Speaker 1: A fiery horse with the speed of light, a cloud
of dust.
Speaker 2: And a hardy, high old silver.
Speaker 3: The Lone Rangers.
Speaker 4: And as transport cost and at a compostor.
Speaker 5: Stop stop another us stop stop stop stop, stop up
step stop.
Speaker 1: The stories of the Lone Rangers' adventures were told and
retold around thousands of frontier campfires, and many of those
stories have come down to us through the generations. We
know that the Masked Rider of the Plaines did more
than any other man to bring law and order to
the early Western United States, and that Hio Silver came
to be the battle cry of justice. Return with us
now to those thrilling days when the West was young.
From out of the past. From the thundering hoof beats
of the great horse Silver, the Lone Ranger rides again.
Speaker 6: Come on, Silver, we're heading for Baker City.
Speaker 1: Ahead, the masked man and his faithful Indian companion, Toto,
rode slowly toward Baker City, less than a mile from town.
Because they were passing a grove of trees, Toto's horse
pointed nervously and for no current reason, came to a
clattering hawk.
Speaker 7: What horse, that funny thing? Maybe there's a snake on
the trail. M me not see him, but what look
over there? Tell her what you see may be wrong,
but I want to have a look. Huh, Come you've
seen anything? By the base of that tree, grass went
he torn though. There might have been a fight here,
but that isn't all there blood, that's what must have
frightened your horse. Hm.
Speaker 4: Hm.
Speaker 7: Whoever was here trying to cover it up, but he
was in too big of a hurry to do a
good job. That right. You look there on a tree,
when is it teller hair?
Speaker 2: Hair from horse?
Speaker 8: Yes, black hairs. Someone riding a black horse was here.
The horse must have rubbed up against the tree and
these hairs were caught in the bark. Do you find
anything else?
Speaker 7: You must have that all. This may mean nothing or
it may mean a lot. Me think color get killed.
Speaker 6: What we do?
Speaker 7: There's nothing we can do except going to town. What
we do there?
Speaker 8: Perhaps I've had word there of a shooting steady old boy.
Most likely there's nothing to worry about it, but it
won't hurt to find out.
Speaker 7: Come on, get him out of paint hark.
Speaker 1: At the same time, the masked man and Tonto were
examining the evidence beneath the grove of trees. Three men
were standing before the bar of the cafe and Baker City.
One was more Predice, a rancher with an outfit fifteen
miles from town. The second was Clem Sawyer, the town's
domineering banker, and the third was Phil Tracy, a gambler
who spent most of his time at the cafe's gaming tables.
The three men were engaged in what seemed to be
a friendly argument.
Speaker 2: Here, Clym, what I need to find out is how
you and feel New was figuring to buy that there
diamond Jason Yorke brought to this town.
Speaker 7: You didn't have a notion you could put something over
on us, did you, mout?
Speaker 9: I ain't as easy as that, And from the looks
of it, Clem, ain't neither.
Speaker 2: You two are always trying to go me one better.
Speaker 7: What you mean, Mort is that you and fill are
always trying to get the best of me.
Speaker 2: No, that ain't right neither, Clem.
Speaker 9: It's Ew and Mort that are staying away knights to
get ahead of me.
Speaker 7: Well, I put it over on the tour hell the
time I bought Blackie, that horse of yours. M M,
he's the best horse you ever seen.
Speaker 9: He ain't in the same class with that black horse
I bought him.
Speaker 2: You're both local compared to that horse of mine. Yours
are just a couple of stove in kaiuses that ain't
hardly got the strength to walk to the feed box
for rope?
Speaker 9: Why you dragging hold on?
Speaker 7: Hold on? That just goes to prove what I was saying. Yeah,
because I buy me a black horse. You two fellas
think you've got to have black horses to beat mine.
Speaker 9: How about the time I bought me that fancy saddle
YouTube Mavericks didn't waste no time having saddle just like
it sent out from Denver.
Speaker 2: Talk all you want to feel, and you too clam
But if the booth of you ain't here to try
and outbid me for that diamond old man York brought
from Frisco, then I'm a sheeper.
Speaker 7: Well you didn't figure on hogg it in for yourself,
did you say? Just who is this fellow York?
Speaker 2: Ain't you never heard of him? Why? He's the biggest
jewry in the hull of Frisco.
Speaker 7: Know him, do you?
Speaker 8: Well?
Speaker 2: He's never been in these parts before. But I met
him once when I was on the coast.
Speaker 7: The white hands would go out and talk to him.
Now more, he's in his room, isn't he.
Speaker 2: We're supposed to wait for the young fellow that's his bodyguard.
Speaker 7: Ain't that him? Just coming in?
Speaker 6: For sure?
Speaker 2: It is?
Speaker 7: What's his name?
Speaker 6: More?
Speaker 7: He calls hisself Dick Leonard, Dick, Hey, Dick, you want me?
We're waiting to see your boss.
Speaker 9: We heard he's got one of the biggest diamonds ever
seen in these parts.
Speaker 2: That's right, sure is her beauty? You fellas aimed to
buy it? Well, one of us stirs come along in
his Room's just at the head of the stairs.
Speaker 7: I'm long, fellas, Why won't he come down?
Speaker 10: Well, if his cash gonna change hands, it ought to
be where it's privately.
Speaker 7: Here's the steps.
Speaker 11: Well, I'm declaring myself right now, I'm gonna have that
diamond if I gotta get a mortgage on my ranch
from claim.
Speaker 3: To buy it.
Speaker 7: Ain't so sure? Right Alongia and a call I got
cash of plenty.
Speaker 9: It's all morning, you fellas. If either one of you
aims to get that stone away from me, you'll have
to be mighty high.
Speaker 2: You are two of the most contrary customers down York's door.
I'll lock to let him nowhere here.
Speaker 7: I'm gonna go ahead.
Speaker 2: He don't answer.
Speaker 7: Maybe he's napping.
Speaker 2: That's funny. He don't often sleep during the day. I'll
rap again.
Speaker 7: Yeah mm, he wouldn't have gone out wood.
Speaker 2: He said he'd be right here. Maybe you better try
the door. I don't suppose he's anything wrong, but just
loo anyhow, the door is unlocked. He can't be so
very look at there.
Speaker 7: Well, I'll be come here.
Speaker 2: He's been shot, mister York. Can you hear me? This
is Dick. I won't do no good. He's dead, all right.
But where's the diamond?
Speaker 5: Uh?
Speaker 2: He kept in a little shamois bag and a special
pocket he had.
Speaker 7: Take a look and see if it's there.
Speaker 2: I'll soon find out. How bet it's gone? What else
would he have been shot for?
Speaker 9: Can you find a dick?
Speaker 2: Just a minute?
Speaker 7: Watch? You better get the sheriff. This is something for
the law to handle.
Speaker 2: I see him downstairs. I'll have him right here. What'd
you find out, Dick?
Speaker 3: It's gone?
Speaker 7: The diamond ain't no sign of it.
Speaker 2: The bag's here, but it's empty. What's that under York's hand?
Speaker 7: It's a piece of paper.
Speaker 2: I'll get it.
Speaker 7: What's to say, Phil, all.
Speaker 2: The low down tricks?
Speaker 10: Put up your hands, just skunk, you don't mean Oh
look here, don't you choose me of it.
Speaker 2: I didn't do it.
Speaker 9: Reach Dick, heist your hands and make it fast.
Speaker 2: You're wrong. Look here, Phil, I didn't hash him.
Speaker 1: Take his gun, Clem.
Speaker 7: I'll take his gun, Phil, but i'd sure like to
know what you're accusing, Dick.
Speaker 9: For Get the gun, then I'll tell you.
Speaker 2: Listen, boy, there's a mistake. There's a big.
Speaker 9: Mistake here, Clem. Have a look at this note. It
was written before York died.
Speaker 7: Let me see it, writ and sort of squaggling. Need it? Yeah,
it's enough to put the blame on.
Speaker 2: You, all right, Dick, what's to say?
Speaker 7: I was shot by my bodyguard? That's you, Dick.
Speaker 2: It's a lie.
Speaker 9: Let me see that note so as you can chew
it up and destroy the evidence. Huh, not a chance.
We told you what it says. Now you just keep
your hands high till we get the sheriff.
Speaker 2: Here. I know York's handwriting, Let me see if it's his.
Speaker 9: A man, don't bother the wright and his familiar style
when he's dying writ and don't mean anything.
Speaker 7: You gotta listen to me now I'll save your talk
to the jury and the sheriff. Beck, what's all the commotion. Oh,
here's the sheriff mort Now come in here, Cheff blame.
Speaker 6: What's crewing up?
Speaker 7: Hey?
Speaker 2: Phil?
Speaker 6: What do you holding your gun and Dick for?
Speaker 9: I reckon, We already got the prisoner for your shriff.
Speaker 2: Listen to me. It's a frame up. I didn't do it.
Speaker 8: That's what about nine killers out of him? Say, it's
funny the number of men claim they was framed. It's
Jason York has been shatty.
Speaker 7: There he is, poor critter. Phil has a note. Let
me see it here you are tell.
Speaker 9: Just why I slap leather and disarmed Dick Leonard sheriff.
Speaker 7: Let me up like it and reading this it's evidence
in it.
Speaker 6: I reckon it is.
Speaker 7: Let me see the shooting man. Here it is.
Speaker 6: Thanks Clym.
Speaker 2: You can see, Sheriff, the gun ain't been fired. Smell it,
but you can prove it.
Speaker 8: You know, Ketrick just fired. Bear looks clean. Don't smell
a burnt powder.
Speaker 6: Don't prove a thing.
Speaker 7: The first thing a smart killer does is to clean
his gun and replace the fired shells. We'll take the
gun is evidence, along with a note.
Speaker 2: Sheriff will let me have a look at that.
Speaker 7: Sure, keep your hands right where they are, look as
much as you please. That's you that's mentioned here in it.
Speaker 2: Yeah, but that ain't Yorke's handwriting. No, no, it ain't.
Speaker 6: A jury'll discuss that angle of it.
Speaker 7: Lennon, fall that dirty frame ups.
Speaker 2: You can't hang in the strength of that note. You
can't as well. Fast up, Dick, where's the diamond at?
How'd I know? Don't know why you wouldn't feel as
you killed Yorke to get it. You do best to
tell the truth, Dick.
Speaker 7: Sure, come clean, tell us where the diamond's hid. The
law might go a little easier with you.
Speaker 2: I don't know where the diamond is.
Speaker 10: I didn't kill York. I didn't touch that diamond. You
can jail me, if you're a minder, you can hang me.
But I won't tell where that diamond is. I can't
tell because I don't know. And that's the honest of
gosh truth.
Speaker 6: An You better come along, Dick. I can have nothing
to do but jail you.
Speaker 7: I wouldn't decided on that too. Quickly.
Speaker 2: What did he come from?
Speaker 6: Well, stick your hands up, mister your not so fast.
Speaker 7: You're on covin.
Speaker 8: I got a gun on you.
Speaker 7: If we have each other COVID, drop your gun. I
won't come it. You can't squeeze that trigger fast enough.
Speaker 2: Drop it quick.
Speaker 7: That's better. Now we can talk.
Speaker 6: Who will tell it?
Speaker 8: I can best explain my being here by saying I'm
interested in seeing this murder salad, and why resting that
man won't solve it?
Speaker 2: Who says it? You really know?
Speaker 7: Anyone could write a note?
Speaker 6: What does that mean?
Speaker 2: But it's signed?
Speaker 7: Is there anything to stop you from signing whatever name?
You want?
Speaker 6: Me?
Speaker 2: Lamb safe?
Speaker 8: You can't write anything my shake, mister, don't look at me.
I don't know if the dead man is supposed to
have written a note in this room? Isn't it natural
to suppose he would have been shot in this room?
Who in blaze says he wasn't shot in this room?
Speaker 6: Now you get out of here, mind your own business.
Speaker 7: What is there to prove he was shot in this room?
Speaker 2: What's that?
Speaker 7: Look around here? Is there any sign of a man
being wounded or shot? I don't see any staining.
Speaker 2: I don't prove it.
Speaker 7: Hold on, mister, I don't know who you are. It
seems you're aiming to find a murderer.
Speaker 2: How was the man shot?
Speaker 7: Drilled clean through the heart?
Speaker 2: He was killed?
Speaker 7: Mighty sudden, mighty sudden. Eh, we must have been.
Speaker 8: And yet you claim he was able to get to
that table and write a note and sign his name
to us.
Speaker 10: He couldn't have. Don't you see, Sheriff. That lets me out.
That shows the note is faked. It proves the note
don't mean anything, and without the note, there's nothing to
accuse me. Do you know your handwriting as well as
I know my own, and that note weren't written by him.
Speaker 7: That's about what I thought.
Speaker 8: Hey, well you thought, war stranger, Perhaps perhaps I'd better
keep my ideas to myself.
Speaker 6: Now see here, If.
Speaker 8: You're gonna bust into this case, you gotta let something
to say right now, erff, suppose you could ride ahead
as you had planned.
Speaker 2: Don't let me down. Wait stranger, don't leave, will meet again, Dick,
don't go. You're the only friend I've got If you
only wanted.
Speaker 6: Police, keep your chin up. Now you hold out, I
want to talk to you.
Speaker 7: Don't try to follow me. That I'll get the key
out of the door here.
Speaker 2: Don't let him get away, grab it.
Speaker 7: I've a cover.
Speaker 2: No hold on here, cut the back way.
Speaker 7: Why you not tell aw what you kind? And then
he did kill us on me. Now I have another plan.
Speaker 2: What that?
Speaker 7: We need certain information, but one way have it Tattle,
we'll trap the killer.
Speaker 1: The curtain falls on the first act of our thrilling
Lone Ranger drama. Before the next exciting scenes, please permit
us to pause for just a few moments now to
continue our story. On the strength of the note which
accused young Dick Leonard of murder, the Sheriff of Baker City,
accompanied by mort Prentiss, Clem Sawyer, and Phil Tracy, took
Dick to jail and locked him up.
Speaker 7: Hey, I Reckon, I'll hold you all right.
Speaker 2: You're making a bad mistakes Hereff.
Speaker 7: Maybe so, but I'll take my chances on that, Sheriff.
Speaker 2: What we want to know is where he put the
diamondy store.
Speaker 6: You'll talk before I am through with him.
Speaker 2: You heard the things a mask man said. I'll bet
Jason won never killed my room.
Speaker 10: You know how on the Blazers could Jason riddlant thing
after being shot through the heart the way it was.
Speaker 6: It ain't for me to say lots more.
Speaker 2: I can prove that note wasn't in Jason's handwriting.
Speaker 10: Yeah, oh, I said in the Frisco for other things
he wrote, then you could compare them.
Speaker 6: Frisco's a mighty long ways off one way.
Speaker 8: I reckon the judge will be sober enough the whole
court long before you could get an answer.
Speaker 2: I wish I could talk that mask fella again.
Speaker 3: Mm hmm.
Speaker 7: There's some things I would like to ask myself, Sheriff.
Speaker 9: Maybe Dick and the mask fellow was in on the
killing together.
Speaker 6: They might have been.
Speaker 7: It sure wouldn't surprise me for sol By.
Speaker 1: Golly huh.
Speaker 2: Maybe that explains. It explains lot more where the diamond
got to. Maybe Dick kilt Jason stole the diamond then
slipped it to the mask comrade. That's it, Sheriff, you
gotta find that for her. I'll get a possey together,
I'll ride in the sheriff, and sure we'll all go.
You fellas a clean local. I'll bet the mask man
didn't have the more to do with the kill. Him
and I did, But that was our plenty.
Speaker 9: Let's get started sheriff. If we don't wait too long,
maybe we can pick up the trail.
Speaker 2: Yeah, come on, what's that? Look the mask man again.
He was listening to what we say, and it's just.
Speaker 6: Too bad for him. Now we'll did him for sure.
Speaker 1: The sheriff and his companions tried to follow the lone ranger,
but the great horse Silver soon outdistanced the pursuit. For
the next three days, a posse led, but the sheriff
scoured the hills for some clue to the masked man's
hiding place. They were unsuccessful, however, and in the meantime,
neither the ranger nor Tonto had been idle. The fateful
Indian had made careful inquiries in the surrounding district and
brought the information he gathered to his friends.
Speaker 8: Then there are three men who might have killed Jason York.
That is, if we're right in supposing and we shot
near that drove of trees instead of in the hotel.
Speaker 1: Mmmm.
Speaker 7: Cont not think him shot in hotel? Doesn't seem likely?
Only more trentis mentioned hearing a shot, he may have
imagined it. Hm that right. Three men in town own
black horses.
Speaker 2: RT.
Speaker 8: Prattis Clems Sawyer and Phil Tracy and not all All
three wanted to buy the diamond Jason brought with him,
and not a one of them could really have afforded it.
Speaker 1: That what me here?
Speaker 8: The Mortars had a bad year with his ranch. Ah
has been talked to. Clem's bank is shaky. He might
have stolen the diamond knowing some place where he could
turn it into cash.
Speaker 7: Clny Feller say, bank need cash. And Phil Tracy has
had an unlucky streak at gambling. I've heard he's lost thousands,
and him bad Feller the gambler would probably be able
to dispose of a diamond easily. What you think bout
Feller named Dick.
Speaker 8: I doubt that Dick killed Jason the murderer wrote that
note accusing Dick. He certainly wouldn't have accused himself that right,
And no matter what the sheriff thinks, Jason couldn't have.
Speaker 7: Lived long enough to write that note.
Speaker 2: What we do that?
Speaker 7: Oh? I think we can trap the killer to night?
That be good thing.
Speaker 2: Here's over.
Speaker 7: It'll be dark for the time he reached town in
paint parts.
Speaker 6: Do you understand what you'rena do?
Speaker 7: Don't you tell him? Humph me No, good, come on
silver on paint porn.
Speaker 1: That evening, Phil Tracy the Gambler, following his usual custom,
went to the cafe where he joined in the game
of poker, already in sasion. His luck, however, was still
against him, and at length he pushed back his chair
impatiently and threw his cards on the table.
Speaker 9: Last of luck and had such bad cards and years.
Speaker 2: Yeah, I just put the gun in my back.
Speaker 7: Well, what's that to me?
Speaker 2: And then he gave me this paper for you. What's that?
He said, to give it to you right away?
Speaker 7: What's paper?
Speaker 2: Where is it? Here?
Speaker 6: Was he?
Speaker 2: I never got a look at him, he said.
Speaker 7: If I tried to turn around, he chewed.
Speaker 2: But maybe he will love me. What's it say? None
of your blame business? You need to get mad? Bad news, Phil,
What are you looking so white about? Can't you tell
us what's in it? Ain't the note signed? It ain't signed.
Speaker 9: And I just said, it's nobody's business.
Speaker 2: What's in it?
Speaker 9: But if I find a fellow that wrote it, I'll
fill him full of lead.
Speaker 1: Clam Sawyer was alone in the office of his bank
when suddenly the door burst open.
Speaker 7: Don't turn around. This isn't a hold up, but I
said not to turn around.
Speaker 2: Who are you?
Speaker 8: I've heard that voice before, and I've got a message
for you, a message, but don't read it until I'm gone. Wait,
you will understand when you read the note. That's two
of them, silver O fellow gonna call on more?
Speaker 7: Come on silver.
Speaker 1: Mark Prentice had been talking with the sheriff about pick
Leonard's trial for more than an hour. Finally, he said,
I guess we can leave everything up to you, Sheriff.
Speaker 2: Good night. Yeah, well, looks like that young fellow is
gonna hang.
Speaker 6: Sure enough, stand where you are?
Speaker 7: What turn around? I'll call the sheriff lead this and
I think you'll change your mind.
Speaker 2: What is say?
Speaker 7: You'll soon know.
Speaker 2: Wait, come back here.
Speaker 7: You may need again more?
Speaker 11: Yep, come on, that's a blame funny thing. Who was
that fuller anyhow? And what places it's in this paper?
Speaker 1: After mort left, the sheriff made ready to lock up
his office for the night, but first he went to
Dick Leonard's cell. The young man still protested his innocence
in the face of the evidence against him.
Speaker 2: Sheriff, if you hang me, you're hanging the wrong man.
Speaker 10: The judge will decide that day, Jane, he'd let me
write to Friscal like I said, to get samples to
Jason's handwriting.
Speaker 6: I did that myself. Huh yep.
Speaker 8: I figured if you was bluffing, I'd just call your
bluff and you'll get an answer for the trial.
Speaker 7: You can't see about that, But it ain't impossible, I reckon.
Speaker 2: Maybe I would apologize to his sheriff. I had a
notion he was just trying to frame me for the killer,
without care whether I'd done it or not.
Speaker 6: Well, I got to thinking over.
Speaker 2: What the mask man said, and he decided he was right.
Speaker 8: No, not exactly, but he did mention one or two things.
It might need a little clear enough.
Speaker 2: Well, a redskin, eh, you tan Stale, But what do
you do?
Speaker 7: What Tonto tell?
Speaker 6: You?
Speaker 2: Got your cover here?
Speaker 7: Why you won't he an open door?
Speaker 6: You can't make me an open door. Careful of that
gun engine?
Speaker 7: You hurry, just when I was beginning to think that
maybe you wasn't guilty, or try a stunt like this here.
Speaker 2: If I had nothing to do with the redskin coming here.
I've never seen him before.
Speaker 12: You expect me to believe that he's the true open door.
I am, But you'll pay for this engine, and you too, Dick.
You come me, red skin, This makes you just as
guilty as him.
Speaker 8: You come too, and I tell you we can't ride
a ride where Tonto shown you. All right, you got
the drop on me now, But I'm telling the engine
I'll have you in jail or turn in my star.
Speaker 1: His work in town finished, the lone Ranger raced toward
the grove of trees where he and Taunter had stopped
several days before. Very dismounted and stood beside Silver. The
minutes passed slowly, but he made no move. Then, although
he carefully concealed the fact, his ears caught the faint
sound of a man's footsteps.
Speaker 11: Quiet, old boy, hold it so you came, Sure I came,
But you never figured I'd show up without you hearing me.
Speaker 7: Did you perhaps let me have a look at you?
Speaker 11: Why, bless my eye, don't need the mask, fellow. I
am right glad to meet up with you again, the Stranger. Yes,
and first I'm gonna find out how you knew it
was me, acute Jason.
Speaker 2: Then you're getting the same as he did.
Speaker 7: You're sure of that.
Speaker 11: I'm holding all our high guards in this game stranger,
I reckon, You ain't got no choice but to follow
my lead.
Speaker 2: Go on, I'll speak up. How'd you get on to me?
You've read my note?
Speaker 11: It said for me to meet you where the killing
took place, and if we could come to terms. Maybe
you wouldn't tell the sheriff what you knew. That's right,
But I didn't answer my question. You see it happen?
Maybe don't feel like talking? Man, Well, I reckon, I'll
have a look at what's behind that mask of yours.
Then we'll get down the business. I just stand still
and they're shoot an iron of minus leable to go off?
Speaker 2: No, the silver.
Speaker 5: Stop it?
Speaker 4: A boy, flash y'll tell.
Speaker 2: You drop your guns. Let loose bank silver horses at
the devil.
Speaker 7: He knows how to handle murderers.
Speaker 2: Don't shoot me. I was just fooling when I said
I was going to kill you. I didn't meet it.
Speaker 7: We'll talk terms.
Speaker 2: What do you want?
Speaker 7: Will you give me half of the value of the
diamond you stole?
Speaker 6: I'll look here, make up your mind.
Speaker 2: Sure I will, stranger, I'll give you half. Just put
them guns down?
Speaker 7: Where is the diamond?
Speaker 2: Wait? Do I sell it?
Speaker 7: I'm not trusting you. Where's the diamond?
Speaker 2: It's it's out of the ranch.
Speaker 7: Good.
Speaker 8: I suppose you trick Jason into coming here with him
and then shot him and took him back to the hotel.
Speaker 2: I thought you knew about that.
Speaker 7: I know most of it.
Speaker 2: You and me are really gone partners.
Speaker 7: We are of my take half the diamond.
Speaker 2: And then I guess it won't hurt to tell you.
Sure that's touched the way it happened.
Speaker 11: Cason thought I was the only one wanted to buy
the stoneyhead, so I said if he'd ride out to
my ranch, I'd give him the case.
Speaker 7: Because you left the cafe by the back away. You
must have seen that too, No, but it was the
only way that you could have left without being discovered.
Speaker 11: Yeah, we went out the back, and after he was shot,
I got him to his room the same way.
Speaker 2: Wrote that note, then joined the follows.
Speaker 6: At the bar, you need more revenue, sell it?
Speaker 2: What's you heard? All of us needed?
Speaker 6: Stranger?
Speaker 2: More apprentises from to hang strangers. You saved my neck
with a double cross me.
Speaker 7: You trapped yourself.
Speaker 8: Toda and I discovered where the shooting had really taken place,
but we didn't know who the killer was.
Speaker 7: But you gave me that note, and I gave notes
just liking to clem and fill.
Speaker 8: All three of you own black horses rash cream men
received identical notes.
Speaker 7: But only the guilty man could have known he was
to meet me at this grove of trees.
Speaker 2: I should have shot you when I first came up.
We was watching you, Mark. We'd have shot first if
you'd have tried anything.
Speaker 6: Oh we was waiting for was a mask, ran to
get you to tell the whole story.
Speaker 12: I'm getting for this mort You won't get anybody, because
just as soon as you've had your trial, you're going
to hate.
Speaker 2: Home telwhere we're heaven for Sina Valley, and going to
bed trouble.
Speaker 5: The stock.
Speaker 1: Mm hmm. The story you have just heard is a
copyrighted feature of The Lone Ranger Incorporate