WEBVTT

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<v Speaker 1>Big Food and Beyond with Cliff and Bobo. These guys

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<v Speaker 1>are your favorites, so like to say subscribe and rade

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<v Speaker 1>it five star s and me rights on yesterday and listening,

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<v Speaker 1>oh watching always keep its watching.

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<v Speaker 2>And now your hosts Cliff Barrickman and James Bubo Fay.

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<v Speaker 1>Hey, Bobo, how you doing today?

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<v Speaker 3>All right? How's going? Cliff?

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<v Speaker 1>Pretty awesome? I'm super excited. I have one of our

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<v Speaker 1>favorite bigfooters and people in general on the line with

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<v Speaker 1>this for today's podcast.

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<v Speaker 3>I know who it is, and I'm pretty stuck. The

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<v Speaker 3>guy's a.

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<v Speaker 1>Legend, absolutely had written one of my favorite books on

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<v Speaker 1>the subject because it's so out of context for the subject.

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<v Speaker 1>But instead of just teasing and stuff like that, I

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<v Speaker 1>want to jump right into this because I know that

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<v Speaker 1>an hour or even two hours is going to be

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<v Speaker 1>too short of a time to speak to the gentleman

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<v Speaker 1>Bobo and everybody else listening right now, please welcome doctor

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<v Speaker 1>Robert Piles, or Bob as we call him, Bob Pile,

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<v Speaker 1>who wrote Where Bigfoot Walks Beyond the Dark Divide and

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<v Speaker 1>has a new movie out where Actually David Cross, you

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<v Speaker 1>know that dude from OSAs Show, arrested development and a

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<v Speaker 1>million other things. The comedian actually plays this gentleman right here,

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<v Speaker 1>Bob Pile Bob, welcome to Bigfoot and Beyond.

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<v Speaker 4>Thank you so much, Cliff and Bobo, Hi, do you too.

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<v Speaker 4>It's a pleasure. I'm I am a It's a great

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<v Speaker 4>cliche to say one of your biggest fans, but in

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<v Speaker 4>both of your cases, it's absolutely true, and it's an honor,

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<v Speaker 4>beyond honor to be on the podcast.

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<v Speaker 5>We do both speakings. Very nice of you to say, Bob,

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<v Speaker 5>thank you so much for.

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<v Speaker 3>Having That's the thing that's been said about us ever, Cliff.

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<v Speaker 1>That's the thing about Bob. Whenever he says anything, it's

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<v Speaker 1>the nicest thing anyone's ever said. It's like every word

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<v Speaker 1>that drops from his mouth is like a honey wrapped

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<v Speaker 1>in gold.

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<v Speaker 4>I'll tell you this, Cliff. Life is too short for flattery,

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<v Speaker 4>So I never give false praise and never give false oaps.

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<v Speaker 4>So don't expect that from me. So if you hear

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<v Speaker 4>it from me, you can take you to the bank.

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<v Speaker 1>Well well, Bob, for people who don't know who you are,

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<v Speaker 1>and because we have a lot of listeners who are

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<v Speaker 1>kind of new to the Bigfoot field, or perhaps you know,

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<v Speaker 1>haven't been stewing in it for the last few decades,

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<v Speaker 1>like Bobo and I and you have. Let's start a

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<v Speaker 1>little bit with like how you became acquainted with the

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<v Speaker 1>subject in general? Is this like a lifelong interest or

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<v Speaker 1>did it? Was it spurred by something? Or how did

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<v Speaker 1>how did? How did you become one of us?

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<v Speaker 4>Well, it's not quite a lifelong Sure, that's a good

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<v Speaker 4>place to start clifts. It's not lifelong. I am a

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<v Speaker 4>lifelong naturalist, an observer of the natural world, although I

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<v Speaker 4>have to tell you that I don't consider there to

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<v Speaker 4>be a fine line of any kind between humans and

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<v Speaker 4>the rest of nature. And so when I say to

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<v Speaker 4>the natural world, I include people in that, and naturally

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<v Speaker 4>include what I consider to be likely our closest living relative.

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<v Speaker 4>So they all run together. But my first attention to

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<v Speaker 4>natural history as a boy in growing up in Colorado

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<v Speaker 4>was seashells. Now that sounds counterintuitive, You're right. It was

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<v Speaker 4>a stupid place to be a young concologist in Colorado,

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<v Speaker 4>and diminishing returns quickly set in after I spent all

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<v Speaker 4>my allowance buying seashells at the Denver Museum of Natural History,

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<v Speaker 4>I belonged to the Shell of the Month Club and

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<v Speaker 4>so on and so forth. But there weren't many seashells around.

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<v Speaker 4>I've soon discovered there were more butterflies around. I mean,

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<v Speaker 4>there weren't any more seashells around than there were Bigfoot

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<v Speaker 4>and there were Colorado in nineteen fifties and sixties, But

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<v Speaker 4>there were a lot of butterflies. So very early on,

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<v Speaker 4>at the age of eleven on, I became a lepidopterist,

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<v Speaker 4>a person who is serious in his or her or

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<v Speaker 4>their pursuit of butterflies. And butterflies were reading my big

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<v Speaker 4>window on the world. And the other part of the

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<v Speaker 4>window on the world old ditch outside Colorado, and that

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<v Speaker 4>ditch was my my wilderness. Got out of my subdivision

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<v Speaker 4>out on this old, tangly wet ditch, and that's where

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<v Speaker 4>the life was. That's where the butterflies were, and of

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<v Speaker 4>course that's where the imagination went. And I always imagined

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<v Speaker 4>that I might see something that nobody else had seen.

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<v Speaker 4>Occasionally I'd find a rare butterfly, and that was pretty satisfying.

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<v Speaker 4>But later on, when I went to college up in

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<v Speaker 4>the Pacific Northwest, I started hearing about something that really

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<v Speaker 4>might be out there that most people had not seen,

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<v Speaker 4>and that was Sasquatch, Bigfoot, oh mah se Latis. I

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<v Speaker 4>had the most wonderful introduction to the subject. Now, mind you.

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<v Speaker 4>Prior to that, I'd read some of the some of

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<v Speaker 4>the early crypto books that a lot of boys read,

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<v Speaker 4>that Ivan Sanderson and so on and so forth, and

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<v Speaker 4>the Yeti, the early Yeti things and so on. So

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<v Speaker 4>I had an interest, but it wasn't greater than an

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<v Speaker 4>interest in many other things until I took three wonderful

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<v Speaker 4>classes at the University of Washington from Bill Holme. Bill

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<v Speaker 4>was a Cherokee Norwegian dude who became a quak Utile Indian.

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<v Speaker 4>Through the Hamits dances and his great study, he became

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<v Speaker 4>the greatest authority on Northwest Native American art and culture anywhere,

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<v Speaker 4>all the way from the Athabascans to the Hoopa, through

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<v Speaker 4>the Ballabellas and Bellaiculas and Macaws and Nukahs and everybody else.

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<v Speaker 4>He knew their art, he knew their culture, and he

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<v Speaker 4>knew the people, and tot three classes in it, one

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<v Speaker 4>on totems and carving some masks, one on their flat art,

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<v Speaker 4>and one on their dance and tradition and lucky boy,

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<v Speaker 4>I got to take all those classes, and one of

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<v Speaker 4>the strongest elements in my memory from them was the

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<v Speaker 4>presence of the Bigfoot cognates and all those cultures do

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<v Speaker 4>Naquah Book was merging in bak Baquali, Nuxi Way, and

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<v Speaker 4>all the others, and how powerful the Bigfoot traditions were

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<v Speaker 4>and remain in those Native American cultures, those first people's cultures.

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<v Speaker 4>And here was the thing that really got me, Cliff,

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<v Speaker 4>was when Bill told us that not only did every

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<v Speaker 4>single Northwest Indian culture have these stories and traditions, but

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<v Speaker 4>they were considered to be part of their natural history,

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<v Speaker 4>not necessarily restricted to their spirit world. Along with set seed,

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<v Speaker 4>the sea serpent in Thunderbird. Of course the two run

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<v Speaker 4>together for a lot of Native Americans, but they also

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<v Speaker 4>have us a recognition of the animals that they encountered

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<v Speaker 4>regularly in the woods, skunk and weasel and raven and

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<v Speaker 4>barn orca in the water, and Bigfoot was among those.

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<v Speaker 4>The other thing he told me was that he did

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<v Speaker 4>not know a single Indian in the woods or in

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<v Speaker 4>the waters that is still living in the villages, living

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<v Speaker 4>in the countryside from Alert Bay all the way to

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<v Speaker 4>the Hoopa, who did not have a personal belief not

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<v Speaker 4>only that the animal lives among them, but that we,

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<v Speaker 4>the whites, are foolish to even ask the question of

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<v Speaker 4>them does it exist as a real animal. So those

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<v Speaker 4>things made a powerful impact on me, followed by encountering

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<v Speaker 4>Peter Burn a few years later. Peter had an enormous

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<v Speaker 4>impact on me, and then it went from there. My

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<v Speaker 4>own studies grew out of that, and we'll get to

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<v Speaker 4>that later. I'm sure that was my beginning, really was

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<v Speaker 4>the early crypto books, followed by being up here in

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<v Speaker 4>the Northwest and then going to build Holmes classes, and

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<v Speaker 4>then on Halloween night camping on the snows of Mount

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<v Speaker 4>Saint Helen's ten years before the eruption in nineteen seventy

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<v Speaker 4>and hearing the cries all through the night that I

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<v Speaker 4>believe we're likely the cries of telatics.

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<v Speaker 1>So it really it sounds like your interest is born

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<v Speaker 1>in the same way with many others, kind of just

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<v Speaker 1>having a curiosity about the natural world combined with frequent

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<v Speaker 1>trips to the library. I think rober apps that certainly

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<v Speaker 1>the beginning, yes, yeah, and then add to that an

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<v Speaker 1>influential person or two to kind of guide you along

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<v Speaker 1>the way, and then finally some personal experience on the

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<v Speaker 1>end of it all.

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<v Speaker 4>Yeah, I expect this does pretty well mirror a lot

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<v Speaker 4>of your guests experience in the generals is not the specifics.

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<v Speaker 1>Yeah, But to just to be clear, though you're you're expert.

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<v Speaker 1>You are an expert in butterflies and moths, right, I

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<v Speaker 1>mean that's what you have a doctorate, It is that correct?

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<v Speaker 4>Correct, I'm one of the I don't mean to sound

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<v Speaker 4>like it's some kind of an elite thing. It's just

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<v Speaker 4>another trade. But I do happen to be one of

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<v Speaker 4>the few trained biologists in our field I think, I

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<v Speaker 4>mean they're there are a lot of good biologists. There's

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<v Speaker 4>a heck of a lot of magnificent autodidactic biologists and

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<v Speaker 4>naturalists in cryptozoology. There aren't many who have had the opportunity,

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<v Speaker 4>the great privilege that I've had to have a pretty

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<v Speaker 4>rich academic background in biology, and in my case, it's

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<v Speaker 4>centered on ecology and ultimately on the ecology of rare

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<v Speaker 4>and endangered species of butterflies as my thesis project. But

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<v Speaker 4>I've always been a general naturalist, and my training was

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<v Speaker 4>in general natural history and biology, and then ultimately in

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<v Speaker 4>butterflies and into writing.

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<v Speaker 1>Well, that's one of the things about Bigfoot that I

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<v Speaker 1>find so accommodating for the lay person and other scientists

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<v Speaker 1>and just people in general, is that Bigfoot isn't it

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<v Speaker 1>isn't exclusive to one discipline. It's so multidisciplinary. And one

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<v Speaker 1>might think that while we're studying butterflies, what does that

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<v Speaker 1>have to do with sasquatches. Well, I mean to understand butterflies,

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<v Speaker 1>you have to understand the ecology. You have understand seasonality

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<v Speaker 1>of animals and all sorts of stuff. I mean, I mean,

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<v Speaker 1>look at me, I have a degree in music. What

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<v Speaker 1>good is that? You know? Like, well, I incorporate that

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<v Speaker 1>into my big foot stuff when I get I.

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<v Speaker 4>Can't imagine many many degrees that would be more valuable

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<v Speaker 4>than that in the field in which audiology is so

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<v Speaker 4>very important, right.

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<v Speaker 1>Right, I mean, I guess I could have majored in

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<v Speaker 1>something like you know, painlea anthropology, but you know, then

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<v Speaker 1>i'd be over in you know, in Eastern Africa somewhere

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<v Speaker 1>digging rocks, rocks up aground, or Eastern Idaho.

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<v Speaker 5>Or Eastern Idaho. That's true, But you're absolutely right, these

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<v Speaker 5>fields are they've run together. I mean, really, isn't that

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<v Speaker 5>what we should be? I mean, I've been freelance for

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<v Speaker 5>most of my life. I never took a hold in

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<v Speaker 5>a job too well. I've been an academic, I've been

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<v Speaker 5>a professor, I've been lots of other things. I've done

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<v Speaker 5>a lot of teaching and lecturing, this.

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<v Speaker 4>That and the other. But I've never I've never been

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<v Speaker 4>one to sit in one job for too long. So

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<v Speaker 4>I've been freelanced for a long time. And I consider

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<v Speaker 4>myself I like the term acket of independent scholar. I

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<v Speaker 4>like the independence of it, But I also like the

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<v Speaker 4>whole question of scholarship going forth in the world as

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<v Speaker 4>a perpetual student, which is exactly what I think we do,

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<v Speaker 4>and it's exactly what I think you two guys are

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<v Speaker 4>all about, our scholars of the wilderness and its inhabitants.

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<v Speaker 4>So butterflies were just as good a portal for an

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<v Speaker 4>interest in Bigfoot as I think any other subject might

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<v Speaker 4>have been. These are animals that live by the same

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<v Speaker 4>constraints and ecological opportunities as any other living things, and

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<v Speaker 4>so you study those constraints and opportunities with whatever group

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<v Speaker 4>of animals you work on, and they're applicable to others

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<v Speaker 4>if you apply the broader principles. You know, for years

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<v Speaker 4>I went up every March until this year of the

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<v Speaker 4>Germ and gave a couple of evenings lectures or talks,

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<v Speaker 4>conversations really with sixth graders at an outdoor school at

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<v Speaker 4>the Cispas Center in Washington, which is pretty cool because

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<v Speaker 4>that's where I began my trek for crossing the Dark Divide.

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<v Speaker 4>But those kids were hungry for this information, of course,

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<v Speaker 4>but I wanted them to have their vegetables as well

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<v Speaker 4>as their desserts. So I'd give them one night of

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<v Speaker 4>butterflies and one night of Bigfoot, and then I would

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<v Speaker 4>put them together and I'd say, now, you tell me,

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<v Speaker 4>when I've taught you all these things about butterflies and

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<v Speaker 4>they're seemingly miraculous metamorphosis, you tell me that butterflies are

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<v Speaker 4>not just as weird as Bigfoot. In other words, that

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<v Speaker 4>Bigfoot isn't just as natural as butterflies.

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<v Speaker 1>Right. And you know, one of the things that I

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<v Speaker 1>think I appreciate about you, Bob, is that you kind

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<v Speaker 1>of I don't know if the word transcend is right,

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<v Speaker 1>I'll say it transcend the role of scientists again, transcend

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<v Speaker 1>doesn't work because really you're rolling it back to before

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<v Speaker 1>there were scientists, because you're a naturalist, and back in

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<v Speaker 1>the eighteen hundreds, before science was a thing, really there

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<v Speaker 1>were naturalists studying the natural world. And eventually these naturalists

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<v Speaker 1>became specialized, and that's how science was kind of born

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<v Speaker 1>in some ways, these various arms. But really you're a

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<v Speaker 1>student of the world, the natural world, and you happen

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<v Speaker 1>to specialize, you know, in mods and butterflies, But really

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<v Speaker 1>you're a student of the natural world with a curiosity

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<v Speaker 1>that will never be satisfied. And I think that is

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<v Speaker 1>just so cool, And that's part of the reason we all,

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<v Speaker 1>Bobo and I and everybody else listening are interested in

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<v Speaker 1>the sasquatch thing because of the mystery of it all,

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<v Speaker 1>just to know that the world is not as not

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<v Speaker 1>a solved puzzle. It is full of wonder and grace

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<v Speaker 1>and beauty waiting to be discovered. And I think you

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<v Speaker 1>and your writings really embody a lot of that.

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<v Speaker 4>Oh, thank you so much.

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<v Speaker 3>And then where you learn just the more questions you get.

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<v Speaker 3>To Tigos, it's exponential, it.

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<v Speaker 4>Is exponentialist, And to Bobo, it just goes on and

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<v Speaker 4>on every question asks more question, every answer asks even

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<v Speaker 4>more questions.

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<v Speaker 1>And of course you're also a poet.

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<v Speaker 4>Well yes, but before you get to the poetry, let

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<v Speaker 4>me just say what you've just said is beautifully put.

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<v Speaker 4>I wish I had it all in print in front

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<v Speaker 4>of me. I guess I'll have the recording that deserves

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<v Speaker 4>being passed on the way you embodied all that. But

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<v Speaker 4>I'm so glad to see you re honor the word naturalist,

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<v Speaker 4>because that word sort of fell out of fashion. But

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<v Speaker 4>you're quite right. I'm Humboldt and Asa Gray and Legacy

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<v Speaker 4>and Audubon and all the others right up to Darwin,

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<v Speaker 4>the chief naturalist of all they were naturalists, and yet

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<v Speaker 4>that word fell out of favor, particularly between the Wars.

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<v Speaker 4>It was really's spot Neck that did it. In used

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<v Speaker 4>to be the American nature study movement was active all

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<v Speaker 4>over the country, and learning something about our local flora

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<v Speaker 4>and fauna was a regular part of elementary education in

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<v Speaker 4>this country. And then as things began to become more specialized,

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<v Speaker 4>more technological, that began to fade a little bit in

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<v Speaker 4>favor of hard science. And then between the Wars, when

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<v Speaker 4>there was such an emphasis on armaments and instruments of

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<v Speaker 4>warfare and hard science. Driven by that, it became even

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<v Speaker 4>more so. And then when sput Mac went into orbit

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<v Speaker 4>in fifty six, I think it was the first Russian satellite, Well,

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<v Speaker 4>that really was the nail in the coffin of natural

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<v Speaker 4>history in the schools because we really had to catch

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<v Speaker 4>up with the Russians on science and the space race,

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<v Speaker 4>and so natural history went by the bye in the

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<v Speaker 4>schools until environmental education came along later. And by that

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<v Speaker 4>time they had lost a lot of the basics of

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<v Speaker 4>the flora and fauna because the teachers didn't know it anymore.

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<v Speaker 4>And by the way, Cliff and Bobo, during that time

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<v Speaker 4>when I was at the University of Washington as a

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<v Speaker 4>lucky student, there were a lot of good naturalists left

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<v Speaker 4>on the faculty, but they were all being farmed out,

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<v Speaker 4>retired off to the pasture, and not being rehired in

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<v Speaker 4>favor of all hard science. The hard science was good,

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<v Speaker 4>but it was done at the expense of the naturalists.

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<v Speaker 4>I called the time of the purge of the naturalists,

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<v Speaker 4>and I was one of the last students to come

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<v Speaker 4>in to really get the advantage of all those old

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<v Speaker 4>naturalists on campus. Which let me put those great stories

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<v Speaker 4>of Bill Holme and the Indians into the context of

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<v Speaker 4>a lot of different kinds of plants and animals. So yes,

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<v Speaker 4>I have been always a general student of natural history,

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<v Speaker 4>and I deeply, deeply admire and am grateful for the

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<v Speaker 4>legacy that we have all the way back to Darwin

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<v Speaker 4>and everybody before.

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<v Speaker 1>It seems like a studying natural history, it's just a

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<v Speaker 1>lot more organic way to move forward, especially especially with

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<v Speaker 1>the study of sasquatches and other things like that, because

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<v Speaker 1>science has a reputation, and it's certainly possibly even a

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<v Speaker 1>deserved reputation of being a little cold, shall we say,

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<v Speaker 1>you know, a little perhaps reductionists like you know, it's

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<v Speaker 1>instead of figuring, like looking at a clock, we've got

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<v Speaker 1>to take that clock apart in order to figure out

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<v Speaker 1>how it works. Whereas if you study natural history, you

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<v Speaker 1>see how that clock fits into this environment and what

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<v Speaker 1>role it plays in a larger scale. And I think

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<v Speaker 1>perhaps studying things as a natural historian might serve what

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<v Speaker 1>am I trying to say, I might serve the subject better,

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<v Speaker 1>especially when we're dealing with subjects like sasquatches or people

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<v Speaker 1>or something that is sentient and it certainly has emotions

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<v Speaker 1>and fits in and it has relationships, as opposed to

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<v Speaker 1>let's let's, you know, dissect the arm to see what

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<v Speaker 1>how thick the tendon is what.

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<v Speaker 4>We don't need one or the other, dew were really

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<v Speaker 4>in fact, I think we do need both. Science is reductionists,

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<v Speaker 4>and that's not necessarily a bad word. We don't ever

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<v Speaker 4>get a bridge that works or a rocket that works.

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<v Speaker 4>That might be better if we don't reduce the elements

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<v Speaker 4>to their basics and understand how they work. The reduction

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<v Speaker 4>isn't in itself a bad thing. When it becomes negative

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<v Speaker 4>is when it becomes the whole picture.

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<v Speaker 1>Yeah, a little out of balance.

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<v Speaker 4>Perhaps the breadth and the encompassing holistic view that a

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<v Speaker 4>naturalist has, which is one that the mountain man had,

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<v Speaker 4>and it's one that the wise women and the women

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<v Speaker 4>with the knowledge of the herbs add, and it's the

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<v Speaker 4>knowledge that takes in the hole that's absolutely essential too.

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<v Speaker 4>And so rather than setting them up against one another,

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<v Speaker 4>which I know you're not doing, we really need both.

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<v Speaker 4>We need a hard, intelligent, skeptical, critical and rigorous view

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<v Speaker 4>of the natural world. And by the way, I had

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<v Speaker 4>to come back and do some more medial on all

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<v Speaker 4>that because I so much rejected it in college and

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<v Speaker 4>went within natural history. In order to do graduate work

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<v Speaker 4>and to do a doctorate an e college, I had

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<v Speaker 4>to come back and re educate myself on some of

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<v Speaker 4>the hard stuff that I had blown off. That necessary too,

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<v Speaker 4>But if you put it in the context, as you say,

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<v Speaker 4>of the broader natural world through its working parts, yes,

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<v Speaker 4>but also through the sensations and the emotions, then you

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<v Speaker 4>have a much more meaningful whole. And that's where we

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<v Speaker 4>get to the poetry. And that's why, yes, I am

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<v Speaker 4>a poet as well, because I feel in fact, I

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<v Speaker 4>think I don't mean better in the sense of quality,

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<v Speaker 4>but I think I'm probably more naturally a poet than

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<v Speaker 4>a scientist actually, because I find it impossible to distance

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<v Speaker 4>my emotions and my reactions and my opinions. Fortunately, as

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<v Speaker 4>a poet and an essayst and a novelist, I don't

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<v Speaker 4>have to do that. On the other hand, when I

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<v Speaker 4>put on the headgear of the scientists and the journalists,

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<v Speaker 4>which I don't do very much. I still do some

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<v Speaker 4>science with butterflies, and I still do write some material

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<v Speaker 4>that I try to err on the objective side. Then

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<v Speaker 4>of course, I have to abide by the very same

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<v Speaker 4>principles of rigor that a scientists or our journalist would

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<v Speaker 4>have to, you know, if it really serves us well,

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<v Speaker 4>and I know this would be Bobo's experience out in

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<v Speaker 4>the woods. To have more than one arrow in our quiver,

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<v Speaker 4>we need to be broader than narrow. We need to

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<v Speaker 4>be we need to take a broad view instead of

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<v Speaker 4>be single minded about these things.

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<v Speaker 3>We don't want my opium. You're a poet, Yes, A

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<v Speaker 3>challenge you to do a slam poetry competition or done

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<v Speaker 3>with this interview?

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<v Speaker 4>Oh, I'm sure you knock me down on that. I've

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<v Speaker 4>never really done slam because I don't know. Slam has

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<v Speaker 4>a competitive aspect to it that somehow strikes me as

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<v Speaker 4>wrong for poetry. But I enjoy watching it, don't get

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<v Speaker 4>me wrong, But I don't know how I do. I

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<v Speaker 4>also don't do very well and remembering poetry. I usually

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<v Speaker 4>have to read my own scripts. But poetry is important

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<v Speaker 4>to me. I've got several published collections of poetry. I've

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<v Speaker 4>just come out with a new one that's entirely about

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<v Speaker 4>the Columbia River. There are forty four poems about the

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<v Speaker 4>Columbia River the Lower Columbia. The estuary part published together

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<v Speaker 4>with photographs that one of my favorite photographers, and it's

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<v Speaker 4>given me a way to look at the river that

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<v Speaker 4>the science never has. Through the lens, the personal lens

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<v Speaker 4>of the emotions.

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<v Speaker 1>Stay tuned for more Bigfoot and Beyond with Cliff and

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<v Speaker 1>Bobo will be right back after these messages.

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<v Speaker 1>Tell us about UH and again. This is one of

415
00:23:33.079 --> 00:23:36.640
<v Speaker 1>my favorite bigfoot books, and partly partly because it's not

416
00:23:36.799 --> 00:23:40.000
<v Speaker 1>really specifically about bigfoot. I mean, you can read doctor

417
00:23:40.039 --> 00:23:42.319
<v Speaker 1>Krantz's book and get into the nitty gritty and doctor

418
00:23:42.319 --> 00:23:45.160
<v Speaker 1>Meldrum's book to learn about all the evidence for the subject, etc.

419
00:23:45.799 --> 00:23:48.480
<v Speaker 1>Lauren Coleman's book to talk about the history and the sightings.

420
00:23:48.880 --> 00:23:51.599
<v Speaker 1>But yours isn't really about that. Yours is a different

421
00:23:51.720 --> 00:23:53.640
<v Speaker 1>take on the subject, and it was kind of it's

422
00:23:53.799 --> 00:23:57.720
<v Speaker 1>just refreshing to read through. But tell us how that

423
00:23:58.119 --> 00:23:59.359
<v Speaker 1>how that book came about?

424
00:24:00.359 --> 00:24:03.519
<v Speaker 4>Thank you, thanks for those kind words. It's true. I

425
00:24:03.559 --> 00:24:06.559
<v Speaker 4>did hope that it might be somewhat different from, and

426
00:24:06.640 --> 00:24:10.799
<v Speaker 4>therefore complimentary to a number of the other great Bigfoot

427
00:24:10.799 --> 00:24:14.079
<v Speaker 4>books that I had read and been inspired and entertained

428
00:24:14.079 --> 00:24:17.559
<v Speaker 4>and educated by. It came about in the following way.

429
00:24:18.359 --> 00:24:23.440
<v Speaker 4>In the eighties, I left my job at the Nature Conservancy,

430
00:24:23.519 --> 00:24:26.920
<v Speaker 4>where I was the Northwest Land Steward, the manager of

431
00:24:28.359 --> 00:24:32.359
<v Speaker 4>the Northwest Nature Reserves of the Conservancy. Prior to that,

432
00:24:32.400 --> 00:24:36.160
<v Speaker 4>I'd been a researcher in Papua New Guinea on the

433
00:24:36.200 --> 00:24:40.000
<v Speaker 4>giant bird wing butterflies, which are the bigfoot equivalent. They're

434
00:24:40.000 --> 00:24:42.759
<v Speaker 4>the biggest species of butterflies in the world, there about

435
00:24:42.759 --> 00:24:46.319
<v Speaker 4>as big as a bigfoot's foot. Enormous butterflies and the

436
00:24:46.400 --> 00:24:49.240
<v Speaker 4>jungles of Papua New Guinea. And that was my first

437
00:24:49.319 --> 00:24:51.119
<v Speaker 4>job out of graduate school, and that was a pretty

438
00:24:51.119 --> 00:24:54.759
<v Speaker 4>wonderful job for a young naturalist. From that, I went

439
00:24:54.759 --> 00:24:57.559
<v Speaker 4>to work for the conservancy, and when I was really

440
00:24:57.599 --> 00:24:59.440
<v Speaker 4>ready to leave that job, I wanted to go to

441
00:24:59.480 --> 00:25:03.759
<v Speaker 4>the country and try writing full time, which was a

442
00:25:03.880 --> 00:25:08.519
<v Speaker 4>crazy thing to do without any visible means of support.

443
00:25:08.960 --> 00:25:10.880
<v Speaker 4>My wife was an artist, and we thought we'd try that.

444
00:25:11.039 --> 00:25:14.400
<v Speaker 4>We did, and I've been in this house here in

445
00:25:14.440 --> 00:25:18.079
<v Speaker 4>Gray's River, Washington, this old Swedish farmhouse ever since then,

446
00:25:18.160 --> 00:25:21.680
<v Speaker 4>over forty years. I have had to go out elsewhere

447
00:25:21.759 --> 00:25:23.880
<v Speaker 4>from time to time to make a book, and I

448
00:25:23.920 --> 00:25:25.680
<v Speaker 4>did back then too, But part of the time I

449
00:25:25.680 --> 00:25:27.920
<v Speaker 4>got to write. And I wrote a book called Winter

450
00:25:27.960 --> 00:25:33.039
<v Speaker 4>Green about these hills here and their wildness. In spite

451
00:25:33.039 --> 00:25:36.279
<v Speaker 4>of being private timberlands that have been very heavily and

452
00:25:36.400 --> 00:25:40.440
<v Speaker 4>very often log Do you realize a certain wildness persists,

453
00:25:40.839 --> 00:25:44.960
<v Speaker 4>including some Bigfoot stories from these hills. But I was

454
00:25:45.000 --> 00:25:49.000
<v Speaker 4>in between books and I was looking for my next

455
00:25:49.039 --> 00:25:53.039
<v Speaker 4>topic for I'd actually written another book after that, called

456
00:25:53.039 --> 00:25:55.279
<v Speaker 4>The thunder Tree, about the ditch I told you about

457
00:25:55.279 --> 00:25:58.839
<v Speaker 4>where I grew up and found nature in Colorado. Then

458
00:25:58.880 --> 00:26:02.880
<v Speaker 4>I needed a new book, and I was hoping to

459
00:26:03.400 --> 00:26:05.079
<v Speaker 4>write a book for which I could find a little

460
00:26:05.119 --> 00:26:08.039
<v Speaker 4>bit of a support too, maybe some grant support to

461
00:26:08.240 --> 00:26:10.480
<v Speaker 4>help pay some bills, so I could really get into it.

462
00:26:10.799 --> 00:26:13.680
<v Speaker 4>I had this idea and that idea, and then I'm

463
00:26:13.720 --> 00:26:15.160
<v Speaker 4>not sure what it was. I think it was Sir

464
00:26:15.200 --> 00:26:18.680
<v Speaker 4>Peter Scott in England, a son of Scotch of the

465
00:26:18.720 --> 00:26:21.519
<v Speaker 4>Antarctic and the founder of one of the founders of

466
00:26:21.519 --> 00:26:23.559
<v Speaker 4>the World Wildlife Fund, with the which I was in Ball.

467
00:26:24.960 --> 00:26:29.799
<v Speaker 4>Peter Scott was very interested in NeSSI. In fact, just

468
00:26:29.839 --> 00:26:37.480
<v Speaker 4>as gorover Krantz applied a scientific name to bigfoot Gigantapithecus candidadensis,

469
00:26:38.480 --> 00:26:44.440
<v Speaker 4>Peter Scott, based on a mini submarine photograph of a

470
00:26:44.960 --> 00:26:51.759
<v Speaker 4>seeming pleaseias or finn from Lockness depths of Lockness, applied

471
00:26:51.759 --> 00:26:55.000
<v Speaker 4>a sign of a name to that animal too. He

472
00:26:55.039 --> 00:26:59.960
<v Speaker 4>called it Rombopterix. That was the genus oh ron Bopterix

473
00:27:00.119 --> 00:27:07.359
<v Speaker 4>nes citrus. The diamond finned animal of Lake Ness is

474
00:27:07.400 --> 00:27:11.079
<v Speaker 4>what it means. Neither of those names, of course, achieved

475
00:27:11.279 --> 00:27:15.799
<v Speaker 4>scientific acceptance because they were not accompanied by what a

476
00:27:15.960 --> 00:27:20.160
<v Speaker 4>scientist calls a type specimen to go along with the name. Nonetheless,

477
00:27:20.400 --> 00:27:25.839
<v Speaker 4>Peter's interest in lacustrine plesiosaurs, one of the other great

478
00:27:25.920 --> 00:27:31.119
<v Speaker 4>rich fields of cryptozoology, re enlivened my interest, and I

479
00:27:31.200 --> 00:27:34.640
<v Speaker 4>remembered that night on Mount Saint Helens at Halloween in

480
00:27:34.720 --> 00:27:38.440
<v Speaker 4>nineteen seventy and I remembered Peter Burn's book. I had

481
00:27:38.519 --> 00:27:42.559
<v Speaker 4>actually run into Peter Burn in nineteen seventy five. I

482
00:27:42.599 --> 00:27:46.079
<v Speaker 4>was doing butterfly research and I went to the DALs,

483
00:27:46.119 --> 00:27:50.799
<v Speaker 4>Oregon and there was a double wide it's actually very

484
00:27:50.839 --> 00:27:53.759
<v Speaker 4>just single white trailer on the docks at the dolls

485
00:27:54.160 --> 00:27:58.920
<v Speaker 4>had a sign said Bigfoot Information Center. So I dropped

486
00:27:58.960 --> 00:28:02.160
<v Speaker 4>on down there met Peter for the first time, and

487
00:28:02.200 --> 00:28:05.440
<v Speaker 4>I was impressed by his credo, which was when in doubt,

488
00:28:05.759 --> 00:28:08.519
<v Speaker 4>throw it out. I had no idea that time about

489
00:28:08.519 --> 00:28:14.079
<v Speaker 4>the extremely contentious and polarized nature of the Bigfoot world

490
00:28:14.160 --> 00:28:17.920
<v Speaker 4>and the many opinions that the top people and had

491
00:28:17.960 --> 00:28:21.279
<v Speaker 4>had of one another, and so out. I wasn't biased anyway,

492
00:28:21.680 --> 00:28:24.799
<v Speaker 4>and so I actually brought him back to Yale to

493
00:28:24.880 --> 00:28:27.880
<v Speaker 4>give a seminar. I was on the seminar committee at

494
00:28:27.880 --> 00:28:31.880
<v Speaker 4>the Forestry School, School of Forestry and Environmental Studies at Yale,

495
00:28:32.680 --> 00:28:35.839
<v Speaker 4>and I got permission. I had to get permission from

496
00:28:35.880 --> 00:28:38.640
<v Speaker 4>the vice president of Yale, not even just from the

497
00:28:38.680 --> 00:28:42.079
<v Speaker 4>dean as usual to bring a Bigfoot speakers to campus,

498
00:28:42.079 --> 00:28:44.880
<v Speaker 4>but they ponied up the money and we brought Peter

499
00:28:44.960 --> 00:28:46.519
<v Speaker 4>back to Yale, believe it or not, and he gave

500
00:28:46.559 --> 00:28:50.640
<v Speaker 4>a very arresting talk. As you know, he's full of

501
00:28:50.720 --> 00:28:57.240
<v Speaker 4>charm and very convincing speaker. And he had this extraordinary

502
00:28:57.480 --> 00:29:04.920
<v Speaker 4>audience of distinguished Yale oh primatologists and zoologists and archaeologists

503
00:29:04.960 --> 00:29:10.039
<v Speaker 4>and anthologists, and many students and graduate students wrapped around

504
00:29:10.039 --> 00:29:14.200
<v Speaker 4>his finger. And when he concluded, a lot of them

505
00:29:14.240 --> 00:29:17.279
<v Speaker 4>had come really to make fun and to just have

506
00:29:17.880 --> 00:29:21.759
<v Speaker 4>a lark, and I didn't hear a single person behaving

507
00:29:21.799 --> 00:29:24.319
<v Speaker 4>in that manner. Now, I won't say that he convinced

508
00:29:24.359 --> 00:29:28.480
<v Speaker 4>anybody that day in such a rarefied academic environment, but

509
00:29:28.720 --> 00:29:32.759
<v Speaker 4>he did open some minds, and that to me was

510
00:29:32.839 --> 00:29:36.160
<v Speaker 4>extraordinarily impressive. So people going out of their scratching their

511
00:29:36.160 --> 00:29:41.000
<v Speaker 4>heads thinking, well, maybe there's something to be looked at here,

512
00:29:41.279 --> 00:29:43.839
<v Speaker 4>just as we've seen in very recent years with the

513
00:29:44.440 --> 00:29:47.559
<v Speaker 4>collection of scientists organized around Oxford.

514
00:29:49.039 --> 00:29:52.079
<v Speaker 1>Stay tuned for more Bigfoot and Beyond with Cliff and

515
00:29:52.079 --> 00:29:54.400
<v Speaker 1>Bobo will be right back after these messages.

516
00:30:00.720 --> 00:30:04.799
<v Speaker 4>So the act of opening a scientist's mind was very

517
00:30:04.799 --> 00:30:07.480
<v Speaker 4>impressive to me, and so that all came back to

518
00:30:07.480 --> 00:30:10.319
<v Speaker 4>me and I thought, huh, what if somebody were to

519
00:30:10.480 --> 00:30:13.920
<v Speaker 4>try to write a book. First I thought about cryptozoology,

520
00:30:13.960 --> 00:30:16.880
<v Speaker 4>but it was too big none. I thought about Bigfoot then,

521
00:30:17.400 --> 00:30:20.200
<v Speaker 4>which was different from all the other Bigfoot books in

522
00:30:20.279 --> 00:30:25.400
<v Speaker 4>that a it wasn't being written from the standpoint of

523
00:30:25.440 --> 00:30:30.640
<v Speaker 4>a true believer, because I was not. I was deeply interested, hopeful,

524
00:30:32.160 --> 00:30:35.240
<v Speaker 4>open minded, but I would not say a true believer

525
00:30:36.400 --> 00:30:39.799
<v Speaker 4>trained after all as a biologist and a skeptic had

526
00:30:39.839 --> 00:30:42.759
<v Speaker 4>not seen personal evidence at that point except for the

527
00:30:42.759 --> 00:30:47.799
<v Speaker 4>one night of Calls. But also not from the standpoint

528
00:30:47.839 --> 00:30:50.319
<v Speaker 4>of a professional skeptic, as some of the other books

529
00:30:50.319 --> 00:30:53.319
<v Speaker 4>were too. Most of the books either tried to advocate

530
00:30:53.400 --> 00:30:57.519
<v Speaker 4>for or advocate against, or tell a history, or like

531
00:30:57.599 --> 00:31:01.000
<v Speaker 4>John Napier's book, to give a founded picture of it,

532
00:31:01.559 --> 00:31:05.319
<v Speaker 4>but without actually being in the field with it, a

533
00:31:05.319 --> 00:31:09.920
<v Speaker 4>scholarly approach. And that was a good book, but not

534
00:31:09.960 --> 00:31:11.759
<v Speaker 4>the book I wanted to write. I wanted to write

535
00:31:11.759 --> 00:31:16.599
<v Speaker 4>a book by a naturalist, an actual biologist who could

536
00:31:16.640 --> 00:31:19.200
<v Speaker 4>be skeptical from that standpoint, but who is also a

537
00:31:19.240 --> 00:31:22.160
<v Speaker 4>decent Woodsman, which by the way, does not come across

538
00:31:22.160 --> 00:31:26.759
<v Speaker 4>in the movie quite the opposite, but also a person

539
00:31:28.039 --> 00:31:32.519
<v Speaker 4>who was a literary writer, not writing journalism and not

540
00:31:32.559 --> 00:31:35.920
<v Speaker 4>writing strictly history. I wanted to write it from the

541
00:31:35.920 --> 00:31:39.960
<v Speaker 4>standpoint of creative writing and yet attentive to fact, which

542
00:31:40.000 --> 00:31:43.079
<v Speaker 4>is what the essayskts to do both those things, and

543
00:31:43.119 --> 00:31:47.079
<v Speaker 4>that was my approach. So I needed to have some

544
00:31:47.160 --> 00:31:52.240
<v Speaker 4>support for it, and so I applied for a oh

545
00:31:53.680 --> 00:31:57.279
<v Speaker 4>Lindbergh grant, which I did not get, and then some

546
00:31:57.359 --> 00:32:01.440
<v Speaker 4>other grant and some other grant, and then someone said

547
00:32:01.640 --> 00:32:04.480
<v Speaker 4>why not try for a Gugenhem And I said, oh, yeah, sure,

548
00:32:04.559 --> 00:32:09.319
<v Speaker 4>you know, one of the most sought after and competitive grants.

549
00:32:09.640 --> 00:32:11.519
<v Speaker 4>I'm going to apply to write about Bigfoot. And they said,

550
00:32:11.519 --> 00:32:14.759
<v Speaker 4>well why not try? So I did try, and damned

551
00:32:14.759 --> 00:32:17.480
<v Speaker 4>if I didn't get the thing. I mean, you guys,

552
00:32:17.920 --> 00:32:21.119
<v Speaker 4>that is the weirdest thing about all of this, Bobo,

553
00:32:21.160 --> 00:32:24.160
<v Speaker 4>wherever you're sitting, if our friend walked in the door

554
00:32:24.279 --> 00:32:29.240
<v Speaker 4>right now and sat in your lap, and you're one

555
00:32:29.240 --> 00:32:31.000
<v Speaker 4>of the few people I know who could actually probably

556
00:32:31.039 --> 00:32:36.440
<v Speaker 4>support it and started feeding you bond bonds and reciting

557
00:32:36.680 --> 00:32:40.440
<v Speaker 4>Italian poetry from the seventeenth century. Now, I think we

558
00:32:40.480 --> 00:32:44.599
<v Speaker 4>could agree would be strange, but it would be no

559
00:32:44.759 --> 00:32:48.559
<v Speaker 4>more weird than a person getting a Gougenhem grant to

560
00:32:48.599 --> 00:32:51.359
<v Speaker 4>write about Bigfoot, now, would it. It just wouldn't. I

561
00:32:51.359 --> 00:32:53.359
<v Speaker 4>think that's the weirdest thing about the whole deal. And

562
00:32:53.400 --> 00:32:57.240
<v Speaker 4>then once I got the Gougenheim, therefore assuring me of

563
00:32:57.240 --> 00:33:02.920
<v Speaker 4>a year's support for study, then I went to Holton Mifflin,

564
00:33:03.039 --> 00:33:08.599
<v Speaker 4>my publisher, and said, hey, look, fellas, the John Simon

565
00:33:08.640 --> 00:33:12.559
<v Speaker 4>Guggenheim Foundation is taking this seriously. How about you too?

566
00:33:13.200 --> 00:33:14.960
<v Speaker 4>And they did, and they gave me a book contract.

567
00:33:14.960 --> 00:33:18.240
<v Speaker 4>So armed with both the book contract and the and

568
00:33:18.279 --> 00:33:23.440
<v Speaker 4>the GG I still laugh when I think about that fact.

569
00:33:24.319 --> 00:33:26.400
<v Speaker 4>I went to work. That's how it all began.

570
00:33:27.119 --> 00:33:29.359
<v Speaker 1>And what year was it finally published?

571
00:33:29.799 --> 00:33:34.160
<v Speaker 4>Well, my year of Bigfoot studies was eighty nine ninety

572
00:33:35.160 --> 00:33:38.880
<v Speaker 4>in ninety one, and then I wrote for about a

573
00:33:38.960 --> 00:33:42.680
<v Speaker 4>year and a half or two years, and then it

574
00:33:42.720 --> 00:33:46.759
<v Speaker 4>was published in nineteen ninety five. And I'll never forget

575
00:33:45.920 --> 00:33:50.240
<v Speaker 4>the formal publication day it was. It was my big

576
00:33:50.279 --> 00:33:54.400
<v Speaker 4>Cinderella day as an author. The day it was published

577
00:33:56.079 --> 00:33:59.960
<v Speaker 4>in July of nineteen ninety five by Holding Fun grand

578
00:34:00.079 --> 00:34:04.319
<v Speaker 4>old American publisher. It was also reviewed in the New

579
00:34:04.400 --> 00:34:07.799
<v Speaker 4>York Times Review Books, my very first book ever to

580
00:34:07.839 --> 00:34:11.079
<v Speaker 4>be reviewed there, and it wasn't a bad review. It

581
00:34:11.159 --> 00:34:14.320
<v Speaker 4>was a little bit snide, and they made it difficult

582
00:34:14.360 --> 00:34:16.039
<v Speaker 4>to pull out a good pull line from it, but

583
00:34:16.800 --> 00:34:20.320
<v Speaker 4>it was generally positive. The publisher was over the moon

584
00:34:20.360 --> 00:34:26.639
<v Speaker 4>about it because it wasn't a kill job. That same day,

585
00:34:27.400 --> 00:34:33.280
<v Speaker 4>I was doing promo all around Seattle. I had a minder,

586
00:34:33.519 --> 00:34:35.800
<v Speaker 4>you know, a driver who took me around all my

587
00:34:35.840 --> 00:34:40.840
<v Speaker 4>interviews and TV and radio back in newspapers, back when

588
00:34:40.880 --> 00:34:44.039
<v Speaker 4>all those things existed. And then I was taken to

589
00:34:44.079 --> 00:34:47.360
<v Speaker 4>dinner at the Alexis Hotel by the book reviewer of

590
00:34:47.440 --> 00:34:52.239
<v Speaker 4>the Seattle Post Intelligence or newspaper, and I had a

591
00:34:52.400 --> 00:34:57.280
<v Speaker 4>wonderful hotel room. And that night I gave a reading

592
00:34:57.360 --> 00:35:02.280
<v Speaker 4>from it at the Elliott Bay Book Company, which was

593
00:35:02.320 --> 00:35:06.559
<v Speaker 4>the premiere stop on any author's book tour in the country,

594
00:35:07.280 --> 00:35:11.639
<v Speaker 4>and it was packed with a couple hundred people. And

595
00:35:10.639 --> 00:35:14.519
<v Speaker 4>the climax of it all was at the very end,

596
00:35:15.079 --> 00:35:17.079
<v Speaker 4>I noticed there were a group of Native Americans in

597
00:35:17.119 --> 00:35:19.440
<v Speaker 4>the room, and they were in the back of the room,

598
00:35:19.519 --> 00:35:21.199
<v Speaker 4>and at the end of the reading they all stood

599
00:35:21.280 --> 00:35:25.079
<v Speaker 4>up together. They were twelve or fifteen of them, and

600
00:35:25.239 --> 00:35:29.519
<v Speaker 4>everybody became silent as a stone. I didn't know what

601
00:35:29.599 --> 00:35:33.840
<v Speaker 4>was going on, and their spokesman said, we came tonight

602
00:35:34.719 --> 00:35:39.079
<v Speaker 4>from La Pushe, from the Quillia Reservation to make sure

603
00:35:39.119 --> 00:35:42.360
<v Speaker 4>that this subject was being treated with respect. And at

604
00:35:42.360 --> 00:35:46.920
<v Speaker 4>that point I was just paralyzed because about a third

605
00:35:46.920 --> 00:35:50.159
<v Speaker 4>of the book is about Native American traditions and the

606
00:35:50.239 --> 00:35:53.920
<v Speaker 4>stories that I was given and talks I had once

607
00:35:53.960 --> 00:35:57.679
<v Speaker 4>I finally learned the politests of speaking to the first peoples,

608
00:35:57.679 --> 00:36:02.119
<v Speaker 4>which I did terribly at first, and I was very

609
00:36:02.239 --> 00:36:04.760
<v Speaker 4>very concerned that they would respect what I wrote and

610
00:36:04.800 --> 00:36:07.159
<v Speaker 4>that they would felt the feel that I respected them.

611
00:36:07.800 --> 00:36:10.880
<v Speaker 4>And then he said, and we concluded that you have

612
00:36:11.000 --> 00:36:15.280
<v Speaker 4>treated it with respects. I was extremely relieved.

613
00:36:15.679 --> 00:36:18.440
<v Speaker 9>Oh yeah, sure, you can't get that back. If you

614
00:36:17.880 --> 00:36:22.159
<v Speaker 9>pull you cannot. And then he said, and we have

615
00:36:22.239 --> 00:36:26.000
<v Speaker 9>a recording with us that we would like to play, not.

616
00:36:26.280 --> 00:36:29.599
<v Speaker 4>To lure you people out to the reservation, but just

617
00:36:29.639 --> 00:36:31.880
<v Speaker 4>to let you know that we live among these people

618
00:36:32.480 --> 00:36:37.360
<v Speaker 4>and we consider it ridiculous that anyone should even ask

619
00:36:37.480 --> 00:36:40.800
<v Speaker 4>whether they really exist. But we also know that they

620
00:36:40.840 --> 00:36:45.039
<v Speaker 4>need to be treated with respect and Rick Simonson k

621
00:36:45.039 --> 00:36:47.119
<v Speaker 4>who he ran the book story. He had a he

622
00:36:47.199 --> 00:36:50.760
<v Speaker 4>produced a boombox, We threw the cassette in there, and

623
00:36:50.800 --> 00:36:54.840
<v Speaker 4>these couple hundred people were treated to an extraordinary set

624
00:36:54.880 --> 00:37:00.840
<v Speaker 4>of recordings that in places very close resembled what I'd

625
00:37:00.880 --> 00:37:04.559
<v Speaker 4>heard on Mount Saint Helens in nineteen seventy and also

626
00:37:04.639 --> 00:37:07.360
<v Speaker 4>what I heard toward the end of my time in

627
00:37:07.400 --> 00:37:11.159
<v Speaker 4>the Dark Divide at the conclusion of my Bigfoot studies.

628
00:37:12.199 --> 00:37:15.280
<v Speaker 4>So that was quite a conclusion, quite a publication day.

629
00:37:15.760 --> 00:37:17.519
<v Speaker 4>And then of course after that I turned into a

630
00:37:17.519 --> 00:37:20.159
<v Speaker 4>pumpkin again. But that was my Cinderella day with the

631
00:37:20.159 --> 00:37:21.280
<v Speaker 4>publication of that book.

632
00:37:21.679 --> 00:37:24.119
<v Speaker 1>And so out in the woods, you know, in the

633
00:37:24.239 --> 00:37:26.679
<v Speaker 1>Dark Divide, which for people who are listening to other

634
00:37:26.719 --> 00:37:30.440
<v Speaker 1>parts of the world, is in Gifford Pinchot National Forest

635
00:37:30.920 --> 00:37:33.679
<v Speaker 1>in Washington, Scamania County is a lot of it in it.

636
00:37:33.760 --> 00:37:37.039
<v Speaker 1>There's probably overlapping in Lewis County and a few other places.

637
00:37:37.840 --> 00:37:40.239
<v Speaker 1>Scuka Meadows is in the hearts of it. It's really

638
00:37:40.239 --> 00:37:44.679
<v Speaker 1>in between Mount Saint Helens, Mount adams Son, Mount Saint

639
00:37:44.719 --> 00:37:46.960
<v Speaker 1>Helens on the west, Mount Adams on the east, and

640
00:37:47.000 --> 00:37:49.159
<v Speaker 1>then Mount Rain near to the North. I think that's

641
00:37:49.159 --> 00:37:53.760
<v Speaker 1>a fairly good rough estimate of its size. There you

642
00:37:53.840 --> 00:37:56.360
<v Speaker 1>were out there alone for how long?

643
00:37:57.000 --> 00:37:57.559
<v Speaker 4>Four month?

644
00:37:58.159 --> 00:37:58.400
<v Speaker 3>Yes?

645
00:37:58.519 --> 00:38:01.599
<v Speaker 4>Now I'm so glad you came around to that, because

646
00:38:01.599 --> 00:38:04.880
<v Speaker 4>the Dark Divide itself is that this center of our discussion.

647
00:38:05.480 --> 00:38:07.719
<v Speaker 4>It's the place. It's all about the place. Of course,

648
00:38:07.719 --> 00:38:11.320
<v Speaker 4>it's about the animals and the people in their lives,

649
00:38:12.239 --> 00:38:15.239
<v Speaker 4>but it's about the place. And not only that. Let

650
00:38:15.239 --> 00:38:17.679
<v Speaker 4>me say this, I don't think I would have got

651
00:38:17.760 --> 00:38:20.199
<v Speaker 4>either the grand or the book contract and certainly not

652
00:38:20.280 --> 00:38:25.239
<v Speaker 4>the movie if it hadn't been for that really cool name,

653
00:38:26.239 --> 00:38:29.719
<v Speaker 4>the Dark Divide. How cool a name is that? Where

654
00:38:29.760 --> 00:38:31.599
<v Speaker 4>could you get a better name for a place than that?

655
00:38:31.880 --> 00:38:36.239
<v Speaker 4>Because just think it sets up any kind of divide

656
00:38:36.280 --> 00:38:39.840
<v Speaker 4>you might want to have, the divide between belief and

657
00:38:39.960 --> 00:38:46.119
<v Speaker 4>non belief, between spiritual versus physical, between life and death,

658
00:38:46.199 --> 00:38:51.760
<v Speaker 4>between the supernatural and the entirely natural of you know,

659
00:38:52.320 --> 00:38:56.480
<v Speaker 4>between belief and those who are hardest bones against belief.

660
00:38:57.599 --> 00:38:59.840
<v Speaker 4>You just can't get a better name than that. It

661
00:39:00.039 --> 00:39:03.519
<v Speaker 4>sounds good, the Dark Divide. Well, what is the Dark Divide?

662
00:39:03.599 --> 00:39:07.920
<v Speaker 4>As you say, it's this range that occurs in between

663
00:39:09.119 --> 00:39:14.360
<v Speaker 4>Patois or Mount Adams and lou Witt or Mount Saint

664
00:39:14.440 --> 00:39:22.199
<v Speaker 4>Helens and Tahoma or Rainier and Mount Hood also known

665
00:39:22.239 --> 00:39:25.199
<v Speaker 4>as Why East. Across the river to the south. They

666
00:39:25.239 --> 00:39:28.760
<v Speaker 4>form more or less a crucifix, and the crossbar is

667
00:39:28.800 --> 00:39:33.239
<v Speaker 4>the Dark Divide. It's a black rock, rugged, rugged, scregly

668
00:39:33.360 --> 00:39:40.880
<v Speaker 4>range of basalt extrusions that runs perpendicular to the main

669
00:39:40.960 --> 00:39:45.000
<v Speaker 4>axis of the cascades. Of course, Adams and Saint Helens

670
00:39:45.000 --> 00:39:50.440
<v Speaker 4>are offset from that main axis, opposite one another, leading

671
00:39:50.480 --> 00:39:54.480
<v Speaker 4>to all manner of wonderful Native American stories about the

672
00:39:54.559 --> 00:39:58.719
<v Speaker 4>love affair between them and the triangle with Batwa Mount Hood,

673
00:39:58.719 --> 00:40:01.280
<v Speaker 4>and so on and so forth. The Dark Divide runs

674
00:40:01.280 --> 00:40:05.920
<v Speaker 4>between them, and along the Dark Divide runs the very

675
00:40:06.000 --> 00:40:11.760
<v Speaker 4>old and important Indian Trail, the first great trading freeway

676
00:40:12.320 --> 00:40:16.039
<v Speaker 4>of the people there known as now known as Boundary

677
00:40:16.039 --> 00:40:19.639
<v Speaker 4>Trail number one, the very first trail designated in the

678
00:40:19.679 --> 00:40:23.239
<v Speaker 4>Gifford Pinchot National Forest, and that runs the center of

679
00:40:23.280 --> 00:40:27.079
<v Speaker 4>the Dark Divide. The divide part refers to the watershed

680
00:40:27.119 --> 00:40:31.079
<v Speaker 4>divide between the Cispus River on the north and the

681
00:40:31.199 --> 00:40:37.519
<v Speaker 4>Lewis River on the south, and the dark part, well,

682
00:40:37.639 --> 00:40:38.920
<v Speaker 4>I'll give it, shall I give it away?

683
00:40:38.960 --> 00:40:39.159
<v Speaker 3>Here?

684
00:40:39.760 --> 00:40:42.760
<v Speaker 4>Cliff why not give it all. I'll give you a

685
00:40:42.840 --> 00:40:46.360
<v Speaker 4>little exclusive air. We'd like to think that dark referred

686
00:40:46.360 --> 00:40:51.360
<v Speaker 4>to mystery, mystique. I don't think there's a mystical bone

687
00:40:51.400 --> 00:40:54.119
<v Speaker 4>and Bigfoot's body, but I think there's plenty a mystery

688
00:40:54.519 --> 00:40:57.440
<v Speaker 4>it could refer to that. It could refer to darkness

689
00:40:57.480 --> 00:41:02.000
<v Speaker 4>or dark that. But sad to say that is just

690
00:41:02.519 --> 00:41:07.280
<v Speaker 4>named for some dude named Dark Prospector by the name

691
00:41:07.320 --> 00:41:10.360
<v Speaker 4>of John Dark, who was up in those parts and

692
00:41:11.360 --> 00:41:14.280
<v Speaker 4>lots of things got a named for him, the Dark Mountain,

693
00:41:14.559 --> 00:41:18.599
<v Speaker 4>Dark Meadow, and ultimately the Dark Divide. But that's okay,

694
00:41:18.639 --> 00:41:22.199
<v Speaker 4>it doesn't matter. It works just as well as this

695
00:41:22.320 --> 00:41:27.119
<v Speaker 4>great evocative, mysterious name, the Dark Divide. And so that's

696
00:41:27.159 --> 00:41:29.880
<v Speaker 4>the place I decided to go. I mean, I spent

697
00:41:30.360 --> 00:41:35.599
<v Speaker 4>several months in deep Bigfoot study with people. I studied

698
00:41:35.599 --> 00:41:38.840
<v Speaker 4>with John Green, I studied a little bit with Reneeda Hinden,

699
00:41:39.280 --> 00:41:43.880
<v Speaker 4>certainly with Grover Krantz, with Peter Byrne, with lots of people.

700
00:41:44.280 --> 00:41:48.480
<v Speaker 4>I went to meetings. I went to all the archives

701
00:41:48.559 --> 00:41:53.079
<v Speaker 4>and the transcribes transcriptions of the Bigfoot symposia that have

702
00:41:53.159 --> 00:41:55.119
<v Speaker 4>been held, like the Great win at UBC.

703
00:41:56.480 --> 00:41:57.639
<v Speaker 3>I read everything.

704
00:41:59.400 --> 00:42:04.199
<v Speaker 4>From David Bobson in the late eighteenth century forward all

705
00:42:04.239 --> 00:42:08.199
<v Speaker 4>the way through Sanderson and all the others writing into

706
00:42:08.239 --> 00:42:13.360
<v Speaker 4>the twentieth century. I studied everything I could about Bigfoot

707
00:42:13.440 --> 00:42:17.719
<v Speaker 4>during that year of intensive scholarship, including the tabloids. I'd

708
00:42:17.719 --> 00:42:21.079
<v Speaker 4>go out and I'd say, this is my Bigfoot Swiss

709
00:42:21.199 --> 00:42:25.239
<v Speaker 4>army knife, this is my Guggenheim canoe rack I'm buying,

710
00:42:25.639 --> 00:42:28.960
<v Speaker 4>And these are my research tabloids that I would buy

711
00:42:29.000 --> 00:42:31.639
<v Speaker 4>at the supermarket. Because there's a whole chapter in the

712
00:42:31.639 --> 00:42:36.599
<v Speaker 4>book called Bigfoot Baby Found in Watermelon as Elvis sneer,

713
00:42:36.920 --> 00:42:40.159
<v Speaker 4>and it's all about the tabloids and how they've done

714
00:42:40.159 --> 00:42:42.199
<v Speaker 4>their best to make just a silly joke out of

715
00:42:42.239 --> 00:42:47.360
<v Speaker 4>this very very powerful and consequential set of stories in

716
00:42:47.400 --> 00:42:50.599
<v Speaker 4>our midst and I take that to task. So I

717
00:42:50.639 --> 00:42:54.320
<v Speaker 4>did all that study, and then ultimately, and this became

718
00:42:54.360 --> 00:42:56.719
<v Speaker 4>the heart of the book. I had to take it

719
00:42:57.480 --> 00:42:59.920
<v Speaker 4>to the forest. I had to take it to the woods,

720
00:43:00.320 --> 00:43:03.679
<v Speaker 4>as you two always did in the program. You always

721
00:43:03.800 --> 00:43:07.760
<v Speaker 4>went to the forest with your colleagues. And that's what

722
00:43:07.840 --> 00:43:09.559
<v Speaker 4>we have to do. We have to take it out

723
00:43:09.559 --> 00:43:13.599
<v Speaker 4>to the real land and confront our book knowledge and

724
00:43:13.679 --> 00:43:21.400
<v Speaker 4>our experiential knowledge in scholarship and studies with the actual

725
00:43:21.639 --> 00:43:25.440
<v Speaker 4>facts on the ground, that's where it matters. And so

726
00:43:25.599 --> 00:43:28.280
<v Speaker 4>I chose the area known as the Dark Divide not

727
00:43:28.360 --> 00:43:30.960
<v Speaker 4>only for the cool name, although as I say, that

728
00:43:31.280 --> 00:43:35.440
<v Speaker 4>turned out to be extremely consequential for me, but also

729
00:43:35.760 --> 00:43:40.599
<v Speaker 4>because it's an area of deep and abiding Bigfoot lore

730
00:43:40.920 --> 00:43:44.800
<v Speaker 4>from the clickitats Yakamas and so on, and put all

731
00:43:44.800 --> 00:43:48.159
<v Speaker 4>that together, including John Dark. I mean, those prospectors had

732
00:43:48.400 --> 00:43:50.360
<v Speaker 4>had their own Bigfoot low as we know from the

733
00:43:50.719 --> 00:43:54.400
<v Speaker 4>Portland and Kelso posse of nineteen twenty three and earlier.

734
00:43:54.480 --> 00:43:57.719
<v Speaker 4>So yes, I went to the Dark Divide, which at

735
00:43:57.760 --> 00:44:01.119
<v Speaker 4>that time was considered by Need to be the richest

736
00:44:01.159 --> 00:44:06.239
<v Speaker 4>area within the epicenter of the Mount Saint Helens center

737
00:44:06.280 --> 00:44:09.119
<v Speaker 4>of the universe for Bigfoot. And I spent a month there,

738
00:44:09.159 --> 00:44:11.639
<v Speaker 4>And that gets back to your original question. I was

739
00:44:11.679 --> 00:44:12.480
<v Speaker 4>out there for a month.

740
00:44:13.119 --> 00:44:15.519
<v Speaker 3>You're a hiking during that That was a pretty contentious time.

741
00:44:15.559 --> 00:44:18.719
<v Speaker 10>I remember, because I was logging back then and there

742
00:44:18.800 --> 00:44:22.440
<v Speaker 10>was a lot of the Earth First protesting, and the

743
00:44:22.599 --> 00:44:26.199
<v Speaker 10>loggers were really getting if you're like a naturalist, you know,

744
00:44:26.239 --> 00:44:30.360
<v Speaker 10>an environmentalist, you're on the wrong side of the deal

745
00:44:30.400 --> 00:44:31.079
<v Speaker 10>with those guys.

746
00:44:31.119 --> 00:44:35.679
<v Speaker 4>Back then, You're quite right, Bobo, that's perceptibly put. I'd

747
00:44:35.679 --> 00:44:37.480
<v Speaker 4>worked in the woods myself a little bit when I

748
00:44:37.519 --> 00:44:42.000
<v Speaker 4>was much younger, but also been a college conservationist, you know,

749
00:44:42.079 --> 00:44:45.159
<v Speaker 4>and we were pretty radical, and we were also pretty

750
00:44:45.599 --> 00:44:49.280
<v Speaker 4>pretty damn self righteous. We're also pretty stupid and naive

751
00:44:49.320 --> 00:44:52.719
<v Speaker 4>in some ways because living in the city and not

752
00:44:53.320 --> 00:44:57.360
<v Speaker 4>living in a timber dependent community. Of course, we were

753
00:44:58.039 --> 00:45:00.920
<v Speaker 4>quite sure we were right about things, and we were

754
00:45:01.039 --> 00:45:04.280
<v Speaker 4>right about a lot of our conservation principles, but we

755
00:45:04.280 --> 00:45:11.920
<v Speaker 4>were also deeply, deeply naive about the nature of forestry

756
00:45:11.920 --> 00:45:15.519
<v Speaker 4>and the nature of logging communities and the culture that

757
00:45:15.559 --> 00:45:17.840
<v Speaker 4>takes place in them. And so it wasn't until later

758
00:45:17.920 --> 00:45:20.880
<v Speaker 4>when I actually went to forestry school, and ultimately when

759
00:45:20.880 --> 00:45:22.840
<v Speaker 4>I came out here to live in grays River, that

760
00:45:22.960 --> 00:45:27.440
<v Speaker 4>I got a much more relevant education about the logging community.

761
00:45:27.559 --> 00:45:30.159
<v Speaker 4>So by the time I went up to the Dark Divide,

762
00:45:30.199 --> 00:45:33.320
<v Speaker 4>I had already written my book Winter Green, which is

763
00:45:33.360 --> 00:45:37.000
<v Speaker 4>subtitled Rambles in a Ravaged Land. The Willebaugh Hills where

764
00:45:37.039 --> 00:45:42.079
<v Speaker 4>I live are very heavily logged and multiple times because

765
00:45:42.119 --> 00:45:45.679
<v Speaker 4>they're all private lands, no national forests, very little state land,

766
00:45:46.320 --> 00:45:49.119
<v Speaker 4>and so that of course has come back to haunt

767
00:45:49.599 --> 00:45:51.719
<v Speaker 4>the people of the woods as well as the woods themselves.

768
00:45:51.880 --> 00:45:54.119
<v Speaker 4>A lot of erosion, a lot of the salmon streams

769
00:45:54.119 --> 00:45:56.440
<v Speaker 4>are badly silted up. And not only that, but when

770
00:45:56.480 --> 00:45:59.159
<v Speaker 4>the big trees were gone, and when the big when

771
00:45:59.159 --> 00:46:03.800
<v Speaker 4>the older second Girl was liquidated in the nineties, Warehouser

772
00:46:03.880 --> 00:46:07.760
<v Speaker 4>and Crown moved on and they broke the unions and

773
00:46:08.519 --> 00:46:11.000
<v Speaker 4>no longer were their good family jobs in the woods here.

774
00:46:11.159 --> 00:46:14.320
<v Speaker 4>And it's been kind of a depressed timber economy ever since.

775
00:46:14.320 --> 00:46:18.000
<v Speaker 4>But not because of spotted owls, but because of bad

776
00:46:18.039 --> 00:46:21.039
<v Speaker 4>management on a long period of time. So in my

777
00:46:21.079 --> 00:46:23.840
<v Speaker 4>book Winter Green, it's not an anti logging book at all.

778
00:46:24.400 --> 00:46:26.840
<v Speaker 4>You know, I know what my book's published on. It's

779
00:46:26.840 --> 00:46:30.480
<v Speaker 4>published on the rendered flesh of trees through the pulpe nolls,

780
00:46:30.480 --> 00:46:32.800
<v Speaker 4>for God's sakes, And also came out of two different

781
00:46:32.800 --> 00:46:36.559
<v Speaker 4>forestry schools. I'm no longer naive about that. And I

782
00:46:36.599 --> 00:46:39.079
<v Speaker 4>also live in a timber town where a lot of

783
00:46:39.119 --> 00:46:42.480
<v Speaker 4>people's livelihoods really do depend in the woods. So I

784
00:46:42.679 --> 00:46:44.559
<v Speaker 4>had a kind of an inside view by that time

785
00:46:44.840 --> 00:46:49.079
<v Speaker 4>of the timber Wars, and yet I understood the biology

786
00:46:49.119 --> 00:46:52.440
<v Speaker 4>of the spotted owl and all the other old growth

787
00:46:52.559 --> 00:46:56.000
<v Speaker 4>organisms too, And of course the spotted owl, as comes

788
00:46:56.000 --> 00:46:59.159
<v Speaker 4>out in the movie, became a scapegoat for everything else

789
00:46:59.480 --> 00:47:04.360
<v Speaker 4>and became target of people's very very justified frustration when

790
00:47:04.400 --> 00:47:07.679
<v Speaker 4>the jobs ran out. And of course, the as you said, Bobo,

791
00:47:07.760 --> 00:47:10.599
<v Speaker 4>the antipathy toward people who look like me, you know,

792
00:47:10.679 --> 00:47:13.599
<v Speaker 4>kind of along haired backpackers out of the woods. They

793
00:47:13.599 --> 00:47:16.280
<v Speaker 4>were bound to make the assumption that I was opposed

794
00:47:16.320 --> 00:47:19.000
<v Speaker 4>to the way they made their their lives and their livings,

795
00:47:19.760 --> 00:47:22.840
<v Speaker 4>though I wasn't. And so yeah, there were some kind

796
00:47:22.880 --> 00:47:26.039
<v Speaker 4>of tense encounters now and again, ultimately I think we

797
00:47:26.559 --> 00:47:31.039
<v Speaker 4>have some good conversations and one of those is extremely

798
00:47:31.039 --> 00:47:34.280
<v Speaker 4>well enacted in the movie with the actor Gary Farmer,

799
00:47:34.280 --> 00:47:38.280
<v Speaker 4>who plays a logging boss. But you're right now, and

800
00:47:38.280 --> 00:47:41.159
<v Speaker 4>those were tense times. That was really coming out of

801
00:47:41.199 --> 00:47:43.559
<v Speaker 4>the worst of the Timber Wars.

802
00:47:45.480 --> 00:47:48.519
<v Speaker 1>Stay tuned for more Bigfoot and Beyond with Cliff and

803
00:47:48.559 --> 00:47:57.480
<v Speaker 1>Bobo will be right back. After these messages, I kind

804
00:47:57.480 --> 00:47:58.039
<v Speaker 1>of found it.

805
00:47:58.960 --> 00:48:01.320
<v Speaker 3>I know you're a great kind of like you watched

806
00:48:01.360 --> 00:48:04.119
<v Speaker 3>the movie David cross is Port Trivia, like I wanted.

807
00:48:04.400 --> 00:48:05.880
<v Speaker 3>I wanted you to like fall off him out.

808
00:48:05.920 --> 00:48:07.320
<v Speaker 4>I didn't I didn't like you.

809
00:48:07.320 --> 00:48:10.320
<v Speaker 3>You know that the way he came across, I was

810
00:48:10.360 --> 00:48:13.400
<v Speaker 3>like one of those loggers didn't like him, that's for sure.

811
00:48:13.719 --> 00:48:14.639
<v Speaker 4>He punched him out.

812
00:48:15.360 --> 00:48:17.000
<v Speaker 1>Yeah, well, let's talk a little bit about the movie,

813
00:48:17.000 --> 00:48:19.840
<v Speaker 1>because that's that's one of the most exciting things that's

814
00:48:19.920 --> 00:48:22.559
<v Speaker 1>going on at this point, at least in Bigfooting, I think,

815
00:48:22.920 --> 00:48:25.800
<v Speaker 1>is that your book has been turned into a movie

816
00:48:25.880 --> 00:48:27.880
<v Speaker 1>with some big name starring in it, and I think

817
00:48:27.880 --> 00:48:31.800
<v Speaker 1>that's so cool. Tell us about how that came across.

818
00:48:31.840 --> 00:48:34.280
<v Speaker 1>And then then Bobo and I can nitpick about how

819
00:48:34.360 --> 00:48:35.480
<v Speaker 1>David Cross played you.

820
00:48:37.000 --> 00:48:40.480
<v Speaker 4>Yeah, I'll join you in that, but you know, also

821
00:48:40.559 --> 00:48:41.559
<v Speaker 4>i'll praise him also.

822
00:48:41.800 --> 00:48:43.880
<v Speaker 1>Oh, of course he did a great job. It just

823
00:48:43.880 --> 00:48:44.760
<v Speaker 1>not the Bob that we know.

824
00:48:45.239 --> 00:48:48.400
<v Speaker 4>Sure that came about an interesting manner. The book had

825
00:48:48.400 --> 00:48:53.639
<v Speaker 4>been out for guys twenty years already, and it had

826
00:48:53.639 --> 00:48:57.280
<v Speaker 4>a lot of people who liked it, and one of

827
00:48:57.280 --> 00:49:00.679
<v Speaker 4>those was a filmmaker in California by the name of

828
00:49:00.719 --> 00:49:03.559
<v Speaker 4>Tom Putnam. I didn't know him, but he got in

829
00:49:03.599 --> 00:49:06.679
<v Speaker 4>touch with me. He mostly made documentaries. He made one

830
00:49:06.719 --> 00:49:10.400
<v Speaker 4>big Hollywood film with Paris Hilton, which was kind of

831
00:49:10.400 --> 00:49:12.360
<v Speaker 4>a kick. I guess, he said, she was charming, but

832
00:49:12.840 --> 00:49:15.760
<v Speaker 4>he didn't really like the Hollywood process. So he started

833
00:49:15.760 --> 00:49:19.960
<v Speaker 4>making documentaries and he made some extraordinary ones. Probably the

834
00:49:19.960 --> 00:49:24.079
<v Speaker 4>best known is called Burne. It's about the Detroit Fire Department,

835
00:49:24.119 --> 00:49:26.800
<v Speaker 4>an amazing movie. Don't know how he filmed it. He

836
00:49:26.880 --> 00:49:29.360
<v Speaker 4>sent me a bunch of his movies and I love them,

837
00:49:29.360 --> 00:49:31.719
<v Speaker 4>and he said, I want to make a movie based

838
00:49:31.760 --> 00:49:36.239
<v Speaker 4>on We're Bigfoot Walks. And I said really, He said, yeah, documentary.

839
00:49:36.679 --> 00:49:38.159
<v Speaker 4>He said, when I read the book, a friend of

840
00:49:38.159 --> 00:49:40.519
<v Speaker 4>mine said, you're going to love the book, but don't

841
00:49:40.519 --> 00:49:43.000
<v Speaker 4>even think about making a movie. It'd be impossible. But

842
00:49:43.079 --> 00:49:45.079
<v Speaker 4>then he said, I had been thinking about it anyway,

843
00:49:45.280 --> 00:49:48.119
<v Speaker 4>I want to go ahead and try, so I said, okay. Fine.

844
00:49:48.199 --> 00:49:53.679
<v Speaker 4>So my agent wasn't really interested because he was independent.

845
00:49:53.760 --> 00:49:56.800
<v Speaker 4>They didn't have a big budget and it was a documentary.

846
00:49:56.840 --> 00:49:59.199
<v Speaker 4>The film department of my agency in New York said

847
00:50:00.039 --> 00:50:02.079
<v Speaker 4>they don't have enough money. Don't worry about it. So

848
00:50:02.119 --> 00:50:05.159
<v Speaker 4>I said, well, heck il I'll do it myself then,

849
00:50:05.199 --> 00:50:07.960
<v Speaker 4>because nobody else is going to make a movie out

850
00:50:07.960 --> 00:50:11.800
<v Speaker 4>of my book. So I negotiated a contract myself. Tom

851
00:50:12.639 --> 00:50:16.960
<v Speaker 4>optioned the rights to it, and every year re knew

852
00:50:17.000 --> 00:50:20.400
<v Speaker 4>the option This went on for six or eight years,

853
00:50:20.400 --> 00:50:24.280
<v Speaker 4>and then finally he started getting some support, but not

854
00:50:24.519 --> 00:50:28.639
<v Speaker 4>until he changed his mind from making a documentary to

855
00:50:28.719 --> 00:50:33.119
<v Speaker 4>making it into a narrative feature film semi fictionally. And

856
00:50:33.360 --> 00:50:36.960
<v Speaker 4>at that point he started getting support especially. The most

857
00:50:36.960 --> 00:50:40.360
<v Speaker 4>important one was from a fellow named Jory Whitz, who

858
00:50:40.440 --> 00:50:45.119
<v Speaker 4>was the main producer of the movie A Napoleon Dynamite,

859
00:50:45.320 --> 00:50:50.599
<v Speaker 4>Oh yeah, wonderful movie and a successful independent film. And

860
00:50:50.800 --> 00:50:54.760
<v Speaker 4>Jory loved Tom's script he was beginning to develop. So

861
00:50:54.880 --> 00:50:56.639
<v Speaker 4>once he got him behind it, he started getting some

862
00:50:56.719 --> 00:51:01.239
<v Speaker 4>other support and was able to start attracting money and

863
00:51:01.280 --> 00:51:03.800
<v Speaker 4>a cast. And so he informed me it was going

864
00:51:03.880 --> 00:51:08.440
<v Speaker 4>to be a narrative instead, and I said, okay, that

865
00:51:08.519 --> 00:51:10.320
<v Speaker 4>means there's going to be changes, and he said, well,

866
00:51:10.320 --> 00:51:14.880
<v Speaker 4>of course. So he started sending me the script, and

867
00:51:14.920 --> 00:51:17.320
<v Speaker 4>I realized I was going to have to make my

868
00:51:17.440 --> 00:51:23.360
<v Speaker 4>peace with some fairly significant changes from how it actually happened.

869
00:51:23.440 --> 00:51:26.480
<v Speaker 4>For purposes of the narrative. You know, you've got to

870
00:51:26.519 --> 00:51:29.599
<v Speaker 4>have in ninety minutes. You've got to have sufficient drama,

871
00:51:30.440 --> 00:51:32.800
<v Speaker 4>you've got to have conflict, you've got to have room

872
00:51:32.840 --> 00:51:35.480
<v Speaker 4>for the character to grow and so on. So the

873
00:51:35.519 --> 00:51:38.239
<v Speaker 4>first thing that was hard was he wanted to change

874
00:51:38.239 --> 00:51:42.320
<v Speaker 4>the timeline of my late wife TIA's illness with ovarian

875
00:51:42.440 --> 00:51:45.760
<v Speaker 4>cancer and her death and move that up so that

876
00:51:45.840 --> 00:51:50.519
<v Speaker 4>my trip into the wilderness was partly a grief trip,

877
00:51:50.599 --> 00:51:54.440
<v Speaker 4>partly in response to my grief over Tea. Well, that

878
00:51:54.679 --> 00:51:57.840
<v Speaker 4>wasn't the timing of how it actually happened, but it

879
00:51:58.000 --> 00:52:01.400
<v Speaker 4>made a much more interesting and compelling story, and it

880
00:52:01.480 --> 00:52:05.199
<v Speaker 4>was completely consistent with how my life went a little

881
00:52:05.239 --> 00:52:07.480
<v Speaker 4>bit later. And what did I do. I went to

882
00:52:07.480 --> 00:52:10.840
<v Speaker 4>the wilderness for you know, my sucker and my support.

883
00:52:11.559 --> 00:52:15.000
<v Speaker 4>So it was in character, it was consistent, and I

884
00:52:15.119 --> 00:52:19.480
<v Speaker 4>proved it. The second big change was that he wanted

885
00:52:19.639 --> 00:52:21.760
<v Speaker 4>and this part may have I don't know how this

886
00:52:21.800 --> 00:52:25.239
<v Speaker 4>part struck you two, but I'm sure a number of

887
00:52:24.440 --> 00:52:28.079
<v Speaker 4>our of our bigfoot friends found it disappointing in a way.

888
00:52:28.280 --> 00:52:30.199
<v Speaker 4>But I hope they'll see the point of it, and

889
00:52:30.239 --> 00:52:35.079
<v Speaker 4>that is they changed the emphasis from being bigfoot toward

890
00:52:36.000 --> 00:52:39.400
<v Speaker 4>toward butterflies. Now, as you said earlier, Cliff, my book's

891
00:52:39.400 --> 00:52:41.119
<v Speaker 4>a little bit different from a lot of the other

892
00:52:41.119 --> 00:52:44.000
<v Speaker 4>books because it's not entirely about Bigfoot. I mean, it

893
00:52:44.039 --> 00:52:46.440
<v Speaker 4>is about bigfoot, but it's not trying to find Bigfoot,

894
00:52:46.960 --> 00:52:50.639
<v Speaker 4>and when I went into the dark divide, It's important

895
00:52:50.679 --> 00:52:55.519
<v Speaker 4>to specify that I wasn't trying to find the animal. Obviously,

896
00:52:55.559 --> 00:52:57.679
<v Speaker 4>I had my eyes and ears open, and it did

897
00:52:57.800 --> 00:53:02.880
<v Speaker 4>end up with a very consequential auditory and track experience

898
00:53:02.920 --> 00:53:05.119
<v Speaker 4>for me, even near the very end. That made all

899
00:53:05.119 --> 00:53:08.280
<v Speaker 4>the difference. However, what I was really looking for in

900
00:53:08.280 --> 00:53:12.079
<v Speaker 4>the dark Bide should have said this earlier is was

901
00:53:12.159 --> 00:53:16.039
<v Speaker 4>my sense of Bigfoot after my year of study, after

902
00:53:16.320 --> 00:53:18.920
<v Speaker 4>learning so much about it from so many people and

903
00:53:18.960 --> 00:53:22.519
<v Speaker 4>books and so on, and now finally from the wilderness itself,

904
00:53:22.760 --> 00:53:26.480
<v Speaker 4>from the habitat, which is how a naturalist must always

905
00:53:26.559 --> 00:53:32.039
<v Speaker 4>ultimately do it. What do I think? Not really about existence,

906
00:53:32.800 --> 00:53:36.280
<v Speaker 4>That's not the main question here. I mean, Bigfoot obviously walks.

907
00:53:36.320 --> 00:53:39.679
<v Speaker 4>Bigfoot exists, whether or not it walks in flesh and blood,

908
00:53:39.719 --> 00:53:43.760
<v Speaker 4>we know it exists powerfully in the culture. But that

909
00:53:43.800 --> 00:53:46.679
<v Speaker 4>wasn't my question. My question was what does it mean?

910
00:53:47.159 --> 00:53:50.679
<v Speaker 4>What are the consequences? Does it have consequence for us

911
00:53:50.800 --> 00:53:54.360
<v Speaker 4>the way it did for the Native Americans and still does,

912
00:53:54.679 --> 00:53:57.880
<v Speaker 4>And ultimately what does it mean for the wilderness? My

913
00:53:58.039 --> 00:54:00.920
<v Speaker 4>point of the book ultimately, and you'll find it on

914
00:54:01.079 --> 00:54:05.960
<v Speaker 4>page eleven is Bigfoot and the wilderness are, in many

915
00:54:06.199 --> 00:54:11.400
<v Speaker 4>senses equivalent to one another. And if we manage to

916
00:54:11.519 --> 00:54:17.480
<v Speaker 4>preserve an appreciable portion of Bigfoot habitat, then along with it,

917
00:54:17.920 --> 00:54:21.280
<v Speaker 4>we will protect everything that goes with it, including the

918
00:54:21.360 --> 00:54:25.480
<v Speaker 4>possibility of its actual physical existence. But if we allow

919
00:54:25.519 --> 00:54:31.280
<v Speaker 4>the land to become so tamed outright that we can't

920
00:54:31.280 --> 00:54:34.880
<v Speaker 4>even imagine the presence of giant, hairy monsters out there

921
00:54:35.199 --> 00:54:39.000
<v Speaker 4>beyond the campfire, then we will have lost everything. We

922
00:54:39.039 --> 00:54:41.599
<v Speaker 4>will have lost something truly profound. That was the point

923
00:54:41.599 --> 00:54:44.280
<v Speaker 4>of the book, and ultimately I wanted to be the

924
00:54:44.280 --> 00:54:47.360
<v Speaker 4>point of the movie, and Tom convinced me that it was,

925
00:54:47.679 --> 00:54:53.760
<v Speaker 4>and so by shifting the balance toward butterflies, he was

926
00:54:53.800 --> 00:54:57.960
<v Speaker 4>able to highlight Bigfoot in a much subtler way. Think

927
00:54:58.000 --> 00:55:02.519
<v Speaker 4>of it. If it had been really about Bigfoot in

928
00:55:02.559 --> 00:55:06.119
<v Speaker 4>the same sense that the book was, chances are, gentlemen,

929
00:55:06.719 --> 00:55:10.480
<v Speaker 4>that it would have been sidelined as excuse me, yet

930
00:55:10.519 --> 00:55:13.280
<v Speaker 4>another silly Bigfoot movie. And we all know there have

931
00:55:13.320 --> 00:55:19.000
<v Speaker 4>been some real, slocky, stupid Bigfoot movies. There've also been

932
00:55:19.039 --> 00:55:21.960
<v Speaker 4>some that have been perfectly entertaining and really not bad,

933
00:55:22.079 --> 00:55:25.880
<v Speaker 4>like Harry and Anderson's. But they don't get any critical attention,

934
00:55:26.440 --> 00:55:29.800
<v Speaker 4>they don't get any real reviews, They certainly don't get

935
00:55:29.800 --> 00:55:32.199
<v Speaker 4>the degree of screening that we've been getting. We've been

936
00:55:32.239 --> 00:55:35.480
<v Speaker 4>on hundreds of screens already during the plague of all

937
00:55:35.519 --> 00:55:39.400
<v Speaker 4>things that wouldn't have happened. And yet by changing it

938
00:55:39.519 --> 00:55:43.360
<v Speaker 4>so that I get the googanem for the Butterfly for

939
00:55:43.440 --> 00:55:46.480
<v Speaker 4>Butterfly Studies, and then I go out and Bigfoot comes

940
00:55:46.519 --> 00:55:50.760
<v Speaker 4>into the story almost tangentially, It comes in subtly and

941
00:55:50.800 --> 00:55:56.559
<v Speaker 4>yet ultimately profoundly and totally changes him, as does the

942
00:55:56.599 --> 00:55:59.840
<v Speaker 4>whole experience. Well, I think it's much more powerful that way,

943
00:55:59.880 --> 00:56:02.599
<v Speaker 4>so I could go along with that change too. And finally,

944
00:56:03.320 --> 00:56:05.840
<v Speaker 4>this is the one that was a little bit hard

945
00:56:05.880 --> 00:56:11.119
<v Speaker 4>to take it, and it still is. I admit it,

946
00:56:11.159 --> 00:56:14.039
<v Speaker 4>And Bobo, you put your finger on it. It's not

947
00:56:14.119 --> 00:56:16.960
<v Speaker 4>the Bob Pyle that I see myself a haz or

948
00:56:17.039 --> 00:56:19.719
<v Speaker 4>that my nearest and dearest and people who know me

949
00:56:19.800 --> 00:56:24.000
<v Speaker 4>see me as. David's a little bit different from that.

950
00:56:24.159 --> 00:56:30.920
<v Speaker 4>He's dweeby. He's he's a dufus in the woods, naive, annoying,

951
00:56:31.599 --> 00:56:36.320
<v Speaker 4>he's annoying, and he's kind of self righteous. With the loggers,

952
00:56:36.760 --> 00:56:42.480
<v Speaker 4>and he's he doesn't know very much. But and I

953
00:56:42.519 --> 00:56:46.679
<v Speaker 4>said to Tom, I said, Tom, it's not how I am. Yeah,

954
00:56:46.719 --> 00:56:49.360
<v Speaker 4>I know, but he said, You're not going to have

955
00:56:49.400 --> 00:56:53.159
<v Speaker 4>a story unless the main character has room to grow.

956
00:56:53.239 --> 00:56:56.199
<v Speaker 4>I mean, in every single vision quest you're ever going

957
00:56:56.280 --> 00:56:59.920
<v Speaker 4>to find, from the Bale Wolf, through the Odyssey, through

958
00:57:00.760 --> 00:57:03.840
<v Speaker 4>a walk in the woods, to go from the sublime

959
00:57:03.880 --> 00:57:07.159
<v Speaker 4>to the ridiculous, the main character has to have a

960
00:57:07.239 --> 00:57:10.679
<v Speaker 4>room to grow and change. And I think David comes

961
00:57:10.719 --> 00:57:14.519
<v Speaker 4>out at the end a bigger person, a better person,

962
00:57:15.079 --> 00:57:18.280
<v Speaker 4>a more open minded person, certainly more adept in the

963
00:57:18.280 --> 00:57:21.840
<v Speaker 4>woods than when he went in, and I hope more likable.

964
00:57:22.360 --> 00:57:23.840
<v Speaker 3>You know. I actually I haven't rid your book for

965
00:57:23.880 --> 00:57:28.440
<v Speaker 3>like fifteen years. In my mind now, I just recently

966
00:57:28.480 --> 00:57:33.440
<v Speaker 3>saw that Reese Witherspoon trail movie, Hiking the PCT, and

967
00:57:33.719 --> 00:57:36.760
<v Speaker 3>I mix it. I get these confused like images. They

968
00:57:36.840 --> 00:57:38.880
<v Speaker 3>kind of blur together for me. Now the movie that's

969
00:57:38.920 --> 00:57:41.519
<v Speaker 3>those two movies, like Bob Pyle and Reese Witherspoon.

970
00:57:43.199 --> 00:57:45.320
<v Speaker 4>You know, we've never been mistaken on the street for

971
00:57:45.360 --> 00:57:47.960
<v Speaker 4>some reason, but when we get up in there woods.

972
00:57:48.039 --> 00:57:50.440
<v Speaker 4>I was always getting people say, Hey, Rees, how you doing,

973
00:57:50.559 --> 00:57:53.280
<v Speaker 4>you know. But I guess that's because of all. You know,

974
00:57:53.280 --> 00:57:55.440
<v Speaker 4>we get pretty scusy on the trail and you can't

975
00:57:55.800 --> 00:58:00.760
<v Speaker 4>tell a spart I will say though, that probably nobody's

976
00:58:00.800 --> 00:58:04.800
<v Speaker 4>going to mistake David crossing me for each other. But

977
00:58:05.360 --> 00:58:07.440
<v Speaker 4>we have certain things in common. And he's a city boy.

978
00:58:08.159 --> 00:58:09.760
<v Speaker 4>He's a cool guy. I got to go out in

979
00:58:09.760 --> 00:58:13.159
<v Speaker 4>the field with him for one day to teach him

980
00:58:13.159 --> 00:58:14.960
<v Speaker 4>how to catch butterflies, teach him how to use a

981
00:58:14.960 --> 00:58:18.320
<v Speaker 4>butterfly net in the Columbia Gorge with the director Tom Putnam.

982
00:58:18.440 --> 00:58:21.719
<v Speaker 4>But we had a ball. I mean, he's extraordinarily funny.

983
00:58:22.119 --> 00:58:24.119
<v Speaker 4>I mean just in person. It's not like he's trying

984
00:58:24.159 --> 00:58:26.719
<v Speaker 4>to put on a stand up act all the time.

985
00:58:26.760 --> 00:58:31.480
<v Speaker 4>He's not. He's just plain funny. And he's got quite

986
00:58:31.519 --> 00:58:35.039
<v Speaker 4>a different take on things from most people. Not really

987
00:58:35.119 --> 00:58:38.159
<v Speaker 4>a woodsman, he said in an interview. I saw afterwards

988
00:58:38.159 --> 00:58:41.239
<v Speaker 4>that he loves the out of doors, he loves wildlife,

989
00:58:41.239 --> 00:58:45.280
<v Speaker 4>he loves nature. But he doesn't see himself as becoming

990
00:58:45.280 --> 00:58:49.159
<v Speaker 4>a backpacker or ever doing anything like this again. And

991
00:58:49.280 --> 00:58:53.840
<v Speaker 4>yet it was an extremely demanding role. It wasn't easy

992
00:58:53.880 --> 00:58:57.039
<v Speaker 4>at all, you know, all that blood and gore, and

993
00:58:58.000 --> 00:58:59.960
<v Speaker 4>cuts and scratches he's got on him at the end,

994
00:59:00.039 --> 00:59:02.440
<v Speaker 4>And most of that was not makeup. Most of that

995
00:59:02.519 --> 00:59:06.679
<v Speaker 4>was absolutely real. They were down in those cold, sharp

996
00:59:07.320 --> 00:59:11.440
<v Speaker 4>lava caves for hours at a time, falling on the rocks.

997
00:59:12.800 --> 00:59:15.960
<v Speaker 4>He did his own stunts in every case except one

998
00:59:16.920 --> 00:59:20.360
<v Speaker 4>rolling down the rock side in the cave. Somebody else

999
00:59:20.400 --> 00:59:24.920
<v Speaker 4>did that. But where he falls into the stream and

1000
00:59:24.960 --> 00:59:28.239
<v Speaker 4>he's underwater and they filmed that. He did that twice,

1001
00:59:28.320 --> 00:59:31.239
<v Speaker 4>two takes, and he he damn near was hypothermic. Quen

1002
00:59:31.239 --> 00:59:31.679
<v Speaker 4>it was over.

1003
00:59:32.039 --> 00:59:33.880
<v Speaker 3>Yeah, I was gonna say, because I know how long

1004
00:59:33.920 --> 00:59:35.599
<v Speaker 3>those shoots are on, how long a scene takes, and

1005
00:59:35.639 --> 00:59:37.880
<v Speaker 3>how many times you have to do it that I

1006
00:59:37.920 --> 00:59:40.119
<v Speaker 3>was watching every man David Cross. I think it was

1007
00:59:40.199 --> 00:59:43.400
<v Speaker 3>being like a whimpy city guy, but that was tough

1008
00:59:43.440 --> 00:59:45.599
<v Speaker 3>business there. I be like, he was really doing that stuff.

1009
00:59:45.599 --> 00:59:47.480
<v Speaker 3>I know how many hours like to see like a

1010
00:59:47.559 --> 00:59:51.400
<v Speaker 3>five second scene, the four hours of freezing or whatever

1011
00:59:51.440 --> 00:59:51.840
<v Speaker 3>it is.

1012
00:59:52.239 --> 00:59:55.920
<v Speaker 4>You're absolutely right, it takes hours to make those scenes,

1013
00:59:56.400 --> 01:00:00.239
<v Speaker 4>take after take after take. And he he was tough,

1014
01:00:00.760 --> 01:00:04.800
<v Speaker 4>according to Tom, and he's got a better body than me,

1015
01:00:04.840 --> 01:00:07.400
<v Speaker 4>and he's certainly a lot younger and a lot stronger.

1016
01:00:07.440 --> 01:00:09.400
<v Speaker 4>I never could have I never could have done it.

1017
01:00:09.400 --> 01:00:11.880
<v Speaker 4>In fact, there's another actor they were going to hire

1018
01:00:11.960 --> 01:00:13.840
<v Speaker 4>before him, and that didn't work out. And I'm glad

1019
01:00:13.840 --> 01:00:16.039
<v Speaker 4>it didn't because I saw him in the movie recently.

1020
01:00:16.079 --> 01:00:16.840
<v Speaker 4>He couldn't have acted.

1021
01:00:17.639 --> 01:00:19.760
<v Speaker 1>He did do a really good job. And the film

1022
01:00:19.840 --> 01:00:22.480
<v Speaker 1>is just so well made, and I so appreciate that

1023
01:00:22.719 --> 01:00:24.719
<v Speaker 1>it was made in the Gifford Pinn Show and the

1024
01:00:24.760 --> 01:00:28.079
<v Speaker 1>surrounding areas and the Cascades and wherever else like up

1025
01:00:28.119 --> 01:00:31.719
<v Speaker 1>in the Pacific Northwest. It is a beautifully shot film.

1026
01:00:31.760 --> 01:00:34.840
<v Speaker 1>That's It's just a high quality film. Yeah, the cinematography

1027
01:00:34.920 --> 01:00:37.599
<v Speaker 1>is wonderful, isn't it. It's funny that things like this

1028
01:00:37.679 --> 01:00:40.880
<v Speaker 1>would happen to me now, isn't it, isn't it? Cliff

1029
01:00:40.880 --> 01:00:43.760
<v Speaker 1>and BOBOI man seventy three years old. I'm an old fart,

1030
01:00:44.119 --> 01:00:47.360
<v Speaker 1>and you're supposed to start winding down, I think at

1031
01:00:47.360 --> 01:00:51.719
<v Speaker 1>this age, and physically physically, I'm winding down a little bit.

1032
01:00:51.920 --> 01:00:54.559
<v Speaker 1>I don't have the energy. I couldn't do some of

1033
01:00:54.599 --> 01:00:57.400
<v Speaker 1>the things in the field. I couldn't do that Dark

1034
01:00:57.440 --> 01:01:01.199
<v Speaker 1>Divide Trek now the way I did it in nineteen ninety.

1035
01:01:01.199 --> 01:01:04.000
<v Speaker 1>That's not surprising, but I still get out there. But

1036
01:01:04.159 --> 01:01:07.760
<v Speaker 1>to have this kind of thing happening to me as

1037
01:01:07.800 --> 01:01:11.559
<v Speaker 1>an artist, also still getting some biology done with butterflies,

1038
01:01:11.599 --> 01:01:14.639
<v Speaker 1>and got a few butterfly projects I'm still working on.

1039
01:01:14.719 --> 01:01:19.880
<v Speaker 1>I feel incredibly privileged and gifted, and to have friends

1040
01:01:19.960 --> 01:01:23.920
<v Speaker 1>like you, and to have people of your stature paying

1041
01:01:23.960 --> 01:01:28.159
<v Speaker 1>attention to some of what I'm doing is a greater

1042
01:01:28.239 --> 01:01:30.960
<v Speaker 1>honor than I can possibly express. I'm I feel like

1043
01:01:31.840 --> 01:01:34.360
<v Speaker 1>a very lucky boy. So I just try to navigate

1044
01:01:34.400 --> 01:01:38.159
<v Speaker 1>this plague these times with an attitude of gratitude, and

1045
01:01:38.360 --> 01:01:40.599
<v Speaker 1>I feel like I'm having a much better plague than

1046
01:01:40.639 --> 01:01:43.079
<v Speaker 1>a lot of people are having. Happy plague to you,

1047
01:01:43.199 --> 01:01:44.039
<v Speaker 1>Happy plague to you.

1048
01:01:44.239 --> 01:01:46.880
<v Speaker 4>Let me tell you about how people can access this movie.

1049
01:01:46.920 --> 01:01:47.440
<v Speaker 4>Is that all right?

1050
01:01:48.079 --> 01:01:51.000
<v Speaker 1>Yeah? Please do that. A lot of people are want

1051
01:01:51.000 --> 01:01:53.039
<v Speaker 1>to see this, especially after hearing you. We had Tom

1052
01:01:53.079 --> 01:01:55.000
<v Speaker 1>Putnam on the show a few weeks ago or whatever.

1053
01:01:55.280 --> 01:01:58.119
<v Speaker 1>But you know, now that they know you better, I

1054
01:01:58.159 --> 01:01:59.760
<v Speaker 1>think that this is really going to stirp a lot

1055
01:01:59.760 --> 01:02:01.719
<v Speaker 1>of about the film.

1056
01:02:01.880 --> 01:02:05.320
<v Speaker 4>The movie is called The Dark Divide. It's based on

1057
01:02:05.400 --> 01:02:09.159
<v Speaker 4>the book called Where Bigfoot Walks Crossing the Dark Divide.

1058
01:02:09.679 --> 01:02:12.440
<v Speaker 4>That book is in print right now in paperback new

1059
01:02:12.480 --> 01:02:16.840
<v Speaker 4>paperback from Counterpoint Press, but of course you can order

1060
01:02:16.880 --> 01:02:21.920
<v Speaker 4>it through I'm a Monster or any of the usual suspects. However,

1061
01:02:22.039 --> 01:02:26.239
<v Speaker 4>I recommend going to an independent bookstore if you possibly can,

1062
01:02:26.639 --> 01:02:29.559
<v Speaker 4>because they really need support during these times. So if

1063
01:02:29.559 --> 01:02:34.960
<v Speaker 4>you're anywhere near a community or downtown or main street bookstore,

1064
01:02:35.000 --> 01:02:38.159
<v Speaker 4>please please get it there. Or you can go online

1065
01:02:38.480 --> 01:02:44.199
<v Speaker 4>to Powells dot com, pow E L l s dot com,

1066
01:02:44.400 --> 01:02:49.079
<v Speaker 4>Powells dot com, great independent bookstore in Portland that has

1067
01:02:49.119 --> 01:02:51.880
<v Speaker 4>this book in stock all the time and can easily

1068
01:02:51.880 --> 01:02:54.840
<v Speaker 4>supply it supply you with It is cheap. I think

1069
01:02:54.840 --> 01:03:00.400
<v Speaker 4>it's about sixteen bucks. But the movie itself was east

1070
01:03:00.440 --> 01:03:06.280
<v Speaker 4>in September. It's called The Dark Divide. It's produced by OREI,

1071
01:03:06.480 --> 01:03:09.960
<v Speaker 4>the Great Outdoor Equipment store has a new studio. This

1072
01:03:10.079 --> 01:03:14.159
<v Speaker 4>is their first movie called OREI Studios. That's one of

1073
01:03:14.199 --> 01:03:17.760
<v Speaker 4>the major partners and with the company that Tom Putnam,

1074
01:03:17.800 --> 01:03:21.599
<v Speaker 4>the filmmaker, put together. It is an independent film, but

1075
01:03:21.800 --> 01:03:25.320
<v Speaker 4>it has had about as much exposure since it came

1076
01:03:25.360 --> 01:03:28.320
<v Speaker 4>out as just about any independent film has during these

1077
01:03:28.920 --> 01:03:32.039
<v Speaker 4>COVID times. It's remarkable they managed to get it onto

1078
01:03:32.800 --> 01:03:36.679
<v Speaker 4>more than one hundred screens actual cinema screens, as well

1079
01:03:36.679 --> 01:03:40.119
<v Speaker 4>as a bunch of drive ins around the country. It's

1080
01:03:40.159 --> 01:03:43.079
<v Speaker 4>still playing on a few screens here and there, but

1081
01:03:43.280 --> 01:03:46.679
<v Speaker 4>it has gone to a video and demand and it

1082
01:03:46.760 --> 01:03:50.960
<v Speaker 4>is now available on many of the streaming services and

1083
01:03:51.039 --> 01:03:55.800
<v Speaker 4>standard ones. It's on Prime, it's on Voodoo, It's on

1084
01:03:56.400 --> 01:04:00.239
<v Speaker 4>Google Watch or whatever it's called. It's on half A,

1085
01:04:00.559 --> 01:04:03.440
<v Speaker 4>but it's not on Netflix. It's very hard to get

1086
01:04:03.440 --> 01:04:06.159
<v Speaker 4>on Netflix, but it's on many of the others, So

1087
01:04:06.719 --> 01:04:09.800
<v Speaker 4>check your service, whatever you've got, and you can also

1088
01:04:09.960 --> 01:04:13.639
<v Speaker 4>find out where it's playing by going to the website

1089
01:04:13.920 --> 01:04:16.440
<v Speaker 4>for the movie. Also at the website you can see

1090
01:04:16.880 --> 01:04:20.119
<v Speaker 4>the trailer, which should get an award itself. It's a

1091
01:04:20.119 --> 01:04:23.159
<v Speaker 4>wonderful trailer, and a bunch of other extras. You can

1092
01:04:23.199 --> 01:04:28.480
<v Speaker 4>have access to various interviews and zooms and things about it,

1093
01:04:28.840 --> 01:04:32.000
<v Speaker 4>little concerts by some of the members of the soundtrack.

1094
01:04:32.280 --> 01:04:35.039
<v Speaker 4>Also on the Facebook page for the Dark Divide, you

1095
01:04:35.079 --> 01:04:37.280
<v Speaker 4>can do that if you just search go to Facebook

1096
01:04:37.280 --> 01:04:40.440
<v Speaker 4>and search Dark Divide. You'll get to theirs that gives

1097
01:04:40.440 --> 01:04:43.039
<v Speaker 4>you a lot of entries to stuff about the movie.

1098
01:04:43.079 --> 01:04:50.079
<v Speaker 4>But the Dark Divide website is this darkdividefilm dot com.

1099
01:04:50.239 --> 01:04:54.320
<v Speaker 4>That's a lowercase and it's all one word, Darkdivide Film

1100
01:04:54.519 --> 01:04:55.239
<v Speaker 4>dot com.

1101
01:04:55.800 --> 01:04:59.039
<v Speaker 1>Well, all right, Bob, it has been such a pleasure

1102
01:04:59.119 --> 01:05:00.679
<v Speaker 1>talking to you far too long.

1103
01:05:01.039 --> 01:05:03.360
<v Speaker 4>I just love the work that you've done in the

1104
01:05:03.400 --> 01:05:06.639
<v Speaker 4>world and the respect you've bought, the respect that you

1105
01:05:06.679 --> 01:05:09.079
<v Speaker 4>have brought to the big Glut, you know, to our joint,

1106
01:05:09.719 --> 01:05:13.360
<v Speaker 4>our joint love here this wonderful, wonderful animal and the

1107
01:05:13.400 --> 01:05:17.400
<v Speaker 4>habitat it occupies. And if we ever see a Dark

1108
01:05:17.440 --> 01:05:21.119
<v Speaker 4>Divide wilderness area protected, it will owe to you as

1109
01:05:21.159 --> 01:05:23.000
<v Speaker 4>well as to the movie and the book, I hope,

1110
01:05:23.079 --> 01:05:25.199
<v Speaker 4>but it's going to owe to all the people who

1111
01:05:25.280 --> 01:05:27.800
<v Speaker 4>care about this animal that we care about and the

1112
01:05:27.840 --> 01:05:31.000
<v Speaker 4>habitat that supports it. So thank you for that. And

1113
01:05:31.039 --> 01:05:33.320
<v Speaker 4>once again I thank you at the bottom of my

1114
01:05:33.400 --> 01:05:37.119
<v Speaker 4>heart for honoring me with your attentions and your time.

1115
01:05:37.679 --> 01:05:38.480
<v Speaker 3>Thank you, Bob.

1116
01:05:39.360 --> 01:05:41.639
<v Speaker 1>The honors all ours, honestly, Bob. And just to call

1117
01:05:41.679 --> 01:05:44.760
<v Speaker 1>you a friend as a treasure in itself, I don't

1118
01:05:44.760 --> 01:05:48.239
<v Speaker 1>say that lightly. You've been the model for the Bigfoot

1119
01:05:48.239 --> 01:05:53.320
<v Speaker 1>community in general, not only in just your work your

1120
01:05:53.400 --> 01:05:59.119
<v Speaker 1>perspective on the subject. But you're I don't know that

1121
01:05:59.199 --> 01:06:06.559
<v Speaker 1>your delicate words that that encapsulate not only the subjects,

1122
01:06:06.760 --> 01:06:10.480
<v Speaker 1>but the context of the subject of the wilderness areas

1123
01:06:10.519 --> 01:06:15.559
<v Speaker 1>themselves and their importance has been great for me as

1124
01:06:15.559 --> 01:06:17.679
<v Speaker 1>an individual, and I think the community in general. And

1125
01:06:17.719 --> 01:06:19.480
<v Speaker 1>I want to thank you for all the work you've done,

1126
01:06:19.519 --> 01:06:23.599
<v Speaker 1>and also thank you for coming on with Bobo and I.

1127
01:06:23.599 --> 01:06:26.239
<v Speaker 1>I cannot wait to buy you a beer and sit

1128
01:06:26.320 --> 01:06:28.840
<v Speaker 1>down and talk about stuff when we're not recording.

1129
01:06:29.519 --> 01:06:32.800
<v Speaker 4>I'll drink to that. You're welcome and I thank you.

1130
01:06:33.280 --> 01:06:34.960
<v Speaker 1>All right, Bob, thank you so much. You take it

1131
01:06:35.000 --> 01:06:40.079
<v Speaker 1>easy and you both be safe. Both be well, Okay, Bobo,

1132
01:06:40.280 --> 01:06:42.880
<v Speaker 1>what do you think, man, how great was that? It's like,

1133
01:06:43.119 --> 01:06:46.000
<v Speaker 1>you know, it's like coming up from being submerged in

1134
01:06:46.079 --> 01:06:48.639
<v Speaker 1>water for too long to have Bob on the show

1135
01:06:48.679 --> 01:06:50.400
<v Speaker 1>and just hang out with them and talk with them

1136
01:06:50.440 --> 01:06:50.880
<v Speaker 1>a little bit.

1137
01:06:51.079 --> 01:06:52.280
<v Speaker 3>I'm going to be stuck in this room for a

1138
01:06:52.320 --> 01:06:54.280
<v Speaker 3>while because my head got something with all his comments,

1139
01:06:54.400 --> 01:06:55.719
<v Speaker 3>I'm not going to get through the doorway.

1140
01:06:59.119 --> 01:07:01.239
<v Speaker 1>He is a true measure in the community and it

1141
01:07:01.280 --> 01:07:02.519
<v Speaker 1>was just so nice to have him on.

1142
01:07:03.159 --> 01:07:04.440
<v Speaker 3>I think I got to talk to Bob as much

1143
01:07:04.440 --> 01:07:06.400
<v Speaker 3>as I want to. Like I've said it on group

1144
01:07:06.440 --> 01:07:09.360
<v Speaker 3>talks with me. You know, and it's just always you know,

1145
01:07:09.440 --> 01:07:11.400
<v Speaker 3>I'm just over. I'm more just listening, you know, because

1146
01:07:11.400 --> 01:07:14.039
<v Speaker 3>he's got so much information. But yeah, I'd love to

1147
01:07:14.079 --> 01:07:16.119
<v Speaker 3>fill us spend some real time with him. And if

1148
01:07:16.119 --> 01:07:17.519
<v Speaker 3>I do move up, it sounds like I might be

1149
01:07:17.559 --> 01:07:19.559
<v Speaker 3>moving close to him, so I'm sure I will at

1150
01:07:19.559 --> 01:07:20.719
<v Speaker 3>that point. Yeah.

1151
01:07:20.840 --> 01:07:23.320
<v Speaker 1>Yeah, Well, it's this whole plague thing passes. And if

1152
01:07:23.360 --> 01:07:25.119
<v Speaker 1>you go up to if you come up to Oregon here,

1153
01:07:25.320 --> 01:07:26.400
<v Speaker 1>we'll be sure to get together.

1154
01:07:26.840 --> 01:07:31.320
<v Speaker 2>Oh definitely, all right, Bob, take us home man. All right, folks, Well,

1155
01:07:31.320 --> 01:07:34.719
<v Speaker 2>thanks for tuning in listening. We appreciate it. Check out

1156
01:07:34.719 --> 01:07:37.079
<v Speaker 2>the Dark Divide movie. It's a good one and IF

1157
01:07:37.079 --> 01:07:40.440
<v Speaker 2>and I thought we recommend it. And until next week,

1158
01:07:40.599 --> 01:07:41.960
<v Speaker 2>keep her squatching.

1159
01:07:45.960 --> 01:07:46.159
<v Speaker 3>Good.

1160
01:07:46.639 --> 01:07:49.920
<v Speaker 1>Thanks for listening to this week's episode of Bigfoot and Beyond.

1161
01:07:50.280 --> 01:07:52.559
<v Speaker 1>If you liked what you heard, please rate and review

1162
01:07:52.639 --> 01:07:55.960
<v Speaker 1>us on iTunes, subscribe to Bigfoot and Beyond wherever you

1163
01:07:56.000 --> 01:07:59.239
<v Speaker 1>get your podcasts, and follow us on Facebook and Instagram

1164
01:07:59.280 --> 01:08:02.800
<v Speaker 1>at Bigfoot and Beyond podcast. You can find us on

1165
01:08:02.840 --> 01:08:06.519
<v Speaker 1>Twitter at Bigfoot and Beyond that's an n in the middle,

1166
01:08:06.920 --> 01:08:09.960
<v Speaker 1>and tweet us your thoughts and questions with the hashtag

1167
01:08:10.159 --> 01:08:11.920
<v Speaker 1>Bigfoot and beyond
