Speaker 1: And we're back. So we've already talked about a few
times coming up here. But Mike had a great question.
Speaker 2: I have some other.
Speaker 1: Discord responses as well too, but it's something that I
was thinking.
Speaker 2: About, like whether it's a bread of butter or whatnot.
Speaker 1: But he asked, Uh, Both Mickey seventeen and Sinners are
two big twenty twenty five virgual movies made by beloved
directors featuring bold genre concepts. Yet Mickey seventeen failed to
really grab the audience attention to the box office, where
these Sinners is performing very well, holding strong from week
to week. What are the factors that cause these different
outcomes for people that don't know if you're you know,
I won't say living on a rock, but if you
just don't follow this stuff, and hopefully you just if
you just choose us as your news source, we appreciate it.
Sinners had like a four point three percent drop from
second week. I can't remember where it is. It's either
the best hold or one of the best. It is
for like a radar film like There's I should have
got the list. There's just like multiple records, especially it's
in the rated R sphere. That's breaking a lot of
those records because that's a lot harder. But yeah, had
a four point three percent drop is crazy. Now, of
course it's like made like forty nine million week one
and forty four million, so it's not like an endgame
where you make three hundred million. Then obviously the drops
for the massive, but still that holds all of retention
and even this weekend it's projected as like thirty five million.
So that's another really good hole that had something like
a really great hole on Easter two, which people were
wondering because you know, it's the Jesus Holiday and it's
called Sinners. So but I have like a bump in
money and stuff, so it's doing killer.
Speaker 3: Be Atheists showed up big that yea can Ryan.
Speaker 1: Coogler were coming out, you were with you, but uh yeah,
so it could be routing out anywhere from like three
hundred million, which is pretty good for a ninety million
budgeted film like original, but still that's a big budget
film for an original IP lots of those stuff we've talked.
It's like, oh, that's like a twenty to forty, maybe fifty,
but ninety So obviously it's a thing.
Speaker 3: That ninety is that you know, excluding marketing as we
usually it is.
Speaker 1: So so if you were to double it, let's say
they went that be one hundred and eighty, So if
it's projected to finish around three hundred, that's it's still.
Speaker 2: Like a really good haul.
Speaker 1: Where it's funny, We've talked about this a few times, Mickey,
seventeen centers are both from Warner Bros. Right, And there's
that whole thing of like the current heads right now
where you're kind of like, well, let's see how this
year does and you're kind.
Speaker 2: Of hot water.
Speaker 3: But so you know, so there's money. You know, it's
not saving the company or anything, but it's for Coogler,
it's great.
Speaker 2: Yeah, especially in company.
Speaker 1: But the one thing at least for them that they're
hoping is you got Superman in two months and then
Minecraft was also Warner Brothers MOO, which.
Speaker 3: That was okay, well there you go there. Yeah, so
they're leaving on beds of money now, yeah, which is.
Speaker 1: Pretty good because they're going into a contract year for
twenty twenty six, so it will be interesting how that
plays out. But yeah, what do you think is the
difference here between Obviously, like Mike said, both you know,
pair like god bunge and hole like praise in a
different way.
Speaker 2: But you know one mini oscers parasites.
Speaker 1: Hell, it's such high regard officer Ryan Coogler with his
MCU track record and creating all this other stuff. Both
different concepts. What do you take from this as far
as Sinners having these record breaking ones from Key seventeen
was a money.
Speaker 2: Loser unfortunately, even though we liked the film a lot.
Speaker 3: Yeah, I mean, I think that there are some similarities
we can look at between the movies, but I don't
know if there's really a lot of like comparison points
that are truly meaningful between them. I think we can
like individually look at why Sinners is doing really well
and why Mickey seventeen didn't didn't do so great for Sinners.
I'm more curious to get your take on that. But
I was looking into specifically Mickey seventeen a little bit,
and so one of the things that was kind of
surprising to me between these and I have a million tabs,
so excuse me if it takes me a bit to
get between these things. But like, okay, Mickey seventeen on
this on Box Office Mojo. You know, I'm trusting, trusting
the site with my life. Here when it says domestic,
it just means the US, or does it mean North
America in general?
Speaker 2: North America?
Speaker 3: Okay, So Mickey seventeen forty six million, Parasite fifty three million,
so like almost identical really between like Parasite and Mickey seventeen.
But where the movie fell off a lot more was
in that international market, and that actually makes a lot
of sense. And I was specifically looking like down to
the region and like the two regions, one that you
know is very not surprising at all, South Korea. Mickey
seventeen overall made twenty million, whereas Parasite did seventy one million,
So like fifty one million difference just in Korea. Yeah,
but that makes a lot of sense because Parasite was
like a Korean movie and Mickey seventeen like isn't really
like it has a Korean director, But then everything else
about it is like a very American movie, even down
to like the humor of it and like the style
and like the setting and all these things. And then
the other big one was I think it was Japan
that I was looking at, where Parasite did forty three
million in Japan. Mickey seventeen did one million in Japan.
So I don't know what like a comparison point if
you can typically look at like, oh, Korean movies are
really popular in Japan, but like that is a one
forty thirdly of the amount of money that that region made,
and so just between those two regions alone, like that
is a huge mount of the box office difference rate
then and there. And then if you look at like
other regions like on like France, you know, it was like, oh,
there was like five six million difference between these two movies.
So I honestly I'm looking at that, I'm like, wow, really,
this is, I guess less surprising. Now, maybe you'd expect
that there is, Like Okay, the momentum from Parasite being
such a huge movie Best Picture winner put Bong Jun
hole on the map in a bigger way, like maybe
a lot more people would be excited for his next movie.
But it seems like he kind of took that excitement
and like transferred it to just like a new market
and like maybe the hype you've been building up in
the market of like South Korea and like Asia and
stuff just kind of well he wasn't really serving those
markets anymore, so they didn't show up. But then, you know,
if we're looking at it that way, it's like, oh,
he transferred the focus to like North America. Well, then
like that you know didn't pan out either because like
people didn't show up in that way. And then of
course the most damning thing of this all is that,
like Mickey seventeen is a way bigger budget than Parasite did,
And so that's like where in terms of like the
success of the movie, that's gonna be a huge difference.
Speaker 2: That's because I was curious.
Speaker 1: With Parasite, I looked as a one point four million
dollars budget, which is like that's like like once they
got to twenty thirty million, yeah, yeah, where they end
up making two hundred and sixty two million.
Speaker 2: So he just used that money to move over. And
I think that's the thing where it's uh, and I
can't remember.
Speaker 1: I'll read two cons because I think someone else brought
up and I'll go to that point. But s Pub
said Parasite, despite being very claimed, a lot of people
actually haven't seen it. As compared to telling someone in
the new movie from the Black Panther director.
Speaker 2: And then I also think that showing Michael B.
Speaker 1: Jordan shooting guns at some vampires and s easier to
sell than Robert Passing McClone.
Speaker 2: And then Clay said, I also.
Speaker 1: Think repeat business is legit here because Sinners is so
different exciting to be Mickey, Well, it was a shitty
rehass of snowpeers.
Speaker 2: That's that. That's Clay, which Clay, I saw your lists
on letter box.
Speaker 1: There's no like I know Clay did not like it,
but the fact that it's like low like it's it's
his lass rank movie on for the year, like his
blow like cap that's about four, like to me that
that's some crazy stuff.
Speaker 2: Let's see.
Speaker 1: And he says, none of my friends ever suggested seeing
the movie twice. They're not movie people ever. Tonight we
saw Revenda Sypthem and my best friend suggested we should
see Sinners again. And I think that's one thing where
what s Bubb said at the first point, that that's
where it's like we've talked about many times, like like
our discord, our listeners, people on Twitter, Facebook, anyone that
listens to film podcasts, like we are just in a bubble.
And I know, like even Parasite is this super clay movie.
But I should ask people like my parents, and I
don't think they've seen Parasite, right. I think my mom
maybe might have because I think.
Speaker 3: When I don't know, I feel like it's almost different,
because like that generation is like more into like the Oscars.
Maybe this is of course the generalization, but the more
to the Oscars, and they see Parasite getting all this type,
they want to go see it. Another interesting status like
can I hear what do you think the opening was
domestically for Parasite?
Speaker 1: Oh, domestically probably like like nine hundred thousand or something
like that.
Speaker 3: Yeah, didn't given me a crack a million, three hundred,
three hundred thousand, and then it ended at fifty three million,
so obviously that was one that like picked up steam.
I think that was the case for me as well,
Like I went and saw it in theaters. I don't
even know when, like around the Oscars time, which I
don't even know when the movie came out, but they
put it back in theaters for a bit, like around
when It's game, which.
Speaker 1: Why my mom might have saw it, which you're right,
because lots of time like when Anora won Best picture,
She's like, Okay, I'm gonna watch that where I can't remember. Oh,
and she had asked about the substance. I said, yeah,
I don' watch it. That one's not for you.
Speaker 2: But she might have.
Speaker 1: But that's where if it wasn't for the oscars, I
don't know if she would have. And that's where there
is like tons of people that have probably never seen
because it's just tons of people. It's like if it's
black and white or subtitled right away, that's like, Okay,
I'm not watching that right And I think, like, not
exactly to Aspo's point, but there's a different point. I
was gonna say, like Michael B. Jordan and the Shoot Vampire,
it's like that's true, Like the movie is being sold like, yeah,
it's ra all passing Clones is about dying, but you
can also see there's a political slant to it. Now
Sinners covers a lot to do with like ownership and freedom,
and there is a movie about Ray similar to Black Panther.
But I think on the surface, like a lot of
the marketing has just been like it's a vampire movie.
I think people have seen it and then been like, oh,
there's more to it, but the marketing has just been hey,
it's a very.
Speaker 2: Well made vampire move.
Speaker 1: The way I described it on the review was it's
like the first it's like you're watching an Academy Award
Oscar movie and then all of a sudden, vampires are
in this, Like, oh, this is this is kind of crazy.
But I also think, like, not that it's a big
deal because big stars are all the time, but if
you were to ask, I just feel if you go
to the general audience person they have to see a movie,
let's say, know nothing about it, don't know the description, whatever,
and you say, I got a ticket to Robert pass
the movie.
Speaker 2: I got a ticket to Michael B. Jordan movie. I
think people pick the Michael B. Jordan ticket, you know.
Speaker 1: Like and again I don't think like a movie star
is a real thing nowadays, but I think that is
something where like other than Batman, Passon's not pulled stuff
for like Michael B. Jordan, Sure, Black Panthers, Marvel, but
Creed he's been holding that down.
Speaker 2: He's done this. Like Michael B.
Speaker 1: Jordan has like a little resume now of multiple movies
that he has led and have been big hits where
I know someone's gonna throw Twilight at me. But if
Passing was and then or not, it would have been
a hit, you know, like if if Henry Cavill got
that role, like he was the runner up, it still
would have.
Speaker 2: Been a massive thing.
Speaker 1: I don't put Pattison's the reason Twilight it has done well.
We'll see because Pattison has a movie was Ada coming
out next year and Jennifer Lawrence, so maybe I'll be
proven wrong, maybe those will hit really well.
Speaker 2: But I think that helps too. I think Michael B.
Speaker 1: Jordan is just a bit more of a mainstream like
an action star in a sense, you know.
Speaker 3: So yeah, I think that's that's a I hadn't really
thought about him in that way before, but like, you're
totally right, and he's like all over movie posters when
you really think about it. But I was gonna ask, like, you,
what do you think about Coogler in that in that dynamic,
because I feel like to that same point, it's like, Okay,
people would have seen Black Panther regardless of who obviously
it was parting for that movie that it was like
a black director or whatnot. But like, yeah, I don't
know if people could even tell you who the director
of the Black Panther movies are right, because I feel
like a lot of people would have come. They don't
go to a Marvel movie for the director. Usually there
might be like the odd case there, and it's like
that's where like context is so important, where you could
look at Sinners compared to Black Panther one and two
and be like, wow, Coogler's movie is bombing compared to
what he did last time. But obviously that's like on
whole different scales, different budgets and like all these different things.
And this is of course original, which is really meaningful
and powerful too. But yeah, I mean, I how much
do you think the name Coogler is like getting people
to the box office right now or getting people rather
to the theater, not to the box office.
Speaker 1: I don't think it is right now. I think it's
kind of like what s pub said. I agree it's
the from the director of Black Panther. If it's the
Black Panther director, I think in five years from now,
more people I do think Coogler is going to establish
himself to be similar to like a nol And Tarantino type,
Like I you know, I'm not trying to toot my
own horn. But I said on Black Panther review, like
this guy I did not care about Rocky. He made
me care about Rocky. And for me, I still think
Black Panthers the best MCU movie. And then this is
a fantastic movie. I gave it a perfect score. If
you haven't listening to review, so listen to that. So
for me, I think he will in a few years
be quite established where Ryan Coogler is the name, but
I still think right now it is just the director
of Black Panther, and I think a lot.
Speaker 2: Of people did love that movie.
Speaker 1: But I also think that specifically, like the black community
did love that movie and it felt representational. And I
remember because Tata said the same thing about Sinners when
we saw Black Panther. I remember probably twenty percent of
the audience was white and the rest was not. And
Tato said the same thing when he saw Sinners in
Atlanta was the same thing.
Speaker 2: And for me, that's the thing where I think.
Speaker 3: You know, very important in Colona specifically, which is not
a super diverse place, especially there's not a lot of
black people there in general, so that was that was
super notable. I remember that theater experience being like this
is really cool to see.
Speaker 2: Yeah, where Atlanta definitely more skewed.
Speaker 1: So that's where I think he's established a good base
of I think people know he tells for the most part,
even if it's like riddled and my creed isn't exactly that.
But like he's kind of similar to Jordan Peele where
they're definitely telling stories that are in the vein or
or about the lifestyle of being a black person, right,
And I feel like they almost instantly want to go
and support And I don't think there's anything wrong with that,
but I just think because Black Panther was such a
landmark moment, it's like, oh that and again, like you said,
even that even Black Panther, Wilkanda Forever, if you compare
Sinners to that, wakandaf Forever's a nine hundred million dollar movie.
Speaker 2: This interest is that three hundred.
Speaker 1: It's great, but that's like a massive like space between, right,
So not everybody that sees Black Panther goes out to
be like, oh, I'm gonna go support Ryan Coogl or
whatever he does. But I think he just has a
few more than like you know, Bong Joho or like
even Peel, like I remember, Nope, like ended up performing
Like I think it's his lowest one, which to me
is unfortunate because that's his best one. Like I think
that's where Google is gonna have some more people because
he brought a lot of you know.
Speaker 2: Fantasy lie for people with Black Panther, right, and that's
a good thing. Like Marvel gave him that opportunity.
Speaker 1: It's not just him, but he delivered on it, right,
because if he would have made Black Panther shit, then
he would have been the guy that screwed up Black
Panther and that would have been that would have been
really bad for him.
Speaker 2: Then he wouldn't be the Sinner's run.
Speaker 1: So I think right now it's not his name, but
it's the or around his name of like from the
because now too he'll have from the director of Black
Panther and Sinners when you can always have another one there,
like whenever no one's directing a movie, it's always like
Dark Night Inception Interstella, it's like, oh man, there's like
ten movies here that are like saying thing Tarantino, right,
But now he has creed Black Panther series and Sinners
because he did say he's gonna go and finish Black
Panther three, and it sounds like he's going right back
to Warren Brothers after, so I think, and I.
Speaker 2: You know, Black Panther three, who knows what they're gonna
do there.
Speaker 1: I trust that it's gonna, you know, at least be
a good movie.
Speaker 2: So I'm excited to see that. But uh yeah, and again.
Speaker 1: Yeah, the overall, I think it's just it does it's
it is an easier concept to sell. Even though I'm
the person you got nos Fratu in this. I'm the
person last you said vampires were dead. But to me,
it's very different when you got no os Forratu in Sinners.
These are vampire movies that are like made with very
like hard thought and lots of you know, not that
sounds maybe bad because I think every movie people put
care into, but this just feels like the extra.
Speaker 2: Mile, right, I'll just say they feel prestige. That's what
it is.
Speaker 1: They're prestige vampire movies versus I feel like the past
few years we've gone a lot of schlock, and that's
where it's like, oh, vampires are coming back.
Speaker 2: It's like, I think it's just I don't think it's that.
Speaker 1: I think it's just you had Robert Eggers and Ryan
Coogler are two very like stylized rectors versus you know,
just kind of Joe off the block who just wants
to make a slash or like something like that Nick
Cage one last year that came out. That's like, okay,
Nick Age's playing Dragla, that's the gimmick. But that was
all that was there, right, So.
Speaker 3: Yeah, I wonder how Mickey seventeen would have done because
I was surprised at how sci fi that movie was.
We're in spaceships were flying around, there's you know, colonizing planets,
like I didn't expect that. I knew that we were
sci fi because there's like cloning and things like and
there's a weird machine that Robert Patterson's popping out of
it all this stuff, but I don't know, I didn't
feel like I really got that perspective from it, and
not nor do I feel like the poster really sells that.
And I don't know, maybe if they had dipped more in,
maybe that would be a little I mean, I don't know.
It is a big part of that movie, though, like
the sci fi stuff, I don't think it would be
like misleading people to sell some of that stuff more.
But I wonder if that would have brought a bigger
audience in you know, people who are like into sci
fi stuff. And I think another comparison point that's interesting
between both of these and that's just maybe you can
look at this year so far and it's like, Okay,
there hasn't been a ton of like big blockbuster type
things coming out. I feel like both these movies kind
of had like a free runway to like crush it
for a few weeks, not a lot of super stiff competition,
and so obviously we can see like the difference between
them more Sinners is like picking up steam, whereas Mickey
seventeen just like dropped off and then just like died
like almost immediately. So I don't know, I'm really curious
to see what this weekends like, especially with a big
Marvel movie coming on, not a big Marvel movie, but
a Marvel movie coming out, which you know is usually
like a big box office, well is often a box office,
but not maybe not even usually anymore. So we'll see
like what happens to the momentum of that. But yeah,
I think that just goes to show like maybe the
quality of the movie overall. Of course I love Makeey seventeen.
We were generally positive on it here on our reviews,
but I think it has been like generally more mixed,
whereas centers like across the poor people love it and
then that word of mouth gets people to go and
see it, and I did. I was able to convince
my parents to go see Mickey seventeen, so I got
a couple of ticket sales there. But I think, like
I shouldn't have to like this bum. You know, you
saw his last movie. You know, he's an exceptional director
with like really weird, interesting writing, great cast. Like I
don't know, it shouldn't have had to be one of
those movies. But it wasn't even able to be that
just because of maybe it was a little more divisive.
Speaker 2: Yeah, and I do think it's like a small percentage.
Speaker 1: But I said this with Kap as well, where I
don't think the previews were hitting you over the head,
But at least with Mickey seventeen, you felt like there's
still gonna be like somewhat of a political skew, Like
even some of the stuff they showed with what's his
name there Mark Ruffalo where I feel like, again this
Sinner's trailer, there is a lot of stuff that has
to do with you know, race and slaves, but that's
not too overtly in the trailers. I feel like they're
not selling you on that where I feel like I've
said this before, I think a lot of.
Speaker 2: Political stuff is a turnoff for people. Right away. I
thought that with Cap I thought that.
Speaker 3: Would make you Actually the last few months, people are exhausted.
Speaker 1: Yeah, I think they anytime they see something about a
dictatorship and not saying that's because that's not a bad
thing to me. It's not like that because at a time,
that's like someone making a piece of art and trying
to show you, like look, look what's happening in front
of your eyes, like you know in the movie, when you
know all the people don't understand what's going on is
happening right now, And that's also I don't know what's
happening with the and or numbers and or is the
same thing way Like that's that's like the Empire is
like a lot of stuff that's going on for what's
happening in our world right now where I could see
someone watching them being like I don't want even though
it's the Emperor, It's like I don't want to deal
with like a dictatorship storyline about people's votes taken away
or their freedom, like because people we have that conversation
all the time, and we have for the past four
or five years, and it's like people do want to escape.
So I think that's the tough thing where it's a
valiant effort to make this art right now, because you're
trying to speak to people that maybe sometimes if they
see a piece of art might be like, oh, you
know what, I finally get it, or I see the
writing on the wall now and you need something like
that to go, oh that woke me up. But at
the same time, there will be some people that, like
I've said this before, like like that you guys, you
and Taylor talked about a couple of weeks ago, but
that editing trailer, and I've said this many times of discord,
Like the second I heard was about oh, it's a
small town during COVID, It's like, I will watch it
because I already asked her about right away. I don't
want to do that because I just like, and I'm
completely being selfish because like I had it lucky. I
lost no family members, if anyone got to say from
COVID as every minor, it was more just the two
years of that was very stressful, not even just life
whiles just like just even Canada in general.
Speaker 2: We just that election.
Speaker 1: Canada i'd say has been like broken since then, because
like that was like it was like everyone gone on
two lines, and like people have almost stayed there since then. Right,
So it's like I don't really want to reminisce about
like that year or two that really kind of divided
us in such a bad way. Work got so vitual,
right like even with my work when people as jobs
because I wouln't take a vaccine, that was like a
that was not a good and I was in office
that time.
Speaker 2: That was not a good time to be there.
Speaker 1: People were mad and pissed and I had to hear
like all these conversations with bosses just saying like hey,
I know it's off topic, but like hey, you gotta
do this or you're gonna get let go.
Speaker 2: This is not my decision as a company.
Speaker 1: And whether it be people crying or people pissed off,
and that's right for me. Anything with COVID I do
not want to go back there right now. Maybe in
ten years from now.
Speaker 2: Sure I'll take that movie.
Speaker 3: But I think I've been nostalgic for coaching.
Speaker 2: Yeah exactly, but like the Good that's where I think
a lot of stuff with political stuff. People see that.
Speaker 1: Right now and like not I can take that because
I'm usually into politics, like I watched on Stewart every or.
I guess it's the day that you're like, I watched
that every week, Like I follow that stuff. But I
do understand if people are just beaten down by it,
especially if you're on one side.
Speaker 2: He's like, I just want to see the Vampire movie now.
Speaker 1: Again, the Vampire movie has political stuff in there, but
it's not previewed like that.
Speaker 2: It's previewed as Michael B.
Speaker 1: Jordan looking jacked with a Tommy gun taking it and
Haley signed looking fine.
Speaker 3: You know, Robert Pattison Vampire movie successful, gonna be Jordan
Vampire movie successful, denominator.
Speaker 2: That's what he needs to do.
Speaker 1: He needs to get Rob Passon back in the Vampire realm.
But uh, yeah, I know it's interesting. It's great that
it's it's doing well, and I'm happy for it and
hopefully that happens again. But again, there's dozens of original
films that are great that also bomb. Right, we talked
about the few weeks ago. I came remember the topic,
but there's tons of movies that come out that people
don't talk about that I know, make a couple of
million of the box office and you never hear about
him again, you know, lost this amount of money.
Speaker 2: And then it's over. So mm hmm.
Speaker 1: But thank you buy for the question because it was
a it's a good thing to talk about. There and
Detail says he says he's doing X Files next. Yeah,
Cooler did say he's.
Speaker 2: Doing X Files.
Speaker 1: I don't like, I think he's gonna direct some episodes
and be involved. I don't think he'll be doing I
don't think he'll be writing every episode and evolved in
every episode. If he is, I think it's gonna be
like a mini like six to eight episodes. I know
it sounds bad, but like that's what I think. But yeah,
and I don't think he's really talked about much like
he's It sounds like he's like for sure doing Black
Panther three, because there's always that chance of like, oh,
could he be like I don't want to do that,
but I think it's kind of I feel like he
is a big Nolan fanboy and he respects Nolan. I
think he sees Nolan's career and Nolan did the same
thing where he went after Dark Knight and made an
inception that was huge for him, and then he finished
off Rises and then he never touched superhero stuff again.
Speaker 2: I think Coogler will be the same. Like all these
people that are.
Speaker 1: Like, oh, James Gunn's gotta talk to him for something DC,
which is a good transition. It's like, No, I don't
think that's the case. I think he's gonna finish off
Black Panther three. I think there's some sentiment there, and
those people did help make his career and he's really
tied with that cast. I think he's gonna do that,
and then I don't think you'll see him do a
single IP thing ever again. Like Nolan, Nolan said, no,
I'm not doing superheroes. I'm not doing this, like he
wants to do his own stuff. I think that's gonna
be Coogler from now on. But I guess I'm wrong,
because that's x files, is that x files is a
IP so maybe I'm wrong.
Speaker 2: I just be more in the uh, the feature film round.
But maybe I'm wrong there.
Speaker 1: Maybe there's some remake that he wants to, you know,
maybe he wants to I don't know, remake the Blob.
I don't know, but sure anything.
Speaker 2: Else on this, I guess.
Speaker 3: Well, you got a couple of discord opinions on this
to you and to bring up him, I said that,
Oh okay, I.
Speaker 1: Said that in the in the before I talked, So
we're good there. I cover I cover them all, you know,
don't got to go about Clay shit more on parasite,
you know, like our MAKEE seventeen Clay jeez hot takes there.
But you know, that's what I love Clay for. So
uh and Clay also was one person that said he
was very excited for this film, but maybe he's not
going to see it.
Speaker 2: U