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<v Speaker 1>Hi, This is Nick Bramlock from Starbaroth, Pennsylvania. I played

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<v Speaker 1>Jaxson Golf Court Golf Smarter episode seventy four. I know

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<v Speaker 1>a story about John Matten that really isn't being told

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<v Speaker 1>very much. I was reading all these obituaries about the

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<v Speaker 1>Ace hardware ads and the light beer ads and meeting

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<v Speaker 1>the Raiders sidelines after ten years, and every big moment

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<v Speaker 1>in John Madden's life. But nowhere in any of these

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<v Speaker 1>obituaries do I see word one about the longest single

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<v Speaker 1>career of his life, which was morning radio in the

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<v Speaker 1>Bay Area. And I thought, well, somebody has to tell

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<v Speaker 1>that story. I look around, I go, well, Gene Nelson's

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<v Speaker 1>been kind of out of the picture for years. Frank

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<v Speaker 1>Dale's not going to write a piece al Heart's dead.

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<v Speaker 1>I guess it's me. What I didn't know really well

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<v Speaker 1>was the aya Geene Nelson part. As I was kind

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<v Speaker 1>of scraping around looking for information, I ran across your

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<v Speaker 1>podcast episode where you talked about meeting John at the

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<v Speaker 1>radio station, about your conversations, where you played one of

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<v Speaker 1>the answering machine messages the record for you and Joanne shamelessly, dude,

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<v Speaker 1>I scraped some of that put it in the article

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<v Speaker 1>and quoted you because you know, I knew you'd be

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<v Speaker 1>okay with it. It hit me that I had a

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<v Speaker 1>trusted friend, somebody I could come to who didn't know

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<v Speaker 1>some of the origin myths of John Madden. On morning radio.

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<v Speaker 2>Mornings with Madden, our radio lives with an American Legend,

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<v Speaker 2>featuring the author, my friend Stan Bunger.

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<v Speaker 1>This is Golf Smarter, sharing stories, tips and insights from

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<v Speaker 1>great golf minds to help you lower your score and

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<v Speaker 1>raise your golf IQ.

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<v Speaker 3>Here's your host, Fred Green. Welcome to the Golf Smarter Podcast.

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<v Speaker 1>Dan, Fred, great to be here. I mean, I'm I'm honored.

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<v Speaker 1>I know you've done something like seven five hundred episodes and.

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<v Speaker 3>You're seven five hundred and one.

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<v Speaker 1>I'm glad.

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<v Speaker 2>Well, it's it's kind of weird that we're doing this,

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<v Speaker 2>but I have to do it. Let's establish right from

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<v Speaker 2>the beginning that we've been friends for fifty years. Are

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<v Speaker 2>we really going on fifty years?

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<v Speaker 1>Darn close to it? And I'm not sure that we've

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<v Speaker 1>actually appeared broadcasts together since we were appearing on the

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<v Speaker 1>same broadcast together as students at San Francisco State University.

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<v Speaker 2>Well, don't even call it a broadcast because it was

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<v Speaker 2>it was only over a cable to the dorms. I

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<v Speaker 2>was the morning DJ at San Francisco State's radio station.

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<v Speaker 2>This is nineteen seventy five, seventy six, seventy seven, and.

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<v Speaker 3>You were my morning news guy.

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<v Speaker 2>So we were there at six in the morning and

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<v Speaker 2>you were doing news and I was doing records.

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<v Speaker 1>And we thought we were that. We thought we were

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<v Speaker 1>all that. Yeah.

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<v Speaker 2>Yeah, we were so impressed with ourselves. And here we

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<v Speaker 2>are and a long time later, and we have one

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<v Speaker 2>other thing in common. That is why you're here today,

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<v Speaker 2>and that is John Madden. And I've told stories about

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<v Speaker 2>my relationship with Madden on the show.

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<v Speaker 3>Episode eight hundred.

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<v Speaker 2>I think I told a lot of stories, and then

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<v Speaker 2>when John passed away, I probably did some more. But

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<v Speaker 2>you have just published a book called Mornings with Madden,

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<v Speaker 2>My Radio life with an American Legend. Let me do

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<v Speaker 2>the golf part real quick, and we'll get into more

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<v Speaker 2>golf later. You and I were out on the golf course, what.

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<v Speaker 3>Two years ago, three years ago, yeah, yeah, a couple.

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<v Speaker 2>Of years ago, post COVID. We were playing one of

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<v Speaker 2>my favorite courses, Corika Park in Alameda near your home,

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<v Speaker 2>and you said, I'm thinking of doing a book about

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<v Speaker 2>my time with Madden, and I'm like, what.

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<v Speaker 3>Y got there?

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<v Speaker 1>Okay, I will. And the backstory, of course, is that I,

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<v Speaker 1>in my forty plus year radio career, spent most of

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<v Speaker 1>the last twenty working with John Madden. Now I didn't

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<v Speaker 1>in the booth of them. In fact, I never actually

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<v Speaker 1>sat next to him for a broadcast, but he was

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<v Speaker 1>an integral part of a morning radio show on KCBS

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<v Speaker 1>in San Francisco, which happened to be the third station

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<v Speaker 1>that he did this on. The first one was one

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<v Speaker 1>that you worked that way back in the nineteen eighties,

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<v Speaker 1>and for whatever reason, John kept doing a five to

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<v Speaker 1>ten to fifteen minute every single weekday morning radio hit

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<v Speaker 1>at a time when he didn't need the money, he

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<v Speaker 1>really didn't need anything else taking up his life. He

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<v Speaker 1>was John Mann, you know, I mean, the on air

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<v Speaker 1>television personality, the ad pitch man, the guy behind the

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<v Speaker 1>video game. All those things were going on concurrently. And

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<v Speaker 1>when his time on radio ended in twenty eighteen, and

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<v Speaker 1>I then retired in twenty twenty one, he died at

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<v Speaker 1>the end of twenty twenty one, and it occurred to

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<v Speaker 1>me that we had these thousands of recordings, and locked

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<v Speaker 1>up in those recordings must be some gemstones, you know,

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<v Speaker 1>some real wisdom, some wit, some teachable moments, whatever you

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<v Speaker 1>want to call him, all of it in there. And

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<v Speaker 1>then the question became, how do we get to that?

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<v Speaker 1>And is there really a book at that? And I

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<v Speaker 1>think you know, you and a lot of other friends.

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<v Speaker 1>I wasn't sure as I got halfway through the process

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<v Speaker 1>of writing the book whether you were my friends or

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<v Speaker 1>my enemies. When you said, oh, yeah, you should write

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<v Speaker 1>a book.

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<v Speaker 3>I listened. My wife wrote a book.

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<v Speaker 2>I went through five years of that and that was

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<v Speaker 2>published a year ago. So yeah, I get it.

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<v Speaker 1>Yeah, And you know, really was what was crucial to

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<v Speaker 1>the process. Of course, it was having these recordings, But

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<v Speaker 1>I was trying to answer a question that actually, it

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<v Speaker 1>turned out you had one of the keys to and

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<v Speaker 1>that was to be able to tell the story of

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<v Speaker 1>this eighty two nineteen eighty two to twenty eighteen span

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<v Speaker 1>of John Madden's life thirty six years during which he

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<v Speaker 1>appeared faithfully every morning, a little brief time out for

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<v Speaker 1>some medical crises, but not much on day area radio.

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<v Speaker 1>And he started with Gene Nelson, who was your colleague

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<v Speaker 1>at KYA Radio in San Francisco and K and KO.

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<v Speaker 1>I mean it was a look. I have never been

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<v Speaker 1>able to unravel those two statements. Kept swapping call letters,

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<v Speaker 1>but another old book not mine. When Gene retires twelve

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<v Speaker 1>years later, you'd think that'd be enough. Madden's had a

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<v Speaker 1>great time. He's hung out with this legendary DJ Gen Nelson.

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<v Speaker 1>They meshed, they were amazing together, and that should have

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<v Speaker 1>been enough by then. Nineteen ninety four, John Madden somewhere

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<v Speaker 1>in there. John had a couple of years where he

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<v Speaker 1>made more money from CBS Sports than any single player

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<v Speaker 1>in the NFL. I mean, imagine's been that big Wow. Yeah,

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<v Speaker 1>still calling in every morning to Geen Nelson to talk.

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<v Speaker 1>Gene retires, John doesn't quit. He moves over to join

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<v Speaker 1>another Bay Area broadcast legend, Frank Dill, who happens to

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<v Speaker 1>be an avid golfer. So there are a lot of

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<v Speaker 1>Frank Dill John Madden golf stories. Frank retires three years later.

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<v Speaker 1>There's a brief interlude where a guy replaces Frank that

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<v Speaker 1>John doesn't get along with, and yet he stills it.

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<v Speaker 2>You keep saying that, and you're staying in the book,

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<v Speaker 2>Come on, who is it? Steve McPartland never heard him, Okay.

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<v Speaker 1>History and you know, but apparently he ticked John off

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<v Speaker 1>enough that John's like, I'm not doing this with this guy.

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<v Speaker 1>And so my boss for many years at KCBS said,

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<v Speaker 1>Kevin Arrow, who was a real, you know, inside the

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<v Speaker 1>box kind of guy, thought outside the box and said,

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<v Speaker 1>you know what, he would be awesome. He would give

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<v Speaker 1>us an appointment listening moment at fifteen every morning where

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<v Speaker 1>people will have to tune in.

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<v Speaker 2>And radio, you know, especially a news talk station and

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<v Speaker 2>it was mostly news.

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<v Speaker 3>It wasn't even news talk.

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<v Speaker 1>It was just news, traffic, weather together every ten minutes,

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<v Speaker 1>bang bang bang bang.

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<v Speaker 3>Twenty four to seven. Appointment radio.

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<v Speaker 1>Explain that, Yeah, I should explain the term. I mean

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<v Speaker 1>in broadcasting, if you have something that people feel they

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<v Speaker 1>have to tune into, they must tune into, and radio

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<v Speaker 1>doesn't allow you to time shift it really, I mean,

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<v Speaker 1>not like a DVR and television all start the Super

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<v Speaker 1>Bowl a half hour late, skip the commercials. In radio,

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<v Speaker 1>you got to be there when it happens. And so

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<v Speaker 1>eight fifteen, I mean, we have a story after a

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<v Speaker 1>story of people saying I was late to work routinely

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<v Speaker 1>because I was supposed to be in the office at

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<v Speaker 1>eight fifteen, but I couldn't go in until I heard

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<v Speaker 1>what Madden said. And it immediately like this, I mean,

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<v Speaker 1>our ratings during that time slot skyrocketed. We ended up

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<v Speaker 1>beating our longtime Nemesiskgo in the morning ratings battle as

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<v Speaker 1>a result of that hour. And another shout out has

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<v Speaker 1>to be given to a guy, nam Frank Oxerart, who

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<v Speaker 1>was the station manager at KCBS. It was willing to

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<v Speaker 1>go to New York to the suits at Corpora then

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<v Speaker 1>say hey, this guy's worth it, you know, pay John

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<v Speaker 1>Madden whatever it takes. I don't know what it was.

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<v Speaker 1>I never have none, to be honest with you, to

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<v Speaker 1>get him on our station because it will change everything.

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<v Speaker 1>And it did, and so that was the beginning. I

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<v Speaker 1>came back. So now he's working with Al Hart, another

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<v Speaker 1>aread broadcast legend, starting in nineteen ninety seven on KCBS,

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<v Speaker 1>and they hit it off right away. They were amazing together.

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<v Speaker 1>But Al retires in two thousand. I mean, I had

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<v Speaker 1>previously worked at KCBS for ten years, was off to

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<v Speaker 1>another stuff. I get a call one day saying, hey,

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<v Speaker 1>would you consider coming back. And you know, you remember

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<v Speaker 1>that scene in the movie A Major League where they

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<v Speaker 1>call Lou Brown he's run at a tire shot, and

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<v Speaker 1>you say would you like to manage the Cleveland Indians

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<v Speaker 1>And he goes, ah, I got a guy. I asked

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<v Speaker 1>me about a set of white walls. I'll get back

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<v Speaker 1>to you. You know that was kind of my response.

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<v Speaker 1>I had other stuff going on. I wasn't sure I

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<v Speaker 1>wanted to go back to everyday radio, but I did

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<v Speaker 1>say yes. And I know that management must have been

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<v Speaker 1>terrified that I would be the next Steve Apartment, that

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<v Speaker 1>I would screw this thing with Madden up by not

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<v Speaker 1>getting how to play the game with John Madden. So

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<v Speaker 1>the day before I'm sorry, I go ahead.

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<v Speaker 2>No, I was going to say it wasn't he was

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<v Speaker 2>already on KCBS with a different morning.

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<v Speaker 3>Person that right, with AlOH al Hart.

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<v Speaker 2>Yeah, okay, And they hear impression in the book. I'm

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<v Speaker 2>listening to the audiobook. Your impression of al Hart.

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<v Speaker 3>You nailed it.

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<v Speaker 1>Yeah, he's He's the sweetest, kindest, gentlest, funniest man anybody

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<v Speaker 1>ever met. There's never been anybody who met Albarne. Well,

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<v Speaker 1>what a jerk?

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<v Speaker 2>No, No, no, never, but I'm saying the voice and

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<v Speaker 2>you do your impression of him on the audiobook.

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<v Speaker 3>You nailed it.

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<v Speaker 1>Yeah, like, wait, that was a no. Well, I mean

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<v Speaker 1>I learned a lot from him, and so yeah, the

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<v Speaker 1>day before they're gonna put me on the air for

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<v Speaker 1>the first time. I come back in the summer of

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<v Speaker 1>two thousand and they said, you really need to talk

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<v Speaker 1>to coach. We got to get a call. And I

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<v Speaker 1>know that management is thinking, jeez, this is this has

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<v Speaker 1>got to work, this has got to work, this has

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<v Speaker 1>gotta work. So I get on the call, and you know,

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<v Speaker 1>I'm a little nervous. This is John freaking Madden right before.

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<v Speaker 1>In fact, I didn't really like the Raiders. I used

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<v Speaker 1>to root against him, you know.

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<v Speaker 3>Yeah, right, you grew up on the Peninsula or happened

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<v Speaker 3>to be at.

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<v Speaker 1>Or in San Francisco. Mom and dad courted at Keysar Stadium.

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<v Speaker 1>So yeah, I was a forty nine er fan. And

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<v Speaker 1>I get on the phone and I just start dabbling.

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<v Speaker 1>I'm like, oh, man, coach, I just want you to

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<v Speaker 1>know I'm a I'm a big fan of you, know

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<v Speaker 1>of you and you work on television. And my dad

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<v Speaker 1>was a football coach and his dad was a football coach,

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<v Speaker 1>and I love sports, any kind of sports, and Fred

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<v Speaker 1>I must have talked for three minutes without stopping. I've

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<v Speaker 1>breath and there's this at the other end, John Madden going, Steah,

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<v Speaker 1>that's great, talk to you tomorrow. So you know, I

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<v Speaker 1>hope I passed the audition at that point. And the

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<v Speaker 1>next morning it's time for the first one. So I

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<v Speaker 1>get the call from the newsroom, you know, in the intercom,

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<v Speaker 1>saying okay, Madden's ready on line seven four, and I thought, okay,

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<v Speaker 1>So I hit the talk back bay and I said,

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<v Speaker 1>what's the topic. And there's this long silence, and I

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<v Speaker 1>see people in the newsroom looking back and forth to

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<v Speaker 1>each other. Finally somebody has the guts to lean in

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<v Speaker 1>and go whatever you want. It's Madden. And that's when

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<v Speaker 1>it all hit me. This isn't an interview. This is

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<v Speaker 1>a conversation. That's a different animal.

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<v Speaker 3>Huge.

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<v Speaker 2>Yeah, Okay, before we get to your first conversation with

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<v Speaker 2>Madden on the air, let's get let's back up a

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<v Speaker 2>little because I have to say I'm listening to the audiobook.

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<v Speaker 2>I love listening to the audiobook because I've always loved

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<v Speaker 2>your voice. But you were incredibly generous to me in

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<v Speaker 2>this book. I was amazed, and I'm honest with you,

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<v Speaker 2>I was like tearing up, going, he's still talking about me?

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<v Speaker 3>What is going on here?

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<v Speaker 2>And then at least two more times I'm only on

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<v Speaker 2>chapter ten in the audio book, and at least two

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<v Speaker 2>more times I.

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<v Speaker 3>Heard my name. I'm like, why are you doing this?

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<v Speaker 3>Why do you keep throwing my.

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<v Speaker 1>Name in there? Well, you know, I'm going to cycle

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<v Speaker 1>back to your podcast, right because when Coach passed away,

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<v Speaker 1>my initial thought was, I know a story about John

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<v Speaker 1>Madden that really isn't being told very much. I was

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<v Speaker 1>reading all these obituaries about the Ace hardware ads and

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<v Speaker 1>the light beer ads and leaving the Radar sidelines after

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<v Speaker 1>ten years, and I mean every big moment in John

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<v Speaker 1>Madden's life. But nowhere in any of these obituaries do

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<v Speaker 1>I see word one about the longest single career of

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<v Speaker 1>his life, which was morning radio in the Bay Area.

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<v Speaker 1>And I thought, well, somebody has to tell that story.

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<v Speaker 1>I look around, I go, well, Geene Nelson's been you know,

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<v Speaker 1>kind of out of the picture for years. Frank Gale's

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<v Speaker 1>not going to write a piece. Al Heart's dead, I

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<v Speaker 1>guess it's me. And what I didn't know really well

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<v Speaker 1>was the origin part, the KYA Gene Nelson part. And

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<v Speaker 1>as I was kind of scraping around looking for information,

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<v Speaker 1>I ran across your podcast episode where you talked about

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<v Speaker 1>meeting John at the radio station, about your conversations, where

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<v Speaker 1>you played one of the answering machine messages the record

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<v Speaker 1>for you and Joanne, and that I mean shameless the dude.

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<v Speaker 1>I scraped some of that, put it in the article

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<v Speaker 1>and quoted you because you know, I knew you'd be

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<v Speaker 1>okay with it. But it hit me that I had

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<v Speaker 1>trusted friend, somebody I could come to who didn't know

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<v Speaker 1>some of the origin myth of John Madden on Morning Radio.

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<v Speaker 1>Much later, actually, as the manuscript had already been submitted

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<v Speaker 1>and gone to the almost to the printer, a third

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<v Speaker 1>party reached out to me. He said, would you like

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<v Speaker 1>to be in touch with Gene Nelson? And I said, well,

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<v Speaker 1>nobody talks to Gen Nelson. He's kind of, you know,

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<v Speaker 1>checked himself out of out of the radio game. And

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<v Speaker 1>and in my contact said I'll give you a mailing address.

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<v Speaker 1>So I said, well that's a start. I'll do something

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<v Speaker 1>I haven't done in years. I will write an actual

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<v Speaker 1>letter and put a stamp on it, put it in

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<v Speaker 1>the mail, and I included my email address, thinking I

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<v Speaker 1>don't know Gen Nelson does email. He's, you know, in

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<v Speaker 1>his eighties. I guess uh, and my phone number. And

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<v Speaker 1>two days later, Fred I got three missed calls from

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<v Speaker 1>Gene Nelson in voicemails, and I'm thinking, I missed. You know,

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<v Speaker 1>I have the big the big fish on the line,

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<v Speaker 1>and I missed him. I finally was able to get

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<v Speaker 1>back to him a couple of days later, and I

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<v Speaker 1>told him I just wanted to talk to him a

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<v Speaker 1>bit to get because I already finished the story. I

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<v Speaker 1>just want to make sure that everything you told me

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<v Speaker 1>about the beginning, you know, sort of jibe, and that

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<v Speaker 1>maybe I could make this into a little bit of

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<v Speaker 1>a preamble to the book. And Jeane talked to me

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<v Speaker 1>for about twenty minutes. I was scrambling to record it all,

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00:15:19.799 --> 00:15:24.360
<v Speaker 1>and told some hilariously funny stories and stories that mapped

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<v Speaker 1>to the same experience that Frank Dill and I had

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00:15:26.720 --> 00:15:29.720
<v Speaker 1>with Coach Matt and tied the whole thing together for me.

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<v Speaker 1>Now I knew how it started. I had talked to

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<v Speaker 1>the guy who started with him, who had the same

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<v Speaker 1>feelings about working with John Mann that I did. And

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<v Speaker 1>by the way, it heard some of the same stories

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<v Speaker 1>which were as funny in nineteen eighty two as they

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00:15:42.440 --> 00:15:45.919
<v Speaker 1>were in twenty sixteen, which is kind of Madden's genius too, right,

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<v Speaker 1>I mean he never failed to hang on to a

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<v Speaker 1>good story if he figured he could recycled and use

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<v Speaker 1>it again.

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<v Speaker 3>Oh yeah, I always had the night if gone.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah.

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<v Speaker 2>And so just briefly, John was on the RKO Radio

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00:16:01.120 --> 00:16:05.440
<v Speaker 2>network and he was recording these two minute pieces for

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<v Speaker 2>RKO Radio that were sent on a national basis to

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<v Speaker 2>the r KO stations. And the director of sports at

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<v Speaker 2>RKO at the time.

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<v Speaker 3>Was Charlie Steiner.

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<v Speaker 1>Charlie Steiner who.

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<v Speaker 2>Went to ESPN and is now the radio voice took

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00:16:24.080 --> 00:16:26.399
<v Speaker 2>over for Vince Gully and is a radio voice for

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<v Speaker 2>the Los Angeles Dodgers.

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<v Speaker 1>Ray, he's about to call a world series as we

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<v Speaker 1>record this, I.

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00:16:30.639 --> 00:16:32.879
<v Speaker 3>Think, well, fingers, are you know?

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<v Speaker 2>I mean that the network sure want to see that,

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<v Speaker 2>of course, right, two biggest names and the Dodgers and

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<v Speaker 2>the Yankees. And the Dodgers and the Yankees are the

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<v Speaker 2>two biggest names anyway, So Charlie and I.

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<v Speaker 3>So, you know, I would I would record.

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<v Speaker 2>John would come into the studio and we record two

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<v Speaker 2>or three pieces that were each two minutes long. And

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00:16:56.240 --> 00:16:59.360
<v Speaker 2>we got very good at punch editing, you know, like

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00:16:59.440 --> 00:17:01.039
<v Speaker 2>he would read and just pick it up and I

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00:17:01.120 --> 00:17:02.320
<v Speaker 2>didn't have to edit anything.

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<v Speaker 3>We just did it live. And he was great at that,

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<v Speaker 3>and he loved it. It was fun. And then we

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<v Speaker 3>would talk for two hours.

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<v Speaker 2>About all these different things, including my goofy ideas, and

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<v Speaker 2>he loved it, you know, he just loved that kind

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<v Speaker 2>of stuff. And I actually my boss came in to

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<v Speaker 2>me one day after John left and he said, you

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00:17:24.799 --> 00:17:27.359
<v Speaker 2>can't spend that much time talking to John.

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<v Speaker 3>You've got work to do. And I said, you want

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<v Speaker 3>to tell him to leave?

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<v Speaker 1>Well, And you know, Fred that story and you told

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<v Speaker 1>me that many years earlier. And I didn't really make

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<v Speaker 1>all the dot connections until later. And just the other night,

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<v Speaker 1>a neighbor of mine told me a story about him

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<v Speaker 1>delivering industrial gases to a hospital here in the East Bay.

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<v Speaker 1>He's waiting these canisters of oxygen or whatever in there

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<v Speaker 1>and he sees John madd So he says, what can

357
00:17:55.480 --> 00:17:58.160
<v Speaker 1>I meet it? And somebody says, yeah, sure, come out over.

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<v Speaker 1>He's a nice guy. He'll talk to you. So my

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00:18:00.480 --> 00:18:03.240
<v Speaker 1>neighbor goes over. Madden says, how are you doing, man,

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<v Speaker 1>what are you doing here? You know? And my old

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<v Speaker 1>my neighbor says, well, you know, I delivering cryogenic gases

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00:18:08.359 --> 00:18:10.519
<v Speaker 1>to the hospital. And maddens, Oh, what's you know? Is

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00:18:10.559 --> 00:18:13.880
<v Speaker 1>that dangerous? I mean, as Most telling me the story,

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00:18:13.920 --> 00:18:16.440
<v Speaker 1>I stopped him. I go so he's asking you about you,

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00:18:16.480 --> 00:18:19.440
<v Speaker 1>and Most going yeah, okay. Fast forward a couple of

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00:18:19.519 --> 00:18:22.400
<v Speaker 1>years later, my neighbor runs into Madden again, I think

367
00:18:22.400 --> 00:18:24.880
<v Speaker 1>a charity event, and he gets his moment at the

368
00:18:24.960 --> 00:18:26.400
<v Speaker 1>end of the line. He shakes his hand. He goes,

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<v Speaker 1>you know, we've actually met before, coach, and Madden looks

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<v Speaker 1>at him and he goes, cryogenic gases, right, whoah right.

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<v Speaker 1>But he was present in any if he was having

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<v Speaker 1>a conversation with you. He wasn't looking over your shoulder

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00:18:38.839 --> 00:18:40.839
<v Speaker 1>to see who was bigger in the corner of the room.

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00:18:40.880 --> 00:18:43.319
<v Speaker 1>He was having a conversation with you any care And

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<v Speaker 1>he remembered, which is a crazy part.

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<v Speaker 3>Yeah yeah, and he So we did this. I was

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00:18:52.039 --> 00:18:55.680
<v Speaker 3>with him for like almost four years. I even at

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00:18:55.680 --> 00:18:57.680
<v Speaker 3>one point Charlie hired me.

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<v Speaker 2>He says, hey, You're going to have to go out

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<v Speaker 2>to Madden's house recording this time.

381
00:19:02.200 --> 00:19:02.799
<v Speaker 3>I'm like, what.

382
00:19:03.240 --> 00:19:06.400
<v Speaker 2>He goes, just rent some equipment and just go out

383
00:19:06.440 --> 00:19:09.599
<v Speaker 2>to his house and record these pieces he's doing about

384
00:19:09.640 --> 00:19:12.400
<v Speaker 2>the nineteen eighty four Olympics, which will be in Los Angeles,

385
00:19:13.000 --> 00:19:15.279
<v Speaker 2>and and just get those and send them back down.

386
00:19:15.319 --> 00:19:19.160
<v Speaker 2>It's like, okay, So I rent some gear. I drive

387
00:19:19.200 --> 00:19:22.240
<v Speaker 2>out to Pleasanton, I pull into the into the cul

388
00:19:22.319 --> 00:19:26.319
<v Speaker 2>de Sac and there are his two sons, Joe.

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00:19:26.160 --> 00:19:27.200
<v Speaker 3>And and Mike.

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00:19:27.279 --> 00:19:32.640
<v Speaker 2>Mike, Yeah, playing basketball in the cul de Sac. Hi, guys,

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00:19:34.640 --> 00:19:38.000
<v Speaker 2>there was no exchange. I walk in the house. I've

392
00:19:38.000 --> 00:19:41.160
<v Speaker 2>got this gear over my shoulders, you know, and bags.

393
00:19:41.720 --> 00:19:43.400
<v Speaker 2>Those days you had to carry a lot of.

394
00:19:43.319 --> 00:19:45.680
<v Speaker 3>Gear to do it and recording, not like today.

395
00:19:46.720 --> 00:19:50.000
<v Speaker 2>And I walk in and John's sitting on the big

396
00:19:50.480 --> 00:19:54.319
<v Speaker 2>lazy boy chair watching TV and his wife is standing

397
00:19:54.319 --> 00:19:58.559
<v Speaker 2>on the kitchen counter. He's like, hey, hey, coach. He

398
00:19:58.680 --> 00:20:01.720
<v Speaker 2>goes fred up forg She needs some help putting some

399
00:20:01.759 --> 00:20:05.119
<v Speaker 2>stuff away. It's like, no problem, coach.

400
00:20:07.279 --> 00:20:08.839
<v Speaker 1>So that's so mad.

401
00:20:09.000 --> 00:20:09.680
<v Speaker 3>It's so mad.

402
00:20:09.799 --> 00:20:12.200
<v Speaker 2>And then and then I help her out and she's like,

403
00:20:12.279 --> 00:20:15.359
<v Speaker 2>thank you. She's reaching down and thank you. And then

404
00:20:15.759 --> 00:20:18.519
<v Speaker 2>he goes, all right, she's going to show you what bedroom.

405
00:20:18.640 --> 00:20:20.240
<v Speaker 2>Just go in the bedroom and we'll work in there.

406
00:20:20.559 --> 00:20:23.160
<v Speaker 2>And I was there for maybe an hour. We recorded

407
00:20:23.200 --> 00:20:27.200
<v Speaker 2>some stuff, and I left and never never, you know,

408
00:20:27.400 --> 00:20:31.000
<v Speaker 2>like never back at their house again. But in eighty

409
00:20:31.079 --> 00:20:33.000
<v Speaker 2>four when I went to the Olympics, it was on

410
00:20:33.039 --> 00:20:35.079
<v Speaker 2>my birthday and my brother bought us tickets and we

411
00:20:35.119 --> 00:20:39.720
<v Speaker 2>went down there. He was there and he said, well,

412
00:20:39.759 --> 00:20:42.279
<v Speaker 2>stop by the truck. You know, he was in the

413
00:20:42.319 --> 00:20:46.039
<v Speaker 2>production truck, and we went in and said hello. And

414
00:20:46.160 --> 00:20:48.640
<v Speaker 2>you know, I left the radio station in eighty six,

415
00:20:48.759 --> 00:20:51.720
<v Speaker 2>and so that was pretty much it. I never never

416
00:20:51.759 --> 00:20:53.960
<v Speaker 2>had a chance to talk to him again, except once

417
00:20:54.759 --> 00:20:57.759
<v Speaker 2>when after all those times where he was telling me,

418
00:20:58.160 --> 00:21:00.440
<v Speaker 2>you got to turn that into it, that into a business,

419
00:21:00.440 --> 00:21:02.279
<v Speaker 2>that idea, that's a great idea, you got to turn

420
00:21:02.279 --> 00:21:03.039
<v Speaker 2>that into a business.

421
00:21:03.039 --> 00:21:04.599
<v Speaker 3>And I had multiple.

422
00:21:04.160 --> 00:21:06.880
<v Speaker 2>Things going on that I was popping out of my mouth,

423
00:21:07.720 --> 00:21:11.119
<v Speaker 2>and so one of them was starting to work, and

424
00:21:11.799 --> 00:21:14.640
<v Speaker 2>it was the radio Baseball Cards, which I later turned

425
00:21:14.680 --> 00:21:19.119
<v Speaker 2>into a podcast that we did. So nineteen eighty seven

426
00:21:19.160 --> 00:21:21.920
<v Speaker 2>we did one hundred and sixty two episodes of Radio

427
00:21:21.920 --> 00:21:26.440
<v Speaker 2>Baseball cards with Don Drysdale as the host, and John

428
00:21:26.720 --> 00:21:30.920
<v Speaker 2>was gracious enough to give me over the phone a

429
00:21:30.960 --> 00:21:33.680
<v Speaker 2>testimonial about it, and that was the lead in my

430
00:21:33.799 --> 00:21:35.920
<v Speaker 2>demo that I would be sending out to radio stations.

431
00:21:36.000 --> 00:21:39.440
<v Speaker 1>Wow, Fred, the world it's out full of But there's

432
00:21:39.559 --> 00:21:44.279
<v Speaker 1>quite a tribe of people who once John identified somebody

433
00:21:44.279 --> 00:21:48.599
<v Speaker 1>as trustworthy, honest, loyal and also talented, because you couldn't

434
00:21:48.640 --> 00:21:51.640
<v Speaker 1>just be a a hacker with John. In order to

435
00:21:51.680 --> 00:21:53.880
<v Speaker 1>get in this inner circle, you had to deliver. But

436
00:21:54.000 --> 00:21:57.279
<v Speaker 1>if you could and all of those things, John would

437
00:21:57.279 --> 00:21:59.160
<v Speaker 1>go to the wall for you. He'd make sure that

438
00:21:59.240 --> 00:22:02.240
<v Speaker 1>you got that meet He'd make sure that somebody read

439
00:22:02.279 --> 00:22:05.559
<v Speaker 1>your proposal, whatever it was, because that's the way he operated.

440
00:22:05.640 --> 00:22:07.920
<v Speaker 1>He I don't think he was out to save the world.

441
00:22:07.960 --> 00:22:10.200
<v Speaker 1>I don't think he was trying to you know, be

442
00:22:10.319 --> 00:22:12.920
<v Speaker 1>the center of a Kretzu you know, or the Madden

443
00:22:12.960 --> 00:22:16.240
<v Speaker 1>World thing. But he was just loyal to people who

444
00:22:16.359 --> 00:22:20.559
<v Speaker 1>he thought deserved, yeah, the opportunity to move on some better,

445
00:22:20.599 --> 00:22:23.119
<v Speaker 1>and Mandiham did. There were production assistants over the years

446
00:22:23.279 --> 00:22:27.880
<v Speaker 1>who became you know, network executives, largely because John would

447
00:22:27.920 --> 00:22:30.960
<v Speaker 1>tell people this one's smart pay attention to him or her.

448
00:22:37.720 --> 00:22:42.680
<v Speaker 2>Well, this is a golf podcast, and there are people

449
00:22:42.680 --> 00:22:46.759
<v Speaker 2>tuning into hear about golf. So the one thing I remember,

450
00:22:46.759 --> 00:22:49.960
<v Speaker 2>and this was at least at least a decade before

451
00:22:50.000 --> 00:22:53.039
<v Speaker 2>I started playing golf, that I was with him, but

452
00:22:53.079 --> 00:22:55.920
<v Speaker 2>I do remember him talking about, if I had to

453
00:22:56.039 --> 00:23:00.039
<v Speaker 2>choose between golf and tennis, I would much rather be

454
00:23:00.039 --> 00:23:02.960
<v Speaker 2>a tennis player, because when you're a bad tennis player,

455
00:23:03.279 --> 00:23:05.839
<v Speaker 2>you're done in a half hour, and if you're a

456
00:23:05.839 --> 00:23:08.759
<v Speaker 2>bad golfer, you're out there all day long.

457
00:23:09.680 --> 00:23:15.119
<v Speaker 1>This encapsulates the general overarching Madden golf philosophy in the book,

458
00:23:15.160 --> 00:23:17.720
<v Speaker 1>and there were many many other episodes over on the

459
00:23:17.759 --> 00:23:19.960
<v Speaker 1>Oarther that didn't make it into the book. He would

460
00:23:19.960 --> 00:23:22.759
<v Speaker 1>often talk about exactly that. You know, first of all,

461
00:23:22.920 --> 00:23:25.160
<v Speaker 1>none of us are really very good. And I'm speaking

462
00:23:25.160 --> 00:23:27.519
<v Speaker 1>to you as a guy with as of this moment,

463
00:23:27.519 --> 00:23:30.839
<v Speaker 1>a twenty four point four a GHI N index, So

464
00:23:31.160 --> 00:23:32.119
<v Speaker 1>that puts me right there.

465
00:23:32.200 --> 00:23:34.920
<v Speaker 3>No, you don't, come on, we play a lot closer

466
00:23:34.920 --> 00:23:35.240
<v Speaker 3>than that.

467
00:23:35.400 --> 00:23:38.079
<v Speaker 1>I've richly earned it, friend now. But the point being,

468
00:23:38.279 --> 00:23:41.599
<v Speaker 1>I'm not a great golfer. I'm not thirty index, but

469
00:23:41.759 --> 00:23:44.880
<v Speaker 1>also not in eighteen and I have my moments when

470
00:23:44.880 --> 00:23:46.599
<v Speaker 1>you know you pure one and you think I love

471
00:23:46.640 --> 00:23:50.000
<v Speaker 1>this game. Man, you fought it out, I cut a

472
00:23:50.000 --> 00:23:51.880
<v Speaker 1>little draw, you know all of that. And then have

473
00:23:52.119 --> 00:23:54.480
<v Speaker 1>moments where you wormburg a fairway wood and you think

474
00:23:54.519 --> 00:23:55.799
<v Speaker 1>what am I doing out here?

475
00:23:56.079 --> 00:23:58.400
<v Speaker 3>Yeah? Well we've played a half dozen times together. I

476
00:23:59.240 --> 00:24:01.480
<v Speaker 3>love playing with you. I never thought like, oh my god,

477
00:24:01.519 --> 00:24:02.279
<v Speaker 3>here we go again.

478
00:24:02.480 --> 00:24:06.000
<v Speaker 1>Well, I enjoyed playing with anybody, right, Anybody who you

479
00:24:06.039 --> 00:24:08.880
<v Speaker 1>know doesn't doesn't follow. I don't care about the actual

480
00:24:08.960 --> 00:24:10.759
<v Speaker 1>rules of the game. I care about the coreum of

481
00:24:10.839 --> 00:24:13.880
<v Speaker 1>the game. You're free to play and count whatever you want.

482
00:24:13.880 --> 00:24:15.240
<v Speaker 1>I don't care about that, Nor.

483
00:24:15.119 --> 00:24:16.759
<v Speaker 3>Have I ever asked you, Okay, what are we playing

484
00:24:16.759 --> 00:24:17.440
<v Speaker 3>for in this game?

485
00:24:17.519 --> 00:24:17.680
<v Speaker 1>Right?

486
00:24:17.759 --> 00:24:19.400
<v Speaker 3>But how much you want to play for it?

487
00:24:19.400 --> 00:24:23.359
<v Speaker 1>It's like, oh no, I don't gamble, but you know,

488
00:24:23.359 --> 00:24:24.759
<v Speaker 1>for me, anybody who wants to go out and have

489
00:24:24.799 --> 00:24:27.440
<v Speaker 1>a good time, be able to laugh at our own foibles.

490
00:24:27.599 --> 00:24:30.480
<v Speaker 1>I think I took some of that from John over

491
00:24:30.480 --> 00:24:32.400
<v Speaker 1>the years because I quit the game for a long time.

492
00:24:32.480 --> 00:24:35.440
<v Speaker 1>I wasn't getting better. It was taken too long to play,

493
00:24:35.880 --> 00:24:38.119
<v Speaker 1>and I'm thinking, you know, like a lot of people

494
00:24:38.160 --> 00:24:40.599
<v Speaker 1>in midlife, you get busy, the kids, the job, and

495
00:24:40.640 --> 00:24:42.720
<v Speaker 1>all of a sudden, golf five hours of it or

496
00:24:42.759 --> 00:24:44.720
<v Speaker 1>six hours of it just doesn't seem like a really

497
00:24:44.720 --> 00:24:49.039
<v Speaker 1>wise investment. And John probably had more time, but he

498
00:24:49.079 --> 00:24:51.319
<v Speaker 1>didn't see it as a wise use of his time.

499
00:24:51.559 --> 00:24:53.400
<v Speaker 1>So among the other things, he'd says, I don't understand

500
00:24:53.400 --> 00:24:54.920
<v Speaker 1>why it's got to be eighteen holes. Why can't it

501
00:24:54.960 --> 00:24:58.359
<v Speaker 1>be like eleven or thirteen? Well, guess what, Why can't it?

502
00:24:58.759 --> 00:25:01.160
<v Speaker 1>Why can't we have courses that are built in three

503
00:25:01.200 --> 00:25:03.599
<v Speaker 1>whole modules so you can play twelve or fifty.

504
00:25:03.759 --> 00:25:06.759
<v Speaker 2>I've had I've had architects on We've talked about doing

505
00:25:06.799 --> 00:25:09.279
<v Speaker 2>it instead of two nines due to three sixes.

506
00:25:09.480 --> 00:25:12.920
<v Speaker 1>Yeah, why not? Why not? Why don't courses eighteen a

507
00:25:12.920 --> 00:25:15.119
<v Speaker 1>whole tracks do a better job of figuring out how

508
00:25:15.160 --> 00:25:18.839
<v Speaker 1>to manage starting times so people can play the front

509
00:25:18.920 --> 00:25:21.359
<v Speaker 1>nine or the background, not just at dawn, you know,

510
00:25:22.119 --> 00:25:24.279
<v Speaker 1>before everybody comes around the turn, but I mean all

511
00:25:24.359 --> 00:25:26.559
<v Speaker 1>day long? Why not? And these were kinds of things

512
00:25:26.559 --> 00:25:29.319
<v Speaker 1>that John, you know, we would talk about all the

513
00:25:29.359 --> 00:25:32.039
<v Speaker 1>time because I think he loved, well, I know what,

514
00:25:32.160 --> 00:25:34.480
<v Speaker 1>he also loved that golf is a great way to

515
00:25:34.480 --> 00:25:37.960
<v Speaker 1>get out there and make fun of your buddies, right, yea, yeah,

516
00:25:38.000 --> 00:25:41.599
<v Speaker 1>that's what he did, even his buddy Dominic Mercurio, who

517
00:25:41.640 --> 00:25:44.240
<v Speaker 1>is always just referred to an ear as Dominic. Dominic's

518
00:25:44.240 --> 00:25:48.279
<v Speaker 1>a restaurant owner in Monterey. And apparently Dominic, you're not

519
00:25:48.279 --> 00:25:50.359
<v Speaker 1>a big guy, but apparently he hits it a ton

520
00:25:50.440 --> 00:25:53.960
<v Speaker 1>off the tee. Apparently I never played with Dominic or

521
00:25:54.039 --> 00:25:59.319
<v Speaker 1>John Dominic doesn't have much of a game. After the driver, Dominic,

522
00:25:59.400 --> 00:26:02.480
<v Speaker 1>you know, it up and hell, it's a hell out

523
00:26:02.480 --> 00:26:04.279
<v Speaker 1>of it. And then he goes up and he pulls that

524
00:26:04.400 --> 00:26:06.680
<v Speaker 1>tea out of the ground like that, like take that

525
00:26:07.319 --> 00:26:10.400
<v Speaker 1>and you know that sword coming out of the sheet,

526
00:26:12.279 --> 00:26:15.720
<v Speaker 1>unplugging the tea from the earth. You know. But then

527
00:26:15.839 --> 00:26:19.279
<v Speaker 1>after that everything goes south, and all Dominic wants to

528
00:26:19.279 --> 00:26:21.759
<v Speaker 1>talk about, you know, back in the clubhouse, you see

529
00:26:21.839 --> 00:26:23.799
<v Speaker 1>if I drive on seven and John said, yeah, but

530
00:26:23.839 --> 00:26:27.319
<v Speaker 1>after that and everything was horrible. I mean, he scalded

531
00:26:27.319 --> 00:26:29.319
<v Speaker 1>your three wood into the barker, then took you three

532
00:26:29.319 --> 00:26:31.079
<v Speaker 1>to get out of there, and then you know, so

533
00:26:32.440 --> 00:26:35.799
<v Speaker 1>you know, he he approached the game I think with

534
00:26:36.200 --> 00:26:38.559
<v Speaker 1>an attitude that was it's not going to get great.

535
00:26:38.720 --> 00:26:40.559
<v Speaker 1>You're not going to be great. Why would you get

536
00:26:40.640 --> 00:26:43.000
<v Speaker 1>upset at yourself if this is who you are.

537
00:26:45.160 --> 00:26:50.079
<v Speaker 2>Right, right, And this is this book is not a biography, right,

538
00:26:50.119 --> 00:26:52.400
<v Speaker 2>this is not like the life of John Madden. This

539
00:26:52.559 --> 00:26:58.960
<v Speaker 2>is you telling stories of maddenisms. I don't know what

540
00:26:59.039 --> 00:27:02.039
<v Speaker 2>else to call him. It just like how things that

541
00:27:02.079 --> 00:27:04.799
<v Speaker 2>he said on the air and where it would go

542
00:27:04.839 --> 00:27:07.799
<v Speaker 2>and with direction is And as you stated earlier, it

543
00:27:07.880 --> 00:27:11.160
<v Speaker 2>was like, this is a conversation.

544
00:27:11.279 --> 00:27:12.319
<v Speaker 3>It's not an interview.

545
00:27:13.079 --> 00:27:15.640
<v Speaker 1>Yeah, and like you know the kind of conversation you know,

546
00:27:15.880 --> 00:27:18.680
<v Speaker 1>I know there's a phrase talking story, you know, talking

547
00:27:18.759 --> 00:27:21.519
<v Speaker 1>story where you're just hanging out with people. You're sharing

548
00:27:21.559 --> 00:27:23.880
<v Speaker 1>your live story, their live story. It's the funny thing

549
00:27:23.920 --> 00:27:26.319
<v Speaker 1>you saw, the thing you couldn't understand, you know, it's

550
00:27:26.559 --> 00:27:29.400
<v Speaker 1>it's it's what I love. It's just hanging out and talking.

551
00:27:29.480 --> 00:27:33.079
<v Speaker 1>John loved that too. He was an incredible observer, you know,

552
00:27:33.559 --> 00:27:37.519
<v Speaker 1>of everything, you know, the world around, in the human condition,

553
00:27:38.039 --> 00:27:40.039
<v Speaker 1>all of it, and so he loved to talk about that.

554
00:27:40.119 --> 00:27:42.559
<v Speaker 1>So some ofod he just was baffled by. Some of

555
00:27:42.599 --> 00:27:44.319
<v Speaker 1>it he flat out and said, I don't get that,

556
00:27:44.440 --> 00:27:46.920
<v Speaker 1>you know, I don't get Grits was one that he

557
00:27:47.079 --> 00:27:49.559
<v Speaker 1>told me one time, and I shared that with Peyton Manning,

558
00:27:50.279 --> 00:27:51.960
<v Speaker 1>who I was able to get to write the forward

559
00:27:51.960 --> 00:27:52.680
<v Speaker 1>for the post. Yeah.

560
00:27:52.720 --> 00:27:54.400
<v Speaker 3>I wanted to talk about that, Like.

561
00:27:54.519 --> 00:27:56.279
<v Speaker 1>What do you mean he doesn't like Grits? I said,

562
00:27:56.279 --> 00:27:57.920
<v Speaker 1>I don't know, man, I mean he's not around to

563
00:27:57.920 --> 00:28:00.240
<v Speaker 1>ask anymore. And Peyton's going, now, I'm not down with that, man,

564
00:28:00.279 --> 00:28:02.359
<v Speaker 1>I love Grits, not going. Yeah, me too. And I'm

565
00:28:02.359 --> 00:28:03.920
<v Speaker 1>not even from New Orleans and didn't play at the

566
00:28:04.000 --> 00:28:05.240
<v Speaker 1>University of Tennessee. You.

567
00:28:09.559 --> 00:28:14.319
<v Speaker 2>So the forward in the book is by Peyton Manning. Yeah,

568
00:28:14.359 --> 00:28:17.200
<v Speaker 2>congratulations on that. That is quite a coup.

569
00:28:17.599 --> 00:28:20.359
<v Speaker 1>Well, I have to thank Steve Mariucci for that. Fred,

570
00:28:20.359 --> 00:28:22.480
<v Speaker 1>here's a quick backstory. I'd never written a book before.

571
00:28:22.799 --> 00:28:24.960
<v Speaker 1>I know that no freaking clue of what it meant

572
00:28:24.960 --> 00:28:26.920
<v Speaker 1>to write a book. I pitched one very well known

573
00:28:26.960 --> 00:28:32.279
<v Speaker 1>agent and her response was, I don't know. John Madden's dead,

574
00:28:32.480 --> 00:28:35.599
<v Speaker 1>isn't he? And I said yeah. But I apparently wasn't

575
00:28:35.599 --> 00:28:37.559
<v Speaker 1>able to explain what it was I was trying to

576
00:28:37.599 --> 00:28:37.920
<v Speaker 1>do with the.

577
00:28:37.839 --> 00:28:40.000
<v Speaker 3>Bo You didn't have the good elevator pitch going right,

578
00:28:40.039 --> 00:28:40.599
<v Speaker 3>We'll think.

579
00:28:40.480 --> 00:28:42.599
<v Speaker 1>I did, or it was a pitch that didn't fit

580
00:28:42.680 --> 00:28:46.200
<v Speaker 1>a narrow box. It wasn't about It wasn't an oral history.

581
00:28:46.240 --> 00:28:51.119
<v Speaker 1>It wasn't you know whatever. It was just my story

582
00:28:51.160 --> 00:28:53.400
<v Speaker 1>about my life of John Madden and why he did radio,

583
00:28:53.480 --> 00:28:55.839
<v Speaker 1>and the funny stuff and why stuff he said. And

584
00:28:56.880 --> 00:28:59.480
<v Speaker 1>so during the pitch meeting, it's a zoom call with

585
00:28:59.519 --> 00:29:02.440
<v Speaker 1>these editors from Triumph Books, and I can tell her interested,

586
00:29:02.519 --> 00:29:04.359
<v Speaker 1>or else they wouldn't have scheduled the call. And I

587
00:29:04.440 --> 00:29:06.839
<v Speaker 1>know they're interested because the publisher is on the call,

588
00:29:06.920 --> 00:29:11.640
<v Speaker 1>not just the younger editors. And the questions I'd been anticipating,

589
00:29:11.680 --> 00:29:14.160
<v Speaker 1>I'm answering. And then they say, well, who do you

590
00:29:14.200 --> 00:29:16.839
<v Speaker 1>think you can get to write the forward? I was

591
00:29:16.880 --> 00:29:20.240
<v Speaker 1>so naive about this whole process. I thought they went

592
00:29:20.279 --> 00:29:22.079
<v Speaker 1>and got somebody to write the forward. I didn't know

593
00:29:22.119 --> 00:29:24.519
<v Speaker 1>that was my job as the author. Just oh wow,

594
00:29:24.799 --> 00:29:29.400
<v Speaker 1>the time is that dumb? So I said, I'm well,

595
00:29:29.400 --> 00:29:32.359
<v Speaker 1>maybe Tony LaRussa, because he's a friend of John Madden's. Well,

596
00:29:32.720 --> 00:29:35.519
<v Speaker 1>saying that to a group of book people in Chicago,

597
00:29:36.000 --> 00:29:38.559
<v Speaker 1>where Tony had recently flamed out as the manager of

598
00:29:38.599 --> 00:29:40.720
<v Speaker 1>the White Sox. And by the way, they're North Siders,

599
00:29:41.359 --> 00:29:42.759
<v Speaker 1>not a good move. I can see their faces.

600
00:29:42.759 --> 00:29:44.880
<v Speaker 3>All drops are white SOX twice.

601
00:29:45.240 --> 00:29:46.279
<v Speaker 1>Yeah right, right.

602
00:29:46.319 --> 00:29:49.039
<v Speaker 3>Right, And it was a competitor in Saint Louis.

603
00:29:49.359 --> 00:29:53.160
<v Speaker 1>Yeah not yet, not a Chicago win, not a good

604
00:29:53.200 --> 00:29:55.960
<v Speaker 1>good name, right, So okay, now I'm now I'm scrambling.

605
00:29:55.960 --> 00:29:59.640
<v Speaker 1>I'm thinking, uh, well maybe al Michael's. Uh you know,

606
00:29:59.680 --> 00:30:02.240
<v Speaker 1>because worked with John and I had a couple of

607
00:30:02.400 --> 00:30:05.680
<v Speaker 1>possible entrees to Al. I thought, wow, okay, and then

608
00:30:05.720 --> 00:30:08.559
<v Speaker 1>I just threw Peyton's day Man. I said, or Peyton Manning.

609
00:30:08.759 --> 00:30:10.960
<v Speaker 1>Man They all lit up. You can get Peyton Manning.

610
00:30:11.000 --> 00:30:13.799
<v Speaker 1>I'm going I'll try it. I got off that call

611
00:30:14.160 --> 00:30:17.519
<v Speaker 1>and I immediately text Steve Mariucci and I said, Mooch,

612
00:30:18.000 --> 00:30:20.000
<v Speaker 1>do you think you could get me to either Al

613
00:30:20.039 --> 00:30:23.079
<v Speaker 1>Michaels or Peyton Manning to write it forward for the book?

614
00:30:23.079 --> 00:30:26.200
<v Speaker 1>And much knew about the book in general. And all

615
00:30:26.240 --> 00:30:30.920
<v Speaker 1>I got back was I'll try. And then I didn't

616
00:30:30.960 --> 00:30:33.920
<v Speaker 1>hear from him for like three months, and I'll try.

617
00:30:33.960 --> 00:30:36.359
<v Speaker 1>As the shortest communication I've ever had with Mooch.

618
00:30:37.480 --> 00:30:40.319
<v Speaker 2>So wait, give a little backstory on Mooch, because again

619
00:30:40.440 --> 00:30:43.880
<v Speaker 2>golf audience may not know, may not follow the NFL.

620
00:30:44.079 --> 00:30:49.720
<v Speaker 1>So Steve Mariucci from Iron Mountain, Michigan, where His boyhood

621
00:30:49.759 --> 00:30:52.359
<v Speaker 1>friend was Tom Izzo, who became the basketball coach at

622
00:30:52.400 --> 00:30:55.079
<v Speaker 1>Michigan State and won national championships. So you've got a

623
00:30:55.119 --> 00:30:58.440
<v Speaker 1>parallel story there, these two boyhood buddies and John Madden

624
00:30:58.519 --> 00:31:01.799
<v Speaker 1>and his boyhood friend John Robinson, who won a national

625
00:31:01.839 --> 00:31:06.319
<v Speaker 1>championship coaching USC is in the College Football Hall of Fame. Remarkable, right,

626
00:31:06.319 --> 00:31:09.640
<v Speaker 1>two different hairs from two different parts of the country.

627
00:31:10.119 --> 00:31:13.039
<v Speaker 1>Madden and Mariucci need a I think Mariucci was the

628
00:31:13.079 --> 00:31:16.680
<v Speaker 1>offensive coordinator of quarterbacks coach with the Packers at the time.

629
00:31:16.799 --> 00:31:20.359
<v Speaker 1>John was still doing national broadcasts and he was just

630
00:31:20.440 --> 00:31:23.119
<v Speaker 1>taken by Steve Marriuchi. They famously got on the bus

631
00:31:23.119 --> 00:31:26.400
<v Speaker 1>one day, the Madden Cruiser to tour Green Bay and

632
00:31:26.599 --> 00:31:28.640
<v Speaker 1>Mariuchi is going to sho him where everybody lived. Allow,

633
00:31:28.680 --> 00:31:31.519
<v Speaker 1>that's where That's where McCarthy lives over there, Brett Farr

634
00:31:31.559 --> 00:31:34.079
<v Speaker 1>lives in that house. And then you know they're pulling

635
00:31:34.119 --> 00:31:36.720
<v Speaker 1>the Madden Cruiser up like in Culda Sacks in Green

636
00:31:36.759 --> 00:31:38.559
<v Speaker 1>Bay and having to back out.

637
00:31:39.400 --> 00:31:41.000
<v Speaker 2>Or if you've ever been to Green Bay, have you

638
00:31:41.000 --> 00:31:43.680
<v Speaker 2>ever been spent time there? Yeah, she's not what you

639
00:31:43.759 --> 00:31:44.640
<v Speaker 2>call a big city.

640
00:31:44.960 --> 00:31:48.519
<v Speaker 1>No, take any suburban neighborhood anywhere and put a football

641
00:31:48.559 --> 00:31:49.880
<v Speaker 1>stadium in the middle of that's green.

642
00:31:50.400 --> 00:31:55.079
<v Speaker 2>It's bizarre because it's I worked there twice. At the stadium,

643
00:31:55.119 --> 00:31:57.319
<v Speaker 2>they did fan festival, and I worked there twice. And

644
00:31:57.559 --> 00:32:00.160
<v Speaker 2>you like, you get out of the airport and to

645
00:32:00.200 --> 00:32:03.039
<v Speaker 2>go to the hotel, you cross the street from the airport.

646
00:32:03.079 --> 00:32:04.160
<v Speaker 3>Okay, that's not a big deal.

647
00:32:04.480 --> 00:32:07.200
<v Speaker 2>And then to get to the stadium, you come out

648
00:32:07.240 --> 00:32:09.279
<v Speaker 2>of the parking lot of the hotel. You turn left,

649
00:32:09.640 --> 00:32:11.960
<v Speaker 2>You go down about a quarter mile. You turn left

650
00:32:11.960 --> 00:32:14.680
<v Speaker 2>at the first signal, you go down another half mile.

651
00:32:14.720 --> 00:32:17.799
<v Speaker 2>There's another signal, you turn right, you go a half

652
00:32:17.839 --> 00:32:19.440
<v Speaker 2>mile again, and you're at this stadium.

653
00:32:19.599 --> 00:32:23.000
<v Speaker 1>There is an entire three five thousand seat stadium.

654
00:32:22.960 --> 00:32:26.119
<v Speaker 2>Right it's an eighty thousand seat stadium with one hundred

655
00:32:26.160 --> 00:32:29.480
<v Speaker 2>and three thousand people in the entire town. So I

656
00:32:29.519 --> 00:32:33.359
<v Speaker 2>always figured the best job to have is to break

657
00:32:33.400 --> 00:32:35.480
<v Speaker 2>into houses on Sunday because.

658
00:32:36.640 --> 00:32:38.880
<v Speaker 3>Nobody's the only no one's going to be home because

659
00:32:38.920 --> 00:32:40.920
<v Speaker 3>they're either at the game or working at the game.

660
00:32:41.000 --> 00:32:43.240
<v Speaker 1>There just a few out of town guests who didn't

661
00:32:43.240 --> 00:32:47.319
<v Speaker 1>like football or was right. So anyway, madd and Steve

662
00:32:47.319 --> 00:32:50.599
<v Speaker 1>Berriouchia and Mariucci that day has brought with him a

663
00:32:50.640 --> 00:32:53.880
<v Speaker 1>bag full of pasties, Cornish pasties, which are meat pies

664
00:32:54.720 --> 00:32:58.000
<v Speaker 1>that were brought over to America by the Cornish miners

665
00:32:58.319 --> 00:33:01.640
<v Speaker 1>who populated the Upper penninsul Love, Michigan and Iron Mountain.

666
00:33:01.880 --> 00:33:05.240
<v Speaker 1>Mariucci's hometown has got a lot of that heritage. Mariucci said,

667
00:33:05.240 --> 00:33:08.400
<v Speaker 1>heritage is Italian. Madd needs one of these, and he's smit.

668
00:33:08.759 --> 00:33:10.799
<v Speaker 1>He's a freight mooch. You know, he probably ate three

669
00:33:10.880 --> 00:33:13.559
<v Speaker 1>or four or eight of them, to be honest. There

670
00:33:13.680 --> 00:33:17.240
<v Speaker 1>begins a bond which then begins to include Bacci, which

671
00:33:17.680 --> 00:33:21.440
<v Speaker 1>Steve Mariucci is into. He gets Madden engaged, and Madden

672
00:33:21.480 --> 00:33:24.200
<v Speaker 1>now starts to play Boggi. What they came up with

673
00:33:24.480 --> 00:33:27.039
<v Speaker 1>was the world's greatest fundraiser, with all due difference to

674
00:33:27.200 --> 00:33:31.720
<v Speaker 1>every way too long golf scramble fundraiser anybody ever suffered

675
00:33:31.720 --> 00:33:35.759
<v Speaker 1>through a day at the BACI tournament is better because

676
00:33:35.839 --> 00:33:39.240
<v Speaker 1>guess what, You're not out all day. Your matches last

677
00:33:39.240 --> 00:33:42.680
<v Speaker 1>thirty minutes in between eating, drinking and hanging out. It

678
00:33:42.720 --> 00:33:44.960
<v Speaker 1>would be as if after every shot on the scramble

679
00:33:44.960 --> 00:33:47.720
<v Speaker 1>you could eat, drink and hang out instead of back

680
00:33:47.759 --> 00:33:51.200
<v Speaker 1>to the clubhouse for the auction, right, and so they

681
00:33:51.359 --> 00:33:54.759
<v Speaker 1>turned this thing into a multimillion dollar fundraiser and of

682
00:33:54.839 --> 00:33:57.759
<v Speaker 1>course engage people who Bachi's kind of easy to learn,

683
00:33:57.839 --> 00:34:01.240
<v Speaker 1>a lot easier to learn than golf, and so you know,

684
00:34:02.000 --> 00:34:05.519
<v Speaker 1>that became the nucleus of the of their relationship and friendship.

685
00:34:06.000 --> 00:34:08.719
<v Speaker 1>And Steve Mariucci coach. He was the head coach at

686
00:34:08.800 --> 00:34:12.480
<v Speaker 1>University of California, then for the San Francisco forty nine ers.

687
00:34:13.079 --> 00:34:14.960
<v Speaker 1>Then he had a job with the Detroit Lions and

688
00:34:14.960 --> 00:34:17.880
<v Speaker 1>I'm forgetting whether he was head coach or general manager

689
00:34:17.920 --> 00:34:21.039
<v Speaker 1>or whether. And then he's now working on the NFL

690
00:34:21.079 --> 00:34:22.719
<v Speaker 1>network as an analysts and he's really one of the

691
00:34:22.719 --> 00:34:25.840
<v Speaker 1>best because he's enthusiastic and smart and doesn't take himself

692
00:34:25.880 --> 00:34:27.000
<v Speaker 1>too seriously.

693
00:34:27.360 --> 00:34:30.159
<v Speaker 3>Right, And so he led you to Peyton Manning that

694
00:34:30.239 --> 00:34:31.280
<v Speaker 3>he came through.

695
00:34:31.480 --> 00:34:34.039
<v Speaker 1>Well, he finally did mnth's go by months. Thanks for

696
00:34:34.119 --> 00:34:35.440
<v Speaker 1>keeping me on track, by the way, I can tell

697
00:34:35.440 --> 00:34:39.679
<v Speaker 1>you're a professional. Let's go by. And I've not heard

698
00:34:39.719 --> 00:34:42.039
<v Speaker 1>from him, and I thought, I'm screwed. You know, now

699
00:34:42.039 --> 00:34:44.360
<v Speaker 1>I'm trying to reach out to my third level sources

700
00:34:44.360 --> 00:34:48.000
<v Speaker 1>on al Michael's and that isn't working. And one day

701
00:34:48.079 --> 00:34:51.639
<v Speaker 1>I get like three texts and three missed calls from

702
00:34:51.639 --> 00:34:54.480
<v Speaker 1>Marucci Peyton. O'll look, you gotta get a hold of

703
00:34:54.559 --> 00:34:58.039
<v Speaker 1>right away. And so I reached out to the number

704
00:34:58.159 --> 00:35:01.039
<v Speaker 1>for Peyton's assistant that mooch gate me. She was awesome.

705
00:35:01.239 --> 00:35:03.119
<v Speaker 1>She said, here's how it's going to work. Peyton will

706
00:35:03.159 --> 00:35:05.960
<v Speaker 1>give you about twenty minutes on the phone. Then you'll

707
00:35:05.960 --> 00:35:08.039
<v Speaker 1>write it up and you'll send it over for approval,

708
00:35:08.039 --> 00:35:10.400
<v Speaker 1>and he'll approve it whatever changes need to be made,

709
00:35:10.400 --> 00:35:13.440
<v Speaker 1>and then you go, Well, I kind of cheated because

710
00:35:13.480 --> 00:35:15.880
<v Speaker 1>I kind of wrote it a little bit in advance,

711
00:35:16.000 --> 00:35:17.559
<v Speaker 1>just trying to pull in a few of the threads

712
00:35:17.559 --> 00:35:21.119
<v Speaker 1>that were in the book. And also, you know, kind

713
00:35:21.159 --> 00:35:24.559
<v Speaker 1>of do I wanted to make sure, you know, and

714
00:35:25.079 --> 00:35:26.880
<v Speaker 1>things like that were in there, right, So I did,

715
00:35:26.960 --> 00:35:28.320
<v Speaker 1>and then I had to call with Peyton and he

716
00:35:28.360 --> 00:35:30.559
<v Speaker 1>told me a few more things that I had weren't

717
00:35:30.559 --> 00:35:33.320
<v Speaker 1>out there in the public sphere, including talking about a

718
00:35:33.320 --> 00:35:35.599
<v Speaker 1>photo that he keeps on his desk at his office

719
00:35:35.599 --> 00:35:39.519
<v Speaker 1>outside of Denver, of him and that and the two

720
00:35:39.519 --> 00:35:41.559
<v Speaker 1>of them. I might be able to well, anyway, it's

721
00:35:41.599 --> 00:35:43.920
<v Speaker 1>in the book, and when it turns out I thought, well,

722
00:35:43.920 --> 00:35:47.039
<v Speaker 1>that's a personal photo and I'm the seeking permission from

723
00:35:47.039 --> 00:35:48.800
<v Speaker 1>Peyton to use it. Oh yeah, you can use it.

724
00:35:49.239 --> 00:35:52.719
<v Speaker 1>My editor at Triumph Books does some digging. He says, well, actually,

725
00:35:52.719 --> 00:35:56.519
<v Speaker 1>that's a crop out of a foreshot of John and

726
00:35:56.559 --> 00:35:59.519
<v Speaker 1>Peyton and Philip Rivers of the Chargers and whoever else

727
00:35:59.599 --> 00:36:04.159
<v Speaker 1>was on the brocass in Indianapolis. Peyton's like skinny back

728
00:36:04.159 --> 00:36:06.719
<v Speaker 1>when he was still with the Colts, looking at John

729
00:36:06.840 --> 00:36:15.119
<v Speaker 1>like puppy dog. And anyway, I right up the forward.

730
00:36:15.159 --> 00:36:17.519
<v Speaker 1>I send it to Peyton. Honest to Godfred it's like

731
00:36:17.679 --> 00:36:20.880
<v Speaker 1>five minutes. I get a response from Emila, the assistant, saying,

732
00:36:21.159 --> 00:36:22.800
<v Speaker 1>Peyton says it's great. There are a couple of things.

733
00:36:22.800 --> 00:36:25.719
<v Speaker 1>He thinks you didn't get quite right, can you? So okay,

734
00:36:26.000 --> 00:36:28.480
<v Speaker 1>I send it right back. Five more minutes. Peyton says

735
00:36:28.519 --> 00:36:31.519
<v Speaker 1>it's good, he loves it. And and then for our

736
00:36:31.519 --> 00:36:33.719
<v Speaker 1>worldwide launch event, I thought, man, it would be great

737
00:36:33.760 --> 00:36:35.880
<v Speaker 1>if we got Peyton' start going to be there. But

738
00:36:36.360 --> 00:36:38.119
<v Speaker 1>what if we'll just get Peyton to record a video

739
00:36:38.239 --> 00:36:40.440
<v Speaker 1>same thing. Five minutes Peyton says, he'll do it, you know,

740
00:36:40.559 --> 00:36:41.119
<v Speaker 1>just send him.

741
00:36:41.000 --> 00:36:43.599
<v Speaker 2>Her outgoing answering machine.

742
00:36:43.800 --> 00:36:46.400
<v Speaker 1>Yeah, yeah, just send him a script, and you know

743
00:36:46.519 --> 00:36:48.639
<v Speaker 1>I did, and you know you were at the event.

744
00:36:48.679 --> 00:36:51.199
<v Speaker 1>Peyton nailed it, brought down the house.

745
00:36:51.320 --> 00:36:51.880
<v Speaker 3>Nailed it.

746
00:36:52.000 --> 00:36:54.880
<v Speaker 1>And he's an important figure in this whole John Madden's

747
00:36:54.880 --> 00:36:58.400
<v Speaker 1>story because I think he is the heir to John's

748
00:36:58.440 --> 00:37:03.119
<v Speaker 1>mantle as sort of the soul and conscience of pro football.

749
00:37:03.400 --> 00:37:06.599
<v Speaker 1>He loves the game dearly. He's also a new generation version.

750
00:37:06.800 --> 00:37:09.360
<v Speaker 1>You know. But if there had been an opportunity to

751
00:37:09.400 --> 00:37:12.920
<v Speaker 1>do a you know, a Peyton Manning cast back when

752
00:37:13.000 --> 00:37:15.039
<v Speaker 1>John Madden was starting, John Madden would have done the

753
00:37:15.039 --> 00:37:19.119
<v Speaker 1>Madden cast that he would have killed, right. You imagine

754
00:37:19.719 --> 00:37:23.159
<v Speaker 1>you or me or anybody just sitting with John doing

755
00:37:23.159 --> 00:37:26.960
<v Speaker 1>what Peyton and Eli do you know, on the sidelines

756
00:37:27.000 --> 00:37:29.639
<v Speaker 1>of a of a broadcast. John would have been great

757
00:37:29.679 --> 00:37:31.239
<v Speaker 1>at it. But John was great at all the other

758
00:37:31.239 --> 00:37:32.960
<v Speaker 1>stuff he did do. Peyton's just a new version.

759
00:37:33.079 --> 00:37:35.440
<v Speaker 2>I think, you know, I kind of you know, I

760
00:37:35.599 --> 00:37:38.800
<v Speaker 2>listened Troy Aikman to me. When I'm listening to him,

761
00:37:38.840 --> 00:37:39.760
<v Speaker 2>I'm like, I hear.

762
00:37:39.679 --> 00:37:40.440
<v Speaker 3>Madden in him.

763
00:37:40.760 --> 00:37:44.159
<v Speaker 1>Well, there are two guys, tro John loved Troy Aikman

764
00:37:45.199 --> 00:37:47.639
<v Speaker 1>during the years when Troy was playing. I know he

765
00:37:47.639 --> 00:37:51.039
<v Speaker 1>helped Troy. With the beginnings of his broadcast career, John

766
00:37:51.079 --> 00:37:52.960
<v Speaker 1>had a kind of a short list of these people.

767
00:37:53.039 --> 00:37:58.400
<v Speaker 1>He just identified them. Troy, Peyton, Brett Farr, you know

768
00:37:58.440 --> 00:37:59.840
<v Speaker 1>who I know is following out a favorite a lot

769
00:37:59.840 --> 00:38:01.760
<v Speaker 1>of way. But John and Brett Farve really got along

770
00:38:01.840 --> 00:38:05.760
<v Speaker 1>quite well. Andy Reid and John are like this where

771
00:38:05.800 --> 00:38:10.000
<v Speaker 1>I'm sorry. You know, there's a list of them. Rod Rivera,

772
00:38:10.639 --> 00:38:13.039
<v Speaker 1>the former cal Line banker coach in the NFL. I mean,

773
00:38:13.280 --> 00:38:16.159
<v Speaker 1>these are people that John just identified as good people.

774
00:38:16.800 --> 00:38:19.920
<v Speaker 1>He would always say about somebody, he's one of the

775
00:38:19.960 --> 00:38:23.559
<v Speaker 1>good ones, and it that's high praise, you know, one

776
00:38:23.599 --> 00:38:24.239
<v Speaker 1>of the good ones.

777
00:38:30.480 --> 00:38:31.719
<v Speaker 3>I mentioned that.

778
00:38:31.760 --> 00:38:34.960
<v Speaker 2>I've been listening to the audio book and listening to

779
00:38:35.000 --> 00:38:38.519
<v Speaker 2>your voice, and you break into Madden all through the book,

780
00:38:38.519 --> 00:38:40.320
<v Speaker 2>and you really get good at it. You know, as

781
00:38:40.360 --> 00:38:42.800
<v Speaker 2>the book progresses, you're getting better and better through it.

782
00:38:43.119 --> 00:38:45.679
<v Speaker 1>I've started out at zero because I didn't think I

783
00:38:45.719 --> 00:38:47.880
<v Speaker 1>was going to have to read the maddened parts. I

784
00:38:47.920 --> 00:38:50.800
<v Speaker 1>thought they would surely hire somebody else with a different voice.

785
00:38:51.079 --> 00:38:53.679
<v Speaker 2>So, you know, is it okay for me to ask

786
00:38:53.760 --> 00:38:56.840
<v Speaker 2>you why in the audio book? You know, you've got

787
00:38:57.000 --> 00:39:00.280
<v Speaker 2>hours and hours, hundreds of hours of audio of you

788
00:39:00.360 --> 00:39:03.320
<v Speaker 2>and John that it's not in the audiobook is yeah.

789
00:39:03.400 --> 00:39:07.440
<v Speaker 1>No. When I started the project, I assumed that were

790
00:39:07.480 --> 00:39:10.360
<v Speaker 1>there to be a book contracted all in an audiobook

791
00:39:10.360 --> 00:39:13.519
<v Speaker 1>in particular, that we would just port the audio that

792
00:39:13.559 --> 00:39:15.760
<v Speaker 1>I had over into the book. You know, I used

793
00:39:15.760 --> 00:39:18.000
<v Speaker 1>the transcriptions of the audio to write the book book.

794
00:39:18.960 --> 00:39:22.519
<v Speaker 1>But what it turned out was that there had been

795
00:39:22.559 --> 00:39:28.880
<v Speaker 1>an arrangement between the Maddeness State and Hollywood basically for

796
00:39:29.039 --> 00:39:32.440
<v Speaker 1>the rights to all things John Madden to be licensed.

797
00:39:32.920 --> 00:39:34.920
<v Speaker 1>And you know, there are at least a couple of

798
00:39:34.960 --> 00:39:38.000
<v Speaker 1>movie projects, one for sure, big one, and then some

799
00:39:38.079 --> 00:39:41.639
<v Speaker 1>documentary stuff underway. Now I don't know that the radio

800
00:39:41.639 --> 00:39:44.840
<v Speaker 1>stuff will ever appear in these things, but it might. Write.

801
00:39:45.199 --> 00:39:48.559
<v Speaker 1>So it was made clear to me that the audio

802
00:39:48.599 --> 00:39:51.280
<v Speaker 1>would be off limits. You know, we're not here and

803
00:39:51.320 --> 00:39:53.840
<v Speaker 1>there for personal appearances, but that to commercialize it in

804
00:39:53.880 --> 00:39:57.639
<v Speaker 1>that way wasn't going to happen, so kind of not

805
00:39:57.719 --> 00:40:01.039
<v Speaker 1>my problem. At that point, I thought, Okay, you know,

806
00:40:01.119 --> 00:40:03.400
<v Speaker 1>I'm not a big audiobook consumer. I don't mean any

807
00:40:03.440 --> 00:40:05.079
<v Speaker 1>disrespect to those who are. I just like to hold

808
00:40:05.119 --> 00:40:08.880
<v Speaker 1>a book and maybe I listened to too much audio

809
00:40:08.920 --> 00:40:14.440
<v Speaker 1>over my years radio. Actually myself and so fast forward

810
00:40:14.440 --> 00:40:19.159
<v Speaker 1>to this past July. The book is only three months

811
00:40:19.199 --> 00:40:22.920
<v Speaker 1>away from from publication, and I get an email I'm

812
00:40:22.920 --> 00:40:27.119
<v Speaker 1>in France at the time, from my publisher's office and saying, oh,

813
00:40:27.360 --> 00:40:31.079
<v Speaker 1>we've just about wrapped up negotiations with the audiobook publisher

814
00:40:31.159 --> 00:40:34.199
<v Speaker 1>Recorded Books, and they would like you to read the book.

815
00:40:34.519 --> 00:40:36.960
<v Speaker 1>I thought, oh, kind of hoping it would be Tom Hanks,

816
00:40:36.960 --> 00:40:38.280
<v Speaker 1>Matthew McConaughey.

817
00:40:37.880 --> 00:40:40.039
<v Speaker 3>Or you know, no, no, no, you're better.

818
00:40:40.239 --> 00:40:44.119
<v Speaker 1>Anyway, So I said, Okay. The day comes and I

819
00:40:44.239 --> 00:40:46.480
<v Speaker 1>and I and I reached out to the producer of

820
00:40:46.480 --> 00:40:49.159
<v Speaker 1>the audiobook saying, can you find somebody else to read

821
00:40:49.159 --> 00:40:52.039
<v Speaker 1>the Mad part? I recommended our mutual friend Mike Sugarman,

822
00:40:52.119 --> 00:40:55.440
<v Speaker 1>who has a little bit different voice from out I thought,

823
00:40:55.559 --> 00:40:57.480
<v Speaker 1>could read the mad part without trying to do a

824
00:40:57.480 --> 00:41:00.719
<v Speaker 1>mad impression, just read them in a voice and tone

825
00:41:00.760 --> 00:41:04.119
<v Speaker 1>that were a little different from my No, I think

826
00:41:04.159 --> 00:41:06.840
<v Speaker 1>probably that just out only do it. Maybe a budget thing,

827
00:41:06.880 --> 00:41:09.880
<v Speaker 1>I don't know. So I get into the recording studio

828
00:41:10.360 --> 00:41:12.480
<v Speaker 1>and I'm thinking, well, surely there'll be a director here

829
00:41:12.599 --> 00:41:15.039
<v Speaker 1>or producer to kind of, you know, say try this

830
00:41:15.400 --> 00:41:16.920
<v Speaker 1>a little more of that. I want you to feel

831
00:41:16.920 --> 00:41:17.480
<v Speaker 1>this no.

832
00:41:19.920 --> 00:41:20.679
<v Speaker 3>I've done a couple.

833
00:41:20.719 --> 00:41:23.199
<v Speaker 2>I've produced a couple of audio books, my wife's and

834
00:41:23.239 --> 00:41:26.679
<v Speaker 2>another one. And the other one was I had a

835
00:41:26.679 --> 00:41:29.079
<v Speaker 2>producer here and I had to build out my studio

836
00:41:29.199 --> 00:41:30.880
<v Speaker 2>and you know, like to make sure it worked right.

837
00:41:31.199 --> 00:41:35.519
<v Speaker 2>And this bridge like goes over every single word to

838
00:41:35.559 --> 00:41:38.920
<v Speaker 2>make sure you get it right, because people there's a

839
00:41:39.000 --> 00:41:41.679
<v Speaker 2>lot of people who listen to audiobooks and read along

840
00:41:41.760 --> 00:41:42.159
<v Speaker 2>the book.

841
00:41:42.400 --> 00:41:44.519
<v Speaker 3>Oh no, so you can't.

842
00:41:44.719 --> 00:41:47.679
<v Speaker 2>You can't diverge from what's on the printed page. You've

843
00:41:47.719 --> 00:41:50.079
<v Speaker 2>got to be exact on what's on the printed page.

844
00:41:50.480 --> 00:41:53.360
<v Speaker 1>This is amazing. Well, you know, when I got there,

845
00:41:53.480 --> 00:41:56.920
<v Speaker 1>there was a twenty twenty four version of Fred Green

846
00:41:56.960 --> 00:42:00.239
<v Speaker 1>in the nineteen eighties. I've got a recording engineer. He

847
00:42:00.360 --> 00:42:02.840
<v Speaker 1>was a terrific young guy, and he's very, very diligent.

848
00:42:03.599 --> 00:42:06.840
<v Speaker 1>You know, he catches my mistakes. And I'm just trying

849
00:42:06.840 --> 00:42:09.440
<v Speaker 1>to kind of channel my grandpa reading to the grand

850
00:42:09.519 --> 00:42:12.880
<v Speaker 1>kid's style because I've never done this. And then, i mean,

851
00:42:12.960 --> 00:42:16.079
<v Speaker 1>without really thinking about it, I hit the first Madden

852
00:42:16.199 --> 00:42:19.280
<v Speaker 1>quote and all I can do is kind of try

853
00:42:19.320 --> 00:42:21.639
<v Speaker 1>to maybe be a little different and get back to

854
00:42:21.679 --> 00:42:25.719
<v Speaker 1>meeting reading the story. So I kind of thought I

855
00:42:25.840 --> 00:42:28.280
<v Speaker 1>figured there took two and a half days to record

856
00:42:28.400 --> 00:42:29.360
<v Speaker 1>eight and a half hours. Eh.

857
00:42:30.119 --> 00:42:34.199
<v Speaker 3>It hard work, hard freaking work, even for a broadcast

858
00:42:34.360 --> 00:42:37.239
<v Speaker 3>veteran like you. Hard work.

859
00:42:37.440 --> 00:42:39.199
<v Speaker 1>Yeah, I mean for had a long stretch. For me,

860
00:42:39.199 --> 00:42:43.000
<v Speaker 1>would be thirty seconds of speaking in a time. It's

861
00:42:43.039 --> 00:42:44.960
<v Speaker 1>not like a podcast where you got to talk all

862
00:42:45.000 --> 00:42:48.559
<v Speaker 1>this time. Right, So I assume they're going to send

863
00:42:48.559 --> 00:42:51.480
<v Speaker 1>it off to recorded books and so many back there

864
00:42:51.519 --> 00:42:54.360
<v Speaker 1>is going to go oh no, no, no, no, no

865
00:42:54.360 --> 00:42:56.800
<v Speaker 1>no no, go back to square one. As it turned out,

866
00:42:57.239 --> 00:42:58.719
<v Speaker 1>they asked me to come in and do like five

867
00:42:58.800 --> 00:43:02.480
<v Speaker 1>little pickups, you know where I obviously got the wrong word,

868
00:43:02.519 --> 00:43:04.519
<v Speaker 1>and now I realized because it was going to be

869
00:43:04.599 --> 00:43:07.000
<v Speaker 1>the word that somebody was reading in the book, and

870
00:43:07.719 --> 00:43:13.880
<v Speaker 1>that was it. And I haven't heard it yet. All

871
00:43:13.920 --> 00:43:15.800
<v Speaker 1>some people who have been listening, they've been enjoying it.

872
00:43:15.920 --> 00:43:21.320
<v Speaker 1>And I'm telling you.

873
00:43:19.320 --> 00:43:22.920
<v Speaker 2>Well, first of all, I'm really enjoying the audiobook. I

874
00:43:22.960 --> 00:43:27.079
<v Speaker 2>do like audiobooks, but I'm a podcast guy. So early

875
00:43:27.119 --> 00:43:31.840
<v Speaker 2>on in Golf Smarter's life, I had Audible as a sponsor,

876
00:43:32.440 --> 00:43:35.840
<v Speaker 2>and the research started coming out that people who listen

877
00:43:35.880 --> 00:43:38.559
<v Speaker 2>to audiobooks don't listen to podcasts. And people who listen

878
00:43:38.599 --> 00:43:42.199
<v Speaker 2>to podcasts don't have time to listen to audiobooks. They're

879
00:43:42.280 --> 00:43:46.280
<v Speaker 2>very time consuming and they and they just you find yourself,

880
00:43:46.519 --> 00:43:48.599
<v Speaker 2>like when you're in an audiobook or even in a

881
00:43:48.679 --> 00:43:52.079
<v Speaker 2>podcast series, you find yourself doing things where you can

882
00:43:52.119 --> 00:43:54.239
<v Speaker 2>stretch out time to be able to listen for long

883
00:43:54.280 --> 00:43:55.199
<v Speaker 2>periods of time.

884
00:43:56.239 --> 00:43:58.239
<v Speaker 1>I saw one of my neighbors driving around the block

885
00:43:58.280 --> 00:43:59.280
<v Speaker 1>three times the other day.

886
00:44:00.960 --> 00:44:02.800
<v Speaker 3>Listen to that was a podcast.

887
00:44:02.920 --> 00:44:05.119
<v Speaker 1>It I had to be I'm sure it's all smarter,

888
00:44:05.199 --> 00:44:07.159
<v Speaker 1>but no, it was not say it was.

889
00:44:07.480 --> 00:44:11.400
<v Speaker 2>But let me just say in the book book, the

890
00:44:11.440 --> 00:44:13.920
<v Speaker 2>hardcover book, it's hardcover only at this.

891
00:44:14.000 --> 00:44:17.639
<v Speaker 1>Point so far. Yeah, yeah, it works. I guess downstream

892
00:44:17.679 --> 00:44:20.840
<v Speaker 1>if it does well enough, then you know, a softcover paper.

893
00:44:20.559 --> 00:44:21.639
<v Speaker 3>That would be a beautiful thing.

894
00:44:21.679 --> 00:44:24.639
<v Speaker 2>And it's really awesome to see on the side the

895
00:44:24.719 --> 00:44:27.400
<v Speaker 2>side cover here and just to see your name with Madden.

896
00:44:27.519 --> 00:44:28.800
<v Speaker 3>It's like, so cool, man.

897
00:44:29.400 --> 00:44:31.880
<v Speaker 2>But I can't tell you how flattered I am because

898
00:44:32.000 --> 00:44:34.440
<v Speaker 2>in the section that has in the middle of the book,

899
00:44:34.480 --> 00:44:40.440
<v Speaker 2>there's a section of photos and the first photo is

900
00:44:40.480 --> 00:44:43.519
<v Speaker 2>the one of me and John. I was so flattered

901
00:44:43.559 --> 00:44:43.840
<v Speaker 2>and I.

902
00:44:43.840 --> 00:44:46.239
<v Speaker 1>Was like, I am said that they lead well here's

903
00:44:46.239 --> 00:44:48.880
<v Speaker 1>another interesting point about about writing a book. Again, something

904
00:44:48.920 --> 00:44:51.199
<v Speaker 1>I didn't know. You know, I got to supply my

905
00:44:51.199 --> 00:44:54.599
<v Speaker 1>own photos. Now yeah, what yeah, there it is, I

906
00:44:54.599 --> 00:45:00.000
<v Speaker 1>mean photo it says so much. And the first of all,

907
00:45:00.239 --> 00:45:02.480
<v Speaker 1>back the thread of the story that we told early

908
00:45:02.519 --> 00:45:04.800
<v Speaker 1>in the book about your relationship with John and the

909
00:45:04.920 --> 00:45:12.519
<v Speaker 1>radio station. But here's big Goofy Madden and I.

910
00:45:11.360 --> 00:45:12.400
<v Speaker 3>In my hebro.

911
00:45:13.679 --> 00:45:15.840
<v Speaker 2>Or as a friend said to me recently, whoa, you

912
00:45:15.920 --> 00:45:20.280
<v Speaker 2>had dark hair? Like, go to your room, what do

913
00:45:20.280 --> 00:45:22.559
<v Speaker 2>you mean? I had dark hair on both of.

914
00:45:22.559 --> 00:45:25.800
<v Speaker 1>Us in the zeros and somebody wrote into the show

915
00:45:25.840 --> 00:45:27.199
<v Speaker 1>one time, I said the guy with the white hair,

916
00:45:27.239 --> 00:45:28.079
<v Speaker 1>and I'm going, whoa.

917
00:45:29.800 --> 00:45:32.000
<v Speaker 3>I know it's like, oh, yeah, that's me.

918
00:45:32.519 --> 00:45:36.079
<v Speaker 1>Yeah, But yeah, I learned that you got to supply

919
00:45:36.159 --> 00:45:39.039
<v Speaker 1>your own photos. And so fortunately I had two different

920
00:45:39.039 --> 00:45:41.159
<v Speaker 1>friends who shot a lot of mad events, and one

921
00:45:41.199 --> 00:45:43.920
<v Speaker 1>of them, you know, wanted some compensation, which I don't

922
00:45:43.920 --> 00:45:45.679
<v Speaker 1>blame him for the other one was flying with it,

923
00:45:45.960 --> 00:45:48.400
<v Speaker 1>you know, not being compensated. They were willing to go

924
00:45:48.400 --> 00:45:51.480
<v Speaker 1>on and license a couple of photos. So I know

925
00:45:51.519 --> 00:45:54.119
<v Speaker 1>that there was a higher budget for this book than

926
00:45:54.320 --> 00:45:56.519
<v Speaker 1>many of the other books that friends have come across.

927
00:45:56.719 --> 00:45:59.639
<v Speaker 1>Have written where they literally had to go pay their own,

928
00:46:00.159 --> 00:46:03.159
<v Speaker 1>you know, licensing fees for photos if they was in

929
00:46:03.199 --> 00:46:06.000
<v Speaker 1>the book. So I mean, I feel really fortunate about that.

930
00:46:06.079 --> 00:46:08.599
<v Speaker 1>This publisher, you know, Tryump Books. They do a lot

931
00:46:08.639 --> 00:46:11.440
<v Speaker 1>of titles around sports. They've been really great to work

932
00:46:11.440 --> 00:46:15.000
<v Speaker 1>with and you know everybody, I haven't heard a bad

933
00:46:15.039 --> 00:46:17.119
<v Speaker 1>word about them from other authors who've worked for them.

934
00:46:17.159 --> 00:46:19.199
<v Speaker 1>So you know, got a great book wayed to be

935
00:46:19.199 --> 00:46:21.320
<v Speaker 1>written about sports, you know, pitch them.

936
00:46:21.840 --> 00:46:25.440
<v Speaker 2>Okay, well, there is an entire chapter in the book

937
00:46:25.519 --> 00:46:26.639
<v Speaker 2>dedicated to golf.

938
00:46:27.039 --> 00:46:30.400
<v Speaker 1>Yeah, yeah, and you know Fredick too. As I was

939
00:46:30.440 --> 00:46:32.840
<v Speaker 1>sorting out all of these thousands of recordings and they're

940
00:46:32.880 --> 00:46:35.519
<v Speaker 1>all transcribed, So now I've got this massive database of

941
00:46:35.639 --> 00:46:40.159
<v Speaker 1>text separated by each air date. So I knew when

942
00:46:40.639 --> 00:46:43.000
<v Speaker 1>given the show had aired because we'd recorded or we'd

943
00:46:43.360 --> 00:46:45.559
<v Speaker 1>saved them under a file name that had the air date.

944
00:46:46.599 --> 00:46:48.960
<v Speaker 1>But now where do you start? This is a big haystack.

945
00:46:49.119 --> 00:46:51.199
<v Speaker 1>You know, we're all the needles. So I began to

946
00:46:51.280 --> 00:46:54.000
<v Speaker 1>kind of organize themes that I remembered him talking about,

947
00:46:54.000 --> 00:46:55.880
<v Speaker 1>and golf was right at the top of that list.

948
00:46:56.079 --> 00:46:59.760
<v Speaker 1>Wow talked about golf a lot, and he he loved

949
00:46:59.760 --> 00:47:03.639
<v Speaker 1>a H the at and t H you know, Pebble

950
00:47:03.639 --> 00:47:07.400
<v Speaker 1>Beach pro am. He became very good friends with Davis

951
00:47:07.440 --> 00:47:10.639
<v Speaker 1>Love the third, who he loved not just as a golfer,

952
00:47:10.639 --> 00:47:12.360
<v Speaker 1>but as a guy to hang out with because d

953
00:47:12.519 --> 00:47:16.159
<v Speaker 1>L three apparently really really liked to eat, and if

954
00:47:16.159 --> 00:47:19.159
<v Speaker 1>you really really like to eat, your friends with John

955
00:47:19.199 --> 00:47:22.840
<v Speaker 1>Madden in John Madden's corner. And so you know these stories.

956
00:47:22.840 --> 00:47:25.360
<v Speaker 1>There were stories about him, you know, fighting his way

957
00:47:25.360 --> 00:47:27.840
<v Speaker 1>around the course down at Pebble Beach. He had all

958
00:47:27.840 --> 00:47:29.960
<v Speaker 1>of his secret hide the ways you can to remember

959
00:47:30.000 --> 00:47:32.280
<v Speaker 1>he was doing that back in the eighties, so things

960
00:47:32.320 --> 00:47:36.400
<v Speaker 1>weren't hadn't quite as exploded, you know on the PGAH

961
00:47:36.519 --> 00:47:38.159
<v Speaker 1>or the way they have now. The money was it

962
00:47:38.280 --> 00:47:40.239
<v Speaker 1>was still pretty good money, but it was a different world,

963
00:47:40.360 --> 00:47:42.159
<v Speaker 1>you know, like everything was, I guess in the eighties.

964
00:47:42.480 --> 00:47:46.800
<v Speaker 1>And so there are stories about him, you know, gawking

965
00:47:47.039 --> 00:47:50.599
<v Speaker 1>at guys at the driving range and thinking equipment is

966
00:47:50.639 --> 00:47:54.039
<v Speaker 1>the answer, This will fix everything, and then realizing no,

967
00:47:54.199 --> 00:47:56.440
<v Speaker 1>it's not the answer. But the first cell a lot

968
00:47:56.480 --> 00:48:00.480
<v Speaker 1>of the equipment, don't they Those are observations that anybody

969
00:48:00.519 --> 00:48:03.719
<v Speaker 1>who's been afflicted by golf, you know, I think all

970
00:48:03.719 --> 00:48:06.519
<v Speaker 1>of us who play the game, whatever level we play

971
00:48:06.559 --> 00:48:07.840
<v Speaker 1>it at. I mean, I guess there might be some

972
00:48:07.840 --> 00:48:09.719
<v Speaker 1>people way up at the top who don't get the

973
00:48:09.719 --> 00:48:12.039
<v Speaker 1>inherent weirdness of golf. But if you play the game

974
00:48:12.360 --> 00:48:14.559
<v Speaker 1>the way most of us play, you know, golf's weird.

975
00:48:14.840 --> 00:48:17.719
<v Speaker 1>I mean, who goes out there with a stick and

976
00:48:17.760 --> 00:48:19.760
<v Speaker 1>tries to hit a round thing all the way down there,

977
00:48:19.760 --> 00:48:21.480
<v Speaker 1>and then the miracle of being able to do it

978
00:48:22.000 --> 00:48:24.199
<v Speaker 1>even in five strokes on a power four, to go

979
00:48:24.239 --> 00:48:25.960
<v Speaker 1>from here to all the way there into a little cup.

980
00:48:26.079 --> 00:48:28.880
<v Speaker 1>It's insane. Who you know? Who embedded this thing? Why

981
00:48:28.880 --> 00:48:30.480
<v Speaker 1>do we do it? It's all okay, And John just

982
00:48:30.599 --> 00:48:31.599
<v Speaker 1>laughed about all that.

983
00:48:32.280 --> 00:48:35.360
<v Speaker 2>I've just come really, and I've said this for years.

984
00:48:35.360 --> 00:48:36.719
<v Speaker 3>It's like the ball.

985
00:48:36.800 --> 00:48:39.360
<v Speaker 2>You know, it's the hardest sport I've ever played, and

986
00:48:39.400 --> 00:48:40.840
<v Speaker 2>the ball's just sitting there.

987
00:48:41.320 --> 00:48:42.880
<v Speaker 3>Yeah right, it's not even moving.

988
00:48:43.280 --> 00:48:47.599
<v Speaker 2>But I just realized recently, if it moves, you're completely

989
00:48:47.639 --> 00:48:48.239
<v Speaker 2>freaked out.

990
00:48:48.960 --> 00:48:51.719
<v Speaker 1>Oh yeah, well, John. One of John's favorite things was

991
00:48:51.760 --> 00:48:54.679
<v Speaker 1>to say, you know, in golf, they tell you got

992
00:48:54.719 --> 00:48:57.920
<v Speaker 1>to be perfectly still and stand up. That's the opposite

993
00:48:57.920 --> 00:48:59.920
<v Speaker 1>of every other sport I've ever played, where you got

994
00:48:59.920 --> 00:49:02.960
<v Speaker 1>to get down low and be moving right.

995
00:49:11.079 --> 00:49:14.039
<v Speaker 2>And you and many people could go on and on

996
00:49:14.320 --> 00:49:15.719
<v Speaker 2>and on about John.

997
00:49:16.880 --> 00:49:19.559
<v Speaker 3>But there's two things that I want to bring up.

998
00:49:20.000 --> 00:49:24.280
<v Speaker 2>One you kind of under your breath listening to you,

999
00:49:24.280 --> 00:49:27.119
<v Speaker 2>you know, read the book, but it's your voice. You

1000
00:49:27.199 --> 00:49:31.679
<v Speaker 2>mentioned that you and your wife did this eleven thousand

1001
00:49:31.679 --> 00:49:34.760
<v Speaker 2>mile road trip. I don't know about this.

1002
00:49:35.480 --> 00:49:35.960
<v Speaker 1>What did you?

1003
00:49:36.440 --> 00:49:38.679
<v Speaker 3>When did this happen? And how did that?

1004
00:49:39.039 --> 00:49:39.199
<v Speaker 1>Now?

1005
00:49:39.360 --> 00:49:42.119
<v Speaker 2>Let me just say that going to this the book

1006
00:49:42.239 --> 00:49:45.400
<v Speaker 2>launch event the other night, which was fantastic and I

1007
00:49:45.440 --> 00:49:47.880
<v Speaker 2>loved it and great seeing people that I hadn't seen

1008
00:49:47.920 --> 00:49:51.639
<v Speaker 2>in many years. One of them, which was your wife, Well,

1009
00:49:51.639 --> 00:49:53.039
<v Speaker 2>I haven't seen since college.

1010
00:49:53.599 --> 00:49:54.159
<v Speaker 1>Is that right?

1011
00:49:54.440 --> 00:49:57.880
<v Speaker 2>I don't think i've seen her since college. And I

1012
00:49:58.000 --> 00:49:59.400
<v Speaker 2>walked up to her and she looks at me and

1013
00:49:59.480 --> 00:50:02.119
<v Speaker 2>she goes, I recognize you.

1014
00:50:02.599 --> 00:50:05.760
<v Speaker 3>And I said Fred Green. She screamed, she burned out.

1015
00:50:05.639 --> 00:50:07.960
<v Speaker 2>Oh my god, I can't but you know, and then

1016
00:50:08.079 --> 00:50:12.159
<v Speaker 2>we joked about how when I knew her, when you know,

1017
00:50:12.199 --> 00:50:15.360
<v Speaker 2>when we were in our early twenties, that you know,

1018
00:50:15.400 --> 00:50:17.760
<v Speaker 2>we kind of looked alike. And I'm like, oh no, no, no, no.

1019
00:50:18.000 --> 00:50:20.280
<v Speaker 2>The pictures that I've seen of your son as a

1020
00:50:20.280 --> 00:50:25.440
<v Speaker 2>teenager looks exactly like I did as a teenager.

1021
00:50:25.639 --> 00:50:27.440
<v Speaker 1>But true, it's very weird. I don't even want to

1022
00:50:27.440 --> 00:50:29.960
<v Speaker 1>get that deeply into genealogy, so I'm afraid I'm going

1023
00:50:30.039 --> 00:50:32.440
<v Speaker 1>to find out that I'm related to you. Yeah, which

1024
00:50:32.440 --> 00:50:33.280
<v Speaker 1>we threw it everything.

1025
00:50:34.760 --> 00:50:37.440
<v Speaker 3>Actually, my brother and Ali last name is bunker.

1026
00:50:39.480 --> 00:50:43.079
<v Speaker 1>Well. You know, so as I was nearing retirement and

1027
00:50:43.280 --> 00:50:47.079
<v Speaker 1>this was now in COVID. You know, my last was

1028
00:50:47.119 --> 00:50:49.840
<v Speaker 1>in June of twenty twenty one, so everything was kind

1029
00:50:49.880 --> 00:50:51.320
<v Speaker 1>of weird. We'd gone through a year and a half

1030
00:50:51.360 --> 00:50:54.480
<v Speaker 1>a weird at that. Yeah, And John always had a phrase.

1031
00:50:54.960 --> 00:50:57.920
<v Speaker 1>John always would say, if you say you're going to retire,

1032
00:50:58.599 --> 00:51:02.199
<v Speaker 1>you've already retired. He didn't understand a farewell tour of

1033
00:51:02.199 --> 00:51:04.360
<v Speaker 1>an athlete saying this will be my last season and

1034
00:51:04.480 --> 00:51:06.719
<v Speaker 1>then you know, getting the keys to the corvette and

1035
00:51:06.760 --> 00:51:08.760
<v Speaker 1>the fishing boat and all that at every ballpark around

1036
00:51:08.800 --> 00:51:11.639
<v Speaker 1>the league. In John's mind, you you ran through the

1037
00:51:11.639 --> 00:51:14.760
<v Speaker 1>finish line every year, and then you took stock and

1038
00:51:15.320 --> 00:51:18.440
<v Speaker 1>if that stock taking legend to decide that's it, then

1039
00:51:18.480 --> 00:51:20.199
<v Speaker 1>you walked away. And he did that with the Raiders,

1040
00:51:20.360 --> 00:51:22.559
<v Speaker 1>and he did it again with NBC at the end

1041
00:51:22.599 --> 00:51:25.360
<v Speaker 1>of his television career. So that was always kind of

1042
00:51:25.639 --> 00:51:27.480
<v Speaker 1>a back of my mind joke. If you say you're

1043
00:51:27.519 --> 00:51:30.880
<v Speaker 1>going to retire, you've already done it. Well, I sent

1044
00:51:31.000 --> 00:51:33.320
<v Speaker 1>word to him that I was going to retire. By then,

1045
00:51:33.360 --> 00:51:35.719
<v Speaker 1>he'd already stopped doing radio. So we were just I'd

1046
00:51:35.760 --> 00:51:37.440
<v Speaker 1>see him once in a while, but I'd got to

1047
00:51:37.480 --> 00:51:40.840
<v Speaker 1>watch football games. We texted from time to time. I'd

1048
00:51:40.880 --> 00:51:42.880
<v Speaker 1>get a message out of nowhere from John and you know,

1049
00:51:44.039 --> 00:51:47.960
<v Speaker 1>it was it was, And so I told it my

1050
00:51:48.079 --> 00:51:50.360
<v Speaker 1>wife and I had decided, and I think, you know,

1051
00:51:50.559 --> 00:51:52.320
<v Speaker 1>June of twenty one, COVID had drove a lot of

1052
00:51:52.360 --> 00:51:54.599
<v Speaker 1>the decision. Let's just get in the car and drive

1053
00:51:54.639 --> 00:51:57.280
<v Speaker 1>around the country and catch up with friends and family

1054
00:51:57.480 --> 00:52:00.880
<v Speaker 1>we haven't seen in some cases in many years. Seat

1055
00:52:00.920 --> 00:52:03.719
<v Speaker 1>places we've never seen, like the Deep South and and

1056
00:52:03.920 --> 00:52:08.679
<v Speaker 1>the Blues Trail and Memphis. And you know, our friend

1057
00:52:08.760 --> 00:52:12.159
<v Speaker 1>Ted Robinson, the great Emmy Award winning sports announcer. His

1058
00:52:12.679 --> 00:52:15.039
<v Speaker 1>wife Mary grew up on the Upper Peninsula of Michigan

1059
00:52:15.159 --> 00:52:18.599
<v Speaker 1>and still has a home there, and they would retire

1060
00:52:18.639 --> 00:52:20.880
<v Speaker 1>to that home every summer, retreat to it, I guess.

1061
00:52:21.360 --> 00:52:23.079
<v Speaker 1>And so we said we're going to we talked about

1062
00:52:23.079 --> 00:52:24.599
<v Speaker 1>it for your let's to spend some time with Ted

1063
00:52:24.719 --> 00:52:27.719
<v Speaker 1>Mary up but you know, Michigan. Anyway, we did all

1064
00:52:27.760 --> 00:52:30.159
<v Speaker 1>this Stopton Green Bay, took a photo outs in the stadium,

1065
00:52:30.239 --> 00:52:33.639
<v Speaker 1>Send it to John, send it to mooch and eleven

1066
00:52:33.719 --> 00:52:37.840
<v Speaker 1>thousand miles later. But along the way before I left,

1067
00:52:38.079 --> 00:52:41.119
<v Speaker 1>John texted me and said, uh, before you go on

1068
00:52:41.199 --> 00:52:44.639
<v Speaker 1>the trip, read Travels with Charlie by John Steinbeck. And

1069
00:52:45.199 --> 00:52:47.519
<v Speaker 1>that had all he had always said, that, that book

1070
00:52:47.599 --> 00:52:51.239
<v Speaker 1>and the notion of seeing America in Steinbeck's case with

1071
00:52:51.360 --> 00:52:55.519
<v Speaker 1>his poodle Charlie, with his camper pickup camper while he

1072
00:52:55.599 --> 00:52:57.119
<v Speaker 1>was already I think he might have already had the

1073
00:52:57.199 --> 00:52:58.880
<v Speaker 1>Nobel Prize. By that, I mean this was a you know,

1074
00:52:58.960 --> 00:53:00.679
<v Speaker 1>John Sidebeck wasn't to beg or when he did this

1075
00:53:01.519 --> 00:53:06.679
<v Speaker 1>helped John Madden see a way of seeing America, you know,

1076
00:53:06.760 --> 00:53:09.639
<v Speaker 1>get out and walk the real people and Virginia. Turns

1077
00:53:09.679 --> 00:53:14.119
<v Speaker 1>out John's widow was either an English or creative writing

1078
00:53:14.199 --> 00:53:17.199
<v Speaker 1>major at cal Poly, and Steinbick was her specialty. She said,

1079
00:53:17.239 --> 00:53:20.599
<v Speaker 1>collective I picked books, So I wrote back to Coach.

1080
00:53:20.639 --> 00:53:22.320
<v Speaker 1>I said, well, I read Travels with Charlie a long

1081
00:53:22.360 --> 00:53:24.519
<v Speaker 1>time ago. Coach and he wrote right back, read it again.

1082
00:53:24.960 --> 00:53:27.760
<v Speaker 1>So I thought I bought a copy. And my deal

1083
00:53:27.880 --> 00:53:30.920
<v Speaker 1>was every night on the trip, I would read a

1084
00:53:31.079 --> 00:53:32.960
<v Speaker 1>chapter or some of a chapter before going to bed,

1085
00:53:33.000 --> 00:53:34.519
<v Speaker 1>and often I have a text coach. My wife did

1086
00:53:34.519 --> 00:53:36.920
<v Speaker 1>all the driving. By the way, also important to note, wow,

1087
00:53:37.400 --> 00:53:39.960
<v Speaker 1>she prefers to do the driving. I'm all right with it.

1088
00:53:40.039 --> 00:53:41.719
<v Speaker 1>I like to drive, but I'm good with having the

1089
00:53:41.719 --> 00:53:44.280
<v Speaker 1>iPad and the navigation in my lap, and you know,

1090
00:53:45.199 --> 00:53:46.679
<v Speaker 1>on the roadside, I can look it up and tell

1091
00:53:46.719 --> 00:53:51.239
<v Speaker 1>her what it was. So fast forward to you know,

1092
00:53:51.400 --> 00:53:53.199
<v Speaker 1>nearly in the end of the trip, we're coming into

1093
00:53:53.239 --> 00:53:56.440
<v Speaker 1>New Orleans, and I just was finishing the book, and

1094
00:53:56.719 --> 00:53:59.719
<v Speaker 1>what I had forgotten about the end of Travels with

1095
00:53:59.840 --> 00:54:03.639
<v Speaker 1>char is the last chapter, I think is the story

1096
00:54:03.960 --> 00:54:06.400
<v Speaker 1>of and I believe it's Ruby Bridges, the young black

1097
00:54:06.440 --> 00:54:10.280
<v Speaker 1>girl who you know, was desegregating a lily white school,

1098
00:54:10.480 --> 00:54:14.440
<v Speaker 1>and the vicious racism that was going on in New

1099
00:54:14.599 --> 00:54:17.199
<v Speaker 1>Orleans and in the South at that time. Steinbeck writes

1100
00:54:17.239 --> 00:54:20.639
<v Speaker 1>about vividly I'd forgotten that from my earlier reading of

1101
00:54:20.679 --> 00:54:23.199
<v Speaker 1>the book. I'd kept the gauzy, hazy memories of you know,

1102
00:54:23.480 --> 00:54:27.639
<v Speaker 1>roadside America. And then it all snapped together because what

1103
00:54:27.920 --> 00:54:31.239
<v Speaker 1>Coach was telling me was there's an important message in

1104
00:54:31.320 --> 00:54:34.639
<v Speaker 1>this book beyond Roadside of America. And you know that

1105
00:54:34.920 --> 00:54:37.559
<v Speaker 1>that speaks of who John was. I mean John, you know,

1106
00:54:38.280 --> 00:54:41.199
<v Speaker 1>he didn't care what were, what gender, you or any

1107
00:54:41.239 --> 00:54:44.039
<v Speaker 1>of them. Now if you, if you fit John's model

1108
00:54:44.079 --> 00:54:45.559
<v Speaker 1>of what a good human being is, you were in

1109
00:54:45.920 --> 00:54:47.519
<v Speaker 1>and you know the Raiders.

1110
00:54:47.320 --> 00:54:51.079
<v Speaker 3>Who was a teacher. He started out as a teacher.

1111
00:54:51.519 --> 00:54:54.239
<v Speaker 1>Yeah, It's possible to see a version of John Madden's

1112
00:54:54.360 --> 00:54:57.719
<v Speaker 1>story in Virginia's story that ends at you know, Nipomo

1113
00:54:57.840 --> 00:55:00.800
<v Speaker 1>Middle School down there in the central coast in California,

1114
00:55:01.119 --> 00:55:04.760
<v Speaker 1>with a long career as the pe coach, and Virginia

1115
00:55:04.800 --> 00:55:07.440
<v Speaker 1>becomes the principal. I think in that version of the story,

1116
00:55:07.679 --> 00:55:11.360
<v Speaker 1>I don't think the principal, or maybe Virginia's the superintendent.

1117
00:55:11.440 --> 00:55:14.199
<v Speaker 1>But you know, that could easily have been the way

1118
00:55:14.280 --> 00:55:18.719
<v Speaker 1>this thing came out, you know, because that was there

1119
00:55:18.800 --> 00:55:21.880
<v Speaker 1>was ever any attention to become everything he became.

1120
00:55:22.320 --> 00:55:26.519
<v Speaker 2>Yeah, so you know, I hate wrapping up on something

1121
00:55:26.599 --> 00:55:30.960
<v Speaker 2>that's not part of the book, but because I really want,

1122
00:55:31.280 --> 00:55:34.119
<v Speaker 2>I really want people to read this book. I hope

1123
00:55:34.159 --> 00:55:36.559
<v Speaker 2>you have a great success with this again. It's called

1124
00:55:36.719 --> 00:55:39.840
<v Speaker 2>Mornings with Madden, My Radio life with an American Legend

1125
00:55:39.880 --> 00:55:40.639
<v Speaker 2>by Stan Bunger.

1126
00:55:41.039 --> 00:55:43.760
<v Speaker 3>What didn't you you you briefly mentioned this earlier. What

1127
00:55:44.079 --> 00:55:45.639
<v Speaker 3>didn't make it into the book?

1128
00:55:46.960 --> 00:55:49.400
<v Speaker 1>Well, you know, there are probably one hundred iterations of

1129
00:55:49.599 --> 00:55:53.880
<v Speaker 1>other uh stories that fit within the silos. You know,

1130
00:55:54.000 --> 00:55:59.519
<v Speaker 1>the golf chapter, the dog's chapter, the eating chapter that

1131
00:55:59.760 --> 00:56:02.400
<v Speaker 1>that didn't make it in. You know what got left out?

1132
00:56:02.400 --> 00:56:04.159
<v Speaker 1>A lot of what got left out Fred, to be honest,

1133
00:56:04.280 --> 00:56:05.880
<v Speaker 1>was just the day to day's stuff that at the

1134
00:56:05.960 --> 00:56:08.800
<v Speaker 1>time seemed kind of important. Oh, you know, a new

1135
00:56:08.880 --> 00:56:12.800
<v Speaker 1>contract for or somebody got traded, or you know, who's

1136
00:56:12.840 --> 00:56:16.239
<v Speaker 1>going to start its news sports news, right, but you

1137
00:56:16.320 --> 00:56:20.480
<v Speaker 1>know what, the fact that that sport snooze, sports snooze, right,

1138
00:56:21.480 --> 00:56:23.800
<v Speaker 1>even if it had been news news. A lot of

1139
00:56:23.880 --> 00:56:28.280
<v Speaker 1>it was stuff that, you know, guess what a month

1140
00:56:28.400 --> 00:56:31.760
<v Speaker 1>or there's a lesson there, right, this is just today's stuff.

1141
00:56:31.880 --> 00:56:34.960
<v Speaker 1>It's going to go away. What sticks? What matters, what's eternal?

1142
00:56:35.719 --> 00:56:37.960
<v Speaker 1>I guess the literal answer to what didn't make it

1143
00:56:38.039 --> 00:56:41.519
<v Speaker 1>into the book would be John's appearance with us in

1144
00:56:41.559 --> 00:56:43.639
<v Speaker 1>the morning of nine to eleven, where he was in

1145
00:56:43.719 --> 00:56:47.480
<v Speaker 1>New York City at the Dakota where he had an apartment,

1146
00:56:48.280 --> 00:56:50.639
<v Speaker 1>and you know, we're at our wall to wall coverage

1147
00:56:50.639 --> 00:56:54.480
<v Speaker 1>of this incredible real time tragedy. I'm doing this myself

1148
00:56:54.519 --> 00:56:56.760
<v Speaker 1>at the radio station, pulling in feeds from here and there,

1149
00:56:56.880 --> 00:56:59.320
<v Speaker 1>trying to keep an eye on live video feeds, and

1150
00:56:59.480 --> 00:57:01.519
<v Speaker 1>eight fifteen comes up, and I probably didn't even know

1151
00:57:01.559 --> 00:57:03.519
<v Speaker 1>what it had come up. And at some point somebody

1152
00:57:03.559 --> 00:57:05.639
<v Speaker 1>in the newsroom said, you know, assume we're not doing

1153
00:57:05.719 --> 00:57:11.079
<v Speaker 1>mad today because you know, and I think my might

1154
00:57:11.079 --> 00:57:13.119
<v Speaker 1>at first said yeah, yeah, yeah, we're too busy, and

1155
00:57:13.280 --> 00:57:16.039
<v Speaker 1>then I think I don't know whether somebody reminded me

1156
00:57:16.079 --> 00:57:18.280
<v Speaker 1>he was in New York or if I said, wait,

1157
00:57:18.599 --> 00:57:19.920
<v Speaker 1>he's in New York and he can do this, and

1158
00:57:19.960 --> 00:57:22.440
<v Speaker 1>they said, yeah, yeah, he's ready. So we put him on.

1159
00:57:22.760 --> 00:57:25.119
<v Speaker 1>And what he had done, of course, was gone down

1160
00:57:25.320 --> 00:57:27.760
<v Speaker 1>the street and walked around on the Upper West Side

1161
00:57:28.280 --> 00:57:32.280
<v Speaker 1>and seen people covered with soot and ashes, fleeing with

1162
00:57:32.679 --> 00:57:35.280
<v Speaker 1>horror on their I mean, and he told that story

1163
00:57:35.360 --> 00:57:39.239
<v Speaker 1>on the radio in a way that you know, not again,

1164
00:57:39.320 --> 00:57:43.159
<v Speaker 1>not a train journalist, just the world's greatest storyteller. And

1165
00:57:44.320 --> 00:57:47.480
<v Speaker 1>you know the reason it's not The book is it

1166
00:57:47.719 --> 00:57:51.079
<v Speaker 1>never got saved. The recording system we had at the

1167
00:57:51.119 --> 00:57:53.800
<v Speaker 1>time would record at eight fifteen for about fifteen minutes,

1168
00:57:54.280 --> 00:57:56.400
<v Speaker 1>and since we didn't do it right at eight fifteen,

1169
00:57:57.239 --> 00:58:00.400
<v Speaker 1>it didn't get recorded. Everybody was running around easy that

1170
00:58:00.480 --> 00:58:03.519
<v Speaker 1>day and nobody thought to hit record anywhere. I keep

1171
00:58:03.599 --> 00:58:06.400
<v Speaker 1>living with the hope that somewhere there's some radio junkie

1172
00:58:06.440 --> 00:58:10.039
<v Speaker 1>who somehow recorded this, or maybe like in that movie Contact,

1173
00:58:10.119 --> 00:58:12.880
<v Speaker 1>you know, where the message coming to the broadcast comes

1174
00:58:12.960 --> 00:58:15.920
<v Speaker 1>back from space one hundred years later or whatever. You

1175
00:58:16.000 --> 00:58:19.199
<v Speaker 1>know that this John Madden, which to me, You know,

1176
00:58:19.360 --> 00:58:22.039
<v Speaker 1>it's the most unlike John Madden thing of all the

1177
00:58:22.119 --> 00:58:24.719
<v Speaker 1>things John madd never did, but the most John Madden

1178
00:58:24.800 --> 00:58:27.320
<v Speaker 1>thing John Madden never did. Tell a story in real

1179
00:58:27.440 --> 00:58:32.800
<v Speaker 1>time with empathy and with precision. Doesn't get any better. Wow.

1180
00:58:33.840 --> 00:58:37.280
<v Speaker 2>Wow, And you said something in the book I need

1181
00:58:37.400 --> 00:58:39.719
<v Speaker 2>to I need to slap your wrist on this one.

1182
00:58:40.719 --> 00:58:44.760
<v Speaker 2>You said you were jealous of me. You said you

1183
00:58:44.880 --> 00:58:48.239
<v Speaker 2>were jealous of me out of college. Oh yeah, Like

1184
00:58:48.320 --> 00:58:52.880
<v Speaker 2>here we are fifty years later, dude, and you became

1185
00:58:52.960 --> 00:58:56.599
<v Speaker 2>the star. You were a Bay Area legend and in

1186
00:58:56.760 --> 00:58:59.960
<v Speaker 2>the in the Radio Hall of Fame here in the

1187
00:59:00.119 --> 00:59:02.400
<v Speaker 2>Bay Area they don't recognize production.

1188
00:59:02.559 --> 00:59:06.000
<v Speaker 3>Guys were only there for a decade. I was gone out.

1189
00:59:06.000 --> 00:59:09.360
<v Speaker 3>I left radio after a decade, but still you became

1190
00:59:09.400 --> 00:59:12.639
<v Speaker 3>the star, so you wan't to talk about jealous Well.

1191
00:59:12.800 --> 00:59:14.719
<v Speaker 1>Fred, thank you. I mean the truth is I was

1192
00:59:14.760 --> 00:59:17.000
<v Speaker 1>a kid who read everything, hed get his hands on,

1193
00:59:17.159 --> 00:59:19.800
<v Speaker 1>asked too many questions and never shut up. And you know,

1194
00:59:20.480 --> 00:59:23.400
<v Speaker 1>guess what they'll pay you to do that, it turns out. So,

1195
00:59:23.480 --> 00:59:25.119
<v Speaker 1>I mean, I was super lucky to see where I

1196
00:59:25.199 --> 00:59:27.639
<v Speaker 1>came from. But I was quite jealous of you early on,

1197
00:59:27.800 --> 00:59:30.639
<v Speaker 1>because you know, we left college in nineteen seventy seven

1198
00:59:30.880 --> 00:59:32.880
<v Speaker 1>and I set out into all these small towns where

1199
00:59:32.880 --> 00:59:35.760
<v Speaker 1>I was making literally four to fifty dollars a month

1200
00:59:35.800 --> 00:59:38.840
<v Speaker 1>I think, at one of my first jobs, and you

1201
00:59:38.920 --> 00:59:41.519
<v Speaker 1>were working in San Francisco, and I'm thinking, God, if

1202
00:59:41.559 --> 00:59:43.400
<v Speaker 1>I could just get to sacker matter, because you know,

1203
00:59:43.480 --> 00:59:47.639
<v Speaker 1>the radio game was played by market size. I ever thought, Oh,

1204
00:59:47.679 --> 00:59:50.960
<v Speaker 1>I'll stay here in South Lake Tahoe. Great place to live,

1205
00:59:51.039 --> 00:59:53.480
<v Speaker 1>but I mean they didn't pay much in radio. Meanwhile,

1206
00:59:53.760 --> 00:59:56.360
<v Speaker 1>my friend Fred and my other friend Jim, you know,

1207
00:59:56.679 --> 00:59:59.320
<v Speaker 1>while our other running mate from college and occasional golf buddy,

1208
00:59:59.599 --> 01:00:02.920
<v Speaker 1>you know, we're working in San Francisco, and I just

1209
01:00:03.000 --> 01:00:06.000
<v Speaker 1>thought these guys have got it. I screwed up, you know,

1210
01:00:06.559 --> 01:00:08.320
<v Speaker 1>so I was a little sealless.

1211
01:00:08.239 --> 01:00:11.559
<v Speaker 2>No man like when people tell me, oh, my son's

1212
01:00:11.599 --> 01:00:14.960
<v Speaker 2>graduating college and you got a job at Google, It's like, no, no, no, no, no,

1213
01:00:15.039 --> 01:00:15.360
<v Speaker 2>no no no.

1214
01:00:15.559 --> 01:00:17.159
<v Speaker 3>You want to end up at Google. You don't want

1215
01:00:17.199 --> 01:00:18.280
<v Speaker 3>it to be your first job.

1216
01:00:18.880 --> 01:00:21.519
<v Speaker 1>No, Fred, There's something to that. And that's why it's

1217
01:00:21.559 --> 01:00:23.519
<v Speaker 1>so much fun to do this with you, because what

1218
01:00:23.639 --> 01:00:27.199
<v Speaker 1>I do order about your career is, you know, going

1219
01:00:27.239 --> 01:00:30.559
<v Speaker 1>back to bed, let's circle back. You know, never work

1220
01:00:30.599 --> 01:00:32.880
<v Speaker 1>a day in your life if you can help it, right,

1221
01:00:33.679 --> 01:00:37.760
<v Speaker 1>but more importantly, find your passion and then let that follow.

1222
01:00:37.800 --> 01:00:40.119
<v Speaker 1>And you've done this, you know, through all of your

1223
01:00:40.360 --> 01:00:43.280
<v Speaker 1>various endeavors. I mean, the fantasy play by play one

1224
01:00:43.440 --> 01:00:46.119
<v Speaker 1>was my whole time favorite. You know, I do radio

1225
01:00:46.199 --> 01:00:48.880
<v Speaker 1>booth and pretend you're the broadcaster and walk away with

1226
01:00:48.960 --> 01:00:50.559
<v Speaker 1>the tape. Oh, by the way, Fred gets paid when

1227
01:00:50.559 --> 01:00:54.000
<v Speaker 1>you do it. This was just genius stuff. And the

1228
01:00:54.079 --> 01:00:57.800
<v Speaker 1>fact that you're still passionate about communicating and the podcast

1229
01:00:57.920 --> 01:00:59.880
<v Speaker 1>is awesome. I mean, I love the fact that you

1230
01:01:00.239 --> 01:01:04.400
<v Speaker 1>ranged over all of the ask everything that's golf adjacent, right,

1231
01:01:04.920 --> 01:01:08.119
<v Speaker 1>and you know if you love golf, well, okay, let's

1232
01:01:08.159 --> 01:01:11.719
<v Speaker 1>spin from that anyway. Kudos to you for sticking with it,

1233
01:01:11.960 --> 01:01:18.840
<v Speaker 1>and in this twenty eight thousandth episode, all.

1234
01:01:18.840 --> 01:01:22.559
<v Speaker 3>Right again the book Mornings. Please buy it, please help

1235
01:01:22.599 --> 01:01:23.280
<v Speaker 3>my friend out.

1236
01:01:24.840 --> 01:01:27.000
<v Speaker 1>The great news is I didn't set out to make

1237
01:01:27.000 --> 01:01:29.840
<v Speaker 1>any money, and every author I met recently said, don't expect.

1238
01:01:29.880 --> 01:01:30.400
<v Speaker 3>Don't expect.

1239
01:01:30.599 --> 01:01:32.159
<v Speaker 2>Yeah, And I tell people all the time, do you

1240
01:01:32.199 --> 01:01:34.440
<v Speaker 2>want to do a podcast, don't do it for the money.

1241
01:01:35.199 --> 01:01:37.880
<v Speaker 2>So the book is called Mornings with Madden, My Radio

1242
01:01:38.000 --> 01:01:41.719
<v Speaker 2>life with an American Legend, by my old friend and

1243
01:01:41.880 --> 01:01:43.639
<v Speaker 2>golf buddy, Stan Bonger.

1244
01:01:43.760 --> 01:01:47.000
<v Speaker 3>Stan, thanks so much, and congratulations Fred.

1245
01:01:47.039 --> 01:01:49.000
<v Speaker 1>Thanks so much for having me continue to get success

1246
01:01:49.079 --> 01:01:49.199
<v Speaker 1>to you.

1247
01:01:52.719 --> 01:01:55.039
<v Speaker 2>Of course, I'll leave a link to the book on

1248
01:01:55.519 --> 01:01:58.239
<v Speaker 2>Amazon and the show notes, and don't forget the audio book,

1249
01:01:58.280 --> 01:02:02.960
<v Speaker 2>which I listened to and is also very entertaining. Thanks

1250
01:02:03.000 --> 01:02:07.199
<v Speaker 2>go out this week to Nick from Lack from starvor Pa,

1251
01:02:07.679 --> 01:02:11.400
<v Speaker 2>who received all three gifts for recording this week's episode intro.

1252
01:02:12.159 --> 01:02:15.079
<v Speaker 2>You too can become a Golf Smarter Ambassador just like

1253
01:02:15.239 --> 01:02:19.760
<v Speaker 2>Nick and receive all three free gifts by either opening

1254
01:02:19.800 --> 01:02:23.239
<v Speaker 2>a future episode, or leaving an honest review from wherever

1255
01:02:23.400 --> 01:02:26.519
<v Speaker 2>you follow golf Smarter. As you probably know from your

1256
01:02:26.559 --> 01:02:31.119
<v Speaker 2>own experience, listen to reviews are the single greatest way

1257
01:02:31.239 --> 01:02:32.760
<v Speaker 2>to discover new podcasts.

1258
01:02:33.239 --> 01:02:35.039
<v Speaker 3>If you write a view, make.

1259
01:02:35.000 --> 01:02:37.360
<v Speaker 2>Sure you send me an email telling me where I

1260
01:02:37.440 --> 01:02:39.679
<v Speaker 2>can find it and what you said, and once we

1261
01:02:39.760 --> 01:02:42.360
<v Speaker 2>confirm that, I'll get back to you with all of

1262
01:02:42.519 --> 01:02:47.280
<v Speaker 2>your gift details. Some great questions are coming in about

1263
01:02:47.400 --> 01:02:50.840
<v Speaker 2>our upcoming golf Smarter adventure to the Robert Trent Jones

1264
01:02:50.920 --> 01:02:53.840
<v Speaker 2>Trail next March. Really hope you can join me for

1265
01:02:54.039 --> 01:02:57.760
<v Speaker 2>three beautiful rounds of golf between March twenty six to

1266
01:02:58.039 --> 01:03:02.599
<v Speaker 2>the thirtieth, twenty twenty five, just outside of Birmingham, Alabama.

1267
01:03:03.360 --> 01:03:05.800
<v Speaker 2>Of all of the work that Tara and Allen of

1268
01:03:05.920 --> 01:03:09.480
<v Speaker 2>TMI Golf did to research and book this trip, one

1269
01:03:09.519 --> 01:03:13.239
<v Speaker 2>of the most compelling elements is that during the entire stay,

1270
01:03:13.880 --> 01:03:19.840
<v Speaker 2>we're only in one location, the alluring renaissance Birmingham ross

1271
01:03:19.960 --> 01:03:23.639
<v Speaker 2>Bridge Golf Resort and Spa. Please check out all the

1272
01:03:23.719 --> 01:03:28.840
<v Speaker 2>details pricing an itinerary at TMI golf dot com slash

1273
01:03:29.159 --> 01:03:34.599
<v Speaker 2>Golf Smarter. That's TMI golf dot com slash Golf Smarter

1274
01:03:35.159 --> 01:03:37.599
<v Speaker 2>and get back to me with any other questions that

1275
01:03:37.679 --> 01:03:40.960
<v Speaker 2>you may have, or make sure that you put in

1276
01:03:41.039 --> 01:03:44.320
<v Speaker 2>your reservation. Have you ever heard of the ain Point

1277
01:03:44.400 --> 01:03:49.239
<v Speaker 2>putting system? Sure you have, because it's been so successful

1278
01:03:49.280 --> 01:03:53.440
<v Speaker 2>on the tour and with all of us recreational golfers too.

1279
01:03:54.079 --> 01:03:54.239
<v Speaker 3>Well.

1280
01:03:54.280 --> 01:03:57.480
<v Speaker 2>This Friday on Golf Smarter Mulligans, we go back into

1281
01:03:57.559 --> 01:04:00.679
<v Speaker 2>our archives for the first of a two part conversation

1282
01:04:00.960 --> 01:04:05.880
<v Speaker 2>from January of twenty thirteen with the creator of aim Point,

1283
01:04:06.360 --> 01:04:10.400
<v Speaker 2>Mark Sweeney. In part one, we'll get the full orientation

1284
01:04:10.800 --> 01:04:15.280
<v Speaker 2>and learn that it's introduction was not an obvious slam dunk.

1285
01:04:15.559 --> 01:04:18.679
<v Speaker 4>Golf Channel picked up aime Point in January of seven,

1286
01:04:19.280 --> 01:04:21.760
<v Speaker 4>and you know, I told my wife in December of six,

1287
01:04:21.840 --> 01:04:23.599
<v Speaker 4>I said, if they don't pick this up, I'm done.

1288
01:04:23.639 --> 01:04:25.880
<v Speaker 4>I'm out, because I'd already kind of been through CBS

1289
01:04:26.000 --> 01:04:28.320
<v Speaker 4>and NBC and they were really the last network. The

1290
01:04:28.400 --> 01:04:30.159
<v Speaker 4>problem with TV is there's only really three people to

1291
01:04:30.239 --> 01:04:32.039
<v Speaker 4>choose from. You have three customers, and if they all

1292
01:04:32.079 --> 01:04:34.159
<v Speaker 4>say no, then you're done. You're in business. And I

1293
01:04:34.320 --> 01:04:37.480
<v Speaker 4>was literally within days of just giving up and moving on.

1294
01:04:37.840 --> 01:04:39.360
<v Speaker 3>Could you have really walked away from it.

1295
01:04:39.559 --> 01:04:40.039
<v Speaker 1>At that point.

1296
01:04:40.159 --> 01:04:43.079
<v Speaker 4>Yeah, Well at that point, I mean, I loved it,

1297
01:04:43.159 --> 01:04:45.119
<v Speaker 4>but if there's no business for it, you know, you're

1298
01:04:45.159 --> 01:04:48.000
<v Speaker 4>start to death. If I couldn't prove a legitimate business,

1299
01:04:48.199 --> 01:04:49.599
<v Speaker 4>it was time to move on, like it or not.

1300
01:04:50.000 --> 01:04:53.039
<v Speaker 4>Came down to really really a couple of days and

1301
01:04:53.239 --> 01:04:56.519
<v Speaker 4>around Christmas of six and Golf Channel didn't say, Hey, great,

1302
01:04:56.599 --> 01:04:58.320
<v Speaker 4>we know we'll do this three year deal. They said,

1303
01:04:58.360 --> 01:04:59.840
<v Speaker 4>we'll do it one tournament.

1304
01:05:00.239 --> 01:05:03.559
<v Speaker 2>That's Part one with Mark Sweeney this Friday, arriving right

1305
01:05:03.639 --> 01:05:06.480
<v Speaker 2>here on the same feed you get each week for

1306
01:05:06.639 --> 01:05:11.480
<v Speaker 2>Golf Smarter. We're doing some heavy lifting on our website

1307
01:05:11.559 --> 01:05:14.880
<v Speaker 2>right now. It's a mishmash of things, and my web

1308
01:05:15.079 --> 01:05:18.400
<v Speaker 2>developer has just like hat it with me. So what

1309
01:05:18.519 --> 01:05:20.519
<v Speaker 2>I'm gonna do now is I'm going to redirect you

1310
01:05:20.679 --> 01:05:24.920
<v Speaker 2>to our distributors page that provides the complete list of

1311
01:05:25.159 --> 01:05:29.920
<v Speaker 2>all of our available episodes. It's at golfsmarterpodcast dot com.

1312
01:05:31.039 --> 01:05:34.480
<v Speaker 2>But if you have any questions about our adventure, updates

1313
01:05:34.559 --> 01:05:37.559
<v Speaker 2>on how your game is going, or suggestions for an

1314
01:05:37.639 --> 01:05:42.679
<v Speaker 2>upcoming episode, please write to Golf Smarter Podcast at gmail

1315
01:05:42.840 --> 01:05:43.400
<v Speaker 2>dot com.
