WEBVTT

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<v Speaker 1>This episode may contain content that is not suitable for

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<v Speaker 1>all audiences. Listener discretion is advised, especially for those under

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<v Speaker 1>the age of thirteen. Welcome to Endo the Night. I'm

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<v Speaker 1>Narri your guide on today's excursion down a twisted path.

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<v Speaker 1>Be careful not to get lost. Be it dark or light,

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<v Speaker 1>it's easy to lose your way. Are you ready, then

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<v Speaker 1>let's begin, Magashanna.

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<v Speaker 2>The room fell silent. Considering what happened to the Hasmat team,

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<v Speaker 2>I don't think anyone could have spoken. If it wasn't

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<v Speaker 2>for the twitch in the hand of the dead man,

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<v Speaker 2>it would appear as if nothing had happened at all.

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<v Speaker 2>And yet, one by one they collapsed onto the hewn

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<v Speaker 2>stone floors, writhing there until death finally took them. I

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<v Speaker 2>remember personally cleaning and sealing a few of those suits.

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<v Speaker 2>They were supposedly completely sealed, protective from threats ranging from

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<v Speaker 2>viral agents to ionizing radiation, and we ourselves were locked

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<v Speaker 2>in hermetically sealed by mechanical locks behind keycard access, which

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<v Speaker 2>only made the truth of their debts all the more mystifying.

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<v Speaker 2>What could have both stirred the dead and killed my colleagues?

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<v Speaker 2>How to explain the convulsions, the desperate attempt to escape

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<v Speaker 2>the oozing, deep ruby red blood spilling from a thousand

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<v Speaker 2>microscopic pricks. I am ashamed to admit that when it happened,

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<v Speaker 2>I froze. We both did. But I was supposed to

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<v Speaker 2>be on shift for observations and recordings. I instead traded

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<v Speaker 2>the shift with Oscar, And now Oscar and Henry and

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<v Speaker 2>lew and Garrett were all lying on the floor in

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<v Speaker 2>some god forsaken crypt with a corpse from a different millennium.

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<v Speaker 2>I may as well have joined them, for how paralyzed

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<v Speaker 2>I was. In the observation room, the old CRT monitors

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<v Speaker 2>were deathly silent, still depicting the gruesome scene in that

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<v Speaker 2>coldly sterile manner that only a machine can. Silent enough

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<v Speaker 2>that I could hear my breath quiver at the pounding

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<v Speaker 2>of my heart, Silent enough that I could hear my

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<v Speaker 2>sole companion, doctor Keith, whispering her way through some prayer.

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<v Speaker 2>I couldn't recognize, silent enough that I could swear I

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<v Speaker 2>heard the blood trickling down the step towards the glass

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<v Speaker 2>sarcophagus where the body lay. I always thought they were

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<v Speaker 2>supposed to hum. I was a touch transfixed by the

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<v Speaker 2>flow of blood after a time. I blame it on

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<v Speaker 2>the lack of stimulus at the time of writing, but

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<v Speaker 2>in the moment I cannot be certain. It filled the

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<v Speaker 2>grooves in the floor and trickled and dripped with all

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<v Speaker 2>the urgency of fungal decay, torpidly making its way down

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<v Speaker 2>toward the sarcophagus, which sat in the center of the

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<v Speaker 2>burial chamber at its lowest point. At first I could

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<v Speaker 2>barely even watch, but as time passed, the disgust waned

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<v Speaker 2>and my morbid curiosity waxed. The mummy itself was an

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<v Speaker 2>undeniable oddity. From initial analysis, we were able to find

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<v Speaker 2>preserved blood vessels and organs from the X ray, but

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<v Speaker 2>also blood. Fresh blood. We were able to determine the

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<v Speaker 2>man entombed here had ab positive blood, judging from the

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<v Speaker 2>small sample we had extra from him. His hair was

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<v Speaker 2>still oily, and even his eyelashes and beard hairs were

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<v Speaker 2>still in place. If it weren't for the discoloration of

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<v Speaker 2>his skin from the mummification process, I could swear he

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<v Speaker 2>could get up out of his crypt and tell us

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<v Speaker 2>exactly what we were looking for. Even his pose felt

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<v Speaker 2>too lifelike to be completely sure he was dead. Rather

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<v Speaker 2>than the crossed arms of Egyptian mummies, he was laying

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<v Speaker 2>on his back, hands by his side, as if he

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<v Speaker 2>had simply drifted off to sleep, save the one that

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<v Speaker 2>had inexplicably twitched upward from the wrist. The plaque at

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<v Speaker 2>his feet read in that old Cunei form, behold Lugo Magashana,

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<v Speaker 2>king of Kiag, and devote yourself. The only disruption on

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<v Speaker 2>his form was that hand that had suddenly twitched up.

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<v Speaker 2>Lugo Magashana was an enigmatic figure. There were scant few

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<v Speaker 2>references to him from other Mesopotamian states, and those who

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<v Speaker 2>did refer to him did so in forbidding tones. From

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<v Speaker 2>what we knew within the research team, he was a

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<v Speaker 2>tyrant and superstitious even for his time in the temple

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<v Speaker 2>capital of Kireg, he led his priests in occult rituals,

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<v Speaker 2>though the supposed purpose of these rituals was lost to time.

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<v Speaker 2>We do know, however, that everything he did was in

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<v Speaker 2>service to his patron deity al Wepthis, while other Sumerian

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<v Speaker 2>gods like Marduke or Seamish or Inana were very well documented,

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<v Speaker 2>Al Wepthis seemed to have been struck from any sort

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<v Speaker 2>of record. We dreaded learning what these rituals may have entailed,

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<v Speaker 2>and considering the responses from the neighbors of Kireg, we

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<v Speaker 2>were right to do so. The city of Kireg was

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<v Speaker 2>completely lost to time as well, so attaining first person

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<v Speaker 2>perspectives of the rituals proved to be rather difficult. Other

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<v Speaker 2>cities only ever seemed to mention Kireg suddenly disappearing in

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<v Speaker 2>the middle of the night, spinning tallis about the hand

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<v Speaker 2>of Alwepthi's stretching down and taking Kirag into the heavens.

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<v Speaker 2>If it weren't for a few scant artifacts found where

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<v Speaker 2>Kireg was said to be, it would have been written

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<v Speaker 2>off as a fairy tale. There was one larger tablet recovered,

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<v Speaker 2>but unfortunately it was lost during the Iraqi invasion of

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<v Speaker 2>the Gaza Strip in the early nineties. Our patron, doctor

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<v Speaker 2>Jordan Emerick, had a researcher studying the tablet in secret,

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<v Speaker 2>and unfortunately he passed during the invasion. Whatever secrets he

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<v Speaker 2>learned were lost to time, and the city remained a

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<v Speaker 2>strange reminder of a more superstitious time even stranger, however,

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<v Speaker 2>were the jars kept here with him. Mesopotamian burial traditions

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<v Speaker 2>hardly included mummification. Grave goods would have been expected with

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<v Speaker 2>someone of his kingly status, But the jars were an anomaly.

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<v Speaker 2>Standing there against the wall, spaced out evenly, were large

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<v Speaker 2>jars standing up to about my waist, and each of

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<v Speaker 2>the jars was filled with fresh human blood, also type

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<v Speaker 2>to be ABE positive. It was a true mystery how

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<v Speaker 2>the blood, at the very least hadn't coagulated. Perhaps there

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<v Speaker 2>had been waiting the secrets of preservation that could keep

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<v Speaker 2>this nearly five thousand year old blood so fluid and

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<v Speaker 2>fresh that a new medical breakthrough was merely lying dormant,

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<v Speaker 2>waiting to be discovered under the greenery just off the

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<v Speaker 2>banks of the Euphrates. My mind briefly entertained the thought

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<v Speaker 2>of that blood being freshly taken from some poor, unfortunate

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<v Speaker 2>soul who wandered in before us somehow, but that was

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<v Speaker 2>quickly pushed away in favor of reason. The entrance had

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<v Speaker 2>been sealed when we found it, the doors wrapped tight

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<v Speaker 2>in some kind of animal sinew. Whoever last left this

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<v Speaker 2>tomb had intended it to stay closed, and for nearly

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<v Speaker 2>five thousand years, the world had agreed. While I was

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<v Speaker 2>left to my thought, doctor Key spoke to me. What

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<v Speaker 2>do we do now, Robert? She said, The sudden call

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<v Speaker 2>nearly split me out of my skin. What happened in there?

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<v Speaker 2>We can't go in, I started. We need to make

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<v Speaker 2>a call and get reinforced, resupplied. Her eyes widened incredulously.

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<v Speaker 2>We can't just wait and hear Her voice was vehement,

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<v Speaker 2>but her body was barely able to hold upright between

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<v Speaker 2>the weakness and her knees. I knew she was coming

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<v Speaker 2>down off the shock just as much as I was.

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<v Speaker 2>I couldn't blame her as opposed to what Ruth do

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<v Speaker 2>We just go in there and die too? At least

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<v Speaker 2>we'd be doing something other than just waiting to be saved.

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<v Speaker 2>Doctor Emerick is not going to waste all this funding.

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<v Speaker 2>I'm just going to send him a message and tell

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<v Speaker 2>him what happened. It won't take any time at all.

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<v Speaker 2>Doctor Emerick is in America. What can he possibly do

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<v Speaker 2>to help us? I couldn't answer her. We were alone

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<v Speaker 2>down here, no help, no hope. We sat in silent rumination.

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<v Speaker 2>I looked out to the bodies slowly draining on them.

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<v Speaker 2>We had to get to them somehow. There was still

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<v Speaker 2>a spare hazmat suit, But what good would that do?

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<v Speaker 2>I kept thinking and thinking and thinking, watching the blood

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<v Speaker 2>still inexorably flow down to the center of the chamber.

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<v Speaker 2>I watched it and started considering the ramifications. In most situations,

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<v Speaker 2>the blood surely would have stopped by now, it would

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<v Speaker 2>have found a natural settling point and started pooling. But

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<v Speaker 2>there was something else at work. Clearly, each of the

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<v Speaker 2>three men had a stream of blood pulling away from

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<v Speaker 2>them and towards the glass sarcophagus. I was transfixed, distracted

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<v Speaker 2>for the moment. In consideration of the physics involved. It

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<v Speaker 2>seemed to me that the blood ought to have simply

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<v Speaker 2>pooled around the bodies, or merely filled some grooves and

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<v Speaker 2>likewise settle. And yet here it flowed downward and downward

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<v Speaker 2>on the old corpse. I looked back over the mummy,

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<v Speaker 2>and what I saw chilled my very soul. The hand

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<v Speaker 2>had moved again, where it had simply lifted and remained

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<v Speaker 2>pronate before. The hand was now supine, two fingers raised,

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<v Speaker 2>palmed towards the ceiling. I turned back to doctor Key,

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<v Speaker 2>and my face must have said it all, for she

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<v Speaker 2>simply joined me and observed the hand. We went back

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<v Speaker 2>over the monitors and watched the video back, fast forwarding

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<v Speaker 2>from the time of the killings. What I saw there

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<v Speaker 2>in that recording I simply could not explain. At a

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<v Speaker 2>glacial pace, the hand that had twitched had, over the

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<v Speaker 2>course of an hour, slowly rotated into that position. As

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<v Speaker 2>inexplicable as the initial movement was. My mind boggled further

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<v Speaker 2>at this development. Perhaps the inexplicable preservation of the body

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<v Speaker 2>was to blame. Yes, that had to be it, of

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<v Speaker 2>suspended water via osmosis. Surely the body itself hadn't moved.

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<v Speaker 2>I couldn't help but laugh at the absurdity of it all.

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<v Speaker 2>Doctor Key, however, was even more determined to leave now.

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<v Speaker 2>She started suiting up in another hazmat suit, muttering the

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<v Speaker 2>same prayer from before as she worked. I couldn't blame her.

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<v Speaker 2>There was a rational explanation, surely, but fear was getting

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<v Speaker 2>the better of us. I couldn't let her leave. Of course,

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<v Speaker 2>there was some unknown menace out there still, perhaps some

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<v Speaker 2>kind of trap we simply hadn't seen until now. I

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<v Speaker 2>grabbed her shoulder and pulled her close. Ruth, you can't leave,

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<v Speaker 2>I said. We have no idea what's going on out there.

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<v Speaker 2>You're going to get yourself killed. She tore my hand

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<v Speaker 2>off her. Better I die trying for freedom than curled

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<v Speaker 2>up in here waiting, she continued, donning her suit. You

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<v Speaker 2>can stay down here all you like, but I'm getting

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<v Speaker 2>the hell out of here. You aren't thinking right, I shouted,

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<v Speaker 2>blocking the exit. You've got your whole life ahead of you.

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<v Speaker 2>We're waiting for help to come to us. First. Doctor

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<v Speaker 2>Emeric will save us. Don't throw your life away. Ruth

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<v Speaker 2>was clearly more determined than I was. However, She pulled

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<v Speaker 2>me away from the door, but I held her tight,

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<v Speaker 2>her back against my chest. We struggled and fought with

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<v Speaker 2>each other for a moment before she overpowered me. She

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<v Speaker 2>slammed my head against the wall. My whole world spun

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<v Speaker 2>around me, and my eyes filled with stars. I collapsed

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<v Speaker 2>to the floor, dazed and bewildered. When I was finally

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<v Speaker 2>able to gather myself, she was already outside and on

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<v Speaker 2>the radio. Robert, I promise I'm going to come back

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<v Speaker 2>for you, she said, her breath ragged from the fight,

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<v Speaker 2>but right now. I have to get out of here.

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<v Speaker 2>I tried to get back out there with her, has

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<v Speaker 2>map be damned, but she blocked the door from the outside.

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<v Speaker 2>I slammed my fist on the door and screamed her name.

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<v Speaker 2>I begged and pleaded with her not to go, but

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<v Speaker 2>I could hear her footsteps growing softer. I turned back

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<v Speaker 2>around to the window to watch her progress. She moved

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<v Speaker 2>slow and deliberately, still wary of whatever danger rested here

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<v Speaker 2>in the crypt. Step by step, inch by inch, she

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<v Speaker 2>made her way toward the channel leading upwards and outwards

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<v Speaker 2>to the surface. I listened to her breath grow ever

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<v Speaker 2>louder and fearful as she continued. She was by the

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<v Speaker 2>other bodies at this point, no worse for the experience.

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<v Speaker 2>I thought perhaps the danger had passed, that she had

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<v Speaker 2>a window of opportunity. That was until I caught some

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<v Speaker 2>motion out of the corner of my eye. The Mummy's

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<v Speaker 2>head slowly turned towards me. I watched it turn in

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<v Speaker 2>real time, slowly and methodically. His face was indifferent, his

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<v Speaker 2>eyes now open. We stared at each other for what

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<v Speaker 2>felt like minutes but couldn't have been more than seconds,

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<v Speaker 2>and then the light exploded. Every bulb, every monitor, every

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<v Speaker 2>perceivable source of light all burst in an instant. Sparks

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<v Speaker 2>flew for a few seconds, giving the last moments of

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<v Speaker 2>light in what was assuredly the end of my life.

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<v Speaker 2>I heard Ruth scream through the glass. The radio feed

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<v Speaker 2>was completely silent. I dared not utter a sound, nor

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<v Speaker 2>make a single movement. Doctor Key as well, stopped from

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<v Speaker 2>the sounds of things, complete and total silence. For the

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00:14:29.200 --> 00:14:33.039
<v Speaker 2>first time. I could remember, not even the sigh of ventilation.

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<v Speaker 2>I could hear my heart pounding, my hands rubbing, I

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00:14:37.759 --> 00:14:41.840
<v Speaker 2>swear even my sweat beating on my forehead. My mind

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<v Speaker 2>raced with possibilities. The phenomenon surely came back, and now

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<v Speaker 2>Ruth was bleeding out on the floor. I had nothing,

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<v Speaker 2>not even the beginnings of a plan. I knew I

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<v Speaker 2>had to get out, But how I could tackle the

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<v Speaker 2>door and hopefully dislodge whatever Doctor Key had put in

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<v Speaker 2>place to lock the door? Would that even be possible?

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<v Speaker 2>Was I simply stuck here for the rest of my days,

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<v Speaker 2>however limited they may be. I could feel the tears

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<v Speaker 2>beginning to well in my eyes, my throat closing, my

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00:15:12.399 --> 00:15:20.039
<v Speaker 2>chest hollowing. Eventually However, the silence was broken. Robert said, Ruth,

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<v Speaker 2>I'm still here, Doctor, I responded, The relief nearly pulled

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<v Speaker 2>a laugh out of me. Thank God. Do you have

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<v Speaker 2>any idea what happened? It had to have been whatever

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<v Speaker 2>killed the others. I saw them, and then came a scraping.

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<v Speaker 2>The sound started, and I was unsure of what I

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<v Speaker 2>was hearing until the crash of broken glass destroyed the

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00:15:42.600 --> 00:15:45.559
<v Speaker 2>new piece in the tomb. It had to have been

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<v Speaker 2>the sarcophagus. There was nothing else in there that could

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<v Speaker 2>have made such a sound. We both fell completely silent

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<v Speaker 2>as a new sound emerged, a footstep singular. After a

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<v Speaker 2>few moments, another came. I could hear the panic in

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<v Speaker 2>doctor Key's breath over the radio. She was trying her

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<v Speaker 2>best to be silent, but the terror in her heart

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<v Speaker 2>and the anxiety in her head kept her breaths trembling

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<v Speaker 2>and frail.

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<v Speaker 1>The footsteps continued.

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<v Speaker 2>I was having a hard time tracking where they were

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<v Speaker 2>headed until I heard the curious sound of moving fluid. Ruth,

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<v Speaker 2>what the hell is going on out there? I whispered

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<v Speaker 2>as quietly as I could into the receiver. The mummy

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<v Speaker 2>is moving, Doctor.

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<v Speaker 1>Key said, doing her level best to stay calm. The

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<v Speaker 1>fucking mummy is alive and moving.

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<v Speaker 2>Robert, what what do you mean? The mummy is alive?

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<v Speaker 2>I nearly shouted, but I caught my voice before it

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<v Speaker 2>could get too loud.

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<v Speaker 1>The mummy is alive and it's doing something with the blood.

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<v Speaker 2>She was breathless and still. She stood there silently before

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<v Speaker 2>attempting to speak. I'm coming back to you, don't you

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<v Speaker 2>fucking dare? I responded, Stay still and try not to

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<v Speaker 2>make any noise. You are in serious danger. She ignored me.

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<v Speaker 2>I heard her footsteps start up. I tried to find

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<v Speaker 2>some corner to hide in. Slowly she made her way

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<v Speaker 2>over to the door, and slowly I heard whatever she

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<v Speaker 2>had put in front of the door move, calling out

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<v Speaker 2>in a distant stone on stone scrape. Was it one

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<v Speaker 2>of the jars? I could hardly believe.

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<v Speaker 1>What she had done.

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<v Speaker 2>I kept in my little corner, praying for safety. When

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<v Speaker 2>I heard the footsteps start again, I had to act fast.

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<v Speaker 2>I kept quiet, inching to the radio. Before I could

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<v Speaker 2>speak to her. Move Ruth, I shouted in silence, she

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<v Speaker 2>fucking here's you. She didn't respond verbally, She just started

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<v Speaker 2>moving to Her footsteps were as silent as she could

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<v Speaker 2>make them, but the mummies were loud enough.

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<v Speaker 1>To track Ta ta tag tag.

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<v Speaker 2>Slowly and inexorably, making its way to me. I heard

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<v Speaker 2>the crackling of his joints stirring again. After who knows

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<v Speaker 2>how long I hid back in my corner. What else

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<v Speaker 2>could I have done. I kept deathly still, waiting for

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<v Speaker 2>the inevitable end.

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<v Speaker 1>Tag ta tah tab.

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<v Speaker 2>Closer and closer. Still. My eyes flooded with tears, and

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<v Speaker 2>my breath came out in a whimper. I was going

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<v Speaker 2>to die. I knew it. I could see the handle

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<v Speaker 2>till the door start shaking. The clasp came undone, and

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00:18:43.279 --> 00:18:46.759
<v Speaker 2>it was slowly opening. It was my fate to die

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<v Speaker 2>along with the others. Ruth, however, had a different idea.

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<v Speaker 2>From across the room, there came a crash. It seemed

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<v Speaker 2>like Ruth had broken one of the jars. The door

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<v Speaker 2>stopped and the footsteps started. She had saved me. I

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00:19:03.279 --> 00:19:06.039
<v Speaker 2>had to act fast. I crept out of the corner

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<v Speaker 2>and over to the now open door. Slowly, silently, I

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00:19:09.920 --> 00:19:12.839
<v Speaker 2>slinked out and made my way for the exit. I

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00:19:12.920 --> 00:19:15.039
<v Speaker 2>had to feel my way out. There was still no

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<v Speaker 2>light and only the sound of the Mummy's footsteps. I

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<v Speaker 2>couldn't tell where Ruth was. I hoped against hope that

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00:19:23.559 --> 00:19:25.559
<v Speaker 2>this would be enough of an opportunity for the both

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<v Speaker 2>of us. At last, I found the stairs, but how

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<v Speaker 2>to alert Ruth. I felt around the ground for something,

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00:19:34.079 --> 00:19:37.440
<v Speaker 2>some loose stone I could throw. When my hand ran

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<v Speaker 2>against something soft and rubbery, I froze. I was dead.

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<v Speaker 2>I could hear the soft crackle of movement right next

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<v Speaker 2>to me, one hand on my back, another on my head,

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00:19:52.039 --> 00:19:55.920
<v Speaker 2>then both beneath my arms, lifting me. At the very

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00:19:56.000 --> 00:20:00.759
<v Speaker 2>least my death would buy Ruth some time. Silently sobbed

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<v Speaker 2>as the end came. As I heard a hiss emerge

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<v Speaker 2>next to me.

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<v Speaker 1>Shit.

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<v Speaker 2>Ruth hissed. I could hardly contain my elation that it

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<v Speaker 2>was her salvation. Be client Robert. We have to get

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<v Speaker 2>the door open all at once, I remembered. The door

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00:20:21.000 --> 00:20:24.200
<v Speaker 2>kept everything sealed tight. We merely had to swipe a

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00:20:24.240 --> 00:20:27.680
<v Speaker 2>key card to get out. I fumbled for mine, grasping

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00:20:27.720 --> 00:20:30.640
<v Speaker 2>it in hand, and groped around for the scanner. The

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00:20:30.720 --> 00:20:33.720
<v Speaker 2>mummy had stopped moving for the time being. I could

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<v Speaker 2>almost see him watching us, feeling for our presence in

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<v Speaker 2>the inky black tomb. Were we to become the contents

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00:20:41.200 --> 00:20:44.839
<v Speaker 2>of even more jars. I couldn't afford to think about that.

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<v Speaker 2>I had to find that goddamn scanner and get us

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<v Speaker 2>out of here. And at last I had found it.

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<v Speaker 2>I scanned my key card, finally free, the door unlocked

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00:20:56.519 --> 00:20:59.279
<v Speaker 2>with a beep and a hiss. The door slowly opened.

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<v Speaker 2>My heart sank.

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<v Speaker 1>Ta ta ta ta.

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<v Speaker 2>I nearly screamed. I pushed against the slowly sliding doors.

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<v Speaker 2>Ruth joined me. We fought against the mechanism in desperate

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<v Speaker 2>hopes of opening the door just a little faster.

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<v Speaker 1>Ta ta ta ta.

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<v Speaker 2>The mummy grew closer and closer.

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<v Speaker 1>Tah tah tah tah.

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<v Speaker 2>Finally the door was open enough for me to slide through. Ruth, however,

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<v Speaker 2>could not, her hazmat suit was too bulky to fit through.

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<v Speaker 2>I felt her push me through the opening. I screamed

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<v Speaker 2>and reached for her. I clawed back. There was no

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00:21:49.200 --> 00:21:52.559
<v Speaker 2>way I was leaving her behind, but then I felt

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00:21:52.559 --> 00:21:56.079
<v Speaker 2>her suddenly leave. She was torn back into the darkness

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00:21:56.200 --> 00:22:01.480
<v Speaker 2>by incontrovertible force. I reached and prodded, desperately, trying to

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00:22:01.519 --> 00:22:07.119
<v Speaker 2>find any remaining sign of Ruth's presence. The doors continued opening, slowly,

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<v Speaker 2>letting more moonlight into the scene, and there I saw

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00:22:10.839 --> 00:22:16.640
<v Speaker 2>the Mummy holding Ruth, his eyes locked with mine. An ancient,

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<v Speaker 2>mystifying terror beset me, like I was looking directly into

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<v Speaker 2>the mouth of some slavery, ravenous beast. I saw his

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00:22:24.720 --> 00:22:28.079
<v Speaker 2>mouth torn into her neck. Her blood was oozing out

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00:22:28.079 --> 00:22:33.240
<v Speaker 2>from her wounds, Her head twisted impossibly backwards. The visor

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00:22:33.279 --> 00:22:35.920
<v Speaker 2>of her hazmat suit had been removed, and I could

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00:22:35.920 --> 00:22:39.440
<v Speaker 2>see her lip quivering and her eyes slowly rolling backwards

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00:22:39.480 --> 00:22:43.160
<v Speaker 2>into her head. Her body twitched and quaked, like the

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00:22:43.200 --> 00:22:46.880
<v Speaker 2>leg of a dying spider, jerking and spasming, while her

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<v Speaker 2>blood spilled on the ground. I scarcely remember what happened next.

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<v Speaker 2>My mind was not my own. All I can remember

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<v Speaker 2>was howling and screaming into the night, tears streaming down

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<v Speaker 2>my face. At some point I must have made my

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<v Speaker 2>way to town and got picked up by the police.

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<v Speaker 2>Some of the more superstitious of the officers claimed I

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<v Speaker 2>had been possessed by a gin, but most of them

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<v Speaker 2>merely accepted that I was having some sort of mental breakdown.

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<v Speaker 2>I attempted to explain what happened to me, but the

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<v Speaker 2>words simply wouldn't come out. Even if they did, I

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<v Speaker 2>don't know that they would be so readily accepted in time.

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<v Speaker 2>I simply gave them a line about being attacked in

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<v Speaker 2>the desert by bandits, that all my friends had died

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<v Speaker 2>and we were due to return to the United States.

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<v Speaker 2>They took some of my contact information and sent me

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<v Speaker 2>on my way to the embassy in Baghdad, where I

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<v Speaker 2>was taken home. I attempted to get back in touch

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<v Speaker 2>with doctor Emmerick. I had figured he'd want to know

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<v Speaker 2>what happened on the expedition and in the tomb, but

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<v Speaker 2>I was never able to reach him. His phone number

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00:23:52.319 --> 00:23:56.079
<v Speaker 2>was disconnected and his email address merely bounced everything back.

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<v Speaker 2>I even went so far as to contact his university,

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<v Speaker 2>mar Elias University of Arizona. I was met with a

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00:24:04.440 --> 00:24:08.519
<v Speaker 2>most chilling revelation. They had no idea who he was.

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00:24:09.319 --> 00:24:12.480
<v Speaker 2>I attempted to find my communicates with him, only to

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00:24:12.480 --> 00:24:14.880
<v Speaker 2>find they had all been removed while I was in Iraq.

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<v Speaker 2>My mind folded inward on the revelation. The only conclusion

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<v Speaker 2>that I could come to was that he somehow knew

379
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<v Speaker 2>this would happen that Lugo Magashana would somehow rise from

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<v Speaker 2>his crypt to taste blood once again. The only question

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<v Speaker 2>I had left then was why go through all the

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00:24:36.359 --> 00:24:40.400
<v Speaker 2>effort just to feed him? What was the purpose behind

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<v Speaker 2>this senseless slaughter? I fear I do not know, and

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<v Speaker 2>I fear that this may only be the beginning of

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<v Speaker 2>things to come.

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<v Speaker 1>Thank you for joining me for this episode of the

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<v Speaker 1>Endo the Night Anthology podcast. Narrated by Nari Quak, theme

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<v Speaker 1>music by Nico Rodriguez, all other original music, sound design

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<v Speaker 1>and editing by Omenhawk Studios. You can find our links

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<v Speaker 1>in the show notes. Into the Night is on your

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00:25:13.839 --> 00:25:17.319
<v Speaker 1>favorite podcatcher, so make sure to like, subscribe and leave

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<v Speaker 1>a five star review to help other excursionists to join us.

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<v Speaker 1>I'll see you next time, and remember, whether in the

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<v Speaker 1>shadows or in the daylight, all twisted paths lead you

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<v Speaker 1>into the night. Into the Night Anthology is a creative

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<v Speaker 1>typo entertainment production.