Speaker 1: Ipmmation dot com. Matt Connorton Unleashed is brought to you
by Sibarro, the Place for fresh, delicious pizza and authentic
Italian food. As the world's number one quick service Italian restaurant,
Sibarro has close to a thousand locations, including my hometown
location in Conquer, New Hampshire. Sibarro Fresh Italian Cooking guaranteed
those sides.
Speaker 2: Matt Connorton unleashed, Matt Connorton, unleashed, Matt Connorton, unleashed, Matt Connorton, unleashed,
Matt Connorton, unleashed, Mat Connorton, unleashed, Mat Connorton, unleashed, met Connorton, unleashed,
Matt Connorton, unleashed, Matt Connorton, unleashed, Matt Connor unleashed, Matt Connorton, unleashed,
Matt Connorton, unleashed, Matt Connorton, unleashed, Matt Connorton, unleashed, Matt Connorton, unleashed.
Speaker 1: Welcome everyone, it's that time again, eleven pm on Tuesday night,
eleven pm in the Eastern time zone. That is Welcome
to Matt Connorton Unleashed. Here on the ipmnation dot com
Live channel, so good to be with you tonight, broadcasting
as always from Essence of Styling Souls at eight thirty
two Elm Street in downtown Manchester, New Hampshire. If you
want to learn more about this great place, go to
Essencemanchester dot com. A lot of cool things go on here.
So I have a guest who's supposed to be calling in,
although he's late, which is very unlike him. So I'm
going to send him a text while I talk. I'm
gonna try to do I'm gonna try to basically talk
and chew gum at the same time. Here, I'm gonna
try to send Dez the Gift a text while I
introduced this show. Well, it would be a very short text.
I'm just saying it's time. Dz the Gift is the
host of The Hustle Report, a very popular hip hop
show here on ipmnation dot com. It's been on the
air with us for a few years and he actually
he does a bunch of things. He's a hip hop
artist and a music empresario.
Speaker 3: You know.
Speaker 1: He has his own record label, Massive Hustle Records. He produces,
he does the radio show, does a lot of touring.
He actually has his own radio channel here on ipmnation
dot com, the Massive Hustle Channel, So definitely check that out.
A lot of cool stuff on there. Check out his
check out his tunes, some of the artists he works with.
Check out the Hustle Report. It's a great show, really
really cool. Right before we went on the air, I
saw a oh, DZ is texting me back and he
is saying, okay, so d Z should be calling in.
Speaker 4: And by the way.
Speaker 1: Right before I got on the air, I got a
Facebook message from Trish the Dish, who is probably very
far most of our listeners should be familiar with ipmnation
dot com listeners.
Speaker 4: She's been on a couple of different.
Speaker 1: Shows on the station, but she asked if I had
had a chance to see tonight's Republican debate, and unfortunately
I missed it. I had to do a hypnosis session
at our office and conquered. For those of you who
don't know, I'm also a hypnotist. I probably don't sound
very relaxing and hypnotizing when I'm on the air doing
this show because I'm amped up. But anyway, here's zz DZ.
Speaker 4: Welcome to the show.
Speaker 5: My friend John, how you doing good. How are you, man,
I'm good, I'm good.
Speaker 4: Well, listen, we.
Speaker 1: Haven't talked to you on the air here in a
while since. I think the last time was it was
quite some time ago actually, when you called into our
show remote transmission that I used to do here with
Dan Randlette. So I think it's been a while since
we've caught up. Of course, I'm gonna see you later
this week. But why don't you fill everybody in on
what what you've been up to. I mentioned the Massive
Hustle channel and the radio show and all that, But
why don't you get us up to speed because you're
a very busy man.
Speaker 5: Yeah. Well, I'm working on, like many things, I'm working
on a couple of people's projects, so I really been
trying to focus on that. Well, I'm working on a
couple of people's projects right now. I can't really release
the time names until like the dates get caught up. Sure,
So I've been working on that mostly. Of course, I've
been on my radio show. I just finished my one
of my projects with Move Fast. I'm going to re
release that soon, but it's going to be hosted by
a DJ, so I'm going to really release that and
I've just been you know, just trying to make every
point connect.
Speaker 4: Right, right?
Speaker 1: And can you are you at liberty to say anything
about this DVD that you're putting together?
Speaker 5: Oh well, technically it's oh, it's probably gonna be like
a Hustle Report DVD altogether. But I don't really have
like the segment set up yet, So I don't really
have you know, like section It's probably gonna be like
sectioned off on like titled by what whoever is hosted,
you know, like whoever is on that show. I probably
have it like well, bosses and then rappers and then
so forth and so off. Yeah, we'll be sectioned off
like that.
Speaker 1: So, so you've been doing, uh, you've been doing some
When you talk about these projects that you've been working on,
do you mean you're you're producing other artists?
Speaker 5: Yeah, Like I'm like, well, I'm requoting other artists, you know,
the regular engineer and stuff like that.
Speaker 4: Sure.
Speaker 1: Are you Are you doing more of that than your
own stuff lately? Or do you kind of you kind
of divided up on it?
Speaker 5: Yeah, because like I've been getting put on the extra
little task here and there from other projects from like hey,
that's that's been keeping me busy for a while, and
I've been moving, so you know how that goes?
Speaker 4: Absolutely?
Speaker 1: And what about these projects that you're working on? Are
they released on Massive Hustle records or are these for
other labels or are they just completely independent?
Speaker 4: How does that work?
Speaker 5: Like various artists and like one of like one of
them or two of them could be considered a Massive
Hustle project or need more into like Massive Hustle more
involved with than others that you pick up work for
friends and then like two projects are mostly like what
I'm focused on right.
Speaker 1: And now are you are you doing any more videos online?
I know we have a couple up on IPM nation
dot com. You did ah you did a video for
crunch time and time because yeah, yeah exactly. Are you
gonna be doing more of those or are you more
just focused on audio right now?
Speaker 5: Well? Pretty soon if Timon works out, pretty soon, I'm
gonna start to have a song called wake Up. I
like I have clips for it, so I'm probably gonna
finish off that video. So that's probably be the next
video I come.
Speaker 6: Up with soon, very nice.
Speaker 5: And then I have a couple other videos in mine.
I just you know, Timon has to all work out
and everything and flow. But that's probably my next video.
It should be coming up in a couple a month
or so.
Speaker 4: Okay, oh very cool.
Speaker 3: Is that?
Speaker 1: Is that difficult making videos? Or I mean does a
lot of work go into that? Does a lot of
does a lot of set up in preparation go into that?
Or do you just kind of wing it? I mean,
how how does that work? I've never made a music
video personally.
Speaker 5: Well, sometimes it depends how technical the song actually is.
In the vision of the song. Yeah, it's just like
a say, it's just one of those songs that really
don't have any gap to it. It's just like a
party song. Most of those can be fool like you
can just win it, or if it doesn't have any
like message directly and you can just win those type
of videos. But if I have a message or something,
usually you want to keep it around, like you know
the topic and that's that that can become time consuming
because like the places you might want to go and
like say you have other places in other towns you
want to go for locations, it could be time consuming.
But like I did a video on like two hours before,
but like I didn't have that many far locations, so
it's all like go here, go there, go there, and
then it's done.
Speaker 1: You know, do you have a crew of people that
you work with when you make videos or is it
is it just a couple of you with a couple
of video cameras. I mean, how how extensive does that
part of it get?
Speaker 5: Well, it depends how If it's it's just how it
has to be. If it's a fas video that you
just want to put up that you you know, one
period of view, then you know it takes as much
time as you put into it. Sure what was volunteering
or going to help out? You know, the more people
the narrative. But if you can't find the more people,
then how you gotta get it done right?
Speaker 1: Right?
Speaker 4: D I y as they say?
Speaker 1: Is it when you go to different locations? This is
something I was thinking about when I think it was
a video for crunch Time. It looks like it's shot
in a few different places. I'm curious to do you
have to at the level that you're doing this, Do
you have to get any kind of permission from local
towns or anything that you're filming in or do you
just go and do.
Speaker 5: It technically you should. Like if I say, like, if
if you're going to do a big scene with a
lot of people in like a field or something, you're
probably gonna need some kind of permission before you like
just go wing that. But if it's like if you
have like a couple people and you have a couple
of scenes, most of the time it's more like, oh,
before anybody comes, you know, yeah, get the tlip done
and keep it moving and until they show up and
say you can't do that, and they keep it moving right.
Speaker 4: Exactly.
Speaker 6: It's a lot like, yeah.
Speaker 5: Our friend just lost like two thousand thouarsand on like
city permits that he couldn't get his money back on.
I'm like, oh that's crazy. Oh wow, yeah, primates is
even high. And it's like just like and they when
he said, when he told me, he's like he had
to take it as a lost, I was like, oh no,
Im like like pretty much the government just stoke them.
Speaker 6: Thus and I'm like, wow, well, you know, uh, all
our our governments are our local you know, city and
state governments are so are so broke these days that
they're trying to they're looking for revenue anyway they can
get it, you.
Speaker 5: Know their way through.
Speaker 1: Oh yeah, yeah, everything's everything's getting more expensive in that
regard you are.
Speaker 4: You playing out at all?
Speaker 1: Are you doing any touring or any any live shows?
I know you're you're you're so busy with with everything else.
Do you have time to actually get out and play
some shows?
Speaker 5: Not like, yeah, I do a couple of local shows
handy and not like like sporadically get thrown a lot
of shows. But I really don't get it to do
as much as I'm going on because I got so
much going on on my side to it's like more
I take the ones I can or you know, or
it has to be like a special ocage and kind
of deal right now. Sure, But mostly I'm just working
on the audio and video and trying to, you know,
try to do the business side of things right.
Speaker 4: Right is.
Speaker 1: Do you have any any advice for because you've been
doing this for a while and and you've had a
lot of success, and you're you're very well connected. You
have all these different artists that you work with who
are great. I mean, you're you're doing a lot of
really good stuff. Do you have any advice for young
kids who are just kind of starting out in the
in the hip hop game, you know how to how
to get going and and what they need to do
to not even necessarily get to your level, but just
to get out there and get noticed and have at
least a taste of success. Well, any advice, because I'm
sure people ask you.
Speaker 5: Well, right now, it's like a lot of people are
not willing to work with other people. I would say,
try to make a connection with other people and try
to like have like if you have your neighborhood, have
your neighborhood involved with your project, you know, like if
you have other friends that are into the music, try
to put a little drive into your friends and try
to make a little team because like doing stuff by
yourself usually doesn't work as good as you might think.
Speaker 4: Sure, sure need one at least.
Speaker 5: Two people, three people, no matter how you look at it.
So I say, don't be too arrogant, like, don't think
you're better than everyone from the beginning, because we all
have gold. We're all trying to get some me It's
more like how can we work together to get there
faster because the music is not fast. More like patience
and timing and you know, studying all that other stuff.
Speaker 1: Absolutely I always say, you know, in the music industry,
you got to crawl a mile just to gain an inch.
And and I think what you said is true. You know,
putting a team together, networking is extremely important. No man
is an island, not in this business, that's for sure.
Speaker 5: Yeah, these are the people that are like solo artists.
Usually it all comes down to like behind and they
had five other people, six other people before they actually
got Starady.
Speaker 1: Oh sure, yeah, I mean there really is no such
thing as a solo project. Yeah, you know, you can,
you can call it that, but but everybody's got.
Speaker 4: People behind them.
Speaker 1: And you know, even if you go to see a
solo artist perform, like say you have a band. You know,
a solo artist who goes out and performs with a
live band, Well, they're not really performing solo.
Speaker 4: They have a band behind them.
Speaker 1: You know, there's really it's it's uh, yeah, you can't
really do it on your own. You have to you
have to make those connections with other people. And especially,
like you said, if you can find other people locally
in your community who are interested in what you're doing,
that'll go a long way. And and it and it
starts with that. How did you start out. I mean,
what what was your first because you wear different hats
in the industry as far as what you do.
Speaker 4: Did you did you just.
Speaker 1: Start out rapping and then you decided you wanted to
start a label and and do radio shows or what
was the what was the beginning of of this whole
thing for you?
Speaker 5: Well, pretty much the whole thing was like I started right,
I was like over writer, and I just wrote all
the time. And then all my friends started going to
the studios, and me myself, at the point in time,
I didn't have money or like a studio close enough
that was actually reasonable to actually go to. So it
kind of came down to and then I moved to
all the like I heard about all the music stores.
I just started going to music stores a lot. And
then I just decided, I'm like, you know, I might
as well start buying like studio equipment. So I started
buying it, and I bought a couple like I bought
a program, and then the little book. I started in
the book, and then I just started putting music together.
Like a lot of people went to school with I. Hey,
school was at my round or my funding wasn't right
for school to be honest, So sure, I had to
do what I had, So I just started buying equipment
and started engineering and yeah for that, and then I
really and then I just engineered my own music. I did.
A couple of my friends got into it, well, they
were into it before, but since I had a studio,
it was more accessible for us to get work done.
So we just started working and just kept working. And
that's all it is.
Speaker 1: Yeah, And you've definitely got a lot of work ethic
and drive, and it shows up in not only your output,
but in the I know I've noticed in the lyrics
track like Crunch Time again, I'll go back to that,
and a lot of a lot of your tracks. That
seems to be a central theme of yours is talking
about how you got to hustle, You got to really
do the work. You know, you can't you can't just
talk about it. But I think you and I once
had a conversation a long time ago when we first
started working together on this radio stuff, when you were
you were talking about, you know, you got to play
your position and you got to work, and a lot
of people don't understand that, Uh, you know, you really
got to put the work in. You got to make
the effort. You can't. You can't sit around and say,
I hope this happens, I hope I get discovered or whatever.
You got to go out there. You got to put
yourself out there and do the work.
Speaker 5: And that's probably, like I think, for a lot of people,
that's the scariest part of it because like a lot
of artists, I rumants, who it's like the willing studio work,
but as soon as like the actual work comes into it,
they actually have to put into work for their own projects.
Sometimes it like it comes to a big halt, like huh,
like like that's the biggest thing. So you know, it's
like so after this is done, what are you gonna do?
It's like, well, I didn't know I had to do
anything else. Like it. It's cool because a lot of
people will be willing to pay for that, like pay
someone else to do that. Sure, Sometimes like that you
lose the person, Like you know what I'm saying, You
move the person when you don't have that person in
your face. It's kind of cool to I feel like,
it's kind of cool to meet the person when they
first start. You know, it gives you a better connection,
you know, like when they first started, you see that
local sound like, oh man, I remember when that person
had that song right seven years ago, and then when
they blow up, it seems like wow, you know, you
got to know them. It's more even if they're not
from your town. Any artist you listen to that first
music from the beginning and then you hear him six
years later, like I don't know.
Speaker 4: I think a lot of people get.
Speaker 1: I'll say tainted for lack of a better word, by
the major label system as far as their material, because
what I like is a lot of local hip hop
and and you know, underground stuff and a lot of
a lot of the artists that you play on your show,
and but a lot of what you hear on will
say ninety four or five because the area that our
highest concentration of listeners and is probably familiar with ninety
four to five out of Boston. You know, you hear
a lot a lot of it kind of sounds the same,
and it's you know, I mean I often think of,
you know, when talking about hip hop, I think of
I don't know how you feel about fifty cent, But
his early stuff like how to Rob I think is
a great track. It's clever, it's funny and whatnot, but
you wouldn't expect to hear anything like that from him
now now it's all I mean, I'm not a fan
of of anything he's done in the last I don't know,
five six years, however.
Speaker 4: Long it's been.
Speaker 5: But I have to get Richard dies trying. No one
knows what happened. Yeah, but yeah, like that's that's that's
the thing. Like I haven't listened to the radio in
like a year and a half now, like you know,
like that's kind of like for the kids, like and
a lot of artists I listened to or listen to
or some of the artists I ran into. That's what
a lot of artists driving for is that radio sound.
Me myself, I think I haven't listened to radio enough
to find like you know, like focus on that radio
sound to a lot of people like, well this is
what I'm going with my project. And certain people I
really can't work with. It's like I'm not even a
factor of I hate him. It's more like not like
in that music or I actually want to work with,
but certain people like won't be Maybe I won't be.
I don't know, maybe I just can't complete their cask you.
Speaker 4: Know, yeah, yeah, sometimes.
Speaker 5: Of businesses like that, I can't you know, I can't
take it as all man, you know, reflect that in
business sometimes.
Speaker 1: But have you have you worked with people or try
to work with people who've literally said to you they
they've actually used that phrase that they want that radio sound.
Speaker 5: Yeah, they're like, I want that hit sound that one
persons referred to as I wanted to I want that
Drake sound. I was like, I really thought that. I
felt crazy, hope me. They wanted to sound like another artist.
I totally like. I was like, I don't even know
what to respond to that. Yeah, Like, how can I
how can I complete making you someone else? What? I'm
just looking at that one Drake sound, that one Drake take.
I'm like, do you even sing? I don't understand how
could you ever sound like someone else?
Speaker 6: Right?
Speaker 1: Right?
Speaker 5: But a lot of people, like I think they're like
taking other people's material, really running it through their brain
a little deep and just trying to go with it.
Because that's seen a lot of artists to start to
sound like other people, like exactly like other people. Sure,
I can't for them before they started listening to this
artist and act and they sound just like the artists
they listened to, like, you know, the Little Lanes, the Drakes,
So whatever they listen to on the radio, the music
starts to sound like that, right Like music's like redundant
right now. Well, of course music's always been redundant in
the music like hip hop industry, but it's getting really bad, nass.
Speaker 4: Well, I'm sure a.
Speaker 1: Lot of these people too who do that, they they're
probably also thinking of it from kind of a marketing
standpoint of well, if I can sound like this person,
I'm going to have a hit song too well, you know.
And that's that's been pervasive in the music industry forever,
not just in hip hop, but I think in all
genres of music. We saw it, you know, we saw
it with grunge in the nineties, all of a sudden,
everyone wants to sound like they're from.
Speaker 4: Seattle, you know. Or in the eighties.
Speaker 1: I mean, when I was a kid, you know, hair metal,
you know, all these uh yet all these hair bands,
it sounded alike. And and I think now with a
lot of the more not hip hop but electronic music,
you know, a lot of people want to sound like
Kesha or a Lady Gaga or this or that, because
you know, it kind of does become like a almost
like an assembly line kind of thing, where you know,
it is a business. So the major labels, they they
treat it like a business. Well, of course, they haven't
always been very smart about treating it like a business,
which is why part of why they're having problems now.
But they they treat it like it becomes that assembly
line kind of mentality. It's like, Okay, we had a
hit with with this, we had a hit with X,
so now let's make Y and Z sound like X
and and it'll all be success. Well, and of course,
uh that ends up backfiring eventually.
Speaker 5: But it seems like lately the radio still forces the
same thing. So even if you give the like if
you it seems like the radio has no conformity, Like
they don't want to conform. They're like, we're just gonna
run with this and we're sticking to this until I
don't know, till the world ends.
Speaker 4: Right.
Speaker 5: I can't expect anything out of them. That's why, like
I just do whatever else, Like, well, the.
Speaker 4: Thing is too. I think it's smart too.
Speaker 1: I think it's smart to ignore what's going on at
the radio and try to do what you think sounds good,
because I think chasing trends is pointless because if you chase,
if you chase trends, by the time whatever material it
is that you've created, that you've produced, by the time
it works its way through whatever promotional pipelines you're putting
it through, whatever is currently working for everybody else may
not be working for everybody else anymore. Yeah, the net
for all, you know, the next big thing might be
your sound.
Speaker 5: You have the sound that you used to have before
you conform.
Speaker 4: Right right exactly? You know, you don't know.
Speaker 1: It's it's so unpredictable, So you might as well do
something that you like that you hope other people will like.
But ultimately you have to be to support it as
an artist or as a producer or or a marketing
guy or whatever it is that you're doing management, it's
got to be something that you're happy with, and because
if you're not happy with it, it's you know, it's
hard to fake that, you.
Speaker 5: Know what I mean, it'll show right through it. That's yeah, absolutely,
that's yeah, that's good. I need try to keep my
hands like if I I think, if I keep my
mind busy with work, and anything else is good, right.
Speaker 1: Right, It's important to keep moving and let me ask
you and we'll let you go in a minute, ez,
But I want to ask you to the artists that
you work with. Do they do they find you? Do
you approach them? I mean, how does that work? Do
you seek out artists that you.
Speaker 4: Like or are they finding you?
Speaker 5: Well? Sometimes it's more like a friend who say, hey,
like i've I work with someone. Someone else will bring
like a like a referral kind of deal. Or or
sometimes I go or I go look for certain people
that I want to work with that I was supposed
to work with. I don't go too far out of
the boundaries of who wants to work with me. Like
some I'll reach out to other artists. Sometimes I get
turned down, and it's cool, that's a part of the game. Sure,
But if I reach out the first time and then
you get mad at me when I don't reach out
the second time, that just that happens?
Speaker 4: Does it really?
Speaker 7: Yeah?
Speaker 5: Because like I'll reach out and then person I'll turn
me down, and then I guess they'll hear from a
friend and then they'll call me back, like, hey, you
know what, I want to do this then tho, I'm
like I just offered that.
Speaker 1: Wait yeah, yeah, absolutely, well, you know, musicians can be
uh can be fickle sometimes and you know and whatnot.
We've all dealt with that. Well, DZ before we let
you go, can you please let everybody know? I mean
I I told everybody about the massive hustle channel here
on ipmnation dot com. But can you fill everyone into
on where else we can find you online? Where's the
best place to go?
Speaker 5: Oh? Well, another place is, even though the negative name
is called that crack dot com okay, a site. It's
as a it's a mixtape site to like all like
mixtape musicians. It's the holy grail of mixtape. It's a
site that you can just go see all my projects
and download all my projects. You can see my videos
on that site too, So like, if if you can
download my mixtape there too, you just put in DZ
to give under the search bar and I'll pop up
so all the information we'll pop up too.
Speaker 1: Excellent, And can we find you on Facebook and everything
as well?
Speaker 5: Oh yeah, Facebook and all that guy essentially Yeah, social networks?
Speaker 4: Yeah, very cool.
Speaker 5: You know.
Speaker 1: Well, d z U, we'll we'll let you go. I'm
actually going to play a track and then uh, I'll
come back and uh yap at the audience about some
other things going on. But thank you very much for
joining us here tonight. I'm gonna play uh after we
let you off. I'm gonna play this track night for
admittedly selfish reasons. I love it because you sampled my
voice on this, which I think is just so cool.
Speaker 5: You know, I got to sit a little love.
Speaker 1: I hate absolutely absolutely, and I like the I like
the nickname the pimp Juice. That's uh, I'm not sure
why you call me that, but that's all right.
Speaker 5: Really doesn't have a connection. It's more like a respect
factor that you got a nickname.
Speaker 6: Yeah.
Speaker 5: Yeah, we're trying to get nicknamed, so you have a nickname.
Speaker 8: You know.
Speaker 1: Absolutely I appreciate it, man, I think it's awesome. Yeah yeah, no,
that's cool.
Speaker 4: So uh DZ.
Speaker 1: Well, I'll be seeing your Thursday anyway. But thanks very much,
Thanks very much for calling in tonight.
Speaker 6: Man.
Speaker 1: This has been a great conversation. And everybody check out
Massive Hustle and uh and the uh what was that website?
Speaker 9: Again?
Speaker 1: I'm sorry, crack, what is.
Speaker 5: At okay?
Speaker 4: Cool?
Speaker 1: I'm gonna check that out right after the show, actually,
because I haven't been to that yet. But DZ the Gift,
thanks very much for joining us tonight.
Speaker 5: Man a wonderful night.
Speaker 1: All right, Man, take care, I'll see us soon, see
you bye bye.
Speaker 4: All right, all right.
Speaker 1: That was DZ the Gift, host of the Hustle Report
here on i PM nation dot Com on the Massive Channel,
the Massive Hustle Channel. Rather, h I'm gonna play this track.
After the track, I'm gonna come back talk some politics
I've got. I've got so much to talk about. I
missed the Republican debate tonight right here in New Hampshire.
We do the show in Manchester, New Hampshire. But like
I was saying before, I had a hypnosis session and
then I came to the studio hoping to see a
little bit of the debate here on the computer, and
I couldn't find anywhere online. It was a CNN debate.
I went to CNN dot Com. Couldn't find it streaming
anywhere online. So I'll have to watch it later. I'm
sure cnn'll be re running it all night, so I'll
peep it out when I get home, or watch it
on YouTube or whatever. And I'll have some debate analysis
for you later in the week on the Express edition
of the show. But I've got a thousand other things
to talk about politically, and we're not going to get
through it all tonight. Obviously, it's only an hour show.
Whatever I don't get to tonight, i'll do in the
Wednesday edition of the Express edition of Matt Connorton Unleashed.
But the live show is not over yet. We're only
halfway through. I'm gonna play this track, like I said,
kind of for selfish reasons, because I'm on it. Dez
actually samples my voice, so listen carefully. You'll hear me
in there. He's actually sampled me on a couple tracks.
I think it's pretty cool. I'm very flattered by that.
It's good for my ego. So anyway, this is night
by DZ the Gift here on Matt Connorton Unleashed on
i p M nation dot com.
Speaker 9: Last night I heard the screaming.
Speaker 10: Loud voices behind another sleepless night me. He won't do
no good to go.
Speaker 11: Got this cousin the fhall.
Speaker 8: I see we're gonna do this ship right now.
Speaker 9: Let U you are now say.
Speaker 12: Sign.
Speaker 13: I heard screaming sign I heard snignard sign.
Speaker 5: He screaming.
Speaker 9: SPLI to the.
Speaker 11: Scream because nothing mother half Wilco's a child in night shot.
Speaker 4: Fine, he's saying this is my hood and.
Speaker 14: I'm a wow.
Speaker 8: Motherfucker can't say this street because of you to it saying.
Speaker 3: Ship where my man got head half in the pin,
never see the streets again.
Speaker 9: At the poop my pull pin, Yo, It's just me.
Speaker 14: Take in it what you want.
Speaker 3: My little man ain't gonna feed himself. And y'all just
preaching for wealth. It's hard to faker. Should I speak.
My people in the struggle are speaking for them. Paul
Barry hard handed and hard and hairing out love folcus everything,
no matter what bills, dog keeper bearing vast hustler cashall
I rest bear love, I didn't sleep to the world
give saying.
Speaker 9: What the fuck?
Speaker 8: Goto like Jimmy and not a sleepless Guta.
Speaker 13: Stand spoil, spin out side.
Speaker 3: Steaming, pray to come up every day, praying not to
see the chap pop up, serve three sixty five, break
it down five so let it signed sealed, the recoiled
damage other John stole money, No aim, he ain't innocent
by stays putting in work because the old hand told
freeze frame were says he got the real triple Coton
paint and my brain sling pain when it's time to
go because out with class, my child, you canna get
everything I didn't have. Everybody want to be a walk
and don't got the knowledge.
Speaker 5: Cass got to.
Speaker 3: Cut off by way for Charlet's tossing and turning. Did
it anyway? Can't go back to sleeping in hallways? Man,
It's tough.
Speaker 9: Another another.
Speaker 4: Idea Nation dot com.
Speaker 1: You are now signed into the Hospitalnation dot mine.
Speaker 9: I heard screaming last night. I heard last night.
Speaker 14: I heard this night.
Speaker 9: I heard screaming. This, my heard spooming, this, my screaming
now this night screaming.
Speaker 4: Did you hear it? Do you hear me?
Speaker 9: In there?
Speaker 1: That is uh that is night by DZ the Gift
beat by Flowhalla with a little cameo from yours truly
Pimp Juice as the DZ the Gift likes to call me.
And I'm very honored to uh have been assigned that nickname.
Like he said, you know, it's it's a respect thing
and and I think that's really cool. And he's great
to work with and I'm very honored to have him
on ipmnation dot com the Massive Hustle Channel. If you're
interested in hip hop, definitely check out the Massive Hustle
channel Here on ipmnation dot com, check out The Hustle
Report DZ's show. I love underground hip hop. I've always
been into hip hop. Sometimes people are surprised that a
pasty faced, thirty something New Hampshire white boy like myself
is isn't a hip hop but you know, I grew
up listening to a lot of metal, a lot of
mainstream rock, and I probably and I still listen to
all that stuff and I still love it, and I've
played in a lot of bands, but I've always loved
hip hop as well. I probably listened to almost as
much hip hop as I do rock. And the underground
stuff is great. The stuff that you're not hearing on radio,
the stuff that hasn't been tainted by the major labels,
I think is really really cool. And this kind of
stuff DZ plays also too. If you're in an area
where you have access to a college radio station. Again,
on college radio you'll hear a lot of really cool,
underground hip hop stuff that hasn't made it yet to
clear channel and all these mainstream FM stations that just
play a lot of stuff that, like we were talking about,
it all kind of sounds the same. So I'm gonna
play another DZ the Gift track at the end of
tonight's show, personal favorite of mine called Hurting, which I
think is one of his best tracks. It's really really good.
So that's what we're gonna end the show with in
approximately twenty five minutes. We got a little waste to go,
like I was saying before the track, so much to
talk about politically, and if you're joining us late, no,
I'm not talking about tonight's Republican debate that happened right
here in New Hampshire because unfortunately I had to miss it.
Like I was saying earlier, I had a hypnotherapy session.
I'm also a professional hypnotherapist. Like I said before, I
know I don't sound very soothing when I'm on here
during the show, but small lamped up. But when I
do hypnosis, I talk like this in a very soothing tone,
so I can help you to relax, and you know
I do all that. And so I had to do
a session, and then I came here to the studio,
and I was excited because I got here. I got
to the studio just in time to get online and
watch the debate, and then I couldn't find it online,
so I'll just watch it later. So I'll have debate
analysis for you later in the week.
Speaker 4: But in the meantime, what to do?
Speaker 9: What to do?
Speaker 1: I've got a bunch of stuff we could do. I
think I want to talk about this whole Uh you
know what, we have unfinished business. Here's here's what I'm
gonna do. And whatever we don't get to tonight, I'll
get to on the Express edition for tomorrow, which I'll
end up recording right after the live show tonight anyway,
so be sure to come back for that. But we
talked a lot. We've been talking a lot lately about
Herman Kane. Herman Kine is a big deal right now
because Herman Kane Republican candidate for the presidency. He's black,
which is interesting in itself because you don't see a
lot of black Republicans. You see lots of black Democrats,
not a lot of black Republicans, but they do exist.
Speaker 4: It's funny.
Speaker 1: When I was a kid, I didn't think that there
were any black British people. So until I remember Billy Ocean.
He had a bunch of hits in the eighties. I
heard Billy Ocean speaking in an interview. I actually saw
him on MTV doing an interview and I was like, Oh,
he's British and he's black.
Speaker 4: Who knew?
Speaker 1: So they had a Justice Mike a little bit. Hang on,
bear with me, all right. The mic was tilted at
an odd angle and it bothers me. I'm not very
ocd about most things, but a mike tilted at a
straight angle is bothersome. So Herman Kaine is a big deal.
And he's a big deal because there has been a
change in the mainstream media's perception of him, the political media,
how they talk about him on you know, on these
political channels, these news channels, on cable news. Because I'm
watching this slow transformation that's taking place. Initially, Herman Kine,
Herman Kane's been kind of a big deal from the beginning. Again,
he has the novelty of being an African American Republican,
but also a lot of Republicans have gravitated toward him,
which I think is cool and I think it's I
think it's refreshing because I tend to think largely because
of issues like like immigration, for example, I have a
tendency to perceive that there is still a segment of
the Republican Party that is probably racist, a segment of it. Now, please, Republicans,
don't freak out. I'm not saying Republicans are racist, but
I'm just saying I'm sure that there is a small,
probably a very very small, don't freak out on me,
a small percentage of the Republican Party that doesn't like
black people.
Speaker 4: I mean, look, I mean I.
Speaker 1: The way Republicans talk about Obama in many cases is
not like Republicans talk about most Democrats. I mean, I
remember when Bill Clinton was president and a lot of
Republicans didn't like him, and you know, they would complain
about him and whatnot.
Speaker 4: But with Obama.
Speaker 1: The thing that I've noticed about how Republicans talk about Obama.
With Obama, it's not enough for a lot of Republicans
to simply dislike his policies, to simply disagree with him politically,
or to even make banal statements like oh, Obama's going
to run the country into the ground or whatever. They're
whatever their political prejudice is no. No, No, I don't
know too many Republicans who simply dislike Obama. They don't
dislike Obama. They absolutely hate Obama. They loathe Obama in
a way that I don't see them loathing so forcefully
other political figures with whom they disagree, And I kind
of wonder where that intense hatred and loathing comes from.
So I tend to think there's still some some racism
on the right, maybe more subconscious racism, not intentional racism,
not not conscious racism, but a subconscious racism, like they're
freaked out by him because he doesn't look like them,
in other words, because he's not white. You know, they're
not They're not necessarily looking at him and saying, you know,
and thinking the N word or whatever, but they're But
they're still uncomfortable at the idea that a black man
is leader of the free world on some level, on
some subconscious level, because like I said, it's not enough
to dislike him. No, I don't know anyone who dislikes Obama.
You either like him or you absolutely despise him with
every cell of your being. That's my observation. But on
the other hand, seeing a guy like Herman Kane capture
the imagination of the Republican Party the way that he has.
That gives me some hope that that intense that the
racism that I'm sure does exist in the Republican Party
to some relatively small degree, that faction of the party
may be even smaller than I thought, because a lot
of Republicans like Herman Kane.
Speaker 4: So that's positive.
Speaker 1: And Herman Kane, the transformation that has taken place in
how the media covers him is that initially Herman Kane
was viewed and discussed as basically a fluke, a French
candidate that no one could really take seriously because no
matter how well he did, no matter how many big
applause lines he would have in the debates, no matter
how charismatic he would come across, no matter how much
Republicans would say I agree with him, he's the one
who's making the most sense. I mean, even that douchebag
Hank Williams Junior on his Fox and Friends appearance where
he compared Obama Hitler even he said, this guy who
you know, you know, he has a Confederate flag hanging
somewhere in his house. Even Hank Williams Junior said, Herman
Kane is the only one who's making any sense right now.
Speaker 4: And that's good.
Speaker 1: I'm glad that Republicans can embrace a black man.
Speaker 4: That gives me hope.
Speaker 1: But what's happened is in the beginning, Herman Kane was
regarded as a fluke. Even after he won the Florida Strapol,
he was even then being talked about as a flu
These political pundits, these analysts would say, well, Herman Kane,
he's really making waves. He just won the Florida stoppol.
That's kind of a big deal. But come on, we
all know he's not gonna be the nominee. This will pass.
Speaker 15: Or the really.
Speaker 1: Condescending thing, and I think unfairly dismissive thing that I
would consistently hear them.
Speaker 4: Say about him was that Herman Kane is.
Speaker 1: The rise of Herman Kane in the polls is merely
a symptom, a byproduct of the incredible dissatisfaction, the disenchantment
that Republican voters have with the rest of the field.
They're not happy with Perry, they're not happy with Romney,
Bachmann's a joke, Huntsman's a moderate Gingrich is a scumbag,
so you know, so they're kind of in these polls
they're going with Kane, but it doesn't really mean anything.
It's a protest thing, which I came on the air
and said, I thought that was unfair. Why do we
have to make that assumption?
Speaker 4: Is finally, very.
Speaker 1: Slowly beginning to change because recent polls have shown Herman Kane,
the guy that they treated like a fringe candidate, like
a fluke. Recent polls have shown him as a front runner.
I saw a poll a couple days ago. I think
it was a rasmusen pole. It had him tied with
Romney at seventeen percent. They were tied at seventeen percent.
Perry I think, had fallen to nine percent. The rest
of them, who gives a shit at this point. So
it's finally happening where establishment media is finally beginning to
take Herman Kane seriously. I still don't think any of
them believe he has a shot at winning the nomination,
but wouldn't that be interesting if he did. I'll tell
you what, two black guys debating one Republican, one Democrat.
Can you imagine it? Two black guys running for the
presidency of the United States. Now, I thought it said
something very positive. Look, whether you like Obama or you
hate Obama, putting the partisanship aspect of it aside, I
thought it said something enormously positive about America that we
had finally elected a black man, an African American. Well,
I mean he's African American. He's not fully black, but whatever.
Actually I saw him dancing once and he was surprised.
He kind of danced like Eddie Murphy's impression of how
white people dance, which I thought was very strange. But anyway,
can you imagine if Herman Kane were the Republican nominee,
two black guys duking it out for the presidency, that
would say something even more incredible about how far we've
come as a country. So I think in that regard
it would be very positive. And I found myself, even
though I don't agree with Herman Kane, I understand.
Speaker 4: Why people like him.
Speaker 1: I kind of like the guy in some ways. He
is kind of refreshing. He's a straight talker, and I
dig that. And I defended him on the Friday edition
of the Express Edition because after his interview with Lawrence
O'Donnell on the Last Word on MSNBC. I thought Herman
Kain was treated very unfairly by Lawrence O'Donnell, and I
played for you guys the clip of Lawrence O'Donnell chastising
him for not serving in Vietnam and basically calling him
a draft dodger, which I thought was very unfair, and
I thought Herman Kane's explanation made perfect sense, and I
defended Herman Kine on that, And have another clip that
I'd like to play for you where Herman Kane from
that same interview, where Herman Kine is discussing, well, I'm sorry,
I forgot what. Oh, Herman Kane was discussing his lack
of participation in the civil rights movement, where again I
thought Lawrence O'Donnell went a little tough on him. So
I've talked a lot so far. You know, you know
there's a big butt coming, right. I've talked a lot
about the positive aspects of the Herman Kane candidacy and
why I think we should take him seriously, and I
kind of like the guy. But now I'm gonna take
the gloves off and tell you some things I don't like.
First of all, and these are minor complaints compared to
the big one that's coming. First of all, he is
a hard right wing guy. I mean, he's a right
wing conservative, a true right wing conservative. He's no Mitt Romney,
He's damn sure, no John Huntsman.
Speaker 4: He's a right winger. Okay.
Speaker 1: He believes that gay people choose to be gay. For example,
he opposes gay marriage. He opposes lifting the ban on
gays in the military. I mean, even just saying that
much should give you an idea of where he is.
Speaker 4: Socially.
Speaker 1: He is both a fiscal and a social conservative. I
could give you more examples, but I want to get
to the big thing. My big problem with Herman Kane
that I just recently learned about. Anyone who's been listening
to the show and who knows how I feel politically
knows that the reason, the real reason I'm an independent. Look,
I'm an independent for a couple of reasons. For one thing,
I'm an independent for the same reason that a lot
of people are independent. They don't feel like they fit
into either party. A lot of independence are fiscally conservative
but socially liberal. That's me, So I'm an independent. I
used to be a Democrat. Party moved too far to
the left. I'll never be a Republican because they've moved
too far to the right. So I got nowhere to go.
I'm stuck in the middle, so that's where I sit.
I'm a centrist. I'm an independent. But there's another reason
I'm an independent at the federal level. And I want
to be clear that I'm talking about the federal level
because I've been meeting a lot of people here in
New Hampshire. I've been meeting a lot of people who
serve at the state level, who I think are good people.
But at the federal level, I despise both parties because
and to longtime listeners of the show, I apologize if
this is redundant, but to people who are new, I
have to make this clear, and it relates to what
I'm about to tell you about Herman Kane that you
might not know because the mainstream media isn't going to
go out of their way to tell you because in
order for the mainstream media to tell you this, it
would require someone in the mainstream media to commit an
actual act of journalism, which so called journalists don't really
like to do. There isn't that much of that I
don't know why we still call them journalists if they
don't actually practice journalism. Maybe we should come up with
some other name for them, like a corporate shill. That
might be a good name. Since big media is all
owned by the corporations, that's who really controls the message.
We shouldn't even call them journalists. Let's just call them shills.
But that relates to my issue with Herman Kane, because
it turns out Herman Kane is just like everybody else
who wants to be present, or who wants to be
a United States Senator or a United States congressman, anything
at the federal level, or even governor of a state.
My issue, and the reason why I hate all of them,
both Democrats and Republicans at the federal level, is that
they are all bought and paid for. The people who
we send to Washington to represent us do not do
not really represent us. They represent their donors. And by
their donors, I don't mean the person who says, oh,
I want to donate to Mitt Romney's campaign, I'm going
to send in a check for twenty dollars. No, I
mean the big money players, the lobbyists, the special interest groups,
the corporations, the fat cats who really control what's going on.
Speaker 4: When you elect a.
Speaker 1: Particular person to represent you in Washington, you're not really
represent them. I'm sorry, You're not really electing them to
represent you. You are electing them to represent whatever set
of lobbyists and corporate scumbags and big fat cat money
donors and special interest groups, whatever set of those people
you have decided, you have unwittingly decided whatever set of
them you want to control the game. They are all
bought and paid for. They do not work for us.
And one of the things that people find so refreshing
about Herman Kane is while he's not a Washington insider,
he's never even held political office. He was a CEO
of a major corporation. He's not a political insider. Well
guess what, Guess what. Guess who is a huge supporter
of Herman Kane. The Koke Brothers.
Speaker 9: You know who.
Speaker 1: The Koch Brothers are No, not Coke. They have nothing
to do with Coca Cola. The Koch Brothers koc H.
I found this out from a friend of mine, so
I did a little research. Turns out it's true. The
Koch brothers are big contributors to Herman Kane. The Koch
Brothers are big contributors to a lot of Republicans. The
Koch Brothers practically control the Republican Party financially. Because you
always hear people on the right complaining about people like
George Soros, who controls the Democratic Party and has all
this influence and all this money and whatnot. Well, guess
what you got your very own George Soros on the right.
It's the Koch Brothers. If you don't know much about
the Koch Brothers, I suggest you look into it. I'm
not going to get into a big, long explanation because
I want to get to this video clip. And we're
already almost at the end of the show. It's eleven
fifty four Eastern. So I'll let you guys go and
do a little bit of research on the Koch Brothers.
I mean, you can find the information easily. Just google
Coke Brothers. You'll see who they donate to, where their
influence lies, who they really control.
Speaker 4: But I'm gonna play this clip for you. This is
a clip of Herman Kin.
Speaker 1: Being asked about the Koch Brothers, and my understanding is
he didn't know that a camera was on him while
he was being asked about this. But this is him
talking about the Koch brothers and how great they are
and their patriotism and how wonderful they are to the
country and all this. This is Herman Kane singing the
praises of these people. And listen to him. Listen to
him talk about the Koch brothers, and then I'll come
back and comment on this immediately afterward.
Speaker 15: Kin seems to have come out of nowhere, right. I mean,
here's a guy that not a lot of people knew
about a year ago.
Speaker 14: How did he do it?
Speaker 2: You know?
Speaker 15: And everybody talks about all, well, he's a great speaker, etc.
There's definitely truth in that, right, but usually on the
Republican side, on both sides, but certainly on the Republican. Well,
you don't really do this without some sort of money
backing you up. Well we found out where the money's
coming from. Prepared to be shocked. Turns out Herman Kin
has been backed by the Koch brothers all along. So
let me give you a long list of things that
they of how they backed Herman Kane. Ever since two
thousand and five, Kin has led the Americans for Prosperity's
new Prosperity Expansion project. Here's what you get if you
lead a project for the Koch Brothers a lot of money.
So since five they've been like Herman Kain, you're our guy. Man,
Oh yeah, yeah, we're gonna need you to lead a project. Absolutely,
here's a lot of cash. And now say whatever the
hell we want you to say, he was, He's got
a campaign manager and achieve his staff now right of
course for his presidential campaign.
Speaker 14: Where do they come from?
Speaker 15: Well, you look at that. It's Mark Block, who served
as a president for Americans for Prosperities Wisconsin chapter. In fact,
he's the one that apparently commissim the run for president
in the first place. Again, Americans for Prosperity totally funded
by the Koch brothers. So the Coch brothers give Herman
Kine money, says OZ five. Then they get one of
their guys to go convince Herman Kane that he should
run for president because they love his ideas about lower
taxes for rich people. Shocking enough, And then there's a
long list. He headlined a Coke backed anti climate rally. Again,
you get paid for all those speeches Kane attended the
Koch brothers private biennial meeting in Palm Springs where they
colluded on how to defeat democrats, which is their right.
But Caine's been with them all along. Kane traveled to
Wisconsin backed by the Cochs to fight the unions. He
was also a featured speaker at the Coke funded Right
Online conference. Again, every time he speaks, he makes money
from the Koch Brothers, right. So the thing is you
got to understand about this is that it's not like
they go in two thousand and five into a smoke
phil room and they say, Herman Kane, I know you
don't believe any of this, but we need you to
go out and say all this stuff.
Speaker 14: And we'll pay.
Speaker 15: That's not how it works. The way it works is
that this is a big, big country. So they scour
the country for who is someone we can use as
a puppet as a tool, right, as Phil Davidson would say,
either as a weapon or as a tool, and in
this case mainly as a tool.
Speaker 14: Right. And they go, oh, this.
Speaker 15: Herman Kane got He's saying a lot of the NASAs.
We like, Let's pour money into him and rise him up.
Let's take him from obscurity to make him a national
figure and if we can't, let's get him a run
for president. Why do they want to do that, because
then they feed him this plan which he presents called
the nine nine nine Economic Plan, which he cuts taxes
to nine percent across the board in all the different categories.
It is estimated that the Koch brothers tax rates would
fall from twenty eight percent to eleven percent. They would
save billions of dollars if Herman Kane was elected and
put that plan forwards. So now just don't take our
word for it. Let's listen to Herman Kane. Herman Kane,
what do you think about the Koch brothers.
Speaker 9: What do you think of David.
Speaker 7: Koch David Coch? Yes, I think David Koke is a
patriot because David Coke cares about the future of this country.
His brother, Charles Koch is also a patriot. They care
about the future of this country.
Speaker 1: What do you think about the criticism that some on
the left have levied their way.
Speaker 7: I think they criticize the Koch brothers and what they
do simply because they have no other way to try
and attack them. It is the typical liberal way. I
get attacked because of my conservative views. They get attacked
because they happen to be rich, and they happen to
believe in America. They happen to believe in the Constitution,
they believe in a Declaration, they believe in, you know,
the values of the found and Father. That's why they
get attacked. That's why they get attacked.
Speaker 15: I love that they get attack. Is there Americans who
love the Constitution. Yeah, the liberals hate the Constitution. That's
why they were livid when Bush shredded the Fourth Amendment, right,
and then the different parts that challenged the First Amendment.
As for a lot of liberals, the number one issue.
But that's the usual trick. The founding follows are with us, right,
and then second of all, apparently we attacked them because
of their conservative views. Well, that's true, because we disagree
with your conservative views.
Speaker 4: What do you want us to do?
Speaker 15: And it's not like conservatives ever attack liberals based on
their views, right. But my favorite was they attacked them
because they're rich. We don't mind the Koch brothers being rich.
Steve Jobs was rich, Bill Gates is rich, Warren Buffett
is rich. It ain't about being rich, it's about using
that wealth to buy the politicians to do crony capitalism
and make sure that they get all the breaks they get,
the deregulation, they get the little taxes by buying people
like you. Okay, that's the part we object to. But
of course, overall, my favorite in that was immediately came
jump into the defense of the coch They are true patriots,
Charles Cochin, David Cokein giving me so much money and
put me in this position to be.
Speaker 4: They are pumping.
Speaker 15: I mean, they are awesome because they love freedom in
the Constitution.
Speaker 1: By the way, I must apologize, I I was so
excited to uh, I was so excited about that to
play play that Herman Kane stuff. I forgot to tell
you that the other voice you're hearing in that setting
up the clip that is, of course Jank Huger from
The Young Turks And I'm a big, big Jank Huger fan.
Uh the Young Turks dot com if you're interested in
checking out his show, and he also has a show
now on Current TV on cable so I haven't seen
his TV show, but I'm a big Jank fan. And
jenk is Is I always say, you know, I hope
I live as long. I hope I live long enough
to someday be as eloquent and uh and smart and
spot on with my analysis of this stuff as jenk is,
because he nailed it, you know, with with his his
commentary on that clip. And if you see, like I said,
if you see the video of Herman Kane being asked
that question, it looks like he he doesn't even know
the camera is there. He doesn't even know he's being recorded.
But of course, as Jenks pointed out, you know, oh,
the Koch brothers are patriots and you know this and that,
and liberals attack them for being rich. You know, he's
playing the class warfare card. Oh, liberals hate rich people,
just like the Republicans play the class warfare card with Obama.
Obama just wants to soak the rich because Democrats hate
rich people. And it's all bullshit and it's tiresome, and
oh guess.
Speaker 4: What turns out?
Speaker 1: Herman Kane is just like everybody else. He's such a
breath of fresh air on the Republican side, isn't he?
Speaker 8: Nah?
Speaker 1: You know what, He's just another corporate scumbag bought and
paid for by big money corporate donors. The people who
really run this country. The Koch brothers. You've got not
just the Koch brothers, obviously, there are others on both
the left and the right. And I'm not just saying
this to slam the right. On the left, you've also
got big money, corporate donors who really can things. It's
not a partisan thing with me. They're all bad. At
the federal level, they are all bad. They are all
bought and paid for. We do not elect them to
represent us. We elect them to steal from us and
to go to Washington and collect their money. It's like
when a few years ago when John Bahner was actually
this is how arrogant they get about this. If you
didn't hear about this, when John Bayner was actually on
the floor of the Senate handing checks to other Republican
senators from or i'm sorry, from other Republican congressmen from
big oil, big oil lobbyists. He was actually in the
open handing out checks on the floor of Congress. That's
how arrogant these people are about it. They're not even
trying to hide it because they count on the rest
of us not noticing. Because you know what, most of
us don't know. Most of us don't notice. That's why
you hear people say, Oh, I'm gonna vote for Senator
so and so because I think he really he's a
good Democrat. And you know, Republicans don't have my interest
at heart, but but the Democrats do. They're looking out
for the little guy. So I'm gonna vote for so
and so, or I'm gonna vote for for for this
person because he's a good Republican. And these these Democrats,
they don't have the little guy's interest at heart. But
but the Republicans, they're the party that are looking out
for us. If you're doing that at the federal level,
I'm sorry, but I don't mean to burst your bubble,
but you're a fool, You're a rube. None of these people,
Republican or Democrat, have your interest at heart. They don't
care about you. They don't care about you. John Bayner
doesn't care about you. Barack Obama doesn't care about you.
Eric Canter doesn't care about you. Nancy Pelosi doesn't care
about you. None of these people care about you. It's
all a big scam.
Speaker 4: And guess what.
Speaker 1: For all of you who are so excited, enthusiastic about
Herman Kane guess what, he doesn't give a shit about
you either.
Speaker 4: It's all a big scam.
Speaker 1: As George Carlin said in that clip I played a
couple of weeks ago. It's just a big club, and
you and I are not in the club, but they
let us think that we are, and then they laugh
at us. They're all laughing at us. Herman Kane, he's
laughing at all of you who have jumped on the
Herman Kane bandwagon. You've made him arguably one of the
front runners for the Republican nomination for president, and somewhere
right now, Herman Kane is laughing at you because of it.
So are the Koch brothers. They're all laughing at you.
They're laughing at us, including me. I kind of thought
the guy was interesting and kind of different, but then I,
you know, learned the inevitable truth. They're all the same,
my friends, they are all the same. We have so much,
so much more to talk about that I did not
get to on the live show. So I'm gonna sign off.
I'm gonna upload the podcast of the live show so
you can come back and relive the glory anytime you
want to. And then I'm gonna record my Wednesday podcast
of the Wednesday edition of Matt connorton Unleashed. Also, please,
if you want more politics, be sure to also come
back tomorrow, not just for the express edition of this show,
but Rock Paper hand Grenades six pm Eastern Time on
Wednesdays here on ipmnation dot com. Myself and Gary Hopper,
New Hampshire State Rep. Gary Hopper a Republican who I
do respect and admire. Gary's a great guy and he's
introduced me to a lot of great people at the
state level who I think are honorable and really good people.
So Rock Paper hand Grenades is a fun show. By
the way, be sure to go back and listen to
the audio podcast of last week's show, which is already up,
because that one got really interesting. The topic was separation
of church and state, and it got pretty contentious and
I actually severely pissed off our guest and I'm not
sorry I did it, but yeah, I got pretty interesting.
Speaker 4: So check that out.
Speaker 1: Rock Paper hand Grenades six pm Wednesday is here on
ipmnation dot com six pm Eastern time. Thank you all
for being here with me tonight. Thank you DZ the
gift for calling in. Always a great conversation with DZ
the Gift. I'm gonna be seeing him on Thursday. I'm
gonna be in a DVD that he's putting together. He's
going to interview me about some of my own music
business activities. So looking forward to that. That's always a
great time. And I leave you now with another DZ
the Gift track to wrap up the show. This is
a favorite of mine. I think this is really good.
This is called hurt called uh, I can't talk. I
get all worked up and I start tripping over my tongue.
This is called Hurting is the name of the track
from DZ the Gift here on Matt Connorton Unleashed on
I p M nation dot com. Thanks everybody.
Speaker 14: I'm anomive and I need.
Speaker 12: So much.
Speaker 9: Me to pay.
Speaker 14: Some change.
Speaker 3: Sold train last like one niggas in the corner, funny
trying to let that fast trans life art also white.
Speaker 14: O the corner Little but it ain't. The flipping birds
really get at me?
Speaker 12: I know, and I mean so much guy, huh hey,
I'm really how people that.
Speaker 3: So?
Speaker 5: Why so.
Speaker 12: Mind?
Speaker 3: I gotta be getting also talking and the judged don't tolerated.
So I scrambled everything and sick, ain't light but flix
my mind on switch ben it bes I gotta make
given me for my pist get to live, not like me,
raising a bet society and might beats up.
Speaker 4: But I got into it because twenty kids in.
Speaker 3: My I'm short the choice over late. I can't take
back all the years of paid I gotta review.
Speaker 4: Sorry from day.
Speaker 11: I'm sorry, I'm trying.
Speaker 14: I just know my and the more guy, I'm really.
Speaker 2: So me me me
Speaker 14: Ib emission dot com