WEBVTT

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<v Speaker 1>All right, that's super loud, and I'm only gonna get louder. Okay,

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<v Speaker 1>we go, Okay, bulky interesting development in the world of

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<v Speaker 1>off topic he might be interested in hearing. I was

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<v Speaker 1>talking with a good friend of mine, he says.

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<v Speaker 2>Uh, who listens to the show.

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<v Speaker 1>Yeah, yeah, he started listening to the show. He likes

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<v Speaker 1>what we're about. He appreciates our opinions on movies. But

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<v Speaker 1>he had an interesting criticism that I wanted to run

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<v Speaker 1>past year.

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<v Speaker 2>Uh.

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<v Speaker 1>He tells me that it's ridiculous that we are not

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<v Speaker 1>spoiling these movies for people. That he said. People want

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<v Speaker 1>confirmation that a movie either sucked or was awesome, and

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<v Speaker 1>they want to hear other reviewers talk about whether what

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<v Speaker 1>are the things that they liked and the things they

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<v Speaker 1>didn't like. He was listening to our weapons episode, and

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<v Speaker 1>there's a there's a lot of twists and turns as

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<v Speaker 1>to how we get there, and like in a in

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<v Speaker 1>a non linear fashion in that movie. Go ahead, do you.

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<v Speaker 2>Feel like I mean, as far as like review, I mean,

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<v Speaker 2>we still tell you whether we liked it or didn't

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<v Speaker 2>like it, or whether it was good or bad without

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<v Speaker 2>the spoilers.

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<v Speaker 1>Right, Yeah, to an extent, yes.

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<v Speaker 2>And so that we need more feedback on like are

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<v Speaker 2>people listening to this show prior to seeing the movie?

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<v Speaker 1>Yeah?

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<v Speaker 2>Or are are they listening to it, you know, after

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<v Speaker 2>the fact, after the fact, or are they listening to

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<v Speaker 2>it to like Okay, I'm gonna see what what Ben

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<v Speaker 2>and Balky say about this movie before I decide to

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<v Speaker 2>go see it, right, Yeah, you know, And and I

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<v Speaker 2>don't know how people because everybody consumes media differently.

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<v Speaker 1>Yes, there's a I mean, we obviously don't have the

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<v Speaker 1>time nor dexterity to do it. There's a handful of

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<v Speaker 1>people that do a spoiler free one and then a

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<v Speaker 1>spoiler one like saying like check this out. I want

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<v Speaker 1>to determine. They do two of them, but like they're

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<v Speaker 1>only six or seven minutes long. It's kind of a

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<v Speaker 1>quick one hitter about what's happening, and then he's like,

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<v Speaker 1>can come back after. I think it's like Jeremy John's

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<v Speaker 1>or something like that. He's one of the more prominent

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<v Speaker 1>YouTube viewers right now, and not mad. It's just that's

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<v Speaker 1>somebody who who has opinions that remain pretty consistent. And

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<v Speaker 1>then he's like, come back after you see it. Nutes yeah, okay, yeah,

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<v Speaker 1>and then and then see what I thought about it

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<v Speaker 1>and what parts ticked me off and what parts did

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<v Speaker 1>and I'm like, well, that's an interesting take on it,

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<v Speaker 1>for sure. But the end of the day, it's all

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<v Speaker 1>about consistency, right, Like, as long as your voice is

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<v Speaker 1>consistent in what you like and don't mind, I think

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<v Speaker 1>we can.

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<v Speaker 2>We can explore doing more spoiler stuff, you know, in

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<v Speaker 2>future episodes. I think for this one, as as you

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<v Speaker 2>alluded to in our conversation about this movie, Pogonia, Pogonia

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<v Speaker 2>it is, it would be a disservice to do any

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<v Speaker 2>spoilers for this one.

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<v Speaker 1>Yeah, it would be like saying, oh, by the way,

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<v Speaker 1>Tyler Durden is is two people pretendingly, you know, like

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<v Speaker 1>it's kind of like a similar idea. The whole thing

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<v Speaker 1>is built on almost like a will they won't they

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<v Speaker 1>kind of moment, and so I would hate to ruin

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<v Speaker 1>that for the purposes of this movie. But maybe going

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<v Speaker 1>forward we we will announce at the beginning of the

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<v Speaker 1>episode where we'll let you into Dell so so And.

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<v Speaker 2>Here's the Here's the great thing about it is you

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<v Speaker 2>have to download it to find out whether we're going

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<v Speaker 2>to spoil it or not, and then if you choose

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<v Speaker 2>not to listen to it, that's fine because we got

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<v Speaker 2>your down. We we're good on that then. So so yeah,

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<v Speaker 2>it makes perfect sense. So this movie was now number Okay,

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<v Speaker 2>so let's just set the listeners up here. This is

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<v Speaker 2>a film by I don't know, I guess famed director.

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<v Speaker 2>Would you would you say famed the director? His name is.

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<v Speaker 2>I want to make sure I'm pronouncing it right. Yourgos

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<v Speaker 2>lanthemos yeky solid Greek individual? Is he Greek?

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<v Speaker 1>You listen to that man? That's Greek as hell?

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<v Speaker 2>Okay, Yeah, he is Greek? Okay, sorry and uh. It

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<v Speaker 2>is a English language remake of the South Korean film

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<v Speaker 2>which came out twenty two years ago called Save the

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<v Speaker 2>Green Planet Okay by Jun Huan Jang or or Jang

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<v Speaker 2>Jun Huan is is the person who directed that. This

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<v Speaker 2>movie follows the story of two young men. Okay, that

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<v Speaker 2>kidnap a CEO of a very powerful pharmaceutical company, believing

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<v Speaker 2>that she is secretly an alien who is hell bent

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<v Speaker 2>on destroying Earth.

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<v Speaker 1>Okay. Yes.

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<v Speaker 2>It stars Emma Stone, Jesse Flemons, Aiden, Delvis Stavros, Hukias.

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<v Speaker 1>Yep from another solid Greek.

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<v Speaker 2>From the Yeah, I wonder if they if that's why

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<v Speaker 2>he he hosts the Cometown podcast or actually he used

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<v Speaker 2>to was one of the.

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<v Speaker 1>I was wondering why this sounds like I'm being ironic.

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<v Speaker 1>I've never listened to the podcast, but he's popped up

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<v Speaker 1>on my social media's in like thirty seconds.

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<v Speaker 2>Comic he's a comic.

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<v Speaker 1>Yeah.

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<v Speaker 2>And then Alicia Silverstone is in this as well.

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<v Speaker 1>Yeah.

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<v Speaker 2>Okay, so let's get into this. Number one. Does this

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<v Speaker 2>and I know it came out in late October early November.

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<v Speaker 2>Does this feel like it has any holds any water

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<v Speaker 2>as far as award season goes?

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<v Speaker 1>Oh my god, totally yes. Really, I'm already seen Movie

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<v Speaker 1>of the Year buzz going around.

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<v Speaker 2>I saw that too, but I never you know, I

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<v Speaker 2>never really buy into this.

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<v Speaker 1>Oh, it could be off topic with Ben and Bulky

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<v Speaker 1>say this is the movie the year?

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<v Speaker 2>You know what I mean?

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<v Speaker 1>Like, there's so many different groups that do this that

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<v Speaker 1>you can pull out clip.

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<v Speaker 2>There was a movie that came out as based on

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<v Speaker 2>a Steve Martin novella called shop Girl. This this came out,

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<v Speaker 2>I don't know, dude, like twenty some years ago. Starts

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<v Speaker 2>Steve Martin and Claire Danes okay, okay, And I remember

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<v Speaker 2>the buzz on this was like, oh my god, that

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<v Speaker 2>Steve Martin is gonna win. He's a shoe in for

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<v Speaker 2>you know, Best Original screen or Best Adapted Screenplay. And

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<v Speaker 2>Claire Danes is going to be hard to beat. At

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<v Speaker 2>Oscar time, neither one of them were.

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<v Speaker 1>Nomine Yeah, I remember that movie, Like that goes to

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<v Speaker 1>show you how you don't remember of the zeitgeist. It

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<v Speaker 1>really impacted. There's nothing there.

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<v Speaker 2>So then for a film that comes out this early

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<v Speaker 2>in October, yeah, I'm like, I have my concerns, but

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<v Speaker 2>you believe, like, okay, this this has some staying power.

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<v Speaker 1>There's some stay in power there. It's based the original.

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<v Speaker 1>The Korean version of this movie is actually much more

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<v Speaker 1>popular amongst film people than I realized.

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<v Speaker 2>Fun fact, jinhu Jang, who directed the original, was slated

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<v Speaker 2>to direct this one as well. Oh wow, And then

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<v Speaker 2>he bowed out, like the wheel started getting in motion

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<v Speaker 2>in this five years ago for this Pogonia flick. And

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<v Speaker 2>then somehow there was a directorial change and he was

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<v Speaker 2>out and Lanthimos took over, which I thought was I mean,

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<v Speaker 2>I've never seen any of Jang's movies, so I can't

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<v Speaker 2>compare it, but I do know what Lanthemos is capable of, right,

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<v Speaker 2>and he didn't disappoint.

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<v Speaker 1>Yeah, I would agree. And it's interesting because, like I

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<v Speaker 1>don't know if you've ever seen Battle Royale, which is

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<v Speaker 1>it's a Korean take on Hunger Games, Like you watch

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<v Speaker 1>it and they put a bunch of it, and it

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<v Speaker 1>came out before Hunger Games. I think that's probably an

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<v Speaker 1>important distinction here, and I would argue, if you're comfortable

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<v Speaker 1>reading a movie instead of watching a movie, pound for pound,

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<v Speaker 1>it's way better than Hunger Games. Seeing this movie and

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<v Speaker 1>hearing that it was a more gritty, realist take on

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<v Speaker 1>the Originals movie makes me want to see the Korean

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<v Speaker 1>version of it because I am a fan of the

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<v Speaker 1>weird and the strange and the unusual, and this movie

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<v Speaker 1>has that in spades. But when people ask me, John

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<v Speaker 1>Jordan walked past, He's like, you saw Bagonia, what'd you think?

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<v Speaker 1>I said, if I had to give you a way, no, okay,

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<v Speaker 1>And I said, if I had to give you a

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<v Speaker 1>one sentence review, it was it was an incredibly strange movie.

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<v Speaker 1>I liked it quite a bit, but I wish it

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<v Speaker 1>were stranger, like there was a lot.

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<v Speaker 2>Just what you said. Somebody told you that, wasn't it.

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<v Speaker 2>Somebody at the theater.

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<v Speaker 1>Told you, yes, yes, the ticket taker said it. And

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<v Speaker 1>then I went in there. Whether she poisoned my belief

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<v Speaker 1>or otherwise, I was sitting there expecting it to get

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<v Speaker 1>a little more loopy, and it most certainly does at times.

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<v Speaker 1>It'll keep you on the edge of your seat. And

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<v Speaker 1>we'll get more into that in the second in a

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<v Speaker 1>very suspenseful kind of way. But say, hearing this described

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<v Speaker 1>is a gritty, realistic take. Maybe it's because again diving

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<v Speaker 1>into the subtext here, a lot of parallels between the

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<v Speaker 1>real world and today with conspiracy theorists and doing your

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<v Speaker 1>own research and jumping to conclusions based on your own

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<v Speaker 1>preconceived notions, a lot of a lot of parallels, or

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<v Speaker 1>at least I see them given my line of work.

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<v Speaker 1>Maybe that that that exists in the real world here,

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<v Speaker 1>But definitely I wouldn't describe it as realistic at times,

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<v Speaker 1>But here we are.

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<v Speaker 2>There was another like this is sort of like another

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<v Speaker 2>have and have not conflict to an extent that we

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<v Speaker 2>saw on roof. Man, I feel like this this has

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<v Speaker 2>been a recurring theme. Good Fortune was the other one.

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<v Speaker 1>Yeah, realistically, almost anything long walk long Walk, Yeah, the

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<v Speaker 1>long Walk Running Man is going.

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<v Speaker 2>To be there totally. When does that come up?

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<v Speaker 1>By the fourteenth, So we got a week that we

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<v Speaker 1>have to figure it out.

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<v Speaker 2>I have some ideas for our next perfect We'll get

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<v Speaker 2>to that at the end. Okay, So realistic take the

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<v Speaker 2>way that this was set. Okay, So here's the other

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<v Speaker 2>thing I wanted to bring up with you. It is

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<v Speaker 2>clear in this movie that and we're not spoiling anything.

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<v Speaker 2>Jesse Plemmons his character, and Aiden delviis his character. These

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<v Speaker 2>are the two that are are the conspiracy theorists, right,

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<v Speaker 2>and really, if you look at this, Plemmons is the

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<v Speaker 2>guy that's guiding Don Teddy. Teddy is guiding his cousin Don,

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<v Speaker 2>who is clearly has an intellectual.

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<v Speaker 1>Best performance in the movie in my opinion.

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<v Speaker 2>Now, did you know this Aiden Delvis is on the

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<v Speaker 2>autism spectrum? I did not guess thats so he and

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<v Speaker 2>this is like his first feature film.

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<v Speaker 1>He was phenomenal.

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<v Speaker 2>He was really good. He was phenomenal, and and perhaps

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<v Speaker 2>the reason he was so good was because he wasn't acting. Yeah, well,

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<v Speaker 2>I mean, he was acting, but but he actually has autism.

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<v Speaker 1>It's it's the same idea. So I grew up, I

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<v Speaker 1>worked at a summer camp for kids with disabilities, So

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<v Speaker 1>it's always in the back of my mind when people

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<v Speaker 1>are being jerks about it. I remember back in two

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<v Speaker 1>thousand and eight when Johnny Knoxville's The Ringer came out

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<v Speaker 1>and everybody was ready to crap on that movie because

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<v Speaker 1>it used people with real special needs and he was

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<v Speaker 1>competing against him in the Olympics. Yep, every single one

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<v Speaker 1>of those people have gone on to be seen in

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<v Speaker 1>other movies, and everyone at that camp that was all

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<v Speaker 1>the counselor's favorite movie of the side, Like I love

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<v Speaker 1>that movie. And this followed, I love when they actually

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<v Speaker 1>get the people. I'd rather you find somebody with the

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<v Speaker 1>deficiency put them in the in the role rather than

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<v Speaker 1>have somebody who has developed in a more normal way

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<v Speaker 1>trying to pretend.

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<v Speaker 2>And this goes back to the I mean, there's a

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<v Speaker 2>debate should straight actors play gay characters, should gay characters

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<v Speaker 2>play straight or should gay actors play straight? You know,

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<v Speaker 2>and and I don't know, Like for me, it's kind

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<v Speaker 2>of like, if you're good, you're good.

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<v Speaker 1>Yes, do it. That's a little different to me. I

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<v Speaker 1>feel like you can swing back. Yeah, that's a different

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<v Speaker 1>question in my opinion at the very least. But that's

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<v Speaker 1>a fair point. That's definitely a fair point. You're making

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<v Speaker 1>me questions.

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<v Speaker 2>Yeah, I still see it on the on the same

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<v Speaker 2>plane field. Yeah, and maybe I shouldn't, but but I

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<v Speaker 2>still see that. Not that again. I don't want to

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<v Speaker 2>get bogged down in that. Yeah, that's what this is.

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<v Speaker 1>In any event, This isn't outside the box conference a thousand.

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<v Speaker 1>But I want to say, in a movie where Jesse

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<v Speaker 1>Plemons and Emma Stone were phenomenal, uh, they weren't the

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<v Speaker 1>best performance in my opinion, And I didn't even know

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<v Speaker 1>that he was when I came out of the movie

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<v Speaker 1>thinking that, I'm like, no, that guy will see him

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<v Speaker 1>again and stuff, because uh, I thought I thought he

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<v Speaker 1>played the role very well, very clearly representative of He

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<v Speaker 1>goes with the flow right, Like you said, they're both

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<v Speaker 1>conspiracy theorists realistically, one of his and one guy's looking

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<v Speaker 1>for something to believe him.

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<v Speaker 2>Well, he he talks about how how much Don talks

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<v Speaker 2>about how special Teddy is to him and how much

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<v Speaker 2>he loves him, so he's clearly just you know, is

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<v Speaker 2>clinging on to whatever Teddy's telling him, like you know,

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<v Speaker 2>and then Teddy kind of I don't think there's a

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<v Speaker 2>whole lot of mental abuse that he does to that character,

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<v Speaker 2>to Don, but there is a certain amount of like

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<v Speaker 2>I for selfish reasons, Yeah, I need somebody else to

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<v Speaker 2>help me with this, and and and he is is

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<v Speaker 2>the guy he chooses. Now, more casting stuff before we

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<v Speaker 2>get into the actual plot. Alicia Silverstone, you said you

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<v Speaker 2>didn't even recognize it, didn't recognize her. Now she's basically

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<v Speaker 2>in what three scenes I want to say, probably.

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<v Speaker 1>Not probably not ninety seconds cumulatively in the movie.

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<v Speaker 2>Oh yeah, for sure, it's more than ninety seconds. Yeah.

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<v Speaker 2>I don't want to get into this whole argument again,

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<v Speaker 2>but it's definitely more than ninety seconds. A right, fine,

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<v Speaker 2>the first scene alone that she's in that that has

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<v Speaker 2>to be more.

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<v Speaker 1>Than maybe I just maybe I was just like, okay,

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<v Speaker 1>I get it.

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<v Speaker 2>All right. So so she plays Eddy's mom Teddy's mom

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<v Speaker 2>in it. And then the other guy that Stavros I

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<v Speaker 2>can't remember what his name was, the podcast host. Yes,

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<v Speaker 2>and that's basically the cast man. Yep is it's very tight.

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<v Speaker 2>It's it's you get great character development. I thought for

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<v Speaker 2>for Plemmon's character. I thought the character development for Don

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<v Speaker 2>was really good too. For Iden Delvis and uh, you

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<v Speaker 2>know Amma Stone, she her her performance was good, Like

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<v Speaker 2>it was fine. I didn't. I didn't really, I'm I mean,

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<v Speaker 2>I don't know. It's you want to know.

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<v Speaker 1>What's stuck out about it to me is it's one

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<v Speaker 1>of the first times that I have ever seen like

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<v Speaker 1>there was no damsel in distress elements to what she

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<v Speaker 1>was Like. She did it in a very there was

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<v Speaker 1>almost no panic, which when you hear about CEOs and like,

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<v Speaker 1>there's a very cold, clinical attitude that they take, and

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<v Speaker 1>she kind of maintains that even when she's chained up

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<v Speaker 1>in a basement with a couple of people that are

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<v Speaker 1>clearly a bit nuts.

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<v Speaker 2>Yes, clearly I think that that you have to understand there.

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<v Speaker 2>I was never expecting a damsel in distress based on

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<v Speaker 2>the opening what twenty minutes of the film. Sure, she

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<v Speaker 2>is a massive alpha yeah, you know, like woman man,

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<v Speaker 2>it doesn't matter. Like she is in control of every

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<v Speaker 2>aspect of her life. And you knew that she didn't

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<v Speaker 2>get there by being a Patsy or anything like that.

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<v Speaker 2>So the way that she reacted was totally the way

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<v Speaker 2>I would expect her to react. Now, I will say,

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<v Speaker 2>the performance goes where you know, she is believed by

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<v Speaker 2>these two guys to be an alien, that is that

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<v Speaker 2>is trying to destroy earth, right, put, I'm gonna ask

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<v Speaker 2>you this question every podcast? Who are you in this movie?

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<v Speaker 1>Ben? See? There there weren't enough characters. Probably I'm a

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<v Speaker 1>stone right to a certain extent. But there there's one

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<v Speaker 1>line where she talks about winners and losers, which isn't

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<v Speaker 1>how I'm wired. So like that that was distinct from

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<v Speaker 1>from who I am. But what's funny is is you,

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<v Speaker 1>if you ask my listeners, I'm probably closer to Teddy

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<v Speaker 1>than anybody, just because, like I will acknowledge, I'm like,

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<v Speaker 1>you know, there's probably some I mean, the hell, how

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<v Speaker 1>many times do you joke with me that I'm the

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<v Speaker 1>conspiracy theory. I'll tell you that sports are ring, right,

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<v Speaker 1>and I'll deal with all this kind of stuff. That's

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<v Speaker 1>the kind of first who he is to the nth degree,

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<v Speaker 1>of course.

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<v Speaker 2>But you would never go to the nth degree like

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<v Speaker 2>he is.

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<v Speaker 1>Yeah, right, unless, of course I knew Chauncey Phillips rigged

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<v Speaker 1>it in favor of Green.

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<v Speaker 2>They wouldn't go to them. Okay, so I will say

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<v Speaker 2>one of the at least for me, you go back

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<v Speaker 2>and forth in this. I think there is a good

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<v Speaker 2>long period of this film where I believe that this

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<v Speaker 2>is a commentary on conspiracy theorists in general. Yes, right,

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<v Speaker 2>and this guy is clearly unhinged. You see kind of

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<v Speaker 2>why he's unhinged and how that character became to be

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<v Speaker 2>the person that he is in this movie. And then

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<v Speaker 2>it switched at some point, and I don't know exactly when.

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<v Speaker 2>It wasn't just it wasn't like a flip of the

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<v Speaker 2>switch where all of a sudden I'm like, God, is

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<v Speaker 2>she an alien? Yeah, it was more of like a transition,

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<v Speaker 2>and there was maybe there was just some clues laid

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<v Speaker 2>in some of the scenes, and I'm kind of wondering.

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<v Speaker 2>I'm like, well, this is not what a human would do,

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<v Speaker 2>is it? And but I still never really question And

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<v Speaker 2>then towards the end you really question it. You're like, Okay,

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<v Speaker 2>I can't believe I'm saying this are the conspiracy theorists

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<v Speaker 2>right in this? And I'll give you the spoiler you

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00:16:16.639 --> 00:16:19.240
<v Speaker 2>find out one way or the other in this which

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<v Speaker 2>was satisfying to memm that that we found out you know,

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00:16:23.120 --> 00:16:27.600
<v Speaker 2>who was correct, who was not correct. And I do

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<v Speaker 2>think now that I you know, you talk about Emma

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<v Speaker 2>Stone's performance. For her to go back and forth of

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<v Speaker 2>threatening these guys than placating them, then admitting that she

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<v Speaker 2>was an alien, you don't know if that's the truth.

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<v Speaker 2>You don't know if she's messing with them. I think

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<v Speaker 2>clearly she's on a higher intellectual level sure than both

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<v Speaker 2>of these two guys are. And so you don't know,

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<v Speaker 2>so from that standpoint, and you know, and keeping you

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<v Speaker 2>wondering whether she is, you know, some sort of being

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<v Speaker 2>from outer space that's you know, in a human body.

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<v Speaker 2>I think from that standpoint, her performance was really good

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<v Speaker 2>and I, you know, thinking about it now, it's just like,

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<v Speaker 2>think about all the different ways she has to play

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<v Speaker 2>this character in order for the audience to be on

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<v Speaker 2>the edge of their seats, guessing themselves, trying to figure

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<v Speaker 2>it out themselves this whole time too. So while I

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<v Speaker 2>thought that Plemmons, I was more interested in him as

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<v Speaker 2>the movie went on, obviously you get much more interested

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<v Speaker 2>in Emma Stone's character. And its Michelle Fuller, which was

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<v Speaker 2>her name.

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<v Speaker 1>Yeah, and it's a much more impressive feat to keep

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<v Speaker 1>people on the edge of their seat when it's a

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<v Speaker 1>slow burn like this movie is. There were So I

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<v Speaker 1>went on a Monday as opposed to a Tuesday. I

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<v Speaker 1>normally catch the five dollars movies, which pulls more people out. Yep.

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<v Speaker 1>I was in a theater with four people today, which

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<v Speaker 1>is Monday, so that's not my normal experience. In preparation

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<v Speaker 1>for this show, I found myself in the first thirty minutes,

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<v Speaker 1>I was like, what were people saying about this movie

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<v Speaker 1>because it was so slow? And some people were like

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<v Speaker 1>I got forty five minutes in and walked out, uh

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<v Speaker 1>oh really yes, wow because it was just too slow.

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<v Speaker 1>I'm like, okay, well, like I wasn't ever considering that

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<v Speaker 1>part of it, but just to get a feel for it.

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<v Speaker 1>And so apparently a lot of people. I don't know

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<v Speaker 1>if it's the short attention span we always hear about

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<v Speaker 1>right now or what it is. Yeah, but to me,

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<v Speaker 1>and I'm not saying it was on that level, but

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<v Speaker 1>to me, the master of slow scenes where nothing happens,

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<v Speaker 1>punctuated with intense violence or a jaw dropping moment is

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<v Speaker 1>Quentin Tarantino?

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<v Speaker 2>Yes, but and he does it too. I mean, I'll

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<v Speaker 2>say this, you finish your thought here, and then I

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<v Speaker 2>have some stuff to say about Tarantino as opposed to

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<v Speaker 2>Lathemos here. Yeah, and by the way, weapons, didn't we

382
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<v Speaker 2>also get the title card for weapons like twenty five minutes?

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<v Speaker 1>Yeah, for sure, keep going on. But I say all

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<v Speaker 1>that to say, like, you take inglorious bastards. For example,

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<v Speaker 1>in the first scene with the jew Hunter, and at

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<v Speaker 1>one point the guy's lighting his pipe. Now they're emphasizing

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<v Speaker 1>him lighting the pipe because the pipe is an important

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<v Speaker 1>part of that scene if you've ever seen the movie.

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<v Speaker 1>But when you're watching it and you don't know where

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00:19:06.720 --> 00:19:08.519
<v Speaker 1>the scene is building, you're like, why am I watching

391
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<v Speaker 1>this guy light a pipe for forty five goddamn seconds?

392
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<v Speaker 1>Like this movie's two and a half hours long. We

393
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<v Speaker 1>really didn't have to make this that long. I felt

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00:19:15.799 --> 00:19:18.400
<v Speaker 1>myself feeling that way, And I don't feel like this

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00:19:18.519 --> 00:19:22.160
<v Speaker 1>film here kind of mastered that art as much as

396
00:19:22.200 --> 00:19:25.960
<v Speaker 1>Tarantino did. But at the same time, once it got going,

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00:19:26.319 --> 00:19:28.480
<v Speaker 1>I was in for the rod. Yeah, but it does

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<v Speaker 1>take a second several seconds for you to get there.

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<v Speaker 2>So regarding the Tarantino thing, like, listen, I think I

400
00:19:37.400 --> 00:19:42.440
<v Speaker 2>have made up my mind that everything he makes as gold. Yeah,

401
00:19:42.559 --> 00:19:45.559
<v Speaker 2>you know, I just I can't unbiasedly talk about him. Sure,

402
00:19:45.720 --> 00:19:51.000
<v Speaker 2>his personal assistant I play in a fantasy football league with. Yeah,

403
00:19:50.599 --> 00:19:53.839
<v Speaker 2>and she was going to be a guest on my

404
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<v Speaker 2>show one night.

405
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<v Speaker 1>Uh huh.

406
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<v Speaker 2>And this was many years ago. And I get a

407
00:19:58.680 --> 00:20:00.960
<v Speaker 2>phone call about fifteen minute it's before we go we're

408
00:20:01.000 --> 00:20:04.319
<v Speaker 2>going live, and on the caller I d is landline.

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<v Speaker 2>It was my cell phone. On the caller ID Quentin Tarantino.

410
00:20:07.599 --> 00:20:12.039
<v Speaker 2>I'm like what and she was She's like, hey, listen,

411
00:20:12.079 --> 00:20:13.759
<v Speaker 2>I might be a few minutes late. I'm showing some

412
00:20:13.880 --> 00:20:17.839
<v Speaker 2>woman around Quinton's place, so so don't don't worry if

413
00:20:17.839 --> 00:20:19.599
<v Speaker 2>I don't pop on right away. I'm like, oh, that's

414
00:20:19.640 --> 00:20:22.880
<v Speaker 2>pretty nice that you're just, you know, some sexual conquest

415
00:20:22.960 --> 00:20:25.720
<v Speaker 2>for Tarantino. You're giving a tour of his pad in

416
00:20:25.799 --> 00:20:31.799
<v Speaker 2>Malibu or whatever. Okay, So regards to Tarantino, I think

417
00:20:31.839 --> 00:20:34.319
<v Speaker 2>that he a lot of the stuff he does, at

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00:20:34.359 --> 00:20:39.240
<v Speaker 2>least his later works. To me, maybe I'm just too stupid, Ben, Yeah,

419
00:20:39.480 --> 00:20:42.160
<v Speaker 2>but to me, a lot like hateful late there are

420
00:20:42.200 --> 00:20:46.640
<v Speaker 2>some long stretches in that movie Jackie Brown, I think

421
00:20:46.640 --> 00:20:48.480
<v Speaker 2>to a certain extent as well, which I know is

422
00:20:48.480 --> 00:20:52.039
<v Speaker 2>not one of his later works. Stuff I didn't need

423
00:20:52.079 --> 00:20:54.720
<v Speaker 2>to see. Sure, I'm just and like, I didn't understand

424
00:20:54.759 --> 00:21:00.720
<v Speaker 2>the point of it. It wasn't setting up anything. What

425
00:21:00.799 --> 00:21:04.640
<v Speaker 2>was the one the DiCaprio one Once upon time in

426
00:21:04.640 --> 00:21:07.759
<v Speaker 2>Hollywood had those moment like that, the whole Brad Pitt

427
00:21:07.880 --> 00:21:12.920
<v Speaker 2>scene with Bruce Dern is that I'm like, Jesus, what

428
00:21:13.000 --> 00:21:14.720
<v Speaker 2>in the hell is just?

429
00:21:15.160 --> 00:21:17.240
<v Speaker 1>And I felt like, but see, the thing is, I

430
00:21:17.279 --> 00:21:20.799
<v Speaker 1>think it's what's built into our subconsciousness. It's Tarantinos, so

431
00:21:20.839 --> 00:21:22.720
<v Speaker 1>I know it's going somewhere I didn't have.

432
00:21:22.799 --> 00:21:24.720
<v Speaker 2>But my point is that it doesn't always go somewhere

433
00:21:24.759 --> 00:21:27.000
<v Speaker 2>with him like that that went nowhere, but.

434
00:21:26.920 --> 00:21:29.640
<v Speaker 1>The overarching you know the movie. At some point you're

435
00:21:29.720 --> 00:21:31.200
<v Speaker 1>going to come out of that movie and be like,

436
00:21:31.480 --> 00:21:32.160
<v Speaker 1>I enjoyed that.

437
00:21:32.720 --> 00:21:34.519
<v Speaker 2>He always pays pays off the audience.

438
00:21:34.640 --> 00:21:36.319
<v Speaker 1>Yes, you don't have that guarantee with you.

439
00:21:36.400 --> 00:21:39.279
<v Speaker 2>You don't because you don't know exactly. And and now

440
00:21:39.319 --> 00:21:42.039
<v Speaker 2>I'm thinking the way that you know, because I've been

441
00:21:42.079 --> 00:21:44.440
<v Speaker 2>watching a lot more movies since we started doing this podcast.

442
00:21:44.759 --> 00:21:49.200
<v Speaker 2>Now I'm thinking, like it is just a normal not

443
00:21:49.319 --> 00:21:51.559
<v Speaker 2>plot device. What am I trying to say here? A

444
00:21:51.720 --> 00:21:58.160
<v Speaker 2>normal aspect of modern cinema to have just these slow

445
00:21:58.279 --> 00:22:03.200
<v Speaker 2>paces movie scenes where all of a sudden all hell

446
00:22:03.240 --> 00:22:09.000
<v Speaker 2>breaks loose because it enhances the the the drama and

447
00:22:09.000 --> 00:22:12.119
<v Speaker 2>and the sharp I agree, you know, And I feel

448
00:22:12.119 --> 00:22:14.039
<v Speaker 2>like I've been bringing that up a lot of the

449
00:22:14.119 --> 00:22:16.400
<v Speaker 2>last four or five episodes, and I just think that's

450
00:22:16.400 --> 00:22:18.839
<v Speaker 2>what people do now. Now, whether that's a commentary as

451
00:22:18.880 --> 00:22:23.680
<v Speaker 2>you were saying earlier on people's expans or whatever, this

452
00:22:23.759 --> 00:22:27.079
<v Speaker 2>is the way you have to shock people. But these directors,

453
00:22:27.079 --> 00:22:30.519
<v Speaker 2>these screenwriters, these actors, editors, cinematographers, whatever you want to say.

454
00:22:30.640 --> 00:22:33.640
<v Speaker 2>They know they have you in the dark for two hours, right,

455
00:22:34.160 --> 00:22:36.880
<v Speaker 2>and how they utilize those two hours is up to them.

456
00:22:37.200 --> 00:22:39.799
<v Speaker 2>And I think that that a lot of people have

457
00:22:39.880 --> 00:22:43.160
<v Speaker 2>gone to this aspect of listen, we're gonna bore you

458
00:22:43.200 --> 00:22:44.799
<v Speaker 2>to death, to the point where like, God, I can't

459
00:22:44.799 --> 00:22:47.319
<v Speaker 2>believe I'm watching this till all of a sudden something happens.

460
00:22:47.319 --> 00:22:50.039
<v Speaker 2>You're like, that's why they did it? Yeah, And I

461
00:22:50.039 --> 00:22:53.160
<v Speaker 2>think there was at least two or three that's why

462
00:22:53.160 --> 00:22:54.480
<v Speaker 2>they did it. Moments in this film.

463
00:22:54.519 --> 00:22:56.400
<v Speaker 1>Oh sure, Yeah, I can think of at least three

464
00:22:56.480 --> 00:22:58.319
<v Speaker 1>right off the top of my head. So I did.

465
00:22:58.359 --> 00:23:01.200
<v Speaker 1>That feels like a fair assessment that it's It's an

466
00:23:01.240 --> 00:23:03.839
<v Speaker 1>interesting way to approach it. I understand that it's not

467
00:23:03.960 --> 00:23:06.519
<v Speaker 1>going to be for everybody. Yeah, that's kind of what

468
00:23:06.599 --> 00:23:08.759
<v Speaker 1>I leaned into when I said I expected it to

469
00:23:08.759 --> 00:23:11.599
<v Speaker 1>be weirder, Like there's probably a solid hour where it

470
00:23:11.720 --> 00:23:13.559
<v Speaker 1>just feels like a normal hostage movie.

471
00:23:13.799 --> 00:23:15.640
<v Speaker 2>Yeah, and uh, to be real.

472
00:23:15.920 --> 00:23:19.559
<v Speaker 1>Uh. Jesse Plemans plays Todd in the final in the

473
00:23:19.599 --> 00:23:22.160
<v Speaker 1>final season of Breaking Bad with Jesse in the.

474
00:23:22.240 --> 00:23:26.240
<v Speaker 2>Here's the difference. Here's the difference. There was much more

475
00:23:26.440 --> 00:23:29.200
<v Speaker 2>emotion in this film with Teddy.

476
00:23:29.680 --> 00:23:30.839
<v Speaker 1>Yeah, with Todd, okay.

477
00:23:31.559 --> 00:23:35.240
<v Speaker 2>Todd was was very emotionless and very la fair with

478
00:23:35.240 --> 00:23:37.279
<v Speaker 2>with a lot of stuff. But Teddy was not.

479
00:23:37.480 --> 00:23:41.119
<v Speaker 1>But okay, eventually, when what you think about when they

480
00:23:41.119 --> 00:23:42.960
<v Speaker 1>first meet, though, he's like, put the lotion on you.

481
00:23:43.039 --> 00:23:45.480
<v Speaker 1>It's very clinical. He puts a suit on. He's like,

482
00:23:45.519 --> 00:23:47.680
<v Speaker 1>we're gonna be a normal We're gonna we're gonna be

483
00:23:47.720 --> 00:23:51.240
<v Speaker 1>professional about this. There is an element of institutionalized. I

484
00:23:51.319 --> 00:23:55.640
<v Speaker 1>compare it to uh, what what's what's the terminus in walking,

485
00:23:55.920 --> 00:23:58.359
<v Speaker 1>walking dead, where like they're knocking people in the back

486
00:23:58.359 --> 00:24:00.319
<v Speaker 1>of the head, slitting their throats in the traw and

487
00:24:00.359 --> 00:24:02.440
<v Speaker 1>then three people just show up, like how many bodies

488
00:24:02.519 --> 00:24:04.279
<v Speaker 1>you have? They're like fourteen, They're like okay, and the

489
00:24:04.440 --> 00:24:07.279
<v Speaker 1>Mark it's not evil, it's just food. And that was

490
00:24:07.400 --> 00:24:10.039
<v Speaker 1>kind of how Todd carried himself with Jesse, and that's

491
00:24:10.079 --> 00:24:14.079
<v Speaker 1>how Jesse Plemons Teddy carries himself with Emma Stone in

492
00:24:14.119 --> 00:24:17.240
<v Speaker 1>this movie as well. Not to say he's typecaster doesn't

493
00:24:17.279 --> 00:24:19.119
<v Speaker 1>have any range, but I think he would find a

494
00:24:19.160 --> 00:24:21.759
<v Speaker 1>lot of parallels between the Civil War.

495
00:24:21.839 --> 00:24:25.039
<v Speaker 2>Right, Yes, wasn't he sort of an unfeeling cold hearted.

496
00:24:24.960 --> 00:24:26.640
<v Speaker 1>Yeah, for the I know you're gonna knock me. For

497
00:24:26.680 --> 00:24:28.640
<v Speaker 1>the ninety seconds he was in that movie.

498
00:24:28.400 --> 00:24:31.119
<v Speaker 2>Well he was hard. Yeah, Okay, realize, Yeah he's.

499
00:24:30.960 --> 00:24:34.079
<v Speaker 1>The best part of the movie. Yes, yeah, she's the

500
00:24:34.119 --> 00:24:37.359
<v Speaker 1>main actress, but he's in it. He plays the best

501
00:24:37.440 --> 00:24:40.640
<v Speaker 1>kind of racist, like just like he makes you feel

502
00:24:40.680 --> 00:24:42.279
<v Speaker 1>it even as a white guy watch him, like, oh,

503
00:24:42.400 --> 00:24:44.559
<v Speaker 1>this is gonna be bad for these people, Like the

504
00:24:44.640 --> 00:24:47.400
<v Speaker 1>second he shows up on the scene and he is

505
00:24:47.599 --> 00:24:51.839
<v Speaker 1>You could even go to a game night with Rachel

506
00:24:51.880 --> 00:24:54.640
<v Speaker 1>McAdams and Jason Bateman a comedy movie. He plays the

507
00:24:54.640 --> 00:24:57.240
<v Speaker 1>next door neighbor. He recently left him, and he was

508
00:24:57.240 --> 00:25:00.720
<v Speaker 1>the creepy monotone guy who holds the little dog like, yeah,

509
00:25:00.759 --> 00:25:02.680
<v Speaker 1>why do you have the three bags of chips over

510
00:25:02.720 --> 00:25:03.960
<v Speaker 1>there if you're not having a party.

511
00:25:04.160 --> 00:25:08.920
<v Speaker 2>You know his nicknames. I've heard Fat Damon because he

512
00:25:08.960 --> 00:25:10.839
<v Speaker 2>looks sure, I mean when he put out all that

513
00:25:10.839 --> 00:25:11.720
<v Speaker 2>weight for the Irishman.

514
00:25:11.839 --> 00:25:12.000
<v Speaker 1>Yeah.

515
00:25:12.160 --> 00:25:14.759
<v Speaker 2>And then I've also heard, and this was from Breaking Bad,

516
00:25:14.799 --> 00:25:17.799
<v Speaker 2>they call him meth Damon, you know, because there are

517
00:25:17.799 --> 00:25:19.880
<v Speaker 2>there are some elements and he does have that creepy

518
00:25:19.960 --> 00:25:23.079
<v Speaker 2>kind of like cold shark eyes, you know, Yes, they're

519
00:25:23.119 --> 00:25:23.720
<v Speaker 2>just empty.

520
00:25:24.240 --> 00:25:26.079
<v Speaker 1>And also I use the U have Do you are

521
00:25:26.119 --> 00:25:28.839
<v Speaker 1>you a Black Mirror person? Do you know what that calister?

522
00:25:29.200 --> 00:25:32.319
<v Speaker 2>No, I listen this is Is this the doppelganger move?

523
00:25:32.400 --> 00:25:35.039
<v Speaker 2>Or No, that's orphan black right? Yeah, okay, I don't

524
00:25:35.039 --> 00:25:36.039
<v Speaker 2>know anything about Black.

525
00:25:36.279 --> 00:25:39.200
<v Speaker 1>Black Mirror is an anthology series where every episode is different.

526
00:25:39.240 --> 00:25:41.000
<v Speaker 1>It takes place in the future, and the long and

527
00:25:41.039 --> 00:25:42.200
<v Speaker 1>short of it is I don't want to take too

528
00:25:42.240 --> 00:25:44.680
<v Speaker 1>long on it. He is an it guy that creates

529
00:25:44.720 --> 00:25:49.799
<v Speaker 1>an entire virtual reality where he's like essentially Captain Kirk

530
00:25:49.880 --> 00:25:51.720
<v Speaker 1>in Star Trek, like he is the leader of a

531
00:25:51.759 --> 00:25:54.720
<v Speaker 1>ship and everyone else is his subordinates. But what he

532
00:25:54.759 --> 00:25:57.920
<v Speaker 1>did was take everybody's personality, Like essentially he'd take one

533
00:25:57.920 --> 00:25:59.720
<v Speaker 1>of your hairs, Bulky, if you were an enemy of

534
00:25:59.720 --> 00:26:01.920
<v Speaker 1>his the real world, he'd get one of your hairs

535
00:26:01.920 --> 00:26:04.039
<v Speaker 1>and essentially put a version of you in this and

536
00:26:04.079 --> 00:26:06.279
<v Speaker 1>treat you like shit while you're in there, and he

537
00:26:07.200 --> 00:26:09.880
<v Speaker 1>messes with people. It's a very dark episode.

538
00:26:10.079 --> 00:26:12.039
<v Speaker 2>So what is the glue that holds Black Mirror together.

539
00:26:12.640 --> 00:26:15.000
<v Speaker 2>There's not it's just a Twilight Zone.

540
00:26:15.079 --> 00:26:17.880
<v Speaker 1>Yeah, okay, yeah, it's very good. But in any event,

541
00:26:17.920 --> 00:26:20.079
<v Speaker 1>he's on there and he's playing the same character. Again.

542
00:26:20.359 --> 00:26:23.240
<v Speaker 1>I'm sure there's examples of him not being that, but

543
00:26:23.839 --> 00:26:24.920
<v Speaker 1>I sure as hell heaven.

544
00:26:24.880 --> 00:26:27.000
<v Speaker 2>He was a sweetheart in the Friday Night Lights TV.

545
00:26:27.119 --> 00:26:28.319
<v Speaker 1>Okay, see I never saw that.

546
00:26:28.599 --> 00:26:31.599
<v Speaker 2>Okay, Yeah, he was like this nerd who had a

547
00:26:31.599 --> 00:26:34.640
<v Speaker 2>crush on the cheerleader, the head cheerleader, or without the

548
00:26:34.680 --> 00:26:36.680
<v Speaker 2>head cheerleader, but one of the main cheerleaders who was

549
00:26:36.759 --> 00:26:40.960
<v Speaker 2>dating the big stud football but you know, full back

550
00:26:41.000 --> 00:26:43.759
<v Speaker 2>on the team. And then he eventually makes the team,

551
00:26:43.839 --> 00:26:45.640
<v Speaker 2>he gets the girl, and it was it was a

552
00:26:45.680 --> 00:26:48.240
<v Speaker 2>real cool arc for him. Yeah, which is weird because

553
00:26:48.279 --> 00:26:50.720
<v Speaker 2>that was the first time I ever saw him in anything.

554
00:26:50.839 --> 00:26:51.960
<v Speaker 1>Sure, and then you watch.

555
00:26:51.839 --> 00:26:55.279
<v Speaker 2>Breaking Bad and it's just all this weird good good

556
00:26:55.279 --> 00:26:57.839
<v Speaker 2>for him his career, like it's it's taking off. He's

557
00:26:57.880 --> 00:26:59.599
<v Speaker 2>he's doing a lot of awesome stuff.

558
00:26:59.799 --> 00:27:01.960
<v Speaker 1>It's the mark of a good actor. You'll find yourself

559
00:27:02.000 --> 00:27:03.839
<v Speaker 1>feeling that way in this movie as well, like you

560
00:27:03.880 --> 00:27:06.160
<v Speaker 1>won't like him at times, other times you'll be incredibly

561
00:27:06.160 --> 00:27:10.799
<v Speaker 1>sympathetic towards and you'll find yourself bouncing back and forth

562
00:27:10.880 --> 00:27:13.440
<v Speaker 1>over the course of two hours. And it's it really

563
00:27:13.519 --> 00:27:15.279
<v Speaker 1>is a testament to what he's able to do with

564
00:27:15.319 --> 00:27:15.720
<v Speaker 1>this role.

565
00:27:16.000 --> 00:27:19.759
<v Speaker 2>The sheriff when he stops by, what do you think?

566
00:27:19.880 --> 00:27:21.920
<v Speaker 1>Because well, I was going to ask you, I was

567
00:27:21.960 --> 00:27:23.720
<v Speaker 1>gonna because they don't did I zoe out? Do we

568
00:27:23.799 --> 00:27:26.920
<v Speaker 1>know what happened? I'll just ask they imply something happened

569
00:27:26.960 --> 00:27:27.440
<v Speaker 1>in their past.

570
00:27:27.480 --> 00:27:31.359
<v Speaker 2>It used to be a babysitter, used to be to Todd,

571
00:27:31.440 --> 00:27:36.960
<v Speaker 2>He used to be Teddy's babysitter. It's implied that at

572
00:27:37.079 --> 00:27:40.440
<v Speaker 2>least I don't know molestation.

573
00:27:40.799 --> 00:27:42.279
<v Speaker 1>That's what I took it as. And I was like,

574
00:27:42.319 --> 00:27:44.279
<v Speaker 1>did I miss something or am I making a jump, and

575
00:27:44.279 --> 00:27:46.519
<v Speaker 1>what does that say about me? If I'm making this jump?

576
00:27:46.599 --> 00:27:50.559
<v Speaker 2>It's never clearly pointed out, and it's not really explored,

577
00:27:50.759 --> 00:27:54.599
<v Speaker 2>no too much in it or maybe if when you know,

578
00:27:54.680 --> 00:27:56.599
<v Speaker 2>when the listeners, when they see it, they'll have a

579
00:27:56.599 --> 00:27:59.039
<v Speaker 2>different take on it. But I wanted to ask you

580
00:27:59.079 --> 00:28:01.440
<v Speaker 2>because I didn't. It was very clear, and that's just

581
00:28:01.599 --> 00:28:02.680
<v Speaker 2>that's what I surmised.

582
00:28:02.799 --> 00:28:05.920
<v Speaker 1>So I'll take it on a quick sixty second outside

583
00:28:05.960 --> 00:28:08.039
<v Speaker 1>the box tour here. The fact that you told me

584
00:28:08.079 --> 00:28:10.079
<v Speaker 1>that it was five years ago this movie was put

585
00:28:10.079 --> 00:28:12.319
<v Speaker 1>in production only further is what I thought. I thought

586
00:28:12.319 --> 00:28:15.720
<v Speaker 1>this was an indictment on if you know what QAnon is, Yeah,

587
00:28:15.920 --> 00:28:19.319
<v Speaker 1>QAnon culture and what lends itself to buying into that

588
00:28:19.440 --> 00:28:23.200
<v Speaker 1>kind of philosophy. And you have the isolated guy doesn't

589
00:28:23.240 --> 00:28:26.440
<v Speaker 1>have his parents in his life anymore, clearly taken advantage

590
00:28:26.480 --> 00:28:28.880
<v Speaker 1>of in some way that isn't explored in a meaningful

591
00:28:28.920 --> 00:28:31.039
<v Speaker 1>way by the people that were in his life before,

592
00:28:31.240 --> 00:28:33.279
<v Speaker 1>without a whole lot of outlets to be able to

593
00:28:33.319 --> 00:28:35.759
<v Speaker 1>improve upon himself. And the only person that he can

594
00:28:35.799 --> 00:28:38.319
<v Speaker 1>get to buy into his shtick is somebody who is

595
00:28:38.359 --> 00:28:41.720
<v Speaker 1>in it even worse. And I'd argue, more vulnerable, Yeah,

596
00:28:41.920 --> 00:28:45.319
<v Speaker 1>more vulnerable position than he is currently in kind of

597
00:28:45.319 --> 00:28:49.039
<v Speaker 1>a testament to what lends itself to believing that there's

598
00:28:49.759 --> 00:28:52.880
<v Speaker 1>a ring of pedophiles in a pizza shop in the basement,

599
00:28:53.000 --> 00:28:55.359
<v Speaker 1>and kind of things of that nature. And the fact

600
00:28:55.400 --> 00:28:57.240
<v Speaker 1>that you told me that this movie was slated to

601
00:28:57.240 --> 00:28:58.359
<v Speaker 1>come out five years ago.

602
00:29:00.119 --> 00:29:02.039
<v Speaker 2>Come out five years ago. This is what like when

603
00:29:02.119 --> 00:29:04.559
<v Speaker 2>when it got the green light and then okay, let's

604
00:29:04.759 --> 00:29:08.200
<v Speaker 2>production is going to begin. Let's get it, let's get

605
00:29:07.160 --> 00:29:10.559
<v Speaker 2>at whatever. I didn't look I mean I could look

606
00:29:10.559 --> 00:29:10.799
<v Speaker 2>at it.

607
00:29:10.839 --> 00:29:12.000
<v Speaker 1>No, no, it doesn't matter, but I.

608
00:29:12.279 --> 00:29:13.720
<v Speaker 2>May I have it up on my screen. I always

609
00:29:13.759 --> 00:29:16.759
<v Speaker 2>like to have the sure the page open on these films.

610
00:29:16.839 --> 00:29:19.279
<v Speaker 1>Yeah, talk about the idea that it was talked about then,

611
00:29:19.319 --> 00:29:21.680
<v Speaker 1>when it was more so on everybody's mind. Like I

612
00:29:21.720 --> 00:29:24.200
<v Speaker 1>haven't heard anybody mention QAnon in four years, you know

613
00:29:24.240 --> 00:29:27.400
<v Speaker 1>what I mean? Whereas the conspiracy theorist element was much

614
00:29:27.440 --> 00:29:30.880
<v Speaker 1>more relevant, uh to society five or six years ago.

615
00:29:30.960 --> 00:29:32.640
<v Speaker 1>Not to say that it's gone, but it was much

616
00:29:32.680 --> 00:29:33.720
<v Speaker 1>more mainstream then.

617
00:29:34.000 --> 00:29:36.759
<v Speaker 2>So so the original director, as I said, was the

618
00:29:36.799 --> 00:29:40.319
<v Speaker 2>guy who directed Save the Green Planet. His name was

619
00:29:40.640 --> 00:29:45.119
<v Speaker 2>Jang Jun Huan, and he was connected to direct back

620
00:29:45.160 --> 00:29:48.480
<v Speaker 2>in twenty twenty, okay, and then basically Will Tracy, I

621
00:29:48.480 --> 00:29:51.079
<v Speaker 2>don't know who Will Tracy is. He adapted the screenplay.

622
00:29:51.640 --> 00:29:54.880
<v Speaker 2>Ari Astor was one of the producers. And then basically

623
00:29:55.000 --> 00:29:57.960
<v Speaker 2>nothing happened on this film for four years, okay, and

624
00:29:58.000 --> 00:30:00.559
<v Speaker 2>then that's when the director got changed. I don't know

625
00:30:00.599 --> 00:30:03.119
<v Speaker 2>if if if Jang had something else going.

626
00:30:02.880 --> 00:30:04.839
<v Speaker 1>On, yeah that creative differences or.

627
00:30:04.920 --> 00:30:08.039
<v Speaker 2>Creative differences or just couldn't do it. So then Lanthemos

628
00:30:08.440 --> 00:30:11.960
<v Speaker 2>replaces him. And then shortly after, as you can guess,

629
00:30:12.039 --> 00:30:14.160
<v Speaker 2>Emma Stone is attached to it because she does a

630
00:30:14.240 --> 00:30:20.440
<v Speaker 2>lot with with Yorgo's Lanthemos. And then they add Jesse

631
00:30:20.519 --> 00:30:24.559
<v Speaker 2>Plemons on in the summer, and then she's very picky

632
00:30:24.599 --> 00:30:26.440
<v Speaker 2>and choosy by the way she should be. I mean,

633
00:30:26.480 --> 00:30:31.359
<v Speaker 2>she's a two time Academy winner or nominee. I know

634
00:30:32.200 --> 00:30:35.880
<v Speaker 2>she's aw I know she's she's been nominated at least twice.

635
00:30:35.920 --> 00:30:37.400
<v Speaker 2>I know she's won at least once. Do you know

636
00:30:37.519 --> 00:30:40.759
<v Speaker 2>Jesse Plemons was nominated for Academy. I believe that, I

637
00:30:40.799 --> 00:30:42.559
<v Speaker 2>want to say for the Irishman. I could be wrong.

638
00:30:42.640 --> 00:30:43.519
<v Speaker 1>Yeah, I believe it.

639
00:30:44.759 --> 00:30:49.960
<v Speaker 2>Twenty seventeen, Emma Stone was the world's highest paid actress.

640
00:30:49.960 --> 00:30:53.079
<v Speaker 2>About that. Yeah, and Time magazine listener is one of

641
00:30:53.079 --> 00:30:56.079
<v Speaker 2>the most one hundred influential people in the world. I

642
00:30:56.200 --> 00:30:58.599
<v Speaker 2>just think of Jonah Hill falling on top.

643
00:30:58.440 --> 00:30:59.599
<v Speaker 1>Of her super button.

644
00:30:59.640 --> 00:31:02.960
<v Speaker 2>What. Yeah, I just it's wild, right.

645
00:31:03.519 --> 00:31:03.799
<v Speaker 1>Yeah.

646
00:31:03.839 --> 00:31:06.279
<v Speaker 2>And she's married to a guy from sn OL, which

647
00:31:06.319 --> 00:31:10.000
<v Speaker 2>is like a producer. I don't know what he was

648
00:31:10.039 --> 00:31:14.640
<v Speaker 2>a writer or something. She I'm trying to find the

649
00:31:14.680 --> 00:31:15.920
<v Speaker 2>awards here that.

650
00:31:15.920 --> 00:31:17.960
<v Speaker 1>I will say, well, you're looking it up. I found

651
00:31:17.960 --> 00:31:20.119
<v Speaker 1>it strange because I thought we were past this point

652
00:31:20.160 --> 00:31:22.720
<v Speaker 1>in Hollywood, but she's playing a forty five year old

653
00:31:22.799 --> 00:31:24.400
<v Speaker 1>in this movie. And I'm like, wait, is she that

654
00:31:24.519 --> 00:31:27.200
<v Speaker 1>much losing me? And she's thirty six, thirty six and

655
00:31:27.240 --> 00:31:29.400
<v Speaker 1>they ever playing a forty five year old. I'm like, ah, so.

656
00:31:29.359 --> 00:31:32.119
<v Speaker 2>We're back to the range of Emma Stone.

657
00:31:32.359 --> 00:31:34.799
<v Speaker 1>Yeah, they even you remember what I'm talking about to

658
00:31:34.880 --> 00:31:36.559
<v Speaker 1>even make a reference, So, like, am I supposed to

659
00:31:36.599 --> 00:31:38.640
<v Speaker 1>believe you look like that and you're forty five? Because

660
00:31:38.640 --> 00:31:40.920
<v Speaker 1>they're questioning her about being an alien, She's like, well,

661
00:31:40.960 --> 00:31:43.519
<v Speaker 1>I have a hell of a skincare routine, right, And

662
00:31:43.640 --> 00:31:47.920
<v Speaker 1>it's sure. But she's also younger than me, so like

663
00:31:48.119 --> 00:31:49.599
<v Speaker 1>that definitely is something to do.

664
00:31:49.559 --> 00:31:53.039
<v Speaker 2>All right, So I clearly underestimated what she's been able

665
00:31:53.079 --> 00:31:56.759
<v Speaker 2>to do here. She won Best Actress at the Oscars

666
00:31:56.759 --> 00:31:59.160
<v Speaker 2>for La La Land remember that felt with Trian Goslin.

667
00:31:59.759 --> 00:32:05.160
<v Speaker 2>Then she gets nominated for Best Supporting Actress for The Favorite,

668
00:32:05.519 --> 00:32:06.400
<v Speaker 2>which she did not win.

669
00:32:06.519 --> 00:32:07.680
<v Speaker 1>I don't even remember that one.

670
00:32:07.920 --> 00:32:12.559
<v Speaker 2>The Favorite was another Yorgos Lanthemos, okay, and then she

671
00:32:13.160 --> 00:32:19.079
<v Speaker 2>wins Best Actress with Yorgos Lanthemos Poor Things, which came

672
00:32:19.079 --> 00:32:19.880
<v Speaker 2>out a couple of years ago.

673
00:32:20.000 --> 00:32:20.200
<v Speaker 1>Yeah.

674
00:32:20.200 --> 00:32:23.039
<v Speaker 2>So she's won Best Actress twice already. Yeah, at the

675
00:32:23.079 --> 00:32:24.000
<v Speaker 2>age of thirty six.

676
00:32:24.200 --> 00:32:24.440
<v Speaker 1>Yeah.

677
00:32:25.440 --> 00:32:27.359
<v Speaker 2>Now does she get a nomination here? Do you think?

678
00:32:27.400 --> 00:32:28.960
<v Speaker 2>I mean, we'll have to see what ward season.

679
00:32:29.000 --> 00:32:29.440
<v Speaker 1>I think so.

680
00:32:29.640 --> 00:32:32.359
<v Speaker 2>I think I think she falls short. I don't think.

681
00:32:32.400 --> 00:32:33.759
<v Speaker 1>I don't know that she'll win, but I bet you

682
00:32:33.799 --> 00:32:35.599
<v Speaker 1>she can. I don't think she gets nominated. She's got

683
00:32:35.599 --> 00:32:38.319
<v Speaker 1>that name recognition. It's a unit and this.

684
00:32:38.319 --> 00:32:40.039
<v Speaker 2>Is her like, this is her film, like she's not

685
00:32:40.039 --> 00:32:42.079
<v Speaker 2>gonna have another one come out. Oh sure.

686
00:32:42.160 --> 00:32:45.960
<v Speaker 1>And there's also an artistic element to it for sure,

687
00:32:46.640 --> 00:32:48.839
<v Speaker 1>because you know they have her in the white paint

688
00:32:48.960 --> 00:32:51.400
<v Speaker 1>she's bald for the for the bulk of the movie.

689
00:32:51.799 --> 00:32:52.799
<v Speaker 2>Yeah, she took some chances.

690
00:32:52.920 --> 00:32:56.400
<v Speaker 1>Yeah, there's certain elements that I think awards ceremonies just love.

691
00:32:56.640 --> 00:32:58.559
<v Speaker 1>I have some theories for why she wouldn't win them,

692
00:32:58.559 --> 00:33:01.160
<v Speaker 1>but I'll save them from when we're chatting off the air.

693
00:33:01.240 --> 00:33:03.920
<v Speaker 1>Not appropriate for this conversation, but I have a theory

694
00:33:03.960 --> 00:33:04.319
<v Speaker 1>about that.

695
00:33:04.359 --> 00:33:06.480
<v Speaker 2>But what is that? Is it because of what she

696
00:33:06.519 --> 00:33:07.319
<v Speaker 2>did in this film?

697
00:33:07.480 --> 00:33:09.720
<v Speaker 1>No, No, she's in the news for some other stuff

698
00:33:09.759 --> 00:33:10.759
<v Speaker 1>the last couple of days.

699
00:33:10.759 --> 00:33:11.519
<v Speaker 2>I did not realize.

700
00:33:11.680 --> 00:33:14.960
<v Speaker 1>Yeah, but nothing bad. But it's just it might screw

701
00:33:14.960 --> 00:33:17.319
<v Speaker 1>with your capacity to win an award. I will say that,

702
00:33:17.480 --> 00:33:21.880
<v Speaker 1>totally understand. But in any event, she's phenomenon. I've noticed

703
00:33:21.880 --> 00:33:23.960
<v Speaker 1>the discourse coming online, and I don't know why we

704
00:33:24.000 --> 00:33:26.079
<v Speaker 1>always have to pit people against one another, but if

705
00:33:26.079 --> 00:33:28.799
<v Speaker 1>we must, people are saying of the two, because they're

706
00:33:28.880 --> 00:33:30.759
<v Speaker 1>roughly the same demo, It's like, who do you think

707
00:33:30.759 --> 00:33:32.839
<v Speaker 1>has had the more illustrious career? And it's her or

708
00:33:32.920 --> 00:33:35.400
<v Speaker 1>Jennifer Lawrence. Like this isn't even a close call in

709
00:33:35.400 --> 00:33:36.359
<v Speaker 1>my opinion.

710
00:33:36.279 --> 00:33:40.359
<v Speaker 2>But this is gonna be our first Jennifer Lawrence reference

711
00:33:40.400 --> 00:33:42.759
<v Speaker 2>of the podcast. I have another one coming up before

712
00:33:42.759 --> 00:33:43.119
<v Speaker 2>we're done.

713
00:33:43.279 --> 00:33:46.359
<v Speaker 1>Oh jonderful. Okay, yeah, yeah, that's interesting.

714
00:33:46.400 --> 00:33:47.359
<v Speaker 2>I think it's on a Stone.

715
00:33:47.440 --> 00:33:49.680
<v Speaker 1>Yeah. I don't even think it's close. I think it's close. Yeah.

716
00:33:49.759 --> 00:33:51.640
<v Speaker 2>I mean Jennifer Lawrence is one best actress.

717
00:33:51.640 --> 00:33:54.200
<v Speaker 1>Oh. I just think she's more if you're talking about

718
00:33:54.240 --> 00:33:56.599
<v Speaker 1>it in terms of like an actual artiste, like the

719
00:33:56.640 --> 00:33:59.519
<v Speaker 1>movies they're making. She does the Blockbuster, She's Hunger Games,

720
00:33:59.519 --> 00:34:02.519
<v Speaker 1>she's Miss Emma Stone is like, paint me white and

721
00:34:02.559 --> 00:34:03.839
<v Speaker 1>throw me in a basement and.

722
00:34:04.359 --> 00:34:06.880
<v Speaker 2>I'll put me in comedy with Jonah Hill.

723
00:34:07.039 --> 00:34:08.119
<v Speaker 1>Yeah exactly.

724
00:34:08.440 --> 00:34:10.599
<v Speaker 2>She did easy A too. It's not like she's doing

725
00:34:10.639 --> 00:34:11.280
<v Speaker 2>all these like.

726
00:34:11.320 --> 00:34:13.119
<v Speaker 1>No, but you got to get your start and then

727
00:34:13.199 --> 00:34:14.159
<v Speaker 1>you kind of do your thing.

728
00:34:14.559 --> 00:34:16.760
<v Speaker 2>Jennifer Lawrence, I mean like she got her start and.

729
00:34:16.639 --> 00:34:18.519
<v Speaker 1>She's what's her artist movie?

730
00:34:19.400 --> 00:34:21.239
<v Speaker 2>What was the one with Christian Bale? I thought she

731
00:34:21.320 --> 00:34:23.559
<v Speaker 2>was really good in that American Hustle.

732
00:34:24.239 --> 00:34:25.840
<v Speaker 1>Yeah, I know, she wasn't terrible and that I kind

733
00:34:25.840 --> 00:34:27.400
<v Speaker 1>of blacked that one out a little bit. That's what

734
00:34:27.400 --> 00:34:28.840
<v Speaker 1>what are they art thieves or whatever?

735
00:34:28.960 --> 00:34:31.760
<v Speaker 2>And she is not her husband essentially, it's not really

736
00:34:31.800 --> 00:34:34.480
<v Speaker 2>an art they're just convent. Yeah, it's Christian Bale and

737
00:34:34.480 --> 00:34:37.360
<v Speaker 2>Amy Adams are convent basically. So she was in that.

738
00:34:38.000 --> 00:34:42.480
<v Speaker 2>She was in that biopic about the Oh God, the

739
00:34:42.559 --> 00:34:46.320
<v Speaker 2>QBC woman Joy. Do you ever see Joy? I can't

740
00:34:47.159 --> 00:34:49.039
<v Speaker 2>but that, but that was I mean, she got nominated

741
00:34:49.280 --> 00:34:49.880
<v Speaker 2>for Best Actions.

742
00:34:49.920 --> 00:34:51.639
<v Speaker 1>Those are the ones that get nominated, are the ones

743
00:34:51.679 --> 00:34:53.679
<v Speaker 1>I've never heard of. So maybe I'm talking out of

744
00:34:53.679 --> 00:34:55.119
<v Speaker 1>my ass here, so I'll just back off.

745
00:34:55.159 --> 00:34:55.880
<v Speaker 2>But she does.

746
00:34:56.360 --> 00:34:58.960
<v Speaker 1>I'll give the edge to Emma phil I would.

747
00:34:58.719 --> 00:35:02.320
<v Speaker 2>Too, because of the two Best Actress awards. Yeah, you know,

748
00:35:03.840 --> 00:35:05.920
<v Speaker 2>as far as who's got the bigger net worth, it's

749
00:35:05.920 --> 00:35:06.840
<v Speaker 2>got to be Jennifer Lawrence.

750
00:35:06.840 --> 00:35:08.760
<v Speaker 1>I would agree, So I would agree she's just picking

751
00:35:08.760 --> 00:35:10.719
<v Speaker 1>and choosey. I mean the Zombielan movies. I think they

752
00:35:10.719 --> 00:35:12.480
<v Speaker 1>could make one of those every three years, And she

753
00:35:12.559 --> 00:35:15.280
<v Speaker 1>says I will come back once every ten years to

754
00:35:15.360 --> 00:35:16.639
<v Speaker 1>do another Zombielan movie.

755
00:35:16.760 --> 00:35:20.760
<v Speaker 2>Unless yeah, right, but yeah, always said like one of

756
00:35:20.840 --> 00:35:22.880
<v Speaker 2>his goals was to not be poor enough where he

757
00:35:22.960 --> 00:35:25.800
<v Speaker 2>needs to do an Ocean's fourteen. Yeah, and there's talk

758
00:35:25.840 --> 00:35:28.159
<v Speaker 2>of doing an Ocean Sports. Oh of course, dude, it is.

759
00:35:28.239 --> 00:35:31.039
<v Speaker 2>It's I don't think it's ever been to this advanced

760
00:35:31.440 --> 00:35:33.960
<v Speaker 2>stage right now, Clooney as a whole script and everything,

761
00:35:34.920 --> 00:35:38.079
<v Speaker 2>and it's gonna be like, oh, what was the what

762
00:35:38.159 --> 00:35:40.159
<v Speaker 2>was the film with Morgan Freeman? And they all go

763
00:35:40.199 --> 00:35:42.079
<v Speaker 2>to Vegas? Is it last Vegas?

764
00:35:42.400 --> 00:35:43.280
<v Speaker 1>You call it? Yeah?

765
00:35:43.320 --> 00:35:45.079
<v Speaker 2>And and that's sort of like what the theme of

766
00:35:45.119 --> 00:35:47.079
<v Speaker 2>this is? And where the hell's it in? Like I

767
00:35:47.079 --> 00:35:49.360
<v Speaker 2>love heist movies. Where the hell's the update on the

768
00:35:49.360 --> 00:35:55.199
<v Speaker 2>Margot Robi or Margot Robbie, Ryan Gosling Ocean's prequel where.

769
00:35:54.960 --> 00:35:57.599
<v Speaker 1>They played Oh, I didn't even realize that was Oh, this.

770
00:35:57.599 --> 00:35:59.800
<v Speaker 2>Was gonna be huge. It was gonna be said they

771
00:35:59.800 --> 00:36:02.360
<v Speaker 2>were both set to to star in it. It was

772
00:36:02.400 --> 00:36:05.480
<v Speaker 2>gonna be set in Europe, and they played Danny and

773
00:36:05.519 --> 00:36:12.920
<v Speaker 2>I can't remember, God, who is She's in Gravity Speed

774
00:36:13.840 --> 00:36:18.360
<v Speaker 2>Sandra Bullock. She was Debbie Ocean Ocean and she was

775
00:36:18.440 --> 00:36:22.559
<v Speaker 2>Danny Ocean's the brother and sister. Gosling and Robbie we're

776
00:36:22.559 --> 00:36:26.280
<v Speaker 2>gonna play the Ocean parents in this prequel set and

777
00:36:26.320 --> 00:36:29.599
<v Speaker 2>you're I'm like, oh my god, time me like, let's

778
00:36:29.639 --> 00:36:32.159
<v Speaker 2>make why why can we not make this happen? And

779
00:36:32.199 --> 00:36:34.559
<v Speaker 2>then you know we're reading teased with Ocean's fourteen and

780
00:36:34.559 --> 00:36:38.599
<v Speaker 2>it has like it's God thank god we have Now

781
00:36:38.599 --> 00:36:41.960
<v Speaker 2>you see me. Now you don't coming out. That's that's

782
00:36:42.280 --> 00:36:45.400
<v Speaker 2>it's gonna scratch that itch. Anyway, getting back.

783
00:36:45.239 --> 00:36:48.159
<v Speaker 1>To sorry we got off topic first.

784
00:36:48.559 --> 00:36:51.760
<v Speaker 2>By the way, I did look up pagonia, Yes, And

785
00:36:51.960 --> 00:36:54.119
<v Speaker 2>the meaning of this is sort of like the belief,

786
00:36:54.159 --> 00:36:58.559
<v Speaker 2>the ancient belief that life can come from death. So essentially,

787
00:36:59.079 --> 00:37:02.559
<v Speaker 2>bees were believed. I think this is an ancient Egyptian thing.

788
00:37:02.920 --> 00:37:07.880
<v Speaker 2>Bees were believed to be hatched from the carcass of

789
00:37:08.039 --> 00:37:11.039
<v Speaker 2>bulls or the carcass of oxen, you know, or whatever,

790
00:37:11.079 --> 00:37:13.320
<v Speaker 2>which is sort of where Bigonia comes from. And I

791
00:37:13.320 --> 00:37:15.000
<v Speaker 2>think there's a little bit of a tie in too,

792
00:37:15.000 --> 00:37:17.159
<v Speaker 2>a little bit well, I mean, depending upon how you

793
00:37:17.199 --> 00:37:19.840
<v Speaker 2>look at it. I don't want to reveal anything here,

794
00:37:20.159 --> 00:37:23.360
<v Speaker 2>but I think that there's a tie in there in

795
00:37:23.400 --> 00:37:27.719
<v Speaker 2>this film as well. We've talked about Okay, we talked

796
00:37:27.719 --> 00:37:29.719
<v Speaker 2>about a lot of the actors in this movie. We

797
00:37:29.760 --> 00:37:33.360
<v Speaker 2>have not talked about Alicia Silverstone. You did not recognize.

798
00:37:32.800 --> 00:37:36.039
<v Speaker 1>Her, no, But again, maybe I just was a little

799
00:37:36.079 --> 00:37:39.280
<v Speaker 1>spacey in that moment and really wasn't looking to recognize anybody.

800
00:37:39.360 --> 00:37:41.239
<v Speaker 1>But honest to god, man, I don't know if I've

801
00:37:41.239 --> 00:37:43.440
<v Speaker 1>seen her since Batman and Robin, Like, I don't know

802
00:37:43.480 --> 00:37:45.360
<v Speaker 1>that I can think of another movie that I've seen

803
00:37:45.360 --> 00:37:48.440
<v Speaker 1>her in since nineteen ninety eight. It's true, so I

804
00:37:48.440 --> 00:37:50.360
<v Speaker 1>don't know that it was on my radar. I don't

805
00:37:50.360 --> 00:37:52.320
<v Speaker 1>know that I would have recognized her even if I

806
00:37:52.400 --> 00:37:54.800
<v Speaker 1>knew she I did not go into the movie knowing

807
00:37:54.880 --> 00:37:56.519
<v Speaker 1>she was in it, so it's not like I had

808
00:37:56.559 --> 00:37:57.840
<v Speaker 1>my eyes open to begin with.

809
00:37:58.000 --> 00:38:00.679
<v Speaker 2>So you didn't realize that she was in until you

810
00:38:00.719 --> 00:38:03.440
<v Speaker 2>saw her name in the credits. Yes, okay, yes, well

811
00:38:03.480 --> 00:38:04.000
<v Speaker 2>that makes.

812
00:38:03.840 --> 00:38:06.320
<v Speaker 1>Sense then, yeah, And I honestly, I even I was

813
00:38:06.360 --> 00:38:07.800
<v Speaker 1>the only one that stood up. I don't know if

814
00:38:07.840 --> 00:38:09.960
<v Speaker 1>there's an after credits scene that someone else knew about

815
00:38:09.960 --> 00:38:12.239
<v Speaker 1>that I didn't. But like I got up, there wasn't

816
00:38:12.239 --> 00:38:16.280
<v Speaker 1>even any music playing, Like there's just crickets chirping. In

817
00:38:16.360 --> 00:38:19.480
<v Speaker 1>the last scene when the credits are rolling, it's very

818
00:38:19.480 --> 00:38:21.440
<v Speaker 1>Ombian and I'm just like walking out and I saw

819
00:38:21.480 --> 00:38:24.079
<v Speaker 1>Alicia Silverstone and I'm like, wait, was she in like

820
00:38:24.119 --> 00:38:25.960
<v Speaker 1>the last scene or was she working in the office?

821
00:38:26.000 --> 00:38:27.880
<v Speaker 1>Like what the hell? When did I miss her? And

822
00:38:28.119 --> 00:38:30.119
<v Speaker 1>you told me she was the mother? But I had

823
00:38:30.159 --> 00:38:32.719
<v Speaker 1>no idea prior to that. It was very very in

824
00:38:32.800 --> 00:38:33.400
<v Speaker 1>and out with her.

825
00:38:33.480 --> 00:38:38.519
<v Speaker 2>I suppose I'm looking up her filmography right now. I'm

826
00:38:38.519 --> 00:38:42.159
<v Speaker 2>trying to rack my brain. Have I ever heard of

827
00:38:42.199 --> 00:38:42.840
<v Speaker 2>any of these movies?

828
00:38:42.920 --> 00:38:43.559
<v Speaker 1>That's what I'm saying.

829
00:38:43.760 --> 00:38:46.559
<v Speaker 2>Twenty seventeen Diary of a Wimpy Kid, The.

830
00:38:46.519 --> 00:38:49.639
<v Speaker 1>Long Haul, Okay, I know the original. I never saw it,

831
00:38:49.679 --> 00:38:50.880
<v Speaker 1>but I know of it.

832
00:38:50.760 --> 00:38:54.480
<v Speaker 2>YaST And then you have to go back to two

833
00:38:54.559 --> 00:38:57.199
<v Speaker 2>thousand and eight where and I don't remember this at all,

834
00:38:57.760 --> 00:39:00.519
<v Speaker 2>but she had a cameo in the film Tropic Thunder.

835
00:39:01.159 --> 00:39:02.159
<v Speaker 1>I don't remember that either.

836
00:39:02.320 --> 00:39:03.480
<v Speaker 2>No, I don't remember her cameo.

837
00:39:03.719 --> 00:39:07.400
<v Speaker 1>No, although if she's as disguised as Tom Cruise, we

838
00:39:07.440 --> 00:39:08.480
<v Speaker 1>could have been looking right at it.

839
00:39:09.199 --> 00:39:13.159
<v Speaker 2>Probably two thousand and four Scooby Doo, two Monsters Unleashed.

840
00:39:13.679 --> 00:39:16.000
<v Speaker 1>People love it, And then I never saw either of them.

841
00:39:16.039 --> 00:39:18.360
<v Speaker 2>I do remember this. This came out two years after

842
00:39:18.480 --> 00:39:23.000
<v Speaker 2>Batman and Robin two actors that basically disappeared from the

843
00:39:23.000 --> 00:39:27.360
<v Speaker 2>face of Hollywood nineteen ninety nine's Blast from the Past. Oh,

844
00:39:27.679 --> 00:39:31.880
<v Speaker 2>bren Fraser and Alicia Silverstone. Yeah, and they were never

845
00:39:31.960 --> 00:39:34.639
<v Speaker 2>heard from again. Yeah, except for Brendan Fraser, who did win?

846
00:39:34.719 --> 00:39:37.599
<v Speaker 2>Didn't he win? For the Whale? For the Best Actor

847
00:39:37.599 --> 00:39:38.000
<v Speaker 2>for the Whale.

848
00:39:38.039 --> 00:39:40.679
<v Speaker 1>Yeah, and if we're going to talk about rebooting series

849
00:39:40.719 --> 00:39:43.719
<v Speaker 1>that have long since died, apparently there's a new Mummy

850
00:39:43.800 --> 00:39:47.639
<v Speaker 1>coming out, which signed me up for that one. Really yeah, excitement.

851
00:39:47.760 --> 00:39:48.800
<v Speaker 1>I loved those movies.

852
00:39:48.840 --> 00:39:51.639
<v Speaker 2>But another time, I will say that she was in

853
00:39:51.760 --> 00:39:55.119
<v Speaker 2>American Horror Stories. As far as television goes.

854
00:39:54.960 --> 00:39:56.960
<v Speaker 1>Sure, I've seen a handful of those seasons, but I

855
00:39:56.960 --> 00:39:58.840
<v Speaker 1>don't watch it religiously, so I might have missed it.

856
00:39:58.920 --> 00:40:01.840
<v Speaker 2>Oh dude, that to me, it totally strike me as

857
00:40:01.880 --> 00:40:04.320
<v Speaker 2>like must watch television for you.

858
00:40:04.519 --> 00:40:06.559
<v Speaker 1>Oh yeah, no, there's good. There's good seasons of it,

859
00:40:06.599 --> 00:40:09.920
<v Speaker 1>But like I could do a whole podcast episode on this.

860
00:40:10.039 --> 00:40:12.239
<v Speaker 1>Every single one of those seasons drags on three or

861
00:40:12.239 --> 00:40:14.320
<v Speaker 1>four episodes too. They never have enough.

862
00:40:14.360 --> 00:40:17.559
<v Speaker 2>I don't it's too creepy for me. I don't the

863
00:40:17.599 --> 00:40:20.119
<v Speaker 2>guys at work watch it. I'm like, you know, the

864
00:40:20.199 --> 00:40:23.159
<v Speaker 2>whole sawing somebody in a half and then actually you

865
00:40:23.159 --> 00:40:25.119
<v Speaker 2>know as a magician, but then you actually did so

866
00:40:25.559 --> 00:40:28.000
<v Speaker 2>I don't. That's yeah, I'm out.

867
00:40:28.119 --> 00:40:28.360
<v Speaker 1>Yeah.

868
00:40:28.519 --> 00:40:30.159
<v Speaker 2>I mean, it's great for you, and I hope you

869
00:40:30.239 --> 00:40:32.599
<v Speaker 2>enjoy it. I know you do, but I didn't need that.

870
00:40:32.840 --> 00:40:35.559
<v Speaker 2>I don't need that. Okay, what else have we not

871
00:40:35.639 --> 00:40:38.000
<v Speaker 2>talked about with this movie that we wanted to bring

872
00:40:38.119 --> 00:40:43.000
<v Speaker 2>up so far? There's there's a certain aspect of the

873
00:40:43.039 --> 00:40:48.000
<v Speaker 2>Earth that I don't know if we should bring up on.

874
00:40:48.400 --> 00:40:50.920
<v Speaker 1>Yeah, I think, like I said, that's why we didn't

875
00:40:50.960 --> 00:40:53.639
<v Speaker 1>want to make this a spoiler one because we're dabbling.

876
00:40:53.679 --> 00:40:55.440
<v Speaker 1>We've covered a lot of the stuff here and without

877
00:40:55.519 --> 00:40:58.199
<v Speaker 1>jumping into what what what's represented By the end, it's

878
00:40:58.280 --> 00:40:59.440
<v Speaker 1>kind of difficult to get.

879
00:40:59.360 --> 00:41:01.519
<v Speaker 2>What did you make in the chapters that were because

880
00:41:01.599 --> 00:41:04.880
<v Speaker 2>because you know, it's it's sort of like basically the

881
00:41:05.199 --> 00:41:09.599
<v Speaker 2>whole the whole premise of this is these two guys

882
00:41:09.679 --> 00:41:14.440
<v Speaker 2>want to come aboard this spaceship to to barter or

883
00:41:14.480 --> 00:41:17.519
<v Speaker 2>to I don't know, Like I don't think they go

884
00:41:17.519 --> 00:41:19.760
<v Speaker 2>to war with but like they want to save planet Earth,

885
00:41:19.760 --> 00:41:21.679
<v Speaker 2>and they think the only way they do this is

886
00:41:21.719 --> 00:41:24.920
<v Speaker 2>for this alien to lead them onto the spaceship where

887
00:41:24.920 --> 00:41:26.840
<v Speaker 2>they can talk to the High Commander there or whatever

888
00:41:27.320 --> 00:41:29.599
<v Speaker 2>and and sort of and sort of save the planet. Right,

889
00:41:30.000 --> 00:41:32.960
<v Speaker 2>And the only way that this can be done is

890
00:41:33.360 --> 00:41:36.719
<v Speaker 2>during the lunar eclipse, which is happening for the movie

891
00:41:36.760 --> 00:41:39.599
<v Speaker 2>starts off with it's four days before the lunar eclipse,

892
00:41:39.639 --> 00:41:41.840
<v Speaker 2>and then we sort of get like chapter updates, like

893
00:41:42.360 --> 00:41:46.239
<v Speaker 2>four days before lunar eclips three days before. Yes, okay,

894
00:41:46.239 --> 00:41:48.000
<v Speaker 2>so you brought it up so we can say it. Yeah,

895
00:41:48.039 --> 00:41:50.960
<v Speaker 2>what did you make of Earth being displayed as flat

896
00:41:51.559 --> 00:41:52.920
<v Speaker 2>numerous times in this movie?

897
00:41:52.960 --> 00:41:54.760
<v Speaker 1>I loved that, and I mean, it's just to play

898
00:41:54.760 --> 00:41:56.920
<v Speaker 1>on everything else that's going on. And I honestly, I

899
00:41:56.920 --> 00:41:59.039
<v Speaker 1>think it's why people like my radio show because I

900
00:41:59.079 --> 00:42:04.039
<v Speaker 1>will oftentimes stay I understand the principle of flat earthers.

901
00:42:04.119 --> 00:42:07.000
<v Speaker 1>I am not a flat earth, but I understand. I said,

902
00:42:07.039 --> 00:42:09.679
<v Speaker 1>there's people that actually believe the Earth is flat, and

903
00:42:09.679 --> 00:42:12.800
<v Speaker 1>there's people that know it isn't but insist on flat

904
00:42:12.840 --> 00:42:16.000
<v Speaker 1>earthing because you've never seen the Earth. I've never seen

905
00:42:16.000 --> 00:42:18.159
<v Speaker 1>the Earth. All we've ever been fed is stuff the

906
00:42:18.199 --> 00:42:22.599
<v Speaker 1>people told us, So question everything and go from there.

907
00:42:22.639 --> 00:42:26.320
<v Speaker 1>And I respect that attitude with stuff that deserves to

908
00:42:26.360 --> 00:42:29.239
<v Speaker 1>be questioned that can't be proven with science and other things.

909
00:42:29.239 --> 00:42:32.320
<v Speaker 1>And we've seen the Earth. There's dozens of accounting or

910
00:42:32.400 --> 00:42:34.760
<v Speaker 1>accounts of evidence that would back up the theory that

911
00:42:34.840 --> 00:42:37.360
<v Speaker 1>Earth is a sphere. I loved the idea of putting

912
00:42:37.400 --> 00:42:39.559
<v Speaker 1>it there as a flat earther though, because then again

913
00:42:39.920 --> 00:42:42.559
<v Speaker 1>it only emphasizes to me. I think that was to

914
00:42:42.679 --> 00:42:45.800
<v Speaker 1>lead the viewer to believe, like, ah, these crackpots, and

915
00:42:45.800 --> 00:42:48.960
<v Speaker 1>then as the as the drapes fall, you begin questioning

916
00:42:49.000 --> 00:42:51.599
<v Speaker 1>your own reality. You're even questioning your own reality.

917
00:42:51.840 --> 00:42:54.360
<v Speaker 2>It isn't that wild. I mean, granted, it's a movie,

918
00:42:54.440 --> 00:42:58.360
<v Speaker 2>and like you have to suspend belief, but or suspend disbelief.

919
00:42:58.400 --> 00:42:59.000
<v Speaker 1>I guess sure.

920
00:43:00.079 --> 00:43:03.960
<v Speaker 2>You know how we can be so sure of something

921
00:43:04.360 --> 00:43:06.840
<v Speaker 2>and then within two hours we're like, okay, but wait,

922
00:43:07.800 --> 00:43:09.559
<v Speaker 2>am I sure of this? And I know you know

923
00:43:09.840 --> 00:43:13.119
<v Speaker 2>it's not reality. But still at the same time, I

924
00:43:13.159 --> 00:43:17.119
<v Speaker 2>know what I was going to ask you. You have

925
00:43:17.199 --> 00:43:19.679
<v Speaker 2>seen I we don't know the exact numbers on this.

926
00:43:19.960 --> 00:43:21.639
<v Speaker 2>Even though I'm a little bit older than you. How

927
00:43:21.639 --> 00:43:24.440
<v Speaker 2>old are you again? Thirty eight? I'm forty five. I'm

928
00:43:24.480 --> 00:43:28.199
<v Speaker 2>slightly older. I can say with pretty significant conviction you

929
00:43:28.280 --> 00:43:29.440
<v Speaker 2>have seen more films than I have.

930
00:43:29.639 --> 00:43:31.360
<v Speaker 1>Okay, I don't feel like it's close, but now.

931
00:43:31.440 --> 00:43:33.440
<v Speaker 2>I don't think, well, maybe it's close, but I feel

932
00:43:33.440 --> 00:43:37.199
<v Speaker 2>pretty comfortable and saying you've seen more. I'm more of

933
00:43:37.239 --> 00:43:39.920
<v Speaker 2>a television guy. By size twenty minutes fifty minutes.

934
00:43:40.000 --> 00:43:40.400
<v Speaker 1>Give that.

935
00:43:40.719 --> 00:43:48.519
<v Speaker 2>Okay. Anyway, I am not as adjusted to the way

936
00:43:48.639 --> 00:43:52.480
<v Speaker 2>movies are shot, the way that they are presented to

937
00:43:52.519 --> 00:43:54.400
<v Speaker 2>the audience as you are in all the different ways

938
00:43:54.400 --> 00:43:54.920
<v Speaker 2>they can be.

939
00:43:55.079 --> 00:43:55.320
<v Speaker 1>Right.

940
00:43:56.360 --> 00:43:59.000
<v Speaker 2>You walk into a movie, you sit down, you're watching it,

941
00:43:59.400 --> 00:44:01.599
<v Speaker 2>and you're like, oh, okay, so this is gonna happen,

942
00:44:01.679 --> 00:44:03.280
<v Speaker 2>this is gonna happen. I okay, this is what they're

943
00:44:03.280 --> 00:44:05.159
<v Speaker 2>setting it. And I probably should be able to do that.

944
00:44:05.199 --> 00:44:07.719
<v Speaker 2>I can't, and it's probably just my intelligence level. I

945
00:44:07.760 --> 00:44:09.159
<v Speaker 2>just I can't pick up on it the way that

946
00:44:09.199 --> 00:44:13.800
<v Speaker 2>you do. You said you were hoping this movie was stranger. Yeah,

947
00:44:14.519 --> 00:44:17.239
<v Speaker 2>And while I admit I thought it was going to

948
00:44:17.280 --> 00:44:21.199
<v Speaker 2>be weirder than it was, I'm really glad it wasn't,

949
00:44:21.760 --> 00:44:25.119
<v Speaker 2>because I think it holds me as more as the

950
00:44:25.119 --> 00:44:28.599
<v Speaker 2>more casual viewer between the two of us. It held

951
00:44:28.639 --> 00:44:32.480
<v Speaker 2>me into it more were I could just enjoy what

952
00:44:32.559 --> 00:44:34.639
<v Speaker 2>was happening in front of me and not have my

953
00:44:34.719 --> 00:44:38.159
<v Speaker 2>head completely spinning with well, what did that represent? Why

954
00:44:38.199 --> 00:44:40.719
<v Speaker 2>did he say that or did why was this shot?

955
00:44:40.760 --> 00:44:43.079
<v Speaker 2>Why did we not see that? You know, sometimes I

956
00:44:43.079 --> 00:44:46.320
<v Speaker 2>think something gets so weird it ruins the enjoyment of

957
00:44:46.360 --> 00:44:49.199
<v Speaker 2>the movie. For me, this one did not, and I

958
00:44:49.239 --> 00:44:52.119
<v Speaker 2>think it enhanced the enjoyment because I wasn't my head

959
00:44:52.159 --> 00:44:54.239
<v Speaker 2>wasn't spinning, you know what I mean, Like it was

960
00:44:54.239 --> 00:44:56.199
<v Speaker 2>spinning at certain parts where I'm like, okay, wait, wait, wait,

961
00:44:56.239 --> 00:44:58.199
<v Speaker 2>wait wait, oh oh my god, oh my god, oh

962
00:44:58.239 --> 00:45:01.199
<v Speaker 2>my god. Yeah, you know, And and that was enjoyable.

963
00:45:01.199 --> 00:45:02.639
<v Speaker 2>But I'm glad it wasn't stranger.

964
00:45:02.760 --> 00:45:03.079
<v Speaker 1>Yeah.

965
00:45:03.079 --> 00:45:06.320
<v Speaker 2>And the fact that a ticker, a ticket taker at

966
00:45:06.320 --> 00:45:08.840
<v Speaker 2>the movie theater who sees a ton of.

967
00:45:08.840 --> 00:45:12.719
<v Speaker 3>Movies, Yeah, you who see a ton of movies, you

968
00:45:12.840 --> 00:45:16.320
<v Speaker 3>wanted it to be weirder because I think your movie acumen,

969
00:45:16.800 --> 00:45:20.440
<v Speaker 3>your movie language that could be, is more advanced than mine.

970
00:45:20.719 --> 00:45:21.039
<v Speaker 1>Yeah.

971
00:45:21.079 --> 00:45:23.639
<v Speaker 2>That I think like you wanted more peppers in the

972
00:45:23.639 --> 00:45:25.880
<v Speaker 2>Gumbo where it was just spicy enough for me.

973
00:45:26.599 --> 00:45:29.239
<v Speaker 1>Yeah. See, I think that's a fair assessment because, like

974
00:45:29.280 --> 00:45:31.360
<v Speaker 1>to put it in some perspective, if you didn't see

975
00:45:31.360 --> 00:45:33.400
<v Speaker 1>the trailer in the lead up, there was a fifteen

976
00:45:33.519 --> 00:45:36.480
<v Speaker 1>second stinger that was all over socials. You'd see it

977
00:45:36.519 --> 00:45:38.639
<v Speaker 1>on TV every now and then, and it was one

978
00:45:38.760 --> 00:45:40.920
<v Speaker 1>her head is in one of the guy's laps, I

979
00:45:40.960 --> 00:45:43.480
<v Speaker 1>think Jesse Plemons, but don't quote me on that, and

980
00:45:43.519 --> 00:45:45.920
<v Speaker 1>he looks up and she goes, where's my hair. He goes, well,

981
00:45:45.960 --> 00:45:47.760
<v Speaker 1>I had to shave it off. She says why, and

982
00:45:47.760 --> 00:45:50.320
<v Speaker 1>he says, so you can't contact the mother ship. She goes,

983
00:45:50.360 --> 00:45:53.679
<v Speaker 1>oh that makes sense. Boom bgonya, come see it this Friday.

984
00:45:53.840 --> 00:45:55.760
<v Speaker 1>And I was like, oh, so this is gonna be

985
00:45:56.239 --> 00:45:59.639
<v Speaker 1>one of those kind of movies. Okay, great, and it

986
00:45:59.840 --> 00:46:02.880
<v Speaker 1>just seems so surrealist to me, like like in that

987
00:46:03.000 --> 00:46:05.119
<v Speaker 1>kind in that kind of way. And so for the

988
00:46:05.159 --> 00:46:08.760
<v Speaker 1>first hour, like I'll be real, I did get hooked

989
00:46:08.800 --> 00:46:11.400
<v Speaker 1>and I did like this movie, but I did feel

990
00:46:11.400 --> 00:46:15.320
<v Speaker 1>myself at times like beginning to question. And my ultimate

991
00:46:15.360 --> 00:46:18.760
<v Speaker 1>example of this is the sequel to The three Hundred.

992
00:46:19.320 --> 00:46:22.599
<v Speaker 1>They filmed a trailer for that movie, making it look

993
00:46:22.639 --> 00:46:25.119
<v Speaker 1>like it was gonna follow the direct aftermath of where

994
00:46:25.159 --> 00:46:28.000
<v Speaker 1>The three Hundred ended with the ten thousand soldiers, and

995
00:46:28.000 --> 00:46:29.920
<v Speaker 1>then you go get there and you realize it's actually

996
00:46:29.920 --> 00:46:32.159
<v Speaker 1>a movie of what was happening when the three Hundred

997
00:46:32.199 --> 00:46:35.079
<v Speaker 1>were fighting with the Athenians out on the water. Very

998
00:46:35.079 --> 00:46:37.039
<v Speaker 1>different movie than what I was expecting. And I was

999
00:46:37.079 --> 00:46:39.599
<v Speaker 1>sitting there and I'm like, if you didn't want to

1000
00:46:39.599 --> 00:46:42.480
<v Speaker 1>make this movie, why did you advertise it that way

1001
00:46:42.719 --> 00:46:44.639
<v Speaker 1>in the advertise because you knew this is the movie

1002
00:46:44.719 --> 00:46:46.679
<v Speaker 1>we wanted, and so you made us think we were

1003
00:46:46.679 --> 00:46:48.559
<v Speaker 1>getting that and you gave us something else. And I

1004
00:46:48.639 --> 00:46:50.760
<v Speaker 1>felt the same way. For like the first forty minutes

1005
00:46:50.760 --> 00:46:53.599
<v Speaker 1>of this movie. I'm like, you promised me strange as shit,

1006
00:46:53.719 --> 00:46:56.719
<v Speaker 1>and this is just a hostage movie. This is not

1007
00:46:56.840 --> 00:47:00.480
<v Speaker 1>what I signed up for. And then it kept getting

1008
00:47:00.519 --> 00:47:03.239
<v Speaker 1>weirder and weirder and weirder, and I'm like, Okay, now,

1009
00:47:03.599 --> 00:47:05.360
<v Speaker 1>all right, this is fine.

1010
00:47:05.000 --> 00:47:08.119
<v Speaker 2>I guess with with this specific director and knowing you know,

1011
00:47:08.920 --> 00:47:11.920
<v Speaker 2>poor things in the Favorite and and the Lobster, which

1012
00:47:11.920 --> 00:47:14.280
<v Speaker 2>we didn't. I can't believe bring up the lobster at all. Yeah,

1013
00:47:15.079 --> 00:47:16.840
<v Speaker 2>I knew it was gonna get weird at some point.

1014
00:47:17.239 --> 00:47:20.599
<v Speaker 2>You know, there's there's an element of strange. Uh. The

1015
00:47:20.639 --> 00:47:25.760
<v Speaker 2>Wikipedia page for this film describes Begonia as an obserdist

1016
00:47:25.840 --> 00:47:29.639
<v Speaker 2>black comedy. Of all the movies that we have reviewed

1017
00:47:29.960 --> 00:47:35.400
<v Speaker 2>so far, Obserdist black comedy keeps coming up. And I

1018
00:47:35.480 --> 00:47:40.000
<v Speaker 2>wonder if, like Obserdist black comedy, the definition is becoming

1019
00:47:40.119 --> 00:47:44.280
<v Speaker 2>more and more all encompassing and broad, because like it's

1020
00:47:44.360 --> 00:47:47.679
<v Speaker 2>just like, man, people are gonna make what they're gonna make.

1021
00:47:47.719 --> 00:47:50.440
<v Speaker 2>And I guess if you want to be unique, that

1022
00:47:50.440 --> 00:47:52.599
<v Speaker 2>that's just the broad definition of you know.

1023
00:47:52.760 --> 00:47:56.039
<v Speaker 1>Oh, And I said, do you think that that was appropriate? Oh,

1024
00:47:56.079 --> 00:47:59.400
<v Speaker 1>that's absolutely an appropriate description. And I think we're gonna

1025
00:47:59.440 --> 00:47:59.719
<v Speaker 1>mean to.

1026
00:47:59.639 --> 00:48:01.639
<v Speaker 2>Be I don't get a whole lot of comedy in

1027
00:48:01.639 --> 00:48:01.960
<v Speaker 2>this one.

1028
00:48:02.039 --> 00:48:04.679
<v Speaker 1>No, there were a couple like, it wasn't butt gusting,

1029
00:48:04.960 --> 00:48:07.840
<v Speaker 1>gut busting is butgusting gut busting.

1030
00:48:07.920 --> 00:48:12.400
<v Speaker 2>There's got there's gotta be like butt gusting's like it's

1031
00:48:12.400 --> 00:48:14.360
<v Speaker 2>a real gut buster. Now this was a butt gust

1032
00:48:14.480 --> 00:48:15.800
<v Speaker 2>but there, Yeah, there were.

1033
00:48:15.639 --> 00:48:17.920
<v Speaker 1>Two or three times that, as per usual, I was

1034
00:48:18.000 --> 00:48:19.960
<v Speaker 1>laughing in a room of four people where no one

1035
00:48:19.960 --> 00:48:24.480
<v Speaker 1>else was laughing. Moment. Yeah. But uh, but most certainly,

1036
00:48:24.519 --> 00:48:26.559
<v Speaker 1>And I think I've said this on the podcast before,

1037
00:48:26.639 --> 00:48:29.280
<v Speaker 1>but if you really look at movies in terms of

1038
00:48:29.360 --> 00:48:31.920
<v Speaker 1>three to four year windows, you notice that there is

1039
00:48:31.920 --> 00:48:34.199
<v Speaker 1>a trend in every three to four year gap. And

1040
00:48:34.280 --> 00:48:37.800
<v Speaker 1>maybe we're just in that absurdest comedy where people are

1041
00:48:37.840 --> 00:48:40.320
<v Speaker 1>focusing on the haves and have nots. Like I say,

1042
00:48:40.320 --> 00:48:42.360
<v Speaker 1>you find a movie in the nineties, what are the

1043
00:48:42.360 --> 00:48:45.239
<v Speaker 1>biggest movies of the late nineties? The Matrix and Fight

1044
00:48:45.280 --> 00:48:48.679
<v Speaker 1>Club and American Beauty and American Psycho, all.

1045
00:48:48.599 --> 00:48:53.320
<v Speaker 2>The Bruckheimer movies too. Yeah, and the comedies, you know,

1046
00:48:53.440 --> 00:48:57.079
<v Speaker 2>like comedy changed. Yeah, once we got to the late

1047
00:48:57.119 --> 00:48:57.719
<v Speaker 2>two thousands.

1048
00:48:57.719 --> 00:48:59.519
<v Speaker 1>I want to say, you know, sure, but I mean,

1049
00:48:59.559 --> 00:49:02.199
<v Speaker 1>I guess the overarching message of the late nineties was

1050
00:49:02.239 --> 00:49:06.719
<v Speaker 1>always like late twenties, early thirties, dude with a boring

1051
00:49:06.840 --> 00:49:09.239
<v Speaker 1>job trying to find a way to spice up his life.

1052
00:49:09.840 --> 00:49:14.000
<v Speaker 2>I don't I think that's more pervasive, you know, throughout

1053
00:49:14.039 --> 00:49:16.639
<v Speaker 2>I think that that's a common that's a common theme.

1054
00:49:16.639 --> 00:49:18.440
<v Speaker 1>But a lot of the bangers. When you go to

1055
00:49:18.440 --> 00:49:21.199
<v Speaker 1>the early nineties, right when AOL was starting to take

1056
00:49:21.239 --> 00:49:23.199
<v Speaker 1>off and the Internet was entering our lives, and all

1057
00:49:23.239 --> 00:49:26.039
<v Speaker 1>the movies are like The lawnmower Man and Terminator to

1058
00:49:26.360 --> 00:49:30.000
<v Speaker 1>Return and all these movies like TeX's Gonna Get Us Right,

1059
00:49:30.280 --> 00:49:32.079
<v Speaker 1>and like you just kind of go through the rains.

1060
00:49:32.119 --> 00:49:35.400
<v Speaker 1>The twenty tens was the Occupy Wall Street era, and

1061
00:49:35.440 --> 00:49:37.920
<v Speaker 1>now we're in the era of you know, as you said,

1062
00:49:37.960 --> 00:49:40.199
<v Speaker 1>the haves and have nots. Whether it's The Long Walk

1063
00:49:40.320 --> 00:49:42.920
<v Speaker 1>or Roof Man or all these every single movie comes

1064
00:49:43.000 --> 00:49:45.599
<v Speaker 1>out a good fortune. It doesn't matter which one we pick.

1065
00:49:45.920 --> 00:49:48.159
<v Speaker 1>It inevitably fits into that group, and we're gonna see

1066
00:49:48.199 --> 00:49:50.440
<v Speaker 1>a handful more before this this season's over.

1067
00:49:50.519 --> 00:49:52.320
<v Speaker 2>But I think the last that kid set us up

1068
00:49:52.320 --> 00:49:56.280
<v Speaker 2>for a lot of this. Yeah, oh sure, it's a

1069
00:49:56.400 --> 00:49:58.639
<v Speaker 2>time as a flat circle Russ Cole. Yes, as I

1070
00:49:58.679 --> 00:50:01.639
<v Speaker 2>always bring up and and we're gonna go through this again.

1071
00:50:01.880 --> 00:50:06.679
<v Speaker 2>There's gonna be more. AI is gonna be a big

1072
00:50:06.719 --> 00:50:09.559
<v Speaker 2>time topic. And how you know I Robot came out

1073
00:50:09.559 --> 00:50:12.360
<v Speaker 2>how many years ago? Was setting the scene for that? Yeah,

1074
00:50:12.440 --> 00:50:13.960
<v Speaker 2>west World? I mean, if you want to bring up

1075
00:50:13.960 --> 00:50:16.320
<v Speaker 2>West World, when that came out like the seventies or whatever,

1076
00:50:16.639 --> 00:50:18.440
<v Speaker 2>like it was setting us up for AI. And and

1077
00:50:18.599 --> 00:50:21.119
<v Speaker 2>that's obviously gonna be a big theme going forward here.

1078
00:50:21.280 --> 00:50:24.280
<v Speaker 1>It just sticks out to me as well, though, I say,

1079
00:50:24.280 --> 00:50:28.599
<v Speaker 1>oftentimes I can tell what generation a writer is based

1080
00:50:28.639 --> 00:50:30.840
<v Speaker 1>on the movie. And it's becoming abundantly clear to me

1081
00:50:30.920 --> 00:50:33.800
<v Speaker 1>that millennials are starting. I think that's why absurdist in

1082
00:50:33.920 --> 00:50:38.039
<v Speaker 1>dark comedy is becoming more prevalent. Is that's how people

1083
00:50:38.159 --> 00:50:40.880
<v Speaker 1>my age are wired like like you, It's why I

1084
00:50:40.920 --> 00:50:44.039
<v Speaker 1>wanted it to be weirder. The absurdest angle of it,

1085
00:50:44.119 --> 00:50:47.119
<v Speaker 1>like that is where my bread is buttered. It's it's

1086
00:50:47.199 --> 00:50:50.440
<v Speaker 1>why millennials will take combinations of oh, we grabbed these

1087
00:50:50.480 --> 00:50:52.920
<v Speaker 1>three things, we made it into a smoothie. They don't.

1088
00:50:53.000 --> 00:50:55.760
<v Speaker 1>We My generation doesn't invent new shit. We take stuff

1089
00:50:55.760 --> 00:50:58.239
<v Speaker 1>that already exists and put a strange spin on it.

1090
00:50:58.280 --> 00:51:00.800
<v Speaker 1>And I feel like that's that's what movie are reflecting

1091
00:51:00.840 --> 00:51:03.519
<v Speaker 1>now today. You're you're not going to invent a new genre.

1092
00:51:03.639 --> 00:51:06.480
<v Speaker 1>You're not. Vampires have been done to death a billion times?

1093
00:51:06.480 --> 00:51:08.920
<v Speaker 1>So how do you do a vampire movie? Do sinners?

1094
00:51:09.000 --> 00:51:12.960
<v Speaker 2>Yeah? And they're still gonna I mean, listen, the classic

1095
00:51:13.039 --> 00:51:15.599
<v Speaker 2>vampire movies are still there's a new Dracula that just

1096
00:51:15.639 --> 00:51:15.960
<v Speaker 2>came out.

1097
00:51:15.960 --> 00:51:19.000
<v Speaker 1>Absolutely, they're not going anywhere, That's my point. But you gotta,

1098
00:51:19.039 --> 00:51:20.880
<v Speaker 1>you gotta what's the word I'm looking for here?

1099
00:51:20.880 --> 00:51:25.039
<v Speaker 2>You modern modernized? Yes, it's just fine different take just

1100
00:51:25.079 --> 00:51:27.159
<v Speaker 2>tweak it a little bit, you know, or or the

1101
00:51:27.159 --> 00:51:28.039
<v Speaker 2>blending of genres.

1102
00:51:28.119 --> 00:51:30.760
<v Speaker 1>I mean, I saw the advertisement for the Christian Bale

1103
00:51:32.480 --> 00:51:35.760
<v Speaker 1>Maggie Gillenhaal Franken's Bride of Frankenstein Baby that's coming out,

1104
00:51:35.760 --> 00:51:38.559
<v Speaker 1>that was playing at the theater on Monday, and I'm

1105
00:51:38.559 --> 00:51:41.159
<v Speaker 1>sitting there and I'm like, honestly, Bride a Chucky was

1106
00:51:41.159 --> 00:51:43.559
<v Speaker 1>the story of Bride of Frankenstein, but done in a

1107
00:51:43.599 --> 00:51:46.000
<v Speaker 1>completely different way, and like you don't realize it, and

1108
00:51:46.000 --> 00:51:48.360
<v Speaker 1>like you just keep inverting on it and it'll be fine.

1109
00:51:48.360 --> 00:51:50.880
<v Speaker 1>And this is another one of those. And I I

1110
00:51:50.920 --> 00:51:54.519
<v Speaker 1>absolutely like I was when I walked out of the theater,

1111
00:51:54.639 --> 00:51:56.719
<v Speaker 1>I was content. It took me a minute to get

1112
00:51:56.760 --> 00:51:57.360
<v Speaker 1>to content.

1113
00:51:57.559 --> 00:51:59.960
<v Speaker 2>Okay, let's bring this up as much as we could

1114
00:52:00.079 --> 00:52:03.400
<v Speaker 2>talk about What questions did you have that we're on answered?

1115
00:52:03.480 --> 00:52:05.920
<v Speaker 1>I can't ask you on the show, okay, yeah, because

1116
00:52:05.960 --> 00:52:08.880
<v Speaker 1>I had none, really I had. There's nothing that that

1117
00:52:09.400 --> 00:52:11.639
<v Speaker 1>once and you answered the question on the show. Why

1118
00:52:11.679 --> 00:52:13.960
<v Speaker 1>did Emma Stone make the decision she made in the

1119
00:52:14.000 --> 00:52:16.320
<v Speaker 1>last scene of the movie, Like what drove her to

1120
00:52:16.400 --> 00:52:17.559
<v Speaker 1>that ultimate conclusion?

1121
00:52:17.679 --> 00:52:21.880
<v Speaker 2>I think based on the information that was provided to her,

1122
00:52:22.519 --> 00:52:25.400
<v Speaker 2>she felt like she had no choice. Okay, I mean

1123
00:52:25.400 --> 00:52:27.400
<v Speaker 2>that's the way I viewed it. Maybe this is a

1124
00:52:27.400 --> 00:52:27.840
<v Speaker 2>better off.

1125
00:52:28.039 --> 00:52:30.199
<v Speaker 1>Yeah, yeah, we'll jump into it off the air. Yeah,

1126
00:52:30.239 --> 00:52:33.159
<v Speaker 1>that's all right. I got a programming meeting coming up.

1127
00:52:33.159 --> 00:52:34.400
<v Speaker 1>So should we get to ratings here?

1128
00:52:34.519 --> 00:52:36.320
<v Speaker 2>Yeah? Ratings, and then I want to talk about next week.

1129
00:52:36.639 --> 00:52:38.280
<v Speaker 2>You go ahead first, I have not by the way

1130
00:52:38.360 --> 00:52:40.559
<v Speaker 2>normally I think about ratings before I do this. I've

1131
00:52:40.559 --> 00:52:41.400
<v Speaker 2>not thought about it at all.

1132
00:52:41.480 --> 00:52:44.599
<v Speaker 1>Yeah, Oh for sure, I if I This is a

1133
00:52:44.639 --> 00:52:46.400
<v Speaker 1>harder one for me because there were elements I like,

1134
00:52:46.440 --> 00:52:48.199
<v Speaker 1>the elements I didn't like. And I always say a

1135
00:52:48.320 --> 00:52:50.880
<v Speaker 1>six means that held my attention about scrolling my phone,

1136
00:52:50.920 --> 00:52:53.519
<v Speaker 1>And I was scrolling my phone, but not because I

1137
00:52:53.599 --> 00:52:55.159
<v Speaker 1>was bored, just because I was more so like, what

1138
00:52:55.199 --> 00:52:57.800
<v Speaker 1>did I sign up for? Because I went in so cold?

1139
00:52:58.199 --> 00:53:01.800
<v Speaker 2>But isn't that isn't that Isn't that a positive aspect

1140
00:53:01.800 --> 00:53:02.280
<v Speaker 2>of the movie.

1141
00:53:02.280 --> 00:53:05.400
<v Speaker 1>Where So that's why I'm setting the stage because I'm

1142
00:53:05.400 --> 00:53:07.719
<v Speaker 1>going to go above a six despite the fact that

1143
00:53:07.800 --> 00:53:10.719
<v Speaker 1>I said me, scrolling means it's below a six, and

1144
00:53:10.719 --> 00:53:13.239
<v Speaker 1>I would say six point five maybe a seven on

1145
00:53:13.280 --> 00:53:13.840
<v Speaker 1>a good day.

1146
00:53:14.000 --> 00:53:15.920
<v Speaker 2>Yeah, I'm gonna give it an eight.

1147
00:53:16.159 --> 00:53:16.719
<v Speaker 1>Yeah.

1148
00:53:16.800 --> 00:53:20.920
<v Speaker 2>I thought that this was an original idea. Yeah, I

1149
00:53:20.960 --> 00:53:25.239
<v Speaker 2>thought the execution was fun, and I think that they're

1150
00:53:25.760 --> 00:53:30.519
<v Speaker 2>they're probably I'm speculating there is a temptation to make

1151
00:53:30.599 --> 00:53:36.360
<v Speaker 2>this more complicated than it had to be and it wasn't.

1152
00:53:36.559 --> 00:53:41.679
<v Speaker 2>And I applaud that decision because for movie novices like me, Yeah,

1153
00:53:41.719 --> 00:53:45.559
<v Speaker 2>we got to enjoy a really artsy film by a

1154
00:53:45.639 --> 00:53:49.440
<v Speaker 2>director who usually makes complicated stuff, right yeah, And we

1155
00:53:49.519 --> 00:53:52.480
<v Speaker 2>got to enjoy all aspects of it because it was

1156
00:53:52.880 --> 00:53:55.119
<v Speaker 2>and maybe it was cookie cutter, maybe it was cartoonish,

1157
00:53:55.159 --> 00:53:57.880
<v Speaker 2>maybe it was a little sugary, right, yeah, it was

1158
00:53:58.000 --> 00:54:00.719
<v Speaker 2>pleasant for me, It tasted great. Yeah, oh sure, So

1159
00:54:00.760 --> 00:54:02.440
<v Speaker 2>that's why it gets an eight for me. I just

1160
00:54:02.880 --> 00:54:06.599
<v Speaker 2>this is like an art house movie for people who

1161
00:54:08.159 --> 00:54:09.960
<v Speaker 2>don't normally like art house movies.

1162
00:54:10.239 --> 00:54:13.079
<v Speaker 1>That's such a great explanation of it, because even though

1163
00:54:13.119 --> 00:54:15.239
<v Speaker 1>like I am by no strange, I always joke I said,

1164
00:54:15.239 --> 00:54:18.599
<v Speaker 1>I am the slumlord of movie fans, Like I normally

1165
00:54:18.639 --> 00:54:21.960
<v Speaker 1>do not get into the high end element of anything,

1166
00:54:22.000 --> 00:54:24.440
<v Speaker 1>whether it be horror movies or otherwise, like once you

1167
00:54:24.480 --> 00:54:26.519
<v Speaker 1>make it too slow of a draw, like I'm going

1168
00:54:26.559 --> 00:54:29.480
<v Speaker 1>there to be entertained, and this never hit that point.

1169
00:54:29.800 --> 00:54:31.440
<v Speaker 1>It was just I was nervous it was going to

1170
00:54:31.480 --> 00:54:33.599
<v Speaker 1>be a more mediocre take on a story that we've

1171
00:54:33.639 --> 00:54:36.199
<v Speaker 1>seen a hundred times over, and this was It was

1172
00:54:36.280 --> 00:54:38.320
<v Speaker 1>much more fun. And like I always say, my favorite

1173
00:54:38.360 --> 00:54:41.639
<v Speaker 1>thing is when I don't know who to trust anymore.

1174
00:54:41.719 --> 00:54:44.079
<v Speaker 1>Like we've mentioned that even in the Megan movie, which

1175
00:54:44.119 --> 00:54:46.079
<v Speaker 1>received our lowest review, I was like, that was what

1176
00:54:46.119 --> 00:54:48.239
<v Speaker 1>I hated most about it is you could tell that

1177
00:54:48.320 --> 00:54:50.639
<v Speaker 1>Megan was on the side of the humans very early

1178
00:54:50.679 --> 00:54:52.199
<v Speaker 1>on and there was not going to be a lot

1179
00:54:52.199 --> 00:54:54.760
<v Speaker 1>of back and forth. Yeah, this I think I changed

1180
00:54:54.760 --> 00:54:57.480
<v Speaker 1>my mind six times over, which that to me is

1181
00:54:57.519 --> 00:54:59.519
<v Speaker 1>the sign of something good because I'm sitting there like

1182
00:54:59.559 --> 00:55:01.320
<v Speaker 1>I don't know what it's gonna happen. Yeah, I think

1183
00:55:01.360 --> 00:55:03.159
<v Speaker 1>I know what's happening. But again, just because I watched

1184
00:55:03.159 --> 00:55:05.679
<v Speaker 1>a thousand movies, it reminded me of another one. I'm

1185
00:55:05.679 --> 00:55:08.119
<v Speaker 1>not gonna say which because I think that would tip

1186
00:55:09.480 --> 00:55:11.840
<v Speaker 1>my hand as to what happens in this movie. But

1187
00:55:11.840 --> 00:55:13.719
<v Speaker 1>there's a horror movie out there that had a very

1188
00:55:13.719 --> 00:55:16.159
<v Speaker 1>similar kind of vibe that I enjoyed very much, which

1189
00:55:16.159 --> 00:55:18.119
<v Speaker 1>I'll tell you off the air that I think you'd enjoy.

1190
00:55:18.440 --> 00:55:21.400
<v Speaker 1>But we can get to that another time here. But yeah,

1191
00:55:21.440 --> 00:55:23.199
<v Speaker 1>so that's what I'm saying. Go see this movie, whether

1192
00:55:23.239 --> 00:55:28.039
<v Speaker 1>it be is it a theater. See it's not like flashy,

1193
00:55:28.199 --> 00:55:30.000
<v Speaker 1>Like there's not a lot of flashy moments. Like I

1194
00:55:30.039 --> 00:55:32.679
<v Speaker 1>probably could have waited and caught this on a streaming service.

1195
00:55:32.760 --> 00:55:35.360
<v Speaker 1>It'd probably be my suggestion. But if you're looking for

1196
00:55:35.400 --> 00:55:37.800
<v Speaker 1>something to go check out while it's still in theaters.

1197
00:55:37.840 --> 00:55:39.639
<v Speaker 1>This feels like it's going to be a short stay,

1198
00:55:39.679 --> 00:55:41.320
<v Speaker 1>so go check it out. Yeah I haven't.

1199
00:55:42.039 --> 00:55:46.400
<v Speaker 2>I definitely see it. Now. Here's here's the next thing

1200
00:55:46.400 --> 00:55:48.320
<v Speaker 2>I want to bring up for next week.

1201
00:55:48.440 --> 00:55:51.400
<v Speaker 1>Yeah, do you have you looked at anything? No, I'm

1202
00:55:51.440 --> 00:55:52.119
<v Speaker 1>open for anoun.

1203
00:55:52.280 --> 00:55:54.599
<v Speaker 2>So there's two. There's two of them that are popping up.

1204
00:55:54.760 --> 00:55:57.400
<v Speaker 2>One I thought I was gonna give my ringing endorsement,

1205
00:55:57.400 --> 00:55:59.599
<v Speaker 2>to which I still might. And then the other one

1206
00:55:59.599 --> 00:56:02.920
<v Speaker 2>that kind of popped up. There's a Robert Pattinson Jennifer

1207
00:56:03.000 --> 00:56:09.159
<v Speaker 2>Lawrence movie about these two, this couple that lives in

1208
00:56:09.199 --> 00:56:13.320
<v Speaker 2>New York and then they moved to Montana, and I

1209
00:56:13.480 --> 00:56:16.320
<v Speaker 2>don't know if stuff happens, but Jennifer Lawrence, oh mother,

1210
00:56:16.480 --> 00:56:20.039
<v Speaker 2>what about mother? As far as oh so, then her

1211
00:56:20.079 --> 00:56:24.719
<v Speaker 2>mental health starts deteriorating. In this movie, it's like just

1212
00:56:24.840 --> 00:56:27.840
<v Speaker 2>die my darling or I can't remember, or die my love.

1213
00:56:27.920 --> 00:56:29.639
<v Speaker 2>I think it's what it's called. I don't know if

1214
00:56:29.639 --> 00:56:31.960
<v Speaker 2>it's a love story or not. So that one came

1215
00:56:32.039 --> 00:56:34.320
<v Speaker 2>up late. But the one that I had ear mark

1216
00:56:34.400 --> 00:56:39.480
<v Speaker 2>for this weekend was Nuremberg with Russell Crowe that's the one,

1217
00:56:39.880 --> 00:56:42.000
<v Speaker 2>all right, so that I would prefer that one. Yeah,

1218
00:56:42.039 --> 00:56:44.440
<v Speaker 2>Romie Mallick is in that one. I think I think

1219
00:56:44.519 --> 00:56:47.559
<v Speaker 2>John Terry is in it too, so so yeah, I'm

1220
00:56:47.639 --> 00:56:49.599
<v Speaker 2>i'm I'm totally a bored for it now. It is

1221
00:56:49.639 --> 00:56:53.000
<v Speaker 2>probably an epic film, yeah, probably two and a half

1222
00:56:53.000 --> 00:56:56.280
<v Speaker 2>hours or whatever. But I'm i'm, I definitely am excited

1223
00:56:56.320 --> 00:56:57.840
<v Speaker 2>for that because I think this one is is a

1224
00:56:57.840 --> 00:56:58.880
<v Speaker 2>big time Awards one too.

1225
00:56:59.039 --> 00:57:01.599
<v Speaker 1>Yeah, I think you're probably be right about that. I'm

1226
00:57:01.639 --> 00:57:03.360
<v Speaker 1>on board for that. I think I'll find it very

1227
00:57:03.360 --> 00:57:05.159
<v Speaker 1>interesting and I like the ones where I actually know

1228
00:57:05.239 --> 00:57:07.719
<v Speaker 1>a little bit about the history. I went into Oppenheimer

1229
00:57:07.760 --> 00:57:10.800
<v Speaker 1>relatively cold. I know a lot about the dude before

1230
00:57:10.840 --> 00:57:13.519
<v Speaker 1>I watched the movie this one. I at least have

1231
00:57:13.719 --> 00:57:15.960
<v Speaker 1>some semblance of what was going on in that time,

1232
00:57:16.000 --> 00:57:18.039
<v Speaker 1>so that'll be But I'm by no means an expert,

1233
00:57:18.079 --> 00:57:19.840
<v Speaker 1>So I love that kind of stuff. So let's do

1234
00:57:19.920 --> 00:57:20.320
<v Speaker 1>that then.

1235
00:57:20.599 --> 00:57:23.880
<v Speaker 2>Yeah, I know of the Nuremberg Trials, Yeah, that's where

1236
00:57:23.880 --> 00:57:27.440
<v Speaker 2>it ends. What exactly happened, I don't know, Yeah, you know,

1237
00:57:27.519 --> 00:57:29.679
<v Speaker 2>I have no idea, So so yeah, I think we'll

1238
00:57:29.719 --> 00:57:32.000
<v Speaker 2>go into that one cold, and so this will be

1239
00:57:32.000 --> 00:57:33.920
<v Speaker 2>another fun episode, but going he was a fun one

1240
00:57:33.920 --> 00:57:34.119
<v Speaker 2>to talk.

1241
00:57:34.360 --> 00:57:34.519
<v Speaker 3>Oh.

1242
00:57:34.559 --> 00:57:38.480
<v Speaker 1>Absolutely a big fan. Loved what I saw, Looking forward

1243
00:57:38.480 --> 00:57:41.280
<v Speaker 1>to more stuff like that in the future. Here we

1244
00:57:41.360 --> 00:57:44.039
<v Speaker 1>signing off. Then that's Eric Balkman there. You can catch

1245
00:57:44.119 --> 00:57:48.199
<v Speaker 1>him on w SCO eleven to noon, do It in

1246
00:57:48.239 --> 00:57:51.239
<v Speaker 1>the show, talking sports wonderfully, and of course Outside the

1247
00:57:51.239 --> 00:57:55.760
<v Speaker 1>Box on WHPY Radio and available anywhere you can get podcasts.

1248
00:57:55.920 --> 00:57:58.199
<v Speaker 1>Just search Outside the Box with benk Commonos. We'll talk

1249
00:57:58.199 --> 00:58:00.199
<v Speaker 1>to you guys next week.
