and it's
Speaker 1: still Getty's in there.
Speaker 3: Yeah she is.
Speaker 1: Stop from my mom's shoot, what is wrong with us?
Speaker 1: There is not enough time? There is you know at
Speaker 1: the problem time for everybody else.
Speaker 2: I think the problem is that they keep throwing Mannequin
Speaker 2: episodes at us. So if they're gonna do that, I
Speaker 2: think every time we character Annequin episode from now on,
Speaker 2: we should just spend that time talking about the movie.
Speaker 1: Mannequin or the career of a stell Getty.
Speaker 2: I'll go with Mannequin.
Speaker 1: You don't want to talk about Golden Girls?
Speaker 3: What do you like?
Speaker 2: I was just gonna say, do you want to go Girls?
Speaker 3: Yes?
Speaker 1: Never even seen it, Never seen a single episode.
Speaker 3: Fantastic.
Speaker 1: All I know is that song thank You for Being?
Speaker 2: Have you not seen the episode with Quentin Tarantino dancing
Speaker 2: as an Elvis impersonator in the background.
Speaker 1: Sure rather die that. Fiona Apple story about her being
Speaker 1: in the room with Paul W. S Anderser, poul T Anderson,
Speaker 1: and Quin Tarantino caused her to never do cocaine again.
Speaker 1: That's all I think of when I think of Tarantino
Speaker 1: is just him coked up, chattering in Fiona Apple's face
Speaker 1: for like an hour or so.
Speaker 2: I don't I'm imagining p. T Anderson is actually much
Speaker 2: where oh god, probably, I mean yeah, because Tarantino is
Speaker 2: probably like having fun and making jokes, and pt Anderson's
Speaker 2: telling you how fucking serious and awesome he is.
Speaker 3: Looked at your hands, They're like, like Kubrick film.
Speaker 1: What the fuck? All right?
Speaker 2: Well, on the next episode of Midnight Viewing, we're taking
Speaker 2: a look the next two episodes of season four. Those
Speaker 2: are The Spirit Photographer and The Moth. Debbie Debbie Gibson
Speaker 2: Debbie Harris in that one. Midnight Viewing is a proud
Speaker 2: member of a Weirdingway media group. Our theme song was
Speaker 2: composed by HP with an assist by Donald Rubinstein. Till
Speaker 2: next Time. Where can people find You? Chris Dashu.
Speaker 1: Weirdingwaymedia dot Com is where I work on all the
Speaker 1: audio thang, including this show with you, Father Malone and
Speaker 1: Mike who just told I have my own podcast, just
Speaker 1: all kinds of weird weirding media Weirdingway Media. Audio can
Speaker 1: be found at Weirdingwaymedia dot com. And if you want
Speaker 1: to kick a couple dollars our way and engage financially
Speaker 1: with what we do, Patreon dot com, slash Father Malone
Speaker 1: We're aged with this show, and then slash culture Cast
Speaker 1: or slash Projection Booth and you can get some additional content.
Speaker 1: If you engage with Mike and I with Father Malone,
Speaker 1: you're just contributing to his ability to continue to do
Speaker 1: this in a meaningful way. So you know who she
Speaker 1: you should be engaging with.
Speaker 3: Engage Mike pretty much the same stuff all the way around.
Speaker 3: That's the best place for everything that you need in
Speaker 3: your life period. How about you Father them alone?
Speaker 2: Well, you're checking it out here. Midnight Viewing we're on
Speaker 2: twice a week. Everybody found the Malone Weekly round Up.
Speaker 2: That's every Sunday and or Monday, where I take a
Speaker 2: look at the new releases, new streaming releases, new theater releases.
Speaker 2: And every Friday we're either doing an Anthologies Attack or
Speaker 2: a horror anthology podcast or oh my God, we're doing
Speaker 2: Fusco Fast right now with a look at the works
Speaker 2: of John Fusco and This is not till the fall,
Speaker 2: but Paul Waller, the host of a Year in Horror podcast,
Speaker 2: and I are doing a show together called Little Old
Speaker 2: Lady Got Mutilated Late last Night that starts in October.
Speaker 2: And oh my god, folks, I've only mentioned it once
Speaker 2: over on Father Malone's a weekly round up, but Midnight
Speaker 2: Viewing is going to be doing a live show at
Speaker 2: the Silverton Casino October fourth and fifth of twenty twenty five.
Speaker 2: That's here in Las Vegas, Nevada. We're going to be
Speaker 2: participating in the Nightmare in Vegas Convention and fucking Haunted
Speaker 2: Car Show. It's going to be a fucking blast. So
Speaker 2: keep that in mind, mark your calendars, and until next time,
Speaker 2: try to enjoy the daylight.